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Speaker 1: That hip hop podcast Ken It be in here with

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Speaker 1: Rod and is on the way. But we have some

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Speaker 1: special guests coming through. Man, we got own deck now,

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Speaker 1: so uh, this should be interesting, be interesting, man, if

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Speaker 1: you guys are unfamiliar, but you should be watching us definitely.

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Speaker 1: Uh check them out there on YouTube. They're on Spotify everywhere. Man,

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Speaker 1: as y'all working, man, I'll be working. Appreciate it. Yeah, yeah, yeah,

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Speaker 1: very very very very very entertaining show. I encourage everybody

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Speaker 1: to subscribe and listen to the show. Trust me when

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Speaker 1: I tell you I wouldn't steer you guys, guys critic

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Speaker 1: you know, so nay. They definitely putting a hot quality

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Speaker 1: work in this space. So so yeah, and you get

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Speaker 1: a chance to hear a little bit of that right now.

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Speaker 1: Let's get it as we get into the hip hop minute.

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Speaker 1: Lot lots going on. If you guys are listening to this,

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Speaker 1: we're gonna have a live on the t I versus

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Speaker 1: fifty so that will not be on here. We have

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Speaker 1: to move some things around because that is still popping

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Speaker 1: off right now. As the recording literally dropped another song.

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Speaker 2: King Sore King and dropped another meme.

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Speaker 1: But jay Z, so we got some jay Z fans

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Speaker 1: in the house, reasonable doubt. Thirty years. Oh, he's celebrating

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Speaker 1: thirty years of music on February twentieth. You know he

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Speaker 1: uh did their Presidents. So he launched a new website

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Speaker 1: celebrating three decades, and the original Dead Presidents is on

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Speaker 1: streaming platforms for the first time. You could buy physical

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Speaker 1: copies as well. Any of y'all getting physical not buying.

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Speaker 3: Us out battle Vine?

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Speaker 1: Okay? Okay? So yeah, man, thirty years? What do y'all

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Speaker 1: got jay Z? What do you think he writes all

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Speaker 1: the time? Yeah?

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Speaker 4: Top five, top five a minimum top five, Hell yeah.

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Speaker 5: Yeah, top three at minimum, top the goat all things considered?

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Speaker 5: Are we are we talking all things? Are we talking

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Speaker 5: strictly rapping? What are we talking discography? Even if it's

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Speaker 5: just rapping ability. I don't think you can move him

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Speaker 5: outside the top five, of course.

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Speaker 6: Not.

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Speaker 1: Yeah, I got my answer, don't change.

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Speaker 3: I just wondered what everybody else.

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Speaker 1: I got.

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Speaker 7: I was taking it all Okay, I got him top

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Speaker 7: three easily and not comfortably.

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Speaker 3: Yeah, and even not three either.

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Speaker 2: Not three, top three and not three.

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Speaker 1: Yeah.

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Speaker 7: I think he's he's checked every box that you need.

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Speaker 7: Like if you're writing the blueprint of a rap career,

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Speaker 7: No pun intended, So you're writing a blueprint of a

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Speaker 7: rap career. He checks every box.

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Speaker 2: Has he surpassed pop?

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Speaker 4: Yeah?

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Speaker 3: Yeah, I think yes. He wraps, though.

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Speaker 4: He raps differently than he's more technical, he's more technical.

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Speaker 7: Than potter lyrically what I mean? Okay, I don't know

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Speaker 7: if he got the say he ain't. He doesn't have

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Speaker 7: a wide or bag why of a bag is popped?

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Speaker 2: But was above him at one point for sure?

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Speaker 1: Okay?

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Speaker 3: Yeah, fact is he is?

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Speaker 2: He Has he surpassed Big, yes, yeah.

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Speaker 3: Yeah, just because it's the amount of work that he

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Speaker 3: got love Big too, let's be clear.

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Speaker 1: Yeah, I guess that's a good point.

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Speaker 3: Yeah Big Yeah, two albums.

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Speaker 1: Yeah.

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Speaker 4: All those guys that are no longer with us, their

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Speaker 4: race stopped, you know, unfortunately obviously prematurely. So we can

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Speaker 4: only grade them by what they have. And but I'm

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Speaker 4: not saying he did it, but we know that the Postumius.

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Speaker 6: Ship was like, I don't even count that, but you

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Speaker 6: don't even need the possible ship.

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Speaker 1: I feel you. This ain't a Tupac conversation. I was just.

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Speaker 7: I don't know if I got him above pop down

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Speaker 7: that you say that po straight classic album, So I can't.

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Speaker 7: I don't know if I'm gonna put jail above pop

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Speaker 7: if I'm looking and and Pok had a wider bag

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Speaker 7: as far as sown.

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Speaker 3: Are we sure you had four straight classics against the world?

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Speaker 1: Okay?

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Speaker 3: All eyes on me?

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Speaker 1: Okay you go before?

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Speaker 3: Okay, with three straight?

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Speaker 2: I mean strictly for my niggas, ain't none to be

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Speaker 2: it's not.

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Speaker 6: You're right, yeah, but I don't know if classic, but

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Speaker 6: it's still right, three straight, three straight big singles on it.

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Speaker 1: Yeah, yeah, yeah, yeah, what so thirty years reasonable reasonable doubt?

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Speaker 1: If he went on tour, would you guys.

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Speaker 5: Go, Yes, I'm going, I'm playing on going. If it

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Speaker 5: doesn't one night only show, I'm trying.

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Speaker 3: To go there.

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Speaker 6: I hate I'm looking at radio Radio City sid looking

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Speaker 6: for tickets and I wanted. I wanted to go to

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Speaker 6: that song you went to the Book of hove D.

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Speaker 6: I never made it.

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Speaker 5: I went, I'm going to it. The rumor is it's

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Speaker 5: gonna happen in June. So the rumors had me at

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Speaker 5: the Barclays.

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Speaker 1: He booked it.

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Speaker 5: They got two weeks cleared on the schedule for some

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Speaker 5: and if he does it one night only or two

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Speaker 5: night only, joined.

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Speaker 3: I have to be in the building me personally. I've

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Speaker 3: seen him once.

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Speaker 5: I saw on the Run two, which I mean does

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Speaker 5: He's spend time with Beyonce, so that technically I really

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Speaker 5: shouldn't count that. But I missed Washing the Throne and

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Speaker 5: I missed the B Side show and I still ain't

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Speaker 5: forgive myself, so there's no way in.

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Speaker 3: But I was sick.

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Speaker 1: I wanted to go to that.

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Speaker 3: Hell yeah, what was wrong?

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Speaker 1: It was crazy and I heard all about it when

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Speaker 1: I got back.

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Speaker 6: Because they didn't they didn't just do wash the throw,

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Speaker 6: they just did all the ship like you know, they

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Speaker 6: did some washing, throw the joints on there like niggas

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Speaker 6: in Paris and.

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Speaker 3: All that gotta do that.

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Speaker 5: That shit went crazy. I can't believe missed it. I

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Speaker 5: was sick, sick. I was out of town that week.

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Speaker 1: Oh man, I can't believe you missed. Man.

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Speaker 4: I've never seen jay Z live.

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Speaker 3: Wow, that's insane, I know.

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Speaker 4: So so So to answer the question, if Jay definitely

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Speaker 4: had something, they ill sell it all dog saw this laptop.

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Speaker 4: I don't give what's the price. I did to go

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Speaker 4: see that before I die bro, because you know, comparing

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Speaker 4: them the goats wond regret I do have, you know,

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Speaker 4: living in Chicago all the years, I never saw m

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Speaker 4: J live, So that's like a big regret. You know,

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Speaker 4: I've seen Lebron live, cool Checkbox. I need to see

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Speaker 4: jay Z live. I need to do that before before

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Speaker 4: I die.

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Speaker 5: We might not have too many chances after this, just

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Speaker 5: because he's you know, why is he even have to.

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Speaker 1: Baron's game right?

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Speaker 3: One of eight niggas that saw.

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Speaker 1: I'm one of the few play baseball. But yeah, man,

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Speaker 1: shout out to J Man. I mean, he's definitely one

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Speaker 1: of the best. Do it man thirty years reasonable doubt

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Speaker 1: left the mark on hip hop.

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Speaker 5: And that's his baby too, fighting to get them.

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Speaker 3: Right to that album.

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Speaker 5: So he's got to do something this year that's gonna

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Speaker 5: be You's gotta make noise. It's gotta be more than

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Speaker 5: a vinyl single. I refuse believe that's it.

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Speaker 2: But that's a dope. I mean the Dead President original

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Speaker 2: one is.

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Speaker 7: Yes, I like it better than the version that's on

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Speaker 7: the album. Yeah you say what, I like it better

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Speaker 7: than the version that's on the.

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Speaker 6: Yeah yeah yeah that that actually won and we did

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Speaker 6: a bracket, and I think that that's the one that won.

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Speaker 6: That went out of all the songs, out of all

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Speaker 6: the songs, that's the one that won. It went up

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Speaker 6: against ps A, I think, and it ended up winning,

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Speaker 6: I believe. Don't don't quote me on that, but PSA.

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Speaker 6: It was ps A and Dead President. If I'm not

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Speaker 6: if I'm not mistaken, I think Dead President's won.

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Speaker 1: Jacob, speaking of jay Zu, retired and came back. We

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Speaker 1: got another one that may be doing the same thing,

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Speaker 1: who said I made do an album in an interview,

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Speaker 1: basically said, you know that version of j Cole is

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Speaker 1: dead and if you want to rap, he's gonna rap. Really.

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Speaker 1: The big thing though, that caught my attention was I

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Speaker 1: put it in the DNS. Qush Jack, I can't believe

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Speaker 1: ship broke You see the ship rod his car broke.

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Speaker 1: The civic broke down, bro and did you did you

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Speaker 1: see the results of that?

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Speaker 6: The fans pulled up this this ship was something like

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Speaker 6: that and the fucking prepare shop, right, that's crazy that

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Speaker 6: the civic broke down, though, that's crazy.

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Speaker 3: It was running. It was twenty years old.

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Speaker 2: But how does he running forever?

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Speaker 4: He was the last time he did an aill change

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Speaker 4: was probably twenty years and when.

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Speaker 1: He fasts had to have done an aill change before

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Speaker 1: he put that thing up.

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Speaker 7: I thought he rebuilt everything. I thought this was like,

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Speaker 7: damn near a new cart. Didn't he say that?

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Speaker 4: Have you?

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Speaker 1: Have you seen it going around the bottle.

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Speaker 4: After sh man? That bitch looked like it's old, bro

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Speaker 4: Look obviously.

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Speaker 3: I know, yeah ship he could have redid but you

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Speaker 3: can put it on.

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Speaker 1: He should have did.

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Speaker 4: Got Hey, I'm the car guy. Yeah, yeah, you already know.

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Speaker 7: But if he didn't, I'm leaning more towards what people

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Speaker 7: are saying is this is our theatrics. You hopping in

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Speaker 7: though two thousand Honda in twenty twenty six and thinking

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Speaker 7: that you're gonna drive across the country.

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Speaker 1: That would absolutely do that. Why a.

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Speaker 4: Brand?

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Speaker 1: It's on brand. But that's what I'm saying.

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Speaker 2: That's what I'm saying.

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Speaker 1: Asked because y'all not even questioning this bullshit.

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Speaker 5: This is people are though You're not the only one academic.

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Speaker 5: It's a bunch of people saying that this is which Well,

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Speaker 5: I didn't look at it like that until the car

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Speaker 5: broke down. It was cool until the car changed.

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Speaker 1: That changed.

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Speaker 3: Now you're doing too much.

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Speaker 1: Bro.

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Speaker 5: On Twitter, somebody called this and I thought it was

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Speaker 5: perfect that Honda missed a golden opportunity with this whole

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Speaker 5: roll out to jump on board and attach themselves to it,

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Speaker 5: whether that's giving them a brand new will fill filled

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Speaker 5: it back up with merchant and give it to a

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Speaker 5: fan or whatever. Just attach yourself somehow to this. And

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Speaker 5: they dropped the ball, and he dropping a hand across country. Yeah,

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Speaker 5: they're twenty five years old.

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Speaker 1: Bro.

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Speaker 4: At every at every stop that Cole was at, Honda

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Speaker 4: should have gave away a card to a fan.

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Speaker 5: Facts when he's at college places to college whips it man.

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Speaker 1: Bro, Yes, y'all, y'all are absolutely right. I didn't even

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Speaker 1: think about lay up. But seeing the reaction because it

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Speaker 1: was like, all right, cool, funny thing is ship broke

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Speaker 1: down us up on the left or whatever. But seeing

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Speaker 1: all these people pow into go to the shop, yeah,

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Speaker 1: the streets, I'm like, what the hell? He ain't, bro,

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Speaker 1: he got people rapping for him.

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Speaker 5: They lined up, Bro, he's so tired of niggas rapping

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Speaker 5: for You can see his face.

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Speaker 3: He was just like, yeah, he don't hear ship.

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Speaker 1: Way over. I saw that one ball.

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Speaker 3: He just imagine the nigga trying to rap to you

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Speaker 3: while your car getting repaired.

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Speaker 1: Like Niakut of my state, the state though he's.

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Speaker 5: Been getting this bro it worked for one dude. He

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Speaker 5: made it a moment, turned it into a cover. So

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Speaker 5: not everywhere he goes, everybody trying to rap to him

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Speaker 5: and he just looking like he zoned completely the fu

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Speaker 5: Did y'all see him on the bike, yes.

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Speaker 1: Rid in Texas.

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Speaker 3: I think I can't see the bike spike.

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Speaker 5: He is on a but he does that though he's

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Speaker 5: on a bicycle riding with his fans in the streets.

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Speaker 5: He's done that, but he's done it. He's done it

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Speaker 5: in New York, Texas. He's done that before.

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Speaker 4: Larry June does that too.

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Speaker 7: Yeah, he's always been like I'm not saying he not,

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Speaker 7: but I still does a little bit of and I

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Speaker 7: like him. It's fine that he's doing it, that his

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Speaker 7: fans need this type of theatrics, but there is some

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Speaker 7: type of stage play.

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Speaker 3: He's leaning into it. It's still promo at the end

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Speaker 3: of the day.

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Speaker 7: All I just I just got a camera, didn't I

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Speaker 7: didn't know if y'all was just saying, oh, this is

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Speaker 7: genuine and this is Jake Cole.

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Speaker 5: Now I'm saying if you're managing him and his ship

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Speaker 5: breaks down, you you're saying, cut the cameras.

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Speaker 1: Okay, I just wanted to it's all understanding.

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Speaker 4: Yeah, it's all content, and it's his last tour.

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Speaker 1: I'm I'm I mean, people are eating this ship about

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Speaker 1: to jay Z. Can you imagine if jay Z just

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Speaker 1: he said, I'm gonna just go back to the corner.

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Speaker 3: Brand, That's not that would have been hard.

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Speaker 1: That's not on brand.

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Speaker 4: Jay Z was always talking about elevating and doing doing

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Speaker 4: something bigger.

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Speaker 3: At that point, like like what is different?

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Speaker 1: Feeling it?

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Speaker 5: Feeling the way One time though, that was kind of

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Speaker 5: a thing. He rode the subway I think to a game.

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Speaker 5: Yeah it was an old white lady said next to

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Speaker 5: was gonna try.

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Speaker 1: To copy what j Cole is doing.

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Speaker 3: Who would it work work? That's a better question. He

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Speaker 3: already does it, like the piper had played the flute.

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Speaker 1: Just people behind somebody is going to do this.

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Speaker 4: You know they're not, no, but Cole got this from

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Speaker 4: somebody though.

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Speaker 3: Three stacks iceman.

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Speaker 5: He drove through, he didn't drive through the city in

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Speaker 5: the truck, and people was running up to the truck.

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Speaker 1: Is that not the same we'll fold that up right now.

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Speaker 1: That the same thing. When was this that happened last year?

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Speaker 1: Last year?

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Speaker 2: Yeah, he was playing the album.

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Speaker 1: In the truck.

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Speaker 3: Dude cuts him out.

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Speaker 1: People know you said, you just said j Coles ron bikes.

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Speaker 5: Well what I'm saying'm saying in terms of the car

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Speaker 5: and and and getting crowded with people.

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Speaker 3: And the same.

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Speaker 1: Was running through he was trying to stun on that

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Speaker 1: not up right now?

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Speaker 4: You know who else this is kind of sort of

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Speaker 4: on brand for just because I know that they have

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Speaker 4: like their old car that they kind of grew up

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Speaker 4: with is Ludacrius. He got that That gold actor a

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Speaker 4: legend and he still drives that motherfucker again.

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Speaker 1: Yeah it is hand bro.

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Speaker 7: I wouldn't be surprised to see Lucas pull up in

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Speaker 7: that gold after religion. You know who does this though?

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Speaker 7: He got his own version of it his gun with

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Speaker 7: his run club stuff.

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Speaker 1: Oh really really? I mean yeah, that's a good point.

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Speaker 3: Like the people meet him like that.

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Speaker 2: That's like a version of the Russell nigga doing it too.

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Speaker 3: That's a good night.

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Speaker 4: Yes, l Russell could could pull up. The could pull Yes,

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Speaker 4: he could pull this off.

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Speaker 1: And about forty people running with I meanl Russell.

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Speaker 2: I saw him flipping fries to y'alls on that Larussell.

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Speaker 6: Yeah yeah, yeah, no, no, no, Jacob. He pulled up a marathon,

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Speaker 6: Burger marathon.

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Speaker 1: Yeah, yeah, he.

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Speaker 6: Pulled up a marathon they asked everybody to do, but

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Speaker 6: most people get back there.

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Speaker 2: So that's where it was.

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Speaker 1: I just saw that.

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Speaker 6: Yeah, yeah, that was Nipsey and then he left it

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Speaker 6: with the Honda Civic. He drove off with that bit.

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Speaker 3: That's craat.

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Speaker 5: I will say it was cool seeing somebody tweeted out

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Speaker 5: the kid of the guys whose.

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Speaker 1: Mechanics shop that was.

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Speaker 3: He was like, yo, my dad j Cole pulled up

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Speaker 3: to my dad's shop, blah blah blah. So it's kind

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Speaker 3: of cool.

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Speaker 6: That was kind of dope to see dope last artists

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Speaker 6: that I think that could pull something like this off.

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Speaker 4: Not with the whips because his whips is too luxurious.

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Speaker 4: But I said earlier Larry June, because he already does

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Speaker 4: like a bike club type of thing, you know, so

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Speaker 4: he'd be up in Oakland. It'd be like eighty hundred

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Speaker 4: people riding their bikes all with Larry. So yeah, you

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Speaker 4: definitely could fit this.

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Speaker 3: Man of the people, not separate but equal. M definitely.

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Speaker 1: You hit me earlier about this even thing with UMG,

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Speaker 1: and uh it's not on the original thing. But apparently

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Speaker 1: a lot of people are upset about this. So UMG

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Speaker 1: partnered with Direct the consumer platform Even to blend content, community,

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Speaker 1: and commerce in a single environment. Jacob's team used it

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Speaker 1: for a lot of people paying for the tenth anniversary

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Speaker 1: of Forest Hill Forest Hills.

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Speaker 2: Nick Jenkins used it. Nick Jenkins is on Even.

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Speaker 4: Oh yeah, L Russell almost almost all of the independent artists.

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Speaker 1: That we would use it was a part of Even, right.

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Speaker 4: Yeah, he has ownership staken either.

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Speaker 1: Yeah, because after all that stuff broke down with him

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Speaker 1: when you want to talk about that may have been

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Speaker 1: a marketing campaign. Maybe it was l Russell that Lil Wayne.

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Speaker 1: Take what y'all think about that, by the way, which

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Speaker 1: went anyway, y'all check out on that episode. They talked

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Speaker 1: about that as well, the l Russell Low Wayne situation

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Speaker 1: on their episode, So check that out. But why is

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Speaker 1: this a problem for you?

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Speaker 4: So here? So here, here's the thing, right, like, this

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Speaker 4: is where the outrage is coming from from people, is

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Speaker 4: the fact that these two entities, right, u MG and

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Speaker 4: Even are on the complete opposite sides, but at the

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Speaker 4: same time they can help each other. Right, So Even

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Speaker 4: is obviously a direct to consumer platform. Their model is

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Speaker 4: considered like a superfan model, where you're trying to get

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Speaker 4: at least seven different types of revenue streams from your

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Speaker 4: fan base, right, So that could be obviously concert merge

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Speaker 4: all of that type of stuff. Right, How many ways

365
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Speaker 4: can you sell something to your fan base? The label

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Speaker 4: structure is we handle everything for you, right like we

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Speaker 4: give you an advance, We handle everything, and then you

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Speaker 4: recoup by your album sales. So they're kind of it's different. However,

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Speaker 4: they can help each other out, right, So think about

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Speaker 4: it from this perspective. When artists are signed to UMG contractually,

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Speaker 4: they're not able to use even, right, So like a

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Speaker 4: k DO or Drake, you know what I'm saying, they

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Speaker 4: can't use that platform to sell directly whatever that they

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Speaker 4: want to the consumer. But now since they are partnered

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Speaker 4: with them, now they can do that.

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Speaker 6: Obviously, UMG is going to get a portion or cut

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Speaker 6: of whatever you use Even for, but now it gives

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Speaker 6: those artists on a major label and opportunity to sell

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Speaker 6: direct through consumer with this partnership and from the other

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Speaker 6: side with EVEN, it gets to me, I don't see

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Speaker 6: the benefit from their perspective because they basically almost had

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Speaker 6: a monopoly to a degree with the director to consumer side.

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Speaker 6: So the only reason why I think that they would

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Speaker 6: make that type of moved from is just financially, you.

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Speaker 4: Know what I'm saying. I think that makes sense from

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Speaker 4: a financial standpoint on their end, and it gives them

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Speaker 4: more reach at the end of the day, because now

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Speaker 4: artists that couldn't use their platform right again k dot Drake,

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Speaker 4: now they can, so it makes their platform more appealing

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Speaker 4: to others. So I think it is mutually beneficial, but

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Speaker 4: I think it's more beneficial on the UMG side than

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Speaker 4: it is for the EVEN. But the reason, the main

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Speaker 4: reason why people are feeling a type of way, it's

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Speaker 4: like bro like this was like the independent old mind

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Speaker 4: and now it's now you're mixing it up with you know, commercialism.

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Speaker 4: So what is true independence as an artist now when

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Speaker 4: you have these platforms that are selling out to these

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Speaker 4: commercial entities.

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Speaker 1: Didn't I see that they still maintain one hundred percent

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Speaker 1: ownership and stuff. This is they're just distribution, right.

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00:19:25,080 --> 00:19:30,520
Speaker 6: That's essentially what even is uh, what do you mean distribution?

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Speaker 1: Weveought I thought Russell was basically saying that is not

403
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Speaker 1: what people are making it out to be, Like they're

404
00:19:40,760 --> 00:19:44,080
Speaker 1: just a distribution partner or something like that is what

405
00:19:44,119 --> 00:19:50,680
Speaker 1: he was saying. But yeah, yeah, I don't know. I

406
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Speaker 1: just never understood like the full issue behind the whole

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Speaker 1: thing that was going on. Like, if I guess, the

408
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Speaker 1: question I would ask is why does even the UMG

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Speaker 1: in this situation.

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Speaker 4: That's and that's the point that I was saying.

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Speaker 1: That's yeah, and and we don't have an answer in

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00:20:10,440 --> 00:20:15,680
Speaker 1: that outside of the money, I would exactly the UMG gap.

413
00:20:16,400 --> 00:20:20,240
Speaker 7: Yeah, I'm assuming from reading to that what UMG's play

414
00:20:20,359 --> 00:20:24,359
Speaker 7: is the data, the data that they get from working

415
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Speaker 7: with all of these artists who UMG wouldn't necessarily have

416
00:20:28,040 --> 00:20:31,080
Speaker 7: the same turn the options for now, we'll give you

417
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Speaker 7: our artists. You get to apply whatever it is that

418
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Speaker 7: you do over there even and we, as the big

419
00:20:36,240 --> 00:20:38,560
Speaker 7: conglomerate now get to see how this works, how you're

420
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Speaker 7: so successful as doing this, and then eventually probably phasing

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Speaker 7: them out.

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Speaker 6: That exactly, So it's just almost gonna be like a

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Speaker 6: takeover at some point like.

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Speaker 7: They're just trying to learn their business now, and then

425
00:20:48,840 --> 00:20:50,639
Speaker 7: they learn their business, they're getting them out of there

426
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Speaker 7: because because they get they got more leverage. If UMG

427
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Speaker 7: has even artists are complaining about not making money from

428
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Speaker 7: music through streaming, and the umgtail is the artists assigned

429
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Speaker 7: to them to crying about their streaming rates. It's like, well, hey,

430
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Speaker 7: go work with Even, you can do the director consumer

431
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Speaker 7: ship and they again get to figure out how it works.

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Speaker 3: And I'm sure UMG probably gonna get a percentage of

433
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Speaker 3: that too.

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Speaker 4: Of course, of course, of course. But but but from

435
00:21:17,760 --> 00:21:21,119
Speaker 4: from from the Even standpoint is now you get these

436
00:21:21,160 --> 00:21:26,360
Speaker 4: major artists that were never contractually contractually able to use

437
00:21:26,400 --> 00:21:29,240
Speaker 4: that platform, now they do. Again, the k k Dot

438
00:21:29,280 --> 00:21:32,800
Speaker 4: can use it. He signed to UMG. Uh Drake can

439
00:21:32,880 --> 00:21:34,960
Speaker 4: use it, he signed the UMG. Anybody that signed the

440
00:21:35,040 --> 00:21:37,760
Speaker 4: UMNG can now use it. So now why would they

441
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Speaker 4: use it?

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Speaker 6: If I'm I'm looking at them, no, no, no, no no no.

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Speaker 4: I was just gonna say, even if they decide not

444
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Speaker 4: to the fact that even can now have access to

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00:21:52,240 --> 00:21:54,320
Speaker 4: those artists that was never on that plot. They would

446
00:21:54,400 --> 00:21:57,919
Speaker 4: never get on that platform without this business merger so

447
00:21:58,000 --> 00:22:01,200
Speaker 4: now you have access to that from the Even standpoint.

448
00:22:01,400 --> 00:22:04,160
Speaker 4: So look, you gotta think about it from marketing and branding.

449
00:22:05,320 --> 00:22:07,440
Speaker 4: Just just think about the commercial that you can run.

450
00:22:07,480 --> 00:22:16,200
Speaker 7: Now you're saying that Even now has access to those artists, right, Yes,

451
00:22:16,880 --> 00:22:24,160
Speaker 7: what does that mean though, because the artist probably.

452
00:22:24,200 --> 00:22:25,560
Speaker 4: He wasn't always.

453
00:22:25,400 --> 00:22:27,880
Speaker 3: He was when he used him, he was independent, that's

454
00:22:27,880 --> 00:22:28,440
Speaker 3: what I'm saying.

455
00:22:28,520 --> 00:22:29,120
Speaker 4: I understand.

456
00:22:29,240 --> 00:22:30,760
Speaker 7: But but but you know, but you know why he

457
00:22:30,800 --> 00:22:34,840
Speaker 7: couldn't use them because he was signed, right, So now

458
00:22:34,880 --> 00:22:37,399
Speaker 7: he can just like all of these other artists.

459
00:22:37,480 --> 00:22:40,520
Speaker 4: Right, It's just like Patreon. Right, there's a whole bunch

460
00:22:40,560 --> 00:22:43,560
Speaker 4: of people that got Patreon. Patreon makes their money because

461
00:22:43,560 --> 00:22:44,440
Speaker 4: they take a slight.

462
00:22:44,280 --> 00:22:47,720
Speaker 6: Cut of what the artists, right like where the or

463
00:22:47,760 --> 00:22:49,200
Speaker 6: the content creator makes.

464
00:22:49,640 --> 00:22:53,520
Speaker 4: That's Even's platform. So now Drake doesn't have to use it.

465
00:22:53,800 --> 00:22:57,800
Speaker 4: He don't have to. But if either sides, that's beneficial

466
00:22:58,240 --> 00:22:59,200
Speaker 4: for Even.

467
00:22:59,040 --> 00:23:01,919
Speaker 3: And legitimize them too, though even more.

468
00:23:03,400 --> 00:23:05,520
Speaker 5: Like they hang Patreon and stuff, they hang their hat

469
00:23:05,560 --> 00:23:10,480
Speaker 5: on the They're like, these creators use us, all right, Well.

470
00:23:11,280 --> 00:23:15,120
Speaker 4: It's marketing can at the end of the day, right,

471
00:23:15,200 --> 00:23:17,440
Speaker 4: Like from a business standpoint, you got to look at

472
00:23:17,760 --> 00:23:20,560
Speaker 4: what names can we throw out there that use our platform.

473
00:23:20,760 --> 00:23:24,919
Speaker 4: Now now we have a financial backing to make commercials,

474
00:23:24,920 --> 00:23:28,000
Speaker 4: and now we can use the likeness. Ok Now we

475
00:23:28,000 --> 00:23:31,040
Speaker 4: can use the likeness of whoever else is signed a UMG.

476
00:23:31,359 --> 00:23:35,200
Speaker 4: Now they can do those type of things to promote it. So, yeah,

477
00:23:35,320 --> 00:23:39,159
Speaker 4: it makes sense. It sounds do you take that up

478
00:23:39,200 --> 00:23:40,639
Speaker 4: or one hundred percent?

479
00:23:41,000 --> 00:23:42,680
Speaker 1: And that's what figure.

480
00:23:43,440 --> 00:23:48,000
Speaker 6: Yeah, they're going to make their own And that's why

481
00:23:48,040 --> 00:23:51,000
Speaker 6: Spike was saying, right, like, one of the things when

482
00:23:51,000 --> 00:23:54,439
Speaker 6: these companies take over other companies in this manner, it

483
00:23:54,560 --> 00:23:56,679
Speaker 6: is for the data, it's for the information, it's for

484
00:23:56,800 --> 00:23:59,680
Speaker 6: the how how do you But at the end of

485
00:23:59,720 --> 00:24:02,880
Speaker 6: the day, hey, yes, and three years from now, they're

486
00:24:02,920 --> 00:24:04,800
Speaker 6: gonna have their own version of that, you know what

487
00:24:04,840 --> 00:24:05,280
Speaker 6: I'm saying.

488
00:24:05,280 --> 00:24:09,640
Speaker 4: So, and that's that's the outrage from the independence.

489
00:24:10,200 --> 00:24:14,920
Speaker 2: Yeah, I mean, because we know the music industry thirty particular,

490
00:24:15,040 --> 00:24:15,800
Speaker 2: right Like, so.

491
00:24:17,720 --> 00:24:19,040
Speaker 3: I know y'all are going to eventually ruin.

492
00:24:19,080 --> 00:24:21,880
Speaker 5: It's everything else and this and this was no longer

493
00:24:22,560 --> 00:24:25,040
Speaker 5: artists in mind exactly to get away.

494
00:24:24,760 --> 00:24:26,480
Speaker 6: From the ung gs of the world, and now you

495
00:24:26,640 --> 00:24:28,119
Speaker 6: just partner with them.

496
00:24:28,320 --> 00:24:29,320
Speaker 2: It's crazy work.

497
00:24:29,480 --> 00:24:32,080
Speaker 6: If I'm an artist on like this yeah, hell no,

498
00:24:32,440 --> 00:24:34,680
Speaker 6: because because you know something's gonna come at some point,

499
00:24:35,480 --> 00:24:37,080
Speaker 6: some type of wage.

500
00:24:37,720 --> 00:24:40,040
Speaker 2: My price is gonna go up, like and.

501
00:24:39,920 --> 00:24:42,520
Speaker 1: All you're gonna do is percentage gonna go up, percentage go.

502
00:24:42,760 --> 00:24:46,960
Speaker 6: Down, all of that because because the last thing you

503
00:24:47,080 --> 00:24:48,840
Speaker 6: and G wants to do is get phased out right,

504
00:24:49,160 --> 00:24:51,720
Speaker 6: So they so they try to work with these these

505
00:24:51,800 --> 00:24:53,080
Speaker 6: smaller companies until.

506
00:24:52,920 --> 00:24:56,400
Speaker 1: They can take them over. Mm hmm, that's crazy, bro.

507
00:24:56,920 --> 00:25:04,200
Speaker 1: I guess I guess L Russell wasn't enough. Okay, moving on, man,

508
00:25:04,440 --> 00:25:06,800
Speaker 1: Uh well, anyway, that's that's that's the hip hop Manute.

509
00:25:06,840 --> 00:25:10,359
Speaker 1: We'll keep out on this even thing and see what's what.

510
00:25:10,480 --> 00:25:14,080
Speaker 1: But moving on, man, let's let's let's let's go to

511
00:25:14,119 --> 00:25:20,200
Speaker 1: the old school man. A couple of albums dropped. Uh,

512
00:25:20,280 --> 00:25:22,520
Speaker 1: so we're gonna just go around the room. I'm gonna

513
00:25:22,520 --> 00:25:24,600
Speaker 1: go around the room mentioned the album and ask if

514
00:25:24,600 --> 00:25:26,720
Speaker 1: you guys are the favorite track. We'll have to spend

515
00:25:26,720 --> 00:25:29,200
Speaker 1: a lot of time on here because we got a review.

516
00:25:29,200 --> 00:25:34,480
Speaker 1: We gotta get to the roots. In nineteen ninety nine,

517
00:25:35,760 --> 00:25:43,840
Speaker 1: drop Things Fall Apart? Ab do you have a favorite

518
00:25:43,880 --> 00:25:47,960
Speaker 1: track off of Things Fall Apart? Do you like the roots?

519
00:25:47,960 --> 00:25:51,480
Speaker 3: Man never got into the Roots. Okay, never got into them.

520
00:25:51,560 --> 00:25:52,520
Speaker 1: You ever heard this album?

521
00:25:52,760 --> 00:25:53,800
Speaker 3: Never heard this album?

522
00:25:54,000 --> 00:25:58,720
Speaker 1: All right, fight now that you Got Me though?

523
00:25:59,119 --> 00:25:59,640
Speaker 3: You Got Me?

524
00:26:00,520 --> 00:26:05,199
Speaker 1: Yeah, this was probably like their commercial yeah, with you

525
00:26:05,280 --> 00:26:08,320
Speaker 1: Got Me joint that was on there, so I figured,

526
00:26:08,800 --> 00:26:11,960
Speaker 1: at minimum, did y'all know Jill Scott is supposed to

527
00:26:12,000 --> 00:26:12,960
Speaker 1: be on here? She is?

528
00:26:13,960 --> 00:26:15,159
Speaker 3: She said she wasn't credited for it.

529
00:26:15,320 --> 00:26:17,159
Speaker 1: Yeah, she is on it. I think they fixed it.

530
00:26:17,720 --> 00:26:21,200
Speaker 1: But I think there's a version of her singing eric

531
00:26:21,480 --> 00:26:24,240
Speaker 1: you got no no no, Yeah.

532
00:26:24,240 --> 00:26:26,600
Speaker 3: I think that's it, and she sanging Erica by DuPont.

533
00:26:26,480 --> 00:26:28,960
Speaker 1: Yeah yeah, yeah, yeah, yeah, yeah, you got Me.

534
00:26:29,680 --> 00:26:31,200
Speaker 7: That's it for me and I at never really got

535
00:26:31,200 --> 00:26:34,600
Speaker 7: into the rules either, but I funk with this song heavy.

536
00:26:35,119 --> 00:26:36,240
Speaker 3: Yeah, that song is a ship.

537
00:26:37,840 --> 00:26:44,240
Speaker 1: All right? Mm hm same same that same, so classic

538
00:26:46,400 --> 00:26:47,640
Speaker 1: all right right.

539
00:26:50,680 --> 00:26:52,800
Speaker 2: Yeah, I'm not a big roots guy either, but I mean,

540
00:26:52,840 --> 00:26:53,879
Speaker 2: obviously they get.

541
00:26:53,720 --> 00:26:56,160
Speaker 1: The respect for me. Mm hmmm.

542
00:26:57,240 --> 00:27:00,399
Speaker 6: But yeah, yeah, this this was a solid album. I

543
00:27:00,560 --> 00:27:02,520
Speaker 6: just you know, I'm just not a roots fan man,

544
00:27:03,400 --> 00:27:09,399
Speaker 6: but yeah, you got Me obviously, And I feel like

545
00:27:09,440 --> 00:27:12,960
Speaker 6: I liked Act too with Common Love of My Life yeah,

546
00:27:13,080 --> 00:27:17,840
Speaker 6: so uh so yeah.

547
00:27:16,280 --> 00:27:18,720
Speaker 1: Yeah, that's my joint act to Love of my life

548
00:27:21,040 --> 00:27:23,480
Speaker 1: and I hit up beat because I already knew the

549
00:27:23,480 --> 00:27:25,919
Speaker 1: crowd I was dealing with, So I asked him for

550
00:27:26,000 --> 00:27:28,800
Speaker 1: his favorite tracks off here, even though he definitely prefer

551
00:27:28,960 --> 00:27:32,760
Speaker 1: other roots albums over this one. Yeah, but for those

552
00:27:32,760 --> 00:27:36,399
Speaker 1: of you that are here, we do get his favorite tracks.

553
00:27:36,400 --> 00:27:38,960
Speaker 1: He named too, so he pulled the feet. He said

554
00:27:39,000 --> 00:27:42,919
Speaker 1: Dynamite or act too. So it was between one of

555
00:27:42,960 --> 00:27:44,200
Speaker 1: those two if.

556
00:27:44,119 --> 00:27:46,920
Speaker 7: You had to recommend that roots album somebody. Then I

557
00:27:47,119 --> 00:27:48,200
Speaker 7: listened which one would do?

558
00:27:48,920 --> 00:27:53,560
Speaker 1: Hiladelph half Life. It's one that about they put out later.

559
00:27:53,640 --> 00:27:54,640
Speaker 1: We're really really good.

560
00:27:54,720 --> 00:27:57,480
Speaker 4: That's undone undone.

561
00:27:58,000 --> 00:28:01,280
Speaker 1: Yeah, yeah, you guys are probably really and enjoy those

562
00:28:01,400 --> 00:28:04,520
Speaker 1: production wise conceptionally, but it look THEO half Life for Shure.

563
00:28:05,520 --> 00:28:12,520
Speaker 1: Yeah all right, Eminem slim shady mm hmm. We know

564
00:28:12,600 --> 00:28:16,520
Speaker 1: the story. Well you fans know, you know he was.

565
00:28:16,720 --> 00:28:17,720
Speaker 1: It took a minute for.

566
00:28:17,800 --> 00:28:21,080
Speaker 2: Some of us to get talking about your mom was crazy.

567
00:28:21,359 --> 00:28:22,760
Speaker 1: Yeah, it was a little while for just.

568
00:28:26,680 --> 00:28:28,760
Speaker 3: He walks o keem could could run.

569
00:28:30,880 --> 00:28:33,600
Speaker 1: There we go. Nineteen ninety nine, Eminem released the slow

570
00:28:33,680 --> 00:28:38,200
Speaker 1: Shady ep. You got a favorite.

571
00:28:41,200 --> 00:28:44,720
Speaker 4: Old Let mean, look, I'm I'm looking at the the

572
00:28:44,840 --> 00:28:56,920
Speaker 4: joint bad with names. Yeah, I'm gonna go with I'm

573
00:28:56,960 --> 00:29:01,120
Speaker 4: gonna go with My Name Is? I think I think yeah,

574
00:29:01,760 --> 00:29:05,520
Speaker 4: it changed Yeah, yeah, it changed hip hop for me.

575
00:29:06,280 --> 00:29:09,600
Speaker 4: You know what I'm saying. It made me look at

576
00:29:10,040 --> 00:29:12,320
Speaker 4: made me look at white people a little different, But

577
00:29:12,920 --> 00:29:15,239
Speaker 4: it changed hip hop for me. Like everything I was

578
00:29:15,280 --> 00:29:18,920
Speaker 4: listening to like nothing sounded like that. So I'm gonna

579
00:29:18,920 --> 00:29:19,719
Speaker 4: go what my Name Is?

580
00:29:20,000 --> 00:29:22,200
Speaker 3: I hated that song when it first came out. It

581
00:29:22,240 --> 00:29:23,160
Speaker 3: grew on me like a mother.

582
00:29:23,640 --> 00:29:25,640
Speaker 1: Yeah, I don't. I don't recall being a big fan

583
00:29:25,760 --> 00:29:29,240
Speaker 1: of it either. I believe we did a review of

584
00:29:29,240 --> 00:29:31,920
Speaker 1: that on Patreon, right, yeah, yeah, check that out, slim

585
00:29:31,920 --> 00:29:36,480
Speaker 1: Shady gonna remember Yeah, checked the archives patreon dot com.

586
00:29:36,480 --> 00:29:40,720
Speaker 1: Slash that hip hop rod you got one? Yeah? Role Model?

587
00:29:41,000 --> 00:29:45,200
Speaker 1: Is that one I like? Offer? All right, I'm gonna

588
00:29:45,200 --> 00:29:48,640
Speaker 1: go with ninety seven Bonnie and Clyde. I bet I

589
00:29:48,720 --> 00:29:51,440
Speaker 1: love that story, the storytelling he did on that joint.

590
00:29:51,440 --> 00:29:53,120
Speaker 1: Oh don't worry, Momy just got a little boo boo,

591
00:29:53,120 --> 00:29:56,400
Speaker 1: We're just gonna take a swimming crazy That that it was.

592
00:29:56,560 --> 00:29:58,120
Speaker 1: I think that was the song I was starting to

593
00:29:58,200 --> 00:30:03,080
Speaker 1: come around on Eminel Spike. I'm going with if I

594
00:30:03,120 --> 00:30:04,240
Speaker 1: had damn it.

595
00:30:05,000 --> 00:30:08,240
Speaker 7: That is one of the few times and get into

596
00:30:08,360 --> 00:30:12,360
Speaker 7: like a introspective bag where I can relate to it.

597
00:30:12,480 --> 00:30:14,400
Speaker 7: Like a lot of his introspective ship I can't get

598
00:30:14,440 --> 00:30:16,640
Speaker 7: but I like this. It was it was ground.

599
00:30:16,960 --> 00:30:19,680
Speaker 1: That's that's my favorite song.

600
00:30:20,960 --> 00:30:26,320
Speaker 5: T not driving to BM, try not working the GM.

601
00:30:25,240 --> 00:30:28,200
Speaker 3: Tired of wanting to be him that ship.

602
00:30:29,800 --> 00:30:33,360
Speaker 2: Am he said, Hell no with him.

603
00:30:33,480 --> 00:30:35,280
Speaker 3: I don't even put him in. I don't even like

604
00:30:35,400 --> 00:30:35,920
Speaker 3: rank him.

605
00:30:37,640 --> 00:30:38,400
Speaker 1: He just hated.

606
00:30:39,840 --> 00:30:43,880
Speaker 7: You know, I just don't like his round. I respect

607
00:30:44,320 --> 00:30:48,040
Speaker 7: his skill set, but that's nothing he's ever done. It

608
00:30:48,120 --> 00:30:50,920
Speaker 7: resonates with me other than other than the eminem show.

609
00:30:51,440 --> 00:30:52,560
Speaker 3: Other than the eminem show.

610
00:30:53,280 --> 00:30:56,040
Speaker 4: You you drink a bottle of haterade before.

611
00:30:56,080 --> 00:30:57,680
Speaker 1: They don't respect me because I'm white.

612
00:30:58,200 --> 00:31:02,880
Speaker 7: That's only a little bit of There's nothing hating about it.

613
00:31:02,920 --> 00:31:05,280
Speaker 7: I respect that he's a really good rapper. I just

614
00:31:05,320 --> 00:31:07,760
Speaker 7: don't like it. I don't listen to it.

615
00:31:07,920 --> 00:31:10,200
Speaker 1: What about Gunner? You listening to gunn? No? You ever

616
00:31:10,240 --> 00:31:12,560
Speaker 1: heard dripp of drown two? I have not? All right,

617
00:31:13,400 --> 00:31:15,520
Speaker 1: h Maybe I was surprised.

618
00:31:15,920 --> 00:31:20,040
Speaker 3: Listen it was it was. But I didn't get on

619
00:31:20,120 --> 00:31:21,720
Speaker 3: him until.

620
00:31:22,880 --> 00:31:26,160
Speaker 5: Drip season four, right before he went in and then

621
00:31:26,200 --> 00:31:27,040
Speaker 5: ever since he's gotten out.

622
00:31:27,040 --> 00:31:29,280
Speaker 3: I don't think he's missed. But I'm not on this

623
00:31:29,280 --> 00:31:29,800
Speaker 3: project though.

624
00:31:29,840 --> 00:31:32,400
Speaker 6: All right, this Dripple drown too, he said, yeah, oh,

625
00:31:32,440 --> 00:31:34,960
Speaker 6: I didn't listen to this one, all right, I listened

626
00:31:35,000 --> 00:31:35,240
Speaker 6: to that.

627
00:31:35,760 --> 00:31:39,880
Speaker 1: Which one was? Is it the first one? I don't

628
00:31:39,920 --> 00:31:42,400
Speaker 1: know the project?

629
00:31:42,440 --> 00:31:43,800
Speaker 2: I can't remember, you know what I listened to?

630
00:31:43,880 --> 00:31:46,600
Speaker 6: Drip Harder? That's the one I listened to. Gotch I

631
00:31:46,640 --> 00:31:47,840
Speaker 6: was twenty eighteen.

632
00:31:47,480 --> 00:31:50,400
Speaker 3: Because he had uh that's him and baby.

633
00:31:50,600 --> 00:31:51,560
Speaker 2: Yeah he had baby on it.

634
00:31:51,640 --> 00:31:53,400
Speaker 1: Yeah. Oh yeah, yeah, that's the one.

635
00:31:53,440 --> 00:31:55,840
Speaker 6: I listened to it and he had never recovered with

636
00:31:55,840 --> 00:31:57,280
Speaker 6: with little baby, Gunner and Drake.

637
00:31:57,360 --> 00:31:59,920
Speaker 2: That joint was that drunk? Was the drip too Hard?

638
00:32:00,520 --> 00:32:00,720
Speaker 3: Yeah?

639
00:32:00,760 --> 00:32:02,520
Speaker 2: Drip too Hard was on that. That's the one I

640
00:32:02,560 --> 00:32:03,080
Speaker 2: listened to that.

641
00:32:04,320 --> 00:32:06,640
Speaker 4: Yeah, I don't. I don't have one on this one.

642
00:32:07,520 --> 00:32:10,160
Speaker 1: That's cool, I trust me. I did not expect it.

643
00:32:10,320 --> 00:32:13,200
Speaker 2: You don't fuck with that. Never recover your niggas fell

644
00:32:13,200 --> 00:32:13,960
Speaker 2: off and you never.

645
00:32:14,400 --> 00:32:18,800
Speaker 3: That's your heart. That that's one with that.

646
00:32:19,360 --> 00:32:21,280
Speaker 2: Yeah, that's on that Drip Harder. See, I didn't listen

647
00:32:21,360 --> 00:32:22,480
Speaker 2: to I'm not a Gunner fan.

648
00:32:22,600 --> 00:32:28,520
Speaker 1: No, No, the new stuff is good. Uh, baby Burking

649
00:32:28,560 --> 00:32:30,720
Speaker 1: for me, but I already knew.

650
00:32:33,280 --> 00:32:35,440
Speaker 6: Baby Burking for me, by the way, but I already knew,

651
00:32:37,720 --> 00:32:38,800
Speaker 6: So I reached out to Nick.

652
00:32:39,200 --> 00:32:41,240
Speaker 1: I reached out to Nick, who's a Gunner fan. I

653
00:32:41,280 --> 00:32:44,120
Speaker 1: asked him because I and I told him. I said, yeah, man,

654
00:32:44,120 --> 00:32:46,880
Speaker 1: ain't nobody gonna have any tracks off this? Uh and

655
00:32:47,040 --> 00:32:50,480
Speaker 1: the two he gave me word cash War and who

656
00:32:50,520 --> 00:32:53,320
Speaker 1: you Fooling? And he said who you fooling because of

657
00:32:53,320 --> 00:32:56,680
Speaker 1: the beat. So there, y'all go make sure that we

658
00:32:56,800 --> 00:32:59,720
Speaker 1: got everything covered in the last one. This this is hilarious.

659
00:33:03,080 --> 00:33:03,960
Speaker 1: Anybody listening to.

660
00:33:04,480 --> 00:33:09,160
Speaker 2: Markus No, no, I mean I know the song he

661
00:33:09,200 --> 00:33:09,800
Speaker 2: got a classic.

662
00:33:09,960 --> 00:33:11,480
Speaker 3: We know the song the Vapors Joint.

663
00:33:11,960 --> 00:33:14,480
Speaker 1: No, well that one too well, he say, he's just

664
00:33:14,480 --> 00:33:17,240
Speaker 1: just a friend that was that. I'm you.

665
00:33:18,200 --> 00:33:21,240
Speaker 7: I just get the one that had the song the song.

666
00:33:21,120 --> 00:33:23,959
Speaker 1: I'm nineteen eighty eight because the way before your time?

667
00:33:24,040 --> 00:33:25,960
Speaker 3: Yeah a most definitely Yeah.

668
00:33:25,800 --> 00:33:29,920
Speaker 1: So no going back for biz Marky. Mark is interesting

669
00:33:30,000 --> 00:33:34,480
Speaker 1: because he is the fun rapper. Yeah, yeah, you know

670
00:33:34,520 --> 00:33:35,400
Speaker 1: what I'm saying, so.

671
00:33:35,520 --> 00:33:40,120
Speaker 5: Fun like heavy d fund nah nah, like Luda Chris,

672
00:33:40,440 --> 00:33:41,480
Speaker 5: like Luda Chrison, I.

673
00:33:41,480 --> 00:33:42,040
Speaker 2: Don't even know.

674
00:33:42,120 --> 00:33:45,040
Speaker 1: Like, no, he's not. He's like like the Fat Boys,

675
00:33:46,840 --> 00:33:47,840
Speaker 1: are you okay?

676
00:33:47,840 --> 00:33:51,280
Speaker 6: Maybe maybe fat Boys? Maybe fat Boys? Yeah yeah yeah,

677
00:33:51,280 --> 00:33:53,240
Speaker 6: maybe fat boy. I'm trying to actually see what I

678
00:33:53,320 --> 00:33:53,560
Speaker 6: liked of.

679
00:33:53,680 --> 00:33:58,240
Speaker 1: This people people you know. Yeah, so because because he

680
00:33:58,360 --> 00:34:03,040
Speaker 1: was you know, he was part of the whole Screw

681
00:34:04,000 --> 00:34:07,600
Speaker 1: joint so and you know, they just known for lyricists

682
00:34:07,640 --> 00:34:12,920
Speaker 1: and stuff like that, so he was he was definitely

683
00:34:13,040 --> 00:34:17,680
Speaker 1: like not that. But he can rap, but he's more

684
00:34:17,680 --> 00:34:22,879
Speaker 1: of likelight friendly, like you're if if if if you say,

685
00:34:23,080 --> 00:34:25,319
Speaker 1: just a friend sort of that sort of thing. Yeah.

686
00:34:25,400 --> 00:34:28,360
Speaker 3: So, ain't none of his albums on stream?

687
00:34:28,800 --> 00:34:32,680
Speaker 1: Nah? No, you gotta go to uh go to YouTube.

688
00:34:33,640 --> 00:34:35,600
Speaker 2: No, you can go on you can go on Apple.

689
00:34:36,000 --> 00:34:37,839
Speaker 3: He only got Weekend Warrior on here.

690
00:34:37,960 --> 00:34:38,960
Speaker 2: No, you gotta go on Apple.

691
00:34:39,040 --> 00:34:41,279
Speaker 6: Then go like if you pick on one of the

692
00:34:41,360 --> 00:34:44,360
Speaker 6: songs like it's Business bad At Beats the Biz the

693
00:34:44,400 --> 00:34:47,759
Speaker 6: Biz Marquee, But I guess that's not an album, but

694
00:34:47,800 --> 00:34:49,080
Speaker 6: it's just it's his songs though.

695
00:34:49,880 --> 00:34:53,799
Speaker 2: But yeah, it's make.

696
00:34:53,800 --> 00:34:56,360
Speaker 1: Music with your mouth, music with your mouth?

697
00:34:58,480 --> 00:34:59,800
Speaker 2: What's that on there? U?

698
00:35:00,160 --> 00:35:00,560
Speaker 1: Let me see?

699
00:35:00,960 --> 00:35:02,960
Speaker 2: Yeah, that one that's if it's on there, that would

700
00:35:03,000 --> 00:35:03,560
Speaker 2: be my joint.

701
00:35:04,040 --> 00:35:08,239
Speaker 1: Your nig bro, do you remember how that's like make

702
00:35:08,280 --> 00:35:11,160
Speaker 1: the music he's never heard of? No, no, no, I have.

703
00:35:11,480 --> 00:35:14,399
Speaker 3: Of course, Mark, you definitely heard you, says just.

704
00:35:14,480 --> 00:35:17,480
Speaker 6: Of course, of course, of course everybody everybody in the

705
00:35:17,520 --> 00:35:22,960
Speaker 6: world on that you what I need y?

706
00:35:24,600 --> 00:35:27,879
Speaker 1: Yeah, yeah, that's that's on the right. That's right after vapors.

707
00:35:28,040 --> 00:35:29,240
Speaker 1: It's right up the vapors.

708
00:35:30,800 --> 00:35:31,640
Speaker 3: What's vapors?

709
00:35:32,280 --> 00:35:32,879
Speaker 1: That be hard?

710
00:35:32,920 --> 00:35:37,439
Speaker 6: Yeah, that's music, idiot, Like, that's the joint bro.

711
00:35:38,239 --> 00:35:41,400
Speaker 1: Yeah. The first track on this a B is titled

712
00:35:41,400 --> 00:35:44,399
Speaker 1: picking Boogers. Yes, the type of.

713
00:35:44,760 --> 00:35:48,239
Speaker 3: I see what time we there we go? What type

714
00:35:48,239 --> 00:35:48,919
Speaker 3: of time it is?

715
00:35:49,520 --> 00:35:55,400
Speaker 4: Who's he? Who's that rapper that? Yeah? Yeah, okay, what

716
00:35:55,880 --> 00:35:59,960
Speaker 4: what what's his name? Yes, he's that type of funny.

717
00:36:00,600 --> 00:36:03,080
Speaker 4: I don't know if y'all know, motherfucker x choir, but that's.

718
00:36:02,920 --> 00:36:05,920
Speaker 1: What keys like. List kids, man, I'm gonna send it

719
00:36:05,920 --> 00:36:13,040
Speaker 1: to y'all. Y'all somebody motherfucking x choir? Yes, all right, yeah.

720
00:36:13,040 --> 00:36:15,400
Speaker 1: So those are some of the notable albums that dropped

721
00:36:15,440 --> 00:36:19,279
Speaker 1: February up until the time of this recording. So look,

722
00:36:19,320 --> 00:36:21,040
Speaker 1: I know a lot of I put this on here

723
00:36:21,080 --> 00:36:23,640
Speaker 1: because I knew a lot of y'all were familiar with it.

724
00:36:23,760 --> 00:36:26,520
Speaker 1: I knew Rob Man Ben. Uh, but for those of

725
00:36:26,520 --> 00:36:31,719
Speaker 1: you listening, go check out Bizmarky going off and nineteen

726
00:36:32,040 --> 00:36:37,359
Speaker 1: eighty eight. Definitely check that out and moving on, man,

727
00:36:37,520 --> 00:36:41,840
Speaker 1: just real quick part of a little liquor for Little Papa. Definitely.

728
00:36:42,560 --> 00:36:46,120
Speaker 1: I wasn't familiar with the move with his music. He

729
00:36:46,239 --> 00:36:49,879
Speaker 1: was signed to who is that again? CMGG. That's right,

730
00:36:50,480 --> 00:36:57,839
Speaker 1: that's right, but very sad story. Apparently self inflicted gun

731
00:36:57,880 --> 00:37:01,480
Speaker 1: wound after he was in a car accident and his

732
00:37:01,640 --> 00:37:06,200
Speaker 1: manager came and uh afterwards and uh he took his

733
00:37:06,239 --> 00:37:09,880
Speaker 1: own life for the Hilton Hotel parking lot. Uh. So

734
00:37:10,760 --> 00:37:12,920
Speaker 1: that's all I know. I just saw it on on

735
00:37:12,960 --> 00:37:17,200
Speaker 1: Twitter and so our r I p Little Papa.

736
00:37:18,719 --> 00:37:20,720
Speaker 3: Man birthday in two weeks.

737
00:37:21,719 --> 00:37:24,600
Speaker 7: Yeah, he got jumped and I learned somebody text me

738
00:37:24,600 --> 00:37:26,239
Speaker 7: after they listening to Deck and was saying he got

739
00:37:26,320 --> 00:37:29,400
Speaker 7: jumped in a foot locker a while back and he

740
00:37:29,560 --> 00:37:31,360
Speaker 7: was a part of that Fulio and young and a

741
00:37:31,480 --> 00:37:32,120
Speaker 7: speech too.

742
00:37:32,600 --> 00:37:37,600
Speaker 1: He from Jacksonville. Yeah, okay, all right, but uh anyway,

743
00:37:37,760 --> 00:37:43,480
Speaker 1: so yeah, moving on, man, let's get to it. Larry

744
00:37:43,560 --> 00:37:49,200
Speaker 1: June Alchemist Currency dropped an album. Uh, so we're gonna

745
00:37:49,200 --> 00:37:55,040
Speaker 1: talk about it. What is spiral staircases. Yeah, this is

746
00:37:55,080 --> 00:37:58,560
Speaker 1: what it's called for. You a Larry June. God. There

747
00:37:58,600 --> 00:38:04,200
Speaker 1: was some very very disrespectful tweets on Twitter where a

748
00:38:04,280 --> 00:38:09,600
Speaker 1: guy Rod said that Larry June is a Rock Marciano knockoff?

749
00:38:10,600 --> 00:38:13,120
Speaker 3: Who is that disrespectful to Rock?

750
00:38:14,040 --> 00:38:14,279
Speaker 1: Why?

751
00:38:14,440 --> 00:38:19,080
Speaker 6: How he's nowhere near the lyrics? Is a rock Manciano?

752
00:38:19,719 --> 00:38:23,239
Speaker 6: No he's not, that's how.

753
00:38:25,200 --> 00:38:28,400
Speaker 4: But he said a knockoff, you know what, hold on,

754
00:38:28,440 --> 00:38:31,600
Speaker 4: but but but but Ano. That's not disrespectful because he's

755
00:38:31,600 --> 00:38:35,120
Speaker 4: a knockoff. Knockoff means it's not authentic, it's not original,

756
00:38:35,160 --> 00:38:38,000
Speaker 4: it's not it's not even a one on one copy.

757
00:38:39,040 --> 00:38:39,840
Speaker 1: Did I say?

758
00:38:40,200 --> 00:38:42,919
Speaker 7: I think so said it right? I just I think

759
00:38:42,960 --> 00:38:46,320
Speaker 7: what it's disrespectful? Calling you a knockoff? You Larry June

760
00:38:46,920 --> 00:38:50,040
Speaker 7: exactly is disrespect knock off if I'm Larry June.

761
00:38:50,239 --> 00:38:53,120
Speaker 6: But it's not disrespectful the rock. I just don't even

762
00:38:53,120 --> 00:38:55,520
Speaker 6: think they did to say, because they're both.

763
00:38:56,480 --> 00:38:59,040
Speaker 1: But I did say it wrong because I'm so baffled

764
00:38:59,040 --> 00:39:02,800
Speaker 1: by it. But they said that Rock Marcy is a

765
00:39:02,840 --> 00:39:03,359
Speaker 1: Larry Jone.

766
00:39:03,719 --> 00:39:09,000
Speaker 6: Oh now that's disrespectful. Yes you said the other way?

767
00:39:09,640 --> 00:39:11,880
Speaker 1: Yeah, my bad. And that's that's yeah. I was like,

768
00:39:12,360 --> 00:39:15,880
Speaker 1: what's going on? So it's just it was just we

769
00:39:15,880 --> 00:39:16,880
Speaker 1: don't even need to worry about it.

770
00:39:16,920 --> 00:39:20,560
Speaker 7: Rock and Rock was out before his, before Larry Rock

771
00:39:21,560 --> 00:39:22,120
Speaker 7: way out.

772
00:39:22,360 --> 00:39:24,760
Speaker 1: It doesn't it doesn't make any sense, especially when you

773
00:39:24,880 --> 00:39:26,680
Speaker 1: listen to this album.

774
00:39:27,000 --> 00:39:30,600
Speaker 7: I ain't learning rap. I like Larry June more than Rock.

775
00:39:30,760 --> 00:39:33,000
Speaker 7: But when I did the review what y'all was listening

776
00:39:33,040 --> 00:39:35,439
Speaker 7: to that, I get like he in a different lane

777
00:39:35,480 --> 00:39:38,440
Speaker 7: from Larry Junes, just like his rap is more intricate.

778
00:39:38,480 --> 00:39:40,080
Speaker 7: It's like the ship, like the little ship that he'd

779
00:39:40,120 --> 00:39:43,360
Speaker 7: be saying about the flash. It ain't even a conversation

780
00:39:43,440 --> 00:39:47,439
Speaker 7: with Larry Jean is a life Larry Jone. Larry Junes

781
00:39:47,480 --> 00:39:48,640
Speaker 7: just more a lifestyle rapper.

782
00:39:48,880 --> 00:39:51,600
Speaker 4: Like they're in the same box though, Like because because

783
00:39:51,640 --> 00:39:55,360
Speaker 4: what Rock raps about rap, Rock raps about lifestyle, to

784
00:39:55,600 --> 00:39:59,200
Speaker 4: his lifestyle is just a fly thug nigga, that's it.

785
00:39:59,280 --> 00:40:02,719
Speaker 4: But it Larry raps about fly luxurious shit. And I'm

786
00:40:02,719 --> 00:40:05,239
Speaker 4: not saying that Rock doesn't rap about luxurious shit too,

787
00:40:05,680 --> 00:40:08,480
Speaker 4: But they're in the same box. Like they both use

788
00:40:08,520 --> 00:40:11,600
Speaker 4: a lot of drumless shit, Like they're both slower flow.

789
00:40:12,080 --> 00:40:13,920
Speaker 4: Neither one of them raps fast.

790
00:40:14,120 --> 00:40:17,640
Speaker 6: Ever, you know what I'm saying, so and and so

791
00:40:17,760 --> 00:40:22,640
Speaker 6: I see where a light comparison could happen, But no,

792
00:40:22,680 --> 00:40:24,640
Speaker 6: they're not the same type of lyricists.

793
00:40:24,680 --> 00:40:29,200
Speaker 4: Like rock, Marciano gives more up. He cares more of

794
00:40:29,360 --> 00:40:32,719
Speaker 4: how he puts words together, where Larry June cares more

795
00:40:32,719 --> 00:40:34,440
Speaker 4: about the vibe that he's creating.

796
00:40:34,640 --> 00:40:36,360
Speaker 1: Cool. What do you think about this album?

797
00:40:37,719 --> 00:40:40,759
Speaker 4: I fuck with it heavy, Hey, shout out Alchemists, bro,

798
00:40:40,880 --> 00:40:45,040
Speaker 4: I don't fucking understand all these years in like your

799
00:40:45,120 --> 00:40:50,880
Speaker 4: for fucking it feels like producer career and bruh, like

800
00:40:51,080 --> 00:40:53,759
Speaker 4: the beats on here first or foremost to me stole

801
00:40:53,840 --> 00:40:57,160
Speaker 4: the show, especially on the last joint where he's rapping

802
00:40:57,239 --> 00:41:02,200
Speaker 4: to empty pages. I may can play that after we

803
00:41:02,239 --> 00:41:05,359
Speaker 4: did uh the baby king shit? I said, I got

804
00:41:05,360 --> 00:41:08,719
Speaker 4: a request. Can't fuck with that? Would that be? But nah,

805
00:41:08,719 --> 00:41:10,720
Speaker 4: I fuck with this, bro, Like like if you listen

806
00:41:10,760 --> 00:41:14,200
Speaker 4: to Larry Junior Currency, this is what they do. Like

807
00:41:14,280 --> 00:41:17,520
Speaker 4: this is not different than all of the other music

808
00:41:17,600 --> 00:41:20,080
Speaker 4: that they put together, Like I fuck with this heavy.

809
00:41:20,760 --> 00:41:24,200
Speaker 4: Alchemist stole to show in my opinion, but this definitely

810
00:41:24,280 --> 00:41:28,880
Speaker 4: sounds like a project that Larry and Currency wanted to

811
00:41:28,920 --> 00:41:32,600
Speaker 4: do unlike the Two Chains and Larry where you know

812
00:41:32,719 --> 00:41:35,520
Speaker 4: it not saying that Larry sounded bad, but it just

813
00:41:35,800 --> 00:41:38,520
Speaker 4: it didn't feel like the synergy was the same here.

814
00:41:40,400 --> 00:41:45,080
Speaker 3: No, no, that's.

815
00:41:43,320 --> 00:41:47,040
Speaker 6: Not what it was. That's not what it was. So

816
00:41:47,200 --> 00:41:47,880
Speaker 6: that's not what it was.

817
00:41:47,960 --> 00:41:50,279
Speaker 4: So originally that project was only supposed to be Two

818
00:41:50,360 --> 00:41:55,160
Speaker 4: Chains and Alchemists, and Alchemists said Larry, okay, well then

819
00:41:55,320 --> 00:41:58,120
Speaker 4: that's the reason why. But now this one, this one here,

820
00:41:58,239 --> 00:41:59,320
Speaker 4: now I fuck with this heavy.

821
00:41:59,560 --> 00:42:02,120
Speaker 6: I love Larry, I love Currency on here that I

822
00:42:02,160 --> 00:42:03,279
Speaker 6: think everybody did they thing.

823
00:42:04,560 --> 00:42:08,799
Speaker 2: No, it's sit hard, man hard. The beats set the

824
00:42:08,840 --> 00:42:09,520
Speaker 2: thing off.

825
00:42:09,760 --> 00:42:14,080
Speaker 6: Like even if you don't like Larry June and Currency,

826
00:42:14,120 --> 00:42:18,720
Speaker 6: you can't deny like the mess here, like the beats

827
00:42:18,760 --> 00:42:20,279
Speaker 6: and how they just sound on it.

828
00:42:20,320 --> 00:42:23,000
Speaker 2: They can just really not be rapping. Well, I mean

829
00:42:23,000 --> 00:42:24,480
Speaker 2: it just sounds good together.

830
00:42:24,680 --> 00:42:27,200
Speaker 6: I heard you singing it when you came in, Like

831
00:42:27,880 --> 00:42:29,720
Speaker 6: it's infectious, you know what I'm saying.

832
00:42:29,840 --> 00:42:31,640
Speaker 2: Like I've been there, I've had these.

833
00:42:31,440 --> 00:42:33,840
Speaker 6: Songs in my head and I've been listening to the

834
00:42:33,840 --> 00:42:36,680
Speaker 6: Baby Team and all of that. But man, Alchemists just

835
00:42:36,719 --> 00:42:38,920
Speaker 6: done something special with these type of rappers.

836
00:42:38,920 --> 00:42:40,439
Speaker 2: To me, I mean he does stuff.

837
00:42:40,440 --> 00:42:47,280
Speaker 6: I'm special with rappers period, but he really Yeah, man.

838
00:42:47,160 --> 00:42:50,560
Speaker 2: He's tapped into this type of artist. He's tapped to

839
00:42:50,600 --> 00:42:51,400
Speaker 2: this type of artists.

840
00:42:51,400 --> 00:42:54,200
Speaker 6: And that's probably why they said the Rock Marcy thing

841
00:42:54,280 --> 00:42:58,960
Speaker 6: because Rock Marci has a slow flow, but they're disregarding

842
00:42:59,080 --> 00:43:00,880
Speaker 6: is the lyrics that Marcy brings.

843
00:43:01,480 --> 00:43:05,080
Speaker 2: But but yeah, man, they both floated on this. I

844
00:43:05,200 --> 00:43:05,480
Speaker 2: like what.

845
00:43:05,760 --> 00:43:09,120
Speaker 6: I like what Currency was doing on it. I'm not

846
00:43:09,160 --> 00:43:12,319
Speaker 6: a huge Currency fan, but I like his kind of

847
00:43:12,320 --> 00:43:15,600
Speaker 6: spoken words ship he does sometimes, Like that's kind of cool,

848
00:43:15,719 --> 00:43:20,680
Speaker 6: especially coming out of form New Orleans. Ye as a

849
00:43:20,719 --> 00:43:23,960
Speaker 6: New Orleans rapper like this nigga Like okay, like you

850
00:43:24,000 --> 00:43:25,680
Speaker 6: know what I'm saying, Like you can tell he influenced

851
00:43:25,680 --> 00:43:27,239
Speaker 6: bought some some lyricists like.

852
00:43:29,640 --> 00:43:35,520
Speaker 4: Show Yeah right, the last three years of Currency drops bro,

853
00:43:35,920 --> 00:43:39,600
Speaker 4: Like he's really been on it. Bro Like he like

854
00:43:39,600 --> 00:43:42,759
Speaker 4: like he's like currency. I think it's the best version

855
00:43:42,760 --> 00:43:45,719
Speaker 4: of currency that we've ever seen. Yeah, I'm a currency guy.

856
00:43:45,880 --> 00:43:47,560
Speaker 2: Yeah, I think this is what he's safer.

857
00:43:48,440 --> 00:43:50,560
Speaker 6: I don't think he could put him up against the

858
00:43:50,640 --> 00:43:54,120
Speaker 6: Freddy Gibbs of the world, because Freddy Gills every time,

859
00:43:55,600 --> 00:43:57,080
Speaker 6: he gonna wa wash him every time.

860
00:43:56,920 --> 00:43:59,920
Speaker 2: But with Larry next to Larry June is where it's safe.

861
00:44:00,719 --> 00:44:05,959
Speaker 4: Mm hmm fast.

862
00:44:07,040 --> 00:44:10,040
Speaker 1: The first disrespectful thing he said? What was the first one?

863
00:44:10,160 --> 00:44:14,799
Speaker 1: He said? Alchemists beats are so good. Don't even got

864
00:44:14,840 --> 00:44:15,479
Speaker 1: a wrap. Yeah.

865
00:44:16,040 --> 00:44:18,719
Speaker 2: I was like, dang, but I did gim propsible like

866
00:44:18,719 --> 00:44:19,360
Speaker 2: a New York like.

867
00:44:19,719 --> 00:44:20,160
Speaker 4: I didn't.

868
00:44:20,239 --> 00:44:22,080
Speaker 2: I don't know because I don't listen to currincies like that.

869
00:44:22,200 --> 00:44:22,759
Speaker 1: So I heard him.

870
00:44:22,800 --> 00:44:24,239
Speaker 2: I was like, oh, ship, he got like some little

871
00:44:24,239 --> 00:44:25,560
Speaker 2: spoken words ship going on.

872
00:44:26,320 --> 00:44:29,319
Speaker 1: I like it. I like him, man, I liked it.

873
00:44:29,360 --> 00:44:30,000
Speaker 1: I like you here.

874
00:44:30,719 --> 00:44:33,120
Speaker 2: I wasn't trying to be I know I've been saying.

875
00:44:33,520 --> 00:44:35,920
Speaker 6: I didn't even realize I was saying disrespectful ship today,

876
00:44:36,360 --> 00:44:37,799
Speaker 6: but I wasn't trying to.

877
00:44:38,840 --> 00:44:39,279
Speaker 1: I was.

878
00:44:41,640 --> 00:44:42,520
Speaker 3: Safe.

879
00:44:43,239 --> 00:44:45,320
Speaker 5: But he right though, because I ran that back for

880
00:44:46,160 --> 00:44:48,560
Speaker 5: I ran that back earlier this week. I was like, man,

881
00:44:48,600 --> 00:44:50,520
Speaker 5: let me run that back. See how it sounds. Yeah,

882
00:44:50,840 --> 00:44:58,839
Speaker 5: they don't fit together. Yeah, Freddie gibbson Curse, Yeah, but

883
00:44:58,840 --> 00:45:01,000
Speaker 5: it's one was good. Yeah, it's a solid it's a

884
00:45:01,000 --> 00:45:03,000
Speaker 5: solid project. But he was he was getting cleaned up though.

885
00:45:03,040 --> 00:45:04,000
Speaker 5: He's just more lyrical.

886
00:45:04,840 --> 00:45:07,000
Speaker 3: Freddie gives way more lyrical.

887
00:45:08,320 --> 00:45:13,839
Speaker 1: Real quick but think about stop. Yeah it's Freddy. Yeah,

888
00:45:13,880 --> 00:45:17,239
Speaker 1: that's when I was like, Freddy that guy.

889
00:45:17,360 --> 00:45:21,560
Speaker 3: Yeah, that's a fact. This project is fired. Though I'm glad.

890
00:45:21,560 --> 00:45:23,520
Speaker 5: I will say this though I'm a bigger Larry June

891
00:45:23,600 --> 00:45:27,760
Speaker 5: guy than I am a Currency guy. I think Currency's output.

892
00:45:28,239 --> 00:45:30,239
Speaker 5: I kind of lost track over the years. It was

893
00:45:30,360 --> 00:45:32,200
Speaker 5: just too much, and I wasn't that big of a

894
00:45:32,239 --> 00:45:36,239
Speaker 5: fan to begin with to get all this material. But

895
00:45:36,440 --> 00:45:39,080
Speaker 5: I'm a huge fan of June. This sound you can

896
00:45:39,080 --> 00:45:41,799
Speaker 5: inject the ship in my veins. I'm here for it.

897
00:45:42,480 --> 00:45:47,920
Speaker 5: Joints like drive alone, like that's repeat, repeat, As I'm

898
00:45:48,000 --> 00:45:49,920
Speaker 5: driving alone, I'm going to listen to this on the

899
00:45:49,960 --> 00:45:54,080
Speaker 5: way home by my damn self, riding through downtown Atlanta.

900
00:45:54,160 --> 00:45:56,000
Speaker 3: It's not quite you know, San.

901
00:45:55,880 --> 00:45:59,239
Speaker 5: Francisco, no palm trees and ship, but it's gonna put

902
00:45:59,239 --> 00:46:01,120
Speaker 5: me there. It's gonna take make me there. I think

903
00:46:01,160 --> 00:46:03,520
Speaker 5: Currency did enough. My first listen, I was a little

904
00:46:03,560 --> 00:46:06,279
Speaker 5: annoyed at Currency. I thought he had mailed it in.

905
00:46:06,760 --> 00:46:09,920
Speaker 5: But then when I after a couple of listens, I

906
00:46:09,960 --> 00:46:12,920
Speaker 5: was like, Okay, now he's he's doing a little more

907
00:46:12,960 --> 00:46:14,160
Speaker 5: than I was giving him credit for.

908
00:46:14,440 --> 00:46:15,920
Speaker 1: You like Larry more than Currency.

909
00:46:16,040 --> 00:46:20,080
Speaker 5: I do, I do, but I'm a big is to Larry,

910
00:46:20,080 --> 00:46:23,799
Speaker 5: though I'm gonna keep it a buck your YouTube are

911
00:46:24,520 --> 00:46:25,000
Speaker 5: and a b.

912
00:46:25,320 --> 00:46:28,400
Speaker 2: But you Larry floated on this head.

913
00:46:28,440 --> 00:46:28,879
Speaker 1: Thank you.

914
00:46:29,560 --> 00:46:30,799
Speaker 2: Larry floated on it man.

915
00:46:31,760 --> 00:46:35,839
Speaker 6: Currency pocket Currency was doing some little you know, some

916
00:46:35,840 --> 00:46:36,560
Speaker 6: some tricky ship.

917
00:46:36,880 --> 00:46:42,440
Speaker 1: I just currncy. I don't remember Larry verse.

918
00:46:43,800 --> 00:46:45,280
Speaker 2: Man.

919
00:46:45,920 --> 00:46:48,520
Speaker 1: Only Paulo Alto was the only one I felt like,

920
00:46:48,600 --> 00:46:51,480
Speaker 1: Larry still empty.

921
00:46:51,160 --> 00:46:53,360
Speaker 3: Pages, You just empty pages.

922
00:46:54,320 --> 00:46:58,719
Speaker 6: Yes, Larry, look as much as I love Alchemists, don't

923
00:46:58,719 --> 00:47:00,880
Speaker 6: even say don't even say it.

924
00:47:01,360 --> 00:47:03,880
Speaker 4: Larry is the reason why that ship beside.

925
00:47:03,520 --> 00:47:05,600
Speaker 1: The beat saying Larry washed currency.

926
00:47:05,840 --> 00:47:08,240
Speaker 4: Yeah on empty pages.

927
00:47:08,320 --> 00:47:14,319
Speaker 5: Yes, I gotta run it back, but I'm inclined to

928
00:47:14,360 --> 00:47:15,520
Speaker 5: concur I ain't.

929
00:47:15,600 --> 00:47:17,680
Speaker 7: I ain't where you are with Larry June, but I

930
00:47:17,680 --> 00:47:21,600
Speaker 7: ain't where they are either. I do think to steal

931
00:47:21,600 --> 00:47:23,759
Speaker 7: from Rod. This was a safe project for Larry June

932
00:47:23,760 --> 00:47:26,400
Speaker 7: to do rapping next to Currency versus somebody like two change,

933
00:47:26,800 --> 00:47:29,440
Speaker 7: Who's gonna bring a lot more energy and better lyrics?

934
00:47:29,840 --> 00:47:31,759
Speaker 3: The two changes same?

935
00:47:33,080 --> 00:47:35,640
Speaker 1: This is yeah, this is fine.

936
00:47:36,560 --> 00:47:39,719
Speaker 7: All carried the album like I just yeah, this is

937
00:47:39,760 --> 00:47:41,600
Speaker 7: like a movie I've seen like ten times.

938
00:47:41,600 --> 00:47:43,840
Speaker 3: That's what this is. It's like the town.

939
00:47:43,880 --> 00:47:47,399
Speaker 5: Though you can always watch the movie though that's fair

940
00:47:47,640 --> 00:47:49,600
Speaker 5: put a good movie.

941
00:47:50,000 --> 00:47:52,000
Speaker 7: But I know, like I see the template. I know,

942
00:47:52,120 --> 00:47:54,000
Speaker 7: like go and see Scream seven. It's like, okay, I

943
00:47:54,040 --> 00:47:54,279
Speaker 7: get it.

944
00:47:54,880 --> 00:47:55,959
Speaker 1: What disrespectful?

945
00:47:56,000 --> 00:47:57,239
Speaker 3: I see what's happening.

946
00:47:57,440 --> 00:47:59,480
Speaker 1: Them last two or three Screams are garbage.

947
00:48:00,480 --> 00:48:03,919
Speaker 7: But the franchise overall, there's a template that you use,

948
00:48:04,080 --> 00:48:06,120
Speaker 7: you know how the movie show. I think that's that's

949
00:48:06,200 --> 00:48:08,880
Speaker 7: Larry June and l and Currency. All of them have

950
00:48:09,239 --> 00:48:12,040
Speaker 7: better than others. That's not all created equal. This one

951
00:48:12,160 --> 00:48:13,920
Speaker 7: may be one of the ones that ain't as good

952
00:48:13,920 --> 00:48:16,160
Speaker 7: as they best. Shit, this ain't as good as none

953
00:48:16,200 --> 00:48:18,440
Speaker 7: of that ship? Is that what y'all are telling me?

954
00:48:18,520 --> 00:48:20,799
Speaker 7: Y'all are telling me that this project right here is

955
00:48:20,880 --> 00:48:23,400
Speaker 7: as good as a good Larry June or Currency or

956
00:48:23,800 --> 00:48:24,280
Speaker 7: this project?

957
00:48:24,400 --> 00:48:26,080
Speaker 4: Yes, no, yes, I.

958
00:48:26,000 --> 00:48:28,800
Speaker 5: Would think, so how is it better? And I wouldn't

959
00:48:28,800 --> 00:48:30,920
Speaker 5: say better though it's not better, But I'm saying it's

960
00:48:30,920 --> 00:48:33,759
Speaker 5: on this it's on part or nothing like that.

961
00:48:33,880 --> 00:48:34,479
Speaker 1: It's on part.

962
00:48:34,760 --> 00:48:36,799
Speaker 5: The one that I think is on part of it's

963
00:48:36,800 --> 00:48:38,879
Speaker 5: on part for show. I think I think June's best

964
00:48:38,880 --> 00:48:41,240
Speaker 5: ship is with Larry. It is with Alchemist though.

965
00:48:41,280 --> 00:48:42,839
Speaker 3: Yeah, okay, that's his best ship.

966
00:48:43,080 --> 00:48:49,680
Speaker 6: Yeah so yeah, Alchelmus gave him some Carl.

967
00:48:48,480 --> 00:48:52,080
Speaker 1: Carl get on my nerve or sometimes for Larry though.

968
00:48:52,440 --> 00:48:54,560
Speaker 5: Yeah, sometimes I can't do a whole projects, but that's

969
00:48:54,560 --> 00:48:55,040
Speaker 5: taste though.

970
00:48:55,040 --> 00:48:55,480
Speaker 3: That's just me.

971
00:48:55,920 --> 00:48:59,120
Speaker 1: Everything allocated was was dope. I got that one start

972
00:48:59,200 --> 00:49:02,520
Speaker 1: in empty pages. But it's it's good. I mean, yeah,

973
00:49:02,680 --> 00:49:04,440
Speaker 1: this listening to it, but.

974
00:49:04,920 --> 00:49:06,000
Speaker 2: That drive alone.

975
00:49:07,320 --> 00:49:10,320
Speaker 4: Stars on the ruse, bro Polo Santo.

976
00:49:12,960 --> 00:49:17,960
Speaker 6: This this set, this set, this set to last once again, Broch.

977
00:49:18,160 --> 00:49:20,480
Speaker 3: How long has the Alchemists been? I know what do

978
00:49:20,560 --> 00:49:21,719
Speaker 3: we trace back? Alchemists?

979
00:49:21,760 --> 00:49:23,120
Speaker 2: Oh four or.

980
00:49:25,200 --> 00:49:27,319
Speaker 4: Remember like earlier than that, earlier than that.

981
00:49:27,480 --> 00:49:30,799
Speaker 5: Yeah, he's in his mind today.

982
00:49:30,800 --> 00:49:31,560
Speaker 1: We don't make it.

983
00:49:31,800 --> 00:49:35,560
Speaker 6: Oh ship, Yeah that's Alchemists, So we're gonna make Alchemist

984
00:49:35,560 --> 00:49:37,560
Speaker 6: has been around, but this sound right here.

985
00:49:37,920 --> 00:49:41,120
Speaker 4: He was on Carter three, that Saul was.

986
00:49:42,160 --> 00:49:44,279
Speaker 5: But he's this bad that he's in that he's been

987
00:49:44,280 --> 00:49:46,239
Speaker 5: doing for the last couple of years, like what was

988
00:49:46,280 --> 00:49:49,719
Speaker 5: Conway or what? I take this every single time like

989
00:49:49,800 --> 00:49:52,520
Speaker 5: I'm this ship is hidden for me right now it's

990
00:49:52,600 --> 00:49:54,400
Speaker 5: perfect time, man, I funk with it.

991
00:49:54,400 --> 00:49:55,279
Speaker 3: It just sets a move.

992
00:49:55,719 --> 00:49:57,799
Speaker 5: Yeah, and he's got all these different people that kind

993
00:49:57,800 --> 00:49:59,719
Speaker 5: of have kind of piggybacked off of it.

994
00:50:00,040 --> 00:50:01,840
Speaker 3: The conductor Nicholas Cravy, he.

995
00:50:01,880 --> 00:50:03,640
Speaker 6: Hash it on written testament. I don't know if you

996
00:50:03,719 --> 00:50:07,480
Speaker 6: heard the jailf j he has ship on that. Yeah, Alchemists,

997
00:50:07,520 --> 00:50:09,120
Speaker 6: the Truth bro, the Prodigy ship.

998
00:50:08,960 --> 00:50:09,680
Speaker 3: From back in the day.

999
00:50:09,880 --> 00:50:13,879
Speaker 1: Yeah, twenty three minutes. Nice, it's nice, bro, listen.

1000
00:50:14,040 --> 00:50:15,600
Speaker 2: No, it's it's it's it's nice.

1001
00:50:15,640 --> 00:50:17,440
Speaker 1: Man, you know it is good. Yeah, it's not.

1002
00:50:17,400 --> 00:50:18,759
Speaker 3: Better than the change. You like it better than the

1003
00:50:18,840 --> 00:50:21,400
Speaker 3: chains and Larry life is beautiful?

1004
00:50:21,480 --> 00:50:23,799
Speaker 6: Yeah, I don't know if I like it better than

1005
00:50:23,840 --> 00:50:25,480
Speaker 6: that that that that's.

1006
00:50:25,239 --> 00:50:27,960
Speaker 2: A different vibe fuller to me, true for some reason,

1007
00:50:28,040 --> 00:50:30,280
Speaker 2: like that one felt full that made my top five one.

1008
00:50:30,200 --> 00:50:32,120
Speaker 1: Yeah, I don't know if this's got a lot of

1009
00:50:32,120 --> 00:50:33,200
Speaker 1: replay value for me though.

1010
00:50:33,560 --> 00:50:37,319
Speaker 6: Oh that ship nice though, can okay you and you

1011
00:50:37,360 --> 00:50:38,959
Speaker 6: got to listen to this with a glass of wine,

1012
00:50:39,000 --> 00:50:42,560
Speaker 6: my buddy, Yeah, I like that now, real talk, real talk,

1013
00:50:42,600 --> 00:50:44,280
Speaker 6: like like this is when.

1014
00:50:44,160 --> 00:50:47,040
Speaker 1: You drove home to night or some organic orange jew

1015
00:50:47,120 --> 00:50:48,280
Speaker 1: like a smoothies.

1016
00:50:49,680 --> 00:50:53,759
Speaker 4: Like a really good job, good job? Can you need

1017
00:50:54,239 --> 00:50:55,960
Speaker 4: you need you some alcaline water over there?

1018
00:50:56,080 --> 00:50:59,960
Speaker 1: Can fast? Yeah? Should be.

1019
00:51:01,480 --> 00:51:01,680
Speaker 4: It is.

1020
00:51:01,800 --> 00:51:04,680
Speaker 1: I mean it's Alchemist production. You know, I do think

1021
00:51:04,719 --> 00:51:06,480
Speaker 1: they make a good team. I think you know what

1022
00:51:06,520 --> 00:51:10,600
Speaker 1: I mean, that's Currency. I do like that.

1023
00:51:10,600 --> 00:51:13,280
Speaker 6: That's what got me on the de Larry Drewne train.

1024
00:51:13,520 --> 00:51:15,000
Speaker 6: Was the was the Great Escape?

1025
00:51:15,120 --> 00:51:19,799
Speaker 3: Right, that's the one That album is crazy? Yeah?

1026
00:51:19,880 --> 00:51:21,400
Speaker 1: Yeah, Great Escape is really good?

1027
00:51:21,640 --> 00:51:23,480
Speaker 3: Should this be been? Should this has been? More than

1028
00:51:23,480 --> 00:51:24,359
Speaker 3: seven songs.

1029
00:51:24,040 --> 00:51:24,399
Speaker 1: Of the Day?

1030
00:51:24,800 --> 00:51:26,640
Speaker 6: I think it's I think it's nice. I think I

1031
00:51:26,680 --> 00:51:29,600
Speaker 6: think it is right now is a nice little sweet.

1032
00:51:29,400 --> 00:51:31,520
Speaker 3: Spot for them for this project. I blame Currency for that.

1033
00:51:31,719 --> 00:51:32,040
Speaker 2: But it's.

1034
00:51:33,560 --> 00:51:36,479
Speaker 6: But but you know what though, like I like that

1035
00:51:36,840 --> 00:51:40,080
Speaker 6: because it's three of them, that it is short, and

1036
00:51:40,160 --> 00:51:42,520
Speaker 6: I think that if they make future projects, it should

1037
00:51:42,520 --> 00:51:44,399
Speaker 6: be short. You know what I'm saying, because because it's

1038
00:51:44,440 --> 00:51:46,480
Speaker 6: a lot of it's a lot of words, you know

1039
00:51:46,520 --> 00:51:48,719
Speaker 6: what I'm saying for for for two three rappers to

1040
00:51:48,800 --> 00:51:53,600
Speaker 6: be on there. So I like the length of this pause.

1041
00:51:54,040 --> 00:51:58,560
Speaker 4: But yes, but you know, like if it's just Currency

1042
00:51:58,560 --> 00:52:01,920
Speaker 4: and Alchemists, If it's just Currency and Alchemists, yeah I

1043
00:52:01,920 --> 00:52:04,160
Speaker 4: would like it. You know, more tracks on here. If

1044
00:52:04,200 --> 00:52:07,200
Speaker 4: it's just Larry and Alchemist, you have more tracks. But

1045
00:52:07,680 --> 00:52:10,160
Speaker 4: I don't know. I don't know if y'all has saw

1046
00:52:10,280 --> 00:52:16,040
Speaker 4: some of the like underlying beef slash tension between Alchemists

1047
00:52:16,040 --> 00:52:16,759
Speaker 4: and Currency.

1048
00:52:17,280 --> 00:52:21,520
Speaker 6: I was learning about that because yeah, and Freddy has

1049
00:52:21,560 --> 00:52:24,959
Speaker 6: some stuff going on, and then I know Alcolm still

1050
00:52:25,000 --> 00:52:26,120
Speaker 6: works with Freddy as well.

1051
00:52:26,760 --> 00:52:29,040
Speaker 3: Yeah, Sody Gibbs and anything. It's nuts.

1052
00:52:30,840 --> 00:52:34,600
Speaker 4: So so Alchemists, you know, like his stances, like he

1053
00:52:34,760 --> 00:52:37,080
Speaker 4: just makes music with his friends. You know what you

1054
00:52:37,160 --> 00:52:39,560
Speaker 4: decide to do on there, that's all you like, you

1055
00:52:39,640 --> 00:52:42,360
Speaker 4: the homie, you know what I'm saying. Currency feels a

1056
00:52:42,440 --> 00:52:45,320
Speaker 4: type of way that you know, you know, obviously Currency

1057
00:52:45,400 --> 00:52:47,640
Speaker 4: has been working with Alchemists. Is covid coup, you know

1058
00:52:47,680 --> 00:52:49,719
Speaker 4: what I'm saying. We talked, We talked early two thousands.

1059
00:52:50,600 --> 00:52:53,480
Speaker 4: So he feels a type of way that a homie would,

1060
00:52:53,560 --> 00:52:56,160
Speaker 4: let you know, somebody else this them on his own work,

1061
00:52:56,480 --> 00:52:57,160
Speaker 4: you know what I'm saying.

1062
00:52:57,200 --> 00:52:59,319
Speaker 6: So he so Currency feels a type of way. And

1063
00:52:59,360 --> 00:53:03,279
Speaker 6: I've seen online where this could potentially be Currency and

1064
00:53:03,400 --> 00:53:06,600
Speaker 6: Alchemist's last project together, which I hope that's not the truth.

1065
00:53:07,760 --> 00:53:09,920
Speaker 7: Yeah, I put that on Currency more than anything, like

1066
00:53:10,680 --> 00:53:12,799
Speaker 7: what are you making? He's making a living? Like you

1067
00:53:12,840 --> 00:53:15,480
Speaker 7: get like Freddy Gibbs already came out and said the

1068
00:53:15,520 --> 00:53:19,399
Speaker 7: beef was some manufactured Freddy gibbshit, did he do if

1069
00:53:19,440 --> 00:53:21,120
Speaker 7: I know he on that type of time, I'm currently

1070
00:53:21,160 --> 00:53:23,440
Speaker 7: I don't care if my friend like, go do whatever

1071
00:53:23,480 --> 00:53:25,800
Speaker 7: y'all do over there, take that nigga money for the beefs.

1072
00:53:26,320 --> 00:53:27,239
Speaker 3: I can't look at you.

1073
00:53:27,200 --> 00:53:28,600
Speaker 1: Like it wasn't disrespect.

1074
00:53:28,800 --> 00:53:29,680
Speaker 3: It wasn't like.

1075
00:53:31,040 --> 00:53:32,960
Speaker 7: It wasn't t I and fifty like we're going to

1076
00:53:33,000 --> 00:53:35,839
Speaker 7: talk about I only who knows what Freddy Gibbs even said, like.

1077
00:53:36,320 --> 00:53:38,799
Speaker 4: Well, we know what Freddy Gibbs said. Freddy Gibbs said

1078
00:53:38,840 --> 00:53:46,200
Speaker 4: basically that it's the truth. He told Joe Budden on

1079
00:53:46,239 --> 00:53:50,960
Speaker 4: his interview. He was saying basically that Feeddy wasn't pushed

1080
00:53:51,239 --> 00:53:54,319
Speaker 4: like they had plans to do like multiple music videos,

1081
00:53:54,360 --> 00:53:57,279
Speaker 4: and he was like like it just wasn't marketing. He's like,

1082
00:53:57,320 --> 00:53:59,239
Speaker 4: I'm the only one that was doing it. So I

1083
00:53:59,239 --> 00:54:01,800
Speaker 4: felt the type of because it was supposed to be

1084
00:54:01,800 --> 00:54:04,080
Speaker 4: bigger than what it was, and also they were planning

1085
00:54:04,120 --> 00:54:07,200
Speaker 4: to make another project, but because currency, you know, look

1086
00:54:07,280 --> 00:54:10,919
Speaker 4: nigga currency dropped, Like AB said, hello projects, he don't

1087
00:54:10,920 --> 00:54:12,160
Speaker 4: even promote his own ship.

1088
00:54:12,880 --> 00:54:15,400
Speaker 3: Riddy Gibbs always mad at people for his failures. He

1089
00:54:15,480 --> 00:54:18,480
Speaker 3: did the same ship to jeez, well, you promote me, right,

1090
00:54:18,719 --> 00:54:19,600
Speaker 3: like nigga shut up.

1091
00:54:20,480 --> 00:54:23,040
Speaker 4: He didn't though, but you know that's what that's why

1092
00:54:23,080 --> 00:54:24,439
Speaker 4: he took off as soon as he left CT.

1093
00:54:24,680 --> 00:54:28,640
Speaker 5: But he took off facts. Yeahmy nominated what we're talking about?

1094
00:54:28,640 --> 00:54:33,520
Speaker 5: What are you talking about? Freddy Gibbs took off a spike.

1095
00:54:33,600 --> 00:54:36,879
Speaker 5: Don't be nick to not don't be alert to.

1096
00:54:36,840 --> 00:54:39,080
Speaker 3: My phone nominated. That's taking off.

1097
00:54:40,160 --> 00:54:41,440
Speaker 2: You know, you don't think you don't think he.

1098
00:54:42,040 --> 00:54:44,759
Speaker 6: Don't like listen to Freddy Gibbs Like, oh, that's right,

1099
00:54:44,800 --> 00:54:46,799
Speaker 6: you did say that, but not Freddie is up, bro,

1100
00:54:47,960 --> 00:54:49,520
Speaker 6: big time, big time.

1101
00:54:50,719 --> 00:54:52,200
Speaker 2: He rapped with some of the best out there.

1102
00:54:52,520 --> 00:54:55,160
Speaker 1: Yeah, well you can't convince me, bro. That's it man.

1103
00:54:55,239 --> 00:54:58,640
Speaker 1: Those are our thoughts on Freddy on the new album

1104
00:54:58,719 --> 00:55:04,000
Speaker 1: from al Currency and Larry June Spiral Staircases. Let us

1105
00:55:04,000 --> 00:55:06,960
Speaker 1: know what you guys think about it numbers in the

1106
00:55:07,160 --> 00:55:14,120
Speaker 1: uh conception on Patreon wherever you're watching listening, all right,

1107
00:55:14,160 --> 00:55:17,520
Speaker 1: as we close out, man into the streets, Into the streets,

1108
00:55:18,440 --> 00:55:19,640
Speaker 1: y'all got what y'all got?

1109
00:55:21,440 --> 00:55:25,000
Speaker 6: Man, I'm gonna cheat a little bit, all right, I

1110
00:55:25,120 --> 00:55:28,680
Speaker 6: like some of these, some of these on the on

1111
00:55:28,719 --> 00:55:32,680
Speaker 6: the radar dudes. Man, yeah, man, is it off the

1112
00:55:32,760 --> 00:55:36,320
Speaker 6: radio on the radio radio? Which one on the radar?

1113
00:55:38,080 --> 00:55:39,799
Speaker 2: Like I like that Ruben Vincent.

1114
00:55:39,520 --> 00:55:44,920
Speaker 6: Guy walk Off plus obviously wonderful, yeah, man like like

1115
00:55:44,920 --> 00:55:46,440
Speaker 6: like just to name a few off of them, man,

1116
00:55:46,480 --> 00:55:48,480
Speaker 6: like I think I think, yeah, we still really.

1117
00:55:48,360 --> 00:55:51,120
Speaker 2: Start paying attention to some of these guys for sure.

1118
00:55:51,920 --> 00:55:52,400
Speaker 1: For sure.

1119
00:55:52,480 --> 00:55:54,720
Speaker 6: And and like I said, I went through a couple

1120
00:55:54,719 --> 00:55:57,080
Speaker 6: of them and hours on overcast, so we already know

1121
00:55:57,160 --> 00:55:57,440
Speaker 6: about it.

1122
00:55:58,080 --> 00:56:01,040
Speaker 5: He had the worst hold, how he had, what he had,

1123
00:56:01,040 --> 00:56:03,359
Speaker 5: the worst verse he did, but he made the beat,

1124
00:56:03,400 --> 00:56:03,839
Speaker 5: so I let.

1125
00:56:03,760 --> 00:56:07,600
Speaker 6: Him him right right, So that's what I will go

1126
00:56:07,680 --> 00:56:09,920
Speaker 6: with a right yeah, yeah one of them dudes, did

1127
00:56:09,920 --> 00:56:10,719
Speaker 6: you guys check out?

1128
00:56:11,320 --> 00:56:11,920
Speaker 1: I did? I did?

1129
00:56:12,360 --> 00:56:16,640
Speaker 3: I cut it off four minutes.

1130
00:56:17,080 --> 00:56:20,840
Speaker 1: So you cut off from Marco plus you mean it

1131
00:56:20,920 --> 00:56:23,759
Speaker 1: was a beat that that was just the second and

1132
00:56:23,880 --> 00:56:26,680
Speaker 1: last guy was You may need him in the hit

1133
00:56:26,840 --> 00:56:27,319
Speaker 1: toward the end.

1134
00:56:27,480 --> 00:56:29,760
Speaker 7: I need him individually so I can cut the person

1135
00:56:29,800 --> 00:56:31,600
Speaker 7: off thirteen fourteen seconds.

1136
00:56:31,680 --> 00:56:33,239
Speaker 5: If the dude with the fried Rice shirt on, he

1137
00:56:33,360 --> 00:56:36,520
Speaker 5: was going crazy, okay, Ben Riley or something.

1138
00:56:36,360 --> 00:56:38,839
Speaker 4: Like that, yeah, one of the ones.

1139
00:56:39,000 --> 00:56:42,319
Speaker 5: Yeah, and Swavy or swaves. I don't know how he said,

1140
00:56:42,360 --> 00:56:44,920
Speaker 5: but he was cold too though. Dudes, that was spending.

1141
00:56:44,960 --> 00:56:46,840
Speaker 5: I'm like, damn yeah.

1142
00:56:46,560 --> 00:56:49,440
Speaker 1: Yeah that second. The last guy was was man. He

1143
00:56:49,520 --> 00:56:53,840
Speaker 1: was talking that ship to Spike. I gotta hear him

1144
00:56:53,880 --> 00:56:59,560
Speaker 1: from TD. Uh.

1145
00:56:59,600 --> 00:57:01,840
Speaker 3: Well this just with new music.

1146
00:57:02,400 --> 00:57:05,840
Speaker 1: Yeah, just just uh yeah, new music artists or whatever.

1147
00:57:05,920 --> 00:57:08,080
Speaker 7: I'm obviously gonna keep beating the drum for my boy,

1148
00:57:09,440 --> 00:57:14,279
Speaker 7: Belly Gang Cushington sitting in the streets on fire right now.

1149
00:57:14,840 --> 00:57:18,320
Speaker 7: He got the Hustling Motherfucker Part two remix with Bally

1150
00:57:18,440 --> 00:57:21,760
Speaker 7: Baby It's hot down here, of course, the Friend Do

1151
00:57:21,880 --> 00:57:24,160
Speaker 7: remix with Jaqui and Nice. And then to tell me

1152
00:57:24,200 --> 00:57:27,800
Speaker 7: now single that just dropped a couple of days ago

1153
00:57:28,600 --> 00:57:33,320
Speaker 7: with Desty or so. I told you all a while

1154
00:57:33,320 --> 00:57:35,800
Speaker 7: to go to watch him, and he's on his way, Rod,

1155
00:57:35,800 --> 00:57:36,520
Speaker 7: He's on his way.

1156
00:57:37,400 --> 00:57:37,600
Speaker 6: Hey.

1157
00:57:41,160 --> 00:57:45,000
Speaker 4: Yeah, yeah, I'm a back you, Spike. My brother he's

1158
00:57:45,000 --> 00:57:47,960
Speaker 4: a big Lucci fan, like he been on Luci like

1159
00:57:48,400 --> 00:57:50,520
Speaker 4: before Lucci like blew up, you know what I'm saying,

1160
00:57:50,520 --> 00:57:53,400
Speaker 4: because Luci a cop county nigga. So uh like that.

1161
00:57:53,560 --> 00:57:55,080
Speaker 4: Like when my brother was in high school, he was

1162
00:57:55,080 --> 00:57:59,280
Speaker 4: on Lucci and he just performed out here last Thursday.

1163
00:57:59,680 --> 00:58:03,240
Speaker 4: Andy Gang was one of his opening next. So yeah,

1164
00:58:03,440 --> 00:58:05,240
Speaker 4: I put when I first got out here, I put

1165
00:58:05,240 --> 00:58:07,480
Speaker 4: my brother on the Billy Game. Man, I ain't fucking

1166
00:58:07,520 --> 00:58:09,600
Speaker 4: with it. And I was like, yeah, yeah he got

1167
00:58:09,600 --> 00:58:12,439
Speaker 4: you know, ye ye ai Because every time he played

1168
00:58:12,480 --> 00:58:15,320
Speaker 4: like Lucci Radio on Spotify and play hell of Billy Game.

1169
00:58:15,200 --> 00:58:18,439
Speaker 1: Cutching this ship, he's beending good.

1170
00:58:18,880 --> 00:58:20,520
Speaker 7: I think he found a little niche where he got

1171
00:58:20,520 --> 00:58:23,120
Speaker 7: these little track city doing with the girls and stuff

1172
00:58:23,160 --> 00:58:26,840
Speaker 7: like the friend. Where's gonna start to notice him and

1173
00:58:26,840 --> 00:58:28,120
Speaker 7: then it's gonna start going up from there?

1174
00:58:28,200 --> 00:58:28,400
Speaker 1: Yep.

1175
00:58:28,680 --> 00:58:31,360
Speaker 4: So look, I'm no longer a strip club veteran, but

1176
00:58:31,600 --> 00:58:33,640
Speaker 4: I'm pretty sure that that ship is going crazy in

1177
00:58:33,680 --> 00:58:34,520
Speaker 4: the shrip club.

1178
00:58:34,520 --> 00:58:36,439
Speaker 7: I just sing, they got a chart for the top

1179
00:58:36,440 --> 00:58:40,000
Speaker 7: strip club songs in Atlanta. They charged Actually that was wow,

1180
00:58:40,480 --> 00:58:44,120
Speaker 7: yeah song for the Month of bro where it was

1181
00:58:44,160 --> 00:58:45,240
Speaker 7: freeing dude.

1182
00:58:45,160 --> 00:58:48,600
Speaker 4: That that ship. I can only imagine, you know what

1183
00:58:48,600 --> 00:58:50,400
Speaker 4: I'm saying, what the strip club look like with that

1184
00:58:50,520 --> 00:58:53,160
Speaker 4: song going. But my brother was saying that when he

1185
00:58:53,320 --> 00:58:56,880
Speaker 4: performed that with Shorty that's in that song, like the

1186
00:58:57,080 --> 00:59:02,760
Speaker 4: whole fucking venue New every word of that song, that

1187
00:59:02,800 --> 00:59:05,080
Speaker 4: ship is blowing up? Can you was wrong again?

1188
00:59:08,640 --> 00:59:08,960
Speaker 1: Can be?

1189
00:59:09,240 --> 00:59:11,560
Speaker 4: Can be wrong with trying to predict niggas that's gonna

1190
00:59:11,560 --> 00:59:14,720
Speaker 4: blow up? Bro, Damn, I'm just saying he didn't think

1191
00:59:14,720 --> 00:59:15,840
Speaker 4: Cardi was gonna be big.

1192
00:59:15,680 --> 00:59:20,040
Speaker 3: Either Cardi B or Playboy Cardi Cardi B.

1193
00:59:21,360 --> 00:59:23,360
Speaker 4: After bodack I said she out of there, he was like,

1194
00:59:23,360 --> 00:59:26,320
Speaker 4: hell no, she ain't gonna last look at it, but

1195
00:59:26,400 --> 00:59:31,240
Speaker 4: look my contribution can big krit and O g ron

1196
00:59:31,400 --> 00:59:36,800
Speaker 4: C chopped not slot uh dedicated to Catali Barrett's So

1197
00:59:36,920 --> 00:59:41,000
Speaker 4: the joint that he dropped not too long ago with

1198
00:59:41,160 --> 00:59:45,280
Speaker 4: Carlos Miller hosting it, they chopped and screwed it.

1199
00:59:45,400 --> 00:59:47,320
Speaker 1: Can Uh? What's his name?

1200
00:59:47,640 --> 00:59:50,320
Speaker 4: Jayalen was playing it the other day yesterday when we

1201
00:59:50,360 --> 00:59:52,280
Speaker 4: was getting ready for Dead in Sports, and I'm like, bro,

1202
00:59:52,360 --> 00:59:55,360
Speaker 4: what is this? So he sent it to me This

1203
00:59:55,400 --> 00:59:57,400
Speaker 4: ship hard So that's that's.

1204
00:59:57,320 --> 00:59:59,400
Speaker 1: My ear too. The street and that was ray vaugh

1205
01:00:00,160 --> 01:00:04,720
Speaker 1: raven T. That was yeah, just I kept saying second

1206
01:00:04,720 --> 01:00:06,560
Speaker 1: to last guy. I can't remember the name to save

1207
01:00:06,600 --> 01:00:09,240
Speaker 1: my life, but it was Ravine. Anyway, man, We're gonna

1208
01:00:09,320 --> 01:00:11,360
Speaker 1: leave it there, man, we gotta live to go through

1209
01:00:11,600 --> 01:00:14,919
Speaker 1: go to UH so we'll catch you guys next time

1210
01:00:14,920 --> 01:00:16,920
Speaker 1: we're out. Peace. Peace,