1 00:00:04,680 --> 00:00:08,560 Speaker 1: That in hip hop Bad Bunny Performance breakdown. Man, Look 2 00:00:08,600 --> 00:00:10,480 Speaker 1: it's your boy people twenty four seven here with Kenna 3 00:00:10,520 --> 00:00:14,280 Speaker 1: Beans and modest media. And this, this video has gotten, 4 00:00:14,440 --> 00:00:16,680 Speaker 1: or this performance has gotten a lot of backlash. You 5 00:00:16,720 --> 00:00:20,120 Speaker 1: know what I'm saying again, shout out Bad Bunny Latino. 6 00:00:20,520 --> 00:00:23,480 Speaker 1: You know this was for the culture. Last year was 7 00:00:23,520 --> 00:00:26,760 Speaker 1: for the culture as well, and I just you know, 8 00:00:27,080 --> 00:00:30,040 Speaker 1: like for me, man, I've watched this plenty of times now, 9 00:00:30,560 --> 00:00:32,680 Speaker 1: and every time I watch it, I get emotional because 10 00:00:32,960 --> 00:00:37,600 Speaker 1: this is definitely my culture, you know what I'm saying. Cuban, 11 00:00:37,640 --> 00:00:43,320 Speaker 1: Puerto Rico. They they're very similar in food and culture 12 00:00:43,400 --> 00:00:45,320 Speaker 1: and dance and all of that type of stuff. So 13 00:00:45,680 --> 00:00:47,400 Speaker 1: a lot of this stuff hit me, man, But look 14 00:00:47,400 --> 00:00:49,640 Speaker 1: we're gonna break it down. I got I got the 15 00:00:49,680 --> 00:00:52,159 Speaker 1: crew here with me, you know what I'm saying, So 16 00:00:52,960 --> 00:01:02,280 Speaker 1: let's hit play for y'all that that need interpretation. He said, 17 00:01:02,320 --> 00:01:08,160 Speaker 1: how beautiful it is to be Latino. So look for me, 18 00:01:08,440 --> 00:01:12,479 Speaker 1: like like from get go, starting in the fields, man, 19 00:01:12,720 --> 00:01:15,240 Speaker 1: like first and foremost, how did y'all feel about it? 20 00:01:15,280 --> 00:01:16,480 Speaker 1: Did y'all? Did y'all enjoy it? 21 00:01:16,560 --> 00:01:16,720 Speaker 2: Can? 22 00:01:16,760 --> 00:01:18,760 Speaker 1: I know your thoughts? But I don't know your thoughts roight. 23 00:01:19,080 --> 00:01:21,840 Speaker 3: Yeah, I can't say I enjoyed it. I just I 24 00:01:21,959 --> 00:01:24,000 Speaker 3: just I just respected it. 25 00:01:23,880 --> 00:01:24,840 Speaker 2: Right, Like. 26 00:01:27,640 --> 00:01:30,320 Speaker 3: I don't know for me during the during the super 27 00:01:30,360 --> 00:01:34,640 Speaker 3: Bowl if it translated that well, because I also was 28 00:01:34,680 --> 00:01:36,160 Speaker 3: in a room for the niggas and it was just 29 00:01:36,200 --> 00:01:40,160 Speaker 3: like nobody was cheering or singing or never sold. It 30 00:01:40,280 --> 00:01:42,840 Speaker 3: was just dead, you know what I'm saying. So you 31 00:01:42,880 --> 00:01:44,960 Speaker 3: know that ads to the energy, you know what I'm saying, 32 00:01:45,319 --> 00:01:48,880 Speaker 3: what's going on because like you know, you take a 33 00:01:49,000 --> 00:01:55,120 Speaker 3: uh an usher or you know, or you know that 34 00:01:55,240 --> 00:01:57,720 Speaker 3: people that know it, somebody in that room gonna be 35 00:01:57,760 --> 00:02:00,520 Speaker 3: singing it, somebody's gonna be you know what I'm saying, 36 00:02:00,520 --> 00:02:03,600 Speaker 3: somebody gonna be dancing, somebody's gonna be up singing. But 37 00:02:03,680 --> 00:02:05,880 Speaker 3: it was none of that, Like we didn't have that 38 00:02:06,240 --> 00:02:09,720 Speaker 3: where I was watching the super Bowl. So you know that, 39 00:02:09,880 --> 00:02:12,520 Speaker 3: you know, obviously adds to the energy. And then the 40 00:02:12,560 --> 00:02:15,240 Speaker 3: super Bowl sucked too, So you know, you take that 41 00:02:15,320 --> 00:02:18,080 Speaker 3: the super Bowl was already sucked. You take that we 42 00:02:18,120 --> 00:02:20,920 Speaker 3: got this half halftime performance that no one knows the 43 00:02:21,040 --> 00:02:25,079 Speaker 3: lyrics to it or anything, beautifully done. It looks amazing, 44 00:02:25,320 --> 00:02:27,840 Speaker 3: but no one knows the songs not even Ricky Martin 45 00:02:27,960 --> 00:02:31,680 Speaker 3: songs didn't know even Levita Loca or or anything like. 46 00:02:31,840 --> 00:02:35,880 Speaker 3: You know, we didn't get the the features that you 47 00:02:35,919 --> 00:02:37,959 Speaker 3: know people might know, which is like on the card 48 00:02:38,000 --> 00:02:40,640 Speaker 3: e B like you're like that, or you know, some 49 00:02:40,680 --> 00:02:43,079 Speaker 3: of the future stuff or whatever, any feature that he's 50 00:02:43,120 --> 00:02:45,639 Speaker 3: been on. We no one got that either, like, oh man, 51 00:02:45,680 --> 00:02:50,000 Speaker 3: that's familiar to So there was no there was no 52 00:02:50,040 --> 00:02:54,280 Speaker 3: connection in the room. So that was my experience. But 53 00:02:54,480 --> 00:02:57,720 Speaker 3: you know, going back and looking at it and seeing 54 00:02:57,800 --> 00:03:01,040 Speaker 3: i mean even in the even in real time, everybody 55 00:03:01,040 --> 00:03:04,960 Speaker 3: couldn't deny that something was happening right like that, Okay, 56 00:03:05,240 --> 00:03:08,520 Speaker 3: they are making a statement right now, clearly making a 57 00:03:08,520 --> 00:03:12,000 Speaker 3: statement the same way Kendrick did. Because Kendrick was very similar, 58 00:03:12,080 --> 00:03:16,760 Speaker 3: right because he was making statements in it. But he 59 00:03:16,840 --> 00:03:19,480 Speaker 3: was making statements, but people, you know, they got criticized 60 00:03:19,480 --> 00:03:21,320 Speaker 3: because he was doing stuff that people didn't know either. 61 00:03:21,360 --> 00:03:23,720 Speaker 3: You know, it was like b sides and things that 62 00:03:23,760 --> 00:03:26,160 Speaker 3: people didn't necessarily know. He wasn't just doing the hits. 63 00:03:27,240 --> 00:03:29,320 Speaker 3: So you know, you got a lot of sense, a 64 00:03:29,360 --> 00:03:32,639 Speaker 3: lot of that same feeling people until they go back 65 00:03:32,800 --> 00:03:34,000 Speaker 3: and look at what. 66 00:03:33,919 --> 00:03:34,440 Speaker 2: He was doing. 67 00:03:35,480 --> 00:03:40,440 Speaker 1: K's message or feeling was rooted in dissing. This was 68 00:03:40,520 --> 00:03:43,320 Speaker 1: rooted in unity. You know what I'm saying, just because 69 00:03:43,440 --> 00:03:45,600 Speaker 1: the music is the music, And this is what I 70 00:03:45,640 --> 00:03:47,680 Speaker 1: was saying with like the DJ Lad thing right, Like 71 00:03:48,360 --> 00:03:51,760 Speaker 1: the political message or the message in general isn't the 72 00:03:53,160 --> 00:03:55,600 Speaker 1: It wasn't the music, bro. The music was feel good 73 00:03:55,680 --> 00:03:57,720 Speaker 1: like however, it made you feel That's exactly what the 74 00:03:57,800 --> 00:04:01,480 Speaker 1: music is. But the message was in the video and 75 00:04:01,480 --> 00:04:02,760 Speaker 1: that's the reason why I wanted to break down the 76 00:04:02,840 --> 00:04:05,080 Speaker 1: video this way, can real quick before we get back 77 00:04:05,080 --> 00:04:05,640 Speaker 1: into the video. 78 00:04:07,400 --> 00:04:10,000 Speaker 2: No, I thought it was dope. You know. He started 79 00:04:10,000 --> 00:04:13,320 Speaker 2: with the You know, I knew a couple of songs, 80 00:04:14,800 --> 00:04:22,160 Speaker 2: the first track off the one we reviewed, Yeah yeah, 81 00:04:22,240 --> 00:04:22,719 Speaker 2: yeah yeah. 82 00:04:22,760 --> 00:04:26,040 Speaker 1: So I was like that one, Yeah, you knew the 83 00:04:26,760 --> 00:04:29,840 Speaker 1: joint that he started off with because it was yeah yeah, 84 00:04:29,880 --> 00:04:30,240 Speaker 1: yeah yeah. 85 00:04:30,240 --> 00:04:31,640 Speaker 2: I knew that one too. I was like, oh shit, 86 00:04:32,160 --> 00:04:34,800 Speaker 2: like he actually did that joint because that's one of 87 00:04:34,800 --> 00:04:37,960 Speaker 2: his most popular songs, right, yeah, that's up there, that's 88 00:04:38,240 --> 00:04:40,240 Speaker 2: yeah yeah yeah yeah, So I was. I was. I 89 00:04:40,279 --> 00:04:43,720 Speaker 2: was actually surprised because I just got onto that song. 90 00:04:44,360 --> 00:04:46,160 Speaker 2: So I thought it was dope. And I was also 91 00:04:46,279 --> 00:04:48,800 Speaker 2: surprised that he opened with that one. But that was 92 00:04:48,839 --> 00:04:50,800 Speaker 2: a good opening for me because I was familiar with it. 93 00:04:51,120 --> 00:04:53,080 Speaker 2: And then he got to the one that I liked, 94 00:04:53,080 --> 00:04:54,880 Speaker 2: one of my favorite tracks off the one we reviewed 95 00:04:54,880 --> 00:04:58,960 Speaker 2: for D three sixty five that was dope, and the 96 00:04:59,040 --> 00:05:02,720 Speaker 2: lady guy got joined you know. Uh, I know that 97 00:05:02,760 --> 00:05:07,360 Speaker 2: one too, uh as well. She did it with Bruno Mars, 98 00:05:07,760 --> 00:05:10,040 Speaker 2: with Bruno Mars, but that one shocked me. I was 99 00:05:10,040 --> 00:05:12,280 Speaker 2: surprised to see her get up there. I did not 100 00:05:12,440 --> 00:05:15,520 Speaker 2: expect that at all. So I thought Bruno was gonna 101 00:05:15,560 --> 00:05:17,719 Speaker 2: pop out somewhere, but he didn't. 102 00:05:18,279 --> 00:05:21,000 Speaker 1: He needed representation, so he brought the whitest lady in 103 00:05:21,040 --> 00:05:23,320 Speaker 1: the world out. So but let's get back to the 104 00:05:24,160 --> 00:05:24,760 Speaker 1: back to the villa. 105 00:05:31,960 --> 00:05:48,440 Speaker 4: Hey, hey, y'ah, So right here, Coco Friel, you know 106 00:05:48,480 --> 00:05:48,960 Speaker 4: what I'm saying. 107 00:05:49,080 --> 00:05:51,640 Speaker 1: It's just it's like a frozen coconut. But it's just 108 00:05:51,680 --> 00:05:54,880 Speaker 1: something that that's Latinos enjoyed. So I love the fact 109 00:05:54,920 --> 00:05:57,680 Speaker 1: that he put that on there. And say, he put 110 00:05:57,680 --> 00:06:06,240 Speaker 1: a lot of businesses onto dominoes. You know what I'm saying, 111 00:06:06,320 --> 00:06:09,520 Speaker 1: us Latinos, man, we play some dominoes, just like just 112 00:06:09,560 --> 00:06:15,640 Speaker 1: like the Niggers. Dude, A lot of homes is built 113 00:06:15,680 --> 00:06:18,599 Speaker 1: out of bricks out there, So I think that could 114 00:06:18,640 --> 00:06:21,080 Speaker 1: be that beat our wise, that's another thing that's like 115 00:06:21,160 --> 00:06:24,919 Speaker 1: shaved ice with you know what I'm saying, uh, flavoring 116 00:06:24,960 --> 00:06:26,680 Speaker 1: them like that's that's super big. 117 00:06:26,960 --> 00:06:28,960 Speaker 2: So I love that, you know. 118 00:06:29,760 --> 00:06:32,000 Speaker 1: Yeah, he just he just put a culture on. Man, 119 00:06:32,960 --> 00:06:35,680 Speaker 1: this guy right here we los tacos. So this is 120 00:06:35,800 --> 00:06:39,720 Speaker 1: actually a legit business in Puerto Rico, and Bud he 121 00:06:39,800 --> 00:06:43,000 Speaker 1: hasn't like his line has been like out the building. 122 00:06:43,360 --> 00:06:45,320 Speaker 1: He got a couple of locations out there in Puerto Rico, 123 00:06:45,520 --> 00:06:48,160 Speaker 1: and ever since the super Bowl he can't keep up 124 00:06:48,200 --> 00:06:49,800 Speaker 1: with the order. So a getting shot out the bad 125 00:06:49,800 --> 00:06:54,120 Speaker 1: bunny man put putting this people on. Yeah, man O 126 00:06:54,160 --> 00:06:56,960 Speaker 1: would see boxing. Boxing is real big in Puerto Rico, 127 00:06:57,480 --> 00:06:58,440 Speaker 1: just like it is in Cuba. 128 00:07:01,320 --> 00:07:07,080 Speaker 3: Yeah, Cardi Pascal. 129 00:07:08,920 --> 00:07:14,120 Speaker 1: So so so if berreo Perrell means doggie, you know 130 00:07:14,160 --> 00:07:17,800 Speaker 1: what I'm saying, so in Spanish, man Perrell, it's just 131 00:07:17,880 --> 00:07:21,080 Speaker 1: you know, when when the girl is dancing in that way, 132 00:07:21,720 --> 00:07:23,840 Speaker 1: you know what I'm saying, like you know, shaking her 133 00:07:23,840 --> 00:07:26,040 Speaker 1: booty doing all that. That's the reason why like when 134 00:07:26,080 --> 00:07:28,160 Speaker 1: it went to it, you saw you know, you saw 135 00:07:28,200 --> 00:07:31,000 Speaker 1: the booty second, that ain't that ain't different from Uncle Luke. 136 00:07:31,080 --> 00:07:33,600 Speaker 1: That ain't different from you know what I'm saying, like, 137 00:07:33,960 --> 00:07:41,800 Speaker 1: you know, Latinos get down to and essentially in the hood. 138 00:07:41,840 --> 00:07:44,080 Speaker 1: She said, like I dance by myself, yo, put her 139 00:07:44,280 --> 00:07:48,760 Speaker 1: soul out. 140 00:07:53,640 --> 00:07:57,480 Speaker 2: My thing was like, how did he know? Like what 141 00:07:57,680 --> 00:07:58,840 Speaker 2: Cameron look at himself? 142 00:07:58,960 --> 00:07:59,920 Speaker 3: I thought that was interest. 143 00:08:00,680 --> 00:08:02,760 Speaker 1: He was ready for it, like he was ready for 144 00:08:02,800 --> 00:08:05,760 Speaker 1: this moment, bro, Like, and I think he was very 145 00:08:05,800 --> 00:08:10,640 Speaker 1: meticulous on every single aspect of this performance. I thought 146 00:08:10,640 --> 00:08:21,560 Speaker 1: this frame to me, yep, this was dope recorded. Huh. 147 00:08:22,280 --> 00:08:24,680 Speaker 1: I feel like that part was pre recorded. Yeah, yeah, 148 00:08:24,680 --> 00:08:29,320 Speaker 1: that was pre recorded. I love this. I love this 149 00:08:29,360 --> 00:08:32,560 Speaker 1: part right here. You know what I'm saying. Put in 150 00:08:32,640 --> 00:08:38,920 Speaker 1: all of the you know, artists that came before him. 151 00:08:38,920 --> 00:08:41,160 Speaker 1: So I think, I think this right here, this this 152 00:08:41,280 --> 00:08:44,920 Speaker 1: gets missed, right like, this gets this gets missed. Like 153 00:08:44,960 --> 00:08:46,240 Speaker 1: I don't know if either one of y'all had been 154 00:08:46,240 --> 00:08:49,840 Speaker 1: in Puerto Rico before, Bro, I've been a couple of times. Okay, 155 00:08:50,360 --> 00:08:54,400 Speaker 1: it's definitely dope. You should definitely go. But like this 156 00:08:54,440 --> 00:08:58,280 Speaker 1: whole scenario, I know firsthand that this is how Puerto 157 00:08:58,360 --> 00:09:01,720 Speaker 1: Ricans get down, bro. Like, if there is a car 158 00:09:02,000 --> 00:09:04,439 Speaker 1: and a speaker. They will have a grill and a 159 00:09:04,480 --> 00:09:06,240 Speaker 1: whole bunch of people on the side of the road 160 00:09:06,280 --> 00:09:09,360 Speaker 1: and it's a party, bro. Like like I was. I 161 00:09:09,400 --> 00:09:12,000 Speaker 1: was blown away. I was like what, like like they're 162 00:09:12,000 --> 00:09:14,840 Speaker 1: literally partying. And then just like twenty yards thirty yards 163 00:09:14,920 --> 00:09:18,120 Speaker 1: this way, it's another car with the whole you know, well, 164 00:09:18,160 --> 00:09:20,480 Speaker 1: two or three cars pulled up with speakers and a 165 00:09:20,600 --> 00:09:23,440 Speaker 1: grill and just music, like on a Friday on the 166 00:09:23,480 --> 00:09:25,959 Speaker 1: side of the road. Bro, Like they party anywhere. So 167 00:09:26,000 --> 00:09:28,120 Speaker 1: this right here is like if you know, you know, bro, 168 00:09:28,240 --> 00:09:33,960 Speaker 1: like Puerto Ricans get down. I thought that was really dope. 169 00:09:34,720 --> 00:09:36,760 Speaker 1: I was not surprised he did this song right here. 170 00:09:38,240 --> 00:09:40,880 Speaker 1: This is like his biggest, his biggest social media song. 171 00:09:43,120 --> 00:09:43,800 Speaker 1: It was everywhere. 172 00:09:45,800 --> 00:09:47,200 Speaker 2: Yeah I knew. I knew this song. 173 00:09:47,360 --> 00:09:50,400 Speaker 3: Like people sparked up when they heard. 174 00:09:50,320 --> 00:09:54,679 Speaker 1: This, Yeah, because this was all over social media. 175 00:09:54,840 --> 00:09:57,120 Speaker 3: Yeah yeah, they're like, oh, we don't I know that one? 176 00:09:58,320 --> 00:09:59,520 Speaker 2: And then be dope. 177 00:10:00,520 --> 00:10:04,240 Speaker 1: Basically, like his message here was you should believe in yourself. 178 00:10:04,480 --> 00:10:06,680 Speaker 1: You know what I'm saying, don't don't basically care about 179 00:10:06,679 --> 00:10:09,360 Speaker 1: what nobody else tells you. Believe in yourself because he did. 180 00:10:11,480 --> 00:10:13,680 Speaker 1: Then the real wedding. I think this, this is crazy, 181 00:10:13,720 --> 00:10:17,199 Speaker 1: bro to like I think I think that's the dopest 182 00:10:17,200 --> 00:10:22,120 Speaker 1: wedding like ever, Like you're at the super Bowl Bad 183 00:10:22,160 --> 00:10:26,080 Speaker 1: Buddies performing be all Lady Gaga performing Ricky Martin, Like 184 00:10:26,160 --> 00:10:26,960 Speaker 1: that's crazy. 185 00:10:28,960 --> 00:10:30,280 Speaker 2: Yeah. When I saw it, I knew that was a 186 00:10:30,320 --> 00:10:30,679 Speaker 2: real wind. 187 00:10:30,720 --> 00:10:31,840 Speaker 3: That's not that's a real. 188 00:10:31,679 --> 00:10:38,520 Speaker 1: Winding, man. Lady Gogo was getting it in. People forget 189 00:10:38,559 --> 00:10:40,720 Speaker 1: she wanted it ones, but she could. She could really 190 00:10:40,760 --> 00:10:47,200 Speaker 1: blow mm hmmm. A significance to this though, then you 191 00:10:47,240 --> 00:10:50,240 Speaker 1: know the slip agant to this, I don't know. It's 192 00:10:50,280 --> 00:10:53,240 Speaker 1: just what maybe normal to me may be significant. But 193 00:10:54,240 --> 00:10:56,560 Speaker 1: you know, all of those interest instruments that they're using, 194 00:10:56,600 --> 00:10:59,280 Speaker 1: the moroccas. I don't know what Buddy's holding over here 195 00:10:59,600 --> 00:11:02,640 Speaker 1: to Lady god gots left, but you know, I'm familiar 196 00:11:02,679 --> 00:11:05,080 Speaker 1: with that. It's just something that they straight. I don't 197 00:11:05,080 --> 00:11:07,640 Speaker 1: know what the hell that's called. But I don't know 198 00:11:07,679 --> 00:11:11,680 Speaker 1: the significance if there's like a deeper meaning here, you 199 00:11:11,720 --> 00:11:14,400 Speaker 1: know this is this just feels like a traditional Latino 200 00:11:14,480 --> 00:11:15,920 Speaker 1: running so well. 201 00:11:15,920 --> 00:11:18,920 Speaker 3: I know what she has on is the official Puerto 202 00:11:19,000 --> 00:11:20,040 Speaker 3: Rican flower. 203 00:11:20,920 --> 00:11:21,160 Speaker 4: Mmm. 204 00:11:22,400 --> 00:11:24,760 Speaker 3: And then she has the blue on too, so that's 205 00:11:24,800 --> 00:11:27,280 Speaker 3: like the I think that that's like the God. 206 00:11:28,040 --> 00:11:29,280 Speaker 2: So that could be like you know. 207 00:11:30,920 --> 00:11:33,559 Speaker 3: That you know she's white American, but Puerto Rico is 208 00:11:33,600 --> 00:11:34,400 Speaker 3: technically you know in. 209 00:11:34,440 --> 00:11:37,800 Speaker 2: America, yeah, country or whatever. 210 00:11:38,320 --> 00:11:41,320 Speaker 1: And you know, like like this song right here, this 211 00:11:41,400 --> 00:11:43,840 Speaker 1: is what I was saying, Like Bad Bunny takes the 212 00:11:44,000 --> 00:11:46,920 Speaker 1: old and the new and just kind of mix it. 213 00:11:47,000 --> 00:11:50,520 Speaker 1: Like like this style of music, this side is like, well, 214 00:11:50,559 --> 00:11:52,320 Speaker 1: my mama played you know what I'm saying, Like this 215 00:11:52,400 --> 00:11:54,480 Speaker 1: is what I grew up on where y'all grew up on, 216 00:11:54,640 --> 00:11:56,880 Speaker 1: Marvin Gay and all of those guys. Like this style 217 00:11:56,880 --> 00:11:59,199 Speaker 1: of music is what was played in my household. You 218 00:11:59,240 --> 00:12:01,040 Speaker 1: know what I'm saying. So like whe y'all make them references. 219 00:12:01,080 --> 00:12:03,160 Speaker 1: That's the reason why I don't be knowing. But like 220 00:12:03,240 --> 00:12:06,000 Speaker 1: I could tell you, you know, I could tell you like 221 00:12:06,040 --> 00:12:08,240 Speaker 1: INDI I can tell you all these other people you 222 00:12:08,280 --> 00:12:09,880 Speaker 1: know that I know y'all wouldn't know, But this is 223 00:12:10,400 --> 00:12:12,040 Speaker 1: this is what you grow up in, you know what 224 00:12:12,120 --> 00:12:13,760 Speaker 1: I'm saying, in the Latino household. 225 00:12:13,840 --> 00:12:16,920 Speaker 3: So why. 226 00:12:20,080 --> 00:12:22,720 Speaker 1: He just told him to dance with dance without without 227 00:12:22,760 --> 00:12:34,160 Speaker 1: without being scared, man, Like y'all don't understand, Like for 228 00:12:34,360 --> 00:12:36,880 Speaker 1: Bad Bunny to like like what you heard before, Like 229 00:12:36,920 --> 00:12:39,880 Speaker 1: that's like a traditional source of song for bad Bunny 230 00:12:39,920 --> 00:12:42,839 Speaker 1: to take that and do what he did with that song. Well, 231 00:12:42,880 --> 00:12:46,480 Speaker 1: like your bro, I was, I was so blown away, 232 00:12:46,679 --> 00:12:49,240 Speaker 1: like listening to this album and that's why you want 233 00:12:49,240 --> 00:12:51,600 Speaker 1: an album to hear in my opinion, But that's another conversation. 234 00:12:57,200 --> 00:13:01,559 Speaker 1: A barbershop with a little again his haircut back there. 235 00:13:06,000 --> 00:13:08,720 Speaker 2: That's my joint. 236 00:13:08,760 --> 00:13:11,959 Speaker 1: He and then he brought you to the block in 237 00:13:12,080 --> 00:13:14,800 Speaker 1: New York, Bro, you know what I'm saying, Like like 238 00:13:14,800 --> 00:13:16,680 Speaker 1: like he brought you to the bodega, Bro, he brought 239 00:13:16,720 --> 00:13:19,280 Speaker 1: you to the barbershops. Some of the best barbers you 240 00:13:19,360 --> 00:13:21,600 Speaker 1: know what I'm saying. I can only speak for Chicago. 241 00:13:21,679 --> 00:13:23,440 Speaker 1: Some of the best barbers I ever had in Chicago 242 00:13:23,559 --> 00:13:27,439 Speaker 1: was Puerto Rican Bro. That's a that's a that's that's 243 00:13:27,480 --> 00:13:43,320 Speaker 1: a big thing in Puerto Rican culture. 244 00:13:43,160 --> 00:13:43,600 Speaker 4: When you go. 245 00:13:47,440 --> 00:14:01,880 Speaker 1: On the bottle everybody and Shorty Shorty that gave him 246 00:14:01,880 --> 00:14:05,160 Speaker 1: the shot. Obviously, you know, Puerto Rican run is a thing. 247 00:14:05,559 --> 00:14:07,480 Speaker 1: I think she's a somebody too, but I'm not one 248 00:14:07,520 --> 00:14:08,360 Speaker 1: hundred percent sure. 249 00:14:09,240 --> 00:14:12,120 Speaker 3: Yeah, they were saying that she was one of the 250 00:14:12,200 --> 00:14:17,680 Speaker 3: last surviving something in Puerto Rico, whatever type of shot 251 00:14:17,760 --> 00:14:19,840 Speaker 3: she is, like, she's doing one that's still running. 252 00:14:20,440 --> 00:14:23,560 Speaker 1: That's what's up. That's what's up. 253 00:14:22,920 --> 00:14:27,400 Speaker 3: What's I also heard that this is one of the 254 00:14:27,480 --> 00:14:29,840 Speaker 3: kids that got YEP. 255 00:14:30,240 --> 00:14:33,720 Speaker 1: I heard that through the tame YEP and he came 256 00:14:33,760 --> 00:14:43,600 Speaker 1: back home. This is Ricky Martin's performance, Bro, this is 257 00:14:44,280 --> 00:14:47,480 Speaker 1: this is what this is where I got emotional because 258 00:14:47,680 --> 00:14:51,760 Speaker 1: he's talking about like the Puerto Rican flag and you 259 00:14:51,760 --> 00:14:54,000 Speaker 1: can see like how it's hitting him too. And I 260 00:14:54,000 --> 00:14:56,360 Speaker 1: don't know if y'all saw, like after the fact, like 261 00:14:56,440 --> 00:14:58,840 Speaker 1: Ricky Martin was like, you know, he needed time to 262 00:14:58,920 --> 00:15:01,480 Speaker 1: process all of his emotions. But this is this is 263 00:15:01,480 --> 00:15:03,520 Speaker 1: the part of the show where I was getting emotional. 264 00:15:03,560 --> 00:15:03,720 Speaker 4: Bro. 265 00:15:03,800 --> 00:15:06,360 Speaker 1: I was holding back tears watching them. Yeah. 266 00:15:09,640 --> 00:15:11,480 Speaker 3: I haven't liked how he's on the plastic chairs. 267 00:15:13,400 --> 00:15:17,200 Speaker 1: You said, you like how you was on the plastic chairs. Yeah, 268 00:15:17,360 --> 00:15:20,120 Speaker 1: it's very it's very Latino, you know. And like this 269 00:15:20,200 --> 00:15:22,520 Speaker 1: song here, man, he's talking about you know, the Puerto 270 00:15:22,560 --> 00:15:24,800 Speaker 1: Rican flying. He says like they're trying to take away 271 00:15:25,360 --> 00:15:27,440 Speaker 1: my land the same way like they did in Hawaii. 272 00:15:28,240 --> 00:15:30,560 Speaker 1: And obviously, you know, I'm condensing the lyrics, you know 273 00:15:30,600 --> 00:15:34,400 Speaker 1: what I'm saying, but that's that's why it was this. 274 00:15:34,560 --> 00:15:45,760 Speaker 1: This was the most powerful part of the show. And 275 00:15:45,840 --> 00:15:49,000 Speaker 1: this is also why this was very poignant right here 276 00:15:49,000 --> 00:15:52,280 Speaker 1: as well, because you know, dealing with hurricanes and stuff 277 00:15:52,320 --> 00:15:56,880 Speaker 1: like that, their power grid is like horrible, so they 278 00:15:57,040 --> 00:16:00,120 Speaker 1: deal with a lot of power outages. Also, what he 279 00:16:00,280 --> 00:16:05,240 Speaker 1: was saying here in the hook and be interpreted a 280 00:16:05,240 --> 00:16:10,120 Speaker 1: lot of different ways. The direct translation, I wait till 281 00:16:10,160 --> 00:16:12,240 Speaker 1: he get up there and he says what he says, 282 00:16:12,280 --> 00:16:24,520 Speaker 1: and I'll positive he said this is this is the 283 00:16:24,560 --> 00:16:29,200 Speaker 1: capital of Perrero, so like Rea, you know, booty shaking 284 00:16:29,400 --> 00:16:31,200 Speaker 1: all of that stuff. Like he's saying, like Puerto Rico 285 00:16:31,240 --> 00:16:33,320 Speaker 1: is the capital of that, and he's like, y'all want 286 00:16:33,320 --> 00:16:37,040 Speaker 1: to be Latino, but y'all missing the seasoning. So again, 287 00:16:37,080 --> 00:16:40,240 Speaker 1: that could be interpreted as a metaphor. When I saw 288 00:16:40,280 --> 00:16:43,720 Speaker 1: it live, I was telling, you know, my brother and 289 00:16:43,800 --> 00:16:45,400 Speaker 1: his homie that was here. I was like, this is 290 00:16:45,440 --> 00:16:48,760 Speaker 1: his a few moments to everybody, basically saying like y'all 291 00:16:49,360 --> 00:16:51,200 Speaker 1: be down, like y'all want to be like us. And 292 00:16:51,240 --> 00:16:52,880 Speaker 1: when I mean us, I mean melanated. You know what 293 00:16:52,880 --> 00:16:55,200 Speaker 1: I'm saying, not just Latino, not just this, but it's 294 00:16:55,240 --> 00:16:58,240 Speaker 1: like y'all missing in the seasoning, bro like like y'all 295 00:16:58,280 --> 00:17:01,240 Speaker 1: niggas is playing y'all white motherfuckers just bland. This is 296 00:17:01,240 --> 00:17:04,440 Speaker 1: why y'all missed the whole the whole point all the time. 297 00:17:04,680 --> 00:17:07,639 Speaker 1: And again that's more thanphorically speaking. That's not necessarily directly 298 00:17:07,640 --> 00:17:10,440 Speaker 1: what the lyrics are saying, but that's how I interpreted, 299 00:17:10,560 --> 00:17:13,680 Speaker 1: especially him being on that light pole where you see 300 00:17:13,760 --> 00:17:16,280 Speaker 1: him and he's kind of like isolated, he's saying that 301 00:17:17,000 --> 00:17:21,000 Speaker 1: song like y'all y'all missing in the seasoning. So this part, 302 00:17:21,000 --> 00:17:23,480 Speaker 1: I love this part. 303 00:17:24,280 --> 00:17:29,080 Speaker 2: They got the season right there though. When I saw that, 304 00:17:29,160 --> 00:17:40,639 Speaker 2: I was like about that, and they did. 305 00:17:40,920 --> 00:17:42,719 Speaker 1: This is one of my favorite songs on his albums. 306 00:17:46,440 --> 00:17:48,520 Speaker 1: And we can stop here, like you know, I think 307 00:17:48,600 --> 00:17:51,640 Speaker 1: I think him mentioning all of the Americas was very 308 00:17:51,680 --> 00:17:55,400 Speaker 1: poignant as well, you know what I'm saying. Oftentimes we 309 00:17:55,440 --> 00:18:00,440 Speaker 1: talk about America as the United States, and America is 310 00:18:00,480 --> 00:18:03,080 Speaker 1: part of the United or the United States is part 311 00:18:03,080 --> 00:18:06,320 Speaker 1: of America, but America encompasses so many more countries, and 312 00:18:06,400 --> 00:18:09,720 Speaker 1: I feel like, you know, as Americans, we exclude ourselves 313 00:18:09,720 --> 00:18:12,520 Speaker 1: from that, but now we're America's it's Canada it's Chile, 314 00:18:12,640 --> 00:18:18,680 Speaker 1: it's Bolivia, it's dr it's all of the Caribbean, it's Brazil, 315 00:18:18,760 --> 00:18:21,520 Speaker 1: it's all of that. So again, I feel like this story, man, 316 00:18:21,680 --> 00:18:23,760 Speaker 1: was just a story of unity and just showing people, 317 00:18:24,359 --> 00:18:27,960 Speaker 1: you know, Puerto Rican culture in general, but it doesn't 318 00:18:28,000 --> 00:18:31,840 Speaker 1: deviate much from the other Latin countries in the Caribbean, 319 00:18:32,040 --> 00:18:35,400 Speaker 1: and it doesn't deviate much from that story of America. 320 00:18:35,640 --> 00:18:40,600 Speaker 1: You know, if you're mellanated, you have family members generations 321 00:18:40,600 --> 00:18:43,560 Speaker 1: ago that worked in the fields, you know what I'm saying. 322 00:18:43,600 --> 00:18:47,760 Speaker 1: So they're Puerto Ricans, you know, black people, Mellenated people 323 00:18:48,320 --> 00:18:50,880 Speaker 1: for at least the ones I know, the ones I've done, 324 00:18:50,880 --> 00:18:52,879 Speaker 1: did that it hip hop way for fifty years. We 325 00:18:52,920 --> 00:18:56,720 Speaker 1: fucked with boxing Puerto Rico, Puerto Ricans in Latin America 326 00:18:56,840 --> 00:18:58,800 Speaker 1: fuck with boxing heavy, you know what I'm saying. So 327 00:18:59,400 --> 00:19:01,960 Speaker 1: this is just a party to show y'all, Like, even 328 00:19:02,000 --> 00:19:04,480 Speaker 1: if you didn't understand the music, bro, and you was 329 00:19:04,520 --> 00:19:06,919 Speaker 1: at this party, if I took y'all to a Latin party, 330 00:19:07,240 --> 00:19:09,080 Speaker 1: y'all will still have a good time, you know what 331 00:19:09,119 --> 00:19:09,520 Speaker 1: I'm saying. 332 00:19:09,560 --> 00:19:14,840 Speaker 2: Like, like those where Rod was at and they wasn't roally 333 00:19:14,880 --> 00:19:15,960 Speaker 2: with me, man, that's that's why. 334 00:19:16,000 --> 00:19:18,280 Speaker 1: That's why. But it is what it is. But yeah, 335 00:19:18,320 --> 00:19:23,119 Speaker 1: you know, I've been seeing a lot of comments, you know, 336 00:19:23,160 --> 00:19:26,879 Speaker 1: whether it be I g Twitter, Facebook, and I'm not 337 00:19:26,920 --> 00:19:30,520 Speaker 1: gonna lie, man, I think with some black people, you know, 338 00:19:30,720 --> 00:19:33,080 Speaker 1: I was a little disappointed by some of the things 339 00:19:33,080 --> 00:19:35,160 Speaker 1: that they said. Shout out to Jamie Fox. I think 340 00:19:35,160 --> 00:19:37,760 Speaker 1: he's been nothing but positive. So was Michael Irvin. So 341 00:19:37,800 --> 00:19:41,040 Speaker 1: it was unk and oo and there's a you know, 342 00:19:41,080 --> 00:19:44,840 Speaker 1: there's more positive black people, but then there are negative. 343 00:19:45,320 --> 00:19:47,760 Speaker 1: But I just I didn't necessarily expect that, you know 344 00:19:47,800 --> 00:19:50,359 Speaker 1: what I'm saying. I really didn't expect that. I thought 345 00:19:50,760 --> 00:19:55,040 Speaker 1: that the visual message was very clear and for some 346 00:19:55,119 --> 00:19:58,119 Speaker 1: people to miss that, you know, even in my own 347 00:19:58,640 --> 00:20:01,160 Speaker 1: you know, extended household, you know what I'm saying, My 348 00:20:01,160 --> 00:20:03,720 Speaker 1: my in laws, you know what I'm saying, that part 349 00:20:03,760 --> 00:20:06,080 Speaker 1: of the family, like it was just like, man, we 350 00:20:06,240 --> 00:20:09,199 Speaker 1: was laws. I didn't get it. And and I'm like, 351 00:20:09,520 --> 00:20:11,399 Speaker 1: you know, my wife, she she loved it, and she 352 00:20:11,520 --> 00:20:14,360 Speaker 1: was over there, and you know, I guess I don't know, man, 353 00:20:14,480 --> 00:20:16,800 Speaker 1: I was just a little disappointed from the melanated folk 354 00:20:17,240 --> 00:20:21,280 Speaker 1: that it was, that it wasn't supported bigger but I 355 00:20:21,440 --> 00:20:23,800 Speaker 1: understand some of the gripes, you know what I'm saying. 356 00:20:24,160 --> 00:20:26,320 Speaker 1: I understand some of the gripes. But I think at 357 00:20:26,320 --> 00:20:27,919 Speaker 1: the end of the day, when we're just judging the 358 00:20:28,000 --> 00:20:30,560 Speaker 1: performance and the visuals of this, it's one of the 359 00:20:30,640 --> 00:20:34,240 Speaker 1: better Super Bowls that we've seen half time performances in 360 00:20:34,320 --> 00:20:37,280 Speaker 1: terms of the story that was conveyed without even knowing 361 00:20:37,320 --> 00:20:39,320 Speaker 1: the words. I think, I think he did a masterful 362 00:20:39,359 --> 00:20:39,760 Speaker 1: job in that. 363 00:20:39,920 --> 00:20:42,359 Speaker 3: Or you know, I give I give people a little 364 00:20:42,359 --> 00:20:46,760 Speaker 3: bit more grace honestly, because like it's the same thing 365 00:20:46,800 --> 00:20:49,040 Speaker 3: with like I said, it's very similar to the Kendrick, Right, 366 00:20:49,160 --> 00:20:54,240 Speaker 3: you got plenty of people that don't understand like Kendrick, 367 00:20:54,359 --> 00:20:57,640 Speaker 3: or don't even care to to understand care. They don't 368 00:20:57,640 --> 00:20:59,239 Speaker 3: want to listen to lyrics, they don't want to they 369 00:20:59,240 --> 00:21:03,199 Speaker 3: don't really care about it message. They just want to party, right, So, 370 00:21:03,520 --> 00:21:07,320 Speaker 3: and you know, historically that's what the Super Bowl's been historically, 371 00:21:07,359 --> 00:21:10,800 Speaker 3: the Super Bowls being you know, everybody partying, dance and whatever. 372 00:21:10,840 --> 00:21:11,199 Speaker 2: Whatever. 373 00:21:11,280 --> 00:21:13,840 Speaker 3: Everybody know they're going to play the biggest hits. Everybody 374 00:21:13,920 --> 00:21:17,840 Speaker 3: knows the songs. But you know, I think in this 375 00:21:18,160 --> 00:21:21,720 Speaker 3: in this climate that we're in, I like the shift 376 00:21:21,840 --> 00:21:27,320 Speaker 3: to messaging, right, some people don't. Some people don't want 377 00:21:27,400 --> 00:21:29,800 Speaker 3: want that. They just they just want to have this 378 00:21:30,000 --> 00:21:32,480 Speaker 3: escape of you know, I just want to party and 379 00:21:32,600 --> 00:21:34,399 Speaker 3: hear some of them old jams I know from my 380 00:21:34,480 --> 00:21:38,000 Speaker 3: favorite artists or whatever. So I do give grace to 381 00:21:38,080 --> 00:21:41,560 Speaker 3: people that, you know, that didn't necessarily understand it but 382 00:21:43,119 --> 00:21:46,320 Speaker 3: or enjoy it. But I do wish they were just like, 383 00:21:46,480 --> 00:21:50,600 Speaker 3: just take some time to understand what's going on in 384 00:21:50,680 --> 00:21:53,760 Speaker 3: the climate and why this is important. Right, I get 385 00:21:53,800 --> 00:21:56,200 Speaker 3: it in the moment where they're not like, oh yeah, 386 00:21:56,200 --> 00:21:58,359 Speaker 3: I didn't enjoy this, but you know, I respect it 387 00:21:58,640 --> 00:22:00,679 Speaker 3: because I see a lot what I I've been seeing this, 388 00:22:00,760 --> 00:22:02,920 Speaker 3: Like I ain't understand the liquor word he's saying, but look, 389 00:22:02,960 --> 00:22:05,000 Speaker 3: I love it for that culture, I love it for 390 00:22:05,160 --> 00:22:05,840 Speaker 3: everything else. 391 00:22:05,880 --> 00:22:08,600 Speaker 1: That's what I've seen that too. I've seen that too, 392 00:22:08,680 --> 00:22:11,119 Speaker 1: And those are the people that like, I'm cool at 393 00:22:11,160 --> 00:22:13,399 Speaker 1: the end of the day, just respect it. But but 394 00:22:13,440 --> 00:22:16,480 Speaker 1: I've seen a lot of millenated people say like hell no, 395 00:22:16,760 --> 00:22:19,800 Speaker 1: like not this that, and the third including Chris Brown 396 00:22:19,880 --> 00:22:22,160 Speaker 1: saying like, you know, the super Bowl needs me, like. 397 00:22:22,480 --> 00:22:23,920 Speaker 3: He had to shut down, he had to shut down 398 00:22:23,960 --> 00:22:26,560 Speaker 3: his Instagram. 399 00:22:26,640 --> 00:22:29,199 Speaker 1: Yeah I didn't know. I didn't I didn't know it. 400 00:22:29,240 --> 00:22:32,240 Speaker 2: Was getting bad. Yeah nah, he he. I know he 401 00:22:32,359 --> 00:22:32,960 Speaker 2: regrets that. 402 00:22:33,080 --> 00:22:34,920 Speaker 3: He definitely regrets saying that. 403 00:22:35,080 --> 00:22:35,119 Speaker 2: No. 404 00:22:35,880 --> 00:22:39,639 Speaker 3: But but but again that for example, right, his shows 405 00:22:39,680 --> 00:22:41,560 Speaker 3: are crazy, Like you know what I'm saying, People know 406 00:22:41,640 --> 00:22:45,240 Speaker 3: what songs. Everybody knows his song, So yeah, he probably 407 00:22:45,240 --> 00:22:47,159 Speaker 3: would have had a better performance on a on a 408 00:22:47,240 --> 00:22:49,679 Speaker 3: on a on a popular scale, right on a on 409 00:22:49,720 --> 00:22:52,199 Speaker 3: a on a massive scale, like everybody would have been 410 00:22:52,200 --> 00:22:55,200 Speaker 3: in their house singing Chris Brown songs and dancing. That's 411 00:22:55,240 --> 00:22:57,919 Speaker 3: just that's just the facts. They're not going to do 412 00:22:57,960 --> 00:22:59,920 Speaker 3: it to this. And and I don't think this was that, 413 00:23:00,320 --> 00:23:02,080 Speaker 3: you know what I'm saying. And I like the fact 414 00:23:02,080 --> 00:23:03,840 Speaker 3: that this wasn't that the same way I like that 415 00:23:03,960 --> 00:23:04,760 Speaker 3: Kendricks wasn't that. 416 00:23:05,480 --> 00:23:06,600 Speaker 1: Did You played a lot of B. 417 00:23:06,720 --> 00:23:08,960 Speaker 3: Sides in his performance and it was more about the 418 00:23:09,000 --> 00:23:14,760 Speaker 3: messaging and the disc to uh to to Drake, so 419 00:23:15,359 --> 00:23:17,280 Speaker 3: you know, and people rock with that because they knew 420 00:23:17,280 --> 00:23:20,280 Speaker 3: the songs. Bad Bunny had a lot going against some 421 00:23:20,400 --> 00:23:22,960 Speaker 3: when it came to millenated folks because one, a lot 422 00:23:22,960 --> 00:23:25,159 Speaker 3: of a lot of us didn't understand the language. A 423 00:23:25,200 --> 00:23:28,920 Speaker 3: lot of us didn't know the songs and and yeah, 424 00:23:29,000 --> 00:23:31,359 Speaker 3: so so I think that those are major things, right 425 00:23:32,280 --> 00:23:35,040 Speaker 3: because yeah, yeah, I just think those are major things 426 00:23:35,040 --> 00:23:38,560 Speaker 3: that that you know, that people just disconnected from. 427 00:23:38,720 --> 00:23:42,360 Speaker 2: Yeah, it was dope. I think the response and reaction 428 00:23:42,880 --> 00:23:46,560 Speaker 2: to be expected. You know, nothing's going to be one hundred. 429 00:23:48,600 --> 00:23:53,960 Speaker 2: And you know, kendn Lamar had a similar thing. You know, 430 00:23:54,119 --> 00:23:58,919 Speaker 2: this one was amplified because of the political backlash that 431 00:23:59,040 --> 00:24:04,560 Speaker 2: preceded it and the political backlash that's in place after 432 00:24:04,640 --> 00:24:08,760 Speaker 2: it's done. Over time, that's going to die down. Bad 433 00:24:08,800 --> 00:24:11,000 Speaker 2: Bunny stayed focused, He went out there, He did what 434 00:24:11,080 --> 00:24:14,639 Speaker 2: he needed to do. He represented and the people that 435 00:24:14,800 --> 00:24:17,679 Speaker 2: watched and got it and felt and understood it, they 436 00:24:17,760 --> 00:24:20,280 Speaker 2: walked away and they were happy and appreciative that they 437 00:24:20,280 --> 00:24:24,000 Speaker 2: had that moment. And there may have been some people 438 00:24:24,000 --> 00:24:27,320 Speaker 2: that converted over. You know. I think the thing that 439 00:24:27,359 --> 00:24:31,480 Speaker 2: I've really found interesting was that, you know, I know, 440 00:24:31,720 --> 00:24:33,520 Speaker 2: you know Dead and sports that we're talking about was 441 00:24:33,560 --> 00:24:36,600 Speaker 2: Spike was saying this is a political statement, and I 442 00:24:37,200 --> 00:24:38,880 Speaker 2: think I even said in the Dead in sports Chat, 443 00:24:39,000 --> 00:24:42,320 Speaker 2: this is not a political statement. This is uh, I'm 444 00:24:42,359 --> 00:24:46,199 Speaker 2: going to make money statement. And the NFL is a 445 00:24:46,560 --> 00:24:52,040 Speaker 2: very very extremely powerful brand that can do whatever it 446 00:24:52,280 --> 00:24:54,800 Speaker 2: wants to do. For the most part, this will be 447 00:24:54,840 --> 00:24:57,400 Speaker 2: over and done with that year, they'll be back watching 448 00:24:57,480 --> 00:24:59,800 Speaker 2: the super Bowl again. That year they'll be back watching 449 00:24:59,840 --> 00:25:02,960 Speaker 2: the Have Time again, et cetera. Except nothing's gonna change, 450 00:25:03,000 --> 00:25:07,320 Speaker 2: just all just a bunch of you know talk right now, 451 00:25:07,480 --> 00:25:09,520 Speaker 2: you know, from from a lot of those those people, 452 00:25:10,040 --> 00:25:14,080 Speaker 2: and even I saw somebody posted on Twitter with earbuzz 453 00:25:14,160 --> 00:25:17,840 Speaker 2: and watching the Turning Point us a thing, which that 454 00:25:18,000 --> 00:25:20,000 Speaker 2: was a dud. I don't care how many numbers they got. 455 00:25:20,040 --> 00:25:22,400 Speaker 2: It was. It was a dud. It was pre recorded, 456 00:25:22,840 --> 00:25:24,800 Speaker 2: it was it didn't hit in the way they did 457 00:25:24,840 --> 00:25:27,680 Speaker 2: because they couldn't get anybody to get to perform. So 458 00:25:28,040 --> 00:25:30,359 Speaker 2: you know, people kept dropping off or something like that. 459 00:25:30,480 --> 00:25:33,840 Speaker 2: Right now. I think that was the other thing that 460 00:25:33,840 --> 00:25:36,360 Speaker 2: they had going on. Oh okay, yeah, yeah, this was 461 00:25:36,440 --> 00:25:40,800 Speaker 2: this was different. So and you know, the NFL will 462 00:25:40,800 --> 00:25:45,040 Speaker 2: be here next year the year after when Trump is gone, 463 00:25:45,119 --> 00:25:47,800 Speaker 2: when all these racist people that are upset about it 464 00:25:48,560 --> 00:25:51,719 Speaker 2: or dead. Like. The funny thing is, it's like there 465 00:25:51,800 --> 00:25:58,720 Speaker 2: have been other look Latin artists that performed before. Yeah, 466 00:25:58,800 --> 00:26:01,840 Speaker 2: but it was English, but it was like I get it. 467 00:26:01,920 --> 00:26:07,560 Speaker 2: English here's the thing though, which right, but they were 468 00:26:07,640 --> 00:26:10,600 Speaker 2: mad before they even knew he was going to do 469 00:26:10,640 --> 00:26:14,359 Speaker 2: the whole thing in English. They paid somebody Puerto Rican. 470 00:26:14,920 --> 00:26:17,359 Speaker 3: Oh yeah, because they already knew what Tommony was. They are. 471 00:26:17,560 --> 00:26:20,000 Speaker 3: I think they already knew what was about that. 472 00:26:20,320 --> 00:26:24,800 Speaker 2: I think yeah, it was about yeah, yeah, so you know, 473 00:26:24,840 --> 00:26:27,960 Speaker 2: I was like, man, we had Shakira, we had j Lo. 474 00:26:28,840 --> 00:26:30,760 Speaker 2: You know, it's like, what do you think they are? 475 00:26:32,200 --> 00:26:34,040 Speaker 2: And and others like, come on, man. 476 00:26:35,200 --> 00:26:37,560 Speaker 3: I think they I think they give them pastes can 477 00:26:37,640 --> 00:26:40,000 Speaker 3: because they do their music, like a lot of their 478 00:26:40,040 --> 00:26:43,960 Speaker 3: music in English or whatever, and that's what they're going 479 00:26:44,040 --> 00:26:46,439 Speaker 3: to perform. Like I said, history, that's what they're going 480 00:26:46,520 --> 00:26:49,080 Speaker 3: to do. They're not gonna, you know, go too far 481 00:26:49,080 --> 00:26:50,119 Speaker 3: outside their wheelhouse. 482 00:26:50,160 --> 00:26:51,560 Speaker 2: They might do it maybe. 483 00:26:51,359 --> 00:26:54,160 Speaker 3: One or a portion of the song in their language, 484 00:26:54,200 --> 00:26:56,840 Speaker 3: but then they're going to make sure that everything is 485 00:26:56,880 --> 00:27:03,359 Speaker 3: quote unquote palatable for for everyone, right or for English 486 00:27:03,359 --> 00:27:09,160 Speaker 3: speaking people. But but yeah, so I loved I love 487 00:27:09,200 --> 00:27:10,760 Speaker 3: that he did the whole thing like that. I'm like, 488 00:27:10,840 --> 00:27:14,119 Speaker 3: look for the culture, you know what I'm saying, Like 489 00:27:14,119 --> 00:27:15,800 Speaker 3: like you know what I'm saying, like anything that made 490 00:27:15,800 --> 00:27:17,639 Speaker 3: white people that. 491 00:27:21,000 --> 00:27:23,520 Speaker 1: You know. The other thing too, to add to that, 492 00:27:23,760 --> 00:27:26,359 Speaker 1: was I love the fact he didn't put it in subtitles. 493 00:27:26,840 --> 00:27:28,640 Speaker 1: You know what I'm saying, Like, either you know it, 494 00:27:29,080 --> 00:27:31,000 Speaker 1: and if you don't and you want to know it, 495 00:27:31,080 --> 00:27:32,720 Speaker 1: go look it up on your own time, you know 496 00:27:32,760 --> 00:27:35,639 Speaker 1: what I'm saying. So I was I was cool with 497 00:27:35,680 --> 00:27:37,919 Speaker 1: that too. You know, I think it would have helped 498 00:27:38,400 --> 00:27:40,320 Speaker 1: make it a little bit more palatable for the people 499 00:27:40,359 --> 00:27:42,280 Speaker 1: that don't know. You know what I'm saying. But at 500 00:27:42,280 --> 00:27:44,679 Speaker 1: the same time, I get it from an artistic perspective too, 501 00:27:44,840 --> 00:27:47,440 Speaker 1: like go check it out, bro, I'm gonna close it here. 502 00:27:47,520 --> 00:27:49,159 Speaker 1: I know I made the you know, I mean, I 503 00:27:49,200 --> 00:27:50,800 Speaker 1: was jump out the window, I said. I thought it 504 00:27:50,840 --> 00:27:53,240 Speaker 1: was going to be the most watched. It's the fourth 505 00:27:53,560 --> 00:27:58,800 Speaker 1: most watched Super Bowl halftime show. Early numbers was indicating 506 00:27:58,840 --> 00:28:00,879 Speaker 1: it was trending to like one hundred forty two million. 507 00:28:02,160 --> 00:28:05,880 Speaker 1: That being said, also, they're not including YouTube views. As 508 00:28:05,920 --> 00:28:11,840 Speaker 1: of today, on what's today's day, the eleventh, it has 509 00:28:11,920 --> 00:28:15,600 Speaker 1: seventy two million views on YouTube, you know what I'm saying, 510 00:28:15,640 --> 00:28:18,600 Speaker 1: which is kind of crazy in my opinion. Yeah, so, 511 00:28:18,760 --> 00:28:21,080 Speaker 1: you know, like he's doing numbers and I think they're 512 00:28:21,080 --> 00:28:24,520 Speaker 1: still working on getting the international numbers too. But at 513 00:28:24,520 --> 00:28:26,400 Speaker 1: the end of the day, man, you know, I think 514 00:28:26,440 --> 00:28:29,200 Speaker 1: it was a damn good performance if you feel bothered 515 00:28:29,520 --> 00:28:31,280 Speaker 1: and this is and I wanted to end with this 516 00:28:31,359 --> 00:28:33,840 Speaker 1: comment as well. I saw this white man post somewhere 517 00:28:33,840 --> 00:28:36,720 Speaker 1: on Facebook that he said, the people that are complaining 518 00:28:37,400 --> 00:28:40,320 Speaker 1: and that feel that they needed a whole nother halftime 519 00:28:40,320 --> 00:28:42,680 Speaker 1: show are the same ones that feel that they needed 520 00:28:42,680 --> 00:28:46,000 Speaker 1: a different water fountain and a different bathroom. So keep 521 00:28:46,040 --> 00:28:49,000 Speaker 1: telling on yourself. And that's exactly how I feel about 522 00:28:49,000 --> 00:28:52,520 Speaker 1: this the end of the day. Respect it, respect the culture. 523 00:28:53,480 --> 00:28:56,440 Speaker 1: If you can't, then that says more about you than 524 00:28:56,480 --> 00:28:59,440 Speaker 1: it says the people that are messing with it. So 525 00:29:00,440 --> 00:29:03,480 Speaker 1: you know, it is what it is again, Latino, y'ah. 526 00:29:04,600 --> 00:29:06,520 Speaker 1: You know, I'm pretty sure it's only like less than 527 00:29:06,520 --> 00:29:10,160 Speaker 1: one percent that watch this, But you know, hey, I represent, right, 528 00:29:10,480 --> 00:29:13,280 Speaker 1: I represent shout out to y'all. But we'll catch you 529 00:29:13,320 --> 00:29:15,160 Speaker 1: on another one man. Then in hip hop, we out 530 00:29:15,280 --> 00:29:15,600 Speaker 1: Priest