WEBVTT - Trask's Time Tunnel - 1955 - Kevin Trask with Simon Owens and Andrew McLaren - 08 Jun, 2025

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<v Speaker 1>It's time to go back and remember the peel events.

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<v Speaker 2>As using to the soundtrack of Our Lives, we transs

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<v Speaker 2>time time. Ah, Yes, indeed it's that time where that's

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<v Speaker 2>sort of.

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<v Speaker 3>Snitchy.

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<v Speaker 4>Old keV comes to the microphone revenge time.

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<v Speaker 3>Yes, yes, going an old thespian.

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<v Speaker 2>Wandered so much from life and didn't get it and

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<v Speaker 2>pays out on people, And now time for him to

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<v Speaker 2>go back to what ears at this time?

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<v Speaker 4>keV, Well, it's the old nineteen fifty five. Oh glory,

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<v Speaker 4>how were you in nineteen fifty five?

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<v Speaker 3>And no, I wasn't even born. I just loved Hey,

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<v Speaker 3>what are you looking at me like that?

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<v Speaker 4>I didn't say anything.

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<v Speaker 2>What I enjoy is just hearing you two old guys,

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<v Speaker 2>Simon and You reminiscent with all the anecdotes about that era.

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<v Speaker 3>No, it's wonderful. Yeah, have fond memory. I'm looking forward

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<v Speaker 3>to this because to me, it's all a blank canvas.

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<v Speaker 4>Yes, for it is, but it won't be by a

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<v Speaker 4>limited About.

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<v Speaker 3>Twelve o'clock, I'll feel I'm part of fifty.

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<v Speaker 4>Five Old fifty five, that's you, Andrew Old fifty five,

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<v Speaker 4>that's me. Well, what happened here in nineteen fifty five

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<v Speaker 4>as Johnny Cash went on radio for the first time.

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<v Speaker 4>It's one of those low banned radio stations in Memphis, Tennessee,

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<v Speaker 4>and it was a Saturday afternoon show and he did everything.

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<v Speaker 4>He did the ads, yeah, asking people to call in.

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<v Speaker 4>We're going to sing a song we'd like to hear

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<v Speaker 4>from you. The highlight of this piece is we have

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<v Speaker 4>Johnny Cash introducing Johnny Cash sings a song, and I've

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<v Speaker 4>tailed in the end of the program where they're announcing

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<v Speaker 4>a show that Johnny Cash is going to be on.

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<v Speaker 4>And also there it squeezed in there is an artist

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<v Speaker 4>called Elvis Presley and he starts talking about this ten

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<v Speaker 4>year old boys going to play the drums on Elvis

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<v Speaker 4>will be on. And then if you listen to this,

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<v Speaker 4>it is hysterical because Elvis was just studying to be

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<v Speaker 4>you know, popular around about that time in nineteen fifty five.

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<v Speaker 4>So let's have a listen.

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<v Speaker 5>To her, folks.

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<v Speaker 6>This is our first time to be coming out your

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<v Speaker 6>way by way of radio, and we sincerely hope you'll

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<v Speaker 6>enjoy our program. If you do, we hope you'll write

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<v Speaker 6>us a card or a letter telling us so, and

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<v Speaker 6>maybe we can do your favorite song for you. Sometimes

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<v Speaker 6>with nothing, we'd like better if we can, if we

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<v Speaker 6>know it. If we don't know what, we'll try to

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<v Speaker 6>learn it for you.

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<v Speaker 7>This program is.

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<v Speaker 6>Brought to you by Home Equipment Company twenty five twenty

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<v Speaker 6>nine Summer Avenue.

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<v Speaker 5>Right here.

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<v Speaker 6>We'll tell you more about home Equipment coming in a minute.

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<v Speaker 6>But to good things rolling here, we want to do

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<v Speaker 6>one of our own songs, one called wide Open Road.

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<v Speaker 2>Well, you said you had enough.

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<v Speaker 8>You said that you were leaving. I said, shove of hony, baby,

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<v Speaker 8>think grieving, pack your back and pull out this evening.

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<v Speaker 8>There's a wide Open roll.

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<v Speaker 3>Early this morning.

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<v Speaker 8>You were nowhere about until I searched the town, but

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<v Speaker 8>you had done pulled out. I look northeast and west,

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<v Speaker 8>and then uh leading south of all wide.

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<v Speaker 5>Open and frand I don't forget about that big show

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<v Speaker 5>tomorrow night at Overton Park shell Uh the Big Country Jamboree.

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<v Speaker 5>It's gonna be one of the biggest ever to come

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<v Speaker 5>to Memphis. And oh, you won't want to miss seeing

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<v Speaker 5>and hearing in person. Web Bears and all the wondering Boys,

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<v Speaker 5>Reds of Iron, Elvis Presley will be there. Jim Wilson

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<v Speaker 5>and his little four year old daughter, the boy that's

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<v Speaker 5>got such a big hit record on Daddy you know what.

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<v Speaker 5>And Sunny James will be there too, Bud Deckleman, Johnny Cash,

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<v Speaker 5>Wonda Jackson, the little Gal from Oklahoma, and of course

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<v Speaker 5>yours True, and just many many others. Don't you miss

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<v Speaker 5>it now tomorrow night at eight o'clock, one show only.

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<v Speaker 9>Isn't that wonderful reference to you get to mention that

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<v Speaker 9>place where they did the show.

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<v Speaker 4>The Everton Park shell is a bit like the Hollywood Ball,

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<v Speaker 4>you know, of those big shells that everybody's on stage in.

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<v Speaker 4>And they wanted to pull it down and build apartments,

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<v Speaker 4>and the Hall of Memphis were up in arms. They said,

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<v Speaker 4>this is where Elvis Presley did his first paid job

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<v Speaker 4>in this show. Yeah, I'm pulling it down. So they won,

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<v Speaker 4>and they stuck it on them and it's still there.

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<v Speaker 8>Yeah.

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<v Speaker 4>Good, that's through for good on them.

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<v Speaker 3>Yeah that's good all right.

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<v Speaker 4>Quick quiz time, Kevin, Yeah, quick quiz time. Boys, the

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<v Speaker 4>time to push sharpen your pencils and doss. You've got

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<v Speaker 4>to take part in this quiz, So pay close attention.

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<v Speaker 4>Just listen to this, doss. You'll hear this Which of

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<v Speaker 4>the following films won Best Picture at the nineteen fifty

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<v Speaker 4>five Academy Awards. Was it A The Country Girl, B

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<v Speaker 4>Seven Brides for Seven Brothers, c On the Waterfront or

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<v Speaker 4>d The Cane Mutiny won the Academy Award for Best

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<v Speaker 4>Picture Country Girl, Seven Brides for Seven Brothers on the Waterfront,

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<v Speaker 4>or The Cane Mutiny on the Waterfront?

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<v Speaker 2>Is the Marlon Brando movie, isn't it? He was really

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<v Speaker 2>hot at that time, the Wild One.

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<v Speaker 3>And all that.

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<v Speaker 2>I'm going to I'm going to go for the for

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<v Speaker 2>the Branda movie on the Waterfront.

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<v Speaker 4>Okay, on the Waterfront second, Doss' second, all right, just

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<v Speaker 4>for a point of difference.

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<v Speaker 3>I was. I was also meaning in that direction.

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<v Speaker 9>But I'm going to go Cane Mutiny, which I think

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<v Speaker 9>might have been a dark horse in that race.

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<v Speaker 4>Very good selection, Simon. It wasn't The Country Girl? Which

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<v Speaker 4>was that even a movie? Been Christmian Grace County. Oh. Yes,

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<v Speaker 4>they won the Academy Awards for that rubbish for acting,

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<v Speaker 4>I mean, not for the picture. Rubbish rubbish. Okay, Seven

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<v Speaker 4>Brides for Seven Brothers was the MGM musical. No, they

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<v Speaker 4>didn't win.

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<v Speaker 2>Now music will still never win quest sometimes, don't they're

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<v Speaker 2>not off a little.

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<v Speaker 4>Off quite right there, quite right there, quite right there.

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<v Speaker 3>I think they should.

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<v Speaker 4>And Simon, I'm sorry to say it's not the Cane

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<v Speaker 4>mutiny with Humphrey Bogart with the marbles.

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<v Speaker 3>Yes it was.

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<v Speaker 4>It was on the waterfront. Andrew and Doss have both

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<v Speaker 4>got it. Congratulations guys. Yes, there are no prize that

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<v Speaker 4>by the way.

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<v Speaker 3>For this, just the sense of a good glory.

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<v Speaker 9>It's the glory and the second helping of June Mornee.

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<v Speaker 3>Those who missed the first half hour of this program.

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<v Speaker 3>There was a Tuna More Day bakeoff.

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<v Speaker 9>Yes, Simon, Well, we don't need to dwell on who

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<v Speaker 9>won and who didn't. I think we both prepared lovely meals.

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<v Speaker 9>And I appreciate your efforts.

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<v Speaker 2>How very magnanimous of you, very gracious in victory you are. Yes,

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<v Speaker 2>it's not I'm impressed. Well, it's I just always knew.

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<v Speaker 4>Yes, I might include that in the quick quiz next week.

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<v Speaker 3>Who won the twenty twenty five bakeoff?

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<v Speaker 2>Yes, that's the quick quiz next Hey, we've got to

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<v Speaker 2>move on because we've got a whole lot of things here. Yes,

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<v Speaker 2>we've got some films happening in fifty.

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<v Speaker 4>Five marvelous films. Oklahoma. I remember seeing Oklahoma on the

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<v Speaker 4>big screen at the Regions and I couldn't get over

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<v Speaker 4>that Toddeo process. That was absolutely fantastic. And guys and

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<v Speaker 4>dolls came out, the Cane Mutiny, as we mentioned, Brigadooon,

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<v Speaker 4>the tender Trap, the Blackboard Jungle and Fast Parker me

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<v Speaker 4>o mate Fess who has been gone for fifteen years now.

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<v Speaker 4>He died fifteen years ago. He was a terrific bloke

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<v Speaker 4>and he played Davy Crockett in the TV show Disneyland

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<v Speaker 4>for Walt Disney. Because when it came out we didn't

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<v Speaker 4>have television in Australia. It was nineteen fifty five, no TV.

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<v Speaker 4>So they chopped it together with the pair of scissors

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<v Speaker 4>and they made a film out of the episodes that

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<v Speaker 4>were actually on Disneyland.

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<v Speaker 3>So we go and see it at the So we

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<v Speaker 3>go to the.

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<v Speaker 4>Esquire in Burke Street to see Fess Parker. I didn't

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<v Speaker 4>fancy the old coonskin cap to be quite nice. That

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<v Speaker 4>smelly old thing on your head didn't appeal to me.

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<v Speaker 4>What about you, Andrew? Do you have one?

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<v Speaker 3>But I said I was way too young.

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<v Speaker 2>But it was interesting to watch you old guys wandering

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<v Speaker 2>around with them on the street. But I tell you

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<v Speaker 2>what they did with them with the episodes of TV series.

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<v Speaker 2>That wasn't the only thing the only time they did

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<v Speaker 2>it with Davy Crockett, because they did it with the

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<v Speaker 2>Man from Uncle.

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<v Speaker 3>I went on to see The Man from Uncle the movie.

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<v Speaker 3>I thought, oh, this is great.

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<v Speaker 2>It was two episodes of the TV series that I

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<v Speaker 2>had already seen linted together.

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<v Speaker 3>Oh, I'd be good money to sit up there in

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<v Speaker 3>the Belcone.

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<v Speaker 10>Oh.

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<v Speaker 3>I was outraged.

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<v Speaker 4>Yeah, I would have demanded your buddy back, stomped out

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<v Speaker 4>of the box office, but they'd closed up.

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<v Speaker 3>For the night.

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<v Speaker 4>Yeah. But anyhow, Davy Crockett was the song that accompanied this,

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<v Speaker 4>and it was sung by Fess Parker, So I spoke

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<v Speaker 4>to him about this.

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<v Speaker 11>Raised in the woods, sows in you every tree killed

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<v Speaker 11>him the bar when he was only three, Davy day

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<v Speaker 11>King of the Wild Front Tier.

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<v Speaker 4>And the song itself, The Ballad of Davy Crockett, became

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<v Speaker 4>a big hit. I don't know if people realized, but

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<v Speaker 4>right at the beginning there we did play you singing

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<v Speaker 4>the song, which is actually a version you did.

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<v Speaker 7>Well I have to tell you something, Kevin. I was

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<v Speaker 7>the first person to record it. I was signed in

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<v Speaker 7>August of nineteen thirty four, and I had sign a

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<v Speaker 7>little song that I'd written for Walker Disney with my

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<v Speaker 7>little guitar. I wasn't much of a singer, but I

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<v Speaker 7>convinced him that I could sing well enough, and they

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<v Speaker 7>two weeks later they called me in and I recorded

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<v Speaker 7>The Battle of Davy Crockett. Up for thirty years, Walt

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<v Speaker 7>Disney and his brother Roy had resisted having a record

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<v Speaker 7>company or having anything to do with the record royalties,

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<v Speaker 7>but with the ballot of Davy Crockett that changed, and

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<v Speaker 7>so he kept my first recording, and the Cadence Records

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<v Speaker 7>were able to bring out Bill Hayes first, while Walt

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<v Speaker 7>organized his record company. I finally got out and I

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<v Speaker 7>did very well. But there were sixteen major artists in

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<v Speaker 7>America in about six weeks that recorded that song.

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<v Speaker 4>Oh wanted to get into the act that tennesse Andy

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<v Speaker 4>Ford was one of them too, and.

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<v Speaker 7>Oh he was.

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<v Speaker 3>Yes, indeed, that's who I was thinking of. Tennessee.

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<v Speaker 9>Onnie Ford did a version two didn't he did, and

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<v Speaker 9>he had the beautiful, deep rounded voice.

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<v Speaker 4>To me, yep, yep singing it. You couldn't It was

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<v Speaker 4>very catchy.

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<v Speaker 3>Yeah, it's a good song. It was a good of

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<v Speaker 3>the spoof version of the Joki version.

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<v Speaker 4>I was going to mention it, but if you want

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<v Speaker 4>to mention it, that's.

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<v Speaker 2>All on the tabletop of Yeah dirty stump in the USA.

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<v Speaker 2>I hope you wouldn't go that shot his mother when

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<v Speaker 2>he was only three.

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<v Speaker 3>Oh yeah, I don't know that one. Oh well it

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<v Speaker 3>was you know, everybody knew.

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<v Speaker 4>It was never released as a record, but everybody knew

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<v Speaker 4>those lyrics, Yes, more than.

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<v Speaker 3>More than the real lyrics.

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<v Speaker 4>That was the only version was Yes, very popular, So

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<v Speaker 4>I could have sold a million that that's right, all right.

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<v Speaker 3>Now, Kevin tell us about Dogface Soldier.

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<v Speaker 4>Well, there was a film that came out in CinemaScope

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<v Speaker 4>in nineteen fifty five called to Hallenbach, which was based

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<v Speaker 4>on the biography of Audie Murphy. Because he was one

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<v Speaker 4>of the most decorated servicemen in the Second World War.

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<v Speaker 4>He was absolutely incredible. He was highly decorated, and he

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<v Speaker 4>also had a film career. He was well, he didn't

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<v Speaker 4>set the film untill he came back after the warning,

0:12:02.960 --> 0:12:07.640
<v Speaker 4>but he mainly specialized in westerns. I loved Audie Murphy.

0:12:07.679 --> 0:12:08.360
<v Speaker 3>I it was terrific.

0:12:08.440 --> 0:12:10.920
<v Speaker 4>I saw all these pictures and I saw this at

0:12:10.960 --> 0:12:14.160
<v Speaker 4>the State Picture Theater which is now the Forum in

0:12:14.480 --> 0:12:17.520
<v Speaker 4>nineteen fifty five, and it was on the big screen

0:12:17.600 --> 0:12:20.760
<v Speaker 4>and they had a great cast of actors, and there

0:12:20.800 --> 0:12:23.920
<v Speaker 4>was this song that still sticks in my mot Andrew

0:12:24.000 --> 0:12:26.480
<v Speaker 4>might have some good lyrics to this, but this is

0:12:26.920 --> 0:12:29.119
<v Speaker 4>talent back the theme song.

0:12:29.320 --> 0:12:34.840
<v Speaker 12>Like I Am.

0:12:33.840 --> 0:12:35.560
<v Speaker 10>From the Davies Thunderies.

0:12:41.480 --> 0:12:42.080
<v Speaker 8>It said the.

0:12:45.040 --> 0:12:46.800
<v Speaker 13>Down over.

0:12:48.800 --> 0:12:58.520
<v Speaker 4>Dote soldier were the right soldier, and come give me.

0:13:00.240 --> 0:13:02.840
<v Speaker 10>Your dog bas soldier by dog.

0:13:22.240 --> 0:13:22.880
<v Speaker 8>On all the.

0:13:22.920 --> 0:13:27.360
<v Speaker 10>Pols I read, it says the bills I go there

0:13:27.480 --> 0:13:30.080
<v Speaker 10>with me down to build me over again.

0:13:30.920 --> 0:13:32.640
<v Speaker 4>I'm just a dog based soldier.

0:13:32.880 --> 0:13:35.200
<v Speaker 10>I have a right both on this soldier and I'm

0:13:35.240 --> 0:13:41.720
<v Speaker 10>ready for or whatever. I won't take my horn any

0:13:41.880 --> 0:13:45.240
<v Speaker 10>take a dot ho. I'm a dog based soldier.

0:13:45.720 --> 0:13:49.160
<v Speaker 3>What does dog face soldier actually mean? I'm a dog

0:13:49.280 --> 0:13:50.280
<v Speaker 3>face side.

0:13:50.080 --> 0:13:51.880
<v Speaker 4>I don't know, but I walked out of that Picture

0:13:51.920 --> 0:13:53.880
<v Speaker 4>theater after seeing that film, and I've thought I've found

0:13:53.920 --> 0:13:56.880
<v Speaker 4>my career. I want to be a dog face soldier soldier.

0:13:56.880 --> 0:13:59.160
<v Speaker 4>A good day you would to please it's.

0:13:59.000 --> 0:14:01.160
<v Speaker 3>It sounds like it's on mos like a put down.

0:14:01.200 --> 0:14:02.800
<v Speaker 3>You're the lowest level of song.

0:14:02.880 --> 0:14:07.280
<v Speaker 4>Maybe he'd be an infantry man, wouldn't he.

0:14:07.720 --> 0:14:12.319
<v Speaker 3>That would be literally Yeah, I'd leave Andrew is the

0:14:12.360 --> 0:14:16.120
<v Speaker 3>word smith. I'd let him pronounce that he's the teacher. Yeah.

0:14:16.360 --> 0:14:20.160
<v Speaker 2>Now moving on now, because we must. We got shows

0:14:20.480 --> 0:14:22.280
<v Speaker 2>of nineteen fifty five Kevin.

0:14:22.400 --> 0:14:24.640
<v Speaker 4>Well The Bob Hope Show. Bob Hope was brought over

0:14:24.720 --> 0:14:27.840
<v Speaker 4>by Lee Gordon, and financially the show was a disaster,

0:14:28.360 --> 0:14:30.880
<v Speaker 4>had lost a heap of money, and Bob was aware

0:14:30.920 --> 0:14:33.040
<v Speaker 4>of that, and when he got back to America, he

0:14:33.120 --> 0:14:36.640
<v Speaker 4>sent Lee Gordon some money apparently to get him out

0:14:36.680 --> 0:14:38.320
<v Speaker 4>of the financial difficulty he was in.

0:14:38.480 --> 0:14:39.600
<v Speaker 3>That was really nice of him.

0:14:39.680 --> 0:14:42.520
<v Speaker 4>Yeah, I don't know why it didn't work, because Bob

0:14:42.560 --> 0:14:44.720
<v Speaker 4>Hope was a big, big star, wasn't he.

0:14:45.160 --> 0:14:45.400
<v Speaker 3>Yeah.

0:14:45.600 --> 0:14:47.960
<v Speaker 2>I think Lee Gordon had trouble again with he brought

0:14:47.960 --> 0:14:52.400
<v Speaker 2>out Costello too. I don't think that was particularly successful.

0:14:52.480 --> 0:14:54.280
<v Speaker 4>No, I didn't have finished up down at the Palais,

0:14:54.320 --> 0:14:56.720
<v Speaker 4>and no, it wasn't particularly successful. So there are a

0:14:56.720 --> 0:14:58.360
<v Speaker 4>couple of momen but he made a lot of money

0:14:58.400 --> 0:15:01.200
<v Speaker 4>out of Sinatra and people like that. When he did

0:15:01.600 --> 0:15:03.640
<v Speaker 4>concerts and Johnny Ray. He made a lot of money,

0:15:04.000 --> 0:15:07.040
<v Speaker 4>Johnny Ray, the Prince of Wales. He was terrific. I

0:15:07.240 --> 0:15:08.800
<v Speaker 4>never know you interviewed him, didn't you.

0:15:08.840 --> 0:15:10.200
<v Speaker 3>I did, yes, once upon a time.

0:15:10.840 --> 0:15:13.600
<v Speaker 2>And I did happen to see him at the Fellow

0:15:13.680 --> 0:15:15.840
<v Speaker 2>Theater with Mom and Dad many years ago.

0:15:15.680 --> 0:15:16.040
<v Speaker 4>Did you.

0:15:16.200 --> 0:15:16.560
<v Speaker 3>Yes?

0:15:16.720 --> 0:15:18.880
<v Speaker 4>Phil was there and Phil records. The sound broke down

0:15:18.920 --> 0:15:21.160
<v Speaker 4>and he wasn't too happy with the sound man.

0:15:21.320 --> 0:15:23.160
<v Speaker 3>Must have been a different shows while I saw.

0:15:23.120 --> 0:15:26.720
<v Speaker 4>Probably probably that he did a number of shows down there. Anyhow.

0:15:26.800 --> 0:15:30.360
<v Speaker 4>Ronnie Rosenberg, my mate was has passed on. But Ronnie

0:15:30.400 --> 0:15:33.120
<v Speaker 4>was a pianist. He was musical director on him Moment's

0:15:33.200 --> 0:15:35.920
<v Speaker 4>Night and we did shows together with Teddy Hamilton. We

0:15:36.000 --> 0:15:38.960
<v Speaker 4>to it all over the place with Ronnie, and Ronnie

0:15:39.040 --> 0:15:40.560
<v Speaker 4>never had any music in front of me. He just

0:15:40.560 --> 0:15:43.480
<v Speaker 4>said at the piano. I didn't think you know every

0:15:43.600 --> 0:15:47.040
<v Speaker 4>song that you could think of. He was fantastic. Anyhow,

0:15:47.120 --> 0:15:51.760
<v Speaker 4>he did work for Bob Hope. Gee, you must have

0:15:51.800 --> 0:15:56.360
<v Speaker 4>met some real big stars in your time. Ronnie Rosenberg, Oh,

0:15:56.680 --> 0:15:58.520
<v Speaker 4>now tell me any stories about Bob Hope.

0:15:59.320 --> 0:16:00.640
<v Speaker 13>Look, I didn't get very close.

0:16:00.720 --> 0:16:01.320
<v Speaker 3>I wanted to.

0:16:01.920 --> 0:16:04.000
<v Speaker 13>I want he was on the town all but I

0:16:04.040 --> 0:16:08.680
<v Speaker 13>wanted to because I loved him, you know, yes, I

0:16:08.680 --> 0:16:12.200
<v Speaker 13>do remember one night I had to play something for

0:16:12.280 --> 0:16:15.040
<v Speaker 13>him and I had to give him the peggio to

0:16:15.080 --> 0:16:19.160
<v Speaker 13>get in and he said thank you Liberaci, which destroyed

0:16:19.200 --> 0:16:19.600
<v Speaker 13>me a bit.

0:16:22.880 --> 0:16:24.560
<v Speaker 1>Yeah, life goes.

0:16:24.320 --> 0:16:27.640
<v Speaker 4>On, Roddie. You are wealthy stories and it's lovely talking

0:16:27.680 --> 0:16:27.880
<v Speaker 4>to you.

0:16:27.960 --> 0:16:29.680
<v Speaker 3>That's a funny story, that's cute.

0:16:29.960 --> 0:16:33.320
<v Speaker 4>Ronnie was fantastic. Have no idea all the fun we

0:16:33.360 --> 0:16:34.120
<v Speaker 4>had on those shows.

0:16:34.120 --> 0:16:37.960
<v Speaker 3>It was terrific. And Frank Sinatra, Yeah.

0:16:37.800 --> 0:16:41.000
<v Speaker 4>Frank Sinatra. Frank Sinatra came in nineteen fifty five with

0:16:41.080 --> 0:16:43.880
<v Speaker 4>his daughter Nancy and it was the first visit to

0:16:43.920 --> 0:16:46.960
<v Speaker 4>Australia for Sinatra and he loved him being here and

0:16:47.000 --> 0:16:49.760
<v Speaker 4>he came back on a number of times and he

0:16:50.440 --> 0:16:54.280
<v Speaker 4>was someone that you know, was what would you call him?

0:16:54.320 --> 0:16:57.520
<v Speaker 4>He was a superstar really in those days. And they

0:16:57.520 --> 0:17:00.360
<v Speaker 4>were doing something like three shows at night at the

0:17:00.480 --> 0:17:04.480
<v Speaker 4>West Melbourne Stadium, but unfortunately the West Melbourne Stadium burned down,

0:17:05.119 --> 0:17:08.040
<v Speaker 4>so they moved Frank Sinatra. Do you know, I reckon

0:17:08.040 --> 0:17:10.280
<v Speaker 4>I should have a pluk up outside the Melbourne Town

0:17:10.359 --> 0:17:14.120
<v Speaker 4>Hall because Sinatra did concerts at the Melbourne Town Hall,

0:17:14.760 --> 0:17:17.879
<v Speaker 4>and I never knew yes, because they had no venue

0:17:18.400 --> 0:17:21.879
<v Speaker 4>and so and Sinatra was quite happy to play a

0:17:21.880 --> 0:17:24.160
<v Speaker 4>town he is, I'll play anywhere. I was singing the streets.

0:17:24.480 --> 0:17:26.679
<v Speaker 4>People bought tickets. They want to come and see me.

0:17:26.840 --> 0:17:29.440
<v Speaker 4>Let's go wherever you want to go. So they went

0:17:29.480 --> 0:17:31.639
<v Speaker 4>to the Melbourne Town Hall and it was. It was

0:17:31.720 --> 0:17:32.320
<v Speaker 4>very good of him.

0:17:32.520 --> 0:17:35.359
<v Speaker 9>I would have thought he would be very setting his

0:17:35.440 --> 0:17:37.080
<v Speaker 9>ways about both understand.

0:17:37.359 --> 0:17:39.720
<v Speaker 4>We had a pile of ashes out in West Melbourne

0:17:39.720 --> 0:17:41.800
<v Speaker 4>with the place that they're supposed to be in. And

0:17:41.840 --> 0:17:44.280
<v Speaker 4>I remember going pasting the train to school and looking

0:17:44.320 --> 0:17:48.680
<v Speaker 4>down and seeing that all burnt out because it was, Yes,

0:17:48.680 --> 0:17:55.200
<v Speaker 4>it was, And I saw Sinatra actually before built burnt down.

0:17:55.600 --> 0:17:57.800
<v Speaker 4>I must have been very young. All I can remember

0:17:57.920 --> 0:18:00.480
<v Speaker 4>is him singing one from My Baby in One for

0:18:00.520 --> 0:18:04.800
<v Speaker 4>the Road in the boxing ring in the middle of

0:18:04.800 --> 0:18:06.639
<v Speaker 4>the West Melbourne stadium where they used to run all

0:18:06.680 --> 0:18:07.520
<v Speaker 4>the fights, and is.

0:18:07.440 --> 0:18:09.320
<v Speaker 2>That where they had a sort of an upstairs section

0:18:09.440 --> 0:18:11.280
<v Speaker 2>and that was behind chicken wire.

0:18:11.480 --> 0:18:13.119
<v Speaker 4>It was all that sort of stuff. Yeah, it was

0:18:13.160 --> 0:18:14.320
<v Speaker 4>pretty primitive, wasn't it.

0:18:14.400 --> 0:18:14.840
<v Speaker 3>Yeah.

0:18:14.880 --> 0:18:16.440
<v Speaker 4>My father used to take me to the boxing and

0:18:16.440 --> 0:18:18.040
<v Speaker 4>we used to hold up the newspapers to keep the

0:18:18.040 --> 0:18:19.400
<v Speaker 4>Blood Office from the front fright.

0:18:20.359 --> 0:18:24.400
<v Speaker 3>It was terrific. What a life?

0:18:24.560 --> 0:18:24.919
<v Speaker 4>Anyhow?

0:18:24.920 --> 0:18:25.479
<v Speaker 3>What a life? Say?

0:18:25.560 --> 0:18:28.080
<v Speaker 4>Sinatra had a song He's going to sing it now,

0:18:28.480 --> 0:18:31.840
<v Speaker 4>Nancy with a laughing Face, which was written by Phil Silvers,

0:18:32.080 --> 0:18:35.200
<v Speaker 4>of all people, and it became a big hit for

0:18:35.240 --> 0:18:36.440
<v Speaker 4>Frank Sinadra.

0:18:36.640 --> 0:18:37.840
<v Speaker 14>Around nineteen forty.

0:18:37.920 --> 0:18:41.840
<v Speaker 15>Ladies and gentlemen, they was a song written about a

0:18:41.880 --> 0:18:46.480
<v Speaker 15>little girl who was then two years old, I should

0:18:46.480 --> 0:18:47.119
<v Speaker 15>say forty once.

0:18:47.200 --> 0:18:48.120
<v Speaker 4>I'm two years old.

0:18:48.359 --> 0:18:54.560
<v Speaker 15>And she's grown a good deal since then. I'm glad

0:18:54.560 --> 0:19:00.560
<v Speaker 15>of that. And the song was written about because she

0:19:00.640 --> 0:19:03.880
<v Speaker 15>had all of the qualities that the words describing the song,

0:19:04.600 --> 0:19:06.320
<v Speaker 15>and she still has them. And I'd like to do

0:19:06.359 --> 0:19:09.480
<v Speaker 15>this tune for you now. It's about my oldest daughter.

0:19:10.320 --> 0:19:12.080
<v Speaker 15>It's called Nancy with a laughing Face.

0:19:20.240 --> 0:19:26.200
<v Speaker 14>If I don't see her each day, I miss her.

0:19:29.160 --> 0:19:32.960
<v Speaker 4>Gee, what a thrill each.

0:19:32.840 --> 0:19:38.720
<v Speaker 14>Time I kiss her. Believe me, I've got a case

0:19:41.400 --> 0:19:49.080
<v Speaker 14>on Nancy with a laughing face. She takes the winter

0:19:51.040 --> 0:19:52.240
<v Speaker 14>and she makes it.

0:19:52.359 --> 0:19:55.720
<v Speaker 2>Some lovely to hear Sinatra in Melbourne way back when,

0:19:55.760 --> 0:19:59.840
<v Speaker 2>in the mid nineteen fifty five and Nancy with a

0:20:00.040 --> 0:20:01.880
<v Speaker 2>laughing face. We are in the midst of the Time

0:20:01.920 --> 0:20:04.280
<v Speaker 2>Tunnel with Kevin, and we're back with more of nineteen

0:20:04.320 --> 0:20:05.639
<v Speaker 2>fifty five right after these.

0:20:06.400 --> 0:20:09.120
<v Speaker 9>It's Mystery Voice time in Trask's Time Tunnel. If you're

0:20:09.119 --> 0:20:11.400
<v Speaker 9>wondering why are we doing trash Time Tunnel in this hour,

0:20:11.440 --> 0:20:14.000
<v Speaker 9>it's because we didn't get to start till ten thirty

0:20:14.040 --> 0:20:18.320
<v Speaker 9>this evening, so it's an hour delay for Trask's Time Tunnel.

0:20:18.320 --> 0:20:20.439
<v Speaker 9>But here we are and it's Mystery Voice time. He

0:20:20.480 --> 0:20:22.960
<v Speaker 9>wants you to take part by texting us your answer.

0:20:23.119 --> 0:20:25.159
<v Speaker 9>Kevin's going to play a mystery voice. We're going to

0:20:25.160 --> 0:20:27.600
<v Speaker 9>try and guess. If you think you know, text your

0:20:27.640 --> 0:20:31.200
<v Speaker 9>answer to zero four double seven six nine three six

0:20:31.440 --> 0:20:34.840
<v Speaker 9>nine three and will name the first person who correctly

0:20:34.960 --> 0:20:38.240
<v Speaker 9>gets the answer right. Kevin, do we have a clue?

0:20:39.040 --> 0:20:41.920
<v Speaker 4>Well, I think this is particularly easy, and I think

0:20:42.320 --> 0:20:44.480
<v Speaker 4>I would ask you both to hold back and give

0:20:44.520 --> 0:20:46.600
<v Speaker 4>the listeners a chance to have a little think about

0:20:46.600 --> 0:20:49.960
<v Speaker 4>this before you dive in, because I think you will

0:20:49.960 --> 0:20:53.200
<v Speaker 4>know this immediately. But then, on the other hand, I've

0:20:53.240 --> 0:20:55.560
<v Speaker 4>thought that before, yes, and it has been some of

0:20:55.560 --> 0:21:00.520
<v Speaker 4>our toughest ones. Toughest ones, so it's very interesting. So look,

0:21:00.520 --> 0:21:09.520
<v Speaker 4>it's a male and here's tonight's mystery voice. I'm too weak, said.

0:21:11.920 --> 0:21:13.679
<v Speaker 13>It a.

0:21:15.600 --> 0:21:16.000
<v Speaker 8>Miles.

0:21:19.320 --> 0:21:38.600
<v Speaker 4>Play the game, but to dream more, this song came

0:21:38.880 --> 0:21:40.720
<v Speaker 4>this song came out in nineteen fifty five.

0:21:40.800 --> 0:21:42.600
<v Speaker 2>I might point it, Yeah, the Platters, but this is

0:21:42.640 --> 0:21:44.280
<v Speaker 2>obviously not the Platt's Platters.

0:21:44.359 --> 0:21:44.399
<v Speaker 12>No.

0:21:44.520 --> 0:21:46.520
<v Speaker 9>Well, I immediately wrote down two names, and then I

0:21:46.600 --> 0:21:49.560
<v Speaker 9>realized we're talking nineteen fifty five, and neither of them

0:21:49.600 --> 0:21:53.000
<v Speaker 9>would have been born. So I'll cross Grant, Dya and

0:21:53.119 --> 0:21:58.280
<v Speaker 9>Rove McManus off the list. McManus, well, it just sounded

0:21:58.400 --> 0:22:01.640
<v Speaker 9>like a young little person, so I thought.

0:22:03.480 --> 0:22:06.600
<v Speaker 4>Grant both per person agree the person doesn't have to

0:22:06.680 --> 0:22:09.880
<v Speaker 4>be alive this in this case, but singing a song

0:22:10.000 --> 0:22:12.160
<v Speaker 4>from nineteen fifty five, as.

0:22:12.080 --> 0:22:14.040
<v Speaker 2>Long as you're a certain heights, you can be a

0:22:14.080 --> 0:22:15.800
<v Speaker 2>part of Remember when why's your texting?

0:22:15.920 --> 0:22:16.480
<v Speaker 3>Your answer?

0:22:17.560 --> 0:22:20.680
<v Speaker 2>Because apparently short people are not welcome according to Simon, No,

0:22:21.000 --> 0:22:23.360
<v Speaker 2>I just thought that sounded.

0:22:23.080 --> 0:22:25.399
<v Speaker 3>Like a young, sort little person.

0:22:25.560 --> 0:22:27.320
<v Speaker 4>Yes, oh I didn't pick that up.

0:22:27.840 --> 0:22:31.120
<v Speaker 3>It's not granting you. No, it's not Grant, and it's

0:22:31.160 --> 0:22:35.280
<v Speaker 3>not who Rove McManus. No way, someone who was alive

0:22:35.320 --> 0:22:38.040
<v Speaker 3>in fifty five and and I think he's.

0:22:37.920 --> 0:22:39.000
<v Speaker 4>Alive in fifty five.

0:22:39.160 --> 0:22:41.840
<v Speaker 3>Oh, so he wasn't born till after fifteen.

0:22:42.000 --> 0:22:43.480
<v Speaker 4>I'm not sure what year is more.

0:22:43.920 --> 0:22:45.200
<v Speaker 3>Is he an Australian?

0:22:45.440 --> 0:22:45.480
<v Speaker 7>No?

0:22:46.280 --> 0:22:48.040
<v Speaker 3>Oh, Englishman?

0:22:48.400 --> 0:22:52.920
<v Speaker 4>Englishman, got no idea. I really thought this would go

0:22:53.040 --> 0:22:53.560
<v Speaker 4>straight up.

0:22:53.840 --> 0:22:56.199
<v Speaker 3>We might have to have another listen. But okay, now

0:22:56.280 --> 0:23:00.000
<v Speaker 3>we know I'm a comedian known for comedy or good quest?

0:23:00.040 --> 0:23:00.399
<v Speaker 4>Should know?

0:23:00.760 --> 0:23:02.840
<v Speaker 3>No? Okay, straight actor?

0:23:04.520 --> 0:23:06.320
<v Speaker 4>No, A singer, A singer.

0:23:06.560 --> 0:23:07.440
<v Speaker 3>It is actually a singer.

0:23:07.440 --> 0:23:09.960
<v Speaker 4>It's actually a singer, because singer.

0:23:10.119 --> 0:23:13.880
<v Speaker 3>Do we have another listen? Please do? Very short?

0:23:13.960 --> 0:23:16.960
<v Speaker 4>Singer? And Ronny corb.

0:23:23.400 --> 0:23:24.520
<v Speaker 1>A mile.

0:23:27.680 --> 0:23:29.240
<v Speaker 8>Play again?

0:23:30.200 --> 0:23:36.320
<v Speaker 16>But to dream?

0:23:46.800 --> 0:23:49.679
<v Speaker 4>I can hear people screaming at the radio.

0:23:49.840 --> 0:23:50.639
<v Speaker 3>They don't know it.

0:23:51.080 --> 0:23:54.760
<v Speaker 4>I don't believe this could be what's his name?

0:23:54.800 --> 0:23:57.240
<v Speaker 3>Played phantom? Michael Crawford?

0:23:57.880 --> 0:24:01.399
<v Speaker 4>Oh, yes, A fan of the Operachael Crawford. He was

0:24:01.440 --> 0:24:02.240
<v Speaker 4>in Hello Dolly?

0:24:02.960 --> 0:24:03.080
<v Speaker 7>Was he?

0:24:03.200 --> 0:24:08.760
<v Speaker 3>I don't know he was? Yah, it's not and he's

0:24:08.760 --> 0:24:09.600
<v Speaker 3>still with us today.

0:24:10.200 --> 0:24:13.679
<v Speaker 4>No, good question, Andrew, because I was going to bring

0:24:13.800 --> 0:24:14.880
<v Speaker 4>up Michael Ball next.

0:24:15.240 --> 0:24:18.200
<v Speaker 3>Is he did he have a TV series?

0:24:18.640 --> 0:24:18.680
<v Speaker 13>No?

0:24:19.880 --> 0:24:22.880
<v Speaker 3>Is this not Desert Con. I'm one of those people

0:24:22.920 --> 0:24:23.800
<v Speaker 3>screaming at the radio.

0:24:23.920 --> 0:24:24.760
<v Speaker 6>Can I chime in?

0:24:25.680 --> 0:24:28.200
<v Speaker 3>Put you out of your misery, Freddie Mercury.

0:24:28.200 --> 0:24:32.359
<v Speaker 4>It is Freddie Mercury. What you listen to the voice?

0:24:32.520 --> 0:24:33.960
<v Speaker 4>It is Freddy Mercury.

0:24:34.080 --> 0:24:36.600
<v Speaker 3>Did you get that? Did you get that from the voice?

0:24:36.680 --> 0:24:36.920
<v Speaker 1>Dos?

0:24:46.880 --> 0:24:49.400
<v Speaker 3>It of course is fantastic.

0:24:50.240 --> 0:24:53.200
<v Speaker 4>What about the listeners? I bet you everybody got it?

0:24:53.280 --> 0:24:55.399
<v Speaker 9>If you can flick it over there, Dos and scroll

0:24:55.480 --> 0:24:57.320
<v Speaker 9>down so we can see who the first pink one

0:24:57.760 --> 0:25:01.080
<v Speaker 9>is there, Just just scroll through though his messages to

0:25:01.119 --> 0:25:02.640
<v Speaker 9>find the lowest pink one.

0:25:03.119 --> 0:25:05.080
<v Speaker 3>Further further, further, Gee, there's a lot of entries.

0:25:05.400 --> 0:25:08.560
<v Speaker 9>Okay, Cameron and Louise from Botanic Ridge, we're the very

0:25:08.640 --> 0:25:11.800
<v Speaker 9>first ones to take and they said Freddie Mercury.

0:25:12.320 --> 0:25:15.000
<v Speaker 3>So there you go. Other suggestions, So well done Cameron

0:25:15.040 --> 0:25:17.360
<v Speaker 3>and Louise. Barry Crocker was another suggestion.

0:25:17.560 --> 0:25:23.480
<v Speaker 9>Tury terps, Donald dark Tonalds Max of greens bro I

0:25:23.520 --> 0:25:25.240
<v Speaker 9>don't know what station Max is listening to.

0:25:25.800 --> 0:25:30.399
<v Speaker 3>Ronald Reagan, Johnny Farner. Ronald Reagan's a good one, isn't it.

0:25:31.000 --> 0:25:33.719
<v Speaker 3>There we go, Freddy Mercury. That is absolutely fantastic.

0:25:34.320 --> 0:25:38.000
<v Speaker 4>Well well done to everybody who got it. Congratulations, yes, yes.

0:25:37.920 --> 0:25:41.119
<v Speaker 9>Well done to all Right, let's get another breakout of

0:25:41.280 --> 0:25:42.639
<v Speaker 9>because we've only had two breaks.

0:25:42.680 --> 0:25:43.720
<v Speaker 3>Have we got two more to go?

0:25:44.000 --> 0:25:45.600
<v Speaker 9>Yeah, let's do a break and we'll come back with

0:25:46.119 --> 0:25:47.960
<v Speaker 9>radio and popular songs soon.

0:25:48.560 --> 0:25:51.880
<v Speaker 3>Yes, three w eleven to twelve. This somewhat altered.

0:25:52.119 --> 0:25:55.119
<v Speaker 2>Remember when the Sunday Night, but the time tuttle is

0:25:55.600 --> 0:25:58.560
<v Speaker 2>still rolling along and some of the radio were nine

0:25:58.600 --> 0:26:00.040
<v Speaker 2>to fifty five Kevin.

0:26:00.119 --> 0:26:04.320
<v Speaker 4>Yes, well we're talking about Cuthbert Jeffrey Cork.

0:26:04.880 --> 0:26:06.960
<v Speaker 3>Yes, I didn't know his name was Cuthbert.

0:26:07.160 --> 0:26:09.119
<v Speaker 4>Yes, yes, you couldn't do.

0:26:09.119 --> 0:26:09.560
<v Speaker 3>It on TV.

0:26:10.040 --> 0:26:14.080
<v Speaker 4>He's Graham Kennedy and yeh no, it wouldn't work. Jeff

0:26:14.160 --> 0:26:14.400
<v Speaker 4>is better.

0:26:14.520 --> 0:26:17.280
<v Speaker 3>Bert always called him cuff, did he Yeah, I.

0:26:17.400 --> 0:26:20.320
<v Speaker 4>Never knew that. Well. He was on In Moment Tonight

0:26:20.400 --> 0:26:22.680
<v Speaker 4>and worked with Graham Kennedy as we mentioned, and then

0:26:22.760 --> 0:26:25.399
<v Speaker 4>went onto The Trek Show. But he was out with

0:26:25.640 --> 0:26:29.240
<v Speaker 4>the A to meet Frank Sinatra in nineteen fifty five

0:26:29.359 --> 0:26:31.639
<v Speaker 4>to get an interview. And this is a very funny

0:26:31.840 --> 0:26:33.800
<v Speaker 4>description of what happened with jeff Cork.

0:26:34.760 --> 0:26:38.919
<v Speaker 15>I've got the world on a string, and I'm sitting

0:26:39.000 --> 0:26:39.840
<v Speaker 15>on a rainbow.

0:26:41.480 --> 0:26:43.840
<v Speaker 3>I've got the string around my thing.

0:26:49.200 --> 0:26:49.919
<v Speaker 13>What a world?

0:26:50.800 --> 0:26:51.520
<v Speaker 3>What a life?

0:26:51.640 --> 0:26:52.000
<v Speaker 5>I'm in?

0:26:52.200 --> 0:26:52.440
<v Speaker 8>Law?

0:26:53.560 --> 0:26:56.399
<v Speaker 12>Sinatra came out with a lady called Anne McCormick. It

0:26:56.560 --> 0:27:00.280
<v Speaker 12>was a fine singer, and she invicted. It was the

0:27:00.320 --> 0:27:04.400
<v Speaker 12>time that he'd attacked journalists and reporters and no sort

0:27:04.400 --> 0:27:07.680
<v Speaker 12>of people at the entrance to the stadium because he

0:27:07.720 --> 0:27:09.960
<v Speaker 12>was a little bit cross. I think the publicity that

0:27:10.040 --> 0:27:10.560
<v Speaker 12>he proceived.

0:27:11.200 --> 0:27:11.480
<v Speaker 7>And he.

0:27:13.240 --> 0:27:20.040
<v Speaker 12>This gentleman who was quite a popular radio interviewer, not

0:27:20.160 --> 0:27:22.840
<v Speaker 12>with Sinatra O command you you had to call him

0:27:22.840 --> 0:27:27.119
<v Speaker 12>that too, mister Sinnata all the time. And he started

0:27:27.160 --> 0:27:28.719
<v Speaker 12>off his interview and I was the next cab off

0:27:28.760 --> 0:27:31.480
<v Speaker 12>the rank. I was standing in the queue, and he said,

0:27:32.040 --> 0:27:34.159
<v Speaker 12>it's nice to interview a man who came out with

0:27:34.320 --> 0:27:37.760
<v Speaker 12>Anne McCormick to star on the big show. Frank Sinatra, Well,

0:27:37.800 --> 0:27:43.240
<v Speaker 12>of course that quite annoyed Frank, And you, having interviewed

0:27:43.280 --> 0:27:46.240
<v Speaker 12>thousands of people, would know how difficult it is when

0:27:46.320 --> 0:27:49.080
<v Speaker 12>you get a yes and no answer, And that's what

0:27:49.200 --> 0:27:53.040
<v Speaker 12>he gave this fella. You know it nice to be yes. Well, normally,

0:27:53.080 --> 0:27:54.840
<v Speaker 12>when you're chatting with the person, you're thinking of the

0:27:54.920 --> 0:27:57.160
<v Speaker 12>next question, aren't you, And if you're just getting yeses

0:27:57.200 --> 0:27:58.719
<v Speaker 12>and nos, you get a nothing interview.

0:27:59.480 --> 0:28:02.040
<v Speaker 3>And that's what he got. And I thought, oh darn, me.

0:28:02.200 --> 0:28:04.879
<v Speaker 3>I was nervous wreck and.

0:28:04.960 --> 0:28:07.840
<v Speaker 12>I went and turned on a little recorder after the

0:28:07.920 --> 0:28:11.560
<v Speaker 12>sky left, and I said, it's so nice to be

0:28:11.760 --> 0:28:13.440
<v Speaker 12>with you, mister Sinatra, and thank you for having me.

0:28:13.560 --> 0:28:17.160
<v Speaker 12>And I enjoyed the show last night, and it was great.

0:28:17.440 --> 0:28:19.399
<v Speaker 12>And you had to butter up to him a little bit,

0:28:19.440 --> 0:28:21.000
<v Speaker 12>and if you didn't, you'd be off your brain because

0:28:21.000 --> 0:28:23.440
<v Speaker 12>they had about five or six the biggest men I've

0:28:23.440 --> 0:28:26.520
<v Speaker 12>ever seen in my life standing around. I don't know

0:28:26.560 --> 0:28:28.520
<v Speaker 12>where they carried his bags for his toothbrush, but they

0:28:28.560 --> 0:28:33.359
<v Speaker 12>were pretty big. And he let go and gave me

0:28:34.280 --> 0:28:38.360
<v Speaker 12>a fantastic interview and it was It was so good

0:28:38.400 --> 0:28:40.600
<v Speaker 12>that it was later played in the States, and because

0:28:40.640 --> 0:28:42.720
<v Speaker 12>he got right down to worth about lots and lots

0:28:42.760 --> 0:28:43.080
<v Speaker 12>of things.

0:28:43.800 --> 0:28:45.640
<v Speaker 4>Yeah, lovely, lovely, Yeah.

0:28:45.480 --> 0:28:49.560
<v Speaker 3>That's nice and yeah, good to hear the voice of

0:28:49.760 --> 0:28:53.120
<v Speaker 3>Jeff Cola. It was always a favorite of mine.

0:28:53.120 --> 0:28:55.240
<v Speaker 2>A Channel nine in the early days, was sort of

0:28:55.360 --> 0:28:57.920
<v Speaker 2>and when he was on IMT, I thought that the

0:28:58.000 --> 0:28:58.800
<v Speaker 2>program lifted.

0:28:59.080 --> 0:29:00.280
<v Speaker 4>Yes, I thought he was true too.

0:29:01.160 --> 0:29:02.480
<v Speaker 3>It's lovely and we move.

0:29:02.360 --> 0:29:04.120
<v Speaker 9>On, all right, So let's have a look at the

0:29:04.520 --> 0:29:06.440
<v Speaker 9>Australia's Amateur Hour Kevin.

0:29:06.280 --> 0:29:08.920
<v Speaker 4>Yes, the Amateur Hour, and of course this was accompanied

0:29:09.000 --> 0:29:11.760
<v Speaker 4>by Terry Dia and we've got a very special word.

0:29:11.880 --> 0:29:14.680
<v Speaker 4>At the moment. I think he's playing the gum leaf.

0:29:15.440 --> 0:29:18.760
<v Speaker 4>He is number six on Australia's Amateur Robert Kelleher plays

0:29:18.760 --> 0:29:20.880
<v Speaker 4>a couple of old favorites on the gum Leaf.

0:29:54.640 --> 0:29:56.160
<v Speaker 3>News Talk three a w.

0:30:01.680 --> 0:30:18.000
<v Speaker 16>Tomorrow Morning, the premier joins Tom Elliott. Now, dos just

0:30:18.080 --> 0:30:19.040
<v Speaker 16>made a very good point.

0:30:19.280 --> 0:30:21.360
<v Speaker 3>How's he playing the piano and the gum leaf at

0:30:21.400 --> 0:30:21.960
<v Speaker 3>the same time.

0:30:22.040 --> 0:30:24.000
<v Speaker 4>I think it's Malgo Sheridan on the piano.

0:30:24.080 --> 0:30:27.760
<v Speaker 3>All right, okay, we would.

0:30:29.400 --> 0:30:33.400
<v Speaker 4>Drop the gum leaf. So there's two front teeth are

0:30:33.400 --> 0:30:34.040
<v Speaker 4>getting in the world.

0:30:40.720 --> 0:30:44.720
<v Speaker 3>Oh it's a medley. Oh good, No, look, I'd love

0:30:44.760 --> 0:30:45.240
<v Speaker 3>to hear more.

0:30:45.280 --> 0:30:47.040
<v Speaker 9>But we've really got to get the other breakout of

0:30:47.080 --> 0:30:48.880
<v Speaker 9>the way so we can get to the popular songs

0:30:49.160 --> 0:30:51.840
<v Speaker 9>of nineteen fifty five with Kevin after this, and Tony

0:30:51.920 --> 0:30:53.720
<v Speaker 9>mack has to come into and tell us what's coming up.

0:30:53.840 --> 0:30:57.200
<v Speaker 9>So we're rapidly running out of time as we close

0:30:57.320 --> 0:30:59.000
<v Speaker 9>the show, which is odd to do. At the end

0:30:59.040 --> 0:31:02.280
<v Speaker 9>of trast time tunnel to Ony McManus joins us, Tony,

0:31:02.320 --> 0:31:02.880
<v Speaker 9>good evening to you.

0:31:03.000 --> 0:31:04.320
<v Speaker 1>You're more than were going to kick on the other

0:31:04.360 --> 0:31:06.960
<v Speaker 1>side of midnight to choose. But it's been a very

0:31:07.200 --> 0:31:09.400
<v Speaker 1>very tiny little window that you've had for an hour

0:31:09.400 --> 0:31:11.120
<v Speaker 1>and a half. Andrew, you'd like to do another couple

0:31:11.160 --> 0:31:11.560
<v Speaker 1>of hours.

0:31:12.280 --> 0:31:14.720
<v Speaker 4>Are you sure it's got a card game?

0:31:16.840 --> 0:31:18.960
<v Speaker 3>Management can only afford ninety minutes.

0:31:18.720 --> 0:31:22.560
<v Speaker 1>Of Holy rate's the one that comes back to But

0:31:23.000 --> 0:31:24.560
<v Speaker 1>sometimes who.

0:31:24.520 --> 0:31:25.280
<v Speaker 4>Sang these songs?

0:31:25.320 --> 0:31:25.640
<v Speaker 3>Boys?

0:31:25.760 --> 0:31:30.760
<v Speaker 4>Yep, cherry pink and apple Blossom, white Pereesprado correct, sincerely,

0:31:32.040 --> 0:31:33.760
<v Speaker 4>Oh you know how I love you?

0:31:34.920 --> 0:31:42.080
<v Speaker 3>Anything for you? His mind's gone again, so seely no

0:31:42.760 --> 0:31:44.080
<v Speaker 3>sang that group of sisters.

0:31:44.880 --> 0:31:46.600
<v Speaker 1>The sisters was surely.

0:31:49.080 --> 0:31:53.880
<v Speaker 4>Lovely Rock around the clock Bill Haley sixteen tons.

0:31:53.840 --> 0:31:55.800
<v Speaker 3>Tennessee only four correct?

0:31:55.840 --> 0:31:58.080
<v Speaker 4>So far love is a many splendid thing.

0:31:58.200 --> 0:31:59.680
<v Speaker 3>Four races You know that one?

0:32:03.720 --> 0:32:04.680
<v Speaker 4>Loads of Texas?

0:32:09.120 --> 0:32:12.280
<v Speaker 3>Yeah, he did in the movie, didn't he was? What's Miller?

0:32:12.400 --> 0:32:17.720
<v Speaker 4>Mitch Miller, Mitch Miller, You're good. Ain't that a shame?

0:32:18.920 --> 0:32:20.800
<v Speaker 1>The big fat Fats Domino.

0:32:21.280 --> 0:32:26.840
<v Speaker 4>I'll take that unchained, wasn't It wasn't Boom, But that's.

0:32:28.360 --> 0:32:30.680
<v Speaker 3>He's allowed to get it first. Someone who wrote the thing.

0:32:31.080 --> 0:32:32.080
<v Speaker 4>Yeah, no, it's all right.

0:32:33.520 --> 0:32:43.920
<v Speaker 3>Unchained melody Righteous Brothers. No fifty Baxter, Yeah wow, John unchained.

0:32:44.120 --> 0:32:46.760
<v Speaker 3>It starts off that way. Got me out of a

0:32:46.800 --> 0:32:48.200
<v Speaker 3>few weird situations here.

0:32:48.240 --> 0:32:48.440
<v Speaker 7>Good.

0:32:49.040 --> 0:32:52.680
<v Speaker 3>What about learning the blues, guy Mitchell, No, No, that's

0:32:52.680 --> 0:32:53.400
<v Speaker 3>singing the blues.

0:32:53.960 --> 0:32:56.520
<v Speaker 1>Yeah, class bopping the blues.

0:32:56.520 --> 0:33:01.040
<v Speaker 4>Not the learning. The tables are empty, the big bopper.

0:33:01.240 --> 0:33:01.840
<v Speaker 3>No, we've got.

0:33:03.840 --> 0:33:07.040
<v Speaker 4>I don't know no Frank Sinatra. You might have heard

0:33:07.080 --> 0:33:09.200
<v Speaker 4>of him, moments to remember.

0:33:11.000 --> 0:33:13.520
<v Speaker 3>I don't know that one either. We are going out

0:33:13.520 --> 0:33:14.080
<v Speaker 3>with you.

0:33:14.160 --> 0:33:17.280
<v Speaker 9>Hear them coming up with taking We've got news in five,

0:33:17.400 --> 0:33:20.120
<v Speaker 9>all three coins in the fountain boys, all right, thank you,

0:33:20.200 --> 0:33:21.320
<v Speaker 9>givin good night.

0:33:22.440 --> 0:33:26.000
<v Speaker 4>Nineteen seventy six Simons, Somewhere in the heart