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Speaker 1: That in hip Hop album review Joey Badass Lonely at

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Speaker 1: the Top. Now, look before we get into the review,

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Speaker 1: become yeah, yeah, I know he did. Become a Patreon,

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Speaker 1: become a YouTube member. We got Hella extra content. So

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Speaker 1: if you are a fan of that in hip hop,

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Speaker 1: which is probably why you're here, there's a whole bunch

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Speaker 1: of other stuff. There's a whole other world that you

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Speaker 1: have not even discovered yet. So all of the D

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Speaker 1: three sixty five joints that me and Ken do, they

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Speaker 1: get dropped there first. So againting patreons and YouTube members

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Speaker 1: get it first. Also request line, we just did it.

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Speaker 1: Shout out the blue zones again. He nominated Ericabadu Mama's Gun,

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Speaker 1: So that is dropping this month. We got Hella other

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Speaker 1: joints that we've already did. So become a patren. You

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Speaker 1: know what I'm saying. If you want more than in

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Speaker 1: hip hop content. That being said, Joey Badass Lonely at

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Speaker 1: the Top at.

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Speaker 2: The bottom, huh wait, look, look we're gonna talk about that.

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Speaker 1: I feel like this was the perfect album title to

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Speaker 1: describe the album. The best ones is only at the top,

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Speaker 1: and it was crowded at the bottom. We've been talking

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Speaker 1: about Joey Badass all twenty twenty five. R Like it

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Speaker 1: came out in January, throwing shots and darts or whatever

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Speaker 1: the hell you want to call it, to the West

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Speaker 1: Coast and you know, being King of New York and

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Speaker 1: all of this type of stuff. Right, So I love

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Speaker 1: how he opened this up with Dark Aura, Like that

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Speaker 1: felt like the embodiment of like, yeah, nigga, I run

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Speaker 1: New York. And then he follows that up with Swink

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Speaker 1: White again with West Side Gun Hey, shout out the

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Speaker 1: West Side Gun. Bro, like this, Hey, that was my

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Speaker 1: favorite album. Yeah, that's one of the.

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Speaker 3: Best ones Strangers produced.

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Speaker 1: Dark Yeah, that's hard as hell, you know what I'm saying.

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Speaker 1: So I'm like, oh, ship, We're off to a really

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Speaker 1: good start. Then super Flea, super Fly. I don't know

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Speaker 1: how you say it, you know what I'm saying, super Flea.

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Speaker 1: It came out and I'm like, Okay, it's a little different.

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Speaker 1: I get it because it felt like that early two

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Speaker 1: thousands fabulous type ship.

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Speaker 4: I was like, I was like, what the right, Yeah,

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Speaker 4: I was like, what happened happened?

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Speaker 2: Literally? Like yo, it was like is this the same? Yeah? Bro?

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Speaker 2: This is this had to be the biggest miss of

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Speaker 2: the yeargest you get there.

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Speaker 1: But I understood the era came from. That's all I'm saying.

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Speaker 1: That's not what I thought we were doing to shoot

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Speaker 1: him a little bit of bell. He became popular because

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Speaker 1: he was a retro.

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Speaker 2: Rapper, but not that type of retro.

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Speaker 3: I know, I can see why he would.

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Speaker 1: But not necessarily on this project, especially after those two.

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Speaker 2: And also yeah no, no, no no.

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Speaker 5: But also like he.

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Speaker 1: Was saying, he's king of New York, and I felt

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Speaker 1: like he started it off good. That one was questionable.

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Speaker 1: I'm like, Okay, I can live with it. I don't

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Speaker 1: you know. It ain't what I wanted, but I could

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Speaker 1: live with it. But then here comes the high roller

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Speaker 1: and then the joint with tie dollars side, and I'm like, okay,

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Speaker 1: what the funk happened here? Like like how do we

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Speaker 1: detour so fucking hard?

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Speaker 2: Right?

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Speaker 1: And then we get to b case Finusch. I'm like, all,

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Speaker 1: I bet you know. I liked rome on there brought

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Speaker 1: it back.

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Speaker 2: He kind of brought it back a little bit.

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Speaker 6: But then that was like, I like CJ on there, huh,

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Speaker 6: CJ sounding basic on that of me?

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Speaker 2: I was cool c j O. Yeah, he sounded basic.

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Speaker 1: And then it just lost it lost all type of

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Speaker 1: steam until the joint with absl and Rhapsody, and then

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Speaker 1: it was just like the last one was like even

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Speaker 1: that one was a little, a little underwhelming wrap it

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Speaker 1: was underwhelming based off of the names that we saw

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Speaker 1: on there, and and that's why I.

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Speaker 5: Was like that did in mind Underwater under Underwater Water

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Speaker 5: was fine.

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Speaker 2: He was doing something.

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Speaker 7: Different rappid wise with Underwater and vocally, so I kind

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Speaker 7: of I kind of liked.

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Speaker 1: What he did with Underwater. But the rest of the way,

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Speaker 1: we're we're talking three joints album. Yeah, we're talking three joints.

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Speaker 1: We're talking three out of fourteen that we really fun with.

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Speaker 7: You started the project off nice, but then the title

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Speaker 7: track was lack looked like.

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Speaker 1: Eleven, he said, fourteen out of eleven, out of eleven,

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Speaker 1: we only like three.

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Speaker 6: I don't know what's going on with everybody in this sequencing, man, Like.

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Speaker 2: The sequences the songs was bad. There was no way

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Speaker 2: to fix that.

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Speaker 1: I feel you should have made that EP. Yeah, you

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Speaker 1: should have just he should have just dropped the solid EP.

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Speaker 8: He said, it's a miss tape. Oh he did yeah,

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Speaker 8: he said, this is a mis tape. Oh that's what

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Speaker 8: he's saying. That's what he's saying.

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Speaker 5: I'm still judging because he released it.

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Speaker 3: He said, it's a mis tape.

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Speaker 8: That's the the cop band.

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Speaker 2: They don't the pr.

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Speaker 5: You still put you still put this together and you

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Speaker 5: released it to the pub.

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Speaker 2: They don't have mixed feel No they don't. You don't

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Speaker 2: put a song like dark or No.

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Speaker 6: And then then the swank joint and saying no something happened,

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Speaker 6: like yeah, I don't know what happened.

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Speaker 5: I don't know. It was a label situation because I

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Speaker 5: remember he was supposed to drop it, and then they

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Speaker 5: kind of they kind of like.

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Speaker 2: Me, man, I think, agree, go.

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Speaker 5: Ahead, you're prob about to say everything I'm.

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Speaker 2: Thinking about it.

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Speaker 6: I mean, it's just it's the biggest miss, bro, It's

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Speaker 6: the biggest miss in all in.

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Speaker 7: Every way, because you just took on the West Coast everywhere,

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Speaker 7: like you you kind of people kind of look at

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Speaker 7: you as the winner in that like you took on

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Speaker 7: the West Coast, came out with those two joints.

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Speaker 5: Those dope joints were conductor.

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Speaker 7: I was like, okay, I'm kind of looking.

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Speaker 2: Forward to a joint bad ass.

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Speaker 7: I'm thinking he was gonna kind of recapture that magic

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Speaker 7: a little bit.

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Speaker 2: I'm rich you right, so bad.

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Speaker 7: Nothing, Bro, this is the biggest fumble of twenty twenty five.

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Speaker 7: I would say I would say it's bigger fumbled than

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Speaker 7: Wayne because at this point, what kind.

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Speaker 2: Of expect Wayne is way bey on this still like.

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Speaker 7: Yeah, really solidify like New York rapping. This is New

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Speaker 7: York rap, bro, and I'm I'm a nigga and that ship.

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Speaker 3: You know what I'm saying, Yes, yes, super fail, yes,

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Speaker 3: super fail.

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Speaker 7: Like I said, even with the raps a soul feature,

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Speaker 7: it was that song was very underwhelming.

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Speaker 3: Bro, he only was rap.

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Speaker 2: Yeah, Like, what are you doing right? Yeah? This this

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Speaker 2: was a frustrating listen.

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Speaker 3: I tried to worry.

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Speaker 2: I was disappointed, man, Like, like I was rooting for him, man,

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Speaker 2: I was rooting for you, rooting for you out because

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Speaker 2: it was like one point two seconds bro, he topped out. Yeah,

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Speaker 2: I was really rooting for him.

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Speaker 5: I was like, man, I was like, I hope this

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Speaker 5: album hits.

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Speaker 2: Because even the cover seemed like he about to go dark.

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Speaker 7: Yeah he started when he started with the first Yeah,

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Speaker 7: I'm like, okay, because that intro so hard, Bro, I

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Speaker 7: like that the first two tracks is my favorite. That

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Speaker 7: in underwater that's where he got me at.

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Speaker 3: Yeah, I was like, man, what is happening?

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Speaker 2: Yes, Bro, I couldn't believe it.

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Speaker 3: Anybody asked us through this, No, I don't think so

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Speaker 3: we didn't get one.

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Speaker 2: Okay, maybe at least at least I didn't.

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Speaker 3: Say it normally. You know people, Yeah, okay, I haven't

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Speaker 3: seen it.

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Speaker 2: I haven't seen it. I haven't seen it.

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Speaker 5: What do you think since you've been trying to want

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Speaker 5: to look, I was.

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Speaker 8: Just coming or you or you would just kind of

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Speaker 8: like I wasn't as hype about some of the stuff

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Speaker 8: that he was.

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Speaker 3: Don't remember.

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Speaker 8: So, you know, he conduct he had a couple of

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Speaker 8: good joints, He had a couple of good he had

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Speaker 8: a couple of drunks, but everything he basically he did

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Speaker 8: all this ship for nothing.

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Speaker 3: Bro. Yeah. Yeah, Like it's a flop, you know, and

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Speaker 3: a real flop.

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Speaker 2: This is a pitome of a flop. Yes, this is

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Speaker 2: the pitome of a flop.

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Speaker 1: Yeah, because it was so hyped up because of everything

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Speaker 1: that happened at the beginning of the year. So it's

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Speaker 1: like you made your project, your next project anticipated.

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Speaker 3: Less than nine thousand units.

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Speaker 2: I even look at the time.

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Speaker 7: Yeah, Joy Badass new album Lonely at the Time fails

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Speaker 7: to chart on the Billboard two hundred less than nine

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Speaker 7: k units. So first week he was making the album

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Speaker 7: of his career to debut on the chart, he didn't

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Speaker 7: make it.

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Speaker 3: To the chart.

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Speaker 2: People over two hundred and the album was called Lowly

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Speaker 2: at the time.

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Speaker 3: You had the.

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Speaker 6: Bottom way at the That's embarrassing, it is, that's embarrassing.

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Speaker 8: It is.

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Speaker 3: He has to be embarrassed.

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Speaker 8: It's it's unfortunate he went out like that, you know,

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Speaker 8: I know, I'm laughing and all this other stuff.

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Speaker 3: It is embarrassing. It's unfortunate. But he just wasn't good.

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Speaker 7: Bro.

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Speaker 6: Can he do what what Eminem tried to do when

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Speaker 6: he tried to come with the Arrival.

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Speaker 5: Kama and then he came back with Kamakaze.

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Speaker 2: Well, no, the first time he did it with one

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Speaker 2: with y'all like over the one.

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Speaker 8: He The thing is, people actually listened to that album,

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Speaker 8: what which one?

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Speaker 3: The one? And we didn't like about him and.

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Speaker 2: He wasn't on a relapse recovery, recovery. I'm not afraid. Yeah,

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Speaker 2: he tried to do recovery after relapse. But that's how

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Speaker 2: I was, That's how I went.

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Speaker 3: It was all the way, all the way around.

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Speaker 8: Yes, relapse, Yes, recovery was the makeup.

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Speaker 3: For a relapse. People that like like he did with

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Speaker 3: m because remember.

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Speaker 2: So Bad he came back with He did that too. Yeah,

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Speaker 2: recovered number.

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Speaker 5: Like a singles album though it was he had a

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Speaker 5: joint with Rihanna like it was big.

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Speaker 8: People listen to them to dislike that, Yeah, no one

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Speaker 8: listened to this to dislike.

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Speaker 1: Has a built in fan base like if he drops,

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Speaker 1: everybody listen. But it's but it's not like Eminem it's

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Speaker 1: not rappid like that. And then number two, I'm gonna

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Speaker 1: say this right and can't we we talked about West

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Speaker 1: Side and this is just go just get west Side

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Speaker 1: the executively produced.

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Speaker 8: I can't save everybody, But I'm not saying he could

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Speaker 8: save everybody, but I think he could say because what

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Speaker 8: Joey does like in the lame, that he should be

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Speaker 8: going in like the conductor joints earlier on when he

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Speaker 8: was responding to the West.

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Speaker 2: I know you didn't like that one camp, but the

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Speaker 2: majority did like that.

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Speaker 1: Well we heard here with West side the Dark Aura,

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Speaker 1: that's where Joey should be at. I feel like that

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Speaker 1: is what west Side would kind of cultivate for him.

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Speaker 3: Bro.

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Speaker 1: The rest of these joints, it's like dog like. I

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Speaker 1: had to start thinking, like do you just have yes?

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Speaker 1: Man like, like, like what's happening here? Because a rapper

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Speaker 1: at Joey's level shouldn't be putting out this level of quality.

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Speaker 8: You know, this is somebody that went away from the

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Speaker 8: game and came out out of retirement, don't got it.

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Speaker 6: Anymore, but he had it though. He showed us that

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Speaker 6: he had it. Yeah, because that's why I said, I

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Speaker 6: feel like it's a miss.

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Speaker 7: Because this made me go back and listen to two

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Speaker 7: thousand because remember we dropped that, Yeah, I did it.

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Speaker 7: I was just like, okay, this this was this wasn't

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Speaker 7: that bad. I can't remember what we said about.

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Speaker 2: It, but it wasn't that bad. This wasn't bad.

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Speaker 5: But this, this is bad. This is what is bad.

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Speaker 8: But remember the video we did with Company Man Shut

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Speaker 8: rappers burn out and fade away. I don't even know

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Speaker 8: which one he is, but I think this is burnout.

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Speaker 1: Well he's burning out, but he should have faded away.

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Speaker 2: See I wouldn't even go that far because I saw

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Speaker 2: glimpses he was.

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Speaker 6: He was able to take on West Coast dudes that

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Speaker 6: were pretty that were pretty good, and he was able

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Speaker 6: to just take them on, you know, head on.

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Speaker 2: So I was like, Okay, well, ship, I want to

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Speaker 2: hit this joy out.

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Speaker 6: He got a fire up on his ass, and when

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Speaker 6: when the dark ore comes on, it's like, oh ship.

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Speaker 3: This damn.

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Speaker 1: Then I'm like okay, okay, and then I get punch.

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Speaker 2: I get punched dead in my face. At the I

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Speaker 2: turned it off super super crazy, bro.

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Speaker 3: I was.

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Speaker 8: I was when it dropped. I was, I was heading

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Speaker 8: out of time. I was like, I'm on the road trip.

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Speaker 8: I can put this on. This'll be a good time.

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Speaker 3: I turned the ship off.

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Speaker 2: Bro, Yeah, man, I did too. I did the same.

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Speaker 3: I think, I think.

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Speaker 6: I think I skipped through just to see if it

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Speaker 6: was just the one song, and then it.

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Speaker 3: Was the next one.

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Speaker 1: I was like, oh no, just even based off of

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Speaker 1: the features right, like to me, the road streets, that's

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Speaker 1: the that's the era you need to be in Absolute Rhapsody,

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Speaker 1: all right, cool Bete c J. Fly, that's the homie.

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Speaker 1: But when we're talking like asap fir, that's not the

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Speaker 1: aura that Joey's in, right, or that he built up

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Speaker 1: to be for this project. Like where's Stove God, where's Jadakiss?

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Speaker 1: Where's you know? Like like like where are those guys?

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Speaker 1: Like that's who.

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Speaker 2: We needed for this project.

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Speaker 1: So even a lot of the the features aren't here,

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Speaker 1: just weren't what we needed.

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Speaker 2: It's just not good. It was. It was poorly executed.

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Speaker 3: Yeah, I don't Yeah, I don't know.

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Speaker 8: I think, you know, it's the last couple of albums

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Speaker 8: have been pretty lackluster.

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Speaker 3: I think this is less than that. And this is

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Speaker 3: pretty bad.

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Speaker 8: This is pretty bad at least some of the other well,

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Speaker 8: I mean it's all subjective. But nevertheless, I just I

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Speaker 8: just couldn't believe it. Honestly, I just couldn't believe he

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Speaker 8: put out an album this bad. He did all that ship, created,

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Speaker 8: all that drama, built all the pub to get people.

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Speaker 3: It's it's a couple of things, bro.

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Speaker 8: The album was bad, and then nobody even really listened

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Speaker 8: to it to tell it was bad after everything that

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Speaker 8: he did, like you know, with all the Fate beef

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Speaker 8: and ship, and then when you dropped the album, nobody

301
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Speaker 8: was even interested.

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Speaker 3: That's what I was telling you about the.

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Speaker 8: But I think he has a pretty good career acting careers.

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Speaker 3: I think he could take somewhere. But I don't know.

305
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Speaker 3: I think this this rap thing might be over.

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Speaker 7: Oh damn Ken, You.

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Speaker 5: Know he got his creative inspiration.

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Speaker 2: Man, let him, Let him create.

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Speaker 7: It's crazy when you think about it, like he's never

310
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Speaker 7: really made anything that can capture Nights NY.

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Speaker 8: Nine first, and then we can do raise. Because I

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Speaker 8: was thinking about this, the sound of this album with

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Speaker 8: some of the other retro stuff that he did, and

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Speaker 8: I also thought about nineteen ninety nine. I wanted to

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Speaker 8: go back and listen to that in two thousand.

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Speaker 7: Uh.

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Speaker 3: Then he dropped another one Soul summer or whatever.

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Speaker 1: Yes, some summer night, summer night.

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Speaker 8: Because I was like, man, Joey wasn't always as bad,

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Speaker 8: But do you paint yourself into a corner? Though, When

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Speaker 8: you have a sound that's reminiscent of older music.

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Speaker 6: Joy is like a child actor, Like child actors that

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Speaker 6: were good when they were younger, like Rudy and all those,

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Speaker 6: and then they get older they can't really break through.

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Speaker 6: I feel like he's like a child actor. I feel

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Speaker 6: like as a rapper has ap as a rapper.

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Speaker 2: Like you know what I'm saying.

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Speaker 6: He was great as a as a kid, but as

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Speaker 6: he got older, he's just he just can't he just can't.

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Speaker 2: Coach, he can't capture it.

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Speaker 1: I like that analogy to God, I really do. But

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00:15:13,040 --> 00:15:16,760
Speaker 1: I more so feel like it's it feels like a

333
00:15:16,880 --> 00:15:20,960
Speaker 1: lack of focus, right because on this project, we all

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Speaker 1: say that the first two capture the energy that he

335
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Speaker 1: started the year off with, but and then it just

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Speaker 1: fell off.

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Speaker 6: But again, like just the whole the child actor to

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Speaker 6: adult rap, I mean, a lot of shit started happening

339
00:15:31,680 --> 00:15:34,360
Speaker 6: when you get older, right, life starts happening now you

340
00:15:34,400 --> 00:15:38,400
Speaker 6: don't have the same same hunger, the same focus and

341
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Speaker 6: all of that.

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Speaker 2: And I feel like that's the same thing with him,

343
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Speaker 2: like like but but.

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Speaker 1: But on this project there was a focus. What's to

345
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Speaker 1: prove that you're the king of New York? But that's

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Speaker 1: not what he did on here, I know, which is

347
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Speaker 1: a lack of that he lost focus.

348
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Speaker 2: But I don't know when you started.

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Speaker 8: I think that if we were in those studio sessions,

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Speaker 8: what was the first bad one that had that look?

351
00:16:00,160 --> 00:16:06,280
Speaker 8: Temple beat, the sounding from yeah, I think you in

352
00:16:06,280 --> 00:16:10,120
Speaker 8: the studio session and he's playing that song, you would

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Speaker 8: say no, But I bet you Joey think that ship

354
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Speaker 8: is great he did, that would be he's probably running

355
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Speaker 8: around dancing.

356
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Speaker 2: And Ship on a mixtape, like trying to capture that error.

357
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Speaker 7: This is a mistake that I'm not taking. I'm not

358
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Speaker 7: I'm not mixtape. But now I'm still critical.

359
00:16:25,280 --> 00:16:27,160
Speaker 2: I can't do that.

360
00:16:30,320 --> 00:16:30,840
Speaker 3: Exactly.

361
00:16:31,360 --> 00:16:35,200
Speaker 8: Like what what Joey does is can't actually be to

362
00:16:35,320 --> 00:16:38,240
Speaker 8: his advantage because that sound is kind.

363
00:16:38,040 --> 00:16:39,200
Speaker 3: Of still around.

364
00:16:39,760 --> 00:16:41,840
Speaker 8: Like you guys said, you know, people spoke holly about

365
00:16:41,840 --> 00:16:42,520
Speaker 8: the Conductor ship.

366
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Speaker 3: You get the Conductor stuff.

367
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Speaker 8: People like the little retro hip hop music, like you

368
00:16:47,040 --> 00:16:48,360
Speaker 8: can live in that space.

369
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Speaker 2: And that's what I'm saying. It's a lack of folks.

370
00:16:51,600 --> 00:16:55,080
Speaker 1: How you start off two for two and you strike

371
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Speaker 1: out the rest of the game.

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Speaker 2: Nig you can't even get on bass or you got

373
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Speaker 2: on base with one water and the rest of the ship.

374
00:17:01,680 --> 00:17:03,440
Speaker 2: You don't mean, you don't mean crack the ball.

375
00:17:03,640 --> 00:17:08,960
Speaker 6: No, No, like a high ast fly ball that.

376
00:17:13,080 --> 00:17:14,000
Speaker 2: Being found.

377
00:17:16,440 --> 00:17:17,040
Speaker 3: You want.

378
00:17:19,160 --> 00:17:22,159
Speaker 1: See, I'm not willing to accept I'm not willing to

379
00:17:22,240 --> 00:17:25,480
Speaker 1: accept it because the energy he started off the year

380
00:17:25,560 --> 00:17:29,680
Speaker 1: with the joints that that that we all or not all,

381
00:17:29,840 --> 00:17:32,199
Speaker 1: but the majority of us like you've heard that you

382
00:17:32,480 --> 00:17:35,320
Speaker 1: like yes, and it just felt like, Okay, you're dropping

383
00:17:35,320 --> 00:17:38,119
Speaker 1: the project. You start off the project, Okay, this is

384
00:17:38,200 --> 00:17:40,240
Speaker 1: this is what I'm here for. I excited, and it

385
00:17:40,320 --> 00:17:46,640
Speaker 1: just goes way over there, way over there. What what like? Look,

386
00:17:47,000 --> 00:17:51,040
Speaker 1: there's eleven songs. Seven of them should have been why

387
00:17:51,119 --> 00:17:54,400
Speaker 1: you the best nigga in New York? That's the that's

388
00:17:54,440 --> 00:17:56,040
Speaker 1: the energy you would add.

389
00:17:57,600 --> 00:18:01,480
Speaker 3: Does this due reputational damage? Is he you come out? You?

390
00:18:01,560 --> 00:18:03,080
Speaker 2: Yes? You know why?

391
00:18:03,359 --> 00:18:05,280
Speaker 3: You can't say you're the king of New York anymore?

392
00:18:05,359 --> 00:18:09,080
Speaker 1: Were saying nothing Now the ops that you created have hammo,

393
00:18:10,040 --> 00:18:14,200
Speaker 1: big hammo. I don't even This is almost like j

394
00:18:14,400 --> 00:18:16,160
Speaker 1: Cole at this point, I don't want to hear you

395
00:18:16,160 --> 00:18:17,800
Speaker 1: talk about you the best thing in New York.

396
00:18:17,840 --> 00:18:20,760
Speaker 2: No, I don't want to know. Don't say, don't utter

397
00:18:20,840 --> 00:18:23,120
Speaker 2: those words. He missed the opportunity.

398
00:18:23,400 --> 00:18:25,880
Speaker 6: You had a really good window of opportunity for people

399
00:18:25,880 --> 00:18:28,720
Speaker 6: to many.

400
00:18:28,119 --> 00:18:31,040
Speaker 2: Like, No, he missed and he can't get it back.

401
00:18:32,520 --> 00:18:34,080
Speaker 3: Damn shame what that dog?

402
00:18:34,480 --> 00:18:34,639
Speaker 2: You know?

403
00:18:36,840 --> 00:18:40,120
Speaker 1: And if I was all of them West Coast guys

404
00:18:40,119 --> 00:18:42,600
Speaker 1: that was taking shots from Joey.

405
00:18:45,119 --> 00:18:53,840
Speaker 9: Nigga was real then yourself, Oh my god, we ain't

406
00:18:53,840 --> 00:18:55,880
Speaker 9: even rather do it yourself.

407
00:18:56,880 --> 00:18:58,320
Speaker 2: Uh, this is your first time here.

408
00:18:58,960 --> 00:19:02,320
Speaker 1: We're reviewing the flow, the lyrics, the production, the features,

409
00:19:02,359 --> 00:19:03,880
Speaker 1: the execution, the replay.

410
00:19:03,640 --> 00:19:04,600
Speaker 2: Value, and the overall.

411
00:19:05,440 --> 00:19:09,399
Speaker 1: I'll start off with the flow. I will say I

412
00:19:09,400 --> 00:19:11,720
Speaker 1: do like the first two. Then the rest of it

413
00:19:11,800 --> 00:19:14,600
Speaker 1: was just so flow. I'm out to see minus.

414
00:19:15,880 --> 00:19:19,159
Speaker 2: I get joy of solid B on flow. I'll give

415
00:19:19,200 --> 00:19:20,320
Speaker 2: my solid be on flow.

416
00:19:21,000 --> 00:19:22,399
Speaker 6: I feel like I feel like it was I feel

417
00:19:22,400 --> 00:19:24,200
Speaker 6: like it was things that messed it up. I feel

418
00:19:24,240 --> 00:19:28,400
Speaker 6: like he still had something there, just yeah, just didn't

419
00:19:28,440 --> 00:19:32,200
Speaker 6: come together. Yeah almost.

420
00:19:32,800 --> 00:19:37,480
Speaker 1: I guess I'm gonna be the hard teacher today.

421
00:19:37,680 --> 00:19:40,439
Speaker 6: He still looked, he still can rap. It's just it

422
00:19:40,480 --> 00:19:44,000
Speaker 6: didn't come together. Just didn't come together, you know what.

423
00:19:44,320 --> 00:19:47,080
Speaker 6: I'm the disappointed teacher. That's what my grades represent.

424
00:19:47,440 --> 00:19:48,880
Speaker 2: Lyrics. I about to see minus again.

425
00:19:50,960 --> 00:19:52,919
Speaker 6: This is where I get him to be minus. I

426
00:19:52,920 --> 00:19:55,000
Speaker 6: feel like lyrics are still there, but now it just

427
00:19:56,280 --> 00:19:57,439
Speaker 6: bro Yeah, just didn't hit.

428
00:19:58,000 --> 00:20:00,240
Speaker 5: Yeah, I am at a minus.

429
00:20:00,240 --> 00:20:05,800
Speaker 2: Right on the lyrics C plus Yeah you're gone. Production.

430
00:20:05,880 --> 00:20:09,239
Speaker 2: I'm at a D plus. Man. Yeah, the first two

431
00:20:09,480 --> 00:20:11,760
Speaker 2: so good, don't make sense.

432
00:20:12,760 --> 00:20:17,120
Speaker 6: But yeah, man, it's an average production for me, because yeah,

433
00:20:17,200 --> 00:20:20,639
Speaker 6: average production, I'm going to see I'm.

434
00:20:20,480 --> 00:20:24,080
Speaker 3: Going okay, yeah, damn.

435
00:20:25,160 --> 00:20:29,080
Speaker 8: What I was saying about the I'm.

436
00:20:29,040 --> 00:20:31,720
Speaker 3: At a DE plus two production.

437
00:20:32,880 --> 00:20:38,399
Speaker 2: Features, I'm out of minus. I'm at a straight C

438
00:20:38,880 --> 00:20:40,000
Speaker 2: on features.

439
00:20:40,920 --> 00:20:42,000
Speaker 5: I'm mad a straight.

440
00:20:44,119 --> 00:20:48,400
Speaker 3: Just average minus execution.

441
00:20:48,520 --> 00:20:54,840
Speaker 2: I'm out of F they fail fail. Hey, that's that's fair,

442
00:20:55,760 --> 00:20:58,359
Speaker 2: is fair, that's fair. I was gonna go F. I

443
00:20:58,359 --> 00:21:01,040
Speaker 2: went D. This is probably a little I probably have

444
00:21:01,160 --> 00:21:04,400
Speaker 2: going this long somebody before. I just I don't know

445
00:21:04,560 --> 00:21:09,280
Speaker 2: liken to the F R P.

446
00:21:13,840 --> 00:21:15,720
Speaker 3: D minus. I can't go F.

447
00:21:15,720 --> 00:21:17,760
Speaker 6: I'm gonna go D minus because I like the first two.

448
00:21:18,840 --> 00:21:19,959
Speaker 2: I'm gonna go D minus.

449
00:21:20,520 --> 00:21:21,480
Speaker 5: I went D plus.

450
00:21:23,200 --> 00:21:31,080
Speaker 8: Yeah yeah, damn ship replay value.

451
00:21:31,119 --> 00:21:32,359
Speaker 1: I'm at a F but I'm gonna give him a

452
00:21:32,359 --> 00:21:34,160
Speaker 1: plus for the for the first two. So I'm at

453
00:21:34,160 --> 00:21:34,960
Speaker 1: an F plus.

454
00:21:35,440 --> 00:21:38,919
Speaker 6: That's crazy, but he's crazy.

455
00:21:39,720 --> 00:21:41,080
Speaker 2: Pleus is crazy.

456
00:21:41,240 --> 00:21:45,240
Speaker 6: Bro Let me go and see minus replay that because

457
00:21:45,240 --> 00:21:48,120
Speaker 6: I'm gonna listen to those first two and then Underwater.

458
00:21:48,119 --> 00:21:56,480
Speaker 5: I like Underwater to I'm going I'm never never again, never,

459
00:21:57,760 --> 00:21:58,639
Speaker 5: no reason to play this.

460
00:21:59,240 --> 00:22:02,240
Speaker 6: I really like them too, but that's it, Like I

461
00:22:02,320 --> 00:22:04,040
Speaker 6: really like the first two and not like a sprinkle

462
00:22:04,480 --> 00:22:06,560
Speaker 6: because I'm on the album. I go and listen to

463
00:22:06,600 --> 00:22:10,560
Speaker 6: the maybe two more on it, you remember, and then

464
00:22:10,560 --> 00:22:11,600
Speaker 6: that's yeah, like.

465
00:22:12,520 --> 00:22:16,879
Speaker 2: You all right, yeah I respect the FO Yeah to

466
00:22:17,400 --> 00:22:21,760
Speaker 2: damn not there overall at a D minus.

467
00:22:22,080 --> 00:22:24,760
Speaker 6: I was at a C minus based on my grades,

468
00:22:24,800 --> 00:22:26,320
Speaker 6: but then I changed that to that D.

469
00:22:27,560 --> 00:22:31,119
Speaker 2: I think I think I'm like, yeah, I'm at a

470
00:22:31,119 --> 00:22:33,440
Speaker 2: C minus. I think I think I'm C minus.

471
00:22:33,520 --> 00:22:38,199
Speaker 3: Yeah. Yeah, looking, I.

472
00:22:38,200 --> 00:22:40,399
Speaker 5: Got two b's, two c's, a D and the C.

473
00:22:40,480 --> 00:22:41,480
Speaker 2: Yeah, I'm at C minus.

474
00:22:41,920 --> 00:22:45,119
Speaker 1: Yeah, I got two C minuses, a D plus F

475
00:22:45,119 --> 00:22:46,439
Speaker 1: and a F plus. Nigga, that's a D.

476
00:22:47,080 --> 00:22:50,679
Speaker 3: Yeah, that's definitely D F plus.

477
00:22:52,880 --> 00:22:57,480
Speaker 6: Look, Joe just crazy man.

478
00:22:58,320 --> 00:23:00,359
Speaker 2: Let me let me have that Joe real quick. Joe,

479
00:23:00,520 --> 00:23:05,000
Speaker 2: you know what he did wrong. That's why he's saying

480
00:23:05,040 --> 00:23:07,560
Speaker 2: it's a mixtape. Look do better, dog, Like.

481
00:23:10,080 --> 00:23:12,639
Speaker 1: This album makes you feel like you are trash t

482
00:23:12,640 --> 00:23:13,719
Speaker 1: here MC when you're not.

483
00:23:14,040 --> 00:23:15,080
Speaker 2: You're nowhere near that.

484
00:23:15,480 --> 00:23:19,000
Speaker 3: We just put out a bad mixtape. Bro, it happens.

485
00:23:19,920 --> 00:23:26,440
Speaker 8: It happens, but can life is about after you did

486
00:23:26,440 --> 00:23:27,240
Speaker 8: what you were doing.

487
00:23:27,760 --> 00:23:31,560
Speaker 2: It's about timing. Probably after this.

488
00:23:33,160 --> 00:23:36,240
Speaker 6: Time, it was your time. To recapture. It was your

489
00:23:36,320 --> 00:23:38,160
Speaker 6: time and you missed it.

490
00:23:38,240 --> 00:23:39,560
Speaker 5: And you can't get it back.

491
00:23:40,400 --> 00:23:46,240
Speaker 7: You just missed to win the championship.

492
00:23:46,640 --> 00:23:48,520
Speaker 2: You know what he could have liked could have been

493
00:23:49,160 --> 00:23:51,399
Speaker 2: life in New York busy. You know, you know what

494
00:23:51,520 --> 00:23:52,280
Speaker 2: basketball moment.

495
00:23:52,320 --> 00:23:57,119
Speaker 1: This is Patrick Nigga against the Pacers to get to

496
00:23:57,200 --> 00:23:57,840
Speaker 1: the finals.

497
00:23:58,240 --> 00:23:59,919
Speaker 2: That's what this was. You know what he should have did.

498
00:24:00,000 --> 00:24:01,520
Speaker 6: He should have ded with no dead He should have

499
00:24:01,520 --> 00:24:04,000
Speaker 6: just linked with one producer maybe and just made us

500
00:24:04,240 --> 00:24:05,360
Speaker 6: solid locked.

501
00:24:05,320 --> 00:24:11,080
Speaker 3: Strangers, Strangers.

502
00:24:11,160 --> 00:24:14,360
Speaker 2: I like Chuck Strangers. That that would have been magic.

503
00:24:15,040 --> 00:24:16,520
Speaker 2: That's personally why he.

504
00:24:17,040 --> 00:24:20,080
Speaker 5: I don't know, you know how with Chuck Strangers.

505
00:24:20,160 --> 00:24:24,200
Speaker 2: You know that that's a damn good point. He brought

506
00:24:24,200 --> 00:24:27,320
Speaker 2: something of him and that he brought something mount of

507
00:24:27,359 --> 00:24:28,000
Speaker 2: him in that beat.

508
00:24:28,080 --> 00:24:31,360
Speaker 6: Man, No he needs you know, man, we redo man,

509
00:24:31,400 --> 00:24:32,640
Speaker 6: Chuck Strangers, just you and Chuck.

510
00:24:33,480 --> 00:24:35,919
Speaker 2: I think that's I think that's beautiful. I think that's a.

511
00:24:35,920 --> 00:24:36,919
Speaker 5: Beauty can wrap on.

512
00:24:38,160 --> 00:24:42,080
Speaker 2: Absolutely, he's got best as a rapper. Chuck Strangers. I'm

513
00:24:42,119 --> 00:24:43,520
Speaker 2: with that. I'm with that.

514
00:24:43,560 --> 00:24:47,200
Speaker 6: I saw somebody do clip that and and and send

515
00:24:47,280 --> 00:24:49,960
Speaker 6: that to him, like bro, make make you and Chuck

516
00:24:50,000 --> 00:24:55,240
Speaker 6: Strangers locking, Locking, t I think great, bro, I think

517
00:24:55,280 --> 00:24:58,439
Speaker 6: you might be able to to.

518
00:24:58,600 --> 00:25:00,240
Speaker 2: To kind of fix this.

519
00:25:00,359 --> 00:25:02,560
Speaker 6: Yes, if you do that, that was a great suggestion. Ken,

520
00:25:03,600 --> 00:25:04,760
Speaker 6: don't even go to conduct it.

521
00:25:04,760 --> 00:25:09,639
Speaker 5: Don't go, boy, y'all been making music like that would

522
00:25:09,640 --> 00:25:10,520
Speaker 5: be hard.

523
00:25:10,880 --> 00:25:11,879
Speaker 3: Doing some good stuff production.

524
00:25:12,119 --> 00:25:14,600
Speaker 2: Yeah, yeah, Well, look, don't feel obligated to put c

525
00:25:14,760 --> 00:25:21,040
Speaker 2: J on it. Damn you. She J had two great

526
00:25:21,040 --> 00:25:22,080
Speaker 2: projects last year.

527
00:25:21,880 --> 00:25:24,800
Speaker 3: But that's I didn't like.

528
00:25:24,840 --> 00:25:27,200
Speaker 2: Okay, but look, you already know what it is. Man.

529
00:25:28,000 --> 00:25:29,919
Speaker 1: Have we been a little too harsh on the review?

530
00:25:30,359 --> 00:25:33,600
Speaker 1: Where we I know we're not. I'm just asking the people. No, no,

531
00:25:35,680 --> 00:25:37,800
Speaker 1: do you feel we were too harsh on the review?

532
00:25:37,840 --> 00:25:39,840
Speaker 1: Do do you feel that we were too harsh.

533
00:25:39,720 --> 00:25:40,240
Speaker 2: On the grades?

534
00:25:40,320 --> 00:25:40,800
Speaker 3: I took him?

535
00:25:40,840 --> 00:25:43,560
Speaker 2: Like you did? You use the positive?

536
00:25:43,600 --> 00:25:47,399
Speaker 1: You always try to lighting I try it, man, Let

537
00:25:47,520 --> 00:25:49,400
Speaker 1: us know how you feel, because you know the conversation

538
00:25:49,480 --> 00:25:52,080
Speaker 1: after the conversation is in the common section. Put your

539
00:25:52,119 --> 00:25:55,400
Speaker 1: grades in there. Let's talk about it. How did y'all

540
00:25:55,400 --> 00:26:00,000
Speaker 1: feel about this particular project and what are some suggestions

541
00:26:00,640 --> 00:26:03,400
Speaker 1: that you feel that Joey can't do in the future

542
00:26:03,720 --> 00:26:05,240
Speaker 1: so that this doesn't happen again.

543
00:26:06,080 --> 00:26:09,240
Speaker 2: But we'll catch you on the next one. With another review,

544
00:26:09,480 --> 00:26:10,320
Speaker 2: but we out today.

545
00:26:10,520 --> 00:26:11,560
Speaker 3: Peace, Peace,