WEBVTT - Trask's Time Tunnel - 1980 - Kevin Trask with Simon and Andrew - 22 Jun, 2025

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<v Speaker 1>Kevin Trask's Time Tunnel. The Blind Factory's birthday sale is

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<v Speaker 1>on big Savings Call one three Blinds or head to

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<v Speaker 1>the Blind Factory dot com dot au. Before it ends,

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<v Speaker 1>it's time to go back and remember the people, events

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<v Speaker 1>and music to the soundtrack of our.

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<v Speaker 2>Lives with Trasks Time Tunnels.

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<v Speaker 3>Okay, the time tunnel has been entered, it has been opened.

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<v Speaker 3>The stone has been rolled back, Kevin, and we're going

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<v Speaker 3>back to the year I changed the style of underwear

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<v Speaker 3>I wore.

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<v Speaker 4>Oh, so that's you did.

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<v Speaker 3>I did that particularly year in nineteen eighty yep. Up

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<v Speaker 3>until that that particularly years, just by chance, I remember,

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<v Speaker 3>I was wearing the sort of more old fashioned modesty

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<v Speaker 3>started to go underwent.

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<v Speaker 4>The jocks you were. I got into the jock you

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<v Speaker 4>became a jocks boy.

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<v Speaker 3>And I've had before I just said the sort of

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<v Speaker 3>larger sort of modesty flap sort of arrangement. Anyway, the

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<v Speaker 3>year was nineteen eighty.

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<v Speaker 5>And when we do next to nineteen ninety six, that's

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<v Speaker 5>when he changed to the G string that he currently wears.

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<v Speaker 4>Nineteen eighty. Yes, we're talking about the passing of May West.

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<v Speaker 4>Its blank looks on both faces.

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<v Speaker 6>No, no, no, of may West.

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<v Speaker 3>Yes, absolutely, Well, you know, come up and see me sometime. Yeah,

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<v Speaker 3>well she was, she was a huge star.

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<v Speaker 4>Weren't there rumors that she was actually male? I don't

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<v Speaker 4>think so.

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<v Speaker 6>I thought there were rumors.

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<v Speaker 4>I've never heard that rumor. Oh haven't you No, No, maybe.

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<v Speaker 5>It's someone else, probably couldn't be. Yeah, I'll shut up now. Sorry.

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<v Speaker 3>I've had a rumor though, that Kevin was one of

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<v Speaker 3>her paramours, if only briefly.

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<v Speaker 4>Me and carry Grant, carry Grant.

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<v Speaker 3>You and carry grand are paramore.

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<v Speaker 4>No, No, Jane, Jane j May West. May West got

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<v Speaker 4>Kerry Grant into films, as she did for me too.

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<v Speaker 4>But mine finished up on the cutting floor.

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<v Speaker 3>It didn't come up, it didn't measure up, I think.

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<v Speaker 3>Was what may said.

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<v Speaker 4>That's what she is, exactly what she said. She was

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<v Speaker 4>a writer, she was a comedian, she was she was

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<v Speaker 4>someone that was sort of stepping over the mark all

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<v Speaker 4>the time with censorship. She said, censorship, censorship I made

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<v Speaker 4>a fortune out of it. Was exactly what she did do.

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<v Speaker 4>And so she was the Kyle Sandylands of her day

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<v Speaker 4>when in a way, yes, yes.

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<v Speaker 5>Push pushing against the the.

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<v Speaker 3>Norms of society, that's what I was looking for and

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<v Speaker 3>three words.

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<v Speaker 4>She was after the role of Norma Desmond in Sunset

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<v Speaker 4>Boulevard in the film, but she knocked it back. I'm

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<v Speaker 4>glad she did, because I don't think it'll worked with

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<v Speaker 4>Ma West.

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<v Speaker 3>I would have not laughing at that last scene and

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<v Speaker 3>her sash down the stairs like no, she.

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<v Speaker 4>Couldn't yes with the gowns and everything. Now, I don't

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<v Speaker 4>think it quite worked. She passed away in her sleep

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<v Speaker 4>at the age of eighty seven, and she had a

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<v Speaker 4>pretty good career throughout her entire life. I'm I liked

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<v Speaker 4>May and May May West have you a lot of

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<v Speaker 4>trouble with the.

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<v Speaker 3>Old memories still burned deeper up the trusk.

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<v Speaker 5>There's only one syllable in each of her names.

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<v Speaker 6>History. It's the history he had the emotion this is.

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<v Speaker 3>This is tough for Kevin.

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<v Speaker 4>Let's catch the song boys?

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<v Speaker 6>Who was it?

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<v Speaker 3>And May west On?

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<v Speaker 7>So you like Ondine, make that lot down music, trickle

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<v Speaker 7>ump your spine, baby, I can.

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<v Speaker 3>Warm you with his.

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<v Speaker 7>Love arm mine. I'm no angel. I'll let me feel

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<v Speaker 7>your fingers running through my head. I can give you

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<v Speaker 7>kisses till you walk on. Love me, honey, love me

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<v Speaker 7>till I just don't care. I no, Angel, I'll thank

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<v Speaker 7>your blues. Stop down your troubles working with us deady wrong.

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<v Speaker 7>Here's your donation.

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<v Speaker 4>Take my affection.

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<v Speaker 7>You're on the ways in all, let me have you

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<v Speaker 7>all before the night is gone. Come on flank this

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<v Speaker 7>giant so we can carry on. I can make it

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<v Speaker 7>a have.

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<v Speaker 8>Norway.

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<v Speaker 7>Angel.

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<v Speaker 4>What do you think?

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<v Speaker 3>Yeah, it's good, It's different, isn't it great style? Yes,

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<v Speaker 3>I'm not a huge big voice, but she gets it across.

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<v Speaker 4>She certainly does just very quickly.

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<v Speaker 5>And we don't sort of do newsy stuff normally on

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<v Speaker 5>this show, and we're not going to break that tradition.

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<v Speaker 5>But I will point out be listening for the news

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<v Speaker 5>at eleven because currently the US Defense Secretary is up

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<v Speaker 5>giving a big speech about Operation Midnight Amma that happened

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<v Speaker 5>with the US.

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<v Speaker 3>So there's much to do in the Middle East at

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<v Speaker 3>the moment.

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<v Speaker 5>Once once again, Yes, so he's talking about that now,

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<v Speaker 5>so there'll be no doubt updates in the news at eleven.

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<v Speaker 3>Quick quiz time, Kevin.

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<v Speaker 4>It is too. I just before we do that, I

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<v Speaker 4>mentioned the Sinatra Society and meeting on Tuesday night at

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<v Speaker 4>the Clayton Arras who Frank Sinatra's concert the Americas. It'll

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<v Speaker 4>be a great night, So this coming Tuesday Night for

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<v Speaker 4>the Sinatra Society. Now the Quick Quiz. In nineteen eighty,

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<v Speaker 4>the Logi Awards were held at the Hilton Hotel in

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<v Speaker 4>Melbourne and hosted by Bert Newton. There were special appearances

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<v Speaker 4>by overseas stars. Which of the following was not a

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<v Speaker 4>guest star at the nineteen eighty Logies. Was it a

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<v Speaker 4>John Inman, B Dolly Parton, C, Michael York or d

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<v Speaker 4>Silla Black? One of those is not?

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<v Speaker 3>The three out of the four were the nineteen eighty.

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<v Speaker 4>Correct, And that's John Man, Dolly Parton, Michael York or

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<v Speaker 4>Silla Black. All right, just.

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<v Speaker 3>To explain who John Inman is? Do you remember?

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<v Speaker 4>Are you being certain?

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<v Speaker 2>Oh?

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<v Speaker 3>That's right.

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<v Speaker 4>I know that he was very big in night.

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<v Speaker 9>I would just said I would say he would have

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<v Speaker 9>been here because he did a series down under.

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<v Speaker 4>Correct.

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<v Speaker 5>So I'm going to take a punt and say he

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<v Speaker 5>was here Dolly Parton, I think so. I actually don't

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<v Speaker 5>know who Michael York is. Is he a mate of yours?

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<v Speaker 4>From the pub? He was in Cabaret. He was one

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<v Speaker 4>of the leads with Liza Minelli in the film Cabaret.

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<v Speaker 4>I think it's German. Was he something?

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<v Speaker 3>No, it was English English. I'm not sure about that. Well,

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<v Speaker 3>I'm going to go Michael Yorke, I'm going to say

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<v Speaker 3>Dolly Parton wasn't here, and wasn't it the logis? Ben?

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<v Speaker 10>I think it might be Silla Black.

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<v Speaker 3>Oh, yes, because.

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<v Speaker 11>I don't remember Silla Black going to the logos. I'm

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<v Speaker 11>not saying she didn't, but I just don't remember.

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<v Speaker 4>You don't remember her doing that fifteen years before you

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<v Speaker 4>were born?

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<v Speaker 10>No, not at all.

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<v Speaker 4>Okay, here we are, here's the rap, because we're going

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<v Speaker 4>to get the pace up. Yes, yes, yes, John Inman,

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<v Speaker 4>are you being served? Yes? He was there, Michael York Cabaret,

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<v Speaker 4>Yes he was there, Ben, and Andrew Cilla Black, Yes,

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<v Speaker 4>she was there. Andrew's right, and Andrew, congratulations because Dolly

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<v Speaker 4>Parton was nowhere near the Hilton Hotel in Melbourne in

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<v Speaker 4>nineteen eighty. Yes, yes, yes, I thought that's the first

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<v Speaker 4>one you've ever got, right, I think?

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<v Speaker 3>Oh no, no, no, no, oh no, we can go

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<v Speaker 3>back over the tapes. I'll send them round to you. Oh,

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<v Speaker 3>thank you, I'll deliver them tomorrow.

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<v Speaker 4>You have got nothing to do tomorrow to them all day.

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<v Speaker 10>He's got a shelf full of them.

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<v Speaker 11>He keeps keeps all these wins every single week.

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<v Speaker 5>Well, and that makes sense. It would be Dolly because

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<v Speaker 5>if Bert was hosting, Paddy wouldn't have let Dolly anywhere

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<v Speaker 5>near him. All right, let's move on then to what

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<v Speaker 5>was happening at that time in films of nineteen eighty seven.

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<v Speaker 4>Great year for films. The Empire strikes Strikes Back nine

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<v Speaker 4>to five, Elephant Man, Ordinary People and the best picture

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<v Speaker 4>went to ordinary People as well. But here in Australia,

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<v Speaker 4>Break a Mornt was the big one. This was based

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<v Speaker 4>on the story of the Ball War and what a

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<v Speaker 4>cast Edward would would Yeah, why are you saying it?

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<v Speaker 4>That's what his name sounds like if you take all

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<v Speaker 4>the ds out. Okay, he was in it. Jack Thompson,

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<v Speaker 4>Brian Brown, bud tingwore and John Ward is in a

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<v Speaker 4>strong cast.

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<v Speaker 3>I think it was.

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<v Speaker 4>I think you were actually one of the best Australian

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<v Speaker 4>films ever made. I think one day a lot of

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<v Speaker 4>people don't like Australian films. Did you know that, Andrew?

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<v Speaker 3>Yes, you're looking at one right now.

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<v Speaker 4>Well, have you ever want to break him around.

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<v Speaker 3>No, I haven't seen it. To my shame, I have not.

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<v Speaker 4>It's a magnificent film. We'll have to we'll have to

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<v Speaker 4>have a night where we all get together and watch it.

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<v Speaker 4>I think, yes, we'll do that.

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<v Speaker 5>A Thursday is good for you guys.

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<v Speaker 3>Those underpants to try on. I can read the room.

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<v Speaker 5>Uh.

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<v Speaker 4>It won ten awards at the AFI Awards, and it

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<v Speaker 4>is playing regularly. I think on World Movies, SBS World

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<v Speaker 4>Movies they played from time to time. But I will

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<v Speaker 4>never forget the AFI Awards. They brought in a pipe

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<v Speaker 4>band and they are playing that Soldiers of the Queen

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<v Speaker 4>around on them and it was marvelous. But here's the

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<v Speaker 4>song and it was actually recorded by.

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<v Speaker 3>Edward Would Would Would would woo woo.

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<v Speaker 6>Yeah, it break Brett.

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<v Speaker 8>It's the Soldius of the Queen.

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<v Speaker 2>My Ladscoopy, my lads group scenes.

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<v Speaker 8>In the fight for Engloon's glory is that of its

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<v Speaker 8>worldwide glory. Let us see and when we say we

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<v Speaker 8>all always want.

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<v Speaker 3>And when they asked us.

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<v Speaker 1>All it's done.

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<v Speaker 8>We'll proudly point to everyone of England, Soldiers.

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<v Speaker 4>Of the There we are a bit of Edward Woodwood singing.

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<v Speaker 4>Soldiers of the Queen. My dad had the pleasure of

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<v Speaker 4>arresting Edward Woodwood.

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<v Speaker 6>There's a story for it.

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<v Speaker 4>Your father arrested Edward He and a bunch of others.

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<v Speaker 5>He was I think it was in his days in

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<v Speaker 5>the UK, because Dad's English. He was a bobby over there.

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<v Speaker 5>And yeah, Edward would I can't remember what the charge was,

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<v Speaker 5>a drunken disorderly or something like that, but he was.

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<v Speaker 6>Rather full of himself.

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<v Speaker 4>He pulled the old do you know who I am?

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<v Speaker 6>Thing? Yes, yeah, and they didn't care. They just arrested him.

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<v Speaker 3>Yeah, all right, we move on though. Films of nine

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<v Speaker 3>in eighty. We're talking about this is the year of

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<v Speaker 3>the time Tunnel this week and this movie was quite understand.

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<v Speaker 3>Barroom Buddies. What's that all about?

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<v Speaker 4>Well, the song is Barroom Buddies and it comes from

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<v Speaker 4>a film called Bronco Billy and Bronco Billy starred Clint

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<v Speaker 4>Eastwood and Sondra Lockey, directed by Eastwood. He directed it.

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<v Speaker 4>And do you remember Moule Haggard.

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<v Speaker 3>Oh, the country singer.

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<v Speaker 4>Yeah, he was a big country singer. He had heaps

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<v Speaker 4>and heaps of hits, none of them were really hit

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<v Speaker 4>popular in Australia. But overseas in America he was huge.

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<v Speaker 4>So we've got this film where Clint Eastwood's playing a

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<v Speaker 4>someone in a wild West shot is throwing knives, actually ocupation.

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<v Speaker 6>Throw the doves.

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<v Speaker 4>But they got into the bar, him and Miele Hagen,

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<v Speaker 4>and they're sitting at the bar and they've seen this

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<v Speaker 4>song in the middle of the film called bayroom Buddies,

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<v Speaker 4>And so it's clear Eastwood having a good time with Muele.

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<v Speaker 4>Hangout it. Hey, I wanna sing till the felan gets right.

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<v Speaker 4>Let's harmonize, will be dynamite. I told a little high

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<v Speaker 4>notes and done it for years. A deal, old buddy,

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<v Speaker 4>and all four of the biers. There's always some lady

0:13:28.120 --> 0:13:29.520
<v Speaker 4>alone at the barn.

0:13:29.640 --> 0:13:31.880
<v Speaker 3>And you always let her know just who you are.

0:13:32.320 --> 0:13:35.440
<v Speaker 2>I know a couple gals, and we can call down there,

0:13:35.559 --> 0:13:36.840
<v Speaker 2>shake the picture right.

0:13:36.800 --> 0:13:39.360
<v Speaker 4>Off and the wall. We're ballroom buddies.

0:13:39.360 --> 0:13:40.599
<v Speaker 7>And that's the best.

0:13:40.400 --> 0:13:43.400
<v Speaker 5>Kite nobody foods with a buddy of mine.

0:13:43.720 --> 0:13:46.800
<v Speaker 4>I laugh when you're happy, and I cried when you're blue.

0:13:49.200 --> 0:13:50.680
<v Speaker 4>We're barroom buddies.

0:13:50.679 --> 0:13:51.960
<v Speaker 8>And where do we fine?

0:13:52.040 --> 0:13:53.280
<v Speaker 3>So call me another.

0:13:53.400 --> 0:13:55.040
<v Speaker 4>We got nothing but time.

0:13:54.840 --> 0:13:58.839
<v Speaker 8>Old chuck, A lug of lugging barroom buddy of mine.

0:13:59.440 --> 0:14:02.800
<v Speaker 3>What a great It's good fun. So you've never heard

0:14:02.840 --> 0:14:03.280
<v Speaker 3>that before.

0:14:03.880 --> 0:14:06.240
<v Speaker 4>Clint loved it. Kid. He plays piano and he did

0:14:06.240 --> 0:14:09.040
<v Speaker 4>a bit singing. He sing in Painter Your Wagon. I

0:14:09.080 --> 0:14:09.839
<v Speaker 4>talked to the Truth.

0:14:10.000 --> 0:14:12.400
<v Speaker 6>Yes he did soon, but that wasn't good. I think

0:14:12.480 --> 0:14:12.960
<v Speaker 6>this was.

0:14:13.400 --> 0:14:15.040
<v Speaker 4>It was quite good. Yeah, but I think he's having

0:14:15.120 --> 0:14:16.200
<v Speaker 4>a bit of fun there with Merlon.

0:14:16.840 --> 0:14:17.040
<v Speaker 12>Yeah.

0:14:17.160 --> 0:14:20.120
<v Speaker 4>Merle passed away a few years ago, but Clint's still

0:14:20.160 --> 0:14:20.760
<v Speaker 4>going strong.

0:14:20.880 --> 0:14:22.800
<v Speaker 3>Yeah into his nineties. Nineties.

0:14:23.480 --> 0:14:25.479
<v Speaker 6>Fabulous, Yeah, yeah, incredible.

0:14:25.880 --> 0:14:28.280
<v Speaker 5>All right, we'll come back with more in Trasks Time

0:14:28.320 --> 0:14:32.120
<v Speaker 5>tunnel The shows, the television, the Mystery Voice who Died

0:14:32.400 --> 0:14:35.120
<v Speaker 5>and some of the popular songs all ahead in Trasks

0:14:35.160 --> 0:14:38.680
<v Speaker 5>Time Tuntle nineteen eighty and Trasks Time Tunneled. Kevin, what

0:14:38.720 --> 0:14:40.880
<v Speaker 5>were the shows of nineteen eighty.

0:14:40.760 --> 0:14:44.960
<v Speaker 4>Well, we shined the spotlight on the Unmasked tour of

0:14:45.080 --> 0:14:47.080
<v Speaker 4>nineteen eighty. Andrew looks a.

0:14:47.080 --> 0:14:49.680
<v Speaker 3>Little bit puzzled, y, Yeah, it just be confused.

0:14:49.800 --> 0:14:50.600
<v Speaker 4>This is Kiss.

0:14:51.120 --> 0:14:54.040
<v Speaker 3>Oh all right. Never a Kiss fan, but no, they

0:14:54.040 --> 0:14:54.960
<v Speaker 3>were huge that year.

0:14:55.440 --> 0:14:57.840
<v Speaker 4>They were at at Waverley Park and I was out

0:14:57.840 --> 0:15:01.640
<v Speaker 4>there with my children, Andrew and Natalie and they were fans,

0:15:02.360 --> 0:15:04.920
<v Speaker 4>and I didn't know what to expect. But since I

0:15:04.920 --> 0:15:07.040
<v Speaker 4>got in there and I saw the stage with speakers

0:15:08.000 --> 0:15:11.640
<v Speaker 4>up into the clouds and these people come out with

0:15:11.680 --> 0:15:14.840
<v Speaker 4>all this makeup on, I thought, I don't think I'm

0:15:14.880 --> 0:15:18.800
<v Speaker 4>gonna like this. So when it started, it was deafening,

0:15:19.360 --> 0:15:21.440
<v Speaker 4>and my children are going, yeah, he's.

0:15:21.360 --> 0:15:24.280
<v Speaker 3>A fat, great dadat.

0:15:23.280 --> 0:15:26.160
<v Speaker 4>Time, and I got down under the seat and I

0:15:26.200 --> 0:15:28.440
<v Speaker 4>got as much paper as I could possibly get to

0:15:28.480 --> 0:15:31.840
<v Speaker 4>shove in my ears. So I blocked the sound up

0:15:31.960 --> 0:15:33.840
<v Speaker 4>with that with the paper, and I was able to

0:15:33.880 --> 0:15:37.240
<v Speaker 4>survive the show. But those years have gone by. I

0:15:37.280 --> 0:15:40.600
<v Speaker 4>don't mind kiss No. I like Shandy. I think was

0:15:40.640 --> 0:15:41.640
<v Speaker 4>my favorite song of their.

0:15:41.960 --> 0:15:44.800
<v Speaker 3>Yeah, Yeah, I tell your Gene Simmons is one of

0:15:44.840 --> 0:15:47.880
<v Speaker 3>the cleverest businessmen in the world of music I've ever known.

0:15:48.480 --> 0:15:49.320
<v Speaker 4>Did you meet him?

0:15:49.520 --> 0:15:51.000
<v Speaker 3>No, I've never met him, but I've just seen an

0:15:51.000 --> 0:15:54.520
<v Speaker 3>interview with him, and he is one switched on dude. Ben,

0:15:54.720 --> 0:15:58.080
<v Speaker 3>You do you agree with me, like he's.

0:15:57.840 --> 0:15:59.840
<v Speaker 4>Just frighteningly intelligent.

0:16:00.080 --> 0:16:03.040
<v Speaker 11>Because there are some people like that you would never

0:16:03.920 --> 0:16:06.040
<v Speaker 11>particularly with Gene Simmons. Do you think, oh, he's a

0:16:06.080 --> 0:16:09.880
<v Speaker 11>bit of a rocker. He's got an idiot. An idiot, no,

0:16:10.040 --> 0:16:11.320
<v Speaker 11>not intelligent.

0:16:12.120 --> 0:16:14.120
<v Speaker 4>You had to have a long tongue to be enkissed,

0:16:14.160 --> 0:16:16.200
<v Speaker 4>didn't he? Well, it was that was Gene Simmons.

0:16:16.840 --> 0:16:19.040
<v Speaker 5>I don't know about the others as such, but but

0:16:19.240 --> 0:16:21.520
<v Speaker 5>we were we were doing Nightline one night and as

0:16:21.520 --> 0:16:24.240
<v Speaker 5>some publicist I can't even remember who it was, Rangus

0:16:24.240 --> 0:16:26.600
<v Speaker 5>and he was at a function with Gene Simmons and

0:16:26.680 --> 0:16:27.960
<v Speaker 5>he said, I've got Gene Simmons here.

0:16:28.000 --> 0:16:28.960
<v Speaker 6>Do you want to chat to him?

0:16:29.200 --> 0:16:30.560
<v Speaker 4>So I said to Bruce and Phil do you want

0:16:30.600 --> 0:16:32.120
<v Speaker 4>to chat to Geene Simmons from Kiss?

0:16:32.320 --> 0:16:35.920
<v Speaker 6>And Bruce of course has gone yeah, put him on Jeane.

0:16:35.920 --> 0:16:37.680
<v Speaker 4>They're good to have a chat. What have you been

0:16:37.760 --> 0:16:38.000
<v Speaker 4>up to?

0:16:38.560 --> 0:16:41.680
<v Speaker 5>Well, Bruce, I've been looking into the political dealings that

0:16:41.720 --> 0:16:43.400
<v Speaker 5>have been going on. And it starts on with this

0:16:44.600 --> 0:16:48.360
<v Speaker 5>very ABC type discussion Bruce.

0:16:48.160 --> 0:16:50.400
<v Speaker 4>And Philer thego I have no idea what he's talking about.

0:16:50.880 --> 0:16:52.520
<v Speaker 4>It was wondering did you have a copley of that?

0:16:52.880 --> 0:16:55.680
<v Speaker 5>I don't think it was in the days before I

0:16:55.880 --> 0:16:57.800
<v Speaker 5>used to archive everything, so I don't want to do

0:16:58.160 --> 0:17:00.640
<v Speaker 5>It'll probably be in the highlights reel of Nightline for

0:17:00.840 --> 0:17:03.400
<v Speaker 5>that night. Yeah, so I'll have the highlights reel, but

0:17:03.800 --> 0:17:06.119
<v Speaker 5>I've got thousands of them and just haven't got the

0:17:06.119 --> 0:17:07.119
<v Speaker 5>time to archive them all.

0:17:07.160 --> 0:17:10.200
<v Speaker 4>Well, that would be an absolute ripper. I'll find it eventually. Yeah.

0:17:10.240 --> 0:17:11.040
<v Speaker 3>Well, I wonder what.

0:17:11.040 --> 0:17:13.399
<v Speaker 4>The neighbors would have thought out there at Waverley Park.

0:17:13.840 --> 0:17:15.679
<v Speaker 4>And maybe you might have been able to hear the

0:17:15.760 --> 0:17:19.600
<v Speaker 4>concert at three aw if you opened the window, because

0:17:19.600 --> 0:17:20.560
<v Speaker 4>it was pretty loud.

0:17:20.720 --> 0:17:20.920
<v Speaker 2>Yeah.

0:17:20.920 --> 0:17:24.400
<v Speaker 3>I see the AFL have bought AFL Park, Waverley Park.

0:17:24.640 --> 0:17:25.959
<v Speaker 3>Do you see that in the paper the other day?

0:17:26.000 --> 0:17:27.200
<v Speaker 3>They Yeah, I've actually bought it.

0:17:27.840 --> 0:17:28.040
<v Speaker 10>Yeah.

0:17:28.080 --> 0:17:30.639
<v Speaker 4>So now we're going to hear the Kiss with the

0:17:31.520 --> 0:17:38.360
<v Speaker 4>Opening on stage at Waverley Park in nineteen eighty.

0:17:38.520 --> 0:18:06.760
<v Speaker 13>No, you wanted that's bad in the world, they're not.

0:18:11.200 --> 0:18:13.440
<v Speaker 3>I want to see the door ride.

0:18:15.520 --> 0:18:23.080
<v Speaker 2>Fielder Mars something that not you wise, and.

0:18:26.080 --> 0:18:30.560
<v Speaker 3>We're going to make it all come true. This girl

0:18:30.680 --> 0:18:35.320
<v Speaker 3>you are made for me, A girl I was made

0:18:35.600 --> 0:18:35.879
<v Speaker 3>for you.

0:18:45.880 --> 0:18:46.200
<v Speaker 11>They're not.

0:18:53.680 --> 0:18:54.360
<v Speaker 3>I was good.

0:18:54.640 --> 0:18:56.840
<v Speaker 4>I'm with you, Kevin. I wasn't really a fan at

0:18:56.880 --> 0:18:57.480
<v Speaker 4>the time.

0:18:58.280 --> 0:19:01.560
<v Speaker 6>But they really grew up. I'm years mind the fabulous,

0:19:02.000 --> 0:19:02.800
<v Speaker 6>But I just.

0:19:02.840 --> 0:19:04.200
<v Speaker 4>Take this paper out of my ear.

0:19:05.720 --> 0:19:07.720
<v Speaker 3>Right television in nineteen eighty Kevin.

0:19:07.960 --> 0:19:11.720
<v Speaker 4>Yes, television in nineteen eighty we had things like Faulty Towers,

0:19:11.880 --> 0:19:15.680
<v Speaker 4>soap Dallas. Dallas was big, wasn't it. I never watched it.

0:19:16.800 --> 0:19:18.199
<v Speaker 3>I not thing I did because I was working at

0:19:18.280 --> 0:19:20.639
<v Speaker 3>Nights of three out w YEA during its most A

0:19:20.720 --> 0:19:21.320
<v Speaker 3>lot of a drum.

0:19:21.560 --> 0:19:23.240
<v Speaker 4>Yes, that was the one with Blarry Hagman.

0:19:23.359 --> 0:19:26.520
<v Speaker 11>Yeah, yeah, I still don't know who shot Jr. One

0:19:26.560 --> 0:19:28.360
<v Speaker 11>of the famous episodes of television.

0:19:28.080 --> 0:19:30.800
<v Speaker 4>Kristian Shepherd. Christian Shepherd just comes to mind for me,

0:19:31.200 --> 0:19:35.400
<v Speaker 4>spoilers out of nowhere. I just plucked that. Did you notice,

0:19:35.400 --> 0:19:35.800
<v Speaker 4>sand Andrew?

0:19:36.040 --> 0:19:39.520
<v Speaker 3>Yeah, very well done. That's why they keep using you here.

0:19:39.800 --> 0:19:43.000
<v Speaker 4>And The Sullivans of course was on and we had

0:19:43.280 --> 0:19:47.200
<v Speaker 4>Paul Cronin dear Paul as a co host here on

0:19:47.800 --> 0:19:50.600
<v Speaker 4>Nightline and remember when yeah, so many many years, but

0:19:50.680 --> 0:19:53.960
<v Speaker 4>he was terrific as Dave Sullivan in The Sullivans. Here's

0:19:54.000 --> 0:19:56.280
<v Speaker 4>a little bit of an interview with Ian Maurice the

0:19:56.760 --> 0:20:01.400
<v Speaker 4>Bear up on four BC in Brisbane talking to Paul

0:20:01.520 --> 0:20:02.879
<v Speaker 4>Crowning about The Sullivans.

0:20:12.000 --> 0:20:15.040
<v Speaker 5>When you were when you were studying the role, after

0:20:15.080 --> 0:20:17.879
<v Speaker 5>I said, yeah, you got the job, did you study

0:20:17.960 --> 0:20:19.159
<v Speaker 5>anyone in particular?

0:20:19.359 --> 0:20:24.639
<v Speaker 4>I mean, what do you mean me? What a silly question? No,

0:20:24.760 --> 0:20:25.000
<v Speaker 4>it's not.

0:20:25.560 --> 0:20:28.399
<v Speaker 12>It's a very good question because I've modeled Dave Sullan

0:20:28.440 --> 0:20:29.000
<v Speaker 12>and my father.

0:20:29.320 --> 0:20:31.560
<v Speaker 4>Oh did you He was exactly the.

0:20:33.040 --> 0:20:36.920
<v Speaker 12>Same type of bloke that the script called for. We've

0:20:36.960 --> 0:20:39.760
<v Speaker 12>all got a couple of pages of this is your character.

0:20:40.440 --> 0:20:41.600
<v Speaker 3>And Dave was a.

0:20:41.680 --> 0:20:48.560
<v Speaker 12>Father, I forget what a was probably forty, and he's

0:20:48.600 --> 0:20:50.840
<v Speaker 12>got four children, he's got a wife, Grace, and he's

0:20:51.119 --> 0:20:53.520
<v Speaker 12>he's a Protestant, she's a Catholic. They married behind the

0:20:53.640 --> 0:20:57.600
<v Speaker 12>order whatever that means. We think we know what that means.

0:20:57.880 --> 0:21:02.920
<v Speaker 12>And it's three days before World War two broke out,

0:21:03.040 --> 0:21:07.280
<v Speaker 12>and we're listening to Menzines making new speech. Prior to

0:21:07.480 --> 0:21:11.720
<v Speaker 12>his speech was the speech by Churchill. We work and

0:21:11.760 --> 0:21:14.520
<v Speaker 12>then we worked, camped around the little wireless in those

0:21:14.600 --> 0:21:16.320
<v Speaker 12>days as a family listening to it.

0:21:30.680 --> 0:21:31.440
<v Speaker 3>Yeah, big show.

0:21:31.760 --> 0:21:35.399
<v Speaker 4>I never missed it, never said yeah, and lovely to

0:21:35.480 --> 0:21:36.400
<v Speaker 4>hear Paul's voice.

0:21:36.320 --> 0:21:38.600
<v Speaker 6>It is he is a lovely, lovely man.

0:21:38.760 --> 0:21:38.960
<v Speaker 4>Yeah.

0:21:39.040 --> 0:21:41.160
<v Speaker 3>And then of course Grace caught the plane and she died,

0:21:41.520 --> 0:21:45.040
<v Speaker 3>didn't she remember, I think, Grace Sullivan, Yes, she perished

0:21:45.160 --> 0:21:48.720
<v Speaker 3>a plane crash, Yes she did, all right, mystery voice time.

0:21:48.960 --> 0:21:52.560
<v Speaker 6>Yes, after the break, we'll do the mystery. We look

0:21:52.640 --> 0:21:54.080
<v Speaker 6>forward to taking your call.

0:21:54.720 --> 0:21:56.800
<v Speaker 4>Well, it just gives us time to set it all

0:21:56.920 --> 0:21:58.399
<v Speaker 4>up because if we if we.

0:21:58.440 --> 0:22:00.960
<v Speaker 5>Knock it off in two minutes five, but if it

0:22:01.040 --> 0:22:03.280
<v Speaker 5>goes ten minutes, we're going to be sandwiched.

0:22:02.880 --> 0:22:05.160
<v Speaker 6>Up to news. So it's just a formatic all right.

0:22:05.640 --> 0:22:07.159
<v Speaker 5>So I'd like to squeeze a break in here a

0:22:07.240 --> 0:22:09.359
<v Speaker 5>mystery voice. We get your mobiles ready because we want

0:22:09.400 --> 0:22:11.280
<v Speaker 5>you to text us after the break.

0:22:12.320 --> 0:22:14.920
<v Speaker 3>Fourteen to eleven. The time tunnel will remember when this

0:22:15.320 --> 0:22:16.960
<v Speaker 3>is the tricky part, Simon.

0:22:16.800 --> 0:22:19.960
<v Speaker 5>It is the mystery voice. Kevin Trask is about to

0:22:20.000 --> 0:22:21.960
<v Speaker 5>play us a mystery voice. Then we're going to guess

0:22:22.000 --> 0:22:23.720
<v Speaker 5>who it is, and we invite you to do the

0:22:23.800 --> 0:22:28.000
<v Speaker 5>same by texting your answer. Zero four double seven six

0:22:28.200 --> 0:22:30.800
<v Speaker 5>nine three six nine three is the number when you

0:22:30.880 --> 0:22:32.639
<v Speaker 5>think you know who it is. Ben has hidden them

0:22:32.680 --> 0:22:36.000
<v Speaker 5>from our view so we can't cheat. And Kevin, do

0:22:36.080 --> 0:22:36.800
<v Speaker 5>we have a clue.

0:22:37.080 --> 0:22:39.320
<v Speaker 4>Well, the clue is it's not a song tonight. I'm

0:22:39.400 --> 0:22:42.840
<v Speaker 4>talking to someone interviewing someone who is the person I'm

0:22:42.960 --> 0:22:47.600
<v Speaker 4>talking to, So everybody, I'll have to listen very closely

0:22:47.760 --> 0:22:51.920
<v Speaker 4>to this and work out who it is. Who is

0:22:51.960 --> 0:22:54.240
<v Speaker 4>the mystery voice? Why did you pick Astray?

0:22:55.480 --> 0:22:57.800
<v Speaker 14>It's a long way from Broadways off Broadway as we

0:22:57.920 --> 0:23:00.000
<v Speaker 14>know and now, but also.

0:22:59.840 --> 0:23:01.840
<v Speaker 3>The freedom here, you know, on the road.

0:23:02.320 --> 0:23:04.600
<v Speaker 14>My road to making this musical was it was quite

0:23:04.600 --> 0:23:07.520
<v Speaker 14>a tough one because there's so many gatekeepers that want

0:23:07.640 --> 0:23:09.600
<v Speaker 14>to do it their way or they don't want to

0:23:09.640 --> 0:23:11.720
<v Speaker 14>do it at all. So in the end I kind

0:23:11.720 --> 0:23:13.840
<v Speaker 14>of decided to do it myself and this is why.

0:23:14.040 --> 0:23:16.560
<v Speaker 14>And I found that Melbourne was great and it was open,

0:23:16.680 --> 0:23:20.240
<v Speaker 14>it was positive, and when I toured here in twenty ten,

0:23:20.320 --> 0:23:22.280
<v Speaker 14>I just felt, wow, this this is a great city.

0:23:22.600 --> 0:23:24.239
<v Speaker 14>And I thought, well, Sydney is a good city too,

0:23:24.320 --> 0:23:26.840
<v Speaker 14>but I mean Melbourne was really good for me and

0:23:26.960 --> 0:23:28.080
<v Speaker 14>I felt this is the place.

0:23:29.400 --> 0:23:33.440
<v Speaker 3>Wow, this is new. And never had an interview as

0:23:33.600 --> 0:23:35.640
<v Speaker 3>a mystery voice before, not in my time.

0:23:35.960 --> 0:23:39.119
<v Speaker 6>No, we don't do very often. So what sort of

0:23:39.200 --> 0:23:39.800
<v Speaker 6>accent is that?

0:23:40.359 --> 0:23:44.400
<v Speaker 3>Living old? Was English? It's British? But where where from?

0:23:45.119 --> 0:23:47.600
<v Speaker 4>It's got to live a puddle and twang into my year?

0:23:47.680 --> 0:23:51.280
<v Speaker 4>I think, would that be right? I'm not sure on

0:23:51.400 --> 0:23:51.800
<v Speaker 4>that question.

0:23:51.880 --> 0:23:54.920
<v Speaker 3>Where he came from? He's been here in twenty ten,

0:23:55.080 --> 0:23:59.080
<v Speaker 3>and toured here. Then he mentions, and he's come back

0:24:00.119 --> 0:24:03.680
<v Speaker 3>later on. I've got no idea ben at all anything.

0:24:04.920 --> 0:24:07.439
<v Speaker 10>Are they a promoter or are they an actor?

0:24:07.760 --> 0:24:07.800
<v Speaker 3>No?

0:24:08.000 --> 0:24:11.679
<v Speaker 4>Here we go, very very good. A promoter or an

0:24:11.720 --> 0:24:14.160
<v Speaker 4>actor neither, okay.

0:24:14.480 --> 0:24:20.600
<v Speaker 5>So a singer, yes, on stage musicals as were like

0:24:20.760 --> 0:24:23.680
<v Speaker 5>theater or concerts concerts?

0:24:24.200 --> 0:24:24.480
<v Speaker 4>Okay?

0:24:26.440 --> 0:24:28.280
<v Speaker 10>Were they born in nineteen eighty.

0:24:28.600 --> 0:24:31.359
<v Speaker 4>No, he's around in nineteen eighty and very popular.

0:24:33.240 --> 0:24:34.119
<v Speaker 3>Still with us today.

0:24:34.400 --> 0:24:39.560
<v Speaker 4>Yes, okay, ringo not ringo.

0:24:40.320 --> 0:24:44.520
<v Speaker 3>That is that liver noidal sound of liver pods.

0:24:44.880 --> 0:24:46.320
<v Speaker 4>Nothing nothing to do with the Beatles.

0:24:46.359 --> 0:24:48.080
<v Speaker 6>Okay. I just had to get that out because it's

0:24:48.240 --> 0:24:49.679
<v Speaker 6>it was clogging up my head from the.

0:24:51.359 --> 0:24:53.120
<v Speaker 4>You're in release mode. You'll probably come.

0:24:53.040 --> 0:24:54.399
<v Speaker 6>Up with the answer, okay.

0:24:54.920 --> 0:24:57.760
<v Speaker 3>Well known for TV appearances more than no, not well

0:24:57.800 --> 0:25:03.960
<v Speaker 3>known for live concerts, recordings, recordings English singers.

0:25:04.119 --> 0:25:05.879
<v Speaker 10>Would it be someone like Tom Jones?

0:25:07.200 --> 0:25:10.800
<v Speaker 3>Oh no, not we.

0:25:11.040 --> 0:25:16.680
<v Speaker 4>Sort of sort of Ron Stewart, No no, no, you're

0:25:16.720 --> 0:25:23.320
<v Speaker 4>on the track though, Desert Colla, not dere's O'Connor. Oh

0:25:23.760 --> 0:25:29.919
<v Speaker 4>my mate, what's his what's his name? The Max bi Graves,

0:25:30.359 --> 0:25:32.639
<v Speaker 4>not back Max Biograves. I think we should play it

0:25:32.680 --> 0:25:35.439
<v Speaker 4>again and have a quick listen to this voice. All right,

0:25:35.880 --> 0:25:37.040
<v Speaker 4>why did you pick Australia.

0:25:38.119 --> 0:25:40.400
<v Speaker 14>It's it's a long way from Broadway's off Broadway, as

0:25:40.440 --> 0:25:43.800
<v Speaker 14>we know, and but also there's a freedom here, you know,

0:25:43.920 --> 0:25:46.560
<v Speaker 14>on the road. My road to make in this musical

0:25:46.760 --> 0:25:48.720
<v Speaker 14>was it was quite a tough one because there's so

0:25:48.760 --> 0:25:51.680
<v Speaker 14>many gatekeepers that want to do it their way or

0:25:51.720 --> 0:25:53.639
<v Speaker 14>they don't want to do it at all. So in

0:25:53.720 --> 0:25:55.399
<v Speaker 14>the end, I kind of I decided to do it

0:25:55.480 --> 0:25:58.200
<v Speaker 14>myself and this is why. And I found that Melbourne

0:25:58.280 --> 0:26:00.760
<v Speaker 14>was great and it was open, it was positive, and

0:26:00.920 --> 0:26:03.760
<v Speaker 14>when I toured here in twenty ten, I just felt, wow,

0:26:03.920 --> 0:26:05.800
<v Speaker 14>this this is a great city. And I thought, well,

0:26:05.840 --> 0:26:08.440
<v Speaker 14>Sydney is a good city too, but I mean Melbourne

0:26:08.520 --> 0:26:10.359
<v Speaker 14>was really good for me and I felt this is

0:26:10.400 --> 0:26:10.760
<v Speaker 14>the place.

0:26:11.080 --> 0:26:12.199
<v Speaker 6>Did you say still with us?

0:26:12.560 --> 0:26:12.760
<v Speaker 4>Yes?

0:26:12.960 --> 0:26:16.800
<v Speaker 6>Okay, So it rules out David Bowie, Mick Jagger, not Mick.

0:26:18.119 --> 0:26:24.600
<v Speaker 3>I don't know what Mick, what's a little sneer doesn't

0:26:24.680 --> 0:26:24.879
<v Speaker 3>hurt you?

0:26:26.720 --> 0:26:28.399
<v Speaker 10>What's the musical he's talking about?

0:26:29.400 --> 0:26:30.040
<v Speaker 4>That's the key.

0:26:31.080 --> 0:26:34.159
<v Speaker 6>Yeah, that's the key gives us answers the musical.

0:26:35.040 --> 0:26:38.240
<v Speaker 4>You've done remarkably well, Ben, because that is the key

0:26:38.359 --> 0:26:39.639
<v Speaker 4>and the whole thing is Is.

0:26:39.960 --> 0:26:41.560
<v Speaker 3>It an Andrew Lloyd Webber musical?

0:26:41.680 --> 0:26:42.119
<v Speaker 4>No, it's not.

0:26:42.800 --> 0:26:43.800
<v Speaker 6>Is it Michael Crawford.

0:26:43.840 --> 0:26:48.000
<v Speaker 4>It's not Michael Crawford is the music? Because you said

0:26:48.000 --> 0:26:51.000
<v Speaker 4>he's not a stage actor. Though he's not a stage actor.

0:26:51.080 --> 0:26:52.160
<v Speaker 4>He's a concert performer.

0:26:52.720 --> 0:26:55.960
<v Speaker 6>But he spoke about bringing this musical here, which he wrote.

0:26:56.760 --> 0:26:59.879
<v Speaker 3>He wrote, he wrote it. He wrote a musical.

0:27:02.359 --> 0:27:03.920
<v Speaker 10>It's not one of the other people's not.

0:27:05.440 --> 0:27:08.960
<v Speaker 6>Yeah, I know what they're Swedish. That was an English accent.

0:27:10.240 --> 0:27:14.120
<v Speaker 4>Is he's very bigger in the nineteen seventies. I'd say

0:27:14.200 --> 0:27:17.280
<v Speaker 4>bigger in the nineteen seventies, in the nineteen eighties, and

0:27:17.400 --> 0:27:18.719
<v Speaker 4>a number of hit songs.

0:27:19.119 --> 0:27:24.200
<v Speaker 6>Oh seven, yeah tough.

0:27:24.359 --> 0:27:27.720
<v Speaker 4>This is okay, Well, I think times on the wings.

0:27:27.720 --> 0:27:30.520
<v Speaker 4>I'm going to get the big clue. He uses a

0:27:30.600 --> 0:27:35.960
<v Speaker 4>stage name, it's Elton John. It's not Elton John.

0:27:36.200 --> 0:27:36.840
<v Speaker 3>Cliff Richard.

0:27:38.200 --> 0:27:41.600
<v Speaker 4>And part of his stage name Diamond. It's part of

0:27:41.640 --> 0:27:43.760
<v Speaker 4>his stage name is something to do with an animal.

0:27:44.440 --> 0:27:47.640
<v Speaker 3>An animal bear, Bobby Bear.

0:27:50.320 --> 0:27:55.320
<v Speaker 9>Given it to you, Ede, not Eddie the ebu Ernie muskrat,

0:27:56.359 --> 0:28:02.800
<v Speaker 9>No a domestic animal cat cat Stevens.

0:28:03.000 --> 0:28:04.320
<v Speaker 4>Cat Stevens is correct.

0:28:06.600 --> 0:28:10.040
<v Speaker 15>I am talking to Kat Stephens Steve about his musical

0:28:10.200 --> 0:28:16.000
<v Speaker 15>Moonshok Moonshadow, which was on at the Princess Theater, probably

0:28:16.680 --> 0:28:18.240
<v Speaker 15>the best part of maybe ten years.

0:28:18.359 --> 0:28:22.719
<v Speaker 4>It almost it almost makes perfect sense now when that happens.

0:28:23.160 --> 0:28:25.040
<v Speaker 4>But how sad is that that we.

0:28:25.560 --> 0:28:26.600
<v Speaker 3>Neither would never.

0:28:28.160 --> 0:28:28.920
<v Speaker 4>It was a tough one.

0:28:28.960 --> 0:28:30.000
<v Speaker 6>Oh, how did the listeners go?

0:28:30.240 --> 0:28:30.440
<v Speaker 3>Well?

0:28:31.280 --> 0:28:36.359
<v Speaker 5>Five minutes ago exactly, Catherine wrote use of Islam also

0:28:36.480 --> 0:28:40.120
<v Speaker 5>known as Cat Stevens. That was the third text we received.

0:28:40.160 --> 0:28:42.680
<v Speaker 5>So it's very quick of you, Catherine, Well done, Well done.

0:28:43.360 --> 0:28:50.760
<v Speaker 5>Other suggestions Andrew Lloyd Webber, Michael Palin, Tommy I don't know,

0:28:51.280 --> 0:28:54.280
<v Speaker 5>Terry Gillia and Michael Caine. No, you'd know if it

0:28:54.400 --> 0:28:59.000
<v Speaker 5>was Michael Kaine, Ben Elton, Andrew Lloyd Webber, Graham Chapman.

0:29:00.560 --> 0:29:04.160
<v Speaker 9>Answers, great answers there, but yeah, but well done. Well

0:29:04.560 --> 0:29:06.720
<v Speaker 9>that wouldn't have got Cat Stephens all right?

0:29:07.280 --> 0:29:08.480
<v Speaker 4>We could time to square.

0:29:08.680 --> 0:29:11.400
<v Speaker 5>No, we're sort of running late here. We'll need to

0:29:11.440 --> 0:29:13.680
<v Speaker 5>break and then come back. I think with the popular

0:29:13.840 --> 0:29:15.880
<v Speaker 5>songs of nineteen eighty after.

0:29:15.720 --> 0:29:20.320
<v Speaker 3>This, okay, the hit songs of nineteen eighty Kevin Trask.

0:29:20.080 --> 0:29:26.640
<v Speaker 4>Who's seen these boys? Another brick in the wall, Pink Floyd, correct, Magic,

0:29:27.680 --> 0:29:30.520
<v Speaker 4>Olivia and John. You've just been talking about her. Do

0:29:30.720 --> 0:29:35.960
<v Speaker 4>that to me one more time, Captain, Yeah, very good.

0:29:36.440 --> 0:29:37.800
<v Speaker 4>It's still rock and roll to me.

0:29:38.440 --> 0:29:40.160
<v Speaker 3>Billy Joel, well done.

0:29:40.760 --> 0:29:48.120
<v Speaker 4>The Rose lost in love air supply one percent so far.

0:29:48.840 --> 0:29:54.800
<v Speaker 4>Coward of the County, Kenny Rodgers. Yes, we don't talk anymore.

0:29:57.280 --> 0:29:57.840
<v Speaker 3>We don't.

0:29:58.960 --> 0:30:01.479
<v Speaker 4>Well, come on, Ben, we don't talk anymore.

0:30:01.560 --> 0:30:02.560
<v Speaker 6>We should know that one.

0:30:05.800 --> 0:30:06.640
<v Speaker 3>What is it? Who was it?

0:30:07.080 --> 0:30:07.720
<v Speaker 4>Cliff Richard?

0:30:08.480 --> 0:30:10.880
<v Speaker 3>Of course? Is that the one where was on roller skates?

0:30:11.000 --> 0:30:12.320
<v Speaker 6>No, that was wired for saying.

0:30:12.720 --> 0:30:17.440
<v Speaker 4>Yeah cool cool change, Frankie Lane, No, that was cool

0:30:17.480 --> 0:30:18.760
<v Speaker 4>water close.

0:30:18.920 --> 0:30:19.280
<v Speaker 7>Who is it?

0:30:20.840 --> 0:30:24.520
<v Speaker 4>The Little River Band? We can allow people just sticking

0:30:24.520 --> 0:30:26.880
<v Speaker 4>their head in the door giving the answers. It's my

0:30:26.960 --> 0:30:30.600
<v Speaker 4>fault for leaving the door open. What what about fame?

0:30:31.320 --> 0:30:31.680
<v Speaker 3>The fame?

0:30:31.800 --> 0:30:33.600
<v Speaker 4>Irene car very good.

0:30:33.800 --> 0:30:42.640
<v Speaker 5>One fine day, one fine day, John far even Tony's

0:30:42.680 --> 0:30:44.480
<v Speaker 5>wincing now, no, one fine?

0:30:44.720 --> 0:30:46.960
<v Speaker 3>Is that the revival of the song for the Chiffons?

0:30:47.840 --> 0:30:48.520
<v Speaker 4>Well, it could be.

0:30:48.840 --> 0:30:49.400
<v Speaker 3>This is no.

0:30:49.600 --> 0:30:52.720
<v Speaker 4>I think she wrote this. This is a female singer.

0:30:53.720 --> 0:30:54.280
<v Speaker 6>Carol King.

0:30:56.120 --> 0:30:58.120
<v Speaker 4>Yes, Carol Carol King is correct.

0:30:58.120 --> 0:31:01.120
<v Speaker 6>I thought so always knew that thank you.

0:31:02.960 --> 0:31:05.240
<v Speaker 4>You won't get this one. And the mystery voice is

0:31:05.280 --> 0:31:08.000
<v Speaker 4>sticking his enter the door. Won't get it either. Pilot

0:31:08.040 --> 0:31:08.880
<v Speaker 4>of the airwaves.

0:31:09.760 --> 0:31:11.120
<v Speaker 6>Pilot of the Airwaves was.

0:31:13.120 --> 0:31:17.520
<v Speaker 3>Off with that harmony bit. Yeah, oh, come on, I

0:31:17.600 --> 0:31:19.000
<v Speaker 3>can see the forty five it was on.

0:31:20.160 --> 0:31:22.480
<v Speaker 4>It was on what's the name of the singer on

0:31:22.560 --> 0:31:28.680
<v Speaker 4>the forty five that that's gone the waves? Oh come on,

0:31:28.800 --> 0:31:31.480
<v Speaker 4>I do know it's This is sad because you one

0:31:31.560 --> 0:31:33.640
<v Speaker 4>hundred percent up to this and you're the last question.

0:31:33.680 --> 0:31:34.360
<v Speaker 4>You're going to blow it.

0:31:34.480 --> 0:31:38.080
<v Speaker 6>Boys, Yeah, this is said initials.

0:31:38.440 --> 0:31:40.040
<v Speaker 4>Yes, initials might help c d.

0:31:42.240 --> 0:31:43.160
<v Speaker 3>Oh compact this?

0:31:43.760 --> 0:31:48.920
<v Speaker 4>No, yes, no, not compact his first name ship shut

0:31:49.040 --> 0:31:50.840
<v Speaker 4>chur chur chart chart.

0:31:51.640 --> 0:31:54.840
<v Speaker 6>Look Daniels, Charlie Daniel.

0:31:55.040 --> 0:32:00.680
<v Speaker 4>That's not right, No, Charlene, No admit to Charlie.

0:32:00.760 --> 0:32:02.600
<v Speaker 3>D'are okay.

0:32:02.720 --> 0:32:03.920
<v Speaker 6>No, I wouldn't have got that at all.

0:32:04.600 --> 0:32:05.560
<v Speaker 3>Was the idea of them.

0:32:05.680 --> 0:32:09.040
<v Speaker 4>Yeah, that's okay. You can't get the ball right. Did

0:32:09.080 --> 0:32:13.000
<v Speaker 4>you like Fiddler's Dram Yes? I did very much. So

0:32:14.160 --> 0:32:16.000
<v Speaker 4>they had a lovely hit and I love this one

0:32:16.400 --> 0:32:17.520
<v Speaker 4>day trip to Bengal.

0:32:17.800 --> 0:32:20.560
<v Speaker 5>Oh okay, we've taken so long with those. We're heading

0:32:20.560 --> 0:32:21.760
<v Speaker 5>off the news where we go next week.

0:32:21.800 --> 0:32:26.560
<v Speaker 4>Kevin nineteen ninety one boys, good night everyone, Thank you

0:32:26.720 --> 0:32:27.360
<v Speaker 4>for all you do.

0:32:45.440 --> 0:32:46.120
<v Speaker 7>On this side.

0:33:00.240 --> 0:33:00.520
<v Speaker 4>Alt