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Speaker 1: Yo, yo yo, what a do? Where to do?

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Speaker 2: Everybody going to let get people trying to maticulate in

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Speaker 2: a little bit, how y'all been.

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Speaker 3: Man, don't even ask me ship.

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Speaker 1: Christ is.

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Speaker 4: This has been a wild week.

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Speaker 1: This is fucking crazy.

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Speaker 3: The timing of of us being out of town and

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Speaker 3: leaving one another here the fin for themselves.

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Speaker 4: I was in Detroit, my wife was finding for itself.

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Speaker 4: Uh then I come.

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Speaker 3: Back and she's out of town for work and I'm

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Speaker 3: finding for myself. She is fucking wild. Yeah, she's a wild.

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Speaker 2: But you know what beasy that that's that's the definition

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Speaker 2: of partnership, my guy. Sometimes it's both of y'all. Sometimes

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Speaker 2: it's one of y'all.

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Speaker 1: Man, gotta get done. Sh it sucks.

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Speaker 2: Yeah, no, I feel you. But now, not to give

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Speaker 2: too much of bees these you know, personal stuff away.

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Speaker 2: A lot of changes happening in Bz's life right now.

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Speaker 2: You know what I'm saying, positive shit, So you know, uh, it.

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Speaker 1: Is what it is.

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Speaker 2: And obviously we're virtual, so we are in the process

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Speaker 2: of figuring out a studio as well, you know what

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Speaker 2: I'm saying. So, you know, shout out to everybody that

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Speaker 2: has supported that a hip hop throughout the years, you know,

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Speaker 2: trying to figure that out as well. Obviously where we

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Speaker 2: were was not a long time, long term type of thing,

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Speaker 2: you know, there for a year we out, but we're

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Speaker 2: figuring that out. But yeah, look today we're doing a

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Speaker 2: live rundown. So that's why I am your host F

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Speaker 2: twenty four seven. The whole crew is here, so no

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Speaker 2: need for formal introductions. Look, man, we started right on time. Obviously,

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Speaker 2: we're virtual, so it's a lot easier to you know,

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Speaker 2: just press a button and get to it. So I'm

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Speaker 2: gonna give y'all to nine fifteen to get your super

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Speaker 2: chats in.

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Speaker 1: You know what I'm saying.

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Speaker 2: I think I've seen them already starting to trickle in.

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Speaker 2: So that is what we are doing.

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Speaker 5: Let's get right into the studio.

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Speaker 6: Yeah, you talked about okay, yeah, yeah.

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Speaker 5: I said it just a year, but yeah, we were

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Speaker 5: under a year least. We were trying to see how

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Speaker 5: we felt about it and stuff. You know.

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Speaker 7: Yeah, we got some we got some other exciting things happening.

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Speaker 2: Yep, yeap, yep, yep. But let's get right into it,

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Speaker 2: into the rundown. Are you guys? And I know that

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Speaker 2: nobody here is really truly a fan of this particular artist,

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Speaker 2: but I was a little surprised at where he is charting.

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Speaker 2: Gunna's album one is set to debut at number three

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Speaker 2: on the charts, tracking to sell ninety thousand equivalent units

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Speaker 2: in his first week last year one of one, so

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Speaker 2: ninety one thousand, So obviously he's being extremely consistent. Are

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Speaker 2: you guys surprised that Gunna is charting so high even

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Speaker 2: all the allegations and all of that type of stuff.

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Speaker 7: It's probably why. I think it's the same effect as Drake.

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Speaker 5: You know what I'm saying. I think he charts pretty hot.

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Speaker 8: I mean he is Drake, don't get me wrong, but

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Speaker 8: but I think people go to it early on just

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Speaker 8: to kind of see what's going on with what he's

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Speaker 8: talking about.

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Speaker 7: I think the same thing is happening here with Gunner, and.

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Speaker 8: Let you're right, I don't follow it that like that,

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Speaker 8: but that's why I would assume.

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Speaker 5: I would assume that's, you know, because.

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Speaker 7: What isn't like like uh.

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Speaker 8: Uh said, nobody want to hit that ship or something

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Speaker 8: like that, like yeah he like so even that type

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Speaker 8: of stuff would make people go to the album.

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Speaker 5: Like you know what I'm saying, just to see like

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Speaker 5: what's going on.

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Speaker 7: So it's like, you know that that's that's how I

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Speaker 7: feel about it.

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Speaker 8: I don't know if if he'll stay there. I can

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Speaker 8: see why he's charting. I just don't know if he'll

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Speaker 8: stay there.

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Speaker 3: But you know, so people so yeah, so people mad

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Speaker 3: at Gunning because they did something come out that he

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Speaker 3: snitched or people will assume that he snitched or something,

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Speaker 3: or like what's the.

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Speaker 2: Whole Yeah, people, you know, I'm still taking shots at Gunna.

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Speaker 2: You know, still saying that he's a rat. You know,

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Speaker 2: obviously there's still tension between him and Young Thug, so

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Speaker 2: you know that that stigma is still on him.

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Speaker 4: But who he read it on though Young Thug?

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Speaker 1: The whole thing.

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Speaker 3: I'm like, if you rad then I mean somebody, wouldn't

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Speaker 3: it be some people going down? Like it'd be different

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Speaker 3: if like Thug was doing some time because Gunna read it.

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Speaker 1: But yeah, but how hell have I know?

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Speaker 5: I don't know?

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Speaker 2: Yeah, yeah, but you you know that whole case was

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Speaker 2: really thrown out. And also during the time he was

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Speaker 2: initially part of the indictment, he rated to get himself clear.

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Speaker 2: You know what I'm saying, And that's why people are

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Speaker 2: still saying what they're saying, how they feel, how they feel.

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Speaker 2: But nonetheless, you know this this rundowns about the music.

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Speaker 2: I'm definitely surprised that it's charted that high. I don't

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Speaker 2: really hear or see people really talking like that about

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Speaker 2: the album. But I know Nick Nick is a big

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Speaker 2: Gunner fan, and he was saying that this is one

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Speaker 2: of those ones.

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Speaker 1: And I know we did.

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Speaker 2: Right, yeah, and we reviewed it, and I'm not a

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Speaker 2: Gunner guy, but I was like, it was good. It

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Speaker 2: was honestly good. So if this is as good as that,

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Speaker 2: then maybe my maybe I won't be as surprised. But

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Speaker 2: I haven't listened to it yet.

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Speaker 1: You know what I'm saying.

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Speaker 2: I told everybody on Patreon, why you know, some of

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Speaker 2: these albums, I don't get to it, So become a

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Speaker 2: patron and you'll get the little breakdown.

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Speaker 1: But ken are you surprised?

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Speaker 6: No, not not really.

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Speaker 9: I think I think Gunna is slowly making a name

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Speaker 9: for himself, or more of a name for himself.

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Speaker 6: You know, I think that you're not seeing a lot

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Speaker 6: of people talk about.

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Speaker 9: It online because online isn't representative like the real world, right,

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Speaker 9: so you're gonna see guys like Nick and other guys

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Speaker 9: that don't be online like that bumping and listening to

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Speaker 9: it and streaming it. So that's probably where you see

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Speaker 9: some of that volume come in at.

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Speaker 6: But gunna Is is really starting.

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Speaker 9: To kind of, you know, accumulate a fan base, really

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Speaker 9: make a name for himself. When it dropped, I wanted

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Speaker 9: to listen to it. The only thing that the only

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Speaker 9: deterrence to me listening to it was the fact that

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Speaker 9: it was an hour or something long.

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Speaker 6: And I'm really curious to see if.

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Speaker 9: He was going to be able to kind of keep

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Speaker 9: the momentum going because you know, I'm not that much

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Speaker 9: of a fan of that sort of music, but like you,

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Speaker 9: when we reviewed it, I liked it. It was undeniable

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Speaker 9: for me, so I was curious to see if he

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Speaker 9: can kind of keep that thing going. But but it's crazy,

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Speaker 9: like I did he did he drop it like in

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Speaker 9: two disc or whatever something like that? Did he formatta?

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Speaker 9: But either way, go man, He's like one big hit away. Bro,

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Speaker 9: He's one big hit away and then he could be

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Speaker 9: out of there. But there was a void left and

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Speaker 9: I think he's feeling that void. You know, when when

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Speaker 9: Young Thug went down so maybe that's why he snitched

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Speaker 9: on him allegedly.

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Speaker 1: It is on the side.

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Speaker 2: On the side question is gonna the biggest artists out

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Speaker 2: of Atlanta right now? I think Baby then fell off

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Speaker 2: the numbers, say that young Thug has been away because he.

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Speaker 6: Didn't do ninety thousand this first year.

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Speaker 1: No hell, no, feature not.

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Speaker 4: He don't have that crown no more.

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Speaker 9: But to you to your question, I think he'll still

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Speaker 9: be like the top. But if you're talking about some

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Speaker 9: of the newer guys who were, yeah, you know.

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Speaker 2: I think it is gonna And in all honesty, I

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Speaker 2: don't think there's competition.

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Speaker 1: It's not twenty one, Nah, twenty one.

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Speaker 2: He's now kind of sort of an og you know

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Speaker 2: what I'm saying, of the game. And I don't think

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Speaker 2: he's pulling that that type of not without Drake's assistance.

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Speaker 5: I don't.

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Speaker 1: I don't think he's pulling that type.

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Speaker 9: Yeah, I don't know, because I think there I think

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Speaker 9: there's a discussion.

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Speaker 6: But I don't know if he's the guy yet.

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Speaker 2: You know, I think I see that the chatter saying Cardi,

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Speaker 2: they say.

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Speaker 3: He is from from here, is from Atlanta. I forgot

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Speaker 3: about him. I forgot.

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Speaker 4: I think it's from Bro.

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Speaker 1: Yeah, it would definitely be Cardi, so Cardian and Gunner

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Speaker 1: like one and two.

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Speaker 3: What songs like, I haven't even heard Gunners songs like

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Speaker 3: in Passing, Like just like you don't talked about.

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Speaker 2: You're talking about the new project or last year anything

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Speaker 2: Gunners like, Yeah, yeah, been going down. I haven't heard that.

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Speaker 2: No songs in Passing you have there there there there,

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Speaker 2: There was a big one last year.

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Speaker 5: You know me.

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Speaker 1: You know what I'm saying. I got to look it

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Speaker 1: up anything. What was it was?

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Speaker 5: It?

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Speaker 1: Uh? The puh pushing yeah, pushing pet out. That's gonna that's.

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Speaker 4: Been that's been said, that's been out since this whole thing.

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Speaker 5: I thought that was pushing p was a future.

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Speaker 4: It was a future featuring Gunner.

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Speaker 6: No, that that was. That was the way you're hanging out.

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Speaker 4: At b dany you know outside like that. Yeah, I

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Speaker 4: ain't definitely.

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Speaker 6: Bro bro that.

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Speaker 3: I'm just like, Bro, you sure pushing people in the

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Speaker 3: future joint. Let me see if this joint was a future,

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Speaker 3: this was future featuring Gunner.

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Speaker 2: I'm aland it's him. It's featuring Young Thug. But his

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Speaker 2: GYP season Forever was back in twenty twenty two.

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Speaker 3: That we sound old bro. We signed You're not hearing

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Speaker 3: it was? It was it's Gunner Future featuring Future, young Thug.

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Speaker 5: I think he has on it. They said Future was

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Speaker 5: on that too.

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Speaker 4: He was on it. It was featuring Gunner featuring Young Thug.

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Speaker 1: Yeah, but but it's someone.

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Speaker 9: I think he had one that hit the streets from

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Speaker 9: the last album.

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Speaker 6: You're probably not hear anything.

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Speaker 3: And it was off of a Gunner album too. It

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Speaker 3: was that song Pushing p was on Gunner's album came

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Speaker 3: out in twenty twenty two.

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Speaker 2: Yeah, there was. There was one off of the last

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Speaker 2: album too. I can't I can't find it.

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Speaker 3: It would have to be a situations where like if

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Speaker 3: you play and I'll be like, I've heard that, but

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Speaker 3: if I heard ship, I'm like, damn, I didn't even

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Speaker 3: hear that.

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Speaker 6: In Passing Tree fall in the Woods to make a sound.

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Speaker 10: Doesn't even make a sound that be like I ain't hearing.

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Speaker 3: Like even even the other popular people, I'll be like, Okay,

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Speaker 3: I've heard that song, regardless of I like it or not.

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Speaker 3: I've heard it at some point in Passing. But Jesus Christ,

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Speaker 3: well I.

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Speaker 1: Know something that you didn't hear.

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Speaker 6: Be it was was a hit.

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Speaker 1: Yeah, that's another one I heard. Yeah, that would be.

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Speaker 5: To listen to.

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Speaker 1: I have to hear it.

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Speaker 3: If you play, you play, you've heard it, I'll be like, Okay, yeah.

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Speaker 1: You've heard it. You've heard gun in passion.

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Speaker 5: Bro.

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Speaker 1: You may not realize it's him, but you have. But

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Speaker 1: I know what you haven't heard? Who was this prize

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Speaker 1: listening party in La Earl? The sweatshirt is dropping.

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Speaker 2: August twenty second, Friday, August twenty second, So he just

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Speaker 2: recently had a surprise listening party.

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Speaker 7: He goes in La qualified to speak on earl.

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Speaker 2: Hey, that's why I'm that's that's why I'm passing it

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Speaker 2: to y'all. Are y'all excited for Earl dropping this month?

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Speaker 1: Literally? Is it this week?

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Speaker 4: In a couple of days?

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Speaker 9: Two day?

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Speaker 3: Yeah, he dropping, he dropping in ghost face dropping. He

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Speaker 3: dropping on the same day.

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Speaker 6: Listening to first.

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Speaker 1: You said, what.

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Speaker 6: Which one you're listening to first?

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Speaker 4: Damn that's a good question. Oh probably probably probably Ghosts.

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Speaker 4: Probably ghost Yeah.

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Speaker 3: Probably, I'm just saying because I mean, you know, I

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Speaker 3: just want to see here. After hearing Ghosts on Rae

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Speaker 3: Kwin's last album, I'm like, Okay, ghosts sound like he

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Speaker 3: kind of got that hunger again.

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Speaker 4: So I'm really in.

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Speaker 3: And at the that one joint released I liked, so

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Speaker 3: I'm like, Okay, I might definitely get that.

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Speaker 1: Listen.

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Speaker 5: I mean more like himself.

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Speaker 7: You know what I meant.

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Speaker 5: I meant to bring that up because I remember there

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Speaker 5: was one album when he didn't even sound like himself.

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Speaker 3: I can't I know what you talking about, right, I

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Speaker 3: came yeah, But he also said too in an interview,

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Speaker 3: he said for the Supreme Clientel too. He said he

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Speaker 3: got five joints that he recorded around the Supreme Clientele

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Speaker 3: first era, and he's putting those five songs on there

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Speaker 3: and everything else is gonna be like new stuff.

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Speaker 4: So I'm kind of curious.

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Speaker 3: I'm kind of curious which if I hear him, I'm

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Speaker 3: be like, oh, that sounds like because you know, the

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Speaker 3: first Supreme Clientel came out in two thousands, so about

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Speaker 3: twenty five years. I know, bru It's like, bro, that's crazy.

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Speaker 3: So yeah, I'm really into. I really want to. They

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Speaker 3: showed the track list for those I want to see

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Speaker 3: the production list. I know they showed the production list

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Speaker 3: for the Earl joint, but yeah, I'm curious, see what's

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Speaker 3: the production list for the ghost Face joint.

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Speaker 4: But yea, I'm looking forward to Earl.

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Speaker 3: I'm still I'm still yeah, I'm like soon when I

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Speaker 3: play Ghost, after I finish Flaning Ghost.

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Speaker 4: I'm gonna play ear like Yeah.

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Speaker 1: So y'all excited?

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Speaker 6: Yeah?

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Speaker 4: Yeah, I'm always excited for some new Earl music.

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Speaker 2: Yes, are y'all excited for jay Z?

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Speaker 5: So?

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Speaker 2: Uh, longtime collaborator Memphis Bleek was just recently on Dream Chaps.

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Speaker 2: He's actually been on a very big run for like

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Speaker 2: media run, just doing interviews and stuff like that, and

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Speaker 2: he basically said that that Jay's working on new music.

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Speaker 1: You know what I'm saying.

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Speaker 2: He said to save a save a spot for him,

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Speaker 2: save a verse for him.

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Speaker 1: So are y'all excited for the return of jay Z? A?

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Speaker 5: Right?

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Speaker 1: Should jay Z be dropping?

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Speaker 2: Because the last was the last album was back in

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Speaker 2: twenty seventeen four forty four, so we're talking eight years ago,

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Speaker 2: so we're talking almost a decade, you know what I'm saying.

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Speaker 2: So I'll put it to you like this, right, let

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Speaker 2: me go first, because obviously how they speak on the

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Speaker 2: Earl because I could care less, but I definitely care

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Speaker 2: about jay It's following for lack of a better word,

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Speaker 2: the blueprint that I wanted for J at this point

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Speaker 2: in his career, Like I don't need the volume for J,

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Speaker 2: you know what I'm saying, Like you've given us multiple

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Speaker 2: classic albums, give me the features, so you know, wrap

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Speaker 2: go level status when when you do when you are

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Speaker 2: commissioned for a feature or whatever, and then if you

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Speaker 2: feel compelled for an album, like I don't need three

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Speaker 2: J albums. But you know, this feels like good timing.

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Speaker 2: You know, it's still a lot of crazy stuff happening

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Speaker 2: in the world. I think a lot of people have

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Speaker 2: called them out, you know, social media and all that

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Speaker 2: type stuff. So I think this is a really good

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Speaker 2: time for him to drop something, you know what I'm saying. So, like,

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Speaker 2: I think the timing is good for J. And I'm

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Speaker 2: always here for J music, you know what I'm saying.

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Speaker 2: I know what I said or I'm man Nakarta holy grail,

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Speaker 2: but I shut up on four forty four, And if

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Speaker 2: he gives us anything close to that, I'm one hundred

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Speaker 2: percent here for it.

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Speaker 8: I'll be curious to see what he has to say

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Speaker 8: hip hop and everything that's happening around hip hop, Like

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Speaker 8: with the Diddy stuff, Like if he's gonna address some

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Speaker 8: of that, any of the Drake Kendrick stuff, I'll be.

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Speaker 5: Because he's been he's been very type lip about a

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Speaker 5: lot of this stuff.

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Speaker 7: So and I wonder is it because he's gonna put

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Speaker 7: it into music, And I.

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Speaker 8: Think that could be really interesting to see what his

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Speaker 8: take and what he has to say as one of

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Speaker 8: the grace and hip hop right now.

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Speaker 7: People, I mean, whether you like him, love him, whatever.

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Speaker 8: A lot of people look up to Jay, a lot

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Speaker 8: of people in the music industry. You know, we've been

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Speaker 8: seeing murmurs here of from helping people and things like that.

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Speaker 7: So I'm really I'll be really curious to see.

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Speaker 8: What angle he takes and what he actually has to

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Speaker 8: talk about when it comes to hip hop.

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Speaker 5: So yeah, I think I think it'll be interesting to hear.

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Speaker 2: So two things quick before anybody else goes superchas are closed.

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Speaker 2: That's number one. Number two, talking about the influence rod

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Speaker 2: that Jay has over the culture. I just saw a

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Speaker 2: clip of Chris Gotti, the late IRV Gotti's brother, talking

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Speaker 2: about how it was one year where, you know, after

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Speaker 2: Jay became the president of Deaf Jam, he Jay was

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Speaker 2: going around the office saying, Yo, the commissioner, I was

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Speaker 2: the NBA.

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Speaker 1: David J. Stern wanted to meet with me, like they

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Speaker 1: didn't know why. But after the meeting, it was because

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Speaker 1: Jersey cells plummeted four thousand percent. Because in between.

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Speaker 2: That, Jay went from no more you know where button ups,

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Speaker 2: you know, become more mature. And when Jay did that,

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Speaker 2: before that he was rocking nothing but michell and ness

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Speaker 2: throwback jerseys, everybody was crying it. Then when he said,

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Speaker 2: you know, get rid of all of the jerseys, you know,

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Speaker 2: changed clothes.

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Speaker 1: When he did that, Jersey seales plummeted four thousand percent,

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Speaker 1: and David J. Stern wanted to know why.

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Speaker 6: So just the.

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Speaker 2: Influence that Jay has on the culture, you know what

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Speaker 2: I'm saying. So I definitely think that's what I was

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Speaker 2: saying about the timing for him to address a lot

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Speaker 2: of those things. M that's think it'll be powerful. But

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Speaker 2: y'all excited, busy then J Jay dropping music, He's just

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00:17:08,840 --> 00:17:12,520
Speaker 2: doing the verse right, No song.

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Speaker 1: He's dropping said essentially an album?

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Speaker 6: An album? Yes, okay, I'm interested here.

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Speaker 4: What you gotta say?

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Speaker 3: I mean, you know, like you like riding for what

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00:17:25,680 --> 00:17:28,240
Speaker 3: y'all say it's a lot that's been going down, you know,

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00:17:28,280 --> 00:17:31,080
Speaker 3: it's it's people been talking, you know what I'm saying.

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Speaker 3: So I'm pretty sure he's gonna have he gonna he's

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Speaker 3: gonna throw some throwing some subs, throwing some some some

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Speaker 3: codey ship We're gonna be like, oh yeah, he talking

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Speaker 3: about that.

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Speaker 4: He's talking about that. So I mean I'm interested. I mean,

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Speaker 4: ship funk.

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Speaker 3: If if NICs can make six, six dope ass albums

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Speaker 3: in the three year span, I mean why not?

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Speaker 4: Why not Jay?

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Speaker 5: You know what I'm saying.

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00:17:48,040 --> 00:17:50,600
Speaker 4: They you know he's he's at that level that he

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Speaker 4: can do that.

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Speaker 3: I think he can still make a make a dope album,

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Speaker 3: you know, with the right producers and everything.

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00:17:54,760 --> 00:17:57,199
Speaker 4: Like, yeah, I think i'd be I'll be interested. Here,

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Speaker 4: what you got what you gotta say?

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Speaker 6: Heyb you think you're gonna sound dead?

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Speaker 4: Uh No, I don't think he's I don't think he's

389
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Speaker 4: gonna sound dusty. I don't think so.

390
00:18:08,280 --> 00:18:10,399
Speaker 3: Some my other some of my other dope mcs over

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00:18:10,480 --> 00:18:13,560
Speaker 3: fifty don't sound dusty. So yeah, I think, you know,

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Speaker 3: I don't think Jay fallowing that.

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Speaker 6: What's the name of the album we passed? Miller?

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Speaker 2: You know, what can We're gonna get into the main

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Speaker 2: topic because obviously you don't have anything.

396
00:18:26,280 --> 00:18:31,280
Speaker 1: You don't have anything controul hilarious to say. So look,

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00:18:31,600 --> 00:18:34,920
Speaker 1: uh the main topic is Freddie.

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Speaker 5: And speak Roster real quick, y'all speaking of la.

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Speaker 8: Like, uh, I think Netflix rejected Spike Lee's documentary.

400
00:18:42,960 --> 00:18:48,439
Speaker 3: Yes, man, yeah, I mean ESPN then yeah, they in

401
00:18:48,480 --> 00:18:51,520
Speaker 3: bed with NFL anyway, so that that kind of makes

402
00:18:51,520 --> 00:18:53,399
Speaker 3: sense why that didn't come out. And then you know

403
00:18:53,480 --> 00:18:56,520
Speaker 3: Spike Lee, Spike Lee gonna go full black black molds,

404
00:18:56,520 --> 00:18:59,320
Speaker 3: so Henry, he's gonna try to do the most he

405
00:18:59,359 --> 00:19:02,480
Speaker 3: can't expose was the NFL ain't ship? So yeah, like

406
00:19:02,480 --> 00:19:04,720
Speaker 3: I said, ESPN, is they too in bed with NFL.

407
00:19:04,760 --> 00:19:07,000
Speaker 3: I knew that that when I saw that, I was like,

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00:19:07,119 --> 00:19:09,280
Speaker 3: that makes sense that that that kind of makes sense

409
00:19:09,280 --> 00:19:11,760
Speaker 3: because they in bed with the NFL. Now they wasn't

410
00:19:11,760 --> 00:19:13,360
Speaker 3: in the bed with the NFL like they are.

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00:19:14,160 --> 00:19:14,960
Speaker 4: Possibly we might.

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Speaker 3: I don't know if Spike gonna try to take this

413
00:19:17,320 --> 00:19:20,600
Speaker 3: somewhere else, to another streaming service or whatever, but it

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Speaker 3: seemed like NFL is in bed with everybody because I

415
00:19:22,760 --> 00:19:23,679
Speaker 3: think ken in.

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Speaker 4: They on like we're Prime video. I think they got

417
00:19:25,640 --> 00:19:28,760
Speaker 4: like somewhere Prime. They got somewhere everywhere.

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Speaker 6: Bro.

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00:19:30,119 --> 00:19:33,080
Speaker 3: Yeah, so now he's gonna have to pop that bad

420
00:19:33,119 --> 00:19:42,920
Speaker 3: boy on uh yeah yeah.

421
00:19:41,960 --> 00:19:44,320
Speaker 4: To be brou Hey, I'm on to be tough man.

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Speaker 1: Hey. Look telling y'all man, I'll be.

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00:19:48,000 --> 00:19:50,040
Speaker 4: Watching them to be original series like crazy.

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Speaker 5: Bro.

425
00:19:52,040 --> 00:19:56,800
Speaker 6: Get on this ship.

426
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Speaker 2: Bro, telling y'all about even talking about We're not talking

427
00:20:00,600 --> 00:20:04,280
Speaker 2: about said Look, we talk about Freddy. We talk about

428
00:20:04,320 --> 00:20:07,560
Speaker 2: Freddy and Benny squashing the beef. This is the timeline.

429
00:20:07,560 --> 00:20:10,320
Speaker 2: So March twenty twenty two, Freddy Gibbs takes his first

430
00:20:10,359 --> 00:20:12,840
Speaker 2: jab at Benny the Butcher after Buffalo Rappers spoke about

431
00:20:13,160 --> 00:20:18,720
Speaker 2: working with Gibbs. Fast forward the same or not Fast

432
00:20:18,720 --> 00:20:20,720
Speaker 2: forward March and twenty twenty two, Benny the Butcher and

433
00:20:20,720 --> 00:20:23,240
Speaker 2: Freddy Gibbs trade jabs online.

434
00:20:23,000 --> 00:20:24,719
Speaker 1: After came and went comments.

435
00:20:24,720 --> 00:20:26,880
Speaker 2: So, I don't know if y'all remember Freddy was talking

436
00:20:26,920 --> 00:20:30,160
Speaker 2: about Benny the Butcher's album just kind of came and went,

437
00:20:31,480 --> 00:20:34,919
Speaker 2: and that kind of threw Gatolina on the fire. August

438
00:20:34,920 --> 00:20:36,960
Speaker 2: twenty twenty two, Benny the Butcher post a video wearing

439
00:20:36,960 --> 00:20:43,160
Speaker 2: Freddy Gibbs chain after Freddy was performing in Buffalo and

440
00:20:43,320 --> 00:20:46,240
Speaker 2: Benny had his goons kind of you know, rough them

441
00:20:46,320 --> 00:20:48,879
Speaker 2: up a little bit inside of a restaurant and they

442
00:20:48,960 --> 00:20:52,359
Speaker 2: took one of his chains. So Benny went online and

443
00:20:52,400 --> 00:20:59,000
Speaker 2: did that. November twenty twenty three, Benny took takes photos

444
00:20:59,080 --> 00:21:03,160
Speaker 2: with Freddy Gibbs ex girlfriend, but she was I think

445
00:21:03,160 --> 00:21:07,439
Speaker 2: she's currently still a corn star and yeah, he was

446
00:21:07,520 --> 00:21:10,080
Speaker 2: just flaunting her all over social media and stuff like that.

447
00:21:11,080 --> 00:21:13,679
Speaker 2: Fast forward January twenty twenty four, Benny the Butcher publicly

448
00:21:13,680 --> 00:21:15,600
Speaker 2: addresses the beef with Freddy Gibbs on.

449
00:21:15,560 --> 00:21:16,439
Speaker 1: The Breakfast Club.

450
00:21:17,880 --> 00:21:20,560
Speaker 2: Then March of twenty twenty four, Benny the Butcher gives

451
00:21:20,600 --> 00:21:24,080
Speaker 2: Freddy gives ex girlfriend a chain, so again he's still

452
00:21:24,119 --> 00:21:27,280
Speaker 2: parading her online and kind of flaunting that in front

453
00:21:27,320 --> 00:21:31,399
Speaker 2: of Freddy Gibbs. March of twenty twenty five, Freddy addresses

454
00:21:31,400 --> 00:21:38,359
Speaker 2: Benny the Butcher on situation on the Big Two. And

455
00:21:38,400 --> 00:21:42,960
Speaker 2: then June of twenty twenty five, Benny the Butcher responds

456
00:21:43,000 --> 00:21:47,680
Speaker 2: to Gibbs on the song Position of Power. July twenty

457
00:21:47,720 --> 00:21:51,080
Speaker 2: twenty five, Freddy Gibbs returns fire with Impanadas. You know,

458
00:21:51,119 --> 00:21:53,800
Speaker 2: obviously we did that review, so go listen to that

459
00:21:53,920 --> 00:21:57,440
Speaker 2: if you haven't already August toty twenty five, Freddy Gives

460
00:21:57,440 --> 00:22:00,040
Speaker 2: and Benny the Butcher talk with Westside Gun at the

461
00:22:00,080 --> 00:22:03,680
Speaker 2: Paris Airport and supposedly this is where the beef of

462
00:22:03,760 --> 00:22:08,719
Speaker 2: squash and we have video where we'side good Son was

463
00:22:08,800 --> 00:22:10,800
Speaker 2: recording that whole interaction.

464
00:22:11,800 --> 00:22:14,440
Speaker 6: Bro somewhere he's probably living for us.

465
00:22:15,960 --> 00:22:19,320
Speaker 1: We're going on the side mission. We got away and

466
00:22:19,359 --> 00:22:21,320
Speaker 1: see m hum.

467
00:22:28,680 --> 00:22:30,919
Speaker 4: I was about to say man byt somebody break dancing.

468
00:22:31,040 --> 00:22:33,920
Speaker 1: Said talk you gigging this year?

469
00:22:34,200 --> 00:22:36,120
Speaker 5: Which you gotta leave?

470
00:22:36,440 --> 00:22:40,560
Speaker 6: Think jump on his head? He ever think should talk man,

471
00:22:40,640 --> 00:22:42,200
Speaker 6: because it's either that or.

472
00:22:42,119 --> 00:22:51,400
Speaker 5: Ship sweaty hot.

473
00:22:51,720 --> 00:22:54,200
Speaker 1: See Freddy talking to Bennie's Bennie talking to.

474
00:22:54,200 --> 00:23:00,639
Speaker 2: Freddy, So bud y'all gotta talk man, you know what

475
00:23:00,680 --> 00:23:00,920
Speaker 2: I mean.

476
00:23:01,160 --> 00:23:03,520
Speaker 6: It's neutral. It's the only time we probably gonna get this.

477
00:23:03,600 --> 00:23:07,040
Speaker 11: Can any other time be frontiture movie?

478
00:23:07,960 --> 00:23:08,280
Speaker 1: Make it?

479
00:23:08,800 --> 00:23:10,359
Speaker 6: It's either all our war or nothing.

480
00:23:13,440 --> 00:23:14,560
Speaker 1: Yeah, that's the end of the video.

481
00:23:14,880 --> 00:23:16,119
Speaker 4: Where's the breakdance battle?

482
00:23:16,119 --> 00:23:16,239
Speaker 5: Man?

483
00:23:16,240 --> 00:23:17,720
Speaker 4: I was looking for a breakdance.

484
00:23:17,280 --> 00:23:21,600
Speaker 2: Battle, breakdance battle? Hey, but man major shout out to

485
00:23:21,640 --> 00:23:25,159
Speaker 2: Westside Gun playing peacemaker. Man, You know, I don't know.

486
00:23:25,160 --> 00:23:27,400
Speaker 4: It's it squashed though FIFA it's squashed.

487
00:23:27,400 --> 00:23:30,520
Speaker 2: Supposedly, you know, west Side said that it's squashed. Everything

488
00:23:30,520 --> 00:23:35,400
Speaker 2: I see online said that is squashed. Supposedly. Both Conway

489
00:23:35,480 --> 00:23:39,399
Speaker 2: and Westside have been neutral in the Benny versus Freddy

490
00:23:39,440 --> 00:23:41,679
Speaker 2: type of thing, like they've always said that there's no

491
00:23:42,400 --> 00:23:44,800
Speaker 2: they didn't feel, no type of way that it's just

492
00:23:44,880 --> 00:23:47,240
Speaker 2: been at Benny and Freddy type of thing where you

493
00:23:47,240 --> 00:23:49,200
Speaker 2: can see there. You know, he was just kind of

494
00:23:49,240 --> 00:23:51,040
Speaker 2: getting in Benny's year like hey, bro, like you know,

495
00:23:51,119 --> 00:23:53,800
Speaker 2: like there's no other time there right now. You've already

496
00:23:53,840 --> 00:23:56,879
Speaker 2: confronted him like yo, like what's good? You know, like

497
00:23:56,920 --> 00:23:59,600
Speaker 2: he said, if it's not now, it's either war or

498
00:23:59,640 --> 00:24:02,320
Speaker 2: it's nothing. You're saying like they will be furniture moving.

499
00:24:02,400 --> 00:24:06,240
Speaker 2: So all that being said, I think that it is

500
00:24:06,320 --> 00:24:09,040
Speaker 2: squashed just by the reports. Obviously we were not there,

501
00:24:09,320 --> 00:24:12,000
Speaker 2: but we gave you the footage to the closest thing

502
00:24:12,080 --> 00:24:15,960
Speaker 2: being there. But I really hope that it is squashed

503
00:24:15,960 --> 00:24:18,440
Speaker 2: because I think hip hop was a better place when

504
00:24:18,480 --> 00:24:21,320
Speaker 2: Freddie and Benny were making music together. I think those

505
00:24:21,359 --> 00:24:25,960
Speaker 2: two guys, in my opinion, elite mcs and their synergy

506
00:24:26,280 --> 00:24:29,280
Speaker 2: on tracks together was just really good. You know what

507
00:24:29,320 --> 00:24:32,480
Speaker 2: I'm saying, so hopefully it is squashed, hopefully they do

508
00:24:32,560 --> 00:24:36,160
Speaker 2: collaborate in the future. How do y'all feel about the

509
00:24:36,200 --> 00:24:38,919
Speaker 2: potential beef being squashed?

510
00:24:40,880 --> 00:24:43,119
Speaker 8: I mean, you just made a big statement, and like

511
00:24:43,160 --> 00:24:45,560
Speaker 8: you think hip hop is better without them beefing.

512
00:24:46,400 --> 00:24:50,399
Speaker 12: Yeah, to me, it don't really matter. Like dang, it

513
00:24:50,480 --> 00:24:52,639
Speaker 12: doesn't matter. It doesn't matter to me if they're beefing

514
00:24:52,760 --> 00:24:56,320
Speaker 12: or not. I think they both produce good music and

515
00:24:56,400 --> 00:24:56,959
Speaker 12: we get it.

516
00:24:57,040 --> 00:24:59,280
Speaker 5: I think it's fine. I don't think they have to

517
00:24:59,280 --> 00:24:59,800
Speaker 5: be friends.

518
00:25:00,560 --> 00:25:04,560
Speaker 2: Well, well, to me, not necessarily friends, but collaborators. And

519
00:25:04,600 --> 00:25:06,159
Speaker 2: that's what I mean by I think hip hop is

520
00:25:06,200 --> 00:25:09,440
Speaker 2: a better place with them on on on joints because

521
00:25:09,960 --> 00:25:17,080
Speaker 2: you know, obviously since their you know, departure of working together. No,

522
00:25:17,160 --> 00:25:19,960
Speaker 2: I'm not saying that he's got I didn't say that.

523
00:25:20,359 --> 00:25:25,480
Speaker 2: I'm just saying it's better with them collaborating. So I

524
00:25:25,480 --> 00:25:25,919
Speaker 2: did say it.

525
00:25:28,720 --> 00:25:29,679
Speaker 6: Made some good tracks.

526
00:25:29,720 --> 00:25:31,040
Speaker 4: Cool, it don't matter.

527
00:25:31,080 --> 00:25:33,159
Speaker 7: I mean, I'll just listen good tracks together.

528
00:25:33,640 --> 00:25:36,560
Speaker 8: I mean, when you say that's that's why I said,

529
00:25:36,560 --> 00:25:38,760
Speaker 8: it's a heavy statement to make, like I'd been in

530
00:25:38,800 --> 00:25:40,720
Speaker 8: a better place with them not squashing. I mean, I

531
00:25:40,800 --> 00:25:43,239
Speaker 8: really I don't think they make that much of an

532
00:25:43,240 --> 00:25:44,240
Speaker 8: impact on hip hop.

533
00:25:44,600 --> 00:25:48,000
Speaker 7: They're they're really good artists in their lanes, and I.

534
00:25:47,920 --> 00:25:50,280
Speaker 5: Don't think they moved the culture like that.

535
00:25:50,600 --> 00:25:54,200
Speaker 3: Listen, we still plan Alfredo to rather than Motherfuckers, Kumbay

536
00:25:54,240 --> 00:25:54,679
Speaker 3: y'all not.

537
00:25:55,560 --> 00:25:56,480
Speaker 4: They don't even matter.

538
00:25:56,680 --> 00:25:59,480
Speaker 3: It doesn't even matter. We just got finished. Hey, I

539
00:25:59,480 --> 00:26:02,439
Speaker 3: finally listen to Summertime Butch Too. I don't care if

540
00:26:02,480 --> 00:26:05,680
Speaker 3: they still beefing or not. I enjoyed the Summertime Busch.

541
00:26:05,480 --> 00:26:06,280
Speaker 4: Too, y'all was right.

542
00:26:06,400 --> 00:26:09,080
Speaker 3: If Fifa and Rod, I don't care if they was

543
00:26:09,080 --> 00:26:11,000
Speaker 3: beefing or if they got along.

544
00:26:11,119 --> 00:26:13,400
Speaker 4: I mean, I mean on some grown man shit.

545
00:26:13,440 --> 00:26:15,000
Speaker 3: It's cool to see them getting along if they if

546
00:26:15,000 --> 00:26:18,200
Speaker 3: they kind of squashed whatever they had. But I don't

547
00:26:18,200 --> 00:26:21,680
Speaker 3: think it's just gonna be like a moment in hip

548
00:26:21,720 --> 00:26:24,600
Speaker 3: hop if they do. I'm gonna still listen to their music,

549
00:26:24,640 --> 00:26:27,320
Speaker 3: regardless if they beefing or not. You know what I'm saying, Like,

550
00:26:27,440 --> 00:26:30,520
Speaker 3: I don't think it's gonna change the way I'm.

551
00:26:30,080 --> 00:26:32,240
Speaker 2: Yeah, and I'm not talking about that. That's not the

552
00:26:32,280 --> 00:26:34,480
Speaker 2: point that I'm trying to make, right Like, and I'm

553
00:26:34,520 --> 00:26:36,000
Speaker 2: not saying that it's a high moment.

554
00:26:36,080 --> 00:26:38,280
Speaker 1: What I'm saying is is that.

555
00:26:38,560 --> 00:26:41,240
Speaker 2: When Freddy was featured on all three of them right

556
00:26:41,320 --> 00:26:45,600
Speaker 2: like west Side, Benny and Conway's music like that was good,

557
00:26:45,880 --> 00:26:47,719
Speaker 2: you know what I'm saying. Like to me, it added

558
00:26:47,920 --> 00:26:50,280
Speaker 2: a different element to all of their music. And also

559
00:26:50,320 --> 00:26:52,800
Speaker 2: when Freddy had them featured on his shit that we

560
00:26:52,960 --> 00:26:56,560
Speaker 2: obviously have not gotten that in almost five years. So

561
00:26:57,000 --> 00:27:01,640
Speaker 2: I missed that as a fan of Griselda collectively individually

562
00:27:01,680 --> 00:27:04,480
Speaker 2: and a fan of Freddy, like I've missed not having

563
00:27:04,520 --> 00:27:07,679
Speaker 2: those collaborations. That's all I'm saying. And I'm saying that

564
00:27:07,800 --> 00:27:12,000
Speaker 2: hip hop in general is better when they collaborate. And

565
00:27:12,040 --> 00:27:14,000
Speaker 2: I'm not saying that hip hop is worse for not

566
00:27:14,080 --> 00:27:16,800
Speaker 2: having their collaborations. I'm just saying, as a fan of

567
00:27:16,920 --> 00:27:19,680
Speaker 2: all four of those guys, it's better when they make

568
00:27:19,800 --> 00:27:23,760
Speaker 2: music together. It's my point only. Yeah, I think anybody's

569
00:27:23,800 --> 00:27:27,320
Speaker 2: in the chat is saying this shit ain't squashed. I

570
00:27:27,359 --> 00:27:29,160
Speaker 2: don't know where they got these sources from.

571
00:27:29,200 --> 00:27:31,920
Speaker 9: I don't know why they saying it, but it's literally

572
00:27:31,960 --> 00:27:33,320
Speaker 9: everybody's saying this shit.

573
00:27:33,760 --> 00:27:38,399
Speaker 1: What I'm seeing. What I'm seeing is that Conway's beef

574
00:27:38,480 --> 00:27:42,199
Speaker 1: with Benny is not squashed. So that's you know I

575
00:27:42,280 --> 00:27:45,200
Speaker 1: talked to y'all off camera in regards to that last week,

576
00:27:46,040 --> 00:27:50,000
Speaker 1: but that that's an ongoing beef that we haven't you know,

577
00:27:50,119 --> 00:27:51,879
Speaker 1: talked about here publicly.

578
00:27:52,040 --> 00:27:56,480
Speaker 2: But in terms of the West Side joint, Look, man, y'all, look,

579
00:27:56,640 --> 00:27:59,280
Speaker 2: I'm on Billboard. I seen it a hot new hip

580
00:27:59,280 --> 00:28:03,240
Speaker 2: hop you saw. I can't remember the where I sourced

581
00:28:03,320 --> 00:28:06,119
Speaker 2: that video from, but there's also another hip hop publication

582
00:28:06,359 --> 00:28:08,919
Speaker 2: y'all can go. Look, I'm just going based off of

583
00:28:08,960 --> 00:28:11,280
Speaker 2: what we see that we can report on.

584
00:28:13,440 --> 00:28:16,680
Speaker 1: Mm hm oh man. That's funny.

585
00:28:17,280 --> 00:28:21,560
Speaker 5: Yeah, I don't know, Like, yeah, I think, I think.

586
00:28:22,640 --> 00:28:25,400
Speaker 8: I think if it was artists that that constantly collabor

587
00:28:25,440 --> 00:28:28,440
Speaker 8: with each other and we like their music when they

588
00:28:28,480 --> 00:28:29,560
Speaker 8: when they do stuff together.

589
00:28:29,600 --> 00:28:31,200
Speaker 5: I'm trying. I was trying to think of an example,

590
00:28:31,240 --> 00:28:32,119
Speaker 5: but I feel.

591
00:28:31,840 --> 00:28:35,080
Speaker 7: Like that would have more effect on me than this, because.

592
00:28:35,119 --> 00:28:39,680
Speaker 8: They got a handful of tracks together. If that of collaborations, right,

593
00:28:39,720 --> 00:28:43,080
Speaker 8: they got like more than that. They are way a

594
00:28:43,080 --> 00:28:48,160
Speaker 8: handful of track Yeah really, yeah, you're talking just Benny

595
00:28:48,360 --> 00:28:48,800
Speaker 8: and Freddy.

596
00:28:48,880 --> 00:28:52,160
Speaker 1: Are you talking Crazelda and Freddie? Benny and Freddie. Yeah,

597
00:28:52,560 --> 00:28:56,520
Speaker 1: it's like a handful. I would say it's a handful. Yeah,

598
00:28:56,560 --> 00:28:57,800
Speaker 1: So that's that's all I'm saying.

599
00:28:58,040 --> 00:29:03,720
Speaker 2: But you know, and they had supposedly like a lab

600
00:29:03,800 --> 00:29:05,920
Speaker 2: project that they was working on at the riff.

601
00:29:06,400 --> 00:29:08,520
Speaker 1: What's happening, m hmmm.

602
00:29:08,760 --> 00:29:13,440
Speaker 8: So yeah, And I saw as far as the Conway

603
00:29:13,520 --> 00:29:18,280
Speaker 8: and Bennie, I saw westside post some coded or whatever

604
00:29:18,360 --> 00:29:23,680
Speaker 8: about Benny living, Benny's mother living with his mother and whatever.

605
00:29:23,760 --> 00:29:26,960
Speaker 8: Like how it's like the same stuff We've been saying, like, Yo,

606
00:29:27,000 --> 00:29:30,040
Speaker 8: they they all brothers and cousin, they family, like they

607
00:29:30,120 --> 00:29:32,760
Speaker 8: might they might have some like spout, like every family

608
00:29:32,800 --> 00:29:35,360
Speaker 8: goes through certain things, you know what I'm saying. But

609
00:29:35,840 --> 00:29:37,880
Speaker 8: I don't think it's nothing serious like man, you know,

610
00:29:38,920 --> 00:29:40,680
Speaker 8: you know f that nigga for life, Like I don't

611
00:29:40,680 --> 00:29:41,480
Speaker 8: know if it's something.

612
00:29:41,320 --> 00:29:44,200
Speaker 7: Like like that or whatever. They probably just haven't having

613
00:29:44,240 --> 00:29:45,000
Speaker 7: some sort of moment.

614
00:29:45,560 --> 00:29:49,800
Speaker 2: I don't know, Ye well, I just know it got

615
00:29:49,960 --> 00:29:53,840
Speaker 2: a little a little violent in Paris. From all reports

616
00:29:54,320 --> 00:29:58,960
Speaker 2: that one of one of Benny's entourage or one of

617
00:29:59,000 --> 00:30:01,640
Speaker 2: Conway's entourage have pulled out a knife and that El

618
00:30:01,680 --> 00:30:04,239
Speaker 2: Camino dropped them with a punch, and they said that

619
00:30:04,360 --> 00:30:07,960
Speaker 2: Benny and Freddie or Benny and Conway had to be separated.

620
00:30:08,440 --> 00:30:11,120
Speaker 1: It was in each other's grills. So, you know, I

621
00:30:11,160 --> 00:30:11,480
Speaker 1: don't know.

622
00:30:11,560 --> 00:30:13,480
Speaker 2: We weren't there, but a lot of people that were

623
00:30:13,520 --> 00:30:16,080
Speaker 2: there said that it felt.

624
00:30:15,680 --> 00:30:19,160
Speaker 4: Like this family fighting. It's just family fighting, that's all

625
00:30:19,160 --> 00:30:19,600
Speaker 4: it is.

626
00:30:20,320 --> 00:30:21,120
Speaker 1: I feel all that.

627
00:30:21,320 --> 00:30:24,880
Speaker 2: But but but but but families sometimes they separated and

628
00:30:24,920 --> 00:30:26,240
Speaker 2: they're not cool with each other no more.

629
00:30:26,400 --> 00:30:28,240
Speaker 1: You know what I'm saying That that does happen as well.

630
00:30:28,360 --> 00:30:31,520
Speaker 2: So I don't know if it's that, but I know

631
00:30:31,560 --> 00:30:33,560
Speaker 2: a lot of people that were there that reported on

632
00:30:33,600 --> 00:30:36,040
Speaker 2: it have said that that's what it felt like at

633
00:30:36,080 --> 00:30:37,280
Speaker 2: that moment in time.

634
00:30:38,120 --> 00:30:39,040
Speaker 1: Is that what's going to happen?

635
00:30:39,080 --> 00:30:41,760
Speaker 2: I don't know, but they are there is a tiff

636
00:30:41,880 --> 00:30:45,560
Speaker 2: inside of Griselda.

637
00:30:46,040 --> 00:30:47,080
Speaker 4: I don't think there's no tiff.

638
00:30:49,240 --> 00:30:51,680
Speaker 3: It's just because it's just it's just niggas hollering.

639
00:30:51,720 --> 00:30:52,440
Speaker 4: That's all they're doing.

640
00:30:53,280 --> 00:30:58,000
Speaker 1: I'm possibly possibly that's what it is.

641
00:30:58,680 --> 00:31:01,000
Speaker 6: I think when I was younger.

642
00:31:01,840 --> 00:31:04,400
Speaker 4: So if you was a fifteen year old right now

643
00:31:04,440 --> 00:31:06,200
Speaker 4: on and and you'll be loving this, you will.

644
00:31:06,080 --> 00:31:07,800
Speaker 6: Be like Man everywhere.

645
00:31:07,840 --> 00:31:10,200
Speaker 9: Maybe maybe, But I mean I grew up in the

646
00:31:10,240 --> 00:31:13,920
Speaker 9: era Man where ship was real. You know, we lost

647
00:31:14,120 --> 00:31:18,000
Speaker 9: breaks over over real ship, and you know, people saying

648
00:31:18,040 --> 00:31:20,040
Speaker 9: somebody pulled out a knife and all this other stuff

649
00:31:20,080 --> 00:31:23,240
Speaker 9: going on with you know, all this other stuff. So

650
00:31:23,880 --> 00:31:27,760
Speaker 9: I'm not a fan of it at all. I think that,

651
00:31:28,000 --> 00:31:31,400
Speaker 9: you know, it's just sad. Like you know, I know

652
00:31:31,840 --> 00:31:36,120
Speaker 9: in every genre there's beef. I just saw who was it?

653
00:31:36,120 --> 00:31:41,080
Speaker 9: It was too white pop singers of beef with each other. Really, yeah,

654
00:31:41,600 --> 00:31:43,840
Speaker 9: they beef with each other to beat, I saw that ship.

655
00:31:43,880 --> 00:31:45,400
Speaker 4: We got white crime in the music.

656
00:31:45,760 --> 00:31:51,400
Speaker 6: We got white or white pop beef beef what I

657
00:31:51,440 --> 00:31:53,200
Speaker 6: was trying to get the details beat, but.

658
00:31:53,800 --> 00:31:55,440
Speaker 4: I need hey, bro, you need to give me the

659
00:31:55,440 --> 00:31:56,000
Speaker 4: scoop on that.

660
00:31:56,760 --> 00:32:00,080
Speaker 9: Yeah, but yeah, I'll see if I can find it.

661
00:32:00,120 --> 00:32:05,120
Speaker 9: But but nowadays, man, yeah, I don't know.

662
00:32:06,080 --> 00:32:07,600
Speaker 4: Like drama don't excite you like that?

663
00:32:07,680 --> 00:32:11,400
Speaker 9: No more can not this sort of this, you know,

664
00:32:12,440 --> 00:32:14,280
Speaker 9: you know it has to be covered and understand that

665
00:32:14,680 --> 00:32:15,880
Speaker 9: everything gets settled.

666
00:32:16,240 --> 00:32:18,840
Speaker 6: But I hope just one day they you know, grow

667
00:32:18,840 --> 00:32:19,560
Speaker 6: old enough.

668
00:32:19,760 --> 00:32:24,200
Speaker 9: And realize like man, we right know, but hey, you

669
00:32:24,240 --> 00:32:28,280
Speaker 9: know this, some some ship just never died. Some ship

670
00:32:28,480 --> 00:32:31,800
Speaker 9: just stay with them forever, you know, and and it

671
00:32:31,880 --> 00:32:35,680
Speaker 9: is what it is. So but yeah, I was you know,

672
00:32:35,680 --> 00:32:38,200
Speaker 9: maybe one day we'll get past all this stuff, but

673
00:32:38,240 --> 00:32:41,440
Speaker 9: hopefully they'll they'll squash it.

674
00:32:40,600 --> 00:32:42,000
Speaker 6: If it's not.

675
00:32:44,080 --> 00:32:49,120
Speaker 2: Yeah, I hope so, I hope it's not anything major.

676
00:32:49,160 --> 00:32:52,600
Speaker 2: I hope it's just, you know, a family feud, you know,

677
00:32:52,640 --> 00:32:54,920
Speaker 2: but like Jay says, nobody wins on the family feuds.

678
00:32:55,400 --> 00:32:56,840
Speaker 1: But hopefully they get past it.

679
00:32:57,000 --> 00:33:01,560
Speaker 2: Hopefully, you know, Freddy and Griselda, they squash everything and

680
00:33:01,600 --> 00:33:05,080
Speaker 2: hopefully we get back to be lucky making me.

681
00:33:05,280 --> 00:33:08,560
Speaker 6: Hey, Rob, you're right man, d ray landa del ray

682
00:33:08,800 --> 00:33:17,280
Speaker 6: and Bro. They beefing bro years Bro? Are you serious?

683
00:33:19,160 --> 00:33:19,360
Speaker 1: Who?

684
00:33:19,760 --> 00:33:20,960
Speaker 4: Come on? You're kidding me?

685
00:33:21,080 --> 00:33:25,560
Speaker 6: Somebody named Okay? Now, this ship is entertaining because I ain't.

686
00:33:25,400 --> 00:33:29,080
Speaker 9: Never seen it's a white girl beefing bro.

687
00:33:30,720 --> 00:33:33,880
Speaker 4: Yeah, man, like they beefing. Like if I see her

688
00:33:34,000 --> 00:33:39,400
Speaker 4: is on site beefing, it might be damn I'll be

689
00:33:39,640 --> 00:33:40,720
Speaker 4: I'll be interested in that ship.

690
00:33:40,760 --> 00:33:40,880
Speaker 5: Man.

691
00:33:40,880 --> 00:33:42,640
Speaker 4: I need, I need, I need you on site. Hands.

692
00:33:44,160 --> 00:33:46,600
Speaker 6: I would love to see that. I love to see.

693
00:33:47,200 --> 00:33:53,920
Speaker 3: B and some ship probably so publishing or something like that.

694
00:33:55,200 --> 00:33:57,360
Speaker 6: Bro, I think they might got distract and everything. I'm

695
00:33:57,360 --> 00:33:59,719
Speaker 6: looking at it for real. Hey, I'm gonna look this up.

696
00:33:59,840 --> 00:34:02,640
Speaker 6: I'm might have all, but please.

697
00:34:02,960 --> 00:34:04,920
Speaker 1: Please send it. Hey, you need to work on them

698
00:34:04,920 --> 00:34:10,239
Speaker 1: super tests. Let's go the super That's right.

699
00:34:10,320 --> 00:34:15,040
Speaker 6: Sorry, I'm just saying, bro, what what happened?

700
00:34:17,360 --> 00:34:21,160
Speaker 9: Shout out to everybody? Man imagine nine four evening that

701
00:34:21,440 --> 00:34:23,680
Speaker 9: hip out? What album do you guys have as best

702
00:34:23,840 --> 00:34:26,040
Speaker 9: rap album of the year so far?

703
00:34:28,320 --> 00:34:29,319
Speaker 1: I got clips?

704
00:34:33,160 --> 00:34:36,680
Speaker 5: God, I feel like I just hold on. Let me

705
00:34:36,680 --> 00:34:37,160
Speaker 5: look at my.

706
00:34:37,880 --> 00:34:40,040
Speaker 4: Yeah, I said, look at my met year.

707
00:34:41,640 --> 00:34:46,400
Speaker 5: List. I know, right, would you be like that?

708
00:34:48,840 --> 00:34:48,960
Speaker 9: Oh?

709
00:34:49,000 --> 00:34:55,240
Speaker 3: Okay, So Billy Willis is my number one so far? Yeah,

710
00:34:55,520 --> 00:34:57,719
Speaker 3: that was my number one so far. I'm looking at

711
00:34:57,719 --> 00:34:59,719
Speaker 3: my mid year top five. I just trying to go

712
00:34:59,760 --> 00:35:00,120
Speaker 3: off that.

713
00:35:01,840 --> 00:35:02,800
Speaker 6: Yeah.

714
00:35:03,040 --> 00:35:06,120
Speaker 3: I think that's probably still my album of the year.

715
00:35:09,200 --> 00:35:09,399
Speaker 4: Man.

716
00:35:09,400 --> 00:35:12,319
Speaker 3: That Evidence though, Man, that Evidence the Learning Volum two.

717
00:35:13,400 --> 00:35:17,480
Speaker 3: Oh man, bruh. I can't stop playing it. I can't

718
00:35:17,480 --> 00:35:21,040
Speaker 3: stop playing it right now. So that's that's definitely competing.

719
00:35:21,120 --> 00:35:23,799
Speaker 4: For a favorite album so far this year. Bro, album

720
00:35:23,920 --> 00:35:24,399
Speaker 4: is so good.

721
00:35:24,760 --> 00:35:25,360
Speaker 1: What's your favorite?

722
00:35:25,360 --> 00:35:26,759
Speaker 6: What's your favorite track on that? Right? Now?

723
00:35:28,080 --> 00:35:30,920
Speaker 3: Hold I tell you now hold on, man, because this

724
00:35:30,960 --> 00:35:33,000
Speaker 3: ship I haven't listened to that. I even tweeted about

725
00:35:33,000 --> 00:35:34,719
Speaker 3: it all, like, man, there's nobody's talking about this album.

726
00:35:34,760 --> 00:35:35,360
Speaker 5: She is crazy?

727
00:35:35,800 --> 00:35:39,280
Speaker 3: Uh, Seeing Double, Seeing Double is bruh, that's my favorite

728
00:35:39,280 --> 00:35:40,279
Speaker 3: ship Seeing Double.

729
00:35:40,320 --> 00:35:42,200
Speaker 2: It's just so good and we did it on D

730
00:35:42,320 --> 00:35:43,879
Speaker 2: three sixty five, so that'll be out.

731
00:35:44,280 --> 00:35:46,799
Speaker 1: That's the point of time. Patreots get it first. Yeah,

732
00:35:47,000 --> 00:35:50,279
Speaker 1: Hey busy Larry June may he everywhere?

733
00:35:51,320 --> 00:35:53,840
Speaker 7: Yeah, that's your favorite album of the years.

734
00:35:54,560 --> 00:35:55,720
Speaker 4: No, he's on that Evidence.

735
00:35:55,920 --> 00:36:00,560
Speaker 9: Yeah, yeah, but I like, uh, I think is out

736
00:36:00,560 --> 00:36:01,080
Speaker 9: of Bounds.

737
00:36:01,080 --> 00:36:02,840
Speaker 6: I think I like that beat on out of Bounds

738
00:36:02,840 --> 00:36:04,000
Speaker 6: bro Yeah, out.

739
00:36:03,880 --> 00:36:07,320
Speaker 3: Of bounces though, that's right before Seeing.

740
00:36:09,960 --> 00:36:10,200
Speaker 6: Ship.

741
00:36:10,840 --> 00:36:16,160
Speaker 3: Yeah yeah, yeah, Evidence, bron sleep sleep people sleep.

742
00:36:16,000 --> 00:36:16,600
Speaker 5: On that Evidence.

743
00:36:16,640 --> 00:36:19,600
Speaker 6: Man, I might be with I might I might I might.

744
00:36:20,040 --> 00:36:20,560
Speaker 5: May be with.

745
00:36:23,200 --> 00:36:25,680
Speaker 4: See, that's that's still I think that's still kind of

746
00:36:25,719 --> 00:36:26,640
Speaker 4: I think that's still.

747
00:36:26,440 --> 00:36:27,440
Speaker 1: Competing for us.

748
00:36:27,960 --> 00:36:29,160
Speaker 6: That's tough to beat right now.

749
00:36:29,280 --> 00:36:31,359
Speaker 1: Yeah yeah, yeah, I.

750
00:36:31,320 --> 00:36:33,399
Speaker 5: Know people talking about the clips and stuff like.

751
00:36:33,320 --> 00:36:37,399
Speaker 4: That, and nah, man, there's top ten, it's top ten.

752
00:36:37,480 --> 00:36:38,759
Speaker 1: But no, that Belly was that?

753
00:36:38,760 --> 00:36:39,799
Speaker 4: That was it.

754
00:36:41,200 --> 00:36:43,360
Speaker 7: I like the Alfredo though I do like the Afraid.

755
00:36:43,719 --> 00:36:45,720
Speaker 7: I still am bumping that pretty heavily.

756
00:36:47,800 --> 00:36:53,480
Speaker 5: But yeah, that yeah, that good man. Yeah, I think that's.

757
00:36:53,320 --> 00:36:57,560
Speaker 3: Still Nick granp Nick Grant because I think I think

758
00:36:57,560 --> 00:36:59,239
Speaker 3: if I listened to that Nick Grant before we did

759
00:36:59,239 --> 00:37:01,320
Speaker 3: our Midia time that had definitely been up there probably

760
00:37:01,320 --> 00:37:03,040
Speaker 3: would have made like in the top three that Nick

761
00:37:03,040 --> 00:37:05,200
Speaker 3: Grant jaint. I took it personal and then I took

762
00:37:05,239 --> 00:37:08,200
Speaker 3: it personal. Yeah, and Nick Grant shit is good too.

763
00:37:08,640 --> 00:37:09,479
Speaker 3: I forgot about I.

764
00:37:09,360 --> 00:37:11,759
Speaker 5: Was trying to. I was trying to. Look. I know,

765
00:37:11,800 --> 00:37:13,080
Speaker 5: I feel like I'm missing something.

766
00:37:13,120 --> 00:37:14,359
Speaker 6: But yeah, all.

767
00:37:14,360 --> 00:37:19,040
Speaker 1: Right, any for you vo?

768
00:37:19,200 --> 00:37:19,720
Speaker 4: What's yours?

769
00:37:20,200 --> 00:37:20,960
Speaker 1: I said, clips?

770
00:37:21,040 --> 00:37:22,200
Speaker 6: Ro oh clips?

771
00:37:22,280 --> 00:37:24,000
Speaker 4: Oh, okay, okay, okay.

772
00:37:24,080 --> 00:37:24,520
Speaker 6: All right?

773
00:37:24,840 --> 00:37:27,960
Speaker 9: Uh Donald Van y'all rocking with the new Juicy J

774
00:37:28,239 --> 00:37:28,960
Speaker 9: Jazz album?

775
00:37:29,560 --> 00:37:31,600
Speaker 1: Yes, look, hold on, Yeah, I have listened to it.

776
00:37:31,680 --> 00:37:33,680
Speaker 2: Yeah, everybody on that side of the room, I know

777
00:37:33,719 --> 00:37:35,279
Speaker 2: they didn't listen to it. Me and Ken just did

778
00:37:35,320 --> 00:37:37,000
Speaker 2: it for D three sixty five. Look, let me tell

779
00:37:37,040 --> 00:37:37,520
Speaker 2: you something, bro.

780
00:37:38,120 --> 00:37:39,080
Speaker 1: It made me and Kim.

781
00:37:39,040 --> 00:37:42,680
Speaker 2: Feel old because I never would have thought that Juicy

782
00:37:42,760 --> 00:37:47,080
Speaker 2: J would have been this mature on an album. This

783
00:37:47,280 --> 00:37:50,759
Speaker 2: is honestly one of the best albums of twenty twenty five,

784
00:37:51,239 --> 00:37:53,320
Speaker 2: and it's something that I never knew we needed.

785
00:37:54,960 --> 00:37:56,640
Speaker 1: But it's amazing. Both of ya should.

786
00:37:56,360 --> 00:37:59,319
Speaker 6: Listen to it. Yeah, I do encourage y'all to give

787
00:37:59,320 --> 00:38:01,239
Speaker 6: it a listen. I do want to know what you

788
00:38:01,239 --> 00:38:02,120
Speaker 6: guys think about it.

789
00:38:03,680 --> 00:38:05,799
Speaker 4: Yeah, I just haven't had time.

790
00:38:05,880 --> 00:38:09,520
Speaker 6: Yeah, yeah, I think I think y'all might.

791
00:38:09,719 --> 00:38:12,440
Speaker 9: I think y'all might mess with it, man, Yeah, I

792
00:38:12,440 --> 00:38:15,200
Speaker 9: think you'll might mess with it. You know, if y'all

793
00:38:15,400 --> 00:38:18,839
Speaker 9: in the mood for something a little laid back and

794
00:38:18,880 --> 00:38:20,960
Speaker 9: she'll just want to take a break, give give it

795
00:38:21,040 --> 00:38:22,319
Speaker 9: a listen, all.

796
00:38:22,320 --> 00:38:25,720
Speaker 1: Right, just get you a bottle wine, mister Pierce.

797
00:38:26,640 --> 00:38:28,760
Speaker 9: Did the rest of y'all get that stove Gud project?

798
00:38:29,040 --> 00:38:32,279
Speaker 9: Did you listen to it? Y'all send it to y'all?

799
00:38:32,360 --> 00:38:36,200
Speaker 5: Yeah, yeah, yeah, I have.

800
00:38:36,520 --> 00:38:39,200
Speaker 4: Yes, I have, Yes, I've listened to it. But yeah,

801
00:38:40,120 --> 00:38:41,799
Speaker 4: y'all don't have it. I send it to y'all.

802
00:38:41,800 --> 00:38:42,359
Speaker 1: You don't have it.

803
00:38:44,239 --> 00:38:46,040
Speaker 4: Yeah, appreciate you, mister Pierce.

804
00:38:46,040 --> 00:38:53,359
Speaker 9: Holding out again, my fat listen to y'all too, all

805
00:38:53,400 --> 00:38:54,040
Speaker 9: of us.

806
00:38:54,040 --> 00:38:55,680
Speaker 4: So how I got it and y'all don't got it,

807
00:38:55,920 --> 00:38:56,600
Speaker 4: y'all slipping.

808
00:38:57,760 --> 00:38:59,360
Speaker 5: Appreciate that. I appreciate that.

809
00:38:59,840 --> 00:39:00,640
Speaker 6: Y'all period.

810
00:39:00,960 --> 00:39:02,680
Speaker 4: Look at y'all, Look at you just trying to try

811
00:39:02,719 --> 00:39:03,959
Speaker 4: to I.

812
00:39:03,880 --> 00:39:06,879
Speaker 9: Do like a kee though. I've just seen his name.

813
00:39:07,480 --> 00:39:09,080
Speaker 4: That's the pimp dude, right, that's going to be like

814
00:39:09,120 --> 00:39:09,799
Speaker 4: on this pimp ship.

815
00:39:10,160 --> 00:39:11,480
Speaker 6: Yeah, I do mess with him.

816
00:39:11,719 --> 00:39:14,400
Speaker 3: Yeah, I haven't listened to a whole album, but you know,

817
00:39:14,520 --> 00:39:17,920
Speaker 3: like I've seen like clips of like his songs and

818
00:39:17,960 --> 00:39:21,160
Speaker 3: stuff like that, Like he's very press, president of social

819
00:39:21,239 --> 00:39:22,640
Speaker 3: media is pretty is pretty big.

820
00:39:22,760 --> 00:39:25,440
Speaker 4: So that I haven't listened to an album.

821
00:39:25,719 --> 00:39:33,240
Speaker 9: Arterial ranked the following DIP set members, Uh, Cam, Jim Jones,

822
00:39:33,440 --> 00:39:36,879
Speaker 9: Jewel's forty Cow Hell Real, and j R Rider.

823
00:39:37,080 --> 00:39:42,719
Speaker 4: Ship low key Okay, So I mean, for one, it

824
00:39:42,840 --> 00:39:44,440
Speaker 4: may be between the Cam and JR.

825
00:39:44,520 --> 00:39:44,719
Speaker 1: Rider.

826
00:39:44,800 --> 00:39:47,640
Speaker 4: Man, I don't know j Bro. J Writer was in

827
00:39:47,680 --> 00:39:48,000
Speaker 4: his mix.

828
00:39:49,560 --> 00:39:53,760
Speaker 3: J W was nice, bro like just pure, just pure

829
00:39:53,880 --> 00:39:58,439
Speaker 3: rapping ability. I would probably rank JR Writer as number one.

830
00:39:58,560 --> 00:40:01,719
Speaker 3: Cam will be number two. You can pretty much rank

831
00:40:01,760 --> 00:40:04,120
Speaker 3: everybody else at that point. I don't really care for

832
00:40:04,120 --> 00:40:07,600
Speaker 3: everybody else on this list. I think everybody. I think

833
00:40:07,640 --> 00:40:12,200
Speaker 3: everybody on this No, everybody on this list. Come on, y'

834
00:40:12,360 --> 00:40:15,280
Speaker 3: let's be seriously, like, come.

835
00:40:15,160 --> 00:40:17,680
Speaker 6: On for nostalgia sake.

836
00:40:18,520 --> 00:40:21,960
Speaker 4: No, okay, all right, So I thought they were whacked nostalgia.

837
00:40:22,000 --> 00:40:23,800
Speaker 4: They were whack, all the rest of them whack.

838
00:40:24,800 --> 00:40:25,400
Speaker 5: But I didn't.

839
00:40:25,480 --> 00:40:27,440
Speaker 3: I didn't be So you said you got Cam, you

840
00:40:27,440 --> 00:40:29,120
Speaker 3: got Cam one, Cam still one.

841
00:40:29,280 --> 00:40:30,040
Speaker 4: I'm not mad at that.

842
00:40:30,120 --> 00:40:30,359
Speaker 1: Yeah.

843
00:40:30,440 --> 00:40:31,160
Speaker 4: I mean he's a star.

844
00:40:31,320 --> 00:40:31,879
Speaker 6: He's a star.

845
00:40:32,000 --> 00:40:32,880
Speaker 5: Yeah yeah.

846
00:40:33,320 --> 00:40:36,040
Speaker 7: J Wright was definitely a sleeper pig, so I'm putting

847
00:40:36,760 --> 00:40:37,799
Speaker 7: too okay.

848
00:40:38,160 --> 00:40:39,719
Speaker 8: And just like I said, this is why I say

849
00:40:39,719 --> 00:40:42,320
Speaker 8: nostalgia kicks and Joel Santana I was a big.

850
00:40:42,200 --> 00:40:48,000
Speaker 3: Joey Yeah, God was top three.

851
00:40:48,760 --> 00:40:51,319
Speaker 4: Oh lord, let's see.

852
00:40:51,600 --> 00:40:53,319
Speaker 5: I probably put hair Rail their hair.

853
00:40:53,840 --> 00:40:56,840
Speaker 7: Oh God has some joints.

854
00:40:57,680 --> 00:41:03,520
Speaker 13: Oh OHBABLY would put Jim Jones before forty Cow because

855
00:41:03,520 --> 00:41:05,560
Speaker 13: I don't remember too much of forty Cow stuff, But

856
00:41:06,160 --> 00:41:08,239
Speaker 13: Jim Jones and in forty cal last.

857
00:41:10,200 --> 00:41:18,600
Speaker 11: I think you you nailed it, bron moment.

858
00:41:20,000 --> 00:41:21,719
Speaker 1: Oh my god, how do you not.

859
00:41:24,400 --> 00:41:25,520
Speaker 5: Listen back to him now?

860
00:41:25,600 --> 00:41:27,120
Speaker 4: It was like it's straight.

861
00:41:27,880 --> 00:41:30,080
Speaker 3: I thought it was trashed Back then, I couldn't believe

862
00:41:30,120 --> 00:41:31,880
Speaker 3: people was really proper.

863
00:41:32,160 --> 00:41:32,359
Speaker 1: Dude.

864
00:41:32,600 --> 00:41:34,239
Speaker 4: I was like, what are what are we doing here?

865
00:41:34,320 --> 00:41:35,279
Speaker 4: Y'all come gonna stop it?

866
00:41:36,560 --> 00:41:40,920
Speaker 2: You listen to him now? Like Jewell's, I don't disagree

867
00:41:40,960 --> 00:41:43,600
Speaker 2: with with your list. That's actually my list to modest.

868
00:41:43,960 --> 00:41:46,520
Speaker 2: I could swap hell Rail and Jewel's. If we're talking

869
00:41:46,520 --> 00:41:49,720
Speaker 2: about rappability. I think hell Rail was a nicer rapper

870
00:41:49,800 --> 00:41:54,279
Speaker 2: but had a career he had to start follow but

871
00:41:54,400 --> 00:41:58,680
Speaker 2: you go back and listen to Joel's I still resonate

872
00:41:58,719 --> 00:41:59,960
Speaker 2: with it because of nostalgia.

873
00:42:00,440 --> 00:42:02,480
Speaker 1: But if I was away, an't going back out of

874
00:42:02,520 --> 00:42:02,839
Speaker 1: be like.

875
00:42:03,000 --> 00:42:06,960
Speaker 3: Y'all, y'all really got food over that hit him rapping

876
00:42:07,000 --> 00:42:08,000
Speaker 3: with Little Wayne Man.

877
00:42:08,400 --> 00:42:12,320
Speaker 4: People really got food by that. It was was garbinge.

878
00:42:12,840 --> 00:42:14,960
Speaker 1: Now, youls had some star power to him, though.

879
00:42:16,280 --> 00:42:18,799
Speaker 3: I never say, mom, I didn't say he didn't have

880
00:42:18,920 --> 00:42:21,520
Speaker 3: star power. I'm talking about rapping wise, he.

881
00:42:21,600 --> 00:42:22,400
Speaker 6: Was feel you.

882
00:42:23,880 --> 00:42:27,640
Speaker 7: Wrappo what it.

883
00:42:27,520 --> 00:42:28,000
Speaker 6: Was back then?

884
00:42:28,000 --> 00:42:28,840
Speaker 5: It was about to slag.

885
00:42:35,280 --> 00:42:35,680
Speaker 1: Yeah.

886
00:42:37,040 --> 00:42:38,720
Speaker 5: Man, man, it was a time.

887
00:42:38,880 --> 00:42:39,560
Speaker 7: It was a time.

888
00:42:40,560 --> 00:42:41,319
Speaker 5: I get it.

889
00:42:41,400 --> 00:42:43,840
Speaker 3: I mean, but you know it was just like bro, really,

890
00:42:43,920 --> 00:42:45,920
Speaker 3: I'm like, you only got like two people that's nice.

891
00:42:45,719 --> 00:42:50,200
Speaker 6: And dip set man. Now listen to it.

892
00:42:54,120 --> 00:42:56,080
Speaker 4: Yeah Jared Riders Man, Yeah, I guess I can still

893
00:42:56,120 --> 00:42:57,120
Speaker 4: listen to Jared Rider.

894
00:42:56,960 --> 00:42:58,600
Speaker 1: Joints was he was dope?

895
00:43:00,320 --> 00:43:03,320
Speaker 6: Uh Fantano just dropped the white rapper tier list. Curious

896
00:43:03,360 --> 00:43:06,840
Speaker 6: what y'all would do. It'll be a great convo idea

897
00:43:07,040 --> 00:43:08,200
Speaker 6: jotted down Jalen.

898
00:43:10,080 --> 00:43:11,239
Speaker 4: That would be interesting.

899
00:43:12,640 --> 00:43:15,600
Speaker 6: Yeah, yeah, Hey, I love to do this right up.

900
00:43:16,280 --> 00:43:18,200
Speaker 1: Hey we need Mike, That's all I'm gonna say.

901
00:43:18,680 --> 00:43:25,920
Speaker 3: Oh wow, I got it, people, Yeah, I got I

902
00:43:25,960 --> 00:43:28,280
Speaker 3: can come up with your list of somebody rappers there.

903
00:43:31,120 --> 00:43:34,680
Speaker 6: All right? For Nan Doc fifteen fifty? Are we getting

904
00:43:34,719 --> 00:43:36,359
Speaker 6: that chance? Review? It's paying his back?

905
00:43:37,080 --> 00:43:40,279
Speaker 1: You just reviewed it today. It'll be out soon, m Yeah.

906
00:43:41,160 --> 00:43:43,680
Speaker 9: And I saw somebody mentioned McKinley Ditson in the in

907
00:43:43,760 --> 00:43:47,080
Speaker 9: the chat. We actually did Magic Alive. It was a

908
00:43:47,080 --> 00:43:50,600
Speaker 9: request line video for Patreon. We reviewed that today as well.

909
00:43:51,120 --> 00:43:53,600
Speaker 9: So if you guys been looking for that one, it'll

910
00:43:53,600 --> 00:43:53,919
Speaker 9: be an.

911
00:43:53,800 --> 00:43:56,320
Speaker 4: Amazing, amazing album.

912
00:43:56,480 --> 00:43:59,600
Speaker 9: Yeah yeah, no, uh do you know your favorite track

913
00:43:59,640 --> 00:44:01,799
Speaker 9: off that be? Because he wasn't on the reviews?

914
00:44:04,920 --> 00:44:08,600
Speaker 3: Man, I don't think I have a favorite, and I

915
00:44:08,600 --> 00:44:12,000
Speaker 3: don't mean that in the negative way, but damn, I

916
00:44:12,000 --> 00:44:14,360
Speaker 3: mean it was just like everything that instrumentation on that

917
00:44:14,400 --> 00:44:15,640
Speaker 3: ship was fucking amazing.

918
00:44:17,080 --> 00:44:19,720
Speaker 9: I don't know, I have the ffo L was dope

919
00:44:20,280 --> 00:44:23,879
Speaker 9: you like the song with with Pink.

920
00:44:23,200 --> 00:44:25,480
Speaker 4: Yep and I've got yeah yeah.

921
00:44:25,520 --> 00:44:28,000
Speaker 3: Ice Cote Bishop, he was on Bodie James, one of

922
00:44:28,080 --> 00:44:30,000
Speaker 3: Bodie James Alchemists projects.

923
00:44:30,960 --> 00:44:32,840
Speaker 4: He was on there, Yeah, the joint with Blue, the

924
00:44:32,840 --> 00:44:33,560
Speaker 4: closing track.

925
00:44:33,400 --> 00:44:35,640
Speaker 6: With the way he handed that ship.

926
00:44:35,960 --> 00:44:39,240
Speaker 4: Yeah yeah, yeah, that Ship.

927
00:44:39,680 --> 00:44:42,279
Speaker 3: Now that album man, that ship is. That album is beautiful, bro,

928
00:44:42,440 --> 00:44:45,120
Speaker 3: that is beautiful anyway.

929
00:44:45,680 --> 00:44:49,280
Speaker 9: Uh so there's some thoughts on that album.

930
00:44:49,480 --> 00:44:53,520
Speaker 6: Uh, cinema love. What's the beat that annoys you? For me?

931
00:44:53,640 --> 00:44:55,800
Speaker 9: It is to beat for Leah's Are you at somebody?

932
00:44:56,000 --> 00:44:58,520
Speaker 9: The damn baby cruis and laughter?

933
00:44:58,760 --> 00:45:02,000
Speaker 6: Ruin it? What wildan?

934
00:45:03,080 --> 00:45:05,480
Speaker 1: How old are you?

935
00:45:05,480 --> 00:45:07,120
Speaker 4: You must be a hy en look a look at

936
00:45:07,520 --> 00:45:08,680
Speaker 4: asking somebody how old they are?

937
00:45:08,880 --> 00:45:10,360
Speaker 5: Damn right right.

938
00:45:10,280 --> 00:45:11,839
Speaker 1: That that point?

939
00:45:11,880 --> 00:45:16,319
Speaker 9: Man, Hey, the I don't I cannot remember the song,

940
00:45:16,560 --> 00:45:18,399
Speaker 9: but it's the song that the Clipping did.

941
00:45:18,560 --> 00:45:21,200
Speaker 6: It's the beat with alarm bro. You know.

942
00:45:21,320 --> 00:45:26,919
Speaker 2: For whatever reason, YouTube the algorithm had recommended that video

943
00:45:26,960 --> 00:45:28,000
Speaker 2: and I watched.

944
00:45:27,640 --> 00:45:33,360
Speaker 6: It like a lark like that.

945
00:45:33,440 --> 00:45:34,319
Speaker 1: There's another.

946
00:45:37,920 --> 00:45:40,160
Speaker 2: Yo, y'all need to go watch that video and that

947
00:45:40,280 --> 00:45:43,759
Speaker 2: shi is a classic. That a hip hop moment right there,

948
00:45:44,000 --> 00:45:45,280
Speaker 2: Ken Mold was activating.

949
00:45:45,280 --> 00:45:46,600
Speaker 6: I think it's called get Up.

950
00:45:47,239 --> 00:45:49,840
Speaker 9: I'm looking it up now, man, Oh my god, I

951
00:45:49,840 --> 00:45:50,839
Speaker 9: don't even want to play it.

952
00:45:51,840 --> 00:45:53,680
Speaker 6: I'm not man, Jesus.

953
00:45:53,400 --> 00:45:58,520
Speaker 7: Christ, Oh my god, man, somebody.

954
00:46:00,160 --> 00:46:03,720
Speaker 5: My ambition that was that that.

955
00:46:03,800 --> 00:46:08,080
Speaker 3: Whole I can't yes, but the animals, the background I

956
00:46:08,120 --> 00:46:10,279
Speaker 3: got the animal me and kid was cracking up with

957
00:46:10,360 --> 00:46:10,800
Speaker 3: that review.

958
00:46:10,840 --> 00:46:15,120
Speaker 4: Man, I remember that. I remember that ship.

959
00:46:16,600 --> 00:46:18,520
Speaker 3: Beat that annoyed me, and I hate I hate that.

960
00:46:18,640 --> 00:46:22,320
Speaker 3: I hate to keep burying this guy. But that damn

961
00:46:22,400 --> 00:46:30,560
Speaker 3: Santana song. Oh my god, that ship was so Santanna.

962
00:46:30,840 --> 00:46:33,799
Speaker 3: Oh man, that's that's that's an annoying ass beat. Bro.

963
00:46:34,239 --> 00:46:35,600
Speaker 1: That beat is so annoying.

964
00:46:35,640 --> 00:46:35,759
Speaker 3: Bro.

965
00:46:36,760 --> 00:46:40,000
Speaker 4: Oh my god, it's so garbage.

966
00:46:40,040 --> 00:46:42,120
Speaker 5: Bro go ahead.

967
00:46:42,360 --> 00:46:43,759
Speaker 1: Oh man, I hate it. I hate it.

968
00:46:43,800 --> 00:46:45,440
Speaker 3: But that's the first one I think of when I

969
00:46:45,440 --> 00:46:46,640
Speaker 3: say annoying ass beat.

970
00:46:46,640 --> 00:46:48,359
Speaker 4: I'm like, oh my god, it was.

971
00:46:48,320 --> 00:46:50,440
Speaker 5: Horrible to think of one.

972
00:46:51,360 --> 00:46:53,240
Speaker 1: Yeah, me too. Nothing's coming.

973
00:46:54,880 --> 00:46:56,600
Speaker 6: It's not a beat, but I'll tell you that's it.

974
00:46:56,719 --> 00:46:59,040
Speaker 9: And I don't mean to bring up chance, but the

975
00:46:59,160 --> 00:47:01,120
Speaker 9: no nonh.

976
00:47:01,040 --> 00:47:06,120
Speaker 6: You brouh that's on acid rap. Even to this day,

977
00:47:06,320 --> 00:47:06,719
Speaker 6: if I.

978
00:47:06,680 --> 00:47:09,839
Speaker 9: Listen to that song, I'm like, bru, if you don't

979
00:47:09,840 --> 00:47:12,280
Speaker 9: shot up, why do you think this was good?

980
00:47:13,040 --> 00:47:19,959
Speaker 6: Oh my god, bro tripping mm hmmm mmm.

981
00:47:20,760 --> 00:47:21,080
Speaker 1: Lord.

982
00:47:21,320 --> 00:47:22,520
Speaker 5: Yeah, I can't think right now.

983
00:47:22,920 --> 00:47:25,200
Speaker 4: I can't think of an annoying ass beat me neither.

984
00:47:25,320 --> 00:47:27,640
Speaker 5: I can't right now. Yeah, for some reason, I just can't.

985
00:47:27,680 --> 00:47:28,719
Speaker 5: I can't think right now.

986
00:47:29,760 --> 00:47:33,640
Speaker 2: I don't I don't know, like like stuff that bothers me.

987
00:47:34,160 --> 00:47:36,520
Speaker 2: I don't try to give it any brain space.

988
00:47:36,960 --> 00:47:40,480
Speaker 6: So awful too, oh Jesus Christ.

989
00:47:42,719 --> 00:47:46,480
Speaker 9: Yeah, uh all right, well y'all y'all, maybe hope for

990
00:47:46,560 --> 00:47:50,360
Speaker 9: some company you guys. Uh Wesley thought some drill music

991
00:47:50,360 --> 00:47:52,880
Speaker 9: and the negative impact and influence it it has on

992
00:47:52,960 --> 00:47:56,360
Speaker 9: the youth. We have lost a hundred kids, hundreds of

993
00:47:56,480 --> 00:48:01,320
Speaker 9: kids due to drill culture and this songs interesting?

994
00:48:01,560 --> 00:48:03,439
Speaker 5: Is it due to the drills? For real?

995
00:48:04,040 --> 00:48:04,239
Speaker 1: Yeah?

996
00:48:04,280 --> 00:48:07,440
Speaker 2: Because because I don't know, if you know, Rod, Like

997
00:48:07,520 --> 00:48:12,080
Speaker 2: they use a lot of what's really happening in their music,

998
00:48:12,200 --> 00:48:14,960
Speaker 2: and then they're distant, like like when somebody gets killed,

999
00:48:14,960 --> 00:48:17,920
Speaker 2: like they'll literally go run to the studio, create like

1000
00:48:17,960 --> 00:48:21,080
Speaker 2: a disc song and pretty much just tell on themselves.

1001
00:48:21,280 --> 00:48:23,080
Speaker 2: And that's the reason why, like the courts and stuff

1002
00:48:23,080 --> 00:48:25,600
Speaker 2: have been trying to really use lyrics against them because

1003
00:48:25,600 --> 00:48:29,239
Speaker 2: they're literally telling on themselves. But yeah, it definitely has

1004
00:48:29,320 --> 00:48:31,920
Speaker 2: had a negative impact because it's it's kind of sort

1005
00:48:31,960 --> 00:48:33,799
Speaker 2: of how you get clout now, you know what I'm

1006
00:48:33,840 --> 00:48:36,640
Speaker 2: saying with doing that type of stuff, I can't remember

1007
00:48:37,080 --> 00:48:41,440
Speaker 2: the y I'm sorry, I'm bad, No, no, no, go ahead.

1008
00:48:41,680 --> 00:48:43,480
Speaker 2: I didn't know that was specific to drill music.

1009
00:48:43,560 --> 00:48:46,480
Speaker 8: Because I remember Bobby Schmarta, he didn't make drill music,

1010
00:48:46,560 --> 00:48:48,920
Speaker 8: and I remember he was talking about called.

1011
00:48:48,800 --> 00:48:50,600
Speaker 7: A body bout a week ago and all that type

1012
00:48:50,640 --> 00:48:50,960
Speaker 7: of stuff.

1013
00:48:50,960 --> 00:48:53,640
Speaker 8: So I'm like, I didn't know it was specific to

1014
00:48:53,719 --> 00:48:55,279
Speaker 8: drill music, and I knew I thought it was just

1015
00:48:55,280 --> 00:48:57,840
Speaker 8: specific to younger kids.

1016
00:48:57,960 --> 00:48:59,520
Speaker 5: I did to putting.

1017
00:48:59,239 --> 00:49:01,719
Speaker 8: Stuff in Wrap Me Music and stuff like like I

1018
00:49:01,800 --> 00:49:04,320
Speaker 8: can't remember the name of that podcast we were going,

1019
00:49:04,760 --> 00:49:07,120
Speaker 8: we we did it. We did something with them on Patreon,

1020
00:49:07,560 --> 00:49:09,719
Speaker 8: and they were just saying how the kids like kind

1021
00:49:09,760 --> 00:49:12,760
Speaker 8: of listened to like some of the older stuff that

1022
00:49:12,760 --> 00:49:15,000
Speaker 8: that that the older rappers were rapping about, but one

1023
00:49:15,120 --> 00:49:17,760
Speaker 8: actually doing and started actually doing that stuff.

1024
00:49:17,880 --> 00:49:24,160
Speaker 2: Like, yeah, it's not particular straight to drill, but it's

1025
00:49:25,520 --> 00:49:28,440
Speaker 2: drill music is like it's it's one of it's one

1026
00:49:28,480 --> 00:49:30,160
Speaker 2: of those things that make it popular, you know.

1027
00:49:30,160 --> 00:49:30,560
Speaker 1: What I'm saying.

1028
00:49:30,560 --> 00:49:32,640
Speaker 2: So you know, it's not specific to it, but but

1029
00:49:32,640 --> 00:49:36,040
Speaker 2: but these y ns are definitely utilizing that that that

1030
00:49:36,160 --> 00:49:39,359
Speaker 2: sub genre and and just kind of doing that and

1031
00:49:39,400 --> 00:49:41,319
Speaker 2: it's it's not good.

1032
00:49:41,400 --> 00:49:44,560
Speaker 1: It's it's it's just it's not good to say the least.

1033
00:49:44,560 --> 00:49:51,239
Speaker 2: But yeah, yeah, I honestly don't really tap into drill

1034
00:49:51,320 --> 00:49:56,360
Speaker 2: music personally, but I see the headlines, you know what

1035
00:49:56,400 --> 00:49:58,720
Speaker 2: I'm saying. So that's why I know, like what's happening

1036
00:49:59,160 --> 00:50:02,840
Speaker 2: to a degree when we're losing the youth at the

1037
00:50:02,880 --> 00:50:05,520
Speaker 2: alarming rate that we are with it. But yeah, man,

1038
00:50:05,560 --> 00:50:09,160
Speaker 2: it's it's yeah, it's really what the wayans are listening to.

1039
00:50:09,239 --> 00:50:11,160
Speaker 1: Man, it's it's it's kind of.

1040
00:50:11,120 --> 00:50:14,400
Speaker 9: Sad, and I wish we could do more or people

1041
00:50:14,440 --> 00:50:17,400
Speaker 9: can you know, in the communities, can you know, I

1042
00:50:17,440 --> 00:50:20,000
Speaker 9: know they're they're you know, trying to help, but do

1043
00:50:20,120 --> 00:50:23,480
Speaker 9: more to reach out and and help them, you know,

1044
00:50:23,600 --> 00:50:27,640
Speaker 9: to kind of you know, keep that stuff off wax

1045
00:50:27,760 --> 00:50:32,120
Speaker 9: and and really trying to give them better options you know,

1046
00:50:32,480 --> 00:50:34,920
Speaker 9: in the community and stuff like that. You know, they're

1047
00:50:34,960 --> 00:50:38,759
Speaker 9: probably taking this stuff a little too too real or

1048
00:50:38,960 --> 00:50:41,640
Speaker 9: maybe you know, the stuff that's going on in the

1049
00:50:41,640 --> 00:50:44,440
Speaker 9: streets is spilling over into the music, and you know

1050
00:50:44,480 --> 00:50:44,879
Speaker 9: it's just.

1051
00:50:44,840 --> 00:50:49,480
Speaker 6: A reflection of what's actually happening. You know. That's hip

1052
00:50:49,480 --> 00:50:51,799
Speaker 6: hop music is.

1053
00:50:50,480 --> 00:50:53,560
Speaker 9: Is is that like in and embodies what's going on

1054
00:50:53,880 --> 00:50:57,160
Speaker 9: in the real life world. And this is just that

1055
00:50:57,280 --> 00:50:59,359
Speaker 9: music is an outlet you know for some of them,

1056
00:50:59,440 --> 00:51:01,239
Speaker 9: and it's just a way for them to communicate and

1057
00:51:01,280 --> 00:51:04,440
Speaker 9: express themselves, you know, and and and their anger and

1058
00:51:04,520 --> 00:51:08,759
Speaker 9: frustration at you know, whoever they're beefing with.

1059
00:51:08,960 --> 00:51:11,719
Speaker 6: So it would be dope.

1060
00:51:11,440 --> 00:51:15,560
Speaker 9: If we could kind of move from that, you know,

1061
00:51:15,560 --> 00:51:17,000
Speaker 9: and to get away from that, you.

1062
00:51:16,920 --> 00:51:17,760
Speaker 6: Know at some point.

1063
00:51:18,080 --> 00:51:19,880
Speaker 9: And it doesn't help that all this stuff you know,

1064
00:51:20,239 --> 00:51:23,799
Speaker 9: got you know, publicized as well. It's not like you know,

1065
00:51:23,920 --> 00:51:26,040
Speaker 9: academics when he was doing what he was doing, he

1066
00:51:26,120 --> 00:51:26,600
Speaker 9: didn't help.

1067
00:51:27,160 --> 00:51:28,239
Speaker 4: Yeah, he was making fun of it.

1068
00:51:29,560 --> 00:51:33,160
Speaker 9: Yeah, yeah, So it's it's unfortunate that it's it's you know,

1069
00:51:33,520 --> 00:51:36,840
Speaker 9: that that's what they're listening to and attached to, because

1070
00:51:36,840 --> 00:51:41,600
Speaker 9: it is influencing people that are not even in that area,

1071
00:51:41,800 --> 00:51:44,480
Speaker 9: you know, that lifestyle. They think that stuff cool and

1072
00:51:44,520 --> 00:51:47,960
Speaker 9: they try to emulate that and freaking subdivisions.

1073
00:51:47,239 --> 00:51:50,640
Speaker 6: And stuff, bro. So you know, yeah, you know.

1074
00:51:50,920 --> 00:52:00,360
Speaker 9: So yeah, anyway, moving on or modern rapper levels. Denzel Curry, Jid,

1075
00:52:00,520 --> 00:52:06,600
Speaker 9: Freddy Gibbs, and Royce. Oh all right, m hmm.

1076
00:52:08,680 --> 00:52:08,960
Speaker 6: Curry.

1077
00:52:10,040 --> 00:52:11,840
Speaker 5: I had put did at six.

1078
00:52:15,640 --> 00:52:19,000
Speaker 2: I put I put Freddy at five, Jid at six.

1079
00:52:19,160 --> 00:52:23,840
Speaker 2: Denzel Curry, I would say he's a five. I think

1080
00:52:24,160 --> 00:52:26,240
Speaker 2: Royce could be a five or six.

1081
00:52:31,000 --> 00:52:33,640
Speaker 9: Uh, let me see here so we're gonna start with

1082
00:52:33,920 --> 00:52:46,680
Speaker 9: Denzel Curry mm hmm, five almost went four, jid let

1083
00:52:46,719 --> 00:52:51,280
Speaker 9: me get. I think six is a good spot for him.

1084
00:52:51,800 --> 00:53:04,680
Speaker 6: Uh, Freddy Gibbs four, h Royce give me level six?

1085
00:53:07,719 --> 00:53:10,759
Speaker 4: Yeah, I say Royce's I say Royce is six, he

1086
00:53:10,880 --> 00:53:14,000
Speaker 4: can he can almost down there be seven.

1087
00:53:14,360 --> 00:53:17,920
Speaker 3: But I give, I give, I get, I get, I

1088
00:53:17,960 --> 00:53:24,480
Speaker 3: give Royce a six. I give your Gibbs Gibbs and

1089
00:53:24,520 --> 00:53:28,360
Speaker 3: carry five. Yeah, yeah, I guess it can be a

1090
00:53:28,400 --> 00:53:31,520
Speaker 3: six too. Well, I forgot what the meaning? What's the

1091
00:53:31,560 --> 00:53:32,440
Speaker 3: description for those?

1092
00:53:32,960 --> 00:53:33,520
Speaker 6: I can tell you?

1093
00:53:33,560 --> 00:53:37,680
Speaker 9: So six is a great rappers with exceptional skills, respect

1094
00:53:37,800 --> 00:53:39,600
Speaker 9: by hardcore fans and often known for their.

1095
00:53:40,440 --> 00:53:43,279
Speaker 4: He's six, yeah, Jit a six, I get you a six?

1096
00:53:44,760 --> 00:53:47,960
Speaker 8: Yeah yeah, I'm with I'm kind of with y'all with

1097
00:53:48,000 --> 00:53:50,319
Speaker 8: the Roys and already put it at six.

1098
00:53:51,640 --> 00:53:54,640
Speaker 7: But Royce, I think would definitely be like a six.

1099
00:53:55,040 --> 00:53:55,279
Speaker 1: Yep.

1100
00:53:55,480 --> 00:54:04,160
Speaker 8: He's mm hmm, Freddy, Denzel, there's somewhere between four and five.

1101
00:54:04,280 --> 00:54:06,520
Speaker 5: To me, I haven't settled on which one though.

1102
00:54:09,239 --> 00:54:12,040
Speaker 7: Oh yeah, there's somewhere between four and five.

1103
00:54:16,000 --> 00:54:20,280
Speaker 2: Kurry and gives to me our firm fives five firm

1104
00:54:20,360 --> 00:54:24,440
Speaker 2: fives firm bro the firm.

1105
00:54:24,239 --> 00:54:25,960
Speaker 1: Fi what what? What?

1106
00:54:25,960 --> 00:54:26,960
Speaker 5: What? What? Read it?

1107
00:54:27,480 --> 00:54:27,680
Speaker 1: Read?

1108
00:54:27,680 --> 00:54:27,759
Speaker 5: What?

1109
00:54:27,960 --> 00:54:28,600
Speaker 1: Level five is?

1110
00:54:28,640 --> 00:54:32,760
Speaker 9: Can good rappers with undernoable skill respected within the industry

1111
00:54:32,800 --> 00:54:34,839
Speaker 9: but not necessarily considered elite.

1112
00:54:36,360 --> 00:54:36,839
Speaker 6: Firm five?

1113
00:54:36,880 --> 00:54:39,799
Speaker 5: I think that, Yeah, I don't. Yeah, I don't know.

1114
00:54:40,440 --> 00:54:46,280
Speaker 2: That's bores rappers with some skill potentially flows or introspectively lyrics,

1115
00:54:46,480 --> 00:54:47,759
Speaker 2: but not considered top tier.

1116
00:54:49,040 --> 00:54:50,600
Speaker 1: Freddie's considered top tier.

1117
00:54:51,120 --> 00:54:54,440
Speaker 6: Denzel Curry could be four. Honestly, That's why.

1118
00:54:54,560 --> 00:54:57,960
Speaker 3: That's why Roy said he's in between four and five.

1119
00:54:59,520 --> 00:55:02,520
Speaker 5: I'm not mad everybody. I don't know everybody.

1120
00:55:02,600 --> 00:55:05,919
Speaker 2: Yeah, so, so Denzel Curry could be a four or five.

1121
00:55:06,120 --> 00:55:09,919
Speaker 2: I said, Freddy's a firm five. Freddy a firm five.

1122
00:55:10,000 --> 00:55:12,920
Speaker 2: To me, Curry is still on the up and up

1123
00:55:12,960 --> 00:55:15,359
Speaker 2: for me, he's a five. Somebody says he's a four.

1124
00:55:15,480 --> 00:55:17,239
Speaker 2: I get it. You know what I'm saying. I'm not

1125
00:55:17,239 --> 00:55:20,240
Speaker 2: gonna argue Denzel Kirby and what you think, Freddy. Freddy's

1126
00:55:20,239 --> 00:55:22,839
Speaker 2: a firm five. That's exactly what Freddy is.

1127
00:55:24,080 --> 00:55:24,480
Speaker 4: Mm hmm.

1128
00:55:27,760 --> 00:55:27,960
Speaker 5: Yeah.

1129
00:55:28,080 --> 00:55:30,120
Speaker 7: I have to think about those a little harder.

1130
00:55:30,160 --> 00:55:33,400
Speaker 8: But Denzel Curry, I'm leaning mores and I love Denzel Curry,

1131
00:55:33,560 --> 00:55:35,040
Speaker 8: and I don't think four is bad.

1132
00:55:35,320 --> 00:55:41,080
Speaker 5: I don't think five for these artists. Uh yeah, yeah,

1133
00:55:41,080 --> 00:55:44,239
Speaker 5: I don't think that's a bad place for them. But yeah,

1134
00:55:44,320 --> 00:55:46,719
Speaker 5: I'm not mad that you. I'm trying to remember if

1135
00:55:46,719 --> 00:55:47,960
Speaker 5: I was. I'm not mad.

1136
00:55:48,000 --> 00:55:49,600
Speaker 6: I'm not bro Freddy got classics.

1137
00:55:49,600 --> 00:55:51,520
Speaker 1: Bro Freddy has more than one.

1138
00:55:52,640 --> 00:55:52,960
Speaker 5: That's not.

1139
00:55:53,120 --> 00:55:57,759
Speaker 1: Yeah, we're talking to wrapping ability and you're not. You're not.

1140
00:55:57,960 --> 00:56:02,120
Speaker 2: If you don't have oh most elite rapper ability, you're

1141
00:56:02,160 --> 00:56:04,640
Speaker 2: not gonna be You're not gonna have considered classics in

1142
00:56:04,680 --> 00:56:05,200
Speaker 2: your credit.

1143
00:56:05,280 --> 00:56:06,919
Speaker 5: Got Freddy got one? Beat?

1144
00:56:06,960 --> 00:56:07,160
Speaker 1: To me?

1145
00:56:07,239 --> 00:56:11,600
Speaker 8: Though, Like, I don't think Freddy has has had Freddy

1146
00:56:11,680 --> 00:56:12,840
Speaker 8: gonna sound like Freddy.

1147
00:56:13,200 --> 00:56:16,040
Speaker 1: Yeah, one hundred. That's why he's not six. He don't

1148
00:56:16,040 --> 00:56:16,560
Speaker 1: have the verses.

1149
00:56:19,440 --> 00:56:22,960
Speaker 2: I feel like, yeah, I think that's I think that's

1150
00:56:22,960 --> 00:56:26,200
Speaker 2: what holds him back though, Like like Freddie is Freddy,

1151
00:56:26,320 --> 00:56:29,759
Speaker 2: like like like you said, like you know, when we

1152
00:56:29,800 --> 00:56:32,560
Speaker 2: talk about Royce, we talk about Jed, they could do

1153
00:56:32,600 --> 00:56:35,279
Speaker 2: a multiple like you know what I'm saying. And I'm

1154
00:56:35,280 --> 00:56:39,160
Speaker 2: not saying that Freddy isn't versatile. He is, but he's

1155
00:56:39,200 --> 00:56:40,840
Speaker 2: always just gonna be Freddy.

1156
00:56:42,000 --> 00:56:45,080
Speaker 5: Mm hmmm. I like him. Not mad.

1157
00:56:45,080 --> 00:56:49,160
Speaker 8: I'm not mad at it definitely not mad At like

1158
00:56:49,239 --> 00:56:51,720
Speaker 8: said I can put him.

1159
00:56:52,120 --> 00:56:56,080
Speaker 9: Yeah, a lodgah mc ma comed is what j elect

1160
00:56:56,160 --> 00:56:57,680
Speaker 9: should have been for rap.

1161
00:56:57,800 --> 00:56:58,960
Speaker 1: Yep mm hmm.

1162
00:57:00,120 --> 00:57:03,200
Speaker 2: Jail LX had the platform to be like more impactful

1163
00:57:03,200 --> 00:57:06,320
Speaker 2: and bigger than what my commy is. My commy is

1164
00:57:06,320 --> 00:57:10,480
Speaker 2: an underground superhero. Jay LX could have took the underground

1165
00:57:10,560 --> 00:57:11,560
Speaker 2: to the mainstream.

1166
00:57:12,280 --> 00:57:12,960
Speaker 1: Fucked that up.

1167
00:57:15,360 --> 00:57:19,360
Speaker 3: J definitely had a better opportunity than my So yeah

1168
00:57:19,400 --> 00:57:20,600
Speaker 3: that I do agree with that.

1169
00:57:22,440 --> 00:57:26,760
Speaker 9: Yeah, all right, where was I flying in to go?

1170
00:57:27,480 --> 00:57:28,880
Speaker 6: Picked two sophomore albums.

1171
00:57:28,920 --> 00:57:32,000
Speaker 9: It was written Late Registration, the low end theory, Good Kid,

1172
00:57:32,080 --> 00:57:36,280
Speaker 9: Matt City at Aliens, the infant emphasis Marshall.

1173
00:57:36,400 --> 00:57:48,560
Speaker 1: Infamous, infamous, good Kid, and it was written that is funny.

1174
00:57:53,320 --> 00:57:56,800
Speaker 4: Ooh Man picked two Oh.

1175
00:57:57,680 --> 00:57:59,600
Speaker 5: Give me late Registration and good Kids.

1176
00:58:03,640 --> 00:58:05,720
Speaker 4: Oh Man, hold on here.

1177
00:58:08,640 --> 00:58:15,960
Speaker 3: Mmhmm uh yeah this this is tough for me to

1178
00:58:16,120 --> 00:58:16,880
Speaker 3: only pick two.

1179
00:58:17,680 --> 00:58:23,960
Speaker 6: Mm hmm. Good Kid, Mad City at Aliens.

1180
00:58:25,000 --> 00:58:30,200
Speaker 3: Interesting, I'm going at Aliens and low end theory going

1181
00:58:30,280 --> 00:58:31,680
Speaker 3: tripping outcast on this one.

1182
00:58:32,600 --> 00:58:34,160
Speaker 5: Okay, you want two groups?

1183
00:58:34,920 --> 00:58:38,120
Speaker 4: Yep mm hm.

1184
00:58:38,240 --> 00:58:39,840
Speaker 1: That's that's some good sophomoreunds.

1185
00:58:41,680 --> 00:58:44,680
Speaker 6: I can't remember. You want in Marshall mouths lp In

1186
00:58:44,680 --> 00:58:45,800
Speaker 6: in my lifetime.

1187
00:58:47,320 --> 00:58:48,440
Speaker 4: Said what you're saying.

1188
00:58:50,280 --> 00:58:56,400
Speaker 6: M hm, he said, I went and it was written.

1189
00:58:56,760 --> 00:59:01,040
Speaker 4: Yeah, laying it at alias.

1190
00:59:02,400 --> 00:59:02,680
Speaker 1: Damn.

1191
00:59:02,720 --> 00:59:04,120
Speaker 4: I feel bad not picking anthemis.

1192
00:59:06,000 --> 00:59:09,680
Speaker 9: Uh So if it is true as it seems, then

1193
00:59:09,680 --> 00:59:10,560
Speaker 9: I'm happy being here.

1194
00:59:10,680 --> 00:59:11,560
Speaker 6: Freddy squashed it.

1195
00:59:11,600 --> 00:59:14,160
Speaker 9: Whole thing started from a dumb joke and Freddy asshole

1196
00:59:14,280 --> 00:59:15,680
Speaker 9: lake because of it.

1197
00:59:17,040 --> 00:59:20,240
Speaker 8: Now, look, I'm not saying like I know what I

1198
00:59:20,240 --> 00:59:22,760
Speaker 8: said earlier about like is you know whatever, but I

1199
00:59:23,560 --> 00:59:25,280
Speaker 8: would be I hope.

1200
00:59:25,120 --> 00:59:27,200
Speaker 5: They do squash it. You know what I'm saying. Career

1201
00:59:27,280 --> 00:59:27,880
Speaker 5: you know what I'm saying.

1202
00:59:27,920 --> 00:59:30,440
Speaker 7: But I just didn't think it would be that impactful.

1203
00:59:30,480 --> 00:59:33,320
Speaker 5: But yeah, I mean, ultimately I do hope they they

1204
00:59:33,400 --> 00:59:33,920
Speaker 5: squashed it.

1205
00:59:38,240 --> 00:59:38,880
Speaker 6: Cinema Love.

1206
00:59:39,080 --> 00:59:42,680
Speaker 9: If you could have a dream collapse consisting of any

1207
00:59:42,720 --> 00:59:46,000
Speaker 9: deceased artist and your favorite rapper, what would it be?

1208
00:59:46,160 --> 00:59:53,600
Speaker 6: And why? Man? Give me Kendrew Lamar and Tupac?

1209
00:59:54,280 --> 00:59:57,919
Speaker 1: Oh yeah, oh yeah?

1210
00:59:58,120 --> 01:00:03,760
Speaker 6: Hey? Can you imagine tupockets?

1211
01:00:03,800 --> 01:00:07,080
Speaker 1: You can? You know what the thief and you know

1212
01:00:07,120 --> 01:00:08,000
Speaker 1: what the intro.

1213
01:00:07,800 --> 01:00:11,600
Speaker 2: To that song needs to be is is when Tupac

1214
01:00:11,640 --> 01:00:14,000
Speaker 2: goes off on that tangent that says that I'm gonna

1215
01:00:14,000 --> 01:00:15,680
Speaker 2: spark the mind that changes the world.

1216
01:00:16,360 --> 01:00:19,720
Speaker 1: Like that needs to be the intro to that, because

1217
01:00:19,800 --> 01:00:23,720
Speaker 1: k is that guy that he sparked and is taking

1218
01:00:23,720 --> 01:00:25,760
Speaker 1: that baton to to like they.

1219
01:00:25,680 --> 01:00:31,479
Speaker 6: Would go nuts jumping in the beef too. Drake would

1220
01:00:31,520 --> 01:00:35,440
Speaker 6: drop his lawsuit, he.

1221
01:00:35,520 --> 01:00:37,120
Speaker 4: Said, Drake would drop his lawsuit.

1222
01:00:39,080 --> 01:00:44,640
Speaker 7: Bro oh man, Yeah, I was like the Hello, that's

1223
01:00:44,680 --> 01:00:45,120
Speaker 7: a good one.

1224
01:00:45,160 --> 01:00:47,360
Speaker 5: Man, Man, that's a good one.

1225
01:00:48,640 --> 01:00:51,600
Speaker 1: I would have to hear Biggie and Griselda.

1226
01:00:52,800 --> 01:00:59,320
Speaker 5: Really mm hm hm hmm. That's interesting.

1227
01:00:59,720 --> 01:01:02,080
Speaker 1: It's you got three of them and Biggie.

1228
01:01:04,400 --> 01:01:08,120
Speaker 7: Mh I'm looking at who all passed because that's a

1229
01:01:08,120 --> 01:01:08,480
Speaker 7: good one.

1230
01:01:08,480 --> 01:01:08,680
Speaker 1: Part.

1231
01:01:08,720 --> 01:01:15,800
Speaker 5: He picked my favorite freaking rapper. That's crazy. Oh man,

1232
01:01:16,000 --> 01:01:20,400
Speaker 5: who would I want to hear this? They ain't picked

1233
01:01:20,400 --> 01:01:23,800
Speaker 5: my top rapper. You can still pick them.

1234
01:01:24,280 --> 01:01:27,280
Speaker 8: I'm trying to think somebody else to pair them with, though, Yeah,

1235
01:01:27,920 --> 01:01:35,439
Speaker 8: maybe maybe maybe him in three Stacks three Stacks, Yeah, yeah,

1236
01:01:35,520 --> 01:01:38,120
Speaker 8: I think that they're both like kind of yeah, I

1237
01:01:38,120 --> 01:01:39,280
Speaker 8: think that that could be cool.

1238
01:01:41,520 --> 01:01:42,959
Speaker 5: Parking three stacks could be cool.

1239
01:01:44,400 --> 01:01:45,680
Speaker 4: Well, there's these two artists.

1240
01:01:45,720 --> 01:01:48,680
Speaker 3: I think they The album was was going to be

1241
01:01:48,800 --> 01:01:51,360
Speaker 3: in the making, but because of this particular hours that

1242
01:01:51,400 --> 01:01:54,560
Speaker 3: passed away as uh L was fully produced by Dila

1243
01:01:55,000 --> 01:01:58,880
Speaker 3: album mm hmm. Yeah, we would have got that. We

1244
01:01:58,920 --> 01:02:01,160
Speaker 3: would have for show got that album.

1245
01:02:01,240 --> 01:02:01,720
Speaker 5: Mm hmmm.

1246
01:02:02,200 --> 01:02:05,919
Speaker 3: So that's that's that's man. I would have I would

1247
01:02:05,920 --> 01:02:08,520
Speaker 3: have loved that album. I would have loved that to happen.

1248
01:02:08,600 --> 01:02:08,720
Speaker 6: Bro.

1249
01:02:09,320 --> 01:02:10,320
Speaker 1: That was supposed to happen.

1250
01:02:11,520 --> 01:02:13,080
Speaker 4: It was, it was, it was planned.

1251
01:02:13,120 --> 01:02:14,880
Speaker 3: That was like it was kind of like the whole

1252
01:02:14,920 --> 01:02:16,480
Speaker 3: the Biggie and jay Z how like they was playing

1253
01:02:16,520 --> 01:02:18,640
Speaker 3: doing the commission like it was I and Jay was

1254
01:02:18,760 --> 01:02:22,120
Speaker 3: and Dila was gonna they Lily was gonna do that together.

1255
01:02:23,240 --> 01:02:23,600
Speaker 5: He was gonna.

1256
01:02:23,640 --> 01:02:25,560
Speaker 4: He was gonnaroduce that bad boy from beginning to end.

1257
01:02:27,840 --> 01:02:32,400
Speaker 6: Yeah. And did y'all mess with Soldier Slim? Yeah?

1258
01:02:32,640 --> 01:02:33,600
Speaker 4: From from No Limit?

1259
01:02:34,840 --> 01:02:37,600
Speaker 3: Yeah No Limit?

1260
01:02:38,720 --> 01:02:41,600
Speaker 1: Yeah damn that was a good one.

1261
01:02:41,640 --> 01:02:44,200
Speaker 4: Can so you pick him?

1262
01:02:46,120 --> 01:02:50,440
Speaker 3: You said, I'm just checking, just throwing out yeah yeah yeah,

1263
01:02:51,080 --> 01:02:54,880
Speaker 3: oh no, look man, you know by something slipped down?

1264
01:02:56,320 --> 01:02:58,360
Speaker 6: Yeah, Donald Man.

1265
01:02:58,680 --> 01:03:01,800
Speaker 9: If hurricanes were named after MC's be a name or ara,

1266
01:03:02,400 --> 01:03:05,320
Speaker 9: which one would have you evacuating on the first warning?

1267
01:03:05,440 --> 01:03:08,320
Speaker 9: And if you want to be mean, which one you're

1268
01:03:08,320 --> 01:03:09,680
Speaker 9: not even closing the windows for?

1269
01:03:12,640 --> 01:03:13,520
Speaker 1: Mm?

1270
01:03:13,560 --> 01:03:14,040
Speaker 6: Okay?

1271
01:03:15,000 --> 01:03:20,360
Speaker 3: Uh and it can be like any mc right, is

1272
01:03:20,360 --> 01:03:22,000
Speaker 3: it if hurricane's name after mcs?

1273
01:03:22,240 --> 01:03:24,360
Speaker 7: So yeah, if I don't want to I don't want

1274
01:03:24,360 --> 01:03:25,200
Speaker 7: a hurricane name.

1275
01:03:27,200 --> 01:03:27,760
Speaker 4: That's true.

1276
01:03:28,080 --> 01:03:28,600
Speaker 1: That's true.

1277
01:03:29,160 --> 01:03:31,959
Speaker 3: Hey, that's a good one, right. Hey that that look

1278
01:03:32,040 --> 01:03:33,240
Speaker 3: that kills the whole conversation.

1279
01:03:33,320 --> 01:03:36,280
Speaker 4: Bro, that I mean, what can you say?

1280
01:03:36,320 --> 01:03:37,200
Speaker 1: What can you say?

1281
01:03:40,200 --> 01:03:43,920
Speaker 9: Definitely, Hey, if Hurricane Drake come through, Bro, I'm definitely

1282
01:03:43,920 --> 01:03:44,920
Speaker 9: not over my windows.

1283
01:03:44,960 --> 01:03:46,960
Speaker 6: I'm working at all the Bro.

1284
01:03:48,160 --> 01:03:54,920
Speaker 2: That's just a light light shower in it. Hey, I

1285
01:03:54,920 --> 01:03:57,560
Speaker 2: would have to board up. And if Hurricane black Thought

1286
01:03:57,640 --> 01:04:00,520
Speaker 2: came through, like, hey, we might think evacuate.

1287
01:04:00,560 --> 01:04:02,000
Speaker 1: Bro, we had to go to another state.

1288
01:04:03,440 --> 01:04:04,720
Speaker 5: Somebody said drizzled drink.

1289
01:04:04,800 --> 01:04:10,440
Speaker 1: That's crazy drizzled drink. Yeah, hurricane eating shout out to.

1290
01:04:13,120 --> 01:04:16,120
Speaker 6: Man a d MS hurricane might be.

1291
01:04:16,640 --> 01:04:22,440
Speaker 1: Man, Man, I'm leaving. I'm leaving. You gonna hear that, Hey,

1292
01:04:22,440 --> 01:04:24,440
Speaker 1: you gonna hear that joint eight hours before.

1293
01:04:24,160 --> 01:04:28,400
Speaker 4: He did to get there. I am getting out there.

1294
01:04:28,960 --> 01:04:31,720
Speaker 6: I know you're leaving. If a Gucci man hurricane.

1295
01:04:32,280 --> 01:04:32,880
Speaker 4: I am out.

1296
01:04:32,960 --> 01:04:36,400
Speaker 3: Bro, I'm leaving another country, can't. I ain't taking nothing.

1297
01:04:36,600 --> 01:04:41,360
Speaker 3: I'm just grabbing. I'm just all I'm grabbing is my

1298
01:04:41,400 --> 01:04:42,200
Speaker 3: water and the keys.

1299
01:04:42,200 --> 01:04:43,240
Speaker 1: Bro, I'm getting out of here.

1300
01:04:45,880 --> 01:04:47,880
Speaker 5: It's crazy about.

1301
01:04:47,640 --> 01:04:50,160
Speaker 4: Old Gucci too. Were talking about old Gucci too, Bro,

1302
01:04:50,360 --> 01:04:50,960
Speaker 4: old Gucci.

1303
01:04:51,040 --> 01:04:52,920
Speaker 3: Oh yeah, I'm out of there, Bro, I ain't nowhere.

1304
01:04:53,440 --> 01:04:55,600
Speaker 3: That's like, that's like you see a pit bull loosen.

1305
01:04:55,600 --> 01:05:00,560
Speaker 2: You don't see no least You're like, hey, what about hurricane.

1306
01:05:01,680 --> 01:05:03,440
Speaker 2: I'm out of there. I'm out of there.

1307
01:05:05,120 --> 01:05:05,280
Speaker 1: Though.

1308
01:05:05,360 --> 01:05:11,520
Speaker 3: Man, Doom, that's the hurricane name Doom. I'm evacuating immediately.

1309
01:05:13,960 --> 01:05:15,680
Speaker 3: I'm not evacuating. If I hear you want to say

1310
01:05:15,720 --> 01:05:17,160
Speaker 3: mac Miller, I'm not evacuating.

1311
01:05:18,280 --> 01:05:19,000
Speaker 5: Why you can't come.

1312
01:05:20,880 --> 01:05:23,360
Speaker 3: I'm just saying, Bro, if I hear that, I'm not,

1313
01:05:23,440 --> 01:05:26,400
Speaker 3: I'm not leaving. It's not scary though, I'm not leaving.

1314
01:05:26,480 --> 01:05:29,320
Speaker 3: That's not a scared hurricane. And and I'm a Mac guy.

1315
01:05:29,560 --> 01:05:31,440
Speaker 4: That's not It's not a scared hurricane.

1316
01:05:31,520 --> 01:05:32,240
Speaker 1: I'm just scared.

1317
01:05:32,800 --> 01:05:37,120
Speaker 6: Why it is unnecessary.

1318
01:05:37,000 --> 01:05:38,320
Speaker 1: McMillan, p macmillan.

1319
01:05:38,360 --> 01:05:39,840
Speaker 3: But I just I mean, I'm just thinking of like

1320
01:05:39,880 --> 01:05:41,920
Speaker 3: when he was live. It's like if I said hurricane

1321
01:05:41,920 --> 01:05:43,360
Speaker 3: after that, I'm straight.

1322
01:05:46,440 --> 01:05:50,000
Speaker 4: I can't can't all I'm doing and I'm changing.

1323
01:05:50,000 --> 01:05:51,520
Speaker 3: You know how you change the screen the screen door

1324
01:05:51,520 --> 01:05:53,000
Speaker 3: to the glass that's what all I'm doing. I'm just

1325
01:05:53,080 --> 01:05:55,600
Speaker 3: changing my screen door to the glass in my windows.

1326
01:05:56,360 --> 01:05:57,160
Speaker 3: That's pretty much it.

1327
01:06:01,280 --> 01:06:04,760
Speaker 9: Oh, we gotta get out of here because it's getting disrespectful.

1328
01:06:05,000 --> 01:06:07,880
Speaker 9: Uh Snowbody said in an alternate universe, choose a rapper

1329
01:06:07,960 --> 01:06:10,200
Speaker 9: either back then or currently, you would have swapped lives

1330
01:06:10,280 --> 01:06:11,560
Speaker 9: with if you had a chance to.

1331
01:06:12,880 --> 01:06:16,320
Speaker 5: M rappers shoes.

1332
01:06:17,440 --> 01:06:23,360
Speaker 2: Damn Currently, I would swap a currency just because if

1333
01:06:23,400 --> 01:06:25,560
Speaker 2: I had his money, I'll be doing the same thing

1334
01:06:25,560 --> 01:06:25,800
Speaker 2: he do.

1335
01:06:28,400 --> 01:06:29,080
Speaker 1: Give me all the.

1336
01:06:29,040 --> 01:06:32,479
Speaker 8: Whips, give me stacks. Man Stack seemed to be living

1337
01:06:32,480 --> 01:06:38,440
Speaker 8: a good life man like. He seemed to like like be.

1338
01:06:38,520 --> 01:06:40,040
Speaker 5: At off around.

1339
01:06:40,440 --> 01:06:43,560
Speaker 8: Yeah, he's like he can walk around and he's he's

1340
01:06:43,720 --> 01:06:46,120
Speaker 8: andre Three Stacks from out Cast. But this dude just

1341
01:06:46,120 --> 01:06:49,080
Speaker 8: be walking around like he's not And I think that's

1342
01:06:49,080 --> 01:06:53,320
Speaker 8: freaking dope. I think he's he's unlocked a superpower that

1343
01:06:53,320 --> 01:06:56,800
Speaker 8: that most rappers just don't have, Like I don't know,

1344
01:06:56,960 --> 01:06:59,320
Speaker 8: like yeah, like three Stacks just be walking around like

1345
01:06:59,360 --> 01:07:03,000
Speaker 8: he ain't under their arm like the member cast like this,

1346
01:07:03,240 --> 01:07:06,160
Speaker 8: it's crazy, But yeah, I like where he is.

1347
01:07:06,160 --> 01:07:10,240
Speaker 7: He seems very at peace and still is fact famous

1348
01:07:10,240 --> 01:07:10,640
Speaker 7: and rich.

1349
01:07:12,080 --> 01:07:15,240
Speaker 9: Fifty would be a good one for me because he

1350
01:07:15,480 --> 01:07:17,840
Speaker 9: just be out there trolling, is just fucking with people,

1351
01:07:20,320 --> 01:07:23,920
Speaker 9: and he don't give a damn bro. And he and

1352
01:07:24,000 --> 01:07:26,560
Speaker 9: he got and yeah, he made some good investments and

1353
01:07:26,600 --> 01:07:28,960
Speaker 9: stuff like that. He got a whole series on power.

1354
01:07:29,720 --> 01:07:32,480
Speaker 9: You know, fifty fifty living a good life.

1355
01:07:32,520 --> 01:07:36,440
Speaker 6: Bro. But he is and he just living his own life.

1356
01:07:37,160 --> 01:07:41,360
Speaker 7: Mm hmm, yeah, yeah, he be going at people.

1357
01:07:41,400 --> 01:07:44,800
Speaker 5: Man, Like what I don't get it? Like why does

1358
01:07:44,840 --> 01:07:46,400
Speaker 5: he do that? I don't understand, Like.

1359
01:07:46,440 --> 01:07:48,760
Speaker 1: Why does he can? Does he get?

1360
01:07:48,800 --> 01:07:48,920
Speaker 3: Who?

1361
01:07:49,240 --> 01:07:52,400
Speaker 1: Check him? Boot?

1362
01:07:55,480 --> 01:07:57,080
Speaker 6: Yeah? People? You name yours?

1363
01:07:57,560 --> 01:08:00,640
Speaker 1: I said currency. I said, because if I had the money,

1364
01:08:00,920 --> 01:08:01,920
Speaker 1: I'll be doing the same thing.

1365
01:08:02,200 --> 01:08:04,240
Speaker 6: Beat Man.

1366
01:08:04,360 --> 01:08:08,640
Speaker 3: We talked, we said back in the day, I'm going, Luke, baby,

1367
01:08:08,760 --> 01:08:12,040
Speaker 3: I'm going, I got man, what a y'all talking about?

1368
01:08:12,040 --> 01:08:12,240
Speaker 1: Here?

1369
01:08:12,280 --> 01:08:15,640
Speaker 4: What are we doing? Are you? Are you kidding me?

1370
01:08:16,600 --> 01:08:21,679
Speaker 1: I'm going, yeah, I need to see you pop do all.

1371
01:08:21,640 --> 01:08:25,800
Speaker 4: Theumn parties and all that. Man, what I'm going Luke

1372
01:08:25,920 --> 01:08:30,280
Speaker 4: all day, baby, all day. I know it's a good one.

1373
01:08:30,920 --> 01:08:32,120
Speaker 6: It was a good one.

1374
01:08:33,280 --> 01:08:34,280
Speaker 5: I know it's a good one.

1375
01:08:35,040 --> 01:08:38,840
Speaker 4: You know what I'm saying, Luke Man, y'all don't know.

1376
01:08:38,920 --> 01:08:41,760
Speaker 4: If y'all don't know Luke back and back in them days.

1377
01:08:41,560 --> 01:08:45,520
Speaker 6: Brug Captain Bacon Brug.

1378
01:08:46,960 --> 01:08:54,040
Speaker 10: Telling you manh yeah, Ellen Ellen cat uh a lock now,

1379
01:08:54,280 --> 01:08:57,800
Speaker 10: just throwing this idea out there, a album produced by

1380
01:08:58,000 --> 01:08:59,360
Speaker 10: and featuring Big Chrit.

1381
01:08:59,479 --> 01:09:00,320
Speaker 6: Appreciate job.

1382
01:09:00,960 --> 01:09:01,759
Speaker 1: That's hard.

1383
01:09:02,600 --> 01:09:04,439
Speaker 4: I'm here for that, man.

1384
01:09:04,479 --> 01:09:06,519
Speaker 2: I really want to see Big Crit really get into

1385
01:09:06,560 --> 01:09:09,160
Speaker 2: his producer bag and just get like these one off

1386
01:09:09,479 --> 01:09:13,559
Speaker 2: producer projects kind of sort of like how h Who's

1387
01:09:13,560 --> 01:09:14,559
Speaker 2: I got thirty eight specs?

1388
01:09:14,600 --> 01:09:15,040
Speaker 1: You know what I'm saying.

1389
01:09:15,040 --> 01:09:17,160
Speaker 2: Sometimes be seeing thirty eight spect and I think he's

1390
01:09:17,160 --> 01:09:19,479
Speaker 2: gonna rap and he just produced it. I want to

1391
01:09:19,520 --> 01:09:20,960
Speaker 2: see Big Krit get into that bag.

1392
01:09:21,560 --> 01:09:26,760
Speaker 6: Mhmm, yeah, yeah, I'm with that.

1393
01:09:27,680 --> 01:09:30,559
Speaker 9: Ramada with Juicy J having a jazz album, what other

1394
01:09:30,680 --> 01:09:33,679
Speaker 9: rappers should have a jazz album like that? Also put

1395
01:09:33,760 --> 01:09:38,080
Speaker 9: Ramirez in the chamber some cool New West Coast rap players.

1396
01:09:38,160 --> 01:09:41,479
Speaker 9: Manual remembers, Okay, we'll check that out.

1397
01:09:42,760 --> 01:09:44,360
Speaker 1: Yeah with me.

1398
01:09:44,960 --> 01:09:47,240
Speaker 2: When me and Kim reviewed it, this was a question

1399
01:09:47,520 --> 01:09:50,640
Speaker 2: that we kind of popped up during the review, like

1400
01:09:50,720 --> 01:09:54,040
Speaker 2: what other artists somebody that was just mentioned in the

1401
01:09:54,040 --> 01:09:56,559
Speaker 2: previous question, Big Crid. I think Big Crit would be

1402
01:09:56,600 --> 01:10:00,439
Speaker 2: amazing on a jazz album like that. But that's that's

1403
01:10:00,479 --> 01:10:01,720
Speaker 2: my throw in.

1404
01:10:01,680 --> 01:10:04,600
Speaker 5: The bucket is Juicy J rapping it.

1405
01:10:05,479 --> 01:10:10,800
Speaker 1: He does, Bro, Yes, you just gotta listen to it.

1406
01:10:10,840 --> 01:10:14,479
Speaker 2: Bro, There's no way to describe it like accurately, Like

1407
01:10:14,520 --> 01:10:15,800
Speaker 2: you just have to listen to it.

1408
01:10:16,120 --> 01:10:18,280
Speaker 1: I agree with you all. Fante is another one.

1409
01:10:18,640 --> 01:10:20,080
Speaker 6: J Cole I think would be good.

1410
01:10:20,800 --> 01:10:21,800
Speaker 1: J Cole would be good.

1411
01:10:23,439 --> 01:10:30,080
Speaker 9: Yep, I think he's a good one. Who else I

1412
01:10:30,080 --> 01:10:30,799
Speaker 9: think could.

1413
01:10:30,640 --> 01:10:32,639
Speaker 1: Be chat to say? In blue?

1414
01:10:33,160 --> 01:10:35,479
Speaker 9: Most Blue is a good one. Blue is a really

1415
01:10:35,520 --> 01:10:38,519
Speaker 9: good one. I think most definitely be good. Common of

1416
01:10:38,560 --> 01:10:49,240
Speaker 9: course I think, yeah, yeah, yeah, yeah. Who else I

1417
01:10:49,280 --> 01:10:54,320
Speaker 9: think could could do good on a jazz album?

1418
01:10:54,400 --> 01:10:55,080
Speaker 5: Black? Black?

1419
01:10:55,120 --> 01:10:55,280
Speaker 6: Dought?

1420
01:10:55,320 --> 01:10:55,720
Speaker 5: What you think?

1421
01:10:57,000 --> 01:10:57,240
Speaker 6: Man?

1422
01:10:59,080 --> 01:10:59,320
Speaker 5: Damn?

1423
01:10:59,360 --> 01:11:01,360
Speaker 3: There almost kind of go over with roots if you

1424
01:11:01,400 --> 01:11:05,439
Speaker 3: listen to people listen to roots out, Like, why would

1425
01:11:05,439 --> 01:11:07,360
Speaker 3: you say black thought for that's that's that's like.

1426
01:11:07,880 --> 01:11:12,120
Speaker 1: Giving to me, that would be perfect for it.

1427
01:11:12,400 --> 01:11:15,880
Speaker 4: I mean I already did. I kind of did with

1428
01:11:16,080 --> 01:11:17,520
Speaker 4: Untitled Master.

1429
01:11:17,840 --> 01:11:22,240
Speaker 2: I know, but yeah, but but it what but that

1430
01:11:22,439 --> 01:11:24,720
Speaker 2: was more hip hop than what this is?

1431
01:11:24,800 --> 01:11:27,560
Speaker 1: Like this is like jazz. Mm hm you know what

1432
01:11:27,560 --> 01:11:28,439
Speaker 1: I'm saying, So like.

1433
01:11:30,520 --> 01:11:37,439
Speaker 9: Mm hmm, yeah, yeah, it's it's uh, it's it's yeah, yeah, yeah, yeah,

1434
01:11:37,520 --> 01:11:44,200
Speaker 9: y'all gotta listen to it. I'm trying to think, uh,

1435
01:11:44,760 --> 01:11:49,120
Speaker 9: let's see, let's see. I give here's one that I

1436
01:11:49,160 --> 01:11:56,759
Speaker 9: think would be really good and b what rock quickly

1437
01:11:57,640 --> 01:12:04,920
Speaker 9: Billy would over free jazz though ord Nate Coleman type

1438
01:12:04,960 --> 01:12:05,920
Speaker 9: of jazz.

1439
01:12:06,680 --> 01:12:07,840
Speaker 4: That coun that can work.

1440
01:12:08,280 --> 01:12:13,960
Speaker 9: Think about it, man, it's kind of chaotic yeap, that

1441
01:12:14,000 --> 01:12:19,599
Speaker 9: could work, man. I think something experimental like that, bro Man, bro,

1442
01:12:19,720 --> 01:12:21,400
Speaker 9: I think that would be.

1443
01:12:22,840 --> 01:12:23,479
Speaker 6: Super dope.

1444
01:12:23,720 --> 01:12:24,880
Speaker 4: Be right in his pocket too.

1445
01:12:25,040 --> 01:12:29,040
Speaker 9: Man, I'm telling you, brok Nick Grant could do it.

1446
01:12:31,360 --> 01:12:32,720
Speaker 1: I think Nick Grant could do it.

1447
01:12:33,880 --> 01:12:37,879
Speaker 6: Sure, yeah, yeah, Okay.

1448
01:12:37,920 --> 01:12:40,120
Speaker 2: What was that artist that we that we did that

1449
01:12:40,200 --> 01:12:43,719
Speaker 2: we really liked, that was a recommendation.

1450
01:12:44,320 --> 01:12:50,000
Speaker 1: Remember he did have? Yes, Yes, that would also be

1451
01:12:50,080 --> 01:12:50,880
Speaker 1: super dope too.

1452
01:12:51,400 --> 01:12:55,280
Speaker 9: Yeah yeah, Moving on disease. Am I missing something? I

1453
01:12:55,280 --> 01:12:57,519
Speaker 9: see this talk about NBA young boy, but his numbers

1454
01:12:57,560 --> 01:13:00,519
Speaker 9: are average, below average. I think he's just this Gin's

1455
01:13:00,640 --> 01:13:03,640
Speaker 9: Gucci and he's at the same level as Kodet with

1456
01:13:03,680 --> 01:13:05,519
Speaker 9: a loud but small fan base.

1457
01:13:08,840 --> 01:13:11,920
Speaker 6: Interesting, you may not be too off base.

1458
01:13:12,360 --> 01:13:17,760
Speaker 9: I think maybe his fan base has dwind as they've

1459
01:13:17,800 --> 01:13:22,639
Speaker 9: gotten older and have grown out of that music because

1460
01:13:23,120 --> 01:13:26,920
Speaker 9: you know, for those of you that are new around here,

1461
01:13:27,760 --> 01:13:33,000
Speaker 9: I have put on my my nephew was like fourteen

1462
01:13:33,560 --> 01:13:36,280
Speaker 9: listening to him. That's how I knew about him. He's

1463
01:13:36,760 --> 01:13:41,439
Speaker 9: graduated high school. Now he's going to college, so you know,

1464
01:13:41,800 --> 01:13:43,960
Speaker 9: and I don't know if he's still listening to him,

1465
01:13:43,960 --> 01:13:45,760
Speaker 9: so he may have moved on as well, you know,

1466
01:13:45,960 --> 01:13:49,640
Speaker 9: So you know, I think that could be a possibility

1467
01:13:49,680 --> 01:13:51,880
Speaker 9: of what's going on. I don't have a historical record

1468
01:13:51,920 --> 01:13:54,719
Speaker 9: of what his numbers have done and if they're going

1469
01:13:54,840 --> 01:13:58,840
Speaker 9: down or if they've always been this way. But but

1470
01:13:58,960 --> 01:14:02,920
Speaker 9: maybe he is starting to fall off. But I love

1471
01:14:02,960 --> 01:14:05,240
Speaker 9: the Gucci comparison though, because I think that's right. I

1472
01:14:05,240 --> 01:14:07,920
Speaker 9: think Gucci was up here and then he just kind

1473
01:14:07,960 --> 01:14:09,960
Speaker 9: of got here and he's just serving court fan base.

1474
01:14:11,160 --> 01:14:15,400
Speaker 6: So yeah, so I think that's maybe what happened.

1475
01:14:15,960 --> 01:14:19,320
Speaker 9: Uh A cherry one got us stay always be my sunshine,

1476
01:14:19,360 --> 01:14:20,840
Speaker 9: player hater and you owe me.

1477
01:14:21,280 --> 01:14:22,280
Speaker 4: Oh that's horrible.

1478
01:14:22,320 --> 01:14:24,639
Speaker 1: That is bad. That is bad.

1479
01:14:26,960 --> 01:14:31,800
Speaker 3: I probably because at least I got some type of enjoyment.

1480
01:14:31,960 --> 01:14:34,599
Speaker 3: Funt like, I got like a reaction of laughter, reaction

1481
01:14:34,680 --> 01:14:36,679
Speaker 3: out of player hater when I hear that ship big

1482
01:14:36,760 --> 01:14:38,000
Speaker 3: out here trying to sing and ship.

1483
01:14:39,640 --> 01:14:40,320
Speaker 1: I couldn't.

1484
01:14:40,520 --> 01:14:43,599
Speaker 4: That's big, Yeah, that's biggie. Yeah yeah, that's all Life

1485
01:14:43,640 --> 01:14:44,080
Speaker 4: after Death.

1486
01:14:45,400 --> 01:14:47,559
Speaker 3: I could not stand you Owe Me and Always Be

1487
01:14:47,640 --> 01:14:50,240
Speaker 3: My Son. I couldnot stand those songs, bro.

1488
01:14:51,040 --> 01:14:57,439
Speaker 4: Like, oh I could. I couldnot stand both of those songs.

1489
01:14:57,479 --> 01:15:02,240
Speaker 3: Bro. I remember because you you Always Be My Sunshine,

1490
01:15:02,280 --> 01:15:04,160
Speaker 3: I was the leading single for Volume one, and I

1491
01:15:04,240 --> 01:15:07,120
Speaker 3: was like, oh, sophomore Jinx like I was. I remember

1492
01:15:07,160 --> 01:15:10,760
Speaker 3: being scared for Jay when when You Always Be My

1493
01:15:10,800 --> 01:15:13,200
Speaker 3: Sunshine came out along with that video, bro, I was like,

1494
01:15:13,280 --> 01:15:15,000
Speaker 3: oh my god, I said, man, he about to get

1495
01:15:15,000 --> 01:15:19,240
Speaker 3: the sophomore Yes, and Foxy on it and stuff. Bro

1496
01:15:19,479 --> 01:15:22,120
Speaker 3: that Oh my god, that video and you see dam

1497
01:15:22,160 --> 01:15:27,360
Speaker 3: in them all like that, Oh man, everything about it

1498
01:15:27,400 --> 01:15:27,920
Speaker 3: is bad.

1499
01:15:28,080 --> 01:15:28,200
Speaker 5: Bro.

1500
01:15:28,520 --> 01:15:32,160
Speaker 3: Like like thank god that album. That was the only

1501
01:15:32,200 --> 01:15:34,600
Speaker 3: Wax song on the album, bro, because that album was

1502
01:15:34,640 --> 01:15:37,840
Speaker 3: dope as fuck, but that song I cannot stand. Those

1503
01:15:37,840 --> 01:15:40,200
Speaker 3: are two songs I cannot stand. I can't really say

1504
01:15:40,200 --> 01:15:42,320
Speaker 3: I can't stand play Hater. Like when I hear play Later,

1505
01:15:42,560 --> 01:15:44,840
Speaker 3: I just laughed like, oh yeah, they were just fooling

1506
01:15:44,920 --> 01:15:47,160
Speaker 3: having a good time, even though it's still a track

1507
01:15:47,200 --> 01:15:47,880
Speaker 3: that I don't care for.

1508
01:15:48,040 --> 01:15:48,599
Speaker 7: Life after death.

1509
01:15:48,640 --> 01:15:51,479
Speaker 3: But it's like, at least I guess some type of reaction,

1510
01:15:51,640 --> 01:15:54,200
Speaker 3: some type of enjoyment out of player hater, but you

1511
01:15:54,240 --> 01:15:56,800
Speaker 3: owe men and always be My Sunshine.

1512
01:15:57,479 --> 01:16:02,720
Speaker 8: Was getting busy that he was at least and then

1513
01:16:02,800 --> 01:16:04,479
Speaker 8: you know what, King, That's why I'm not picking that

1514
01:16:04,600 --> 01:16:06,519
Speaker 8: because at least jen One got off a little bit

1515
01:16:06,600 --> 01:16:07,040
Speaker 8: on that.

1516
01:16:07,520 --> 01:16:10,439
Speaker 7: But you always be My Shine is like, nah, ain't

1517
01:16:10,439 --> 01:16:11,400
Speaker 7: nothing about that song.

1518
01:16:11,479 --> 01:16:14,680
Speaker 3: I like, but if we got to stay though, so

1519
01:16:14,760 --> 01:16:17,639
Speaker 3: you you're picking you owe me forgot to say?

1520
01:16:17,880 --> 01:16:20,000
Speaker 4: Yeah, yeah, that's what I'm saying.

1521
01:16:20,120 --> 01:16:25,960
Speaker 7: Yeah, yeah, yeah, I just realized that.

1522
01:16:26,040 --> 01:16:30,080
Speaker 8: Yeah, even though that's like one of the worst things it.

1523
01:16:30,000 --> 01:16:33,240
Speaker 3: Is is, but at least at least it's some type

1524
01:16:33,280 --> 01:16:35,920
Speaker 3: of enjoyment a little bit like you like they was

1525
01:16:37,000 --> 01:16:37,840
Speaker 3: the mother two songs.

1526
01:16:37,880 --> 01:16:39,000
Speaker 4: I don't I get mad?

1527
01:16:40,200 --> 01:16:40,960
Speaker 5: Yeah that was serious?

1528
01:16:42,160 --> 01:16:45,080
Speaker 6: Uh B. What's your favorite beat? With the Stevie sample.

1529
01:16:45,439 --> 01:16:47,080
Speaker 4: Up in the Sky by Tall Black Guy?

1530
01:16:49,000 --> 01:16:52,639
Speaker 6: This man was ready bro all right?

1531
01:16:53,120 --> 01:16:56,559
Speaker 9: Tweets open Doors. What rapper has the most unique flow? Project?

1532
01:16:56,640 --> 01:16:59,960
Speaker 6: Pat Or Bruises Wolf Funniest Bruises Wolf bar to.

1533
01:16:59,920 --> 01:17:03,559
Speaker 3: You, unique flow is Bruises with if you just want

1534
01:17:03,560 --> 01:17:08,120
Speaker 3: to go a unique flow Bruises hands down, Yeah, hands

1535
01:17:08,120 --> 01:17:11,040
Speaker 3: down the most unique flow. It's Bruis Wolf and and

1536
01:17:11,040 --> 01:17:13,439
Speaker 3: and no and no disrespect to Project Path. I love

1537
01:17:13,520 --> 01:17:16,360
Speaker 3: Project Pat, but no unique flow Bruises Wolf.

1538
01:17:17,520 --> 01:17:20,599
Speaker 5: Hm. I mean, let's not Project had a unique flow.

1539
01:17:20,680 --> 01:17:23,400
Speaker 4: Though he does that people still copy to this day.

1540
01:17:23,800 --> 01:17:26,840
Speaker 2: You know you can't copy Bruiswolf though. Yeah, I know, Bro,

1541
01:17:27,520 --> 01:17:29,360
Speaker 2: you can't copy that. You talk about.

1542
01:17:29,160 --> 01:17:31,040
Speaker 4: Unique like one of one.

1543
01:17:31,560 --> 01:17:37,760
Speaker 3: Yeah, Bruce Bruises with Bruis Uh, I say Project past,

1544
01:17:37,840 --> 01:17:40,280
Speaker 3: Project Pat is more influential. I would say that part

1545
01:17:40,439 --> 01:17:45,200
Speaker 3: like as influential than bru but unique Bruise Wolf.

1546
01:17:48,800 --> 01:17:54,240
Speaker 9: He is on Looney Tunes, he has as as far

1547
01:17:54,280 --> 01:17:57,439
Speaker 9: as kilos uh I move weight like Keto Brittany.

1548
01:17:57,479 --> 01:18:00,160
Speaker 6: I think we did it again. Whitney is dope with

1549
01:18:00,240 --> 01:18:00,679
Speaker 6: my pans.

1550
01:18:00,680 --> 01:18:02,680
Speaker 9: You ain't trust the whole you pay for cat you

1551
01:18:02,760 --> 01:18:03,920
Speaker 9: are bisexual.

1552
01:18:07,360 --> 01:18:09,160
Speaker 4: And the way he delivered it, Bro, the way he

1553
01:18:09,240 --> 01:18:10,560
Speaker 4: be delivering that ship.

1554
01:18:10,520 --> 01:18:15,960
Speaker 6: Yeah, do it anywhere near justice? Yeah?

1555
01:18:17,200 --> 01:18:17,639
Speaker 5: Yeah yeah.

1556
01:18:17,640 --> 01:18:20,759
Speaker 7: At first I thought he was just playing man serious.

1557
01:18:21,240 --> 01:18:21,600
Speaker 4: No, he.

1558
01:18:23,880 --> 01:18:26,160
Speaker 5: Let listening to the Lyrius like he's serious.

1559
01:18:26,560 --> 01:18:29,719
Speaker 8: Yeah yeah, yeah.

1560
01:18:29,800 --> 01:18:30,479
Speaker 6: I love him man.

1561
01:18:30,520 --> 01:18:33,240
Speaker 9: He's probably one of my favorite rappers out but he's hilarious, Bro,

1562
01:18:34,560 --> 01:18:39,439
Speaker 9: He's hilarious, all right, Moving on, Wesley, Uh nowhere Wesley.

1563
01:18:39,479 --> 01:18:42,600
Speaker 9: I thought that's all he's coming up next, give me

1564
01:18:42,680 --> 01:18:48,879
Speaker 9: off female Wrapper crush now and back then, m back.

1565
01:18:48,720 --> 01:18:56,599
Speaker 3: Then, Wrapper crush back then. I mean I always had

1566
01:18:56,640 --> 01:19:01,280
Speaker 3: a thing for Spinderella and Salt and Pepper. I know

1567
01:19:01,400 --> 01:19:05,720
Speaker 3: she was the DJ, but man, man, I used to

1568
01:19:05,760 --> 01:19:07,360
Speaker 3: love me some Spindarella boy.

1569
01:19:08,840 --> 01:19:13,120
Speaker 1: Back then. Hey, back then, little Kim bro.

1570
01:19:18,400 --> 01:19:18,759
Speaker 5: Compared.

1571
01:19:19,120 --> 01:19:20,120
Speaker 4: I like Spinderella.

1572
01:19:20,240 --> 01:19:21,920
Speaker 7: I liked Foxy better.

1573
01:19:23,000 --> 01:19:26,080
Speaker 1: No, no, you gonna you can take Foxy. I take

1574
01:19:26,080 --> 01:19:27,000
Speaker 1: a little kim all day.

1575
01:19:27,680 --> 01:19:29,240
Speaker 5: Yeah. I liked Foxy better.

1576
01:19:30,920 --> 01:19:31,840
Speaker 4: Spinderella for me.

1577
01:19:33,560 --> 01:19:39,639
Speaker 8: But but it's probably neither one of those though. Dang wow,

1578
01:19:39,720 --> 01:19:44,200
Speaker 8: Why can I think somebody said that Brad Wow? Oh

1579
01:19:44,240 --> 01:19:47,400
Speaker 8: so was fine like I did. Like Sole she was

1580
01:19:47,479 --> 01:19:51,240
Speaker 8: had a short step on rock Rock Rockefeller.

1581
01:19:54,000 --> 01:20:00,679
Speaker 5: Yeah, so it was dope now.

1582
01:20:01,840 --> 01:20:10,120
Speaker 14: Anybody now, everybody so coming up, I know, right, Yeah,

1583
01:20:10,400 --> 01:20:12,320
Speaker 14: That's why I liked it about Spenderella because it was

1584
01:20:12,400 --> 01:20:14,080
Speaker 14: you know, I mean, they just they just looked like

1585
01:20:14,160 --> 01:20:15,840
Speaker 14: chicks from around the way that you will see, like

1586
01:20:15,960 --> 01:20:17,800
Speaker 14: you you will go to the mall and see a Spinderella.

1587
01:20:17,880 --> 01:20:19,679
Speaker 4: You know what I'm saying. That's what That's what made

1588
01:20:19,680 --> 01:20:20,479
Speaker 4: that shit so dope.

1589
01:20:20,479 --> 01:20:20,679
Speaker 7: Man.

1590
01:20:22,200 --> 01:20:24,920
Speaker 2: I like Meghan because I feel like she she's not

1591
01:20:25,160 --> 01:20:25,839
Speaker 2: as natural.

1592
01:20:26,360 --> 01:20:28,720
Speaker 1: Yeah, a lot of them.

1593
01:20:28,840 --> 01:20:30,559
Speaker 3: Yeah, I agree with you, and I agree with that one.

1594
01:20:30,960 --> 01:20:33,719
Speaker 3: I think Meghan, Yeah, I think I wrock with Meghan.

1595
01:20:34,600 --> 01:20:38,240
Speaker 2: You know, another a baddie from to us. To me,

1596
01:20:38,320 --> 01:20:40,120
Speaker 2: it's not old school, but it is what it is.

1597
01:20:40,960 --> 01:20:43,920
Speaker 2: Left eye that was I.

1598
01:20:44,040 --> 01:20:45,439
Speaker 6: Was, she was a cutie.

1599
01:20:49,520 --> 01:20:53,439
Speaker 9: Uh, Wesley, y'all should redo y'all's future dirties right to

1600
01:20:53,680 --> 01:20:55,559
Speaker 9: review outside of FIFA.

1601
01:20:55,680 --> 01:20:58,000
Speaker 6: Y'all completely missed the mark on the album. That's a

1602
01:20:58,040 --> 01:20:59,080
Speaker 6: certified classic.

1603
01:21:00,160 --> 01:21:00,559
Speaker 5: Mm hmm.

1604
01:21:01,720 --> 01:21:02,679
Speaker 6: I've heard that before.

1605
01:21:03,200 --> 01:21:06,400
Speaker 1: Uh was one that the same.

1606
01:21:06,360 --> 01:21:08,120
Speaker 6: That we missed it. I don't know if I feel

1607
01:21:08,160 --> 01:21:09,519
Speaker 6: any differently, right.

1608
01:21:09,439 --> 01:21:10,120
Speaker 4: I'm still the same.

1609
01:21:10,160 --> 01:21:12,280
Speaker 3: I mean, he got a couple of joints here and there,

1610
01:21:12,400 --> 01:21:16,519
Speaker 3: but that's an entire album worth. I got like, I

1611
01:21:16,560 --> 01:21:20,320
Speaker 3: got like about three three songs maybe four out of

1612
01:21:20,320 --> 01:21:20,839
Speaker 3: that album.

1613
01:21:22,200 --> 01:21:23,720
Speaker 4: It's not quality now.

1614
01:21:23,800 --> 01:21:27,880
Speaker 1: That joint got joints, That joint got joints. That joint

1615
01:21:27,920 --> 01:21:28,799
Speaker 1: got some joints.

1616
01:21:29,360 --> 01:21:32,080
Speaker 3: I mean, and I think me personally, I can only

1617
01:21:32,080 --> 01:21:34,479
Speaker 3: take future in small abundance. I can't take a whole

1618
01:21:34,520 --> 01:21:39,400
Speaker 3: album of feature like. Yeah, I mean, the production got

1619
01:21:39,520 --> 01:21:41,880
Speaker 3: to be like the beats, gotta be like dope as fun.

1620
01:21:42,040 --> 01:21:44,639
Speaker 3: But I can't take a whole album of feature. Bro,

1621
01:21:44,760 --> 01:21:48,920
Speaker 3: give me like a give me a five song Ep'm good.

1622
01:21:49,479 --> 01:21:51,240
Speaker 2: I will agree with you. I feel I have to

1623
01:21:51,240 --> 01:21:54,200
Speaker 2: be in a move for Future. Yeah, Bro, I can't

1624
01:21:54,240 --> 01:21:57,760
Speaker 2: just throw him on just at any time like that

1625
01:21:57,840 --> 01:21:58,439
Speaker 2: mold for him.

1626
01:21:58,439 --> 01:21:58,559
Speaker 6: Bro.

1627
01:21:59,200 --> 01:22:00,800
Speaker 3: Yeah, I can't. I can't do a whole album. I

1628
01:22:00,800 --> 01:22:02,240
Speaker 3: can't do eighteen tracks of Future.

1629
01:22:02,280 --> 01:22:02,439
Speaker 6: Bro.

1630
01:22:03,560 --> 01:22:06,880
Speaker 9: All right, Donald Man, best opening act you've seen, not

1631
01:22:06,920 --> 01:22:09,280
Speaker 9: because of what they became later on, but because at

1632
01:22:09,280 --> 01:22:10,640
Speaker 9: the time they made you say who is this?

1633
01:22:10,720 --> 01:22:13,799
Speaker 6: I'm glad I got here early for me is Henine.

1634
01:22:14,880 --> 01:22:15,880
Speaker 6: The canon is dope.

1635
01:22:18,680 --> 01:22:22,840
Speaker 5: I like the game when he first came out. I

1636
01:22:22,920 --> 01:22:24,200
Speaker 5: thought the game was dope.

1637
01:22:26,080 --> 01:22:28,080
Speaker 1: In two thousand, But did you see him as an

1638
01:22:28,080 --> 01:22:29,040
Speaker 1: opening act though.

1639
01:22:29,240 --> 01:22:32,560
Speaker 7: Yeah, I don't have any opening act you've seen all.

1640
01:22:32,960 --> 01:22:35,479
Speaker 4: I can't remember. Yeah, I can't even.

1641
01:22:35,880 --> 01:22:38,160
Speaker 8: I was taking that like more like you know what

1642
01:22:38,200 --> 01:22:40,559
Speaker 8: I'm saying, opening first when they first came out.

1643
01:22:41,439 --> 01:22:45,439
Speaker 3: I can't think of right now. Yeah, I've been to

1644
01:22:45,520 --> 01:22:48,080
Speaker 3: some of these shows. I can't think of an open

1645
01:22:48,120 --> 01:22:48,880
Speaker 3: act where I was like.

1646
01:22:48,840 --> 01:22:52,160
Speaker 4: Oh man, they was cool not to check out their music.

1647
01:22:52,240 --> 01:22:53,160
Speaker 5: That's a good question.

1648
01:22:53,520 --> 01:22:59,600
Speaker 1: That is Yeah, opening acts, opening asks for us, That

1649
01:22:59,720 --> 01:23:00,439
Speaker 1: is good question.

1650
01:23:00,760 --> 01:23:04,240
Speaker 4: I like, damn, yeah, I can't I can't answer that. Yeah,

1651
01:23:04,479 --> 01:23:06,320
Speaker 4: I'm mad. I can't answer that right now.

1652
01:23:06,960 --> 01:23:10,599
Speaker 9: Well, you know, I say, maybe, uh, think about this

1653
01:23:10,640 --> 01:23:14,040
Speaker 9: one and we revisited, because I'm y'all may have more

1654
01:23:14,120 --> 01:23:17,040
Speaker 9: than than I do. I wouldn't necessarily have won, but

1655
01:23:17,560 --> 01:23:21,920
Speaker 9: I got you. We can revisit this one. Jady Perkins,

1656
01:23:21,960 --> 01:23:24,040
Speaker 9: who had the best jumper when y'all played ball.

1657
01:23:26,240 --> 01:23:27,840
Speaker 6: Be did hell?

1658
01:23:27,960 --> 01:23:30,400
Speaker 7: No, it was over you.

1659
01:23:30,400 --> 01:23:32,720
Speaker 6: You had you had like you, Your.

1660
01:23:32,479 --> 01:23:35,120
Speaker 5: Jumper became weather like not.

1661
01:23:35,680 --> 01:23:37,719
Speaker 1: It was always with you.

1662
01:23:37,720 --> 01:23:40,439
Speaker 8: You were an attack guy. You were an attack guy.

1663
01:23:40,479 --> 01:23:42,639
Speaker 8: You wouldn't even stand in What are you talking about?

1664
01:23:42,680 --> 01:23:45,160
Speaker 5: You didn't even stay outside that that came later.

1665
01:23:46,240 --> 01:23:51,000
Speaker 1: Bro, Look he was he was Klay Thompson. I was

1666
01:23:51,040 --> 01:23:51,719
Speaker 1: Steph Curry.

1667
01:23:51,720 --> 01:23:53,080
Speaker 4: I won't know Thompson.

1668
01:23:53,240 --> 01:23:53,639
Speaker 5: The hell.

1669
01:23:56,120 --> 01:23:57,040
Speaker 4: Clay Thompson.

1670
01:23:57,800 --> 01:24:00,320
Speaker 2: We was just I'm not saying that that was your game.

1671
01:24:00,600 --> 01:24:03,800
Speaker 2: I'm just saying, like me and you as a perimeter duo,

1672
01:24:04,439 --> 01:24:06,600
Speaker 2: I feel like that's what we were because it was

1673
01:24:06,640 --> 01:24:08,080
Speaker 2: definitely some splash bros.

1674
01:24:08,360 --> 01:24:11,479
Speaker 1: We we would run people out the gym from shooting.

1675
01:24:11,479 --> 01:24:14,400
Speaker 4: I'm letting, I'm letting ride speak ride ride seeing it.

1676
01:24:14,479 --> 01:24:16,759
Speaker 4: He's seen it firsthand. That's all I'm saying.

1677
01:24:18,680 --> 01:24:21,360
Speaker 7: These states, these stayed on the outside more than you.

1678
01:24:21,360 --> 01:24:25,519
Speaker 5: You You were attacked passer like all that. Bro that

1679
01:24:25,640 --> 01:24:28,599
Speaker 5: that ain't com until later got a visionous history.

1680
01:24:28,600 --> 01:24:32,439
Speaker 2: Man like always had a jumper. It's just I didn't

1681
01:24:32,960 --> 01:24:35,519
Speaker 2: because I knew B was the was the shooter. You

1682
01:24:35,600 --> 01:24:38,160
Speaker 2: were the all around god like you you were our Draymond.

1683
01:24:38,680 --> 01:24:39,800
Speaker 1: You know what I'm saying. You do a little bit

1684
01:24:39,840 --> 01:24:40,800
Speaker 1: of everything. Handle the rock.

1685
01:24:41,120 --> 01:24:42,960
Speaker 2: You're saying, if I get hot, you handle the rock.

1686
01:24:43,000 --> 01:24:45,439
Speaker 2: I'm coming off of d h. O's all that type ship,

1687
01:24:45,479 --> 01:24:46,120
Speaker 2: but it is what.

1688
01:24:46,040 --> 01:24:48,440
Speaker 6: It is, slash Bros. That's hilarious.

1689
01:24:49,240 --> 01:24:53,880
Speaker 1: Bro, Hey, hey, did we not run niggas off the court?

1690
01:24:53,960 --> 01:24:58,960
Speaker 9: Like I'm not disagreeing with that, but that's funny.

1691
01:24:59,040 --> 01:24:59,759
Speaker 4: Was out of there.

1692
01:25:02,560 --> 01:25:03,679
Speaker 6: Roddy said these stuff.

1693
01:25:07,160 --> 01:25:09,960
Speaker 8: I'll give you a crown in other areas you like,

1694
01:25:09,960 --> 01:25:11,479
Speaker 8: like I just get I give you a crown in

1695
01:25:11,520 --> 01:25:14,960
Speaker 8: other areas. I think B has that crown. You look

1696
01:25:15,040 --> 01:25:18,000
Speaker 8: for B on the outside, you did you looked for B.

1697
01:25:18,880 --> 01:25:23,200
Speaker 2: No, I was definitely the playmaker. But here's the thing,

1698
01:25:23,240 --> 01:25:26,360
Speaker 2: and maybe it's just my confidence in the jay, but

1699
01:25:26,439 --> 01:25:30,120
Speaker 2: I look, I'll go on to shoot on a shooting

1700
01:25:30,280 --> 01:25:34,000
Speaker 2: competition against anybody and I feel confident I will win.

1701
01:25:34,720 --> 01:25:36,960
Speaker 1: So it is what it is. And I'm not lying.

1702
01:25:37,400 --> 01:25:39,439
Speaker 1: Who is that mask on or off?

1703
01:25:39,520 --> 01:25:40,600
Speaker 6: I'm not lying, all right?

1704
01:25:40,720 --> 01:25:44,480
Speaker 1: So fine, no you think yeah, okay, thank you.

1705
01:25:44,600 --> 01:25:46,439
Speaker 8: Yeah no, no, no, it's not that you don't get

1706
01:25:46,560 --> 01:25:50,200
Speaker 8: twisted that that that that comic. I think that goes

1707
01:25:50,240 --> 01:25:53,160
Speaker 8: to be. That's all I was saying. I'm not saying that.

1708
01:25:53,640 --> 01:25:53,840
Speaker 5: Yeah.

1709
01:25:54,080 --> 01:25:56,760
Speaker 2: Yeah, And I know that's not what you're saying, because

1710
01:25:56,760 --> 01:25:58,559
Speaker 2: you see, that's not the argument that I'm that. I'm that,

1711
01:25:58,600 --> 01:26:00,679
Speaker 2: I'm that I'm fighting, right, you know what I'm saying.

1712
01:26:00,880 --> 01:26:03,519
Speaker 2: I just saw that people were saying, oh, I'm lying. Look,

1713
01:26:03,680 --> 01:26:05,679
Speaker 2: they even be saying that like in a Madden chat,

1714
01:26:05,720 --> 01:26:07,640
Speaker 2: like the people that that never really hoop with me,

1715
01:26:08,080 --> 01:26:11,519
Speaker 2: or people be like, no, nigga, I was dumb nice,

1716
01:26:12,760 --> 01:26:14,360
Speaker 2: dumb nice, But it is what it is.

1717
01:26:14,560 --> 01:26:15,200
Speaker 1: I'm not that guy.

1718
01:26:15,600 --> 01:26:17,400
Speaker 5: I wish older teams.

1719
01:26:17,520 --> 01:26:21,760
Speaker 1: God, you know what hold on can before you get

1720
01:26:21,800 --> 01:26:25,519
Speaker 1: into that. I'd be watching some of these YouTubers that

1721
01:26:25,600 --> 01:26:28,479
Speaker 1: are like hoopers and ship like that, and I'm like, bro,

1722
01:26:28,560 --> 01:26:31,640
Speaker 1: why what it's not hip hop? Why didn't we create that?

1723
01:26:32,360 --> 01:26:34,880
Speaker 1: We would have still been in shape now, dog, we

1724
01:26:35,120 --> 01:26:37,000
Speaker 1: like we would have blown up. We would have had

1725
01:26:37,000 --> 01:26:39,559
Speaker 1: a million plus subscribers. Bro, if we would have then

1726
01:26:40,040 --> 01:26:41,760
Speaker 1: dead and dead and hooping.

1727
01:26:43,680 --> 01:26:47,040
Speaker 5: Yeah, that we we missed the work on that we define.

1728
01:26:48,000 --> 01:26:51,839
Speaker 6: Friday, Bro, Bro matters.

1729
01:26:54,800 --> 01:26:57,439
Speaker 9: Uh, there's a bigger sense of community and supporting the

1730
01:26:57,479 --> 01:26:59,760
Speaker 9: West Coast music scene compared to the other coasts. Might

1731
01:26:59,800 --> 01:27:02,120
Speaker 9: be an ignorant take, but I haven't seen regional artists

1732
01:27:02,120 --> 01:27:03,920
Speaker 9: embrace each other harder.

1733
01:27:03,760 --> 01:27:08,439
Speaker 6: Elsewhere the South. What you talking about? Yeah? But West

1734
01:27:08,439 --> 01:27:10,639
Speaker 6: Coast really be holding each other down, Bro.

1735
01:27:10,800 --> 01:27:12,639
Speaker 1: They do, so does the South.

1736
01:27:15,640 --> 01:27:17,000
Speaker 6: Yeah?

1737
01:27:17,160 --> 01:27:19,000
Speaker 5: Oh that that I just looked at that.

1738
01:27:19,240 --> 01:27:21,320
Speaker 7: Uh, I just looked at that.

1739
01:27:22,120 --> 01:27:22,840
Speaker 5: Y'all see that?

1740
01:27:23,520 --> 01:27:26,800
Speaker 1: But no, I didn't see him.

1741
01:27:28,000 --> 01:27:31,719
Speaker 8: But the but the but the his icon his avatar

1742
01:27:31,960 --> 01:27:35,879
Speaker 8: or whatever it's me and Mike is when I race.

1743
01:27:38,520 --> 01:27:43,240
Speaker 7: Man, the fact that he screens that, it's crazy.

1744
01:27:43,840 --> 01:27:45,280
Speaker 6: Oh you know what I think?

1745
01:27:48,560 --> 01:27:51,280
Speaker 9: Do you do you think Chicago is kind of getting

1746
01:27:51,320 --> 01:27:51,719
Speaker 9: that way?

1747
01:27:52,960 --> 01:27:55,200
Speaker 1: And I think it's a subset.

1748
01:27:55,600 --> 01:27:57,960
Speaker 4: But he said regional though, so they had to be

1749
01:27:58,040 --> 01:27:59,400
Speaker 4: like the Midwest.

1750
01:28:00,439 --> 01:28:03,759
Speaker 2: Gotcha and and and I feel like there is respect,

1751
01:28:03,840 --> 01:28:06,640
Speaker 2: but I don't think that there's unity in the Midwest.

1752
01:28:07,200 --> 01:28:10,000
Speaker 1: I think Detroit and Chicago respect each other, but I

1753
01:28:10,040 --> 01:28:15,639
Speaker 1: don't think that there's like unity amongst Then the South

1754
01:28:15,760 --> 01:28:20,040
Speaker 1: is the standard, the standard, bruh, bro.

1755
01:28:20,120 --> 01:28:22,680
Speaker 2: We're like, look, and I'm not saying I'm not discrediting

1756
01:28:22,840 --> 01:28:25,960
Speaker 2: the West Coast, Like there's definitely unity over there. But

1757
01:28:26,800 --> 01:28:29,439
Speaker 2: the reason why the South has ran hip hop for

1758
01:28:29,479 --> 01:28:32,200
Speaker 2: so long is because of the unity that the South

1759
01:28:32,240 --> 01:28:35,080
Speaker 2: has had. Now, I'm not saying that everybody got along

1760
01:28:35,240 --> 01:28:38,479
Speaker 2: all the time. Obviously g Z and And and Gucci

1761
01:28:38,520 --> 01:28:41,720
Speaker 2: didn't get along, But you're talking about uh, g Z

1762
01:28:41,880 --> 01:28:44,400
Speaker 2: t I, you know what I'm saying, like like like

1763
01:28:44,720 --> 01:28:47,919
Speaker 2: they was cool, you know, like there was more unity

1764
01:28:48,200 --> 01:28:49,560
Speaker 2: and a lot more.

1765
01:28:49,680 --> 01:28:51,720
Speaker 6: Like each other.

1766
01:28:53,240 --> 01:28:59,200
Speaker 9: G Z and t I, Gucci and and and uh Jesu.

1767
01:29:00,479 --> 01:29:06,080
Speaker 2: I know that's what I beef with somebody lud Yeah.

1768
01:29:08,240 --> 01:29:11,120
Speaker 1: But okay, but everybody else was close. Ken they mean

1769
01:29:11,120 --> 01:29:13,760
Speaker 1: another beef that really happened outside of Gunner and Young Thug.

1770
01:29:13,840 --> 01:29:17,840
Speaker 7: Now GZ and Gucci started off good, though they did.

1771
01:29:19,200 --> 01:29:23,880
Speaker 9: Yeah, okay, all right, One gotta go Man, Little Beats,

1772
01:29:23,880 --> 01:29:27,559
Speaker 9: No More Parties in l A, all Caps, stugg In, Accordion.

1773
01:29:27,960 --> 01:29:32,720
Speaker 3: Oh, I don't know accordion all caps you want you

1774
01:29:32,720 --> 01:29:33,559
Speaker 3: wun't known about it.

1775
01:29:33,760 --> 01:29:34,639
Speaker 4: You won't know about it.

1776
01:29:35,320 --> 01:29:36,320
Speaker 1: Accord That's what the.

1777
01:29:38,000 --> 01:29:41,719
Speaker 4: Man hard as hell, bro.

1778
01:29:42,880 --> 01:29:44,519
Speaker 5: It's like one of the best ones on there.

1779
01:29:45,200 --> 01:29:47,320
Speaker 4: I might see No Parties in l A, bro, all Caps,

1780
01:29:47,360 --> 01:29:47,920
Speaker 4: stugg In and.

1781
01:29:47,920 --> 01:29:53,719
Speaker 1: Who yeah, parties in l A. Yes, that's hard.

1782
01:29:53,880 --> 01:29:55,479
Speaker 3: You're not gonna I know for a fact, you're not

1783
01:29:55,479 --> 01:29:57,280
Speaker 3: gonna pick accordion in all caps.

1784
01:29:57,320 --> 01:30:00,000
Speaker 4: But all caps, stugg In and Accordion are.

1785
01:30:00,520 --> 01:30:04,400
Speaker 2: I know all caps, I don't know accordion like that

1786
01:30:05,240 --> 01:30:10,040
Speaker 2: on the same album. Well, I don't remember accordinging. I

1787
01:30:10,080 --> 01:30:13,160
Speaker 2: remember all caps as MF doom. I don't remember accordion

1788
01:30:13,240 --> 01:30:13,599
Speaker 2: like that.

1789
01:30:14,400 --> 01:30:15,200
Speaker 1: Oh, Man.

1790
01:30:19,160 --> 01:30:22,320
Speaker 4: Put to Dooms from Mad Villainy.

1791
01:30:22,439 --> 01:30:25,240
Speaker 3: I know that's crazy, right, You could have picked could

1792
01:30:25,240 --> 01:30:29,800
Speaker 3: have picked one other man live beat that album, but yeah,

1793
01:30:29,800 --> 01:30:30,280
Speaker 3: those are three.

1794
01:30:30,320 --> 01:30:32,439
Speaker 4: One Gotta Go. I'm picking No More Price.

1795
01:30:33,479 --> 01:30:36,840
Speaker 5: Oh yeah, and I like that song to me too.

1796
01:30:36,880 --> 01:30:39,240
Speaker 3: I mean I'm not yeah, I'm not saying it because

1797
01:30:39,280 --> 01:30:41,080
Speaker 3: I don't like it. I'm just if I had to

1798
01:30:41,120 --> 01:30:42,760
Speaker 3: pick one that had to go, that's the one I

1799
01:30:42,760 --> 01:30:43,120
Speaker 3: gotta go.

1800
01:30:44,520 --> 01:30:46,800
Speaker 6: Best rapper to play in the background for better sleep.

1801
01:30:49,560 --> 01:30:50,559
Speaker 4: I'm not answering this.

1802
01:30:52,720 --> 01:30:58,240
Speaker 3: Just go ahead, y'all answered, Just go ahead and answer it, because.

1803
01:30:58,120 --> 01:31:02,519
Speaker 1: For better sleep, go ahead and answer it.

1804
01:31:02,800 --> 01:31:04,840
Speaker 3: I don't even want, y'all, I don't even want to

1805
01:31:04,840 --> 01:31:08,720
Speaker 3: get Oh man, y'all scared of my y'all, y'all too

1806
01:31:08,760 --> 01:31:09,519
Speaker 3: scared of my answer.

1807
01:31:09,560 --> 01:31:10,719
Speaker 1: I'd be y'all too sensitive.

1808
01:31:12,960 --> 01:31:13,519
Speaker 6: I'm just saying.

1809
01:31:13,760 --> 01:31:16,400
Speaker 4: I mean, you know, y'all, you know they tweaky feeling

1810
01:31:16,400 --> 01:31:16,680
Speaker 4: out here.

1811
01:31:16,720 --> 01:31:19,880
Speaker 5: Ken Hey, I do like Larry June.

1812
01:31:19,920 --> 01:31:23,679
Speaker 6: I see people say that is the right answer.

1813
01:31:25,400 --> 01:31:29,240
Speaker 7: It's not because he's tragic. That's that Jacob Mellow and.

1814
01:31:32,800 --> 01:31:33,400
Speaker 5: I don't know.

1815
01:31:34,880 --> 01:31:38,040
Speaker 9: Dom Kenny could be another one for me. Bro mm hmmm,

1816
01:31:40,840 --> 01:31:41,920
Speaker 9: be you funny, bro.

1817
01:31:42,479 --> 01:31:46,640
Speaker 5: What you know? Understanding?

1818
01:31:46,640 --> 01:31:46,840
Speaker 6: Man?

1819
01:31:46,840 --> 01:31:48,439
Speaker 4: It's a lot of you know, a lot of sensitive

1820
01:31:48,439 --> 01:31:49,080
Speaker 4: people out here.

1821
01:31:49,120 --> 01:31:50,759
Speaker 5: Man, I just you know, just let.

1822
01:31:50,640 --> 01:31:53,240
Speaker 1: Me just you gotta look. If you don't got nothing good.

1823
01:31:53,080 --> 01:31:55,519
Speaker 4: To say, don't say that all Mama's telling me.

1824
01:31:56,280 --> 01:32:02,559
Speaker 9: So you know that Blue Slab Park album.

1825
01:32:01,040 --> 01:32:02,040
Speaker 1: What are you talking about?

1826
01:32:08,080 --> 01:32:08,120
Speaker 5: No?

1827
01:32:08,280 --> 01:32:10,400
Speaker 8: But it could just be like mellow music though, be like,

1828
01:32:10,439 --> 01:32:12,040
Speaker 8: you don't have to be a trash artist.

1829
01:32:12,120 --> 01:32:14,120
Speaker 5: I mean, it depends on how you's perspective of how

1830
01:32:14,120 --> 01:32:15,000
Speaker 5: you look at this question.

1831
01:32:19,160 --> 01:32:27,640
Speaker 3: I looked at it, looked at it that way.

1832
01:32:25,840 --> 01:32:29,679
Speaker 9: Bro, who's so appreciated. Hope y'all found a studio to settling. Finally,

1833
01:32:29,680 --> 01:32:31,920
Speaker 9: also Pete the p F P l O l.

1834
01:32:33,680 --> 01:32:38,640
Speaker 5: PF p p f P. I don't know what are

1835
01:32:38,680 --> 01:32:39,280
Speaker 5: you talking about.

1836
01:32:39,680 --> 01:32:41,479
Speaker 6: I don't know either, I'm afraid to look it up.

1837
01:32:42,120 --> 01:32:42,519
Speaker 1: Yeah.

1838
01:32:43,800 --> 01:32:47,639
Speaker 7: Also also also Pete, that's a profile picture.

1839
01:32:48,880 --> 01:32:50,240
Speaker 6: Man, come on, y'all, just.

1840
01:32:51,439 --> 01:32:52,120
Speaker 1: Come old man.

1841
01:32:52,560 --> 01:32:56,960
Speaker 2: I'm old, Bro, you can't be abbreviated no more.

1842
01:32:56,280 --> 01:33:00,519
Speaker 1: I'll be doing to abbreviate since.

1843
01:33:00,280 --> 01:33:02,519
Speaker 4: B don't hang me with abbreviations. Man, you know what

1844
01:33:02,560 --> 01:33:03,840
Speaker 4: I'm saying.

1845
01:33:03,960 --> 01:33:05,280
Speaker 5: It's PF thing.

1846
01:33:05,400 --> 01:33:06,880
Speaker 4: Like I don't even know.

1847
01:33:10,640 --> 01:33:14,080
Speaker 5: Of our avatar ain't avatar no more. That's what I called.

1848
01:33:15,360 --> 01:33:15,960
Speaker 5: Is that old?

1849
01:33:16,800 --> 01:33:19,760
Speaker 1: Yeah, that's why you old. That's why you old too.

1850
01:33:21,760 --> 01:33:26,840
Speaker 4: Damn it's so bad it is.

1851
01:33:27,000 --> 01:33:30,680
Speaker 9: And they already did so that's that's that's already saw

1852
01:33:30,720 --> 01:33:33,479
Speaker 9: that already peaked the last times. Are you excited about

1853
01:33:33,520 --> 01:33:35,960
Speaker 9: Gears coming to PS five. This is the last one.

1854
01:33:36,439 --> 01:33:40,599
Speaker 3: Uh, I'm only seeing the They only remaking the first Gears.

1855
01:33:40,640 --> 01:33:43,240
Speaker 3: I didn't see like a new like Gears, like a

1856
01:33:43,320 --> 01:33:46,080
Speaker 3: sixth installment of the game. So I'm not excited if

1857
01:33:46,080 --> 01:33:48,120
Speaker 3: it's just the remake of the other first one. I've

1858
01:33:48,120 --> 01:33:50,160
Speaker 3: already played the remake of the first one when they

1859
01:33:50,200 --> 01:33:53,120
Speaker 3: released it on Xbox Series X. So I mean, if

1860
01:33:53,160 --> 01:33:56,439
Speaker 3: it's a new Gears, then put me on, please feel

1861
01:33:56,479 --> 01:33:56,640
Speaker 3: me in.

1862
01:33:56,720 --> 01:33:58,400
Speaker 4: I don't know. I keep seeing the remake of the

1863
01:33:58,400 --> 01:33:58,840
Speaker 4: first one.

1864
01:34:00,120 --> 01:34:03,760
Speaker 9: All right, all right, so we're done. I do have

1865
01:34:03,800 --> 01:34:11,040
Speaker 9: two questions for you guys. Y'all kind of answered it earlier.

1866
01:34:11,200 --> 01:34:15,760
Speaker 9: B Have you heard a Rockies new so on trunks? O?

1867
01:34:16,880 --> 01:34:19,400
Speaker 4: Mm hmm, okay, Wow, what's up?

1868
01:34:19,560 --> 01:34:20,000
Speaker 5: What's up?

1869
01:34:20,280 --> 01:34:20,640
Speaker 6: I don't know.

1870
01:34:20,680 --> 01:34:23,000
Speaker 9: It might be a knocker, bro, you know, I think

1871
01:34:23,000 --> 01:34:25,320
Speaker 9: I like it.

1872
01:34:25,320 --> 01:34:27,559
Speaker 6: It's not bad, Bro. I think he got one.

1873
01:34:27,600 --> 01:34:29,000
Speaker 9: I was I was gonna put it in the chat,

1874
01:34:29,040 --> 01:34:31,360
Speaker 9: but I don't know if I was gonna put it

1875
01:34:31,400 --> 01:34:33,400
Speaker 9: to see if Mike heard it, you know, because I

1876
01:34:33,439 --> 01:34:34,519
Speaker 9: know he fucked with him.

1877
01:34:34,560 --> 01:34:36,760
Speaker 6: But you know, I think he may have liked some

1878
01:34:36,840 --> 01:34:38,160
Speaker 6: of the more other stuff, some of.

1879
01:34:38,200 --> 01:34:40,559
Speaker 1: The mm hmmm.

1880
01:34:41,240 --> 01:34:43,479
Speaker 2: Because I was telling I'm just ready for the album. Bro,

1881
01:34:43,680 --> 01:34:46,040
Speaker 2: I'm tired of the loose season the singles. Give me

1882
01:34:46,080 --> 01:34:47,800
Speaker 2: the album.

1883
01:34:48,160 --> 01:34:52,280
Speaker 9: Okay, Yeah, it's pretty good. I messed with y'all should

1884
01:34:52,280 --> 01:34:53,840
Speaker 9: listen to it, though, I think I might like it.

1885
01:34:54,560 --> 01:34:57,200
Speaker 9: The other one, Imagine every Player is Cardi b anybody listen?

1886
01:34:58,200 --> 01:35:01,280
Speaker 1: Yes, I heard I haven't you like it? You like it?

1887
01:35:01,400 --> 01:35:02,840
Speaker 5: I do like it. I do like.

1888
01:35:04,920 --> 01:35:05,200
Speaker 1: She did.

1889
01:35:05,360 --> 01:35:09,080
Speaker 8: Imagine Every Players and Jay Jody, Yeah, the same type

1890
01:35:09,080 --> 01:35:10,679
Speaker 8: of same type of beat.

1891
01:35:12,120 --> 01:35:15,960
Speaker 9: It was a lot of conversation around it taking place. Uh,

1892
01:35:16,240 --> 01:35:17,600
Speaker 9: we kind of talked about it, Sonny or it is

1893
01:35:17,600 --> 01:35:20,719
Speaker 9: the Micealon. I listened to it on the way here.

1894
01:35:21,400 --> 01:35:24,720
Speaker 9: Uh and yeah, man, I.

1895
01:35:24,200 --> 01:35:26,200
Speaker 5: She she's funny, man Like.

1896
01:35:26,680 --> 01:35:29,200
Speaker 6: She did a serviceable job.

1897
01:35:29,280 --> 01:35:31,799
Speaker 9: Man, It's like she really you can tell she really

1898
01:35:32,360 --> 01:35:34,720
Speaker 9: kind of studied and really wanted to make sure she

1899
01:35:34,800 --> 01:35:35,160
Speaker 9: kind of.

1900
01:35:35,120 --> 01:35:36,639
Speaker 6: Captured I'm gonna check out.

1901
01:35:36,640 --> 01:35:37,799
Speaker 1: I haven't listened.

1902
01:35:37,840 --> 01:35:38,880
Speaker 4: I haven't listened yet.

1903
01:35:39,120 --> 01:35:40,760
Speaker 5: I don't want to set your expectations now.

1904
01:35:40,800 --> 01:35:43,719
Speaker 7: Be it just she captured the essence of yes.

1905
01:35:43,760 --> 01:35:45,400
Speaker 5: What did or whatever?

1906
01:35:45,520 --> 01:35:47,640
Speaker 8: So I thought it was in her own way, you

1907
01:35:47,640 --> 01:35:49,519
Speaker 8: know what I mean. And I thought it was an

1908
01:35:49,560 --> 01:35:50,320
Speaker 8: interesting move.

1909
01:35:50,479 --> 01:35:52,360
Speaker 7: You know what I'm saying. It's not like a it's

1910
01:35:52,360 --> 01:35:54,479
Speaker 7: not like a popular track. It's not like something that

1911
01:35:54,680 --> 01:35:56,360
Speaker 7: was like a hit record type of tracks.

1912
01:35:56,439 --> 01:35:58,960
Speaker 5: I was like, Oh, that's interesting that she she released

1913
01:35:59,000 --> 01:36:00,000
Speaker 5: something like that as a scene.

1914
01:36:00,479 --> 01:36:02,559
Speaker 8: I was like, Wow, I thought I thought that was

1915
01:36:02,560 --> 01:36:04,320
Speaker 8: an innovative move by her to do that.

1916
01:36:04,400 --> 01:36:08,040
Speaker 6: Yeah, it's going to be whack compared to jay Z. Bro.

1917
01:36:08,880 --> 01:36:11,719
Speaker 6: Come on, it's no comparaion like.

1918
01:36:12,479 --> 01:36:13,559
Speaker 1: I'm that type of rapper.

1919
01:36:13,920 --> 01:36:15,880
Speaker 9: Yeah, I don't think it was like. I think it's

1920
01:36:15,880 --> 01:36:17,479
Speaker 9: an admirable job that she did.

1921
01:36:17,560 --> 01:36:21,519
Speaker 2: Honestly, No, for sure, Cardi B is dope, bro, And

1922
01:36:21,920 --> 01:36:23,800
Speaker 2: can you thought she was going to be one and done?

1923
01:36:24,320 --> 01:36:26,280
Speaker 6: All right, Cardi B Dope.

1924
01:36:28,600 --> 01:36:32,719
Speaker 2: Album is gonna be good for what it is. I'm

1925
01:36:32,760 --> 01:36:36,640
Speaker 2: not I'm not car was gonna be.

1926
01:36:37,080 --> 01:36:38,519
Speaker 7: I don't know if I don't know if you heard it,

1927
01:36:38,520 --> 01:36:40,160
Speaker 7: but they put it over a biggie track too.

1928
01:36:40,960 --> 01:36:44,080
Speaker 5: That was good man, Cardi B.

1929
01:36:44,479 --> 01:36:46,960
Speaker 7: Imagine a player and I was just like, oh, that's

1930
01:36:46,960 --> 01:36:48,240
Speaker 7: an I like that mash up.

1931
01:36:49,080 --> 01:36:50,840
Speaker 8: I don't want if anybody else heard it in the chat,

1932
01:36:50,840 --> 01:36:52,519
Speaker 8: but they put it over a biggie mash up.

1933
01:36:52,640 --> 01:36:55,760
Speaker 2: It was dope all right, well let me let me

1934
01:36:55,760 --> 01:36:59,160
Speaker 2: close this thing out, but look, appreciate y'all, Rundown Live.

1935
01:37:00,200 --> 01:37:03,320
Speaker 2: We'll be back next week with another live. Today we

1936
01:37:03,479 --> 01:37:08,839
Speaker 2: covered Earl dropping new music, Jay dropping new music, gonna

1937
01:37:10,120 --> 01:37:12,799
Speaker 2: basically at the top of the chart with his latest release,

1938
01:37:13,320 --> 01:37:17,280
Speaker 2: and Freddie and Benny squashing the beef potentially.

1939
01:37:18,080 --> 01:37:22,400
Speaker 1: Well what's being reported? So what's being reported? So we're

1940
01:37:22,400 --> 01:37:24,880
Speaker 1: reporting to here give you all our thoughts. But we'll

1941
01:37:24,920 --> 01:37:27,679
Speaker 1: catch y'all next week with another one. Appreciate y'all, love y'all,

1942
01:37:27,840 --> 01:37:28,280
Speaker 1: We out.

1943
01:37:28,320 --> 01:37:29,680
Speaker 6: Peace, Peace,