1 00:00:04,519 --> 00:00:06,800 Speaker 1: If you guys are watching this on YouTube, you can 2 00:00:06,840 --> 00:00:10,480 Speaker 1: catch the full podcast in its entirety on Patreon, Patreon, 3 00:00:10,560 --> 00:00:17,280 Speaker 1: dot com, slash Dead and Hip Hop. With that, you'll 4 00:00:17,320 --> 00:00:20,759 Speaker 1: get the rest of the show where we are going 5 00:00:20,840 --> 00:00:24,639 Speaker 1: to talk about some old school joints. Rod, You're gonna 6 00:00:24,680 --> 00:00:27,520 Speaker 1: take it back, take it back to the old school. 7 00:00:27,960 --> 00:00:28,680 Speaker 2: You're one of the. 8 00:00:28,600 --> 00:00:31,400 Speaker 1: Ones that get hyped with me about this album. Six 9 00:00:31,520 --> 00:00:34,479 Speaker 1: the Shaka. 10 00:00:34,760 --> 00:00:39,000 Speaker 3: It would ever, never ever be any Soup the Shocker, 11 00:00:40,400 --> 00:00:44,680 Speaker 3: Shame Hate. If I'm in the room every I'm always 12 00:00:44,680 --> 00:00:46,800 Speaker 3: gonna ride for Silk the Shaker every time. 13 00:00:46,840 --> 00:00:48,080 Speaker 4: I don't care who is in the room. 14 00:00:49,600 --> 00:00:54,360 Speaker 1: Yeah, yeah, yesterday. We're recording this on Wednesday, on the eighteenth. 15 00:00:54,400 --> 00:00:59,320 Speaker 1: But yeah, yeah, on the seventeenth, well, it was on 16 00:00:59,680 --> 00:01:02,080 Speaker 1: Hip Hop doubletsl H. 17 00:01:02,440 --> 00:01:03,200 Speaker 2: He dropped the. 18 00:01:03,240 --> 00:01:07,080 Speaker 1: Nineteen ninety eight Silt the Shaker, H dropped this album. 19 00:01:07,200 --> 00:01:08,479 Speaker 1: Charge it to the game. 20 00:01:09,680 --> 00:01:12,880 Speaker 5: Familiar with this album, of course, I haven't listened to 21 00:01:12,880 --> 00:01:18,039 Speaker 5: it forever, but yeah, now, look, man, I was a big, 22 00:01:18,400 --> 00:01:20,400 Speaker 5: massive look bro. I was in Miami when that shit 23 00:01:20,440 --> 00:01:23,360 Speaker 5: came out, so Florida was all over No Limits. So 24 00:01:23,600 --> 00:01:26,920 Speaker 5: I listened to everything that came out of No Limit camp. 25 00:01:26,959 --> 00:01:32,480 Speaker 5: But you look, he is the duel Santana of No Limit. 26 00:01:32,640 --> 00:01:35,080 Speaker 5: You know what I'm saying, Like, that's so disrespectful. I 27 00:01:35,120 --> 00:01:39,600 Speaker 5: don't know, sound right, Bro, if you don't listen to 28 00:01:39,640 --> 00:01:41,840 Speaker 5: camera camera say he go back and listen to Joel's 29 00:01:41,920 --> 00:01:44,760 Speaker 5: music more than he does his own. Like like he was, 30 00:01:45,480 --> 00:01:47,840 Speaker 5: he was a big draw for them, you know what 31 00:01:47,880 --> 00:01:50,160 Speaker 5: I'm saying. It's kind of what made them a little 32 00:01:50,160 --> 00:01:53,560 Speaker 5: bit different. Like you know, everybody I felt like was 33 00:01:54,360 --> 00:01:57,720 Speaker 5: the same, Like Silk was the most different out of everybody. 34 00:01:58,000 --> 00:02:00,640 Speaker 6: Him and mystical with my opinion, but everybody else was. 35 00:02:00,720 --> 00:02:03,160 Speaker 4: You know, this. 36 00:02:04,720 --> 00:02:06,320 Speaker 2: Joint got some bangers on it. 37 00:02:06,400 --> 00:02:08,600 Speaker 1: Bro to open the track, I'm a soldier, give me 38 00:02:08,680 --> 00:02:12,799 Speaker 1: the world, Throw your hood up, man, I'm. 39 00:02:12,600 --> 00:02:16,360 Speaker 2: Always b. 40 00:02:18,240 --> 00:02:23,680 Speaker 3: Right man Man Shaka he he was a pioneer. 41 00:02:23,840 --> 00:02:27,560 Speaker 4: Man that all Kilcher rap. 42 00:02:28,320 --> 00:02:30,560 Speaker 3: You know what I'm saying, That offbeat stuff man, that 43 00:02:30,560 --> 00:02:36,320 Speaker 3: that was Silk, super shocker man over you know, go ahead. 44 00:02:37,080 --> 00:02:38,800 Speaker 1: No, I was saying, I used to play this album 45 00:02:39,120 --> 00:02:42,040 Speaker 1: all you too, me too? 46 00:02:42,120 --> 00:02:44,799 Speaker 4: Can oh? 47 00:02:45,040 --> 00:02:49,400 Speaker 1: I had no idea that people felt this way about 48 00:02:49,400 --> 00:02:50,360 Speaker 1: self the Chaka Bro. 49 00:02:51,280 --> 00:02:51,920 Speaker 4: I did know. 50 00:02:52,200 --> 00:02:54,280 Speaker 3: I can't say I didn't know that because even back 51 00:02:54,320 --> 00:02:59,240 Speaker 3: then he wasn't people's favorite, but I always personally like Silk, 52 00:02:59,400 --> 00:03:01,280 Speaker 3: I mean, and the people like Charges to the Game. 53 00:03:01,360 --> 00:03:04,480 Speaker 3: They just you know, people always had this kind of 54 00:03:05,960 --> 00:03:08,320 Speaker 3: kind of like take with Silver Soccer. 55 00:03:08,360 --> 00:03:10,040 Speaker 4: So it's not it's not surprising to me. 56 00:03:11,880 --> 00:03:14,320 Speaker 1: I think I've always just just you know what, my 57 00:03:14,400 --> 00:03:17,519 Speaker 1: thing with them, And I'm going to bring up another 58 00:03:17,560 --> 00:03:23,200 Speaker 1: album as well that I think this one dropped on 59 00:03:23,240 --> 00:03:28,639 Speaker 1: the eighteenth True to the Game. I think that with them, 60 00:03:28,960 --> 00:03:32,280 Speaker 1: I think people just kind of understood they were who 61 00:03:32,320 --> 00:03:38,200 Speaker 1: they were and didn't have the sort of expectations of 62 00:03:38,560 --> 00:03:42,960 Speaker 1: like Iraqim or anyone else. Like these guys were street 63 00:03:43,040 --> 00:03:47,200 Speaker 1: dudes that had a great production team behind them that 64 00:03:47,520 --> 00:03:50,400 Speaker 1: made some banging beats and they just they just wrapped 65 00:03:50,440 --> 00:03:53,440 Speaker 1: and it was just high energy, like you put on 66 00:03:53,480 --> 00:03:55,320 Speaker 1: No Limit Soldier from True True to the Game. 67 00:03:56,040 --> 00:03:57,000 Speaker 2: I don't care who you. 68 00:03:56,960 --> 00:03:59,360 Speaker 6: Are, you get the most pretentious. 69 00:04:00,360 --> 00:04:03,960 Speaker 1: Ever that ship come on, something wrong with you if 70 00:04:03,960 --> 00:04:05,720 Speaker 1: you're not moving right? 71 00:04:06,200 --> 00:04:06,680 Speaker 6: Yeah? 72 00:04:07,000 --> 00:04:09,320 Speaker 5: Yeah, you know, to me, that was the album that 73 00:04:09,480 --> 00:04:12,040 Speaker 5: was the one that was always in rotation for me. 74 00:04:12,560 --> 00:04:15,800 Speaker 5: That Uh and Ghetto d about It bout it. Those 75 00:04:15,800 --> 00:04:18,560 Speaker 5: are like my top three, you know, Limit joints. But 76 00:04:18,800 --> 00:04:23,919 Speaker 5: Tru was was like swamp nigga. Uh uh, you know, 77 00:04:23,920 --> 00:04:25,760 Speaker 5: I'm bad with and I'm coming off the top and 78 00:04:25,839 --> 00:04:28,120 Speaker 5: it's been a minute since I listened to that swamp Niggah. 79 00:04:28,200 --> 00:04:29,560 Speaker 5: There was like two or three other ones that was 80 00:04:29,600 --> 00:04:34,599 Speaker 5: too freak holes yea said shout out future, trying to 81 00:04:34,600 --> 00:04:35,120 Speaker 5: redo it. 82 00:04:35,440 --> 00:04:36,680 Speaker 6: You know what I'm saying, But nah. 83 00:04:36,640 --> 00:04:40,440 Speaker 5: Man like Tru was one of the ones. Tru broke 84 00:04:40,520 --> 00:04:44,160 Speaker 5: like that was Bro. I'll never forget the first time 85 00:04:44,279 --> 00:04:48,159 Speaker 5: I heard no living soldiers Bro. We was playing football 86 00:04:48,400 --> 00:04:50,680 Speaker 5: in the street in Miami, Bro Like, that's a big 87 00:04:50,720 --> 00:04:53,000 Speaker 5: thing down there. I don't know, you know, anywhere else, 88 00:04:53,240 --> 00:04:56,240 Speaker 5: you know, but we was playing and then somebody came 89 00:04:56,360 --> 00:05:00,520 Speaker 5: through with like with beating the trunk, but just throw 90 00:05:03,760 --> 00:05:09,279 Speaker 5: what's sitting down the black yo that they hard and 91 00:05:09,279 --> 00:05:12,120 Speaker 5: it's just everybody a little Haiti was just bumping the 92 00:05:12,240 --> 00:05:13,280 Speaker 5: dog like damn. 93 00:05:13,320 --> 00:05:15,720 Speaker 6: So I got my hands on the CD. I was 94 00:05:15,760 --> 00:05:18,200 Speaker 6: playing that. You know, I had a stereo system outside. 95 00:05:18,240 --> 00:05:21,760 Speaker 6: B Yeah, man like t r U Bro t r U. 96 00:05:21,920 --> 00:05:24,880 Speaker 6: That's one of the ones. You still ain't use them, 97 00:05:24,960 --> 00:05:26,680 Speaker 6: Damn jail audios. 98 00:05:26,279 --> 00:05:29,160 Speaker 2: Can oh man, Lord, here we go, Here we go. 99 00:05:29,320 --> 00:05:32,760 Speaker 3: It is probably the wires probably like turned the dust 100 00:05:32,839 --> 00:05:35,720 Speaker 3: right now, man, things don't even work right now. 101 00:05:35,800 --> 00:05:39,240 Speaker 4: Bro, that phone is probably probably dry rotted. 102 00:05:39,760 --> 00:05:49,680 Speaker 6: Hell yeah, powder breastfeed like this. Oh man, okay, jail audio, do. 103 00:05:49,640 --> 00:05:50,760 Speaker 4: You still actually have them? 104 00:05:51,440 --> 00:05:51,600 Speaker 1: Yeah? 105 00:05:52,640 --> 00:05:54,640 Speaker 4: That is wild. Bro. 106 00:05:55,640 --> 00:05:57,480 Speaker 6: The bitch is like that old bro. 107 00:05:58,040 --> 00:06:00,240 Speaker 4: Yo, that is man. You probably Man. 108 00:06:00,279 --> 00:06:03,520 Speaker 3: I wonder if, like, I don't know if people do 109 00:06:03,600 --> 00:06:05,920 Speaker 3: collection collective's items on that type of stuff, but man, 110 00:06:05,960 --> 00:06:10,120 Speaker 3: you probably somebody said, oh man, man, yeah, but they 111 00:06:10,120 --> 00:06:12,320 Speaker 3: probably probably tall as soon as you hook them things 112 00:06:12,400 --> 00:06:12,920 Speaker 3: up to him. 113 00:06:17,960 --> 00:06:23,440 Speaker 4: Done, oh man, done, These things will be done. God leads. 114 00:06:23,480 --> 00:06:24,760 Speaker 4: That's a long time, bro. 115 00:06:26,720 --> 00:06:30,120 Speaker 3: Yeah, it is real quick. People they're excited about you 116 00:06:30,200 --> 00:06:32,320 Speaker 3: on the coaches. You're not all the all the comments 117 00:06:32,360 --> 00:06:36,479 Speaker 3: about you. Oh really all the comments where you are 118 00:06:36,600 --> 00:06:40,440 Speaker 3: seeing this atue, it's only he hasn't posted. 119 00:06:40,160 --> 00:06:42,040 Speaker 4: Right now, like like you know how we do. 120 00:06:43,400 --> 00:06:45,239 Speaker 6: That about YouTube? 121 00:06:45,279 --> 00:06:45,679 Speaker 4: YouTube? 122 00:06:45,920 --> 00:06:48,800 Speaker 3: Like they already making comment. They're like yo, like they 123 00:06:49,080 --> 00:06:51,120 Speaker 3: that hip hop like everything is that in hip hop? 124 00:06:51,160 --> 00:06:56,040 Speaker 4: And that's crazy. I'm telling you, man, we look people 125 00:06:56,080 --> 00:07:01,040 Speaker 4: sleeping on the influence. Bro. We started around table. 126 00:07:03,640 --> 00:07:05,080 Speaker 2: With our whole table. 127 00:07:09,160 --> 00:07:10,240 Speaker 6: Living rooms. 128 00:07:12,720 --> 00:07:15,320 Speaker 1: Anyway, man shout out to those two albums. Man, if 129 00:07:15,320 --> 00:07:17,760 Speaker 1: you're on Patreon, man, go listen to those alpams. 130 00:07:17,800 --> 00:07:21,400 Speaker 2: And here's what I'll say. If if you guys. 131 00:07:21,160 --> 00:07:25,200 Speaker 1: Want us to to do an in depth discussion or 132 00:07:25,400 --> 00:07:28,560 Speaker 1: track by track discussion or play some of our favorite 133 00:07:28,600 --> 00:07:33,040 Speaker 1: tracks or whatever, let us know, uh for Patreon, we'll we'll, we'll. 134 00:07:33,520 --> 00:07:36,280 Speaker 1: You know, we could put something together because there's some joints. 135 00:07:36,280 --> 00:07:37,560 Speaker 1: I was just kind of skimming it through it a 136 00:07:37,560 --> 00:07:38,760 Speaker 1: little bit like. 137 00:07:39,120 --> 00:07:43,080 Speaker 4: Want man, we need to make a playlist, can. 138 00:07:44,720 --> 00:07:46,880 Speaker 2: Man? Yeah, we need to make. 139 00:07:46,840 --> 00:07:48,480 Speaker 4: An efficient soccer playlist. 140 00:07:48,520 --> 00:07:51,840 Speaker 3: And just like, look y'all for those that don't know 141 00:07:52,160 --> 00:07:53,800 Speaker 3: believe this ego. 142 00:07:54,880 --> 00:07:57,720 Speaker 2: And yeah, yeah, it's like you we're the old gez this. 143 00:07:57,800 --> 00:08:00,120 Speaker 1: You guys come to us, man, you know and know, 144 00:08:00,160 --> 00:08:04,360 Speaker 1: I know some of us found like we put stuff 145 00:08:04,400 --> 00:08:06,920 Speaker 1: in in buckets. I don't know if they do that 146 00:08:07,080 --> 00:08:09,640 Speaker 1: these days, even though I've been covering the space since 147 00:08:09,920 --> 00:08:11,800 Speaker 1: we all been coming to space for fifteen years. But 148 00:08:12,600 --> 00:08:16,160 Speaker 1: you know, we can give you guys a definitive playlist 149 00:08:16,200 --> 00:08:18,960 Speaker 1: of Silk the Chaka songs. Don't listen to what everybody's saying, man, 150 00:08:19,160 --> 00:08:20,520 Speaker 1: but listen to us. 151 00:08:20,960 --> 00:08:25,160 Speaker 5: Right, how many joints, like like, like how many joints 152 00:08:25,200 --> 00:08:27,280 Speaker 5: before you feel the playlist starts to fall off? 153 00:08:29,840 --> 00:08:30,679 Speaker 4: I don't man. 154 00:08:33,200 --> 00:08:37,559 Speaker 6: Features that I can make it. 155 00:08:37,679 --> 00:08:42,160 Speaker 4: I can make a solid twenty playlist geary. 156 00:08:41,800 --> 00:08:45,280 Speaker 3: Tea, I can make you won't skip, you won't skip, 157 00:08:46,080 --> 00:08:47,880 Speaker 3: I can make I think I can make a solid 158 00:08:47,920 --> 00:08:51,000 Speaker 3: twenty for sure of silver Shot tracks you want, you 159 00:08:51,040 --> 00:08:51,839 Speaker 3: will not skip. 160 00:08:52,840 --> 00:08:54,280 Speaker 2: We might do that one day. We might. 161 00:08:55,320 --> 00:08:57,840 Speaker 1: We might just sit here and I can put it 162 00:08:57,880 --> 00:08:59,920 Speaker 1: on screen and we'll just go through and we'll put 163 00:09:00,080 --> 00:09:02,720 Speaker 1: play list together so you guys can see and well, 164 00:09:02,760 --> 00:09:04,760 Speaker 1: since it will be Patreon, we can actually play some 165 00:09:04,800 --> 00:09:06,640 Speaker 1: of the songs so you guys can hear the joints 166 00:09:06,920 --> 00:09:09,600 Speaker 1: and stuff like that. So if you guys want that, 167 00:09:10,000 --> 00:09:11,880 Speaker 1: because we only do it if you guys want us 168 00:09:11,920 --> 00:09:13,120 Speaker 1: to do it, so let us know. 169 00:09:14,559 --> 00:09:16,200 Speaker 2: So for you guys. 170 00:09:16,240 --> 00:09:19,880 Speaker 1: But shout out to Arab and Rokim paid and Fool 171 00:09:19,920 --> 00:09:21,760 Speaker 1: got inducted into the Grammy Hall of Fame. There was 172 00:09:21,800 --> 00:09:25,240 Speaker 1: a whole nasty conversation from Gene Simmons about that. There 173 00:09:25,240 --> 00:09:27,280 Speaker 1: was a small conversation about that on the ism I 174 00:09:27,360 --> 00:09:30,640 Speaker 1: still own podcasts which just dropped today. If you want 175 00:09:30,679 --> 00:09:33,080 Speaker 1: us wanted to hear that. You know, of course, and 176 00:09:33,240 --> 00:09:35,240 Speaker 1: I've been talking about Rocquim. We had a whole Rocky 177 00:09:35,280 --> 00:09:38,559 Speaker 1: and versus l conversation last year and of course again 178 00:09:38,640 --> 00:09:41,360 Speaker 1: this year. You know, he elevated lyricism. Man, he changed 179 00:09:41,360 --> 00:09:44,640 Speaker 1: the game with internal rhyme schemes and his flow airbady 180 00:09:44,760 --> 00:09:45,440 Speaker 1: with his production. 181 00:09:46,240 --> 00:09:46,360 Speaker 5: Uh. 182 00:09:46,760 --> 00:09:49,640 Speaker 1: And you know it's still a very very influential album 183 00:09:49,679 --> 00:09:54,520 Speaker 1: to this day. The question I have though, and you know, 184 00:09:54,760 --> 00:10:00,599 Speaker 1: give at least at least one. Of course, if you 185 00:10:00,679 --> 00:10:05,840 Speaker 1: got two two albums you think will make the Hall 186 00:10:05,880 --> 00:10:10,120 Speaker 1: of Fame in the future, like any future albums you 187 00:10:10,240 --> 00:10:14,679 Speaker 1: see will be Hall of Fame worthy rock and roll 188 00:10:14,720 --> 00:10:16,440 Speaker 1: Hall of Fame worthy. 189 00:10:16,760 --> 00:10:19,000 Speaker 4: So they do albums. They don't do like just the artists. 190 00:10:19,040 --> 00:10:21,160 Speaker 4: They do albums. 191 00:10:22,000 --> 00:10:22,200 Speaker 6: Uh. 192 00:10:24,600 --> 00:10:27,679 Speaker 1: I think it's the album. Hold on, let me let 193 00:10:27,720 --> 00:10:28,520 Speaker 1: me make sure. 194 00:10:29,280 --> 00:10:31,800 Speaker 4: Yeah, I thought it was. I thought it was the artist. 195 00:10:32,240 --> 00:10:33,280 Speaker 2: Okay, give me an artist. 196 00:10:35,240 --> 00:10:36,320 Speaker 4: I mean, clearly Kendrick. 197 00:10:36,360 --> 00:10:39,200 Speaker 3: I mean I think that's the given answer, you know. Uh, 198 00:10:41,120 --> 00:10:43,600 Speaker 3: Kendrick would definitely at some point go in the Hall 199 00:10:43,640 --> 00:10:45,040 Speaker 3: of Rock and Roll Hall of Fame. 200 00:10:46,000 --> 00:10:46,320 Speaker 2: Uh. 201 00:10:48,120 --> 00:10:48,640 Speaker 4: Who else? 202 00:10:49,679 --> 00:10:53,320 Speaker 6: M I think the Big Three will drake? 203 00:10:53,520 --> 00:10:56,920 Speaker 1: Yeah, they albums they do albums Roight the Grand Album. 204 00:10:57,200 --> 00:10:59,240 Speaker 1: Yeah this this is the Grammy Hall of Fame, not 205 00:10:59,320 --> 00:11:00,480 Speaker 1: the Rock and Roll Hall of Fame. 206 00:11:00,920 --> 00:11:03,320 Speaker 4: Oh okay, okay, yeah, so. 207 00:11:03,640 --> 00:11:07,720 Speaker 2: All Eyes on Me is on there, Rhythm Nation yet 208 00:11:07,800 --> 00:11:08,320 Speaker 2: other stuff. 209 00:11:08,920 --> 00:11:09,920 Speaker 4: Still sticking with Kendrick. 210 00:11:09,960 --> 00:11:12,160 Speaker 3: I think Kendrick have two albums in the Good Kid, 211 00:11:12,240 --> 00:11:13,800 Speaker 3: Mass City and Butterfly. 212 00:11:14,480 --> 00:11:21,559 Speaker 4: I think those could have gone there. Dang we who else? Who? 213 00:11:21,679 --> 00:11:22,920 Speaker 4: Who else? Am I thinking about? 214 00:11:23,200 --> 00:11:26,240 Speaker 3: Like this day and age when you say, like what 215 00:11:26,360 --> 00:11:28,319 Speaker 3: you're saying twenty twenty up or like. 216 00:11:29,320 --> 00:11:32,680 Speaker 2: It could be twenty twenty up? You know it could be. 217 00:11:34,000 --> 00:11:37,920 Speaker 1: I haven't looked at the full list of albums told 218 00:11:37,960 --> 00:11:39,040 Speaker 1: on what are the requirements? 219 00:11:39,040 --> 00:11:42,080 Speaker 2: How old? But I think those are those are two 220 00:11:42,160 --> 00:11:43,040 Speaker 2: good ones. Kendrick. 221 00:11:43,120 --> 00:11:47,600 Speaker 1: Of course, we're definitely We're definitely twenty five years old, 222 00:11:47,640 --> 00:11:49,080 Speaker 1: so it has to be twenty five years old. 223 00:11:50,600 --> 00:11:53,959 Speaker 6: Five all right, so that means early two? 224 00:11:55,400 --> 00:11:57,199 Speaker 4: Oh really? Oh yeah yeah yeah yeah. 225 00:11:57,000 --> 00:11:58,320 Speaker 6: Two thousand so oh one. 226 00:11:59,520 --> 00:12:05,199 Speaker 4: Yeah. Kanye West, my beautiful, dark, twisted Fantasy that can 227 00:12:05,280 --> 00:12:05,760 Speaker 4: go in there. 228 00:12:06,720 --> 00:12:08,120 Speaker 1: I think they're going to get in. Do you think 229 00:12:08,160 --> 00:12:11,040 Speaker 1: the Black Album? I know people talk about that one 230 00:12:11,080 --> 00:12:12,560 Speaker 1: a lot. Is that Hall of Fame. 231 00:12:12,480 --> 00:12:17,280 Speaker 5: Worthy I don't think you know that that's my favorite battle. 232 00:12:17,320 --> 00:12:18,920 Speaker 6: I don't think. I don't think it's making the Hall 233 00:12:18,960 --> 00:12:19,320 Speaker 6: of Fame. 234 00:12:19,840 --> 00:12:22,280 Speaker 4: Yeah, I don't know. I don't know, but I feel 235 00:12:22,320 --> 00:12:22,960 Speaker 4: like if. 236 00:12:22,800 --> 00:12:25,679 Speaker 3: A Jay album isn't all in there already, I mean 237 00:12:25,720 --> 00:12:27,440 Speaker 3: Blueprint for sure, but that's. 238 00:12:27,320 --> 00:12:30,439 Speaker 4: Not already yeahs. 239 00:12:30,480 --> 00:12:34,080 Speaker 1: The Hall of Fame aims to honor recordings that have 240 00:12:34,240 --> 00:12:36,800 Speaker 1: left an indelible mark on music history. 241 00:12:39,160 --> 00:12:40,240 Speaker 4: Blueprint for sure. 242 00:12:41,960 --> 00:12:45,760 Speaker 3: I think Blueprint, my Beautiful, Dark, Twisted Fantasy was a time, 243 00:12:48,360 --> 00:12:50,400 Speaker 3: like I said, either one of those, either one of 244 00:12:50,400 --> 00:12:51,760 Speaker 3: those Kendrick albums. 245 00:12:53,960 --> 00:12:55,679 Speaker 4: I feel like one of the Drakes can get in there too, 246 00:12:55,760 --> 00:12:58,560 Speaker 4: either Take Care or it was another one with the 247 00:13:00,360 --> 00:13:02,720 Speaker 4: with the Clouds, one of those. One of those could 248 00:13:02,720 --> 00:13:03,120 Speaker 4: get in there. 249 00:13:03,120 --> 00:13:04,480 Speaker 1: I think you. 250 00:13:04,480 --> 00:13:07,439 Speaker 5: Got to put here so so so I was looking 251 00:13:07,480 --> 00:13:09,440 Speaker 5: at like per year in two thousand and one, the 252 00:13:09,440 --> 00:13:11,720 Speaker 5: only one I put in there is Blueprint. But in 253 00:13:11,760 --> 00:13:16,480 Speaker 5: two thousand, bro, there's a there's a lot, there's a lot, 254 00:13:17,320 --> 00:13:19,200 Speaker 5: or hold on, I'll take that back. 255 00:13:19,320 --> 00:13:22,400 Speaker 1: Give me a few in there, will We'll move on that. 256 00:13:22,520 --> 00:13:24,440 Speaker 1: You think from that two thousand list. 257 00:13:24,960 --> 00:13:27,199 Speaker 5: As much as I like Supreme Clientele by Ghostraight, so 258 00:13:27,240 --> 00:13:30,920 Speaker 5: I don't think that that's gonna make it. 259 00:13:33,760 --> 00:13:35,040 Speaker 6: Damn in two thousand. 260 00:13:35,920 --> 00:13:38,280 Speaker 2: It's a hot mark when you talk about Hall of Fame, 261 00:13:38,800 --> 00:13:42,240 Speaker 2: you know, yeah, it's not everything. 262 00:13:42,400 --> 00:13:44,520 Speaker 1: Like if you think about the conversation we had last 263 00:13:44,559 --> 00:13:48,240 Speaker 1: night on deren in Sports about the NBA Hall of Fame, 264 00:13:48,400 --> 00:13:50,240 Speaker 1: like it's water down and ain't really worth ship. 265 00:13:50,880 --> 00:13:52,760 Speaker 2: When we're talking about Hall of Fame. 266 00:13:52,880 --> 00:13:56,320 Speaker 6: It needs to be up there. So the bro three 267 00:13:56,360 --> 00:13:58,599 Speaker 6: six Mafield want to smoke clears? Should that be in 268 00:13:59,000 --> 00:13:59,600 Speaker 6: the Hall of Fame? 269 00:14:02,400 --> 00:14:05,280 Speaker 1: If if we're talking to hip hop, maybe, but we're 270 00:14:05,320 --> 00:14:10,720 Speaker 1: talking about like it it has to have shaken the 271 00:14:10,720 --> 00:14:12,680 Speaker 1: core of music beyond hip hop. 272 00:14:13,880 --> 00:14:17,040 Speaker 6: Well I think it. I think it's shaped Atlanta's run 273 00:14:17,360 --> 00:14:18,280 Speaker 6: of music. 274 00:14:19,480 --> 00:14:21,800 Speaker 5: And and and and you know three Sixes is always 275 00:14:21,840 --> 00:14:24,000 Speaker 5: like they knew, like you know, that's why one of 276 00:14:24,000 --> 00:14:25,840 Speaker 5: the albums they called it the most known the nose, 277 00:14:26,480 --> 00:14:27,720 Speaker 5: like like they knew how. 278 00:14:27,520 --> 00:14:29,560 Speaker 6: Influential they are but don't get the credit for. 279 00:14:31,040 --> 00:14:37,320 Speaker 4: But I mean album that's the case which one? 280 00:14:39,120 --> 00:14:42,920 Speaker 3: Yeah, yeah, like at Aliens or like a Crimini probably. 281 00:14:44,320 --> 00:14:45,680 Speaker 4: I think Equiminal were going there. 282 00:14:45,680 --> 00:14:50,440 Speaker 3: Probably at Aliens though, just put the name alone, like 283 00:14:50,600 --> 00:14:52,560 Speaker 3: everybody it's easily identifiable. 284 00:14:52,640 --> 00:14:55,480 Speaker 4: It's just one of those times. Crimini is my favorite. 285 00:14:55,520 --> 00:14:58,400 Speaker 4: But if they picked one, it probably would be at Aliens. 286 00:14:59,280 --> 00:14:59,680 Speaker 2: Mm hmm. 287 00:15:00,600 --> 00:15:03,040 Speaker 1: All right, well, you guys watching man, let us know 288 00:15:03,920 --> 00:15:06,840 Speaker 1: the standard has to be high. I know they like 289 00:15:06,920 --> 00:15:09,720 Speaker 1: the lower standards nowadays, but standards have to be high 290 00:15:10,320 --> 00:15:13,640 Speaker 1: of what apps you guys think are Hall of Fame worthy. 291 00:15:13,800 --> 00:15:17,760 Speaker 1: So so yeah, we'll leave it there, but shout out 292 00:15:17,800 --> 00:15:21,080 Speaker 1: to Arab being rock Kim. We didn't get a chance 293 00:15:21,120 --> 00:15:24,240 Speaker 1: to acknowledge this, but let's part a little liquor for 294 00:15:24,400 --> 00:15:29,040 Speaker 1: one James Bernard, co founder of Source magazine, who created 295 00:15:29,080 --> 00:15:34,320 Speaker 1: the blueprint for hip hop journalism and was definitely one 296 00:15:34,440 --> 00:15:37,240 Speaker 1: of the. 297 00:15:36,120 --> 00:15:39,600 Speaker 2: Most important and influential hip. 298 00:15:39,480 --> 00:15:45,160 Speaker 1: Hop magazines of all time in. 299 00:15:43,520 --> 00:15:47,200 Speaker 2: My golden era without the Source. 300 00:15:47,320 --> 00:15:49,200 Speaker 1: If you don't have the Source, you probably don't have 301 00:15:49,240 --> 00:15:54,040 Speaker 1: that in hip hop in all honesty. Yeah, in so 302 00:15:54,080 --> 00:15:58,080 Speaker 1: many ways because they became no want to turn this negative, 303 00:15:58,480 --> 00:16:01,800 Speaker 1: well never mind. Yeah, so shout out to you know, 304 00:16:02,000 --> 00:16:06,320 Speaker 1: r ip to him, I should say, DJ Michael five thousand, 305 00:16:06,400 --> 00:16:15,640 Speaker 1: man Watts very very very like. I feel like he 306 00:16:15,680 --> 00:16:20,720 Speaker 1: had so his uh his service was held today and uh. 307 00:16:21,000 --> 00:16:25,280 Speaker 1: DJ Michael five thousand watts, but very very very like 308 00:16:25,440 --> 00:16:30,560 Speaker 1: influential way back in the day, you know, left a 309 00:16:30,720 --> 00:16:34,320 Speaker 1: very very very huge mark with Swish the House. I 310 00:16:34,320 --> 00:16:37,280 Speaker 1: feel like, if you're a hip hop fan of hip hop, 311 00:16:37,320 --> 00:16:38,240 Speaker 1: you know Switch the House. 312 00:16:38,440 --> 00:16:40,560 Speaker 2: And if you don't know Switch the House, you know 313 00:16:40,600 --> 00:16:41,320 Speaker 2: Mike Jones. 314 00:16:43,120 --> 00:16:44,920 Speaker 6: You know Mike Jones, you know Slim Thug, you. 315 00:16:44,880 --> 00:16:52,520 Speaker 1: Know Paul Wall you know yep, all because of him, 316 00:16:53,040 --> 00:16:57,080 Speaker 1: with very notable records and songs in hip hop history. 317 00:16:58,160 --> 00:17:01,760 Speaker 1: He passed because of a cardiac correct cardiac arrests at 318 00:17:01,800 --> 00:17:02,760 Speaker 1: the age of fifty two. 319 00:17:02,880 --> 00:17:04,879 Speaker 2: So our ip to. 320 00:17:05,440 --> 00:17:09,040 Speaker 1: Him, So shout out to him, man O g ron 321 00:17:09,160 --> 00:17:11,520 Speaker 1: C and all of them. Did you guys, were you 322 00:17:11,520 --> 00:17:16,880 Speaker 1: guys big on Switch House? Yeah? 323 00:17:16,960 --> 00:17:17,359 Speaker 4: For sure. 324 00:17:18,800 --> 00:17:23,040 Speaker 1: Any of you guys get into those DJ ron Ce tapes, 325 00:17:23,480 --> 00:17:24,879 Speaker 1: this tapes they used to do back in the. 326 00:17:24,920 --> 00:17:28,280 Speaker 5: Day, Yeah, yeah, I don't know if mine was official, 327 00:17:28,400 --> 00:17:30,040 Speaker 5: but you know, definitely at the gas station. 328 00:17:32,600 --> 00:17:34,720 Speaker 2: Yeah, it was the good old days, bro, the good 329 00:17:34,720 --> 00:17:36,840 Speaker 2: old days. Yeah, man, So. 330 00:17:38,560 --> 00:17:43,840 Speaker 1: Our ip Man, we're at that point where I think, now, 331 00:17:43,960 --> 00:17:49,040 Speaker 1: I remember when my dad, my dad started having his 332 00:17:49,440 --> 00:17:53,280 Speaker 1: legends and stuff passed, and that's that's happening to us. Man, 333 00:17:53,480 --> 00:17:58,320 Speaker 1: and we're singing now. I saw earlier today that doctor 334 00:17:58,359 --> 00:18:02,200 Speaker 1: Drey is sixty one. Yeah, he turns sixty one today. 335 00:18:03,400 --> 00:18:16,960 Speaker 1: So it's it's happening, man, So so yeah, m hm