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Speaker 1: Are you really okay?

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Speaker 2: Are only thing's gonna be okay? Are you okay?

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Speaker 3: Yeah, I'm fine.

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Speaker 4: I'm pretty freaking far from okay.

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Speaker 1: Are you okay?

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Speaker 4: With this?

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Speaker 3: On the Hammer and Nigel.

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Speaker 4: All Right, So normally Big Nige runs a couple of

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Speaker 4: things by me with him being unavailable, him being out.

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Speaker 3: Guy Ralford's in.

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Speaker 4: Let's turn the keys to producer Alison Allison, you're gonna

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Speaker 4: host this.

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Speaker 3: You run these stories by me. I'll get Guy in

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Speaker 3: the mix. Let's roll, we're talkings.

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Speaker 5: A twenty one year old woman in Florida, all Right,

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Speaker 5: was caught up super speeding at one hundred and seven

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Speaker 5: miles per hour last Thursday. When asked why she was

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Speaker 5: driving so fast, she said she was trying to make

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Speaker 5: it to Little Caesar's before they closed. And I believe

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Speaker 5: we have an audio of her explaining herself, there's a.

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Speaker 2: Little season up the sheet from my house and where

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Speaker 2: I was gonna go job, and so I was feeding

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Speaker 2: in a cold that's well, so I literally had like

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Speaker 2: fifteen minutes to get there. I didn't even feel like

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Speaker 2: one hundred and seven. It's just like I was driving

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Speaker 2: to get some little I was hungry. When they pulled

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Speaker 2: me over. I'm like, oh my god, am I getting

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Speaker 2: pulled over? And by the time I get to listen

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Speaker 2: to the back, he's already like I didn't even get

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Speaker 2: to go with like into a gas istion. I didn't

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Speaker 2: even pull over. He literally got me in the middle

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Speaker 2: of the road and I was like going out of

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Speaker 2: green light and he got to my whin.

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Speaker 5: It was like, get out, okay, Hammery, you okay with it?

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Speaker 3: You know what I am? I am okay with this.

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Speaker 4: You guys can sit here and act like you're high

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Speaker 4: and mighty all you want. But as somebody who was

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Speaker 4: fresh off of a speeding ticket, now, I feel like

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Speaker 4: it'd be hypocritical if I said for him that I

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Speaker 4: don't you know, condone speeding or whatever. And let's be honest.

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Speaker 4: Little Caesars is good, you know what. That's a hot take.

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Speaker 4: Everybody wants to, you know, bash on it. Cheap pizza whatever,

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Speaker 4: crazy bread and cheese, sauce, delicious, hot and ready pizzas

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Speaker 4: for a low price.

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Speaker 3: Good.

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Speaker 4: It's Jacob Hammer's favorite type of pizza. Like, he would

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Speaker 4: rather have Little Caesars than pretty much anything. So I

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Speaker 4: will defend Little Caesars. I will defend this woman. I'm

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Speaker 4: okay with it.

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Speaker 3: Guy.

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Speaker 1: Well, you know, if it's one hundred and seven and thirty,

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Speaker 1: we might have to talk to her about that. If

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Speaker 1: it's out on the interstage.

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Speaker 3: You don't love crazy bread the way she does, you know.

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Speaker 1: And I can't be too much of a hypocrite on

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Speaker 1: this because as somebody who drives a car that is

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Speaker 1: kind of built to exceed the speed limit, I've been

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Speaker 1: known to do that a few times. And I have

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Speaker 1: a really good radar detector which helps a lot. So

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Speaker 1: I don't read that I don't apparently you do. But

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Speaker 1: I don't want to be a hypocrite here, and because

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Speaker 1: I tend to drive a little quicker than perhaps the

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Speaker 1: speed limits might be posted.

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Speaker 3: Okay, all right, all right, how about this one.

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Speaker 5: It's the holiday season, so this is a time when advertisers,

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Speaker 5: of course take beloved Christmas songs we love and change

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Speaker 5: the lyrics so that they can sell products to us.

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Speaker 5: And we have the perfect example. You can step aside

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Speaker 5: jingle bells, because Audi has cars to sell.

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Speaker 3: Same quatro clean racing all the oh it is to

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Speaker 3: drive one and Aaudi leads the way. Okay, I think you.

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Speaker 5: Can stop all right, Hammer, are you okay with this?

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Speaker 3: I am okay with this.

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Speaker 4: This is just a marketing version of Hammer and Nigel Records.

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Speaker 3: Right again.

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Speaker 4: I feel like I'd be a hypocrite if I said,

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Speaker 4: how dare you take a popular song.

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Speaker 3: And put your own twist on it? We do that

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Speaker 3: all the time. It's Hammer and Nigel Records. And you

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Speaker 3: know what, sometimes you remember.

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Speaker 4: These things that way around the holidays, people are in

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Speaker 4: the spirit. And now when you hear you know, dashing

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Speaker 4: through the snow, I'm gonna think about an Audie, you

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Speaker 4: know what.

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Speaker 3: I'm a sucker, I'm bought in. I'm okay with this.

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Speaker 1: Now, you do this for entertainment purposes, so you have

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Speaker 1: a pure license to do that, and it which is

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Speaker 1: absolutely okay. This is for purely ready commercial purposes. And

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Speaker 1: the answer is no, I'm not okay with this. This

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Speaker 1: is disgusting. I don't like it. And besides, we have

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Speaker 1: we're inundated within with too much with Christmas music anyway,

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Speaker 1: starting about now through the end of the year, and

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Speaker 1: now we've got to listen to it during commercials too.

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Speaker 3: And it's happy. It wasn't the Chipmunk songs we found.

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Speaker 1: Out that would be a major problem, as we've already discussed.

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Speaker 1: But they're going to bastardize even the legitimate Christmas songs. No,

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Speaker 1: I have a problem with that