1 00:00:04,280 --> 00:00:08,320 Speaker 1: What up, everybody, and welcome to another episode of Dad 2 00:00:08,440 --> 00:00:10,480 Speaker 1: in Hip Hop, Dad in Hip Hop Conversations. 3 00:00:10,520 --> 00:00:14,000 Speaker 2: My name is Kennedy and that's right. Join on the show. 4 00:00:14,320 --> 00:00:16,079 Speaker 2: Busy Folk three zero. 5 00:00:16,520 --> 00:00:21,080 Speaker 1: What we got Rod, we got a guest We got 6 00:00:21,079 --> 00:00:25,880 Speaker 1: a guest man wh Yes they for those of you 7 00:00:25,920 --> 00:00:29,880 Speaker 1: that watched the No Limit Joint, Yeah, he on deck 8 00:00:30,680 --> 00:00:34,560 Speaker 1: q QB. What they were on there that we didn't here? Man, 9 00:00:36,120 --> 00:00:37,720 Speaker 1: A lot of people seen him. We had that clip 10 00:00:37,800 --> 00:00:38,800 Speaker 1: go crazy. 11 00:00:38,479 --> 00:00:43,199 Speaker 3: Man that over a million views on social over a million. 12 00:00:43,000 --> 00:00:46,000 Speaker 1: So so real quick, yeah, just give another rundown of like, 13 00:00:46,240 --> 00:00:48,919 Speaker 1: you know everything that you do you got going on? 14 00:00:49,120 --> 00:00:52,040 Speaker 3: Yeah, So my name is j Rid Young cam Me 15 00:00:52,159 --> 00:00:55,240 Speaker 3: Rid Jay. It don't matter. But I have a YouTube 16 00:00:55,320 --> 00:00:57,920 Speaker 3: channel called YouTube dot com slash at Resview. 17 00:00:57,960 --> 00:01:00,920 Speaker 4: That's my podcast. I started doing that some years ago. 18 00:01:01,000 --> 00:01:04,120 Speaker 3: Man actually influenced by y'all because when I first moved 19 00:01:04,160 --> 00:01:07,119 Speaker 3: to Atlanta, I'm originally from Alabama, went to Jackson State 20 00:01:07,400 --> 00:01:09,240 Speaker 3: and then I ended up moving out here with my 21 00:01:09,240 --> 00:01:11,440 Speaker 3: partners and stuff that we did that show with, and 22 00:01:11,480 --> 00:01:14,959 Speaker 3: then I had ended up doing like a podcast. I 23 00:01:15,000 --> 00:01:17,319 Speaker 3: started it like in twenty sixteen, then started working on 24 00:01:17,360 --> 00:01:19,840 Speaker 3: more music. Then came back in twenty eighteen and then 25 00:01:19,959 --> 00:01:23,120 Speaker 3: just kept going and then yeah, I've been doing that. 26 00:01:23,160 --> 00:01:26,720 Speaker 3: I do a live stream every week at least every 27 00:01:26,760 --> 00:01:29,160 Speaker 3: week or every other week, and then just recorded and stuff. 28 00:01:29,440 --> 00:01:31,920 Speaker 3: And then I also have the who Gave You A Podcast? 29 00:01:31,959 --> 00:01:34,840 Speaker 3: We just started that back in April and that's been 30 00:01:34,880 --> 00:01:36,000 Speaker 3: going crazy. 31 00:01:35,680 --> 00:01:39,119 Speaker 4: Especially on social media. Those clips have been Wow. 32 00:01:39,600 --> 00:01:42,880 Speaker 3: I'm a hip hop recording artist as well, so yeah, 33 00:01:42,880 --> 00:01:45,559 Speaker 3: my stuff is on iTunes, Apple Music, all that stuff. 34 00:01:45,600 --> 00:01:48,120 Speaker 3: So yeah, man, I'm just out here grinding out here. 35 00:01:48,480 --> 00:01:51,920 Speaker 3: You know, I'm a DJ as well, djj read. You 36 00:01:51,920 --> 00:01:54,720 Speaker 3: can catch me DJing and spending all over Atlanta and 37 00:01:54,720 --> 00:01:57,120 Speaker 3: stuff like that. Man, So yeah, I'll be trying to 38 00:01:57,400 --> 00:02:00,480 Speaker 3: I just shot a short film I act just the 39 00:02:00,520 --> 00:02:01,680 Speaker 3: whole not you know what I'm saying. 40 00:02:05,200 --> 00:02:09,280 Speaker 1: Damn, I'm interested to hear what his uh best albums 41 00:02:09,280 --> 00:02:14,320 Speaker 1: of October with me? Yeah yeah, yeah, yeah, all right, man, 42 00:02:14,440 --> 00:02:15,359 Speaker 1: let's get into it. 43 00:02:16,040 --> 00:02:19,200 Speaker 2: People like these this video keep it going. 44 00:02:19,440 --> 00:02:21,720 Speaker 5: They be trying to be because they be they want 45 00:02:21,720 --> 00:02:24,480 Speaker 5: to know, bro, they want people tell them to listen. 46 00:02:24,680 --> 00:02:24,960 Speaker 6: Yeah. 47 00:02:25,040 --> 00:02:28,160 Speaker 1: Yeah, you know, it's like it's like it's fun to 48 00:02:28,240 --> 00:02:30,680 Speaker 1: talk about the mess and the news and all the 49 00:02:30,720 --> 00:02:35,440 Speaker 1: other stuff, but at the core of what all of 50 00:02:35,480 --> 00:02:37,679 Speaker 1: this is, while we're here, while we're together, I was 51 00:02:37,680 --> 00:02:39,960 Speaker 1: about the music, man, So I was about the music. 52 00:02:39,960 --> 00:02:42,800 Speaker 1: So home, I like doing this show. So b I'm 53 00:02:42,960 --> 00:02:45,120 Speaker 1: start off with no no, no, I'm gonna go with. 54 00:02:45,440 --> 00:02:48,840 Speaker 2: The guests first. Go to the guests first. What's what 55 00:02:48,960 --> 00:02:49,600 Speaker 2: you got? 56 00:02:49,760 --> 00:02:50,560 Speaker 4: So what I got? 57 00:02:50,600 --> 00:02:50,799 Speaker 7: Man? 58 00:02:51,560 --> 00:02:54,639 Speaker 3: And the reason I'm naming these two albums because I 59 00:02:54,720 --> 00:02:55,800 Speaker 3: just got two of them. 60 00:02:56,400 --> 00:02:59,480 Speaker 2: But just give us one and then we'll get got you. 61 00:02:59,560 --> 00:03:05,520 Speaker 3: So I'm gonna start with Mob Deep Infinite this part 62 00:03:05,639 --> 00:03:08,880 Speaker 3: get my reason all that, right? Yeah, So, so I'm 63 00:03:08,919 --> 00:03:12,160 Speaker 3: not what you call a mob Deep fan actually had 64 00:03:12,160 --> 00:03:15,919 Speaker 3: a video. I ain't gonna call myself a mob defense, 65 00:03:15,960 --> 00:03:18,000 Speaker 3: but I respect him. And see when I say that, 66 00:03:18,000 --> 00:03:19,880 Speaker 3: I don't want people to say, oh, hey, trash never 67 00:03:19,919 --> 00:03:24,080 Speaker 3: said that, but I had We had what a. 68 00:03:25,960 --> 00:03:28,080 Speaker 2: Boy? Yeah? 69 00:03:28,440 --> 00:03:30,720 Speaker 4: So yeah, man, I like since it came out. 70 00:03:30,720 --> 00:03:32,519 Speaker 3: I loved when nas is doing with mass Appeal and 71 00:03:32,560 --> 00:03:35,000 Speaker 3: everything like that, and I just got to really just 72 00:03:35,040 --> 00:03:38,600 Speaker 3: sit in lock in. I saw Havoc video before uh, 73 00:03:38,680 --> 00:03:40,080 Speaker 3: the the album came out. 74 00:03:40,120 --> 00:03:41,160 Speaker 4: The interview. 75 00:03:41,160 --> 00:03:44,320 Speaker 3: He didn't Breakfast Club, so we just I was appreciating 76 00:03:44,320 --> 00:03:46,760 Speaker 3: the production on it, just how balanced it was, and 77 00:03:46,800 --> 00:03:50,800 Speaker 3: I'm just a fan of how Nas is executive producing everything. 78 00:03:51,640 --> 00:03:55,200 Speaker 3: But I did like the tracks, like hearing Prodigy's voice 79 00:03:55,200 --> 00:03:57,880 Speaker 3: even though you know he's been going for some years now, man. 80 00:03:58,960 --> 00:04:01,840 Speaker 3: So but I really love of that clips joint, the 81 00:04:01,880 --> 00:04:04,640 Speaker 3: clips joint that they have on there, Like it's nice. 82 00:04:05,080 --> 00:04:07,640 Speaker 3: And I was trying to decipher which one was, like 83 00:04:07,720 --> 00:04:11,840 Speaker 3: Malice and Malice and push you they had you know, 84 00:04:11,840 --> 00:04:14,120 Speaker 3: they were trading bars because and that threw me off 85 00:04:14,120 --> 00:04:16,520 Speaker 3: because I was just expecting to hear verse, you know, versus, 86 00:04:16,760 --> 00:04:20,000 Speaker 3: but they were just you know what I'm saying. Yeah, 87 00:04:20,040 --> 00:04:22,640 Speaker 3: So it really just worked out, and like I just 88 00:04:22,680 --> 00:04:24,560 Speaker 3: hadn't heard a track like that in a minute. They 89 00:04:24,600 --> 00:04:27,440 Speaker 3: were doing some Jada and styles type of stuff, you 90 00:04:27,480 --> 00:04:29,920 Speaker 3: know what I'm saying. So yeah, so I really did 91 00:04:29,960 --> 00:04:33,520 Speaker 3: dig that, and I didn't listen to the whole thing, 92 00:04:33,960 --> 00:04:35,440 Speaker 3: but that was one of the ones I was trying 93 00:04:35,480 --> 00:04:37,400 Speaker 3: to lock in on because I just been bouncing around 94 00:04:37,720 --> 00:04:38,440 Speaker 3: and stuff like that. 95 00:04:38,480 --> 00:04:39,479 Speaker 4: So that was the first one. 96 00:04:39,640 --> 00:04:42,039 Speaker 2: Okay, all right, yeah, what you got right? 97 00:04:42,279 --> 00:04:45,159 Speaker 6: I heard y'all talking about it off camera that y'all 98 00:04:45,160 --> 00:04:48,360 Speaker 6: hadn't listened to it. Yeah, but west Side. 99 00:04:49,240 --> 00:04:53,280 Speaker 8: Yeah, I mean it's just it's same on West Side 100 00:04:53,320 --> 00:04:58,200 Speaker 8: really man, like it's super solid. Had some really good 101 00:04:58,240 --> 00:05:01,400 Speaker 8: features on the BENNI dropped good feature. 102 00:05:00,360 --> 00:05:03,599 Speaker 6: The stove Guy. 103 00:05:03,720 --> 00:05:08,479 Speaker 5: You heard the Stove ye, so I know, man, I 104 00:05:08,520 --> 00:05:09,200 Speaker 5: know stove Guy. 105 00:05:09,279 --> 00:05:13,159 Speaker 6: Bro come on now Yeah, wrong streets and the dude 106 00:05:13,520 --> 00:05:14,159 Speaker 6: brother Tom. 107 00:05:14,360 --> 00:05:15,039 Speaker 7: Okay, he was on. 108 00:05:15,160 --> 00:05:16,880 Speaker 2: He was on, He was on. He was on a 109 00:05:16,920 --> 00:05:17,960 Speaker 2: lot of it was on a lot. 110 00:05:17,800 --> 00:05:19,359 Speaker 7: Of I think he was too, he was on. He 111 00:05:19,440 --> 00:05:21,800 Speaker 7: was featuring on that, Okay, he was. 112 00:05:21,880 --> 00:05:29,880 Speaker 6: He kind of closed it out outside of that even talking. Yeah, yeah, man, 113 00:05:29,880 --> 00:05:31,200 Speaker 6: it was good man, it was super solid. 114 00:05:31,279 --> 00:05:33,360 Speaker 8: And then and then I don't know if you have 115 00:05:33,480 --> 00:05:38,159 Speaker 8: something music yeah, oh w yeah. 116 00:05:39,720 --> 00:05:39,960 Speaker 2: Yeah. 117 00:05:40,680 --> 00:05:45,120 Speaker 8: Whole career as a man, wrestling man in putting it 118 00:05:45,279 --> 00:05:47,080 Speaker 8: cland but now they break, you. 119 00:05:47,040 --> 00:05:49,760 Speaker 2: Know, yeah, you gotta take that shut out. 120 00:05:50,480 --> 00:05:51,320 Speaker 6: He said he's done. 121 00:05:52,760 --> 00:05:55,120 Speaker 8: This might be the last time we Yeah, you know 122 00:05:55,160 --> 00:05:58,960 Speaker 8: what I'm saying, Like wrestling references in an album. 123 00:05:58,480 --> 00:06:01,480 Speaker 6: Like that, you know, you know he has his own 124 00:06:02,000 --> 00:06:03,200 Speaker 6: fourth rope. 125 00:06:04,040 --> 00:06:04,960 Speaker 4: Like rich promotion. 126 00:06:05,120 --> 00:06:08,320 Speaker 8: Oh yeah, yeah, yeah, you know, probably used people from that, 127 00:06:09,279 --> 00:06:10,440 Speaker 8: none of the classic people. 128 00:06:10,960 --> 00:06:13,360 Speaker 6: Yeah, it'd be interesting to see. 129 00:06:13,120 --> 00:06:15,560 Speaker 8: How he does this if they apologize or whatever, they 130 00:06:15,680 --> 00:06:16,280 Speaker 8: work something out. 131 00:06:16,360 --> 00:06:18,080 Speaker 6: But that's right now. 132 00:06:18,240 --> 00:06:21,760 Speaker 5: I don't think they b what you got my first one. 133 00:06:21,800 --> 00:06:25,000 Speaker 5: He took my first one, actually my deep infinite Yeah, because. 134 00:06:26,320 --> 00:06:26,960 Speaker 2: We did it. 135 00:06:27,839 --> 00:06:31,720 Speaker 7: Yeah reviewed it. 136 00:06:32,760 --> 00:06:34,919 Speaker 5: Oh yeah no that that was still one of my 137 00:06:34,960 --> 00:06:37,000 Speaker 5: favorite albums for the month of October. 138 00:06:37,000 --> 00:06:40,440 Speaker 7: Man, I still play that ship today, that that joint if. 139 00:06:40,480 --> 00:06:42,680 Speaker 5: Like I said, it felt like Prijory was still would 140 00:06:42,720 --> 00:06:45,000 Speaker 5: us bro like they captured the. 141 00:06:45,080 --> 00:06:47,400 Speaker 7: Mob deep essence with that album. Man, for them to 142 00:06:47,400 --> 00:06:49,560 Speaker 7: pull that off will prod you being being gone. 143 00:06:50,080 --> 00:06:52,360 Speaker 5: That ship was crazy. He had crazy verses from Ghosts 144 00:06:52,360 --> 00:06:55,520 Speaker 5: and Ray Niles did his thing. Like you said, you 145 00:06:55,520 --> 00:06:58,080 Speaker 5: mentioned the Cliffs joint, man, like you need to finish 146 00:06:58,120 --> 00:07:00,880 Speaker 5: listen to the album. Yeah, I believe you didn't finish it, 147 00:07:00,920 --> 00:07:03,279 Speaker 5: like you gotta finish that album, man. So it was 148 00:07:03,320 --> 00:07:06,400 Speaker 5: that's my first joint I'm bringing for October. 149 00:07:07,160 --> 00:07:11,240 Speaker 1: All right, Man, I got I got like an I 150 00:07:11,280 --> 00:07:13,200 Speaker 1: don't know. I'm gonna save what I think is the 151 00:07:13,200 --> 00:07:18,200 Speaker 1: best for last. Uh. This is this is a really 152 00:07:18,280 --> 00:07:21,560 Speaker 1: good man. So I have like five, so I'm trying 153 00:07:21,600 --> 00:07:23,920 Speaker 1: to do you got five, I know, but I'm gonna 154 00:07:23,920 --> 00:07:25,440 Speaker 1: do some out of them. I'm trying to figure out 155 00:07:25,480 --> 00:07:29,880 Speaker 1: which what monole mentions are. But Jason Martin and Mike 156 00:07:29,960 --> 00:07:34,480 Speaker 1: and Keys, it's called Mafia Mafia something. 157 00:07:34,600 --> 00:07:37,320 Speaker 2: It's like this, Yeah, this Jason Martin. 158 00:07:37,320 --> 00:07:38,280 Speaker 7: You said, Mike and Keys. 159 00:07:38,320 --> 00:07:41,560 Speaker 1: I'm like, they've been really active this year. 160 00:07:41,880 --> 00:07:44,480 Speaker 2: But this one is really really good. 161 00:07:44,600 --> 00:07:47,640 Speaker 1: Mike and Keys did a really good job in terms 162 00:07:47,640 --> 00:07:52,600 Speaker 1: of the production on this joint and it's called Mafia Cafe. 163 00:07:52,480 --> 00:07:55,840 Speaker 5: Production on thursdjoint on some of that thursdlast album Mike 164 00:07:55,880 --> 00:07:56,360 Speaker 5: and Keys. 165 00:07:56,440 --> 00:07:59,920 Speaker 1: Yeah, man, twenty minutes long choice. This is really dope 166 00:08:00,080 --> 00:08:03,320 Speaker 1: that the story on that is really really dope. I 167 00:08:03,360 --> 00:08:05,640 Speaker 1: can't tell when they learned it's dope. 168 00:08:06,040 --> 00:08:06,280 Speaker 2: Nah. 169 00:08:06,320 --> 00:08:09,200 Speaker 1: This this was a late entry, but this was this 170 00:08:09,320 --> 00:08:12,120 Speaker 1: was really good by them, uh, because they've done two 171 00:08:12,160 --> 00:08:15,120 Speaker 1: projects with him this year. It was another one had 172 00:08:15,120 --> 00:08:18,080 Speaker 1: a white cover on it. That one was okay, I 173 00:08:18,080 --> 00:08:21,840 Speaker 1: didn't I didn't. Oh yeah, hit Dog on Hollow. But 174 00:08:22,080 --> 00:08:25,600 Speaker 1: this Jason Martin cat is interesting to me. He's he's 175 00:08:25,600 --> 00:08:28,440 Speaker 1: on my watch list, you know, from out West. But 176 00:08:28,520 --> 00:08:29,120 Speaker 1: this was the one. 177 00:08:29,120 --> 00:08:30,640 Speaker 2: I was like, is he on death Row? 178 00:08:31,440 --> 00:08:34,280 Speaker 1: I don't know, I don't know, but he's he's I've 179 00:08:34,280 --> 00:08:35,880 Speaker 1: been noticing on a lot of features. 180 00:08:36,000 --> 00:08:38,960 Speaker 2: Problem, that's problem. He changed his name. 181 00:08:39,280 --> 00:08:40,079 Speaker 7: Yeah, that's problem. 182 00:08:40,200 --> 00:08:41,040 Speaker 2: Oh wow. 183 00:08:42,559 --> 00:08:48,440 Speaker 1: Really yeah, ship never minded that's why that's problem. 184 00:08:48,600 --> 00:08:50,000 Speaker 2: Bro. When did that happen? 185 00:08:50,960 --> 00:08:53,640 Speaker 7: Must have been recently. Yeah, it is a problem. 186 00:08:53,720 --> 00:08:53,920 Speaker 1: Man. 187 00:08:54,400 --> 00:08:57,080 Speaker 7: When you said Jason brow was like Jason Martin. 188 00:08:57,160 --> 00:08:58,560 Speaker 2: I was like, sound crazy. 189 00:08:58,800 --> 00:09:02,480 Speaker 5: I was like, I think that's I think that's problem. 190 00:09:02,840 --> 00:09:05,559 Speaker 2: It must be because it's all one word. But it's 191 00:09:05,679 --> 00:09:09,280 Speaker 2: like the the J and the LM are capitalized. 192 00:09:09,320 --> 00:09:12,080 Speaker 7: I think he just changes, like maybe like a year ago. 193 00:09:12,160 --> 00:09:17,800 Speaker 2: Probably me too, because I Bro, I thought he was. 194 00:09:19,000 --> 00:09:21,680 Speaker 7: I was like you saying that. I'm like, I'm thinking, like. 195 00:09:21,720 --> 00:09:25,719 Speaker 5: Can you I do know, Jason, but when he saw 196 00:09:25,720 --> 00:09:27,840 Speaker 5: when he was rapping you didn't you went like, oh man, 197 00:09:27,880 --> 00:09:29,599 Speaker 5: that this can't sounds somewhat. 198 00:09:29,320 --> 00:09:33,880 Speaker 1: Familiar, no problem, problems been around for it, Yeah yeah 199 00:09:33,960 --> 00:09:35,520 Speaker 1: for yeah, bro. 200 00:09:35,559 --> 00:09:37,200 Speaker 7: This is kind of like him reinventing himself. 201 00:09:37,200 --> 00:09:37,360 Speaker 1: Bro. 202 00:09:37,679 --> 00:09:41,040 Speaker 2: Okay, damn he got DJ quick and everything. 203 00:09:41,640 --> 00:09:43,600 Speaker 7: Yeah, you know, not keep going. 204 00:09:44,200 --> 00:09:44,480 Speaker 2: I know you. 205 00:09:44,480 --> 00:09:45,679 Speaker 7: I'm assuming you knew that. 206 00:09:45,760 --> 00:09:48,080 Speaker 2: Yeah damn, I can't. 207 00:09:48,760 --> 00:09:51,480 Speaker 7: I'm glad I caught that ship you kept saying it. 208 00:09:51,480 --> 00:09:54,920 Speaker 5: I was just like, would have been like, yeah, I like, 209 00:09:55,160 --> 00:09:57,560 Speaker 5: hold on, that's problem. 210 00:09:58,240 --> 00:09:59,520 Speaker 4: I had no idea he changes. 211 00:10:00,080 --> 00:10:00,840 Speaker 2: I didn't either. 212 00:10:01,080 --> 00:10:03,800 Speaker 7: It was about a year ago. He did it. Come on, ken, 213 00:10:05,679 --> 00:10:09,240 Speaker 7: get on it. I'm glad I didn't want to chat 214 00:10:09,280 --> 00:10:09,800 Speaker 7: to tell. 215 00:10:09,600 --> 00:10:12,760 Speaker 1: You, bro already sound crazy. But yeah, no, Jason Martin 216 00:10:12,840 --> 00:10:15,640 Speaker 1: then that that explains a lot. B Yeah, that explains 217 00:10:15,679 --> 00:10:19,720 Speaker 1: a lot. But yeah, Jason Martin AKA problem that ship 218 00:10:19,760 --> 00:10:23,160 Speaker 1: is that ship is does album. It's called Mafia Cafe. 219 00:10:23,679 --> 00:10:24,840 Speaker 1: The production is nice. 220 00:10:24,679 --> 00:10:25,760 Speaker 7: But you got another album with. 221 00:10:27,240 --> 00:10:30,400 Speaker 1: Left Gunplay and left the gun Play, Left the Gunplay 222 00:10:30,480 --> 00:10:33,360 Speaker 1: dropped by Mike and yeah, oh wait, wait, wait, I 223 00:10:33,400 --> 00:10:35,920 Speaker 1: think what I told you, So, I think I listened 224 00:10:35,920 --> 00:10:37,760 Speaker 1: to that. Well, I think I listened to eight track 225 00:10:37,800 --> 00:10:40,960 Speaker 1: off of that because he had dropped something. But his 226 00:10:41,120 --> 00:10:44,280 Speaker 1: voice is interesting being I'm gonna circle back to you. 227 00:10:44,360 --> 00:10:45,839 Speaker 1: What's what's your second one? 228 00:10:46,640 --> 00:10:50,600 Speaker 7: The second one is Bruising Wood and Harry Fraud made 229 00:10:50,640 --> 00:10:56,480 Speaker 7: by Dope some of some of the best stuff. 230 00:10:56,480 --> 00:10:57,959 Speaker 5: I mean, I mean, I I don't want to name 231 00:10:58,040 --> 00:10:59,760 Speaker 5: like no jazz R and B album, so I mean 232 00:10:59,760 --> 00:11:02,520 Speaker 5: he's definitely some some of those that I've listening to 233 00:11:02,520 --> 00:11:04,200 Speaker 5: a lot more than hip hop. So yeah, I'm just 234 00:11:04,480 --> 00:11:06,040 Speaker 5: the stuff that we reviewed because I know I've been 235 00:11:06,040 --> 00:11:06,640 Speaker 5: listening to it. 236 00:11:07,880 --> 00:11:10,560 Speaker 7: Bruce Woof, Hey, fraud Made by Dope was another dope. 237 00:11:10,720 --> 00:11:12,440 Speaker 5: I mean, you know, it's good to mention that people 238 00:11:12,480 --> 00:11:13,959 Speaker 5: don't really know about this album, so it's good to 239 00:11:14,000 --> 00:11:14,560 Speaker 5: mention it again. 240 00:11:14,760 --> 00:11:17,800 Speaker 1: Yeah, you know, yeah, I guess that's that's that's that's 241 00:11:17,880 --> 00:11:21,040 Speaker 1: you know, you know what I'm saying. 242 00:11:20,880 --> 00:11:22,960 Speaker 5: People and be like, oh ship, I heard him keep 243 00:11:23,000 --> 00:11:24,920 Speaker 5: mentioning that. Bruce Woof and Hearry Frog let me go 244 00:11:25,000 --> 00:11:26,040 Speaker 5: check it out now, so. 245 00:11:27,440 --> 00:11:31,760 Speaker 2: Somebody some good promos yep, yeah that yeah. 246 00:11:32,280 --> 00:11:33,280 Speaker 7: And we had him on a listener. 247 00:11:33,400 --> 00:11:35,880 Speaker 2: Yeah for my second one. 248 00:11:36,480 --> 00:11:39,840 Speaker 7: Uh, since you got five. 249 00:11:41,280 --> 00:11:48,920 Speaker 9: Right, uh Jayworthy bro Worthy, j Worthy Worthy, once upon 250 00:11:49,000 --> 00:11:51,800 Speaker 9: a Time to be But one one is even better 251 00:11:51,840 --> 00:11:54,640 Speaker 9: than that one, right Bro, I'm telling you right. 252 00:11:54,720 --> 00:11:58,320 Speaker 2: It's another West Coast joint bro oh Man. 253 00:11:58,280 --> 00:11:59,960 Speaker 4: Rod, he said, I'm not a fan. 254 00:12:00,120 --> 00:12:00,800 Speaker 2: You miss it. 255 00:12:00,760 --> 00:12:04,200 Speaker 6: Out, bro, havn't like any features. 256 00:12:04,400 --> 00:12:06,679 Speaker 2: Man, but listen to bro Bro. 257 00:12:06,760 --> 00:12:10,480 Speaker 1: He got Job nine five B second track, first track, 258 00:12:11,400 --> 00:12:15,800 Speaker 1: Spice one, Spice one on that, Rod, Bro. He got 259 00:12:15,840 --> 00:12:20,959 Speaker 1: Spice one on here. He got mac ten on here, Uh, 260 00:12:21,600 --> 00:12:25,120 Speaker 1: Blade Runner with Rob Marcy and this dude houses on 261 00:12:25,200 --> 00:12:27,320 Speaker 1: there that's just dope. He got your boy west Side 262 00:12:27,320 --> 00:12:32,560 Speaker 1: Boogie Iced Tea, Iced Tea, Iced Tea, Yep, gang Ship 263 00:12:32,600 --> 00:12:35,920 Speaker 1: with DJ Mugs, That Game Ship, Rod bro Hey, that 264 00:12:36,000 --> 00:12:41,280 Speaker 1: Thundercat Joint Angel, that best is good. 265 00:12:41,400 --> 00:12:41,720 Speaker 2: It got. 266 00:12:41,760 --> 00:12:43,319 Speaker 7: It's a good classic West Coast sound. 267 00:12:43,800 --> 00:12:46,840 Speaker 2: Be listened to it. Listen to both honestly. 268 00:12:46,720 --> 00:12:48,520 Speaker 7: Because it's like a double did he released one and 269 00:12:48,520 --> 00:12:49,120 Speaker 7: then released other? 270 00:12:49,320 --> 00:12:51,840 Speaker 2: Ye? I think his voice. I like his voice. 271 00:12:53,480 --> 00:12:55,520 Speaker 1: In turns like he's a West Coast rapper, so you're 272 00:12:55,520 --> 00:12:58,080 Speaker 1: not gonna get a lot of lyrical miracles sort of stuff. 273 00:12:59,760 --> 00:13:03,240 Speaker 1: And and he on the last two projects wrapped over 274 00:13:03,320 --> 00:13:08,360 Speaker 1: some some really good production that fits him, and. 275 00:13:08,960 --> 00:13:11,000 Speaker 7: So he's in that wheelhouse like Dom Kennedy. 276 00:13:11,120 --> 00:13:16,640 Speaker 9: Because yeah, but better really. 277 00:13:18,160 --> 00:13:20,319 Speaker 7: Really Kennedy? 278 00:13:21,960 --> 00:13:23,920 Speaker 2: Yeah yeah, you didn't like I know, I know. 279 00:13:24,040 --> 00:13:26,000 Speaker 5: I'm just saying he got to a wreck and I 280 00:13:27,160 --> 00:13:29,640 Speaker 5: was there for the wreck my beats, but that was it. 281 00:13:33,480 --> 00:13:33,640 Speaker 6: Lit? 282 00:13:33,760 --> 00:13:36,680 Speaker 2: What is more the time? Listen to both. 283 00:13:37,760 --> 00:13:40,439 Speaker 1: I think the first I thought September. Yeah, I think 284 00:13:40,440 --> 00:13:41,680 Speaker 1: the first one is better. 285 00:13:42,400 --> 00:13:42,600 Speaker 2: Huh. 286 00:13:43,160 --> 00:13:44,160 Speaker 7: People don't like him, don't he? 287 00:13:45,880 --> 00:13:46,319 Speaker 2: Yeah? Yeah? 288 00:13:46,840 --> 00:13:51,280 Speaker 1: Yeah, cool dude, though, what what what what you got? 289 00:13:51,400 --> 00:13:51,439 Speaker 6: That? 290 00:13:52,559 --> 00:13:58,600 Speaker 8: Oh Goldfish Alchemist and I know we reached out to mmm. 291 00:14:01,000 --> 00:14:06,240 Speaker 6: Yeah man, I started playing it a couple of weeks ago. 292 00:14:06,640 --> 00:14:10,680 Speaker 7: Pretty good. Yeah yeah yeah, bits and pieces. 293 00:14:10,360 --> 00:14:11,960 Speaker 2: Of it yeah yeah, yeah me too. 294 00:14:12,640 --> 00:14:14,599 Speaker 4: First with this, I was, let me go ahead, just 295 00:14:14,640 --> 00:14:15,880 Speaker 4: listen to this before him. 296 00:14:16,000 --> 00:14:16,720 Speaker 6: Yeah yeah, man. 297 00:14:16,760 --> 00:14:19,040 Speaker 8: They doing some great stuff on him, man, like especially 298 00:14:19,080 --> 00:14:23,320 Speaker 8: some beast switches and stuff like you know obviously, but yeah, man, 299 00:14:23,320 --> 00:14:24,960 Speaker 8: I like what they're doing, and I like I like 300 00:14:25,080 --> 00:14:29,120 Speaker 8: when when when apples getting the spirit of bad or whatever. 301 00:14:29,280 --> 00:14:35,920 Speaker 8: Especially didn't like edited some stuff for step brother. Yeah, 302 00:14:36,120 --> 00:14:38,880 Speaker 8: so yeah, man, like, yeah, he still brought that energy. 303 00:14:38,920 --> 00:14:40,680 Speaker 7: He brought any good features on there. 304 00:14:40,840 --> 00:14:42,160 Speaker 6: Yeah, good features on there too. 305 00:14:42,280 --> 00:14:48,840 Speaker 8: They had Conway, Oh my god, killed Oh my god. 306 00:14:48,680 --> 00:14:51,640 Speaker 7: Yes me Conway, he said, oh my god. 307 00:14:53,400 --> 00:14:55,760 Speaker 8: If all he had a joint on here, okay, yeah 308 00:14:56,000 --> 00:14:57,360 Speaker 8: all Jay Worthy was gonna to. 309 00:14:58,880 --> 00:15:02,920 Speaker 2: See. I'll be trying to He's bad. 310 00:15:07,360 --> 00:15:07,840 Speaker 6: That's gonna be. 311 00:15:07,920 --> 00:15:10,640 Speaker 8: I want to hear Contender man man on that album 312 00:15:10,760 --> 00:15:11,520 Speaker 8: doing that stuff. 313 00:15:11,560 --> 00:15:11,760 Speaker 5: Man. 314 00:15:12,360 --> 00:15:16,840 Speaker 8: They're interesting, especially here for it. Yeah, like you get wrapped. 315 00:15:18,360 --> 00:15:22,560 Speaker 8: I just feel like something that's missing, something missing for me. 316 00:15:22,600 --> 00:15:24,080 Speaker 8: I don't know if it's like a passion. It's like 317 00:15:24,120 --> 00:15:26,880 Speaker 8: he's too cool on him like like I. 318 00:15:26,960 --> 00:15:28,920 Speaker 6: Want him to I don't know. 319 00:15:29,000 --> 00:15:31,560 Speaker 8: I just want him to get a little uncomfortable, Like 320 00:15:31,720 --> 00:15:34,360 Speaker 8: I just feel like he's just too laid back, too small. 321 00:15:34,400 --> 00:15:36,560 Speaker 6: But granted, that might be a style. 322 00:15:36,360 --> 00:15:38,240 Speaker 8: On it, and maybe style might want to go with 323 00:15:38,400 --> 00:15:41,200 Speaker 8: because it sounds good on him, but I just it 324 00:15:41,280 --> 00:15:44,720 Speaker 8: makes me feel like something is missing, Like I don't know, 325 00:15:44,880 --> 00:15:47,600 Speaker 8: it sounds very polished, and I know that sounds weird 326 00:15:47,640 --> 00:15:49,760 Speaker 8: because like that should be a good. 327 00:15:49,640 --> 00:15:52,480 Speaker 6: Thing, but I don't know. I feel like I wanted 328 00:15:52,480 --> 00:15:52,720 Speaker 6: to be. 329 00:15:52,720 --> 00:15:55,560 Speaker 4: Grittier for something, but you want to hit boy to 330 00:15:55,560 --> 00:15:56,080 Speaker 4: be grittier. 331 00:15:56,160 --> 00:15:57,600 Speaker 6: I think I want hit Boy to be gritty. I 332 00:15:57,640 --> 00:16:00,200 Speaker 6: don't know why he's not a gritty dude now. 333 00:16:00,280 --> 00:16:04,400 Speaker 7: He's more like, you know, smooth kind of That's what. 334 00:16:04,400 --> 00:16:06,840 Speaker 6: I'm saying that and that it works for him. 335 00:16:07,000 --> 00:16:12,480 Speaker 8: Yeah, but for whatever reason, I want him to get uncomfortable, 336 00:16:12,600 --> 00:16:15,880 Speaker 8: like I want him to do something not so smooth. 337 00:16:17,840 --> 00:16:22,080 Speaker 3: Yeaes sir, so uh my nostalgia vibe Harlems find this 338 00:16:22,200 --> 00:16:26,560 Speaker 3: Big L another massive pill last well knew the Big 339 00:16:26,720 --> 00:16:29,600 Speaker 3: L or yeah new I'm new to him because I 340 00:16:29,640 --> 00:16:31,720 Speaker 3: always heard cam in there because I'm a big dipset 341 00:16:31,800 --> 00:16:32,520 Speaker 3: Harlem fan. 342 00:16:32,600 --> 00:16:33,200 Speaker 2: You know what I'm saying. 343 00:16:33,240 --> 00:16:35,560 Speaker 3: So this is my first time really locking in with 344 00:16:35,680 --> 00:16:38,520 Speaker 3: him and then just getting that pure New York type 345 00:16:38,520 --> 00:16:39,239 Speaker 3: of feel. 346 00:16:39,120 --> 00:16:41,720 Speaker 4: And I you know, it's kind of a throwback, like nostalgic. 347 00:16:41,800 --> 00:16:45,280 Speaker 3: I love the NOA song, the method Man song, and 348 00:16:45,320 --> 00:16:47,640 Speaker 3: then that jay Z seven minute freestyle. I think that's 349 00:16:47,680 --> 00:16:51,760 Speaker 3: been out, but of course it just remastered, and just 350 00:16:51,840 --> 00:16:54,160 Speaker 3: in the ride, it's just you're just like, man. 351 00:16:54,280 --> 00:16:55,840 Speaker 4: You just feel like you're there with him. 352 00:16:56,200 --> 00:17:00,160 Speaker 3: That beat is that classic New York kind of you 353 00:17:00,160 --> 00:17:02,400 Speaker 3: know what I'm saying, Like it just takes you there. 354 00:17:02,720 --> 00:17:05,639 Speaker 3: And then just hearing Big L. It's like, the last 355 00:17:05,640 --> 00:17:07,520 Speaker 3: time I listened to a Big L so honestly, was 356 00:17:07,560 --> 00:17:09,520 Speaker 3: that Hall of the World Keep holding it down with 357 00:17:09,640 --> 00:17:10,080 Speaker 3: Big L. 358 00:17:10,200 --> 00:17:11,560 Speaker 2: So this was just me. 359 00:17:12,119 --> 00:17:14,720 Speaker 3: And that's why I like mass appeal so much, because 360 00:17:14,720 --> 00:17:17,760 Speaker 3: it's giving these type of artists these platforms to really 361 00:17:17,840 --> 00:17:19,480 Speaker 3: just you know what I'm saying, Like, I can't remember 362 00:17:19,560 --> 00:17:21,560 Speaker 3: last time I tried to listen to a ghost Faced album, 363 00:17:21,600 --> 00:17:23,560 Speaker 3: like a Newer one, you know what I'm saying. But 364 00:17:23,840 --> 00:17:25,840 Speaker 3: the ghost Faced album was dope. It's just all of 365 00:17:25,880 --> 00:17:27,959 Speaker 3: this stuff is solid, you know what I'm saying. At 366 00:17:27,960 --> 00:17:29,600 Speaker 3: the end of the day and it's just all like 367 00:17:29,680 --> 00:17:32,600 Speaker 3: just real organized. But yeah, man, this big L. 368 00:17:32,760 --> 00:17:33,320 Speaker 2: You know what I'm saying. 369 00:17:33,359 --> 00:17:35,280 Speaker 4: I'm like, yeah, like this shit was dope. 370 00:17:35,320 --> 00:17:38,360 Speaker 5: Okay, Yeah, that's funny because we just we talked about 371 00:17:38,400 --> 00:17:42,800 Speaker 5: that album, behated it. I didn't hate it. I under 372 00:17:42,840 --> 00:17:45,440 Speaker 5: said it's not for me. I I mean when I 373 00:17:45,480 --> 00:17:47,320 Speaker 5: say not for me, I'm a big I'm a big 374 00:17:47,359 --> 00:17:50,520 Speaker 5: YEO fanatic. So like hearing it's like I heard all 375 00:17:50,560 --> 00:17:52,879 Speaker 5: this you heard yeah first when I asked you what 376 00:17:52,920 --> 00:17:54,800 Speaker 5: you thought of it, like since it was your first time, yeah, 377 00:17:55,160 --> 00:17:56,919 Speaker 5: I was. I was saying in review, like this album, 378 00:17:56,960 --> 00:17:58,879 Speaker 5: this album wasn't made for fans like me. 379 00:17:59,040 --> 00:18:00,960 Speaker 4: Got you. Yeah, I heard it all. 380 00:18:01,119 --> 00:18:03,000 Speaker 5: Yeah, So it was I heard all the big hell stuff, 381 00:18:03,000 --> 00:18:04,960 Speaker 5: all that stuff from freestyle stuff that was on it. 382 00:18:05,000 --> 00:18:05,560 Speaker 7: I heard all that. 383 00:18:05,680 --> 00:18:07,800 Speaker 3: So it was just like, so it's like a refurbished 384 00:18:07,800 --> 00:18:10,760 Speaker 3: package for somebody like me to just be like, hey, hi, 385 00:18:10,840 --> 00:18:11,879 Speaker 3: go big L and stuff like that. 386 00:18:12,040 --> 00:18:13,840 Speaker 5: If you if you want to dig in this, this 387 00:18:13,880 --> 00:18:15,919 Speaker 5: is your chance to dig into a big hel. 388 00:18:15,800 --> 00:18:17,800 Speaker 4: But for me, I was like, okay, this is yeah 389 00:18:17,880 --> 00:18:18,719 Speaker 4: just regulars. 390 00:18:19,040 --> 00:18:19,520 Speaker 2: Yeah yeah. 391 00:18:19,560 --> 00:18:22,679 Speaker 3: And hearing jay Z just that that he had so 392 00:18:22,720 --> 00:18:26,440 Speaker 3: many elements of his career and then that that element 393 00:18:26,560 --> 00:18:29,320 Speaker 3: right there, like late nineties, what was that ninety five? 394 00:18:30,200 --> 00:18:33,399 Speaker 3: That right there, just like you know, that's something I 395 00:18:33,440 --> 00:18:35,480 Speaker 3: hadn't heard from him in a while. And when I 396 00:18:35,520 --> 00:18:37,280 Speaker 3: talked to my homework about it, he was like, man, yeah, 397 00:18:37,320 --> 00:18:38,360 Speaker 3: jay Z had so much. 398 00:18:38,640 --> 00:18:40,760 Speaker 4: I was like, yeah, he had different phases, you know 399 00:18:40,800 --> 00:18:42,720 Speaker 4: what I'm saying. He had the who you with jay Z? 400 00:18:43,560 --> 00:18:46,800 Speaker 3: Then you know, like just the Rockefeller dynasty type of thing, 401 00:18:46,880 --> 00:18:51,080 Speaker 3: and then you know, so jazz inspired jay Z just everything. 402 00:18:51,160 --> 00:18:53,200 Speaker 3: So it just makes you just go back and appreciate 403 00:18:53,240 --> 00:18:54,080 Speaker 3: that type of hip hop. 404 00:18:54,160 --> 00:18:59,119 Speaker 1: So yeah, okay, all right, Yeah that's that's that's glad you, 405 00:19:00,000 --> 00:19:05,399 Speaker 1: which is a perspective. Two get someone's perspective that hadn't 406 00:19:05,440 --> 00:19:07,960 Speaker 1: heard all this stuff, you know, so it's more of 407 00:19:08,000 --> 00:19:10,640 Speaker 1: a newer sort of thing. 408 00:19:10,760 --> 00:19:15,560 Speaker 2: So that's dope. All right. So you have to, uh, 409 00:19:15,720 --> 00:19:17,320 Speaker 2: you have a third one? All right? 410 00:19:17,359 --> 00:19:18,800 Speaker 6: What you got my third one? 411 00:19:18,800 --> 00:19:18,960 Speaker 1: Man? 412 00:19:19,200 --> 00:19:21,639 Speaker 8: It's short man, So it's definitely worth just trying to 413 00:19:21,640 --> 00:19:25,040 Speaker 8: go listen to it is sabage colle. 414 00:19:25,359 --> 00:19:26,119 Speaker 6: Now I listen to that. 415 00:19:26,680 --> 00:19:27,560 Speaker 2: I did. 416 00:19:28,920 --> 00:19:31,600 Speaker 7: Like, I'm so behind, bro, I haven't. 417 00:19:31,800 --> 00:19:34,480 Speaker 2: You have listened to it. Yeah, I don't think I do. 418 00:19:34,720 --> 00:19:37,120 Speaker 2: I don't think I do. It is it's different. 419 00:19:37,160 --> 00:19:40,280 Speaker 6: So but I like you though few minutes long, I 420 00:19:40,359 --> 00:19:42,280 Speaker 6: like he was doing some interesting stuff on there. It's 421 00:19:42,400 --> 00:19:42,919 Speaker 6: interesting to be. 422 00:19:42,960 --> 00:19:43,440 Speaker 2: He's on there. 423 00:19:43,560 --> 00:19:44,320 Speaker 6: But he's still. 424 00:19:46,400 --> 00:19:49,400 Speaker 8: Now confused because after we interviewed Mick Jenkins, he kept 425 00:19:49,400 --> 00:19:52,040 Speaker 8: saying Sapper and I'm like, I was called him so 426 00:19:52,400 --> 00:19:56,000 Speaker 8: at first I heard him say I heard Saba say Sath. 427 00:19:56,560 --> 00:19:58,520 Speaker 8: So now I'm confused, like which one of which one 428 00:19:58,520 --> 00:20:06,159 Speaker 8: it actually is? But I'm i'ma still say but no, 429 00:20:06,280 --> 00:20:08,520 Speaker 8: I mean it was an interesting concept. Like I said, 430 00:20:08,520 --> 00:20:11,640 Speaker 8: only sixteen minutes long. I know what you're saying, kend 431 00:20:11,760 --> 00:20:13,879 Speaker 8: It did sound a little different because even when I 432 00:20:13,880 --> 00:20:16,040 Speaker 8: told you, like even this last album was different from 433 00:20:16,040 --> 00:20:19,280 Speaker 8: what I'm used to, So I think this was like 434 00:20:19,359 --> 00:20:23,199 Speaker 8: a mixture of what I was used to with the 435 00:20:23,280 --> 00:20:27,760 Speaker 8: last one, and so yeah, it was a solid sixteen 436 00:20:27,800 --> 00:20:31,160 Speaker 8: minutes to me, I think it's definitely definitely. 437 00:20:32,640 --> 00:20:35,600 Speaker 1: I was, I gotta go back and listen to some 438 00:20:35,600 --> 00:20:37,200 Speaker 1: of this stuff because I think listening to this and 439 00:20:37,240 --> 00:20:39,480 Speaker 1: I'm glad you said it was different from what he've 440 00:20:39,520 --> 00:20:41,960 Speaker 1: done because I was like, I don't think I'm a 441 00:20:42,040 --> 00:20:42,640 Speaker 1: sample fan. 442 00:20:44,160 --> 00:20:45,640 Speaker 2: Like I was really questioned. I was like, I don't 443 00:20:45,680 --> 00:20:46,200 Speaker 2: know if I. 444 00:20:46,200 --> 00:20:49,280 Speaker 1: Like him as much as everybody else does. So I 445 00:20:49,280 --> 00:20:50,639 Speaker 1: got to go back and re listen to some of 446 00:20:50,680 --> 00:20:52,320 Speaker 1: the other stuff just to make sure. But if this 447 00:20:52,480 --> 00:20:54,720 Speaker 1: was different than what he's done before, then maybe it 448 00:20:54,760 --> 00:20:57,720 Speaker 1: was just this particular project. But I listened to it 449 00:20:57,800 --> 00:20:59,560 Speaker 1: cause I'm like, what the fuck is? Because I had 450 00:20:59,600 --> 00:21:02,520 Speaker 1: set up a q of albums to play and then got. 451 00:21:02,440 --> 00:21:06,920 Speaker 2: To this, I was like, what the Yeah? 452 00:21:07,119 --> 00:21:10,040 Speaker 8: That is just I mean, it's it's it's good, it's 453 00:21:10,040 --> 00:21:14,399 Speaker 8: it's swimming perfectly. So yeah, it's gonna be hard. I 454 00:21:14,400 --> 00:21:16,159 Speaker 8: think it's gonna be hard for him to match that. 455 00:21:16,440 --> 00:21:18,520 Speaker 8: But the thing about that, like it was like it. 456 00:21:18,520 --> 00:21:21,080 Speaker 6: Was just a solid ass constant Yeah. 457 00:21:21,160 --> 00:21:24,280 Speaker 2: Yeah, people, I want. 458 00:21:24,080 --> 00:21:27,240 Speaker 8: To say the last one he got no Idea? 459 00:21:27,359 --> 00:21:29,520 Speaker 6: This one well, oh this one was? 460 00:21:29,520 --> 00:21:30,880 Speaker 7: This one was is by no Idea? 461 00:21:31,840 --> 00:21:32,600 Speaker 6: Okay? 462 00:21:33,200 --> 00:21:34,960 Speaker 4: What was that album he had with the song with 463 00:21:35,040 --> 00:21:35,879 Speaker 4: crazy going on it? 464 00:21:37,320 --> 00:21:40,680 Speaker 7: Uh? A few good things. 465 00:21:40,520 --> 00:21:41,600 Speaker 4: That's a few good things. 466 00:21:42,080 --> 00:21:43,440 Speaker 7: He had his grandfather on the cover. 467 00:21:43,920 --> 00:21:46,399 Speaker 2: All right, you got a third one? 468 00:21:47,920 --> 00:21:53,200 Speaker 5: I got Joe D Chronos Joe D I s I 469 00:21:53,720 --> 00:21:57,600 Speaker 5: name is sound mind dope as hell. 470 00:21:59,640 --> 00:22:01,760 Speaker 7: It's on everywhere you can stream it. You can stream it, yeah, 471 00:22:02,240 --> 00:22:03,240 Speaker 7: I mean it's on his band camp. 472 00:22:03,320 --> 00:22:06,200 Speaker 5: You can stream it as well. He's gonna be having physicals. 473 00:22:06,200 --> 00:22:11,199 Speaker 5: He's dropping physicals pretty soon. This album is fucking flying. 474 00:22:11,200 --> 00:22:13,359 Speaker 5: Any if you bout, if you buy on band camp, 475 00:22:13,400 --> 00:22:17,040 Speaker 5: you got three bonus tracks on there. So yeah, it's 476 00:22:17,080 --> 00:22:18,959 Speaker 5: total of eighteen if you buy on band camp, if 477 00:22:18,960 --> 00:22:22,240 Speaker 5: you listen, if you stream, it's only fifteen tracks. So man, 478 00:22:22,359 --> 00:22:25,960 Speaker 5: this ship is fucking flames. I'm trying not to be 479 00:22:26,000 --> 00:22:29,120 Speaker 5: so biased, but brrou this dude is so fucking sings, 480 00:22:29,240 --> 00:22:32,359 Speaker 5: raps all that ship, make the beats he produced. Yeah, like, 481 00:22:32,480 --> 00:22:35,040 Speaker 5: bru this is crazy man, It's crazy. I'm trying to 482 00:22:35,040 --> 00:22:37,360 Speaker 5: get some work in with him and stuff too, send 483 00:22:37,359 --> 00:22:37,879 Speaker 5: them some stuff. 484 00:22:37,880 --> 00:22:40,359 Speaker 7: I'm trying to. I'm trying to. I'm like, Bruh, yes 485 00:22:40,480 --> 00:22:43,080 Speaker 7: he does so. Yeah, I'm trying to trying to get 486 00:22:43,080 --> 00:22:44,960 Speaker 7: some work in with jod Ben. He's dope. 487 00:22:46,480 --> 00:22:54,240 Speaker 5: On the tape uh M slago Yeah yeah so yeah man, 488 00:22:54,320 --> 00:22:56,920 Speaker 5: Jody Kronos, if you have not listened to it, check 489 00:22:56,960 --> 00:23:00,000 Speaker 5: it out. Yeah, he's dope, bruh, Like I feel like 490 00:23:00,080 --> 00:23:03,480 Speaker 5: he raps for like guys like my age, bro, like this, 491 00:23:03,560 --> 00:23:05,680 Speaker 5: the stuff he'd be talking about black Man, that's yep. 492 00:23:06,160 --> 00:23:07,640 Speaker 7: You're rapping for yep. 493 00:23:07,840 --> 00:23:11,320 Speaker 3: Roman ain't a good just to have rap that you 494 00:23:11,359 --> 00:23:14,280 Speaker 3: know you can relate to still the like, you know, 495 00:23:14,359 --> 00:23:16,760 Speaker 3: the whole ageism shit like that they tried to push. 496 00:23:16,840 --> 00:23:18,919 Speaker 4: But as rappers get older, you. 497 00:23:18,960 --> 00:23:20,640 Speaker 3: Know what I'm saying, and then you have going through 498 00:23:20,680 --> 00:23:22,560 Speaker 3: the same experiences and everything like that. 499 00:23:22,560 --> 00:23:25,159 Speaker 5: Man, that's It's funny because the opening track of the album, 500 00:23:25,440 --> 00:23:27,480 Speaker 5: at the very end he got to he put an 501 00:23:27,520 --> 00:23:30,639 Speaker 5: insert where one hundreds thousands like talking about ageism and 502 00:23:30,680 --> 00:23:31,280 Speaker 5: hip hop. 503 00:23:31,160 --> 00:23:34,119 Speaker 4: Oh the recent Yeah, he was like, yeah. 504 00:23:34,000 --> 00:23:35,400 Speaker 5: We need you to do it because you can show 505 00:23:35,480 --> 00:23:37,280 Speaker 5: us what it's like when you're rhyming at that age. 506 00:23:37,320 --> 00:23:39,600 Speaker 7: Because I think him and hundred thousand around the same age. 507 00:23:40,119 --> 00:23:42,720 Speaker 5: Yeah, Jo d about he about forty seven forty eight, 508 00:23:42,760 --> 00:23:45,320 Speaker 5: So yeah, it's just dope to just to hear that 509 00:23:45,400 --> 00:23:48,040 Speaker 5: in the beginning how you start the album off. I'm like, Bro, 510 00:23:48,160 --> 00:23:49,520 Speaker 5: that's so, that's so, that's that's real. 511 00:23:50,080 --> 00:23:51,840 Speaker 1: It would have been nice to hear it, Jay, it 512 00:23:51,840 --> 00:23:53,800 Speaker 1: would have been nice, but you know, he kept that 513 00:23:53,880 --> 00:23:54,600 Speaker 1: one to himself. 514 00:23:56,880 --> 00:24:01,359 Speaker 2: Anybody, bro, He's like, nah, my brother, you got to 515 00:24:01,400 --> 00:24:02,840 Speaker 2: get you out, like yo. 516 00:24:03,119 --> 00:24:06,320 Speaker 1: It's like I didn't even know about it. That's okay, 517 00:24:06,400 --> 00:24:08,440 Speaker 1: So I got it on my list. I'm going to 518 00:24:08,520 --> 00:24:10,840 Speaker 1: listen to it. That's exactly why we do it. So 519 00:24:11,240 --> 00:24:14,720 Speaker 1: that's that's good. That's good, and I can have something 520 00:24:14,760 --> 00:24:18,520 Speaker 1: to listen to. You only have three yep, okay, all right, 521 00:24:18,560 --> 00:24:20,800 Speaker 1: all right, and I guess everybody else tapped out? 522 00:24:20,880 --> 00:24:22,240 Speaker 7: Where where your other ones at? 523 00:24:22,280 --> 00:24:22,480 Speaker 2: Then? 524 00:24:23,400 --> 00:24:25,439 Speaker 1: Oh my third one? Though, before I get into the 525 00:24:25,440 --> 00:24:29,560 Speaker 1: two b you gotta go listen to this Rod. You 526 00:24:29,560 --> 00:24:32,480 Speaker 1: gotta listen to this Jay. You gotta listen to this 527 00:24:32,480 --> 00:24:38,159 Speaker 1: this Mica Non Blue and uh Michael and I Mican 528 00:24:38,240 --> 00:24:43,679 Speaker 1: Noon Blue and Mono in stereo. God takes care of 529 00:24:43,800 --> 00:24:49,119 Speaker 1: babies and fools. This ship dropped October third of the 530 00:24:49,320 --> 00:24:52,160 Speaker 1: beginning of October Man. 531 00:24:52,640 --> 00:24:53,600 Speaker 7: It's called what Again. 532 00:24:54,119 --> 00:24:57,800 Speaker 2: God takes care of babies and foods. This ship. 533 00:24:58,320 --> 00:25:00,639 Speaker 4: Now you about Mican now from Free Style Fellowship. 534 00:25:01,320 --> 00:25:05,320 Speaker 2: Oh wow, yep, and he's with Blue. This ship is good. 535 00:25:05,960 --> 00:25:10,399 Speaker 1: He got a joint on there called Game Bang with 536 00:25:10,480 --> 00:25:14,720 Speaker 1: the Far Side and Freestyle Fellowship on it. So I 537 00:25:14,760 --> 00:25:18,040 Speaker 1: was on the track on here, Uh, after that rule 538 00:25:18,160 --> 00:25:20,400 Speaker 1: self Jupiter Man, bro first. 539 00:25:21,000 --> 00:25:24,359 Speaker 2: Six tracks go crazy, the whole thing is good. 540 00:25:24,600 --> 00:25:28,560 Speaker 7: Really, I know about you? 541 00:25:28,600 --> 00:25:32,920 Speaker 2: Do you know about this hour? I got you? Hey? 542 00:25:33,840 --> 00:25:38,560 Speaker 5: Okay man, Yeah yeah, I'm so far behind bro. 543 00:25:39,119 --> 00:25:41,320 Speaker 2: This is the dope. Yeah. 544 00:25:41,880 --> 00:25:44,879 Speaker 1: Listen, this ship right, this ship is good man, This 545 00:25:45,240 --> 00:25:49,280 Speaker 1: is good. Yeah yeah yeah. And you know, I'm like 546 00:25:49,359 --> 00:25:52,680 Speaker 1: other ones you name, like Bruiser is dope. 547 00:25:53,040 --> 00:25:54,840 Speaker 2: You know. I spoke on that one. 548 00:25:55,359 --> 00:25:58,280 Speaker 1: So just for the people and for the record, just 549 00:25:58,400 --> 00:26:01,640 Speaker 1: you know, that's definitely a the best of for the month. 550 00:26:01,640 --> 00:26:05,480 Speaker 1: I wanted to spotlight some other joints as well, so 551 00:26:05,520 --> 00:26:07,040 Speaker 1: that's why I didn't name that one. 552 00:26:06,880 --> 00:26:11,080 Speaker 2: But trust me, it is there. It's one of the 553 00:26:11,080 --> 00:26:12,080 Speaker 2: best albums of the year. 554 00:26:12,240 --> 00:26:13,840 Speaker 1: Two other ones I want to mention before we get 555 00:26:13,840 --> 00:26:17,320 Speaker 1: out of here, the cool kids. You gotta know, all right, 556 00:26:17,440 --> 00:26:21,760 Speaker 1: my man, let's go what you got? 557 00:26:22,240 --> 00:26:24,320 Speaker 6: It was Sauce Walker, Man, I. 558 00:26:24,280 --> 00:26:25,960 Speaker 2: Wanted to listen to what I haven't gotten to it. 559 00:26:25,960 --> 00:26:30,160 Speaker 7: Yet, that's what he that's the bag. I like Sauce. 560 00:26:31,880 --> 00:26:32,120 Speaker 2: Yeah. 561 00:26:32,160 --> 00:26:36,680 Speaker 6: I don't know why, but but this was Okay. It's 562 00:26:36,720 --> 00:26:41,560 Speaker 6: like it's kind of like on the trap side. I 563 00:26:41,560 --> 00:26:43,400 Speaker 6: feel like you could do that, you know, what I'm saying. 564 00:26:43,760 --> 00:26:44,760 Speaker 2: Not really want to hear it? 565 00:26:45,119 --> 00:26:46,760 Speaker 6: Yeah, yeah, I feel like you can do that. But nah, 566 00:26:47,000 --> 00:26:50,399 Speaker 6: it was cool. It's not it's not go don't go 567 00:26:50,440 --> 00:26:54,000 Speaker 6: in and you're gonna get get on gospel. But it's 568 00:26:54,160 --> 00:26:55,640 Speaker 6: it's more leaning towards the. 569 00:26:55,640 --> 00:26:59,080 Speaker 2: Album that okay, okay, the. 570 00:26:59,040 --> 00:27:00,119 Speaker 6: Beats aren't like that. 571 00:27:04,359 --> 00:27:09,600 Speaker 8: Yeah, Like yeah, man, still still cool though, Like it's alright, listen. 572 00:27:09,720 --> 00:27:11,480 Speaker 8: It's not something I was just rush into. 573 00:27:12,200 --> 00:27:13,480 Speaker 2: But yeah, I know. 574 00:27:13,600 --> 00:27:15,120 Speaker 1: Is it kind of like when I said, like, oh, 575 00:27:15,160 --> 00:27:17,560 Speaker 1: he dropped something and nobody's kind of really talking about it. 576 00:27:17,680 --> 00:27:21,160 Speaker 2: Cool kids, hot top fade, cool kids. 577 00:27:21,160 --> 00:27:24,040 Speaker 1: Hey man, it's it's it'll take you back, right, it'll 578 00:27:24,040 --> 00:27:25,080 Speaker 1: take you back to the cool. 579 00:27:26,000 --> 00:27:28,399 Speaker 2: Yeah. Yeah, yeah, I don't know if you listen to it. 580 00:27:28,480 --> 00:27:30,960 Speaker 1: Yeah, anybody listened to it. 581 00:27:31,080 --> 00:27:34,359 Speaker 2: It was surprisingly good. You know. 582 00:27:35,520 --> 00:27:38,879 Speaker 1: They still have the same sound, same rhyme style patterns 583 00:27:38,920 --> 00:27:43,280 Speaker 1: or whatever. Yeah, man, Michael Music. Yeah, they released something 584 00:27:43,359 --> 00:27:45,000 Speaker 1: new and I was scared to listen to it. 585 00:27:45,840 --> 00:27:47,199 Speaker 4: I said, I about to loop. I't know they were 586 00:27:47,200 --> 00:27:48,080 Speaker 4: still releasing music. 587 00:27:48,160 --> 00:27:53,800 Speaker 1: Yeah, I didn't either, but I think Fifo mentioned it 588 00:27:53,840 --> 00:27:58,080 Speaker 1: on the rundown and yeah, that's the only way I 589 00:27:58,400 --> 00:28:00,800 Speaker 1: knew so I went in and gave her a listen, and 590 00:28:01,400 --> 00:28:04,480 Speaker 1: I was like, all right, this, this one, this one, 591 00:28:04,800 --> 00:28:08,639 Speaker 1: they still got it. Yeah, Sir Michael Ross chuckle English. 592 00:28:09,000 --> 00:28:11,800 Speaker 1: So he got some nice joints on there as well. 593 00:28:11,920 --> 00:28:14,000 Speaker 1: They got a joint with Pink sat Food, which is 594 00:28:14,040 --> 00:28:19,360 Speaker 1: ope clean Linden Satin. That one's dope, and uh so yeah, 595 00:28:19,440 --> 00:28:21,640 Speaker 1: y'all check that one out. And then the last one 596 00:28:21,640 --> 00:28:25,560 Speaker 1: I have is Dave from Overseas Man Across the Pond, 597 00:28:25,600 --> 00:28:29,040 Speaker 1: the boy who Played Hard. Uh, he got some interesting 598 00:28:29,160 --> 00:28:32,920 Speaker 1: songs on here, some really really good narrative tales on 599 00:28:32,960 --> 00:28:34,320 Speaker 1: this album. 600 00:28:34,640 --> 00:28:36,800 Speaker 2: You know, he's from overseas, so he's gonna have that accent. 601 00:28:37,080 --> 00:28:38,480 Speaker 2: You know. I don't know if people rock with that 602 00:28:38,600 --> 00:28:38,760 Speaker 2: or not. 603 00:28:39,000 --> 00:28:41,560 Speaker 1: That's listening, but yeah, man, he got some really really 604 00:28:41,640 --> 00:28:47,480 Speaker 1: dope joints in his selfish rain Damps with Tams as well, 605 00:28:47,560 --> 00:28:49,480 Speaker 1: so he tells some really really good stories. 606 00:28:49,640 --> 00:28:52,040 Speaker 2: Quick listens. Well, no, never mind, it's forty eight minutes. 607 00:28:53,840 --> 00:28:56,440 Speaker 1: But some of his songs on here are really really 608 00:28:56,440 --> 00:29:00,800 Speaker 1: really long, like five six minutes. Oh really yeah yeah yeah, 609 00:29:00,800 --> 00:29:04,520 Speaker 1: but you get caught up in like what he's talking about. 610 00:29:04,960 --> 00:29:08,240 Speaker 1: So yeah, so it's good and uh so those are 611 00:29:08,240 --> 00:29:11,640 Speaker 1: the two honorable mentions that I have and uh, and 612 00:29:11,680 --> 00:29:16,040 Speaker 1: that's it you have to know, all right, But yeah, man, 613 00:29:16,040 --> 00:29:18,160 Speaker 1: I'm glad you guys are enjoying these. Go check out 614 00:29:18,320 --> 00:29:24,480 Speaker 1: the albums that we mentioned and drop your favorite album 615 00:29:24,720 --> 00:29:28,880 Speaker 1: of October in the chat and if you've listened to 616 00:29:28,920 --> 00:29:31,640 Speaker 1: something that you like, let everybody else know in the 617 00:29:31,640 --> 00:29:35,000 Speaker 1: comment session as well. And yeah, man, as long as 618 00:29:35,040 --> 00:29:37,440 Speaker 1: you guys keep keep rocking with these, man, we'll keep 619 00:29:37,480 --> 00:29:39,800 Speaker 1: doing them. These are one of the I look forward 620 00:29:39,800 --> 00:29:44,320 Speaker 1: to these, you know, every month. So yeah, so. 621 00:29:44,400 --> 00:29:46,959 Speaker 3: It's insightful too because you look up because I wouldn't 622 00:29:46,960 --> 00:29:48,800 Speaker 3: have known some of this stuff it came out, so yeah, 623 00:29:48,800 --> 00:29:49,880 Speaker 3: it's very informative. 624 00:29:49,880 --> 00:29:52,120 Speaker 2: So yeah, yeah, that's what we hit A sort of 625 00:29:52,120 --> 00:29:52,680 Speaker 2: streaks man. 626 00:29:54,080 --> 00:29:59,479 Speaker 5: Yeah, ain't helping help help each other out to Yeah. 627 00:29:58,200 --> 00:30:00,080 Speaker 1: Yeah, I get to see what be keeping to them, 628 00:30:00,080 --> 00:30:05,600 Speaker 1: So don't go there, all right, but we got you guys. 629 00:30:05,600 --> 00:30:07,800 Speaker 1: Next time we off peace. 630 00:30:08,920 --> 00:30:10,160 Speaker 2: Supposite ready for real 631 00:30:11,920 --> 00:30:11,960 Speaker 6: M