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Speaker 1: Pull up the list live. We are live, live live.

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Speaker 1: How y'all doing? Man? Going on? What's up? Good man? Good? Yeah?

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Speaker 1: All right, blessed, blessing? How your favorite favorite man? Chiller? Man?

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Speaker 1: You know what I'm saying? We early?

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Speaker 2: Yeah, yeah, I mean we've been on early lately, you

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Speaker 2: know what I'm saying. Yeah, they can't talk about this

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Speaker 2: no more.

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Speaker 1: Man, we've been We've been on time right, damn right,

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Speaker 1: we're brand new up here. You know what I'm saying.

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Speaker 3: You still your new time friend? Damn real early for real?

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Speaker 1: How y'all doing? Man? Y'all good? Let me let me

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Speaker 1: holler at the people. See what the people talking about?

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Speaker 1: Walk with the people? Why you do that? Let me

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Speaker 1: pull up this pitch for it list, bro, pull up this, yeah,

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Speaker 1: just for reference the people that's watching. I don't know

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Speaker 1: if the rest of the crew haven't, but I have

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Speaker 1: not even looked at this list. Me neither I have.

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Speaker 1: That's so weird. I was gonna come in the same way.

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Speaker 4: Yeah yeah, and I sent it to y'all, but I

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Speaker 4: ain't even This is like a reaction.

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Speaker 1: I don't know. No, wow, this is like, you know, neither, so.

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Speaker 3: This is like a reaction. I just know people will

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Speaker 3: tell you exactly. And it made it seem like I

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Speaker 3: needed to stay away.

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Speaker 1: And no one spoiled it either for me, like no

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Speaker 1: one said.

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Speaker 3: I haven't watched it. But Pantano said, the list doesn't

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Speaker 3: make sense. Even it was a mess. He said, the

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Speaker 3: list doesn't make sense. And other people have said a

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Speaker 3: few things about it as.

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Speaker 1: Well, but I haven't even heard opinions.

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Speaker 3: Wanted to protect my mental health. So yeah, but we'll see.

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Speaker 1: It might not be that bad. Yeah that bad. It

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Speaker 1: might not. It might not.

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Speaker 4: Like I said this, that's that's interesting because I hadn't

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Speaker 4: seen it either, and.

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Speaker 1: Yeah, this is it.

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Speaker 4: This will be a live reaction at this point, because yeah,

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Speaker 4: we haven't even looked at the list. So yeah, we're

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Speaker 4: gonna go through it, scroll through this thing with pitch

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Speaker 4: for talking about man. Like I said, as you see

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Speaker 4: the title, we're gonna talk about Pitchfork's top one hundred

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Speaker 4: rap albums. And here's the thing, man, Look, we we

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Speaker 4: talk about all these these albums, all these lists.

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Speaker 1: And what we gotta do. We made the damn list.

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Speaker 1: Some suckers, how.

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Speaker 3: Long we've been doing this? Twenty years?

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Speaker 1: Bro? It's crazy, right, They don't have a list for

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Speaker 1: to talk about. They don't talk about our list because

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Speaker 1: we don't even know it. You know what I'm saying, right,

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Speaker 1: we gotta do it. We gotta do it, We gotta

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Speaker 1: we gotta say I'm putting be in charge. We gotta

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Speaker 1: say it right. Yeah, and if it don't happen, we

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Speaker 1: can do we can do it like ten per week,

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Speaker 1: like next week, let's do one through ninety one hundred

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Speaker 1: ninety one, Like it's easy.

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Speaker 4: We don't figure it out. We're gonna let the people

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Speaker 4: like figure out. You might get a chance to saying

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Speaker 4: how we do this thing, how we figured it out?

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Speaker 4: The process?

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Speaker 1: Mm hmm.

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Speaker 4: Yeah, So come on Patreons supporter patreon dot com for

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Speaker 4: slash Dead and hip hop. I think we're gonna start

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Speaker 4: doing it, man, you know what I'm saying. I think

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Speaker 4: it's I think it's it's been eat you.

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Speaker 1: Yeah, we need to.

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Speaker 4: It's been time to start doing this. Huh nothing, it's

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Speaker 4: been time. It's been past.

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Speaker 1: Yes, it's pastime. We have to.

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Speaker 4: We have to bring uh see town in it to

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Speaker 4: as a you know, as a as another person that

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Speaker 4: we can call up and like yo, like we're touring

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Speaker 4: on this what you think we should put this one.

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Speaker 1: We're gonna talking through. We're gonna figure out how we're

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Speaker 1: gonna make this thing official.

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Speaker 3: Can official the official, that's the he's the project manager.

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Speaker 1: We got to man, we got to man, we gotta

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Speaker 1: do it. But yeah, man, we are here early.

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Speaker 4: Man, we just kill on a little bit of time

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Speaker 4: right now, giving people an opportunity to kind of.

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Speaker 1: Roll in here.

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Speaker 4: Dang, so how we how we gonna do super chests

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Speaker 4: in it? If if we early like this, we're like

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Speaker 4: fifteen minutes early right now, so.

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Speaker 2: We timeslot give them the same time slot. If we

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Speaker 2: give them the same time sow, that's longer B just

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Speaker 2: longer time for them. Somebody have the same amount of

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Speaker 2: people in here either sending them we give them. We

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Speaker 2: typically give them twenty minutes, so we can still give

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Speaker 2: them twenty minutes.

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Speaker 1: Right but that but before something some people some people

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Speaker 1: might come at nine B. So that's what I'm saying.

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Speaker 1: I'll take give them nine ten. I mean the should

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Speaker 1: have got notification. Cold don't want to go into nine

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Speaker 1: to twenty from now. Now.

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Speaker 4: We're not saying now twenty maybe not at least nine

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Speaker 4: ten because I mean, because people to.

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Speaker 1: Show up nine ten.

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Speaker 4: It's fine because I don't think it's fair to like,

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Speaker 4: you know, they you know people that probably you know

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Speaker 4: trying nine we do nine ten?

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Speaker 1: Yeah, nine ten. I think nineteen is question like twenty

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Speaker 1: five minutes. That's yeah.

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Speaker 2: I think that's very fair. That is that's very fair.

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Speaker 1: See all right, that's fair. Hey they said it.

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Speaker 4: Man, you know what I'm saying, Like, you know, that's

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Speaker 4: why you know, somebody asks real quick, man, before we

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Speaker 4: get into this, have you played uh what.

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Speaker 1: It say b your team? Yeah? Yeah, yes, yeah the

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Speaker 1: commercials for that, Yes, I see commercial suit. I'm like, man,

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Speaker 1: I'm like, I'm like, I'm damn, there, like twenty fifteen

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Speaker 1: hours into this game, bro, I love it. I love

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Speaker 1: this shodh Yeah yeah, I know. I've been waiting for

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Speaker 1: that one since I've been waiting for that. Yeah, it's

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Speaker 1: a sequel. Man, I haven't finished.

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Speaker 3: I think I'm still in the very beginning stages of

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Speaker 3: Ghost of the sine Brong, the running through the village.

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Speaker 1: Yeah, you're this one's better. This one's definitely they it's better. Yeah.

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Speaker 2: I typically don't like these type of video games, and

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Speaker 2: I was compelled, like, damn, I think I should get

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Speaker 2: this one a man.

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Speaker 1: Come on, man, bron your horisins, bro Dope.

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Speaker 3: I'm good with the college football. Follow me on.

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Speaker 2: Try to get your post man too, brod Yeah, what

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Speaker 2: are you doing?

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Speaker 3: Look?

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Speaker 2: Follow my gaming channel fiefos Fifals Gaming twenty four seven

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Speaker 2: on YouTube, twenty four seven on Twitch.

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Speaker 1: Never ring Ship.

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Speaker 2: When when does that d It's a fall twenty twenty six.

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Speaker 2: Yeah yeah, yeah it does too. But yes I'm listening

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Speaker 2: to you.

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Speaker 1: Aday one.

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Speaker 2: The Yeah, they got him ripping motherfuckers apart.

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Speaker 1: It's crazy. Other characters. They didn't want to give it

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Speaker 1: too much.

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Speaker 3: They probably went that bad, bad, bad bad bad.

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Speaker 1: Nah. Yeah that man, they should just get one. Keeping

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Speaker 1: in the plastic. I still got a rock.

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Speaker 3: We don't game like that, no more.

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Speaker 1: Huh.

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Speaker 3: We don't game like.

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Speaker 2: I'm just saying they don't. They don't sell the physical copy.

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Speaker 2: They do, but ninety percent of people just download it.

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Speaker 4: Now I understand. But like he a big Woveren fan.

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Speaker 4: I'm just saying, like, as a collective, that's all I'm saying.

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Speaker 4: I got you, you know what I'm saying.

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Speaker 2: I still look, I still bought the actual game for

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Speaker 2: for Dawn, for the for the switch switch right, switch, yeah, switch.

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Speaker 1: Can you do that digitally?

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Speaker 3: Yeah, you can download them, yeah yeah, but I brought

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Speaker 3: form the physical versions.

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Speaker 1: Man.

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Speaker 2: Look, look, you know we always be talking about like

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Speaker 2: physical versus digital. I used to be that guy that

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Speaker 2: was at game stop the night before two K Dropper.

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Speaker 1: Really yeah, I didn't know that. So you used to

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Speaker 1: do it like shoes? Yeah? Yeah, interesting? Did you do

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Speaker 1: it too? You did it to him certain games, sometimes

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Speaker 1: not all the time. What was the one that you

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Speaker 1: remember that you had held her? Wow? Yeah, the one

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Speaker 1: that was on sixty four A Korean of time. I

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Speaker 1: used to be. I was. I was at GameStop the

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Speaker 1: night of when that ship came out. Wow.

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Speaker 2: I think I think Nintendo sixty four is very underrated.

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Speaker 2: Oh yeah, like I think that was honestly one of

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Speaker 2: the best gaming systems ever, the controller, the games that

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Speaker 2: they had, like that was like the first like open

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Speaker 2: World Ship that they started fucking doing.

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Speaker 1: Like yeah, like that was very underrated. Got you all right, man,

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Speaker 1: let's get into this man a little bit.

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Speaker 4: What I'm gonna do is, since this is a lot

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Speaker 4: since we early I started one hundred and then, but

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Speaker 4: hopefully by the time we get to to nine o'clock,

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Speaker 4: we will be at the fit this and then we'll

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Speaker 4: start at you know what I'm saying, since early we

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Speaker 4: can go ahead and get those early ones out the way,

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Speaker 4: yeah and whatnot, and we'll go like that. So so yeah,

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Speaker 4: I'll just start going through them and if y'all got

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Speaker 4: something to say as I go through them, you know,

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Speaker 4: y'all can stop me at any point.

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Speaker 3: We don't want to stay there too long.

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Speaker 4: It's how I think I want to do it, especially

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Speaker 4: on these these first ones, right, and then we'll go

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Speaker 4: from there.

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Speaker 1: Once we get to some of the.

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Speaker 4: Lower numbers, we'll start getting more into the conversation and

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Speaker 4: then seeing what what what Pitchfork has done here or whatnot.

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Speaker 4: I don't know if I said it, but if you're

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Speaker 4: new to here, I'm your host, Rod aka Modest Media's

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Speaker 4: in front of me. I got Busy four thirty, what's

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Speaker 4: up to the right of him got four to seven,

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Speaker 4: and to the left of me got Kenneth be Inch.

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Speaker 1: So yeah, we are the crew deading hip hop crew here.

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Speaker 4: Somebody I seen somebody asked about on Deck TV podcast

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Speaker 4: people that you care to tell them.

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Speaker 1: Who they are and where they are?

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Speaker 2: Yes, ab Animal Brown and Spike Lou. Uh Republic Republic

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Speaker 2: lu can what I'm saying, shout out to Tennis Sports

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Speaker 2: and uh uh who said that? Was it Marty McFly

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Speaker 2: or was it Rob Costs? I know one of you

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Speaker 2: fly mouth people came up with that name. But now

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Speaker 2: look shout out to on dk TV podcasts. They coming

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Speaker 2: to Denning hip Hop. So you're gonna see a lot

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Speaker 2: of content from them, shorter content, you know what I'm saying,

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Speaker 2: but definitely on the channel. I don't know if we

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Speaker 2: have a schedule yet of when they're going to release

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Speaker 2: and stuff like that, but ken is the official date,

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Speaker 2: the thirteenth. So October thirteenth is when you're going to

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Speaker 2: start seeing their content on Denning hip Hop and you

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Speaker 2: will see a lot of advertisements for or their content

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Speaker 2: coming to that in hip hop. So again shout out

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Speaker 2: to Animal Brown and Spike Lou. They're coming to that

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Speaker 2: in hip hop pretty soon.

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Speaker 3: All Right, anything else, anybody want to bring up any

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Speaker 3: upcoming videos.

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Speaker 1: We're back to doing bracket as well. We did a bracket.

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Speaker 4: You did a bracket very interesting works Yeah, another one

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Speaker 4: in the words shout out to or so yeah, man,

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Speaker 4: we did a fun on this time. Man, So y'all

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Speaker 4: see it on look out for that.

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Speaker 3: Tell them what it is.

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Speaker 2: Obviously, we're not gonna tell them who won, but get

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Speaker 2: a hype for it.

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Speaker 3: I mean Alchemists produced albums, albums, not tracks, no features, nothing, albums.

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Speaker 1: Yes, yes, well a couple of right, but full length project. Yeah,

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Speaker 1: we did a bracket on that. Yeah, it's crazy.

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Speaker 4: We almost came to blows. Yeah. So yeah, man, and

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Speaker 4: a couple more other videos. Man, So be on the lookout,

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Speaker 4: like B said, subscribe to the channel so you can

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Speaker 4: get them notification. That's right, you know what I'm saying

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Speaker 4: here early That's right, you know. But yeah, man, let's

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Speaker 4: go through this man. Let's see what Pitchfork has done here. Man,

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Speaker 4: Pitchfork has dropped one hundred best Rap albums.

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Speaker 1: Of all time. They say, the criterion, the criteria. See,

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Speaker 1: I don't know, B.

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Speaker 3: I got so Paul Thompson, which is a name I know.

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Speaker 3: I think he was affiliated with that end in.

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Speaker 1: The early years. But in the write.

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Speaker 3: Up, he said, in assembling this list, we emphasized rapping

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Speaker 3: as a craft, not one that has been stripped from

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Speaker 3: its musical context, but rather an act of constant reinvention.

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Speaker 3: Where possible, we tried to find credible vehicles for those difficult.

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Speaker 1: To canonize scenes and styles.

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Speaker 3: To create space, we minimize the number of repeat entries

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Speaker 3: from a single artist or group that remain inevitable and

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Speaker 3: regrettable gaps.

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Speaker 1: So they already, let you know, off rep we mail.

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Speaker 3: That sounded like a lot of mumbo jumbo.

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Speaker 1: Did sound like a lot of mumbo?

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Speaker 3: Yeah, So anyway, I'm curious last sentence in this paragraph.

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Speaker 3: Some of those are the aforementioned quirks of stylin format,

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Speaker 3: while others, chiefly the dearth of work by women, reflect

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Speaker 3: static structural problems that stand far outside of wraps.

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Speaker 2: That don't even sound like hip hop? What the hell

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Speaker 2: going on here?

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Speaker 1: A sound?

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Speaker 2: Let's get started, all right, man? Can you let your

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Speaker 2: arm down just a little bit for I think blocking

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Speaker 2: be a little bit all right man? Damn okay, it

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Speaker 2: seems like they already starting off. You ain't even looking

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Speaker 2: at it, right, No, I'm not. I'm ready here people

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Speaker 2: the team.

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Speaker 1: And I'm nothing the people.

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Speaker 2: The people don't like to I got my phone down

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Speaker 2: because the people don't like me talking to chat.

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Speaker 1: They want me not in my phone, So all right, cool,

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Speaker 1: I'm not looking at.

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Speaker 4: Nothing real quick man, if y'all just coming in, man,

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Speaker 4: we started early, so yo, y'all got you look at

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Speaker 4: like ten minutes to get to super chat said so yeah,

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Speaker 4: make sure you sit on in now. Uh so, yeah,

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Speaker 4: we talked about those of the towards the end of

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Speaker 4: the show. Ten minutes to get the supertestent and well

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Speaker 4: not ten minutes, I'm sorry, fifteen minutes because at nine

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Speaker 4: o'clock you got ten more minutes to get them in.

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Speaker 2: Anyway, at one hundred Snoop dog Doggy Style, you're.

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Speaker 1: Started with some.

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Speaker 3: Crazy album style and they better. The thing is you're

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Speaker 3: being to tell me that from ninety nine to fifty

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Speaker 3: all the albums before then are.

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Speaker 1: Better than Doggy Style. That's one of the best yet.

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Speaker 2: Hip hop as ever that should have been top at

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Speaker 2: the lowest forty something at lowest in the fort b.

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Speaker 1: Do Wop Caine Underdog Who's that? I've seen the name?

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Speaker 1: It came from the sound cloud SoundCloud errors see.

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Speaker 2: Stop yet, just clasification real quick Snoop dog Doggie Style, Yes,

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Speaker 2: was ranked one hundred.

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Speaker 5: Yeah, yeah, yeah, yeah, okay, do Wop.

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Speaker 1: Caine is ninety nine. Go ahead. They could have easily

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Speaker 1: flipped it. Go ahead.

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Speaker 2: I just said, no, no, No, What I'm saying is you

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Speaker 2: could have easily just you could, like I said, you

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Speaker 2: can't say you start off with some bullshit like so

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Speaker 2: you just letting us know off top, like what do y'all.

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Speaker 1: See that jumbo you was talking to?

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Speaker 4: Go ahead, just keep going, no way, Boxy Brown, broken

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Speaker 4: silences that the other see this is this.

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Speaker 1: See we already triggered at this point. Just keep going.

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Speaker 1: Just keep going. We're already triggered at this point. Just

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Speaker 1: keep going. Because you put the list, I'm gonna pull

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Speaker 1: it up. Just keep going. I'm sorry, man.

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Speaker 4: Ninety eight was ninety seven Keith LeBlanc. Major Malfunction came

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Speaker 4: out in nineteen eighty six.

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Speaker 1: Go ahead, all right, this ain't even that album.

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Speaker 2: Ninety six is Loupei Fiasco, Farenheit first and fifteenth Part two, Revenge.

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Speaker 1: Of the Nerds, the mix tastes of that Corteria. No

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Speaker 1: other Loop project is about to be on there.

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Speaker 3: Yeah, they said that they didn't want to re repeat.

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Speaker 3: Go ahead, Dick, this is y'ah. Y'all, y'all all ready for.

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Speaker 2: This one because see this ninety five sexy red hot

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Speaker 2: hood Hot, this princess Sexy Red is better than.

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Speaker 1: Doggy said, we need to just sh I know what

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Speaker 1: were doing? What this crazy Sexy Red? Get your man?

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Speaker 1: Get your man? Yeah, who's mister Mumbo Jumpo?

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Speaker 4: Get that get that nig Okay, So they said they

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Speaker 4: included mixtapes, so whatever, But bro, it's so many more

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Speaker 4: albums that you could do instead of mixtapes.

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Speaker 1: That's the thing, like, like, so you're already messed up.

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Speaker 1: You don't have to even.

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Speaker 2: At you're saying that it's not one hundred out like

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Speaker 2: you even made it to ninety five.

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Speaker 1: Let me no food and liquor or the cool guns.

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Speaker 3: That's crazy and we're already triggered.

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Speaker 1: Sexy Red over Snoop, go ahead, go ahead, that's wild man.

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Speaker 4: What in the world? Ninety four is tired to create

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Speaker 4: a bastard?

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Speaker 1: Okay album? Ninety three Gangstar Moment of Truth in the nineties,

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Speaker 1: that's crazy. Ninety two over Gang Star, Walk of Fock

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Speaker 1: and Flame Flock.

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Speaker 3: Of Okay, all right, okay, naety one, cannibal Ox the

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Speaker 3: Cold Vein.

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Speaker 1: Okay, that's crazy in the nineties, but.

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Speaker 2: Ahead above them, naty at boozy badass.

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Speaker 1: Eighties? Wait wait eighty nine, Little b six kiss what

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Speaker 1: I don't even know what based got, like, I don't

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Speaker 1: even know one of it.

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Speaker 4: I don't even know which one that is bro eighty

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Speaker 4: eight the Jack of the Jack Artists out, Yeah, the

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Speaker 4: Jacker Jack Jack's artist West Coast Artists, I believe.

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Speaker 1: I think. I don't know, Wait say West, I don't know.

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Speaker 1: Maybe who cares? Who can? Come on? Man? What eighty

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Speaker 1: seven Nicki Minaj beam me up, Scottie. That's the midst right,

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Speaker 1: that's kind of put her on the mattro.

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Speaker 4: That sounds like, no, this isn't new, this is the

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Speaker 4: Oh that's okay, that's before that's what kind of.

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Speaker 1: But that means that she can't be on the list.

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Speaker 4: That's it, right, y'all picked album? That's the one y'all pick. Yeah,

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Speaker 4: this is this is this is wow. This is absolutely wild. Okay,

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Speaker 4: all right. Matronix the album that came out in eighty

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Speaker 4: five Metronics Tronics.

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Speaker 1: It's not Matronix. That's no end Matronix. Okay, eight that's

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Speaker 1: an old school joint.

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Speaker 4: That's eighty five, yes, five, okay, going sorry, this is commendable.

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Speaker 1: This is commendable.

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Speaker 4: Eighty five eighty five. I'm sorry, what did I say?

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Speaker 4: Eighty six. Eighty six was MATRONX.

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Speaker 1: Eighty five is Max shell Shot. Okay, all right, it's good, Okay.

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Speaker 1: Wants to find somebody, Okay, wanting to be at that

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Speaker 1: at that spot, right, you know, I Got you.

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Speaker 3: Eighty four is sugar Free Streak gospel that it should

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Speaker 3: have been lower, but shout out the sugar free. I

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Speaker 3: have no clue who this is. Maybe y'all do, But

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Speaker 3: v's ganger. Oh gang, there's these.

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Speaker 1: That's a ganger. That is insane.

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Speaker 2: That is what you're talking about, the one best rap

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Speaker 2: of all.

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Speaker 1: This is disrespectful.

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Speaker 2: Bro, here's the thing. So for the wati ms, I

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Speaker 2: get it, but it's still too low young gonna be

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Speaker 2: a he got to go.

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Speaker 1: Ahead, Bro, this is bro. What is happening? Bro? Keep going?

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Speaker 1: All right? Uh?

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Speaker 6: Eighty two Main Attractions, Main Attracts Attractions, eight Ways and

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Speaker 6: Dark Grapes Too came out of twenty eleven when we started.

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Speaker 2: I don't know, I've never even what was it?

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Speaker 1: Listen so then?

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00:20:00,400 --> 00:20:04,240
Speaker 3: But one hundred best albums of all time?

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Speaker 1: No, I don't think.

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Speaker 4: All we need is we need to know this is

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Speaker 4: one hundred album best time. Eighty one too short, Life

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Speaker 4: is too short okay, all right, all right, it should

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Speaker 4: be on the.

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Speaker 3: Old name.

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Speaker 1: Eighty Prince Paul, Prince Him on Thief.

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Speaker 4: Okay, okay, this is for the streets. The diplomatic diplomatic

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Speaker 4: Immunity number seventy nine, all right.

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Speaker 1: At seventy eight Red Man, there is a dark side,

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Speaker 1: so that mean no more the Red Man.

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Speaker 4: Y, yeah, put a different one, interesting, right, okay, all right,

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Speaker 4: that's that's the one that went with.

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Speaker 3: Yeah, that's the one that with right.

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Speaker 1: His best, his disign alright.

394
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Speaker 4: Seventy seven The Far Side, Bizarre Ride to the Far Side. Okay, okay,

395
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Speaker 4: all right, all right they settled in now. Seventy six

396
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Speaker 4: Bass Palaces, black.

397
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Speaker 2: Up, okay, all right, right, okay, okay, we start a

398
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Speaker 2: warm up a little bit.

399
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Speaker 1: But we gave them. We gave this group some props

400
00:21:10,119 --> 00:21:13,320
Speaker 1: doing our women's takes. It's that seventy five J J

401
00:21:13,520 --> 00:21:14,600
Speaker 1: Fast super Sonic.

402
00:21:14,680 --> 00:21:18,320
Speaker 2: Okay, yeah, the Women's list, Okay, all right, shout out

403
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Speaker 2: to the ladies.

404
00:21:19,160 --> 00:21:22,080
Speaker 4: This is a great album as well. Seventy four Ghetto

405
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Speaker 4: Boys We Can't be stopped.

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Speaker 1: Okay, okay, all right, was hired.

407
00:21:27,080 --> 00:21:28,399
Speaker 4: You would have put the other one, you would have

408
00:21:28,400 --> 00:21:32,840
Speaker 4: put up which one yes, absolutely.

409
00:21:32,359 --> 00:21:35,760
Speaker 1: Yeah, yeah, they put the wrong one. This is interesting.

410
00:21:36,200 --> 00:21:38,639
Speaker 4: This is the they put seventy three Arm and Hammer,

411
00:21:38,640 --> 00:21:39,760
Speaker 4: which one y'all think they put?

412
00:21:40,520 --> 00:21:43,920
Speaker 3: Nope, pigs, no, same thing.

413
00:21:44,119 --> 00:21:49,320
Speaker 4: Yeah, you're not going to guess this.

414
00:21:49,320 --> 00:21:52,080
Speaker 1: This is wrong. I was thinking, like I'm trying to

415
00:21:52,080 --> 00:21:54,480
Speaker 1: think of the album cover. Is the one that like

416
00:21:54,520 --> 00:21:56,679
Speaker 1: the fire? Yeah? Yeah wrong? Okay, yeah yeah if you

417
00:21:56,760 --> 00:21:59,439
Speaker 1: said the fire wrong, yeah, that was a good one.

418
00:21:59,640 --> 00:22:00,960
Speaker 1: That's how when I best over.

419
00:22:01,080 --> 00:22:10,879
Speaker 2: Yeah, seventy two mac Mall Legal Business, mac mag Mallow.

420
00:22:11,480 --> 00:22:14,119
Speaker 1: Oh man, I don't know who they had in this.

421
00:22:14,240 --> 00:22:16,520
Speaker 1: Damn uh. None of these albums so far as better

422
00:22:16,560 --> 00:22:21,720
Speaker 1: Doggy Style. No, no, no, no, I'm just going.

423
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Speaker 3: Right.

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Speaker 1: That's facto.

425
00:22:32,560 --> 00:22:35,120
Speaker 2: That's fact Keep going, y'all, got five minutes to get

426
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Speaker 2: the super keep going, five minutes seventy one Jungle Brother straight.

427
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Speaker 1: Out of Jungle, got a back pick, Okay.

428
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Speaker 2: Whoa seventy g Z. Let let's get it. Thumb Motivation

429
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Speaker 2: one on one, Bro.

430
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Speaker 1: I thought you said seven. You said you easy?

431
00:22:53,119 --> 00:22:57,280
Speaker 3: No, no, no, GZ easy, but be on this list's

432
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Speaker 3: going to make the list, bro, he better be on.

433
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Speaker 2: This should have been like Top fifty Motivate, like Top

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Speaker 2: Motivation that's a street seventy. Yeah, it's top fifty. Yeah, yeah,

435
00:23:08,119 --> 00:23:10,399
Speaker 2: it's top fifty. You know what, it's a lot of

436
00:23:10,400 --> 00:23:11,199
Speaker 2: it's a lot of albums.

437
00:23:11,240 --> 00:23:13,159
Speaker 1: But yeah, yeah, I want quick to say topic ya

438
00:23:13,200 --> 00:23:14,640
Speaker 1: want I want to be quick that.

439
00:23:15,880 --> 00:23:18,240
Speaker 2: It's lower than seventy. It should be lower than seventy.

440
00:23:18,400 --> 00:23:20,320
Speaker 1: It feels like it should be. I don't know.

441
00:23:20,359 --> 00:23:22,639
Speaker 2: I think if we start, if we start gathering the

442
00:23:22,680 --> 00:23:24,880
Speaker 2: albums though exactly, we're gonna.

443
00:23:24,640 --> 00:23:27,920
Speaker 1: Be like it's gonna be like seventy one seventy two,

444
00:23:28,040 --> 00:23:30,600
Speaker 1: Like we start shipping make the list.

445
00:23:30,760 --> 00:23:33,400
Speaker 2: Yeah, that ship perfectly make the list, not make the list,

446
00:23:33,520 --> 00:23:35,560
Speaker 2: it'll make our list, to make our list.

447
00:23:35,440 --> 00:23:39,680
Speaker 1: Yeah, guaranteed to make the list. Yes, a lot. It's

448
00:23:39,680 --> 00:23:40,520
Speaker 1: a perfect album.

449
00:23:40,720 --> 00:23:45,120
Speaker 3: Yeah, a lot of good albums, albums that might be.

450
00:23:45,359 --> 00:23:46,080
Speaker 1: No, I feel you.

451
00:23:46,080 --> 00:23:49,639
Speaker 3: You're right, I'm gonna be so making it.

452
00:23:49,640 --> 00:23:53,040
Speaker 4: It's making it can Yeah, I'm with MV. Impact wise,

453
00:23:53,320 --> 00:23:56,240
Speaker 4: it's an impact wise. Do I don't know they had impact?

454
00:23:56,520 --> 00:24:00,360
Speaker 1: Yeah, it had major, had a big It should be, y'all,

455
00:24:00,359 --> 00:24:03,840
Speaker 1: it might be top fifty. Doug Motivation might be top fifty, y'all,

456
00:24:05,160 --> 00:24:08,720
Speaker 1: that ship might be. We got together as a class.

457
00:24:11,920 --> 00:24:16,359
Speaker 1: Some nominations. It might be top fifty sixty nine, the

458
00:24:16,440 --> 00:24:18,800
Speaker 1: dude just trying to live over.

459
00:24:19,160 --> 00:24:22,400
Speaker 3: I want to what shout out to Devin, the dude

460
00:24:22,480 --> 00:24:24,560
Speaker 3: from the Odd Squad smoking.

461
00:24:26,640 --> 00:24:29,360
Speaker 4: All right, this one the top fifty at sixty eight,

462
00:24:29,400 --> 00:24:35,280
Speaker 4: But is it the top fifty Cougie rap four five six, Oh.

463
00:24:34,400 --> 00:24:37,400
Speaker 1: Okay, they ship.

464
00:24:37,640 --> 00:24:38,800
Speaker 3: I think it'll be.

465
00:24:40,240 --> 00:24:45,800
Speaker 1: Man ooh mm hmm. That's that. That's that's tough. That

466
00:24:45,960 --> 00:24:49,560
Speaker 1: could be that. It could be in fifty, It could be.

467
00:24:50,200 --> 00:24:52,239
Speaker 1: I gotta tell you the albums though, bro Okay, I'm

468
00:24:52,240 --> 00:24:54,800
Speaker 1: gonna tell you up at least you being fair. Yeah, yeah,

469
00:24:55,040 --> 00:24:59,240
Speaker 1: a fair all right? At sixty seven, bad bunny y

470
00:24:59,520 --> 00:25:05,840
Speaker 1: h l q M d l G on the front.

471
00:25:06,520 --> 00:25:08,919
Speaker 1: Let me see, Oh.

472
00:25:10,320 --> 00:25:12,680
Speaker 2: I don't that's not even his best project.

473
00:25:12,359 --> 00:25:16,880
Speaker 1: In my opinion, it's going that's a representation.

474
00:25:16,680 --> 00:25:18,400
Speaker 3: Number d.

475
00:25:19,800 --> 00:25:22,920
Speaker 1: Sixty seven, sixty seven, we are moving to sixty six.

476
00:25:23,760 --> 00:25:28,840
Speaker 1: Six is HUDIENI Escape? Wow? Whoa, Yeah, that's that's that's tough.

477
00:25:29,119 --> 00:25:31,399
Speaker 1: I've only heard two albums that you can possibly put

478
00:25:31,480 --> 00:25:33,679
Speaker 1: up against Doggy Styles so far and Doggy Styllars at

479
00:25:33,680 --> 00:25:39,800
Speaker 1: one hundred. But go ahead, what's the next one? Sixty five?

480
00:25:41,200 --> 00:25:42,120
Speaker 1: The diary.

481
00:25:42,680 --> 00:25:48,360
Speaker 3: Wow, that's that's fifty.

482
00:25:49,160 --> 00:25:52,840
Speaker 2: That's another album I can argue that's better than so

483
00:25:52,880 --> 00:25:55,520
Speaker 2: you got to know so he got three?

484
00:25:56,960 --> 00:25:59,480
Speaker 1: Anything else? You got three albums that you name that

485
00:25:59,480 --> 00:26:01,480
Speaker 1: can that can compete against Doggy Stocks.

486
00:26:01,800 --> 00:26:05,320
Speaker 3: That's three cog Wrapped, the third.

487
00:26:05,080 --> 00:26:07,760
Speaker 1: Motivation one on one, and the Diary. Those three albums

488
00:26:07,760 --> 00:26:09,240
Speaker 1: so far. I heard that you can just.

489
00:26:09,400 --> 00:26:12,080
Speaker 4: Put the match him up. Man, they put a diary

490
00:26:12,080 --> 00:26:14,119
Speaker 4: in sixty five. That's correct. That's wow.

491
00:26:13,680 --> 00:26:17,520
Speaker 1: That is that is fucking wild. It's not even worthy

492
00:26:17,520 --> 00:26:18,320
Speaker 1: in the top fifty.

493
00:26:18,400 --> 00:26:18,600
Speaker 3: Kid.

494
00:26:18,800 --> 00:26:23,080
Speaker 1: God, I'm just saying, that's what the chat is. That's

495
00:26:23,080 --> 00:26:25,280
Speaker 1: what I got. What sixty what's sixty four?

496
00:26:25,520 --> 00:26:27,240
Speaker 4: Y'all got one minute to get your super chests and

497
00:26:27,240 --> 00:26:28,480
Speaker 4: in one minute to get your super.

498
00:26:29,920 --> 00:26:33,000
Speaker 1: Sixty four. This is actually commendable. Rob Marcy on.

499
00:26:32,960 --> 00:26:38,840
Speaker 2: Mansburg sixty Over the ones that they mentioned, I think

500
00:26:38,880 --> 00:26:40,760
Speaker 2: it's a contention to be in the top one hundred,

501
00:26:41,560 --> 00:26:44,120
Speaker 2: but not over some of thest.

502
00:26:45,359 --> 00:26:48,119
Speaker 1: Some good product for the for the underglad street that

503
00:26:48,160 --> 00:26:51,440
Speaker 1: we end up be getting. So yeah, I'm not mad at.

504
00:26:51,480 --> 00:26:54,399
Speaker 2: But not over TM one on one, not over Doggy Stock.

505
00:26:54,520 --> 00:26:57,040
Speaker 2: Like in conversation in the top one hundred, but not

506
00:26:57,080 --> 00:26:57,560
Speaker 2: over those.

507
00:26:57,720 --> 00:26:58,320
Speaker 1: Yeah, I feel you.

508
00:26:58,760 --> 00:27:01,320
Speaker 4: It's commendable though for the list one one it won

509
00:27:01,600 --> 00:27:03,280
Speaker 4: They tried to say save face.

510
00:27:03,640 --> 00:27:05,600
Speaker 3: Sixty three eight ball m j G on top of

511
00:27:05,640 --> 00:27:06,040
Speaker 3: the World.

512
00:27:06,840 --> 00:27:10,720
Speaker 1: Wrong. They did cut hard in the world. That was

513
00:27:10,720 --> 00:27:12,800
Speaker 1: the pearls on and I can see this is a

514
00:27:12,840 --> 00:27:16,520
Speaker 1: good album, but it's not. That's not that's not the album.

515
00:27:16,960 --> 00:27:21,920
Speaker 3: It is coming on heard it is coming out coming

516
00:27:21,960 --> 00:27:23,640
Speaker 3: a herd at the top of this, it's the pick

517
00:27:23,680 --> 00:27:26,080
Speaker 3: I'm saying, it's the pick out of their discography, saying

518
00:27:26,359 --> 00:27:27,320
Speaker 3: they can pick another one.

519
00:27:27,320 --> 00:27:30,359
Speaker 4: B No, I'm just saying if we were doing I

520
00:27:30,400 --> 00:27:32,600
Speaker 4: feel like cutting the stream at sixty two.

521
00:27:32,520 --> 00:27:36,880
Speaker 1: Bro, oh damn, you play cutting the street. But they're

522
00:27:36,920 --> 00:27:39,040
Speaker 1: like cutting the stream. Bro, that's crazy.

523
00:27:39,240 --> 00:27:41,119
Speaker 3: We're gonna do the rest next week.

524
00:27:42,040 --> 00:27:47,520
Speaker 1: That's crazy. Super Super y'all are ready to super Chess?

525
00:27:47,960 --> 00:27:50,640
Speaker 3: Go ahead? I want ready, but well we may y'all

526
00:27:50,760 --> 00:27:54,240
Speaker 3: not ready for Just keep going, bro, go ahead, you're going.

527
00:27:54,320 --> 00:27:55,760
Speaker 1: You're not going if you're gonna be to keep going?

528
00:27:56,400 --> 00:28:00,000
Speaker 1: Riveled out from out of here? What is it? Sixty

529
00:28:00,040 --> 00:28:10,280
Speaker 1: two is Doctor Dre the Chronic the first they they yes, yes, Wow, Yes,

530
00:28:10,680 --> 00:28:16,080
Speaker 1: sixty two sixty two. That's the top five, top nobody

531
00:28:16,240 --> 00:28:17,520
Speaker 1: that the top five.

532
00:28:17,920 --> 00:28:20,119
Speaker 2: And just just just for the Rod, I want the

533
00:28:20,160 --> 00:28:23,240
Speaker 2: people that's watch we are, we are hearing this list.

534
00:28:23,280 --> 00:28:24,720
Speaker 1: We are going through this list for the first time.

535
00:28:24,760 --> 00:28:26,760
Speaker 1: If we didn't look at this lit four weeks because

536
00:28:26,920 --> 00:28:31,080
Speaker 1: they why anything just to live all time? Bro, what

537
00:28:31,119 --> 00:28:36,000
Speaker 1: the Fuck's that's the top five all time? Keep going, bro,

538
00:28:36,359 --> 00:28:39,800
Speaker 1: just keep going. Sixty two they keep going. Bro.

539
00:28:40,880 --> 00:28:44,680
Speaker 7: Wait, hold on, you know what I'm saying. There's a

540
00:28:44,800 --> 00:28:49,080
Speaker 7: Drake out ahead of the Chronic. Bro, there's a Drake

541
00:28:49,200 --> 00:28:51,480
Speaker 7: project they putting ahead of the Chronic. Now, so what

542
00:28:51,600 --> 00:28:54,760
Speaker 7: numbers that sixty? So now I'm about to measure just

543
00:28:54,760 --> 00:28:56,720
Speaker 7: like I did Doggy Style. We was like Doggy Style

544
00:28:56,760 --> 00:28:58,320
Speaker 7: one hundred okay, okay, ro I.

545
00:28:58,320 --> 00:29:00,680
Speaker 2: Keep going, and I was trying to count how many

546
00:29:00,680 --> 00:29:02,000
Speaker 2: albums that I can that I can put.

547
00:29:03,000 --> 00:29:04,960
Speaker 1: So now at this point, keep going. I want to

548
00:29:04,960 --> 00:29:10,840
Speaker 1: know what man, Oh my god. Yeah, that's crazy. It's like, Rod, like,

549
00:29:10,880 --> 00:29:13,240
Speaker 1: stop the stream, let's see this one. See this is

550
00:29:13,280 --> 00:29:19,600
Speaker 1: some bullshit. Sixty one sixty one Draco Drake, Cold Devil.

551
00:29:19,640 --> 00:29:24,120
Speaker 3: No, he's a he's an underground he's a legend. Yeah,

552
00:29:24,280 --> 00:29:25,040
Speaker 3: like from out West.

553
00:29:25,680 --> 00:29:29,320
Speaker 2: Yeah, I know it's not the chronic, but yeah, sixty

554
00:29:29,440 --> 00:29:31,720
Speaker 2: is a great album, but it's not the chronic eminem

555
00:29:31,760 --> 00:29:32,840
Speaker 2: the marshallmallows LP.

556
00:29:33,080 --> 00:29:35,120
Speaker 1: Yeah, it's fine, but it's not crying.

557
00:29:35,440 --> 00:29:38,440
Speaker 4: See, this is gonna happen for the rest of the list.

558
00:29:39,120 --> 00:29:42,400
Speaker 4: Should we get to something that's commendable to beat the chronic,

559
00:29:42,920 --> 00:29:43,720
Speaker 4: go ahead, keep going.

560
00:29:43,800 --> 00:29:47,760
Speaker 2: Fifty nine DJ Screw three in the Morning, Part two.

561
00:29:48,560 --> 00:29:49,400
Speaker 1: Bro, come on.

562
00:29:50,800 --> 00:29:54,160
Speaker 2: Again, great, this is this is great Underground, big up

563
00:29:54,200 --> 00:29:55,000
Speaker 2: for the underground.

564
00:29:55,440 --> 00:29:59,520
Speaker 1: Fifty eight A sop rock Labor Days. That's great chronic

565
00:29:59,680 --> 00:30:01,640
Speaker 1: not the running love It I love Labor.

566
00:30:01,440 --> 00:30:05,720
Speaker 4: Day fifty seven Public Enemy Fear of the Black Planet. Okay,

567
00:30:06,920 --> 00:30:08,680
Speaker 4: still not we will keep doing that.

568
00:30:08,800 --> 00:30:12,920
Speaker 3: So let's just like it is it at least doing

569
00:30:13,160 --> 00:30:17,120
Speaker 3: the album, right, what are we doing? That's definitely a

570
00:30:17,160 --> 00:30:18,760
Speaker 3: contender for making the list.

571
00:30:18,920 --> 00:30:19,360
Speaker 1: Go ahead?

572
00:30:19,520 --> 00:30:21,160
Speaker 2: See and this is the ship is gonna piss you

573
00:30:21,200 --> 00:30:24,040
Speaker 2: off because at fifty six they got Gucci Man Chicken Talk.

574
00:30:24,680 --> 00:30:31,480
Speaker 2: What that's not even not even projects better than the

575
00:30:31,560 --> 00:30:33,880
Speaker 2: chronic Go ahead, right, Yeah, that's crazy.

576
00:30:34,040 --> 00:30:34,640
Speaker 1: What in the.

577
00:30:34,640 --> 00:30:37,520
Speaker 2: World, bro, this is what they was doing that Mumbo

578
00:30:37,560 --> 00:30:42,120
Speaker 2: jump again exactly, Bro, come on fifty five is BG

579
00:30:42,360 --> 00:30:43,560
Speaker 2: chopping City in the Ghetto.

580
00:30:44,160 --> 00:30:45,200
Speaker 1: Come on, and I love it?

581
00:30:45,400 --> 00:30:49,200
Speaker 2: Right, Yeah, but that's it's not the and it's almost

582
00:30:49,280 --> 00:30:50,600
Speaker 2: top fifty album of all time?

583
00:30:50,720 --> 00:30:51,480
Speaker 1: Are we talking about it?

584
00:30:51,720 --> 00:30:53,280
Speaker 2: It's not even top of Honey, Come on, man, we

585
00:30:53,280 --> 00:30:54,400
Speaker 2: were talking about it's not.

586
00:30:57,320 --> 00:31:01,080
Speaker 1: Fifty four Pop Smoke, Meet the Woo. Better than the Chronic? Okay?

587
00:31:01,160 --> 00:31:01,600
Speaker 1: Keep going?

588
00:31:02,320 --> 00:31:05,520
Speaker 4: Fifty three, three six Month of Your Underground Volume one,

589
00:31:05,640 --> 00:31:07,160
Speaker 4: nineteen ninety one, and ninety.

590
00:31:06,920 --> 00:31:16,840
Speaker 1: Four Wild Wildy go ahead at fifty two, Little Kim Hardcore. No,

591
00:31:17,240 --> 00:31:20,880
Speaker 1: not better than Chronic. I'm still I'm still sticking there.

592
00:31:23,920 --> 00:31:24,400
Speaker 1: Keep going.

593
00:31:24,600 --> 00:31:26,880
Speaker 3: You're going to keep saying it, Yeah, keep going. Fifty

594
00:31:26,920 --> 00:31:30,280
Speaker 3: one Bookie Down Productions, Criminal Minded. Great album is a

595
00:31:30,280 --> 00:31:35,400
Speaker 3: good album. It's a contender to one hundred. Yeah, all right,

596
00:31:35,440 --> 00:31:39,160
Speaker 3: we had top fifty. Okay, not better than the Chronicle

597
00:31:39,440 --> 00:31:44,160
Speaker 3: at fifty allright, here we go, Here we go, Here we.

598
00:31:44,160 --> 00:31:50,720
Speaker 1: Go, Chief Keith Almighty, so fuck go ahead, all right?

599
00:31:51,520 --> 00:31:55,520
Speaker 1: She keep at fifty. Just above Chief Keith is j

600
00:31:55,720 --> 00:31:57,120
Speaker 1: Dilla Doda's.

601
00:31:58,800 --> 00:32:02,160
Speaker 3: Jesus christ Man going I'm ready to tend so bad,

602
00:32:02,600 --> 00:32:07,760
Speaker 3: so badly, I gotta ten through forty eight and your

603
00:32:07,760 --> 00:32:10,280
Speaker 3: face broke with the specific taste.

604
00:32:10,920 --> 00:32:14,280
Speaker 2: In the top fifty, in the top one hundred on

605
00:32:14,360 --> 00:32:20,840
Speaker 2: our list, the damn it killed a lot of chicks.

606
00:32:20,840 --> 00:32:25,280
Speaker 4: This is absolute crazy. This is they should shut down

607
00:32:25,320 --> 00:32:27,960
Speaker 4: their publication. I have to release something like.

608
00:32:28,040 --> 00:32:29,280
Speaker 3: You can't talk hip hop no more?

609
00:32:29,560 --> 00:32:29,760
Speaker 1: Bro?

610
00:32:30,040 --> 00:32:32,440
Speaker 4: What are we talking about? This is a straight troll.

611
00:32:33,040 --> 00:32:35,640
Speaker 4: They're gonna be like later gonna here's the real list, guys.

612
00:32:36,200 --> 00:32:40,280
Speaker 1: At forty seven, Drake take care not over the crime, yeah,

613
00:32:40,360 --> 00:32:44,600
Speaker 1: not over what even? What even is this?

614
00:32:44,600 --> 00:32:46,320
Speaker 4: This is something that I'm sure I heard it, but

615
00:32:46,320 --> 00:32:48,280
Speaker 4: I just don't even remember it. Fifty cent and g

616
00:32:48,440 --> 00:32:50,360
Speaker 4: Unit fifty is the future.

617
00:32:50,840 --> 00:32:56,440
Speaker 2: Mixtape, all that out of all that, not giving, not trying,

618
00:32:56,600 --> 00:33:03,160
Speaker 2: top fifteen, and if we talk about impact, it's crazy, bro.

619
00:33:03,320 --> 00:33:05,400
Speaker 1: They knew that, they knew that, they knew heads and

620
00:33:05,440 --> 00:33:07,920
Speaker 1: everything was gonna grow crazy. It's to not even be

621
00:33:07,920 --> 00:33:08,720
Speaker 1: a good troll, bro.

622
00:33:08,960 --> 00:33:15,840
Speaker 2: But it's been a bad troll since one hundred.

623
00:33:17,200 --> 00:33:19,720
Speaker 4: Like I said, it started with some bullshit. Forty five

624
00:33:19,800 --> 00:33:21,040
Speaker 4: Danny Brown, Triple X.

625
00:33:22,160 --> 00:33:23,960
Speaker 1: Not better than the chronic. I'm still stuck. I'm still

626
00:33:23,960 --> 00:33:26,120
Speaker 1: stuck there, Go ahead, go ahead.

627
00:33:27,360 --> 00:33:32,160
Speaker 3: Forty four Kendrick Lamarch Pimple Butterfly. They got there at

628
00:33:32,160 --> 00:33:35,880
Speaker 3: forty four. Forty four, I'm still that's wild. Forty four

629
00:33:35,960 --> 00:33:36,360
Speaker 3: is crazy.

630
00:33:36,400 --> 00:33:39,040
Speaker 1: Maybe nostalgia. I'm still slightly putting the chronic over there.

631
00:33:39,280 --> 00:33:44,160
Speaker 1: And I love I fucking loved Butterfly. Love Bro. They

632
00:33:44,200 --> 00:33:46,520
Speaker 1: didn't even have the chronic in top fifties. Crazy, that's

633
00:33:46,560 --> 00:33:49,240
Speaker 1: fucking wild. Go ahead. But they put cheeks in top fifty,

634
00:33:49,240 --> 00:33:49,720
Speaker 1: that's wild.

635
00:33:50,200 --> 00:33:52,320
Speaker 4: It was the other person they put in top fifty

636
00:33:52,320 --> 00:33:54,760
Speaker 4: at forty three is Playboy Cardi.

637
00:33:54,760 --> 00:34:01,239
Speaker 3: Diald what that album does if I don't I'm not

638
00:34:01,560 --> 00:34:04,360
Speaker 3: the Cardi guy, but I hear the Cardi fans talking

639
00:34:04,360 --> 00:34:06,200
Speaker 3: about it. I don't get it. I don't understand it.

640
00:34:06,280 --> 00:34:10,319
Speaker 3: But and the top fifty, I have no idea. It's

641
00:34:10,360 --> 00:34:15,400
Speaker 3: not but it's definitely worthy of placement. Not the representation

642
00:34:15,520 --> 00:34:19,360
Speaker 3: of the I'm sorry, nope, I'm sorry, but we're not

643
00:34:19,440 --> 00:34:19,879
Speaker 3: doing that.

644
00:34:20,040 --> 00:34:24,280
Speaker 4: Yeah, mister Ellie, the real world.

645
00:34:25,440 --> 00:34:26,359
Speaker 1: That's the one they picked.

646
00:34:26,400 --> 00:34:30,720
Speaker 4: That's the one they picked. A forty one run DMC

647
00:34:31,200 --> 00:34:36,480
Speaker 4: run DMC self titled album. Okay, yeah, okay.

648
00:34:35,440 --> 00:34:36,560
Speaker 1: Okay, this ain't a bad pick.

649
00:34:36,640 --> 00:34:39,200
Speaker 4: But it's but still, bro, it's it's the lists been

650
00:34:39,239 --> 00:34:41,759
Speaker 4: messed up at forty is Little Wayne to Drought three.

651
00:34:42,360 --> 00:34:44,360
Speaker 1: Okay, one of his best mistakes.

652
00:34:44,440 --> 00:34:47,400
Speaker 4: But it's like it's at forty of albums of all time,

653
00:34:47,600 --> 00:34:53,640
Speaker 4: like what we're talking about the way Carter two, Carter three, Yeah,

654
00:34:53,760 --> 00:34:58,279
Speaker 4: thirty nine Bone Doesn't Harm Men nineteen ninety nine Cross

655
00:34:58,400 --> 00:34:58,839
Speaker 4: rolls on.

656
00:34:59,360 --> 00:35:06,359
Speaker 1: Better than this Top one hundred, I'm not record. Let

657
00:35:06,360 --> 00:35:07,400
Speaker 1: the record show.

658
00:35:07,400 --> 00:35:14,399
Speaker 4: Yeah, ship oh but okay, all right, okay, well yeah,

659
00:35:14,440 --> 00:35:16,319
Speaker 4: I'm sorry, all right.

660
00:35:16,560 --> 00:35:20,520
Speaker 1: Thirty eight Beastie Boys Pause boutique. Good album.

661
00:35:20,560 --> 00:35:26,640
Speaker 3: It's a worthy replacement, all right. Thirty seven Liquor Swords,

662
00:35:27,160 --> 00:35:28,120
Speaker 3: worthy replacement.

663
00:35:29,960 --> 00:35:32,080
Speaker 1: That's I can I can put that one. I can

664
00:35:32,120 --> 00:35:35,319
Speaker 1: fight it. Yeah, yeah, yeah, No, thirty six, I can

665
00:35:35,320 --> 00:35:38,600
Speaker 1: fight that one. Forty in a major way. Not been

666
00:35:38,640 --> 00:35:39,480
Speaker 1: in the chronic.

667
00:35:39,600 --> 00:35:44,400
Speaker 3: That one had a big hit on it, but the's right.

668
00:35:44,360 --> 00:35:52,160
Speaker 1: Major way. That's the Sprinkleman doesn't discuss. But it's not

669
00:35:52,200 --> 00:36:00,960
Speaker 1: better than it's not better than Legal Sids though, you know. No.

670
00:36:01,160 --> 00:36:04,080
Speaker 4: Thirty five DMX is Dark and Hell is Hot. That's

671
00:36:04,120 --> 00:36:05,000
Speaker 4: a really good album.

672
00:36:05,080 --> 00:36:06,040
Speaker 3: Yeah, it's definitely talk.

673
00:36:05,920 --> 00:36:08,640
Speaker 1: About impact wise, I'm not mad at it. If we're

674
00:36:08,640 --> 00:36:12,799
Speaker 1: going by impact. Yeah again, thirty what thirty five it's

675
00:36:12,800 --> 00:36:14,480
Speaker 1: not ring hard in Chronic. Yeah, it's not. It's not

676
00:36:14,480 --> 00:36:18,480
Speaker 1: better than Chronic. But but I understand people arguing that.

677
00:36:18,560 --> 00:36:21,560
Speaker 2: Yeah, and he's in the top thirty. I can make

678
00:36:21,560 --> 00:36:22,360
Speaker 2: an argument like in the.

679
00:36:22,840 --> 00:36:23,239
Speaker 3: What's the next?

680
00:36:23,880 --> 00:36:28,640
Speaker 1: What numbers is thirty four? Okay, this just pissed me off,

681
00:36:29,360 --> 00:36:37,840
Speaker 1: DJ Quick rhythmalism. I mean it's a whole album, but

682
00:36:38,360 --> 00:36:42,200
Speaker 1: it's not. But you know what they have gotten. They

683
00:36:42,239 --> 00:36:43,320
Speaker 1: have picked the wrong album.

684
00:36:43,360 --> 00:36:49,840
Speaker 3: So anytime you do that pick, oh my god.

685
00:36:50,480 --> 00:36:55,239
Speaker 2: Like what uh? Yeah, it was all right. They went

686
00:36:55,280 --> 00:36:56,640
Speaker 2: with the perm instead of the current.

687
00:36:57,719 --> 00:37:00,640
Speaker 1: Sure talk about the album, yeh.

688
00:37:04,640 --> 00:37:10,840
Speaker 2: Ah man thirty three EPMD strictly business all right, yes.

689
00:37:11,560 --> 00:37:16,239
Speaker 1: Thirty two component diego the War Report, damn, that's interesting,

690
00:37:16,239 --> 00:37:19,480
Speaker 1: pig but that's too high. That is super high.

691
00:37:19,640 --> 00:37:24,200
Speaker 3: Yes, chop one hundred though, yeah, yeah, it's worth consideration.

692
00:37:25,239 --> 00:37:27,760
Speaker 1: It's gonna be this, That's.

693
00:37:27,640 --> 00:37:30,960
Speaker 2: What I'm saying, Like like at one hundred, bro, the

694
00:37:31,000 --> 00:37:36,120
Speaker 2: War Report is Yeah, I'm not saying it's what it

695
00:37:36,120 --> 00:37:38,840
Speaker 2: should be like on a chopping block, make my favorite

696
00:37:39,719 --> 00:37:40,480
Speaker 2: what's NIXT.

697
00:37:40,480 --> 00:37:42,839
Speaker 1: I ain't saying it's guaranteed, but this hero, this is

698
00:37:42,880 --> 00:37:44,200
Speaker 1: this is very very commitical.

699
00:37:44,280 --> 00:37:49,000
Speaker 4: This is one of my favorite albums. Thirty one God

700
00:37:49,040 --> 00:37:55,359
Speaker 4: Deciding a kneelbum. Yeah, damn my favorite, thirty thirty all right,

701
00:37:55,600 --> 00:37:57,880
Speaker 4: all right, all right, wait at thirty.

702
00:37:57,640 --> 00:37:59,560
Speaker 1: One, I'm sorry one So now we're in the top thirty.

703
00:37:59,600 --> 00:38:02,880
Speaker 1: Now I'm thirty. We we go U GK.

704
00:38:03,080 --> 00:38:08,080
Speaker 2: Ryan Dirty, Okay, I know you like Pocket like right,

705
00:38:08,160 --> 00:38:09,839
Speaker 2: Dirty is my UK ship right there.

706
00:38:10,320 --> 00:38:11,080
Speaker 1: That was my introduction.

707
00:38:11,200 --> 00:38:13,360
Speaker 3: That was talking for the stone in the back of

708
00:38:13,360 --> 00:38:17,279
Speaker 3: the that's your favorite man.

709
00:38:19,239 --> 00:38:23,759
Speaker 1: Twenty nine project, Pat Mster. Don't play every single ship, bro,

710
00:38:24,640 --> 00:38:27,480
Speaker 1: I'm not putting it over. I'm not putting it over

711
00:38:27,640 --> 00:38:29,160
Speaker 1: ky or now.

712
00:38:29,200 --> 00:38:31,560
Speaker 3: They just touring with us. They know we like these albums. Yeah,

713
00:38:32,239 --> 00:38:34,719
Speaker 3: job like we forgot where y'all put these other ships, right,

714
00:38:34,840 --> 00:38:35,399
Speaker 3: you know what I'm saying.

715
00:38:35,400 --> 00:38:36,120
Speaker 1: But we didn't forget what.

716
00:38:36,239 --> 00:38:36,719
Speaker 3: Y'all put up.

717
00:38:36,760 --> 00:38:39,560
Speaker 1: We didn't forget. We didn't fucking forget. At twenty eight,

718
00:38:39,640 --> 00:38:45,960
Speaker 1: jay Z The Blue The Blueprint Mercy twenty eight twenty album.

719
00:38:45,680 --> 00:38:47,680
Speaker 2: Jesus not even his best album, but I see why

720
00:38:47,680 --> 00:38:48,920
Speaker 2: they met why they might put.

721
00:38:48,760 --> 00:38:51,279
Speaker 3: It at this. It's not his best album, but the

722
00:38:51,280 --> 00:38:54,560
Speaker 3: most recognized because it came out the day to Towers

723
00:38:54,600 --> 00:38:59,400
Speaker 3: Drop You to get Blueprint or reasonable doubt Blueprint, Black Album?

724
00:38:59,560 --> 00:39:02,080
Speaker 2: Those are those are the three most recognizable albums.

725
00:39:02,280 --> 00:39:03,920
Speaker 1: Yeah, I think.

726
00:39:03,719 --> 00:39:08,399
Speaker 3: The reasonable that would be for the rappers, and you're right,

727
00:39:08,480 --> 00:39:12,359
Speaker 3: it would be Blueprint and Black Album would be the two. Yeah,

728
00:39:12,400 --> 00:39:14,759
Speaker 3: the most popular. Yeah, most people will say Blueprint is

729
00:39:14,760 --> 00:39:15,360
Speaker 3: his best album.

730
00:39:15,480 --> 00:39:19,719
Speaker 1: Yeah, okay, that's yeah. I'm not arguing that.

731
00:39:19,800 --> 00:39:22,880
Speaker 3: Yeah, they just he just tricked everybody with Black Album.

732
00:39:24,560 --> 00:39:24,919
Speaker 3: That's why.

733
00:39:24,960 --> 00:39:27,560
Speaker 4: That's why you behave see now it just pissing people

734
00:39:27,600 --> 00:39:37,800
Speaker 4: off at this point. Kanye West, Jesus, Yeah.

735
00:39:38,640 --> 00:39:43,480
Speaker 1: Come on, a black person, a white person that made

736
00:39:43,520 --> 00:39:45,280
Speaker 1: this litter. He's white, Paula.

737
00:39:45,520 --> 00:39:48,040
Speaker 3: I don't know if he did it by himself, Jesus Christ,

738
00:39:48,040 --> 00:39:49,279
Speaker 3: but he needs to update that.

739
00:39:49,280 --> 00:39:53,200
Speaker 1: Bottle that yeah, he does. His brother.

740
00:39:53,239 --> 00:39:56,440
Speaker 4: You already looking crazy? Oh man, just make it. Yeah,

741
00:39:56,440 --> 00:39:58,480
Speaker 4: he making pitch for a look bad right now. Twenty

742
00:39:58,520 --> 00:40:00,000
Speaker 4: six most black on both sides.

743
00:40:00,880 --> 00:40:04,279
Speaker 3: That's admirable. Okay, yeah, I don't know who told him

744
00:40:04,320 --> 00:40:06,840
Speaker 3: to put that on there. Yeah either.

745
00:40:08,280 --> 00:40:12,840
Speaker 4: Earl Sweatshirts some rap songs is best project, even his

746
00:40:12,880 --> 00:40:13,600
Speaker 4: best project.

747
00:40:13,640 --> 00:40:17,720
Speaker 1: I could have went with Earl. I mean, yeah, go ahead,

748
00:40:17,880 --> 00:40:21,200
Speaker 1: what's we're still in the thirties.

749
00:40:21,560 --> 00:40:23,600
Speaker 2: Twenty four, that was that was twenty five all right,

750
00:40:24,200 --> 00:40:28,560
Speaker 2: twenty four n w A straight out of Compton, Okay,

751
00:40:29,120 --> 00:40:29,600
Speaker 2: not bad.

752
00:40:29,880 --> 00:40:32,800
Speaker 1: Yeah, these gotta be can't missus. Yeah yeah, they got you.

753
00:40:32,920 --> 00:40:34,440
Speaker 1: They have they have to see.

754
00:40:34,360 --> 00:40:34,840
Speaker 3: We don't know.

755
00:40:35,000 --> 00:40:42,160
Speaker 5: Let's see because Kendricks are out. Yeah yeah, Ja jay

756
00:40:42,280 --> 00:40:46,640
Speaker 5: Z is gone. Yeah yeah, damn we got they had.

757
00:40:46,520 --> 00:40:51,000
Speaker 1: A big your pocket yeah yeah, Okay. Twenty three slick

758
00:40:51,080 --> 00:40:53,840
Speaker 1: Rick The Great Adventures of slick Rick. Okay, that's definitely

759
00:40:53,840 --> 00:40:57,239
Speaker 1: a top one hundred. Yeah, that's that's that's like we

760
00:40:57,280 --> 00:41:00,360
Speaker 1: haven't had we haven't heard of ours yet. Okay, so ours,

761
00:41:00,400 --> 00:41:01,680
Speaker 1: Biggie Pop that's three.

762
00:41:01,760 --> 00:41:06,320
Speaker 3: Twenty two Tang Tang twenty two Goodie Mob Soul Food.

763
00:41:06,560 --> 00:41:08,640
Speaker 1: Okay, okay, that's that's that's that's a good one. That's

764
00:41:08,640 --> 00:41:09,480
Speaker 1: a good one. Okay.

765
00:41:09,920 --> 00:41:15,160
Speaker 4: At twenty one, yeah, he'd even made top twenty toys.

766
00:41:15,200 --> 00:41:21,680
Speaker 1: B I g Ready to die. It was a sixty two,

767
00:41:22,239 --> 00:41:26,799
Speaker 1: so come on, that's fucking wow. Wow, bro, we haven't

768
00:41:26,800 --> 00:41:27,040
Speaker 1: heard it.

769
00:41:29,239 --> 00:41:29,439
Speaker 2: Yet.

770
00:41:30,040 --> 00:41:33,080
Speaker 1: I haven't heard the Outcast album yet. I don't think

771
00:41:33,080 --> 00:41:35,320
Speaker 1: a Mob deep album hasn't been in there big in

772
00:41:35,400 --> 00:41:38,480
Speaker 1: the top twenties. Wow, we haven't heard not like I said,

773
00:41:38,480 --> 00:41:43,680
Speaker 1: I said, no mentioned Ready to Die read Ready to

774
00:41:43,719 --> 00:41:45,320
Speaker 1: Die twenty one.

775
00:41:45,200 --> 00:41:50,839
Speaker 3: So those four should be in the top twenty, is

776
00:41:50,880 --> 00:41:51,560
Speaker 3: in the top.

777
00:41:51,440 --> 00:41:54,360
Speaker 1: Top twenty already for the top twenty. Yes, twenty we.

778
00:41:54,280 --> 00:41:59,080
Speaker 3: Have to tangas Wu Tang y'all, y'all, y'all spoiled it.

779
00:41:59,719 --> 00:42:05,840
Speaker 1: We just we just some notable Okay, we're gonna do

780
00:42:05,880 --> 00:42:08,719
Speaker 1: that on you, all right, but you're gonna sak on

781
00:42:08,760 --> 00:42:13,920
Speaker 1: you in there. Twenty Daylight Sould Balloon min State twenty,

782
00:42:13,960 --> 00:42:17,480
Speaker 1: that's a good I would say Daylight Soir was dead.

783
00:42:20,400 --> 00:42:22,160
Speaker 1: I fucking like that album though that that was a

784
00:42:22,160 --> 00:42:26,280
Speaker 1: good album. But I know, I know it's Yeah nineteen

785
00:42:26,760 --> 00:42:29,760
Speaker 1: what no trip Trip is going to be on nineteen?

786
00:42:30,239 --> 00:42:35,880
Speaker 1: What Wu Tang Clan into the Woutang thirty six? Nineteen

787
00:42:36,080 --> 00:42:41,680
Speaker 1: damn And it's crazy. It's probably top ten album. What's next? Eighteen?

788
00:42:41,920 --> 00:42:47,440
Speaker 1: Eric being rock camp painting for okay, E Spences Building.

789
00:42:48,120 --> 00:42:52,200
Speaker 2: We're getting here seventeen Okay, m F Dune Operation Dudes

790
00:42:52,800 --> 00:42:54,080
Speaker 2: ship went with that one.

791
00:42:54,200 --> 00:42:57,839
Speaker 1: Wow, it's not that interesting. It is an interesting, yeah,

792
00:42:58,320 --> 00:43:03,440
Speaker 1: I mean it's good, it is. What's the next one?

793
00:43:03,920 --> 00:43:06,560
Speaker 1: You gotta be pissed. We got to be Pissed.

794
00:43:07,239 --> 00:43:11,560
Speaker 4: Sixteen, Greatest Album All Time, Future DS two thirty.

795
00:43:11,719 --> 00:43:22,960
Speaker 8: Thirty Spark to yow Yo rated thirty six Chambers.

796
00:43:23,440 --> 00:43:37,520
Speaker 1: Wow, Wow, that's crazy. That's why are we hand yet?

797
00:43:37,560 --> 00:43:44,799
Speaker 1: Go ahead? Wow? Fifteen fifteen fifteen now rayk only bit

798
00:43:44,840 --> 00:43:46,160
Speaker 1: for Q Wow.

799
00:43:46,600 --> 00:43:49,759
Speaker 3: Okay, okay, that's that feels about right?

800
00:43:49,800 --> 00:43:50,120
Speaker 1: All right?

801
00:43:50,480 --> 00:43:51,560
Speaker 3: Wait they want to hit twice.

802
00:43:51,560 --> 00:43:51,719
Speaker 1: Hold.

803
00:43:51,719 --> 00:43:53,839
Speaker 4: I don't know how they made it twice. I think twice.

804
00:43:53,960 --> 00:43:57,400
Speaker 4: Wait fourteen we're talking enemy. It takes a nation of

805
00:43:57,480 --> 00:43:59,720
Speaker 4: millions to hold it twice.

806
00:44:00,920 --> 00:44:01,319
Speaker 3: The other one?

807
00:44:01,400 --> 00:44:06,360
Speaker 4: Yeah, what yeh fucked up on their own list. Thirteen

808
00:44:06,680 --> 00:44:09,400
Speaker 4: Here we go be try quest lower end theory.

809
00:44:11,840 --> 00:44:13,080
Speaker 1: Mm hmm. This is this?

810
00:44:14,600 --> 00:44:17,879
Speaker 2: Yeah okay, I don't know what's going on.

811
00:44:17,920 --> 00:44:21,200
Speaker 3: This is down here twice too? What k Lamar at twelve?

812
00:44:21,840 --> 00:44:22,760
Speaker 3: Kid Man City?

813
00:44:23,000 --> 00:44:28,400
Speaker 1: Wow? Because butterflies on there? Yep? Going to their own rules.

814
00:44:28,440 --> 00:44:28,840
Speaker 1: Go ahead.

815
00:44:29,400 --> 00:44:31,080
Speaker 3: They said they tried to minimize.

816
00:44:31,120 --> 00:44:34,160
Speaker 1: Oh they they put a disclaimer in there. Yeah, it

817
00:44:34,280 --> 00:44:41,800
Speaker 1: was in them jump the letter eleven big again like that? Yeah, okay,

818
00:44:41,920 --> 00:44:45,879
Speaker 1: So now we got top ten, top ten? Oh man?

819
00:44:46,400 --> 00:44:46,800
Speaker 3: So what's this?

820
00:44:47,080 --> 00:44:50,520
Speaker 1: What you got? Okay? What you got? Okay?

821
00:44:50,600 --> 00:44:55,040
Speaker 3: Okay, top ten worthy off top mad villainy, mad villain

822
00:44:55,120 --> 00:44:57,840
Speaker 3: mad villainy, mad villainy.

823
00:44:59,120 --> 00:45:00,840
Speaker 1: It's the do repeating themselves.

824
00:45:00,840 --> 00:45:02,640
Speaker 3: That's that's saving them, saving them.

825
00:45:02,719 --> 00:45:04,799
Speaker 1: Yeah, that that is top ten worthy, right, that's the

826
00:45:04,800 --> 00:45:07,879
Speaker 1: top ten. It's worthy album. It's worth, it's worth.

827
00:45:08,000 --> 00:45:08,200
Speaker 3: Yeah.

828
00:45:08,280 --> 00:45:12,359
Speaker 1: Cool, it's a conversation. Okay, hey about to be two

829
00:45:12,440 --> 00:45:12,719
Speaker 1: for two?

830
00:45:13,560 --> 00:45:20,000
Speaker 4: No, not outcasts queminie Okay, Okay, I was I was wondering.

831
00:45:20,000 --> 00:45:24,040
Speaker 1: Without go ahead, We're definitely gonna have outcasts in the

832
00:45:24,080 --> 00:45:26,919
Speaker 1: top ten. That's right, all right, what's what's a all right,

833
00:45:26,920 --> 00:45:31,319
Speaker 1: come on, let's go. All right, we're cooking now, cooking.

834
00:45:31,440 --> 00:45:32,200
Speaker 1: You're making a face.

835
00:45:33,480 --> 00:45:36,160
Speaker 4: It's not top ten. I don't want to almost be

836
00:45:36,200 --> 00:45:38,000
Speaker 4: for y'all. But clips hell is have no fury. I

837
00:45:38,040 --> 00:45:38,879
Speaker 4: don't think it's top ten.

838
00:45:41,600 --> 00:45:46,480
Speaker 1: Eight. Yeah, that's it is. Yeah, come on, y'all, go ahead.

839
00:45:48,880 --> 00:45:50,799
Speaker 4: I mean, I know you don't like it be but

840
00:45:51,320 --> 00:45:53,799
Speaker 4: it's here Lauren Hill, the mis Education of Law here

841
00:45:53,840 --> 00:45:54,240
Speaker 4: at seven.

842
00:45:54,280 --> 00:45:56,280
Speaker 3: Okay. I'm just saying, I know sometimes you don't consider

843
00:45:56,320 --> 00:45:58,160
Speaker 3: it like you don't like it as a wrapper.

844
00:45:59,160 --> 00:46:02,920
Speaker 2: These are the top thirty that should be like top thirty. Well,

845
00:46:02,920 --> 00:46:04,839
Speaker 2: this this is a perfect album though, like this is

846
00:46:04,840 --> 00:46:05,840
Speaker 2: this a top ten album?

847
00:46:05,840 --> 00:46:07,680
Speaker 1: But we don't. It's just where you don't where you

848
00:46:07,680 --> 00:46:11,560
Speaker 1: put it in the in the in the that's the

849
00:46:11,600 --> 00:46:17,560
Speaker 1: conversation is up there, but in the hip hop category.

850
00:46:17,640 --> 00:46:20,480
Speaker 2: In my opinion, I could I could tell you fifteen

851
00:46:20,520 --> 00:46:22,480
Speaker 2: off top that that I will put ahead of that

852
00:46:22,480 --> 00:46:24,080
Speaker 2: album just off top?

853
00:46:24,960 --> 00:46:25,200
Speaker 1: Uh?

854
00:46:25,400 --> 00:46:28,760
Speaker 3: Beans for fourteen? Hell half no fury ain't recent?

855
00:46:28,920 --> 00:46:29,600
Speaker 1: Please explain.

856
00:46:30,600 --> 00:46:34,160
Speaker 3: Yeah, it's about the new clips that's out that got everybody,

857
00:46:34,840 --> 00:46:39,319
Speaker 3: you know, uh, attention to the clips. That's all it is.

858
00:46:39,360 --> 00:46:42,480
Speaker 3: So they've been influenced. Thank you by that, Yeah, thank you.

859
00:46:43,520 --> 00:46:46,239
Speaker 3: I think the album was a maybe that's not what

860
00:46:46,320 --> 00:46:46,600
Speaker 3: he meant.

861
00:46:46,719 --> 00:46:48,879
Speaker 1: Beans been around for a while, you know, yeah Beans, Yeah,

862
00:46:48,920 --> 00:46:49,920
Speaker 1: I know, Bean yeahs.

863
00:46:50,080 --> 00:46:53,920
Speaker 3: Maybe you just disagree with what I said, which is coolers.

864
00:46:54,920 --> 00:46:58,880
Speaker 2: Oh no, like see this is this is some bullshit

865
00:46:59,360 --> 00:47:06,080
Speaker 2: Black six greatest album all time? You was kind of

866
00:47:06,120 --> 00:47:07,360
Speaker 2: happy for a second fold?

867
00:47:07,719 --> 00:47:15,520
Speaker 6: Kid Megan Stallion, CARDI B Rich Game, Rich Game the

868
00:47:15,680 --> 00:47:16,880
Speaker 6: tour Part one.

869
00:47:17,920 --> 00:47:24,399
Speaker 1: That's that's that. Nim yeah and nim lifestyle on that.

870
00:47:25,680 --> 00:47:37,000
Speaker 1: I think I don't top album all time. We don't

871
00:47:37,000 --> 00:47:39,560
Speaker 1: have a top one hundred album what's five? Bro? That

872
00:47:39,760 --> 00:47:51,840
Speaker 1: is so crazy? Dude, don't five now, okay, mad on

873
00:47:51,840 --> 00:47:56,480
Speaker 1: the list because it's not heard. Not a single has

874
00:47:56,520 --> 00:47:58,800
Speaker 1: to be a topic and you will be correct. The

875
00:47:58,880 --> 00:48:01,880
Speaker 1: number five is oh wow, wow?

876
00:48:02,040 --> 00:48:03,319
Speaker 3: What is four through one?

877
00:48:03,480 --> 00:48:04,200
Speaker 1: What's four through one?

878
00:48:04,239 --> 00:48:09,480
Speaker 4: Then four is ghost Face Killer Supreme Clientale?

879
00:48:09,840 --> 00:48:16,960
Speaker 1: Wow wow? I love that number five. That is a

880
00:48:17,600 --> 00:48:21,120
Speaker 1: feels like a Pitchfork pick. It's a top fifty album.

881
00:48:21,239 --> 00:48:31,520
Speaker 1: What's number three? Three? I'm gonna answers number one? Why?

882
00:48:31,640 --> 00:48:36,160
Speaker 1: What's what's number two? Give us three? Ride? What we got? No?

883
00:48:36,280 --> 00:48:47,240
Speaker 1: Four degrees and nothing? Go ahead? What the same degree?

884
00:48:47,360 --> 00:48:48,560
Speaker 1: Because that should be on the list.

885
00:48:49,400 --> 00:48:51,960
Speaker 3: But it's not top one.

886
00:48:51,960 --> 00:48:54,520
Speaker 1: Hundred number three.

887
00:48:54,960 --> 00:49:00,160
Speaker 2: That's wow, that's wild, that's super wild. Look agree, I

888
00:49:00,160 --> 00:49:03,640
Speaker 2: love It's one of my favorite Southern albums. It's not

889
00:49:03,760 --> 00:49:09,000
Speaker 2: top it's top sixty, is not where. But it's the

890
00:49:09,040 --> 00:49:12,319
Speaker 2: impact that is crazy. Yeah, it's not.

891
00:49:13,719 --> 00:49:15,640
Speaker 1: Would you say for the reason impact it's bigger than

892
00:49:15,719 --> 00:49:16,319
Speaker 1: TM one.

893
00:49:16,200 --> 00:49:20,680
Speaker 9: On one Yeah, bigger, kind of the same had the

894
00:49:20,719 --> 00:49:27,480
Speaker 9: bigger song, yeah, but it impact wasn't it was Oh man,

895
00:49:27,560 --> 00:49:28,840
Speaker 9: now here we go?

896
00:49:29,480 --> 00:49:36,759
Speaker 1: We got three. We still haven't heard of my deep

897
00:49:36,800 --> 00:49:38,640
Speaker 1: album yet? I say they're gonna put my Deep on here.

898
00:49:39,280 --> 00:49:42,960
Speaker 3: Yeah too, they might be.

899
00:49:44,800 --> 00:49:48,520
Speaker 1: You can you can't leave mob Deep off? Got ready

900
00:49:48,560 --> 00:49:55,560
Speaker 1: for two? Go ahead? Tupac all lies on me? Okay, okay,

901
00:49:56,120 --> 00:50:00,200
Speaker 1: number two, all number it's worthy of it's worthy. It's

902
00:50:00,800 --> 00:50:02,680
Speaker 1: it's the being a list, all right.

903
00:50:03,120 --> 00:50:05,399
Speaker 2: But it's not like I would put Chronic over yeah

904
00:50:05,400 --> 00:50:09,440
Speaker 2: one hundred.

905
00:50:07,600 --> 00:50:12,759
Speaker 1: Yeah, yeah, moment, yeah and all was definitely a moment

906
00:50:13,400 --> 00:50:17,640
Speaker 1: that was like, it's definitely top ten probably right, there's

907
00:50:17,680 --> 00:50:20,000
Speaker 1: no way, No, it's not.

908
00:50:21,480 --> 00:50:26,560
Speaker 2: About all on a talk ten that's interesting to fifteen. Yes,

909
00:50:26,719 --> 00:50:27,560
Speaker 2: that's the top feen.

910
00:50:27,719 --> 00:50:30,239
Speaker 1: We gotta do our list, bro, Bro, there's no way.

911
00:50:30,600 --> 00:50:33,480
Speaker 1: So you're right. Yeah, I'm trying to think of who

912
00:50:33,680 --> 00:50:36,440
Speaker 1: the hell said already?

913
00:50:36,480 --> 00:50:43,600
Speaker 3: Right, Yeah, it's very double upro what.

914
00:50:44,600 --> 00:50:46,640
Speaker 1: I can see him putting the way this list is

915
00:50:46,719 --> 00:50:50,399
Speaker 1: they can put my what are we missing? I'm trying

916
00:50:50,440 --> 00:50:54,480
Speaker 1: to I'm thinking, what are we for? Doctors and fantasy?

917
00:50:55,200 --> 00:51:00,440
Speaker 1: I know that's always a consensus with Kanye. This may

918
00:51:00,560 --> 00:51:06,239
Speaker 1: might be eight aweight, you might be right away from

919
00:51:06,280 --> 00:51:08,719
Speaker 1: one of the earlier Kanye joints. They put Drake on

920
00:51:08,719 --> 00:51:11,719
Speaker 1: their take Care. We're trying to guess, y'all, we're trying

921
00:51:11,760 --> 00:51:24,160
Speaker 1: to guess, Bro, I stop, where the god bro this dude?

922
00:51:24,239 --> 00:51:27,319
Speaker 1: Number one? You got Nicki Mina.

923
00:51:28,160 --> 00:51:31,480
Speaker 8: I'm trying to think of like something super.

924
00:51:31,239 --> 00:51:35,400
Speaker 1: I was already thrown off at one hundred. Brother, Yeah, man,

925
00:51:35,480 --> 00:51:38,279
Speaker 1: I'm trying. I'm trying to really think any other groups

926
00:51:38,320 --> 00:51:43,279
Speaker 1: we forget is Gone trib gone Daylight on n W

927
00:51:43,320 --> 00:51:49,239
Speaker 1: A gone Public, gone Enemy on it twice, gone number

928
00:51:49,280 --> 00:51:52,520
Speaker 1: eight nine or something like that. You saw it already.

929
00:51:52,560 --> 00:51:53,080
Speaker 3: I saw it.

930
00:51:54,880 --> 00:51:58,200
Speaker 1: They got go ahead, Yeah they got they got yeah,

931
00:51:58,239 --> 00:51:58,600
Speaker 1: go ahead.

932
00:51:58,640 --> 00:52:02,920
Speaker 4: Bro number one all time according to Pitchfork, but they

933
00:52:02,920 --> 00:52:06,239
Speaker 4: got it's Mob Deep the Infamous that.

934
00:52:09,920 --> 00:52:11,040
Speaker 1: It's on the list, but.

935
00:52:12,680 --> 00:52:18,000
Speaker 2: That is not the best number A number one bro

936
00:52:18,160 --> 00:52:25,600
Speaker 2: number album the way this list was going. It all.

937
00:52:25,719 --> 00:52:27,799
Speaker 1: Don't get to it, y'all. I mean, I'm pretty sure

938
00:52:27,840 --> 00:52:33,719
Speaker 1: everybody here loves Mob the Infamous, butm like one, it's

939
00:52:33,760 --> 00:52:34,359
Speaker 1: not number one.

940
00:52:34,600 --> 00:52:35,920
Speaker 3: It's not Spiker A.

941
00:52:36,040 --> 00:52:40,640
Speaker 1: B would go crazy. Yeah, oh yeah they will. Yes,

942
00:52:41,880 --> 00:52:47,680
Speaker 1: you know, you know, you know, you know, not like

943
00:52:48,960 --> 00:52:49,880
Speaker 1: but that's crazy.

944
00:52:50,360 --> 00:52:53,360
Speaker 3: Okay, let's let's let's let's let's talk about this because

945
00:52:53,400 --> 00:52:54,399
Speaker 3: this this is.

946
00:52:54,960 --> 00:52:57,000
Speaker 1: In the world, but.

947
00:52:59,440 --> 00:53:05,640
Speaker 3: It don't make I'm sorry, not even not even Mop

948
00:53:05,680 --> 00:53:09,240
Speaker 3: Deep would do this. There is Pitchfork is the only

949
00:53:09,320 --> 00:53:14,719
Speaker 3: publication I know in in in the world ever umber

950
00:53:15,600 --> 00:53:16,920
Speaker 3: like this.

951
00:53:18,320 --> 00:53:20,680
Speaker 1: And I think just to get these type of reactions

952
00:53:20,680 --> 00:53:24,440
Speaker 1: from us and everybody else, like it's crazy, It's.

953
00:53:24,280 --> 00:53:25,759
Speaker 2: Like now, I'm like, man, I can't believe we talked

954
00:53:25,760 --> 00:53:30,080
Speaker 2: about this now. Yeah, it's not it's not is crazy.

955
00:53:30,200 --> 00:53:31,040
Speaker 2: It's disingenuous.

956
00:53:31,080 --> 00:53:36,320
Speaker 1: Bro is insane. Number one like, we definitely got to

957
00:53:36,360 --> 00:53:37,719
Speaker 1: come down and sit together and come up with a

958
00:53:37,719 --> 00:53:39,880
Speaker 1: listener all of the albums.

959
00:53:40,480 --> 00:53:44,759
Speaker 3: That's why number one did they did they even say, wow,

960
00:53:45,000 --> 00:53:47,960
Speaker 3: they just got a picture. They said, why, I don't

961
00:53:48,160 --> 00:53:51,319
Speaker 3: care though, read that, Okay, just read that?

962
00:53:51,400 --> 00:53:53,600
Speaker 1: Yeah you know what it is? Read Yeah, I guess

963
00:53:53,600 --> 00:53:54,040
Speaker 1: I need to.

964
00:53:56,120 --> 00:53:58,719
Speaker 4: We're trained to draw a line between the authentic and

965
00:53:58,760 --> 00:54:02,760
Speaker 4: the artificial reality and the lie, but mob The's career

966
00:54:02,880 --> 00:54:06,080
Speaker 4: artists that relentless adjustment, rather than the supposed purity of

967
00:54:06,160 --> 00:54:09,080
Speaker 4: initial vision, is the key to unlocking a larger truth.

968
00:54:09,480 --> 00:54:12,400
Speaker 4: After Prodigy in Havoc's debut album nineteen ninety three Is

969
00:54:12,920 --> 00:54:17,600
Speaker 4: Juvenile Hell was written off fairly, each would later concede

970
00:54:18,600 --> 00:54:23,040
Speaker 4: as iterative and unfocused. They retreated, regrouped, and readjusted the

971
00:54:23,120 --> 00:54:26,640
Speaker 4: dials just a little. Still barely twenty years old, the

972
00:54:26,760 --> 00:54:30,120
Speaker 4: duo emerged from the record industry graveyard Wildernings second album,

973
00:54:30,239 --> 00:54:34,000
Speaker 4: So Hearing, so evocative, so specific that it takes pains

974
00:54:34,280 --> 00:54:37,279
Speaker 4: and its first song's titles to let you know not

975
00:54:37,400 --> 00:54:40,919
Speaker 4: only their hometown, their burrow, or their projects, but which

976
00:54:40,960 --> 00:54:43,920
Speaker 4: side of the streets they're standing on. It's possible that

977
00:54:44,000 --> 00:54:47,080
Speaker 4: no one living or dead has ever been better at

978
00:54:47,080 --> 00:54:50,120
Speaker 4: starting the end in the rap versus than Prodigy. There's

979
00:54:50,160 --> 00:54:52,960
Speaker 4: a war going going on outside, no man safe from

980
00:54:53,239 --> 00:54:55,840
Speaker 4: so all my people's locked down. Coming back to life,

981
00:54:56,000 --> 00:54:58,440
Speaker 4: I break brag ribs, hundred dollar bills.

982
00:54:58,480 --> 00:55:00,000
Speaker 1: The more of the story is easy to fit.

983
00:55:00,000 --> 00:55:05,080
Speaker 2: Figure out a lesson that can't live without He could

984
00:55:05,120 --> 00:55:08,720
Speaker 2: be almost shockingly cold blooded. It's opening verse on Shook Ones,

985
00:55:08,760 --> 00:55:11,840
Speaker 2: Part two, one of the dozens or so so most

986
00:55:11,920 --> 00:55:17,120
Speaker 2: indispensable uh indispensable rap songs ever made, is essential an

987
00:55:17,120 --> 00:55:24,320
Speaker 2: extended threat. But these perfect epigrammatic fragments almost always communicate

988
00:55:24,400 --> 00:55:27,279
Speaker 2: some sort of long longing, if not for the better life,

989
00:55:27,320 --> 00:55:30,799
Speaker 2: then for a more convincingly stoic face to wear through it.

990
00:55:31,680 --> 00:55:36,719
Speaker 2: So the Infamous goes beyond wrote report reported No p

991
00:55:37,040 --> 00:55:40,239
Speaker 2: wasn't technically from Queensbridge, but he was unmistakenly of it.

992
00:55:40,680 --> 00:55:44,000
Speaker 2: The hook the hookup, turn stick Up odyssey from the

993
00:55:44,040 --> 00:55:46,120
Speaker 2: True Trifle Life is structured like.

994
00:55:46,200 --> 00:55:48,600
Speaker 1: Parable because as as its.

995
00:55:48,440 --> 00:55:51,759
Speaker 2: Core, it is the work he having in Q Tip

996
00:55:52,000 --> 00:55:54,000
Speaker 2: who took a lovely to the kids and ever saw

997
00:55:54,040 --> 00:55:57,439
Speaker 2: the album tightening his musically and insult taking it from

998
00:55:57,560 --> 00:56:01,200
Speaker 2: label meddling dude behind the boards evokes well.

999
00:56:01,120 --> 00:56:07,520
Speaker 3: They just saying ship, Bro, finish because I just hear

1000
00:56:07,520 --> 00:56:09,000
Speaker 3: a bunch of yeah me too.

1001
00:56:11,040 --> 00:56:13,640
Speaker 2: Yeah, Like that's a whole bunch of appatizer and no

1002
00:56:13,719 --> 00:56:16,000
Speaker 2: fucking like state, no nothing, bro, like you gave me

1003
00:56:16,040 --> 00:56:17,600
Speaker 2: potatoes and tomatoes, Like what.

1004
00:56:17,640 --> 00:56:21,359
Speaker 1: The are you doing? Someone someone mentioned in the chat

1005
00:56:21,880 --> 00:56:24,680
Speaker 1: no ice Cube albums in here and get Bro.

1006
00:56:24,760 --> 00:56:28,480
Speaker 3: It's just like because they put wow bro, Mob Deep,

1007
00:56:29,920 --> 00:56:30,640
Speaker 3: look at that ship.

1008
00:56:30,760 --> 00:56:38,799
Speaker 1: Isn't that better than chicken? Chicken? What yo?

1009
00:56:40,360 --> 00:56:40,600
Speaker 3: Mob?

1010
00:56:41,000 --> 00:56:44,399
Speaker 1: And this is no disrespect to Mob Deep. I know

1011
00:56:44,719 --> 00:56:50,359
Speaker 1: this is not the pop top one hundred list.

1012
00:56:50,400 --> 00:56:54,080
Speaker 2: It's making the list guaranteed, but it's not number one, Bro.

1013
00:56:54,400 --> 00:56:57,000
Speaker 1: That's crazy, that's you Willy.

1014
00:56:57,440 --> 00:57:03,279
Speaker 4: Number one albums Wu Tang album them to Ready to

1015
00:57:03,400 --> 00:57:09,200
Speaker 4: Die to Die and a Tupac album, like like, like,

1016
00:57:09,280 --> 00:57:10,760
Speaker 4: what were talking.

1017
00:57:10,560 --> 00:57:14,120
Speaker 1: About the Public Enemy? It takes a n man, man,

1018
00:57:14,680 --> 00:57:18,840
Speaker 1: Come on, what were talking about? What are we talking about?

1019
00:57:19,960 --> 00:57:20,960
Speaker 1: A chronic that's six?

1020
00:57:21,640 --> 00:57:21,880
Speaker 2: Yeah?

1021
00:57:21,880 --> 00:57:25,840
Speaker 1: That ship? Why they started with Doggy one hundred and

1022
00:57:26,080 --> 00:57:28,439
Speaker 1: just I mean why I was naming like album?

1023
00:57:28,440 --> 00:57:31,200
Speaker 4: I'm like, no, somebody said no ice cream man, damn right,

1024
00:57:31,240 --> 00:57:32,440
Speaker 4: they don't have ice cream man on?

1025
00:57:32,640 --> 00:57:36,240
Speaker 1: They put on here, right?

1026
00:57:36,760 --> 00:57:39,840
Speaker 3: And what you be that the album is worthy of

1027
00:57:40,120 --> 00:57:41,959
Speaker 3: consideration maybe even been on the list.

1028
00:57:42,080 --> 00:57:43,640
Speaker 1: But if you don't put that on, there you got

1029
00:57:43,760 --> 00:57:47,120
Speaker 1: and you for the degrees on there? Where is he?

1030
00:57:47,720 --> 00:57:50,760
Speaker 2: And out of everything that Wayne has done, we're taking

1031
00:57:50,760 --> 00:57:52,400
Speaker 2: the drop three and I think that's the great.

1032
00:57:52,480 --> 00:57:53,800
Speaker 1: That's his best mixtape.

1033
00:57:54,520 --> 00:57:58,520
Speaker 2: But bro, any other car the first three carters pick one,

1034
00:57:58,880 --> 00:58:00,680
Speaker 2: the first three carters not make it?

1035
00:58:01,120 --> 00:58:04,400
Speaker 1: Somebody said no rad coin they did have they did

1036
00:58:04,520 --> 00:58:09,040
Speaker 1: no t I album, no c I true. Wow yeah wow.

1037
00:58:09,080 --> 00:58:10,400
Speaker 3: Trap music is the top one hand.

1038
00:58:10,600 --> 00:58:13,480
Speaker 4: So many great albums and mixtapes that they want to

1039
00:58:13,480 --> 00:58:14,479
Speaker 4: put mixtapes in this ship.

1040
00:58:15,400 --> 00:58:20,000
Speaker 1: So many Bro, they left off the cool yeah yeah

1041
00:58:19,920 --> 00:58:21,800
Speaker 1: when they had the loop on their life, so that

1042
00:58:21,880 --> 00:58:26,200
Speaker 1: means they did they did so it's just like, yeah,

1043
00:58:26,840 --> 00:58:27,200
Speaker 1: no food.

1044
00:58:28,320 --> 00:58:30,560
Speaker 2: So this this is my thing, right, Like when we

1045
00:58:30,600 --> 00:58:33,640
Speaker 2: do our list, were doubling up because we're talking about

1046
00:58:33,640 --> 00:58:34,959
Speaker 2: the best albums of all time.

1047
00:58:35,120 --> 00:58:37,320
Speaker 1: If a nigga got three of them, a nigga got.

1048
00:58:37,160 --> 00:58:39,080
Speaker 3: Three of them. Bro, but they had sex we had

1049
00:58:39,120 --> 00:58:40,200
Speaker 3: on here, but no roots albums.

1050
00:58:42,800 --> 00:58:51,560
Speaker 1: That's fucking wild, no comment, no common talk. Hey, the

1051
00:58:51,680 --> 00:58:54,720
Speaker 1: documentary should have been on the documentary yep. They should

1052
00:58:54,720 --> 00:58:55,360
Speaker 1: have been on the list.

1053
00:58:55,440 --> 00:58:58,000
Speaker 2: Yeah yeah, I'm not even saying the top twenty.

1054
00:58:58,800 --> 00:59:00,520
Speaker 1: It's just it should be on the list. We got

1055
00:59:00,640 --> 00:59:01,960
Speaker 1: to know the list, y'all. We have to do that.

1056
00:59:02,280 --> 00:59:03,080
Speaker 1: We have down here.

1057
00:59:03,120 --> 00:59:07,480
Speaker 2: But this classic bro, stop stop So you don't think

1058
00:59:07,480 --> 00:59:07,959
Speaker 2: it's a hundred.

1059
00:59:07,960 --> 00:59:09,120
Speaker 1: You don't think it's worth the one hundred?

1060
00:59:09,600 --> 00:59:15,080
Speaker 2: Love it it definitely definitely don't know it's one hundred.

1061
00:59:15,120 --> 00:59:20,040
Speaker 1: B Wow, we gotta do it, Brock the West. We

1062
00:59:20,120 --> 00:59:23,520
Speaker 1: got top one hundred, the game we got. We're done

1063
00:59:23,600 --> 00:59:28,320
Speaker 1: making the list. That documentary on the list. We gotta

1064
00:59:28,360 --> 00:59:30,600
Speaker 1: do it. We gotta do this list, bro, give what

1065
00:59:30,640 --> 00:59:32,880
Speaker 1: you're trying. I think it should be top ten.

1066
00:59:33,040 --> 00:59:37,000
Speaker 3: I think the documentary might be one should be top

1067
00:59:37,000 --> 00:59:37,680
Speaker 3: ten of all time.

1068
00:59:38,480 --> 00:59:42,400
Speaker 2: Get what you know, not of all time, not top ten.

1069
00:59:42,880 --> 00:59:45,640
Speaker 1: I think it's in the conversation. It's not top that's

1070
00:59:45,680 --> 00:59:51,840
Speaker 1: not man y'all saying like top twenty twenty five. Maybe yeah,

1071
00:59:51,840 --> 00:59:55,440
Speaker 1: somewhere somewhere below fifty. Yeah, it's definitely below fifty. It's

1072
00:59:55,440 --> 00:59:55,959
Speaker 1: definitely below.

1073
00:59:56,440 --> 00:59:59,040
Speaker 3: But I got some ideas and how we can start.

1074
01:00:00,000 --> 01:00:00,960
Speaker 1: Look at the super chest though.

1075
01:00:01,120 --> 01:00:04,520
Speaker 3: Yeah, but we're gonna, We're gonna, yeah, we're gonna talk.

1076
01:00:04,960 --> 01:00:07,600
Speaker 3: This is crazy, bro ye know, this is a crazy

1077
01:00:07,640 --> 01:00:08,080
Speaker 3: ass list.

1078
01:00:08,120 --> 01:00:08,280
Speaker 1: Though.

1079
01:00:09,040 --> 01:00:10,160
Speaker 3: We gotta we gotta redo it.

1080
01:00:10,160 --> 01:00:14,640
Speaker 1: We gotta make it right. Yeah, we literally have to

1081
01:00:14,640 --> 01:00:16,280
Speaker 1: do it. We gotta make it right. We have to

1082
01:00:16,280 --> 01:00:18,240
Speaker 1: do it for hip hop. We gotta make it right.

1083
01:00:18,680 --> 01:00:20,480
Speaker 3: We'll bring will we want to do it about Christmas

1084
01:00:20,680 --> 01:00:22,880
Speaker 3: and then we get it done. We got to love

1085
01:00:23,760 --> 01:00:24,480
Speaker 3: Christmas present.

1086
01:00:24,600 --> 01:00:29,240
Speaker 2: Yeah, yeah, we could.

1087
01:00:29,120 --> 01:00:29,760
Speaker 1: Do the.

1088
01:00:31,840 --> 01:00:36,040
Speaker 4: Gott Yeah, this should motivates us to do it, if

1089
01:00:36,040 --> 01:00:37,640
Speaker 4: anything should have motivated us to do it.

1090
01:00:37,640 --> 01:00:38,560
Speaker 3: We've done a lot of.

1091
01:00:38,600 --> 01:00:40,640
Speaker 1: Lists, talked about a lot of We talked about a

1092
01:00:40,640 --> 01:00:44,080
Speaker 1: lot of lists. Best Coast albums, best female rap albums,

1093
01:00:44,360 --> 01:00:48,160
Speaker 1: Best East Coast albums, like come on, yeah, they think

1094
01:00:48,160 --> 01:00:50,680
Speaker 1: we just talked. I know they do but because we've

1095
01:00:50,680 --> 01:00:51,680
Speaker 1: been saying it, that's why.

1096
01:00:51,760 --> 01:00:54,480
Speaker 3: But now this, this, this, this, if we don't do it, now,

1097
01:00:54,720 --> 01:00:55,680
Speaker 3: this is you know what I'm saying.

1098
01:00:55,680 --> 01:00:57,520
Speaker 1: It's like I'm getting rid of the history books. It's

1099
01:00:57,520 --> 01:00:57,880
Speaker 1: like it's like.

1100
01:00:58,160 --> 01:01:00,480
Speaker 2: Like it's like it's like they're checking out, taking our

1101
01:01:00,520 --> 01:01:01,480
Speaker 2: black history out of out of.

1102
01:01:03,120 --> 01:01:05,280
Speaker 1: That's what this is like. Yeah, when people look back

1103
01:01:05,280 --> 01:01:07,600
Speaker 1: and I'm like, oh, yeah, this is the greatest hundred.

1104
01:01:08,920 --> 01:01:11,400
Speaker 3: Eighty one, it's not gonna be eighty percent underground.

1105
01:01:11,400 --> 01:01:12,880
Speaker 1: But you must you must don't.

1106
01:01:12,680 --> 01:01:17,200
Speaker 3: Really know who bro right, Like we've been around.

1107
01:01:16,880 --> 01:01:18,560
Speaker 1: Man trying to tell you.

1108
01:01:18,600 --> 01:01:21,400
Speaker 3: Man, come on, man, you think we just all listened

1109
01:01:21,480 --> 01:01:22,280
Speaker 3: under like that.

1110
01:01:22,440 --> 01:01:26,160
Speaker 1: Bro. We gotta do it, y'all. Yeah, absolutely gotta do it.

1111
01:01:26,520 --> 01:01:29,760
Speaker 1: Absolutely gotta do it. Maybe seventy and we're not fighting.

1112
01:01:29,800 --> 01:01:35,160
Speaker 1: I'm just playing joints on there.

1113
01:01:37,520 --> 01:01:43,480
Speaker 3: That would be nearly it'd be some drag out arguments

1114
01:01:43,480 --> 01:01:50,760
Speaker 3: and yes, yes, all right man, Yeah, I ain't even

1115
01:01:50,760 --> 01:01:52,320
Speaker 3: I ain't even properly turned it over the can.

1116
01:01:52,800 --> 01:01:54,880
Speaker 1: Look, man, thank y'all for sitting in the super chess.

1117
01:01:55,400 --> 01:01:57,800
Speaker 4: Yeah, this was some bs and y'all and whoever saw

1118
01:01:57,920 --> 01:01:58,760
Speaker 4: y'all knew it was.

1119
01:01:58,800 --> 01:02:00,919
Speaker 1: But y'all. Some of y'all just a shocked us because

1120
01:02:00,960 --> 01:02:06,800
Speaker 1: y'all hadn't seen it. So yeah, man, but wow, wow, wow, bro,

1121
01:02:07,360 --> 01:02:11,520
Speaker 1: that is that is man getting its gracious. That was horrible.

1122
01:02:12,720 --> 01:02:15,040
Speaker 3: They got some commendable joints on that though. Don't get

1123
01:02:15,040 --> 01:02:17,320
Speaker 3: me wrong, they had some dress on that.

1124
01:02:17,800 --> 01:02:22,240
Speaker 4: But yeah, man, they had a lot they had really

1125
01:02:22,280 --> 01:02:22,880
Speaker 4: live wrong.

1126
01:02:23,120 --> 01:02:24,960
Speaker 1: Just didn't make sense. They got a live wrong.

1127
01:02:26,320 --> 01:02:28,160
Speaker 4: You know who would be good at this too, The

1128
01:02:28,200 --> 01:02:31,160
Speaker 4: guy that did the the levels.

1129
01:02:31,400 --> 01:02:33,160
Speaker 1: What's his name? Sorry, what's the name? Oh?

1130
01:02:34,840 --> 01:02:35,120
Speaker 3: Damn?

1131
01:02:35,240 --> 01:02:39,360
Speaker 4: You know, damn man, what the dude name? I know

1132
01:02:39,400 --> 01:02:41,960
Speaker 4: who I'm talking about. He's good, he'll be good. He'll

1133
01:02:42,000 --> 01:02:42,560
Speaker 4: be good at something.

1134
01:02:42,680 --> 01:02:43,520
Speaker 1: You would he.

1135
01:02:43,520 --> 01:02:45,880
Speaker 4: Would, you know what I'm saying. But yeah, man, But yeah,

1136
01:02:45,880 --> 01:02:49,200
Speaker 4: thank you for sending any super chats. At this point

1137
01:02:49,240 --> 01:02:51,080
Speaker 4: in the show. I turned over the can to go

1138
01:02:51,120 --> 01:02:51,520
Speaker 4: through those.

1139
01:02:51,560 --> 01:02:57,840
Speaker 3: Man, Dean, let us know when the space Tournament happens.

1140
01:02:58,000 --> 01:03:03,480
Speaker 3: Factor Mondough, that's right, Yeah, that's right, that's up the

1141
01:03:03,680 --> 01:03:09,240
Speaker 3: salon that Yeah, well, Spike was like the yeah, yeah, yeah, yeah,

1142
01:03:09,840 --> 01:03:12,959
Speaker 3: that's gotta happen. Green beans, no limit and cash money

1143
01:03:13,000 --> 01:03:16,160
Speaker 3: versus at the end of the month, streets say easy

1144
01:03:16,240 --> 01:03:17,080
Speaker 3: cash money win.

1145
01:03:17,720 --> 01:03:20,560
Speaker 1: I'm not convinced that's not an easy win. Hell No

1146
01:03:20,880 --> 01:03:23,760
Speaker 1: said that. He said the streets are saying that easy

1147
01:03:23,800 --> 01:03:27,720
Speaker 1: cash money will yesterday, looking at it as tending out

1148
01:03:27,720 --> 01:03:29,160
Speaker 1: to Drake Nikki and Wayne Trio.

1149
01:03:29,400 --> 01:03:33,120
Speaker 3: Maybe I don't know, Oh, I don't know what the criteria.

1150
01:03:34,840 --> 01:03:41,240
Speaker 2: They're not cash money, the young young money are still

1151
01:03:41,280 --> 01:03:44,600
Speaker 2: under cash money though. But he said, you're getting paid

1152
01:03:44,640 --> 01:03:46,200
Speaker 2: by the little getting paid.

1153
01:03:48,280 --> 01:03:52,440
Speaker 1: They said they all did it first, y'all did.

1154
01:03:53,280 --> 01:04:01,480
Speaker 2: I think, yeah, you grew you think a four hundred degrees?

1155
01:04:06,800 --> 01:04:10,960
Speaker 3: Yeah, because all they got the hot boys, big shoot

1156
01:04:11,000 --> 01:04:11,960
Speaker 3: and sugar.

1157
01:04:13,840 --> 01:04:16,000
Speaker 1: You know, just fill in the deep, you know.

1158
01:04:16,560 --> 01:04:23,760
Speaker 10: Yeah, yeah, they got bet k they got on there,

1159
01:04:26,320 --> 01:04:26,720
Speaker 10: break you.

1160
01:04:26,680 --> 01:04:28,920
Speaker 1: Off the win. I knew it was gonna be a

1161
01:04:28,920 --> 01:04:30,320
Speaker 1: long night when that. I don't think it's gonna be

1162
01:04:30,360 --> 01:04:30,880
Speaker 1: an easy win.

1163
01:04:32,240 --> 01:04:36,920
Speaker 2: No, no, but no, they should not play young money

1164
01:04:37,320 --> 01:04:38,000
Speaker 2: like that's not.

1165
01:04:40,840 --> 01:04:42,720
Speaker 1: All right? Black Ross.

1166
01:04:42,760 --> 01:04:46,480
Speaker 3: Can y'all see any scenario where no Limit can beat

1167
01:04:46,520 --> 01:04:49,960
Speaker 3: cash money in this upcoming versus, I don't and go

1168
01:04:50,440 --> 01:04:53,040
Speaker 3: Detroit Tigers.

1169
01:04:51,920 --> 01:04:53,400
Speaker 1: Was gonna step No.

1170
01:04:53,400 --> 01:04:57,000
Speaker 4: No, I don't know, know, bro, I mean maybe because

1171
01:04:58,160 --> 01:05:03,200
Speaker 4: cash money run was after limit, So maybe they're hanging

1172
01:05:03,280 --> 01:05:05,840
Speaker 4: on more to no cash Money stuff than No Limit

1173
01:05:06,200 --> 01:05:06,800
Speaker 4: younger folks.

1174
01:05:07,520 --> 01:05:07,960
Speaker 1: I don't know.

1175
01:05:08,520 --> 01:05:13,360
Speaker 2: I will say this right, obviously they're going more rounds

1176
01:05:13,400 --> 01:05:16,240
Speaker 2: than we did on our versus.

1177
01:05:16,280 --> 01:05:17,040
Speaker 1: It's twenty each.

1178
01:05:18,360 --> 01:05:21,680
Speaker 2: No Limit is way grittier than cash Money. So when

1179
01:05:21,680 --> 01:05:24,360
Speaker 2: cash Money goes first and play something and No Limit

1180
01:05:24,440 --> 01:05:27,040
Speaker 2: plays something, if they play the right one, it's gonna

1181
01:05:27,040 --> 01:05:29,800
Speaker 2: be a completely different block because the most recognizable No

1182
01:05:29,920 --> 01:05:31,439
Speaker 2: Limit I think that everybody knows.

1183
01:05:31,560 --> 01:05:35,000
Speaker 1: Make them say un they don't have a lot of

1184
01:05:35,080 --> 01:05:37,880
Speaker 1: make them say we're like, you know what I mean,

1185
01:05:38,440 --> 01:05:40,600
Speaker 1: you know what I'm saying. That's what I think.

1186
01:05:40,720 --> 01:05:45,720
Speaker 2: Cash Money went more pop. Yes, popular, Yes, there was

1187
01:05:45,800 --> 01:05:48,760
Speaker 2: certain times No Limit. You know, you know, it's not

1188
01:05:48,840 --> 01:05:51,000
Speaker 2: a lot of them. You know, you know you know

1189
01:05:51,000 --> 01:05:51,520
Speaker 2: what I'm saying.

1190
01:05:53,200 --> 01:05:55,880
Speaker 1: Like someone could play something from shell Shock and you know,

1191
01:05:58,840 --> 01:06:01,240
Speaker 1: but me and right you be like, hey, oh yeah

1192
01:06:01,360 --> 01:06:02,200
Speaker 1: like that, like.

1193
01:06:02,240 --> 01:06:08,120
Speaker 2: Yes, a predictable under No Limit. Yeah okay. So and

1194
01:06:08,160 --> 01:06:10,640
Speaker 2: that's what I'm saying. I think vibe wise, like on

1195
01:06:10,800 --> 01:06:13,640
Speaker 2: stage you're gonna see the bright ship from cash Money.

1196
01:06:13,720 --> 01:06:15,280
Speaker 3: Then it's like, oh damn, that'ship.

1197
01:06:15,360 --> 01:06:17,240
Speaker 1: I feel like I feel like I don't know why

1198
01:06:17,360 --> 01:06:19,080
Speaker 1: I don't know why he was having this in Vegas.

1199
01:06:18,920 --> 01:06:22,160
Speaker 1: The misopportunity they not having in New Orleans. I just

1200
01:06:22,200 --> 01:06:24,600
Speaker 1: had a super dome. Why not have this a superdome Orleans.

1201
01:06:24,720 --> 01:06:25,560
Speaker 1: That's a miss opportunity.

1202
01:06:26,520 --> 01:06:29,400
Speaker 3: Yeah, that's what I'm saying that probably that might be

1203
01:06:29,440 --> 01:06:29,960
Speaker 3: two wins.

1204
01:06:30,280 --> 01:06:34,840
Speaker 2: The top of the cash money joints, No limit, don't

1205
01:06:34,840 --> 01:06:37,640
Speaker 2: have responses for him. But once you get past like

1206
01:06:37,680 --> 01:06:40,800
Speaker 2: their top three or four joints, Oh, this is gonna

1207
01:06:40,800 --> 01:06:43,720
Speaker 2: get gritty. No limits gonna get gritty.

1208
01:06:43,760 --> 01:06:44,280
Speaker 1: They bout it.

1209
01:06:44,800 --> 01:06:49,360
Speaker 2: Uh uh ice cream, make them break them off like

1210
01:06:50,240 --> 01:06:51,720
Speaker 2: it's gonna it's gonna feel.

1211
01:06:53,200 --> 01:06:53,760
Speaker 1: Judging this.

1212
01:06:53,960 --> 01:06:56,680
Speaker 3: I don't know, because you know who judging?

1213
01:06:57,400 --> 01:06:59,480
Speaker 1: You know the streets kids should be New Orleans. Bro.

1214
01:07:00,360 --> 01:07:06,480
Speaker 3: They played swamp nick.

1215
01:07:03,960 --> 01:07:07,200
Speaker 2: Lose my mind right here, swamp like they can play

1216
01:07:07,240 --> 01:07:08,280
Speaker 2: for something else, and I'd be.

1217
01:07:08,280 --> 01:07:12,720
Speaker 1: Like swamp nigga. You know what I'm saying.

1218
01:07:13,880 --> 01:07:16,800
Speaker 2: Gonna show up, probably been showing up. He showed up

1219
01:07:16,800 --> 01:07:19,920
Speaker 2: at the little the little toy they were doing. Okay,

1220
01:07:20,040 --> 01:07:24,480
Speaker 2: yeah he did show up. They all showed up. Yeah,

1221
01:07:24,480 --> 01:07:29,960
Speaker 2: they all showed up. Yeah, all right, all right, currety.

1222
01:07:30,840 --> 01:07:33,600
Speaker 3: The only thing to come out of these BS lists

1223
01:07:33,680 --> 01:07:34,800
Speaker 3: or that hip up list.

1224
01:07:34,800 --> 01:07:37,560
Speaker 1: Thank y'all for always bringing the last Appreciate you.

1225
01:07:37,680 --> 01:07:40,760
Speaker 3: I guess that probably was something else.

1226
01:07:41,560 --> 01:07:48,080
Speaker 1: Appreciate you, appreciate you man, appreciate it, Ophelias. Since y'all

1227
01:07:48,160 --> 01:07:49,840
Speaker 1: doing a bracket on it.

1228
01:07:50,040 --> 01:07:53,320
Speaker 3: Off top of your head, what's your personal favorite Alchemy

1229
01:07:53,760 --> 01:07:55,920
Speaker 3: Alchemists produced album?

1230
01:07:56,440 --> 01:07:57,320
Speaker 1: Ship? Wait?

1231
01:07:57,480 --> 01:08:00,440
Speaker 3: He said, what now? What's our personal favorite.

1232
01:08:00,600 --> 01:08:03,520
Speaker 1: Alchemists produced album? We can't do that because we got

1233
01:08:03,520 --> 01:08:05,440
Speaker 1: the brak. Yeah, but I guess he's looking at like,

1234
01:08:05,480 --> 01:08:10,440
Speaker 1: that's the bracket with personal, your your own bracket first,

1235
01:08:10,800 --> 01:08:12,920
Speaker 1: because that's gonna give it away, you're.

1236
01:08:12,760 --> 01:08:17,320
Speaker 2: Not necessarily not necessarily I think it would because we

1237
01:08:17,320 --> 01:08:17,920
Speaker 2: was voting on it.

1238
01:08:18,840 --> 01:08:20,559
Speaker 1: I think it would. I think it would give it away.

1239
01:08:21,360 --> 01:08:23,479
Speaker 1: But I think it's still not that personal though. Yeah,

1240
01:08:23,520 --> 01:08:26,320
Speaker 1: so you think so, I ain't. I ain't gonna spoil it.

1241
01:08:26,360 --> 01:08:28,080
Speaker 1: But you think the album that one? Do you think

1242
01:08:28,160 --> 01:08:30,559
Speaker 1: that's your Do you think that's that's your personal personal?

1243
01:08:30,680 --> 01:08:33,519
Speaker 3: You think the final four in your personal?

1244
01:08:34,800 --> 01:08:41,200
Speaker 1: Probably? So yeah? Probably? So okay, yeah, that's not in

1245
01:08:41,240 --> 01:08:44,040
Speaker 1: your personal final four in your personal.

1246
01:08:44,640 --> 01:08:49,639
Speaker 2: Because he about to say it, you know, I'm not right,

1247
01:08:49,960 --> 01:08:52,800
Speaker 2: Like I'm not gonna say I think it's gonna spoil it.

1248
01:08:52,880 --> 01:08:54,320
Speaker 1: Just wait to we can later.

1249
01:08:54,400 --> 01:09:00,960
Speaker 4: Yeah, we can answer yeah, yeah, is literally about to

1250
01:09:00,960 --> 01:09:01,200
Speaker 4: come out.

1251
01:09:01,240 --> 01:09:04,120
Speaker 1: You don't have to submit another super chat. We'll make

1252
01:09:04,160 --> 01:09:05,000
Speaker 1: it even more simple.

1253
01:09:05,439 --> 01:09:08,080
Speaker 2: Will all of us will go into the common section

1254
01:09:08,240 --> 01:09:11,040
Speaker 2: of the brack Yeah, and we'll just we'll.

1255
01:09:11,680 --> 01:09:14,439
Speaker 1: Our favorite yes, uh deem you soul.

1256
01:09:14,720 --> 01:09:16,920
Speaker 3: I hate to say this about my people's, but I'll

1257
01:09:16,960 --> 01:09:19,880
Speaker 3: listen to and respect Filipino rappers more if they weren't

1258
01:09:19,880 --> 01:09:23,240
Speaker 3: trying to sound like eminem. Are there any rappers you

1259
01:09:23,320 --> 01:09:27,120
Speaker 3: wish you'll like more if their sound wasn't carried by

1260
01:09:27,160 --> 01:09:32,280
Speaker 3: their influences? That's a damn good question.

1261
01:09:33,840 --> 01:09:36,479
Speaker 2: Rappers I wish I like more of the sound wasn't

1262
01:09:36,479 --> 01:09:37,960
Speaker 2: carried a boy the influences.

1263
01:09:39,040 --> 01:09:40,519
Speaker 1: I'm trying to understand that question.

1264
01:09:41,000 --> 01:09:43,360
Speaker 2: I feel like the majority of the rappers I like

1265
01:09:43,479 --> 01:09:48,600
Speaker 2: are unique, and then I don't really hang on to

1266
01:09:48,720 --> 01:09:51,720
Speaker 2: the ones. I'm trying to even think of somebody that

1267
01:09:51,800 --> 01:09:53,479
Speaker 2: I feel that sounds like somebody else?

1268
01:09:56,640 --> 01:10:00,599
Speaker 1: Who curious? That a good one, actually, damn he said

1269
01:10:00,680 --> 01:10:03,160
Speaker 1: logic wow.

1270
01:10:04,520 --> 01:10:10,799
Speaker 3: Wow, wow, Yeah, it is a really really really good answer.

1271
01:10:11,040 --> 01:10:15,840
Speaker 1: I'm trying to think of who who? Someone said Action

1272
01:10:15,920 --> 01:10:22,200
Speaker 1: Bronson is just the it's the voice you can't change. Nah,

1273
01:10:22,360 --> 01:10:27,679
Speaker 1: he sounded like Someone said Larussell. Who he is? Who

1274
01:10:27,720 --> 01:10:31,559
Speaker 1: he sound like? I don't even know. Yeah, I don't

1275
01:10:31,560 --> 01:10:36,920
Speaker 1: know who his influences are. Damn Lucas, Jesus Chraz Lucas

1276
01:10:36,920 --> 01:10:40,439
Speaker 1: and Logic who joined the lookings sound like, I don't know.

1277
01:10:40,600 --> 01:10:42,840
Speaker 1: I can't. Can you think any want? I can't think of.

1278
01:10:42,960 --> 01:10:44,800
Speaker 1: Logic is a good one. That's a good answer. Yeah,

1279
01:10:44,840 --> 01:10:45,800
Speaker 1: logic is a good one.

1280
01:10:46,880 --> 01:10:49,400
Speaker 3: And you know what there are? Man, I feel like

1281
01:10:49,439 --> 01:10:52,320
Speaker 3: we just talked about somebody that sounded like somebody. I

1282
01:10:52,360 --> 01:10:55,519
Speaker 3: don't know if I would have liked them more.

1283
01:10:55,760 --> 01:11:03,960
Speaker 1: Someone said, Drake more, he's not like everybody. B hm

1284
01:11:04,000 --> 01:11:07,040
Speaker 1: hmm any rappers. The time your old Drew was sounded

1285
01:11:07,080 --> 01:11:12,880
Speaker 1: like nas people got, wasn't. I don't hear it anymore though.

1286
01:11:12,920 --> 01:11:15,960
Speaker 1: That's just crazy. Look like you're trying to switch it up.

1287
01:11:16,640 --> 01:11:19,519
Speaker 1: I don't. I don't. I don't really I know. I'm like, like,

1288
01:11:19,600 --> 01:11:22,559
Speaker 1: what I like to question me too? Question? I feel

1289
01:11:22,600 --> 01:11:24,599
Speaker 1: like there hasn't been someone that I was like, oh yeah,

1290
01:11:24,600 --> 01:11:25,639
Speaker 1: they sounds a lot like.

1291
01:11:27,000 --> 01:11:29,120
Speaker 3: I feel like, okay, okay, I'm gonna have to come

1292
01:11:29,160 --> 01:11:31,360
Speaker 3: back to this one. Because there there's some there's been

1293
01:11:31,479 --> 01:11:34,080
Speaker 3: a few rappers I've heard. I was like, oh you sund.

1294
01:11:33,840 --> 01:11:38,040
Speaker 1: Oh my god, you saund like someone say shine, Oh

1295
01:11:38,080 --> 01:11:40,960
Speaker 1: my god. That was somebody that was just I was

1296
01:11:41,040 --> 01:11:41,680
Speaker 1: just listening to.

1297
01:11:43,080 --> 01:11:45,000
Speaker 4: Yeah, I feel like I thought that. I definitely thought

1298
01:11:45,040 --> 01:11:48,519
Speaker 4: that before listening to somebody. All Right, all right, we're

1299
01:11:48,560 --> 01:11:54,280
Speaker 4: gonna have to uh save this one. Nathan Crosby list

1300
01:11:54,400 --> 01:11:57,160
Speaker 4: was crazy. A lot of my favorites made the list.

1301
01:11:57,400 --> 01:11:59,679
Speaker 4: Not mad at the infamous being number one.

1302
01:12:00,120 --> 01:12:02,479
Speaker 3: It's always been top five hip hop albums of all

1303
01:12:02,560 --> 01:12:04,880
Speaker 3: time to me.

1304
01:12:05,320 --> 01:12:08,880
Speaker 1: There's been some people's consensus like, yeah, but damn number one.

1305
01:12:09,200 --> 01:12:14,880
Speaker 1: It's in a conversation, ain't number one? Wow? He didn't

1306
01:12:14,880 --> 01:12:15,760
Speaker 1: say it was number one.

1307
01:12:15,760 --> 01:12:21,400
Speaker 3: He just said, yeah, you know, yeah, but I feel

1308
01:12:21,400 --> 01:12:25,840
Speaker 3: you Dembo sol Again. Honestly, as weird as this list is,

1309
01:12:26,479 --> 01:12:28,080
Speaker 3: you really got to respect the work of trying to

1310
01:12:28,120 --> 01:12:30,720
Speaker 3: push a different list rather than the typical ones you'll

1311
01:12:30,800 --> 01:12:33,360
Speaker 3: usually see. Respect that what we're talking about, like it

1312
01:12:33,720 --> 01:12:35,639
Speaker 3: had too much, too many disrespectful things.

1313
01:12:36,920 --> 01:12:39,080
Speaker 1: They had too much. I get what he's saying, but

1314
01:12:39,120 --> 01:12:43,120
Speaker 1: it just had too many different Yeah, So I do

1315
01:12:43,320 --> 01:12:46,160
Speaker 1: get what he's saying. As well, and it.

1316
01:12:45,880 --> 01:12:49,599
Speaker 3: Feels like that was an intent of the list, like

1317
01:12:49,760 --> 01:12:53,400
Speaker 3: we're we're going to be fair and objective and we're

1318
01:12:53,439 --> 01:12:54,760
Speaker 3: gonna do something different than not.

1319
01:12:56,000 --> 01:12:58,160
Speaker 2: But but you know what, can see you're not even

1320
01:12:58,160 --> 01:12:59,120
Speaker 2: speaking mumbo jumble.

1321
01:12:59,200 --> 01:12:59,840
Speaker 1: They did it.

1322
01:13:00,080 --> 01:13:02,639
Speaker 2: You're gonna do that, then put the best album of

1323
01:13:02,680 --> 01:13:04,400
Speaker 2: the artists that you're gonna how the fuck you will

1324
01:13:04,439 --> 01:13:08,439
Speaker 2: put fair height whatever whatever from Loupe, you know what

1325
01:13:08,479 --> 01:13:11,719
Speaker 2: I'm saying, Like, then put the look if you're gonna

1326
01:13:11,760 --> 01:13:14,559
Speaker 2: just give us one from each artist, that give us

1327
01:13:14,600 --> 01:13:19,200
Speaker 2: the best one. You're trying too hard to be different

1328
01:13:19,479 --> 01:13:28,600
Speaker 2: one million, so it's not authentic. Yeah, the Vinyl Kicks

1329
01:13:28,760 --> 01:13:30,960
Speaker 2: eighty six, let's have too much bullshit on it.

1330
01:13:34,560 --> 01:13:35,000
Speaker 1: That's it.

1331
01:13:35,880 --> 01:13:38,559
Speaker 4: You're trying to be different, just to be different. Like, right,

1332
01:13:38,640 --> 01:13:40,200
Speaker 4: you had too much bullshit on it. If you would

1333
01:13:40,200 --> 01:13:40,840
Speaker 4: have just kept it.

1334
01:13:41,240 --> 01:13:43,759
Speaker 11: Yeah, I took that bullshit like the real you started

1335
01:13:43,840 --> 01:13:50,160
Speaker 11: off with the come on, that's centry. You trigger people

1336
01:13:50,160 --> 01:13:53,840
Speaker 11: from the jump, so that makes you feel intentional, which

1337
01:13:53,880 --> 01:13:55,960
Speaker 11: makes it disingenuous.

1338
01:13:58,080 --> 01:14:01,400
Speaker 3: I still they did that, but anyway, she's I think

1339
01:14:01,439 --> 01:14:04,120
Speaker 3: it's time to take some classic, some old classic albums

1340
01:14:04,120 --> 01:14:06,080
Speaker 3: out of the top ten and adding some new classes.

1341
01:14:06,479 --> 01:14:09,040
Speaker 3: Also adding Kendrick twice in the top ten is glazing.

1342
01:14:09,760 --> 01:14:13,320
Speaker 3: Could be, but I'm not. I think a couple of

1343
01:14:13,400 --> 01:14:15,479
Speaker 3: years ago, I said we need I think it's time

1344
01:14:15,560 --> 01:14:18,559
Speaker 3: to start moving some guys out and moving some guys in.

1345
01:14:18,640 --> 01:14:26,920
Speaker 3: I thought Kendrick is creeping into like top five mention. Yeah,

1346
01:14:26,960 --> 01:14:28,400
Speaker 3: so it's not wrong there.

1347
01:14:28,640 --> 01:14:32,639
Speaker 2: And I think does have if maybe not to top ten,

1348
01:14:33,080 --> 01:14:37,320
Speaker 2: to top fifteen albums, you know, I think that's I

1349
01:14:37,400 --> 01:14:40,200
Speaker 2: think that's very fair. He has two albums that should

1350
01:14:40,200 --> 01:14:40,880
Speaker 2: be in the top fifteen.

1351
01:14:41,040 --> 01:14:44,160
Speaker 1: So what's some old school albums, classic albums that you

1352
01:14:44,320 --> 01:14:47,280
Speaker 1: that you cannot take out? Like for me, it takes

1353
01:14:47,280 --> 01:14:50,120
Speaker 1: a nation. I can't. I don't think. I don't think

1354
01:14:50,160 --> 01:14:53,599
Speaker 1: I'm gonna take that out of that very good question.

1355
01:14:53,680 --> 01:14:54,920
Speaker 1: I don't think I can take that out. And I

1356
01:14:54,960 --> 01:14:58,080
Speaker 1: think that's a very good conversation. I don't think I

1357
01:14:58,080 --> 01:15:00,479
Speaker 1: could take that, that particular one out for a new

1358
01:15:00,720 --> 01:15:03,880
Speaker 1: bro that as topic because the ship.

1359
01:15:05,479 --> 01:15:08,680
Speaker 3: You know what I'm saying, Look, we're gonna come over

1360
01:15:08,680 --> 01:15:11,360
Speaker 3: with our hundred No, but I think we can have

1361
01:15:11,479 --> 01:15:12,200
Speaker 3: that conversation.

1362
01:15:13,360 --> 01:15:17,160
Speaker 1: I love that, man, Damn, Like, what's something that you

1363
01:15:17,280 --> 01:15:19,600
Speaker 1: just be like, Okay, now I'm not taking this. I

1364
01:15:19,640 --> 01:15:21,760
Speaker 1: can take out such and such and put it in

1365
01:15:21,800 --> 01:15:23,599
Speaker 1: place of a new one, but I'm not taking these

1366
01:15:23,680 --> 01:15:27,720
Speaker 1: out in place of a new one. You know, we

1367
01:15:27,760 --> 01:15:30,640
Speaker 1: got we gotta do that. Put that. I that's a

1368
01:15:30,680 --> 01:15:32,439
Speaker 1: conversation after we do our hundred.

1369
01:15:32,520 --> 01:15:36,599
Speaker 4: I think so to after because it before, you can't

1370
01:15:36,640 --> 01:15:37,160
Speaker 4: do it before.

1371
01:15:37,240 --> 01:15:40,000
Speaker 1: Yeah, because that automatically puts it. Yeah, top ten.

1372
01:15:40,040 --> 01:15:42,080
Speaker 3: Yeah, but I don't mean it's gonna make the final

1373
01:15:42,120 --> 01:15:45,840
Speaker 3: list though, y'all. Y'all see y'all be y'all, y'all, y'all

1374
01:15:45,880 --> 01:15:47,800
Speaker 3: be getting, y'all be giving, giving up, giving out the

1375
01:15:48,160 --> 01:15:54,040
Speaker 3: goods before the real product. All right, guadaloupe b what

1376
01:15:54,160 --> 01:15:56,080
Speaker 3: do you think of Muddy Waters too?

1377
01:15:57,280 --> 01:16:01,519
Speaker 1: Oh my god, Jesus Christ. For one, it was two

1378
01:16:01,600 --> 01:16:06,679
Speaker 1: damn long, but yeah, it was, it was. It was forgettable.

1379
01:16:06,920 --> 01:16:09,760
Speaker 1: It hurts. It hurted me to hear that, to listen

1380
01:16:09,840 --> 01:16:13,840
Speaker 1: to that album. It's just like one of those like

1381
01:16:14,360 --> 01:16:17,120
Speaker 1: let me just keep red Man at the four four

1382
01:16:17,120 --> 01:16:19,639
Speaker 1: and a half album, the four in the possible album

1383
01:16:19,720 --> 01:16:25,559
Speaker 1: run that he did. Yeah, it hurt it. Uh.

1384
01:16:25,680 --> 01:16:29,040
Speaker 3: She stole cash money versus no limit nets versus who

1385
01:16:29,080 --> 01:16:29,839
Speaker 3: y'all got.

1386
01:16:29,760 --> 01:16:35,320
Speaker 1: Everybody talking about this cash limit the streets on fire Bro.

1387
01:16:35,560 --> 01:16:38,519
Speaker 1: Yeah cash, I mean no limit Bro. I'm going to

1388
01:16:38,520 --> 01:16:42,599
Speaker 1: no limit Bro, I'm going no limit. Come on, cash

1389
01:16:42,680 --> 01:16:43,519
Speaker 1: money is gonna win.

1390
01:16:43,680 --> 01:16:45,000
Speaker 3: But I would I would pick no.

1391
01:16:45,040 --> 01:16:49,040
Speaker 2: Limit, Yes, no limits more Gutamore Street. Yeah, cash definitely

1392
01:16:49,040 --> 01:16:51,519
Speaker 2: got more hits, so you got. I think cash on

1393
01:16:51,720 --> 01:16:52,160
Speaker 2: is gonna win.

1394
01:16:52,560 --> 01:16:55,000
Speaker 1: Dang so no limit cas.

1395
01:16:55,920 --> 01:16:59,040
Speaker 4: Everybody like, like the people from my neighborhood on on

1396
01:16:59,040 --> 01:17:00,320
Speaker 4: on Facebook.

1397
01:17:00,680 --> 01:17:07,799
Speaker 1: Like they like they like limit clears easy, yes Street

1398
01:17:07,960 --> 01:17:13,160
Speaker 1: the Street. It's not. But I'm taking me at extra

1399
01:17:13,240 --> 01:17:18,280
Speaker 1: songs and versus what we're doing. That's young money. They're not.

1400
01:17:18,360 --> 01:17:20,720
Speaker 1: They're not included here and they better not playing. I

1401
01:17:20,880 --> 01:17:24,160
Speaker 1: really if they play there on the cash Money brown Man,

1402
01:17:24,360 --> 01:17:28,639
Speaker 1: they're not. They're not. People want to check.

1403
01:17:29,720 --> 01:17:33,479
Speaker 2: I thought they were cash money, cash money, their young

1404
01:17:33,560 --> 01:17:39,280
Speaker 2: money and cash money. They're young money. I mean that happens.

1405
01:17:39,280 --> 01:17:44,680
Speaker 1: People be under multiple labels and get in check cuts.

1406
01:17:44,800 --> 01:17:48,320
Speaker 3: She told you on Exodus, Bron Young that we all

1407
01:17:48,360 --> 01:17:52,000
Speaker 3: know these publications only made these lists for rage bait clicks.

1408
01:17:52,400 --> 01:17:55,160
Speaker 3: That being said, let's give Jenkins his flowers.

1409
01:17:55,200 --> 01:18:00,599
Speaker 1: Now, Yes he's one of those guys. I'm gonna go back,

1410
01:18:00,880 --> 01:18:03,560
Speaker 1: thank you. Yes, Nikki the Nikky and Drake were on

1411
01:18:03,680 --> 01:18:09,160
Speaker 1: cash money bro Oh that's that's yeah. Yeah so cash

1412
01:18:09,200 --> 01:18:13,400
Speaker 1: money young mon. Yes they're telling you that's a cheeko. Yes,

1413
01:18:13,439 --> 01:18:15,679
Speaker 1: they went not fair like you know what I'm saying.

1414
01:18:16,040 --> 01:18:20,679
Speaker 3: They got to a time that's range from from ninety

1415
01:18:20,720 --> 01:18:21,840
Speaker 3: five to two thousand and two.

1416
01:18:21,960 --> 01:18:24,960
Speaker 1: Yeah, when they were both in there. Yeah, because that's

1417
01:18:24,960 --> 01:18:26,200
Speaker 1: what they're doing.

1418
01:18:25,600 --> 01:18:28,639
Speaker 2: That's what you're that's what you're putting up against you.

1419
01:18:28,640 --> 01:18:31,439
Speaker 4: You're not picking up like the new age cash money.

1420
01:18:31,439 --> 01:18:38,120
Speaker 4: You're picking up like yeah, lim oh g have a

1421
01:18:38,160 --> 01:18:40,920
Speaker 4: cap on it. No, it should be no Drake, no Nikky.

1422
01:18:41,200 --> 01:18:43,400
Speaker 1: Yeah not two thousand, two thousand and three.

1423
01:18:43,680 --> 01:18:47,400
Speaker 2: I think it's okay if you will play Drake and Nikki,

1424
01:18:47,640 --> 01:18:50,120
Speaker 2: you will play Little Reese, you'll play on Little Twist.

1425
01:18:50,240 --> 01:18:53,240
Speaker 1: You gotta gutta, you'll play them niggas. If you're not

1426
01:18:53,280 --> 01:18:58,360
Speaker 1: gonna play that, they don't play, play all the young money.

1427
01:18:58,040 --> 01:19:00,080
Speaker 2: That all them trash ass motherfuckers.

1428
01:19:00,080 --> 01:19:06,040
Speaker 1: Man, they lay with one. Yeah, Wow, had game.

1429
01:19:05,800 --> 01:19:06,920
Speaker 3: On that ship for a minute.

1430
01:19:07,240 --> 01:19:09,920
Speaker 1: Game. I think so than that game. I don't think

1431
01:19:09,920 --> 01:19:11,240
Speaker 1: he ever came on an album, but I think they

1432
01:19:11,680 --> 01:19:12,799
Speaker 1: game for a hot secret.

1433
01:19:13,400 --> 01:19:16,600
Speaker 3: No limit did have snoop for second, he had a

1434
01:19:16,680 --> 01:19:18,640
Speaker 3: he had a hit too, Yeah, he had snoop for

1435
01:19:19,640 --> 01:19:20,160
Speaker 3: Calm down?

1436
01:19:20,200 --> 01:19:20,840
Speaker 1: What's up y'all?

1437
01:19:20,840 --> 01:19:24,000
Speaker 3: Have y'all heard on point by Heavy D featuring eight

1438
01:19:24,040 --> 01:19:27,160
Speaker 3: Ball and Big Pun. Also, what other collauds from back

1439
01:19:27,160 --> 01:19:29,679
Speaker 3: in the day to y'all feel are often forgotten about

1440
01:19:29,840 --> 01:19:30,760
Speaker 3: or not well known?

1441
01:19:31,040 --> 01:19:35,920
Speaker 2: That's about to put you on by that is that

1442
01:19:36,080 --> 01:19:37,240
Speaker 2: is definitely forgotten.

1443
01:19:37,400 --> 01:19:40,880
Speaker 1: That combo that that type of that combos like that

1444
01:19:41,040 --> 01:19:43,639
Speaker 1: is like our wheelhouse, like we should have combos like that.

1445
01:19:44,800 --> 01:19:48,400
Speaker 1: What other collaps back in? That's that's a combo. I'm

1446
01:19:48,439 --> 01:19:52,920
Speaker 1: screenshing this yep, bucket down all right?

1447
01:19:53,400 --> 01:19:55,640
Speaker 3: Uh Donald Man shout out to Spite for putting me

1448
01:19:55,680 --> 01:19:59,360
Speaker 3: onto cool Daddy Fresh thirty years after the fact you

1449
01:19:59,400 --> 01:20:02,599
Speaker 3: did do it. But to say is all true as

1450
01:20:02,600 --> 01:20:05,200
Speaker 3: a classic illmatic as men is commically insane.

1451
01:20:05,920 --> 01:20:12,200
Speaker 1: He is me man, I mean it's me. You never heard.

1452
01:20:13,880 --> 01:20:19,679
Speaker 1: It's not surprising projects, it's not surprising, bro. But saying

1453
01:20:20,240 --> 01:20:21,599
Speaker 1: like this ship don't shock me no more.

1454
01:20:22,160 --> 01:20:26,760
Speaker 3: Jonathan Ernandez ranked these verses Rick Ross on Devil in

1455
01:20:26,760 --> 01:20:30,240
Speaker 3: the Blue New Dress, Jay Rock on Money traines, Andre

1456
01:20:30,360 --> 01:20:33,280
Speaker 3: and walking Out remix rank them.

1457
01:20:33,320 --> 01:20:38,719
Speaker 1: Okay, so Walking Out remixed that's first one.

1458
01:20:38,880 --> 01:20:41,719
Speaker 3: Yeah, Rosters too over who.

1459
01:20:44,479 --> 01:20:47,360
Speaker 1: I think he may be? Second? I think yourself.

1460
01:20:47,840 --> 01:20:50,280
Speaker 4: I think Rick Ross was he was he was floating

1461
01:20:50,280 --> 01:20:53,439
Speaker 4: on the vibe. I don't think the good point great point. Yeah,

1462
01:20:53,439 --> 01:20:55,200
Speaker 4: I think he was just flowing on the vibe with

1463
01:20:55,200 --> 01:21:03,040
Speaker 4: the record. You think about that, you're thinking about that, you.

1464
01:21:03,040 --> 01:21:08,479
Speaker 3: Ain't thinking about Rick actual boy, Like like the beat is, yeah,

1465
01:21:08,880 --> 01:21:09,640
Speaker 3: load on it.

1466
01:21:09,840 --> 01:21:12,040
Speaker 2: He floated on it, but what he was saying it

1467
01:21:12,120 --> 01:21:13,439
Speaker 2: is not like in the whole way.

1468
01:21:13,520 --> 01:21:15,920
Speaker 1: Yeah, Rick Ross was a great game manager on that.

1469
01:21:15,920 --> 01:21:18,439
Speaker 1: He did. You know what I'm saying. You know what

1470
01:21:18,479 --> 01:21:25,360
Speaker 1: I'm saying. You know what I'm talking. I'm going walking

1471
01:21:26,960 --> 01:21:31,200
Speaker 1: the aesthetics walk Out, Jay Rock Trees and then Rick.

1472
01:21:31,400 --> 01:21:33,120
Speaker 3: The aesthetics of that versus top Chier.

1473
01:21:33,760 --> 01:21:36,080
Speaker 1: Yeah.

1474
01:21:36,960 --> 01:21:38,840
Speaker 3: So I was wondering if you guys ever did go

1475
01:21:38,880 --> 01:21:41,280
Speaker 3: back and check out mister Pooky the Rippler album after

1476
01:21:41,360 --> 01:21:44,000
Speaker 3: Mike praises for it since.

1477
01:21:43,760 --> 01:21:45,280
Speaker 1: The Top Southern Songs list.

1478
01:21:45,720 --> 01:21:51,639
Speaker 3: Also, mister Lucie got ten dopest flows oaked of all time.

1479
01:21:51,920 --> 01:21:56,720
Speaker 1: I haven't had that one out. You get Okay, man

1480
01:21:56,920 --> 01:22:00,479
Speaker 1: the man, what tell you man, they can hit me

1481
01:22:00,479 --> 01:22:03,960
Speaker 1: in of all time brother. Yeah, just I know they

1482
01:22:03,960 --> 01:22:08,360
Speaker 1: have like space, only so much space they can put.

1483
01:22:08,560 --> 01:22:11,240
Speaker 3: I have not listened to mister Pooky.

1484
01:22:11,800 --> 01:22:15,320
Speaker 1: No, but oh man, you need to read that next question.

1485
01:22:15,360 --> 01:22:16,080
Speaker 1: It's very important.

1486
01:22:16,120 --> 01:22:20,160
Speaker 3: Ken all right, but I'll say when I get around

1487
01:22:20,160 --> 01:22:24,160
Speaker 3: to it. Malcolm, beats by the Pound and Manny Fresh

1488
01:22:24,240 --> 01:22:27,120
Speaker 3: never got the flowers they deserve as producers. They are

1489
01:22:27,240 --> 01:22:30,479
Speaker 3: rarely mentioned in an all time producers list.

1490
01:22:30,840 --> 01:22:33,080
Speaker 1: That is so true. It's funny because someone posts it

1491
01:22:33,520 --> 01:22:37,360
Speaker 1: on Twitter, like a video of them recording listening today

1492
01:22:37,360 --> 01:22:40,680
Speaker 1: they go on t r U and I reply, like, man,

1493
01:22:40,680 --> 01:22:43,360
Speaker 1: that's my favorite beat by KLC, Like I fucking love

1494
01:22:43,439 --> 01:22:46,240
Speaker 1: that beat, Bro, they do. They definitely beats by the

1495
01:22:46,280 --> 01:22:50,120
Speaker 1: Pound and many Fresh Like many Fresh was literally the

1496
01:22:50,160 --> 01:22:54,120
Speaker 1: sole producer of the that entire Cash Money run from

1497
01:22:54,200 --> 01:22:58,240
Speaker 1: the ninety five to the to like after the first carter,

1498
01:22:58,560 --> 01:23:01,679
Speaker 1: like Bruh Fresh was the only freaking producer.

1499
01:23:01,720 --> 01:23:01,880
Speaker 3: Bro.

1500
01:23:02,160 --> 01:23:02,839
Speaker 1: That's crazy.

1501
01:23:03,960 --> 01:23:07,680
Speaker 3: Yeah, that is a good point, especially like Beasts by

1502
01:23:07,720 --> 01:23:10,439
Speaker 3: the Pound show KOs all them guys.

1503
01:23:10,479 --> 01:23:13,479
Speaker 1: Bro, Damn, that's a good point.

1504
01:23:14,360 --> 01:23:17,320
Speaker 3: Out of all the loop projects they picked that right,

1505
01:23:17,520 --> 01:23:21,400
Speaker 3: Young that ship. I mean, Bruh just like just hippie

1506
01:23:21,400 --> 01:23:27,799
Speaker 3: for yes, no damn reason yes, Jonathan or Nandez peak

1507
01:23:28,080 --> 01:23:34,920
Speaker 3: Eminem versus peak Kendrick who winning the beef. Eminem never

1508
01:23:34,960 --> 01:23:37,519
Speaker 3: really went up against major rappers that can go total

1509
01:23:37,560 --> 01:23:41,280
Speaker 3: toe with him. Meanwhile, Kendrick literally took down the giant

1510
01:23:41,280 --> 01:23:41,880
Speaker 3: of hip hop.

1511
01:23:42,560 --> 01:23:46,439
Speaker 1: Mm hmm because he was going against Benzeno.

1512
01:23:46,720 --> 01:23:52,800
Speaker 2: Right and and and and in sync and yeah, yeah, all.

1513
01:23:53,400 --> 01:23:59,320
Speaker 1: The boy Kendrick with the brother Kendrick Pete Kendrick for

1514
01:23:59,880 --> 01:24:03,559
Speaker 1: the win. It would be entertaining. I would be curious.

1515
01:24:03,920 --> 01:24:06,720
Speaker 3: I think Eminem could definitely write up some stuff, but

1516
01:24:06,760 --> 01:24:12,000
Speaker 3: I think it's at some point it would like turn

1517
01:24:12,080 --> 01:24:14,560
Speaker 3: into like jokes and clowning and stuff like that.

1518
01:24:14,640 --> 01:24:15,040
Speaker 1: Exactly.

1519
01:24:15,080 --> 01:24:17,439
Speaker 2: I think k Doc can can can hit him in

1520
01:24:17,520 --> 01:24:20,519
Speaker 2: the soul where I don't know if Eminem can do

1521
01:24:20,560 --> 01:24:24,160
Speaker 2: the same, Like Eminem is gonna be a character or whatever.

1522
01:24:24,240 --> 01:24:27,760
Speaker 2: But when Ka wants to hone in and really hurt

1523
01:24:27,800 --> 01:24:30,920
Speaker 2: you like in here, that.

1524
01:24:30,880 --> 01:24:33,559
Speaker 3: Like the Eminem saying the N word like that's that's

1525
01:24:34,320 --> 01:24:35,040
Speaker 3: that's gonna.

1526
01:24:34,840 --> 01:24:38,400
Speaker 1: Be one he's gonna hit him with. Yeah, He's gonna

1527
01:24:38,400 --> 01:24:39,200
Speaker 1: get him with that one.

1528
01:24:39,400 --> 01:24:44,240
Speaker 3: And you know, ship he already he got Drake with it.

1529
01:24:47,120 --> 01:24:52,200
Speaker 3: Imagine what he's gonna do him right, But uh, it

1530
01:24:52,240 --> 01:24:54,400
Speaker 3: would be a good battle though. I think it would

1531
01:24:54,400 --> 01:24:56,000
Speaker 3: be a good battle. I think it would be a

1532
01:24:56,080 --> 01:25:00,400
Speaker 3: formidable opponent. Yeah, eminem in his peak, bro, because it

1533
01:25:00,400 --> 01:25:03,960
Speaker 3: would be definitely a lot of rapping in Ronnie Donald Man.

1534
01:25:04,000 --> 01:25:07,160
Speaker 3: As far as the upcoming verses go, Silk the Shaka

1535
01:25:07,280 --> 01:25:09,160
Speaker 3: got twenty on his own, So.

1536
01:25:09,080 --> 01:25:14,120
Speaker 1: What are we talking about?

1537
01:25:14,160 --> 01:25:19,439
Speaker 3: Look about time people shipped on show Get that man

1538
01:25:19,640 --> 01:25:22,639
Speaker 3: his his flowers, the first two Silk albums.

1539
01:25:23,000 --> 01:25:33,880
Speaker 4: I'm telling you for real, be know, I'm telling man, Man, Yeah.

1540
01:25:32,960 --> 01:25:35,840
Speaker 1: Sonny Sonny said, we caught up in nostalgia with no

1541
01:25:35,920 --> 01:25:40,280
Speaker 1: limiting cash money. We're not, bro, call up money. We're not.

1542
01:25:40,600 --> 01:25:45,120
Speaker 1: But we were there, right, we were outside.

1543
01:25:46,560 --> 01:25:49,920
Speaker 2: About everybody sitting on this couch has systems like.

1544
01:25:52,880 --> 01:25:57,880
Speaker 3: I will because I shifted from no limit to cash

1545
01:25:57,960 --> 01:25:59,920
Speaker 3: money did in real time?

1546
01:26:00,280 --> 01:26:04,840
Speaker 1: What were talking about at the Hot boys? Get it?

1547
01:26:04,840 --> 01:26:07,400
Speaker 1: How you live? We all did, y'all?

1548
01:26:07,960 --> 01:26:10,479
Speaker 2: Hey, Yeah, we all saw only God could judge me, man,

1549
01:26:10,560 --> 01:26:12,400
Speaker 2: and we made we made the ship.

1550
01:26:12,520 --> 01:26:12,680
Speaker 1: Bro.

1551
01:26:13,600 --> 01:26:18,960
Speaker 6: Yeah, man, come on, man, man, man shot disrespect.

1552
01:26:19,200 --> 01:26:22,360
Speaker 3: I'm tdy, y'alligas get it?

1553
01:26:22,439 --> 01:26:24,000
Speaker 1: How you live how you live is wrong?

1554
01:26:24,640 --> 01:26:29,360
Speaker 4: Talking about due to knowledge. Man, y'all tripping? Man, damn man,

1555
01:26:29,400 --> 01:26:31,840
Speaker 4: he had that. Man, y'all be respecting that all killed

1556
01:26:31,840 --> 01:26:35,960
Speaker 4: the ship. Shot that was doing that ship before any

1557
01:26:35,960 --> 01:26:39,679
Speaker 4: of these niggas.

1558
01:26:36,720 --> 01:26:40,880
Speaker 3: Do set it off. Set it off, shot saying it off.

1559
01:26:41,880 --> 01:26:44,840
Speaker 3: Stop talking to me, bro, stay cool? What is the

1560
01:26:44,880 --> 01:26:47,559
Speaker 3: double album? Whether second distance better than the first? I

1561
01:26:47,560 --> 01:26:50,160
Speaker 3: think I could possibly make a case for Prince Sign

1562
01:26:50,240 --> 01:26:50,960
Speaker 3: of the Times?

1563
01:26:51,640 --> 01:26:54,120
Speaker 1: Mm hmm double first.

1564
01:26:55,600 --> 01:26:59,479
Speaker 2: Double disc better than our first if there's one, at

1565
01:26:59,520 --> 01:27:02,320
Speaker 2: least not the Off the top of my what.

1566
01:27:02,200 --> 01:27:03,840
Speaker 1: About I'm trying to think it was big Chris.

1567
01:27:03,840 --> 01:27:06,840
Speaker 3: Second this better than because that's the first one I

1568
01:27:06,840 --> 01:27:07,160
Speaker 3: thought of.

1569
01:27:07,200 --> 01:27:08,320
Speaker 1: But no, I don't think.

1570
01:27:08,320 --> 01:27:09,559
Speaker 2: I don't think the second this is better.

1571
01:27:09,640 --> 01:27:11,799
Speaker 1: Not saying that the second this is bad, but definitely

1572
01:27:11,840 --> 01:27:14,040
Speaker 1: not allow me this one is like that that I mean,

1573
01:27:14,120 --> 01:27:14,519
Speaker 1: that's ship.

1574
01:27:14,520 --> 01:27:17,160
Speaker 3: It's just flawless ship.

1575
01:27:17,479 --> 01:27:18,800
Speaker 1: Blue blueprint too.

1576
01:27:19,960 --> 01:27:22,439
Speaker 2: The second disc is not better than the first in

1577
01:27:22,520 --> 01:27:27,960
Speaker 2: my opinion, or not Blueprint too.

1578
01:27:28,600 --> 01:27:34,360
Speaker 1: That's a good one. Can what can hold on?

1579
01:27:34,880 --> 01:27:36,760
Speaker 2: Yeah?

1580
01:27:36,800 --> 01:27:39,000
Speaker 1: That's a good one. Can I think you just named one?

1581
01:27:40,080 --> 01:27:40,280
Speaker 2: Yeah?

1582
01:27:40,360 --> 01:27:46,519
Speaker 1: Hell yeah, I think that this one that's a good one.

1583
01:27:46,840 --> 01:27:49,840
Speaker 1: That's a good one. Can I'm with you Wu Tang forever.

1584
01:27:50,520 --> 01:27:56,680
Speaker 1: I'm trying to think a ball joint the both this

1585
01:27:56,840 --> 01:27:58,840
Speaker 1: was so good. You can't really say which one is

1586
01:27:58,840 --> 01:28:03,360
Speaker 1: better this than uh was lost? No, I can't. I

1587
01:28:03,360 --> 01:28:05,880
Speaker 1: think your name will tank forever. I think that's a

1588
01:28:05,880 --> 01:28:09,400
Speaker 1: good one. That is a good one because I do

1589
01:28:09,479 --> 01:28:11,479
Speaker 1: remember liking this second disc a lot more than the

1590
01:28:11,479 --> 01:28:15,240
Speaker 1: first this when that came out. Yeah, that's a good one,

1591
01:28:16,120 --> 01:28:16,479
Speaker 1: am B.

1592
01:28:16,840 --> 01:28:20,840
Speaker 3: I think I think though, because we have more than one,

1593
01:28:21,080 --> 01:28:24,760
Speaker 3: I think lost is a good one too, So I'm

1594
01:28:24,800 --> 01:28:25,360
Speaker 3: looking at it.

1595
01:28:25,520 --> 01:28:28,720
Speaker 1: So you got three sixty, you got less ride with

1596
01:28:30,520 --> 01:28:31,639
Speaker 1: Coffee Shop with red.

1597
01:28:31,479 --> 01:28:34,080
Speaker 3: Man, you got the pure uncut joint was on this too,

1598
01:28:34,200 --> 01:28:39,639
Speaker 3: yesh ship we were in balling butN my first love

1599
01:28:40,280 --> 01:28:42,360
Speaker 3: wait wait you know and set my homeboys girlfriend?

1600
01:28:42,560 --> 01:28:45,280
Speaker 1: Which one was that on? Damn? My homeboys girlfriend was

1601
01:28:45,320 --> 01:28:48,599
Speaker 1: on on this one? On you I don't want to.

1602
01:28:48,520 --> 01:28:55,920
Speaker 3: Die, so I don't know. I'm sticking with drama in

1603
01:28:55,960 --> 01:28:58,679
Speaker 3: my life. Was on the first that it's.

1604
01:28:58,520 --> 01:29:01,920
Speaker 1: So good that you can't. Yeah, I'm gonna stick with

1605
01:29:01,920 --> 01:29:04,719
Speaker 1: what you said. Favorite. That's my final answer.

1606
01:29:05,200 --> 01:29:10,000
Speaker 3: Yeah, Donaldvan Rappers Delight is a song I would assume

1607
01:29:10,040 --> 01:29:13,240
Speaker 3: everyone has heard rather you like hip hop or not?

1608
01:29:13,680 --> 01:29:15,920
Speaker 3: What hip hop song in the last twenty five years

1609
01:29:15,920 --> 01:29:18,200
Speaker 3: do you think everyone has heard?

1610
01:29:18,720 --> 01:29:26,280
Speaker 1: Not like us? I mean, I mean everyone is definitely

1611
01:29:26,280 --> 01:29:32,360
Speaker 1: a good one. You are absolutely right. I mean.

1612
01:29:35,400 --> 01:29:38,439
Speaker 2: Fifty in the club, in the club, yeah, I think

1613
01:29:38,439 --> 01:29:39,240
Speaker 2: back that ass up.

1614
01:29:40,720 --> 01:29:50,639
Speaker 1: Uh no, twenty five years? Yeah, bro, yeah, no, that's

1615
01:29:50,680 --> 01:29:54,640
Speaker 1: that's twenty five brother, twenty five years. It is two

1616
01:29:54,680 --> 01:29:59,600
Speaker 1: thousand from so in the club. In the club is

1617
01:29:59,640 --> 01:30:04,120
Speaker 1: a go one? Well would that be everybody? Though? Hey y'all? Yeah,

1618
01:30:04,120 --> 01:30:07,240
Speaker 1: I think so. Hey y'all, like, yes, hey, y'all. I

1619
01:30:07,320 --> 01:30:10,599
Speaker 1: like the way you may bro.

1620
01:30:11,400 --> 01:30:14,640
Speaker 2: Definitely everywhere, but not more than a million.

1621
01:30:14,439 --> 01:30:14,680
Speaker 3: I know.

1622
01:30:14,720 --> 01:30:17,120
Speaker 1: But we're just naming songs. I could be both.

1623
01:30:17,680 --> 01:30:27,080
Speaker 4: It's a Soldier Boys Superman. That's funny. Yeah, hey live bro.

1624
01:30:28,200 --> 01:30:30,880
Speaker 1: Yeah, I think we named some good ones. I think

1625
01:30:30,880 --> 01:30:34,519
Speaker 1: we're leaving a lot on the table. I think in

1626
01:30:34,560 --> 01:30:36,120
Speaker 1: the Club is underenial like that.

1627
01:30:36,880 --> 01:30:40,680
Speaker 2: Yeah, yeah, everybody.

1628
01:30:41,360 --> 01:30:45,760
Speaker 1: It's probably one of the most popular songs. Everybody's singing that.

1629
01:30:47,520 --> 01:30:49,439
Speaker 1: It's the most noticeable song out of all of them.

1630
01:30:49,439 --> 01:30:49,880
Speaker 1: I think.

1631
01:30:51,680 --> 01:30:53,840
Speaker 3: I was gonna say blow the Whistle by too short,

1632
01:30:54,040 --> 01:30:55,920
Speaker 3: but I don't club.

1633
01:30:56,560 --> 01:31:01,000
Speaker 2: Yeah, you don't one that A lot of people know,

1634
01:31:01,160 --> 01:31:02,280
Speaker 2: even white folks.

1635
01:31:03,240 --> 01:31:09,600
Speaker 1: Uh, slow motion they do the Soldier slim Man they like.

1636
01:31:09,720 --> 01:31:12,639
Speaker 1: People know that fucking song. Yes, in the club though,

1637
01:31:13,640 --> 01:31:15,880
Speaker 1: in the club my shirt is right, No, no, I'm

1638
01:31:15,880 --> 01:31:17,560
Speaker 1: talking about it is it is? It is when you

1639
01:31:17,600 --> 01:31:19,599
Speaker 1: put it in the club. No, no, no, no, no, it's

1640
01:31:19,640 --> 01:31:21,960
Speaker 1: not that. But no, no, people know that ship. Someone

1641
01:31:21,960 --> 01:31:23,839
Speaker 1: said numbers, it's.

1642
01:31:23,920 --> 01:31:29,640
Speaker 2: Than twenty five. I think this is actually a good convoy.

1643
01:31:29,880 --> 01:31:34,120
Speaker 2: I mean yeah, yeah, like, hey, B marked that one

1644
01:31:34,120 --> 01:31:35,920
Speaker 2: because I feel we're leaving a lot.

1645
01:31:36,000 --> 01:31:38,439
Speaker 1: Yeah, we are leaving a lot of songs on the table.

1646
01:31:38,760 --> 01:31:39,560
Speaker 1: Let me screenshot.

1647
01:31:39,880 --> 01:31:41,080
Speaker 3: There's a lot of songs.

1648
01:31:41,120 --> 01:31:44,680
Speaker 1: I Got You, I Got You, And we're on the

1649
01:31:44,720 --> 01:31:45,680
Speaker 1: last one. All right.

1650
01:31:46,640 --> 01:31:51,760
Speaker 3: Who's the biggest crossover head to not sell out?

1651
01:31:52,120 --> 01:31:55,559
Speaker 1: Oh that's good, big big cross over head to not.

1652
01:31:55,760 --> 01:31:59,120
Speaker 3: Sell out outside of Kendrick because he hasn't sold out.

1653
01:31:59,160 --> 01:32:02,320
Speaker 1: I don't think j Cole sold out. But did he

1654
01:32:02,400 --> 01:32:04,800
Speaker 1: cross over? I think so. I mean he he had

1655
01:32:04,920 --> 01:32:08,200
Speaker 1: like some of the biggest records with no features and

1656
01:32:08,200 --> 01:32:10,280
Speaker 1: all this stuff. But when you say not out, like

1657
01:32:10,320 --> 01:32:11,599
Speaker 1: what do you what do you? What? What? What?

1658
01:32:11,600 --> 01:32:12,840
Speaker 3: What are we defined.

1659
01:32:12,520 --> 01:32:16,120
Speaker 2: Didn't lose his I didn't lose their identity like like,

1660
01:32:16,280 --> 01:32:19,559
Speaker 2: but but also selling out means that you've made other

1661
01:32:19,720 --> 01:32:23,479
Speaker 2: songs to become more popular, and j Cole did that.

1662
01:32:24,840 --> 01:32:26,599
Speaker 4: Yeah, but it didn't feel like a selling out thing.

1663
01:32:26,680 --> 01:32:30,040
Speaker 4: It's like he's very identic like selling.

1664
01:32:29,680 --> 01:32:32,280
Speaker 1: Out and I'm just speaking from my experiences. I was,

1665
01:32:32,439 --> 01:32:35,080
Speaker 1: I was. I witnessed this ship was when Naves made

1666
01:32:35,080 --> 01:32:37,479
Speaker 1: the song with wine, Like when.

1667
01:32:37,360 --> 01:32:42,600
Speaker 12: He made that ship, I was like, everybody was like this,

1668
01:32:43,400 --> 01:32:47,879
Speaker 12: yeah when.

1669
01:32:47,720 --> 01:32:51,880
Speaker 1: He made that ship, bro, Yeah, niggas was like sold out.

1670
01:32:54,000 --> 01:32:56,280
Speaker 4: I don't know how they did it, but they did

1671
01:32:56,320 --> 01:33:01,000
Speaker 4: it outcasts. They were able to cross over without Yeah.

1672
01:33:01,240 --> 01:33:04,040
Speaker 4: They was like they naturally evolved, you know what I'm saying.

1673
01:33:04,080 --> 01:33:06,880
Speaker 4: It didn't feel like they were selling out. He made hey, y'all.

1674
01:33:07,920 --> 01:33:10,120
Speaker 2: That would typically anybody that did some ship like that

1675
01:33:10,120 --> 01:33:11,760
Speaker 2: that would that would seem like it would be the

1676
01:33:11,800 --> 01:33:12,559
Speaker 2: sellout moment.

1677
01:33:12,800 --> 01:33:15,400
Speaker 1: But it was. It was authentic. It was an authentic

1678
01:33:15,479 --> 01:33:18,360
Speaker 1: different ship. He didn't know ship, think on you. That's

1679
01:33:18,360 --> 01:33:20,120
Speaker 1: I think that's kind of why. I think that's kind

1680
01:33:20,160 --> 01:33:20,320
Speaker 1: of why.

1681
01:33:20,400 --> 01:33:23,120
Speaker 4: Yeah, so I think did a really good job at

1682
01:33:23,160 --> 01:33:25,519
Speaker 4: crossing over without selling out because I mean, these are

1683
01:33:25,600 --> 01:33:29,000
Speaker 4: these niggas from East Point College Park and got songs

1684
01:33:29,040 --> 01:33:29,559
Speaker 4: like hey.

1685
01:33:29,439 --> 01:33:32,280
Speaker 1: Y'all, she's talking about evolution. What about Tyler Creator.

1686
01:33:33,360 --> 01:33:36,880
Speaker 3: I think he's a good one. Yeah, it doesn't like

1687
01:33:37,840 --> 01:33:40,160
Speaker 3: they were they were, they were trying to cancel him

1688
01:33:40,200 --> 01:33:41,439
Speaker 3: before counseling was a thing.

1689
01:33:41,600 --> 01:33:48,200
Speaker 1: Yeah, that Tyler. Yes, they tried to get to get

1690
01:33:48,280 --> 01:33:50,839
Speaker 1: him out of here, because even.

1691
01:33:50,600 --> 01:33:52,080
Speaker 2: Back then he was talking about, Yeah, I wanted to

1692
01:33:52,120 --> 01:33:53,800
Speaker 2: win a Grammy, and I remember I'm all record, ya

1693
01:33:53,840 --> 01:33:56,120
Speaker 2: could go back and go watch it, and I was like,

1694
01:33:56,680 --> 01:33:59,080
Speaker 2: doing that, you're not gonna win no damn Grammy. But

1695
01:33:59,160 --> 01:34:02,679
Speaker 2: he definitely artist, and I don't feel like he sold

1696
01:34:02,720 --> 01:34:03,160
Speaker 2: out at all.

1697
01:34:03,600 --> 01:34:04,320
Speaker 1: He just made.

1698
01:34:05,880 --> 01:34:08,080
Speaker 3: Yep a good one.

1699
01:34:08,080 --> 01:34:10,559
Speaker 4: Actually, I'll give you one more, Lil Wayne. I don't

1700
01:34:10,560 --> 01:34:13,000
Speaker 4: think he sold out, No, he did it. I think

1701
01:34:13,040 --> 01:34:14,400
Speaker 4: he just got bad.

1702
01:34:14,760 --> 01:34:19,120
Speaker 2: True, And I think what crossed him over was the

1703
01:34:19,160 --> 01:34:23,400
Speaker 2: mixtape era, jumping on everybody's hot ass beats. So it's

1704
01:34:23,439 --> 01:34:26,639
Speaker 2: like his his version was hotter than yours. So yeah,

1705
01:34:26,640 --> 01:34:28,680
Speaker 2: he did. He didn't sell out. Yeah, he didn't sell out.

1706
01:34:28,680 --> 01:34:30,760
Speaker 4: It's interesting. I never thought about that. That's that's that's

1707
01:34:30,760 --> 01:34:32,679
Speaker 4: an interesting question. That is a good question.

1708
01:34:33,040 --> 01:34:33,559
Speaker 1: I love it.

1709
01:34:33,680 --> 01:34:35,040
Speaker 3: We probably could revisit that too.

1710
01:34:35,160 --> 01:34:37,479
Speaker 2: It's probably more than There's a lot on the table

1711
01:34:37,479 --> 01:34:37,880
Speaker 2: on that one.

1712
01:34:38,960 --> 01:34:40,280
Speaker 1: He said, Wayne definitely sold out.

1713
01:34:40,280 --> 01:34:41,760
Speaker 3: I don't think what what.

1714
01:34:42,320 --> 01:34:44,320
Speaker 1: Do you do? I'm not a human being.

1715
01:34:45,320 --> 01:34:48,639
Speaker 2: The he just wanted to try something different. I don't

1716
01:34:48,640 --> 01:34:50,400
Speaker 2: think he sold out. I think he just.

1717
01:34:50,640 --> 01:34:51,240
Speaker 1: Got bad.

1718
01:34:52,840 --> 01:34:54,360
Speaker 3: And it didn't make him more popular.

1719
01:34:54,520 --> 01:34:56,719
Speaker 1: Yeah, no, it didn't. He didn't.

1720
01:34:56,720 --> 01:34:59,960
Speaker 2: He didn't seem like like the like his current concert

1721
01:35:00,080 --> 01:35:01,920
Speaker 2: when people were going and I didn't even know he

1722
01:35:02,000 --> 01:35:02,920
Speaker 2: was you know he was here.

1723
01:35:03,160 --> 01:35:05,439
Speaker 1: I know he was here. He was here. Wow.

1724
01:35:05,760 --> 01:35:08,200
Speaker 2: You know I've seen people like posting clicks where he's

1725
01:35:08,240 --> 01:35:10,320
Speaker 2: doing all this hard rocking. They was like, bro, like

1726
01:35:10,360 --> 01:35:12,840
Speaker 2: I bought this, but this.

1727
01:35:12,760 --> 01:35:14,639
Speaker 1: Is what they wanted to do in the Super super Bowl.

1728
01:35:14,760 --> 01:35:15,439
Speaker 3: You know what I'm saying?

1729
01:35:15,840 --> 01:35:15,960
Speaker 1: Bro?

1730
01:35:16,400 --> 01:35:19,640
Speaker 2: Would y'all say what tangs on out? I feel like

1731
01:35:20,840 --> 01:35:23,840
Speaker 2: where I feel like I feel like they kind.

1732
01:35:23,720 --> 01:35:26,200
Speaker 4: Of because because you got O dB on the Riah

1733
01:35:26,200 --> 01:35:28,040
Speaker 4: O d D still was O d B. He still

1734
01:35:28,120 --> 01:35:31,280
Speaker 4: was gutter like like he was still gun on the.

1735
01:35:31,240 --> 01:35:35,760
Speaker 1: Mariah carry ye crazy, Yeah you carry you still be

1736
01:35:35,880 --> 01:35:36,760
Speaker 1: sucking gutt as hell?

1737
01:35:37,200 --> 01:35:41,200
Speaker 2: Yeah yeah, yeah, So yeah, who's saying good, they're good,

1738
01:35:42,120 --> 01:35:42,599
Speaker 2: They're good.

1739
01:35:43,080 --> 01:35:47,160
Speaker 1: All right, all right, that's all right, cool man.

1740
01:35:47,200 --> 01:35:50,120
Speaker 4: Look man, this was an interesting live you know what

1741
01:35:50,160 --> 01:35:52,960
Speaker 4: I'm saying Like this, this really got our temperatures up.

1742
01:35:54,040 --> 01:35:57,519
Speaker 4: I guess I'm hoping that it's pushing us to do

1743
01:35:57,600 --> 01:36:02,120
Speaker 4: our own list slash list, so you know, stuff won't

1744
01:36:02,160 --> 01:36:03,400
Speaker 4: be in the history books.

1745
01:36:03,680 --> 01:36:05,040
Speaker 1: That's on some bullship.

1746
01:36:05,760 --> 01:36:08,360
Speaker 4: But but yeah, man, picture, yeah, they wound out on

1747
01:36:08,400 --> 01:36:10,760
Speaker 4: this one. Man, this this this is crazy. This is

1748
01:36:10,800 --> 01:36:14,600
Speaker 4: absolutely nuts. But but rage bait probably is what it

1749
01:36:14,720 --> 01:36:17,880
Speaker 4: what it was like, Like I can't agree with that.

1750
01:36:18,000 --> 01:36:21,120
Speaker 4: That was crazy, like it started out with with doggie stylists.

1751
01:36:21,400 --> 01:36:23,240
Speaker 2: I would have liked to have been a fly on the

1752
01:36:23,280 --> 01:36:26,120
Speaker 2: wall one day we're having the meeting of creating this,

1753
01:36:26,400 --> 01:36:30,479
Speaker 2: because that's the only way to describe putting at doggy

1754
01:36:30,560 --> 01:36:33,559
Speaker 2: style number one. That's the only way. There's no other

1755
01:36:33,600 --> 01:36:34,479
Speaker 2: way to describe that.

1756
01:36:34,600 --> 01:36:40,120
Speaker 1: It was like there definitely.

1757
01:36:41,160 --> 01:36:45,200
Speaker 3: Get the fun out right, Yeah, Sonny, you know the thumbnail.

1758
01:36:45,880 --> 01:36:46,559
Speaker 3: Yeah you.

1759
01:36:48,200 --> 01:36:50,400
Speaker 2: Must have saw the list that because that's the only

1760
01:36:50,439 --> 01:36:51,880
Speaker 2: way he had like that.

1761
01:36:52,040 --> 01:36:54,960
Speaker 4: He had he had to but no, man, it was

1762
01:36:55,040 --> 01:36:59,599
Speaker 4: fun to kind of go through this and and dismantled like, yeah, yeah,

1763
01:36:59,600 --> 01:37:02,280
Speaker 4: I'm glad nobody looked at it like I didn't. I

1764
01:37:02,320 --> 01:37:04,360
Speaker 4: thought maybe I was the only one that that had

1765
01:37:04,479 --> 01:37:06,280
Speaker 4: looked at it, But y'all had looked at it, so

1766
01:37:06,680 --> 01:37:07,360
Speaker 4: that made it fun.

1767
01:37:07,439 --> 01:37:08,439
Speaker 1: I think that made it fun.

1768
01:37:08,840 --> 01:37:10,880
Speaker 2: But I mean, thank y'all for always coming through, man

1769
01:37:10,920 --> 01:37:15,840
Speaker 2: now being insterestentic times on Wednesdays here and like I said,

1770
01:37:15,840 --> 01:37:17,400
Speaker 2: make sure you get here early and ship these days,

1771
01:37:17,400 --> 01:37:19,720
Speaker 2: you got to get in an extra early because we

1772
01:37:20,080 --> 01:37:21,439
Speaker 2: we on before time.

1773
01:37:21,640 --> 01:37:25,680
Speaker 3: What's yeah, Miter Town's The Marvel Zombies review will be

1774
01:37:25,760 --> 01:37:30,639
Speaker 3: on Frames per Second Patreon tomorrow and live everywhere Friday.

1775
01:37:31,560 --> 01:37:35,080
Speaker 2: Yeah, all right, cool, but I'm yeah, think again. Thank

1776
01:37:35,160 --> 01:37:37,160
Speaker 2: y'all again for coming through. Any any last words from

1777
01:37:37,200 --> 01:37:40,080
Speaker 2: y'all before we get up out of here, Uh peece

1778
01:37:40,120 --> 01:37:41,040
Speaker 2: God blessing, good night.

1779
01:37:41,920 --> 01:37:43,599
Speaker 1: All right, that's good. All right man. We see y'all

1780
01:37:43,640 --> 01:37:44,800
Speaker 1: next time. Peace. Peace.

1781
01:37:45,920 --> 01:37:49,599
Speaker 3: Somebody said that Lis is gonna be trash they never

1782
01:37:49,640 --> 01:37:52,439
Speaker 3: heard of all right, brick bick brick flair.

1783
01:37:53,040 --> 01:37:54,040
Speaker 1: We'll see h