1 00:00:02,570 --> 00:00:04,220 S1: A listener production. 2 00:00:06,480 --> 00:00:08,810 S2: William, this is our remembering project. 3 00:00:08,820 --> 00:00:10,950 S3: Yep, we're a random day of the year is selected, 4 00:00:10,950 --> 00:00:13,350 S3: and we look up the run sheets from all our 5 00:00:13,350 --> 00:00:16,380 S3: shows from across the years to find any we did 6 00:00:16,380 --> 00:00:19,230 S3: on that day over 20 years. That's about 2500. 7 00:00:19,230 --> 00:00:23,790 S2: Shows and roughly 26,000 talk breaks. Today we pick one 8 00:00:23,790 --> 00:00:26,189 S2: one talk break only and try to remember what happened 9 00:00:26,190 --> 00:00:28,110 S2: based on what was written down on the run sheet 10 00:00:28,110 --> 00:00:28,910 S2: from that day. 11 00:00:28,920 --> 00:00:31,260 S3: As always, we've got podcast. Mike was here for any 12 00:00:31,260 --> 00:00:32,120 S3: technical stuff. 13 00:00:32,130 --> 00:00:35,400 S2: Hello, Mike, what date was randomly chosen today? 14 00:00:35,640 --> 00:00:38,760 S4: No date. Special episode. Oh. 15 00:00:47,450 --> 00:00:51,410 S5: This is Hamish and Andy's remembering project. 16 00:00:53,930 --> 00:00:57,020 S3: Haim. No. Date. Special. Special episode. 17 00:00:57,140 --> 00:01:00,650 S2: Special episode of The Remembering today. Because I found as 18 00:01:00,650 --> 00:01:04,700 S2: I was cleaning out my study at home, our old cassettes. 19 00:01:04,790 --> 00:01:05,649 S3: No no no. 20 00:01:05,840 --> 00:01:10,220 S2: From sin FM, the radio student youth network. The first 21 00:01:10,220 --> 00:01:14,569 S2: time we're ever on radio together. Um, technically, I mean, 22 00:01:14,569 --> 00:01:16,430 S2: the whole the way this came about was I was 23 00:01:16,430 --> 00:01:18,470 S2: working at the Village Bell Hotel in Saint Kilda, the 24 00:01:18,470 --> 00:01:19,040 S2: pub you. 25 00:01:19,040 --> 00:01:19,430 S3: Were. 26 00:01:19,430 --> 00:01:21,860 S2: And we were trying to work out how we could 27 00:01:21,860 --> 00:01:24,060 S2: possibly get on the radio and see. 28 00:01:24,230 --> 00:01:28,520 S3: In between some. I remember the beer being quite well priced. 29 00:01:28,520 --> 00:01:29,510 S3: They're very well. 30 00:01:29,510 --> 00:01:30,370 S2: Priced for friends. 31 00:01:30,380 --> 00:01:36,170 S3: I remember enjoying coming to visit you and and going, oh, 32 00:01:36,440 --> 00:01:39,009 S3: for such a cheap beer. This actually tastes pretty good. 33 00:01:39,020 --> 00:01:41,209 S2: Yeah. Tastes exactly the same. Actually. 34 00:01:41,450 --> 00:01:43,759 S3: Tastes like a Carlton Draught. Yeah. How does he get it? 35 00:01:44,060 --> 00:01:48,500 S2: How does he get to taste the same taste? Nothing. Because. 36 00:01:48,500 --> 00:01:50,450 S3: Nothing. How does the publican get it across the bar 37 00:01:50,450 --> 00:01:52,910 S3: for no money and still make a profit? But I 38 00:01:52,910 --> 00:01:53,660 S3: guess he did. 39 00:01:53,660 --> 00:01:56,120 S2: Yeah, well, I viewed you, and maybe I was ahead 40 00:01:56,120 --> 00:02:00,530 S2: of time. I viewed you as an influencer. Yes. I 41 00:02:00,530 --> 00:02:04,070 S2: thought you being in the bar would definitely attract more people. 42 00:02:04,070 --> 00:02:05,600 S3: In in the word would spread. 43 00:02:05,600 --> 00:02:06,500 S2: We would spread this. 44 00:02:06,500 --> 00:02:10,070 S3: Fizzy amber fluid. We see this cool young man drinking. Yes. 45 00:02:10,070 --> 00:02:11,900 S3: I'll try a cup of that. 46 00:02:12,680 --> 00:02:12,790 S2: It's. 47 00:02:12,889 --> 00:02:15,350 S3: So what does he pay for it? He drinks them 48 00:02:15,350 --> 00:02:18,680 S3: for free. But for you, sir, it's 380. I'm willing 49 00:02:18,680 --> 00:02:19,609 S3: to part with that. 50 00:02:20,510 --> 00:02:22,040 S2: Weirdly. Two bucks. 51 00:02:22,040 --> 00:02:22,959 S3: $2 pots, were they? 52 00:02:23,090 --> 00:02:25,880 S2: Well, we had $2. We had dollar pots for a special. 53 00:02:25,880 --> 00:02:28,870 S2: But when I was serving them at price was $2.30 54 00:02:28,880 --> 00:02:30,680 S2: for a pot of beer when I was serving them 55 00:02:30,680 --> 00:02:31,520 S2: back in those days. 56 00:02:31,520 --> 00:02:33,500 S3: Jeez, I don't know how many shillings that is, but 57 00:02:33,500 --> 00:02:35,270 S3: that was that was the day as well. 58 00:02:35,570 --> 00:02:37,910 S2: Those were the days. So we weren't ripping off the 59 00:02:37,910 --> 00:02:38,959 S2: owner that amount. 60 00:02:39,560 --> 00:02:41,930 S3: But it was nice of the owner without even having 61 00:02:41,930 --> 00:02:44,180 S3: to say it in as many words, to give you 62 00:02:44,180 --> 00:02:46,520 S3: the authority to chop and choose who you saw as 63 00:02:46,520 --> 00:02:47,300 S3: an influencer. 64 00:02:47,330 --> 00:02:49,760 S2: Very cool of him to never reference. I didn't have 65 00:02:49,760 --> 00:02:51,140 S2: to reference it back to him, and it was this. 66 00:02:51,139 --> 00:02:53,570 S3: Cool, unspoken deal that as soon as you walked in, 67 00:02:53,720 --> 00:02:55,880 S3: what was his name follow? Yeah. As soon as he 68 00:02:55,889 --> 00:02:58,610 S3: walked in, you could see Ike Barlow is the kind 69 00:02:58,610 --> 00:03:00,770 S3: of guy that doesn't even need to say if you 70 00:03:00,770 --> 00:03:03,380 S3: made some free beers, because that's great for business, and 71 00:03:03,380 --> 00:03:05,600 S3: you're the kind of employee that doesn't even need to 72 00:03:05,600 --> 00:03:08,570 S3: acknowledge it hasn't been said. You're just. And I think 73 00:03:08,600 --> 00:03:10,100 S3: all the time that saved and it. 74 00:03:10,100 --> 00:03:14,300 S2: Was good of you out of respect to Barlow to 75 00:03:14,300 --> 00:03:16,669 S2: when he walked in the room. Pay for a drink. 76 00:03:17,720 --> 00:03:24,110 S3: Yeah, yeah. As a sort of a nostalgic joke to 77 00:03:24,110 --> 00:03:26,820 S3: go look at. And he got the joke. He got 78 00:03:26,820 --> 00:03:27,980 S3: the big of a joke. 79 00:03:32,550 --> 00:03:34,000 S2: Yeah, that was good. 80 00:03:34,010 --> 00:03:36,470 S3: It was a straight just three people on the same page. 81 00:03:36,710 --> 00:03:38,150 S3: Nothing needs to be said. 82 00:03:40,520 --> 00:03:41,600 S2: So it was right. 83 00:03:41,600 --> 00:03:43,760 S3: We would we would set it the village bell and 84 00:03:43,760 --> 00:03:46,250 S3: plot and plot. Well, basically just be like, well, we 85 00:03:46,250 --> 00:03:48,170 S3: want to do this is remembered. So we're talking what 86 00:03:48,170 --> 00:03:49,760 S3: are we talking in 2002. 87 00:03:49,760 --> 00:03:50,570 S2: 2002. 88 00:03:50,660 --> 00:03:55,820 S3: 2002. So it's like the internet obviously exists, but you know, 89 00:03:55,820 --> 00:03:58,970 S3: this is Hotmail was big news back then. Obviously no 90 00:03:58,970 --> 00:04:01,640 S3: social media, no Facebook, no no anything. So a guy 91 00:04:01,640 --> 00:04:01,970 S3: that worked. 92 00:04:01,970 --> 00:04:04,870 S2: There had said, hey, you should check out the sin 93 00:04:05,330 --> 00:04:06,130 S2: FM student. 94 00:04:06,500 --> 00:04:07,400 S3: Community radio. 95 00:04:07,400 --> 00:04:09,890 S2: And I was like, that'd be fun, fun. And you said, well, 96 00:04:09,890 --> 00:04:11,300 S2: I've got to make good rye that we used to 97 00:04:11,300 --> 00:04:14,869 S2: muck around doing, doing some fun comedy. Funny. So I 98 00:04:14,870 --> 00:04:16,789 S2: reckon we should involve him. And I said, this is weird. 99 00:04:16,790 --> 00:04:19,310 S2: I said, well, I've got to make quid, whipper. Yeah. 100 00:04:19,310 --> 00:04:19,729 S3: We're out. 101 00:04:19,730 --> 00:04:22,430 S2: Wow, that maybe we should get him involved. And this 102 00:04:22,430 --> 00:04:25,849 S2: one cassette tape was part of this show. Whip was 103 00:04:25,850 --> 00:04:29,599 S2: on the entire show. It was you, me, Ryan and Whipper. 104 00:04:29,600 --> 00:04:32,450 S2: And now I don't recall whipper b, I remember him 105 00:04:32,450 --> 00:04:34,729 S2: being a guest, maybe at times, but he's been part 106 00:04:34,730 --> 00:04:35,750 S2: of this entire show. 107 00:04:35,779 --> 00:04:40,940 S3: I remember vaguely the whipper being somewhat around and involved. 108 00:04:40,940 --> 00:04:43,100 S2: I thought he came in twice. Maybe it was just twice. 109 00:04:43,100 --> 00:04:45,440 S3: But maybe it was just because. Also, we had no 110 00:04:45,440 --> 00:04:47,089 S3: idea what we were doing was just like, hey, anyone 111 00:04:47,089 --> 00:04:49,279 S3: jump on? Like, let's just try and get flying hours. 112 00:04:49,279 --> 00:04:51,979 S2: Yes, we should point a whipper whipper now. 113 00:04:52,790 --> 00:04:57,380 S3: Sydney breakfast icons on radio and been there for many years. Um, 114 00:04:57,500 --> 00:05:00,620 S3: whipper celebrity Apprentice it's in whipper one season. I think 115 00:05:00,620 --> 00:05:02,690 S3: of 20 to 1. Possibly did two. I don't know 116 00:05:02,690 --> 00:05:07,729 S3: if it was it. Two does. Yeah, possibly so. Certainly 117 00:05:07,730 --> 00:05:11,539 S3: no stranger to fame and fortune. But do you know 118 00:05:11,540 --> 00:05:14,570 S3: what else was around at the time in Melbourne and 119 00:05:14,570 --> 00:05:17,779 S3: this would this appeared in other radio markets around the 120 00:05:17,779 --> 00:05:22,159 S3: country was a popular format on triple M was the cage. Yes. 121 00:05:22,160 --> 00:05:23,510 S3: And so it was. It was you didn't have a 122 00:05:23,510 --> 00:05:26,150 S3: breakfast show of just some people you knew. The idea 123 00:05:26,150 --> 00:05:28,670 S3: was more just, here's a bunch of people. Yes. And 124 00:05:28,670 --> 00:05:30,860 S3: you don't even need to know who they are. They're 125 00:05:30,860 --> 00:05:33,110 S3: just in the cage. It was like the thing we've 126 00:05:33,110 --> 00:05:35,779 S3: trapped them in is the famous thing. Yes. We want 127 00:05:35,779 --> 00:05:38,330 S3: you to know the show by the by the the vessel. 128 00:05:38,330 --> 00:05:40,539 S3: They live in the cage. Which was. Which was. It 129 00:05:40,550 --> 00:05:43,230 S3: doesn't matter what animals are in there, it's just the cage. 130 00:05:43,230 --> 00:05:45,210 S2: Sometimes there was five in the cage, sometimes was. 131 00:05:45,470 --> 00:05:48,080 S3: Doesn't matter. You're not coming to the zoo for the animals. 132 00:05:48,080 --> 00:05:50,120 S3: You're coming because of the quality of the cage. 133 00:05:50,120 --> 00:05:51,350 S2: James Brayshaw was in the cage. 134 00:05:51,350 --> 00:05:52,860 S3: James Brasher was a cage man. Bridget. 135 00:05:53,910 --> 00:05:54,400 S2: Pete Berner. 136 00:05:54,550 --> 00:05:56,929 S3: Pete Berner there's a lot of people rotating throughout the 137 00:05:56,930 --> 00:05:57,470 S3: cage now. 138 00:05:57,470 --> 00:05:59,870 S2: There are pros and cons for having a cage like 139 00:05:59,870 --> 00:06:04,609 S2: system or a radio network. The pro is this is 140 00:06:04,610 --> 00:06:05,270 S2: the big one. 141 00:06:05,779 --> 00:06:07,700 S3: No one can get more famous than the show. 142 00:06:07,700 --> 00:06:11,450 S2: Yes, so you can. If you don't like a performer. Yeah, 143 00:06:11,450 --> 00:06:12,650 S2: you can shift them away. 144 00:06:12,860 --> 00:06:14,900 S3: Hey, no, but this is. People love me on this show. 145 00:06:14,900 --> 00:06:17,300 S3: No they don't. They love the system. You're trapped in 146 00:06:17,600 --> 00:06:20,839 S3: the cage and they love your containment system. 147 00:06:20,839 --> 00:06:24,690 S2: So you did end up having to pay 5 or 148 00:06:24,690 --> 00:06:26,929 S2: 6 on air talent opposed to just two. That's it. 149 00:06:26,930 --> 00:06:28,880 S3: But you never had a Colin Jackie situation where they 150 00:06:28,880 --> 00:06:30,890 S3: were like, hey, we could leave and destroy you. Yeah. 151 00:06:30,890 --> 00:06:34,350 S3: You can't. They'd be like, no, we we own the cage. Yeah. 152 00:06:35,240 --> 00:06:37,490 S3: You just come in and out of the door. 153 00:06:37,580 --> 00:06:39,230 S2: Occasionally we open the door. You're allowed out. 154 00:06:39,230 --> 00:06:40,279 S3: Yeah. That's it. 155 00:06:40,310 --> 00:06:42,110 S2: We might remove you and lock the door. You can't 156 00:06:42,110 --> 00:06:42,529 S2: come back in. 157 00:06:42,529 --> 00:06:44,540 S3: We've got 25 other lemurs that would love to be 158 00:06:44,540 --> 00:06:47,210 S3: in the cage. Yeah, so Ali Mo might have been 159 00:06:47,210 --> 00:06:47,600 S3: in the cage. 160 00:06:50,660 --> 00:06:52,310 S2: Yes. Anthony Lehman. 161 00:06:52,310 --> 00:06:55,940 S3: Yeah. Lima. Lima, Mo. So the reason I mentioned the 162 00:06:55,940 --> 00:06:58,160 S3: cage is because I think that would have been us 163 00:06:58,160 --> 00:07:00,320 S3: just being like, we would listen to the cage and 164 00:07:00,320 --> 00:07:02,240 S3: we would go, and this might have been our idea 165 00:07:02,240 --> 00:07:03,799 S3: of being like, oh, just get whipper in. Like doesn't 166 00:07:03,800 --> 00:07:06,169 S3: you don't show doesn't have to be about people. It's 167 00:07:06,170 --> 00:07:09,860 S3: just a general gathering of whoever's around. 168 00:07:10,540 --> 00:07:14,210 S2: What are your memories of our first ever community radio shows? 169 00:07:14,230 --> 00:07:17,679 S2: Mine was we tram down from Melbourne University because it 170 00:07:17,680 --> 00:07:22,600 S2: was at a different university, and we do one kind 171 00:07:22,600 --> 00:07:24,140 S2: of meeting before it. 172 00:07:24,160 --> 00:07:24,910 S3: We go to the pub. 173 00:07:24,910 --> 00:07:27,790 S2: Yep. Yeah, go to the pub and often we, one 174 00:07:27,790 --> 00:07:29,950 S2: of us would say I've read the odd spot. 175 00:07:29,980 --> 00:07:31,450 S3: It was kind of a race to the odds. 176 00:07:31,930 --> 00:07:34,530 S2: In the paper. I want to read that out in between. 177 00:07:34,720 --> 00:07:36,040 S2: That's and I've got the jokes. 178 00:07:36,040 --> 00:07:38,230 S3: And there was also a free newspaper at the time 179 00:07:38,230 --> 00:07:41,950 S3: on trains and trams, Amex. And didn't it. It had 180 00:07:41,950 --> 00:07:43,000 S3: its own little thing. 181 00:07:43,000 --> 00:07:45,550 S2: It had multiple kind of odds, body type things. That 182 00:07:45,550 --> 00:07:47,030 S2: was a boom. That was a boom scene. 183 00:07:47,290 --> 00:07:51,160 S3: Because honestly, this is the very first time where, you know, 184 00:07:51,160 --> 00:07:52,780 S3: this is how you get into radio or you get 185 00:07:52,780 --> 00:07:55,180 S3: into this sort of thing. You go, hey, we're pretty funny. 186 00:07:55,180 --> 00:07:59,080 S3: I like being funny. We have fun together. Wouldn't it 187 00:07:59,080 --> 00:08:01,210 S3: be fun to do it on, on air? And we 188 00:08:01,210 --> 00:08:04,630 S3: could spread that fun. Yeah. That's good. Oh, what a 189 00:08:04,630 --> 00:08:06,850 S3: dream would it be if all day we could just 190 00:08:06,850 --> 00:08:09,940 S3: be having fun? Yes, that. That's good. That's a good intention. 191 00:08:09,940 --> 00:08:13,240 S3: And it's not until you are walking in the building. 192 00:08:13,900 --> 00:08:16,450 S3: There you go. But hang on. What are we going 193 00:08:16,450 --> 00:08:20,260 S3: to be funny about? What are we going to say? Yes. 194 00:08:20,260 --> 00:08:22,030 S3: And then the other person, we like just funny things 195 00:08:22,030 --> 00:08:23,530 S3: and you'd be like, yeah, that's what I was thinking. 196 00:08:23,530 --> 00:08:26,980 S3: But if you thought more about what they will be, 197 00:08:27,130 --> 00:08:29,140 S3: what will they be? The things we talk about and 198 00:08:29,140 --> 00:08:31,750 S3: you're like, just what's going on? And then you go, yeah, 199 00:08:31,750 --> 00:08:35,260 S3: but what is that? And then you start to go, 200 00:08:35,260 --> 00:08:37,300 S3: oh no, what am I going to talk about? Oh 201 00:08:37,300 --> 00:08:39,609 S3: my God, I've got to talk about something. Then you 202 00:08:39,610 --> 00:08:42,010 S3: literally sit there and go, what do people talk about? 203 00:08:42,100 --> 00:08:44,739 S3: And you, that's when the penny drops. That's when the 204 00:08:44,740 --> 00:08:47,080 S3: penny drops. Like you actually need to have something to 205 00:08:47,080 --> 00:08:49,540 S3: say if you're going to ask people to listen. And 206 00:08:49,540 --> 00:08:52,120 S3: then we just had we're like, the only thing we 207 00:08:52,120 --> 00:08:56,740 S3: can think of that wouldn't be arrogant to talk like 208 00:08:56,740 --> 00:08:59,110 S3: it wouldn't be just self-centered to talk about. No one 209 00:08:59,110 --> 00:09:02,650 S3: cares about us talking about current news. No one cares 210 00:09:02,650 --> 00:09:05,010 S3: about our personal lives. Because at that time you're like, well, 211 00:09:05,020 --> 00:09:07,090 S3: no one knows who you are. Yeah, I guess it's 212 00:09:07,090 --> 00:09:11,410 S3: odd spots. Yeah. That's fun. And factoids. Yeah. Tidbits. That's fun. 213 00:09:11,410 --> 00:09:11,970 S3: It's always nice. 214 00:09:11,980 --> 00:09:13,360 S4: You got spots? 215 00:09:13,360 --> 00:09:14,949 S2: Oh, sorry. In the age. 216 00:09:14,950 --> 00:09:17,469 S3: Oh, it would be like, oh, a man, you know, 217 00:09:17,470 --> 00:09:20,470 S3: left his entire fortune to his donkey. And now it's 218 00:09:20,470 --> 00:09:24,310 S3: the richest animal in America. Or, you know, $71 million. Yeah, 219 00:09:24,309 --> 00:09:25,960 S3: it was on the front page. Last of the age. 220 00:09:25,960 --> 00:09:28,150 S3: We saw Sydney Morning Herald equivalent. It's a true. 221 00:09:28,150 --> 00:09:28,720 S4: Story. 222 00:09:28,720 --> 00:09:31,000 S3: It was just it was a it was an odd 223 00:09:31,360 --> 00:09:36,699 S3: spot of news. Yeah. And then then you would hear, 224 00:09:36,700 --> 00:09:38,950 S3: if you're lucky enough to tune into senior FM, you'd 225 00:09:38,950 --> 00:09:42,520 S3: hear out 221 year olds, then teeing up three minutes 226 00:09:42,520 --> 00:09:44,980 S3: of witty observations about what that donkey might do with 227 00:09:44,980 --> 00:09:48,460 S3: the money. Yeah, if other animals were jealous of the money. Yep. 228 00:09:49,870 --> 00:09:52,090 S3: List goes on. Anyway, this goes on of the comedy 229 00:09:52,090 --> 00:09:53,439 S3: that would open up from there. 230 00:09:53,800 --> 00:09:58,270 S2: I'm. I was pressing the buttons for us and all 231 00:09:58,270 --> 00:09:59,890 S2: songs were played off CD. 232 00:10:00,700 --> 00:10:02,200 S3: And they were our own music too. 233 00:10:02,200 --> 00:10:02,830 S2: And our own music. 234 00:10:02,830 --> 00:10:05,829 S3: I remember you played Air the French, the front of 235 00:10:05,830 --> 00:10:11,920 S3: the French soft lounge electronic act air every show. You 236 00:10:11,920 --> 00:10:14,559 S3: loved it and I loved it. I loved You got 237 00:10:14,559 --> 00:10:19,809 S3: me into air. But it's it's like absolutely the music 238 00:10:19,809 --> 00:10:21,310 S3: that you put on it to in the morning to 239 00:10:21,309 --> 00:10:22,300 S3: wind things down. 240 00:10:23,980 --> 00:10:27,069 S2: And the other thing am is between you, me and Ryan. 241 00:10:27,220 --> 00:10:27,939 S3: What a mix. 242 00:10:27,940 --> 00:10:28,770 S2: We would have spot. 243 00:10:28,870 --> 00:10:29,770 S3: Comedy in here. 244 00:10:30,940 --> 00:10:35,470 S2: We would have such different music tastes that if you 245 00:10:35,470 --> 00:10:37,990 S2: were tuning in to try and get some kind of 246 00:10:37,990 --> 00:10:41,590 S2: level of entertainment, it was bouncing so far around, and 247 00:10:41,590 --> 00:10:43,090 S2: then you get a knock on the door from the 248 00:10:43,090 --> 00:10:46,719 S2: station manager there, Matt, saying, hey, we have to support 249 00:10:46,720 --> 00:10:47,559 S2: one band. 250 00:10:48,070 --> 00:10:51,460 S3: The Aussie music as well. Oh no, University music and music. 251 00:10:51,460 --> 00:10:55,010 S2: You'd end up playing something really out there. But we 252 00:10:55,120 --> 00:10:57,670 S2: we would try and do a lot of Aussie music. 253 00:10:57,670 --> 00:11:00,339 S2: John Butler definitely got a hell of a run. I know. 254 00:11:00,340 --> 00:11:04,329 S3: And I actually remember thinking this is like the the 255 00:11:04,330 --> 00:11:07,150 S3: arrogance of like being 21 or whatever in the studio. 256 00:11:07,150 --> 00:11:10,360 S3: You think you're helping him? Yeah, yeah. Like if we 257 00:11:10,360 --> 00:11:12,250 S3: bump into John Butler, I'd be like, yeah mate, we've 258 00:11:12,250 --> 00:11:16,120 S3: been spinning your music. We've been just just letting you know, mate. 259 00:11:16,120 --> 00:11:17,860 S3: Fighting the good fight, getting the word out. If you 260 00:11:17,860 --> 00:11:21,489 S3: notice a few more people at Byron like going to 261 00:11:21,490 --> 00:11:22,000 S3: your gigs. 262 00:11:22,750 --> 00:11:26,590 S2: So I said to marshy, marshy. There's no round sheets 263 00:11:26,590 --> 00:11:28,480 S2: for this. Of course not. We didn't have producers in 264 00:11:28,480 --> 00:11:30,490 S2: our run sheet. So marshy is the guy that puts 265 00:11:30,490 --> 00:11:34,270 S2: these beats together for us. I said, pick out what 266 00:11:34,270 --> 00:11:36,970 S2: you want, pick out two bits. He said, well, there 267 00:11:36,970 --> 00:11:39,459 S2: was three bits. He goes, there was kind of a 268 00:11:39,460 --> 00:11:41,920 S2: story from Hamish. There's a story from you, Andy, and 269 00:11:41,920 --> 00:11:43,569 S2: there's one from whipper, but I don't think the one 270 00:11:43,570 --> 00:11:45,940 S2: from whipper is worth listening to, because he didn't really 271 00:11:45,940 --> 00:11:48,910 S2: put any effort into it, and there's no real direction 272 00:11:48,910 --> 00:11:49,660 S2: that was going. 273 00:11:50,290 --> 00:11:53,679 S3: Can we hear that one, please? 274 00:11:53,920 --> 00:11:56,920 S2: I know you'd want to hear that. And I said, 275 00:11:57,760 --> 00:11:59,980 S2: now let's just leave the whipper one. 276 00:11:59,980 --> 00:12:02,109 S3: I reckon this was almost one of the first day 277 00:12:02,110 --> 00:12:04,179 S3: I met whipper, because you were like, I know this guy. 278 00:12:04,179 --> 00:12:07,270 S3: And because we met by the Yarra. But like, we'd 279 00:12:07,270 --> 00:12:10,280 S3: park at a secret park near the. There's. It sheds 280 00:12:10,280 --> 00:12:13,160 S3: along there that like private schools, use for rowing. And 281 00:12:13,160 --> 00:12:15,920 S3: there was a few unregulated parks and that was kind 282 00:12:15,920 --> 00:12:17,750 S3: of the best free parking in the city. So I 283 00:12:17,750 --> 00:12:19,490 S3: remember we met down on the Yarra and he had 284 00:12:19,490 --> 00:12:21,560 S3: a toolbox with him. This is my mate. I was like, 285 00:12:21,559 --> 00:12:23,059 S3: what are you. What do you do? And he was like, 286 00:12:23,059 --> 00:12:27,079 S3: he introduced himself as a handyman. Yeah. 287 00:12:27,380 --> 00:12:29,420 S2: Yeah. So what we're going to hear is I said, 288 00:12:29,420 --> 00:12:32,150 S2: I want the start of a show. Okay, so we're 289 00:12:32,150 --> 00:12:34,670 S2: about to hear the start of a show. 290 00:12:34,670 --> 00:12:35,360 S3: Yeah, well, you go. 291 00:12:35,570 --> 00:12:37,970 S2: Somewhere, and then I said, and then pick out another one. 292 00:12:37,970 --> 00:12:40,640 S2: But let's let's this the start of what I think 293 00:12:40,640 --> 00:12:43,520 S2: we called cruise control, which was the name of the show. No, 294 00:12:43,520 --> 00:12:45,680 S2: we'd been going with the cage theory. Get a good, 295 00:12:45,679 --> 00:12:46,400 S2: strong brand. 296 00:12:46,950 --> 00:12:48,650 S3: To ourselves, though we should have been the ones calling 297 00:12:48,650 --> 00:12:50,870 S3: ourselves Hamish Andy to get the name out there. We've 298 00:12:50,870 --> 00:12:54,710 S3: we've sided with management, build up, cruise control, cruise control, 299 00:12:54,830 --> 00:12:56,870 S3: cruise control, cruise control. Tell you what, when the when 300 00:12:56,870 --> 00:12:59,599 S3: you kicked into French banned air. Yeah. Boy, did we 301 00:12:59,600 --> 00:13:01,370 S3: cruise at 12 k's an hour. 302 00:13:03,950 --> 00:13:06,860 S2: Here we go. No date. 303 00:13:06,860 --> 00:13:09,410 S6: Year 2002. 304 00:13:12,340 --> 00:13:17,839 S3: Come on. Oh my God. Two. 305 00:13:20,809 --> 00:13:24,290 S2: Yes. In a very good afternoon. You're on cruise control 90.7. 306 00:13:24,860 --> 00:13:28,250 S2: I'm here with Michael Whipple. Whipper. Hello, Randy. Very, very well. 307 00:13:28,250 --> 00:13:31,250 S2: And yourself? Ryan. Sheldon. Yes, I'm good too. And boy, 308 00:13:31,250 --> 00:13:33,870 S2: do we have an average show for you today. Go 309 00:13:33,950 --> 00:13:36,710 S2: above average for today. Yes. I'm subpar, though. I feel 310 00:13:36,710 --> 00:13:39,470 S2: up to it. We're going to go live to. We're 311 00:13:39,470 --> 00:13:41,540 S2: tweaking right now, but he's in the exam, so we're 312 00:13:41,540 --> 00:13:43,400 S2: going to cancel that. We've got a brand new segment 313 00:13:43,400 --> 00:13:45,949 S2: for you to catch up with all the World Cup fever. Yeah. 314 00:13:46,490 --> 00:13:48,170 S2: And amongst other things, all that in the next hour 315 00:13:48,170 --> 00:13:50,870 S2: on cruise control. Looking got the best reading show in 316 00:13:50,870 --> 00:13:53,960 S2: Melbourne largely due to statistical errors. But the second magic 317 00:13:54,950 --> 00:13:59,000 S2: welcome to Hamish Blake just entered. Oh here he is 318 00:13:59,120 --> 00:14:00,949 S2: from his exam. Ladies and gents out there. 319 00:14:00,950 --> 00:14:05,480 S4: Hey welcome everyone. I'd just like to know I started 320 00:14:05,480 --> 00:14:07,880 S4: that applause. Pretty good bloke. So he took it up 321 00:14:07,880 --> 00:14:10,400 S4: quite quickly there. Yeah, I've just come from an exam, 322 00:14:10,400 --> 00:14:12,440 S4: as I'm sure everybody knows and all wishing me the 323 00:14:12,440 --> 00:14:16,040 S4: best job. Everyone knows appreciate the wishes and. But they 324 00:14:16,040 --> 00:14:18,020 S4: might have fallen on deaf ears because I think I 325 00:14:18,020 --> 00:14:21,280 S4: performed quite badly in this exam. Um, needless to say, 326 00:14:21,290 --> 00:14:23,150 S4: had to ring in a few of the old tricks, 327 00:14:23,150 --> 00:14:28,340 S4: such as writing after pens down and elaborate cheating cheering these. 328 00:14:28,560 --> 00:14:29,240 S7: Along with that. 329 00:14:29,960 --> 00:14:32,480 S4: These are the thing though I rely. Andy and I 330 00:14:32,480 --> 00:14:35,330 S4: have a very similar study pattern. Whereas we attend, we 331 00:14:35,330 --> 00:14:39,229 S4: selectively attend. It's selective attendance. Yes. Or some people call 332 00:14:39,230 --> 00:14:43,250 S4: it null attendance. Yeah, but then I really rely on 333 00:14:43,250 --> 00:14:46,280 S4: the more I procrastinate and procrastinate. Procrastinate on the 15 334 00:14:46,280 --> 00:14:48,920 S4: minutes in the car park, before the exam, during reading 335 00:14:48,920 --> 00:14:50,810 S4: time to learn my stuff. 336 00:14:50,810 --> 00:14:53,800 S2: Yes, you skipped reading time. Reading time. Wasting time. 337 00:14:53,810 --> 00:14:55,820 S4: I think I'm not an idiot. I can't just go 338 00:14:55,820 --> 00:14:57,920 S4: into a digital systems exam like this morning and do 339 00:14:57,920 --> 00:14:59,300 S4: it off the top of my head. I need to 340 00:14:59,300 --> 00:15:03,260 S4: 15 minutes of learning to reproduce that semester's work. 341 00:15:03,260 --> 00:15:05,570 S7: You can't push it the last minute. It's crazy. Okay, so. 342 00:15:05,570 --> 00:15:08,330 S4: Here's here's a deal. I'm in my car. The pony, 343 00:15:08,540 --> 00:15:11,120 S4: as the gents in the booth know and has probably 344 00:15:11,120 --> 00:15:13,040 S4: not many of the listeners know I have a car. 345 00:15:13,040 --> 00:15:15,680 S4: What do you do now? I'm on my way to 346 00:15:15,680 --> 00:15:18,770 S4: the exam and the pony decided to, well, play up 347 00:15:18,770 --> 00:15:22,640 S4: a little bit. I break down. Yeah, just really getting 348 00:15:22,640 --> 00:15:25,640 S4: in the exam spirit. Hey, Hamish. Yeah. Big morning. Huh? 349 00:15:25,880 --> 00:15:27,680 S4: Like we just let's just mix it up a bit 350 00:15:27,680 --> 00:15:32,030 S4: and I'll break down. And what happened is my Hamish car. 351 00:15:32,150 --> 00:15:33,770 S2: Is similar to Herbie. It talks to him. 352 00:15:34,040 --> 00:15:35,780 S4: Yeah, it does actually. It's got a look computer that 353 00:15:35,780 --> 00:15:38,420 S4: says okay, which is a big lie because it's never okay. 354 00:15:38,420 --> 00:15:42,950 S4: It's always breaking down. The car decided it overheats a 355 00:15:42,950 --> 00:15:44,330 S4: fair bit, and that's all I can deal with that. 356 00:15:44,330 --> 00:15:46,520 S4: If it wants to run hot, then let it run hot. Yeah, 357 00:15:46,520 --> 00:15:50,450 S4: but it did. I had overheated the brakes, and they 358 00:15:50,450 --> 00:15:52,730 S4: swelled up to such a point that when you press 359 00:15:52,730 --> 00:15:54,680 S4: on the brakes, normally they go onto the wheel. Then 360 00:15:54,680 --> 00:15:56,060 S4: you take your foot off and they come back off 361 00:15:56,060 --> 00:15:58,400 S4: the wheel. I get it, yeah. Spring loaded. Well, I'm 362 00:15:58,400 --> 00:15:59,720 S4: doing a lot of hand actions, but I think it 363 00:15:59,720 --> 00:16:01,760 S4: really gets to the idea they don't like that come 364 00:16:01,760 --> 00:16:02,930 S4: across on radio that way. I'll say. 365 00:16:02,930 --> 00:16:03,610 S7: The swelling. Yeah. 366 00:16:03,660 --> 00:16:07,490 S4: The diagram you bought into the you project the. But 367 00:16:07,490 --> 00:16:10,010 S4: today they overheated so much that they just swelled up 368 00:16:10,010 --> 00:16:11,600 S4: and pressed against the brakes. So when you took your 369 00:16:11,600 --> 00:16:13,790 S4: foot off the brakes, the car's still stopped. The car 370 00:16:13,790 --> 00:16:14,930 S4: is not going to go anywhere. 371 00:16:14,930 --> 00:16:19,970 S2: So you go with rice rest, ice compression, compression elevation. Yeah. 372 00:16:20,030 --> 00:16:23,270 S4: Enhancement of breaking down the. And so I just had 373 00:16:23,270 --> 00:16:25,400 S4: to set the car to turn it off and let 374 00:16:25,400 --> 00:16:27,740 S4: her have a bit of a cool, like just cooling 375 00:16:27,740 --> 00:16:29,750 S4: upon a windowsill. I was having fun. It didn't have 376 00:16:29,750 --> 00:16:32,240 S4: to be anywhere except my exam, which was worth 80% 377 00:16:32,240 --> 00:16:34,700 S4: of my mark. So I was just kicking back. It 378 00:16:34,700 --> 00:16:37,310 S4: was a one line kind of thing, kind of rides 379 00:16:37,310 --> 00:16:39,440 S4: everyone behind me. Hey, Hamish, how are you going? Oh, 380 00:16:39,440 --> 00:16:41,660 S4: sorry about your car. Although I could read it in 381 00:16:41,660 --> 00:16:45,020 S4: their eyes. Their mouth was saying a lot of expletives. 382 00:16:45,020 --> 00:16:47,660 S4: And why did you break down here and just head down? 383 00:16:47,840 --> 00:16:50,870 S4: I didn't mean it. It would have broken down at 384 00:16:50,870 --> 00:16:53,330 S4: home if I could have. Or in a petrol station 385 00:16:53,330 --> 00:16:55,610 S4: or never. So at the end of the story, at 386 00:16:55,610 --> 00:16:57,230 S4: the end of the line, the car got better. It 387 00:16:57,260 --> 00:16:59,720 S4: brakes cooled down enough for me to limp to the exam. 388 00:17:00,800 --> 00:17:02,630 S7: The pie was cool, was cool. 389 00:17:02,630 --> 00:17:04,909 S4: People were questioning that. What's that by doing? I don't 390 00:17:04,910 --> 00:17:08,990 S4: know the but I've had to take. Now my car 391 00:17:08,990 --> 00:17:10,970 S4: has a few things that it's just not able to 392 00:17:10,970 --> 00:17:12,859 S4: do that other cars can it kind of go over 393 00:17:12,859 --> 00:17:15,830 S4: a hundred and I know. Yeah. On the bad, on 394 00:17:15,830 --> 00:17:19,160 S4: the bad day it won't activate which is other cars can. 395 00:17:19,160 --> 00:17:21,410 S4: I've had to really I'm starting to notice I'm taking 396 00:17:21,410 --> 00:17:23,030 S4: a lot of things out of its repertoire now. It 397 00:17:23,030 --> 00:17:25,010 S4: kind of driving traffic because it stops art, makes its 398 00:17:25,010 --> 00:17:28,310 S4: brakes overheat. It can't stop. It's getting to the point 399 00:17:28,310 --> 00:17:31,640 S4: where if I'm standing on a long, flat piece of 400 00:17:31,640 --> 00:17:34,700 S4: gently downward sloping road and you're at the other end, 401 00:17:34,700 --> 00:17:37,010 S4: Andy and I want to get to you. And it's 402 00:17:37,010 --> 00:17:40,520 S4: about 18°C. It's just been serviced. There's a cool wind 403 00:17:40,520 --> 00:17:43,040 S4: blowing and the gods are with me. I could probably 404 00:17:43,040 --> 00:17:44,960 S4: start the car and drive down to you. You mess 405 00:17:44,960 --> 00:17:47,870 S4: with any of those factors, puts dampening curves in the road. 406 00:17:47,869 --> 00:17:50,630 S4: Start raising the heat a little bit. Introduce one other 407 00:17:50,630 --> 00:17:53,810 S4: car as traffic. Not a chance. We just let's just jog. 408 00:17:53,810 --> 00:17:56,990 S2: Incidentally, how much you selling an Audi prefer? 409 00:17:57,050 --> 00:18:01,879 S4: Not to mention the the brand name, mate, call 999925 3711. 410 00:18:01,880 --> 00:18:05,630 S4: She's a great car. Runs perfectly. Yeah, she's topped cruise control. 411 00:18:08,580 --> 00:18:12,480 S3: I mean, it's your first time on radio. Yeah. You're 412 00:18:12,480 --> 00:18:14,330 S3: having a go at telling a great story. It's a 413 00:18:14,330 --> 00:18:16,080 S3: great story. You're racing through it. 414 00:18:16,410 --> 00:18:19,109 S2: And I'm trying to be a supportive as possible. Yep. 415 00:18:19,500 --> 00:18:21,629 S3: But I didn't leave a lot of room for whipper, 416 00:18:21,630 --> 00:18:23,220 S3: did we? I mean, even here. 417 00:18:23,490 --> 00:18:24,770 S2: That line right. 418 00:18:25,280 --> 00:18:25,560 S7: There as. 419 00:18:25,560 --> 00:18:27,690 S3: Well, right? He doesn't even get a microphone. 420 00:18:28,859 --> 00:18:32,700 S2: Maybe we'll rotating people. I don't know, guys. Okay. 421 00:18:32,700 --> 00:18:34,620 S3: We have a sub cage. We had a pen that 422 00:18:34,619 --> 00:18:38,010 S3: you'd sit in. It's funny, isn't it? Because I can 423 00:18:38,010 --> 00:18:41,730 S3: hear I mean it's funny. I've often you think back 424 00:18:41,730 --> 00:18:43,500 S3: to those early days and I don't really have an 425 00:18:43,500 --> 00:18:46,260 S3: answer when people go, well, you you guys started as like, 426 00:18:46,260 --> 00:18:49,650 S3: it wasn't Hamish and Andy always like, why did it happen? 427 00:18:50,070 --> 00:18:52,500 S3: And I can even hear it. They're like, I'm just 428 00:18:52,500 --> 00:18:54,389 S3: talking to you. I'm just talking back to you. 429 00:18:55,109 --> 00:18:56,370 S2: It was like, look. 430 00:18:56,670 --> 00:18:59,190 S3: Pretty rough for the other guys in the room. I 431 00:18:59,190 --> 00:18:59,969 S3: think we just. 432 00:19:00,119 --> 00:19:02,160 S2: That was the thing I noticed the most is you 433 00:19:02,160 --> 00:19:04,770 S2: and I are in sync. Talking with each other, finishing 434 00:19:04,770 --> 00:19:05,790 S2: each other's sentence. 435 00:19:05,940 --> 00:19:08,340 S3: What he was like on the batch. You know, I 436 00:19:08,340 --> 00:19:11,850 S3: referenced Sam Woods season of The Bachelor. You can tell 437 00:19:11,850 --> 00:19:13,620 S3: him in snares, we're in love from the moment they 438 00:19:13,619 --> 00:19:15,030 S3: said eyes on each other. And you had to go 439 00:19:15,030 --> 00:19:18,150 S3: through the whole season with him pretending. I think it's 440 00:19:18,150 --> 00:19:20,550 S3: a little bit Sam and says, well. 441 00:19:20,880 --> 00:19:22,619 S2: We've heard one of your stories. It's only fair to 442 00:19:22,619 --> 00:19:25,920 S2: hear what I'm buying. That's marshy. Put it. So, Mike, 443 00:19:25,920 --> 00:19:28,709 S2: you give a nod to the sponsors, will. Yeah. 444 00:19:28,710 --> 00:19:31,080 S3: If they're still willing to be associated with this quality 445 00:19:31,080 --> 00:19:31,650 S3: of radio. 446 00:19:32,660 --> 00:19:33,439 S2: Thanks, Mike. 447 00:19:33,590 --> 00:19:35,570 S3: You're nervous, and we're about to hear your story. 448 00:19:35,780 --> 00:19:36,920 S2: It's going to be worse. All right. 449 00:19:37,100 --> 00:19:39,080 S3: If we were going back to coach this show now, 450 00:19:39,080 --> 00:19:43,700 S3: feel like. Okay, guys, we've we've now. Hi. We're Hamish and. 451 00:19:43,820 --> 00:19:46,220 S3: Don't worry about the time travel stuff, but we've been, 452 00:19:46,220 --> 00:19:48,470 S3: you know, we've had. We've been in the industry for 453 00:19:48,470 --> 00:19:51,830 S3: a while. I think I mean, as people that are 454 00:19:51,830 --> 00:19:53,300 S3: doing their very first show because you've got to start 455 00:19:53,300 --> 00:19:55,850 S3: somewhere you can't you don't want to create a culture 456 00:19:55,850 --> 00:19:58,040 S3: of like, don't have a go know. And, you know, 457 00:19:58,040 --> 00:20:01,700 S3: we're like, we're so young. I think we're like 21 here. 458 00:20:02,000 --> 00:20:04,730 S3: So I think you'd go so young to how I 459 00:20:04,730 --> 00:20:07,610 S3: feel now, but you'd I think you go like, guys, 460 00:20:07,609 --> 00:20:11,119 S3: story selection. Great. You know, talk about something that is 461 00:20:11,119 --> 00:20:15,020 S3: relevant to you. Probably rushing. You're rushing quite a bit, 462 00:20:15,320 --> 00:20:17,210 S3: but I don't think you're confident in any of your points. 463 00:20:17,210 --> 00:20:19,430 S3: And you know what? I definitely wouldn't have written any down. 464 00:20:19,430 --> 00:20:21,409 S3: I would have gone. I know the gist of it. 465 00:20:21,410 --> 00:20:22,760 S3: I only know that because then I did that for 466 00:20:22,760 --> 00:20:24,649 S3: the rest of my career. Yes, like I know the 467 00:20:24,650 --> 00:20:28,980 S3: gist of this story and I'll it'll reveal itself as 468 00:20:29,090 --> 00:20:30,230 S3: as I tell it, but. 469 00:20:30,410 --> 00:20:34,490 S2: The nervous I can just even the red light going 470 00:20:34,490 --> 00:20:37,700 S2: red and just being on air. I was just so 471 00:20:37,700 --> 00:20:40,580 S2: nervous every time it started when it started, because it's 472 00:20:40,580 --> 00:20:43,040 S2: like we are broadcasting, we're putting ourselves out there for 473 00:20:43,040 --> 00:20:45,260 S2: this and you can't. It took ages to get to 474 00:20:45,260 --> 00:20:48,200 S2: the point where I don't really care. Oh, and you. 475 00:20:48,200 --> 00:20:51,410 S3: Also are so used to in real life and doing 476 00:20:51,410 --> 00:20:52,790 S3: stand up, which I was doing at the time, to 477 00:20:52,820 --> 00:20:55,370 S3: do go like if you get a laugh. That's funny. Yeah. 478 00:20:55,400 --> 00:20:59,240 S3: If you don't, you've missed something. Yeah. And that's not 479 00:20:59,240 --> 00:21:01,190 S3: how it happens on radio. You obviously aren't getting laughs 480 00:21:01,190 --> 00:21:03,109 S3: the whole time. You have to kind of learn to go. 481 00:21:04,130 --> 00:21:07,490 S3: I'm confident in what I'm saying. Yes is connecting. Like 482 00:21:07,490 --> 00:21:10,490 S3: you don't have to just keep rushing until you get 483 00:21:10,490 --> 00:21:13,820 S3: like people falling off their chairs laughing. Yeah. So that's 484 00:21:13,970 --> 00:21:16,250 S3: and that's the thing. But that's why you say that's 485 00:21:16,250 --> 00:21:18,170 S3: like a whole new world. Yeah. It would have been. 486 00:21:18,170 --> 00:21:20,330 S3: This would have been. Yeah. That's early, early days. Early 487 00:21:20,330 --> 00:21:23,300 S3: early days. I remember that funnily enough, I, I remember 488 00:21:23,300 --> 00:21:25,609 S3: that digital systems and microprocessors exam. 489 00:21:25,609 --> 00:21:28,100 S2: Well, the car also is a big part of our lives. 490 00:21:28,100 --> 00:21:28,850 S2: Huge part of our lives. 491 00:21:28,850 --> 00:21:30,350 S3: We then yeah, we did a road trip, made a 492 00:21:30,350 --> 00:21:31,580 S3: comedy show about it. You and I. 493 00:21:31,580 --> 00:21:33,560 S2: Did comedy festival show off the back of that. 494 00:21:33,560 --> 00:21:36,050 S3: And it kind of was like the template for every 495 00:21:36,050 --> 00:21:39,650 S3: travel show we ever did then afterwards. But the I fail, 496 00:21:39,650 --> 00:21:42,680 S3: I failed digital systems of microprocessors. I've got a 46. 497 00:21:42,890 --> 00:21:48,260 S3: Oh yeah. Yeah. Because I remember I went to argue. 498 00:21:48,260 --> 00:21:50,240 S3: I'd heard that if you get close enough to, you 499 00:21:50,240 --> 00:21:50,600 S3: can argue. 500 00:21:50,600 --> 00:21:51,440 S2: Yeah, we got told that. 501 00:21:51,440 --> 00:21:54,290 S3: I tried to argue and that was where I learnt that. Gee, 502 00:21:54,359 --> 00:21:58,040 S3: you need a good argument. Yeah. Because my argument was 503 00:21:58,040 --> 00:22:01,250 S3: I would have liked my argument was you'd have to agree. 504 00:22:01,250 --> 00:22:03,860 S3: I'm pretty close. And they're like, yeah, but that's why 505 00:22:03,859 --> 00:22:06,800 S3: we have the rule of 50. We draw a line there. Yeah. 506 00:22:07,400 --> 00:22:10,490 S3: All right. I just heard that if you were, if 507 00:22:10,490 --> 00:22:11,629 S3: you really wanted it. 508 00:22:12,920 --> 00:22:14,390 S2: Let's have a listen back to what I was up 509 00:22:14,390 --> 00:22:19,190 S2: to him. One thing Marshall pointed out about this is 510 00:22:19,190 --> 00:22:22,340 S2: that apparently there was a renovation going on in the 511 00:22:22,340 --> 00:22:26,390 S2: studio next door, or like a shop next door at 512 00:22:26,390 --> 00:22:29,090 S2: the university. I don't remember this, but he said it's 513 00:22:29,330 --> 00:22:30,530 S2: quite obvious that. 514 00:22:30,530 --> 00:22:33,889 S3: There's building going construction. Remember then what the whole uni 515 00:22:33,890 --> 00:22:36,320 S3: was being rebuilt, remember? And you'd walk out and you'd 516 00:22:36,320 --> 00:22:39,590 S3: be in scaffolding, right. And because I remember that because 517 00:22:39,590 --> 00:22:42,980 S3: remember I used, they used often had a sausage sizzle. Yes. 518 00:22:42,980 --> 00:22:45,619 S3: And there was like a quadrangle outside of this part 519 00:22:45,619 --> 00:22:48,140 S3: of the university. And, and the day we did our 520 00:22:48,140 --> 00:22:50,330 S3: show was always the day they had the sausages along. 521 00:22:50,330 --> 00:22:53,210 S3: And I loved getting a sausage after the show. And 522 00:22:53,210 --> 00:22:55,400 S3: then they were close for months while they were renovating. 523 00:22:55,400 --> 00:23:00,020 S3: I still remember the disappointment that these renovations shut the quadrangle, 524 00:23:00,020 --> 00:23:02,270 S3: therefore no sausage and bread for home. 525 00:23:02,420 --> 00:23:04,640 S2: Well, what it seems like is they were down tools 526 00:23:04,640 --> 00:23:07,070 S2: looking for their own sausages. The workers, when you told 527 00:23:07,070 --> 00:23:10,159 S2: your story about the car and Marty says that I 528 00:23:10,160 --> 00:23:12,379 S2: think they're back working construction. You might be able to 529 00:23:12,380 --> 00:23:13,430 S2: hear some construction. 530 00:23:13,430 --> 00:23:16,970 S3: Just awesome. Awesome. Good on anyone that ever listened to 531 00:23:16,970 --> 00:23:20,060 S3: this show. Anyone ever did. Yeah, like if someone's out 532 00:23:20,060 --> 00:23:23,960 S3: there that listened for more than a minute, considering the 533 00:23:23,960 --> 00:23:26,119 S3: options you had of how to spend a minute of 534 00:23:26,119 --> 00:23:30,080 S3: your life. Thank you. Yeah, if you did, there's no 535 00:23:30,080 --> 00:23:32,180 S3: evidence anyone ever did. But if you did, that just 536 00:23:32,180 --> 00:23:32,990 S3: blows my mind. 537 00:23:32,990 --> 00:23:33,560 S2: Here we go. 538 00:23:34,580 --> 00:23:38,270 S6: No date year 2002. 539 00:23:39,200 --> 00:23:42,350 S8: Welcome back. You're from Cruise Control 90.7. 540 00:23:42,650 --> 00:23:46,459 S2: That was, uh, la the wise guys there. And before that, 541 00:23:46,460 --> 00:23:48,950 S2: we had Smooth Criminal by Michael Jackson. Now we've got 542 00:23:48,950 --> 00:23:51,080 S2: Andy Lee talking about work related incidents. 543 00:23:51,230 --> 00:23:53,150 S4: And the third person we'll just sit back. 544 00:23:53,900 --> 00:23:56,750 S2: Might be gentlemen you are familiar with my work. But 545 00:23:56,750 --> 00:23:58,669 S2: next door there's a Thai restaurant and we're trying to 546 00:23:58,670 --> 00:24:03,580 S2: establish a relationship with this, this guy whose name is Dez. Um, 547 00:24:03,710 --> 00:24:06,590 S2: so we can get the discount, obviously. So Wednesday, it's 548 00:24:06,590 --> 00:24:07,850 S2: green curry. Wednesday. 549 00:24:07,850 --> 00:24:09,979 S4: Can I just say something? Certainly, man. I think I'd 550 00:24:09,980 --> 00:24:12,500 S4: like to go and establish a relationship with the carpenters 551 00:24:12,500 --> 00:24:15,830 S4: next door. I don't care what the relationship is, just 552 00:24:15,830 --> 00:24:17,990 S4: as long as I end up with the hammer afterwards. 553 00:24:18,109 --> 00:24:19,970 S4: Not gonna hit him. I just think it would be 554 00:24:19,970 --> 00:24:21,739 S4: good for the radio show if they weren't banging on 555 00:24:21,740 --> 00:24:23,480 S4: the wall. Just want to contribute. Yeah. 556 00:24:23,960 --> 00:24:25,669 S2: Well, on Wednesdays down at. 557 00:24:25,670 --> 00:24:26,930 S4: Mine, keeping the bait. Yeah. 558 00:24:27,830 --> 00:24:31,280 S2: My work. We have green curry Wednesdays. All right. Whereby 559 00:24:31,280 --> 00:24:35,130 S2: we order. A grain carry on a Wednesday. So very. 560 00:24:35,170 --> 00:24:36,220 S4: Yeah. No that's like that. 561 00:24:36,240 --> 00:24:38,189 S2: Yeah that's good but and so I'm in there. I 562 00:24:38,190 --> 00:24:40,110 S2: got called up by my work by Paul to go 563 00:24:40,109 --> 00:24:43,230 S2: in and establish the relationship. A bit of gags going down. 564 00:24:43,230 --> 00:24:45,450 S2: I've gone in and I've gone, yeah. Liz how are 565 00:24:45,450 --> 00:24:48,810 S2: you doing green curry Wednesdays Liz a yeah. You know 566 00:24:48,930 --> 00:24:49,470 S2: going back. 567 00:24:50,280 --> 00:24:50,399 S4: And. 568 00:24:50,400 --> 00:24:52,320 S2: I've gone the green Caribbean thing real. 569 00:24:53,760 --> 00:24:54,600 S4: Bad nickname. 570 00:24:55,050 --> 00:24:57,270 S2: I go pull the green car is looking really good. 571 00:24:57,270 --> 00:25:00,479 S2: I think I really headed off with Liz and he said, sorry, 572 00:25:00,480 --> 00:25:05,520 S2: come again. And I said, Liz. And he went, It's Des. 573 00:25:05,520 --> 00:25:09,540 S2: And I thought, oh no good down days deep a 574 00:25:09,540 --> 00:25:13,770 S2: discount L for Liz, L for losing the discount I think, 575 00:25:13,890 --> 00:25:16,320 S2: which was a real problem for me. And I thought, 576 00:25:16,320 --> 00:25:17,909 S2: I've ruined it forever. And I thought, I've got to 577 00:25:17,910 --> 00:25:20,610 S2: establish this. I've got establish this relationship back. Yeah. I 578 00:25:20,609 --> 00:25:22,590 S2: can't let this slide. I've got to go back back 579 00:25:22,590 --> 00:25:24,270 S2: in and work it out. So I got out the 580 00:25:24,420 --> 00:25:27,209 S2: my work letterhead and wrote a letter for him. And 581 00:25:27,210 --> 00:25:30,530 S2: here's how it went, guys. Okay. Uh. Dig it. There 582 00:25:30,540 --> 00:25:33,900 S2: it goes. Um, where's that paper? Dear des, I'd like 583 00:25:33,900 --> 00:25:37,650 S2: to apologize for my speech impediment. Sometimes I get DS 584 00:25:37,650 --> 00:25:41,010 S2: mixed up with L's. Let me give you an example. Hi, Liz. 585 00:25:41,010 --> 00:25:45,300 S2: How's it going? Quote Andy Lee 12th of June 2002. Nice. 586 00:25:45,300 --> 00:25:47,820 S2: I'm sure you can see past this picture. I'd like 587 00:25:47,820 --> 00:25:51,180 S2: you not to tell people because it's close to my heart. Dave. Andy. Oh, 588 00:25:51,180 --> 00:25:52,109 S2: there I go again. 589 00:25:52,680 --> 00:25:54,270 S4: Seems to be a writing impediment. 590 00:25:55,170 --> 00:25:58,470 S2: So yeah, no. Won't work back from Liz so far. 591 00:25:58,470 --> 00:26:01,710 S4: Well, we will stay tuned. Wednesday is only two days away. Yeah, 592 00:26:01,710 --> 00:26:03,359 S4: and I've just come from an exam, so I'm in 593 00:26:03,359 --> 00:26:04,410 S4: maths mode. Yeah. 594 00:26:05,670 --> 00:26:08,850 S2: You're listening. Calling 9925 3711. And we can have a 595 00:26:08,850 --> 00:26:10,530 S2: talk about it, mate, I'd like to patch things up. 596 00:26:10,530 --> 00:26:13,109 S2: Anyone can call. Really? Yeah. Similar to callers who people 597 00:26:13,109 --> 00:26:18,540 S2: look like sporting equipment. 9927 3711 that's right. No it's not. No, no. 598 00:26:18,540 --> 00:26:19,169 S4: It doesn't matter. 599 00:26:19,170 --> 00:26:19,950 S2: No, 9 to 5. 600 00:26:19,950 --> 00:26:21,990 S4: It'll just throw all those callers off because we get 601 00:26:21,990 --> 00:26:26,340 S4: a lot for the real callers. 9925 30 711 are perfect. 602 00:26:26,340 --> 00:26:29,359 S2: Thank you very much. Time is Shaun cruise control. Oh. 603 00:26:31,650 --> 00:26:31,980 S3: What. 604 00:26:35,609 --> 00:26:37,500 UU: What a lot to unpack this. 605 00:26:37,500 --> 00:26:42,179 S3: Summer of flurries. First of all just barreling through the 606 00:26:42,180 --> 00:26:45,720 S3: story which is great. We're really good. Good story I 607 00:26:45,720 --> 00:26:51,110 S3: mean forming an alliance with with leaseholders. Yeah. Just the banging. 608 00:26:51,359 --> 00:26:55,200 S3: So funny that we reference it once ago, but I 609 00:26:55,200 --> 00:26:57,210 S3: think it's because it's like we were only allowed in 610 00:26:57,210 --> 00:27:00,600 S3: once every two weeks, like, yeah, this was our time 611 00:27:00,600 --> 00:27:02,030 S3: to do radio. We weren't going. 612 00:27:02,100 --> 00:27:04,530 S2: And you're only allowed six week lots. That's right. 613 00:27:04,619 --> 00:27:07,260 S3: So we had one a weekly show for six weeks 614 00:27:07,350 --> 00:27:09,480 S3: and then you wouldn't get one for the next year. 615 00:27:09,480 --> 00:27:10,410 S2: I think it was the next. 616 00:27:10,410 --> 00:27:12,480 S3: 6 or 12 weeks. It was a long wait. So 617 00:27:12,480 --> 00:27:14,639 S3: it was like, we don't get many chances and I 618 00:27:14,640 --> 00:27:16,410 S3: think we have to play 2 or 3 songs in 619 00:27:16,410 --> 00:27:19,350 S3: a row or two. So if there's a carpenter, if 620 00:27:19,350 --> 00:27:22,859 S3: there's someone's building a house next door, we must keep going. Yes. 621 00:27:22,859 --> 00:27:25,260 S3: And good on you, because you're like, I'm going to 622 00:27:25,260 --> 00:27:26,969 S3: get the flying out, I am. I don't care if 623 00:27:26,970 --> 00:27:29,160 S3: I'm flying in a storm. I'm getting the hours in. 624 00:27:29,160 --> 00:27:30,630 S2: I've written a funny letter that I. 625 00:27:30,630 --> 00:27:31,530 S3: Need to read out. 626 00:27:31,650 --> 00:27:33,930 S2: I don't care how much banging is going on. 627 00:27:34,380 --> 00:27:37,080 S3: And then right at the end, I don't think that 628 00:27:37,080 --> 00:27:39,330 S3: was a joke. Where we went, if you look like 629 00:27:39,330 --> 00:27:39,960 S3: sporting equipment. 630 00:27:39,960 --> 00:27:40,260 S2: Yeah. 631 00:27:40,260 --> 00:27:44,190 S3: The phone topic of do you look like. I mean, 632 00:27:44,190 --> 00:27:48,090 S3: considering we never got any calls anyway, I don't think 633 00:27:48,090 --> 00:27:50,460 S3: we would have even tried that on a national radio 634 00:27:50,460 --> 00:27:53,219 S3: show where you have millions of people listening. I feel 635 00:27:53,220 --> 00:27:55,920 S3: like percentage wise, I don't think we get 2 or 636 00:27:55,920 --> 00:27:58,950 S3: 3 calls out of it. Certainly not getting it, certainly 637 00:27:58,950 --> 00:28:01,649 S3: not getting it on a on a community radio station. 638 00:28:01,650 --> 00:28:04,740 S3: It has a broadcasting range of about 30km outside the 639 00:28:04,740 --> 00:28:08,940 S3: Melbourne CBD. While everyone's turned off minutes ago, too, because 640 00:28:08,940 --> 00:28:10,320 S3: they're sick of the banging as. 641 00:28:10,320 --> 00:28:11,250 S2: An afterthought. 642 00:28:12,060 --> 00:28:18,360 S3: With with the wrong number twice. But it's really good. 643 00:28:18,359 --> 00:28:19,350 S3: Remember every.