1 00:00:05,160 --> 00:00:10,760 Speaker 1: Live from Vaal Hartbeiner and the Crossroads of America. It's 2 00:00:10,840 --> 00:00:12,000 Speaker 1: Tony Katz Today. 3 00:00:12,600 --> 00:00:16,520 Speaker 2: Everybody, welcome back to Tony Katz Today. I'm your guest 4 00:00:16,520 --> 00:00:20,160 Speaker 2: host for today, Kira Davis. And I'm really excited for 5 00:00:20,440 --> 00:00:25,920 Speaker 2: this next segment because I saw I saw a press 6 00:00:25,920 --> 00:00:29,200 Speaker 2: release come across my wires for this movie, and immediately 7 00:00:29,520 --> 00:00:32,559 Speaker 2: it piqued my interest and I wanted to talk to 8 00:00:32,600 --> 00:00:35,360 Speaker 2: this guy. But before I introduce our next guest, I 9 00:00:35,400 --> 00:00:36,720 Speaker 2: want to read you about this movie. 10 00:00:36,760 --> 00:00:36,960 Speaker 3: Now. 11 00:00:37,120 --> 00:00:39,800 Speaker 2: It's the holiday season and we're talking a lot about 12 00:00:40,680 --> 00:00:43,960 Speaker 2: warm feelings, family, all of that stuff. There's a whole 13 00:00:44,000 --> 00:00:48,040 Speaker 2: segment of our population, of our society that has gone 14 00:00:48,080 --> 00:00:52,559 Speaker 2: off to fight for our right to celebrate together and 15 00:00:52,600 --> 00:00:54,760 Speaker 2: to be together. And when they come home, they come 16 00:00:54,760 --> 00:00:57,960 Speaker 2: home with wounds and a lot of it is invisible. 17 00:00:58,040 --> 00:01:01,480 Speaker 2: And so this is what really interested me about this film. 18 00:01:01,520 --> 00:01:03,800 Speaker 2: It is called Sheep Dog, and I want to read 19 00:01:03,840 --> 00:01:08,760 Speaker 2: you the breakdown of it. Decorated US Army combat veteran 20 00:01:08,800 --> 00:01:12,520 Speaker 2: Calvin Cole is court ordered into treatment and into the 21 00:01:12,520 --> 00:01:16,040 Speaker 2: care of a VA trauma therapist in training who works 22 00:01:16,040 --> 00:01:17,880 Speaker 2: the night shift at a local diner to pay for 23 00:01:17,920 --> 00:01:21,440 Speaker 2: college things. Become even more complicated when Calvin's father in 24 00:01:21,520 --> 00:01:26,160 Speaker 2: law and retired that shows up on his doorstep doorstep, 25 00:01:26,240 --> 00:01:29,120 Speaker 2: having just been released from prison. As Calvin's plan to 26 00:01:29,200 --> 00:01:32,479 Speaker 2: run away from his life becomes impossible, he learns through 27 00:01:32,520 --> 00:01:36,080 Speaker 2: support from his community, tough love, and compassion, that he 28 00:01:36,160 --> 00:01:39,600 Speaker 2: must put himself back together again and for his family, 29 00:01:39,680 --> 00:01:43,160 Speaker 2: for his family, and for himself. This film was shot 30 00:01:43,480 --> 00:01:47,440 Speaker 2: on location in western Massachusetts, one hundred percent America Maid 31 00:01:47,520 --> 00:01:51,040 Speaker 2: and I am so thrilled to welcome to Tony Katz 32 00:01:51,080 --> 00:01:55,840 Speaker 2: today the writer, director, and actor Stephen Graham. Stephen, thank 33 00:01:55,880 --> 00:01:58,000 Speaker 2: you so much for joining us today, Welcome to the show. 34 00:01:58,040 --> 00:01:59,360 Speaker 2: Congratulations on your film. 35 00:02:00,000 --> 00:02:03,640 Speaker 4: Wow, what an introduction. Thank you, thank you so much. Yeah, 36 00:02:03,680 --> 00:02:07,080 Speaker 4: we are just tremendously proud of how it turned out. 37 00:02:07,120 --> 00:02:12,760 Speaker 4: And as you said, yes, shot on location in western Massachusetts. 38 00:02:13,320 --> 00:02:17,200 Speaker 4: We were very honored to hire and train seventeen military 39 00:02:17,280 --> 00:02:20,800 Speaker 4: veterans in five gold Star Family members throughout the production 40 00:02:21,000 --> 00:02:21,760 Speaker 4: of Sheep Dog. 41 00:02:22,960 --> 00:02:25,559 Speaker 1: There's no CGI. These are all real locations. 42 00:02:25,600 --> 00:02:30,160 Speaker 4: We shot it in a small paper mill town, hired 43 00:02:30,240 --> 00:02:32,840 Speaker 4: a lot of the local people. Again many of them 44 00:02:33,320 --> 00:02:37,480 Speaker 4: were veterans, and you know, we were able to capture 45 00:02:37,520 --> 00:02:40,720 Speaker 4: the heart and soul of what I had seen and 46 00:02:40,760 --> 00:02:44,520 Speaker 4: witnessed in my research and development across the country on 47 00:02:44,520 --> 00:02:45,720 Speaker 4: this fourteen year journey. 48 00:02:45,800 --> 00:02:46,799 Speaker 1: So thank you. 49 00:02:47,840 --> 00:02:51,400 Speaker 2: Yeah you said, you say in your bio as is 50 00:02:51,440 --> 00:02:54,440 Speaker 2: reading a little bit about the movie that you did this. 51 00:02:54,680 --> 00:02:58,400 Speaker 2: You actually research, You talked to psychologists, You talked to 52 00:02:59,200 --> 00:03:02,440 Speaker 2: men and women who had come back from combat. This 53 00:03:02,639 --> 00:03:05,359 Speaker 2: wasn't just sort of a fly by night project. Tell 54 00:03:05,400 --> 00:03:07,520 Speaker 2: me a little bit about why you did this. By 55 00:03:07,560 --> 00:03:09,280 Speaker 2: the way, I want to encourage everyone to hang on 56 00:03:09,360 --> 00:03:10,720 Speaker 2: to the end of the segment because I'm going to 57 00:03:10,720 --> 00:03:14,960 Speaker 2: play a little clip from the trailer to pick you 58 00:03:15,000 --> 00:03:17,680 Speaker 2: out to commercial break. But you can see this trailer 59 00:03:17,680 --> 00:03:20,080 Speaker 2: of the movie A Sheep Dog on YouTube right now. 60 00:03:20,240 --> 00:03:22,200 Speaker 2: You need to go watch it because I know you're 61 00:03:22,240 --> 00:03:24,160 Speaker 2: listening to Steven talking. You're thinking this is like a 62 00:03:24,240 --> 00:03:28,480 Speaker 2: nice little that veterans movie to celebrate our vets. No, 63 00:03:28,919 --> 00:03:33,560 Speaker 2: this is a real legit film. It's gotten readible casts. 64 00:03:33,639 --> 00:03:36,640 Speaker 2: Some of my favorites are in it. Bondi, Curtis Hall, Stephen. 65 00:03:36,920 --> 00:03:39,040 Speaker 2: I was convinced for about twenty years that I was 66 00:03:39,080 --> 00:03:42,680 Speaker 2: going to name my first son Bondi Curtis Hall. Wow. 67 00:03:42,800 --> 00:03:43,560 Speaker 1: Well, let me tell you. 68 00:03:44,240 --> 00:03:49,480 Speaker 4: Bondi revealed on our press tour recently that Bondy Bondi's 69 00:03:49,480 --> 00:03:53,960 Speaker 4: father's name is Curtis Curtis Hall. Bondi's father was saved 70 00:03:54,520 --> 00:03:58,320 Speaker 4: by a fellow American soldier in World War Two, and 71 00:03:58,400 --> 00:04:01,720 Speaker 4: the man who saved his life was Vandy and that's 72 00:04:01,760 --> 00:04:03,400 Speaker 4: how he was named Vondi Critis Hall. 73 00:04:03,560 --> 00:04:05,280 Speaker 1: So yeah, pretty incredible. 74 00:04:06,520 --> 00:04:12,400 Speaker 2: Mind is blown. I loved his name forever forever. I'm 75 00:04:12,400 --> 00:04:16,400 Speaker 2: a warmer theater kid myself, so I love I love him. 76 00:04:16,520 --> 00:04:18,800 Speaker 2: Oh my gosh, I feel like I got like some 77 00:04:19,440 --> 00:04:20,279 Speaker 2: inside knowledge. 78 00:04:20,520 --> 00:04:22,320 Speaker 1: And he's a revelation in the film. 79 00:04:22,360 --> 00:04:24,520 Speaker 4: I mean, he plays a Vietnam veteran, and he grew 80 00:04:24,640 --> 00:04:27,920 Speaker 4: up in the in the Vietnam era, Vietnam War era, 81 00:04:28,160 --> 00:04:31,359 Speaker 4: and so you know, he he was touched by personal experience. 82 00:04:31,440 --> 00:04:34,560 Speaker 4: You know, he having friends that that didn't make it 83 00:04:34,640 --> 00:04:37,360 Speaker 4: home and having friends that did make at home, one 84 00:04:37,360 --> 00:04:42,000 Speaker 4: of which is currently battling cancer from Agent Orange from 85 00:04:42,040 --> 00:04:44,840 Speaker 4: from you know, from one of his tours in Vietnam. 86 00:04:45,000 --> 00:04:49,920 Speaker 4: So you know, he came became hungry and and he 87 00:04:50,040 --> 00:04:52,960 Speaker 4: and he just gives just such a stunning performance and 88 00:04:52,960 --> 00:04:55,320 Speaker 4: and I was able to just going back to the 89 00:04:55,360 --> 00:04:56,320 Speaker 4: research and development. 90 00:04:57,400 --> 00:04:59,280 Speaker 1: In writing the screenplay I did. 91 00:04:59,520 --> 00:05:03,640 Speaker 4: I did full honor flights to from out of Austin 92 00:05:03,720 --> 00:05:07,240 Speaker 4: to d C, where you know, you chaperone World War 93 00:05:07,240 --> 00:05:09,880 Speaker 4: two and Vietnam veterans to their respective memorials in d C. 94 00:05:10,640 --> 00:05:12,919 Speaker 4: So if you're if you have the good fortune to 95 00:05:13,000 --> 00:05:16,000 Speaker 4: be invited down to the hotel lobby bar at night 96 00:05:16,000 --> 00:05:19,320 Speaker 4: in d C after you've spent a day at the 97 00:05:19,360 --> 00:05:21,120 Speaker 4: memorials and you get to have a. 98 00:05:21,080 --> 00:05:23,599 Speaker 1: Whiskey with these veterans. 99 00:05:23,680 --> 00:05:27,440 Speaker 4: So much of what was shared with me informed his character, 100 00:05:28,000 --> 00:05:31,080 Speaker 4: and I think it just speaks to the authenticity I was. 101 00:05:31,200 --> 00:05:33,720 Speaker 4: I was very lucky that the community, it took years 102 00:05:33,720 --> 00:05:36,000 Speaker 4: to build the trust, but the veteran, the military and 103 00:05:36,040 --> 00:05:39,560 Speaker 4: mental health community to trust me. I had an office 104 00:05:39,560 --> 00:05:43,840 Speaker 4: for years at the VA Medical Center in Detroit, and 105 00:05:44,440 --> 00:05:47,320 Speaker 4: I met with hundreds and hundreds of folks. 106 00:05:47,839 --> 00:05:49,360 Speaker 1: I did role playing with. 107 00:05:49,440 --> 00:05:54,480 Speaker 4: Neurologists, neuropsychologists, trauma therapists. As you'll see in the film. 108 00:05:54,640 --> 00:05:56,960 Speaker 4: You know, we show different treatments like E, M, d R, 109 00:05:57,600 --> 00:06:00,680 Speaker 4: prolonged exposure. But I want folks to know that are listening, 110 00:06:00,760 --> 00:06:03,440 Speaker 4: this is not a post traumatic stress movie. This is 111 00:06:03,480 --> 00:06:07,039 Speaker 4: a post traumatic growth movie. I take the audience to 112 00:06:07,160 --> 00:06:10,440 Speaker 4: those places of darkness, but I also show them the light. 113 00:06:10,720 --> 00:06:14,680 Speaker 4: And that's really important, especially for those listening, especially during 114 00:06:14,680 --> 00:06:17,440 Speaker 4: the holidays. It can be a very difficult time for folks, 115 00:06:17,720 --> 00:06:20,440 Speaker 4: and it's really important that they know that they're not 116 00:06:20,640 --> 00:06:24,240 Speaker 4: alone and that they matter. And if you're struggling or 117 00:06:24,240 --> 00:06:27,760 Speaker 4: you're suffering in silence, you don't have to do that alone. 118 00:06:28,320 --> 00:06:31,880 Speaker 4: And it's okay to not be okay. So Sheet Dog 119 00:06:31,960 --> 00:06:36,000 Speaker 4: comes out nationwide in theaters January sixteenth. It's a very 120 00:06:36,040 --> 00:06:40,840 Speaker 4: emotional and communal experience. We've seen it firsthand on the 121 00:06:40,880 --> 00:06:44,479 Speaker 4: film festival circuit. We've had Vietnam veterans and tears that 122 00:06:44,560 --> 00:06:46,960 Speaker 4: have stood up in front of a full auditorium of 123 00:06:47,000 --> 00:06:49,719 Speaker 4: people saying, I finally feel seen and heard. 124 00:06:50,040 --> 00:06:50,960 Speaker 1: You guys nailed it. 125 00:06:51,360 --> 00:06:54,640 Speaker 4: OIF and OEF veterans that have said to us, I 126 00:06:54,640 --> 00:06:57,080 Speaker 4: wish I had this film ten fifteen years ago to 127 00:06:57,120 --> 00:07:00,440 Speaker 4: show my family so for them to understand why I 128 00:07:00,480 --> 00:07:02,560 Speaker 4: am the way I am, but why they are the 129 00:07:02,600 --> 00:07:06,800 Speaker 4: way they are, and. 130 00:07:05,440 --> 00:07:08,360 Speaker 2: And it's good why they are the way they are too, yes, 131 00:07:08,760 --> 00:07:11,440 Speaker 2: because this is it's a whole thing, right, It's not 132 00:07:11,640 --> 00:07:15,720 Speaker 2: just the person who goes to combat. It's it's everybody 133 00:07:15,760 --> 00:07:19,120 Speaker 2: they come home too. It's the whole life. I don't 134 00:07:19,120 --> 00:07:22,520 Speaker 2: think we pay enough attention to that or understand even 135 00:07:22,800 --> 00:07:26,320 Speaker 2: how it affects each person in the family, not just 136 00:07:26,440 --> 00:07:28,760 Speaker 2: the person who went and had the experience. 137 00:07:29,520 --> 00:07:32,040 Speaker 4: Yeah, and I think that that's that's really important for 138 00:07:32,080 --> 00:07:34,760 Speaker 4: folks to know. It's that, you know, I'm married into 139 00:07:34,800 --> 00:07:37,600 Speaker 4: a military family and my one of my both brothers 140 00:07:37,600 --> 00:07:41,480 Speaker 4: in laws are combat veterans, and one of them was 141 00:07:41,520 --> 00:07:45,160 Speaker 4: just recently deployed in twenty sixteen to Afghanistan, and I 142 00:07:45,200 --> 00:07:47,360 Speaker 4: have lived through with the family of what it's like 143 00:07:48,200 --> 00:07:51,200 Speaker 4: on baited breath, you know, when you're gone nine months. 144 00:07:51,120 --> 00:07:54,280 Speaker 1: And it's extremely stressful. 145 00:07:53,720 --> 00:07:57,200 Speaker 4: And and I think that that that's our movie highlights 146 00:07:57,240 --> 00:07:59,880 Speaker 4: that that it's it's it's the families is a ripple effect. 147 00:08:00,000 --> 00:08:03,760 Speaker 4: It's the families that have also committed to service and 148 00:08:03,800 --> 00:08:06,240 Speaker 4: sacrifice and then the communities that support them. 149 00:08:06,600 --> 00:08:10,600 Speaker 1: And that's what this film is about. It's you know, 150 00:08:10,640 --> 00:08:11,240 Speaker 1: it's a. 151 00:08:11,200 --> 00:08:14,800 Speaker 4: Film that I just hadn't seen from my generation, and 152 00:08:15,040 --> 00:08:18,480 Speaker 4: I've just never seen a film pick up with our 153 00:08:18,560 --> 00:08:21,800 Speaker 4: veterans ten years after their last deployment, right, because there's 154 00:08:21,800 --> 00:08:24,200 Speaker 4: a lot of life that's lived in that, you know, 155 00:08:24,680 --> 00:08:26,920 Speaker 4: And I'd seen that from when I started my research 156 00:08:26,960 --> 00:08:30,760 Speaker 4: in twenty eleven. As I got older as the screenwriter, 157 00:08:30,880 --> 00:08:32,679 Speaker 4: so did the character I was going to play. And 158 00:08:32,679 --> 00:08:35,840 Speaker 4: that was a gift onto itself because I still stay 159 00:08:35,880 --> 00:08:39,400 Speaker 4: in contact with many of the folks that I interviewed, 160 00:08:39,440 --> 00:08:43,600 Speaker 4: and I got to see their challenges and triumphs over 161 00:08:43,600 --> 00:08:44,520 Speaker 4: the last decade. 162 00:08:44,640 --> 00:08:46,560 Speaker 1: And it's really it's reflected. 163 00:08:46,120 --> 00:08:50,440 Speaker 4: In the film, and I'm just I just couldn't be, 164 00:08:50,840 --> 00:08:51,960 Speaker 4: you know, more proud of it. 165 00:08:53,320 --> 00:08:55,400 Speaker 2: STEEVEI let me ask you. I want you to talk 166 00:08:55,440 --> 00:08:57,840 Speaker 2: a little bit about the film itself. Tell me about 167 00:08:57,880 --> 00:09:01,000 Speaker 2: your cast. Tell me about that idea that this was 168 00:09:01,040 --> 00:09:05,000 Speaker 2: shot all on location. Who's making movies all in America anymore? 169 00:09:05,200 --> 00:09:08,280 Speaker 2: You know, no one knowing that anymore. Talk about that, 170 00:09:08,320 --> 00:09:10,480 Speaker 2: and talk about what people if they choose to go 171 00:09:10,520 --> 00:09:13,760 Speaker 2: see this at the theater, which I think you absolutely should, 172 00:09:13,960 --> 00:09:15,800 Speaker 2: and we'll talk about that before I let you go. 173 00:09:16,120 --> 00:09:19,040 Speaker 2: But talk about that, if they choose to go see this, 174 00:09:19,480 --> 00:09:22,040 Speaker 2: what are they going to get are they getting Are 175 00:09:22,320 --> 00:09:25,120 Speaker 2: they just getting a morality tale? Are they getting a 176 00:09:25,160 --> 00:09:29,319 Speaker 2: morality lesson what is this movie, because I can tell you, 177 00:09:29,400 --> 00:09:31,600 Speaker 2: Stephen that a lot of people listening to this show 178 00:09:32,600 --> 00:09:36,000 Speaker 2: are thinking, well, I've seen movies like this in the past, 179 00:09:36,000 --> 00:09:40,040 Speaker 2: and everyone's got good intentions, but they're never really that entertaining. 180 00:09:40,120 --> 00:09:43,000 Speaker 2: It's not something I want to drop my money on. 181 00:09:44,160 --> 00:09:47,160 Speaker 4: So tell people, and that's understandable, especially in this day 182 00:09:47,240 --> 00:09:51,200 Speaker 4: and age. The average movie ticket price is fifteen dollars 183 00:09:51,480 --> 00:09:55,640 Speaker 4: and leaving your house post COVID, you know our behavioral 184 00:09:55,640 --> 00:09:58,480 Speaker 4: patterns have changed. I can only tell you what I've 185 00:09:58,520 --> 00:10:01,640 Speaker 4: experienced over the last year. We screened at more than 186 00:10:02,040 --> 00:10:05,839 Speaker 4: twelve or thirteen film festivals entirely sold out run across 187 00:10:05,920 --> 00:10:09,240 Speaker 4: the country, which we're very humbled and blessed by. And 188 00:10:09,679 --> 00:10:13,000 Speaker 4: I think the testament to that is the quality of 189 00:10:13,040 --> 00:10:13,560 Speaker 4: the film. 190 00:10:13,880 --> 00:10:16,280 Speaker 1: You know, I didn't do it alone. I did, you know. 191 00:10:16,480 --> 00:10:18,679 Speaker 4: I had an incredible team, as you said already, an 192 00:10:18,720 --> 00:10:22,640 Speaker 4: incredible cast. Academy Award nominee Virginia Manson plays my trauma 193 00:10:22,679 --> 00:10:25,319 Speaker 4: therapist in the film. As you've already said, Emmy nominee 194 00:10:25,400 --> 00:10:29,600 Speaker 4: Vondie Curtisol plays the Vietnam veteran dominic FAMUSA, who some 195 00:10:29,640 --> 00:10:33,120 Speaker 4: folks might know from Dexter or Nurse Betty, who was 196 00:10:33,160 --> 00:10:36,160 Speaker 4: also in the Michael Bay Thirteen Hours movie on Benghazi. 197 00:10:36,559 --> 00:10:41,640 Speaker 4: He plays my hockey coach turned cop, Lily Cooper. She 198 00:10:41,760 --> 00:10:44,680 Speaker 4: plays my wife in the film. She's a Tony nominee. 199 00:10:44,760 --> 00:10:48,559 Speaker 4: She came and this is it came to set. Just 200 00:10:48,559 --> 00:10:52,000 Speaker 4: just a stunning performance. I mean, she's a Broadway actress. 201 00:10:52,000 --> 00:10:55,160 Speaker 4: And then of course Matt Dallas plays my best friend. 202 00:10:55,280 --> 00:10:57,000 Speaker 4: And Matt did a lot of the research with me 203 00:10:57,040 --> 00:11:00,160 Speaker 4: when I was writing the screenplay. So Matt himself this 204 00:11:00,320 --> 00:11:03,920 Speaker 4: firsthand what this looks like. Here's the thing, Here's what 205 00:11:04,040 --> 00:11:08,959 Speaker 4: separates us from anything you've ever seen, the dedication that 206 00:11:09,000 --> 00:11:13,000 Speaker 4: we in love and care and responsibility that we put 207 00:11:13,040 --> 00:11:15,520 Speaker 4: into this. When people ask us on our fourteen year journey, 208 00:11:15,760 --> 00:11:18,079 Speaker 4: what's the most important or what was the hardest thing 209 00:11:18,160 --> 00:11:21,120 Speaker 4: for you guys, you must have wanted to put Of course, 210 00:11:21,480 --> 00:11:25,160 Speaker 4: there were so many challenges, so many but the biggest 211 00:11:25,280 --> 00:11:28,199 Speaker 4: challenge was getting it right on behalf of the folks 212 00:11:28,240 --> 00:11:30,560 Speaker 4: that were representing on screen, and. 213 00:11:30,600 --> 00:11:32,199 Speaker 1: That we hope we did. 214 00:11:32,320 --> 00:11:35,320 Speaker 4: And from the response, the profound response, as I said, 215 00:11:35,360 --> 00:11:38,320 Speaker 4: we've received on the festival circuit, I believe we've done it. 216 00:11:38,640 --> 00:11:40,720 Speaker 1: The other thing, too, is that. 217 00:11:41,400 --> 00:11:44,440 Speaker 4: I didn't want at any point I didn't need to 218 00:11:44,440 --> 00:11:46,360 Speaker 4: play the lead character. I could have went and got 219 00:11:46,400 --> 00:11:48,400 Speaker 4: a big Hollywood movie star. It would have made my 220 00:11:48,480 --> 00:11:51,160 Speaker 4: life a lot easier in terms of funding and all 221 00:11:51,200 --> 00:11:54,120 Speaker 4: the things that come with the benefits of that. But 222 00:11:54,160 --> 00:11:57,760 Speaker 4: I didn't want an actor to show up with having 223 00:11:57,760 --> 00:12:01,319 Speaker 4: the script three weeks prior to go on to camera 224 00:12:01,640 --> 00:12:04,800 Speaker 4: to filming and just give me their rendition of what 225 00:12:04,840 --> 00:12:08,600 Speaker 4: they think it is. I wanted to show an audience 226 00:12:08,679 --> 00:12:10,880 Speaker 4: what I know it is, what I saw what it is. 227 00:12:10,960 --> 00:12:14,080 Speaker 4: And as the storyteller, our job, the best job we 228 00:12:14,120 --> 00:12:16,480 Speaker 4: can do is to hold the mirror up. You know, 229 00:12:16,559 --> 00:12:19,760 Speaker 4: when I wrote the characters, I didn't judge these characters. 230 00:12:20,120 --> 00:12:22,720 Speaker 4: I just I just wanted to show a reflection of 231 00:12:22,760 --> 00:12:25,720 Speaker 4: what I saw across the country. And I promise you 232 00:12:25,840 --> 00:12:30,680 Speaker 4: people that are listening, if you had the good fortune 233 00:12:30,720 --> 00:12:32,640 Speaker 4: to travel the country the way I did and go 234 00:12:32,679 --> 00:12:35,400 Speaker 4: into people's living rooms of all different walks of life 235 00:12:35,840 --> 00:12:40,520 Speaker 4: across this country, it's just an incredible, incredible experience and 236 00:12:40,800 --> 00:12:44,240 Speaker 4: and and it made me love this country even more 237 00:12:44,840 --> 00:12:49,800 Speaker 4: and and it's so incredibly humbling to see that service 238 00:12:49,800 --> 00:12:53,040 Speaker 4: and sacrifice and see those communities come together. 239 00:12:53,320 --> 00:12:55,959 Speaker 1: It's an entertaining film. There's tons of humor in it. 240 00:12:56,200 --> 00:12:58,679 Speaker 4: There's a lot of different plot twists in it, but 241 00:12:58,800 --> 00:13:02,560 Speaker 4: the most the most important thing is it is authentic 242 00:13:03,000 --> 00:13:05,679 Speaker 4: to the plight of our veterans and their families. 243 00:13:07,120 --> 00:13:10,959 Speaker 2: We're talking to Stephen Graham. He is the writer, director 244 00:13:11,000 --> 00:13:13,679 Speaker 2: and actor for Sheep Dog the Movie. You can go 245 00:13:13,760 --> 00:13:18,640 Speaker 2: find that at cheapdog themovie dot com. Stephen, what happens 246 00:13:18,679 --> 00:13:21,560 Speaker 2: next with this film? How can people go see it? Where? 247 00:13:21,760 --> 00:13:24,000 Speaker 1: Sholl us? Everything? Sure? Okay? 248 00:13:24,040 --> 00:13:26,880 Speaker 4: So, first off, just like you said, visit us at 249 00:13:26,920 --> 00:13:30,600 Speaker 4: cheapdog themovie dot com. If you would like to buy 250 00:13:30,640 --> 00:13:34,280 Speaker 4: out a theater and take your friends, your family, your community, 251 00:13:34,559 --> 00:13:37,559 Speaker 4: there's a link there. There's also if you're somebody who'd 252 00:13:37,640 --> 00:13:41,520 Speaker 4: like to pay it forward. We've partnered with Vettics, so 253 00:13:41,559 --> 00:13:43,439 Speaker 4: if you're a veteran, a first responder, you can go 254 00:13:43,480 --> 00:13:45,800 Speaker 4: to vettics dot org and you sign up and you 255 00:13:45,840 --> 00:13:50,040 Speaker 4: can be eligible for free tickets up to four per person. 256 00:13:51,120 --> 00:13:53,800 Speaker 4: This is the first time that vettics has ever partnered 257 00:13:53,880 --> 00:13:56,760 Speaker 4: with a film. So if you again you want to 258 00:13:56,800 --> 00:13:59,079 Speaker 4: sign up there, or you can go to Sheepdog Themovie 259 00:13:59,080 --> 00:14:01,920 Speaker 4: dot com. You can pay it forward and send veterans 260 00:14:01,920 --> 00:14:05,000 Speaker 4: first responders to their families. Tickets will go on sale 261 00:14:05,800 --> 00:14:12,120 Speaker 4: early early January on fandango, so it's a nationwide release, 262 00:14:12,280 --> 00:14:15,480 Speaker 4: so just find your local theater on there. We also, 263 00:14:15,559 --> 00:14:18,360 Speaker 4: i'd love to just we haven't formally announced it, but 264 00:14:18,400 --> 00:14:21,200 Speaker 4: here we go. We have a fans store, which is 265 00:14:22,080 --> 00:14:25,120 Speaker 4: for Sheep Dog Merch on the fandangle store. We're very 266 00:14:25,200 --> 00:14:28,440 Speaker 4: lucky because we're I think we're bookended by Jaws and 267 00:14:28,480 --> 00:14:32,000 Speaker 4: back to the Future, so you don't get that very often. 268 00:14:33,640 --> 00:14:37,520 Speaker 4: And and uh and there's the tagline for the film 269 00:14:37,560 --> 00:14:39,840 Speaker 4: is sometimes we have to fall apart to find ourselves 270 00:14:39,920 --> 00:14:43,040 Speaker 4: all over again. And that's on the merch and and 271 00:14:43,040 --> 00:14:47,040 Speaker 4: and don't we all and you know I I We're 272 00:14:47,160 --> 00:14:49,640 Speaker 4: very interactive on our social media, so please, you know, 273 00:14:49,760 --> 00:14:52,600 Speaker 4: go to Instagram Sheep Dog the Movie, you know, or 274 00:14:52,640 --> 00:14:56,840 Speaker 4: Twitter or or Facebook. We'd love to hear your thoughts, 275 00:14:57,160 --> 00:14:58,800 Speaker 4: even your thoughts on the trailer. 276 00:14:58,480 --> 00:14:59,560 Speaker 1: That's out there right now. 277 00:15:00,600 --> 00:15:03,320 Speaker 4: And just just know that we're just so grateful and 278 00:15:03,440 --> 00:15:06,280 Speaker 4: honored to have the opportunity to tell this story, this 279 00:15:06,400 --> 00:15:07,440 Speaker 4: American main story. 280 00:15:08,640 --> 00:15:11,240 Speaker 2: We're honored that you stop by to talk to us 281 00:15:11,280 --> 00:15:13,400 Speaker 2: about this. Thank you for making it, thank you for 282 00:15:13,520 --> 00:15:18,800 Speaker 2: honoring this wonderful you know, American story. It really is 283 00:15:18,800 --> 00:15:22,040 Speaker 2: an American story, and we wish you the best. Happy 284 00:15:22,040 --> 00:15:25,000 Speaker 2: holidays and Merry Christmas to you and yours. Stephen Graham. 285 00:15:25,080 --> 00:15:28,040 Speaker 2: Sheep Dog the Movie go to sheep Dog themovie dot com. 286 00:15:28,200 --> 00:15:30,000 Speaker 2: Make sure you go support this and even if you're 287 00:15:30,000 --> 00:15:31,240 Speaker 2: not going to go see it, maybe you're going to 288 00:15:31,320 --> 00:15:36,440 Speaker 2: pay it forward for our fellow Americans. Thank you, Steven. 289 00:15:36,520 --> 00:15:39,920 Speaker 1: Happy holidays, Merry Christmas, God blessed. Thank you so much, 290 00:15:40,040 --> 00:15:40,600 Speaker 1: God blessed. 291 00:15:40,600 --> 00:15:42,960 Speaker 2: We'll be back after this. Don't go anywhere. I'm Cure 292 00:15:43,000 --> 00:15:45,440 Speaker 2: Davis filling in for Tony Katz and this is Tony 293 00:15:45,520 --> 00:15:49,880 Speaker 2: Katz today. Welcome back everybody, Tony Katz today. I'm Kia 294 00:15:49,960 --> 00:15:53,320 Speaker 2: Davis and back again with you. Thank you so much 295 00:15:53,440 --> 00:15:57,080 Speaker 2: to Stephen Graham for stopping by the show to talk 296 00:15:57,120 --> 00:16:00,160 Speaker 2: about his movie. I know what's a long interview, but 297 00:16:00,240 --> 00:16:02,880 Speaker 2: I just wanted to give him all the opportunity to 298 00:16:02,920 --> 00:16:06,560 Speaker 2: talk about what they were doing. And again before we 299 00:16:06,600 --> 00:16:09,240 Speaker 2: went to our interview with Steven again, thank you, God 300 00:16:09,280 --> 00:16:11,000 Speaker 2: bless you out there. Steven, make sure you go get 301 00:16:11,000 --> 00:16:13,400 Speaker 2: the tickets for that movie and see if you can 302 00:16:13,440 --> 00:16:17,760 Speaker 2: get it to a theater near you. But I again, 303 00:16:17,840 --> 00:16:20,920 Speaker 2: before we're talking, before the break, one of the things 304 00:16:20,960 --> 00:16:23,280 Speaker 2: I said was we have to start doing the things, 305 00:16:23,320 --> 00:16:26,080 Speaker 2: saying the things out loud. Have you ever noticed that 306 00:16:26,160 --> 00:16:29,040 Speaker 2: your movies and TVs, it's hard to find heroes anymore. 307 00:16:29,840 --> 00:16:33,040 Speaker 2: You don't find those, you don't find good people. Everything's 308 00:16:33,080 --> 00:16:37,000 Speaker 2: so nuanced and there's gray areas, and you know, you 309 00:16:37,040 --> 00:16:41,080 Speaker 2: don't have your heroes aren't just blatant heroes anymore, theros 310 00:16:41,160 --> 00:16:46,040 Speaker 2: affected or you know, sullen or something you know, and 311 00:16:46,120 --> 00:16:51,560 Speaker 2: the anti hero and we don't want that, particularly in 312 00:16:51,640 --> 00:16:55,440 Speaker 2: the season of Christmas. Is Christmas Season is the greatest 313 00:16:55,480 --> 00:16:59,840 Speaker 2: superhero story of all time. And it's black and white. 314 00:17:00,040 --> 00:17:04,440 Speaker 2: It's clear, there's no nuance. The world was in darkness 315 00:17:04,760 --> 00:17:06,880 Speaker 2: and then came Jesus, and then it was in light 316 00:17:07,119 --> 00:17:09,439 Speaker 2: and this is the Savior. This is the only savior. 317 00:17:09,480 --> 00:17:13,040 Speaker 2: It's black and white. There's evil and there's good, and 318 00:17:13,080 --> 00:17:14,720 Speaker 2: people can look at that and you can say maybe 319 00:17:14,720 --> 00:17:16,720 Speaker 2: you can say, like, no, I don't want to be 320 00:17:16,720 --> 00:17:18,560 Speaker 2: on the side of baby Jesus. I'm not into it. 321 00:17:18,640 --> 00:17:20,760 Speaker 2: But you know, what you're looking at, and you know 322 00:17:20,800 --> 00:17:23,200 Speaker 2: what you're saying no to. But what Hollywood is giving 323 00:17:23,280 --> 00:17:28,399 Speaker 2: us lately is a bunch of slop, and with no 324 00:17:28,800 --> 00:17:33,119 Speaker 2: point of view. It's all, well, you decide what a 325 00:17:33,160 --> 00:17:35,439 Speaker 2: hero is. We don't want that. That's not how humans 326 00:17:35,440 --> 00:17:40,159 Speaker 2: are primed. We want real stories of real people. And 327 00:17:40,760 --> 00:17:43,359 Speaker 2: I don't mean authentic, because a superhero isn't a real person. 328 00:17:43,560 --> 00:17:48,280 Speaker 2: But every story reflects reality in some way. Every story 329 00:17:48,359 --> 00:17:53,200 Speaker 2: reflects the real, genuine struggle of human nature. And lately 330 00:17:53,240 --> 00:17:59,119 Speaker 2: we've been handing over our entertainment to gen z weirdos 331 00:17:59,160 --> 00:18:01,720 Speaker 2: for lack of a better world work term who have 332 00:18:01,840 --> 00:18:07,879 Speaker 2: grown up with no dads, no concept of gender, no 333 00:18:08,000 --> 00:18:12,119 Speaker 2: concept of patriotism, and no religion. They're writing what they know, 334 00:18:12,400 --> 00:18:16,280 Speaker 2: and what they know is nothing, and that's what you're getting. 335 00:18:16,480 --> 00:18:19,600 Speaker 2: So when we have a guy like Stephen on the show, 336 00:18:20,840 --> 00:18:23,639 Speaker 2: it's not just, you know, a nice thing to do 337 00:18:23,720 --> 00:18:27,399 Speaker 2: to let this beautiful film get breathe and get some airs. 338 00:18:27,480 --> 00:18:30,399 Speaker 2: That's not what it is. It's that, yes, But also 339 00:18:30,480 --> 00:18:33,520 Speaker 2: it's us going here's some real stories. Let's get the 340 00:18:33,680 --> 00:18:36,720 Speaker 2: real stories back out there, stories of our real hero 341 00:18:36,880 --> 00:18:41,280 Speaker 2: stories about what they struggle with the reason why everything 342 00:18:41,320 --> 00:18:44,000 Speaker 2: you see on TV has a gay or trans person 343 00:18:44,080 --> 00:18:47,359 Speaker 2: in it or trans couple are so preachy is because 344 00:18:47,400 --> 00:18:51,600 Speaker 2: they want you to see those stories and you they 345 00:18:51,640 --> 00:18:55,840 Speaker 2: want those stories to be normalized for you. So let's 346 00:18:55,880 --> 00:19:00,800 Speaker 2: normalize stories like Stephen's stories. Again. We used to That's 347 00:19:00,840 --> 00:19:05,040 Speaker 2: where we used to find out about these struggles, these people. 348 00:19:05,960 --> 00:19:07,600 Speaker 2: This is where you know, when we lived in a 349 00:19:07,640 --> 00:19:11,480 Speaker 2: society that was highly segregated film and entertainment. Let us 350 00:19:11,520 --> 00:19:15,399 Speaker 2: peek into the other side, into the other world, told 351 00:19:15,600 --> 00:19:20,440 Speaker 2: the stories of our fellow Americans. Let's get back to that. 352 00:19:21,800 --> 00:19:24,879 Speaker 2: No more nuance. Let's just get some heroes and tell 353 00:19:24,880 --> 00:19:27,600 Speaker 2: the real heroes journey. So thank you Steven for doing 354 00:19:27,600 --> 00:19:29,359 Speaker 2: that good work out there. Make sure you go see 355 00:19:29,400 --> 00:19:32,280 Speaker 2: sheep Dog. All right, yeah, gotta take another break. I 356 00:19:32,280 --> 00:19:34,240 Speaker 2: know it's quick, but this is how it's going today. 357 00:19:35,080 --> 00:19:37,080 Speaker 2: I got a lot more in the last half hour 358 00:19:37,119 --> 00:19:39,120 Speaker 2: of the show. Don't go anywhere. I'm Kia David's feeling 359 00:19:39,160 --> 00:19:44,960 Speaker 2: it for Tony Katz and you're listening to Tony Katz today. 360 00:19:45,880 --> 00:19:49,359 Speaker 2: Welcome back everybody too, Tony Kats Today, I am your 361 00:19:49,400 --> 00:19:52,200 Speaker 2: guest host, Kia Davis. We are wrapping up the show 362 00:19:52,240 --> 00:19:55,040 Speaker 2: winding down in our final half hour. That bumper. I 363 00:19:55,080 --> 00:20:00,720 Speaker 2: can believe that was one of Russelnba's favorite songs. All right, 364 00:20:00,840 --> 00:20:03,600 Speaker 2: paida Rush, the great One, the reason we're here, the 365 00:20:03,640 --> 00:20:06,920 Speaker 2: reason why I'm on this mic, why Tony's on his mic? 366 00:20:07,720 --> 00:20:12,560 Speaker 2: Rush Limba the Goat. We honor you today, sir well. 367 00:20:12,680 --> 00:20:17,520 Speaker 2: I was reading online. I was looking for some Christmas advice. 368 00:20:17,560 --> 00:20:19,720 Speaker 2: I wanted to do some Christmas advice to have to 369 00:20:19,720 --> 00:20:22,920 Speaker 2: close out the show. I did find some interesting stuff, 370 00:20:22,920 --> 00:20:25,440 Speaker 2: but something a post I came across, I thought, oh, 371 00:20:25,480 --> 00:20:27,119 Speaker 2: I want to share this with the audience. See what 372 00:20:27,200 --> 00:20:31,200 Speaker 2: you think. This is a little bit of light advice. 373 00:20:31,600 --> 00:20:33,800 Speaker 2: Let's see, let's see what you think. This is a 374 00:20:33,880 --> 00:20:36,840 Speaker 2: wedding I love the wedding questions, and I think this 375 00:20:37,040 --> 00:20:40,640 Speaker 2: bride has an interesting question. She says. My future mother 376 00:20:40,680 --> 00:20:43,760 Speaker 2: in law just informed me that she paid over one 377 00:20:43,840 --> 00:20:48,000 Speaker 2: thousand dollars for this light pink beaded dress and plans 378 00:20:48,040 --> 00:20:51,359 Speaker 2: to wear it to our wedding next week. And the 379 00:20:51,480 --> 00:20:54,560 Speaker 2: dress is it's light pink beat, it's beautiful. It's actually 380 00:20:54,560 --> 00:20:58,040 Speaker 2: a beautiful mother in law dress. She's posted a picture 381 00:20:58,040 --> 00:21:03,840 Speaker 2: of it, but unfortunately the bride says, it'll be completely 382 00:21:03,840 --> 00:21:06,960 Speaker 2: ignoring our navy blue because we want the mothers to 383 00:21:07,080 --> 00:21:10,679 Speaker 2: be our something blue. Conversation from months ago. So this 384 00:21:10,800 --> 00:21:14,959 Speaker 2: bride wants to put the moms in blue, ripe, something borrowed, 385 00:21:14,960 --> 00:21:17,240 Speaker 2: something blue. I think that's really cute. Actually, what a 386 00:21:17,280 --> 00:21:20,200 Speaker 2: cute idea. They want the moms to be something in blue. 387 00:21:21,040 --> 00:21:23,399 Speaker 2: When I gently reminded, and I'm going to guess that 388 00:21:23,520 --> 00:21:27,000 Speaker 2: the bride's color scheme is pink. That's what I'm gonna guess. 389 00:21:27,280 --> 00:21:29,160 Speaker 2: I'm gonna get, she doesn't say, but I'm gonna guess 390 00:21:29,200 --> 00:21:34,399 Speaker 2: it's pink. When I gently reminded her about the color scheme, 391 00:21:34,480 --> 00:21:36,800 Speaker 2: she got defensive and said, well, your family can be 392 00:21:36,880 --> 00:21:40,840 Speaker 2: in blue, like this is some kind of competition between 393 00:21:40,840 --> 00:21:43,600 Speaker 2: the mothers instead of a wedding where we hoped everyone 394 00:21:43,640 --> 00:21:46,760 Speaker 2: will follow the plan. Now I'm stuck wondering if I 395 00:21:46,800 --> 00:21:50,600 Speaker 2: should buy my own mother a matching pink dress so 396 00:21:50,680 --> 00:21:53,639 Speaker 2: she doesn't feel underdressed, or if that makes me the 397 00:21:53,720 --> 00:21:57,280 Speaker 2: crazy one for enabling this whole situation. I've already found 398 00:21:57,320 --> 00:22:01,040 Speaker 2: the perfect secondhand formal dress online that would his mother's 399 00:22:01,080 --> 00:22:04,520 Speaker 2: style and price range, and I'm sitting here debating whether 400 00:22:04,680 --> 00:22:07,960 Speaker 2: spending money I don't have on address my mom doesn't 401 00:22:08,000 --> 00:22:10,879 Speaker 2: even want it's worth keeping the peace at my wedding. 402 00:22:11,160 --> 00:22:12,760 Speaker 2: Part of me thinks I should just let it go 403 00:22:12,920 --> 00:22:15,280 Speaker 2: and have mismatched mothers. What the other part of me 404 00:22:15,440 --> 00:22:18,679 Speaker 2: knows my mom will feel self conscious standing next to 405 00:22:18,720 --> 00:22:23,080 Speaker 2: someone in a thousand dollars gown while she's wearing something 406 00:22:23,119 --> 00:22:26,440 Speaker 2: from her closet. And honestly, I'm so tired of managing 407 00:22:26,480 --> 00:22:29,879 Speaker 2: everyone else's feelings about my wedding that I might just 408 00:22:30,080 --> 00:22:34,480 Speaker 2: elope instead. What do you think about that? I think 409 00:22:34,520 --> 00:22:39,159 Speaker 2: there's there underneath the there. I think there's more. You know, 410 00:22:39,240 --> 00:22:42,040 Speaker 2: it's what. It's like a three hundred word post. You 411 00:22:42,080 --> 00:22:44,840 Speaker 2: can't get all of the details of your entire life. 412 00:22:44,880 --> 00:22:47,280 Speaker 2: But if I'm reading between the lines, there's a few 413 00:22:47,280 --> 00:22:50,760 Speaker 2: things going on here. I think the I think the 414 00:22:50,880 --> 00:22:55,119 Speaker 2: sides of the family are probably mismatched in income because 415 00:22:55,119 --> 00:22:57,399 Speaker 2: she's saying, I think my mom's going to feel uncomfortable 416 00:22:57,440 --> 00:23:02,520 Speaker 2: this mom's wearing an expense of dress. It seemed like 417 00:23:02,680 --> 00:23:05,320 Speaker 2: the price of the dress was almost as offensive to 418 00:23:05,359 --> 00:23:08,280 Speaker 2: the bride as the color. And my mom's going to 419 00:23:08,359 --> 00:23:11,800 Speaker 2: feel awkward and out of place, and I'm wondering if 420 00:23:11,840 --> 00:23:15,760 Speaker 2: that's true. I'm wondering if that's true, or if it's 421 00:23:15,920 --> 00:23:19,959 Speaker 2: the daughter that's going to feel embarrassed of her mom. 422 00:23:21,760 --> 00:23:24,159 Speaker 2: I don't know, I really don't, but it makes me 423 00:23:24,240 --> 00:23:27,000 Speaker 2: wonder the way she's worded it the other thing because 424 00:23:27,040 --> 00:23:29,720 Speaker 2: I'm also thinking, and again this could be personality, but 425 00:23:29,800 --> 00:23:33,280 Speaker 2: I'm thinking, but this isn't a bride mom problem. This 426 00:23:33,440 --> 00:23:36,240 Speaker 2: is a son mom problem. Right, Why should your mom 427 00:23:36,280 --> 00:23:41,760 Speaker 2: feel awkward. She's with the program, right, she's following the directions, 428 00:23:41,800 --> 00:23:45,640 Speaker 2: she's following the rules. Why would she be embarrassed? Right? 429 00:23:46,520 --> 00:23:49,480 Speaker 2: Your mother in law should be embarrassed for not following 430 00:23:49,520 --> 00:23:52,560 Speaker 2: the rules. So I also think it's curious that she's not. 431 00:23:53,480 --> 00:23:57,359 Speaker 2: She's not. There's no indication that she'd be embarrassed. Again, 432 00:23:58,200 --> 00:24:00,160 Speaker 2: I'm beginning to think the more I talk this tru 433 00:24:00,400 --> 00:24:03,480 Speaker 2: that this is a class issue that I think I 434 00:24:03,560 --> 00:24:08,120 Speaker 2: think the mother in law also. Okay, young couples pre 435 00:24:08,200 --> 00:24:13,680 Speaker 2: married or just married, pay attention to me. You are 436 00:24:13,800 --> 00:24:20,440 Speaker 2: responsible for your parents, Okay, you're responsible for the relationship 437 00:24:20,480 --> 00:24:24,760 Speaker 2: between your parents and your spouse. So if your parents 438 00:24:25,080 --> 00:24:29,040 Speaker 2: are mistreating your spouse or don't get along with your fiance. 439 00:24:30,119 --> 00:24:34,080 Speaker 2: It's you that must settle that issue, not your fiance, 440 00:24:34,400 --> 00:24:37,680 Speaker 2: not your wife. So I want to know where husband 441 00:24:37,760 --> 00:24:40,320 Speaker 2: or groom is and all of this, because this is 442 00:24:40,359 --> 00:24:43,240 Speaker 2: when he should go to his mother and say, no, 443 00:24:43,560 --> 00:24:46,879 Speaker 2: this is my wedding, mom, and this is what I want. Lady. 444 00:24:47,160 --> 00:24:48,960 Speaker 2: The more I talk this through, the more I think 445 00:24:49,000 --> 00:24:52,840 Speaker 2: you should just run. You should just run. It seems 446 00:24:52,880 --> 00:24:55,600 Speaker 2: to me that this family does not respect you at all. 447 00:24:55,880 --> 00:24:58,520 Speaker 2: Your fiance doesn't respect you enough to stand up to 448 00:24:58,560 --> 00:25:01,119 Speaker 2: his mother to tell her to wear the damn dress 449 00:25:01,200 --> 00:25:04,560 Speaker 2: I told you to wear. You know what I mean. 450 00:25:04,720 --> 00:25:07,360 Speaker 2: That's an act of defiance. That's not a woman who's like, well, 451 00:25:07,359 --> 00:25:09,080 Speaker 2: I don't have anything else to wear. She went out 452 00:25:09,080 --> 00:25:12,560 Speaker 2: and bought a thousand dollars dress. She has, she's got, 453 00:25:12,880 --> 00:25:15,040 Speaker 2: she has an event in her mind, she has a 454 00:25:15,119 --> 00:25:16,960 Speaker 2: day in her mind, and it doesn't match her daughter 455 00:25:16,960 --> 00:25:19,320 Speaker 2: in laws. What's gonna happen when you have a baby, 456 00:25:19,760 --> 00:25:22,440 Speaker 2: What's gonna happen when you're at your one year anniversary, 457 00:25:22,440 --> 00:25:24,600 Speaker 2: What's gonna happen? Gonna happen when you want to celebrate 458 00:25:24,760 --> 00:25:29,760 Speaker 2: Christmas at your house for the first time? Run, honey, run, 459 00:25:30,400 --> 00:25:32,960 Speaker 2: This is a red flag. But this is a gift. 460 00:25:33,680 --> 00:25:36,639 Speaker 2: This is a gift that your your husband's not going 461 00:25:36,720 --> 00:25:38,960 Speaker 2: to be there for you when you need him against 462 00:25:39,040 --> 00:25:43,880 Speaker 2: his family. You're marrying into an organism, wasn't I talking 463 00:25:43,880 --> 00:25:48,040 Speaker 2: about this last hour? How I'm starting to understand there's 464 00:25:48,080 --> 00:25:51,720 Speaker 2: a place for prejudice and some respects the idea that 465 00:25:51,800 --> 00:25:57,159 Speaker 2: you're discriminating. I guess right, you have you have a body, 466 00:25:57,240 --> 00:26:00,760 Speaker 2: and then you have an outside organism trying to break 467 00:26:00,800 --> 00:26:05,080 Speaker 2: into the body. And if that organism isn't going to 468 00:26:05,119 --> 00:26:09,280 Speaker 2: fit into the body, isn't going to assimilate into the body, 469 00:26:09,320 --> 00:26:12,160 Speaker 2: then the organism must be pushed out. And families are 470 00:26:12,160 --> 00:26:15,840 Speaker 2: the same way, particularly wealthy families. And I'm starting to 471 00:26:15,920 --> 00:26:21,200 Speaker 2: understand why too. You know, as you you raise and status, 472 00:26:21,240 --> 00:26:24,520 Speaker 2: you realize, yeah, you are vulnerable to people who want 473 00:26:24,560 --> 00:26:32,040 Speaker 2: to use you, I think, and so I can kind 474 00:26:32,040 --> 00:26:34,359 Speaker 2: of imagine that the mom. It seems to me that 475 00:26:34,440 --> 00:26:37,520 Speaker 2: the mom feels that this Beyonce does not really belong 476 00:26:37,920 --> 00:26:41,199 Speaker 2: in the family. I actually I have some acquaintances like this. 477 00:26:42,119 --> 00:26:45,320 Speaker 2: They're very wealthy and very well connected family in California, 478 00:26:45,840 --> 00:26:51,120 Speaker 2: and they you know, they have multiple adult children who 479 00:26:51,119 --> 00:26:56,200 Speaker 2: are married or beginning to marry and you know, weddings planned, 480 00:26:56,240 --> 00:27:00,320 Speaker 2: but they're pretty much through the crop. But they have 481 00:27:00,359 --> 00:27:04,199 Speaker 2: a lot they struggle with the spouses and the spouses 482 00:27:04,240 --> 00:27:07,880 Speaker 2: that maintain their identity. I'm trying not to be too detailed. 483 00:27:09,200 --> 00:27:13,639 Speaker 2: The spouses who maintain their personal identity and their personal 484 00:27:13,840 --> 00:27:16,479 Speaker 2: identity for their own home that they've made, you know, 485 00:27:16,480 --> 00:27:19,119 Speaker 2: with their new spouse. Those spouses get pushed out of 486 00:27:19,160 --> 00:27:22,119 Speaker 2: the organism. They're not really welcome in the family. You 487 00:27:22,119 --> 00:27:24,000 Speaker 2: don't see them at all the events, they don't run 488 00:27:24,040 --> 00:27:27,359 Speaker 2: the business. They're not welcome in the family. And the 489 00:27:27,440 --> 00:27:32,040 Speaker 2: spouses that got with the program are fully assimilated, right, 490 00:27:32,119 --> 00:27:35,360 Speaker 2: and they're part of the organism, and there's a hierarchy 491 00:27:35,400 --> 00:27:38,439 Speaker 2: there and they figured out their place and they accepted it. 492 00:27:39,760 --> 00:27:42,720 Speaker 2: I think like that's what this family sounds like it is. 493 00:27:43,160 --> 00:27:46,560 Speaker 2: And frankly, honey, if don't marry into any family that's 494 00:27:46,600 --> 00:27:50,040 Speaker 2: going to shame you or your family for their circumstances, 495 00:27:50,280 --> 00:27:53,680 Speaker 2: you should be Your family should be happy to see you, 496 00:27:53,760 --> 00:27:58,520 Speaker 2: they should be open to welcoming you. When I when 497 00:27:58,600 --> 00:28:01,880 Speaker 2: I got married, in law and father in law lived 498 00:28:02,359 --> 00:28:04,600 Speaker 2: on the other side of the block, walk out their 499 00:28:04,640 --> 00:28:08,560 Speaker 2: back door and into mine lived with my husband and Gary, Indiana, 500 00:28:09,160 --> 00:28:11,760 Speaker 2: and when we got married, I remember and my husband's 501 00:28:11,800 --> 00:28:15,000 Speaker 2: the baby of the family, and I remember my mother 502 00:28:15,000 --> 00:28:17,080 Speaker 2: in law telling me, I just want you to know 503 00:28:17,440 --> 00:28:22,120 Speaker 2: that he's not my son anymore. He's your husband, and 504 00:28:22,160 --> 00:28:25,320 Speaker 2: this is your home and so I'm never going to 505 00:28:25,400 --> 00:28:27,760 Speaker 2: come over unannounced. I'm not going to act like I 506 00:28:27,840 --> 00:28:29,840 Speaker 2: own the place, and I'm only going to give you 507 00:28:29,880 --> 00:28:33,480 Speaker 2: advice when you ask for it, because this is your 508 00:28:33,560 --> 00:28:36,400 Speaker 2: home and I want to respect it. And she always 509 00:28:36,520 --> 00:28:39,200 Speaker 2: to this day, to this very day, she always has 510 00:28:39,600 --> 00:28:42,000 Speaker 2: and I appreciated that, and it made it easier for 511 00:28:42,040 --> 00:28:43,680 Speaker 2: me to go to her when I did need help. 512 00:28:44,080 --> 00:28:46,600 Speaker 2: She honored that. I didn't feel awkward. I didn't have 513 00:28:46,680 --> 00:28:50,360 Speaker 2: to worry about situations like this because I knew I 514 00:28:50,400 --> 00:28:53,800 Speaker 2: had a mother in law who's on my side, and 515 00:28:54,080 --> 00:28:57,200 Speaker 2: I also know that you know my Now I get 516 00:28:57,200 --> 00:29:00,920 Speaker 2: my husband and I have to get into anything between 517 00:29:01,040 --> 00:29:05,760 Speaker 2: me and his parents, but he would have The Bible 518 00:29:05,800 --> 00:29:09,080 Speaker 2: says when you leave your mother and father and you 519 00:29:09,280 --> 00:29:14,080 Speaker 2: cleave unto your wife, your spouse, you become one person 520 00:29:14,240 --> 00:29:17,560 Speaker 2: that's your family. So honey, if this guy's not standing 521 00:29:17,560 --> 00:29:20,400 Speaker 2: out for you now for something as simple as a 522 00:29:20,400 --> 00:29:23,040 Speaker 2: wedding dress. By the way, she says, I'm just done 523 00:29:23,080 --> 00:29:25,720 Speaker 2: with it all. I'm thinking of eloping. I think clearly 524 00:29:25,800 --> 00:29:29,560 Speaker 2: this is not the only issue going on. She's getting 525 00:29:29,560 --> 00:29:33,400 Speaker 2: it from all corners. I'm guessing that tells me you're 526 00:29:33,400 --> 00:29:36,120 Speaker 2: marrying into a high maintenance family, honey, and they're gonna 527 00:29:36,120 --> 00:29:38,600 Speaker 2: not let They're not gonna let you run your own family. 528 00:29:38,840 --> 00:29:41,360 Speaker 2: If you can't run your own wedding, you are not 529 00:29:41,400 --> 00:29:43,760 Speaker 2: gonna run your own family. And that is no way 530 00:29:43,800 --> 00:29:48,280 Speaker 2: for a woman to live. Trust me on that one. 531 00:29:50,040 --> 00:29:53,320 Speaker 2: All right, Well, let's go to one final break and 532 00:29:53,640 --> 00:29:56,760 Speaker 2: we'll come back and wrap up the show. Oh time 533 00:29:56,840 --> 00:29:59,000 Speaker 2: flies when you're having fun, But all good things must 534 00:29:59,040 --> 00:30:02,680 Speaker 2: come to an end. Not quite yet. Don't go anywhere. 535 00:30:02,840 --> 00:30:04,840 Speaker 2: I'm here Davis filling it for Tony Kats and you're 536 00:30:04,880 --> 00:30:17,040 Speaker 2: listening to Tony Kats today. Oh sorry, we're back, We're back, 537 00:30:17,920 --> 00:30:21,200 Speaker 2: We're back. I was just I was practicing my Mariah 538 00:30:21,280 --> 00:30:23,560 Speaker 2: Carey and so a lot of people say, I sound 539 00:30:23,840 --> 00:30:27,080 Speaker 2: just like Mariah Carey, the Queen of Christmas. Everybody have 540 00:30:27,200 --> 00:30:29,360 Speaker 2: you seen her lately? Using Mariah Carey up there on 541 00:30:29,400 --> 00:30:33,680 Speaker 2: the stage, she's giving you one hundred percent of nothing. 542 00:30:34,040 --> 00:30:38,000 Speaker 2: She does nothing anymore on stage. She hasn't even walked. 543 00:30:38,160 --> 00:30:40,600 Speaker 2: She has those guys carried. They carry her to this 544 00:30:40,720 --> 00:30:44,479 Speaker 2: stage and she, like you know, wiggles around on her 545 00:30:44,520 --> 00:30:47,600 Speaker 2: heels a little, but she sits now. She'll even sit 546 00:30:47,760 --> 00:30:51,040 Speaker 2: down to sing. She does not care. And frankly, I'm 547 00:30:51,040 --> 00:30:55,880 Speaker 2: here for it. If you win the title of Queen 548 00:30:55,960 --> 00:30:59,800 Speaker 2: of Christmas, you have earned that type of condescension. Stand 549 00:30:59,880 --> 00:31:02,640 Speaker 2: up there and do nothing, honey, I'm here for all 550 00:31:02,680 --> 00:31:06,920 Speaker 2: of it. Thank you very much for your contribution to Christmas. Well, 551 00:31:06,920 --> 00:31:08,880 Speaker 2: I'm here Davis, filling in for Tony Kats. We're about 552 00:31:08,920 --> 00:31:10,320 Speaker 2: to wrap up the show. I want to get I 553 00:31:10,360 --> 00:31:11,760 Speaker 2: want to play this clip. I want to play one 554 00:31:11,760 --> 00:31:14,120 Speaker 2: clip real quick because I want to say something about 555 00:31:14,160 --> 00:31:16,040 Speaker 2: this topic as we close up the show. Let's play 556 00:31:16,040 --> 00:31:21,080 Speaker 2: this Nick Shirley clip Landon. Let's play Nick Shirley is 557 00:31:21,240 --> 00:31:23,840 Speaker 2: an independent reporter. If you don't follow him on X 558 00:31:23,880 --> 00:31:28,680 Speaker 2: you must surely two y's on the end, and he 559 00:31:28,960 --> 00:31:31,280 Speaker 2: has been. You've seen a lot of his reporting. He's 560 00:31:31,320 --> 00:31:33,320 Speaker 2: one of the best out there. Right now, he's been 561 00:31:34,400 --> 00:31:41,320 Speaker 2: hitting up Minneapolis daycare centers and other Somalia programs, Somalian programs, 562 00:31:41,360 --> 00:31:43,960 Speaker 2: and he's been finding some disturbing things. Let's play this 563 00:31:44,040 --> 00:31:48,959 Speaker 2: clip what Nick found at a daycare in Minneapolis. 564 00:31:49,000 --> 00:31:49,360 Speaker 1: Go ahead. 565 00:31:49,640 --> 00:31:53,360 Speaker 3: Here in Minnesota, massive fraud is taking place within the 566 00:31:53,400 --> 00:31:58,800 Speaker 3: government and the Somali population here. This building, alone, quality 567 00:31:59,000 --> 00:32:02,400 Speaker 3: learning center is a daycare. Yet they spelled learning wrong 568 00:32:02,840 --> 00:32:06,560 Speaker 3: and they said leering. This daycare alone, in twenty twenty 569 00:32:06,600 --> 00:32:11,040 Speaker 3: five has received one point nine million dollars from the government. 570 00:32:11,080 --> 00:32:15,760 Speaker 3: And the strange things about these childcare centers is there's. 571 00:32:15,640 --> 00:32:16,680 Speaker 1: No one here right now. 572 00:32:16,760 --> 00:32:19,040 Speaker 3: It's midday on a weekday, and if you were to try 573 00:32:19,040 --> 00:32:23,520 Speaker 3: to go inside, it's completely closed and the windows are 574 00:32:23,520 --> 00:32:27,280 Speaker 3: all blacked out. No one's working midday. Children should be 575 00:32:27,320 --> 00:32:29,960 Speaker 3: in here, and this place is licensed for ninety nine 576 00:32:30,040 --> 00:32:33,520 Speaker 3: children and this is the outside. There's no windows, no nothing. 577 00:32:33,680 --> 00:32:37,120 Speaker 3: And like I said, they literally spelt the word wrong 578 00:32:37,480 --> 00:32:41,680 Speaker 3: on their sign. This is open and blatant fraud taking 579 00:32:41,720 --> 00:32:45,000 Speaker 3: place here inside of Minnesota. The government is complicit with this. 580 00:32:45,200 --> 00:32:47,760 Speaker 3: And this is just one of the hundreds of child 581 00:32:47,840 --> 00:32:50,680 Speaker 3: daycare centers here inside of Minneapolis being ran by the 582 00:32:50,680 --> 00:32:53,840 Speaker 3: Somali population. It's sad that it's happening here in Minnesota, 583 00:32:53,920 --> 00:32:56,440 Speaker 3: and it stinks that it's happening and it's being labeled 584 00:32:56,480 --> 00:32:59,200 Speaker 3: on the Smali population. However, that's just the facts of 585 00:32:59,240 --> 00:33:02,160 Speaker 3: what's happening here inside of Minnesota. One point nine million 586 00:33:02,240 --> 00:33:07,560 Speaker 3: dollars for this daycare center, that cave AND's bell learning right, one. 587 00:33:07,440 --> 00:33:10,600 Speaker 2: Point nine million dollars. Nick went around to a bunch 588 00:33:10,640 --> 00:33:14,880 Speaker 2: of different uh places that day uncovered. You can go 589 00:33:14,920 --> 00:33:17,280 Speaker 2: to Twitter or x he's on there right now, talk 590 00:33:17,320 --> 00:33:20,880 Speaker 2: about it. In that single day, everybody, Nick uncovered one 591 00:33:20,920 --> 00:33:24,160 Speaker 2: hundred and ten million dollars of fraud, Somali fraud in 592 00:33:24,160 --> 00:33:27,600 Speaker 2: that single day, just by going around to these physical addresses. 593 00:33:28,040 --> 00:33:30,720 Speaker 2: Of course, the government's in on it, of course they are. 594 00:33:31,280 --> 00:33:34,160 Speaker 2: Of course they are one hundred and ten million dollars 595 00:33:34,280 --> 00:33:38,080 Speaker 2: one kid, one kid. And you know how he found 596 00:33:38,600 --> 00:33:41,320 Speaker 2: one of the buildings that was sucking up twenty six 597 00:33:41,480 --> 00:33:45,240 Speaker 2: million dollars in state funds. You know how he found 598 00:33:45,240 --> 00:33:49,680 Speaker 2: it a tip line a Minnesota resident. This old man said, 599 00:33:49,960 --> 00:33:52,800 Speaker 2: you know, I see this building and says welfare services 600 00:33:52,840 --> 00:33:55,400 Speaker 2: on it or whatever it says. There's nobody here. There's 601 00:33:55,400 --> 00:33:58,920 Speaker 2: no one ever here. So I reported it nothing. I 602 00:33:59,080 --> 00:34:01,400 Speaker 2: realized that there's they're getting all this money, but no 603 00:34:01,440 --> 00:34:05,840 Speaker 2: one's here. There's supposedly twenty businesses in here, but no 604 00:34:05,840 --> 00:34:08,399 Speaker 2: one's here. This is what I'm saying, Like, I think 605 00:34:08,400 --> 00:34:10,319 Speaker 2: we all need to become Karens. I think we all 606 00:34:10,360 --> 00:34:12,719 Speaker 2: need to be the snitches. I hate it. I hate it. 607 00:34:13,520 --> 00:34:16,799 Speaker 2: I hate that we have to be like this. But 608 00:34:16,880 --> 00:34:20,399 Speaker 2: this is not our fault. So yeah, I think your 609 00:34:21,040 --> 00:34:24,120 Speaker 2: favorite place that uses illegal labor, I think you need 610 00:34:24,160 --> 00:34:27,600 Speaker 2: to report them. I know it's not very Christmasy, but 611 00:34:27,640 --> 00:34:30,359 Speaker 2: guess what Christmas is. Christmas is here, that's some birth 612 00:34:30,360 --> 00:34:34,560 Speaker 2: of baby Jesus. But there's two messiahs, right, there's one 613 00:34:34,680 --> 00:34:37,960 Speaker 2: in one. There's a Messiah who comes as the baby 614 00:34:38,080 --> 00:34:41,920 Speaker 2: to bring peace and to bring light. Then he was 615 00:34:42,040 --> 00:34:44,239 Speaker 2: killed and resurrected three days later, and then there's going 616 00:34:44,320 --> 00:34:48,560 Speaker 2: to be a second Messiah, and that's the Jewish Messiah. Right. 617 00:34:48,600 --> 00:34:50,440 Speaker 2: This is the reason why the Jews aren't Christians. They 618 00:34:50,440 --> 00:34:52,840 Speaker 2: don't believe that that baby was the Messiah because he 619 00:34:52,880 --> 00:34:55,360 Speaker 2: was too nice, he was too calm, too much peace. 620 00:34:56,000 --> 00:34:58,360 Speaker 2: They're Messiah. The one that they were waiting for is 621 00:34:58,400 --> 00:34:59,960 Speaker 2: the one that's going to come in like a lion 622 00:35:00,040 --> 00:35:06,200 Speaker 2: and murder his enemies. And get retribution. That's their Messiah. 623 00:35:06,400 --> 00:35:11,239 Speaker 2: That's the second one, and that's Christmas too. Bombing our 624 00:35:11,400 --> 00:35:18,080 Speaker 2: enemies on Christmas Day, who who rape and kill and 625 00:35:18,200 --> 00:35:24,279 Speaker 2: murder God's people, that's Christmas too. That's Christmas too. So 626 00:35:24,640 --> 00:35:28,160 Speaker 2: the harsh stuff, the stuff that doesn't feel good, that's 627 00:35:28,239 --> 00:35:33,200 Speaker 2: Christmas too because that's the kingdom, right, that's liberty, and 628 00:35:33,360 --> 00:35:35,640 Speaker 2: that's what it's all about. So you know some of 629 00:35:35,719 --> 00:35:37,440 Speaker 2: us are gonna have to be soldiers. Well, we're all 630 00:35:37,480 --> 00:35:39,840 Speaker 2: soldiers in this war. To be honest, we're all soldiers. 631 00:35:39,880 --> 00:35:43,080 Speaker 2: That's Christmas. We're all going to have to be a 632 00:35:43,160 --> 00:35:46,840 Speaker 2: part of the solution, and that's Christmas because Christmas ultimately 633 00:35:46,960 --> 00:35:49,480 Speaker 2: is liberty. So be a part of liberty. It's been 634 00:35:49,480 --> 00:35:51,000 Speaker 2: my pleasure to be with you. I'll catch you on 635 00:35:51,040 --> 00:35:54,160 Speaker 2: the flip side. Happy New Year, Merry Christmas, Happy Hanikah. 636 00:35:54,560 --> 00:36:02,239 Speaker 2: You have been listening to Tony Kats today