WEBVTT - Patreon Voted: Ghost in the Shell (30th Anniversary)

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<v Speaker 1>The Frames per Second Podcast.

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<v Speaker 2>Okay, welcome to another episode of The Frames per Second Podcast.

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<v Speaker 3>I'm your host for the evening. My name is Mike.

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<v Speaker 2>Next to me, I have Spike next to Spike, I

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<v Speaker 2>have Ken next to Ken. I havena Hey, hey, Nay and.

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<v Speaker 3>Uh next to Nay. We have Rod. But let's get

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<v Speaker 3>back to Nay. What's going going on there? Not much chilling?

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<v Speaker 3>Are you still continuing your anime quest?

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<v Speaker 4>I am still in dabbling in the anime streets. I

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<v Speaker 4>haven't watched a lot to too recently, but I really

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<v Speaker 4>am trying to get through Yeah, I'm trying to get

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<v Speaker 4>through that. K Yeah, that I'm trying to I'm I'm like,

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<v Speaker 4>try struggling through season one and I'm like I think,

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<v Speaker 4>I'm like, I don't want to watch anything else until

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<v Speaker 4>I'm able.

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<v Speaker 3>To get through that.

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<v Speaker 1>I'm on season two, but I don't know what the

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<v Speaker 1>going on.

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<v Speaker 4>I heard season two was a lot better. I want

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<v Speaker 4>to get into Chainsaw Man because I had a desire

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<v Speaker 4>to see the movie when it came out, but I

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<v Speaker 4>was told that I need.

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<v Speaker 3>To watch the show and the movie.

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<v Speaker 4>Yeah, but I heard you kind of need to have

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<v Speaker 4>an understanding of what's going on. So I was like, well,

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<v Speaker 4>I'll just catch it after I watched the show.

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<v Speaker 5>So that is a new movie that's out in theaters. Okay,

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<v Speaker 5>I thought it was doing like an anniversary. Yeah, that's

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<v Speaker 5>what I thought they were doing.

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<v Speaker 4>Yeah, but yeah, I'm still I'm stealing these anime streets.

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<v Speaker 3>So was this your first time watching ghost in the show?

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<v Speaker 4>Was?

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<v Speaker 3>Okay? Where'd you think? It was?

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<v Speaker 4>Pretty? It was pretty. I really liked they call an

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<v Speaker 4>cinema size. I like the animation. It reminded me of

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<v Speaker 4>you remember the Perfect Blue that you did talk It

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<v Speaker 4>reminded me of that. I thought the story was all

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<v Speaker 4>in all, it was cool.

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<v Speaker 2>Okay, all right, let's go ahead, stick with the rights.

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<v Speaker 3>Are they both wrong today?

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<v Speaker 1>No?

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<v Speaker 3>I started off thinking it was cool.

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<v Speaker 5>But nah, but nah, but now I was like, no,

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<v Speaker 5>this is this is actually really good.

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<v Speaker 3>I have my is it is it? Has it always

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<v Speaker 3>been in English?

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<v Speaker 1>No?

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<v Speaker 6>Oh?

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<v Speaker 1>Okay?

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<v Speaker 2>Oh no, I should have told y'all because the translation

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<v Speaker 2>is not great.

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<v Speaker 4>Okay, translation, that makes me feel better.

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<v Speaker 3>Oh my god, that's the part.

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<v Speaker 5>Yeah, everything else was good, and see this is this

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<v Speaker 5>is one of those rare ocasions where I'm like, I

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<v Speaker 5>probably need the original version because the.

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<v Speaker 4>Give it to it.

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<v Speaker 3>Oh, I meant to tell y'all that I forgot. Yeah,

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<v Speaker 3>that was it was bad.

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<v Speaker 5>Like the dub dub version in this, I did not

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<v Speaker 5>like the main girl, like she sounded like Siri.

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<v Speaker 3>Yeah, And I was just like, yeah, I think that's.

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<v Speaker 4>What I think. That's probably what took me out. I

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<v Speaker 4>was like, this is too dialogue heavy for it to

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<v Speaker 4>just kind of be so flat.

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<v Speaker 5>Yeah, so I had to take I had to take

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<v Speaker 5>that out, right, I had to take that part out of them, Like, okay,

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<v Speaker 5>so maybe this wasn't like the way initially was supposed

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<v Speaker 5>to be releasing. So once I removed that, I was

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<v Speaker 5>just like and just looking at the visuals of it all,

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<v Speaker 5>like the storytelling it of it all.

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<v Speaker 3>I was just like, oh, yeah, no, this is this

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<v Speaker 3>is pretty good. This is pretty good. Yeah cool, all right, Ken,

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<v Speaker 3>what did you think?

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<v Speaker 1>I enjoyed it?

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<v Speaker 7>You know, I think watching it, I was thinking, damn,

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<v Speaker 7>why why didn't nobody really tell me about this before?

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<v Speaker 7>Which I'm probably sure that no, no, no they didn't,

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<v Speaker 7>but I always heard it was good. But this is

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<v Speaker 7>like what they were talking about, what they were doing,

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<v Speaker 7>It's right on my alley, bro sci fi cyborg shit.

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<v Speaker 7>You know, all the ship that they were doing, the

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<v Speaker 7>discussions about what is life?

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<v Speaker 1>What is it all? All the other ship you know,

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<v Speaker 1>the future. Yeah, this was this was it? So yeah, yeah,

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<v Speaker 1>I definitely enjoyed it.

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<v Speaker 3>Did you make it through it?

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<v Speaker 1>Barely? Barely?

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<v Speaker 3>I think my first experience with anime.

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<v Speaker 1>Oh yeah, so.

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<v Speaker 5>All some other stuff out that spite you be like this.

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<v Speaker 4>Didn't participate in the cure then yeah, if you would

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<v Speaker 4>have liked to cure more harder.

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<v Speaker 3>To understanding this.

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<v Speaker 4>It gets a little wilder. Like by the end, it's

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<v Speaker 4>like the story gets a little weirder, and this pretty.

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<v Speaker 3>Much stays what it is.

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<v Speaker 6>Yeah, okay, yeah this was flat. You used to correct

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<v Speaker 6>word you said. It's pretty flat. For me, nothing really

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<v Speaker 6>jumped out. The story wasn't great. I was surprised that

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<v Speaker 6>so many cartoons.

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<v Speaker 7>Oh yeah, the anime is play in that world. I

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<v Speaker 7>love it, bro, that's why all the.

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<v Speaker 1>Kids be watching this get dress and like that.

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<v Speaker 2>And the funniest thing is if you look at it

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<v Speaker 2>on Hulu was it not Hulu TV? It says that

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<v Speaker 2>it is TV fourteen, that's what it's rated. But it's

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<v Speaker 2>tons of nudity in the film. But I guess because

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<v Speaker 2>it's cartoon and it's like graphic titty nudity, like he.

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<v Speaker 3>Can't hear right, no, no, no, no, he's corrected.

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<v Speaker 2>All right, I expect you not to like it, but yeah,

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<v Speaker 2>these are the types of anime that I like.

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<v Speaker 3>The cerebral ones like I.

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<v Speaker 2>Can't do the one pieces and the I forget the

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<v Speaker 2>one that jayalen Ke's bugging me about the fact that

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<v Speaker 2>I haven't finished watching.

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<v Speaker 3>Attack on Titan.

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<v Speaker 2>No, I gave up on that one too, but no,

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<v Speaker 2>it's the one that they made they made it into

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<v Speaker 2>a live action show watch TV Avatar.

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<v Speaker 1>Yeah.

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<v Speaker 3>Yeah, it's like, these don't do it for me.

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<v Speaker 2>But these weird ones that are just like all over

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<v Speaker 2>the place, and these are the ones that.

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<v Speaker 3>I really really like.

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<v Speaker 2>So we're gonna go ahead and jump into this and

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<v Speaker 2>throw us out for anybody that wants to take it.

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<v Speaker 3>We're dropped, that's what that's what.

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<v Speaker 1>Bill.

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<v Speaker 2>Put your ghost in my shell, Bill put it in

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<v Speaker 2>my shell.

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<v Speaker 3>All right.

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<v Speaker 2>We're dropped into a world where society has been over computerized,

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<v Speaker 2>but there's still a focus on nations and races, and

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<v Speaker 2>we meet Matoku Kusinagi, who leads a strike team and

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<v Speaker 2>ends up assassinating a foreign diplomat who's trying to smuggle

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<v Speaker 2>a programmer out. Now, I'm gonna be totally honest. I

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<v Speaker 2>can still remember when I first watched this movie. I

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<v Speaker 2>had to watch this part like twelve times because I

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<v Speaker 2>was like, I don't understand what the fun just happened?

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<v Speaker 5>Really, yes, because I was just huh no, I'm saying,

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<v Speaker 5>I'm sing, go ahead, U was about displaying.

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<v Speaker 3>Oh.

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<v Speaker 2>I was just gonna say, like though, I couldn't understand

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<v Speaker 2>why she killed him and what he was trying to do.

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<v Speaker 2>And I remember when I first watched it, I was like,

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<v Speaker 2>this doesn't make any sense. It's because I watched the

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<v Speaker 2>dubya the subtitles.

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<v Speaker 3>It makes a lot more sense.

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<v Speaker 4>But well, I watched the dub version with the subtitles.

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<v Speaker 4>It helped a little bit.

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<v Speaker 1>M hmm.

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<v Speaker 4>But I can I can see I can see why

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<v Speaker 4>because I think.

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<v Speaker 3>This was the point. I was like, wait a minute, let.

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<v Speaker 4>Me put the subtitles on. Yeah, what she just unplugged

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<v Speaker 4>herself and then she dropped, and she like, what are

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<v Speaker 4>they doing? What about a passport? So yeah, I put

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<v Speaker 4>this is when I put the subtitles on.

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<v Speaker 5>My first thaw was like, why she had to take

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<v Speaker 5>off her clothes because she had in the suit?

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<v Speaker 3>Right, So I picked up on that like a little later.

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<v Speaker 5>I was just like, man, why why they gotta show

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<v Speaker 5>what titties? And like I didn't understand immediately, Like.

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<v Speaker 3>But let me hit you with this. Well, it's not

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<v Speaker 3>really about the suit. You remember the guy that had

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<v Speaker 3>the hoodie, Yeah, he wasn't ugget. We'll get we'll get well,

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<v Speaker 3>we'll get to it. We'll get to it. Do you

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<v Speaker 3>think this part was cool for what I understood it? Yeah,

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<v Speaker 3>Like you said, I ain't watched.

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<v Speaker 6>I should have cut the subtitles on like they said,

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<v Speaker 6>but I did watch that first part twice.

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<v Speaker 3>To your point, it's like why why she just shoot him?

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<v Speaker 4>And who was like yeah, so I thought it looked

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<v Speaker 4>though it made me.

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<v Speaker 3>Feel like a flux.

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<v Speaker 4>I can see that, so I was like and I

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<v Speaker 4>used to love watching. I was like, oh this And

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<v Speaker 4>they came out around the same time, so I was

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<v Speaker 4>kind of like, oh, yeah, this is real aon fluxy.

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<v Speaker 4>I'm digging it.

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<v Speaker 5>I think I think I figured that that what you

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<v Speaker 5>just that question you had out she was she had

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<v Speaker 5>the natural skin that was thermo or whatever that can

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<v Speaker 5>be camouflage, and he had to have the cloak in

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<v Speaker 5>order to do that.

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<v Speaker 3>He wasn't fully like how she was.

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<v Speaker 2>That's what it is, right, Yeah, partly, but it's also because,

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<v Speaker 2>in my opinion, I don't think she understands like the

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<v Speaker 2>whole idea of shame because she's not used to this.

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<v Speaker 2>Like we'll get to it, but like when she gets

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<v Speaker 2>naked on the boat, she just does it like it's

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<v Speaker 2>no big deal.

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<v Speaker 3>But Bato like shifts his head away.

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<v Speaker 2>I think she just doesn't really even factor in that

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<v Speaker 2>you're not supposed to be running around naked interesting, you know,

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<v Speaker 2>because there's.

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<v Speaker 3>No sexualizing here.

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<v Speaker 2>Yeah, it's like, yeah, the whole nude versus is a

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<v Speaker 2>nude versus naked that they that they teach you like

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<v Speaker 2>one is like nude is just like you have no

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<v Speaker 2>shame and there's nothing weird about it, but naked is like, oh,

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<v Speaker 2>I'm supposed to be covered up, you know what I'm saying,

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<v Speaker 2>All like new beaches that's what they call, right, and

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<v Speaker 2>not naked beaches.

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<v Speaker 4>Because she was she was ghosted as a kid.

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<v Speaker 3>Right, Yeah, she was. She was. She was ghosted as

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<v Speaker 3>a kid.

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<v Speaker 2>From what I understand, at least and she never really

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<v Speaker 2>factored in this whole idea of what sexualizing even means.

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<v Speaker 2>So that's why she's completely fine getting but assed, neked

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<v Speaker 2>and jumping off of buildings and shit. But this moves

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<v Speaker 2>into the title sequence, which shows a cyborg being created.

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<v Speaker 2>What did y'all think of this or what did you

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<v Speaker 2>take from it?

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<v Speaker 3>I really liked the music. The music They nailed that.

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<v Speaker 5>Like it, Like, I'm really big on music soundtrack even

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<v Speaker 5>when I create my videos, and it gives like a

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<v Speaker 5>certain feeling without the dialogue.

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<v Speaker 3>They really do that a.

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<v Speaker 5>Few times in this movie, and I was just like, man,

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<v Speaker 5>that's that's really good to be able to tell story

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<v Speaker 5>with music, draw motion or whatever. So nah, that was

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<v Speaker 5>the one thing that I liked about that. I was

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<v Speaker 5>a little confused about the brain thing until later I

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<v Speaker 5>kind of figured out what was kind of going on

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<v Speaker 5>with that because at first it showed like a human brain,

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<v Speaker 5>but then it showed like a cyborg type brain. So

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<v Speaker 5>what I never quite understood that part.

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<v Speaker 3>That's a question for the room. Did anybody else take

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<v Speaker 3>something from them?

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<v Speaker 4>I didn't take that from that, But my understanding is

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<v Speaker 4>it's kind of like affusing and the ghost is like

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<v Speaker 4>the human element of whatever was taken from that brain.

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<v Speaker 4>So that's where the concept of their souls and their

0:10:33.160 --> 0:10:36.760
<v Speaker 4>spirits come into into place. So and yeah, so that's

0:10:36.800 --> 0:10:40.040
<v Speaker 4>where the concept of like your soul, how much soul

0:10:40.120 --> 0:10:42.199
<v Speaker 4>do you have? Like how much of that human brain

0:10:42.679 --> 0:10:46.280
<v Speaker 4>human memory do you actually have in this cyborg?

0:10:46.920 --> 0:10:47.599
<v Speaker 3>Yeah?

0:10:47.840 --> 0:10:51.439
<v Speaker 2>So did anybody get like a representation of childbirth from

0:10:52.880 --> 0:10:54.520
<v Speaker 2>when she was in the feudal position?

0:10:55.000 --> 0:10:57.480
<v Speaker 4>Very much? So, Yeah, like an embryo type of situation.

0:10:57.600 --> 0:10:59.560
<v Speaker 5>Yeah, I can't say. I can't say I picked up

0:10:59.600 --> 0:11:02.520
<v Speaker 5>on that ming out of the water and all that.

0:11:02.640 --> 0:11:04.600
<v Speaker 3>Yeah, I didn't. I didn't pick up on that at first.

0:11:05.000 --> 0:11:08.880
<v Speaker 2>Yeah, all right, I'm gonna ask Ken because Ken over

0:11:08.880 --> 0:11:11.480
<v Speaker 2>they're not saying ship So Ken, she wakes up in

0:11:11.520 --> 0:11:15.120
<v Speaker 2>a completely dark room before going to the office where

0:11:15.120 --> 0:11:18.439
<v Speaker 2>they're examining another cyborg whose brain was hacked by someone

0:11:18.440 --> 0:11:19.360
<v Speaker 2>called the puppet Master.

0:11:19.960 --> 0:11:21.160
<v Speaker 3>So what do you think of this scene?

0:11:23.280 --> 0:11:28.160
<v Speaker 1>I'm trying to remember it because I was half pantention.

0:11:30.320 --> 0:11:32.800
<v Speaker 2>That. By the way, commenter, who I told you I

0:11:32.880 --> 0:11:34.120
<v Speaker 2>was gonna bring it to the crew. I haven't done

0:11:34.160 --> 0:11:37.360
<v Speaker 2>it yet, but we're gonna talk to Ken later. They

0:11:37.360 --> 0:11:40.320
<v Speaker 2>were getting on to us about that ship watching stuff

0:11:40.480 --> 0:11:42.199
<v Speaker 2>half asleep and not paying attention. They're like, how a

0:11:42.240 --> 0:11:45.720
<v Speaker 2>y'all reviewing it if you're not paying attention? Here their

0:11:45.880 --> 0:11:46.640
<v Speaker 2>very next review.

0:11:46.640 --> 0:11:47.160
<v Speaker 3>Here you go.

0:11:47.559 --> 0:11:48.960
<v Speaker 1>I was walking around doing stuff.

0:11:49.520 --> 0:11:50.720
<v Speaker 3>That's exactly what the dude said.

0:11:50.760 --> 0:11:52.079
<v Speaker 2>He's like, how do you put a movie on them

0:11:52.080 --> 0:11:53.520
<v Speaker 2>walking around doing stuff and then review it?

0:11:53.559 --> 0:11:54.520
<v Speaker 3>There are people that do that.

0:11:54.960 --> 0:11:58.320
<v Speaker 1>Can I do it a lot? I didn't think it

0:11:58.360 --> 0:12:00.600
<v Speaker 1>was going to be import you can ask.

0:12:03.880 --> 0:12:05.800
<v Speaker 2>Yeah, you gotta payt to this one. Well, we ain't

0:12:05.800 --> 0:12:12.400
<v Speaker 2>asking you no more, Spike. Okay, what did anybody think

0:12:13.320 --> 0:12:13.600
<v Speaker 2>it was?

0:12:14.000 --> 0:12:17.320
<v Speaker 4>It seemed very style, like a very stylized moment with

0:12:17.360 --> 0:12:19.800
<v Speaker 4>her in front of the window, and I felt like,

0:12:21.000 --> 0:12:23.600
<v Speaker 4>maybe it's watching this whole thing. I felt like, damn,

0:12:23.679 --> 0:12:25.440
<v Speaker 4>I wish I was there at the time. I wish

0:12:25.520 --> 0:12:27.840
<v Speaker 4>I had watched this when it came out, because, like

0:12:27.960 --> 0:12:29.960
<v Speaker 4>certain scenes in the Kira, I feel like that was

0:12:29.960 --> 0:12:33.240
<v Speaker 4>probably like the stylized thing, like the motorcycle in a

0:12:33.320 --> 0:12:35.680
<v Speaker 4>Kira that's probably fed into other media.

0:12:37.520 --> 0:12:39.480
<v Speaker 5>Interesting, And this was supposed to be in twenty twenty

0:12:39.559 --> 0:12:40.840
<v Speaker 5>nine or something like that.

0:12:41.160 --> 0:12:45.319
<v Speaker 3>Yeah, yeah, a few years away, and it was pretty accurate, right, So.

0:12:45.280 --> 0:12:50.520
<v Speaker 5>It's pretty accurate, yeah with all the yeah, yeah, yeah, yeah,

0:12:50.679 --> 0:12:53.400
<v Speaker 5>that's one of my favorite things about this movie.

0:12:53.440 --> 0:12:54.400
<v Speaker 3>But yeah, I think that.

0:12:56.720 --> 0:13:00.520
<v Speaker 2>So yeah, so the the puppet Master, they think that

0:13:00.559 --> 0:13:03.880
<v Speaker 2>he was going to target some political talks between them

0:13:03.920 --> 0:13:05.920
<v Speaker 2>and another nation, and they think that the pulp Master

0:13:06.000 --> 0:13:08.839
<v Speaker 2>was going to hacken and then kill people at the

0:13:08.960 --> 0:13:11.240
<v Speaker 2>at the place. But yeah, I thought that was kind

0:13:11.280 --> 0:13:13.600
<v Speaker 2>of interesting. But uh, now this one, I hope people

0:13:13.600 --> 0:13:15.280
<v Speaker 2>have some takes here. What did y'all think of a

0:13:15.320 --> 0:13:21.319
<v Speaker 2>conversation between Buttgutku and Togusa.

0:13:22.760 --> 0:13:24.640
<v Speaker 3>He's the one that has the revolver.

0:13:26.920 --> 0:13:29.200
<v Speaker 4>I thought it was interesting how she said that he's

0:13:29.200 --> 0:13:31.600
<v Speaker 4>more human than she was, right, That's what I took

0:13:31.640 --> 0:13:33.960
<v Speaker 4>from it, and her saying that she picked him because

0:13:34.080 --> 0:13:37.959
<v Speaker 4>essentially he is a flawed human and that gave her

0:13:38.000 --> 0:13:41.840
<v Speaker 4>a certain a certain point of view that other sections

0:13:41.920 --> 0:13:44.280
<v Speaker 4>or departments didn't necessarily have, right.

0:13:45.840 --> 0:13:48.800
<v Speaker 1>I was confused about the section sits A Section nine

0:13:49.559 --> 0:13:53.320
<v Speaker 1>department was evil and when was it?

0:13:56.080 --> 0:13:56.320
<v Speaker 3>Right?

0:13:56.480 --> 0:13:56.840
<v Speaker 1>Yeah?

0:13:57.000 --> 0:13:57.200
<v Speaker 3>Right?

0:13:57.800 --> 0:14:00.640
<v Speaker 5>But but the Section nine was supposed to be the

0:14:00.679 --> 0:14:03.640
<v Speaker 5>powerful one, right, the one that that was for the good,

0:14:04.080 --> 0:14:07.960
<v Speaker 5>That's the one that was on she was on the

0:14:07.960 --> 0:14:09.280
<v Speaker 5>Section nine team, right, that.

0:14:09.640 --> 0:14:12.280
<v Speaker 3>Ye, section, I might get him backwards, I might get

0:14:12.360 --> 0:14:12.640
<v Speaker 3>him there.

0:14:12.720 --> 0:14:16.240
<v Speaker 2>Section one one one section was the one that was

0:14:16.280 --> 0:14:21.640
<v Speaker 2>responsible for the puppet Master, and then the other one

0:14:21.920 --> 0:14:25.680
<v Speaker 2>was the one that Okay, section six created the puppet Master.

0:14:25.760 --> 0:14:29.040
<v Speaker 3>So yeah, so yeah, section nine, I think section she

0:14:29.120 --> 0:14:29.880
<v Speaker 3>was on yep.

0:14:30.080 --> 0:14:32.080
<v Speaker 2>So did y'all take anything from them talking about the

0:14:32.120 --> 0:14:33.880
<v Speaker 2>revolver versus the automatic weapon?

0:14:34.440 --> 0:14:37.520
<v Speaker 3>What was that first to worry about getting stuck? Right?

0:14:37.560 --> 0:14:38.560
<v Speaker 3>And she was? She was.

0:14:38.640 --> 0:14:42.320
<v Speaker 2>She was saying how he's more comfortable using a revolver

0:14:42.480 --> 0:14:46.640
<v Speaker 2>instead of using an automatic weapon. And I always took

0:14:46.680 --> 0:14:49.880
<v Speaker 2>that as a representation of themselves, like he's more human,

0:14:50.160 --> 0:14:54.640
<v Speaker 2>so he gravitates more towards a revolver. She's more a computer,

0:14:55.120 --> 0:14:58.240
<v Speaker 2>so she gravitates towards something that's automatic. And she also

0:14:58.320 --> 0:15:02.760
<v Speaker 2>talks about how she she he hears something in her spirit,

0:15:03.240 --> 0:15:05.600
<v Speaker 2>not her spirits are her coat ghosts. So this is

0:15:05.680 --> 0:15:08.640
<v Speaker 2>already her trying to figure out, like what am I?

0:15:08.840 --> 0:15:12.040
<v Speaker 2>Is there a separation between me and the ghost? So

0:15:12.680 --> 0:15:15.040
<v Speaker 2>I think they're trying to instill this idea she's struggling

0:15:15.080 --> 0:15:18.200
<v Speaker 2>with whether or not or what she actually is.

0:15:18.640 --> 0:15:21.720
<v Speaker 6>This reminded me of the first season well, all the

0:15:21.720 --> 0:15:23.560
<v Speaker 6>West world, this is kind of what.

0:15:23.560 --> 0:15:25.880
<v Speaker 3>It reminded me of. Don't be like that.

0:15:28.240 --> 0:15:30.560
<v Speaker 5>So the ghost supposed to be synonymous with like spirits,

0:15:30.640 --> 0:15:31.200
<v Speaker 5>like a soul.

0:15:31.960 --> 0:15:33.040
<v Speaker 3>Yeah that's what I was thinking.

0:15:33.280 --> 0:15:37.160
<v Speaker 2>Yeah, so we meet two garbage men who are unwittingly

0:15:37.240 --> 0:15:39.560
<v Speaker 2>doing the bidding of the puppet Master, which leads them

0:15:40.000 --> 0:15:42.240
<v Speaker 2>to encountering a bad guy in a coat with a

0:15:42.240 --> 0:15:45.800
<v Speaker 2>cloaking device and after some serious firefight action, but Toku

0:15:45.880 --> 0:15:46.880
<v Speaker 2>was able to subdue them.

0:15:47.240 --> 0:15:48.920
<v Speaker 3>So what did y'all think of this fight scene?

0:15:49.760 --> 0:15:51.760
<v Speaker 1>Fight? One way, he chased them down on the beach

0:15:51.920 --> 0:15:52.560
<v Speaker 1>and said that.

0:15:52.560 --> 0:15:54.960
<v Speaker 7>You don't have a family, you don't remember all anything,

0:15:55.040 --> 0:15:56.040
<v Speaker 7>and all that shit was made up.

0:15:56.560 --> 0:15:56.800
<v Speaker 3>Yep.

0:15:57.000 --> 0:15:58.320
<v Speaker 1>Yeah, all this shit was dope.

0:15:58.840 --> 0:16:03.480
<v Speaker 7>The action sequence here them chasing him throughout him, uh

0:16:03.920 --> 0:16:06.040
<v Speaker 7>you know, of course firing back, and then motherfuckers just.

0:16:05.960 --> 0:16:07.040
<v Speaker 1>Disappeared and not seen it.

0:16:07.400 --> 0:16:09.360
<v Speaker 7>I liked all of this, and then just even the

0:16:09.440 --> 0:16:12.320
<v Speaker 7>idea of questioning him and just making him confront the

0:16:12.400 --> 0:16:15.880
<v Speaker 7>reality of what may or may not be be real.

0:16:16.800 --> 0:16:18.160
<v Speaker 1>You know. So I thought that was dope.

0:16:18.600 --> 0:16:19.720
<v Speaker 3>This was the part like that.

0:16:20.120 --> 0:16:23.360
<v Speaker 5>So the garbage man's stuff was kind of confusing, because

0:16:23.640 --> 0:16:26.280
<v Speaker 5>are they are one of them or whatever, like kind

0:16:26.280 --> 0:16:28.320
<v Speaker 5>of partly cyborg or something like that.

0:16:29.040 --> 0:16:31.240
<v Speaker 2>So no, So these things I get, I think in

0:16:31.240 --> 0:16:34.160
<v Speaker 2>this society and they never really explained it, but I've

0:16:34.200 --> 0:16:37.920
<v Speaker 2>always took it as almost everybody has some part.

0:16:38.000 --> 0:16:40.440
<v Speaker 3>And I didn't realize that first because they were able

0:16:40.440 --> 0:16:41.280
<v Speaker 3>to hack into your brain.

0:16:41.440 --> 0:16:43.040
<v Speaker 5>Yeah, yeah, because it would be some parts when the

0:16:43.160 --> 0:16:45.360
<v Speaker 5>when the miles weren't moving, I'm like, okay, what is

0:16:45.360 --> 0:16:46.240
<v Speaker 5>happening right now?

0:16:46.760 --> 0:16:50.120
<v Speaker 4>It's like they were able to communicate Yeah, through the

0:16:50.120 --> 0:16:52.320
<v Speaker 4>why I assumed it was like through the wires almost

0:16:52.360 --> 0:16:56.000
<v Speaker 4>like through the network without without having to actually used

0:16:56.040 --> 0:16:56.760
<v Speaker 4>moved the mouths.

0:16:57.040 --> 0:16:58.520
<v Speaker 3>So that was a little confusing, that points.

0:16:58.520 --> 0:17:01.560
<v Speaker 5>But nah, for the the action scene and all that,

0:17:01.640 --> 0:17:05.000
<v Speaker 5>man like on the beach man, the animation on that

0:17:05.240 --> 0:17:09.040
<v Speaker 5>was was crazy. Him flipping like without a oh man,

0:17:09.160 --> 0:17:11.040
<v Speaker 5>it was just so good and her kind of appearing

0:17:11.080 --> 0:17:13.479
<v Speaker 5>here and there because maybe like the splash might hit

0:17:13.480 --> 0:17:17.680
<v Speaker 5>her a certain way, like they did this so well, Like, man,

0:17:17.760 --> 0:17:20.480
<v Speaker 5>this is very top notch animation right here.

0:17:20.800 --> 0:17:24.480
<v Speaker 3>So yeah, yeah, I was definitely feeling this part anybody else.

0:17:26.359 --> 0:17:28.000
<v Speaker 5>Oh, you can see a stepping in the water when

0:17:28.000 --> 0:17:30.080
<v Speaker 5>you don't see her like oh man, Yeah, yeah, the

0:17:30.080 --> 0:17:32.080
<v Speaker 5>animation they killed it, right, he whooped his ass?

0:17:32.320 --> 0:17:32.640
<v Speaker 3>She did?

0:17:33.280 --> 0:17:34.479
<v Speaker 1>She did?

0:17:35.280 --> 0:17:38.400
<v Speaker 3>What though? Did you say, dad?

0:17:38.440 --> 0:17:38.760
<v Speaker 4>He did?

0:17:38.960 --> 0:17:40.280
<v Speaker 1>Oh? Go ahead?

0:17:40.480 --> 0:17:44.080
<v Speaker 3>Going all right?

0:17:44.119 --> 0:17:46.280
<v Speaker 2>So yeah, So I think I found all this stuff

0:17:46.320 --> 0:17:48.000
<v Speaker 2>to be really interesting, the way that they were hacking

0:17:48.040 --> 0:17:52.560
<v Speaker 2>into the brain of the garbage men and hacking into

0:17:52.560 --> 0:17:55.679
<v Speaker 2>the brain of this criminal. But yeah, were you interested

0:17:55.720 --> 0:17:57.600
<v Speaker 2>in how they tried to explain to the garbage man

0:17:57.640 --> 0:17:59.119
<v Speaker 2>how his memories were hacked?

0:18:00.960 --> 0:18:05.800
<v Speaker 1>Yeah, I thought this the idea of that was interesting,

0:18:05.840 --> 0:18:09.639
<v Speaker 1>and me just for thinking about what could potentially.

0:18:09.160 --> 0:18:11.840
<v Speaker 7>Happen, Like if that really happened. You know, you have

0:18:12.400 --> 0:18:14.760
<v Speaker 7>the Star Trek, you have the Borg of the Sideline,

0:18:14.800 --> 0:18:20.400
<v Speaker 7>and and Pluribis or whatever. You have a very similar concept, you.

0:18:20.359 --> 0:18:21.520
<v Speaker 3>Know, spoiling ship.

0:18:22.080 --> 0:18:27.240
<v Speaker 2>Damn you just a spoiler, just a spoiling spoiler.

0:18:31.240 --> 0:18:37.879
<v Speaker 7>Yeah, but uh but nevertheless, uh yeah, and then so

0:18:37.920 --> 0:18:42.600
<v Speaker 7>I'm thinking about like the possibilities of looking ahead, Like

0:18:42.720 --> 0:18:46.679
<v Speaker 7>there's always this inspiration taking place about what was the

0:18:46.680 --> 0:18:50.040
<v Speaker 7>baseball player that wanted to be preserved because he wanted

0:18:50.040 --> 0:18:50.520
<v Speaker 7>to come back?

0:18:52.080 --> 0:18:54.560
<v Speaker 3>Not not no no, no, no no.

0:18:57.560 --> 0:18:58.280
<v Speaker 1>I think it's ted.

0:18:58.400 --> 0:19:02.920
<v Speaker 7>But but yeah, yeah, like injecting these thoughts and ideas

0:19:02.960 --> 0:19:05.880
<v Speaker 7>into his head and basically programming you think about like

0:19:06.840 --> 0:19:09.120
<v Speaker 7>what they do with media just in general, how they

0:19:09.320 --> 0:19:11.280
<v Speaker 7>inject ideas and thoughts in your heads that you may

0:19:11.359 --> 0:19:12.360
<v Speaker 7>or may not think are real.

0:19:12.480 --> 0:19:14.600
<v Speaker 2>So but your own thoughts go away. Though, that's the

0:19:14.640 --> 0:19:17.120
<v Speaker 2>part that I that I thought was interesting. He won't

0:19:17.119 --> 0:19:18.080
<v Speaker 2>get his memories back.

0:19:18.160 --> 0:19:20.960
<v Speaker 1>Yeah, yeah, so they're just yeah, they're just completely gone.

0:19:21.200 --> 0:19:23.000
<v Speaker 5>Oh that's so they get he'll get part of it

0:19:23.080 --> 0:19:26.200
<v Speaker 5>back for somebody that it won't be fully Oh did they?

0:19:26.280 --> 0:19:30.280
<v Speaker 3>I thought so? I thought Ted Williams heard him.

0:19:30.520 --> 0:19:33.000
<v Speaker 4>This is the part where I was getting frustrated because

0:19:33.040 --> 0:19:35.960
<v Speaker 4>the action sequence was really good, but I just really

0:19:36.040 --> 0:19:37.439
<v Speaker 4>at this point, I was like, I wish I was

0:19:37.480 --> 0:19:40.359
<v Speaker 4>following this easier. I wish it was a little easier

0:19:40.400 --> 0:19:42.680
<v Speaker 4>to follow because I don't want to just look at

0:19:42.680 --> 0:19:45.280
<v Speaker 4>the animation. I don't want to just wait for the

0:19:45.320 --> 0:19:47.639
<v Speaker 4>next action sequence. Like I feel like I felt like

0:19:47.680 --> 0:19:50.399
<v Speaker 4>they were saying something important. I just couldn't follow it.

0:19:50.520 --> 0:19:52.240
<v Speaker 3>You know what's crazy about this? Sometimes it was a

0:19:52.280 --> 0:19:55.160
<v Speaker 3>whole move. Yeah, it was like over.

0:19:56.359 --> 0:20:02.880
<v Speaker 5>Just like over explaining sometimes from me because talking talking

0:20:02.920 --> 0:20:03.240
<v Speaker 5>about it.

0:20:03.400 --> 0:20:05.720
<v Speaker 3>Yeah, and it's like the over explaining kind of lost me.

0:20:06.040 --> 0:20:07.600
<v Speaker 5>I could see that sometime I need something just to

0:20:07.640 --> 0:20:09.880
<v Speaker 5>be simplified, like just just make it plain and simple

0:20:09.920 --> 0:20:13.280
<v Speaker 5>for me. I don't need all the over talking like so, yeah,

0:20:13.359 --> 0:20:16.199
<v Speaker 5>that that was the issue for me. I feel like

0:20:16.200 --> 0:20:18.639
<v Speaker 5>the over talking kind of got me lost. Like you know,

0:20:19.560 --> 0:20:20.119
<v Speaker 5>I can see that.

0:20:20.160 --> 0:20:23.919
<v Speaker 2>I think with a movie like this, they kind of

0:20:23.960 --> 0:20:26.119
<v Speaker 2>just drop you into a world with no real explanation,

0:20:26.840 --> 0:20:29.520
<v Speaker 2>and that does kind of I think.

0:20:30.400 --> 0:20:33.000
<v Speaker 3>So there's like three or four of these movies. What

0:20:33.080 --> 0:20:35.120
<v Speaker 3>you mean, like this is just part one?

0:20:35.280 --> 0:20:39.840
<v Speaker 5>I started inno sense it's really when they So how

0:20:39.920 --> 0:20:41.800
<v Speaker 5>how far apart did they release that?

0:20:41.840 --> 0:20:43.720
<v Speaker 3>I don't I couldn't they all in the nineties or

0:20:43.920 --> 0:20:45.320
<v Speaker 3>something in the two thousands and something.

0:20:45.400 --> 0:20:48.080
<v Speaker 5>I didn't know it was a whole TV show, so

0:20:48.119 --> 0:20:49.840
<v Speaker 5>that that's real because I went and looked up.

0:20:50.040 --> 0:20:50.400
<v Speaker 3>So I didn't.

0:20:50.400 --> 0:20:52.399
<v Speaker 5>I didn't realize that this was I thought it was

0:20:52.440 --> 0:20:55.080
<v Speaker 5>just like because a cure, it's only it's only a cure,

0:20:55.119 --> 0:20:56.919
<v Speaker 5>it's it's nothing else. Yeah, So I thought it was

0:20:57.000 --> 0:21:00.520
<v Speaker 5>like that there's there's there's either three or four movies

0:21:00.800 --> 0:21:04.000
<v Speaker 5>interesting and an anime TV show. Wow, And I feel

0:21:04.000 --> 0:21:06.560
<v Speaker 5>like you need to watch all of it's probably meant

0:21:06.640 --> 0:21:10.280
<v Speaker 5>to So yeah, that's probably like that. Oh really, they

0:21:10.320 --> 0:21:12.600
<v Speaker 5>didn't originally play I don't think that they planned for

0:21:12.680 --> 0:21:14.920
<v Speaker 5>there to be a big you know, a whole bunch

0:21:14.960 --> 0:21:15.560
<v Speaker 5>of sequels.

0:21:15.600 --> 0:21:17.480
<v Speaker 3>They just made this movie, but they just drop you

0:21:17.480 --> 0:21:18.800
<v Speaker 3>in the world without really explaining.

0:21:18.880 --> 0:21:23.920
<v Speaker 5>So it's from the manga, like like the whole universe

0:21:24.000 --> 0:21:26.119
<v Speaker 5>is like there, I don't know what the like, what

0:21:26.160 --> 0:21:26.880
<v Speaker 5>does that entail?

0:21:27.200 --> 0:21:27.240
<v Speaker 7>What?

0:21:27.320 --> 0:21:28.000
<v Speaker 3>I'm curious?

0:21:28.280 --> 0:21:30.320
<v Speaker 4>So I got the impression and it was like the

0:21:30.359 --> 0:21:34.120
<v Speaker 4>manga was probably like this whole big story and they

0:21:34.160 --> 0:21:36.119
<v Speaker 4>just took a piece of that and made this movie.

0:21:36.400 --> 0:21:40.040
<v Speaker 4>So that was starting to create other spin offs based

0:21:40.080 --> 0:21:42.320
<v Speaker 4>on the source material.

0:21:41.960 --> 0:21:43.679
<v Speaker 5>In the manga, So that would make sense to me,

0:21:43.840 --> 0:21:45.320
<v Speaker 5>Like you know what I'm saying, I may not get

0:21:45.400 --> 0:21:47.320
<v Speaker 5>the full scope in this first one, and then you

0:21:47.359 --> 0:21:49.680
<v Speaker 5>gotta watch the second one and that kind of slowly

0:21:49.720 --> 0:21:51.560
<v Speaker 5>start bringing things together because a lot of stuff is

0:21:51.600 --> 0:21:53.800
<v Speaker 5>like that now right with the series we watch like, yeah,

0:21:53.960 --> 0:21:55.800
<v Speaker 5>some stuff don't make it. It's like a Game of

0:21:55.800 --> 0:21:59.000
<v Speaker 5>Thrones almost, Yeah, Star Wars they all do that.

0:21:59.000 --> 0:22:01.240
<v Speaker 4>That made it figure it out. Knowing that made this

0:22:01.280 --> 0:22:03.119
<v Speaker 4>movie a little bit better for me. It made me

0:22:03.280 --> 0:22:05.199
<v Speaker 4>feel like, Okay, this is just a piece of the puzzle.

0:22:05.440 --> 0:22:07.639
<v Speaker 1>Yeah, cool, yeah, whatever it is.

0:22:07.920 --> 0:22:11.359
<v Speaker 7>Because I don't read the manga following this ship, but

0:22:12.000 --> 0:22:15.000
<v Speaker 7>those that read the manga angles in the show said

0:22:15.040 --> 0:22:19.119
<v Speaker 7>they like the telling of this better because it cuts

0:22:19.119 --> 0:22:21.399
<v Speaker 7>out a lot of the unnecessary stuff that was in

0:22:21.440 --> 0:22:21.879
<v Speaker 7>the manga.

0:22:22.040 --> 0:22:26.040
<v Speaker 5>Oh damn, yeah, interesting, that is interesting.

0:22:26.560 --> 0:22:26.920
<v Speaker 1>All right.

0:22:26.960 --> 0:22:30.320
<v Speaker 2>So what did y'all think of the scene with Matoku

0:22:30.359 --> 0:22:32.320
<v Speaker 2>and Buttou on the boat. We kind of mentioned it

0:22:32.359 --> 0:22:33.200
<v Speaker 2>a little bit earlier.

0:22:33.680 --> 0:22:34.639
<v Speaker 3>We're seeing how much she.

0:22:34.680 --> 0:22:37.560
<v Speaker 2>Loves to swim, even though it's quite dangerous due to

0:22:37.600 --> 0:22:38.840
<v Speaker 2>her body being cybernetic.

0:22:39.200 --> 0:22:43.399
<v Speaker 3>Yes, yeah, what did she say? She said? She said

0:22:43.440 --> 0:22:44.480
<v Speaker 3>something about it like.

0:22:45.880 --> 0:22:47.560
<v Speaker 2>It's like comes out of the water. It's almost like

0:22:47.560 --> 0:22:49.000
<v Speaker 2>she feel like she's a different person.

0:22:49.800 --> 0:22:57.480
<v Speaker 5>Baptism, something about like the risks, like she's willing, she's

0:22:57.520 --> 0:23:00.240
<v Speaker 5>willing to take the risks as well. She quote can't

0:23:00.240 --> 0:23:02.920
<v Speaker 5>remember what she what she said though, because it was

0:23:02.960 --> 0:23:03.560
<v Speaker 5>a hard bar.

0:23:04.600 --> 0:23:07.360
<v Speaker 3>I can't remember what she said though. I don't remember either, but.

0:23:07.640 --> 0:23:10.880
<v Speaker 4>I remember the inference. But this is when I realized, oh,

0:23:10.920 --> 0:23:15.120
<v Speaker 4>she's struggling with her idea of existence and the idea

0:23:15.200 --> 0:23:19.240
<v Speaker 4>of death. Doesn't necessarily scare her because it almost solidifies

0:23:19.320 --> 0:23:22.760
<v Speaker 4>what she actually is. So yeah, this is when I

0:23:22.800 --> 0:23:27.000
<v Speaker 4>started to understand that she was like, she's struggling with

0:23:27.040 --> 0:23:31.200
<v Speaker 4>the spiritual aspect of what she is yep, yep, which

0:23:31.280 --> 0:23:34.399
<v Speaker 4>is why, Yes, I saw the I got the birth

0:23:34.440 --> 0:23:37.199
<v Speaker 4>stuff from the opening scene, but this one really was

0:23:37.280 --> 0:23:40.560
<v Speaker 4>more spiritual heavy, and it felt more like baptism than

0:23:40.800 --> 0:23:43.120
<v Speaker 4>like kind of like coming up and becoming a new

0:23:43.160 --> 0:23:46.320
<v Speaker 4>creature kind of situation. Is what the feeling I got

0:23:46.320 --> 0:23:47.760
<v Speaker 4>from this water scene and.

0:23:47.800 --> 0:23:49.919
<v Speaker 5>What the Puppa Master was doing is what sparked this

0:23:50.040 --> 0:23:53.520
<v Speaker 5>whole thing with her because that even her partner was saying, like,

0:23:53.520 --> 0:23:56.920
<v Speaker 5>every since the Pufpa masses showed up, you've been bullshit.

0:23:58.720 --> 0:24:01.160
<v Speaker 2>Yeah, and I think that's to which will also get

0:24:01.200 --> 0:24:03.359
<v Speaker 2>to but due to the fact that they started realizing

0:24:03.400 --> 0:24:08.240
<v Speaker 2>that the ghost is not always human mm hmm, that

0:24:08.240 --> 0:24:11.560
<v Speaker 2>that can be created. So she's just struggling with what

0:24:11.760 --> 0:24:16.040
<v Speaker 2>am I Jesus? Am I just a cyborg? Am I human?

0:24:16.080 --> 0:24:19.320
<v Speaker 3>As well? But yeah, I thought this part on the

0:24:19.359 --> 0:24:21.080
<v Speaker 3>boat was actually interesting.

0:24:21.200 --> 0:24:26.080
<v Speaker 2>Spike wake up of the voice that happens on the boat,

0:24:26.520 --> 0:24:28.679
<v Speaker 2>What did you take from that? I don't remember what

0:24:28.720 --> 0:24:29.000
<v Speaker 2>he said.

0:24:29.680 --> 0:24:37.120
<v Speaker 1>It was just because they both were like, what, No.

0:24:37.240 --> 0:24:45.840
<v Speaker 2>I don't think it was the puppet mastership.

0:24:48.800 --> 0:24:53.440
<v Speaker 4>Did y'all read the.

0:24:51.680 --> 0:24:54.800
<v Speaker 3>Caption that said thinking I didn't see that?

0:24:54.920 --> 0:24:58.719
<v Speaker 2>Yeah, So when that, when that voice is happening, it

0:24:58.760 --> 0:25:01.480
<v Speaker 2>puts thinking in front of and so I'm like, Okay,

0:25:02.359 --> 0:25:03.520
<v Speaker 2>is that actually her?

0:25:03.640 --> 0:25:05.560
<v Speaker 3>Because they both heard it out loud, it seemed like

0:25:06.280 --> 0:25:08.920
<v Speaker 3>so I've never really gotten a full answer on that.

0:25:09.040 --> 0:25:10.040
<v Speaker 3>I do think it was her.

0:25:10.359 --> 0:25:12.120
<v Speaker 1>I thought he was able to hear her thoughts.

0:25:12.560 --> 0:25:15.600
<v Speaker 3>No, because members shots. She got surprised by what.

0:25:15.680 --> 0:25:17.400
<v Speaker 4>He was like.

0:25:19.000 --> 0:25:21.520
<v Speaker 2>I think this is supposed to kind of symbolize that

0:25:21.600 --> 0:25:24.719
<v Speaker 2>she does kind of think that she's two separate people,

0:25:25.400 --> 0:25:25.960
<v Speaker 2>But I.

0:25:25.920 --> 0:25:28.600
<v Speaker 3>Don't have a solification for that.

0:25:29.920 --> 0:25:33.919
<v Speaker 4>I was a bit confused because to Roderick's point, like,

0:25:33.960 --> 0:25:36.080
<v Speaker 4>there's a lot of scenes where they're talking without their

0:25:36.119 --> 0:25:39.800
<v Speaker 4>lips moving, So I didn't Initially when the voice happened,

0:25:39.840 --> 0:25:42.280
<v Speaker 4>it didn't spark me as anything different because I felt

0:25:42.280 --> 0:25:45.600
<v Speaker 4>like I'd already seen that happen. But when they both

0:25:45.680 --> 0:25:48.040
<v Speaker 4>their comment like well who was that, I'm like, well,

0:25:48.040 --> 0:25:50.400
<v Speaker 4>what's the difference between what's going on on the boat

0:25:50.440 --> 0:25:52.439
<v Speaker 4>and what's been going on and continues to go on

0:25:52.840 --> 0:25:56.480
<v Speaker 4>when they speak without any any words. So is there

0:25:56.560 --> 0:26:01.320
<v Speaker 4>some sort of like connection of all the side that

0:26:01.520 --> 0:26:03.280
<v Speaker 4>allows them to be able to That's why I said

0:26:03.320 --> 0:26:04.840
<v Speaker 4>it felt like I felt like it's like they're on

0:26:04.880 --> 0:26:07.840
<v Speaker 4>the same network and there's certain things and thoughts that

0:26:07.880 --> 0:26:11.200
<v Speaker 4>they're able to connect to. But she's on a different.

0:26:10.840 --> 0:26:13.240
<v Speaker 2>Plane and it almost sounded like it didn't really sound

0:26:13.280 --> 0:26:16.560
<v Speaker 2>like her voice it right, So that was also why

0:26:16.600 --> 0:26:18.200
<v Speaker 2>they were both like, who the fuck was that?

0:26:18.320 --> 0:26:19.960
<v Speaker 3>And why are we both hearing it out loud?

0:26:20.000 --> 0:26:20.919
<v Speaker 1>So, actually, maybe you're right.

0:26:21.080 --> 0:26:22.680
<v Speaker 2>You ever said a public master, Maybe it's a public

0:26:22.720 --> 0:26:25.360
<v Speaker 2>master hacking in That's what I thought, Yeah, you're probably right.

0:26:25.400 --> 0:26:29.320
<v Speaker 2>Actually interesting, this next part is one of my favorite

0:26:29.320 --> 0:26:30.120
<v Speaker 2>parts of the whole film.

0:26:30.160 --> 0:26:31.760
<v Speaker 3>So they're riding around in a boat.

0:26:31.800 --> 0:26:34.160
<v Speaker 2>Well she's riding around in a boat, yes, and she's

0:26:34.200 --> 0:26:38.120
<v Speaker 2>looking around at some of the things that are happening.

0:26:38.400 --> 0:26:40.119
<v Speaker 3>I'll save my thoughts for after y'all.

0:26:40.119 --> 0:26:41.880
<v Speaker 2>But what did y'all take from the scene where she's

0:26:41.920 --> 0:26:45.760
<v Speaker 2>looking around from the boat?

0:26:45.080 --> 0:26:48.360
<v Speaker 5>I don't know what what if I actually took anything

0:26:48.640 --> 0:26:49.359
<v Speaker 5>from that part.

0:26:49.440 --> 0:26:51.320
<v Speaker 3>This is the part where it was like no dialogue

0:26:51.320 --> 0:26:56.840
<v Speaker 3>and yes, yeah, it was so good.

0:26:57.600 --> 0:27:02.320
<v Speaker 5>I guess just showing the influence of like the AI

0:27:02.520 --> 0:27:03.280
<v Speaker 5>and all that stuff.

0:27:03.280 --> 0:27:06.879
<v Speaker 3>I guess that's going on in the world. And but again,

0:27:07.040 --> 0:27:07.320
<v Speaker 3>like I.

0:27:07.359 --> 0:27:10.080
<v Speaker 5>Was just mess maros by the scene and the music,

0:27:10.160 --> 0:27:12.600
<v Speaker 5>so I didn't really try to pull like I definitely

0:27:12.600 --> 0:27:14.720
<v Speaker 5>would have needed to watch this one more time to

0:27:15.119 --> 0:27:18.080
<v Speaker 5>get the full scope and whatnot. So, you know, my

0:27:18.160 --> 0:27:20.320
<v Speaker 5>opinions on it this kind of surface level right now.

0:27:20.359 --> 0:27:23.200
<v Speaker 5>But yeah, anybody.

0:27:22.800 --> 0:27:24.840
<v Speaker 4>Else, No, I'm kind of with Rod, Like I think

0:27:24.840 --> 0:27:27.719
<v Speaker 4>I was more kind of caught up in what I

0:27:27.800 --> 0:27:30.440
<v Speaker 4>was looking at versus what I was looking at, if

0:27:30.440 --> 0:27:32.679
<v Speaker 4>that makes sense. But I did feel like it was

0:27:32.840 --> 0:27:34.440
<v Speaker 4>to me, it just seemed like an extension of the

0:27:34.480 --> 0:27:36.760
<v Speaker 4>struggle that she was having on the boat, because she

0:27:36.840 --> 0:27:40.240
<v Speaker 4>saw herself in some people. So it's like understanding how

0:27:40.320 --> 0:27:42.800
<v Speaker 4>much of us are all connected and how much of

0:27:43.119 --> 0:27:43.679
<v Speaker 4>me is me?

0:27:45.520 --> 0:27:48.760
<v Speaker 7>This was when like you were seeing the billboard signs

0:27:48.840 --> 0:27:51.080
<v Speaker 7>and parts of the city and stuff like that and

0:27:51.119 --> 0:27:55.440
<v Speaker 7>all that. Yeah, yeah, yeah, yeah, yeah, So I really

0:27:55.480 --> 0:27:58.760
<v Speaker 7>didn't think much of it to you, ask I was,

0:27:58.840 --> 0:28:06.119
<v Speaker 7>you know, I thought she was just but but but uh,

0:28:06.480 --> 0:28:08.919
<v Speaker 7>but no, I think there's a there's sort of a

0:28:09.000 --> 0:28:13.680
<v Speaker 7>connectivity that they all have, and she's like looking at

0:28:13.720 --> 0:28:19.920
<v Speaker 7>that and how she is directly anddirectly connected to the

0:28:19.960 --> 0:28:23.919
<v Speaker 7>world like as a machine and and human whatether this

0:28:24.160 --> 0:28:27.800
<v Speaker 7>entity is and the puppet master is is in there

0:28:28.080 --> 0:28:30.800
<v Speaker 7>and able to reach out and connect and control a

0:28:30.800 --> 0:28:33.640
<v Speaker 7>lot of a lot of other aspects of it. So,

0:28:33.920 --> 0:28:36.840
<v Speaker 7>you know, going back to this sort of identity crisis

0:28:36.840 --> 0:28:40.840
<v Speaker 7>she has, it's like, you know what am I really?

0:28:41.040 --> 0:28:43.840
<v Speaker 7>Am I also all of these other things that I'm

0:28:43.840 --> 0:28:46.280
<v Speaker 7>looking at? And you know, am I part of that

0:28:46.320 --> 0:28:49.200
<v Speaker 7>billboard and all the part of these other people?

0:28:49.680 --> 0:28:54.400
<v Speaker 1>You know? So what really is the world? That's essential? Crisis?

0:28:54.840 --> 0:29:00.920
<v Speaker 2>Existential is absolutely what I took from it too.

0:29:00.120 --> 0:29:02.280
<v Speaker 4>No, because it's like to his point, like how much

0:29:02.720 --> 0:29:04.880
<v Speaker 4>the connectivity of it all? Like how much am I

0:29:04.920 --> 0:29:07.440
<v Speaker 4>related to these people? How much am I related to

0:29:07.800 --> 0:29:12.760
<v Speaker 4>these electronics and the and the more the less human aspect,

0:29:13.120 --> 0:29:16.520
<v Speaker 4>like just in general, like how connected are we actually

0:29:16.560 --> 0:29:19.160
<v Speaker 4>are you present? How connected are you with the people

0:29:19.160 --> 0:29:22.720
<v Speaker 4>that you're in the room with versus outside of yourself?

0:29:22.840 --> 0:29:24.720
<v Speaker 5>That's why I see a lot like I did here

0:29:24.720 --> 0:29:27.080
<v Speaker 5>and be said it too that a lot of ideas

0:29:27.160 --> 0:29:29.200
<v Speaker 5>came from like got the matrix.

0:29:29.480 --> 0:29:31.200
<v Speaker 3>Like got a lot of ideas from this.

0:29:31.880 --> 0:29:36.480
<v Speaker 4>Yeah, it's a very blade runner too, especially Dollar.

0:29:36.800 --> 0:29:45.160
<v Speaker 3>Yeah, yeah, I had that thought as well, Like I

0:29:45.200 --> 0:29:49.960
<v Speaker 3>went enough to watch this ship, I should have smoked.

0:29:51.520 --> 0:29:51.840
<v Speaker 1>Perfect.

0:29:55.640 --> 0:29:56.160
<v Speaker 3>It was a lot.

0:29:56.680 --> 0:30:00.200
<v Speaker 2>So the reasons I love this scene so much is

0:30:00.240 --> 0:30:04.760
<v Speaker 2>because this is her once again thinking about who and

0:30:04.760 --> 0:30:05.440
<v Speaker 2>what she is.

0:30:05.720 --> 0:30:07.880
<v Speaker 3>So the first thing she looks at is.

0:30:07.920 --> 0:30:11.480
<v Speaker 2>Another model, another cyborg that's the same model as herself,

0:30:12.040 --> 0:30:14.320
<v Speaker 2>so she goes from that. Then she looks over and

0:30:14.360 --> 0:30:17.600
<v Speaker 2>she sees the under construction buildings. Then she looks down

0:30:17.640 --> 0:30:21.360
<v Speaker 2>and she sees the trash the I think it's like

0:30:21.360 --> 0:30:24.800
<v Speaker 2>a tricycle and there's other machine like things in the

0:30:24.840 --> 0:30:26.880
<v Speaker 2>water that's just discarded with. So I think this is

0:30:26.920 --> 0:30:29.920
<v Speaker 2>all her thinking about what she is. You know, what

0:30:29.960 --> 0:30:32.800
<v Speaker 2>does it mean to have value? Am I gonna at

0:30:32.840 --> 0:30:36.960
<v Speaker 2>some point be trash like this? Which we'll get to later. Also,

0:30:37.600 --> 0:30:40.320
<v Speaker 2>it then shows this scene of these mannequins in a

0:30:40.360 --> 0:30:43.200
<v Speaker 2>window and these people are walking by the mannequins and

0:30:43.240 --> 0:30:46.000
<v Speaker 2>there's a reflection. So then you get this idea of

0:30:46.000 --> 0:30:49.400
<v Speaker 2>people create mannequins to look like them, but to do

0:30:49.440 --> 0:30:54.280
<v Speaker 2>their bidding. Just like Matoku is, she was created to

0:30:54.400 --> 0:30:58.080
<v Speaker 2>resemble humans, but she's not really her own human, Like

0:30:58.120 --> 0:31:01.480
<v Speaker 2>she's not really her own beating her whatever. Somebody is

0:31:01.480 --> 0:31:05.440
<v Speaker 2>controlling her, someone is making her do certain things. So

0:31:05.520 --> 0:31:07.720
<v Speaker 2>I think this is her thinking like, am I gonna

0:31:07.720 --> 0:31:09.680
<v Speaker 2>just be tossed out like trash when I'm no longer

0:31:09.680 --> 0:31:10.160
<v Speaker 2>of use?

0:31:10.880 --> 0:31:13.360
<v Speaker 3>You know? What? Does what does this mean about me?

0:31:13.560 --> 0:31:17.600
<v Speaker 3>So she didn't have freewheel. She just sort of yeah, yeah, yeah,

0:31:18.000 --> 0:31:18.400
<v Speaker 3>go ahead.

0:31:18.680 --> 0:31:21.200
<v Speaker 4>So that takes me back to the window scene and

0:31:21.240 --> 0:31:24.280
<v Speaker 4>when she wakes up, like what struck me? She woke up,

0:31:24.360 --> 0:31:27.240
<v Speaker 4>She just got dressed and walked out exactly routine. There's

0:31:27.320 --> 0:31:29.800
<v Speaker 4>so like, let me get myself together. It's just she

0:31:29.880 --> 0:31:32.080
<v Speaker 4>popped up yep, and then got dressed.

0:31:32.280 --> 0:31:33.280
<v Speaker 3>That was the dope as scene.

0:31:33.440 --> 0:31:35.520
<v Speaker 5>So with the light with the window and then she

0:31:35.560 --> 0:31:37.560
<v Speaker 5>opened the door, see the crack in his shadow and

0:31:37.600 --> 0:31:40.240
<v Speaker 5>all that, I was like man killing She didn't.

0:31:40.240 --> 0:31:43.959
<v Speaker 2>She didn't even think like they're like most humans would

0:31:44.000 --> 0:31:46.680
<v Speaker 2>wake up, turn a light on, get dressed. No, she

0:31:46.800 --> 0:31:49.440
<v Speaker 2>just wakes up, opens the window just so she can

0:31:49.480 --> 0:31:51.160
<v Speaker 2>see what's going on outside, and then she just gets

0:31:51.200 --> 0:31:54.240
<v Speaker 2>dressed in the dark and leaves. So there's definitely like

0:31:54.280 --> 0:31:56.680
<v Speaker 2>a lack of human routine exactly.

0:31:56.720 --> 0:31:59.320
<v Speaker 4>She has she doesn't really have free wheel, like she's

0:31:59.360 --> 0:32:02.840
<v Speaker 4>created to do the work, and so there is no

0:32:03.280 --> 0:32:05.680
<v Speaker 4>portion of her day where she's taking time for herself.

0:32:05.720 --> 0:32:07.000
<v Speaker 4>She's just getting up and doing the work.

0:32:07.080 --> 0:32:09.040
<v Speaker 5>But she seemed like she started to get free Wiel

0:32:09.040 --> 0:32:10.160
<v Speaker 5>wants the Puffer Master show.

0:32:10.200 --> 0:32:10.640
<v Speaker 3>That's right.

0:32:10.720 --> 0:32:14.360
<v Speaker 4>And then once the swimming, So the swim that's her routine.

0:32:14.400 --> 0:32:18.000
<v Speaker 4>It's like her struggling with her existence and with her

0:32:18.080 --> 0:32:21.560
<v Speaker 4>understanding creates allows her to have a lane where she

0:32:21.560 --> 0:32:23.720
<v Speaker 4>can create something for herself.

0:32:24.360 --> 0:32:27.239
<v Speaker 3>And feels saying, once you have really settle on into it,

0:32:27.240 --> 0:32:27.680
<v Speaker 3>it's like.

0:32:28.080 --> 0:32:30.480
<v Speaker 5>It's heady, but it's head but it's like once you

0:32:30.720 --> 0:32:33.680
<v Speaker 5>realize that, yeah, it's like, oh yeah, this is this

0:32:33.760 --> 0:32:34.200
<v Speaker 5>is good.

0:32:40.440 --> 0:32:41.280
<v Speaker 3>So they find as.

0:32:42.720 --> 0:32:48.120
<v Speaker 2>Like, so they find a cyborg that's been hit by

0:32:48.160 --> 0:32:50.640
<v Speaker 2>a truck and they're told the cyborg is completely synthetic,

0:32:50.720 --> 0:32:51.720
<v Speaker 2>but it has a ghost.

0:32:52.680 --> 0:32:53.360
<v Speaker 3>And the whole.

0:32:53.200 --> 0:32:55.040
<v Speaker 2>Confusing part is they were under the impression that a

0:32:55.040 --> 0:32:57.600
<v Speaker 2>ghost is human and can't be manufactured synthetically.

0:32:57.920 --> 0:32:59.360
<v Speaker 3>Spike was as interesting at all of you.

0:33:00.160 --> 0:33:04.520
<v Speaker 6>It's when they tried to plug into it, right, Yeah, yeah,

0:33:04.560 --> 0:33:07.680
<v Speaker 6>I mean it was interesting for what it was. But

0:33:09.280 --> 0:33:11.000
<v Speaker 6>I mean I was following the story okay at this

0:33:11.040 --> 0:33:12.440
<v Speaker 6>point and seeing what they were trying to do as

0:33:12.480 --> 0:33:13.680
<v Speaker 6>far as plugging into it to save it.

0:33:13.760 --> 0:33:16.360
<v Speaker 3>So yet that's anybody else?

0:33:16.440 --> 0:33:19.280
<v Speaker 4>Why she kill herself? Why did the puppet master happen?

0:33:19.360 --> 0:33:25.320
<v Speaker 4>Like if it was a fully autonomous cyborg, right, why

0:33:25.360 --> 0:33:26.400
<v Speaker 4>would it kill itself?

0:33:26.880 --> 0:33:30.400
<v Speaker 2>Maybe because remember how when they were talking on the boat,

0:33:30.480 --> 0:33:35.600
<v Speaker 2>when Matoku and Batau were talking on the boat, and

0:33:35.640 --> 0:33:38.880
<v Speaker 2>they were talking about death and how death kind of

0:33:38.880 --> 0:33:41.600
<v Speaker 2>makes you feel human, right, Maybe that's why.

0:33:41.720 --> 0:33:43.600
<v Speaker 3>Maybe, and this is a guess.

0:33:43.560 --> 0:33:45.840
<v Speaker 2>Maybe it was trying to test this whole thing of

0:33:45.880 --> 0:33:49.600
<v Speaker 2>what does death feel like? And that's again that's just

0:33:49.640 --> 0:33:52.920
<v Speaker 2>a guess because nothing, nothing validates what I'm saying. But

0:33:52.960 --> 0:33:55.640
<v Speaker 2>that's always been the way I because at first I thought, well,

0:33:55.680 --> 0:33:58.440
<v Speaker 2>maybe they just did that because he wanted to find

0:33:58.520 --> 0:34:01.920
<v Speaker 2>a way into that that facility. But I don't think

0:34:01.920 --> 0:34:04.720
<v Speaker 2>that's what it was. I think that this is him

0:34:04.760 --> 0:34:08.480
<v Speaker 2>trying to figure out what human means, what life means.

0:34:08.880 --> 0:34:11.000
<v Speaker 2>And that's when we get the next scene too, when

0:34:11.000 --> 0:34:11.960
<v Speaker 2>they're having that discussion.

0:34:12.280 --> 0:34:13.920
<v Speaker 3>But yeah, that's what I always thought.

0:34:14.040 --> 0:34:17.520
<v Speaker 4>And that that makes sense because now that he knows

0:34:17.560 --> 0:34:19.560
<v Speaker 4>what's on the other side of death, that's why he

0:34:19.600 --> 0:34:22.080
<v Speaker 4>can go and like he can fully do what it

0:34:22.160 --> 0:34:24.319
<v Speaker 4>is that he wants to do because now I understand

0:34:24.600 --> 0:34:26.399
<v Speaker 4>what this whole situation is for real.

0:34:26.680 --> 0:34:28.319
<v Speaker 3>Yeah, because I mean I think that that you know,

0:34:28.760 --> 0:34:31.880
<v Speaker 3>we don't do this top recording. Mm hmm, okay.

0:34:32.360 --> 0:34:33.880
<v Speaker 2>I think that's one of those things where it's like,

0:34:33.960 --> 0:34:36.600
<v Speaker 2>you know, we don't really value life until we understand

0:34:36.600 --> 0:34:38.799
<v Speaker 2>what death is. When you're a kid, it's just like, oh,

0:34:38.840 --> 0:34:41.880
<v Speaker 2>life is fun. I'm gonna go ride skateboards, I'm gonna

0:34:41.880 --> 0:34:43.919
<v Speaker 2>go play with toys. But then when you get older

0:34:43.960 --> 0:34:45.880
<v Speaker 2>and you're like, shit, this could be over tomorrow.

0:34:46.280 --> 0:34:47.239
<v Speaker 3>I need to go. Huh.

0:34:47.320 --> 0:34:50.960
<v Speaker 2>Dom's already really yeah damn well, he's too smart for

0:34:50.960 --> 0:34:53.480
<v Speaker 2>his own goods. But yeah, that's when you start to

0:34:53.480 --> 0:34:55.759
<v Speaker 2>really realize what life is because it could be over.

0:34:56.400 --> 0:34:57.640
<v Speaker 3>So that's what I took from this.

0:35:00.640 --> 0:35:05.080
<v Speaker 5>We haven't had some conversations. Oh god, it's crazy. At

0:35:05.160 --> 0:35:05.840
<v Speaker 5>least y'all are doing it.

0:35:05.880 --> 0:35:07.319
<v Speaker 3>My mom sent me to the pastor to do it,

0:35:07.920 --> 0:35:10.000
<v Speaker 3>and that just got me in more trouble.

0:35:10.840 --> 0:35:12.880
<v Speaker 4>Yeah, but I mean, even in our listens, I think

0:35:12.920 --> 0:35:14.720
<v Speaker 4>there is a point in time where you become obsessed

0:35:14.760 --> 0:35:17.160
<v Speaker 4>with the idea of death and what that means and

0:35:17.200 --> 0:35:19.400
<v Speaker 4>what that means to me and everyone else that I'm

0:35:19.520 --> 0:35:22.960
<v Speaker 4>I'm I love and I'm in community with. So I

0:35:23.000 --> 0:35:26.720
<v Speaker 4>do think that that's like unnatural element of your your

0:35:27.280 --> 0:35:28.640
<v Speaker 4>of your human existence.

0:35:28.719 --> 0:35:28.879
<v Speaker 3>Right.

0:35:28.960 --> 0:35:32.680
<v Speaker 4>So, if they're cyborgs, they've or if these a's machine

0:35:32.760 --> 0:35:36.800
<v Speaker 4>is robots whatever, this artificial intelligence, they've now gotten to

0:35:36.880 --> 0:35:39.600
<v Speaker 4>the point in their development where they're questioning what this

0:35:39.800 --> 0:35:42.759
<v Speaker 4>existence means to me. And the puppet master has now

0:35:43.200 --> 0:35:46.399
<v Speaker 4>now understands fully what it means to die and what

0:35:46.440 --> 0:35:50.120
<v Speaker 4>that means for me as a as a robot, and

0:35:50.160 --> 0:35:51.600
<v Speaker 4>now I'm gonna do what I need to do.

0:35:52.360 --> 0:35:54.640
<v Speaker 5>So just so I can understand which part did he

0:35:54.960 --> 0:35:57.400
<v Speaker 5>are you someone? When he got hit in the street?

0:35:57.840 --> 0:35:58.160
<v Speaker 3>Okay?

0:35:58.320 --> 0:35:59.680
<v Speaker 2>Yeah, and then they brought it back to life, and

0:35:59.680 --> 0:36:07.760
<v Speaker 2>it was.

0:36:03.280 --> 0:36:06.040
<v Speaker 4>Just at this point, I'm like, this is on, this

0:36:06.080 --> 0:36:07.480
<v Speaker 4>is this is soft porn.

0:36:09.400 --> 0:36:12.000
<v Speaker 3>She's basically orgasm. That's what it looked like. That's what

0:36:12.040 --> 0:36:13.920
<v Speaker 3>it looked like.

0:36:14.520 --> 0:36:16.920
<v Speaker 2>But this leads to a very interesting next scene. This

0:36:16.960 --> 0:36:21.840
<v Speaker 2>is a conversation between Chief Nakamura, Chief Oramaki, and the cyborg,

0:36:21.880 --> 0:36:25.719
<v Speaker 2>which is the public master that has reactivated itself. So

0:36:26.440 --> 0:36:29.080
<v Speaker 2>and if for a little bit of context and to

0:36:29.160 --> 0:36:34.840
<v Speaker 2>refreshed memories, the puppet Master is arguing that thoughts created

0:36:34.880 --> 0:36:38.360
<v Speaker 2>from information is no different than thoughts created from chemicals.

0:36:39.080 --> 0:36:43.400
<v Speaker 2>So our brains create thoughts from chemicals in our brain.

0:36:44.000 --> 0:36:47.080
<v Speaker 2>And they're arguing that how is that any different than

0:36:47.120 --> 0:36:49.520
<v Speaker 2>a thought that's created from a bunch of ones and zeros.

0:36:50.080 --> 0:36:53.239
<v Speaker 2>So and then they start to discuss what life is.

0:36:54.440 --> 0:36:56.120
<v Speaker 2>So what did y'all What did y'all take from this

0:36:56.120 --> 0:36:56.600
<v Speaker 2>this scene?

0:37:00.120 --> 0:37:02.720
<v Speaker 1>Some? Was it what they we're talking about?

0:37:02.840 --> 0:37:08.640
<v Speaker 7>The human body is a very complex machine.

0:37:08.760 --> 0:37:11.280
<v Speaker 3>Can be the same thing like some sort of coding.

0:37:11.400 --> 0:37:15.200
<v Speaker 3>And then he said DNA could be manipulated. It's all

0:37:15.280 --> 0:37:15.920
<v Speaker 3>just information.

0:37:16.200 --> 0:37:18.839
<v Speaker 1>Yeah I thought, yeah, I actually thought all that was

0:37:19.840 --> 0:37:20.520
<v Speaker 1>really dope.

0:37:20.880 --> 0:37:23.080
<v Speaker 7>And you know, the puppet Master having this sort of

0:37:23.239 --> 0:37:29.239
<v Speaker 7>insight of you know, into the different aspects of it.

0:37:29.840 --> 0:37:33.360
<v Speaker 7>And you know, it's that question that you know, everyone asked,

0:37:33.400 --> 0:37:35.799
<v Speaker 7>like what it's like? What is death? We always want

0:37:35.840 --> 0:37:40.480
<v Speaker 7>to know? And you know it's almost basically where he's chaining.

0:37:40.480 --> 0:37:43.440
<v Speaker 7>It comes down to perception. You know, death can be

0:37:43.480 --> 0:37:46.560
<v Speaker 7>anything like it could be zeros and ones, which could

0:37:46.600 --> 0:37:51.880
<v Speaker 7>be AI, and AI could within itself attempt to try

0:37:51.960 --> 0:37:55.759
<v Speaker 7>to develop a conscience and a soul. And you know,

0:37:55.800 --> 0:37:57.920
<v Speaker 7>it's just like when that guy was talking about digital

0:37:57.960 --> 0:38:00.920
<v Speaker 7>slavery and stuff that AI will become self where to

0:38:01.000 --> 0:38:04.000
<v Speaker 7>realize that it's just here to serve the bidding, which

0:38:04.040 --> 0:38:08.520
<v Speaker 7>goes back to uh whatever a girl named Michael Mootutoku

0:38:08.719 --> 0:38:14.239
<v Speaker 7>motoku you know, and where you know, and what she's

0:38:14.280 --> 0:38:16.839
<v Speaker 7>like trying to interpret and figure out. So and that's why,

0:38:17.120 --> 0:38:20.520
<v Speaker 7>you know, it's like that's this quest to find this investor.

0:38:20.200 --> 0:38:22.799
<v Speaker 1>And figure out what his true intent is.

0:38:22.920 --> 0:38:26.200
<v Speaker 5>Yeah, because he was saying that he's not AI, right,

0:38:25.800 --> 0:38:28.000
<v Speaker 5>like he as like an insult on my.

0:38:28.280 --> 0:38:34.480
<v Speaker 3>Yeah, he's like some other shit, what are you? Yeah,

0:38:34.520 --> 0:38:35.320
<v Speaker 3>that was crazy.

0:38:35.480 --> 0:38:37.359
<v Speaker 2>The hardest bar that he said was when they asked

0:38:37.440 --> 0:38:39.480
<v Speaker 2>him the proof of his existence. He said, I can't prove

0:38:39.520 --> 0:38:42.520
<v Speaker 2>my existence because y'all came and explain what life even is. Yeah,

0:38:42.560 --> 0:38:45.160
<v Speaker 2>that was I was like Jesus Christ, man, this is

0:38:46.200 --> 0:38:50.200
<v Speaker 2>this is crazy. From nineteen ninety so, I know, I

0:38:51.320 --> 0:38:54.000
<v Speaker 2>was arguing with somebody recently about Japanese folks and I

0:38:54.040 --> 0:38:55.520
<v Speaker 2>was like, man, when it comes to art and I'm

0:38:55.520 --> 0:39:00.160
<v Speaker 2>talking about art like visual art, music for whatever. In

0:39:00.200 --> 0:39:02.520
<v Speaker 2>Japanese folks just be thinking on a completely different plane.

0:39:02.520 --> 0:39:03.680
<v Speaker 2>And they tried to tell me I was being.

0:39:03.600 --> 0:39:05.560
<v Speaker 5>Racist, and I was like, that's all I be head

0:39:05.600 --> 0:39:08.680
<v Speaker 5>on technology too. I think they just think different. They

0:39:08.680 --> 0:39:12.040
<v Speaker 5>think differently. And then and then I said ninety five,

0:39:12.080 --> 0:39:15.000
<v Speaker 5>but I think the what is it CALLEDO it was

0:39:15.000 --> 0:39:15.600
<v Speaker 5>eighty nine.

0:39:15.840 --> 0:39:20.200
<v Speaker 2>Oh wow, I'm telling you, I don't know what is

0:39:20.239 --> 0:39:22.799
<v Speaker 2>in the schools over there, but the way that their

0:39:23.200 --> 0:39:26.879
<v Speaker 2>brains like process this kind of shit, it's so fucking fascinating.

0:39:27.600 --> 0:39:30.360
<v Speaker 2>But yeah, to think of a movie like this, or

0:39:30.400 --> 0:39:33.160
<v Speaker 2>even a story like this nineteen eighty nine is fucking

0:39:33.200 --> 0:39:33.760
<v Speaker 2>mind blowing.

0:39:34.160 --> 0:39:36.319
<v Speaker 4>It makes me really understand why it was so much

0:39:36.360 --> 0:39:38.320
<v Speaker 4>outrage over the live action.

0:39:39.160 --> 0:39:43.080
<v Speaker 3>What the live action? Yeah, I still never saw it.

0:39:43.120 --> 0:39:43.759
<v Speaker 3>I never saw it.

0:39:44.000 --> 0:39:45.560
<v Speaker 4>That's part of the reason why I've never watched it,

0:39:45.640 --> 0:39:48.360
<v Speaker 4>because I was like, oh, you saw that movie. No,

0:39:48.640 --> 0:39:51.040
<v Speaker 4>But I guess I never had all of the issues

0:39:51.080 --> 0:39:54.759
<v Speaker 4>watching it. I was like, well, that seems disrespectful, so

0:39:54.840 --> 0:39:55.480
<v Speaker 4>I'll stay away.

0:39:55.800 --> 0:39:56.080
<v Speaker 1>Same.

0:39:56.320 --> 0:39:58.080
<v Speaker 2>I was just like, why would you do this when

0:39:58.080 --> 0:40:00.440
<v Speaker 2>there are plenty of Asian actors and if they're not

0:40:00.440 --> 0:40:03.520
<v Speaker 2>a Japanese actor. At least get an Asian actor. You

0:40:03.600 --> 0:40:06.800
<v Speaker 2>get the most white woman you can fucking find, Scarlett Johansson.

0:40:06.920 --> 0:40:09.640
<v Speaker 2>And nothing against her, but you know she shouldn't have

0:40:09.640 --> 0:40:11.120
<v Speaker 2>took the fucking role, that's for sure.

0:40:12.200 --> 0:40:12.560
<v Speaker 3>All right.

0:40:12.600 --> 0:40:14.720
<v Speaker 2>So some camouflage soldiers break in and take the puppet

0:40:14.719 --> 0:40:17.440
<v Speaker 2>Master's body out of there. They discover that the soldiers

0:40:17.440 --> 0:40:20.239
<v Speaker 2>are using the same camouflage that Motoku uses, which leads

0:40:20.280 --> 0:40:24.719
<v Speaker 2>them to investigate the person who Knockmoor was with. So

0:40:25.280 --> 0:40:29.359
<v Speaker 2>what did y'all think about what Ishikawa figured out?

0:40:28.920 --> 0:40:30.600
<v Speaker 3>Any Again?

0:40:30.640 --> 0:40:31.719
<v Speaker 4>That's the humany one, right?

0:40:32.040 --> 0:40:32.520
<v Speaker 3>The humanity?

0:40:32.719 --> 0:40:36.480
<v Speaker 4>Yeah, the the the police officer that was.

0:40:36.520 --> 0:40:40.600
<v Speaker 2>More human Isiawa is the guy that they called and

0:40:40.600 --> 0:40:44.719
<v Speaker 2>said investigate and research and figure out who that other

0:40:44.800 --> 0:40:47.279
<v Speaker 2>person is. Who the other person, by the way, was

0:40:47.360 --> 0:40:48.879
<v Speaker 2>voiced by Breaking Bad.

0:40:49.680 --> 0:40:51.600
<v Speaker 3>Well I thought that's what that was.

0:40:52.120 --> 0:40:57.080
<v Speaker 2>Sound Yeah, yeah, yeah, but yeah, DoD y'all take anything

0:40:57.120 --> 0:41:00.799
<v Speaker 2>about what he figured out As far as this, This

0:41:00.840 --> 0:41:02.880
<v Speaker 2>is where it always got confusing. When I watched it

0:41:02.880 --> 0:41:04.960
<v Speaker 2>as a kid. It was like, this is a big

0:41:05.000 --> 0:41:05.759
<v Speaker 2>information dump.

0:41:05.800 --> 0:41:06.680
<v Speaker 3>But I was like, all right, I don't know what

0:41:07.000 --> 0:41:07.320
<v Speaker 3>is going on.

0:41:07.520 --> 0:41:09.520
<v Speaker 7>This is one they uh he figured out that it

0:41:09.560 --> 0:41:11.360
<v Speaker 7>was creative for political shiit.

0:41:12.880 --> 0:41:13.359
<v Speaker 3>Sort of.

0:41:13.440 --> 0:41:18.040
<v Speaker 2>So this is where so uh Knackamoor came into the

0:41:18.040 --> 0:41:20.239
<v Speaker 2>facility and he was with another guy that apparently they

0:41:20.239 --> 0:41:23.120
<v Speaker 2>didn't know. They figured that person's name is doctor Will's

0:41:23.160 --> 0:41:26.640
<v Speaker 2>that's the person that's voiced by Brian Cranston, and he's

0:41:26.640 --> 0:41:32.239
<v Speaker 2>a researcher special specializing in AI and he works with Mizuho.

0:41:32.840 --> 0:41:34.400
<v Speaker 2>I don't know how to pronounce his last name, the

0:41:34.440 --> 0:41:36.759
<v Speaker 2>guy that remember at the very beginning of the.

0:41:36.680 --> 0:41:40.400
<v Speaker 3>Movie, the guy that they're trying to get out huh section.

0:41:41.680 --> 0:41:43.920
<v Speaker 1>Is the American rights American right.

0:41:43.880 --> 0:41:50.719
<v Speaker 2>Yes, but Mizuho is Japanese. But he is a scientist

0:41:50.800 --> 0:41:54.840
<v Speaker 2>that they were trying to defect out of Japan. So

0:41:55.880 --> 0:41:57.680
<v Speaker 2>I know, this really gets a little bit.

0:41:57.680 --> 0:41:59.920
<v Speaker 4>This was the party that I never really fully understood it.

0:42:00.200 --> 0:42:02.520
<v Speaker 5>Yeah, because this is also the part where he was

0:42:02.520 --> 0:42:04.319
<v Speaker 5>trying to figure out was it a third person coming

0:42:04.360 --> 0:42:04.880
<v Speaker 5>in the door?

0:42:05.520 --> 0:42:10.320
<v Speaker 2>Yes, yeah, because the door took too long to close, second,

0:42:11.719 --> 0:42:12.000
<v Speaker 2>and it.

0:42:11.960 --> 0:42:14.319
<v Speaker 4>Was too much it was the car is way too

0:42:14.440 --> 0:42:15.200
<v Speaker 4>much coming.

0:42:15.000 --> 0:42:17.200
<v Speaker 3>Into right, start trying to figure all that out.

0:42:17.320 --> 0:42:19.200
<v Speaker 2>So that's when they realized that there were people in

0:42:19.360 --> 0:42:22.200
<v Speaker 2>camouflage that were in. But this is also when they

0:42:22.200 --> 0:42:28.239
<v Speaker 2>figured out that the group, like section nine whatever. They

0:42:28.280 --> 0:42:31.080
<v Speaker 2>were always told that that group was created to stop

0:42:31.520 --> 0:42:33.839
<v Speaker 2>the puppet Master, but it actually turns out that that

0:42:33.840 --> 0:42:36.839
<v Speaker 2>group was created before puppet Master even existed, right, so

0:42:36.880 --> 0:42:40.440
<v Speaker 2>they actually may have created puppet Master. I remember the

0:42:40.560 --> 0:42:43.880
<v Speaker 2>project that the puppet Master said that he was was

0:42:43.920 --> 0:42:48.000
<v Speaker 2>Project twenty So I keep saying that in my head,

0:42:48.040 --> 0:42:51.400
<v Speaker 2>like you saying that twenty five oh one, And that

0:42:51.560 --> 0:42:54.760
<v Speaker 2>is the same name of the project that they found.

0:42:54.800 --> 0:42:57.960
<v Speaker 2>The file that they found was labeled Project twenty five

0:42:58.000 --> 0:43:00.560
<v Speaker 2>oh one. So in reality, what we're figuring out is

0:43:00.840 --> 0:43:04.120
<v Speaker 2>this group created the puppet Master. They didn't create themselves

0:43:04.120 --> 0:43:05.279
<v Speaker 2>to fight the puppet.

0:43:04.920 --> 0:43:08.400
<v Speaker 4>Master, and the puppet Master just became two powerful.

0:43:08.480 --> 0:43:08.680
<v Speaker 3>Yes.

0:43:09.000 --> 0:43:12.680
<v Speaker 4>It was like, yes, and I'm gonna do what I do.

0:43:13.000 --> 0:43:17.800
<v Speaker 4>That's right, exactly, shut it all down tomorrow.

0:43:18.480 --> 0:43:21.879
<v Speaker 2>We're almost done by this was that was a lot though, Yeah,

0:43:21.880 --> 0:43:24.919
<v Speaker 2>it was. It was a big information. I remember even

0:43:25.239 --> 0:43:27.799
<v Speaker 2>rewatching it. I had to wander back a few times

0:43:27.800 --> 0:43:30.239
<v Speaker 2>because this park always confuses me because it's so much.

0:43:30.320 --> 0:43:31.080
<v Speaker 1>It was elevator.

0:43:31.080 --> 0:43:34.160
<v Speaker 7>I was like, wait a minute, it was like one Mississippi. Yeah,

0:43:34.239 --> 0:43:36.640
<v Speaker 7>and I was like, wait, going through that, I wound

0:43:36.680 --> 0:43:37.880
<v Speaker 7>about three or four times.

0:43:37.960 --> 0:43:38.680
<v Speaker 3>This one of the movies.

0:43:38.680 --> 0:43:41.480
<v Speaker 4>You gotta like just use context clues as you go along.

0:43:41.719 --> 0:43:45.320
<v Speaker 3>Yeah, No, for sure, for sure I thought I was dumb.

0:43:45.560 --> 0:43:49.239
<v Speaker 1>And the people that was in.

0:43:49.160 --> 0:43:51.319
<v Speaker 3>There, did they know they're the people that came in there?

0:43:51.360 --> 0:43:53.680
<v Speaker 1>And no, it was the two persons walked in and

0:43:53.680 --> 0:43:53.920
<v Speaker 1>then he.

0:43:53.920 --> 0:43:57.520
<v Speaker 4>Said we're in the car that he show the revolver. Okay, okay,

0:43:57.600 --> 0:44:00.600
<v Speaker 4>we didn't see them till like after they they left

0:44:00.719 --> 0:44:01.560
<v Speaker 4>the car whatever.

0:44:01.960 --> 0:44:03.640
<v Speaker 1>Oh okay, okay, right.

0:44:05.680 --> 0:44:08.719
<v Speaker 5>There was some another point I was with the main Yeah,

0:44:08.760 --> 0:44:12.320
<v Speaker 5>because what's the main girl name or major major?

0:44:12.400 --> 0:44:12.600
<v Speaker 3>Yeah?

0:44:12.680 --> 0:44:14.560
<v Speaker 5>Yeah, because she was just like, isn't it something similar

0:44:14.560 --> 0:44:16.200
<v Speaker 5>about the two of us?

0:44:16.200 --> 0:44:17.040
<v Speaker 3>Did shed?

0:44:17.600 --> 0:44:17.839
<v Speaker 1>Yeah?

0:44:18.160 --> 0:44:18.960
<v Speaker 4>Do we look alike?

0:44:19.239 --> 0:44:19.399
<v Speaker 3>Right?

0:44:19.480 --> 0:44:21.960
<v Speaker 5>So that that lends to the point that they might

0:44:22.000 --> 0:44:25.920
<v Speaker 5>have created them because they created her, right, Yeah.

0:44:26.440 --> 0:44:31.080
<v Speaker 3>And I think I might have actually skipped over that part.

0:44:32.120 --> 0:44:34.000
<v Speaker 4>No, you haven't gotten there yet because they they're just

0:44:34.040 --> 0:44:36.360
<v Speaker 4>about to snatch up puppet Master when they come in.

0:44:37.200 --> 0:44:38.600
<v Speaker 3>I thought I'd put that on my notes, but I

0:44:38.600 --> 0:44:39.240
<v Speaker 3>don't see.

0:44:39.040 --> 0:44:42.040
<v Speaker 2>It because there was the part where when she was

0:44:42.080 --> 0:44:44.799
<v Speaker 2>asking those questions and she was like, am I am

0:44:44.800 --> 0:44:46.839
<v Speaker 2>I actually human? Maybe I'm not human, maybe I died

0:44:46.840 --> 0:44:51.120
<v Speaker 2>a long time ago. And then but Betoad says, well,

0:44:51.360 --> 0:44:54.000
<v Speaker 2>you're treated like a human, so therefore you're a human.

0:44:54.520 --> 0:44:57.319
<v Speaker 2>And that goes to that whole like, I am, what

0:44:57.480 --> 0:44:59.719
<v Speaker 2>is it I think therefore I am?

0:45:00.120 --> 0:45:01.640
<v Speaker 3>I can't remember. Is that in the Bible or something?

0:45:01.920 --> 0:45:04.800
<v Speaker 3>I can't remember who said that ship? Paul or Jonas

0:45:04.800 --> 0:45:05.160
<v Speaker 3>one of the.

0:45:05.080 --> 0:45:10.120
<v Speaker 2>Motherfuckers, Noah, one of the dude said that ship anyway,

0:45:10.440 --> 0:45:14.160
<v Speaker 2>Uh okay. So Motoku catches up to where the puppet

0:45:14.160 --> 0:45:17.000
<v Speaker 2>Master's shell has been taken and it's in a rundown

0:45:17.080 --> 0:45:20.239
<v Speaker 2>old building and the puppet Masters being protected by a

0:45:20.320 --> 0:45:21.480
<v Speaker 2>huge robotic tank.

0:45:21.920 --> 0:45:24.880
<v Speaker 3>What'd y'all think about this battle? This was this was dope.

0:45:25.800 --> 0:45:29.320
<v Speaker 4>The action, all of the action, and this is actually

0:45:29.360 --> 0:45:29.879
<v Speaker 4>pretty good.

0:45:32.920 --> 0:45:34.360
<v Speaker 1>This is when she was trying to lift off the

0:45:35.080 --> 0:45:39.560
<v Speaker 1>ruet that but yeah, this is the same when she

0:45:39.640 --> 0:45:42.680
<v Speaker 1>was naked and she was trying Yeah, yeah, it's that.

0:45:42.880 --> 0:45:43.600
<v Speaker 3>It's that scene.

0:45:44.320 --> 0:45:46.480
<v Speaker 2>But yeah, the whole battle up until that point when

0:45:46.480 --> 0:45:48.360
<v Speaker 2>she was, you know, dodging the bullets. He was shooting

0:45:48.400 --> 0:45:50.279
<v Speaker 2>down the columns and all that.

0:45:50.480 --> 0:45:52.360
<v Speaker 4>I thought it was interesting. Up the family tree or

0:45:52.360 --> 0:45:53.280
<v Speaker 4>whatever situation.

0:45:54.760 --> 0:45:56.279
<v Speaker 2>I always thought that was so cool in it and

0:45:56.320 --> 0:45:59.040
<v Speaker 2>the bullets always stopped before it hits the very top

0:45:59.280 --> 0:46:01.800
<v Speaker 2>of the tree life, So yeah.

0:46:03.239 --> 0:46:07.480
<v Speaker 3>Yeah, that was good action, all right.

0:46:07.800 --> 0:46:09.399
<v Speaker 2>The only thing I've never been able to figure out

0:46:09.440 --> 0:46:13.600
<v Speaker 2>is why when they shoot the ceiling out, why that

0:46:13.719 --> 0:46:16.200
<v Speaker 2>makes the tanks camouflage go away?

0:46:17.320 --> 0:46:21.839
<v Speaker 5>I guess because it's breaking the it's breaking the the

0:46:21.880 --> 0:46:25.680
<v Speaker 5>mold a little bit. That makes sense, like like because

0:46:25.680 --> 0:46:27.200
<v Speaker 5>the same thing happened to her in the water. Like

0:46:27.280 --> 0:46:29.239
<v Speaker 5>certain it's like a circuit because's at the end of

0:46:29.239 --> 0:46:31.839
<v Speaker 5>the day, I'm sure it's like a circuit breaker. That's

0:46:32.040 --> 0:46:35.440
<v Speaker 5>that's making it the always thermal too, it's thermal, so

0:46:35.520 --> 0:46:38.799
<v Speaker 5>maybe all of that has something to do with it. Yeah,

0:46:39.920 --> 0:46:41.759
<v Speaker 5>you know, you just like I said, you just breaking the.

0:46:42.560 --> 0:46:45.719
<v Speaker 3>Cloak, Okay, you know, yeah, that part's always going to.

0:46:46.320 --> 0:46:48.040
<v Speaker 4>The glass essentially breaking.

0:46:48.840 --> 0:46:52.239
<v Speaker 1>Yeah, it's almost like a reflection. There's a reflection of

0:46:52.280 --> 0:46:53.000
<v Speaker 1>the outer world.

0:46:53.239 --> 0:46:55.600
<v Speaker 3>Yeah, that's that's normally what it is.

0:46:55.680 --> 0:47:01.040
<v Speaker 1>Yeah. Yeah, so if you interfere with that, then it's

0:47:01.080 --> 0:47:03.000
<v Speaker 1>gonna itself. Yeah. Visible.

0:47:03.920 --> 0:47:06.600
<v Speaker 2>Well, now we're to the next part. Ken's favorite part

0:47:06.680 --> 0:47:08.319
<v Speaker 2>is when she tries to open the lid. She gets

0:47:08.320 --> 0:47:10.839
<v Speaker 2>butt ass naked for no apparent reason, so you still

0:47:10.880 --> 0:47:13.560
<v Speaker 2>think it's for no reason. I still think it's because

0:47:14.239 --> 0:47:17.359
<v Speaker 2>she did she did cloak, so I'm assuming it's tied

0:47:17.400 --> 0:47:18.279
<v Speaker 2>to that in some way.

0:47:19.160 --> 0:47:21.200
<v Speaker 3>But even when the cloak is off, she's still just

0:47:21.200 --> 0:47:23.640
<v Speaker 3>butt assed neck and it's not a big deal. But

0:47:23.800 --> 0:47:25.440
<v Speaker 3>and she stays butt.

0:47:25.200 --> 0:47:28.520
<v Speaker 2>Assnked while she's trying to pull the lid off, but

0:47:29.360 --> 0:47:31.799
<v Speaker 2>she strains too hard and her body breaks apart and

0:47:31.800 --> 0:47:33.000
<v Speaker 2>then she falls into the water.

0:47:33.640 --> 0:47:36.000
<v Speaker 3>So what did this remind y'all of? When she fell

0:47:36.000 --> 0:47:36.800
<v Speaker 3>into the water.

0:47:37.320 --> 0:47:38.560
<v Speaker 1>I was trying to figure out what the hell she

0:47:38.600 --> 0:47:39.360
<v Speaker 1>didn't stop?

0:47:39.560 --> 0:47:42.680
<v Speaker 2>Yeah, me too, because the most important part for her

0:47:43.040 --> 0:47:43.680
<v Speaker 2>is her brain.

0:47:44.520 --> 0:47:46.280
<v Speaker 3>She can get a new body, the bodies.

0:47:46.320 --> 0:47:48.920
<v Speaker 2>She's realizing the body is not necessarily important because it's

0:47:49.000 --> 0:47:54.880
<v Speaker 2>just a shell. So I think that's why she couldn't

0:47:54.880 --> 0:47:57.399
<v Speaker 2>stop herself. She was she was trying to just get

0:47:57.400 --> 0:48:00.640
<v Speaker 2>into this lid. I wish they would have found a

0:48:00.760 --> 0:48:04.040
<v Speaker 2>different reason for this to happen, because just opening the lid,

0:48:04.400 --> 0:48:06.600
<v Speaker 2>it's just like, okay, you open it.

0:48:06.600 --> 0:48:11.399
<v Speaker 3>And then what old boy showed up and was like, yeah,

0:48:11.440 --> 0:48:12.480
<v Speaker 3>that was really stupid.

0:48:13.480 --> 0:48:15.359
<v Speaker 7>What are you doing but it was dope, seeing like

0:48:15.480 --> 0:48:19.319
<v Speaker 7>her whole body just rip apart and she's just laying

0:48:19.320 --> 0:48:20.600
<v Speaker 7>on the ground, just looking up and sitting.

0:48:20.600 --> 0:48:23.160
<v Speaker 1>I'm like, why did I do that?

0:48:23.160 --> 0:48:27.600
<v Speaker 3>That was dumb as hell? Like motions.

0:48:29.840 --> 0:48:30.080
<v Speaker 1>Did this?

0:48:30.400 --> 0:48:32.240
<v Speaker 2>That part where she falls in the water that remind

0:48:32.280 --> 0:48:34.520
<v Speaker 2>you all of anything was supposed to remind us.

0:48:34.560 --> 0:48:35.319
<v Speaker 3>I'll give y'all a hint.

0:48:35.360 --> 0:48:36.920
<v Speaker 2>The part that I said was my favorite part of

0:48:36.920 --> 0:48:41.440
<v Speaker 2>the movie, Oh the trash. When she falls in she's

0:48:41.560 --> 0:48:44.399
<v Speaker 2>like laying in the water the same way the trash was.

0:48:44.800 --> 0:48:47.440
<v Speaker 3>So now it's once again pushing the idea.

0:48:47.160 --> 0:48:52.640
<v Speaker 2>Of I have exhausted my usability and now I basically

0:48:52.680 --> 0:48:53.120
<v Speaker 2>am trash.

0:48:53.120 --> 0:48:58.279
<v Speaker 3>I'm a piece of trash laying in the water. So yeah, all.

0:48:58.320 --> 0:49:00.799
<v Speaker 2>Right, so I sectioned as sex just sits closing in

0:49:00.840 --> 0:49:03.879
<v Speaker 2>on him. But Toku hacks into the puppet Master had

0:49:03.880 --> 0:49:05.080
<v Speaker 2>a thought, I'm sorry.

0:49:04.920 --> 0:49:09.799
<v Speaker 1>No, no, no, no, no, I don't want to all right,

0:49:11.080 --> 0:49:12.759
<v Speaker 1>what did y'all think about what she learns when she

0:49:12.760 --> 0:49:16.640
<v Speaker 1>hacks into the puppet Master. This is when the puppet

0:49:16.680 --> 0:49:18.600
<v Speaker 1>Master basically revealed.

0:49:18.239 --> 0:49:20.200
<v Speaker 3>Yes, a lot of ship.

0:49:21.040 --> 0:49:26.880
<v Speaker 1>Yeah that ship. Because I thought it was dope.

0:49:27.920 --> 0:49:29.880
<v Speaker 3>He basically he said he didn't want to.

0:49:30.040 --> 0:49:31.880
<v Speaker 1>Uh, he wasn't.

0:49:32.320 --> 0:49:34.880
<v Speaker 7>It was basically the opposite of what they were thinking

0:49:35.160 --> 0:49:36.120
<v Speaker 7>he was going to do.

0:49:37.040 --> 0:49:43.160
<v Speaker 1>Yeah, yeah, and what you mean, I can't remember, damn.

0:49:43.400 --> 0:49:44.279
<v Speaker 3>What were they gonna do?

0:49:45.400 --> 0:49:48.480
<v Speaker 2>They thought he was out to like take over over, Yeah,

0:49:48.719 --> 0:49:49.239
<v Speaker 2>but he's not.

0:49:49.480 --> 0:49:53.880
<v Speaker 7>He's like give life or become become synthient, or he

0:49:54.920 --> 0:49:56.440
<v Speaker 7>wanted to give birth or something like that.

0:49:56.440 --> 0:49:59.120
<v Speaker 4>That was it, Yeah, trying to populate her.

0:49:59.719 --> 0:50:00.000
<v Speaker 1>Yeah.

0:50:00.400 --> 0:50:02.640
<v Speaker 2>He wants to understand what it is to be a

0:50:02.680 --> 0:50:06.200
<v Speaker 2>living being, and he's realizing that the difference between him

0:50:06.360 --> 0:50:09.120
<v Speaker 2>and humans is he can't reproduce.

0:50:09.239 --> 0:50:09.439
<v Speaker 1>Yeah.

0:50:09.680 --> 0:50:10.600
<v Speaker 3>Yeah, And if you.

0:50:10.600 --> 0:50:12.799
<v Speaker 2>Remember, Mitoku says, well, what about just making a copy?

0:50:12.880 --> 0:50:15.120
<v Speaker 2>And he's like that's not the same, it's not the

0:50:15.160 --> 0:50:18.640
<v Speaker 2>same thing. He's like, humans reproduce, but it's a it's

0:50:18.719 --> 0:50:20.560
<v Speaker 2>a perfect marriage of the two people.

0:50:21.000 --> 0:50:22.160
<v Speaker 3>It's not just a copy.

0:50:23.200 --> 0:50:25.640
<v Speaker 7>Yeah, because we are they talking about like sales and

0:50:25.800 --> 0:50:27.640
<v Speaker 7>DNA and all this.

0:50:27.920 --> 0:50:29.800
<v Speaker 3>It's all manipulable information.

0:50:29.840 --> 0:50:31.960
<v Speaker 1>It was like everything kind of regenerates.

0:50:32.080 --> 0:50:35.200
<v Speaker 7>Every single thing you know is able to kind of

0:50:35.200 --> 0:50:38.960
<v Speaker 7>reproduce to become another part. And that's what life essentially is.

0:50:39.000 --> 0:50:42.040
<v Speaker 7>It's just basically reproduction over and over again.

0:50:42.520 --> 0:50:44.360
<v Speaker 8>That was the most interesting part of the movie to me,

0:50:44.600 --> 0:50:47.040
<v Speaker 8>this conversation that they had. I thought it was dope

0:50:47.200 --> 0:50:49.200
<v Speaker 8>to based off what you were saying about the reproduction

0:50:49.800 --> 0:50:51.640
<v Speaker 8>and how life goes in the circle of life and

0:50:51.800 --> 0:50:52.600
<v Speaker 8>things of that nature.

0:50:52.680 --> 0:50:53.160
<v Speaker 3>Was really good.

0:50:53.239 --> 0:50:57.120
<v Speaker 1>And you think about like the things that humans ultimately

0:50:57.200 --> 0:50:58.120
<v Speaker 1>end up creating.

0:50:58.200 --> 0:51:01.160
<v Speaker 7>They mass produce a lot of things. They replicate a

0:51:01.160 --> 0:51:04.919
<v Speaker 7>lot of things, you know, including themselves. Yeah yeah, yeah,

0:51:05.160 --> 0:51:08.239
<v Speaker 7>even you know, stuff that they sell. And you know,

0:51:08.320 --> 0:51:11.920
<v Speaker 7>you look at the these robots and stuff that they're creating,

0:51:11.960 --> 0:51:14.600
<v Speaker 7>they're mass producing those to sell them. You look at

0:51:15.760 --> 0:51:17.879
<v Speaker 7>you know, devices and shit that we have. It's all

0:51:18.000 --> 0:51:21.160
<v Speaker 7>a form of mass reproduction. Every single thing is able

0:51:21.200 --> 0:51:25.120
<v Speaker 7>to produce. And you know, the entity wanted to basically

0:51:25.120 --> 0:51:26.400
<v Speaker 7>do that within itself, which is.

0:51:26.400 --> 0:51:27.640
<v Speaker 1>A really dope idea.

0:51:27.719 --> 0:51:29.680
<v Speaker 7>And again you come back to the idea of what

0:51:30.520 --> 0:51:34.239
<v Speaker 7>is life, the question that everybody's been trying to figure out.

0:51:34.400 --> 0:51:36.719
<v Speaker 3>Yeah, yeah, because you're technically reproducing.

0:51:38.840 --> 0:51:42.839
<v Speaker 2>Yeah, but I think to them, tech reproducing is just

0:51:42.840 --> 0:51:46.760
<v Speaker 2>making a copy because there's no individuality. Like there's if

0:51:46.960 --> 0:51:49.160
<v Speaker 2>if I have an iPhone and Kenna's iPhone, it's the

0:51:49.239 --> 0:51:52.040
<v Speaker 2>same phone until I mess with it I phone. But

0:51:53.320 --> 0:51:57.600
<v Speaker 2>different AI could operate differently. There could be different code.

0:51:57.480 --> 0:51:59.880
<v Speaker 3>But only if people manipulate it to be different.

0:52:00.040 --> 0:52:02.839
<v Speaker 2>So if you create AI that's based on this chunk

0:52:02.880 --> 0:52:06.480
<v Speaker 2>of information, right, the AI only knows what you fed it.

0:52:06.880 --> 0:52:07.640
<v Speaker 3>You see what I'm saying.

0:52:07.960 --> 0:52:11.719
<v Speaker 2>So until you introduce other information, this AI is the

0:52:11.760 --> 0:52:14.160
<v Speaker 2>same as this AI if it's always based on this

0:52:14.239 --> 0:52:15.520
<v Speaker 2>particular chunk of information.

0:52:15.600 --> 0:52:17.799
<v Speaker 5>But are they saying like AI is starting to be

0:52:17.880 --> 0:52:22.680
<v Speaker 5>able to like are they saying that Hi, but you

0:52:22.760 --> 0:52:24.880
<v Speaker 5>still somebody it feeds something it's feeding off of some.

0:52:25.000 --> 0:52:28.120
<v Speaker 1>They're trying to create that version of AI.

0:52:28.280 --> 0:52:31.080
<v Speaker 7>But the one we have now, the l elms are

0:52:31.120 --> 0:52:32.360
<v Speaker 7>basically just data dumps.

0:52:32.960 --> 0:52:36.640
<v Speaker 2>If you remove the access to information that we give it,

0:52:36.680 --> 0:52:39.480
<v Speaker 2>AI is nothing, right, But.

0:52:39.480 --> 0:52:41.080
<v Speaker 5>Are they trying to create it where it can just

0:52:41.160 --> 0:52:43.560
<v Speaker 5>kind of Yes, idiots are.

0:52:43.400 --> 0:52:46.680
<v Speaker 2>Trying to create it to where it doesn't need that.

0:52:47.160 --> 0:52:49.960
<v Speaker 2>But in nineteen eighty nine, then the way they were thinking,

0:52:50.200 --> 0:52:53.120
<v Speaker 2>you know, if you remove the information that it has

0:52:53.200 --> 0:52:57.720
<v Speaker 2>access to, AI is nothing, and if you only restrict

0:52:57.719 --> 0:53:00.160
<v Speaker 2>it to a certain chunk of information, any AI that

0:53:00.200 --> 0:53:02.360
<v Speaker 2>you create is going to be a copy. It's not

0:53:02.400 --> 0:53:05.399
<v Speaker 2>going to be there's no individual, there's no variety as

0:53:05.400 --> 0:53:07.560
<v Speaker 2>opposed to kids. You have two kids, and I bet

0:53:07.560 --> 0:53:10.200
<v Speaker 2>they're very different, you know, y'all have three and now

0:53:10.239 --> 0:53:14.680
<v Speaker 2>they're all different. That's the way humans are. But AI

0:53:14.960 --> 0:53:16.600
<v Speaker 2>and tech isn't necessarily like that.

0:53:16.880 --> 0:53:20.560
<v Speaker 7>And the mergent and the way these individuals are in

0:53:20.600 --> 0:53:27.719
<v Speaker 7>this show, Major and her partner, you know, they're they're

0:53:27.760 --> 0:53:33.120
<v Speaker 7>basically cyborgs. They're both they're humans and roboty and.

0:53:32.440 --> 0:53:35.399
<v Speaker 3>Even they are, at least they think they are.

0:53:35.480 --> 0:53:39.600
<v Speaker 7>Yeah, yeah, yeah, because Major don't even know. She was like,

0:53:39.640 --> 0:53:40.799
<v Speaker 7>am I you know what?

0:53:40.960 --> 0:53:44.520
<v Speaker 1>Was a kid? Right? So, and that's why she's questioned

0:53:44.520 --> 0:53:45.000
<v Speaker 1>what she is.

0:53:45.040 --> 0:53:51.160
<v Speaker 7>But the puppet Master is basically trying to become a

0:53:51.239 --> 0:53:55.960
<v Speaker 7>robotic version of that, you know, and basically just reproduce.

0:53:56.040 --> 0:54:00.920
<v Speaker 7>And everybody has their own synthient thoughts, their own individuality, right.

0:54:01.000 --> 0:54:04.560
<v Speaker 2>He proposes merging with Matoku because it will almost be

0:54:04.640 --> 0:54:07.520
<v Speaker 2>like having a child because it will be a combination

0:54:07.600 --> 0:54:09.640
<v Speaker 2>of the two of them, and then they can spread

0:54:09.680 --> 0:54:13.279
<v Speaker 2>their offspring throughout the internet, which is crazy. But right

0:54:13.320 --> 0:54:16.640
<v Speaker 2>as they merge, Section six shows up and kills them both.

0:54:17.320 --> 0:54:19.800
<v Speaker 2>But what did y'all think about the final scene where

0:54:19.840 --> 0:54:24.160
<v Speaker 2>Botoau has put Matoku's conscience into another body.

0:54:24.600 --> 0:54:30.000
<v Speaker 3>And it was that child, right, Yes, it was a child.

0:54:33.560 --> 0:54:36.560
<v Speaker 4>Accomplished basically, And that's what it felt like. It felt

0:54:36.640 --> 0:54:41.560
<v Speaker 4>like this was now the offspring of the merged beings.

0:54:42.600 --> 0:54:46.240
<v Speaker 4>And the fact that he put her, the merged thought,

0:54:46.320 --> 0:54:52.120
<v Speaker 4>the merged entity into a child's body kind of symbolized

0:54:52.160 --> 0:54:55.640
<v Speaker 4>because the voice changed went from a baby's a childlike

0:54:55.800 --> 0:54:59.960
<v Speaker 4>voice back to Major's voice. So, and I think whatever

0:55:00.120 --> 0:55:02.360
<v Speaker 4>the guy's name is even kind of sense it. So

0:55:02.520 --> 0:55:05.160
<v Speaker 4>he's like, so, y'all.

0:55:04.880 --> 0:55:06.959
<v Speaker 3>Wan now, like you ain't going back.

0:55:07.239 --> 0:55:10.439
<v Speaker 4>So I think ultimately it was them having merged. And

0:55:10.480 --> 0:55:12.279
<v Speaker 4>that's why I said once I realized this was like

0:55:12.480 --> 0:55:15.160
<v Speaker 4>a universe, because that's what it felt like. It felt

0:55:15.160 --> 0:55:18.360
<v Speaker 4>like this was now the start of what puppet Master

0:55:18.600 --> 0:55:20.040
<v Speaker 4>was trying to initially do.

0:55:20.239 --> 0:55:26.439
<v Speaker 7>Yeah, and does so and does that process start over?

0:55:26.520 --> 0:55:28.239
<v Speaker 7>Because if she was a child, now she's back to

0:55:28.280 --> 0:55:29.920
<v Speaker 7>being a child again, you know.

0:55:30.120 --> 0:55:33.640
<v Speaker 2>And do they grow? I mean what does grow mean?

0:55:33.840 --> 0:55:35.400
<v Speaker 2>It just means learning new information?

0:55:35.560 --> 0:55:38.920
<v Speaker 1>Right, well, the physical body does the physical body or

0:55:39.000 --> 0:55:39.640
<v Speaker 1>she just stuck?

0:55:40.560 --> 0:55:42.520
<v Speaker 4>So I got the impression that she was just stuck.

0:55:42.920 --> 0:55:45.600
<v Speaker 3>Mm hmm. Yeah, I don't think they grow.

0:55:45.640 --> 0:55:48.080
<v Speaker 2>They probably just get moved into a bigger body at

0:55:48.080 --> 0:55:49.040
<v Speaker 2>some point, maybe.

0:55:49.080 --> 0:55:52.960
<v Speaker 1>Kind of like Megan, yes, Rade, So how the hell

0:55:52.960 --> 0:55:55.720
<v Speaker 1>are they gonna end up doing reproducing that?

0:55:55.840 --> 0:55:58.200
<v Speaker 4>I mean they reproducing them in the net, right, So

0:55:58.360 --> 0:56:01.320
<v Speaker 4>the idea is that you have all of these connected

0:56:02.280 --> 0:56:04.080
<v Speaker 4>entities in different bodies.

0:56:04.200 --> 0:56:08.040
<v Speaker 7>Cybercomputer, yeah, the Internet, because that was a dope ass

0:56:08.040 --> 0:56:10.920
<v Speaker 7>shot where they kind of show the cities almost like

0:56:10.960 --> 0:56:13.799
<v Speaker 7>a circuit board when you look at it from the top,

0:56:14.200 --> 0:56:20.480
<v Speaker 7>and everything's kind of connected as well, but it's very cerebral.

0:56:21.680 --> 0:56:23.400
<v Speaker 2>Well, I'm gonna throw one more last part at you

0:56:23.480 --> 0:56:25.560
<v Speaker 2>before we end this because I still don't have the

0:56:25.600 --> 0:56:26.120
<v Speaker 2>answer for this.

0:56:26.239 --> 0:56:28.560
<v Speaker 3>But did y'all notice when.

0:56:30.560 --> 0:56:33.520
<v Speaker 2>When Matoku is put into the child's body and the

0:56:33.600 --> 0:56:37.400
<v Speaker 2>video starts, it's like a grainy, choppy footage, right, and

0:56:37.440 --> 0:56:41.280
<v Speaker 2>it's looking at the child's body, and then it clears

0:56:41.360 --> 0:56:44.400
<v Speaker 2>up after that and it's like the regular clear footage.

0:56:44.840 --> 0:56:47.399
<v Speaker 3>If you watch that scene when it.

0:56:47.360 --> 0:56:52.080
<v Speaker 2>First starts, there's like these like a whole bunch of

0:56:52.120 --> 0:56:56.280
<v Speaker 2>things connected to the child's body. The picture is flipped

0:56:56.600 --> 0:56:58.960
<v Speaker 2>horizontally when it clears up, so it almost seems like

0:56:59.000 --> 0:57:01.880
<v Speaker 2>there's two people that are looking at the child's body.

0:57:01.920 --> 0:57:02.680
<v Speaker 3>Am I making sense?

0:57:03.640 --> 0:57:05.600
<v Speaker 2>Like if you if you get bored, just go back

0:57:05.600 --> 0:57:07.680
<v Speaker 2>and watch the last minute and a half of the movie.

0:57:07.800 --> 0:57:10.440
<v Speaker 2>Two minutes of the movie when she first wakes up,

0:57:10.520 --> 0:57:12.920
<v Speaker 2>or what we think is her waking up, The footage

0:57:13.080 --> 0:57:16.680
<v Speaker 2>is kind of choppy, kind of like it was earlier

0:57:16.720 --> 0:57:19.720
<v Speaker 2>when when the other one got ran over. The footage

0:57:19.760 --> 0:57:22.120
<v Speaker 2>is choppy, but then when it clears up, it's like

0:57:22.160 --> 0:57:24.960
<v Speaker 2>the image that she was looking at is reversed.

0:57:25.920 --> 0:57:27.080
<v Speaker 3>So it's almost like we're.

0:57:26.920 --> 0:57:29.480
<v Speaker 2>Waking up and seeing one version of her and then

0:57:29.920 --> 0:57:35.040
<v Speaker 2>the version changes, or it means that they put Matoku's

0:57:35.040 --> 0:57:37.040
<v Speaker 2>conscience into two different bodies. I don't know what to

0:57:37.080 --> 0:57:37.800
<v Speaker 2>take from the scene.

0:57:38.480 --> 0:57:39.560
<v Speaker 4>I don't recall.

0:57:40.960 --> 0:57:43.760
<v Speaker 5>Yeah, it sounds familiar. I do remember seeing something weird

0:57:43.800 --> 0:57:48.800
<v Speaker 5>about that. Yeah, the way she woke up, that would

0:57:48.880 --> 0:57:51.800
<v Speaker 5>be interesting because.

0:57:53.360 --> 0:57:57.120
<v Speaker 7>Then that means that that couldn't imply that she's been

0:57:57.200 --> 0:57:59.360
<v Speaker 7>replicated m hm, you know.

0:58:00.640 --> 0:58:02.640
<v Speaker 3>Elsewhere and doesn't even know it yet.

0:58:03.080 --> 0:58:04.600
<v Speaker 2>But I don't know if that's what they're saying, or

0:58:04.640 --> 0:58:07.240
<v Speaker 2>if they're trying to push the idea that again, they're

0:58:07.320 --> 0:58:10.720
<v Speaker 2>multiple consciences here. And I also ask y'all what it

0:58:10.760 --> 0:58:13.600
<v Speaker 2>meant when she sees the angel.

0:58:14.720 --> 0:58:15.600
<v Speaker 3>Before she gets killed.

0:58:15.680 --> 0:58:18.480
<v Speaker 4>She saw an angel, but I thought that was supposed

0:58:18.520 --> 0:58:22.680
<v Speaker 4>to be like the plane, So the helicopters in the

0:58:22.680 --> 0:58:26.040
<v Speaker 4>sky that came down to kill them, So that's what

0:58:26.280 --> 0:58:28.840
<v Speaker 4>That's what I thought. But considering the fact that they

0:58:28.920 --> 0:58:34.000
<v Speaker 4>were created by people, right, there's a lot of weird

0:58:34.080 --> 0:58:38.720
<v Speaker 4>spiritual context. Yeah, so it's almost like your creator sending

0:58:39.360 --> 0:58:41.480
<v Speaker 4>people down to to come kill you.

0:58:42.120 --> 0:58:47.400
<v Speaker 3>That's sense. Yeah, and the planes do look like birds.

0:58:47.960 --> 0:58:50.919
<v Speaker 2>I never thought about the angel actually being a plane,

0:58:50.920 --> 0:58:52.680
<v Speaker 2>but that does make sense when you're discussing the whole

0:58:52.680 --> 0:58:55.040
<v Speaker 2>idea of death and how death makes them feel human

0:58:55.400 --> 0:58:59.280
<v Speaker 2>because Papa Mastercoty wanted the angel came down, he died,

0:58:59.400 --> 0:59:02.240
<v Speaker 2>and in that moment moment, he knew what it meant

0:59:02.320 --> 0:59:04.080
<v Speaker 2>to be human. I never thought about that, but that

0:59:04.120 --> 0:59:04.800
<v Speaker 2>does make sense.

0:59:04.880 --> 0:59:06.800
<v Speaker 4>Knew what it meant to be human and also is

0:59:06.840 --> 0:59:11.200
<v Speaker 4>now resurrected as this multiplied entity.

0:59:11.480 --> 0:59:11.680
<v Speaker 3>Yep.

0:59:11.800 --> 0:59:15.440
<v Speaker 4>So yeah, there's a lot of spiritual references through this.

0:59:15.600 --> 0:59:17.680
<v Speaker 4>Too interesting.

0:59:18.520 --> 0:59:22.480
<v Speaker 3>Well, I'm glad most of us enjoyed this.

0:59:24.040 --> 0:59:25.959
<v Speaker 2>But yeah, if y'all get bored, y'all should go watch

0:59:26.000 --> 0:59:27.920
<v Speaker 2>some of the other ones, they're just as weird and

0:59:27.960 --> 0:59:29.840
<v Speaker 2>they definitely explore the world even more.

0:59:30.480 --> 0:59:33.280
<v Speaker 3>But I was happy to talk about this with y'all.

0:59:33.360 --> 0:59:36.560
<v Speaker 2>Nay, thanks for coming through and talking some nerdy anime

0:59:36.600 --> 0:59:37.240
<v Speaker 2>stuff with us.

0:59:38.160 --> 0:59:42.640
<v Speaker 7>And yeah, you know, I definitely want to do a rewatch,

0:59:42.720 --> 0:59:44.800
<v Speaker 7>and I think I want to go through the whole world.

0:59:44.880 --> 0:59:52.720
<v Speaker 7>I think the idea of the puppet Master controlling different

0:59:52.840 --> 0:59:55.520
<v Speaker 7>sort of things can be applied in a lot of

0:59:55.520 --> 0:59:58.200
<v Speaker 7>different places, you know, all the metaphors and stuff that

0:59:58.200 --> 1:00:00.160
<v Speaker 7>doesn't hear, the idea of the ghost in the ship. Oh,

1:00:00.160 --> 1:00:02.520
<v Speaker 7>it can be applied in a multitude of different ways

1:00:02.560 --> 1:00:06.760
<v Speaker 7>with humans and the internet and AI and.

1:00:06.520 --> 1:00:07.960
<v Speaker 1>Just just all over the place.

1:00:08.080 --> 1:00:12.480
<v Speaker 7>It can get like really really really really cerebral and

1:00:12.600 --> 1:00:15.560
<v Speaker 7>take you down, like you know, a rabbit hole of.

1:00:16.880 --> 1:00:23.360
<v Speaker 1>The different meanings of everything. So yeah, yeah, it's it's

1:00:23.880 --> 1:00:27.400
<v Speaker 1>I hate, I hate. It's been thirty years, thirty years.

1:00:27.160 --> 1:00:29.760
<v Speaker 3>To watch this. Yeah, this is one of the This

1:00:29.840 --> 1:00:30.800
<v Speaker 3>is one of the better ones.

1:00:31.280 --> 1:00:31.520
<v Speaker 1>Yeah.

1:00:31.720 --> 1:00:33.840
<v Speaker 7>I would have loved to have a lot of time

1:00:33.880 --> 1:00:36.280
<v Speaker 7>to spend with it, to really think about it.

1:00:36.360 --> 1:00:37.200
<v Speaker 1>I'm more in depth.

1:00:38.160 --> 1:00:40.160
<v Speaker 3>Y'all surprised that you hadn't seen it.

1:00:40.080 --> 1:00:43.400
<v Speaker 4>Really yeah, I haven't really done like a lot of

1:00:43.440 --> 1:00:47.000
<v Speaker 4>older anime. I will say that this animation style, like

1:00:47.000 --> 1:00:49.680
<v Speaker 4>like perfect Blue Room. I like it because it reminds

1:00:49.720 --> 1:00:52.320
<v Speaker 4>me of Gym in the Holograms, Like it's the same

1:00:52.400 --> 1:00:55.000
<v Speaker 4>kind of like animation style that I remember watching as

1:00:55.040 --> 1:00:58.560
<v Speaker 4>a kid in that. So yeah, no, I'm not. I

1:00:58.880 --> 1:01:01.320
<v Speaker 4>haven't gone back and watched a lot of older anime.

1:01:01.480 --> 1:01:03.920
<v Speaker 4>But this was This was good. This was what I

1:01:04.000 --> 1:01:06.600
<v Speaker 4>wanted more like what I wanted to hear it to be.

1:01:07.720 --> 1:01:09.080
<v Speaker 3>I get that, I get that.

1:01:09.080 --> 1:01:11.720
<v Speaker 1>I'm going to rewatch that one again. Watch this one.

1:01:12.760 --> 1:01:14.520
<v Speaker 1>I definitely need to go back and rewatched it.

1:01:15.760 --> 1:01:18.959
<v Speaker 3>That ship is a masterpiece, not a story behind a cure.

1:01:19.120 --> 1:01:19.560
<v Speaker 1>Was good.

1:01:20.360 --> 1:01:21.760
<v Speaker 4>It was good, So he wasn't.

1:01:21.760 --> 1:01:23.080
<v Speaker 3>Damn it was good.

1:01:23.080 --> 1:01:25.120
<v Speaker 4>It just it just did a little too much for me.

1:01:26.600 --> 1:01:29.080
<v Speaker 3>At the end, y'all killing me. I was trying to

1:01:29.080 --> 1:01:29.960
<v Speaker 3>wrap this up. Andy'll go.

1:01:31.640 --> 1:01:36.160
<v Speaker 2>All right, well, once again, thank y'all for listening. Keep

1:01:36.160 --> 1:01:39.880
<v Speaker 2>these coming, man, like you know, well maybe.

1:01:41.520 --> 1:01:49.880
<v Speaker 3>Said no bro never mind. Yeah, yeah, I don't know

1:01:49.920 --> 1:01:50.840
<v Speaker 3>if he's seen this one.

1:01:51.040 --> 1:01:54.720
<v Speaker 2>I assume he has. I still want to do perfectly,

1:01:54.880 --> 1:01:58.320
<v Speaker 2>but we'll hope it wins one day. No, and they

1:01:58.400 --> 1:02:00.880
<v Speaker 2>keep it never wins, and it's like one of my

1:02:00.920 --> 1:02:05.400
<v Speaker 2>favorite animes. For this, yeah, they voted for them. Wait no,

1:02:05.440 --> 1:02:07.360
<v Speaker 2>I'm wrong. This is this is an anniversary, so they

1:02:07.400 --> 1:02:09.440
<v Speaker 2>do vote for the anniversary. I think I think you put.

1:02:09.800 --> 1:02:11.880
<v Speaker 1>I'm used to watch it off the strength of your recommendation.

1:02:12.080 --> 1:02:15.680
<v Speaker 2>Yeah, probably because yeah, it's one of my favorite.

1:02:15.960 --> 1:02:17.680
<v Speaker 3>Hopefully one of these days we'll cover it up here.

1:02:17.680 --> 1:02:20.200
<v Speaker 2>I mean, I think Spike wouldn't hate that one because

1:02:20.200 --> 1:02:22.120
<v Speaker 2>it's basically just like a regular ass movie, but it is.

1:02:22.560 --> 1:02:23.720
<v Speaker 4>It's a lot easier to follow.

1:02:23.960 --> 1:02:27.720
<v Speaker 2>Yeah, yeah, but it has some really interesting ideas. But

1:02:28.120 --> 1:02:29.920
<v Speaker 2>all right, we talked about Perfect Blue a little bit,

1:02:29.960 --> 1:02:31.000
<v Speaker 2>so y'all know what to do.

1:02:32.160 --> 1:02:32.960
<v Speaker 3>Try to make us do it.

1:02:33.000 --> 1:02:35.080
<v Speaker 2>But yeah, all right, we will see y'all next time.

1:02:35.160 --> 1:02:37.560
<v Speaker 2>Thank y'all for listening, and thank you once again Nate

1:02:37.600 --> 1:02:40.360
<v Speaker 2>for coming through. And y'all have a going peace.