1 00:00:04,360 --> 00:00:09,960 Speaker 1: Dead and Hip Hop album review Big Crit dedicated to 2 00:00:10,039 --> 00:00:13,040 Speaker 1: Kenniy Buritz. I hope I said that, right. You know, 3 00:00:13,080 --> 00:00:15,080 Speaker 1: I'll be bad with names. But look before we get 4 00:00:15,120 --> 00:00:18,520 Speaker 1: into the review next week, top ten of the year, 5 00:00:18,640 --> 00:00:20,600 Speaker 1: all right, So look, you already know we've been doing 6 00:00:20,640 --> 00:00:24,320 Speaker 1: this for a very long time, since twenty eleven. Our 7 00:00:24,360 --> 00:00:28,520 Speaker 1: top list are our personal lists, Okay, So we're not 8 00:00:28,600 --> 00:00:32,199 Speaker 1: saying that this is the best lyrical album or this. 9 00:00:32,520 --> 00:00:36,600 Speaker 1: We're going on our personal choices on what we listen 10 00:00:36,680 --> 00:00:38,200 Speaker 1: to and that's how we come up with our top 11 00:00:38,240 --> 00:00:40,519 Speaker 1: ten for the year. So there could be something that 12 00:00:40,640 --> 00:00:43,559 Speaker 1: is not as lyrical that's higher than something that's more lyrical, 13 00:00:43,760 --> 00:00:47,360 Speaker 1: but it just depends on our personal musical palette. So again, 14 00:00:47,400 --> 00:00:49,960 Speaker 1: if this is your first time here, you've been warned 15 00:00:50,200 --> 00:00:53,040 Speaker 1: for everybody that's been here, we appreciate all of the 16 00:00:53,120 --> 00:00:56,320 Speaker 1: continuous patreonship and become a patrion if you haven't, and 17 00:00:56,440 --> 00:00:58,640 Speaker 1: YouTube members so that way you get exclusive content. But 18 00:00:58,720 --> 00:01:03,000 Speaker 1: today we're talking Big Krit dedicated to Catille Barretts, and 19 00:01:03,040 --> 00:01:06,240 Speaker 1: I also have to say featuring Carlos Miller, because Carlos 20 00:01:06,280 --> 00:01:09,680 Speaker 1: Miller kind of narrated the whole thing. If you don't 21 00:01:09,680 --> 00:01:12,560 Speaker 1: know who he is. He's a comedian, uh, super dope 22 00:01:12,600 --> 00:01:17,560 Speaker 1: from Atlanta. So so for me, I will say this. 23 00:01:17,680 --> 00:01:21,319 Speaker 1: I got hit up by somebody that we all know 24 00:01:21,840 --> 00:01:24,959 Speaker 1: that's close to Krit and was at the listening party 25 00:01:25,000 --> 00:01:28,360 Speaker 1: and he was like, yo, like this is I think 26 00:01:28,400 --> 00:01:30,600 Speaker 1: Krit got him one. And I was like, all right, 27 00:01:30,680 --> 00:01:34,200 Speaker 1: bat bet. You know I didn't ask for no person. 28 00:01:35,200 --> 00:01:37,240 Speaker 1: I was like, yo, No, I didn't say you know 29 00:01:37,280 --> 00:01:38,840 Speaker 1: how i'd be, I'd be like, man, so you know 30 00:01:38,920 --> 00:01:41,280 Speaker 1: what it like, or you know, I didn't say nothing. 31 00:01:41,319 --> 00:01:42,800 Speaker 2: I was like, all bet, I'm gonna check it out. 32 00:01:43,319 --> 00:01:45,160 Speaker 2: I didn't ask for an advanced copy, none of that 33 00:01:45,200 --> 00:01:45,800 Speaker 2: type stuff. 34 00:01:46,360 --> 00:01:50,920 Speaker 1: So that being said, when it when they dropped, you know, 35 00:01:50,960 --> 00:01:54,200 Speaker 1: and I said this on the rundown, crit is just 36 00:01:54,240 --> 00:01:55,520 Speaker 1: one of those people I just listened to. 37 00:01:55,560 --> 00:02:00,560 Speaker 2: Bro. I was pleasantly surprised. I was pleasantly surprised. 38 00:02:02,080 --> 00:02:05,080 Speaker 3: Was you surprised because of the last two albums that 39 00:02:05,200 --> 00:02:07,040 Speaker 3: he released that was underweming for us? 40 00:02:07,480 --> 00:02:11,080 Speaker 2: Was surprised. Yes. I think there was an EP that 41 00:02:11,080 --> 00:02:12,079 Speaker 2: that that I fucked with. 42 00:02:12,240 --> 00:02:13,360 Speaker 1: I don't know if it was the beginning of this 43 00:02:13,440 --> 00:02:15,600 Speaker 1: year or last year, but there was an e P 44 00:02:15,720 --> 00:02:18,360 Speaker 1: and and I felt like like, hey, Crip might be back. 45 00:02:19,200 --> 00:02:22,560 Speaker 4: And I was surprised though, because I mean, he's done 46 00:02:22,600 --> 00:02:25,720 Speaker 4: this before, like I would say, I would say return 47 00:02:25,800 --> 00:02:26,280 Speaker 4: to form. 48 00:02:26,480 --> 00:02:26,760 Speaker 5: I was. 49 00:02:27,600 --> 00:02:29,760 Speaker 1: But that's why I was surprised though, be it because 50 00:02:29,800 --> 00:02:32,920 Speaker 1: he hasn't been in this pocket for for for a 51 00:02:32,919 --> 00:02:36,360 Speaker 1: little while now. So I don't disagree with that where 52 00:02:36,440 --> 00:02:40,079 Speaker 1: this is a return of form, you know, this is 53 00:02:40,160 --> 00:02:41,959 Speaker 1: this is why I fell in love with Big Krip 54 00:02:42,080 --> 00:02:44,840 Speaker 1: right here, this particular project. Now, I'm not gonna lie 55 00:02:44,880 --> 00:02:51,600 Speaker 1: when I didn't see all but Carlos Miller and then 56 00:02:51,680 --> 00:02:58,000 Speaker 1: at the end we got a little kicky zero. But 57 00:02:58,080 --> 00:03:01,160 Speaker 1: when when when I saw that that was the only features, 58 00:03:02,000 --> 00:03:04,160 Speaker 1: I was like, oh, bro, I don't I don't know, 59 00:03:04,880 --> 00:03:06,720 Speaker 1: like if this is really gonna hit the way I 60 00:03:06,760 --> 00:03:11,320 Speaker 1: needed to hit. But you go back into Chrit's earlier discography. 61 00:03:11,400 --> 00:03:15,720 Speaker 1: Krit was here, can you remember in time forever in 62 00:03:15,720 --> 00:03:19,119 Speaker 1: the day. For the most part, it's better this way. 63 00:03:19,320 --> 00:03:22,120 Speaker 1: He don't have a lot of features, So I was like, 64 00:03:22,240 --> 00:03:24,920 Speaker 1: I cool, Like after I got through it, I was like, 65 00:03:25,000 --> 00:03:27,400 Speaker 1: this is one hundred of percent return of form. 66 00:03:27,680 --> 00:03:29,040 Speaker 2: He talked about topping Blaze. 67 00:03:29,040 --> 00:03:31,360 Speaker 1: He said if the parking lot empty was the reason 68 00:03:31,360 --> 00:03:32,160 Speaker 1: to chopping Blaze. 69 00:03:32,200 --> 00:03:34,079 Speaker 2: You know, I say, he talked about itself, He. 70 00:03:34,080 --> 00:03:37,280 Speaker 1: Talked, He talked about everything that I loved that made 71 00:03:37,320 --> 00:03:39,280 Speaker 1: me a big krit fanatic. 72 00:03:40,280 --> 00:03:44,640 Speaker 2: Now the only the only thing I would question about 73 00:03:44,920 --> 00:03:47,000 Speaker 2: this particular project. 74 00:03:47,960 --> 00:03:52,920 Speaker 1: And here's the thing. It's not a major gripe. And 75 00:03:53,200 --> 00:03:56,240 Speaker 1: I get it because Carlos Miller kind of was the 76 00:03:56,320 --> 00:03:59,720 Speaker 1: radio host in the theme of this project. But it 77 00:03:59,760 --> 00:04:05,000 Speaker 1: feel very Atlanta, very so full Atlanta. It didn't it 78 00:04:05,040 --> 00:04:08,520 Speaker 1: didn't feel it felt southern because that's what Krick does, 79 00:04:08,800 --> 00:04:11,440 Speaker 1: but it just it felt very Atlanta, like the Thieves 80 00:04:11,520 --> 00:04:12,160 Speaker 1: and like that. 81 00:04:12,840 --> 00:04:14,720 Speaker 4: You know what I think the connection is, though, Fifo 82 00:04:14,880 --> 00:04:17,160 Speaker 4: and I didn't know this about Carlos because I'm I 83 00:04:17,240 --> 00:04:21,960 Speaker 4: like Carlos. He's hilarious new school comedians. But he's also 84 00:04:22,000 --> 00:04:24,640 Speaker 4: from Mississippi that also moved to Atlanta, and I think 85 00:04:24,680 --> 00:04:26,800 Speaker 4: that's kind of like the same story as Big you know, 86 00:04:26,839 --> 00:04:29,719 Speaker 4: Big Christ came to Atlanta and and you know, the 87 00:04:29,760 --> 00:04:30,359 Speaker 4: rest is history. 88 00:04:30,440 --> 00:04:32,560 Speaker 3: So I think that's some connection right there. 89 00:04:32,640 --> 00:04:36,120 Speaker 4: So I think that's why that's why it probably felt like, 90 00:04:36,600 --> 00:04:38,440 Speaker 4: I guess, quote unquote Atlanta, because it's like, hey, we 91 00:04:38,520 --> 00:04:41,240 Speaker 4: both Mississippi we both came to Atlanta to further our careers. 92 00:04:41,880 --> 00:04:43,160 Speaker 3: So that's what I think. 93 00:04:43,240 --> 00:04:45,520 Speaker 4: I mean, just knowing the backstory of Carlos and you 94 00:04:45,560 --> 00:04:48,120 Speaker 4: know we know about so I think that's some connection 95 00:04:48,240 --> 00:04:48,599 Speaker 4: right there. 96 00:04:48,760 --> 00:04:51,760 Speaker 1: And I mean I've always gotten like a like a 97 00:04:51,760 --> 00:04:53,400 Speaker 1: Atlanta vibe from Kryck though. 98 00:04:54,760 --> 00:04:57,599 Speaker 6: You know, he's kind of like a like a gumbo 99 00:04:57,760 --> 00:04:58,360 Speaker 6: of a lot of the. 100 00:04:58,360 --> 00:05:02,600 Speaker 1: Southern rappers like MC yep, like he was sick all 101 00:05:02,680 --> 00:05:05,160 Speaker 1: those guys because he's saying shoddy and stuff like that. 102 00:05:05,200 --> 00:05:07,800 Speaker 6: So yeah, it's just kind of chopping blades. 103 00:05:08,279 --> 00:05:09,240 Speaker 2: Yeah, he's ridacular. 104 00:05:09,640 --> 00:05:11,800 Speaker 1: Yeah, I just I feel like he's always just just 105 00:05:11,839 --> 00:05:14,520 Speaker 1: like just been a Southern dude who he's influenced by 106 00:05:14,560 --> 00:05:17,000 Speaker 1: all of those guys, So that that wasn't surprising to me. 107 00:05:18,200 --> 00:05:19,840 Speaker 2: Yeah. Yeah. 108 00:05:20,120 --> 00:05:22,520 Speaker 1: Before so I've always said I felt that Big Crit 109 00:05:22,760 --> 00:05:26,279 Speaker 1: was the love child of Andre, three Stacks and Big Boy. 110 00:05:26,400 --> 00:05:29,440 Speaker 1: I felt like you combine them, you get Big Crit. 111 00:05:30,440 --> 00:05:33,920 Speaker 1: So I don't disagree that the Atlanta influence wasn't there. 112 00:05:34,120 --> 00:05:37,080 Speaker 1: I just maybe on this one, I just I felt 113 00:05:37,160 --> 00:05:40,400 Speaker 1: it a little bit more than his other projects. But again, 114 00:05:40,440 --> 00:05:42,719 Speaker 1: like I said, that's a minor, right, Like I'm not 115 00:05:42,760 --> 00:05:43,600 Speaker 1: even really complaining. 116 00:05:43,640 --> 00:05:44,239 Speaker 2: It was just something. 117 00:05:44,440 --> 00:05:47,159 Speaker 1: It's more of an observation than anything. But this is 118 00:05:47,400 --> 00:05:51,159 Speaker 1: again what I love about big Crit and he got 119 00:05:51,160 --> 00:05:53,440 Speaker 1: he got bumped into with music. He got chill music, 120 00:05:53,680 --> 00:05:57,520 Speaker 1: like it's just very viby and it's like B said, 121 00:05:57,560 --> 00:06:00,279 Speaker 1: a return to form. And this is the type of 122 00:06:00,320 --> 00:06:02,880 Speaker 1: crit that I feel that we that we need. And 123 00:06:02,920 --> 00:06:04,839 Speaker 1: I know he spread his wings. He had you know, 124 00:06:04,960 --> 00:06:07,840 Speaker 1: Senor album, this, that and the third. But this is 125 00:06:08,320 --> 00:06:10,240 Speaker 1: what big krit fans want from Big Crip. 126 00:06:10,520 --> 00:06:12,520 Speaker 6: You know, it's really been like three years. 127 00:06:12,920 --> 00:06:16,200 Speaker 3: Yeah, because digital Digital was that digital road just digitals 128 00:06:16,240 --> 00:06:18,360 Speaker 3: is something something. Yeah, that was like twenty twenty two. 129 00:06:18,600 --> 00:06:21,560 Speaker 6: Yeah, wow, man in a while. 130 00:06:22,520 --> 00:06:22,799 Speaker 2: Yeah. 131 00:06:23,560 --> 00:06:26,240 Speaker 1: Well also twenty twenty two he dropped Full Court Press. 132 00:06:26,600 --> 00:06:31,719 Speaker 1: So that was the collapse joint with with Wisky. That's 133 00:06:31,720 --> 00:06:35,159 Speaker 1: where smoked this and girl Talk there. So me, me 134 00:06:35,200 --> 00:06:36,640 Speaker 1: and Ken did that one and that and that's the 135 00:06:36,640 --> 00:06:39,159 Speaker 1: one whe I feel Okay, he could kind of you know, 136 00:06:39,279 --> 00:06:42,160 Speaker 1: be on on the way back. Okay, so you're talking 137 00:06:42,200 --> 00:06:46,440 Speaker 1: about that twenty joint twenty Feels very Atlanta. 138 00:06:46,320 --> 00:06:52,320 Speaker 4: That runs that runs in Mississippi and through Texas and 139 00:06:52,360 --> 00:06:55,760 Speaker 4: through all of them. Yeah, yeah, it could be a 140 00:06:55,760 --> 00:06:58,320 Speaker 4: player on both Man, I think you know what this 141 00:06:58,440 --> 00:06:59,960 Speaker 4: kind of I think, I think I know why you 142 00:07:00,080 --> 00:07:02,800 Speaker 4: probably love it fi folks, because I mean the way 143 00:07:02,920 --> 00:07:04,640 Speaker 4: listen to this album, I felt like I was in 144 00:07:04,680 --> 00:07:06,560 Speaker 4: the car with with with Big Crit, like you know 145 00:07:06,600 --> 00:07:08,640 Speaker 4: how who he was talking about with Alchemist when he 146 00:07:08,640 --> 00:07:11,560 Speaker 4: had the yacht rock Music album. It was like it 147 00:07:11,560 --> 00:07:13,040 Speaker 4: sounded like he was just on the yacht had a 148 00:07:13,040 --> 00:07:15,880 Speaker 4: studio in there. Everybody kept coming like this felt like 149 00:07:16,480 --> 00:07:18,800 Speaker 4: similar to like when the other kind of like a 150 00:07:18,920 --> 00:07:20,480 Speaker 4: theme forever in the day. 151 00:07:20,520 --> 00:07:21,800 Speaker 3: It felt like he took us through a day of 152 00:07:21,840 --> 00:07:22,240 Speaker 3: big crit. 153 00:07:22,320 --> 00:07:23,200 Speaker 2: This just took us. 154 00:07:23,440 --> 00:07:25,520 Speaker 3: We just we rolling. We end the whip with a big 155 00:07:25,560 --> 00:07:27,360 Speaker 3: crit like this whole album starts from. 156 00:07:27,480 --> 00:07:29,480 Speaker 4: It felt like we were in the car with him 157 00:07:29,600 --> 00:07:31,920 Speaker 4: this whole entire time, which I think you know which 158 00:07:32,000 --> 00:07:33,600 Speaker 4: is this is why we got a lot of car reference, 159 00:07:33,600 --> 00:07:35,840 Speaker 4: which is why he the name of the album is 160 00:07:35,840 --> 00:07:38,640 Speaker 4: dedicated to a car. Yeah he had so yeah, man 161 00:07:39,560 --> 00:07:43,360 Speaker 4: gotta do it was dope as fuck knowledge. That's my favorite. 162 00:07:43,360 --> 00:07:45,120 Speaker 4: I think the knowledge is like one of my favorite 163 00:07:45,240 --> 00:07:46,040 Speaker 4: joints on him was. 164 00:07:46,120 --> 00:07:46,960 Speaker 2: That was the first single. 165 00:07:47,600 --> 00:07:49,840 Speaker 4: Oh it was I didn't even know that I didn't 166 00:07:49,840 --> 00:07:51,520 Speaker 4: even know that. Yeah, that's ship man. I remember when 167 00:07:51,520 --> 00:07:53,680 Speaker 4: that ship. I was like, oh, hell yeah, I twenty 168 00:07:54,120 --> 00:07:55,600 Speaker 4: I fucking love that ship. 169 00:07:56,320 --> 00:07:58,840 Speaker 2: What my favorite joint is, well, go ahead, go ahead, rock. 170 00:07:59,160 --> 00:08:00,920 Speaker 6: I was just gonna say, like you were talking about us. 171 00:08:01,320 --> 00:08:02,880 Speaker 6: We was in the car with him, But I love 172 00:08:02,960 --> 00:08:04,600 Speaker 6: that not in the will, but not. 173 00:08:04,640 --> 00:08:08,000 Speaker 2: In the will. That was hard. My favorite though is 174 00:08:08,120 --> 00:08:09,960 Speaker 2: so far, so good, so far. 175 00:08:10,280 --> 00:08:10,840 Speaker 5: That's the one. 176 00:08:11,080 --> 00:08:13,280 Speaker 3: That's a good one too. That's a good one too. Man, 177 00:08:13,600 --> 00:08:14,960 Speaker 3: know this, I like you, Feef. 178 00:08:15,040 --> 00:08:17,680 Speaker 4: I wasn't pleasantly surprised, but I was just like, yes, 179 00:08:18,280 --> 00:08:20,679 Speaker 4: like this is it felt good to like finally listen 180 00:08:20,720 --> 00:08:23,160 Speaker 4: to a crypt project and be like, oh man, I'm 181 00:08:23,200 --> 00:08:24,960 Speaker 4: about to I'm about to run this ship back like 182 00:08:25,000 --> 00:08:28,040 Speaker 4: it felt good running back a Crypt project and just 183 00:08:28,080 --> 00:08:29,040 Speaker 4: being like, yes. 184 00:08:29,320 --> 00:08:29,600 Speaker 5: I like. 185 00:08:29,680 --> 00:08:32,080 Speaker 4: I like the fact that he just took me into 186 00:08:32,320 --> 00:08:35,120 Speaker 4: the whip, into his into his caatellac and we was 187 00:08:35,200 --> 00:08:37,480 Speaker 4: rolling bro Like that's what I loved about that. And 188 00:08:37,720 --> 00:08:39,640 Speaker 4: it's really not a lot of features feet though, because 189 00:08:39,640 --> 00:08:41,760 Speaker 4: all the features you saw was on one song. Really 190 00:08:42,600 --> 00:08:45,000 Speaker 4: so yeah, And I think what perfect person to have 191 00:08:45,120 --> 00:08:46,599 Speaker 4: you kind of talk about it and give us a 192 00:08:46,640 --> 00:08:49,720 Speaker 4: little bit of comedic, comedic relief was Carlos, Like that 193 00:08:49,840 --> 00:08:51,360 Speaker 4: was dope. Like I said, already mentioned, he's like one 194 00:08:51,400 --> 00:08:52,800 Speaker 4: of my favorite new school comedians. 195 00:08:52,800 --> 00:08:53,559 Speaker 3: So that was like so. 196 00:08:53,600 --> 00:08:56,200 Speaker 4: Dope to have him kind of narrating this thing on 197 00:08:56,240 --> 00:08:57,440 Speaker 4: the radio and stuff. Man. 198 00:08:57,520 --> 00:09:00,080 Speaker 3: So yeah, man, this this was this is good. This 199 00:09:00,160 --> 00:09:01,160 Speaker 3: is definitely a good project. 200 00:09:01,160 --> 00:09:01,280 Speaker 5: Man. 201 00:09:01,880 --> 00:09:05,120 Speaker 4: I enjoyed this one a lot, man, Krit Krit he 202 00:09:05,200 --> 00:09:07,280 Speaker 4: did it production well, and he ain't really produced a 203 00:09:07,320 --> 00:09:09,040 Speaker 4: lot of it is too. So yeah, shout out to 204 00:09:10,080 --> 00:09:12,840 Speaker 4: I said, you think Joey p produced something on here? 205 00:09:13,640 --> 00:09:16,520 Speaker 4: He produced a lot of it on here, like local 206 00:09:16,280 --> 00:09:18,760 Speaker 4: lock old Racks, I think produce some joints. I think 207 00:09:18,840 --> 00:09:21,320 Speaker 4: Krit produced a few, but you know, typically a Krit project, 208 00:09:21,360 --> 00:09:23,920 Speaker 4: we always get it from damn there, from top to bottom. 209 00:09:24,000 --> 00:09:25,640 Speaker 4: So it was kind of who he kind of stepped back, 210 00:09:25,920 --> 00:09:27,599 Speaker 4: took off his producer, had a little bit and just 211 00:09:27,679 --> 00:09:29,679 Speaker 4: kind of like, you know, just gave us, gave us 212 00:09:29,679 --> 00:09:30,160 Speaker 4: some rhymes. 213 00:09:30,200 --> 00:09:30,320 Speaker 5: Man. 214 00:09:30,360 --> 00:09:31,000 Speaker 3: So that was dope. 215 00:09:31,040 --> 00:09:31,199 Speaker 5: Man. 216 00:09:31,280 --> 00:09:33,600 Speaker 4: I think that's and I think we criticized, we used 217 00:09:33,640 --> 00:09:36,280 Speaker 4: to critic criticize Ja Cole about that, And I like 218 00:09:36,360 --> 00:09:38,240 Speaker 4: the fact that big crit is kind of stepping back 219 00:09:38,559 --> 00:09:40,800 Speaker 4: and just like letting other producers get they shine on. 220 00:09:40,920 --> 00:09:41,760 Speaker 5: So this is dope. 221 00:09:41,800 --> 00:09:45,400 Speaker 6: Yeah, yeah, it definitely was good to hear krit like 222 00:09:46,200 --> 00:09:50,720 Speaker 6: back to form or whatever. Man Like, uh, yeah, I 223 00:09:50,760 --> 00:09:51,200 Speaker 6: was pleasant. 224 00:09:51,200 --> 00:09:51,600 Speaker 2: I didn't know. 225 00:09:51,720 --> 00:09:54,280 Speaker 6: I didn't know what to expect because, like I said, 226 00:09:54,280 --> 00:09:56,080 Speaker 6: we hadn't gotten it in a minute. 227 00:09:56,720 --> 00:09:59,400 Speaker 1: So I was just like, man, I just out smiling 228 00:09:59,480 --> 00:10:02,520 Speaker 1: when I played, like like when I was playing it, 229 00:10:02,559 --> 00:10:06,000 Speaker 1: I was legit like smiling like oh snap, crick create 230 00:10:06,120 --> 00:10:09,000 Speaker 1: back to to the to the to the bumping the 231 00:10:09,000 --> 00:10:12,800 Speaker 1: whib stuff, you know what I mean. So what I 232 00:10:12,880 --> 00:10:18,559 Speaker 1: was gonna say, ship, I lost my train of thought 233 00:10:19,480 --> 00:10:25,320 Speaker 1: to turn the form and yeah, I just I just 234 00:10:25,440 --> 00:10:27,200 Speaker 1: I just felt good, like I just had a really 235 00:10:27,200 --> 00:10:29,400 Speaker 1: good feeling, like like when I was listening to it 236 00:10:29,800 --> 00:10:32,600 Speaker 1: and it was track after track, like after the track 237 00:10:32,640 --> 00:10:34,199 Speaker 1: of the track, and I was just like, oh snap, 238 00:10:34,280 --> 00:10:37,400 Speaker 1: so he really he really going going back to this 239 00:10:38,080 --> 00:10:38,480 Speaker 1: or whatever. 240 00:10:38,559 --> 00:10:42,160 Speaker 6: So yeah, man, I really wasn't enjoying this project. 241 00:10:42,200 --> 00:10:44,560 Speaker 1: And like you said, b it's it's cool to be like, 242 00:10:44,559 --> 00:10:46,920 Speaker 1: oh let me run that back on a big crick project, 243 00:10:47,320 --> 00:10:48,000 Speaker 1: you know what I mean. 244 00:10:48,880 --> 00:10:51,160 Speaker 6: That's what I was gonna say. And then it sounds 245 00:10:51,200 --> 00:10:52,240 Speaker 6: like he was happy. 246 00:10:52,520 --> 00:10:53,080 Speaker 2: You know what I'm saying. 247 00:10:53,080 --> 00:10:55,240 Speaker 1: It seemed like it seemed like he was happy to 248 00:10:55,280 --> 00:10:57,960 Speaker 1: me making these tracks, whereas before, I won't say it 249 00:10:58,000 --> 00:10:59,880 Speaker 1: felt forced. It just felt like he was in a 250 00:11:00,000 --> 00:11:02,600 Speaker 1: different space when he was making those you know, the 251 00:11:02,640 --> 00:11:05,600 Speaker 1: sing song meat joints and all that. It's like, all right, cool, 252 00:11:05,640 --> 00:11:07,240 Speaker 1: you know you ventured out, you wanted to get this 253 00:11:07,320 --> 00:11:10,880 Speaker 1: out that way or whatever, But like this is his bag, 254 00:11:11,360 --> 00:11:13,520 Speaker 1: you know what I'm saying, Like, like, this is absolutely 255 00:11:13,559 --> 00:11:16,000 Speaker 1: his bag. So you could just kind of tell you 256 00:11:16,000 --> 00:11:18,160 Speaker 1: can feel it in the music that he didn't really 257 00:11:18,200 --> 00:11:21,599 Speaker 1: care if like if it was in a box, you 258 00:11:21,640 --> 00:11:23,280 Speaker 1: know what I'm saying, Like if it was just for 259 00:11:23,360 --> 00:11:26,360 Speaker 1: a certain persons, like, nah, this is what I want 260 00:11:26,400 --> 00:11:28,720 Speaker 1: to make, This is what speaks to my soul, and 261 00:11:28,760 --> 00:11:30,440 Speaker 1: so this is what you know, this is how we're 262 00:11:30,440 --> 00:11:30,680 Speaker 1: going to. 263 00:11:30,679 --> 00:11:31,360 Speaker 6: Produce this thing. 264 00:11:31,440 --> 00:11:35,760 Speaker 1: So yeah, man, like, like nah, it felt good listening 265 00:11:35,800 --> 00:11:38,240 Speaker 1: to it, and I could just tell that he enjoyed 266 00:11:38,280 --> 00:11:39,280 Speaker 1: making it as well. 267 00:11:39,480 --> 00:11:41,040 Speaker 6: You know, he just and he was in his pocket, 268 00:11:41,080 --> 00:11:41,400 Speaker 6: he was in. 269 00:11:41,360 --> 00:11:43,640 Speaker 1: His comfort level just because he did he still did 270 00:11:43,679 --> 00:11:47,480 Speaker 1: some of the singing that he usually does all that stuff. Man, Like, 271 00:11:47,920 --> 00:11:50,440 Speaker 1: you know, just just he was romming different ways too, 272 00:11:50,559 --> 00:11:52,840 Speaker 1: like he was kind of playing around with flow. I 273 00:11:52,920 --> 00:11:55,240 Speaker 1: was like, damn, like he really he really just kind 274 00:11:55,240 --> 00:11:57,720 Speaker 1: of doing what he wants to do. And like, look 275 00:11:57,760 --> 00:11:59,559 Speaker 1: y'all hated or you love it? I want to say 276 00:11:59,559 --> 00:12:02,040 Speaker 1: he had a like that, you know about the haters 277 00:12:02,080 --> 00:12:04,079 Speaker 1: or whatever. I you know, I'm gonna. 278 00:12:03,840 --> 00:12:07,240 Speaker 6: Do me basically, And yeah, man was it was again. 279 00:12:07,320 --> 00:12:07,840 Speaker 5: It was just. 280 00:12:07,800 --> 00:12:12,600 Speaker 1: Really really good and refreshing to hear krick back this way. 281 00:12:13,000 --> 00:12:17,520 Speaker 6: So, nah, man, I'm no, I'm glad. I'm glad we. 282 00:12:17,520 --> 00:12:19,520 Speaker 1: Reviewed this one because, like I said, it's been a 283 00:12:19,559 --> 00:12:21,480 Speaker 1: minute three years. I ain't even realize it have been 284 00:12:21,520 --> 00:12:26,240 Speaker 1: that long. We got something like this from from krick 285 00:12:26,320 --> 00:12:27,480 Speaker 1: Man because he wanted them. 286 00:12:27,600 --> 00:12:31,280 Speaker 6: He wanted them guys. Man, he definitely one of those guys. 287 00:12:31,320 --> 00:12:33,240 Speaker 6: We talked. We talked about him a lot. 288 00:12:33,360 --> 00:12:35,000 Speaker 1: You know what I'm saying, Like even when we went 289 00:12:35,040 --> 00:12:37,079 Speaker 1: to Florida State, we talked about him, you know what 290 00:12:37,120 --> 00:12:37,480 Speaker 1: I'm saying. 291 00:12:37,520 --> 00:12:40,080 Speaker 6: So, uh so, yeah, man, shout out. 292 00:12:39,960 --> 00:12:42,760 Speaker 1: To krit Man for real for you know, for producing 293 00:12:42,800 --> 00:12:44,880 Speaker 1: a very solid project for the year. 294 00:12:45,440 --> 00:12:47,880 Speaker 5: Yeah. He may have said it on U I heard 295 00:12:47,920 --> 00:12:50,480 Speaker 5: it all our old news. 296 00:12:50,520 --> 00:12:53,760 Speaker 6: Oh yeah, that said you're right, You're right there. 297 00:12:54,480 --> 00:12:58,559 Speaker 5: That's kind of like likes that sort of an answer 298 00:12:58,640 --> 00:13:02,400 Speaker 5: to the critic, critics or people or fans or just anyone. 299 00:13:02,440 --> 00:13:07,520 Speaker 5: I guess anyone could be a critic. But I think 300 00:13:07,640 --> 00:13:10,440 Speaker 5: before I listen to it, it was it was really 301 00:13:10,480 --> 00:13:16,560 Speaker 5: good seeing the hip hop community show up and show 302 00:13:16,640 --> 00:13:20,160 Speaker 5: love for Big Crit and talk about how good this 303 00:13:20,280 --> 00:13:24,480 Speaker 5: album is. You know, even on Dead and Sports last night, 304 00:13:24,600 --> 00:13:28,120 Speaker 5: Nick was saying that he can't stop playing it, and uh, 305 00:13:28,160 --> 00:13:31,840 Speaker 5: and that's dope, man. You know, crit Krit is that guy, 306 00:13:32,679 --> 00:13:35,560 Speaker 5: and he ventured out, He tried to do something different, 307 00:13:35,600 --> 00:13:41,400 Speaker 5: he experimented. I think that we allow artists room to grow, 308 00:13:41,640 --> 00:13:44,959 Speaker 5: you know, that's one thing we talk about and we 309 00:13:46,559 --> 00:13:51,559 Speaker 5: like or dislike what they put out. And he experimented. 310 00:13:52,679 --> 00:13:55,439 Speaker 5: It worked for something, it didn't work for others. And 311 00:13:55,520 --> 00:14:00,000 Speaker 5: I think now he's back to doing what he's really 312 00:14:00,120 --> 00:14:03,840 Speaker 5: good at and this is it. And what's interesting is 313 00:14:03,880 --> 00:14:09,240 Speaker 5: that in this day and age, just doing what you 314 00:14:09,400 --> 00:14:12,360 Speaker 5: do and sticking in your pocket and serving the fans 315 00:14:12,559 --> 00:14:16,600 Speaker 5: is the best lane to be in. Like this, is 316 00:14:17,040 --> 00:14:21,640 Speaker 5: it just that hyper focused on big Chrit fans. You 317 00:14:21,720 --> 00:14:23,880 Speaker 5: put on a big Crick album, You know what you're 318 00:14:23,880 --> 00:14:30,600 Speaker 5: gonna get and he got people back where they were, 319 00:14:31,240 --> 00:14:34,720 Speaker 5: you know. And it's not like people like not became 320 00:14:34,760 --> 00:14:37,320 Speaker 5: big Krick fans, you know, just like that one that 321 00:14:37,360 --> 00:14:38,240 Speaker 5: one want it for me? 322 00:14:38,440 --> 00:14:40,200 Speaker 2: Right, yeah exactly, But. 323 00:14:41,880 --> 00:14:48,680 Speaker 5: This right here felt felt good, bro like Old News. 324 00:14:49,040 --> 00:14:50,960 Speaker 5: What was interesting, I didn't know he didn't he didn't 325 00:14:50,960 --> 00:14:53,800 Speaker 5: produce a lot of the tracks on here sound like 326 00:14:53,880 --> 00:14:58,720 Speaker 5: something that krit would do. Yeah, so he pen He's 327 00:14:58,720 --> 00:15:01,880 Speaker 5: had some really really good joint to uh to to 328 00:15:01,960 --> 00:15:04,760 Speaker 5: wrap over. And it's almost like he took some of 329 00:15:04,800 --> 00:15:08,040 Speaker 5: the things that he uh did on some of those 330 00:15:08,120 --> 00:15:12,880 Speaker 5: other projects and kind of took those experiences and meshed 331 00:15:12,920 --> 00:15:16,400 Speaker 5: them in with here, you know, artists to create a 332 00:15:16,440 --> 00:15:18,160 Speaker 5: way in the way that he that that he knows. 333 00:15:18,200 --> 00:15:20,640 Speaker 5: But yeah, that Old News gotta do it bro hot depth. 334 00:15:21,160 --> 00:15:23,720 Speaker 5: Probably my favorite songle here is Elevated. That's the one 335 00:15:23,760 --> 00:15:27,920 Speaker 5: I played like, okay, yeah, yeah, I was. I was 336 00:15:28,000 --> 00:15:30,800 Speaker 5: picking of uh my son from school. Man. I just 337 00:15:30,840 --> 00:15:34,160 Speaker 5: had it on repeat, you know, we were riding out 338 00:15:34,200 --> 00:15:35,200 Speaker 5: in the in the f one. 339 00:15:36,920 --> 00:15:40,800 Speaker 2: Elevated it. 340 00:15:42,720 --> 00:15:45,480 Speaker 5: But uh yeah, so far good man. And you know 341 00:15:45,520 --> 00:15:50,080 Speaker 5: what I like a lot is that celebrate the line man, 342 00:15:50,760 --> 00:15:53,960 Speaker 5: get it get a little keykey bro get a little 343 00:15:54,480 --> 00:16:01,680 Speaker 5: zero uh kill Houston Houston legends man, Yeah, yep, yeah yeah, 344 00:16:01,720 --> 00:16:03,960 Speaker 5: slim thup Paul Wall. When I heard Paul Wall like, 345 00:16:03,960 --> 00:16:08,040 Speaker 5: oh ship fit just perfectly shout out the little kiky man. 346 00:16:08,080 --> 00:16:10,480 Speaker 5: Yeah at that that that joint for back in the day. 347 00:16:10,600 --> 00:16:12,760 Speaker 5: Zero is a is A is a legend. Man always 348 00:16:12,760 --> 00:16:17,000 Speaker 5: putting out you know, I always put out some good 349 00:16:17,040 --> 00:16:20,120 Speaker 5: regional stuff, you know, for for his city and for 350 00:16:20,200 --> 00:16:23,120 Speaker 5: his fans. But yeah, man, production on point lyrics on 351 00:16:23,200 --> 00:16:28,400 Speaker 5: point uh. It was very concise, thirty one minutes, which 352 00:16:28,440 --> 00:16:33,320 Speaker 5: is crazy seventeen songs. And the other thing, man, is 353 00:16:33,440 --> 00:16:40,920 Speaker 5: how well Carlos Miller blended in like it's like bro, 354 00:16:41,040 --> 00:16:46,600 Speaker 5: like DJ drummer. Better look out, bro. I'm telling you, man, 355 00:16:46,880 --> 00:16:49,480 Speaker 5: if I'm a rapper and I hear this, I'm going 356 00:16:49,560 --> 00:16:52,920 Speaker 5: hey man, and Carlos get give me a you know, 357 00:16:53,560 --> 00:16:55,160 Speaker 5: give me this some of that ship you did on 358 00:16:55,240 --> 00:16:58,320 Speaker 5: Big Chris album. I'm going to snap him, snap him up. Man. 359 00:16:58,360 --> 00:17:02,240 Speaker 5: But yeah, yeah, the rap yeah, man, he was definitely good. Man. 360 00:17:02,520 --> 00:17:06,199 Speaker 5: Oh here man. And I'm glad that you know, I'm 361 00:17:06,200 --> 00:17:08,080 Speaker 5: glad that we were viewing it. I'm glad that we 362 00:17:08,320 --> 00:17:10,640 Speaker 5: liked it, and not only that, I'm glad so many 363 00:17:10,720 --> 00:17:13,959 Speaker 5: other people like it. Yeah, so whoever hit you up? 364 00:17:14,000 --> 00:17:17,080 Speaker 5: People were spot on like he got one. It's one 365 00:17:17,080 --> 00:17:23,040 Speaker 5: of the best albums released uh this year. And and yeah, man, 366 00:17:23,080 --> 00:17:25,520 Speaker 5: I think it should definitely build some buzz and excitement 367 00:17:25,720 --> 00:17:28,920 Speaker 5: for Big crit fans and fans of just hip hop 368 00:17:29,160 --> 00:17:32,320 Speaker 5: music in general moving forward. If he's going to continue 369 00:17:32,320 --> 00:17:36,480 Speaker 5: to do stuff like this, my man ever ever live 370 00:17:36,560 --> 00:17:39,680 Speaker 5: in sub knocker shout out to a big crip Murdy 371 00:17:39,680 --> 00:17:40,400 Speaker 5: in Mississippi. 372 00:17:41,720 --> 00:17:44,400 Speaker 3: Yeah, man, that's all for Yeah, that's long man. 373 00:17:44,560 --> 00:17:46,400 Speaker 5: Yeah, yeah, I always want him to win. 374 00:17:46,840 --> 00:17:49,399 Speaker 1: I'll say this about Big Credit a couple of things 375 00:17:49,520 --> 00:17:52,760 Speaker 1: like krit I'm talking specifically to you, my butt, because 376 00:17:52,800 --> 00:17:55,560 Speaker 1: I know I've had a couple of rents, you know, 377 00:17:55,600 --> 00:17:59,280 Speaker 1: in the past of how I felt about where you 378 00:17:59,280 --> 00:18:02,199 Speaker 1: were going with your muse career, and I feel like 379 00:18:02,320 --> 00:18:06,800 Speaker 1: after the project is better this way you went left 380 00:18:06,800 --> 00:18:08,560 Speaker 1: a little bit, but that you came back right, you 381 00:18:08,600 --> 00:18:11,600 Speaker 1: know what I'm saying. Or I think in the I 382 00:18:11,600 --> 00:18:13,399 Speaker 1: think I think I'm making I think I'm making the 383 00:18:13,440 --> 00:18:15,439 Speaker 1: analogy correct in terms of picture. But if I'm not, 384 00:18:15,480 --> 00:18:17,400 Speaker 1: it is what it is. I just think that this. 385 00:18:17,840 --> 00:18:20,119 Speaker 1: I agree one million percent with what Ken said. I 386 00:18:20,119 --> 00:18:23,400 Speaker 1: think in today where we are today, hip hop, being 387 00:18:23,480 --> 00:18:27,000 Speaker 1: hyper focused on giving your audience what they want is 388 00:18:27,040 --> 00:18:27,800 Speaker 1: the best bet. 389 00:18:27,800 --> 00:18:31,760 Speaker 2: And I think this is exactly what your core audience wants. 390 00:18:31,800 --> 00:18:31,960 Speaker 5: Bro. 391 00:18:32,280 --> 00:18:34,560 Speaker 1: And look, I'm raising my hand. This is my right hand, 392 00:18:34,600 --> 00:18:37,760 Speaker 1: by the way, I am your core audience. You're maybe 393 00:18:37,840 --> 00:18:41,359 Speaker 1: older in the demographic now, but this is what I want. 394 00:18:41,640 --> 00:18:43,720 Speaker 1: And I say not to stray and not to do 395 00:18:43,800 --> 00:18:46,240 Speaker 1: singles and stuff like that with other people that that 396 00:18:46,400 --> 00:18:47,840 Speaker 1: you know that you worked with in the past or 397 00:18:47,840 --> 00:18:50,640 Speaker 1: people that you haven't. But as long as I continue 398 00:18:50,680 --> 00:18:54,159 Speaker 1: to get projects like this, bro, like I'll be a 399 00:18:54,160 --> 00:18:56,960 Speaker 1: big crit fan forever like you already had me. You're 400 00:18:57,000 --> 00:18:59,080 Speaker 1: saying I was, I'm always going to check out Big 401 00:18:59,119 --> 00:19:01,640 Speaker 1: crit no matter what, because you've built up that much 402 00:19:01,720 --> 00:19:04,280 Speaker 1: reserve in the tank. You know in my fan tank 403 00:19:05,520 --> 00:19:08,040 Speaker 1: that you know it's always gonna be there's always gonna 404 00:19:08,040 --> 00:19:09,800 Speaker 1: be gas in it. So I'm always gonna check out 405 00:19:09,800 --> 00:19:13,240 Speaker 1: your stuff. But when you can put together this right here, 406 00:19:13,560 --> 00:19:16,240 Speaker 1: and you know to also what you were saying, Kay, 407 00:19:16,520 --> 00:19:19,000 Speaker 1: the Carlos Miller thing. I do love the fact that 408 00:19:20,160 --> 00:19:23,240 Speaker 1: the concept was there, but you didn't have to beat 409 00:19:23,280 --> 00:19:25,000 Speaker 1: it over the head for us to get it right, 410 00:19:25,080 --> 00:19:28,840 Speaker 1: Like Carlos didn't take over the entire project. You like, 411 00:19:28,960 --> 00:19:31,880 Speaker 1: this was, in my opinion, masterful and how you were 412 00:19:31,920 --> 00:19:35,960 Speaker 1: able to incorporate him in the theme of it and busy. 413 00:19:35,840 --> 00:19:36,840 Speaker 2: Year one hundred percent right. 414 00:19:36,880 --> 00:19:38,880 Speaker 1: You know we got forever in the day and now 415 00:19:38,920 --> 00:19:40,639 Speaker 1: we got the joint that you ride in in the 416 00:19:40,680 --> 00:19:41,199 Speaker 1: whip with him. 417 00:19:41,240 --> 00:19:45,160 Speaker 2: So big crit amazing work as usual. 418 00:19:45,200 --> 00:19:45,800 Speaker 5: You know what I'm saying. 419 00:19:45,840 --> 00:19:49,080 Speaker 2: But this is definitely returned to form, So I appreciate you. 420 00:19:49,440 --> 00:19:50,399 Speaker 5: All right to the grade. 421 00:19:50,520 --> 00:19:51,800 Speaker 2: Look, yeah, grades. 422 00:19:51,960 --> 00:19:55,040 Speaker 1: Look if this is your first time here, we are 423 00:19:55,119 --> 00:20:00,959 Speaker 1: creating flow, lyrics, production features, execution, replay value, the overall 424 00:20:01,480 --> 00:20:04,200 Speaker 1: all started off with the flow. 425 00:20:04,280 --> 00:20:05,280 Speaker 2: I matter be plus. 426 00:20:07,240 --> 00:20:09,480 Speaker 6: Yeah, man, same thing, B plus on the flow. 427 00:20:11,520 --> 00:20:12,840 Speaker 3: Yeah be plus with the flow. 428 00:20:13,320 --> 00:20:17,800 Speaker 5: We all agree, well, well, yes, we do better be plus. Yeah. 429 00:20:17,880 --> 00:20:18,600 Speaker 3: Look at that. 430 00:20:18,600 --> 00:20:22,160 Speaker 2: That's sweet. I think that's I think that's a first. 431 00:20:22,640 --> 00:20:24,919 Speaker 1: I think all four of us have have had the 432 00:20:24,960 --> 00:20:28,400 Speaker 1: same exact grade for for a particular category. 433 00:20:28,520 --> 00:20:30,960 Speaker 2: So lyrics, it's. 434 00:20:30,920 --> 00:20:33,919 Speaker 6: Not no, we've had the same grades before. 435 00:20:34,359 --> 00:20:37,520 Speaker 2: Okay, okay, lyrics, I matter be plus. 436 00:20:37,800 --> 00:20:41,240 Speaker 6: I'm gonna be on the I'm starting with coming back round. 437 00:20:41,320 --> 00:20:42,119 Speaker 2: I got you, I got you. 438 00:20:42,440 --> 00:20:43,960 Speaker 6: I'm gonna be on the lyrics. 439 00:20:44,520 --> 00:20:47,960 Speaker 3: Yeah, I'm at to be as well, so am I. 440 00:20:48,040 --> 00:20:49,800 Speaker 5: That'll be all right? 441 00:20:50,000 --> 00:20:53,240 Speaker 2: Man, Production I better be plus. 442 00:20:54,119 --> 00:20:55,800 Speaker 6: Same, I matter be plus on production. 443 00:20:57,160 --> 00:20:57,680 Speaker 3: I'm at a B. 444 00:20:59,680 --> 00:21:05,760 Speaker 1: I'm to be to be okay, all right, features, I 445 00:21:05,800 --> 00:21:08,520 Speaker 1: could go be plus, but I'm matter be on the features. 446 00:21:09,359 --> 00:21:12,000 Speaker 6: Yeah, I'm matter be minus on the features. 447 00:21:13,960 --> 00:21:16,800 Speaker 4: I matter be minus too, but not not because the 448 00:21:16,840 --> 00:21:19,639 Speaker 4: features were bad. They weren't no bad features. It's just 449 00:21:19,720 --> 00:21:22,720 Speaker 4: they they didn't really. It was just kind of like, oh, okay, 450 00:21:22,720 --> 00:21:24,679 Speaker 4: it's cool to hear some Houston legends or whatever. But 451 00:21:24,760 --> 00:21:27,760 Speaker 4: it wasn't like, oh man, they all murdered this ship 452 00:21:27,920 --> 00:21:30,280 Speaker 4: or they all was bad. So it was just kind 453 00:21:30,280 --> 00:21:32,919 Speaker 4: of like, yeah, they fit for where they put So 454 00:21:32,920 --> 00:21:34,000 Speaker 4: that's why that's why I still gave it. 455 00:21:34,200 --> 00:21:35,480 Speaker 3: That's why I still gave it to be minus. 456 00:21:35,600 --> 00:21:38,639 Speaker 5: So I was at to be minus, but I bumped 457 00:21:38,640 --> 00:21:42,240 Speaker 5: it up to a B because of the Houston legends 458 00:21:42,240 --> 00:21:44,920 Speaker 5: and because of Carlos Miller did a good job. 459 00:21:46,720 --> 00:21:51,400 Speaker 3: Okay, so you're factoring him too, Okay, that's something execution. 460 00:21:52,280 --> 00:21:54,840 Speaker 1: I fought back and forth between A minus and B plus. 461 00:21:54,880 --> 00:21:59,000 Speaker 1: I settled on B plus, but I feel like it 462 00:21:59,160 --> 00:22:01,720 Speaker 1: could potentially go a minus. 463 00:22:02,000 --> 00:22:04,199 Speaker 2: But I think B plus is the right answer. 464 00:22:04,280 --> 00:22:05,080 Speaker 5: So that's where I'm at. 465 00:22:05,800 --> 00:22:07,280 Speaker 6: I'm going. I went with the. 466 00:22:08,920 --> 00:22:11,840 Speaker 1: You did exactly what he intended to do. Yeah, this 467 00:22:11,920 --> 00:22:16,280 Speaker 1: is absolutely it flows all the way from the front 468 00:22:16,320 --> 00:22:16,640 Speaker 1: to back. 469 00:22:18,720 --> 00:22:20,159 Speaker 3: I am a thousand persent agreement with you. 470 00:22:20,240 --> 00:22:20,440 Speaker 5: Ride. 471 00:22:20,440 --> 00:22:22,399 Speaker 4: I gave it a minus too. I feel like, you know, 472 00:22:22,520 --> 00:22:24,600 Speaker 4: for the sequence and for the execution that what like 473 00:22:24,640 --> 00:22:26,840 Speaker 4: you said what you wanted to do the total the 474 00:22:26,880 --> 00:22:31,040 Speaker 4: total run time of his album perfect, Like, yes, I give. 475 00:22:31,000 --> 00:22:32,080 Speaker 3: My a minus on the sequence. 476 00:22:32,080 --> 00:22:36,960 Speaker 5: In an execution, I met a B plus on the execution. 477 00:22:37,080 --> 00:22:38,320 Speaker 3: That's yeah, that's that's. 478 00:22:38,160 --> 00:22:44,320 Speaker 1: Good replay value. I'm at a A. I'm hey, this 479 00:22:44,359 --> 00:22:46,359 Speaker 1: is in rotation, bro, this is bumping in my whip. 480 00:22:47,160 --> 00:22:50,359 Speaker 1: Mm hmm, gotcha, got you. I'm gonna I'm at a 481 00:22:50,400 --> 00:22:52,160 Speaker 1: solid B on replay value. 482 00:22:52,800 --> 00:22:55,160 Speaker 3: Man, Rod, you are just copying off my paper. Yes, 483 00:22:55,720 --> 00:22:57,560 Speaker 3: I'm at a solid B too. Yeah, I'm at a 484 00:22:57,560 --> 00:22:58,200 Speaker 3: solid B too. 485 00:22:58,600 --> 00:23:00,480 Speaker 4: I Mean it's the reason why I'm at beat because 486 00:23:00,480 --> 00:23:02,520 Speaker 4: it's just like this is going to be another crit 487 00:23:02,560 --> 00:23:03,760 Speaker 4: project that if. 488 00:23:03,600 --> 00:23:05,240 Speaker 3: I want, if I like listen to it. I listened 489 00:23:05,240 --> 00:23:06,040 Speaker 3: to it, no issue. 490 00:23:06,480 --> 00:23:10,679 Speaker 5: Yeah, gosh, guys, uh. 491 00:23:16,080 --> 00:23:20,680 Speaker 3: Gosh, guys, it's funny. 492 00:23:20,960 --> 00:23:26,840 Speaker 1: And then at overall, matam B plus same overall plus. 493 00:23:26,680 --> 00:23:28,240 Speaker 3: I'm at a solid B overall. 494 00:23:28,800 --> 00:23:30,679 Speaker 5: I gave it to be plus. Yeah, I give it 495 00:23:30,680 --> 00:23:31,920 Speaker 5: to be plus. H. 496 00:23:32,520 --> 00:23:33,760 Speaker 2: That's what's up. That's what's up. 497 00:23:33,840 --> 00:23:37,080 Speaker 1: Look, if you never heard Big Crit, this is not 498 00:23:37,200 --> 00:23:39,639 Speaker 1: where I would personally say to start. But it's not 499 00:23:39,680 --> 00:23:41,560 Speaker 1: a bad start if this is where you start. So 500 00:23:41,920 --> 00:23:44,520 Speaker 1: everybody watching, If you don't know Big Crit, who Big 501 00:23:44,600 --> 00:23:46,800 Speaker 1: Crit is, you don't know where Meridy in Mississippi is, 502 00:23:47,040 --> 00:23:48,720 Speaker 1: pull up your Google maps, go make it. 503 00:23:48,880 --> 00:23:50,280 Speaker 2: You know what I'm saying, Go do your Googles, and 504 00:23:50,280 --> 00:23:51,040 Speaker 2: then go press. 505 00:23:50,840 --> 00:23:53,480 Speaker 1: Play on this particular project, because I guarantee you will 506 00:23:53,560 --> 00:23:57,560 Speaker 1: not be disappointed. All of us like this at minimum 507 00:23:57,600 --> 00:23:58,600 Speaker 1: overall as a beat. 508 00:23:58,960 --> 00:23:59,680 Speaker 2: You know what I'm saying. 509 00:24:00,920 --> 00:24:03,760 Speaker 1: Yeah, you know we were very similar in grades, but 510 00:24:03,840 --> 00:24:07,080 Speaker 1: look again, we appreciate you already know what it is. 511 00:24:07,080 --> 00:24:07,240 Speaker 5: Man. 512 00:24:07,280 --> 00:24:09,920 Speaker 1: The conversation after the conversation is in the common section. 513 00:24:10,080 --> 00:24:12,320 Speaker 1: So let us know your grades, let us know your 514 00:24:12,359 --> 00:24:14,960 Speaker 1: favorite Big Krit projects. And if you never listen to 515 00:24:14,960 --> 00:24:19,240 Speaker 1: Big Krit, I would recommend starting with Krit is here. 516 00:24:20,240 --> 00:24:22,080 Speaker 1: That's where I would start. And I would also say 517 00:24:22,080 --> 00:24:23,920 Speaker 1: make sure you check out King, remember it in time. 518 00:24:24,359 --> 00:24:26,000 Speaker 2: Where you go from there is on you. 519 00:24:26,200 --> 00:24:27,159 Speaker 3: Krit was here. 520 00:24:28,119 --> 00:24:28,880 Speaker 2: That's the first one. 521 00:24:29,119 --> 00:24:32,159 Speaker 1: Yeah, Krit was here, So go check out that when 522 00:24:32,240 --> 00:24:35,280 Speaker 1: Krit was here, and then King remember in time. And 523 00:24:35,320 --> 00:24:37,560 Speaker 1: like I said, wherever you go from there, you're gonna 524 00:24:37,600 --> 00:24:39,879 Speaker 1: have a good ride up and down this, that, whatever, 525 00:24:39,920 --> 00:24:41,600 Speaker 1: but you definitely gonna enjoy it. 526 00:24:41,720 --> 00:24:45,119 Speaker 3: You have a good ride up and down. Jesus Christy, 527 00:24:46,080 --> 00:24:46,520 Speaker 3: I'm just. 528 00:24:50,080 --> 00:24:50,520 Speaker 2: Pauls. 529 00:24:51,480 --> 00:24:54,720 Speaker 1: But look again, let us know how you feel about 530 00:24:54,880 --> 00:24:57,720 Speaker 1: big Krit on this project. Let us know your grades 531 00:24:57,720 --> 00:24:59,600 Speaker 1: in the common section, and we'll catch you. 532 00:25:00,960 --> 00:25:04,119 Speaker 2: This will be This is not the last review of 533 00:25:04,160 --> 00:25:06,040 Speaker 2: the year. We'll catch you next time. We have peace. 534 00:25:08,680 --> 00:25:12,000 Speaker 4: M M m