1 00:00:00,200 --> 00:00:06,120 Speaker 1: It was the same that don't mean it's trash rap. 2 00:00:06,880 --> 00:00:11,400 Speaker 2: That's all we're saying. Judge the judge the rapid. But 3 00:00:11,440 --> 00:00:14,160 Speaker 2: they have it. 4 00:00:14,440 --> 00:00:19,119 Speaker 1: We heard the album, bro, that's an Okay album about albums. 5 00:00:21,680 --> 00:00:23,840 Speaker 3: On the album, I put you like this, if they 6 00:00:23,840 --> 00:00:26,200 Speaker 3: got him at okay, if they had him. 7 00:00:26,120 --> 00:00:30,520 Speaker 1: Make good, I went, I went on, that's. 8 00:00:33,920 --> 00:00:33,960 Speaker 4: That. 9 00:00:34,159 --> 00:00:39,040 Speaker 3: In hip hop conversations, you see the whole crew is here, 10 00:00:39,120 --> 00:00:42,880 Speaker 3: so no need for formal introductions. But today we're having 11 00:00:42,920 --> 00:00:47,960 Speaker 3: a conversation based off of the YouTube channel duply and 12 00:00:48,200 --> 00:00:53,240 Speaker 3: the seven Levels of Rappers. So this came across Ken's 13 00:00:53,600 --> 00:00:57,600 Speaker 3: YouTube algorithm, put it in the chat and we was like, well, 14 00:00:57,640 --> 00:01:00,120 Speaker 3: this is interesting, let's talk about. 15 00:01:00,720 --> 00:01:03,880 Speaker 1: So that can kind of guide where he wants to 16 00:01:03,880 --> 00:01:06,200 Speaker 1: go this thing. You know when you see something like 17 00:01:06,360 --> 00:01:10,480 Speaker 1: seven Levels of rappers, like, well, what what are the levels? 18 00:01:10,720 --> 00:01:13,280 Speaker 1: How you're breaking this n seven? It was very precise number. 19 00:01:13,280 --> 00:01:16,280 Speaker 1: I don't know, but but I was curious. And then 20 00:01:16,280 --> 00:01:19,160 Speaker 1: I saw shout Out and j Nolan. I saw that 21 00:01:19,240 --> 00:01:21,119 Speaker 1: he actually was doing a reaction to I din't get 22 00:01:21,120 --> 00:01:23,400 Speaker 1: a chance to watch his video when it popped up. 23 00:01:23,400 --> 00:01:25,720 Speaker 1: I was curious, So that's why I said, you guys 24 00:01:25,959 --> 00:01:28,440 Speaker 1: like just kind of talk to you guys about it 25 00:01:28,480 --> 00:01:30,280 Speaker 1: and see what you guys get, you guys thoughts on 26 00:01:30,319 --> 00:01:33,560 Speaker 1: a different label levels that he has, and I also 27 00:01:33,600 --> 00:01:36,679 Speaker 1: give you the examples from the video. And then if 28 00:01:36,760 --> 00:01:38,520 Speaker 1: y'all want to ask some people in there, y'all can 29 00:01:38,560 --> 00:01:40,280 Speaker 1: I don't know. I don't know y'all on this PC 30 00:01:40,400 --> 00:01:41,440 Speaker 1: ship these days. 31 00:01:42,080 --> 00:01:43,880 Speaker 2: Hey, you know, we could probably add some. 32 00:01:45,480 --> 00:01:47,319 Speaker 1: But I thought it was it was it was really interesting. 33 00:01:47,360 --> 00:01:48,960 Speaker 1: I thought it was dope. I thought the video was 34 00:01:48,960 --> 00:01:50,559 Speaker 1: actually low key kind of funny. 35 00:01:51,880 --> 00:01:59,400 Speaker 2: So we're gonna start with level one. He calls trash. 36 00:01:59,560 --> 00:02:04,680 Speaker 1: His definition of that is artists who produced consistently bad 37 00:02:04,800 --> 00:02:10,799 Speaker 1: rap with no redeemable qualities, characterized by poor flow, annoyed voices, 38 00:02:11,040 --> 00:02:16,240 Speaker 1: and stupid lyrics. And the example was Birdman, WHOA that 39 00:02:16,320 --> 00:02:18,919 Speaker 1: was one of them. He had other ones too. 40 00:02:19,000 --> 00:02:21,959 Speaker 3: Can don't just give one because he gave He gave 41 00:02:22,000 --> 00:02:23,480 Speaker 3: a lot of rappers for context. 42 00:02:23,880 --> 00:02:25,799 Speaker 2: We can't just say Birdman. 43 00:02:26,040 --> 00:02:30,760 Speaker 1: That that's the name that we know all one context. 44 00:02:30,440 --> 00:02:33,799 Speaker 5: Dude, Ice JJ fish is a perfect example. 45 00:02:34,040 --> 00:02:35,480 Speaker 2: What is you talking about? I don't know. 46 00:02:35,760 --> 00:02:37,560 Speaker 4: I don't only take that serious. We can't even call 47 00:02:37,600 --> 00:02:38,040 Speaker 4: that rapping. 48 00:02:38,160 --> 00:02:40,440 Speaker 3: But that's why in the video he was giving levels 49 00:02:40,440 --> 00:02:40,920 Speaker 3: of trash. 50 00:02:41,280 --> 00:02:42,399 Speaker 4: I understand what you're saying. 51 00:02:42,400 --> 00:02:44,920 Speaker 3: Hey, so Girlman was the best level of trash, and 52 00:02:45,000 --> 00:02:46,040 Speaker 3: I JJ fish. 53 00:02:45,880 --> 00:02:47,639 Speaker 2: Was the lowest. 54 00:02:48,320 --> 00:02:51,040 Speaker 4: Oh okay on the. 55 00:02:51,000 --> 00:02:51,720 Speaker 2: List too, thank you. 56 00:02:51,880 --> 00:02:54,480 Speaker 3: And that's why you just can't say Birdman because you 57 00:02:54,600 --> 00:02:55,639 Speaker 3: use so much context. 58 00:02:55,639 --> 00:02:58,800 Speaker 2: He said, Oh okay, what doesn't even matter. 59 00:02:58,960 --> 00:02:59,760 Speaker 4: He does. 60 00:03:01,360 --> 00:03:06,760 Speaker 1: Levels of trash matter, levels of trash. Yeah, that's why 61 00:03:06,919 --> 00:03:11,760 Speaker 1: for every level he gave so many rappers, so that 62 00:03:12,320 --> 00:03:14,359 Speaker 1: I ain't no levels of trash. Was the thing it 63 00:03:14,600 --> 00:03:20,680 Speaker 1: is that you think there's levels of trash. 64 00:03:20,400 --> 00:03:27,080 Speaker 4: Be put trash? Yeah, what would you put real trapping? 65 00:03:27,120 --> 00:03:30,200 Speaker 4: The levels of trash? He's just trash the. 66 00:03:30,120 --> 00:03:33,000 Speaker 1: Way this guy broke it down to the second level. Okay, 67 00:03:33,200 --> 00:03:37,560 Speaker 1: so let me get let me give you some additional context. 68 00:03:37,680 --> 00:03:41,160 Speaker 1: What is talking about. He has the girl boss, the artists, 69 00:03:41,640 --> 00:03:45,320 Speaker 1: the streets, the deep, the pop star, the white guy, 70 00:03:45,440 --> 00:03:49,120 Speaker 1: and the old school. So he just those are levels 71 00:03:50,080 --> 00:03:56,360 Speaker 1: for different characterizations of like the different levels, and Soldier 72 00:03:56,360 --> 00:04:00,000 Speaker 1: Boy was the pop star and bird was the old school. 73 00:04:00,360 --> 00:04:03,400 Speaker 5: He puts Soldier Boy in level one trash trash. 74 00:04:04,680 --> 00:04:08,520 Speaker 1: There's no way you soldier boys and the trash rappers. 75 00:04:08,600 --> 00:04:10,360 Speaker 5: Soldier Boys absolutely not have had this. 76 00:04:10,480 --> 00:04:14,880 Speaker 1: I have had this conversation with them with how was 77 00:04:14,960 --> 00:04:19,039 Speaker 1: how was solgierbley rapper? So if you feel that way, 78 00:04:19,120 --> 00:04:21,239 Speaker 1: then trash. 79 00:04:21,640 --> 00:04:23,039 Speaker 4: That is crazy, y'all. 80 00:04:23,760 --> 00:04:25,920 Speaker 2: He's level two, then you gotta be at. 81 00:04:25,920 --> 00:04:26,600 Speaker 4: Least level two. 82 00:04:26,839 --> 00:04:28,560 Speaker 2: Yeah, so level two is what give me? 83 00:04:29,520 --> 00:04:30,040 Speaker 4: Is a name? 84 00:04:30,480 --> 00:04:31,960 Speaker 2: You know what, he's a name. 85 00:04:32,040 --> 00:04:35,120 Speaker 1: That doesn't mean that's why you have the pop star, 86 00:04:35,200 --> 00:04:36,800 Speaker 1: that's why he's he's a pop star. 87 00:04:36,880 --> 00:04:39,479 Speaker 2: Trash rappers. He was in that level to level two 88 00:04:39,560 --> 00:04:40,040 Speaker 2: is bad. 89 00:04:40,720 --> 00:04:44,320 Speaker 1: I know you still scratched up about Soldier Boy. 90 00:04:44,320 --> 00:04:44,719 Speaker 6: I think. 91 00:04:46,080 --> 00:04:48,240 Speaker 2: That you offended that Soldier Boys. 92 00:04:49,480 --> 00:04:51,560 Speaker 4: Because you think he is. 93 00:04:52,080 --> 00:04:54,320 Speaker 2: I think he's at least level two. So you're that 94 00:04:55,360 --> 00:05:00,160 Speaker 2: he's not trash, but he's not. Can he be trash? Okay? 95 00:05:00,320 --> 00:05:01,200 Speaker 2: Well bad? 96 00:05:01,320 --> 00:05:02,080 Speaker 4: It's Soldierboy. 97 00:05:02,320 --> 00:05:03,200 Speaker 2: You you could. 98 00:05:03,440 --> 00:05:05,240 Speaker 5: You had a whole country. 99 00:05:04,880 --> 00:05:06,000 Speaker 2: Saying you you could. 100 00:05:06,440 --> 00:05:09,279 Speaker 5: He had kid doing the you but he's trash. 101 00:05:09,360 --> 00:05:16,800 Speaker 1: Yeah, that's trash them You got kid, he's a pop star. 102 00:05:17,720 --> 00:05:21,200 Speaker 6: Yeah, how do you You wouldn't to me, you wouldn't 103 00:05:21,200 --> 00:05:26,160 Speaker 6: even entertain trash can entertain soldiable millions of people entertained 104 00:05:26,240 --> 00:05:29,280 Speaker 6: Soldier Boy. 105 00:05:26,880 --> 00:05:33,880 Speaker 1: But this might be a long trash he said, somebody that. 106 00:05:36,640 --> 00:05:37,120 Speaker 4: Internet. U. 107 00:05:37,400 --> 00:05:40,920 Speaker 1: Yeah, it doesn't even matter. Be why it doesn't even matter? 108 00:05:40,960 --> 00:05:43,120 Speaker 1: So bad Rod is probably where you think Soldier Boy 109 00:05:43,160 --> 00:05:46,800 Speaker 1: should be. So bad are rappers whose music can occasionally 110 00:05:46,839 --> 00:05:50,760 Speaker 1: be played in public, sometimes even featuring a listenable verse. 111 00:05:51,320 --> 00:05:53,280 Speaker 2: However, their ability. 112 00:05:52,839 --> 00:05:55,840 Speaker 1: Is limited also to one sound or flow, and that 113 00:05:55,960 --> 00:06:00,560 Speaker 1: may resort to gimmicks, especially and the example that fight. 114 00:06:00,600 --> 00:06:03,240 Speaker 2: Yes and Will Smith that Soldier Boy. 115 00:06:03,320 --> 00:06:07,360 Speaker 1: Yes, so you think so, well, well, we're talking about 116 00:06:07,360 --> 00:06:12,120 Speaker 1: fresh Prince. We're talking Will Smith's not fresh Prince, not 117 00:06:12,279 --> 00:06:15,000 Speaker 1: back in the day that heart. Will Smith is the 118 00:06:15,000 --> 00:06:17,800 Speaker 1: old school guy. And he was talking about the new ship. 119 00:06:17,839 --> 00:06:18,440 Speaker 2: He's just dropped. 120 00:06:18,520 --> 00:06:20,720 Speaker 4: Yes, yeah, if you said a new ship. 121 00:06:21,279 --> 00:06:22,920 Speaker 5: When I saw when I saw it, I was like, 122 00:06:24,440 --> 00:06:24,760 Speaker 5: it's bad. 123 00:06:24,800 --> 00:06:27,920 Speaker 4: I think the new she is kind of trash. She's 124 00:06:27,960 --> 00:06:29,640 Speaker 4: kind of trash. Yeah, yeah, it's trash. 125 00:06:30,040 --> 00:06:34,839 Speaker 1: But he said bad Smith he said, yeah, it's example, 126 00:06:35,120 --> 00:06:37,839 Speaker 1: Soldier Boy would get played more than the new Will Smith. 127 00:06:39,040 --> 00:06:40,239 Speaker 2: Yeah, how. 128 00:06:41,680 --> 00:06:42,520 Speaker 4: That's what I'm saying. 129 00:06:42,800 --> 00:06:47,240 Speaker 5: But y'all he's bad bad, He's. 130 00:06:47,120 --> 00:06:49,360 Speaker 2: In that category. Look, he's not trash. You can't call 131 00:06:49,520 --> 00:06:56,360 Speaker 2: that category either way. He is even I'm he's in 132 00:06:56,440 --> 00:06:57,560 Speaker 2: a bad category. 133 00:06:58,080 --> 00:07:01,039 Speaker 7: He's in the bad I get this if if get so, 134 00:07:01,120 --> 00:07:03,719 Speaker 7: put Soldier Boy into bad and and put Ice Spice 135 00:07:03,720 --> 00:07:04,760 Speaker 7: in trash, switch them. 136 00:07:04,600 --> 00:07:12,000 Speaker 8: To and y'all trash and Ice Spice just described as 137 00:07:12,320 --> 00:07:15,240 Speaker 8: the bad that's she's being played in public. 138 00:07:15,920 --> 00:07:17,160 Speaker 5: Yes, she's bad. 139 00:07:17,400 --> 00:07:25,880 Speaker 1: Yeah, yeah, though, because I think this is revision is history, man, I. 140 00:07:27,760 --> 00:07:30,360 Speaker 2: Thought she had a career based on the video. 141 00:07:30,680 --> 00:07:33,440 Speaker 3: He played three different songs and it was the same flow, Bro, 142 00:07:34,000 --> 00:07:34,920 Speaker 3: it was the same ship. 143 00:07:34,960 --> 00:07:38,160 Speaker 1: That don't mean it's trash either way. 144 00:07:38,200 --> 00:07:41,920 Speaker 2: So next level three rides we got. Level three is mid. 145 00:07:42,080 --> 00:07:44,960 Speaker 1: This level describes rap that is neither good nor bad 146 00:07:45,040 --> 00:07:48,080 Speaker 1: off the serve. That's background music and suitable for situations. 147 00:07:48,400 --> 00:07:51,680 Speaker 1: We're not offending people is the goal. These artists may 148 00:07:51,720 --> 00:07:54,080 Speaker 1: have more than one flow and some surface level wordplay, 149 00:07:54,120 --> 00:07:59,080 Speaker 1: but their lyrics are blanding forgettable. Examples are Tiger money 150 00:07:59,080 --> 00:08:00,680 Speaker 1: Bag you know and trap this Scott. 151 00:08:01,400 --> 00:08:07,560 Speaker 4: I've never listened cra Yeah as a rapper, what what? 152 00:08:07,720 --> 00:08:09,120 Speaker 4: Maybe I don't understand. 153 00:08:08,800 --> 00:08:10,640 Speaker 2: That based off of that base off I think you're 154 00:08:10,640 --> 00:08:12,400 Speaker 2: going by name right. I think you keep focusing on 155 00:08:12,960 --> 00:08:13,840 Speaker 2: what's right. 156 00:08:13,960 --> 00:08:16,120 Speaker 4: Yeah, but they can still be a. 157 00:08:16,400 --> 00:08:21,120 Speaker 1: Man sounds show me he's a pop star, mid artist? 158 00:08:21,840 --> 00:08:23,040 Speaker 2: Is he not rapper? 159 00:08:23,680 --> 00:08:23,760 Speaker 1: Like? 160 00:08:23,800 --> 00:08:24,400 Speaker 2: What does he do? 161 00:08:24,800 --> 00:08:26,880 Speaker 5: Always purely talking about rap? 162 00:08:27,120 --> 00:08:30,280 Speaker 2: Yes, yes, yeah out there. 163 00:08:30,680 --> 00:08:32,560 Speaker 1: That's why you get confused because you're thinking of like 164 00:08:32,800 --> 00:08:35,640 Speaker 1: the totality. 165 00:08:35,200 --> 00:08:38,600 Speaker 2: We're talking ability, we're talking about the people. 166 00:08:40,840 --> 00:08:44,720 Speaker 1: Yes, every level of rapping. 167 00:08:44,720 --> 00:08:46,600 Speaker 2: We're not going that's what I'm saying. I think he 168 00:08:46,640 --> 00:08:49,040 Speaker 2: was because he always giving me a heart attack. I'm like, 169 00:08:49,080 --> 00:08:50,160 Speaker 2: what are you talking about? 170 00:08:50,200 --> 00:08:53,040 Speaker 5: We're not We're not going over the spectacle. 171 00:08:54,320 --> 00:08:58,520 Speaker 2: We're talking to rap rap. That's all we're saying. Judge 172 00:08:58,559 --> 00:09:00,360 Speaker 2: the rap. Judge the rap, not. 173 00:09:01,840 --> 00:09:02,080 Speaker 4: Rash. 174 00:09:02,240 --> 00:09:05,040 Speaker 2: We're not judging how much you can sell. We're not judging. 175 00:09:05,920 --> 00:09:07,360 Speaker 5: Yeah, we're not judging. 176 00:09:07,000 --> 00:09:11,880 Speaker 2: None of that. And ry it's trash. That's right. If 177 00:09:11,920 --> 00:09:12,280 Speaker 2: I tell this. 178 00:09:12,360 --> 00:09:14,720 Speaker 5: Nigga rapt me going here. 179 00:09:17,000 --> 00:09:18,760 Speaker 2: Rap alright, that's what I'm saying. 180 00:09:18,800 --> 00:09:21,200 Speaker 1: I get it now, Okay, because I was about to say, 181 00:09:21,280 --> 00:09:28,840 Speaker 1: what the fucking mind of Twilight on Travis Scott rules, 182 00:09:29,040 --> 00:09:33,960 Speaker 1: I didn't know that this was God seven levels a rapper. 183 00:09:34,520 --> 00:09:37,480 Speaker 1: Then you read that, Yeah, but I don't remember rappers. Okay, 184 00:09:37,679 --> 00:09:39,240 Speaker 1: the the mid rappers are who again? 185 00:09:39,360 --> 00:09:41,480 Speaker 4: Can Travis Scott right? 186 00:09:41,840 --> 00:09:43,959 Speaker 2: Yeah, Tiger and Travis Scott. 187 00:09:44,040 --> 00:09:45,600 Speaker 5: Yes, all right, that niggas is men. 188 00:09:45,800 --> 00:09:49,720 Speaker 2: So next stuff is okay? Level four? Okay, okay rappers. 189 00:09:49,800 --> 00:09:53,319 Speaker 1: Level four rappers are respected rappers, could be introspective, you sass. 190 00:09:53,360 --> 00:09:54,960 Speaker 2: Flows are impressive rhyme schemes. 191 00:09:55,440 --> 00:09:58,520 Speaker 1: They are generally well regarded by casual listeners and o D, 192 00:09:59,040 --> 00:10:01,120 Speaker 1: but they're still considered decent rather than great. 193 00:10:01,559 --> 00:10:03,600 Speaker 2: Any can y'all guess it was? Okay? I think they 194 00:10:03,600 --> 00:10:06,760 Speaker 2: put in there Big Shine, I can't remember the third. 195 00:10:06,800 --> 00:10:10,120 Speaker 1: Big Shane is definitely in the okay level. They got Cordon, 196 00:10:11,840 --> 00:10:15,640 Speaker 1: that's Jack Carlow. I think Jack Carlow Jack Carlow level. 197 00:10:15,440 --> 00:10:16,960 Speaker 2: Three the next level. 198 00:10:17,280 --> 00:10:17,720 Speaker 4: Yeah. 199 00:10:17,920 --> 00:10:22,079 Speaker 1: Do you all agree with Jodan Lucas albums. 200 00:10:23,000 --> 00:10:23,520 Speaker 4: As okay? 201 00:10:23,840 --> 00:10:25,560 Speaker 3: Joiners a tear above that? 202 00:10:26,760 --> 00:10:30,280 Speaker 2: What's the So you think Jordan the local Joiner would 203 00:10:30,280 --> 00:10:33,199 Speaker 2: be in the good level? Level five? Yes, Joiners a 204 00:10:33,240 --> 00:10:35,080 Speaker 2: good rapper, So level five rappers? 205 00:10:35,640 --> 00:10:38,080 Speaker 4: You don't think Big Shan is a good rapper? 206 00:10:38,240 --> 00:10:41,200 Speaker 1: I think Big Sho always know he's okay. 207 00:10:41,200 --> 00:10:44,680 Speaker 2: He's definitely level four because he balances. 208 00:10:44,720 --> 00:10:49,280 Speaker 1: That's weird because earlier it's like but like recent, Yes, 209 00:10:49,360 --> 00:10:50,320 Speaker 1: he has a lot of moment. 210 00:10:51,240 --> 00:10:52,240 Speaker 4: Yeah, this rabbit. 211 00:10:52,360 --> 00:10:55,680 Speaker 2: You know what we heard the album, Bro, that's an 212 00:10:55,720 --> 00:11:04,120 Speaker 2: okay album. Talking about albums on the album was was mid. 213 00:11:04,160 --> 00:11:06,839 Speaker 4: I could Sean and the good. 214 00:11:06,760 --> 00:11:08,640 Speaker 2: Junk rapping on his album. 215 00:11:08,679 --> 00:11:12,240 Speaker 1: We're talking about totality of the rapper. I said rapping, 216 00:11:12,960 --> 00:11:15,559 Speaker 1: rapping on his last album was good. We've heard Big 217 00:11:15,600 --> 00:11:18,679 Speaker 1: Sean wrap up next to Kendrick. We've heard him wrap 218 00:11:18,840 --> 00:11:22,160 Speaker 1: up next to to Apps, So we've heard him rap. 219 00:11:22,400 --> 00:11:24,600 Speaker 5: You know, just you don't just put Big Sean on 220 00:11:24,640 --> 00:11:25,079 Speaker 5: the on. 221 00:11:25,120 --> 00:11:27,559 Speaker 1: Records with these guys that can rap if he can't run. 222 00:11:29,480 --> 00:11:30,640 Speaker 2: Rapp with good rappers. 223 00:11:30,640 --> 00:11:34,000 Speaker 1: Bro, but that's not the same King, But it's not 224 00:11:34,000 --> 00:11:36,640 Speaker 1: the same, like like Big Sean consistently rapped with other 225 00:11:36,679 --> 00:11:43,599 Speaker 1: good rappers. Yeah, but then what happens when he rapped himself? 226 00:11:42,040 --> 00:11:45,520 Speaker 5: I put you like this, if they got him at okay, 227 00:11:46,400 --> 00:11:46,760 Speaker 5: if they. 228 00:11:46,679 --> 00:11:48,319 Speaker 2: Had him make good, I went, I went on that 229 00:11:48,800 --> 00:11:52,440 Speaker 2: he would like That's what I say under and that's 230 00:11:52,440 --> 00:11:52,640 Speaker 2: why I. 231 00:11:52,600 --> 00:11:56,520 Speaker 1: Said he's okay. If you would have told twenty eleven 232 00:11:56,559 --> 00:11:58,800 Speaker 1: Bevis that I would end up someone coming around the 233 00:11:58,800 --> 00:12:01,800 Speaker 1: Big Sean out of be like you also, yeah. 234 00:12:01,920 --> 00:12:02,920 Speaker 2: That's fine for that. 235 00:12:03,360 --> 00:12:06,160 Speaker 5: I gotta put him one, UND say he's fifty to fifty. 236 00:12:06,559 --> 00:12:09,199 Speaker 2: He could be good, but he's also okay. 237 00:12:09,000 --> 00:12:10,560 Speaker 4: It's right, you feel like he's good, like you feel 238 00:12:10,559 --> 00:12:11,280 Speaker 4: like he's good. 239 00:12:14,040 --> 00:12:15,160 Speaker 2: Okay, so you think that. 240 00:12:15,400 --> 00:12:18,040 Speaker 1: So you guys think Big Shan is as a level 241 00:12:18,160 --> 00:12:21,839 Speaker 1: five rapper. Rappers at this level possessed undernovel skill that 242 00:12:21,920 --> 00:12:24,720 Speaker 1: can hold it on against most others. Yes, and selling 243 00:12:24,800 --> 00:12:28,880 Speaker 1: wordplay double entendres storyteller earned respect from most of the sure, 244 00:12:29,360 --> 00:12:32,120 Speaker 1: though some purists might just consider them. 245 00:12:32,160 --> 00:12:35,959 Speaker 2: Okay, that's big, Yeah, that's big, that's big. Sure, that's 246 00:12:36,080 --> 00:12:37,280 Speaker 2: that's description. We just. 247 00:12:39,480 --> 00:12:44,800 Speaker 1: We just said, and he killed the Red Bulls ship. 248 00:12:45,760 --> 00:12:47,959 Speaker 1: So some of the examples of Kanye, DM Drake and 249 00:12:48,040 --> 00:12:51,719 Speaker 1: Chance the Rapper good level five rappers, which are good 250 00:12:52,280 --> 00:12:55,880 Speaker 1: that one time, MS Drake, Chance the Rapper, and Kanye 251 00:12:56,640 --> 00:12:57,520 Speaker 1: level five rappers. 252 00:12:58,240 --> 00:12:59,040 Speaker 4: I can keep them there. 253 00:12:59,080 --> 00:13:02,680 Speaker 3: I put Big Shan there, Yeah, because the purest wouldn't 254 00:13:02,679 --> 00:13:06,520 Speaker 3: necessarily like love them, but they're undeniable. 255 00:13:06,120 --> 00:13:07,920 Speaker 4: Like they're good, all right, So yeah. 256 00:13:08,080 --> 00:13:10,960 Speaker 2: I think that's too should be easy. 257 00:13:11,200 --> 00:13:16,400 Speaker 1: Great artists are highly this level sis artists are highly intricate, 258 00:13:16,480 --> 00:13:18,840 Speaker 1: and the man attention when they're rapping. They can master 259 00:13:18,960 --> 00:13:21,880 Speaker 1: various fees and never lose their timing. They command instaged 260 00:13:21,920 --> 00:13:24,160 Speaker 1: from hip hop and fans that often remain relevant in 261 00:13:24,280 --> 00:13:27,960 Speaker 1: the underground for decades, inspiring future generations. 262 00:13:28,360 --> 00:13:32,160 Speaker 2: Examples are m F. Doom Common and RICKI, MF. 263 00:13:32,280 --> 00:13:35,120 Speaker 4: Doom Common and Rock Kim. It's a level above that. 264 00:13:35,520 --> 00:13:38,160 Speaker 2: Yeah, there's one more level. This is level six rappers. 265 00:13:38,400 --> 00:13:40,240 Speaker 4: And you're saying that these rappers aren't level six? 266 00:13:40,920 --> 00:13:41,320 Speaker 2: These are? 267 00:13:41,559 --> 00:13:44,080 Speaker 1: These are You're saying that these rappers aren't level seven? 268 00:13:44,280 --> 00:13:46,640 Speaker 1: These are They're not level seven, they're level six. 269 00:13:46,800 --> 00:13:47,719 Speaker 2: We're saying m F. 270 00:13:47,840 --> 00:13:50,080 Speaker 5: Doom is at level seven rappers six. 271 00:13:50,640 --> 00:13:51,439 Speaker 4: No, no, no, it's not. 272 00:13:51,960 --> 00:13:55,440 Speaker 1: He's not saying you're saying what are y'all saying? Are 273 00:13:55,559 --> 00:13:57,120 Speaker 1: y'all me personally? 274 00:13:57,440 --> 00:13:57,480 Speaker 4: Me? 275 00:13:58,320 --> 00:13:58,480 Speaker 8: FI? 276 00:13:59,360 --> 00:14:01,520 Speaker 4: Yes, you think level six and not seven? 277 00:14:01,679 --> 00:14:01,880 Speaker 2: Yeah? 278 00:14:03,240 --> 00:14:04,080 Speaker 4: Do you think that too? 279 00:14:04,240 --> 00:14:06,599 Speaker 2: I think he could be a could be considered a 280 00:14:06,679 --> 00:14:07,520 Speaker 2: level seven rappers. 281 00:14:07,559 --> 00:14:09,520 Speaker 4: He absolutely is a fucking level seven rapper. 282 00:14:09,520 --> 00:14:10,480 Speaker 2: When we're talking about. 283 00:14:12,640 --> 00:14:16,280 Speaker 1: The description in the level seven Ken level seven rappers 284 00:14:16,400 --> 00:14:17,400 Speaker 1: extremely rare. 285 00:14:18,160 --> 00:14:20,479 Speaker 2: These rappers appear once in a generation. 286 00:14:20,280 --> 00:14:23,600 Speaker 1: Can perform at an elite level across all aspects of rap. 287 00:14:24,960 --> 00:14:26,840 Speaker 2: This is all rare rap. 288 00:14:26,960 --> 00:14:29,280 Speaker 4: He's respected on every level at this point. 289 00:14:29,520 --> 00:14:32,320 Speaker 1: But he can't perform on all aspects of rap, so 290 00:14:32,600 --> 00:14:35,640 Speaker 1: so let me finish. They see rapping four D capable 291 00:14:35,680 --> 00:14:39,400 Speaker 1: of complex and simple five flows, thriving in both. 292 00:14:39,320 --> 00:14:41,480 Speaker 2: Underground and mainstream scenes. 293 00:14:41,920 --> 00:14:45,240 Speaker 1: Their unique voices are instantly recognizable and impossible to copy, 294 00:14:45,640 --> 00:14:51,000 Speaker 1: and the examples are Pre Kardashian, Kanye Andre three thousand, 295 00:14:51,160 --> 00:14:56,680 Speaker 1: Jay z, Kenjil Lamarin, Prime, Eminel, Ghosts. Right, MF Doom 296 00:14:56,960 --> 00:14:59,840 Speaker 1: has to go in this category because MF dude does 297 00:14:59,880 --> 00:15:00,760 Speaker 1: it cross over. 298 00:15:00,680 --> 00:15:01,320 Speaker 4: To the commercial. 299 00:15:01,680 --> 00:15:03,840 Speaker 1: And I said, that's bullshit, to to this, to this 300 00:15:04,040 --> 00:15:07,360 Speaker 1: what I think that sucks up this whole whole. We 301 00:15:07,400 --> 00:15:09,320 Speaker 1: don't we don't have to follow it in this totality. 302 00:15:09,360 --> 00:15:12,200 Speaker 1: I mean, we're just exactly, I think exactly. I think 303 00:15:12,240 --> 00:15:14,920 Speaker 1: that I think this is skewed because you only give it, 304 00:15:15,200 --> 00:15:17,920 Speaker 1: you're only giving mainstream rappers an opportunity to know that 305 00:15:18,040 --> 00:15:20,760 Speaker 1: that's not about But I do understand why he why 306 00:15:20,800 --> 00:15:22,800 Speaker 1: he's doing that, because he's like these guys are like 307 00:15:23,640 --> 00:15:26,320 Speaker 1: the MJ's of the game, like household name. 308 00:15:28,240 --> 00:15:29,280 Speaker 4: No no no no no no no no no no. 309 00:15:29,880 --> 00:15:33,200 Speaker 1: What he said in describing it is that you can 310 00:15:33,320 --> 00:15:36,840 Speaker 1: do the underground ship and you have respect there, and 311 00:15:37,040 --> 00:15:39,120 Speaker 1: you do the commercial ship and you have hell respect 312 00:15:39,160 --> 00:15:42,880 Speaker 1: there and f dude doesn't have respect in the commercial. 313 00:15:42,640 --> 00:15:44,840 Speaker 5: Aspect of the game. But yeah, that's why I feel 314 00:15:44,880 --> 00:15:45,840 Speaker 5: like the ship is skewed. 315 00:15:46,000 --> 00:15:48,320 Speaker 1: But it's not skewed because if you're not, but if 316 00:15:48,320 --> 00:15:52,720 Speaker 1: you're level seven, that means you master it all. The 317 00:15:52,840 --> 00:15:56,920 Speaker 1: only thing about the level seven is well not because 318 00:15:57,360 --> 00:16:00,760 Speaker 1: he had black thought seven. Black was in the roots 319 00:16:00,800 --> 00:16:05,040 Speaker 1: and he crossed over put that pool from m F Doom. Yeah, 320 00:16:05,720 --> 00:16:06,960 Speaker 1: like on the mainstream level. 321 00:16:07,080 --> 00:16:10,640 Speaker 5: So so here here's what I think that So we're 322 00:16:10,680 --> 00:16:12,360 Speaker 5: not putting Billy Woods at level seven. 323 00:16:12,880 --> 00:16:14,720 Speaker 2: So okay, see that's what I'm saying. 324 00:16:14,840 --> 00:16:18,600 Speaker 1: So let's do this, let's do this, let's do this, 325 00:16:18,760 --> 00:16:23,800 Speaker 1: let's do this because this is due plays rappers, this 326 00:16:24,000 --> 00:16:27,040 Speaker 1: is his descriptions, his levels. 327 00:16:27,240 --> 00:16:28,560 Speaker 2: So we need to come up with our own listen, 328 00:16:28,600 --> 00:16:30,920 Speaker 2: because clearly we have our own version of that. 329 00:16:31,200 --> 00:16:33,520 Speaker 3: Yes, right, because so we need to come up with 330 00:16:33,640 --> 00:16:34,360 Speaker 3: five rappers. 331 00:16:34,480 --> 00:16:38,040 Speaker 1: And we talked about rappers, So you're saying Car isn't 332 00:16:38,080 --> 00:16:39,160 Speaker 1: a level seven rapper. 333 00:16:39,160 --> 00:16:41,480 Speaker 2: That's what I'm saying. We need to crazy. 334 00:16:41,600 --> 00:16:46,520 Speaker 1: What I'm saying is I think for us, the definition 335 00:16:46,680 --> 00:16:50,200 Speaker 1: of level seven rappers would be different. Yes, so that's 336 00:16:50,240 --> 00:16:52,240 Speaker 1: what I'm saying, Like, this is what he had. 337 00:16:52,360 --> 00:16:53,840 Speaker 4: That's why I said, excuse. 338 00:16:53,560 --> 00:16:58,800 Speaker 1: So based on his definitions, I don't disagree with it, 339 00:16:58,920 --> 00:17:01,760 Speaker 1: but I think our descriptions would be different. 340 00:17:01,800 --> 00:17:04,879 Speaker 4: I think we absolutely what this should be. Absolutely bro. 341 00:17:05,040 --> 00:17:07,360 Speaker 7: Yeah, I'm gonna say if anything y'all can do, y'all 342 00:17:07,400 --> 00:17:10,399 Speaker 7: can revisit this and actually actively do the tearless like 343 00:17:10,480 --> 00:17:13,320 Speaker 7: y'all actually sit there and decide which rappers like or 344 00:17:13,640 --> 00:17:15,000 Speaker 7: place them, you know, how you want to do. 345 00:17:15,240 --> 00:17:18,880 Speaker 1: His description isn't given like, actually, we're talking about rapping, y'all. 346 00:17:19,000 --> 00:17:20,560 Speaker 4: Y'all got me corrected early on. 347 00:17:20,640 --> 00:17:24,040 Speaker 1: If we're talking about rapping ability, the motherfuckers. 348 00:17:23,600 --> 00:17:26,000 Speaker 5: Can wrap m F doom Ca, all them niggas can 349 00:17:26,080 --> 00:17:26,680 Speaker 5: wrap ro. 350 00:17:27,480 --> 00:17:29,080 Speaker 4: All them niggas are elite rappers. 351 00:17:29,200 --> 00:17:31,720 Speaker 1: I'm not saying that they're not. But that's what y'all 352 00:17:31,800 --> 00:17:34,440 Speaker 1: was telling me. We're talking about the rapping and that's it. 353 00:17:34,760 --> 00:17:38,280 Speaker 1: But but but we were talking about crossover appeal underground. 354 00:17:38,280 --> 00:17:40,280 Speaker 1: I'm not I was trying to do, but I wasn't 355 00:17:40,320 --> 00:17:41,800 Speaker 1: talking about crossover appeal. 356 00:17:41,880 --> 00:17:42,159 Speaker 4: That's what. 357 00:17:44,200 --> 00:17:47,359 Speaker 1: His description is, saying that they mastered the game regardless 358 00:17:47,400 --> 00:17:48,880 Speaker 1: of whatever it is that you put them. 359 00:17:48,800 --> 00:17:51,840 Speaker 2: On driving underground and mainstream. 360 00:17:52,000 --> 00:17:55,160 Speaker 1: So but whit why you're throwing in underground and mainstream 361 00:17:55,200 --> 00:17:58,840 Speaker 1: if we're only talking about the rapping because their rapping 362 00:17:58,920 --> 00:18:01,360 Speaker 1: ability is able to crops over the boat. 363 00:18:01,440 --> 00:18:01,920 Speaker 4: But m F. 364 00:18:02,000 --> 00:18:04,680 Speaker 1: Doom and all those guys, they didn't have a desire 365 00:18:04,800 --> 00:18:05,159 Speaker 1: to do that. 366 00:18:05,240 --> 00:18:07,400 Speaker 2: Okay, And that's fine. And so you didn't master all 367 00:18:07,440 --> 00:18:10,760 Speaker 2: seven levels of the game. Oh my god, it's simple. 368 00:18:11,440 --> 00:18:13,400 Speaker 2: Oh my god. But you know they had a fucking 369 00:18:13,480 --> 00:18:14,320 Speaker 2: ability to do it. 370 00:18:14,760 --> 00:18:17,720 Speaker 4: But they have it, damn it. 371 00:18:18,000 --> 00:18:20,720 Speaker 1: Have you ever heard rock Barcia on the radio and 372 00:18:21,560 --> 00:18:26,080 Speaker 1: rock BARSI now, Jesus Christ, he ain't love, he ain't 373 00:18:26,160 --> 00:18:27,560 Speaker 1: mastered all seven levels? 374 00:18:28,560 --> 00:18:38,280 Speaker 8: Oh god, God, that's fat, that's fat ship. 375 00:18:38,400 --> 00:18:45,000 Speaker 4: Yoo God, damn. 376 00:18:46,800 --> 00:18:50,120 Speaker 1: Look in the defense, all I'm saying is there's one 377 00:18:50,200 --> 00:18:52,119 Speaker 1: thing that all of those rappers that you name have 378 00:18:52,240 --> 00:18:55,600 Speaker 1: bro because they because because they can dabble, because they're here, 379 00:18:55,720 --> 00:18:57,280 Speaker 1: so they could dabble in the under ground if they 380 00:18:57,359 --> 00:18:57,639 Speaker 1: want to. 381 00:18:58,000 --> 00:18:59,720 Speaker 5: But you got rappers like the MS Duds, and the 382 00:18:59,720 --> 00:19:01,600 Speaker 5: abillity was that don't have a desire to do it. 383 00:19:01,880 --> 00:19:05,280 Speaker 9: That doesn't mean that they can't fucking do it all right, man, 384 00:19:08,200 --> 00:19:11,600 Speaker 9: conversation right, hey, man, let us know what you guys 385 00:19:11,640 --> 00:19:16,040 Speaker 9: think when you plays definitions of what these levels, these 386 00:19:16,119 --> 00:19:17,879 Speaker 9: seven levels of rappers are whatever. 387 00:19:19,720 --> 00:19:22,879 Speaker 2: And I think we need to revisit this and do 388 00:19:23,000 --> 00:19:25,520 Speaker 2: our own thing. But let us know what you guys think. 389 00:19:25,600 --> 00:19:25,679 Speaker 1: Man. 390 00:19:25,720 --> 00:19:34,800 Speaker 2: We'll cut you guys necessary. We all Jesus crazy video. 391 00:19:35,119 --> 00:19:36,119 Speaker 4: Oh my god,