WEBVTT - Dash Kruck with Tony McManus - Tue 10 Jun, 2025

0:00:00.080 --> 0:00:01.800
<v Speaker 1>Who doesn't love a bit of Dolly.

0:00:04.240 --> 0:00:15.480
<v Speaker 2>Lit By, So just use your mind then never give

0:00:15.560 --> 0:00:25.880
<v Speaker 2>you credit. A love for service and revolution.

0:00:27.800 --> 0:00:31.120
<v Speaker 1>That it was a good movie too. Ninety five comes

0:00:31.120 --> 0:00:32.960
<v Speaker 1>across the desk and I go yeah, And I said

0:00:32.960 --> 0:00:34.159
<v Speaker 1>to Jay, we're going to see we can talk to

0:00:34.200 --> 0:00:38.200
<v Speaker 1>somebody from this getting underway. From here you come again,

0:00:38.320 --> 0:00:44.600
<v Speaker 1>the dazzling musical comedy pat with Dolly Partner's greatest hits.

0:00:44.880 --> 0:00:48.440
<v Speaker 1>Why would you not? It's fantastic from all reports, it's

0:00:48.479 --> 0:00:50.760
<v Speaker 1>so just wonderful. It's put together by a couple of

0:00:50.760 --> 0:00:55.160
<v Speaker 1>great producers, and audience is right across Australia from a

0:00:55.200 --> 0:00:57.120
<v Speaker 1>think twelve July. Have I've got that right? The national

0:00:57.160 --> 0:01:01.800
<v Speaker 1>tour at Melbourne, Perth, Sydney, Newcastle, Camera, Adelaide and everywhere

0:01:01.840 --> 0:01:06.360
<v Speaker 1>in between, playing the role of the keV. Sheould be

0:01:06.360 --> 0:01:08.800
<v Speaker 1>called Kevin the Musical. It says he Kevin the Musical.

0:01:08.840 --> 0:01:11.560
<v Speaker 1>We're playing the role of Kevin in the musical is

0:01:11.720 --> 0:01:14.120
<v Speaker 1>a dash crook dash good morning.

0:01:14.880 --> 0:01:17.039
<v Speaker 3>Good morning. Thank you for that uput the on the

0:01:17.040 --> 0:01:18.520
<v Speaker 3>title and I'll take that to the producer.

0:01:18.680 --> 0:01:20.800
<v Speaker 1>I think you should Ken. Let's do it. Let's call

0:01:20.840 --> 0:01:23.440
<v Speaker 1>it Kevin the Musical. There's a if you get somebody

0:01:23.480 --> 0:01:25.479
<v Speaker 1>to write that for you, there's a big hit just there.

0:01:26.400 --> 0:01:29.440
<v Speaker 3>I think I think leaning on Dolly might be the stronger,

0:01:29.680 --> 0:01:30.760
<v Speaker 3>stronger call card.

0:01:30.600 --> 0:01:34.559
<v Speaker 1>There, but it is when I saw this come across

0:01:34.680 --> 0:01:37.679
<v Speaker 1>the desk, because I don't know what age demographic you

0:01:37.720 --> 0:01:41.320
<v Speaker 1>are approximately, dash, but there's not too many of us

0:01:42.120 --> 0:01:46.320
<v Speaker 1>who don't have some level of affection for a Dolly partner.

0:01:46.360 --> 0:01:49.040
<v Speaker 1>And what she's meant, what she's done over many many years.

0:01:50.160 --> 0:01:54.040
<v Speaker 3>Yeah, I mean, she's had an incredible career and her

0:01:54.080 --> 0:01:57.480
<v Speaker 3>catalog of song speaks for itself, and and and the

0:01:57.520 --> 0:02:00.000
<v Speaker 3>great thing about this show is that we've managed to

0:02:00.040 --> 0:02:02.600
<v Speaker 3>get so many of her big hits in there for

0:02:03.000 --> 0:02:05.560
<v Speaker 3>the people who are you know, Dolly of Fishinado's, but

0:02:05.680 --> 0:02:09.519
<v Speaker 3>also some some ones that maybe the big fans will

0:02:09.520 --> 0:02:11.480
<v Speaker 3>know but other people don't. That really kind of drive

0:02:11.520 --> 0:02:12.280
<v Speaker 3>this story forward.

0:02:13.280 --> 0:02:14.920
<v Speaker 1>This has been put together by a couple of the

0:02:15.000 --> 0:02:19.799
<v Speaker 1>Emmy Award winning writers I think Bruce Valanche and Gabriel

0:02:19.960 --> 0:02:22.720
<v Speaker 1>I mean, they've been around for a little while so

0:02:23.000 --> 0:02:24.720
<v Speaker 1>when they do this, so it's going to be more

0:02:24.760 --> 0:02:27.920
<v Speaker 1>than just presenting the music, presuming it's weaved a story,

0:02:28.040 --> 0:02:29.920
<v Speaker 1>weave through it.

0:02:29.919 --> 0:02:33.720
<v Speaker 3>It's been Yeah, it's an incredible piece itself. I had

0:02:34.120 --> 0:02:36.080
<v Speaker 3>the chance to see it over in London when I

0:02:36.120 --> 0:02:39.200
<v Speaker 3>was over there recently, and it's just it's beautiful. The

0:02:39.240 --> 0:02:42.000
<v Speaker 3>good thing about this I mean Bruce Valances, he's a

0:02:42.000 --> 0:02:43.880
<v Speaker 3>bit of comedy writer for years and years. He wrote

0:02:43.880 --> 0:02:46.440
<v Speaker 3>for the Emmy or for the for the Oscars for

0:02:46.440 --> 0:02:49.399
<v Speaker 3>fourteen years. He's an Emmy Award winning runner and will

0:02:49.400 --> 0:02:52.560
<v Speaker 3>be Goldberg's writer. But Medlay he's got such a legacy,

0:02:52.639 --> 0:02:56.320
<v Speaker 3>so it's got his humor and wittne it. But Gabriel Barry,

0:02:56.720 --> 0:03:02.079
<v Speaker 3>our code writer and director. He brings this beautiful empathy

0:03:02.120 --> 0:03:04.840
<v Speaker 3>to this show. So you get to follow my character

0:03:05.320 --> 0:03:08.840
<v Speaker 3>Kevin on this journey through one of the darkest times

0:03:08.840 --> 0:03:11.720
<v Speaker 3>that we all kind of relate to, which is COVID recently,

0:03:12.639 --> 0:03:14.120
<v Speaker 3>which was a time where I guess we all had

0:03:14.120 --> 0:03:16.240
<v Speaker 3>to kind of reevaluate what we were doing and where

0:03:16.240 --> 0:03:18.360
<v Speaker 3>we were at. And in the middle of all this

0:03:18.480 --> 0:03:24.360
<v Speaker 3>chaos comes this angel, I guess in the form of

0:03:24.400 --> 0:03:29.600
<v Speaker 3>Dolly Putt, who co guided my character through this kind

0:03:29.600 --> 0:03:31.760
<v Speaker 3>of redemption arc of kind of trying to found out

0:03:32.600 --> 0:03:34.120
<v Speaker 3>who we are and what we're here for and what

0:03:34.160 --> 0:03:36.400
<v Speaker 3>we actually care about, which.

0:03:36.160 --> 0:03:39.160
<v Speaker 1>Is an ongoing investigation for many of us.

0:03:39.440 --> 0:03:42.240
<v Speaker 3>Oh indeed, I don't think anybody could not relate to that.

0:03:43.520 --> 0:03:45.720
<v Speaker 1>Tell me about your start where you grew up with.

0:03:46.680 --> 0:03:50.120
<v Speaker 3>I grew up in Brisbane actually and started out in

0:03:50.240 --> 0:03:52.560
<v Speaker 3>theater up there, and then I've just been lucky enough

0:03:52.560 --> 0:03:54.839
<v Speaker 3>to kind of gods doing this job.

0:03:55.560 --> 0:03:58.360
<v Speaker 1>And was it all about performing, singing and dancy. You

0:03:58.360 --> 0:04:00.600
<v Speaker 1>didn't go to one of the big word opera or anything

0:04:00.640 --> 0:04:00.920
<v Speaker 1>like that.

0:04:01.800 --> 0:04:04.320
<v Speaker 3>I didn't go to opera. I did study, but I

0:04:04.320 --> 0:04:06.400
<v Speaker 3>started up in Queensland. I did a couple of degrees

0:04:06.440 --> 0:04:09.720
<v Speaker 3>in theater, in making theater and then acting as well.

0:04:10.560 --> 0:04:12.840
<v Speaker 3>So I've been lucky enough to kind of work in

0:04:12.880 --> 0:04:15.560
<v Speaker 3>all different fasts in the industry and directing and writing

0:04:16.200 --> 0:04:19.480
<v Speaker 3>and performing. So it's been a really, a really exciting

0:04:19.480 --> 0:04:21.120
<v Speaker 3>career that's taken me all over the place.

0:04:21.520 --> 0:04:23.560
<v Speaker 1>You talk about those COVID years, I mean we will

0:04:23.600 --> 0:04:26.000
<v Speaker 1>always talk about that, often be referred now to wonder

0:04:26.000 --> 0:04:29.240
<v Speaker 1>it is the so called COVID years been tough, I

0:04:29.279 --> 0:04:32.320
<v Speaker 1>would have thought for a young working performer.

0:04:33.680 --> 0:04:36.280
<v Speaker 3>Well, yeah, I mean everything right up. I mean it's

0:04:36.320 --> 0:04:40.040
<v Speaker 3>tough for everyone. It kind of puts a I guess

0:04:40.400 --> 0:04:43.359
<v Speaker 3>it paused your life in a way where you just

0:04:43.400 --> 0:04:46.880
<v Speaker 3>had to sit in it for a while and evaluate

0:04:47.080 --> 0:04:49.000
<v Speaker 3>what it was that you were doing and why you

0:04:49.040 --> 0:04:53.880
<v Speaker 3>were doing it. And in that sense, for me, it

0:04:54.360 --> 0:04:56.360
<v Speaker 3>kind of made me shift a little in terms of

0:04:56.960 --> 0:04:59.320
<v Speaker 3>I took a little step away from performing for a

0:04:59.320 --> 0:05:03.520
<v Speaker 3>while and moved back into other the creative side of things,

0:05:03.560 --> 0:05:06.599
<v Speaker 3>in directing and things like that, so that I could

0:05:06.600 --> 0:05:09.080
<v Speaker 3>have a bit more controllable what I put out into

0:05:09.160 --> 0:05:14.279
<v Speaker 3>the world. And this show was so wonderful and so joyous.

0:05:14.360 --> 0:05:17.400
<v Speaker 3>And the producer I'd worked with previously, elas and Kaine,

0:05:18.120 --> 0:05:20.440
<v Speaker 3>She's just such a wonderful producer and such a wonderful

0:05:20.520 --> 0:05:22.760
<v Speaker 3>human And I knew that she doesn't take on things

0:05:22.800 --> 0:05:25.880
<v Speaker 3>that she doesn't really believe in, and when I saw

0:05:25.920 --> 0:05:29.359
<v Speaker 3>this show, I understood why, because it's just such a gorgeous,

0:05:29.680 --> 0:05:34.760
<v Speaker 3>heartfelt joyous so that it was it actually pulled me

0:05:34.800 --> 0:05:38.120
<v Speaker 3>back into the world performing and I'm so excited jump

0:05:38.160 --> 0:05:38.560
<v Speaker 3>into it.

0:05:39.000 --> 0:05:41.400
<v Speaker 1>And these things are very important dash I think for

0:05:41.440 --> 0:05:43.640
<v Speaker 1>a range of reasons, the least of which A provides

0:05:43.880 --> 0:05:47.080
<v Speaker 1>hopefully some work for some very great, wonderful younger artists.

0:05:47.400 --> 0:05:51.520
<v Speaker 1>And it's the exposure around Australia. A for people who

0:05:51.560 --> 0:05:54.760
<v Speaker 1>already know the work of Dolly. This is one of

0:05:54.800 --> 0:05:57.839
<v Speaker 1>the previous courses. It's not necessarily great fan but it's

0:05:58.040 --> 0:06:02.640
<v Speaker 1>really hard to deny what she's done over as I

0:06:02.680 --> 0:06:06.760
<v Speaker 1>said earlier, many many decades, and exposed that to a

0:06:06.960 --> 0:06:09.400
<v Speaker 1>new gen, yet another new gen.

0:06:10.240 --> 0:06:16.400
<v Speaker 3>Absolutely, the thing about Dolly is that she she is

0:06:17.400 --> 0:06:21.480
<v Speaker 3>fastidious in how she has created her brand and her

0:06:21.480 --> 0:06:26.960
<v Speaker 3>business and how she's created her self. She she is

0:06:27.040 --> 0:06:30.480
<v Speaker 3>so intelligent and so tenacious, and she will not let

0:06:30.560 --> 0:06:34.320
<v Speaker 3>anything go out unless that has her name on it,

0:06:34.440 --> 0:06:36.880
<v Speaker 3>unless she's one hundred percent on board with it, and

0:06:37.240 --> 0:06:40.479
<v Speaker 3>thankfully she has. She's given her blessing for this show.

0:06:40.520 --> 0:06:44.480
<v Speaker 3>She actually had to approve it herself personally, and she's

0:06:44.520 --> 0:06:49.799
<v Speaker 3>on top of everything, and she has made these decisions

0:06:49.839 --> 0:06:53.640
<v Speaker 3>throughout her career that kind of went against the mainstream

0:06:53.680 --> 0:06:55.640
<v Speaker 3>in a lot of ways. She knows who she is

0:06:56.040 --> 0:06:59.080
<v Speaker 3>and she's very confident in that, and she's very confident

0:06:59.160 --> 0:07:03.560
<v Speaker 3>in telling other people that the best way forward and

0:07:03.600 --> 0:07:06.359
<v Speaker 3>the best way to create your your future is to

0:07:06.480 --> 0:07:09.440
<v Speaker 3>really lean in to the things that make you who

0:07:09.480 --> 0:07:11.960
<v Speaker 3>you are. And I think that's a it's a it's

0:07:11.960 --> 0:07:14.640
<v Speaker 3>a really incredible message, and it's something about you know,

0:07:14.880 --> 0:07:21.920
<v Speaker 3>she was a feminist before feminism, she's she's an incredible

0:07:22.040 --> 0:07:25.480
<v Speaker 3>intelligent woman. So yeah, there's a lot lot to be

0:07:25.520 --> 0:07:26.120
<v Speaker 3>gained from her.

0:07:26.560 --> 0:07:28.840
<v Speaker 1>How hard is there somebody to learn this those songs

0:07:28.840 --> 0:07:31.160
<v Speaker 1>when you're doing a show like this, to learn the

0:07:31.200 --> 0:07:37.640
<v Speaker 1>lyrics and learn and embrace yourself in everything Dolly?

0:07:38.920 --> 0:07:41.280
<v Speaker 3>Well, I mean it's not hard because she's she's such

0:07:41.320 --> 0:07:42.160
<v Speaker 3>a joy.

0:07:43.000 --> 0:07:43.560
<v Speaker 1>But it is.

0:07:43.680 --> 0:07:47.360
<v Speaker 3>Yeah, Like these songs are songs that you know, for me,

0:07:47.760 --> 0:07:50.440
<v Speaker 3>I grew up kind of listening to or hearing on

0:07:50.480 --> 0:07:53.640
<v Speaker 3>the radio. Wherever I went, there was always a Dolly

0:07:53.680 --> 0:07:56.040
<v Speaker 3>song around, and you know that there was a time

0:07:56.120 --> 0:07:58.880
<v Speaker 3>there where you couldn't you couldn't go anywhere without hearing

0:07:59.040 --> 0:08:01.680
<v Speaker 3>Hearing Islands and the Dream with her and Kenny Rot.

0:08:03.240 --> 0:08:05.800
<v Speaker 3>So it's really been part of my DNA growing up,

0:08:05.840 --> 0:08:08.440
<v Speaker 3>I guess. And so then to kind of put it

0:08:08.480 --> 0:08:13.360
<v Speaker 3>into this context and put it in a story that

0:08:14.080 --> 0:08:16.720
<v Speaker 3>when I read the script is the very first time

0:08:17.040 --> 0:08:19.880
<v Speaker 3>I really saw myself in this character as well. You know,

0:08:20.080 --> 0:08:22.960
<v Speaker 3>getting to a certain age and questioning where you've come

0:08:23.000 --> 0:08:26.440
<v Speaker 3>in your life and where you're going and what's important.

0:08:27.440 --> 0:08:31.200
<v Speaker 3>I was probably in a very similar place, so it

0:08:31.280 --> 0:08:34.880
<v Speaker 3>really resonated with me. And then through the lyrics of

0:08:34.920 --> 0:08:38.760
<v Speaker 3>these songs and through the music, I've just found a

0:08:38.800 --> 0:08:42.000
<v Speaker 3>new appreciation for all of these songs that have kind

0:08:42.000 --> 0:08:43.079
<v Speaker 3>of grown up loving.

0:08:43.160 --> 0:08:45.600
<v Speaker 1>The islands in the stream. You know, I've heard it

0:08:45.600 --> 0:08:48.760
<v Speaker 1>as zillion times, We've all heard it as zillion times

0:08:49.360 --> 0:08:53.439
<v Speaker 1>written by the Beg's, but arguably one of the best

0:08:53.520 --> 0:08:57.360
<v Speaker 1>songs of all time. They're not everybody's going to necessarily

0:08:57.440 --> 0:09:00.240
<v Speaker 1>agree with that, but in terms of airplay and a

0:09:00.320 --> 0:09:04.880
<v Speaker 1>great you know, it's a wonderful stable of radio stations

0:09:05.000 --> 0:09:06.240
<v Speaker 1>around the world to this day.

0:09:06.920 --> 0:09:10.200
<v Speaker 3>It is still to this day the most successful duet

0:09:10.880 --> 0:09:17.000
<v Speaker 3>record a duet of all time, so it's quite a legacy. Yeah.

0:09:17.040 --> 0:09:19.760
<v Speaker 1>The show itself runs for what I'm thinking up to

0:09:19.840 --> 0:09:20.480
<v Speaker 1>ninety minutes.

0:09:21.640 --> 0:09:24.840
<v Speaker 3>Yeah, so it's it's actually to actually get a nice

0:09:24.840 --> 0:09:28.199
<v Speaker 3>little break in the middle as well. But yeah, it's

0:09:29.040 --> 0:09:31.520
<v Speaker 3>if we put the entire Dolly catalog in there, we'd

0:09:31.559 --> 0:09:35.200
<v Speaker 3>be there all week. But I think you're in and

0:09:35.200 --> 0:09:36.240
<v Speaker 3>out just haveing ninety minutes.

0:09:36.320 --> 0:09:40.560
<v Speaker 1>Yeah, in ninety minutes, it's incredible, I guess from a

0:09:40.600 --> 0:09:42.400
<v Speaker 1>producer's point of view. What do you put in and

0:09:42.440 --> 0:09:44.240
<v Speaker 1>what do you what do you not use?

0:09:45.200 --> 0:09:49.439
<v Speaker 3>Well, this is where I think the writers and the

0:09:50.120 --> 0:09:53.839
<v Speaker 3>creators have really been wise in that they put in

0:09:54.040 --> 0:09:56.200
<v Speaker 3>all of the hits that you know and love. You know,

0:09:56.240 --> 0:09:58.720
<v Speaker 3>you're nine to five joel Aine Islands in the Stream,

0:09:59.240 --> 0:10:02.480
<v Speaker 3>I will always so many hits, but there's all these

0:10:02.520 --> 0:10:04.959
<v Speaker 3>other songs that are woven in there that have been

0:10:05.240 --> 0:10:11.160
<v Speaker 3>very carefully picked to drive this emotional journey forward. It's

0:10:11.200 --> 0:10:14.400
<v Speaker 3>a I think it's sums it up. When I saw

0:10:14.400 --> 0:10:16.600
<v Speaker 3>it in London, a woman came up to me in

0:10:16.600 --> 0:10:18.360
<v Speaker 3>the four Yer. She didn't know that I was about

0:10:18.400 --> 0:10:22.280
<v Speaker 3>to come over here and be that role in Australia,

0:10:22.320 --> 0:10:24.559
<v Speaker 3>but she just grabbed me. She was just so thrilled

0:10:24.640 --> 0:10:29.120
<v Speaker 3>after the show, and she said, wasn't that wonderful? She said.

0:10:29.160 --> 0:10:31.880
<v Speaker 3>I came in here just because I love Dolly Parton,

0:10:32.160 --> 0:10:34.480
<v Speaker 3>she said, but this isn't a show for Dolly Parton fans.

0:10:34.520 --> 0:10:38.960
<v Speaker 3>This I just feel so joyful and so hopeful, and

0:10:39.000 --> 0:10:41.720
<v Speaker 3>I can walk out into the world feeling like I

0:10:41.800 --> 0:10:43.520
<v Speaker 3>know who I am and what I've got to do,

0:10:43.760 --> 0:10:47.040
<v Speaker 3>and I just think, wow, that's a great review. I'll

0:10:47.040 --> 0:10:50.120
<v Speaker 3>take that. And she doesn't know that, but that's that's

0:10:50.360 --> 0:10:53.640
<v Speaker 3>driving this over here in Australia. I've just I've thought

0:10:53.640 --> 0:10:55.960
<v Speaker 3>about her so many times and I'm just like, that's

0:10:56.000 --> 0:10:58.640
<v Speaker 3>the experience that I hope people get over here as well.

0:10:58.800 --> 0:11:00.400
<v Speaker 1>You play the role of the keV and in his

0:11:00.440 --> 0:11:02.720
<v Speaker 1>Wonnerful show, and I've got a couple of texts saying,

0:11:03.000 --> 0:11:05.920
<v Speaker 1>what was Kevin in the role of Dolly Parton?

0:11:08.360 --> 0:11:11.120
<v Speaker 3>Well, Kevin. Kevin is kind of just an every man really,

0:11:11.200 --> 0:11:17.040
<v Speaker 3>He's this guy during covid'. He's kind of followed his dreams.

0:11:17.040 --> 0:11:19.400
<v Speaker 3>He was a country boy growing up. He moves to

0:11:19.440 --> 0:11:21.520
<v Speaker 3>the big city to try to make it big and

0:11:21.559 --> 0:11:26.160
<v Speaker 3>it doesn't necessarily go quite according to plan. His love

0:11:26.160 --> 0:11:28.199
<v Speaker 3>life has been on the rocks, his career has been

0:11:28.200 --> 0:11:31.640
<v Speaker 3>on the rocks, and then he's been thrust back into

0:11:31.720 --> 0:11:36.280
<v Speaker 3>his childhood home living with his parents, and it's really

0:11:36.280 --> 0:11:38.960
<v Speaker 3>put him in a place where he's just questioned what

0:11:39.320 --> 0:11:42.120
<v Speaker 3>his decisions have got him in his life and who

0:11:42.160 --> 0:11:44.800
<v Speaker 3>he truly is. But the one stable in his life

0:11:45.280 --> 0:11:48.920
<v Speaker 3>from a child to an adult, is that he always

0:11:49.000 --> 0:11:51.960
<v Speaker 3>loved Dolly Parton. He's he They call his bedroom the

0:11:52.000 --> 0:11:57.760
<v Speaker 3>Dolly Parton Palace. He's got posters on his wall and whatever.

0:11:58.520 --> 0:12:04.240
<v Speaker 3>So in this, in this particular show, Dolly Parton kind

0:12:04.280 --> 0:12:07.960
<v Speaker 3>of comes to him in a vision. He gets to

0:12:08.000 --> 0:12:12.360
<v Speaker 3>spend this time and learn about what's important to him

0:12:12.800 --> 0:12:15.120
<v Speaker 3>through her music and through the way that she kind

0:12:15.160 --> 0:12:17.880
<v Speaker 3>of talks about life. If you've ever seen her in

0:12:17.920 --> 0:12:21.480
<v Speaker 3>an interview or you know, you can see that she's

0:12:21.559 --> 0:12:27.840
<v Speaker 3>so grounded into nation. She only exists in this world

0:12:27.920 --> 0:12:30.320
<v Speaker 3>to bring other people hope and joy, and she never

0:12:30.400 --> 0:12:34.079
<v Speaker 3>kind of waivers from that. Even during the COVID crisis,

0:12:34.080 --> 0:12:35.559
<v Speaker 3>you know, like she put in so much money to

0:12:36.480 --> 0:12:39.559
<v Speaker 3>she was one of the people that really drove the vaccines.

0:12:40.360 --> 0:12:44.120
<v Speaker 3>She funded one of the main vaccines that has saved

0:12:44.280 --> 0:12:46.240
<v Speaker 3>you know, millions. She did.

0:12:46.280 --> 0:12:49.360
<v Speaker 1>She's incredibly in many many ways. Well, she's going to

0:12:49.400 --> 0:12:52.400
<v Speaker 1>tell you. Over the years, I've interviewed two point eight

0:12:52.440 --> 0:12:55.679
<v Speaker 1>million people who have been involved in these programs and

0:12:55.760 --> 0:13:00.400
<v Speaker 1>nobody has been better than you in terms of just

0:13:00.440 --> 0:13:03.120
<v Speaker 1>talking about a show like this, And I congratulate you

0:13:03.160 --> 0:13:06.240
<v Speaker 1>on that. It comes up on I think it's Melbourne

0:13:06.240 --> 0:13:09.080
<v Speaker 1>Comedy Theater, The Beautiful Comedy Theater in Melbourne. I think

0:13:09.080 --> 0:13:13.880
<v Speaker 1>that's from twelfth July Ticketek Perth beautiful Regal Theater. I

0:13:13.880 --> 0:13:15.760
<v Speaker 1>don't know if you've played over there. It's great, the

0:13:15.760 --> 0:13:18.960
<v Speaker 1>ticket takers well from twenty second of August and in Adelaide,

0:13:18.960 --> 0:13:21.760
<v Speaker 1>Her Majesty's Theater. Out of the places around the world,

0:13:21.760 --> 0:13:24.760
<v Speaker 1>I think you're doing Newcastle, canber and Sydney as well,

0:13:25.160 --> 0:13:28.800
<v Speaker 1>but Melbourne from the twelfth of July. And Dash it's

0:13:28.840 --> 0:13:30.880
<v Speaker 1>great to talk to you on the program Australia overnight.

0:13:31.920 --> 0:13:33.960
<v Speaker 3>It's been my pleasure. Thank you so much for having.

0:13:33.760 --> 0:13:36.319
<v Speaker 1>Me in a wonderful dash Cook have a look at it.

0:13:36.320 --> 0:13:40.160
<v Speaker 1>It is called Simply Here You Come Again. The Australian

0:13:40.200 --> 0:13:44.960
<v Speaker 1>cast has been announced. Dolly's Greatest Hits takes to the stage.