WEBVTT - Iconic British Actor: Kris Marshall

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<v Speaker 1>Now I want to treat this is. We do speak

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<v Speaker 1>to great people on this show, but not every day

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<v Speaker 1>do we get to speak to an iconic British actor.

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<v Speaker 1>His name is Chris Marshall, and you'd know him as

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<v Speaker 1>a man who shot to start and playing Colin Frizzell

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<v Speaker 1>in a little Christmas rom com Love Actually, you know

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<v Speaker 1>what I mean. Have a listen to this.

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<v Speaker 2>Fair Wow, failure America.

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<v Speaker 1>What's out here?

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<v Speaker 2>Comes Colin frizzle and he's gone to big Oh my god,

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<v Speaker 2>are you from England? That is so cute.

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<v Speaker 1>Since then, Chris has been starring in a string of classics,

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<v Speaker 1>including Death at a Funeral, A Few Best Men, I

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<v Speaker 1>love that movie, and even Shakespeare's Merchant of Venice. He's

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<v Speaker 1>not stranger to the silver screen as well. For the

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<v Speaker 1>better part of a decade, he's played Detective Inspector Humphrey Goodman,

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<v Speaker 1>originally in Death in Paradise and in the spin off

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<v Speaker 1>Beyond Paradise and in Great News for crime fans. Chris

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<v Speaker 1>is returning as Detective Inspector Goodman for season three Beyond Paradise,

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<v Speaker 1>which is streaming now on rit Box. And I am

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<v Speaker 1>delighted to say that the great man is on the line.

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<v Speaker 2>Good day, Chris, Hey Luke, thank you so much for

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<v Speaker 2>the introduction.

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<v Speaker 1>Wow, no, my terrific to speak to you. I loved

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<v Speaker 1>your work and I've got to say, and I don't know,

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<v Speaker 1>you know why it hasn't been a thing but a

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<v Speaker 1>few best men. I cacked brackets meaning laugh myself, silly,

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<v Speaker 1>close brackets myself at your work in that with Olivia

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<v Speaker 1>Newton John and the rest of the cast. It was

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<v Speaker 1>just a real gift. Thank you for that.

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<v Speaker 2>Oh, bless you, thank you. I had such a good

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<v Speaker 2>time making that movie in Yeah, Fox Studios in Sydney

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<v Speaker 2>and you know, and up at the Blue Mountains, Necker Toomber.

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<v Speaker 2>It's fantasy.

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<v Speaker 1>Yeah, yeah, it was such good fun. I'll ask you

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<v Speaker 1>any briefly about love actually, because you're not here to

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<v Speaker 1>talk about that. Although it's such a big thing, obviously,

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<v Speaker 1>we have to touch on it. For those that haven't

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<v Speaker 1>seen you play Detective Inspector Humphrey Goodman. He's a distinctive character,

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<v Speaker 1>isn't He's quirky, he's brilliant, but he's deeply human. Is

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<v Speaker 1>that how you describe him?

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<v Speaker 2>Yeah, I think he's sort of I mean, to me,

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<v Speaker 2>he's a sort of Melaingree. It's sort of a whole

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<v Speaker 2>mix up of all my sort of favorite detectives growing up.

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<v Speaker 2>You know, there's a bit of Marble in there. There's

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<v Speaker 2>a bit of a bit of Colombo, you know, there's

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<v Speaker 2>a bit of but also there's a bit of Harold

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<v Speaker 2>Lloyd and a bit of Jack Tatti in there as well.

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<v Speaker 2>You know, he's sort of, you know, he's sort of

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<v Speaker 2>he's very human, but he's got a good moral compass.

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<v Speaker 2>But he's also nobody's full, you know, and he's quite

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<v Speaker 2>yspractic as well and clumsy and yeah, but he's you know,

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<v Speaker 2>he's a brilliant detective and he's got a real good

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<v Speaker 2>eye for a crime solving a crime. Yeah.

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<v Speaker 1>Yeah, I wonder from your point of view. I mean,

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<v Speaker 1>I mean, this is what you do, and you do

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<v Speaker 1>it so well, but when you come back for another season,

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<v Speaker 1>you've kind of, I guess in a way, got to

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<v Speaker 1>pick up from where you're left off. I've heard you

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<v Speaker 1>talk about putting on the shoes and that gets you

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<v Speaker 1>in the character. But is that a difficult thing to do?

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<v Speaker 1>You know, you do a series, you take a break,

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<v Speaker 1>then you come back, and it is kind of like

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<v Speaker 1>picking up where you're left off. But so much time

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<v Speaker 1>might have passed, you.

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<v Speaker 2>Know, in between the me leaving Death in Paradise and

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<v Speaker 2>then reappraising the character sort of you know, the characters

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<v Speaker 2>sort of rebirth and Gil on Paradise sort of like

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<v Speaker 2>three or four years. So, I mean, yeah, that was

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<v Speaker 2>quite difficult picking that up again. But you know, it's

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<v Speaker 2>when you put the clothes on and you know, he's

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<v Speaker 2>a big linen wearer. I don't wear linen myself, but

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<v Speaker 2>the big linen wearer, you know, and you want to

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<v Speaker 2>put the clothes on it. And this, like I said before,

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<v Speaker 2>especially the shoes. Yes, the shoes is I don't know.

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<v Speaker 2>You get the back and you know, and I remember

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<v Speaker 2>rifling through my pockets of an old jacket that I

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<v Speaker 2>had on the original show and all my old notes

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<v Speaker 2>were still in there.

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<v Speaker 1>Oh wow.

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<v Speaker 2>So after about four years, so, I mean, it was

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<v Speaker 2>just it was just like stepping back literally into another

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<v Speaker 2>man's shoes, you know. And yeah, it's but from season

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<v Speaker 2>to season it's not too hard.

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<v Speaker 1>Though, right Are you too classy to wear linen? Is

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<v Speaker 1>that what you're saying to me?

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<v Speaker 2>No, No, I know I'm too I think I'm too tall,

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<v Speaker 2>to wear linen. I think you know what I mean. No,

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<v Speaker 2>I do. If you're really tall, if you're a really

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<v Speaker 2>tall bloke, yeah, linen can get a bit wishy washy

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<v Speaker 2>on you. You know it can give me. It's a

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<v Speaker 2>bit flowy, a bit more cut, you know, a little

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<v Speaker 2>bit more tie, a bit of on the clothes. Otherwise

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<v Speaker 2>I look like a bit of a misshapen golf club.

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<v Speaker 2>You know what.

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<v Speaker 1>We had some photos down here at work a few

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<v Speaker 1>weeks ago, and I'm assumed I hide to you six

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<v Speaker 1>three or six four or something, and I wore linen.

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<v Speaker 1>Actually I brought in half a dozen shirts, and the

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<v Speaker 1>wardrobe lady said wear linen. And the photos came back

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<v Speaker 1>and I said, I look so wishy washy. If only

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<v Speaker 1>we'd spoken before, If only we'd spoken before. Am I right?

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<v Speaker 1>My right? You were born on the first of April,

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<v Speaker 1>And if that's true, is when you were younger, and

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<v Speaker 1>did you get pranked, probably teased about your birthday on

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<v Speaker 1>April Fool's Day? And you know, you promise to buy

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<v Speaker 1>it and you end up with a matchbox car or something.

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<v Speaker 2>You know why, It would be a great story, But

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<v Speaker 2>that's just don't believe everything. You read on the internet.

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<v Speaker 2>My birthday is on the eleventh of April, so it's

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<v Speaker 2>mister one off there, one off. It's a good story.

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<v Speaker 2>So let's let's just pretend it is the first of April.

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<v Speaker 1>Yeah, it's okay, Well, let's do that. Let's do that.

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<v Speaker 1>For people that haven't seen the show, what do you

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<v Speaker 1>hope they take from it? Mate?

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<v Speaker 2>Do you know what? We live in quite weird times,

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<v Speaker 2>and you know, I love all those really hard hitting,

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<v Speaker 2>gritty cop dramas, and you know that they're they're great,

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<v Speaker 2>they're great to watch, and but this is this is

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<v Speaker 2>something that it's a bit of escapism, you know. It's

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<v Speaker 2>it's sort of you know, like I mentioned Columbo and

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<v Speaker 2>The Smile before, and another huge influence of mine was

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<v Speaker 2>Jim Rockford, James Gonner in the Rockford Files. You know, ah,

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<v Speaker 2>you know, and it's all it's all a bit tongue

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<v Speaker 2>in cheek. It's all done a bit lightheartedly, and I think,

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<v Speaker 2>you know, there's a bit of escapism, and we need

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<v Speaker 2>a bit of escapism. It's a puzzle to it. Sit down,

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<v Speaker 2>it's cross demographic. You can sit down. You can watch

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<v Speaker 2>it with your kids, your your mum and your dog.

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<v Speaker 2>You know, it's it's good, it's a good family viewing,

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<v Speaker 2>but it's good fun. It's it's there's a puzzle you

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<v Speaker 2>can work out, you know, it's you know, puts a

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<v Speaker 2>smile on your face.

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<v Speaker 1>You know what I was about to say. You know what, Chris,

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<v Speaker 1>who puts a smile on your face? That's exactly That's

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<v Speaker 1>exactly right. And you know what, to a large point,

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<v Speaker 1>I think that's what in entertainment we're supposed to do. Largely.

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<v Speaker 1>I mean, you can sit down for as long as

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<v Speaker 1>you need to, and you don't feel bad about things.

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<v Speaker 1>You feel like about stuff, and you might have been

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<v Speaker 1>forced to think a bit and been forced to laugh

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<v Speaker 1>a bit. And isn't that isn't that partly what we're

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<v Speaker 1>meant to do? Six episodes in this series? Tell me

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<v Speaker 1>about the making of it. It's the Devon and Cornwell.

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<v Speaker 1>Is that where you should it?

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<v Speaker 2>Yeah? So the last of two counties that stick out

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<v Speaker 2>and sort of peninsula at the bottom in the southwest

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<v Speaker 2>of the UK, Devon and Cornwall. There's a great rivalry

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<v Speaker 2>between the two counties. I mean it's quite visceral actually,

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<v Speaker 2>so we film in both counties, even though technically the

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<v Speaker 2>show is set in Devon, and you know there's a

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<v Speaker 2>big argument about I believe you guys call it a

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<v Speaker 2>Devonshire tea over here.

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<v Speaker 1>Yes, yeah, well.

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<v Speaker 2>There's a big argument about how you have your jam

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<v Speaker 2>and how you have your cream. Yes, in Cornwall, Cornwall

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<v Speaker 2>and Devon have it very differently. It's it's real, mate,

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<v Speaker 2>it's real.

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<v Speaker 1>It's hang on, I've got I've got to ask you

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<v Speaker 1>how differently I have it.

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<v Speaker 2>So let me get this right. So Cornwall has it

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<v Speaker 2>jam first, jam first, cream on top, and Devon Devon

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<v Speaker 2>shared does the reverse right are you?

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<v Speaker 1>Are you allowed to have a preferred option or is

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<v Speaker 1>that going to spoil things?

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<v Speaker 2>Yeah? I do have a preferred option, I have to say,

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<v Speaker 2>and that is the jam first. Yeah. And they even

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<v Speaker 2>call each other jam first, jam first and cream first

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<v Speaker 2>instead of Devonshare and Cornish they do. I mean, it's

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<v Speaker 2>a it's a real thing. So yeah, we we've done.

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<v Speaker 2>That's very beautiful, you know. I mean, I don't know

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<v Speaker 2>how many people are aware of Devon and Cornwall in

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<v Speaker 2>OZ but or you know, or have visited. But we've

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<v Speaker 2>we've got beautiful beaches down there, you know, we've got

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<v Speaker 2>surf where it right onto the Atlantic. The amasis you know,

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<v Speaker 2>really lovely blue. It's cold. I'm going to say it's cold,

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<v Speaker 2>but you know, it's just about for about a week

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<v Speaker 2>in the summer. You can get in with your board shorts.

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<v Speaker 2>Oh boys, it's not bad.

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<v Speaker 1>And is it far from your home?

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<v Speaker 2>Yes, probably about three hour drive my home, so you

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<v Speaker 2>can go home every weekend.

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<v Speaker 1>Oh wow, that's good.

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<v Speaker 2>Yeah, it's okay, it's not too bad. So it beats

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<v Speaker 2>you know, some of the locations I've filmed in. You

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<v Speaker 2>can go home and see the kids. And actually my

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<v Speaker 2>kids are even in this series as well, so.

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<v Speaker 1>Oh, fantastic, fantastic. Isn't that wonderful? Actually I was reading

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<v Speaker 1>about the some of the episodes, and until you told

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<v Speaker 1>me that about Devon and Cornwall, I didn't realize. But

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<v Speaker 1>a body's discovered in a river on the county border,

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<v Speaker 1>so you've got to collaborate with Cornish counterparts. So now

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<v Speaker 1>knowing that, that makes life very interesting, I imagine.

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<v Speaker 2>Yeah, and also there's there's a there's a brilliant scene

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<v Speaker 2>with the whole scone thing going on as well. So okay,

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<v Speaker 2>so I hope your your listeners enjoy that when they

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<v Speaker 2>see that. So yeah, it's all good, it's all going on.

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<v Speaker 1>We certainly will. I don't know why I'm reluctant to

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<v Speaker 1>talk about love actually partly mate, because you've done so

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<v Speaker 1>much else. But this has become just a big thing,

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<v Speaker 1>I know, around Thanksgiving and Christmas in America, but here

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<v Speaker 1>in Australia we all watch it. I certainly do every

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<v Speaker 1>every Christmas. And the big Knob line, which I don't

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<v Speaker 1>know if it was scripted, well, if it was your work,

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<v Speaker 1>but I mean it is one of those standouts, isn't it.

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<v Speaker 2>Yeah it is, And it was kind of improvised on

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<v Speaker 2>the day that one, you know, certainly the way I

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<v Speaker 2>sang it as well, and yes, it just you know,

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<v Speaker 2>one of those things that just came out really and yeah,

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<v Speaker 2>and it's amazing as me that it has become such

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<v Speaker 2>an iconic line. I mean, people shouting at me in

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<v Speaker 2>the street, which is you know interesting when I'm with

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<v Speaker 2>my kids people showing big knob at me. But you know,

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<v Speaker 2>it's what is that about that I was exposed to? Yeah?

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<v Speaker 2>So yeah, so, but it's you know, it's I mean,

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<v Speaker 2>we only did about thirteen fourteen days filming on it

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<v Speaker 2>because everyone had such a different storyline. So yeah, to

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<v Speaker 2>do thirteen fourteen days on something, it's quite small in

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<v Speaker 2>the ground scheme of things, and it's become such an

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<v Speaker 2>iconic part of the zeitgeist, really part of the part

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<v Speaker 2>of the sort of the firmament, you know, if that's

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<v Speaker 2>the right word to use.

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<v Speaker 1>Yeah, yeah, well not, let's go with it. You let

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<v Speaker 1>me away with that, right, So let's go with that.

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<v Speaker 2>What they hell didn't say? Fundament? You know that.

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<v Speaker 1>You must love Australia. Look, I know you don't spend

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<v Speaker 1>every waking moment here, but I talked about the Living

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<v Speaker 1>Good and John movie and you've been you've been here

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<v Speaker 1>a bit. Do you think do you think Ausie's, even

0:12:08.280 --> 0:12:10.800
<v Speaker 1>though we love to smash each other in cricket, but

0:12:10.840 --> 0:12:14.040
<v Speaker 1>do you think Ozzie's and and Bridge when it all

0:12:14.080 --> 0:12:15.920
<v Speaker 1>boils down are pretty close, aren't they?

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<v Speaker 2>Yeah? You know, I think that we're kindred really. I

0:12:19.360 --> 0:12:21.439
<v Speaker 2>think we're like, you know, we're like cousins really, And

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<v Speaker 2>I love Oz. I mean I've used to live in

0:12:25.440 --> 0:12:27.719
<v Speaker 2>down near Bondi when I was making the movie, as

0:12:28.120 --> 0:12:30.559
<v Speaker 2>I've said to you before, and and then I did

0:12:30.559 --> 0:12:32.920
<v Speaker 2>the sequel to a Few Best Men, A Few Less Men,

0:12:33.679 --> 0:12:37.760
<v Speaker 2>living out in Perth in w A. And you know,

0:12:37.840 --> 0:12:41.439
<v Speaker 2>I just it was, you know, I love it over here.

0:12:41.600 --> 0:12:43.640
<v Speaker 2>I just we've got the same sense of hum and

0:12:43.679 --> 0:12:47.280
<v Speaker 2>I know which Josh each or other about the cricket

0:12:47.360 --> 0:12:50.800
<v Speaker 2>and the rugby and what have you. But I just

0:12:50.880 --> 0:12:54.560
<v Speaker 2>think I'm always treated so well here, you know, Luke,

0:12:54.679 --> 0:12:58.520
<v Speaker 2>And it's I'm always treated so well kindly by Australia

0:12:58.559 --> 0:13:01.040
<v Speaker 2>and Australian people, and just I love it here.

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<v Speaker 1>Yeah, yeah, Well we love your work mate. Beyond Paradise

0:13:04.280 --> 0:13:07.920
<v Speaker 1>season three, available to scream exclusively on a Bigger and

0:13:08.000 --> 0:13:11.280
<v Speaker 1>Better brit Box. Love that a chat you, Chris. Safe

0:13:11.280 --> 0:13:13.080
<v Speaker 1>travels mate, and thanks for all you've done.

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<v Speaker 2>Cheers Luke, Take care mate,