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Speaker 1: The Frames per Second podcast. Yoh, what's good? Everybody?

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Speaker 2: Welcome to another France per second review film review.

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Speaker 1: Today we are doing The Bride.

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Speaker 2: You know what I'm saying. The Bride like a Frakistan story.

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Speaker 2: But I'm your host Rod. Here next to me, you

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Speaker 2: got Ken All crossing here, Spike lou was good man.

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Speaker 3: Who a.

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Speaker 4: Little inside joke there. I think Ken's gonna tap into that.

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Speaker 4: On is the mic Staloon?

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Speaker 5: Uh?

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Speaker 1: Next to him, got Mike ce tom or something. Yeah, man,

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Speaker 1: today we hear the review The Bride. Man, it just

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Speaker 1: came out. Uh.

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Speaker 2: It's directed by Maggie Gillan Gillan Hall. What else has

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Speaker 2: to be doing?

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Speaker 3: Nothing?

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Speaker 1: This is her first this is the first one. Yeah.

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Speaker 2: Yeah, it's his sister. So this is her first directory.

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Speaker 2: This is a directorial debut. I didn't know it was

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Speaker 2: her debut. I thought I missed so yeah, I thought

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Speaker 2: she did something else because I've heard her name out there.

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Speaker 2: I didn't know it was her directorial debut. Yeah yeah, yeah,

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Speaker 2: but it stars Jesse Buckley.

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Speaker 1: Y'all remember her? Yeah? She was in Hamnon okay, all right,

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Speaker 1: I don't know if y'all remember y'all.

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Speaker 4: Yeah, I recognized her I was like, yes, the Witch,

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Speaker 4: the Witch from Hamnet.

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Speaker 2: Yeah, and it also stars Christen Belle alongside Peter uh

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Speaker 2: Star's guard and that Benning Jake gyllen Hall, he was

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Speaker 2: also in it. And Penelope Cruise. I didn't know she

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Speaker 2: was in it. I did not realize she was in it.

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Speaker 2: I didn't see much uh stuff before this.

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Speaker 1: Movie came out. You know, I don't be really watching

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Speaker 1: trailers like that.

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Speaker 2: But it draws inspiration from the nineteen thirty five film

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Speaker 2: Broader Frankenstein, which was on Barry Shelley's eighteen eighteen novel Frankenstein.

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Speaker 2: Before we get into this review, I just want to

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Speaker 2: kind of go around the room and see what the

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Speaker 2: temperature is, like, Ken, how are you feeling out?

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Speaker 1: Is that a pun on the heat in here? No?

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Speaker 2: No, it wasn't a pun, but uh yeah, man, how'd

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Speaker 2: you feel about the twenty twenty six Bunny and Clyde movie.

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Speaker 1: This movie basically was.

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Speaker 4: Almost as fragmented as Frankenstein.

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Speaker 1: The Monster.

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Speaker 4: There were moments where I liked it, and then there

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Speaker 4: were moments where I was like, I don't know what's

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Speaker 4: going on, and no other moments where I was like,

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Speaker 4: oh shit, am in and no other moments are like,

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Speaker 4: all right, they don't lost me again. It was it

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Speaker 4: was somewhat all over the place thematically. I got it,

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Speaker 4: but yeah I don't. I don't know if that was

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Speaker 4: intentional by her or not, but yeah, it was. It

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Speaker 4: was good and bad.

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Speaker 1: M Okay, I expeke how you felt about it?

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Speaker 3: Man, that's an interesting explanation, because I thought I would

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Speaker 3: be the only one it said that it was. I

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Speaker 3: liked some of it, I hated some of it. Overall,

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Speaker 3: I think that my biggest takeaway was the lady to

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Speaker 3: play the bride her acting job. Yeah, she absolutely killed

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Speaker 3: from like the moment that it started and then she

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Speaker 3: carried it throughout the way. Christanville did a good job

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Speaker 3: too in what he was doing. But the story was

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Speaker 3: kind of to use kinds with it fragment. I was like,

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Speaker 3: it was certain points where I was like, bro, what

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Speaker 3: are they doing? But when they were talking to the

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Speaker 3: doctor and stuff like that, I was that was interesting

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Speaker 3: to me, like just what happened. But all in all

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Speaker 3: it was Okay, I'm not mad that I seen it.

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Speaker 4: All Right, you feel the same way, Mike, or how

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Speaker 4: you feel about it?

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Speaker 6: Yeah, I probably feel the same way. I mean, I

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Speaker 6: think it was it was a bit boring. I got

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Speaker 6: what she was going for, but it just felt like

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Speaker 6: a It felt like TMU poor things to me. I

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Speaker 6: think they could have done a lot more with the

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Speaker 6: story that they were trying to convey here. I think

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Speaker 6: the woman who I've already forgotten her name, the actor

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Speaker 6: that everybody else is already Jesse Buckley, I think she

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Speaker 6: absolutely carried the movie on her back. I don't think

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Speaker 6: anybody else in the film came close to what she

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Speaker 6: put down.

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Speaker 1: Mm hmm.

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Speaker 6: The movie was a It was a bummer. I'm not

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Speaker 6: even gonna fucking lie. It was a bummer. For the record,

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Speaker 6: this is not her first I ain't think so the

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Speaker 6: Lost Daughter.

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Speaker 2: You didn't see that ship No, no, no, no, I said,

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Speaker 2: I didn't think so. I know I've heard her. But

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Speaker 2: she also did a mini series that's called Homemade. I've

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Speaker 2: never heard that.

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Speaker 1: But anyway it goes, this is a bummer.

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Speaker 6: They could have made this a real special something, but

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Speaker 6: it seemed like they just didn't have the story together.

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Speaker 3: To Mike's point, I think like she embarrassedly out acted

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Speaker 3: that she did. Like they should have been embarrassed, like

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Speaker 3: she was hurt bad.

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Speaker 6: This ship was crazy and y'all, I mean, we'll get there,

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Speaker 6: I guess, But y'all can Christian Bale.

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Speaker 3: Because I don't know what you don't like Christian I don't.

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Speaker 6: Dislike Christian Bale. I think Christian Bale is a good actor.

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Speaker 6: I don't think he did in this. He did this this,

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Speaker 6: He do his role, no justice none man, he was

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Speaker 6: batman but Frankenstein that was it.

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Speaker 1: Yeah he was. He wasn't imagination. He wasn't bad. Y'all like,

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Speaker 1: oh yeah, man, Christian Ball thing what thing? Well, I

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Speaker 1: hadn't said anything well of them said it.

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Speaker 3: I mean next to her, it was no comparison, But

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Speaker 3: I think he right. He got to be honest. She

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Speaker 3: didn't like she she embarrassed like everybody.

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Speaker 2: I kind of think that was the point though it

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Speaker 2: was supposed to be about her. And like I said,

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Speaker 2: I think I think Christian Bell was solid.

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Speaker 1: I think he.

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Speaker 2: Added a good component until she really started to come

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Speaker 2: on screen.

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Speaker 1: You know, I feel like it could.

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Speaker 2: Have been a decent movie with Christian Bell without her

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Speaker 2: or whatever. Like, not not saying that it should have been,

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Speaker 2: but I'm just saying the acting is good from Christian beal.

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Speaker 4: No, no, no, no, no, no, that's not what I'm saying. Okay,

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Speaker 4: that is what you're saying. That's not That's not what

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Speaker 4: I'm trying to say.

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Speaker 2: What I'm trying to say is I was like, what

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Speaker 2: the same way I feel like the dude from Euphoria

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Speaker 2: did his Frankenstin. I think Kristen Bell could have did it,

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Speaker 2: could have did similarly.

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Speaker 6: Yeah, I feel what you're saying. That's what that's all

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Speaker 6: I'm saying. I feel what you're saying. I think that

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Speaker 6: other dude would have done better job.

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Speaker 1: I was thinking that. Yeah, I was. I was wishing

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Speaker 1: he was in this world. He's good, don't get me wrong,

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Speaker 1: because he did a really good job on that. Yeah

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Speaker 1: he did.

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Speaker 2: He did a great job on it. But okay, all right, Yeah,

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Speaker 2: so me, I'm kind of with with y'all. With y'all

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Speaker 2: with as far as I think that was a good

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Speaker 2: way to put it, can fragment it like some points

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Speaker 2: felt higher than others, and I think it's probably when

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Speaker 2: she was on the screen doing her thing, like her

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Speaker 2: monolagues and stuff like that. But but yeah, man, yeah

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Speaker 2: she she she she did a great job. But the

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Speaker 2: movie starts off with Mary Shelley speaking from the afterlife. Uh,

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Speaker 2: she has a story to tell after Frankenstein, but could

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Speaker 2: not due to do it due to her death. Did

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Speaker 2: that confuse anybody? What was happening in the beginning? And

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Speaker 2: did you know?

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Speaker 1: Did y'all know about to ask? Put it back? You know?

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Speaker 3: I realized how realized?

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Speaker 1: But he was.

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Speaker 3: He would like to know did I took it back?

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Speaker 3: Did you understand what was going on?

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Speaker 1: I didn't. I know, he didn't know. I don't know.

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Speaker 4: He didn't know.

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Speaker 1: What she said at the very beginning of Mary Shelley was.

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Speaker 3: No, I knew it was she was possessing her body,

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Speaker 3: you know.

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Speaker 1: So do you do know?

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Speaker 3: That's how I took it? Do you know Mary Shelley?

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Speaker 3: Is that Mary Shelley wrote the book?

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Speaker 1: Okay cool? At the beginning of Mary.

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Speaker 4: That was, but I pulled it back and I realized

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Speaker 4: it was sunked up. It wasn't too late, basically because

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Speaker 4: she she's passed away. She's uh, she tells it. Uh,

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Speaker 4: she possesses Ida, which is who you know.

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Speaker 2: Jesse plays woman living in nineteen thirty six Chicago, and

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Speaker 2: then she proceeds to discuss criminal criminal activities of my

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Speaker 2: boss's lapino uh and his henchman Clyde and James discreetly

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Speaker 2: kill her afterwards. How did y'all feel about this opening

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Speaker 2: act or whatever? With Jesse's performance? Uh, and just the

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Speaker 2: overall like what was happening here? Anybody could take that?

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Speaker 6: I thought it was a good opener. I thought I

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Speaker 6: was a real good open I was. I wasn't confused,

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Speaker 6: but I was. When Mary Shelley was talking, I.

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Speaker 1: Was like, this is cheesy. This is really cheesy.

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Speaker 6: And I was like, I hope they're not going to

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Speaker 6: do this out the whole film with her in the dark,

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Speaker 6: you know, get ready, get ready.

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Speaker 1: I was like, oh no.

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Speaker 6: But when they cut to Ida, I was instantly like, Okay,

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Speaker 6: this is cool.

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Speaker 1: But when she was getting possessed and she was going

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Speaker 1: back and Mary, oh my god, I was like, is

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Speaker 1: she doing this? Crazy?

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Speaker 6: How I didn't get this in him? Knet This woman

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Speaker 6: is amazing right now? But nah, she this whole this

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Speaker 6: whole beginning scene, especially when we get into the stairwell.

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Speaker 1: That ship was incredible.

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Speaker 6: Although I'm still confused as to why the dude pushed

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Speaker 6: her down the stairs and then acted like he was

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Speaker 6: confused that she fell.

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Speaker 1: He didn't. I don't think he intended to push No, no,

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Speaker 1: even on accident. Why was he confused that she fell?

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Speaker 1: You did this?

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Speaker 3: He expected to like be broke up like that.

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Speaker 6: He was like, oh ship, oh no, she felt she's

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Speaker 6: right at the edge of the stairs.

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Speaker 1: Bro, what are you doing?

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Speaker 2: Yeah, I don't I don't think he meant it, because

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Speaker 2: because before he was just like, man, she just needs

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Speaker 2: a doctor.

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Speaker 1: So I don't think he intended to kill her. He

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Speaker 1: might not intend to kill her, but he definitely intended

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Speaker 1: to push her.

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Speaker 3: As I know, maybe maybe it was just like a

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Speaker 3: little shove like I can't believe, and it was like

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Speaker 3: I can't believe.

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Speaker 1: I just maybe that maybe that he didn't. It could

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Speaker 1: be that that makes sense.

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Speaker 4: It could be that like a like an impulse, because

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Speaker 4: he did a little timid later on.

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Speaker 1: Yeah, yeah, got back to him.

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Speaker 2: He's not yeah, because again he didn't he didn't want

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Speaker 2: to want dollar got to hurt her.

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Speaker 1: You know what I'm saying.

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Speaker 3: He's just like, look, just she's clearly something's wrong with her.

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Speaker 1: She needs a doctor. Oh I thought he was. I

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Speaker 1: thought he was like fuck this.

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Speaker 3: I agree with Mike Man coming into this, really not

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Speaker 3: know I'm not the Frankis Shine story, and I've never

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Speaker 3: seen any of that. I mean, I know it, but

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Speaker 3: coming into this really not knowing anything. Seeing the lady

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Speaker 3: and the Mary Shelley talking and then the slow like

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Speaker 3: chaos building and her going in and out of being

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Speaker 3: herself and being possessed, all of that was like I

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Speaker 3: was like, okay, like this might be good, like just

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Speaker 3: from based off.

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Speaker 4: Her performance, that's funny, because that's what I said.

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Speaker 1: I was like, oh, because I because you know.

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Speaker 4: When we were recording Paradise said he heard mits review,

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Speaker 4: saw MIT's reviews, and I saw something similar. So when

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Speaker 4: when we uh, when when I went, Because I went

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Speaker 4: that night to watch the movie, it was like FortyFive.

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Speaker 4: I was like, fuck, it's getting here for two hours

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Speaker 4: with this boor and shit. But when the intro happened,

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Speaker 4: I was like, damn, I don't know what they talking about.

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Speaker 4: Maybe they're just being overly critical. They weren't, but I

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Speaker 4: was definitely hyped for the beginning everything that was going

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Speaker 4: on with her, And I'm with you, like, I think

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Speaker 4: if I understand what you was saying. I initially thought

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Speaker 4: this whole Mary Shelley. I thought the marriage I was like,

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Speaker 4: they're really gonna do Mary Shelley possessing her and that's

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Speaker 4: going to be the movie. What the hell kind of

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Speaker 4: shit is this? What are we doing? Why are we

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Speaker 4: doing this?

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Speaker 2: You know, it's all kind of corny and lane, but

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Speaker 2: still like the way she was telling it and then

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Speaker 2: it went out and then she was possessed, back and forth.

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Speaker 4: Nobody knew what the fuck was going on. All that

250
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Speaker 4: shit was was really good.

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Speaker 1: Yeah.

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Speaker 2: I think they opened it up really nicely with like

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Speaker 2: I said, her performance, like she made the people in

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Speaker 2: there and there. I did think it was interesting. The

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Speaker 2: mob boss, he seemed to be the least affected by

256
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Speaker 2: what was happening. He just like, man, somebody calm this

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Speaker 2: crazy shit whatever. So yeah, so that was that was

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Speaker 2: intriguing out because I knew that was gonna come back

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Speaker 2: around later as to who he actually was or whatever.

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Speaker 1: So but yeah, so.

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Speaker 2: We move on to uh, the next thing. This is

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Speaker 2: where another on the other side of town. This is

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Speaker 2: where we're introduced to the monster of Frankenstein. Like all

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Speaker 2: these years I thought Frankenstein was Frankenstein.

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Speaker 1: Like he never read the book.

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Speaker 2: No, I never read the book. I just saw the

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Speaker 2: movies and stuff. Never actually read the book. So then

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Speaker 2: we watched the other Frankenstein. I was like, oh, yeah,

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Speaker 2: it's not Frankenstein. So I always forget that because you

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Speaker 2: think Frankenstein. I think, yeah, you know, but uh, but

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Speaker 2: he is known as frank so he's the monster of Frankenstein.

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Speaker 2: And I and I like his demeanor. He came off

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Speaker 2: like horny, he said, corny, horny, O horny. Think he

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Speaker 2: was horny, he was lonely, he had no companionship man.

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Speaker 3: Yeah, but I liked that though. So he basically.

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Speaker 2: Goes and finds the the the doctor that does re animation,

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Speaker 2: which is our Cornelia and and so yeah, he goes

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Speaker 2: to kind of consult with her and let him know.

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Speaker 1: That he's lonely.

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Speaker 2: And yeah, I like, I personally liked this, uh this

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Speaker 2: interaction between them, and this is where you know, I

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Speaker 2: feel like Christian Bell did a good job at conveying

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Speaker 2: monster and someone who's lonely. How did you guys, well, Mike,

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Speaker 2: how did you feel about it? Because I know he

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Speaker 2: was kind of critical of Christian beal.

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Speaker 1: He wasn't he wasn't sad enough. He really nah.

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Speaker 6: He he came off as way too smart, which is

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Speaker 6: the smart part didn't really bother me. But it was

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Speaker 6: just like he came off as extremely intelligent and he

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Speaker 6: was just kind of bothered, like a lordy. I got

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Speaker 6: that he was distraught, he was sad.

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Speaker 1: I didn't get that from Christian Beale.

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Speaker 6: And when he came in and he said, you know,

294
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Speaker 6: I would like an which that maybe that's where Ken

295
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Speaker 6: got the horny thing. Yeah, yeah, but I was like, Okay,

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Speaker 6: that's an interesting way to to put this, but nah,

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Speaker 6: he didn't really he didn't really do much for me

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Speaker 6: as Frank.

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Speaker 1: I liked him as Frank. I was gonna say something

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Speaker 1: based on what you said, but it'll come to me. Spike,

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Speaker 1: how did you feel?

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Speaker 3: I thought it was an interesting way to present him

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Speaker 3: in the sense of it was thought provoking. Once he

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Speaker 3: gets to talk and then she figured out who he is,

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Speaker 3: and he says he goes into the lonely spill and

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Speaker 3: then you think about you're like, man, this big, ugly

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Speaker 3: dude due gotta walk around like without interacting with people

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Speaker 3: because he was probably scared of him because he looks

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Speaker 3: like a monster. So he's sitting in the movies and

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Speaker 3: stuff off time in the dark with his face cover.

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Speaker 3: I mean it made to an interesting thought as a

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Speaker 3: viewer of watching him, like Okay, well how do you

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Speaker 3: handle this? Like, like, what's the correct answer for her

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Speaker 3: as a doctor moving forward? I just like the dilimit

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Speaker 3: that they were presenting each other. She was like, are

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Speaker 3: you crazy like in a system getting him a companion

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Speaker 3: like that?

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Speaker 1: I remember what I was gonna say.

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Speaker 2: I mean, he wasn't when you talking about smart the

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00:16:07,280 --> 00:16:09,840
Speaker 2: other FRIKASTI was smart too, and the other movie, so

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Speaker 2: I felt like it was about the same.

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Speaker 6: Yeah, but the other Francissan had way more of a

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Speaker 6: sadness to him, Like I felt that he was sad

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Speaker 6: about not having companionship.

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Speaker 3: Talking about the recent one that just came out. Yeahd

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Speaker 3: you say it.

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Speaker 1: I didn't get that from him.

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Speaker 6: I just got, oh, I need I need somebody to

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Speaker 6: hang out with.

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Speaker 1: I got you can't you say you got horny? He said.

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Speaker 1: It's intercourse.

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Speaker 4: But I think they were being very intentional and deliverate

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Speaker 4: and funny with the English language using intercourse people automatically

334
00:16:43,160 --> 00:16:45,080
Speaker 4: thinking that that's what he was talking about. I think

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Speaker 4: even she may have thought the same thing. When she

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00:16:48,160 --> 00:16:50,360
Speaker 4: was giving her a little speech. She said, someone with

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Speaker 4: a big and you're thinking, you know whatever, she's a intellect,

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Speaker 4: you know. So I think they were definitely uh, playing around,

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00:16:57,160 --> 00:16:59,560
Speaker 4: playing around with with the words or whatever. But he

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Speaker 4: definitely huh, this wasn't funny. Yeah, And that was that

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Speaker 4: was my issue when we first meet him, is you know,

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Speaker 4: you know, I'm with Mike. I didn't get the sense

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Speaker 4: that he was lonely. He seemed like like his spirits

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Speaker 4: were fine. You know, I didn't get any type of sadness.

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Speaker 4: The whole premise, if I'm not mistaken for the Brider Frankenstein,

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Speaker 4: was because he didn't have anyone, and so going in,

347
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Speaker 4: you knew it was lonely was going to be the

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00:17:31,760 --> 00:17:34,239
Speaker 4: center of the of the mission and to give him

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Speaker 4: somebody because of everything that you just said, Spike.

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Speaker 1: So like his job was to just do that.

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Speaker 4: But he was just like, oh, yeah, I need somebody,

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Speaker 4: and your job was to do this, and you know

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Speaker 4: it was just like, nah, I didn't I didn't really

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Speaker 4: I didn't really get the feeling that he was impacted.

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Speaker 3: Yeah. So y'all saying at any point in time, Well,

356
00:17:53,280 --> 00:17:55,560
Speaker 3: y'all saying just at the beginning when he first presented the.

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00:17:55,960 --> 00:17:58,320
Speaker 6: I'm talking about at any point in time, I only

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00:17:58,400 --> 00:18:01,560
Speaker 6: got it because he said it. He didn't convey it

359
00:18:01,960 --> 00:18:04,280
Speaker 6: like a lordy. I'm not gonna I'm not gonna compare

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Speaker 6: them the entire review. Yeah, I don't plan to.

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Speaker 1: Yeah, but a LORDI, Yeah, it's hard not to.

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Speaker 6: He conveyed it like he didn't have to say shit,

363
00:18:14,560 --> 00:18:18,320
Speaker 6: he just you felt it. With this role, I didn't

364
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Speaker 6: feel it. They had to tell me, oh, he's lonely.

365
00:18:21,920 --> 00:18:26,520
Speaker 6: So even even introducing it as I would like an intercourse,

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Speaker 6: you're fucking up because I don't think Christian Bale was

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Speaker 6: good enough in this role to make me think anything

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Speaker 6: other than he's.

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Speaker 1: Just trying to fuck.

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Speaker 6: But I just knew after they kept talking about it,

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Speaker 6: it was like, oh, no, he doesn't mean intercourse, he

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Speaker 6: means like an intimate relationship with someone.

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Speaker 1: Got all right?

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Speaker 2: Well after that, we soon moved to she agrees to

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Speaker 2: to basically dig up a body for it to be

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Speaker 2: his bride, and that.

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Speaker 1: Was off her ego, right? Is that why she did it?

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00:18:58,880 --> 00:19:01,680
Speaker 3: Yeah? Pretty much? Yeah, is what we learned later that

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Speaker 3: she had been doing it or trying to anyway, and.

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Speaker 1: She did it with the Duke made or whatever that

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Speaker 1: was that she had there but I didn't realize that.

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00:19:09,240 --> 00:19:10,439
Speaker 3: Yeah, she certainly has.

383
00:19:10,280 --> 00:19:13,200
Speaker 1: A stain on her, so it's the same thing unless

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Speaker 1: I'm tripping later.

385
00:19:15,480 --> 00:19:17,160
Speaker 2: Yeah, I thought that was later because you know, they

386
00:19:17,160 --> 00:19:20,320
Speaker 2: were all mocked, like when the whole revolution started happening,

387
00:19:20,440 --> 00:19:21,560
Speaker 2: they all no, I.

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Speaker 1: Got that, but her own maid that was a fake stain, Yeah,

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Speaker 1: I think so. Yeah, yeah, she didn't have it before.

390
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Speaker 1: I thought.

391
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Speaker 3: I just wasn't paying attention before.

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Speaker 2: You made me second guess it too, So now I'm

393
00:19:31,960 --> 00:19:34,199
Speaker 2: not one hundred percent sure, but I didn't remember her

394
00:19:34,280 --> 00:19:35,920
Speaker 2: happening Okay, Yeah, but.

395
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Speaker 6: Yeah, we also kind of skipped over that she had

396
00:19:40,440 --> 00:19:44,200
Speaker 6: published those writings under her name, but she masked herself

397
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Speaker 6: as a man. Yeah yeah, yeah Cornel yeah or something

398
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Speaker 6: like that.

399
00:19:47,280 --> 00:19:47,879
Speaker 1: Yeah.

400
00:19:48,040 --> 00:19:50,440
Speaker 6: It wasn't cool for a woman to be writing stuff.

401
00:19:50,440 --> 00:19:52,679
Speaker 6: No one would take her seriously. That's also when I

402
00:19:52,720 --> 00:19:56,680
Speaker 6: was like, Okay, this movie is going to be about feminism,

403
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Speaker 6: which I'm cool with.

404
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Speaker 1: I just don't think they nailed it. Yeah.

405
00:20:00,440 --> 00:20:03,480
Speaker 4: Yeah, that is a good catch because that that that

406
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Speaker 4: plays on throughout the whole movie.

407
00:20:05,080 --> 00:20:10,399
Speaker 2: And yeah, all the way right from the detective to everything. Yeah, everything,

408
00:20:10,440 --> 00:20:11,720
Speaker 2: it was heavy handed.

409
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Speaker 7: On that you would love to have more content from

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Speaker 7: to what we review and discuss. Our Patreon gives the

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Speaker 7: listeners the power to nominate and vote a monthly discussion

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Speaker 2: But but yeah, so I was moving to the next

421
00:20:53,040 --> 00:20:56,520
Speaker 2: part was they went and dug up conveniently dug up ITAs.

422
00:20:57,320 --> 00:21:00,240
Speaker 2: Out of all the places and all the graves they

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00:21:00,600 --> 00:21:02,680
Speaker 2: come across, Iida. But we could, you know, we got

424
00:21:02,680 --> 00:21:07,280
Speaker 2: to suspend that or whatnot, bring her back and revive her.

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00:21:07,920 --> 00:21:10,359
Speaker 1: Uh? This was interesting.

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Speaker 2: How did y'all feel about them digging her up, bringing

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00:21:13,720 --> 00:21:17,480
Speaker 2: her back, and them reviving Ida?

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00:21:18,320 --> 00:21:18,960
Speaker 1: I think.

429
00:21:20,920 --> 00:21:25,199
Speaker 4: Not to continue to pick on Christian Bell, okay, but

430
00:21:25,359 --> 00:21:28,680
Speaker 4: the way his face and how he was looking and

431
00:21:28,760 --> 00:21:32,919
Speaker 4: all the other stuff. He was so gleeful and happy

432
00:21:32,920 --> 00:21:36,560
Speaker 4: and lady, which I get. He ain't had anybody, so.

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00:21:36,800 --> 00:21:40,760
Speaker 1: Uh he did. He mentioned going to get a prostitute.

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00:21:41,160 --> 00:21:43,400
Speaker 4: Oh but I mean, I mean that's some pussy still

435
00:21:43,400 --> 00:21:49,040
Speaker 4: cant and I thought.

436
00:21:48,920 --> 00:21:51,720
Speaker 1: You yeah, no he ain't. Oh okay, I got you,

437
00:21:51,760 --> 00:21:52,080
Speaker 1: I got you.

438
00:21:52,160 --> 00:21:55,520
Speaker 4: Yeah, he ain't had like that intercourse that he's looking for.

439
00:21:56,240 --> 00:22:00,240
Speaker 4: So he was just in there, like.

440
00:21:59,200 --> 00:22:01,320
Speaker 1: Bront know, I like you.

441
00:22:01,440 --> 00:22:03,200
Speaker 3: He said that, But that's what I thought. I thought

442
00:22:03,240 --> 00:22:06,119
Speaker 3: he'd just say that's what a loneliness I feel like

443
00:22:06,200 --> 00:22:08,000
Speaker 3: came in and like he was nervous about her being

444
00:22:08,000 --> 00:22:10,560
Speaker 3: too pretty, and when she came life, it seemed like

445
00:22:10,560 --> 00:22:12,960
Speaker 3: he was just like enamored with her. He couldn't stop

446
00:22:13,000 --> 00:22:16,040
Speaker 3: staring at her, like he felt like lonely. It was

447
00:22:16,080 --> 00:22:20,680
Speaker 3: like looking at a lonely ass person that's to sleep

448
00:22:20,760 --> 00:22:21,960
Speaker 3: up under and like that.

449
00:22:22,359 --> 00:22:25,000
Speaker 6: I think that's also where the feminists parts start to

450
00:22:25,000 --> 00:22:26,480
Speaker 6: see creepy, and.

451
00:22:27,000 --> 00:22:28,400
Speaker 1: Well, yeah, he's being creepy.

452
00:22:28,560 --> 00:22:34,040
Speaker 6: One and two, he specifically had her created for him,

453
00:22:34,080 --> 00:22:37,359
Speaker 6: so when he's talking about all that stuff that like

454
00:22:37,440 --> 00:22:39,359
Speaker 6: men think that way, like if my girl's too pretty,

455
00:22:39,400 --> 00:22:41,399
Speaker 6: then you know she might leave me for somebody else,

456
00:22:41,480 --> 00:22:43,960
Speaker 6: or you know, all this type of goofy ship. So

457
00:22:44,240 --> 00:22:46,879
Speaker 6: that That was another thing that I immediately picked up.

458
00:22:46,920 --> 00:22:48,160
Speaker 1: It's like, oh, that's what we're doing.

459
00:22:48,160 --> 00:22:50,600
Speaker 6: Okay, So this is almost like the Adam and Eves story,

460
00:22:51,080 --> 00:22:54,679
Speaker 6: but it's also wrapped up with this feminist bow of

461
00:22:54,760 --> 00:22:57,120
Speaker 6: this woman that's created specifically for this man.

462
00:22:59,000 --> 00:23:01,840
Speaker 2: Got your So, so did you How did y'all think

463
00:23:01,840 --> 00:23:04,639
Speaker 2: about the process, Like that liquid that was going inside

464
00:23:04,680 --> 00:23:07,120
Speaker 2: her body and that created like the little ink stain

465
00:23:07,320 --> 00:23:07,800
Speaker 2: and all that.

466
00:23:08,119 --> 00:23:09,080
Speaker 1: I thought it looked.

467
00:23:08,920 --> 00:23:11,120
Speaker 2: Dope, like how it was kind of in certain places

468
00:23:11,119 --> 00:23:12,200
Speaker 2: of her body and whatever.

469
00:23:12,560 --> 00:23:15,600
Speaker 1: How did y'all feel about that? I was the thoughts

470
00:23:15,600 --> 00:23:15,880
Speaker 1: on that.

471
00:23:16,000 --> 00:23:17,560
Speaker 3: I was wondering, what was they gonna explain it? Because

472
00:23:17,560 --> 00:23:19,280
Speaker 3: I was super confused. I was like, they're gonna leave

473
00:23:19,280 --> 00:23:21,320
Speaker 3: it right there the whole movie just but when the

474
00:23:21,359 --> 00:23:23,880
Speaker 3: doctor was like it came from the process of it,

475
00:23:23,880 --> 00:23:25,359
Speaker 3: it made sense and I was fine with it.

476
00:23:25,920 --> 00:23:29,639
Speaker 1: Yeah, yeah, I was. It was bothering me.

477
00:23:30,119 --> 00:23:31,480
Speaker 3: It bothers me. She explained.

478
00:23:31,520 --> 00:23:33,479
Speaker 1: I'm like, bro, just clean it up.

479
00:23:33,560 --> 00:23:37,000
Speaker 4: He was gonna wipe that off her face, just this

480
00:23:37,400 --> 00:23:38,639
Speaker 4: damn fucking movie.

481
00:23:38,920 --> 00:23:41,560
Speaker 3: But I started the previews, I wondered why her face

482
00:23:41,640 --> 00:23:41,960
Speaker 3: was like that.

483
00:23:42,080 --> 00:23:43,840
Speaker 1: So yeah, to get the explination.

484
00:23:43,560 --> 00:23:46,520
Speaker 4: Was yeah, it made sense to kind of also, you know,

485
00:23:46,760 --> 00:23:53,639
Speaker 4: kind of make her mosterish looking, you know, just sort

486
00:23:53,640 --> 00:23:59,119
Speaker 4: of scar or blemish on her face so she's not

487
00:23:59,600 --> 00:24:05,560
Speaker 4: asked pretty, you know, for Frankenstein as well, and you know,

488
00:24:05,640 --> 00:24:08,440
Speaker 4: it kind of also became a sort of costa yeah,

489
00:24:08,760 --> 00:24:10,480
Speaker 4: monster mask m.

490
00:24:10,880 --> 00:24:11,400
Speaker 1: Sort of thing.

491
00:24:11,560 --> 00:24:17,080
Speaker 2: So yeah, yeah, I could definitely see people doing that

492
00:24:17,119 --> 00:24:19,840
Speaker 2: for like Halloween and ship like the thing. I think

493
00:24:19,880 --> 00:24:21,080
Speaker 2: I think people are going to be trying to do

494
00:24:21,119 --> 00:24:24,679
Speaker 2: that ship for Halloween. So I think it was it

495
00:24:24,760 --> 00:24:26,920
Speaker 2: was prominent enough. Did you did that you take anything

496
00:24:26,920 --> 00:24:28,840
Speaker 2: away from her? Inks stains and stuff?

497
00:24:29,160 --> 00:24:31,520
Speaker 1: Nah, it was just like a mark. Yeah, I didn't.

498
00:24:31,560 --> 00:24:34,240
Speaker 6: I didn't really take anything special from me. I wasn't

499
00:24:34,240 --> 00:24:35,440
Speaker 6: sure if they were trying to go with like the

500
00:24:35,480 --> 00:24:38,480
Speaker 6: scarlet and whatever or whatever.

501
00:24:38,480 --> 00:24:38,960
Speaker 1: I don't know.

502
00:24:39,560 --> 00:24:41,480
Speaker 2: Yeah, like I said, I liked it because it wasn't

503
00:24:41,960 --> 00:24:44,320
Speaker 2: like Frankenstein. Wait, it's cut up. It's just it was

504
00:24:44,359 --> 00:24:46,679
Speaker 2: almost like split up with the ink and whatever. So

505
00:24:46,840 --> 00:24:47,640
Speaker 2: I thought that was cool.

506
00:24:47,720 --> 00:24:47,920
Speaker 1: Yeah.

507
00:24:47,920 --> 00:24:50,639
Speaker 6: She kind of asked like, why did he put you

508
00:24:50,680 --> 00:24:54,440
Speaker 6: together from various parts? Why didn't he just you know, yeah, yeah,

509
00:24:54,440 --> 00:24:56,960
Speaker 6: she kind of goes to the women are kind of

510
00:24:57,000 --> 00:24:57,640
Speaker 6: smarter than men.

511
00:24:59,480 --> 00:25:00,479
Speaker 1: All right, we get it.

512
00:25:01,240 --> 00:25:05,760
Speaker 2: But reanimation is what they call it, not resurrection. So

513
00:25:06,920 --> 00:25:09,240
Speaker 2: she lost her memory during this process, so she didn't

514
00:25:09,280 --> 00:25:11,360
Speaker 2: really know who she was, where she came from. All

515
00:25:11,400 --> 00:25:13,640
Speaker 2: she knew was she She wasn't supposed to be there,

516
00:25:14,359 --> 00:25:16,720
Speaker 2: but she know she kind of settled into it.

517
00:25:17,520 --> 00:25:19,800
Speaker 1: And then they go out basically on the date. Uh.

518
00:25:19,880 --> 00:25:20,520
Speaker 1: They go to the.

519
00:25:20,480 --> 00:25:26,440
Speaker 2: Cinema and they watch Frank's favorite film, our favorite actor,

520
00:25:26,560 --> 00:25:30,359
Speaker 2: Ronnie Reid, who was played by Jake Jentenhall, and then

521
00:25:30,400 --> 00:25:32,320
Speaker 2: they go and dance at a club after.

522
00:25:32,080 --> 00:25:35,120
Speaker 4: That, which explains why he was in the movie because

523
00:25:35,160 --> 00:25:39,520
Speaker 4: his sister did the movie.

524
00:25:36,800 --> 00:25:41,800
Speaker 3: Was why was what was the whole thing with him

525
00:25:41,840 --> 00:25:45,000
Speaker 3: being in the movies? I didn't get that he would

526
00:25:45,000 --> 00:25:46,600
Speaker 3: go watch it and then he would be the character

527
00:25:46,640 --> 00:25:47,080
Speaker 3: that was damning.

528
00:25:47,119 --> 00:25:50,000
Speaker 6: Oh that was just him imagining himself because he wanted

529
00:25:50,000 --> 00:25:51,880
Speaker 6: to be this charismatic.

530
00:25:52,200 --> 00:25:52,480
Speaker 1: See.

531
00:25:53,040 --> 00:25:55,480
Speaker 6: I think this was poorly cast. I like Jake jalen Hall.

532
00:25:55,520 --> 00:25:57,560
Speaker 6: I think he's an incredible actor, and he's a good

533
00:25:57,600 --> 00:25:58,120
Speaker 6: looking guy.

534
00:25:59,280 --> 00:26:02,480
Speaker 1: He's not that type of good looking to me, like

535
00:26:03,240 --> 00:26:03,840
Speaker 1: this would have.

536
00:26:03,800 --> 00:26:05,919
Speaker 6: Been no, no, not no lip guy, but you know,

537
00:26:05,960 --> 00:26:08,520
Speaker 6: like a more traditionally, he would have been good.

538
00:26:09,400 --> 00:26:12,680
Speaker 3: Ken's Boy would have been good.

539
00:26:12,720 --> 00:26:15,440
Speaker 1: You like him, you keep trying to sell them because

540
00:26:15,480 --> 00:26:17,120
Speaker 1: he's normal, boring, good looking.

541
00:26:17,240 --> 00:26:19,000
Speaker 3: Yeah, he liked that age period.

542
00:26:20,160 --> 00:26:22,840
Speaker 1: He would have fit better than Jake Jillen in this part.

543
00:26:23,000 --> 00:26:24,520
Speaker 6: But yeah, I think that was just supposed to be

544
00:26:24,560 --> 00:26:28,600
Speaker 6: Frank imagining himself as this handsome, charismatic guy that gets

545
00:26:28,600 --> 00:26:29,000
Speaker 6: the women.

546
00:26:29,520 --> 00:26:33,119
Speaker 4: You know, man, when he had the umbrella, he was

547
00:26:33,119 --> 00:26:35,159
Speaker 4: doing that little dance when you went back.

548
00:26:38,000 --> 00:26:52,760
Speaker 2: Show it was the thirties, all right, So then, so yes,

549
00:26:53,000 --> 00:26:54,840
Speaker 2: it's stuff that happened in there. But the main thing

550
00:26:54,840 --> 00:26:57,080
Speaker 2: is that after this they go to the club. Wait,

551
00:26:57,119 --> 00:26:58,960
Speaker 2: I'm so sorry, you know, I'm not sorry to do

552
00:26:59,000 --> 00:27:02,000
Speaker 2: it to me. What the dancing I did not get

553
00:27:02,040 --> 00:27:04,439
Speaker 2: that was that in their mind or was that really happening?

554
00:27:04,640 --> 00:27:07,280
Speaker 4: What it was like a little bit of both, because

555
00:27:07,280 --> 00:27:09,760
Speaker 4: it's like the police.

556
00:27:09,320 --> 00:27:11,760
Speaker 1: Came and everything and stopped it and all that, So

557
00:27:11,760 --> 00:27:11,919
Speaker 1: I do.

558
00:27:12,080 --> 00:27:14,560
Speaker 6: The dancing was really like all those people dancing, It

559
00:27:14,640 --> 00:27:15,960
Speaker 6: was something like they took over the mind.

560
00:27:16,000 --> 00:27:18,119
Speaker 1: He was writing her when he was watching her on

561
00:27:18,119 --> 00:27:18,480
Speaker 1: the floor.

562
00:27:18,640 --> 00:27:21,119
Speaker 6: No, like yeah, when like all of them and like

563
00:27:21,400 --> 00:27:24,720
Speaker 6: the audience started joining in and they have this big

564
00:27:24,760 --> 00:27:25,800
Speaker 6: fucking thriller.

565
00:27:25,480 --> 00:27:26,879
Speaker 1: Ass dance movie.

566
00:27:27,040 --> 00:27:27,960
Speaker 3: I didn't know what that was.

567
00:27:28,080 --> 00:27:29,040
Speaker 1: It was supposed by that.

568
00:27:29,480 --> 00:27:32,160
Speaker 2: I was confused too, So I don't know that's the fragmented.

569
00:27:32,600 --> 00:27:34,840
Speaker 2: Maybe maybe it took me out of the movie. Maybe

570
00:27:36,400 --> 00:27:39,639
Speaker 2: maybe Frank kind of had it in his head that

571
00:27:39,680 --> 00:27:41,560
Speaker 2: it was going on that way, the same way we

572
00:27:41,600 --> 00:27:43,399
Speaker 2: saw it in the movies. But it probably was just

573
00:27:43,440 --> 00:27:46,040
Speaker 2: them doing some side of dance and just kind of

574
00:27:46,040 --> 00:27:46,560
Speaker 2: being out there.

575
00:27:46,600 --> 00:27:47,640
Speaker 1: This is how I kind of.

576
00:27:47,680 --> 00:27:51,480
Speaker 6: He's seeing her commending the audience, but in real life.

577
00:27:51,280 --> 00:27:52,800
Speaker 3: They're just just dancing it.

578
00:27:53,240 --> 00:27:55,960
Speaker 4: But they did it twice, they did, they did, so

579
00:27:56,040 --> 00:27:58,120
Speaker 4: I think this was her probably trying to be creative.

580
00:27:58,480 --> 00:28:00,280
Speaker 2: Yeah, I think that's probably all. It was, of some

581
00:28:00,359 --> 00:28:03,359
Speaker 2: sort of like dance number in the movie. But sinners,

582
00:28:04,960 --> 00:28:07,040
Speaker 2: it could be kind of like saying, it.

583
00:28:07,080 --> 00:28:12,720
Speaker 3: Could be like the white versus unseasoned version, don't do this.

584
00:28:13,200 --> 00:28:15,439
Speaker 1: He was doing the monster match. They weren't doing the

585
00:28:15,440 --> 00:28:16,000
Speaker 1: monster match.

586
00:28:16,240 --> 00:28:20,440
Speaker 2: Yeah, so that's that's what they were doing. But then,

587
00:28:21,359 --> 00:28:22,960
Speaker 2: like I said, because I think because he was so

588
00:28:23,080 --> 00:28:25,399
Speaker 2: embarrassed when he actually met his idol. We see, we

589
00:28:25,400 --> 00:28:27,280
Speaker 2: hear this all the time when you actually meet them

590
00:28:27,320 --> 00:28:30,840
Speaker 2: and not what they seem, you know what you would

591
00:28:30,880 --> 00:28:33,320
Speaker 2: hope they would be. And he was just sad that

592
00:28:33,400 --> 00:28:35,440
Speaker 2: y'all like that, like you didn't feel that he was sad.

593
00:28:35,440 --> 00:28:37,320
Speaker 2: He was just like he was about to cry. I mean,

594
00:28:37,320 --> 00:28:39,760
Speaker 2: well he went over board. I know understand he was excited,

595
00:28:39,800 --> 00:28:41,320
Speaker 2: but he was doing way too much.

596
00:28:41,440 --> 00:28:42,400
Speaker 1: Bro, look like that.

597
00:28:42,440 --> 00:28:44,680
Speaker 2: Bro, ain't you in my face looking like that? Like

598
00:28:44,760 --> 00:28:46,720
Speaker 2: come on, b yeah, because he was oh yeah J J.

599
00:28:46,920 --> 00:28:48,240
Speaker 2: Hall did a good job with that because he was

600
00:28:48,320 --> 00:28:50,959
Speaker 2: just like you can see it on his face that

601
00:28:50,760 --> 00:28:52,360
Speaker 2: he was smell bad.

602
00:28:52,760 --> 00:28:54,800
Speaker 3: Say your what's ups? And like the movie, man, I

603
00:28:54,800 --> 00:28:55,400
Speaker 3: appreciate you.

604
00:28:55,960 --> 00:28:58,440
Speaker 6: None of this part worked for me anyway, because like

605
00:28:58,520 --> 00:29:00,680
Speaker 6: you walked in, you just put on this dirty jacket

606
00:29:00,720 --> 00:29:04,200
Speaker 6: and then you just picked up a tray and nobody's

607
00:29:04,240 --> 00:29:07,080
Speaker 6: looking at you like who and you look like that

608
00:29:08,560 --> 00:29:11,720
Speaker 6: crazy and you're walking around like anybody want to drink?

609
00:29:11,800 --> 00:29:16,600
Speaker 1: No motherfucker? What? What? Who? Uh?

610
00:29:16,640 --> 00:29:20,239
Speaker 2: But yeah, after the dance number, uh police show up.

611
00:29:20,320 --> 00:29:24,600
Speaker 2: The detective who is Penelopie Cruise. I haven't seen her

612
00:29:24,640 --> 00:29:28,680
Speaker 2: in anything in a minute, but they show up and

613
00:29:28,720 --> 00:29:33,920
Speaker 2: this is where uh, the bride has another monologue basically

614
00:29:34,000 --> 00:29:36,200
Speaker 2: right at this point. Did anybody take anything away from

615
00:29:36,240 --> 00:29:37,760
Speaker 2: this moment where you still like she was on her

616
00:29:37,840 --> 00:29:40,720
Speaker 2: met too stuff or because they start she starts speaking

617
00:29:40,760 --> 00:29:45,200
Speaker 2: from the from the different dead and women and the

618
00:29:45,640 --> 00:29:49,280
Speaker 2: women that the dead ghosts. Yeah, I thought that was dope.

619
00:29:49,320 --> 00:29:51,120
Speaker 2: How she was convening that. How did y'all feel about

620
00:29:51,120 --> 00:29:53,720
Speaker 2: this moment? Wait in the club? In the club, because

621
00:29:53,720 --> 00:29:56,120
Speaker 2: she started she started speaking from she was pointing guns

622
00:29:56,120 --> 00:29:59,360
Speaker 2: at everybody, and then she was speaking from the dead women.

623
00:30:00,120 --> 00:30:04,120
Speaker 4: Oh yeah, we did somebody over a major party. Yeah,

624
00:30:04,120 --> 00:30:07,800
Speaker 4: we're back. Yeah, we're on the second dance number. I

625
00:30:07,800 --> 00:30:09,120
Speaker 4: thought we were still.

626
00:30:08,920 --> 00:30:11,440
Speaker 1: At the the.

627
00:30:10,720 --> 00:30:14,440
Speaker 4: Sort of freak section of the movie when they went

628
00:30:14,480 --> 00:30:16,560
Speaker 4: to the first das skipped over the part where he

629
00:30:16,720 --> 00:30:20,200
Speaker 4: and he killed those two guys, because yeah, and then

630
00:30:20,200 --> 00:30:22,680
Speaker 4: she was because she was yeah yeah, so after that,

631
00:30:22,680 --> 00:30:24,800
Speaker 4: that's yeah, they left, they left the club, and then

632
00:30:24,840 --> 00:30:25,600
Speaker 4: that's where they were.

633
00:30:25,600 --> 00:30:28,440
Speaker 1: They were harassing her, and that was a different club

634
00:30:28,440 --> 00:30:29,640
Speaker 1: though it was a different club.

635
00:30:29,720 --> 00:30:32,560
Speaker 2: That was a different club. Yeah, there was there was

636
00:30:32,560 --> 00:30:34,600
Speaker 2: harassing her two guys.

637
00:30:34,800 --> 00:30:35,000
Speaker 1: Yeah.

638
00:30:35,040 --> 00:30:37,080
Speaker 2: Yeah, she started saying violence and then that's that's when

639
00:30:37,120 --> 00:30:38,760
Speaker 2: I started picking up. Okay, that's what she's doing. She

640
00:30:38,920 --> 00:30:44,040
Speaker 2: just saying different different words of violence and different ways

641
00:30:44,040 --> 00:30:46,160
Speaker 2: of violence that y'all y'all picked up on that right

642
00:30:46,200 --> 00:30:50,080
Speaker 2: when she Yeah, that's one reason I joined with Ken

643
00:30:50,600 --> 00:30:51,160
Speaker 2: skipping that part.

644
00:30:51,400 --> 00:30:53,280
Speaker 1: That part was dope. Yeah, yeah, yeah, that was She.

645
00:30:53,320 --> 00:30:56,080
Speaker 6: Was very much like calling out like even though they

646
00:30:56,120 --> 00:30:59,200
Speaker 6: weren't fighting her, they weren't punching her nothing like that,

647
00:30:59,280 --> 00:31:02,240
Speaker 6: it was stillolence. So I liked how she was calling

648
00:31:02,280 --> 00:31:05,000
Speaker 6: out like this is violence, this is violence. But then

649
00:31:05,000 --> 00:31:07,200
Speaker 6: when they got outside, that's when the violence changed and

650
00:31:07,520 --> 00:31:12,920
Speaker 6: became more physical violence, and it led to actually finally

651
00:31:12,960 --> 00:31:18,360
Speaker 6: an actual good scene where he fucking curbs that. Yes, yeah,

652
00:31:19,440 --> 00:31:22,800
Speaker 6: Tommy doing something crazy.

653
00:31:22,840 --> 00:31:31,400
Speaker 3: They deserved that. He gave them get out so many chance,

654
00:31:31,800 --> 00:31:37,880
Speaker 3: so ample opportunities. Yeah, how did you feel about this

655
00:31:37,920 --> 00:31:38,720
Speaker 3: performance here? Ken?

656
00:31:40,760 --> 00:31:42,360
Speaker 1: What Mike? I did like the action.

657
00:31:43,080 --> 00:31:46,000
Speaker 4: You know, I do think I thought he was he

658
00:31:46,160 --> 00:31:48,400
Speaker 4: was going to attack them in the club. So I

659
00:31:48,440 --> 00:31:51,040
Speaker 4: do feel like this part was a little bit forrest

660
00:31:51,120 --> 00:31:54,000
Speaker 4: half of them pursue them outside the club just to

661
00:31:54,040 --> 00:31:59,360
Speaker 4: get this this scene, because that's a bit motherfucker, And

662
00:31:59,400 --> 00:32:01,560
Speaker 4: they didn't seem like they were worded at all, Like

663
00:32:01,600 --> 00:32:04,240
Speaker 4: I can see if it was a small like skinny

664
00:32:04,480 --> 00:32:10,000
Speaker 4: sort of guy. But these two guys thought like stupid,

665
00:32:10,400 --> 00:32:13,680
Speaker 4: they thought that they could still attack.

666
00:32:13,520 --> 00:32:15,280
Speaker 1: Her with him there.

667
00:32:15,800 --> 00:32:18,520
Speaker 4: So it just felt like they were trying to do

668
00:32:18,560 --> 00:32:21,000
Speaker 4: this to to get to where we eventually got to.

669
00:32:21,280 --> 00:32:24,200
Speaker 3: You don't agree it made sense to me. Oh I

670
00:32:24,280 --> 00:32:27,080
Speaker 3: really think they did that. Yeah, I'm sorry, I think

671
00:32:27,080 --> 00:32:28,960
Speaker 3: they did that. Yeah, he was big, but I think

672
00:32:28,960 --> 00:32:33,000
Speaker 3: they thought he was a little uh slow slow. Yeah,

673
00:32:33,600 --> 00:32:37,960
Speaker 3: and that's why they were with him like that.

674
00:32:39,320 --> 00:32:43,360
Speaker 1: Okay, because he's tall, but he ain't like swollen or nothing.

675
00:32:43,440 --> 00:32:46,440
Speaker 3: He's just like, he ain't really menacing other than him

676
00:32:46,480 --> 00:32:47,360
Speaker 3: looking like that, Like.

677
00:32:47,320 --> 00:32:55,280
Speaker 1: He had the little fake pool you want to about

678
00:32:55,280 --> 00:32:57,320
Speaker 1: it like that in them days. Yeah, I can see that,

679
00:32:57,440 --> 00:32:58,840
Speaker 1: especially if those two guys they.

680
00:32:58,840 --> 00:33:02,120
Speaker 6: Probably thought they could jump, and the first few times

681
00:33:02,120 --> 00:33:04,520
Speaker 6: they hit him, he didn't really do ship. He fell over,

682
00:33:05,720 --> 00:33:08,600
Speaker 6: so they probably thought this was a big ass punk

683
00:33:08,680 --> 00:33:09,480
Speaker 6: that they could take out.

684
00:33:09,760 --> 00:33:14,080
Speaker 2: Yeah, okay, So then after that scene he tells her

685
00:33:14,560 --> 00:33:17,520
Speaker 2: he basically said, look, I've been through this before. It's

686
00:33:17,520 --> 00:33:21,520
Speaker 2: gonna be a mob. Just just leave me. So y'all

687
00:33:21,520 --> 00:33:22,320
Speaker 2: like that, what y'all.

688
00:33:23,200 --> 00:33:28,800
Speaker 4: Just referencing like the the first Frankenstein like book, and

689
00:33:28,840 --> 00:33:30,920
Speaker 4: all the other stuff. I was like, you know, I

690
00:33:30,920 --> 00:33:34,560
Speaker 4: don't been through all this ship. Trust this is about

691
00:33:34,600 --> 00:33:40,480
Speaker 4: to get fucking crazy. Back upstairs and you'll be fine.

692
00:33:40,920 --> 00:33:42,320
Speaker 4: I'll take the blame for it here.

693
00:33:42,960 --> 00:33:45,000
Speaker 3: I like to lead up to it too, like like

694
00:33:45,080 --> 00:33:48,240
Speaker 3: the crowd swilling, like as he's beating the ship out

695
00:33:48,240 --> 00:33:50,640
Speaker 3: of him. Then you get the photographer up there taking

696
00:33:50,680 --> 00:33:53,960
Speaker 3: pictures like now you know they know his face himself.

697
00:33:54,600 --> 00:33:57,160
Speaker 3: Yeah that's what I thought. I was like, Damn, they

698
00:33:57,200 --> 00:33:58,640
Speaker 3: did a good way of doing how it will go

699
00:33:58,720 --> 00:34:01,200
Speaker 3: today because people will have their phones out just by

700
00:34:01,240 --> 00:34:03,200
Speaker 3: WOD was like where the photographer's coming from though, But

701
00:34:03,600 --> 00:34:07,320
Speaker 3: what being said, I liked how they progressed into him

702
00:34:07,360 --> 00:34:09,760
Speaker 3: wanting to flee and leave her. That's from that point

703
00:34:10,239 --> 00:34:11,200
Speaker 3: moving forward.

704
00:34:11,440 --> 00:34:16,239
Speaker 1: Any anything you took. So yeah, he tells her like no,

705
00:34:16,360 --> 00:34:18,080
Speaker 1: but she refuses.

706
00:34:17,560 --> 00:34:19,920
Speaker 2: And she wants to basically run away from This's why

707
00:34:19,960 --> 00:34:23,520
Speaker 2: I was referencing the Buddy Bunny and Clyde. Uh yeah

708
00:34:24,080 --> 00:34:26,960
Speaker 2: so uh uh so yeah, he tells her the lead,

709
00:34:27,040 --> 00:34:29,480
Speaker 2: but she decides she wants to u you know, run

710
00:34:29,480 --> 00:34:30,120
Speaker 2: away with him.

711
00:34:30,120 --> 00:34:32,800
Speaker 3: I like when she was like go where yeah I

712
00:34:32,920 --> 00:34:33,400
Speaker 3: supposed to?

713
00:34:33,600 --> 00:34:33,799
Speaker 5: Yeah?

714
00:34:33,840 --> 00:34:35,480
Speaker 1: Yeah, yeah, she's like I don't know where my home

715
00:34:35,600 --> 00:34:36,080
Speaker 1: is or whatever.

716
00:34:36,160 --> 00:34:38,560
Speaker 2: So, yeah, they stole away in the train in New York,

717
00:34:39,000 --> 00:34:41,520
Speaker 2: killing a security officer who finds them as the train

718
00:34:41,600 --> 00:34:46,640
Speaker 2: passes through Indiana. Meanwhile, he got Jake the detectives, Jake

719
00:34:46,719 --> 00:34:51,200
Speaker 2: and his assistant Murder, which investigate the murders and eventually

720
00:34:51,200 --> 00:34:56,359
Speaker 2: followed them to New York. Uh, Frank and Brian, they

721
00:34:56,400 --> 00:34:59,400
Speaker 2: caused chaos in the screen of revoted zombies and this,

722
00:34:59,600 --> 00:35:02,600
Speaker 2: and they see refuse from the police and angry mob

723
00:35:02,640 --> 00:35:04,600
Speaker 2: at a high class party. This is what I actually

724
00:35:04,680 --> 00:35:07,120
Speaker 2: was talking about earlier. Uh, where they had to dance

725
00:35:07,160 --> 00:35:12,680
Speaker 2: and everything. And then Frank, Yeah, right, exactly what I'm saying.

726
00:35:12,680 --> 00:35:17,120
Speaker 2: It's like and Clyde, So that's when he had he

727
00:35:17,200 --> 00:35:18,560
Speaker 2: was at the party and all of that and that,

728
00:35:18,719 --> 00:35:21,279
Speaker 2: and this is where she holds the guns up and

729
00:35:21,280 --> 00:35:24,360
Speaker 2: it's talking from the perspective of the women, which we

730
00:35:24,440 --> 00:35:26,000
Speaker 2: kind of already talked about.

731
00:35:26,200 --> 00:35:26,719
Speaker 1: Uh.

732
00:35:27,080 --> 00:35:30,520
Speaker 2: Once they leave the Brider frame, they kill an officer

733
00:35:30,640 --> 00:35:33,319
Speaker 2: hot wire car and managed to escape the city.

734
00:35:33,360 --> 00:35:36,239
Speaker 1: How did y'all feel about the escape? Playing did y'all think?

735
00:35:36,320 --> 00:35:38,799
Speaker 2: Because they he basically that's when he hit run down

736
00:35:38,840 --> 00:35:40,920
Speaker 2: the chandelier and they escaped.

737
00:35:41,120 --> 00:35:42,680
Speaker 1: How did y'all feel about this party? I feel like

738
00:35:42,680 --> 00:35:46,160
Speaker 1: they probably should have been shot here or what cop

739
00:35:46,200 --> 00:35:51,600
Speaker 1: did you she killed? She killed the cop just pushed.

740
00:35:52,200 --> 00:35:54,480
Speaker 6: Yeah, that was supposed to mirror what happened to her,

741
00:35:54,800 --> 00:35:57,160
Speaker 6: yeah earlier, and yeah, but she was she.

742
00:35:57,120 --> 00:35:59,719
Speaker 3: Was getting nerves and she was wild in the train car.

743
00:36:01,560 --> 00:36:02,439
Speaker 3: What you doing?

744
00:36:03,560 --> 00:36:08,040
Speaker 6: That cop was sorry as hell anyway, Yeah, and scared, yeah, yeah,

745
00:36:08,400 --> 00:36:11,200
Speaker 6: very scared, but it was clear that I'm out.

746
00:36:11,600 --> 00:36:15,960
Speaker 1: Yeah, right, these motherfuckers were doing a lot.

747
00:36:16,000 --> 00:36:17,480
Speaker 4: Had they killed the cop on the side of the

748
00:36:17,520 --> 00:36:20,920
Speaker 4: road yet on the side of the road. Yeah, Remember

749
00:36:20,960 --> 00:36:24,319
Speaker 4: they were driving and they got the cop pulled over

750
00:36:24,320 --> 00:36:28,160
Speaker 4: and he was kind of messing with her and he

751
00:36:28,320 --> 00:36:32,480
Speaker 4: was trying it was basically filling her up the.

752
00:36:33,239 --> 00:36:36,200
Speaker 2: Yeah, yeah, yeah, this is this is when they like,

753
00:36:36,440 --> 00:36:37,760
Speaker 2: after they flee from the party.

754
00:36:39,080 --> 00:36:39,920
Speaker 1: Happened after the party.

755
00:36:40,000 --> 00:36:43,279
Speaker 4: Yeah, so yeah, but now the part the I'm you know,

756
00:36:43,400 --> 00:36:47,600
Speaker 4: as Mike said earlier, the whole party ship didn't make sense.

757
00:36:47,760 --> 00:36:50,600
Speaker 4: You know this big monster. Everybody knows the monster. Maybe

758
00:36:51,040 --> 00:36:52,719
Speaker 4: you know it's back in the day. So you got

759
00:36:53,440 --> 00:36:56,120
Speaker 4: news and the ship got to be written. So it's

760
00:36:56,239 --> 00:36:58,280
Speaker 4: it's a while for news to travel.

761
00:36:58,440 --> 00:37:00,640
Speaker 3: But they knew him in the other places. Maybe the

762
00:37:00,680 --> 00:37:02,560
Speaker 3: news had already traveled. Boy, then that's what.

763
00:37:02,480 --> 00:37:04,560
Speaker 1: You're talking about, Like when they were in the because

764
00:37:04,600 --> 00:37:05,680
Speaker 1: they went to the movies.

765
00:37:05,600 --> 00:37:06,759
Speaker 3: They started recognizing him.

766
00:37:06,880 --> 00:37:09,080
Speaker 4: And well, I think in the movies because that guy

767
00:37:09,440 --> 00:37:11,560
Speaker 4: was kind of she was saying no and he was

768
00:37:11,560 --> 00:37:15,279
Speaker 4: pushing up on her, you know, but.

769
00:37:15,200 --> 00:37:17,080
Speaker 1: They knew who he was because they said, that's that's

770
00:37:17,080 --> 00:37:17,600
Speaker 1: the monster.

771
00:37:18,840 --> 00:37:22,239
Speaker 3: So like, I don't Yes, it was in the newspapers. Yeah,

772
00:37:22,239 --> 00:37:23,720
Speaker 3: but that must have been before the party.

773
00:37:24,200 --> 00:37:29,760
Speaker 4: Well maybe maybe this class of society got you probably

774
00:37:29,800 --> 00:37:33,520
Speaker 4: wasn't paying attention to that sort of stuff, or they

775
00:37:33,560 --> 00:37:35,520
Speaker 4: could have thought that they were protected from it as well.

776
00:37:35,800 --> 00:37:36,000
Speaker 1: You know.

777
00:37:36,200 --> 00:37:39,920
Speaker 2: Well after the party, that's when like the female revolution started.

778
00:37:39,960 --> 00:37:42,880
Speaker 2: But they started, like because they started kind of pushing

779
00:37:42,960 --> 00:37:45,440
Speaker 2: back on the on the crime in the city. That's

780
00:37:45,440 --> 00:37:48,319
Speaker 2: when they started getting tattoos and all that stuff. So

781
00:37:48,360 --> 00:37:49,960
Speaker 2: that's when you start seeing in the paper. So they

782
00:37:49,960 --> 00:37:53,759
Speaker 2: were known by this point. Yeah, the party, right, yeah,

783
00:37:53,800 --> 00:37:57,359
Speaker 2: after the party, after the party, after the party, because

784
00:37:57,360 --> 00:37:59,600
Speaker 2: that's when she had the speech and then that that

785
00:37:59,680 --> 00:38:02,920
Speaker 2: kind of the speech and inspired all the women and

786
00:38:02,960 --> 00:38:05,440
Speaker 2: stuff like that. Yeah, and they were going around a

787
00:38:05,480 --> 00:38:08,640
Speaker 2: town like, you know, shooting and all kind of stuff

788
00:38:08,680 --> 00:38:09,280
Speaker 2: like they were.

789
00:38:09,480 --> 00:38:13,440
Speaker 6: They weren't taking ship from men either really or not.

790
00:38:13,640 --> 00:38:15,640
Speaker 6: I wanted it to, but it didn't. It didn't work

791
00:38:16,320 --> 00:38:20,840
Speaker 6: because I think I needed to see more And I

792
00:38:20,880 --> 00:38:23,440
Speaker 6: know this is asking a lot for a movie, but

793
00:38:23,520 --> 00:38:26,279
Speaker 6: I needed to see more of how her message got

794
00:38:26,280 --> 00:38:29,000
Speaker 6: out because it's not like anybody fucking had a video camera.

795
00:38:29,680 --> 00:38:32,280
Speaker 6: It's not like anybody had a cell phone to record video.

796
00:38:33,080 --> 00:38:35,960
Speaker 6: So it was like, and she didn't really do anything

797
00:38:36,080 --> 00:38:41,480
Speaker 6: at the party, and then after that when they just

798
00:38:41,640 --> 00:38:45,120
Speaker 6: left or whatever I did, I guess I just didn't

799
00:38:45,200 --> 00:38:49,000
Speaker 6: really get what caused all of these women to be

800
00:38:49,080 --> 00:38:50,600
Speaker 6: empowered all of a sudden.

801
00:38:50,680 --> 00:38:51,320
Speaker 1: It was her speech.

802
00:38:51,960 --> 00:38:55,319
Speaker 4: How did they heard I don't know. I'm thinking they

803
00:38:55,400 --> 00:38:57,080
Speaker 4: might have got out from the people.

804
00:38:56,840 --> 00:38:59,640
Speaker 2: The women that word and then it just, yeah, watermouth

805
00:38:59,680 --> 00:39:02,000
Speaker 2: just kind of started getting around after that.

806
00:39:02,000 --> 00:39:03,080
Speaker 1: That's not enough for me for.

807
00:39:03,040 --> 00:39:05,560
Speaker 6: A for a movie like this, and they didn't do

808
00:39:05,600 --> 00:39:09,160
Speaker 6: anything with it. That was my other issue. It's like, okay, fine,

809
00:39:09,239 --> 00:39:12,319
Speaker 6: if I can suspend thisbelief and say that a bunch

810
00:39:12,320 --> 00:39:16,040
Speaker 6: of the women just spreaded the word around, fine, But

811
00:39:16,080 --> 00:39:18,759
Speaker 6: then after that, you show these women getting empowered. But

812
00:39:18,800 --> 00:39:21,680
Speaker 6: then it seemed like that went away real quick, like

813
00:39:21,760 --> 00:39:23,040
Speaker 6: they didn't have like it.

814
00:39:22,960 --> 00:39:24,839
Speaker 1: Wasn't like a massive uprising.

815
00:39:25,360 --> 00:39:27,040
Speaker 6: It was almost like they just copied that shit that

816
00:39:27,040 --> 00:39:29,920
Speaker 6: happened in Joker, and then they just called it the

817
00:39:30,000 --> 00:39:30,960
Speaker 6: Day real fast.

818
00:39:31,840 --> 00:39:37,279
Speaker 4: Yeah, yeah, definitely a lot of Joker vibes. And then

819
00:39:37,320 --> 00:39:39,759
Speaker 4: she had just killed somebody, you know. First of all,

820
00:39:39,800 --> 00:39:42,359
Speaker 4: that cop was stupid as shit, like to walk up

821
00:39:42,600 --> 00:39:46,040
Speaker 4: like she has a gun. She clearly seems like she's

822
00:39:46,040 --> 00:39:47,640
Speaker 4: out of her mind, and you don't know, and you

823
00:39:47,760 --> 00:39:50,040
Speaker 4: just don't walk up and surprise somebody with the gun.

824
00:39:50,080 --> 00:39:50,920
Speaker 1: You just don't do that.

825
00:39:52,200 --> 00:39:55,080
Speaker 4: So and and the other guy telling me like, yeah, yeah,

826
00:39:55,080 --> 00:39:56,799
Speaker 4: go ahead, Yeah you got it, bro like, and he

827
00:39:56,920 --> 00:39:59,520
Speaker 4: walks around and he got popped, you know. And then

828
00:39:59,560 --> 00:40:01,799
Speaker 4: of course the the dance scene was stupid as fucking ship.

829
00:40:02,840 --> 00:40:05,080
Speaker 4: So I didn't even understand that, but I did like

830
00:40:05,160 --> 00:40:06,960
Speaker 4: him pulling that Chande live down that shi.

831
00:40:06,960 --> 00:40:09,000
Speaker 1: It was dope. He just jumped up and snatched that

832
00:40:09,000 --> 00:40:09,520
Speaker 1: ship down.

833
00:40:09,920 --> 00:40:11,680
Speaker 4: Then they escaped, and then at this point she was

834
00:40:11,680 --> 00:40:14,160
Speaker 4: like I know you, I know you to the cop.

835
00:40:14,280 --> 00:40:16,279
Speaker 4: So I thought at this point that cop was working

836
00:40:16,320 --> 00:40:21,040
Speaker 4: for Lopina. Well, yeah, and that he was actually there

837
00:40:21,200 --> 00:40:25,759
Speaker 4: and was part of what led to her murder. Yeah,

838
00:40:25,760 --> 00:40:28,960
Speaker 4: the detective, yeah yeah, the Scars guard guy Peter.

839
00:40:28,800 --> 00:40:32,919
Speaker 1: I think, the one not handsome Scars guard. Yeah.

840
00:40:34,800 --> 00:40:37,319
Speaker 4: So yeah, so and then uh you know of course

841
00:40:37,320 --> 00:40:42,000
Speaker 4: they running off and and did he shoot at him, No,

842
00:40:42,520 --> 00:40:44,399
Speaker 4: because he just he recognized him.

843
00:40:44,640 --> 00:40:47,279
Speaker 1: And then oh he just shot in the air. Yeah,

844
00:40:47,320 --> 00:40:49,520
Speaker 1: he shot in the air. Even her killing the cop,

845
00:40:49,719 --> 00:40:52,319
Speaker 1: even that whole cop ship didn't make no sense, didn't

846
00:40:52,360 --> 00:40:54,800
Speaker 1: make any sense because.

847
00:40:54,600 --> 00:40:57,640
Speaker 6: Like she she had the one the one person at

848
00:40:57,800 --> 00:41:01,319
Speaker 6: at gunpoint. Did she let that person go when she

849
00:41:01,440 --> 00:41:04,080
Speaker 6: started doing this the speech and then she's just like

850
00:41:04,160 --> 00:41:05,520
Speaker 6: pointing the gun and just yelling.

851
00:41:05,800 --> 00:41:07,920
Speaker 1: At any point the cops could have shot her. Yeah,

852
00:41:07,920 --> 00:41:08,680
Speaker 1: that's what I was thinking too.

853
00:41:08,800 --> 00:41:10,960
Speaker 6: The whole scene is just like too much of that,

854
00:41:11,320 --> 00:41:13,960
Speaker 6: and it's I know, people that life moving like you're

855
00:41:14,000 --> 00:41:17,440
Speaker 6: overthinking it. Fine, whatever, I don't think that's overthinking. I

856
00:41:17,440 --> 00:41:20,160
Speaker 6: think this just turned into bad writing and the ship

857
00:41:20,239 --> 00:41:23,839
Speaker 6: just started to really just not make any sense. Why

858
00:41:23,840 --> 00:41:26,480
Speaker 6: wouldn't the cops have just shot especially in those days,

859
00:41:26,680 --> 00:41:27,280
Speaker 6: people think.

860
00:41:27,160 --> 00:41:29,160
Speaker 1: Cops are bad now with just fucking shooting.

861
00:41:28,880 --> 00:41:32,239
Speaker 6: People in those days, they would have definitely just shot her.

862
00:41:32,320 --> 00:41:34,719
Speaker 1: I mean they did later, but it took them a

863
00:41:34,760 --> 00:41:39,760
Speaker 1: little bit later. But she fucking she was waving the gun.

864
00:41:39,880 --> 00:41:42,560
Speaker 4: Alator at that point. Yeah, yeah, she was a calculator

865
00:41:42,600 --> 00:41:44,400
Speaker 4: that point. But yeah, it just didn't make sense. But

866
00:41:44,440 --> 00:41:47,760
Speaker 4: it looked like I don't think they had a clear

867
00:41:47,840 --> 00:41:51,440
Speaker 4: shot though, And yeah, but they didn't want to risk.

868
00:41:51,520 --> 00:41:53,600
Speaker 4: Wasn't there there were people behind her, There were there.

869
00:41:53,480 --> 00:41:57,319
Speaker 6: Were elites behind her, sure, but why did they tell

870
00:41:57,360 --> 00:41:59,080
Speaker 6: the other dude, the one cop, to go, oh yeah,

871
00:41:59,160 --> 00:41:59,920
Speaker 6: go sneak up on her.

872
00:42:02,480 --> 00:42:05,120
Speaker 1: It didn't make any sense. And why didn't they Well, no,

873
00:42:05,160 --> 00:42:09,040
Speaker 1: I forgot that happened. Yeah, yeah, did they even go

874
00:42:09,080 --> 00:42:10,719
Speaker 1: after outside? After the sande.

875
00:42:10,560 --> 00:42:13,359
Speaker 4: Felt it was only the detective, only one and and

876
00:42:13,400 --> 00:42:15,359
Speaker 4: they it's not like they were running fast and had

877
00:42:15,360 --> 00:42:16,880
Speaker 4: that little limp, right.

878
00:42:17,200 --> 00:42:19,600
Speaker 1: You know, Yeah, there's too much of that time stuff.

879
00:42:19,600 --> 00:42:20,680
Speaker 1: It just didn't make sense.

880
00:42:20,520 --> 00:42:24,640
Speaker 2: All right, Cool, So we go, keep you going, brit

881
00:42:24,719 --> 00:42:28,239
Speaker 2: and Frank they going to crossing and it becomes publicized.

882
00:42:28,280 --> 00:42:30,600
Speaker 1: This is where you see everything in the paper.

883
00:42:30,680 --> 00:42:33,239
Speaker 2: And then it gets back to the Pina who recognizes

884
00:42:33,280 --> 00:42:39,200
Speaker 2: them in the paper. He uh then gets his henchmen

885
00:42:39,239 --> 00:42:41,840
Speaker 2: and whatever and say, yo, I thought this was taking

886
00:42:41,840 --> 00:42:45,280
Speaker 2: care of And I was like, yeah, he was taking

887
00:42:45,280 --> 00:42:49,239
Speaker 2: care of and then he kills one of them, and yeah,

888
00:42:57,160 --> 00:43:02,719
Speaker 2: play with me right the way he shot his as

889
00:43:03,000 --> 00:43:03,680
Speaker 2: so cold.

890
00:43:03,920 --> 00:43:07,160
Speaker 1: God, that sh was so cool.

891
00:43:10,440 --> 00:43:12,719
Speaker 3: Uh So, yeah, he he had a lot.

892
00:43:12,800 --> 00:43:14,879
Speaker 1: I'm sorry, Roy, but he had a lot of He's

893
00:43:14,960 --> 00:43:16,440
Speaker 1: been fucking up woman for years.

894
00:43:16,480 --> 00:43:20,080
Speaker 2: Yeah, the man, that ship was crazy because you hear

895
00:43:20,120 --> 00:43:23,000
Speaker 2: the stories and you see those jars and tongues and shit.

896
00:43:23,040 --> 00:43:25,320
Speaker 1: I was like, man, this motherfucker was fucking crazy.

897
00:43:26,239 --> 00:43:28,680
Speaker 2: So yeah, so yeah, again he had that same demeanor

898
00:43:28,719 --> 00:43:30,759
Speaker 2: from earlier, like I was like, oh man, yeah, this

899
00:43:30,840 --> 00:43:32,920
Speaker 2: motherfucker crazy. I feel like they could have did more

900
00:43:32,960 --> 00:43:36,719
Speaker 2: with him, honestly, you know that. I think that would

901
00:43:36,719 --> 00:43:39,359
Speaker 2: have added to the movie. Seeing him actually do some

902
00:43:39,440 --> 00:43:40,640
Speaker 2: of these Hainess things.

903
00:43:41,040 --> 00:43:41,600
Speaker 1: I think that.

904
00:43:41,480 --> 00:43:42,840
Speaker 3: Would have absolutely added.

905
00:43:42,960 --> 00:43:46,319
Speaker 4: Maybe she didn't want to display that sort of even

906
00:43:46,320 --> 00:43:49,960
Speaker 4: though there were acts of physical violence against women in it.

907
00:43:50,040 --> 00:43:52,120
Speaker 4: Maybe she didn't want to go that that far with

908
00:43:52,160 --> 00:43:57,360
Speaker 4: it to show that. Could it have helped, Yes, Like

909
00:43:57,440 --> 00:43:59,600
Speaker 4: early in the movie, I think like when you were

910
00:43:59,600 --> 00:44:03,160
Speaker 4: saying early, you're how just nonchalant he was, Hey, go

911
00:44:03,239 --> 00:44:05,799
Speaker 4: handle that. I think at that point, especially when you

912
00:44:05,800 --> 00:44:10,200
Speaker 4: see all of the tones in the in the drawers

913
00:44:10,239 --> 00:44:13,200
Speaker 4: for him, it just really displayed that he really don't

914
00:44:13,200 --> 00:44:14,120
Speaker 4: give a funk about women.

915
00:44:14,200 --> 00:44:16,359
Speaker 1: No, he does, you know, so he doesn't, and.

916
00:44:16,280 --> 00:44:18,000
Speaker 2: That's why he was the way he was in the

917
00:44:18,000 --> 00:44:21,319
Speaker 2: beginning of the movie exactly. Uh So he has he

918
00:44:21,360 --> 00:44:23,759
Speaker 2: has the other guy going trying to find her to

919
00:44:24,160 --> 00:44:24,520
Speaker 2: kill her.

920
00:44:24,560 --> 00:44:27,320
Speaker 1: So he's on the look for her who's also on

921
00:44:27,480 --> 00:44:28,040
Speaker 1: to look for a.

922
00:44:28,120 --> 00:44:32,279
Speaker 2: Detective detectives, and they basically make a connection between the

923
00:44:32,360 --> 00:44:36,359
Speaker 2: murder sightings and like that. He's basically going to where

924
00:44:36,400 --> 00:44:40,279
Speaker 2: red films were set or whatnot, which leads them to

925
00:44:40,640 --> 00:44:47,360
Speaker 2: Niraka Falls, where they find a couple just as Frank

926
00:44:47,440 --> 00:44:50,279
Speaker 2: asked the bride to marry him. Uh So, what did

927
00:44:50,360 --> 00:44:55,680
Speaker 2: y'all think about this part? I have any thoughts about

928
00:44:55,680 --> 00:44:58,440
Speaker 2: this part?

929
00:44:58,800 --> 00:45:00,840
Speaker 1: The driving? No, I thought this was cool.

930
00:45:00,920 --> 00:45:03,359
Speaker 6: I thought this was cool because, of course, when you're

931
00:45:03,400 --> 00:45:05,320
Speaker 6: watching it, you think she's gonna say yes.

932
00:45:05,880 --> 00:45:08,320
Speaker 1: But I like how she always says to her and

933
00:45:08,440 --> 00:45:09,319
Speaker 1: I prefer not to.

934
00:45:12,320 --> 00:45:15,040
Speaker 6: I thought that was really interesting because when you when

935
00:45:15,080 --> 00:45:17,319
Speaker 6: you think about it, you get the whole idea of like,

936
00:45:17,360 --> 00:45:19,239
Speaker 6: you know, women tell men know all the time, but

937
00:45:19,280 --> 00:45:20,839
Speaker 6: men don't listen to know, or.

938
00:45:20,800 --> 00:45:24,160
Speaker 1: They'll be like, why, what do you mean? No, why I.

939
00:45:24,120 --> 00:45:28,759
Speaker 6: Prefer not to It's no, but I'm telling you right, yeah,

940
00:45:28,760 --> 00:45:31,960
Speaker 6: I'm telling you why because I don't fucking want to.

941
00:45:32,160 --> 00:45:33,080
Speaker 1: I have the choice.

942
00:45:33,640 --> 00:45:36,360
Speaker 6: I love you, Frank, but I prefer to not be

943
00:45:36,560 --> 00:45:40,040
Speaker 6: your bride because that then you have ownership of me.

944
00:45:40,160 --> 00:45:44,319
Speaker 6: I am the bride of you know, Frankenstein or the

945
00:45:44,320 --> 00:45:45,280
Speaker 6: monster of frank whatever.

946
00:45:45,840 --> 00:45:47,520
Speaker 1: So I liked this part.

947
00:45:47,719 --> 00:45:50,000
Speaker 6: Now and then capping my man in the head right

948
00:45:50,040 --> 00:45:51,759
Speaker 6: then and there. I was like, damn, that's kind of

949
00:45:51,800 --> 00:45:56,560
Speaker 6: cold blooded. But even this didn't really make a lot

950
00:45:56,600 --> 00:46:03,160
Speaker 6: of sense. These cops are terrible. The detective is whack awful.

951
00:46:03,440 --> 00:46:09,759
Speaker 6: Because you also skipped over this is after Jake relinquishes

952
00:46:09,840 --> 00:46:13,600
Speaker 6: the role of detective to miRNA. Yeah, because that's also

953
00:46:14,120 --> 00:46:16,640
Speaker 6: in line with the whole feminist movie aspect of the

954
00:46:16,680 --> 00:46:21,239
Speaker 6: movie where Jake controls Myrna's fate because when she asked

955
00:46:21,280 --> 00:46:23,799
Speaker 6: him in the car, she says, you know, hey, for

956
00:46:23,880 --> 00:46:25,520
Speaker 6: this next case, I want credit, and he's like, well,

957
00:46:25,520 --> 00:46:27,400
Speaker 6: that's not really up to me, even though we know

958
00:46:27,480 --> 00:46:32,520
Speaker 6: it kind of is her career and her notoriety is

959
00:46:32,560 --> 00:46:36,319
Speaker 6: based on how this man conveys the story. So the

960
00:46:36,360 --> 00:46:39,640
Speaker 6: fact that she gets the badge and then goes to

961
00:46:39,680 --> 00:46:43,440
Speaker 6: the drive in but then donne't really do anything. It's like,

962
00:46:43,480 --> 00:46:45,000
Speaker 6: all right, what are we doing here?

963
00:46:45,600 --> 00:46:51,960
Speaker 4: She spent a lot of time around corners just peeking,

964
00:46:53,760 --> 00:46:59,719
Speaker 4: look listening to what was being said, and no detectively

965
00:47:01,040 --> 00:47:03,440
Speaker 4: like what she figured out how how they got to know?

966
00:47:03,920 --> 00:47:07,319
Speaker 1: But she, yeah, she did. She was doing a lot

967
00:47:07,320 --> 00:47:07,799
Speaker 1: of that work.

968
00:47:07,880 --> 00:47:10,560
Speaker 4: She was doing all of the work, you know, because

969
00:47:10,600 --> 00:47:13,799
Speaker 4: even earlier they were like uh, because even though he

970
00:47:13,920 --> 00:47:16,480
Speaker 4: had to say, oh yeah, she's my secretary, so he

971
00:47:16,640 --> 00:47:19,080
Speaker 4: was always based on societal rules at the time, I

972
00:47:19,160 --> 00:47:22,720
Speaker 4: had to kind of diminish her role. I did, like,

973
00:47:22,719 --> 00:47:27,359
Speaker 4: like how emotional she got when he was like, that's

974
00:47:27,400 --> 00:47:28,120
Speaker 4: not up to me.

975
00:47:29,040 --> 00:47:30,960
Speaker 1: And maybe to your point, Mike, she was.

976
00:47:31,160 --> 00:47:33,400
Speaker 4: She knew that it was, and she thought that he

977
00:47:33,440 --> 00:47:37,200
Speaker 4: would be different because she was either he was either

978
00:47:37,239 --> 00:47:39,480
Speaker 4: trying to groom her and trying to show that she

979
00:47:40,200 --> 00:47:42,359
Speaker 4: or that woman can do this role. And even when

980
00:47:42,400 --> 00:47:44,160
Speaker 4: he has a chance to do something, he kind of

981
00:47:44,280 --> 00:47:46,759
Speaker 4: you know, pun it away from it.

982
00:47:49,040 --> 00:47:51,360
Speaker 1: So and.

983
00:47:53,320 --> 00:47:55,600
Speaker 4: Oh yeah, and then of course this this this so

984
00:47:55,680 --> 00:47:58,000
Speaker 4: we already had the scene where the cop was based

985
00:47:58,080 --> 00:47:59,600
Speaker 4: they killed the cops on the side of the road

986
00:48:00,480 --> 00:48:01,400
Speaker 4: when he was trying.

987
00:48:01,200 --> 00:48:02,879
Speaker 1: To I still don't remember that part.

988
00:48:03,560 --> 00:48:06,080
Speaker 6: Yeah, yeah, yeah, he pulls he pulls her out the

989
00:48:06,080 --> 00:48:09,200
Speaker 6: car and he's searching her, but he's actually like kind

990
00:48:09,200 --> 00:48:11,680
Speaker 6: of feeling her and at one point he's actually like

991
00:48:11,760 --> 00:48:12,520
Speaker 6: dry humping her.

992
00:48:12,920 --> 00:48:16,040
Speaker 1: Yeah, and that's when Frank. I think Frank shot Frank

993
00:48:16,280 --> 00:48:18,799
Speaker 1: outside the car. Yeah, yeah, I think I think this part.

994
00:48:18,800 --> 00:48:24,479
Speaker 1: I was kind of out. Yeah, this is a good part. Yeah.

995
00:48:24,760 --> 00:48:27,200
Speaker 6: He was talking a whole bunch of ship during the

996
00:48:27,239 --> 00:48:29,400
Speaker 6: scene and the cop I forgot what the copa was saying.

997
00:48:29,800 --> 00:48:32,120
Speaker 1: The Kappa was saying something kind of weird. Yeah, I

998
00:48:32,120 --> 00:48:35,200
Speaker 1: forgot what it was. Yeah, it was was it licensing registration?

999
00:48:35,640 --> 00:48:37,200
Speaker 6: Was after that, It's like, once he pulled her out

1000
00:48:37,200 --> 00:48:38,960
Speaker 6: of the car, he was saying something kind of fucked

1001
00:48:39,040 --> 00:48:41,600
Speaker 6: up to her while he looked like he.

1002
00:48:41,480 --> 00:48:44,360
Speaker 1: Was fingering her. It did. Yeah, from I do remember

1003
00:48:44,400 --> 00:48:45,920
Speaker 1: that part. Yeah, yeah, yeah, yeah, that.

1004
00:48:45,880 --> 00:48:49,040
Speaker 4: Part, yeah, because she Yeah, I thought that's what he

1005
00:48:49,120 --> 00:48:52,200
Speaker 4: was doing, was like, there's he's definitely I don't know,

1006
00:48:52,280 --> 00:48:53,200
Speaker 4: but that's what I thought.

1007
00:48:53,280 --> 00:48:56,080
Speaker 1: That was the thing that he was doing. But yeah,

1008
00:48:56,120 --> 00:48:58,200
Speaker 1: he shot out of this motherfucker.

1009
00:48:58,280 --> 00:48:59,960
Speaker 6: And we skipped the part where she tried to suck

1010
00:49:00,120 --> 00:49:02,359
Speaker 6: his dick and Frank said no because I was that's

1011
00:49:02,360 --> 00:49:03,560
Speaker 6: a pretty pivotal part of the moment.

1012
00:49:03,640 --> 00:49:05,600
Speaker 1: Yeah, you know, I mean you want to talk about

1013
00:49:05,600 --> 00:49:06,120
Speaker 1: that part.

1014
00:49:05,920 --> 00:49:11,960
Speaker 6: Of well, you know, you put the hoe in host man,

1015
00:49:12,080 --> 00:49:13,200
Speaker 6: why didn't make me do it?

1016
00:49:13,760 --> 00:49:16,359
Speaker 1: If anything, it kind of displayed that he wasn't really

1017
00:49:16,440 --> 00:49:18,239
Speaker 1: there for sex. It was.

1018
00:49:22,400 --> 00:49:23,600
Speaker 6: I thought you were going to get to that point.

1019
00:49:24,640 --> 00:49:27,239
Speaker 6: It wasn't really about sex for him at that point.

1020
00:49:27,320 --> 00:49:28,919
Speaker 6: He really wanted a relationship.

1021
00:49:29,360 --> 00:49:35,239
Speaker 4: But it got there, get you know where. But you know,

1022
00:49:35,360 --> 00:49:40,919
Speaker 4: at this point he was like wanting it at this

1023
00:49:41,080 --> 00:49:43,600
Speaker 4: And in that scene it looked like because she said,

1024
00:49:43,640 --> 00:49:45,040
Speaker 4: I was just trying to what she said, I was

1025
00:49:45,040 --> 00:49:46,840
Speaker 4: just trying to make you feel good, to do something nice,

1026
00:49:47,360 --> 00:49:49,799
Speaker 4: you know, And I think maybe she was still having

1027
00:49:49,840 --> 00:49:53,080
Speaker 4: remnants of like these hallucinations of her past, and she,

1028
00:49:53,520 --> 00:49:55,759
Speaker 4: you know, it was like, this is what I'm going

1029
00:49:55,840 --> 00:49:58,640
Speaker 4: to do to kind of repay you know, h.

1030
00:50:00,440 --> 00:50:02,080
Speaker 1: Your you know, the thing which is a lot of

1031
00:50:02,080 --> 00:50:03,280
Speaker 1: women do.

1032
00:50:02,680 --> 00:50:06,320
Speaker 6: What what does that remind y'all of something y'all recently

1033
00:50:06,360 --> 00:50:08,719
Speaker 6: reviewed and y'all fucking acted like it was the best

1034
00:50:08,719 --> 00:50:13,000
Speaker 6: thing ever made. I don't know that one fucking whack

1035
00:50:13,040 --> 00:50:15,880
Speaker 6: ass show y'all acted like was so good. Where the

1036
00:50:15,920 --> 00:50:18,520
Speaker 6: girl the guy takes her to a movie and then

1037
00:50:18,560 --> 00:50:20,280
Speaker 6: she sucks his dick in the movie theater.

1038
00:50:20,400 --> 00:50:28,680
Speaker 1: Because that was yeah, oh, it's the same concept.

1039
00:50:29,640 --> 00:50:34,040
Speaker 6: She was trying to repay Frankenstein, Franklin's monster frank for

1040
00:50:34,239 --> 00:50:36,840
Speaker 6: what he had done for her. She gives him a

1041
00:50:36,840 --> 00:50:39,879
Speaker 6: blowjob because that is a lot of women's idea of

1042
00:50:40,160 --> 00:50:42,360
Speaker 6: thanking men, or you know, and that's a lot of

1043
00:50:42,400 --> 00:50:47,319
Speaker 6: men's idea too. And even though she said, she's like right, right,

1044
00:50:47,480 --> 00:50:50,400
Speaker 6: because she was just like this is how you know,

1045
00:50:50,800 --> 00:50:54,480
Speaker 6: I've been trained to please men or say thank you.

1046
00:50:54,800 --> 00:50:56,840
Speaker 6: It's the same thing that the girl was doing in Forever.

1047
00:50:57,280 --> 00:50:58,240
Speaker 6: He took her to the movie.

1048
00:50:58,640 --> 00:51:01,759
Speaker 1: She thanked him, yeah, she but he bought her something.

1049
00:51:01,560 --> 00:51:04,400
Speaker 6: Like het her like she was looking like and then

1050
00:51:04,400 --> 00:51:05,920
Speaker 6: she tried to suck his dick or she did suck

1051
00:51:05,960 --> 00:51:06,959
Speaker 6: his dick in the movie theater.

1052
00:51:07,880 --> 00:51:09,719
Speaker 3: So he didn't let her because he's not that type

1053
00:51:09,719 --> 00:51:13,959
Speaker 3: of guy. Letter he made her stop. She got mad, enought, yeah,

1054
00:51:14,320 --> 00:51:15,080
Speaker 3: she was embarrassed.

1055
00:51:15,760 --> 00:51:16,799
Speaker 1: She at least licked the head.

1056
00:51:16,840 --> 00:51:19,960
Speaker 3: I thought she was pulling it out.

1057
00:51:20,320 --> 00:51:22,439
Speaker 1: Oh he stopped her from He didn't even get it. Way.

1058
00:51:23,080 --> 00:51:26,720
Speaker 1: He must not have watched his balls the same thing essentially.

1059
00:51:26,800 --> 00:51:30,640
Speaker 6: Yeah, really it's the same thing, because Frankistan's balls wasn't clean.

1060
00:51:30,760 --> 00:51:33,000
Speaker 3: That's what I couldn't believe. She was down there, like

1061
00:51:33,040 --> 00:51:33,759
Speaker 3: I was like, man, this.

1062
00:51:36,160 --> 00:51:38,080
Speaker 4: Yeah, when she pulled it back, it was like it

1063
00:51:38,120 --> 00:51:43,080
Speaker 4: was like I thought, I was like, she got zip

1064
00:51:43,120 --> 00:51:45,759
Speaker 4: and it ain't gonna be the thing there. Yeah, some

1065
00:51:45,920 --> 00:51:49,919
Speaker 4: attached there, but of course he had of course been

1066
00:51:49,920 --> 00:51:50,719
Speaker 4: with the prostitute.

1067
00:51:50,719 --> 00:51:53,359
Speaker 6: So yeah, yeah, yeah, and she's been treated this way.

1068
00:51:53,400 --> 00:51:59,320
Speaker 6: She's probably used yeah balls or whatever. She seemed worse.

1069
00:52:01,120 --> 00:52:02,359
Speaker 6: That was a pretty important.

1070
00:52:02,000 --> 00:52:10,080
Speaker 1: Part of Oh my god. Yeah.

1071
00:52:10,080 --> 00:52:17,040
Speaker 2: So while the detective confronts the wows, the detective the

1072
00:52:17,080 --> 00:52:21,520
Speaker 2: godive confronts the bride and he informs her her true

1073
00:52:21,520 --> 00:52:27,040
Speaker 2: identity of Ida, and she injured him in response, and

1074
00:52:27,400 --> 00:52:30,920
Speaker 2: as Frank and the bride flee, Frank amssed that he

1075
00:52:31,000 --> 00:52:33,640
Speaker 2: was deceptive towards her and beginning to convey that he

1076
00:52:33,760 --> 00:52:36,720
Speaker 2: actually didn't know who she was before she died.

1077
00:52:37,160 --> 00:52:39,760
Speaker 1: But she forgets him. Did y'all take anything away from.

1078
00:52:39,600 --> 00:52:42,719
Speaker 6: This moment jumping around, because you already talked about Frank

1079
00:52:42,719 --> 00:52:43,560
Speaker 6: getting shot in the head.

1080
00:52:43,600 --> 00:52:45,480
Speaker 1: That part happened before he got shot in the head.

1081
00:52:45,880 --> 00:52:48,359
Speaker 2: No, y'all, y'all, y'all talked about that him getting shot

1082
00:52:48,400 --> 00:52:50,640
Speaker 2: in the head the driving.

1083
00:52:51,239 --> 00:52:52,920
Speaker 1: Yeah, that's what he got shot in the head of

1084
00:52:52,960 --> 00:52:53,279
Speaker 1: the driver.

1085
00:52:53,440 --> 00:52:57,719
Speaker 6: Yeah, yeah, Jalen gonna take away your host.

1086
00:52:58,400 --> 00:53:00,520
Speaker 1: Look damn look.

1087
00:53:01,239 --> 00:53:07,880
Speaker 3: Yeah it was like the movie I'm.

1088
00:53:07,760 --> 00:53:10,879
Speaker 4: Trying to make the review like it was ran from

1089
00:53:10,960 --> 00:53:13,440
Speaker 4: the damn man that they.

1090
00:53:13,280 --> 00:53:15,200
Speaker 1: Were on the runs. They were wild and.

1091
00:53:17,600 --> 00:53:20,399
Speaker 4: Yeah, because at this point I was like, Yo, these

1092
00:53:20,480 --> 00:53:22,719
Speaker 4: motherfuckers crazy.

1093
00:53:22,840 --> 00:53:23,600
Speaker 1: Yeah, yeah, I was, so.

1094
00:53:23,800 --> 00:53:25,560
Speaker 4: I was like so at this point, I was like,

1095
00:53:25,680 --> 00:53:28,040
Speaker 4: even though it was like, danmg, this motherfucker's crazy as hell.

1096
00:53:28,120 --> 00:53:29,719
Speaker 4: So I was kind of getting back into the movie

1097
00:53:29,719 --> 00:53:32,520
Speaker 4: a little bit because of all the ship that they

1098
00:53:32,520 --> 00:53:32,959
Speaker 4: were doing.

1099
00:53:33,800 --> 00:53:35,439
Speaker 1: They were tripping. Yeah, this is the part.

1100
00:53:35,520 --> 00:53:37,879
Speaker 2: All of this this is blurry for me because I

1101
00:53:37,960 --> 00:53:40,279
Speaker 2: was yeah, I didn't want to say it, but yeah,

1102
00:53:40,320 --> 00:53:43,480
Speaker 2: I was like I was sleep on this part, sleep

1103
00:53:43,520 --> 00:53:46,440
Speaker 2: on this part, yeah, Like and I would wake up

1104
00:53:46,920 --> 00:53:50,960
Speaker 2: like at certain points and I'm like, god, damn, you

1105
00:53:50,960 --> 00:53:54,279
Speaker 2: could have sent a message. I can't host this one.

1106
00:53:55,120 --> 00:53:59,520
Speaker 2: I still had enough. I still had to Yes, yes, yes,

1107
00:53:59,640 --> 00:54:02,839
Speaker 2: I still saw the movie. I didn't feel like I missed. Yeah,

1108
00:54:03,400 --> 00:54:05,560
Speaker 2: I didn't feel like I missed much. Like it's just

1109
00:54:05,600 --> 00:54:10,239
Speaker 2: like a little I didn't feel like I missed much.

1110
00:54:10,320 --> 00:54:10,600
Speaker 1: Damn.

1111
00:54:10,880 --> 00:54:13,480
Speaker 4: Yeah that was That was the police on the side

1112
00:54:13,480 --> 00:54:15,680
Speaker 4: of the road. And then there was the movie theater

1113
00:54:15,680 --> 00:54:19,400
Speaker 4: where they got ran away from the mob. Some of

1114
00:54:19,440 --> 00:54:23,279
Speaker 4: this maybe out of order. There was a confrontation. I

1115
00:54:23,280 --> 00:54:26,560
Speaker 4: think that's where we're at with Ida. When we revealed

1116
00:54:26,560 --> 00:54:29,840
Speaker 4: her name, she was like and then Frank got shot.

1117
00:54:30,120 --> 00:54:34,319
Speaker 6: Yes, he got by Jake, and he also shot Jake, right,

1118
00:54:34,680 --> 00:54:37,239
Speaker 6: yeah he shot Jake too, or one of them shot Jake.

1119
00:54:38,200 --> 00:54:43,480
Speaker 4: Yeah yeah, the detective right, yes, yeah, but not yeah

1120
00:54:43,520 --> 00:54:44,279
Speaker 4: he didn't kill him.

1121
00:54:44,160 --> 00:54:48,919
Speaker 1: But no, no, Yeah, Frank got shot in the stomach. Yeah, yeah,

1122
00:54:48,960 --> 00:54:49,879
Speaker 1: he got shot in the leg.

1123
00:54:50,000 --> 00:54:54,600
Speaker 4: But that's when he revealed his role and the creation

1124
00:54:54,760 --> 00:54:55,240
Speaker 4: of Ida.

1125
00:54:55,520 --> 00:54:58,520
Speaker 6: Yes, right, he knew and he took advantage of her

1126
00:54:58,560 --> 00:55:01,120
Speaker 6: and he accessed with her. And Frank reveals that he

1127
00:55:01,200 --> 00:55:04,560
Speaker 6: knew who Idaa was because he lied earlier.

1128
00:55:05,360 --> 00:55:07,000
Speaker 1: I forgot what the exact lie was.

1129
00:55:07,080 --> 00:55:08,839
Speaker 3: But I think it's just like what's my name or something?

1130
00:55:08,880 --> 00:55:09,319
Speaker 3: Who am I?

1131
00:55:09,880 --> 00:55:10,000
Speaker 1: No?

1132
00:55:10,160 --> 00:55:12,880
Speaker 6: Yeah, he he made up a story about how they met.

1133
00:55:13,120 --> 00:55:15,680
Speaker 6: Oh that was all bullshit because he told her her

1134
00:55:15,719 --> 00:55:17,200
Speaker 6: name was Penelope.

1135
00:55:16,880 --> 00:55:19,680
Speaker 1: Yep, yeah, yeah, yeah, yeah.

1136
00:55:19,520 --> 00:55:21,920
Speaker 4: Because yeah, because this because this was a This was

1137
00:55:21,960 --> 00:55:25,920
Speaker 4: because I think this impacted her. Yes, as well, because

1138
00:55:26,120 --> 00:55:29,400
Speaker 4: he lied and he was very apologetic and felt embarrassed

1139
00:55:29,440 --> 00:55:29,799
Speaker 4: as well.

1140
00:55:30,200 --> 00:55:31,080
Speaker 1: But that only took it.

1141
00:55:31,160 --> 00:55:34,439
Speaker 4: But it only happened because the detective Frank was gonna

1142
00:55:34,520 --> 00:55:35,080
Speaker 4: keep lying about it.

1143
00:55:35,160 --> 00:55:35,840
Speaker 1: Yeah, he was.

1144
00:55:36,520 --> 00:55:38,880
Speaker 6: It showed to her that these men keep taking advantage

1145
00:55:38,920 --> 00:55:42,680
Speaker 6: of me. Even though they they're presented as good guys,

1146
00:55:42,719 --> 00:55:45,239
Speaker 6: they're still lying to them because they want to get

1147
00:55:45,239 --> 00:55:45,799
Speaker 6: what they want.

1148
00:55:46,120 --> 00:55:47,160
Speaker 1: Yep, yep.

1149
00:55:47,640 --> 00:55:53,680
Speaker 4: And because he never really the detective he just kind

1150
00:55:53,680 --> 00:55:55,239
Speaker 4: of left her there, right, Isn't that what he said?

1151
00:55:55,239 --> 00:55:56,200
Speaker 1: He just kind of left her there.

1152
00:55:56,200 --> 00:55:57,759
Speaker 4: He just kind of slept with her and then just

1153
00:55:57,840 --> 00:56:00,960
Speaker 4: kind of left her there and that sort of mess.

1154
00:56:01,280 --> 00:56:01,840
Speaker 1: No. I think he.

1155
00:56:02,160 --> 00:56:04,640
Speaker 6: I think he had feelings for her. I don't remember

1156
00:56:05,320 --> 00:56:07,240
Speaker 6: how their story ended.

1157
00:56:08,000 --> 00:56:09,120
Speaker 1: Yeah, I don't remember.

1158
00:56:09,480 --> 00:56:11,880
Speaker 2: I knew I've seen him, I remember him from the beginning,

1159
00:56:12,400 --> 00:56:15,000
Speaker 2: but when he was awake, but uh.

1160
00:56:16,080 --> 00:56:19,879
Speaker 4: No, no, he said that. Okay, so he said that, Yeah,

1161
00:56:19,960 --> 00:56:24,520
Speaker 4: she was undercover for him. No, no, no, she was

1162
00:56:24,560 --> 00:56:27,720
Speaker 4: working for them. She came to him because of everything

1163
00:56:27,760 --> 00:56:31,439
Speaker 4: that was happening, and he said, oh, I'll help you.

1164
00:56:31,560 --> 00:56:33,480
Speaker 4: But he used her to sleep with her, but he

1165
00:56:33,560 --> 00:56:34,319
Speaker 4: never helped her.

1166
00:56:34,440 --> 00:56:35,120
Speaker 1: He never helped her.

1167
00:56:35,160 --> 00:56:37,840
Speaker 6: But I think he had planned to, but it just

1168
00:56:37,880 --> 00:56:39,720
Speaker 6: didn't come to fruition before she was killed.

1169
00:56:40,400 --> 00:56:43,560
Speaker 1: Oh okay, I thought somebody else was killed. Okay, I can't.

1170
00:56:44,160 --> 00:56:45,240
Speaker 1: I can't quite remember.

1171
00:56:45,280 --> 00:56:47,279
Speaker 4: I needed captures for this part because the way he

1172
00:56:47,320 --> 00:56:49,480
Speaker 4: told his story. But anyway, so, yeah, so that that

1173
00:56:49,520 --> 00:56:51,479
Speaker 4: was a pretty significant point because that's.

1174
00:56:51,360 --> 00:56:55,200
Speaker 1: When he resigned and gave her. That gave her, and

1175
00:56:55,440 --> 00:56:58,600
Speaker 1: that's when she was chasing him and not doing shit. Yes, yeah,

1176
00:56:58,760 --> 00:56:59,480
Speaker 1: now we have the drive.

1177
00:57:00,239 --> 00:57:02,400
Speaker 2: Well yeah, well the driving is over because he's already

1178
00:57:02,400 --> 00:57:07,200
Speaker 2: been shot and shit. So at this point, the bride

1179
00:57:07,320 --> 00:57:10,000
Speaker 2: escapes with Frank's body and returns to the laboratory.

1180
00:57:10,520 --> 00:57:11,840
Speaker 1: So we all caught up at this point.

1181
00:57:12,560 --> 00:57:15,120
Speaker 2: So yeah, he escapes and turns back to the laboratory

1182
00:57:15,120 --> 00:57:18,680
Speaker 2: and she's just basically she was unaware that detective was

1183
00:57:18,720 --> 00:57:22,440
Speaker 2: following her. Also, the other guy, the other henchman, was

1184
00:57:22,480 --> 00:57:28,800
Speaker 2: following her as well, and then Cornelia says that, you know,

1185
00:57:28,880 --> 00:57:31,840
Speaker 2: she's she's unable to basically revive him, and she's like,

1186
00:57:32,040 --> 00:57:34,760
Speaker 2: what you mean you revived me? How can you not

1187
00:57:34,880 --> 00:57:38,280
Speaker 2: revive him or whatnot? So she basically at this point

1188
00:57:38,760 --> 00:57:42,480
Speaker 2: wants to just do it for like study purposes or

1189
00:57:42,520 --> 00:57:48,600
Speaker 2: something like that. Yeah, yeah, yeah, But then Clyde breaks

1190
00:57:48,640 --> 00:57:52,600
Speaker 2: into the laboratory and fabily shoots the bride leaving. This

1191
00:57:52,640 --> 00:57:54,920
Speaker 2: is when we have the big scene of the cops

1192
00:57:54,920 --> 00:58:00,240
Speaker 2: are here, the other guy, the henchman is here, and

1193
00:58:00,240 --> 00:58:02,200
Speaker 2: and yeah, this is what we were talking about, where

1194
00:58:03,160 --> 00:58:05,800
Speaker 2: the cops come in and shoot like that.

1195
00:58:06,440 --> 00:58:11,360
Speaker 6: When you said he fairly shot Ida, he didn't, the

1196
00:58:11,400 --> 00:58:12,600
Speaker 6: cops came and shot her up.

1197
00:58:12,960 --> 00:58:15,040
Speaker 2: Yeah, yeah, the copy I'm sorry. Yeah, the cops came

1198
00:58:15,080 --> 00:58:17,720
Speaker 2: in shot shot her up. No, no, no, I thought

1199
00:58:17,800 --> 00:58:20,680
Speaker 2: the first of all, he was trying.

1200
00:58:20,480 --> 00:58:20,960
Speaker 1: To shoot her.

1201
00:58:20,960 --> 00:58:24,000
Speaker 2: He was about to shoot her, but the cops ended

1202
00:58:24,080 --> 00:58:28,120
Speaker 2: up just blasting every Yeah, yeah, they were insane.

1203
00:58:28,200 --> 00:58:32,920
Speaker 4: But how the hell did the detective not here this

1204
00:58:32,960 --> 00:58:34,760
Speaker 4: motherfucker falling behind her like that.

1205
00:58:36,640 --> 00:58:40,000
Speaker 1: Because she's sorry as fuck. I'm like, bro, that's at

1206
00:58:40,040 --> 00:58:41,959
Speaker 1: this point, maybe maybe they had.

1207
00:58:44,520 --> 00:58:48,800
Speaker 8: God this motherfucker following her, like right behind her the

1208
00:58:48,840 --> 00:58:54,360
Speaker 8: whole time, right behind her to go around the corner,

1209
00:58:54,800 --> 00:58:58,360
Speaker 8: and then popped out, like what in the entire fuck

1210
00:58:58,440 --> 00:58:59,000
Speaker 8: is going on?

1211
00:59:00,080 --> 00:59:03,000
Speaker 4: So I had an issue with that that was kind

1212
00:59:03,040 --> 00:59:07,760
Speaker 4: of crazy. Is this the part where if for for

1213
00:59:07,840 --> 00:59:11,000
Speaker 4: the slow folks and the audiences that didn't get it?

1214
00:59:10,360 --> 00:59:12,640
Speaker 4: Is is this the part where she started yelling at

1215
00:59:12,640 --> 00:59:12,920
Speaker 4: me too?

1216
00:59:13,440 --> 00:59:16,800
Speaker 1: Yes? And yeah, yeah that's been too much.

1217
00:59:17,400 --> 00:59:22,800
Speaker 2: It was heavy, it was heavy handed. Yeah. So how

1218
00:59:22,840 --> 00:59:24,520
Speaker 2: did y'all feel about this this shooting?

1219
00:59:24,640 --> 00:59:26,440
Speaker 1: How did y'all? What did y'all take from this? I'm

1220
00:59:26,440 --> 00:59:29,400
Speaker 1: trying to remember. I thought the henchman did he shot her?

1221
00:59:29,480 --> 00:59:32,280
Speaker 4: He did shoot her, yeah, and then they started shooting

1222
00:59:32,320 --> 00:59:35,120
Speaker 4: after loaded, they start unloading.

1223
00:59:35,160 --> 00:59:38,000
Speaker 1: That's what I'm saying, Like I thought he did shoot her. Yeah,

1224
00:59:38,320 --> 00:59:39,320
Speaker 1: he didn't fatally shoot it.

1225
00:59:39,480 --> 00:59:42,280
Speaker 2: Okay, yeah, she probably I think when he shot it,

1226
00:59:42,360 --> 00:59:44,800
Speaker 2: she fell on Frank on the table.

1227
00:59:45,160 --> 00:59:47,600
Speaker 1: The cops at what point did she fall on Frank?

1228
00:59:50,120 --> 00:59:53,840
Speaker 6: Because again, even this was just like what the fuck

1229
00:59:53,880 --> 00:59:56,680
Speaker 6: are we doing? The cops just showed up and pretty

1230
00:59:56,760 --> 00:59:59,760
Speaker 6: much immediately they just unloaded their weapons.

1231
01:00:00,120 --> 01:00:03,000
Speaker 2: But by this time they're full blown criminals, and like

1232
01:00:03,080 --> 01:00:06,439
Speaker 2: him was saying, earlier she's a cop killer. Now yeah, yeah,

1233
01:00:06,480 --> 01:00:09,040
Speaker 2: they like on site.

1234
01:00:10,120 --> 01:00:13,320
Speaker 4: Yeah yeah, but it was a lot and you know,

1235
01:00:14,000 --> 01:00:18,440
Speaker 4: very much. I think, I think at this point really

1236
01:00:18,520 --> 01:00:21,959
Speaker 4: driving home the message about violence against women, SENSI women

1237
01:00:22,240 --> 01:00:25,680
Speaker 4: just very you know, the constant shooting and people like

1238
01:00:25,720 --> 01:00:29,000
Speaker 4: what is that enough, and them not listening to the

1239
01:00:29,040 --> 01:00:31,800
Speaker 4: detective who comes in and say stop, stop stopping, they

1240
01:00:31,880 --> 01:00:32,440
Speaker 4: keep shooting.

1241
01:00:32,600 --> 01:00:33,120
Speaker 3: Who are you?

1242
01:00:33,280 --> 01:00:35,360
Speaker 4: And of course in that part then she's talking about

1243
01:00:35,520 --> 01:00:38,120
Speaker 4: the detective and stuff like that.

1244
01:00:37,520 --> 01:00:38,440
Speaker 1: That it was corny too.

1245
01:00:38,480 --> 01:00:43,400
Speaker 4: I'm sorry, he's a detective.

1246
01:00:43,520 --> 01:00:49,080
Speaker 3: Yeah, like me, I'm in charge people in my audience life. Really,

1247
01:00:52,680 --> 01:00:53,720
Speaker 3: That's why I was next year.

1248
01:00:54,320 --> 01:00:59,040
Speaker 6: No, No, I didn't have my man Maurice Maurice this time.

1249
01:00:59,200 --> 01:01:00,760
Speaker 1: Now, I had a bunch of corny Karen's.

1250
01:01:00,800 --> 01:01:03,760
Speaker 3: And I was like, us, I am the detective.

1251
01:01:04,000 --> 01:01:07,440
Speaker 1: I'm the detecting damn whip me too.

1252
01:01:10,720 --> 01:01:14,600
Speaker 6: Okay, yeah, but maybe it worked for women though, yeah, yeah,

1253
01:01:14,720 --> 01:01:16,880
Speaker 6: maybe this whole need to and all that stuff.

1254
01:01:16,920 --> 01:01:17,960
Speaker 1: I was next to a woman too.

1255
01:01:18,040 --> 01:01:23,120
Speaker 2: She was clapping as well, and so yeah, yeah, so

1256
01:01:23,160 --> 01:01:26,040
Speaker 2: the detective basically calls off the shooters, like look, she

1257
01:01:26,160 --> 01:01:27,640
Speaker 2: thought already dead.

1258
01:01:27,840 --> 01:01:30,240
Speaker 1: You know what, I'm saying stop shooting or whatnot.

1259
01:01:30,280 --> 01:01:34,040
Speaker 2: And she's like, go find the actual criminal, which is Clyde.

1260
01:01:34,680 --> 01:01:37,760
Speaker 2: And so they all leave and she leaves it up

1261
01:01:37,800 --> 01:01:41,320
Speaker 2: to basically Cornelia's just saying, you know, you got work

1262
01:01:41,360 --> 01:01:44,560
Speaker 2: to do or whatever, basically all the time you.

1263
01:01:44,560 --> 01:01:49,760
Speaker 4: Need, right, So I guess that was yeah, I was,

1264
01:01:49,880 --> 01:01:52,120
Speaker 4: I was lost, was lost here?

1265
01:01:52,840 --> 01:01:54,960
Speaker 3: I didn't. I mean, I've seen what they was doing,

1266
01:01:55,000 --> 01:01:59,080
Speaker 3: but it made absolutely no sense, like why thea, why

1267
01:01:59,120 --> 01:02:01,320
Speaker 3: the detectives carre to like it? Just it didn't make

1268
01:02:01,320 --> 01:02:01,760
Speaker 3: any sense.

1269
01:02:02,040 --> 01:02:04,760
Speaker 1: She saw herself in the girl, I got it.

1270
01:02:04,760 --> 01:02:06,480
Speaker 3: It was just cheese. It was very cheesy.

1271
01:02:06,760 --> 01:02:10,160
Speaker 1: Well, and and again she's not detective.

1272
01:02:10,880 --> 01:02:14,040
Speaker 4: She's just sitting there around the damn corner listening this

1273
01:02:14,160 --> 01:02:17,240
Speaker 4: whole time. You know, it's just like what the hell, Like,

1274
01:02:17,400 --> 01:02:20,520
Speaker 4: come on, lady, get out of here, do something. She could

1275
01:02:20,560 --> 01:02:22,400
Speaker 4: have She could have saved her life if she would

1276
01:02:22,400 --> 01:02:26,000
Speaker 4: have just burst out there and was like freezing something.

1277
01:02:27,000 --> 01:02:29,160
Speaker 6: Maybe not autumn cops.

1278
01:02:29,160 --> 01:02:30,080
Speaker 1: They might have shot.

1279
01:02:33,680 --> 01:02:39,920
Speaker 4: Who's this Broadal, you're right, but but at least the

1280
01:02:40,000 --> 01:02:41,960
Speaker 4: henchman may not have shot.

1281
01:02:42,680 --> 01:02:46,400
Speaker 1: They had been would have shot both of them. I don't,

1282
01:02:46,440 --> 01:02:47,000
Speaker 1: I don't know that.

1283
01:02:47,000 --> 01:02:49,520
Speaker 6: I mean I'm with you, Penelope Cruise was a sorry ass,

1284
01:02:49,840 --> 01:02:51,760
Speaker 6: a sorry ass cop, but I don't know if there

1285
01:02:51,800 --> 01:02:53,919
Speaker 6: was much she could have done to save Ida's life

1286
01:02:53,960 --> 01:02:54,760
Speaker 6: in this moment.

1287
01:02:55,200 --> 01:02:59,520
Speaker 4: Yeah yeah, yeah, but taking all the time you need,

1288
01:02:59,600 --> 01:03:01,320
Speaker 4: I guess to give her time.

1289
01:03:01,120 --> 01:03:02,720
Speaker 1: To resurrect both of them.

1290
01:03:03,120 --> 01:03:06,080
Speaker 4: I guess, yeah, that's well, yeah, because you saw the

1291
01:03:06,200 --> 01:03:07,840
Speaker 4: power serge that happened.

1292
01:03:07,920 --> 01:03:10,160
Speaker 2: Yeah, so that's the last thing you see. So you

1293
01:03:10,200 --> 01:03:12,439
Speaker 2: see the power search and you see and you see

1294
01:03:12,440 --> 01:03:15,200
Speaker 2: their hands, and they basically revived, which is going to

1295
01:03:15,320 --> 01:03:16,080
Speaker 2: lend to a part too.

1296
01:03:19,080 --> 01:03:21,520
Speaker 1: I don't think they would. She probably left it open

1297
01:03:21,520 --> 01:03:21,840
Speaker 1: to do.

1298
01:03:21,840 --> 01:03:23,920
Speaker 4: One, but I don't Yeah, just in case it hit,

1299
01:03:24,200 --> 01:03:27,680
Speaker 4: but they won't have any memories of one another.

1300
01:03:27,760 --> 01:03:28,720
Speaker 1: One thing we started from.

1301
01:03:28,560 --> 01:03:31,680
Speaker 6: Scratch Frank Wood. Because Frank got shot in the brain.

1302
01:03:32,720 --> 01:03:34,800
Speaker 6: I thought that's why she was saying she couldn't resurrect him.

1303
01:03:34,880 --> 01:03:38,000
Speaker 4: Yeah, yeah, he dead, but the ship worth when she

1304
01:03:40,400 --> 01:03:43,040
Speaker 4: was confused by like, which one is it? You said

1305
01:03:43,080 --> 01:03:45,480
Speaker 4: he was dead? Because when he got shot, I was like, oh,

1306
01:03:45,520 --> 01:03:48,600
Speaker 4: she could bring him back to life, reanimated. But when

1307
01:03:48,640 --> 01:03:50,240
Speaker 4: she said he was dead, I was like, oh, that's

1308
01:03:50,400 --> 01:03:53,160
Speaker 4: kind of cool. But then he's coming back to life.

1309
01:03:53,200 --> 01:03:55,400
Speaker 4: So I'm like, okay, which one is a doc? Like

1310
01:03:55,480 --> 01:04:01,000
Speaker 4: help me out here? So okay, all right?

1311
01:04:01,040 --> 01:04:03,800
Speaker 2: So then yeah, like I said, i's a pretty much

1312
01:04:03,880 --> 01:04:06,360
Speaker 2: end like that. But then y'all see the mid credit stuff.

1313
01:04:06,800 --> 01:04:09,920
Speaker 2: So in the mid credits, that's where you have the

1314
01:04:10,000 --> 01:04:15,000
Speaker 2: mob boss Lupoena. He is surrounded by the female rioters

1315
01:04:15,480 --> 01:04:18,440
Speaker 2: or whatnot, just kind of heading to us. You know

1316
01:04:18,440 --> 01:04:21,919
Speaker 2: that they're getting their revenge at this point, and that's yeah,

1317
01:04:21,960 --> 01:04:24,040
Speaker 2: that's pretty much how it how it ends.

1318
01:04:24,560 --> 01:04:29,640
Speaker 1: Any final thoughts got on your head, you know, I just.

1319
01:04:30,200 --> 01:04:32,800
Speaker 4: I just happened because I was I was actually walking

1320
01:04:32,920 --> 01:04:36,920
Speaker 4: out when it was over, and I just happened to

1321
01:04:37,200 --> 01:04:39,760
Speaker 4: catch the end of this because I was like, okay,

1322
01:04:39,800 --> 01:04:41,520
Speaker 4: so that's it, and nothing's gonna happen to a Lapoeno,

1323
01:04:42,640 --> 01:04:46,920
Speaker 4: like he was part of this whole thing that happened.

1324
01:04:47,040 --> 01:04:48,760
Speaker 4: And then they just kind of showed that, I guess

1325
01:04:48,760 --> 01:04:51,160
Speaker 4: to give people a resolution, but where the people left,

1326
01:04:51,160 --> 01:04:52,000
Speaker 4: nobody saw that.

1327
01:04:52,520 --> 01:04:54,640
Speaker 1: So the guy that basically.

1328
01:04:54,480 --> 01:05:00,680
Speaker 4: Was this evil being, you know, almost got away with

1329
01:05:00,720 --> 01:05:03,040
Speaker 4: this thing, Scott Free. So it's great to see them

1330
01:05:03,120 --> 01:05:05,400
Speaker 4: get their revenge. I kind of would have liked to

1331
01:05:05,400 --> 01:05:07,680
Speaker 4: have seen that in the movie. But I guess at

1332
01:05:07,720 --> 01:05:10,439
Speaker 4: this point maybe because she had gave him I don't

1333
01:05:10,440 --> 01:05:12,240
Speaker 4: know if she gave the speech earlier about what he

1334
01:05:12,320 --> 01:05:15,000
Speaker 4: was doing to them, and maybe when the maybe because

1335
01:05:15,040 --> 01:05:17,800
Speaker 4: the henchman was caught. Maybe he said it and it

1336
01:05:17,880 --> 01:05:19,959
Speaker 4: got reported in the news and that's why he went there.

1337
01:05:20,800 --> 01:05:23,720
Speaker 4: I don't know, but I'm as somebody said here earlier,

1338
01:05:23,840 --> 01:05:27,320
Speaker 4: they really needed to do more with him, and I

1339
01:05:27,320 --> 01:05:28,760
Speaker 4: felt like they missed the mark with that.

1340
01:05:28,960 --> 01:05:30,760
Speaker 1: Yeah, I said, I said it, Yeah, they needed more

1341
01:05:30,800 --> 01:05:31,840
Speaker 1: with him. Yeah.

1342
01:05:31,880 --> 01:05:33,880
Speaker 4: So I was just like, all right, because he seemed

1343
01:05:33,880 --> 01:05:35,680
Speaker 4: like he could have been an interesting character.

1344
01:05:37,400 --> 01:05:39,760
Speaker 6: But yeah, yeah, they could have cut out Penelope Cruise

1345
01:05:39,800 --> 01:05:42,240
Speaker 6: and the Stars Star guy completely.

1346
01:05:42,360 --> 01:05:45,080
Speaker 1: Yeah, because Penal didn't really add much to this movie

1347
01:05:45,080 --> 01:05:46,640
Speaker 1: at all. Nope.

1348
01:05:46,960 --> 01:05:49,160
Speaker 6: Yeah, the only added the Scars guard guy because I

1349
01:05:49,160 --> 01:05:51,360
Speaker 6: think I think he's dating Maggie Jill.

1350
01:05:51,600 --> 01:05:55,320
Speaker 1: Oh wow, I think I think. Yeah, they didn't really

1351
01:05:55,320 --> 01:05:55,880
Speaker 1: add much.

1352
01:05:56,120 --> 01:05:59,480
Speaker 4: Oh and then there was another part where, going a

1353
01:05:59,480 --> 01:06:00,920
Speaker 4: little bit back to what she was saying at the

1354
01:06:00,960 --> 01:06:03,280
Speaker 4: drive in when she was like, I prefer not to

1355
01:06:03,440 --> 01:06:04,960
Speaker 4: the bride of this, that and the other, because she

1356
01:06:05,040 --> 01:06:06,960
Speaker 4: was like, I am just the bride. She was like

1357
01:06:07,040 --> 01:06:09,000
Speaker 4: a haha, now you get it.

1358
01:06:09,520 --> 01:06:12,880
Speaker 1: You are just the bride and you know not. I

1359
01:06:12,920 --> 01:06:17,840
Speaker 1: was like, okay, she belonged to the streets man, that's crazy.

1360
01:06:18,000 --> 01:06:24,400
Speaker 4: I do have a question though, So she wasn't crazy

1361
01:06:24,440 --> 01:06:27,720
Speaker 4: before she got possessed. Is that what they're trying to say,

1362
01:06:27,760 --> 01:06:29,440
Speaker 4: because I'm like, why is she acting like this?

1363
01:06:29,520 --> 01:06:32,080
Speaker 1: I don't think she was right. Yeah, I don't think

1364
01:06:32,120 --> 01:06:32,760
Speaker 1: she was crazy.

1365
01:06:32,920 --> 01:06:35,080
Speaker 3: It didn't seem like she was just drinkable.

1366
01:06:36,840 --> 01:06:39,280
Speaker 4: Yeah, okay, that's why. It was just like, what is

1367
01:06:39,320 --> 01:06:40,920
Speaker 4: going on with you? You know what I'm saying?

1368
01:06:41,040 --> 01:06:41,560
Speaker 1: Yeah?

1369
01:06:42,040 --> 01:06:44,000
Speaker 6: Yeah, because she even used the I don't I prefer

1370
01:06:44,080 --> 01:06:45,520
Speaker 6: not to ship there when they were trying to make.

1371
01:06:45,400 --> 01:06:50,280
Speaker 2: Her eat, she threw up on them. She already got

1372
01:06:50,280 --> 01:06:51,680
Speaker 2: a pussy or something like that.

1373
01:06:51,760 --> 01:06:55,160
Speaker 3: She said, like that okay, but at that point she

1374
01:06:55,200 --> 01:06:58,560
Speaker 3: was already possessed. No really when she threw up.

1375
01:06:58,520 --> 01:07:02,400
Speaker 1: On Actually, I think she was at that point she was.

1376
01:07:02,640 --> 01:07:04,920
Speaker 6: I thought she had said I don't want none of

1377
01:07:04,920 --> 01:07:09,080
Speaker 6: that ship before she was possessed. She did first tried

1378
01:07:08,240 --> 01:07:10,800
Speaker 6: to give it.

1379
01:07:12,160 --> 01:07:16,680
Speaker 4: So she was possessed while alive, and Mary Shelley came

1380
01:07:16,720 --> 01:07:20,480
Speaker 4: back and possessed the reanimated version that had no recollation.

1381
01:07:20,720 --> 01:07:21,920
Speaker 1: She was already in the body.

1382
01:07:22,160 --> 01:07:25,320
Speaker 3: Yeah, she said she was when she came.

1383
01:07:25,600 --> 01:07:29,760
Speaker 1: She came, all right, so she just never left. She

1384
01:07:29,880 --> 01:07:31,200
Speaker 1: was she was lying dorm me.

1385
01:07:31,360 --> 01:07:34,880
Speaker 4: Yeah, okay, all right, cool, Yeah that that that works works.

1386
01:07:34,960 --> 01:07:37,680
Speaker 1: Yeah, all right, we've seen movies. Cool that she was

1387
01:07:37,720 --> 01:07:39,080
Speaker 1: able to do a movie.

1388
01:07:39,160 --> 01:07:42,440
Speaker 6: But m hm, this probably doesn't open the door for

1389
01:07:42,440 --> 01:07:45,040
Speaker 6: her to do a lot more because I don't know.

1390
01:07:45,120 --> 01:07:47,120
Speaker 1: I mean, well, I don't think it hit very.

1391
01:07:47,000 --> 01:07:51,880
Speaker 4: It's there are mixed reviews. I haven't looked much to

1392
01:07:51,920 --> 01:07:58,760
Speaker 4: see if the pos the intended artist audience, like the

1393
01:07:58,800 --> 01:08:01,680
Speaker 4: woman that you was, I think the people that were

1394
01:08:01,680 --> 01:08:05,919
Speaker 4: clapping where Mike was at the woman at where you were, right,

1395
01:08:06,280 --> 01:08:10,680
Speaker 4: I haven't seen their response to the movie. I just

1396
01:08:10,720 --> 01:08:14,520
Speaker 4: saw critics, you know, giving it mixed reviews. And it's

1397
01:08:14,640 --> 01:08:15,120
Speaker 4: not hidden.

1398
01:08:15,200 --> 01:08:23,400
Speaker 3: But yeah, riding tomatoes from fifty nine seventy from fans sounds.

1399
01:08:24,120 --> 01:08:26,080
Speaker 4: I mean, I love the you know, the intent, the

1400
01:08:26,120 --> 01:08:28,720
Speaker 4: idea behind the movie and everything like that. I'm I'm

1401
01:08:28,760 --> 01:08:31,680
Speaker 4: all here for I think it's just the story was

1402
01:08:31,800 --> 01:08:32,960
Speaker 4: just kind of all over the place.

1403
01:08:33,000 --> 01:08:36,640
Speaker 3: For me. It bombed. Yeah, So as far as the

1404
01:08:36,640 --> 01:08:38,960
Speaker 3: box office opening, it opened it seven million.

1405
01:08:40,400 --> 01:08:43,679
Speaker 1: Oh yeah, it's wrap. It was only the first week though, Yeah,

1406
01:08:43,800 --> 01:08:47,439
Speaker 1: it came out Thursday. You need that first week. So

1407
01:08:47,520 --> 01:08:48,360
Speaker 1: because now it's.

1408
01:08:48,240 --> 01:08:51,960
Speaker 3: Been a full week, it's been like, I'm sorry they count.

1409
01:08:52,120 --> 01:08:54,800
Speaker 4: Yeah, you need that the weekend because now at this

1410
01:08:54,920 --> 01:09:00,680
Speaker 4: point she's relying on word of mouth. So now you know,

1411
01:09:01,280 --> 01:09:02,960
Speaker 4: the woman or people that did like it have to

1412
01:09:02,960 --> 01:09:04,840
Speaker 4: go say, oh yeah, you gotta go watch this movie.

1413
01:09:05,520 --> 01:09:07,200
Speaker 1: And then if and if that don't happen.

1414
01:09:07,840 --> 01:09:09,599
Speaker 6: Well it's not like it probably will happen if there's

1415
01:09:09,680 --> 01:09:11,720
Speaker 6: seventy three percent audience.

1416
01:09:12,200 --> 01:09:16,320
Speaker 3: That's start corn, right, because it's one yes, sorry, we'll see,

1417
01:09:16,560 --> 01:09:19,960
Speaker 3: we'll see it ain't gonna happen. And she's married today.

1418
01:09:21,240 --> 01:09:29,720
Speaker 5: Yes, that's what I said. I wasn't gonna ask. I know,

1419
01:09:29,760 --> 01:09:31,320
Speaker 5: we're wrapping up outside.

1420
01:09:32,600 --> 01:09:36,960
Speaker 2: I was gonna ask, what was my question about the

1421
01:09:36,960 --> 01:09:39,840
Speaker 2: success of the movie. I did see people walking out too.

1422
01:09:40,200 --> 01:09:42,720
Speaker 2: Oh wow, yeah, I was disking it. Well, I don't

1423
01:09:42,880 --> 01:09:45,840
Speaker 2: you know at some point, well, I guess this is

1424
01:09:45,880 --> 01:09:48,719
Speaker 2: a larger conversation. Never mind, it was just about maybe

1425
01:09:48,760 --> 01:09:51,160
Speaker 2: people just tired of going to watch Frankenstein ship and

1426
01:09:51,280 --> 01:09:52,160
Speaker 2: there's old stories.

1427
01:09:52,400 --> 01:09:56,720
Speaker 1: I don't think that was the problem with this movie. Yeah,

1428
01:09:56,880 --> 01:09:57,639
Speaker 1: but I do wonder.

1429
01:09:58,640 --> 01:10:03,920
Speaker 4: Yeah, I definitely understand wise mixed reviews. But yeah, I

1430
01:10:03,920 --> 01:10:06,040
Speaker 4: don't think it's I don't think it's only black people.

1431
01:10:06,080 --> 01:10:08,200
Speaker 4: We saw really well, we saw some black women. But

1432
01:10:08,280 --> 01:10:09,840
Speaker 4: in the band, y'all see how they were looking at that?

1433
01:10:10,960 --> 01:10:19,400
Speaker 1: What's wrong with that? Yeah? Right there, dancing winners playing

1434
01:10:19,479 --> 01:10:24,559
Speaker 1: no music. It's not horrible, but y'all can have this.

1435
01:10:24,880 --> 01:10:28,720
Speaker 4: Yeah, yeah, okay, all right, cool, if you don't have

1436
01:10:28,760 --> 01:10:32,479
Speaker 4: anything else to say, man, this is our review of

1437
01:10:32,600 --> 01:10:33,080
Speaker 4: The Bride.

1438
01:10:33,960 --> 01:10:35,920
Speaker 1: Let us know how y'all feel in the comments section.

1439
01:10:37,320 --> 01:10:41,280
Speaker 2: Or where you are listening to this, And like I said,

1440
01:10:41,280 --> 01:10:44,280
Speaker 2: you can catch this on Patreon, Patreon, dot com, four

1441
01:10:44,360 --> 01:10:48,160
Speaker 2: slash France per Second or on YouTube page which is

1442
01:10:48,640 --> 01:10:51,520
Speaker 2: YouTube dot com Forward Slash FPS podcast.

1443
01:10:51,800 --> 01:10:52,799
Speaker 1: Go join our patreon.

1444
01:10:52,880 --> 01:10:57,880
Speaker 6: Man, we're giving y'all reviews every single week sometimes too.

1445
01:10:59,040 --> 01:11:01,439
Speaker 2: Yeah yeah, yeah, definitely make sure you check out the

1446
01:11:01,600 --> 01:11:04,479
Speaker 2: have influence on what we review, different things you can

1447
01:11:04,520 --> 01:11:04,960
Speaker 2: do over there.

1448
01:11:05,040 --> 01:11:08,000
Speaker 1: So yeah, man, catch you guys next time. Peace. Yeah,