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Speaker 1: Hello, and welcome to a podcast. My podcast A debrief

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Speaker 1: where I get people in the car and I've got

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Speaker 1: Brad Oaks in the back. Killo, he's in the back.

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Speaker 1: He's only in the front. And Henry wait, but what

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Speaker 1: do we Henry yam, Well, we debrief after the gig.

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Speaker 2: Gone for a drive to a little gig. Then drive

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Speaker 2: with golden debris. It's golden debre, it's golden tree.

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Speaker 1: It's golden treeld And so we talked before the gig

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Speaker 1: and we talk about what we think it's going to

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Speaker 1: be like, and then we do the gig, and then

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Speaker 1: we get in the car. We talk about the gig

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Speaker 1: to it sounds like you.

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Speaker 3: Never to it.

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Speaker 1: But that's all right. It doesn't matter. You don't have to.

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Speaker 1: I don't care.

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Speaker 4: I do like how this podcast has two penguins.

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Speaker 1: I got two penguins in my car. That's my favorite animal?

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Speaker 1: Is it the penguin? Oh?

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Speaker 4: Man, that's good.

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Speaker 1: Penguins.

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Speaker 4: They're pretty chill.

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Speaker 3: They are.

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Speaker 5: I read somewhere that I can't remember what racist people

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Speaker 5: call it, but they call the penguin the business goose.

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Speaker 1: Oh that's funny. I love the business goose. Now, Brad,

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Speaker 1: tell everyone where we're going we're.

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Speaker 3: Heading to We're going to an R. S.

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Speaker 1: L Eristle, which okay, so now give the mic back

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Speaker 1: to Henry because we're going to get I don't know

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Speaker 1: if Henry would even you know, where are you from?

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Speaker 1: You're in New Zealand right here?

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Speaker 4: Yeahs, I just had an idea. I need it write down.

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Speaker 1: I've got an idea. Hang, this is we're seeing the

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Speaker 1: magic happening in front of us. Brad was he writing down? Penguin, penguin, goose?

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Speaker 1: I can't read that.

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Speaker 4: I just wrote, penguin is all Torso. I thought, yeah,

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Speaker 4: the penguin is all Torso thought, that's a very funny idea,

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Speaker 4: like most.

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Speaker 1: Like most birds.

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Speaker 4: Yeah, yeah birds, Henry.

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Speaker 1: Where are you from? New Zealand?

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Speaker 4: Auckland?

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Speaker 1: Oh yeah, I've been in Auckland. Yeah yeah, yeah, I

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Speaker 1: went to make I went to New Zealand in the seventies.

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Speaker 1: My dad when he retired from the Air Force, he

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Speaker 1: got his super and and we went on a Kenticky

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Speaker 1: tour of New Zealand.

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Speaker 4: Oh Dad's cool.

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Speaker 1: Yeah, And but Kentucky was It wasn't like just young

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Speaker 1: people routing each other. There are other there are other

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Speaker 1: families on the bath by memory.

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Speaker 4: Well, how you went with your dad?

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Speaker 1: Mum and dad? Yeah, and my brothers. Yeah, I was

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Speaker 1: in grade four A. Yeah, seventies. It would have been

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Speaker 1: like nineteen seventy.

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Speaker 5: In New Zealand. That sounds like you're practicing to go

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Speaker 5: on a proper ent Yeah.

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Speaker 1: And then the continued tour was only on the north

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Speaker 1: end of South Island. Dad and man, I've got a van.

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Speaker 1: We drove around.

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Speaker 4: Oh that's cool. Yeah, that's cool.

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Speaker 1: But and I remember it was amazing. New Zealand was incredible.

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Speaker 4: It's the best place in the world.

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Speaker 1: Why aren't you there?

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Speaker 4: Ah? Yeah, people tend.

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Speaker 1: To leave, you know. But they were all, well, there's

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Speaker 1: so many keyweks here doing well.

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Speaker 4: That's because only the good ones make it up.

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Speaker 1: Well true. Some were saying, I can't remember it was

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Speaker 1: Ray O Lee or someone was telling me you go

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Speaker 1: back to New Zealand. The scene's on me good anymore. Yeah,

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Speaker 1: because all your fuckers are over here now. Yeah. Yeah.

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Speaker 4: The thing about Ray he's so hacked, Like, man, I

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Speaker 4: hate that this podcast.

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Speaker 1: We know you're joking. We know you guys all meet

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Speaker 1: on a Monday night and plan out down for we

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Speaker 1: do we do you have a white Ball with O'Neill

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Speaker 1: Oaks's photos up there. These two guys are easy targets.

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Speaker 4: Well, however, already taking you guys out?

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Speaker 1: Okay, what's the plan.

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Speaker 5: It's with their wide combs. It's like when they the

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Speaker 5: Hearers came over in the eighties and yeah, took everyone out.

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Speaker 1: They wants to play with mellow. You get a TV show,

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Speaker 1: good one, good one, and just employ other. New Zealand

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Speaker 1: is very good, very good. Who's going to suck up

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Speaker 1: to the working gog people? I'm onto it?

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Speaker 4: Have you seen on Swelling?

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Speaker 5: Oh?

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Speaker 4: Yeah, it's true. Guy, another show to take her?

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Speaker 1: Come up with a spelling show? Yes, yes, who's Maybe

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Speaker 1: he's the captain, Maybe he's the general?

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Speaker 4: Is here the general? Yeah? I thought so.

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Speaker 1: And you're one of the workers. Americanody tries to get

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Speaker 1: to the meeting, but she doesn't make it very often

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Speaker 1: because she's really busy.

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Speaker 4: Now, yeah, I'm just the cleaner, you know, I'm there.

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Speaker 4: I'm like, I'm here if you need.

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Speaker 1: And there must be a few guys that win don't

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Speaker 1: even know that they're just going why and I famous

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Speaker 1: I'm key Another factor guy in the Comedy Festival Melbourne

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Speaker 1: recently did a show called Another Key we comedian. Who

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Speaker 1: was that? That was? That was? Yeah? I'm like, what

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Speaker 1: there's one that isn't famous?

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Speaker 4: Well, it's crazy because Kimi comics are liked here, but

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Speaker 4: in new.

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Speaker 1: They're yeah yeah, yeah, yeah, it's a cultural cringe. It's

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Speaker 1: probably the same with the Yeah yeah, but we can't

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Speaker 1: go to where can we go? Though? We can't go anywhere?

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Speaker 4: Yeah, you could probably go UK. They might like you.

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Speaker 1: I've done the UK, You've done a UK brad Avenue. Yeah,

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Speaker 1: And it's kind of like they kind of like put

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Speaker 1: up with you. But I mean I like obviously like

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Speaker 1: Adam Hills.

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Speaker 5: And I think day over there, yeah, and I think

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Speaker 5: there's some kiwi's doing very well over in there.

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Speaker 3: Who was that woman? Who one task master?

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Speaker 1: Who's that name?

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Speaker 3: Is very funny?

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Speaker 1: Well? And also old mates you know from the Concords.

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Speaker 1: Oh yeah, Ree Darby, Yeah yeah, he'd be on your

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Speaker 1: phone call, he'd be on your meeting. He'd just be

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Speaker 1: zooming in there for a few minutes.

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Speaker 4: He's yeah, yeah, he's already led the way him in

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Speaker 4: the Concords.

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Speaker 5: He'd probably be like Charlie and Charlie's Angel just a voice,

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Speaker 5: just yeh.

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Speaker 1: From Is it really you or is it an AI version? Reese? No, mate,

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Speaker 1: it's really lean. It's really bleep on here. I was

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Speaker 1: in hunt for The people.

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Speaker 4: Were also by news before they gone.

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Speaker 1: Really yeah, they were loved by Australians. Yeah, they're very

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Speaker 1: fun nice guys too anyway, I mean when they came

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Speaker 1: out here anyway. So how long did you comedy in Auckland?

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Speaker 4: For? Maybe about there years? This is my fifth year,

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Speaker 4: so I think maybe.

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Speaker 1: And so you're an engineer?

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Speaker 4: Yeah yeah, yeah, by what sort? Mechanical? But I don't

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Speaker 4: like it. You know, what did you do?

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Speaker 1: You still work as an engineer?

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Speaker 4: Yes? You know, I am not big and famous like

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Speaker 4: you guys. Sure sure, I don't know to mention. I

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Speaker 4: just came from Dave's house and man, one story Maine,

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Speaker 4: I would like that's the type of house I would

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Speaker 4: like to rob.

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Speaker 1: So you're still working as an engineer.

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Speaker 4: Yeah, yeah, yeah, but it's really hard. I need to

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Speaker 4: find a part time made yeah yeah yeah yeah, because

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Speaker 4: I find like you just don't have enough time, like.

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Speaker 1: Well, you be exhausted engineering.

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Speaker 3: Yeah.

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Speaker 4: The worst thing is like you're using your your peak

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Speaker 4: brain powerful stuff that doesn't matter.

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Speaker 1: Do you work for a big company or the government or.

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Speaker 4: Now it's a smaller company.

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Speaker 1: Okay, do they know you do comedy?

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Speaker 4: Oh yeah, it's not.

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Speaker 1: Some think he's meant to be funny, this blake. He

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Speaker 1: does comedy again with Brad O'Neill on Saturday Night.

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Speaker 5: I know.

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Speaker 4: I think the key is when you have a job,

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Speaker 4: you don't tell them you do comedy.

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Speaker 1: Well, they'll find out they will doing this podcast, and

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Speaker 1: then they turn up to your gig. Oh man, but

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Speaker 1: you're funny. So if they turn up.

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Speaker 5: I found when I started having a job, and when

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Speaker 5: I had jobs, telling them when I was a comedian

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Speaker 5: excused a lot of things I did badly.

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Speaker 1: Yeah, yeah, true. And also, Henry, you know what, it's

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Speaker 1: good to have a job to motivate you to become

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Speaker 1: a comedian more and more, because you know, you you

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Speaker 1: that's good that you've had a job, because there's nothing worse.

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Speaker 1: And there's quite a few examples in the comedy industry

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Speaker 1: of someone who goes straight into comedy and never worked

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Speaker 1: in a ship job. And your job's not even ship.

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Speaker 1: It's a profession engineering, but engineering is full on.

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Speaker 4: Though yeah, it's too much. That takes a lot of

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Speaker 4: responsibility responsibility. And the problem is when you do comedy

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Speaker 4: as well, you do it poorly. You do engineering poorly

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Speaker 4: because you just don't hang on.

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Speaker 1: There's a building on a collapse because of.

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Speaker 4: Your I'm a mechanical so this car.

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Speaker 1: Yeah, mechanical, mechanical.

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Speaker 4: Did you have a job when you were Oh yeah, yeah,

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Speaker 4: what did you do?

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Speaker 1: Yeah, this podcast is not about me.

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Speaker 3: No.

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Speaker 1: I I studied to be a teacher, and then I

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Speaker 1: worked for the Red Cross as a field Officely it

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Speaker 1: was like public education job, you know, giving to And

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Speaker 1: then I.

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Speaker 3: Sold some hot dogs.

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Speaker 1: Yeah, there was a part time job in the hot

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Speaker 1: dog shop. And then I I worked at a private

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Speaker 1: PR company, but then I got sacked. And then when

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Speaker 1: I started comedy, I always had like such as like

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Speaker 1: warehousing jobs, and I worked at I worked at tape

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Speaker 1: because my dad was a tape teacher. But Brad was

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Speaker 1: a union organizer.

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Speaker 5: Yeah, I was a union organized I also sold some

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Speaker 5: hot dogs, so I've got I've got a bit.

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Speaker 1: Of I never did a full on professional job while

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Speaker 1: doing comedy. I got sacked from my professional job and

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Speaker 1: then I started doing comedy, and so I always and

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Speaker 1: I kept getting offered not a lot, but I kept

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Speaker 1: getting offered, you know, full on pr jobs where you

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Speaker 1: have to be there like, you know, nine to six

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Speaker 1: every day. So he's kept saying.

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Speaker 5: No, no, Henry. Do you know there's a guy, Max

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Speaker 5: is Zadmik who I think. He's an automotive engineer as well,

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Speaker 5: does a bit of comedy.

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Speaker 4: Max, he's a lovely man.

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Speaker 1: You talk about engineering with him?

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Speaker 4: Yeah, no, no, no, we just talk comedy. Yeah, yeah,

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Speaker 4: I tell him you gotta stop doing those jokes.

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Speaker 1: What a motive engineer and what some of do?

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Speaker 4: You're working right now? Ringwood? But that's where I grew up.

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Speaker 1: Man. You can go, yeah, go and see the statue

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Speaker 1: of me. Yeah, I'm actually mitcham and so I was.

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Speaker 1: Brad MIT's the next suburb to Ringwood.

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Speaker 3: Yeah.

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Speaker 4: The problem is I don't have enough money to attribute

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Speaker 4: every day, you know.

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Speaker 1: Yeah, yeah, no. Do you get a train out?

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Speaker 4: Yeah yeah yeah.

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Speaker 1: Ringward's not too bad.

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Speaker 4: But the question is when do you when.

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Speaker 1: You stop working? When you're start doing enough money to live?

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Speaker 4: Oh yeah, you're like wealthy parents or na, I'm so poor.

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Speaker 1: What did your dad do for a job?

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Speaker 4: He's like a handyman.

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Speaker 1: Yeah, that's like an engine simple to my dad, who

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Speaker 1: was a film trainer. Yeah, they could have been engineers,

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Speaker 1: these guys, but they just didn't have those opportunities.

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Speaker 4: I feel like, yeah, because they're probably more like they

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Speaker 4: know more about engineering than of course.

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Speaker 1: But what about your mom? Is she still working?

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Speaker 4: She's like a housewife.

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Speaker 1: So yeah, it's like my mom.

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Speaker 4: But we're yeah, we're pretty poor.

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Speaker 1: You're poor.

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Speaker 4: I don't think we I could. I couldn't.

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Speaker 1: You can't hit up them brothers or sisters.

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Speaker 4: Yeah, one older one, younger brother. Older brothers an engineer.

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Speaker 4: My younger sister is also an engineer.

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Speaker 3: Love.

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Speaker 1: Yeah, Dad and Mom, we're so proud. Henry is a letdown.

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Speaker 1: He's trying comedy dude. Man, Oh yeah it was crazy. Yeah. Yeah,

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Speaker 1: they probably wouldn't have understood it.

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Speaker 4: They did not. They didn't think toking could get you money.

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Speaker 1: That's so funny. Well, you just gotta keep going. Didn't

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Speaker 1: you win? Raw? Raw?

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Speaker 5: That's pretty good. There's three of you as engineers, so

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Speaker 5: you kind of like the Beg.

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Speaker 3: Yeah, the band.

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Speaker 1: They're a band in Australian English, band that had a

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Speaker 1: lot of hits staying Alive. You are young, but the Bees,

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Speaker 1: you know, they had high voices and they are three

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Speaker 1: brothers who saying together.

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Speaker 4: But question, is RAW even that prestigious? Yes, it is

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Speaker 4: well to win it.

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Speaker 1: It is as as I've always said, and someone said

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Speaker 1: this to me, all competitions are ship until you win one,

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Speaker 1: and then they're good. Well, you're gonna look at some

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Speaker 1: of the people that want not everyone who wins RAW

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Speaker 1: goes on the great things. But like Anna Gadsby one wrong,

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Speaker 1: Josh Thomas did Josh Thomas? Did you win RAW? Or

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Speaker 1: you come? A few famous people came second too, didn't they? Brad,

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Speaker 1: like like Celia Pecola.

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Speaker 4: Maybe? I mean it was cool, it's awesome. Yeah, who

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Speaker 4: was in your year?

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Speaker 3: Who did.

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Speaker 4: Shout out to my boy?

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Speaker 1: You know, I don't know him?

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Speaker 4: Okay, William Wang?

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Speaker 1: Oh, I know William Wang Mega.

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Speaker 4: Yeah, I know her.

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Speaker 1: She's funny. Well that's pretty good competition. No, I think

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Speaker 1: winning role is a good thing. Absolutely. Did you go

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Speaker 1: to Edinburgh?

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Speaker 4: Then? Yeah?

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Speaker 1: That was that.

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Speaker 4: Oh it was really interesting. I bombed, like really hard

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Speaker 4: for the first two weeks.

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Speaker 1: SA you bombed or bonded? Bombed?

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Speaker 3: Bombed?

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Speaker 4: Yeah, because I was just like what I should laugh?

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Speaker 4: That's fair. I love bombing. But I think I realized

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Speaker 4: like they have never seen an Asian that speaks with like, yeah,

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Speaker 4: the accents, so they just couldn't get past.

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Speaker 1: Yeah, it's like what's his name KOs talking about when

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Speaker 1: he goes to America. I can't cope with his face

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Speaker 1: and his accent together.

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Speaker 4: And it's kind of annoying having to start a gig,

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Speaker 4: like just waste some time talking about that.

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Speaker 1: Yeah, I've got a key accident and your key exit

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Speaker 1: is not even that strong.

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Speaker 4: Yeah it's not that strong. Yeah, yeah, I.

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Speaker 1: Would never I just thought you were astrayan what about you?

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Speaker 4: Yeah, and yeah, I mean yeah, that's the annoing thing.

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Speaker 4: So you know, but yeah, because ideally you just want

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Speaker 4: to talk about stuff you want to talk about, yeah,

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Speaker 4: you know, but sometimes yeah, if you're not a superstar

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Speaker 4: international sensation like Davon Neil.

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Speaker 1: Yeah yeah, yeah, right yeah right. Of course. Henry's famous

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Speaker 1: for asking me how much money I earned and I

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Speaker 1: told him I got to say that that was a

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Speaker 1: very good year when you asked me, yeah it's been

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Speaker 1: that good. You're not as good. But were you shocked

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Speaker 1: when I told you? And I love your statement. You said,

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Speaker 1: but I don't see you any gigs and said I

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Speaker 1: don't do the gigs at your door. I'm not doing

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Speaker 1: totally republic.

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Speaker 4: You don't do it.

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Speaker 3: You gotta do it.

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Speaker 4: Why, I don't know, just to feel humiliation, I.

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Speaker 1: Used Well, open mics weren't a thing when we started.

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Speaker 1: We started our own, didn't we, Brad, Really when we

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Speaker 1: started we started, I started like the s Mythtery anyway, whatever,

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Speaker 1: comedy cabaret and we call them comedy nives, but now

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Speaker 1: you think about it, their open mic nights.

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Speaker 3: But they're open mind we called them tryout nights.

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Speaker 5: Yeah, but we kind of assimilated into paid work, maybe

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Speaker 5: a little bit quicker than people do these days.

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Speaker 1: Yeah, because we would go and do the Comedy Cafe

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Speaker 1: would have an amateur night on Thursdays, The Joke had

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Speaker 1: one on Tuesdays, and then you'd have to go and

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Speaker 1: do like the Star and Guard. They'd have two amateurs on.

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Speaker 1: Then you know, they'd be like pros headlining and MCing

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Speaker 1: and stuff.

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Speaker 3: But they were all. It was all mixed in with

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Speaker 3: and the audiences.

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Speaker 1: Yeah, they're good audiences, not not just other comedians audience,

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Speaker 1: not only.

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Speaker 5: You know, there's there's a lot more gigs these days, Henry,

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Speaker 5: but a lot of them are only attended by you know,

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Speaker 5: and people crazy laughs and die hard.

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Speaker 1: And openly yeah yeah and open. I run a lot

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Speaker 1: of gigs myself, so that's where I do mind new material.

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Speaker 4: I don't have to that's so good.

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Speaker 1: Yeah, I don't have to go to whatever dirty secrets

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Speaker 1: on a Tuesday or wherever you go.

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Speaker 4: Oh yeah, well having open mics, do you do? I

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Speaker 4: do a lot. I do pretty much most gigs in Melbourne.

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Speaker 4: So yeah, I just tried to gig as much as

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Speaker 4: I can, Like it's a good idea. I try to

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Speaker 4: hit like on a on a slow week, maybe five.

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Speaker 1: Wow, that's good. That's what you should be doing.

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Speaker 4: On a good week, maybe seven, eight maybe.

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Speaker 1: So you used to see Ulessia Carduccio. He used to

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Speaker 1: do He's he was a king. Yeah, it was a

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Speaker 1: king of billy Billy starles Billy's out there on the streets.

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Speaker 1: Yeah yeah, actually doing gigs on the street. He would.

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Speaker 4: Yeah.

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Speaker 1: But do you get on it like the lounge and

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Speaker 1: place like that.

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Speaker 4: And I've been on lounge once, Okay, the basement, I

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Speaker 4: get on basement.

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Speaker 1: Yeah.

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Speaker 4: I was just on basement last weekend.

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Speaker 1: So and.

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Speaker 4: Republic yeah yeah, So I think like.

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Speaker 1: These are all Melbourne rooms for anyone.

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Speaker 4: Lounge not so much. It'd be nice to get on again.

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Speaker 4: I don't know, like I don't know how to get

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Speaker 4: on though, Like I'm not that good at networking.

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Speaker 1: It's yeah, it's yeah, it's a skill.

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Speaker 4: But network.

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Speaker 1: Just turn up and go yeah, I know, Dave and

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Speaker 1: I really like your shirt, And then they don't.

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Speaker 4: Should I just case like you should probably?

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Speaker 1: I just get what was you back for? Hey? What

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Speaker 1: about the magpie?

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Speaker 4: Yeah?

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Speaker 1: They go, well, can I get you a drink? I

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Speaker 1: was always pretty good at networking, but I don't do

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Speaker 1: it much anymore.

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Speaker 4: Because you don't need to.

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Speaker 1: I don't know bread nereworking. That's Brad, Brad were you?

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00:16:53,840 --> 00:16:54,560
Speaker 1: Are you a networker?

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Speaker 5: I'm not the best networking because never been the best

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Speaker 5: kind of.

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Speaker 1: It's a bit of a true teller. Whereas I'm because

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Speaker 1: I came from a public relations background. I'm good at lying,

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Speaker 1: you know what I mean, lying and bullshooting.

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00:17:08,200 --> 00:17:10,680
Speaker 5: I'm great at lying. I'm look at my routine, it's

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Speaker 5: all live. But I'm just not good at suffering fools.

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Speaker 1: Fools. My dad could talk to anyone, and I've inherited

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Speaker 1: that that trait.

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Speaker 3: Just talk to anyone, you do get along with everybody,

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Speaker 3: and hey.

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Speaker 1: Signed for ripping. You're on the right way, guys, I'm

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Speaker 1: so excited.

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Speaker 3: Yes, but yeah, it's networking.

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Speaker 5: I think I think you are networking because everybody knows

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Speaker 5: you in the in the open mic scene.

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Speaker 1: And who me Henry people know Yeah, and you know what,

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Speaker 1: you're not an asshole, so you'll be all right and

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Speaker 1: it's funny. So I think you'll be all right in

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Speaker 1: the long run.

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00:17:48,160 --> 00:17:48,560
Speaker 3: And you're not.

401
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Speaker 4: You're not.

402
00:17:49,080 --> 00:17:52,480
Speaker 1: You wouldn't be one of those rude very important not

403
00:17:52,520 --> 00:17:55,160
Speaker 1: to be rude to people, because you know, if you're

404
00:17:55,200 --> 00:17:58,760
Speaker 1: rude to people, they'll remember it and then they won't

405
00:17:58,760 --> 00:18:00,480
Speaker 1: you know, if they become someone, they won't give you

406
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Speaker 1: a gig.

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Speaker 4: But it's like, why would you. Yeah, I feel like

408
00:18:02,920 --> 00:18:06,359
Speaker 4: people are rude to people all the time. I feel like, yeah,

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00:18:06,480 --> 00:18:08,720
Speaker 4: I don't know, I don't see it, like, yeah, it's

410
00:18:08,760 --> 00:18:09,600
Speaker 4: just not good.

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00:18:10,560 --> 00:18:13,560
Speaker 1: No, Well, I'm sure your parents were polite and they

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Speaker 1: taught you well. I mean, you know, if someone's mean

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00:18:16,040 --> 00:18:19,000
Speaker 1: to you, you can kick back, but yeah, or stupid

414
00:18:19,119 --> 00:18:21,400
Speaker 1: or just being rude, like giving you a.

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Speaker 4: Bad introduction for example, getting on, like when you get on.

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00:18:26,280 --> 00:18:28,119
Speaker 1: No, I know, you when they say on this next bloke,

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00:18:28,800 --> 00:18:31,520
Speaker 1: I this guy say, you know, we've had a lot

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Speaker 1: of funny comedians and we've also got Dave and Neil tonight.

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00:18:33,920 --> 00:18:38,600
Speaker 1: You know that kind of thing. A dude, I had.

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Speaker 1: It's great, go on.

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Speaker 4: I had this one where the guy introduced his like

422
00:18:44,920 --> 00:18:47,040
Speaker 4: this next guy, I've never seen him that. I can

423
00:18:47,119 --> 00:18:48,919
Speaker 4: guarantee he's not going to be as funny as the

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00:18:48,960 --> 00:18:49,800
Speaker 4: guy you just saw.

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Speaker 3: So money.

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Speaker 4: I don't want to call him out, but I love

427
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Speaker 4: the guy.

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00:18:55,920 --> 00:19:04,280
Speaker 1: Okay, to be fair, he's never seen men rude anyway.

429
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Speaker 1: Were you shocked at the amount of money that comedians

430
00:19:06,240 --> 00:19:08,960
Speaker 1: earned because I said to you when I told you

431
00:19:09,280 --> 00:19:12,080
Speaker 1: and I said, why that's huge? Or kiddy Flanagan, Oh yeah,

432
00:19:12,160 --> 00:19:13,760
Speaker 1: man there the next level up.

433
00:19:14,440 --> 00:19:17,199
Speaker 3: You should talk to me. So shocked?

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00:19:19,800 --> 00:19:22,680
Speaker 4: Actually hugely was just because I was on a gig.

435
00:19:24,440 --> 00:19:26,680
Speaker 1: What do you mean millions of dollars? He always goes

436
00:19:26,720 --> 00:19:28,720
Speaker 1: to me, I tell him, so much money? Did you earn?

437
00:19:28,760 --> 00:19:32,520
Speaker 3: I say, he and the rest I know that's it. No,

438
00:19:33,160 --> 00:19:34,040
Speaker 3: that's it, Husy.

439
00:19:34,240 --> 00:19:36,720
Speaker 4: Yeah, he was complaining the other day about how his

440
00:19:36,880 --> 00:19:40,359
Speaker 4: super is like three million dollars or something. Was going

441
00:19:40,400 --> 00:19:46,359
Speaker 4: to get taxes on my super.

442
00:19:44,840 --> 00:19:47,520
Speaker 1: Is three hundred grand. We had a great conversation in

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Speaker 1: the radio Stuo once with Nathan Buckley. He was a

444
00:19:49,520 --> 00:19:52,960
Speaker 1: former Collingwood captain and coach, right, and he said that

445
00:19:53,080 --> 00:19:55,440
Speaker 1: Husy Gates, I reckon, are you earn more money than

446
00:19:55,480 --> 00:20:02,680
Speaker 1: you Nathan? And Nathan goes a million dollars in sponsorship alone. Okay,

447
00:20:02,920 --> 00:20:07,280
Speaker 1: you win more on anyway? Well, no, you can do

448
00:20:07,760 --> 00:20:09,560
Speaker 1: good money in comedy.

449
00:20:09,680 --> 00:20:11,879
Speaker 4: That would be the dream.

450
00:20:12,200 --> 00:20:16,200
Speaker 1: You've got everything going for you.

451
00:20:14,960 --> 00:20:19,120
Speaker 4: Yes, okay, oh yes.

452
00:20:20,720 --> 00:20:23,760
Speaker 1: Yeah you got And also you've got diversity. They love

453
00:20:23,800 --> 00:20:26,680
Speaker 1: a bit of diversity. Now try being a fat white

454
00:20:26,720 --> 00:20:29,880
Speaker 1: guy that me and Oaks. Yeah fine in the nineties.

455
00:20:30,440 --> 00:20:32,960
Speaker 4: Yeah yeah, yeah, yeah, yeah, your time is done.

456
00:20:34,240 --> 00:20:39,080
Speaker 1: Henry, mate, we'll be we'll be supporting you. Give the

457
00:20:39,080 --> 00:20:42,320
Speaker 1: next Aaron Chen and we'll be Can we drink? Henry

458
00:20:42,320 --> 00:20:48,040
Speaker 1: will take the phone call Ronnie, Ronnie, we used to

459
00:20:48,080 --> 00:20:53,479
Speaker 1: support us, you know, Ronnie Chang. Yeah, that's of course.

460
00:20:53,600 --> 00:20:54,880
Speaker 4: How did they get so far?

461
00:20:55,440 --> 00:20:57,639
Speaker 1: Well, Aaron and Ronni are both very funny for a start,

462
00:20:58,200 --> 00:21:02,000
Speaker 1: they're both nice people, and right, I don't know about Amber.

463
00:21:02,040 --> 00:21:03,920
Speaker 1: Ronnie is very good at business. I gotta say, oh.

464
00:21:03,960 --> 00:21:07,200
Speaker 4: Yeah, he a business sense, networking all yeah.

465
00:21:07,240 --> 00:21:10,359
Speaker 1: And he was. It was just a combination of not

466
00:21:10,560 --> 00:21:13,160
Speaker 1: lack but timing. I reckon with Ronnie, don't you reckon

467
00:21:13,160 --> 00:21:13,960
Speaker 1: Brad Ronnie.

468
00:21:14,080 --> 00:21:15,840
Speaker 5: I don't know about Aaron. I don't know Aaron very well,

469
00:21:15,880 --> 00:21:18,560
Speaker 5: but I know Ronnie always had a plan as well.

470
00:21:18,880 --> 00:21:23,800
Speaker 1: Yeah, he's a lawyer, so he's not stupid. Timing in

471
00:21:23,880 --> 00:21:26,440
Speaker 1: terms of when he turned up so not the timing

472
00:21:26,440 --> 00:21:28,199
Speaker 1: of his jokes. It's like the timing of when he

473
00:21:28,240 --> 00:21:30,480
Speaker 1: turned up on the scene in the world, because we

474
00:21:30,920 --> 00:21:33,560
Speaker 1: Australia had never really had an angry Asian comic like he.

475
00:21:33,680 --> 00:21:37,560
Speaker 1: You know, we had Asian comics like Arndau Asian Australians,

476
00:21:37,600 --> 00:21:40,359
Speaker 1: but they were kind of friendly and happy. You know,

477
00:21:40,359 --> 00:21:42,879
Speaker 1: where's Ronnie's like? You know, he used to say, what

478
00:21:43,040 --> 00:21:44,560
Speaker 1: is it with your white people? I'm gonna do his

479
00:21:44,640 --> 00:21:47,280
Speaker 1: voice with your shoes in the house and your potatoes.

480
00:21:47,320 --> 00:21:54,159
Speaker 1: You disgusted me. So once once he started talking like

481
00:21:54,240 --> 00:21:56,960
Speaker 1: that and people got onto that and people like other

482
00:21:57,040 --> 00:21:58,920
Speaker 1: Asian people. Sorry, I went, oh, this guy is saying

483
00:21:59,000 --> 00:22:01,520
Speaker 1: exactly what I think. Yeah, he just and he just

484
00:22:01,720 --> 00:22:05,200
Speaker 1: he did the Comedy Festival. It's not similar to Hugheye,

485
00:22:05,200 --> 00:22:07,800
Speaker 1: what happened with him? He did like the gala, He

486
00:22:07,800 --> 00:22:09,800
Speaker 1: did a spot that took off. It just got word

487
00:22:09,840 --> 00:22:11,840
Speaker 1: of mouth and he moved eventually did the big Room

488
00:22:11,880 --> 00:22:14,440
Speaker 1: in the town Hall and then he got famous via

489
00:22:14,480 --> 00:22:16,679
Speaker 1: that and then I didn't ever know. I seen him

490
00:22:16,680 --> 00:22:19,399
Speaker 1: on a plane, just on a video. Yeah, and then

491
00:22:19,480 --> 00:22:21,720
Speaker 1: just said did a gig with him and he said,

492
00:22:21,720 --> 00:22:23,320
Speaker 1: I love this guy. And that's what happened.

493
00:22:23,760 --> 00:22:23,960
Speaker 5: Man.

494
00:22:24,080 --> 00:22:26,520
Speaker 4: The gala is like so cool, a like have you

495
00:22:26,560 --> 00:22:28,840
Speaker 4: done the Girl? I was able to do the New

496
00:22:28,920 --> 00:22:31,800
Speaker 4: Zealand one this year, but haven't done the Melbourne one.

497
00:22:31,840 --> 00:22:33,440
Speaker 4: But it really helps shift tickets.

498
00:22:33,800 --> 00:22:36,159
Speaker 1: Yeah, but not it used to be massive, but not

499
00:22:36,200 --> 00:22:38,320
Speaker 1: so much anymore, I think. But if you get your

500
00:22:38,320 --> 00:22:41,560
Speaker 1: clip online, there's always someone that takes off. I reckon. Yeah,

501
00:22:41,560 --> 00:22:45,240
Speaker 1: every year happened happened to Tommy Little too? Actually, oh

502
00:22:45,280 --> 00:22:48,760
Speaker 1: he took off from the gala. Yeah, it's just like

503
00:22:49,520 --> 00:22:54,920
Speaker 1: six times and never took off at least I did it.

504
00:22:55,960 --> 00:22:59,480
Speaker 4: You'll be right, I reckon, Yeah, Yeah, I'm just trying

505
00:22:59,520 --> 00:23:01,360
Speaker 4: to be funny, like I think, just.

506
00:23:01,359 --> 00:23:02,280
Speaker 3: Keep doing gigs.

507
00:23:02,440 --> 00:23:04,720
Speaker 4: Yeah, because you know how people like like they like

508
00:23:04,800 --> 00:23:06,119
Speaker 4: focus on, like, so what.

509
00:23:06,240 --> 00:23:08,840
Speaker 1: Are we going to Sydney. The fuck go on?

510
00:23:09,240 --> 00:23:11,399
Speaker 4: Like people focus on socials and all the other stuff,

511
00:23:11,440 --> 00:23:13,960
Speaker 4: But I feel like being funny is going to give

512
00:23:14,040 --> 00:23:17,240
Speaker 4: you everything you need for everything that you deserve.

513
00:23:17,359 --> 00:23:19,520
Speaker 1: Me that said, you should put clips online? Do you

514
00:23:19,560 --> 00:23:20,800
Speaker 1: do that all? Yeah?

515
00:23:20,800 --> 00:23:22,080
Speaker 4: Sometimes I need to do it more.

516
00:23:22,480 --> 00:23:23,560
Speaker 1: Everyone needs to do it more.

517
00:23:24,160 --> 00:23:27,119
Speaker 4: Yeah, but I try to. But yeah, growing socials is

518
00:23:27,160 --> 00:23:29,360
Speaker 4: really hard. I respect people who can do.

519
00:23:29,359 --> 00:23:30,560
Speaker 1: It, so do I.

520
00:23:30,880 --> 00:23:31,120
Speaker 4: Yeah?

521
00:23:31,560 --> 00:23:35,040
Speaker 1: We all do, don't we brain? We all want to

522
00:23:35,080 --> 00:23:38,360
Speaker 1: do it, but we're not. Again, that's luck and persistence.

523
00:23:38,359 --> 00:23:40,560
Speaker 1: I reckon. You just got to keep doing it.

524
00:23:41,280 --> 00:23:42,639
Speaker 4: Can I ask? When did you peak?

525
00:23:43,119 --> 00:23:43,840
Speaker 1: When did I peak?

526
00:23:44,160 --> 00:23:44,800
Speaker 4: Yeah?

527
00:23:44,880 --> 00:23:48,680
Speaker 1: Next week? When did I peak? I never really peaked,

528
00:23:48,680 --> 00:23:52,439
Speaker 1: did I brain? Did I? Oh? Two thousand's?

529
00:23:52,720 --> 00:23:53,440
Speaker 4: Two thousands?

530
00:23:53,920 --> 00:23:57,000
Speaker 1: Well, yeah, I don't know. I don't tell you that.

531
00:23:57,000 --> 00:24:00,719
Speaker 1: You're a lot in the When was that years ago?

532
00:24:01,520 --> 00:24:03,679
Speaker 1: Did pick some specs a lot? And then agony articles

533
00:24:03,720 --> 00:24:06,640
Speaker 1: and all that sort of stuff? I was on the radio? Yeah,

534
00:24:06,720 --> 00:24:07,800
Speaker 1: maybe ten years ago?

535
00:24:08,400 --> 00:24:11,359
Speaker 4: And how long does a comedian peak for? On the

536
00:24:12,160 --> 00:24:13,000
Speaker 4: look it?

537
00:24:14,640 --> 00:24:19,120
Speaker 1: The thing is to try and maintain some kind of profile. Yeah,

538
00:24:19,359 --> 00:24:21,679
Speaker 1: isn't a brad you just got a it's a you

539
00:24:21,720 --> 00:24:23,440
Speaker 1: know what, it's like a black guard that no one

540
00:24:23,480 --> 00:24:26,280
Speaker 1: talks about. Yeah, but like look at Hughesy. So he

541
00:24:26,640 --> 00:24:28,480
Speaker 1: you know, he's been back on TV and now he's

542
00:24:29,119 --> 00:24:31,399
Speaker 1: drawing big crowds again. But he dropped off for a

543
00:24:31,400 --> 00:24:32,600
Speaker 1: little bit probably, you know.

544
00:24:32,640 --> 00:24:35,159
Speaker 5: What I mean, Yeah, because he was concentrating on radio

545
00:24:35,880 --> 00:24:38,040
Speaker 5: or whatever. But he's going to back to what he

546
00:24:38,160 --> 00:24:40,840
Speaker 5: really likes. But he's kind of stayed up there. And

547
00:24:41,920 --> 00:24:45,159
Speaker 5: you know, a lot lots Mooney, Kenny Flanagan, you know,

548
00:24:45,760 --> 00:24:48,960
Speaker 5: Kyle Baron's only just got to like, you know, fart

549
00:24:49,000 --> 00:24:52,639
Speaker 5: and people selling million digts.

550
00:24:53,359 --> 00:24:56,720
Speaker 1: Well, in a way, I started got a profile when

551
00:24:56,760 --> 00:24:59,879
Speaker 1: it was there were more TV shows and there was

552
00:25:00,080 --> 00:25:02,480
Speaker 1: only TV. There was no Internet. So when I was

553
00:25:02,520 --> 00:25:04,359
Speaker 1: doing Fix and Specs and you know I went on

554
00:25:04,400 --> 00:25:09,040
Speaker 1: a sixty nine times, that's a lot, and that there

555
00:25:09,080 --> 00:25:11,720
Speaker 1: was no internet, there were no other distractions. Now, you

556
00:25:11,760 --> 00:25:13,680
Speaker 1: know there's guys like Luke Kidgel and those guys that

557
00:25:13,840 --> 00:25:17,560
Speaker 1: just do TikTok and Insta whatever clips and they're much

558
00:25:17,600 --> 00:25:18,640
Speaker 1: bigger than any of us.

559
00:25:19,080 --> 00:25:22,000
Speaker 4: They to theaters, but you kind of see like the

560
00:25:22,480 --> 00:25:24,040
Speaker 4: like where you should put your time.

561
00:25:24,720 --> 00:25:26,879
Speaker 1: Yeah, well that's it, But you're right, you should just

562
00:25:26,880 --> 00:25:29,960
Speaker 1: put it into stand up, but you should also try

563
00:25:30,000 --> 00:25:31,639
Speaker 1: and get it. I mean, it's no point being the

564
00:25:31,680 --> 00:25:34,040
Speaker 1: best comic but no one knows about it. Yeah, so

565
00:25:34,080 --> 00:25:36,240
Speaker 1: you've got to let people know that you're funny, you know,

566
00:25:37,200 --> 00:25:40,560
Speaker 1: and that's that's all social media now unfortunately.

567
00:25:41,000 --> 00:25:43,520
Speaker 4: But also, like you know, when you watch social media,

568
00:25:43,560 --> 00:25:45,040
Speaker 4: you don't have to be that funny.

569
00:25:45,320 --> 00:25:48,359
Speaker 1: Oh I know, like yeah, but you know what happens

570
00:25:48,400 --> 00:25:50,560
Speaker 1: there is that they'll get an audience and people will

571
00:25:50,600 --> 00:25:52,720
Speaker 1: come the first year, but they won't come back the

572
00:25:52,760 --> 00:25:55,280
Speaker 1: second year. I reckon, because if you're not funny when

573
00:25:55,320 --> 00:25:58,480
Speaker 1: they turn up, then then they're not going to come back.

574
00:25:58,720 --> 00:26:00,680
Speaker 1: They'll move on to someone else because there's always someone

575
00:26:00,720 --> 00:26:01,479
Speaker 1: new on the internet.

576
00:26:02,240 --> 00:26:05,240
Speaker 4: Also, how hard is it to retine audience year to year.

577
00:26:05,840 --> 00:26:08,080
Speaker 1: Yeah, that's a very good question. It just goes up

578
00:26:08,119 --> 00:26:11,600
Speaker 1: and down. I reckon, because I reckon when people are

579
00:26:11,640 --> 00:26:14,880
Speaker 1: so famous, they just get people coming along just because

580
00:26:14,880 --> 00:26:20,240
Speaker 1: they're out of curiosity. Yeah yeah, yeah, yeah.

581
00:26:20,840 --> 00:26:23,800
Speaker 5: So I think part of it too is that if

582
00:26:23,840 --> 00:26:27,400
Speaker 5: you want to stay up there, it's people convincing other

583
00:26:27,440 --> 00:26:30,280
Speaker 5: people to come and see because you're going to have

584
00:26:30,320 --> 00:26:34,440
Speaker 5: be rustled on die hard fans, but you know they're

585
00:26:34,480 --> 00:26:37,480
Speaker 5: only going to fill one seat. So if you've got

586
00:26:37,520 --> 00:26:39,560
Speaker 5: like a table of four, you know, four people are

587
00:26:39,560 --> 00:26:43,520
Speaker 5: sitting in you know, fit of seats watching you. Somebody

588
00:26:43,600 --> 00:26:46,840
Speaker 5: has said to three people, hey, whishuld go and see

589
00:26:46,920 --> 00:26:52,040
Speaker 5: Dave O'Neill. Yeah, so you've got to stay relevant.

590
00:26:51,640 --> 00:26:54,840
Speaker 1: You've got it. Yeah, it's important for someone like me

591
00:26:55,160 --> 00:26:57,679
Speaker 1: doing podcasts but also doing radio you know, on the

592
00:26:57,680 --> 00:27:04,600
Speaker 1: ABC and stuff, occasional TV appearances. That's what keeps me relevant.

593
00:27:04,720 --> 00:27:08,000
Speaker 1: You know what I mean? Because I remember saying to

594
00:27:08,000 --> 00:27:10,440
Speaker 1: a guy in Geelong, well, why why do you reckon?

595
00:27:10,480 --> 00:27:13,240
Speaker 1: I draw a crowd, you know in Geelong and as

596
00:27:13,280 --> 00:27:15,520
Speaker 1: opposed to someone else who's you know, has been around

597
00:27:15,560 --> 00:27:17,040
Speaker 1: as long as me. He goes, well, you're still on

598
00:27:17,119 --> 00:27:19,679
Speaker 1: things and stuff, That's what he said. You're still on

599
00:27:19,760 --> 00:27:23,399
Speaker 1: things and stuff. You know anyone knows because everyone can

600
00:27:23,440 --> 00:27:25,240
Speaker 1: know you, but still not come to your gigs too.

601
00:27:25,280 --> 00:27:27,840
Speaker 1: That's the factor I reckon. I know that guy. But

602
00:27:28,720 --> 00:27:30,439
Speaker 1: and then there's people that are hot, you know, like

603
00:27:30,560 --> 00:27:33,520
Speaker 1: say your mate Going Montgomery, he's hot at the moment,

604
00:27:33,560 --> 00:27:37,480
Speaker 1: you know is hot, and you know you know mal

605
00:27:37,960 --> 00:27:39,679
Speaker 1: In fact, all the Kiwi's.

606
00:27:40,280 --> 00:27:41,000
Speaker 3: We're back to the key.

607
00:27:41,240 --> 00:27:43,520
Speaker 4: That's actually true. Way a lot of the quis are like.

608
00:27:43,560 --> 00:27:47,480
Speaker 1: Yeah, they're all hot at the moment anyway, can't wait

609
00:27:47,520 --> 00:27:49,120
Speaker 1: for the simments to turn up and fuck.

610
00:27:49,000 --> 00:27:50,840
Speaker 4: You got yeah?

611
00:27:50,920 --> 00:27:55,719
Speaker 1: Yeah, yeah, that's so good. The Papa guineons. Yeah. Anyway,

612
00:27:55,720 --> 00:27:59,440
Speaker 1: we're traveling the epping And have you done an RSL before?

613
00:28:00,080 --> 00:28:00,720
Speaker 4: You have done one?

614
00:28:01,320 --> 00:28:02,120
Speaker 1: What way was that?

615
00:28:02,600 --> 00:28:05,560
Speaker 4: I forgot? But yeah it's I did one of these

616
00:28:05,640 --> 00:28:10,000
Speaker 4: laugh check ones before as well. It's always interesting because

617
00:28:10,000 --> 00:28:12,560
Speaker 4: I feel like my style is not conventional.

618
00:28:12,680 --> 00:28:15,720
Speaker 1: So are you that conventional? Yeah?

619
00:28:15,720 --> 00:28:18,200
Speaker 4: I wouldn't say so, but it's also not normal.

620
00:28:18,520 --> 00:28:20,840
Speaker 1: Right, Okay, I'll be watching carefully.

621
00:28:21,119 --> 00:28:24,480
Speaker 4: Oh man, my idol?

622
00:28:27,080 --> 00:28:28,480
Speaker 1: Who is your idol in comedy?

623
00:28:28,480 --> 00:28:28,640
Speaker 4: Though?

624
00:28:29,400 --> 00:28:30,159
Speaker 1: Who did you look up?

625
00:28:30,280 --> 00:28:32,840
Speaker 4: Will we say, like, yeah, probably the guys you mentioned,

626
00:28:32,880 --> 00:28:38,280
Speaker 4: like god Ray and they're all like the goats in

627
00:28:38,320 --> 00:28:39,400
Speaker 4: my opinion of course.

628
00:28:39,560 --> 00:28:42,479
Speaker 1: Yeah, yeah, Brad, have you done RSL before?

629
00:28:44,000 --> 00:28:48,800
Speaker 5: I did an rsl' an American comedian and he looked

630
00:28:48,840 --> 00:28:53,720
Speaker 5: at all the the the the weapons outside, you know,

631
00:28:53,800 --> 00:28:56,880
Speaker 5: the cannons and stuff, and I said to him, yeah,

632
00:28:57,240 --> 00:28:59,000
Speaker 5: we take out beer pretty seriously.

633
00:29:00,040 --> 00:29:02,120
Speaker 1: Don't try and get it because yeah, you know, what

634
00:29:02,120 --> 00:29:04,000
Speaker 1: they are though, they Returned Service Club, but I mean

635
00:29:04,000 --> 00:29:06,120
Speaker 1: there's not many diggers left to go to the rs L.

636
00:29:06,440 --> 00:29:08,800
Speaker 3: And then I went in there and told to take

637
00:29:08,800 --> 00:29:09,320
Speaker 3: my hat off.

638
00:29:09,920 --> 00:29:14,200
Speaker 1: Oh yes, that's annoying. They do that. They respected diggers.

639
00:29:14,240 --> 00:29:18,320
Speaker 5: It's part of my it's part of my well yeah, yeah,

640
00:29:18,480 --> 00:29:19,280
Speaker 5: ourselves good.

641
00:29:19,760 --> 00:29:20,720
Speaker 1: They're generally pretty good.

642
00:29:20,720 --> 00:29:25,800
Speaker 4: Now it's just rugby or is this no.

643
00:29:23,680 --> 00:29:27,840
Speaker 1: No, no, IT'SN stands for Return Service Leagues. So they

644
00:29:27,880 --> 00:29:29,720
Speaker 1: were set up for soldiers that came back from the

645
00:29:29,760 --> 00:29:32,840
Speaker 1: war and then but now they're just like a club,

646
00:29:33,000 --> 00:29:36,280
Speaker 1: you know what I mean, like a sportsman pokey kind

647
00:29:36,320 --> 00:29:37,800
Speaker 1: of place.

648
00:29:37,920 --> 00:29:39,680
Speaker 4: But melbourn people don't play rugby do that?

649
00:29:39,800 --> 00:29:42,520
Speaker 1: No? No, no, no they were There is rugby in Melbourne,

650
00:29:42,520 --> 00:29:46,120
Speaker 1: but it's a fl here. Don't be mentioned in rugby. Mind,

651
00:29:47,200 --> 00:29:48,960
Speaker 1: don't worry when you go to Queens and look, don't

652
00:29:49,360 --> 00:29:52,840
Speaker 1: mention that bloody should you play down there? Might rugby?

653
00:29:53,280 --> 00:29:53,680
Speaker 3: All right?

654
00:29:53,800 --> 00:29:59,000
Speaker 1: Whatever they mention the war, well it's gonna be great

655
00:29:59,040 --> 00:30:01,160
Speaker 1: and you can't wait to see you and we'll come

656
00:30:01,200 --> 00:30:04,960
Speaker 1: back afterwards. Everyone stay tuned to see how Henry goes

657
00:30:05,000 --> 00:30:09,720
Speaker 1: any second ever RSL and Brad's probably one thousandth RL.

658
00:30:10,560 --> 00:30:12,160
Speaker 4: Oh man, can't wait to bomb?

659
00:30:12,360 --> 00:30:14,600
Speaker 1: No, I tell you're not gonna bomb. Talk. Don't talk

660
00:30:14,640 --> 00:30:18,160
Speaker 1: yourself down like it. Don't mention the war.

661
00:30:18,640 --> 00:30:21,360
Speaker 4: Oh yeah, yeah, you know that's true. But you know,

662
00:30:21,440 --> 00:30:23,000
Speaker 4: like I had this ru are.

663
00:30:22,880 --> 00:30:27,720
Speaker 1: You Chinese just Chinese your parents from the mainland or yeah?

664
00:30:27,760 --> 00:30:29,760
Speaker 4: I like how when you said that, I fell a

665
00:30:29,880 --> 00:30:33,560
Speaker 4: hint of like racism. No, no, just a bit of

666
00:30:33,640 --> 00:30:35,400
Speaker 4: like weary because you're like.

667
00:30:38,280 --> 00:30:40,680
Speaker 1: No, I thought you were Chinese, but you got Australia

668
00:30:40,680 --> 00:30:43,280
Speaker 1: has never been at war for the Chinese as opposed

669
00:30:43,320 --> 00:30:44,160
Speaker 1: to japanel.

670
00:30:44,400 --> 00:30:47,480
Speaker 4: Oh, yeah, yeah, but I think, well, you know from

671
00:30:47,600 --> 00:30:49,560
Speaker 4: you know, I don't really know much about it, so

672
00:30:49,680 --> 00:30:53,680
Speaker 4: you know, but I know older generations they are Yeah.

673
00:30:53,560 --> 00:30:59,800
Speaker 1: Racist, I wouldn't they AUSI I think of my parents,

674
00:31:00,200 --> 00:31:04,440
Speaker 1: my dad. Anyway, we're gonna, well see if the races here,

675
00:31:04,520 --> 00:31:05,400
Speaker 1: we'll go, here we go.

676
00:31:05,480 --> 00:31:07,120
Speaker 4: Oh man, Yeah, I can't wait.

677
00:31:07,360 --> 00:31:10,160
Speaker 1: Say bye, Brad, bye bye.

678
00:31:10,560 --> 00:31:12,760
Speaker 3: I'll see it. I'll speak to you soon.

679
00:31:23,880 --> 00:31:25,440
Speaker 1: All right, we're back on the debris. We've done the

680
00:31:25,440 --> 00:31:27,840
Speaker 1: epping rs L and boy, what a triumph, Henry, you

681
00:31:27,880 --> 00:31:28,320
Speaker 1: were great.

682
00:31:28,480 --> 00:31:32,120
Speaker 4: I just saw my idol Dave O'Neill yes.

683
00:31:32,960 --> 00:31:39,640
Speaker 6: Brad is yeah, these guys there are you know, it

684
00:31:39,680 --> 00:31:42,200
Speaker 6: was a master class for you.

685
00:31:42,000 --> 00:31:43,880
Speaker 1: You stood back. You watch Brad, you watch me, you go,

686
00:31:43,960 --> 00:31:47,040
Speaker 1: Now I know what to do? This is this is well.

687
00:31:46,880 --> 00:31:48,960
Speaker 4: It's more of like I've learned what not to do.

688
00:31:49,120 --> 00:31:49,880
Speaker 1: Yeah, that's true.

689
00:31:51,360 --> 00:31:53,480
Speaker 4: Once you know all the stuff not to do, then you.

690
00:31:53,520 --> 00:31:56,320
Speaker 1: Yes, well that's actually a good point too. I remember

691
00:31:56,400 --> 00:31:59,360
Speaker 1: Rod Quantocks saying to me, don't just watch good communions, watch.

692
00:31:59,200 --> 00:32:00,960
Speaker 4: Bad exactly you are.

693
00:32:01,240 --> 00:32:10,720
Speaker 1: Yeah, yeah, And we're trying to teach Henry about networking.

694
00:32:11,600 --> 00:32:15,360
Speaker 4: Like I was watching these the network.

695
00:32:15,280 --> 00:32:17,480
Speaker 1: Network with a barber get free drinks.

696
00:32:17,520 --> 00:32:19,320
Speaker 4: Yep, he networked with money.

697
00:32:19,640 --> 00:32:22,840
Speaker 1: Yeah, well, let's just mention. I got free drink because

698
00:32:22,840 --> 00:32:24,600
Speaker 1: the barber is like, what movie were you in again?

699
00:32:24,680 --> 00:32:27,400
Speaker 1: I said the Nugget. Oh that's my favorite movie. Don't

700
00:32:27,440 --> 00:32:28,960
Speaker 1: worry about these drinks. And then I said, can I

701
00:32:28,960 --> 00:32:32,240
Speaker 1: get a meal? Or then some manager stepped in and said,

702
00:32:32,400 --> 00:32:35,640
Speaker 1: I said, well, what about a stuff discount? So I

703
00:32:35,680 --> 00:32:38,640
Speaker 1: bought two meals for you guys. Basically, man, thank you

704
00:32:38,680 --> 00:32:41,200
Speaker 1: for the meal. It was how was the food looked good?

705
00:32:41,880 --> 00:32:45,320
Speaker 1: That was food brand food was great? See Henry. They

706
00:32:45,360 --> 00:32:48,080
Speaker 1: bought two meals one meal for me. That's networking.

707
00:32:49,360 --> 00:32:51,080
Speaker 4: Networking, that's networking.

708
00:32:52,400 --> 00:32:53,960
Speaker 1: But see, if you're trying to suck up to me

709
00:32:54,000 --> 00:32:56,640
Speaker 1: and bro, you should have bought the meals me. Yeah,

710
00:32:56,680 --> 00:32:59,200
Speaker 1: you should have brought the meals. But like I thought,

711
00:32:59,240 --> 00:33:00,719
Speaker 1: I was getting for free, let's be honest. And then

712
00:33:00,720 --> 00:33:03,960
Speaker 1: she bought it that tap and go. Oh yeah, so

713
00:33:04,000 --> 00:33:05,520
Speaker 1: I'm paying cash it up with my wife to see

714
00:33:05,520 --> 00:33:07,880
Speaker 1: that on the credit card statement. Why are you spending

715
00:33:07,960 --> 00:33:10,640
Speaker 1: fifty dollars in the ipping rs L Well, I bought

716
00:33:10,680 --> 00:33:11,560
Speaker 1: Brad and Henry a.

717
00:33:11,640 --> 00:33:17,040
Speaker 3: Meal after I drove them there.

718
00:33:17,120 --> 00:33:19,800
Speaker 1: Yeah, drove it, paid for their food.

719
00:33:20,000 --> 00:33:22,520
Speaker 4: If your wife ever asks me, I'm going to donate it.

720
00:33:22,840 --> 00:33:23,800
Speaker 1: Just now.

721
00:33:23,840 --> 00:33:24,760
Speaker 4: You did it for something else.

722
00:33:24,800 --> 00:33:27,040
Speaker 1: I've enjoying your fish and chips. But the meal the

723
00:33:27,040 --> 00:33:27,640
Speaker 1: mill looked good.

724
00:33:28,360 --> 00:33:31,880
Speaker 4: Yeah, thank you. It was very young. It was good meal,

725
00:33:32,000 --> 00:33:35,400
Speaker 4: and then good watching two masters at work?

726
00:33:36,040 --> 00:33:40,920
Speaker 1: And how did how would you describe the crowd, Henry?

727
00:33:41,920 --> 00:33:46,120
Speaker 1: Probably it was your crowd? Yeah, yeah, yeah, yeah, the

728
00:33:46,120 --> 00:33:48,400
Speaker 1: crowd was. We nearly crashed. I only killed both of you.

729
00:33:48,640 --> 00:33:51,440
Speaker 1: Oh dude, keep going, we didn't we fine?

730
00:33:51,600 --> 00:33:54,880
Speaker 4: Fine, well, if these are our last words, then yeah,

731
00:33:55,160 --> 00:33:56,280
Speaker 4: I would love that.

732
00:33:56,320 --> 00:33:58,400
Speaker 1: It's the black Box Recording.

733
00:33:58,520 --> 00:34:00,960
Speaker 4: I feel like the crowd was nice and I are older,

734
00:34:01,120 --> 00:34:06,640
Speaker 4: but yeah they were older. So yeah, well yeah, certain

735
00:34:06,760 --> 00:34:10,800
Speaker 4: material they liked and then you know, certain ones they don't. No,

736
00:34:11,000 --> 00:34:15,960
Speaker 4: But sometimes I wonder like it's probably a skill issue.

737
00:34:16,160 --> 00:34:18,399
Speaker 1: So you know what it is. It's having a lot

738
00:34:18,400 --> 00:34:21,399
Speaker 1: of material to call on and then looking at them going,

739
00:34:21,440 --> 00:34:23,360
Speaker 1: I reckon, I like this, and then and when you

740
00:34:23,400 --> 00:34:24,960
Speaker 1: do a little bit of that, you do more of that.

741
00:34:25,160 --> 00:34:28,279
Speaker 4: But here's the question. Isn't art supposed to be You're

742
00:34:28,480 --> 00:34:29,400
Speaker 4: showing them what.

743
00:34:29,320 --> 00:34:31,120
Speaker 1: You want to show. Yeah, but that's okay when you're

744
00:34:31,120 --> 00:34:32,759
Speaker 1: doing your own show, But when you're doing the R

745
00:34:32,880 --> 00:34:35,360
Speaker 1: SLL and epping, you've you've got to pan it to

746
00:34:35,400 --> 00:34:36,920
Speaker 1: them a little bit that right.

747
00:34:36,880 --> 00:34:40,640
Speaker 5: Yeah, yeah, and to an extent, like you can do

748
00:34:40,920 --> 00:34:44,000
Speaker 5: art and you just go, I'm just gonna paint everything

749
00:34:44,040 --> 00:34:46,759
Speaker 5: black and nobody's going to look at it because it

750
00:34:46,840 --> 00:34:51,120
Speaker 5: won't translate to people. Art still has to be translatable

751
00:34:51,120 --> 00:34:53,080
Speaker 5: to people. They have to be able to get it.

752
00:34:53,640 --> 00:34:56,480
Speaker 1: Yeah, you understand that, you're you're intelligent, you're an engineer,

753
00:34:57,080 --> 00:34:59,480
Speaker 1: You're not stupid. I know you mean, but see, if

754
00:34:59,480 --> 00:35:01,160
Speaker 1: you're doing your own show, you can do whatever you want.

755
00:35:01,320 --> 00:35:02,759
Speaker 1: Did you do the Comedy Festival this year?

756
00:35:02,880 --> 00:35:03,080
Speaker 5: Yeah?

757
00:35:03,160 --> 00:35:03,839
Speaker 4: Yeah, yeah.

758
00:35:04,200 --> 00:35:04,840
Speaker 1: Did you do.

759
00:35:06,480 --> 00:35:08,880
Speaker 4: Chinese Museum? Actually? Really is that?

760
00:35:08,960 --> 00:35:18,160
Speaker 1: Because you're from New Zealand? Are you the only Chinese

761
00:35:18,200 --> 00:35:19,600
Speaker 1: person in the Chinese Museum?

762
00:35:19,760 --> 00:35:21,560
Speaker 4: I think I was one of two.

763
00:35:21,760 --> 00:35:24,400
Speaker 1: Okay, what's it like as a room? I've heard people

764
00:35:24,400 --> 00:35:24,880
Speaker 1: talk about it.

765
00:35:24,920 --> 00:35:30,120
Speaker 4: It's not it's okay, it's okay, be diplomatic, all right,

766
00:35:30,360 --> 00:35:35,719
Speaker 4: it's nice if you have fans, okay, because you're not

767
00:35:35,719 --> 00:35:36,960
Speaker 4: going to get many walkings.

768
00:35:37,080 --> 00:35:39,000
Speaker 1: No, I mean, no one gets walkings anymore.

769
00:35:39,080 --> 00:35:42,239
Speaker 4: Town Hall gets a lot of walkings, Yeah, a lot.

770
00:35:42,440 --> 00:35:44,600
Speaker 4: Like talking to a few of my friends who did

771
00:35:44,600 --> 00:35:46,480
Speaker 4: town Hall and they're just like, oh man, a lot

772
00:35:46,480 --> 00:35:47,560
Speaker 4: of them were just walkings.

773
00:35:48,120 --> 00:35:48,680
Speaker 1: That's good.

774
00:35:48,800 --> 00:35:50,200
Speaker 4: Yeah. I was like, oh wow, that's awesome.

775
00:35:50,320 --> 00:35:52,000
Speaker 1: Weren't coming down to be the likes where I was

776
00:35:52,000 --> 00:35:56,320
Speaker 1: doing Square walk Out? Oh mate?

777
00:35:56,440 --> 00:35:57,960
Speaker 3: Well yeah, but it was.

778
00:35:58,280 --> 00:36:00,600
Speaker 4: It was really fun and I guess doing it it's

779
00:36:00,640 --> 00:36:04,720
Speaker 4: crazy because that was my first solo show in Melbourne,

780
00:36:04,760 --> 00:36:07,080
Speaker 4: and then it's just crazy to have a lot of

781
00:36:07,160 --> 00:36:09,040
Speaker 4: I guess have fans, you know.

782
00:36:09,760 --> 00:36:10,160
Speaker 5: Yeah.

783
00:36:10,400 --> 00:36:11,799
Speaker 1: Yeah, how big was the room?

784
00:36:12,480 --> 00:36:18,439
Speaker 4: About forty? I think these four I wish I would

785
00:36:18,440 --> 00:36:19,919
Speaker 4: have felt that easy.

786
00:36:20,880 --> 00:36:23,160
Speaker 1: Now, that's good number for if you're the first time.

787
00:36:23,320 --> 00:36:25,400
Speaker 4: Yeah, but it's crazy to just know that, you know,

788
00:36:25,520 --> 00:36:28,840
Speaker 4: you have people that want to see you. I guess, yeah,

789
00:36:29,760 --> 00:36:31,319
Speaker 4: it's good. Yeah, what's good?

790
00:36:31,400 --> 00:36:32,080
Speaker 3: That was your.

791
00:36:32,000 --> 00:36:36,400
Speaker 1: Room forty five or whatever, one hundred and twenty. I

792
00:36:36,440 --> 00:36:38,560
Speaker 1: didn't fill it every not only two weeks. I didn't

793
00:36:38,560 --> 00:36:41,560
Speaker 1: feel it every night. Like I think the comedy Festival,

794
00:36:42,440 --> 00:36:44,200
Speaker 1: I think it's getting a bit harder.

795
00:36:44,239 --> 00:36:46,480
Speaker 4: I don't know, you reckon, is it like too much

796
00:36:46,480 --> 00:36:47,640
Speaker 4: competition or yeah?

797
00:36:47,640 --> 00:36:49,520
Speaker 1: When we started, Brad, how many shows, Brad? How mean

798
00:36:49,520 --> 00:36:52,040
Speaker 1: it was it about fifty fifty or sixty? Maybe?

799
00:36:52,440 --> 00:36:53,759
Speaker 3: Yeah, not even that many.

800
00:36:53,760 --> 00:36:59,279
Speaker 5: In fact, I remember the first Comedy Festival guide I

801
00:36:59,320 --> 00:37:00,480
Speaker 5: saw it was four pages.

802
00:37:00,880 --> 00:37:04,640
Speaker 1: Yeah, and a lot of competition now but anyway, that's

803
00:37:04,680 --> 00:37:05,400
Speaker 1: just life.

804
00:37:06,239 --> 00:37:09,719
Speaker 3: Yeah, it was crazy, you know, and everybody was supportive

805
00:37:09,760 --> 00:37:10,239
Speaker 3: of each other.

806
00:37:11,040 --> 00:37:14,480
Speaker 1: Uh back then it was different. Anyway.

807
00:37:14,719 --> 00:37:17,839
Speaker 4: I just want to take Dave's customers, Yeah, just.

808
00:37:17,800 --> 00:37:21,960
Speaker 1: Take them, have all the debris fans a lot of amount,

809
00:37:22,600 --> 00:37:35,200
Speaker 1: a lot now fan based increasing to anyway, here we

810
00:37:35,239 --> 00:37:36,920
Speaker 1: are exciting times.

811
00:37:36,920 --> 00:37:39,399
Speaker 4: But yeah, I don't know what do you.

812
00:37:39,360 --> 00:37:41,120
Speaker 1: Want to do in comedy though? What's what sort of

813
00:37:41,680 --> 00:37:43,960
Speaker 1: what do you want to actually do? Some people get

814
00:37:43,960 --> 00:37:46,680
Speaker 1: into it for you seem to be do you want

815
00:37:46,680 --> 00:37:47,800
Speaker 1: to just be a stand up.

816
00:37:47,800 --> 00:37:51,359
Speaker 4: Or ideally just stand up? But I've learned that you

817
00:37:51,400 --> 00:37:54,759
Speaker 4: can't really build a big fan base just by doing

818
00:37:54,800 --> 00:37:56,960
Speaker 4: stand up. I feel like a lot of your fans

819
00:37:56,960 --> 00:37:58,920
Speaker 4: come from things that aren't stand up.

820
00:37:59,320 --> 00:38:03,240
Speaker 1: Clips and off podcast like this one, like the Debrief

821
00:38:05,120 --> 00:38:07,040
Speaker 1: the next you will be hundreds of people and it's

822
00:38:07,040 --> 00:38:07,960
Speaker 1: a debrief effect.

823
00:38:08,040 --> 00:38:10,880
Speaker 4: Oh man, of course on my poster.

824
00:38:11,280 --> 00:38:13,200
Speaker 1: Yeah, debrief, debrief.

825
00:38:13,560 --> 00:38:16,640
Speaker 4: Yes, but yeah, I think the dream would be just

826
00:38:16,680 --> 00:38:19,920
Speaker 4: to do stand up, but obviously yeah, I think you

827
00:38:19,960 --> 00:38:20,960
Speaker 4: need to do other stuff.

828
00:38:21,320 --> 00:38:23,960
Speaker 1: Sure, yeah, yeah, I mean yeah, plenty of people just

829
00:38:24,000 --> 00:38:26,840
Speaker 1: survive just on stand up. But you got diversified sometimes

830
00:38:26,960 --> 00:38:28,680
Speaker 1: yeah yeah right.

831
00:38:28,560 --> 00:38:32,600
Speaker 4: But yeah expert. Yeah, I don't know a lot of

832
00:38:32,640 --> 00:38:34,680
Speaker 4: the field that did come to my shows were just

833
00:38:35,000 --> 00:38:37,600
Speaker 4: people who saw me do live comedy. So do spots

834
00:38:37,719 --> 00:38:40,000
Speaker 4: yeah yeah, yeah that people will see me.

835
00:38:40,360 --> 00:38:43,919
Speaker 3: Yeah, But diversifying means sell hot dogs.

836
00:38:43,719 --> 00:38:48,520
Speaker 1: Sell hot dogs, mane anything anything, dude, what do your

837
00:38:48,560 --> 00:38:49,920
Speaker 1: parents think now about your career?

838
00:38:52,239 --> 00:38:56,920
Speaker 4: Sign after you know, after various achievements.

839
00:38:56,760 --> 00:38:58,000
Speaker 1: We did the Gallery New Zealand.

840
00:38:58,080 --> 00:39:00,239
Speaker 4: Yeah yeah, and they saw that and then does that

841
00:39:00,280 --> 00:39:03,600
Speaker 4: go well, oh yeah, so I sold quite like a

842
00:39:03,600 --> 00:39:04,800
Speaker 4: lot of ticket.

843
00:39:05,560 --> 00:39:08,000
Speaker 1: No, I'm winning raw too because I was on TV.

844
00:39:08,400 --> 00:39:11,920
Speaker 4: Yeah yeah, yeah. So they kind of believe in me now, so,

845
00:39:11,960 --> 00:39:15,600
Speaker 4: which is that's nice? Yeah, but you know, I feel

846
00:39:15,640 --> 00:39:21,120
Speaker 4: like that belief was faltering. Ah man, it's faltering now.

847
00:39:21,239 --> 00:39:26,560
Speaker 1: But engineering career like your brother and sister. Yeer, do

848
00:39:26,560 --> 00:39:27,279
Speaker 1: you believe.

849
00:39:27,040 --> 00:39:27,640
Speaker 4: In your kids?

850
00:39:27,920 --> 00:39:31,320
Speaker 1: Oh yeah, sure not really no, yeah absolutely.

851
00:39:31,360 --> 00:39:33,080
Speaker 4: Like one of them said, I want to do stand

852
00:39:33,160 --> 00:39:34,719
Speaker 4: up comedy. Well I know.

853
00:39:34,840 --> 00:39:36,920
Speaker 1: My wife like, oh, why would you want to get

854
00:39:36,920 --> 00:39:39,120
Speaker 1: into comedy? Like, we're live in a big house. What

855
00:39:39,120 --> 00:39:39,879
Speaker 1: are you talking about?

856
00:39:40,480 --> 00:39:40,640
Speaker 5: Right?

857
00:39:41,400 --> 00:39:42,520
Speaker 1: What's wrong with comedy?

858
00:39:42,640 --> 00:39:44,960
Speaker 4: Lives in the mansion, doesn't I mentioned what was wrong

859
00:39:45,000 --> 00:39:45,520
Speaker 4: with comedy.

860
00:39:45,560 --> 00:39:48,400
Speaker 1: Comedy is a good career. It's fun, you know, like

861
00:39:48,480 --> 00:39:51,920
Speaker 1: I worked in an office, I did teaching. It's they're hard.

862
00:39:52,160 --> 00:39:52,680
Speaker 1: That's hard.

863
00:39:52,960 --> 00:39:55,360
Speaker 4: It's hard. That's hard. Yeah, you know.

864
00:39:55,560 --> 00:39:58,560
Speaker 1: So I would encourage them, but and my wife like, well,

865
00:39:58,600 --> 00:40:00,000
Speaker 1: if they want to get a showcase, you can't help

866
00:40:00,080 --> 00:40:03,279
Speaker 1: the fuck that. I'm gonna help them. Which someone help me?

867
00:40:04,000 --> 00:40:06,360
Speaker 1: You always said. I never became a fitter in Turner

868
00:40:06,440 --> 00:40:11,040
Speaker 1: because I want babies. I want my son. Barney's got

869
00:40:11,040 --> 00:40:13,040
Speaker 1: a good name for it, Barney O'Neill. That's a good

870
00:40:13,080 --> 00:40:15,120
Speaker 1: name for a comedian, So it was kiddie O'Neill. Actually,

871
00:40:15,280 --> 00:40:16,239
Speaker 1: do any name?

872
00:40:16,280 --> 00:40:19,000
Speaker 4: Who do you reckon? Talent? Wise has the most comedic talent?

873
00:40:19,400 --> 00:40:21,480
Speaker 1: We say, look, they're all pretty funny.

874
00:40:22,040 --> 00:40:24,120
Speaker 4: It's a standard diplomatically, yeah, but.

875
00:40:24,040 --> 00:40:28,200
Speaker 1: We say Barney's quite funny. The youngest one, but he's young.

876
00:40:28,239 --> 00:40:29,799
Speaker 1: Ones are often are you the youngest or what are

877
00:40:29,840 --> 00:40:32,120
Speaker 1: you in the middle? Middle? Yet youngest are off in

878
00:40:32,200 --> 00:40:34,560
Speaker 1: the comedians because they've got an audience, you know. But

879
00:40:34,600 --> 00:40:38,239
Speaker 1: he seems to crack a few gags. That's good, but

880
00:40:38,360 --> 00:40:41,160
Speaker 1: I don't know if they will. My daughter's funny too,

881
00:40:41,160 --> 00:40:44,600
Speaker 1: but she said she's more interested in writing kind of

882
00:40:44,640 --> 00:40:49,520
Speaker 1: you know writing, I know TV shows. Okay, she'd be

883
00:40:49,560 --> 00:40:53,439
Speaker 1: a good rider, I reckon like, and I said, yeah,

884
00:40:53,800 --> 00:40:56,920
Speaker 1: get into it anyway. I'd encourage them because, you know,

885
00:40:57,640 --> 00:40:59,520
Speaker 1: as always said, I didn't. I didn't want to be

886
00:40:59,560 --> 00:41:01,239
Speaker 1: a fitter Turner because I didn't want to turn up

887
00:41:01,280 --> 00:41:03,480
Speaker 1: to the lathe and have people go, well, he's good,

888
00:41:03,520 --> 00:41:04,600
Speaker 1: but he's not as good as his father.

889
00:41:04,760 --> 00:41:08,120
Speaker 4: Kevin question for you then, so if you're if you're

890
00:41:08,320 --> 00:41:11,480
Speaker 4: a saved Barnie, you know what what would be? What

891
00:41:11,480 --> 00:41:14,520
Speaker 4: would you give him the roadmap to becoming.

892
00:41:15,760 --> 00:41:19,200
Speaker 1: A comic dev At first, I get instantly jealous and

893
00:41:19,239 --> 00:41:27,080
Speaker 1: try and sabotage his career, get him under debrief. You're

894
00:41:27,080 --> 00:41:30,200
Speaker 1: going to do a gig with Henry tonight and all right,

895
00:41:30,280 --> 00:41:32,040
Speaker 1: you've got a fill in for me at rs L.

896
00:41:32,160 --> 00:41:35,719
Speaker 1: Barnie say Dad sick, but I'm gonna have a crack. No,

897
00:41:36,239 --> 00:41:38,040
Speaker 1: you know what it's You know what it's all about.

898
00:41:39,320 --> 00:41:41,719
Speaker 1: It's all that time on stage. That's the only way

899
00:41:41,719 --> 00:41:43,960
Speaker 1: to learn how to do stand up, apart from doing

900
00:41:43,960 --> 00:41:45,880
Speaker 1: a course with Brad Oaks School of Hard Knock Knocks.

901
00:41:45,920 --> 00:41:48,640
Speaker 1: Look it up if you're thinking about it. But of

902
00:41:48,680 --> 00:41:51,239
Speaker 1: course it's good to get your started. But there's nothing

903
00:41:51,320 --> 00:41:55,840
Speaker 1: beats time on stage. Say that Brad runs.

904
00:41:57,800 --> 00:42:00,440
Speaker 3: Hang on, So why why do you hate them?

905
00:42:01,000 --> 00:42:03,800
Speaker 4: I think they tend to make you not unique?

906
00:42:04,120 --> 00:42:06,360
Speaker 1: Oh yeah, but it's only for three or four days.

907
00:42:06,680 --> 00:42:08,080
Speaker 1: It will soon run off.

908
00:42:10,200 --> 00:42:12,640
Speaker 4: If you're funny, you already know how to be funny.

909
00:42:12,800 --> 00:42:15,920
Speaker 1: Not always. But also the course that Brad runs you

910
00:42:16,000 --> 00:42:17,319
Speaker 1: get to do a gig at the end of it,

911
00:42:17,360 --> 00:42:20,160
Speaker 1: in a supportive environment. I reckon, that's important.

912
00:42:20,480 --> 00:42:23,120
Speaker 3: And I see, I don't teach people to be funny.

913
00:42:23,360 --> 00:42:24,280
Speaker 3: I teach people.

914
00:42:24,800 --> 00:42:27,680
Speaker 5: I coach people in how to do stand up comedy

915
00:42:27,920 --> 00:42:30,640
Speaker 5: because you don't know, and you still don't know, even

916
00:42:30,719 --> 00:42:33,960
Speaker 5: though you've won raw because of the conversation we had before,

917
00:42:34,560 --> 00:42:37,440
Speaker 5: you still don't know that you have to talk to

918
00:42:37,480 --> 00:42:40,959
Speaker 5: people in order to get your comedy across. And there's

919
00:42:40,960 --> 00:42:43,799
Speaker 5: so many things you could learn if people could just

920
00:42:43,880 --> 00:42:46,919
Speaker 5: tell you rather than have to learn them yourself. But

921
00:42:47,200 --> 00:42:51,160
Speaker 5: as Dave said, the funny bit you have to learn

922
00:42:51,200 --> 00:42:51,720
Speaker 5: on stage.

923
00:42:51,880 --> 00:42:53,680
Speaker 3: Yeah, you do a real lot of it.

924
00:42:53,760 --> 00:42:56,280
Speaker 1: Nothing beats stage. It's not the ten thousand hour theory.

925
00:42:56,440 --> 00:42:58,640
Speaker 1: Nothing beats that. I reckon, And just get up and

926
00:42:58,640 --> 00:43:00,600
Speaker 1: do a gig anyway you can, whether it's at a

927
00:43:00,719 --> 00:43:04,200
Speaker 1: twenty first or at a party between bands, whatever, no

928
00:43:04,200 --> 00:43:05,839
Speaker 1: matter how shit it is, you know what I mean.

929
00:43:06,680 --> 00:43:08,400
Speaker 1: That's my advice the young people out there, all the

930
00:43:08,400 --> 00:43:11,080
Speaker 1: old people thinking a crackt stand up. Of course, I

931
00:43:11,080 --> 00:43:15,920
Speaker 1: don't have to do those gigs anymore, thank fuck. Anyway,

932
00:43:15,920 --> 00:43:17,680
Speaker 1: I'm gonna ask you guys the questions I asked every

933
00:43:17,680 --> 00:43:21,440
Speaker 1: one of these questions, Henry, I called your Harry, then

934
00:43:23,800 --> 00:43:27,960
Speaker 1: call me Bunny Barnie. Henry Barney, what what went well tonight?

935
00:43:28,040 --> 00:43:35,959
Speaker 1: And why you reckon? What went well? And said like, yeah, yeah, Brad,

936
00:43:36,239 --> 00:43:37,640
Speaker 1: give them Mike to Brad, he'll answer it.

937
00:43:37,719 --> 00:43:38,040
Speaker 3: Okay.

938
00:43:39,040 --> 00:43:41,600
Speaker 5: I think Greig's very well organized laugh track comedy, Yes,

939
00:43:42,040 --> 00:43:42,920
Speaker 5: very well organized.

940
00:43:44,320 --> 00:43:47,600
Speaker 3: Yeah, all started on time. I liked his little down

941
00:43:47,640 --> 00:43:48,960
Speaker 3: clock there, you.

942
00:43:48,920 --> 00:43:53,239
Speaker 1: Know, well for people in a countdown clock, which is great.

943
00:43:53,400 --> 00:43:56,799
Speaker 5: Yeah, which is usually it's great, you know, because you

944
00:43:56,800 --> 00:43:59,040
Speaker 5: can just see your time and everything. It's only bad

945
00:43:59,040 --> 00:43:59,759
Speaker 5: when you're having a ship.

946
00:44:00,560 --> 00:44:07,680
Speaker 1: Yeah, when Henry stands in front of it. Right, Okay, Henry,

947
00:44:07,680 --> 00:44:09,239
Speaker 1: have you had to think about it? Henry, what went well?

948
00:44:09,280 --> 00:44:12,560
Speaker 3: And you said, and my sick They.

949
00:44:12,480 --> 00:44:14,640
Speaker 1: Want to you. They really liked you straight away.

950
00:44:15,080 --> 00:44:20,400
Speaker 4: Yes, but I think like the stuff that it went like,

951
00:44:20,440 --> 00:44:22,359
Speaker 4: it was going really well the start, and then I

952
00:44:22,400 --> 00:44:24,080
Speaker 4: was like, oh man, I want to do stuff I

953
00:44:24,120 --> 00:44:25,520
Speaker 4: really want to talk about, and then.

954
00:44:25,400 --> 00:44:28,680
Speaker 7: It dropped off and then I was just trying to

955
00:44:28,719 --> 00:44:31,640
Speaker 7: figure out, like what they want why because in some

956
00:44:32,200 --> 00:44:35,319
Speaker 7: like I find like in some rooms like I do

957
00:44:36,480 --> 00:44:40,120
Speaker 7: basement or whatever, and it's like when they like me

958
00:44:40,320 --> 00:44:42,960
Speaker 7: I can just say whatever and everything's funny.

959
00:44:43,040 --> 00:44:45,879
Speaker 4: And then I was just wondering, like that's the next question.

960
00:44:45,920 --> 00:44:46,719
Speaker 1: What didn't go well?

961
00:44:47,200 --> 00:44:49,840
Speaker 4: Yeah, but it was just like that portion in the middle,

962
00:44:49,880 --> 00:44:54,799
Speaker 4: and I was just trying to figure out, like why, Well, if.

963
00:44:55,080 --> 00:44:58,480
Speaker 1: The concepts are maybe too intellectual, you know what I mean,

964
00:44:58,560 --> 00:45:01,000
Speaker 1: they may not get onto that. Sometimes I reckon any

965
00:45:01,080 --> 00:45:03,440
Speaker 1: organization has anything wrong with the room. I'm going to

966
00:45:03,440 --> 00:45:05,799
Speaker 1: answer that I had to pay for the meals, all right,

967
00:45:06,600 --> 00:45:08,960
Speaker 1: Greek should organize three meals all, you know, and free

968
00:45:09,200 --> 00:45:11,560
Speaker 1: and free drinks. I said to Greg, are they can

969
00:45:11,640 --> 00:45:12,279
Speaker 1: I get a free drink?

970
00:45:12,360 --> 00:45:12,480
Speaker 3: Yes?

971
00:45:12,840 --> 00:45:13,520
Speaker 1: What did he say?

972
00:45:13,760 --> 00:45:17,600
Speaker 3: He said, we don't have any drinks. Dat privileges privileges.

973
00:45:18,200 --> 00:45:20,080
Speaker 1: But thank god the barman was a fan of the

974
00:45:20,080 --> 00:45:22,440
Speaker 1: movie The Nugget I was in twenty years ago. He

975
00:45:22,480 --> 00:45:23,320
Speaker 1: gave us free drinks.

976
00:45:23,400 --> 00:45:25,719
Speaker 3: Drink privileges. Sounds like something in prison, doesn't it.

977
00:45:25,960 --> 00:45:29,640
Speaker 5: I think organizational wise, I don't think if you have

978
00:45:30,160 --> 00:45:32,880
Speaker 5: a really good line of sight to the countdown clock

979
00:45:33,200 --> 00:45:35,880
Speaker 5: that any comedian should stand in front of it, so

980
00:45:36,680 --> 00:45:38,600
Speaker 5: dust ruining your line of sight to it.

981
00:45:39,600 --> 00:45:42,439
Speaker 1: I love that clock. How can we do better next time,

982
00:45:42,480 --> 00:45:45,919
Speaker 1: guys and give a free meal. Let me not pay

983
00:45:45,960 --> 00:45:49,400
Speaker 1: for the meals. Yeah, well, well me pay for a

984
00:45:49,440 --> 00:45:52,279
Speaker 1: meal and eat it. I'm trying to lose weight, though,

985
00:45:52,280 --> 00:45:54,600
Speaker 1: I don't want to eat it at night, late at night.

986
00:45:54,920 --> 00:45:56,120
Speaker 3: I'll leave some money down the back of.

987
00:45:56,120 --> 00:45:58,280
Speaker 1: The yea, yeah, leave you some money on the dash

988
00:45:58,320 --> 00:46:02,120
Speaker 1: give anyway, Brad. Thanks coming the popcast again. If you're

989
00:46:02,120 --> 00:46:04,520
Speaker 1: thinking of getting the comedy go look at school the

990
00:46:04,520 --> 00:46:07,640
Speaker 1: Hard Knocks some very good going up schools.

991
00:46:10,200 --> 00:46:11,239
Speaker 4: I just sound like it is.

992
00:46:12,080 --> 00:46:13,759
Speaker 1: Or just bring Henry up and he'll teach you one

993
00:46:13,800 --> 00:46:18,359
Speaker 1: on one. But also not just comedy engineering, everything covered, mate.

994
00:46:18,400 --> 00:46:20,800
Speaker 4: It's all about intuition and how.

995
00:46:20,640 --> 00:46:22,640
Speaker 1: Can people find you? They may have listened to all

996
00:46:22,680 --> 00:46:24,960
Speaker 1: these thousands of people listening. I want to see a

997
00:46:24,960 --> 00:46:26,400
Speaker 1: bit of Henry. Actually, where can I see you?

998
00:46:26,440 --> 00:46:29,480
Speaker 4: I would love two more followers on my Instagram.

999
00:46:29,520 --> 00:46:30,400
Speaker 1: What's your handle?

1000
00:46:30,680 --> 00:46:35,759
Speaker 4: Underscore? Henry underscore yen yep, okay, I'll be I'll be

1001
00:46:35,800 --> 00:46:38,200
Speaker 4: waiting for the two more followers.

1002
00:46:39,560 --> 00:46:42,480
Speaker 1: You'll get a few, hopefully. Thanks for coming on, Henry.

1003
00:46:43,120 --> 00:46:47,719
Speaker 4: Thanks so much for having me my idol problem. Yeah

1004
00:46:47,760 --> 00:46:49,200
Speaker 4: a problem to be like Bunny.

1005
00:46:49,760 --> 00:46:50,920
Speaker 1: Yeah, yeah exactly.

1006
00:46:52,840 --> 00:46:54,800
Speaker 3: Thank you And it's on broducts.

1007
00:46:55,560 --> 00:46:58,479
Speaker 1: Yeah, and no worries buying your meals and a problem at.

1008
00:46:58,360 --> 00:47:00,880
Speaker 4: All, mate, I can't wait to get another three minutes.

1009
00:47:02,680 --> 00:47:04,040
Speaker 1: I'll probably get a demand it.

1010
00:47:04,440 --> 00:47:06,960
Speaker 4: Well, next time i'll check them in you, I'll see

1011
00:47:07,000 --> 00:47:07,920
Speaker 4: what's lobster.

1012
00:47:08,160 --> 00:47:14,040
Speaker 1: Yeah, I'll take two of them, take one home, go

1013
00:47:14,120 --> 00:47:16,680
Speaker 1: on you guys, Thank you. It's been the de Brave. Yeah.

1014
00:47:17,000 --> 00:47:18,239
Speaker 1: I don't know, I don't know what I'm speaking on

1015
00:47:18,360 --> 00:47:20,560
Speaker 1: this debrief. Let's have that by.

1016
00:47:25,239 --> 00:47:30,480
Speaker 2: Going for a drive to a little game, then drive back.

1017
00:47:31,920 --> 00:47:38,000
Speaker 2: The jet's golden de breed. It's Golden de Breath.

1018
00:47:40,480 --> 00:47:41,160
Speaker 3: It's gold and.

1019
00:47:44,440 --> 00:47:50,000
Speaker 1: It's Carlton D. Tree. It's Calton Breath.