1 00:00:04,559 --> 00:00:09,000 Speaker 1: Dead in Hip Hop album review bruiser Wolf and Harry 2 00:00:09,039 --> 00:00:14,800 Speaker 1: Fraud made by Dope. Look, y'all not patrons. YouTube members 3 00:00:15,080 --> 00:00:19,000 Speaker 1: definitely want to become that because we just did the 4 00:00:19,120 --> 00:00:24,239 Speaker 1: listening with Mick Jenkins and he dropped some dope joints. Now, look, 5 00:00:24,280 --> 00:00:27,120 Speaker 1: you could watch the interview for free on YouTube and 6 00:00:27,200 --> 00:00:28,960 Speaker 1: anywhere else that you consume that in hip hop, but 7 00:00:29,000 --> 00:00:30,640 Speaker 1: you're not gonna be able to listen to that music 8 00:00:31,040 --> 00:00:35,040 Speaker 1: unless you are behind a paywall somewhere. So again, YouTube 9 00:00:35,040 --> 00:00:38,080 Speaker 1: membership or Patreon, go become a member today so you 10 00:00:38,120 --> 00:00:41,599 Speaker 1: could get the exclusive stuff, including the request line. So 11 00:00:41,720 --> 00:00:45,080 Speaker 1: people at the nomination level nominated albums, we review them 12 00:00:45,080 --> 00:00:47,559 Speaker 1: because that's what you want, but yeah, you want more 13 00:00:47,600 --> 00:00:50,280 Speaker 1: than in hip hop. Become a patroon today Mick Jenkins. 14 00:00:50,360 --> 00:00:53,040 Speaker 1: The listening is up. Go watch that interview if you 15 00:00:53,120 --> 00:00:56,120 Speaker 1: have not. But today we're talking bruiser Wolf and Harry 16 00:00:56,160 --> 00:00:59,960 Speaker 1: Fraud made by Dope. Look, I'm gonna say. 17 00:00:59,760 --> 00:01:02,959 Speaker 2: This first time in the chamber, the first time he's 18 00:01:03,000 --> 00:01:03,240 Speaker 2: in the. 19 00:01:03,240 --> 00:01:08,160 Speaker 1: Chamber, but he's been featured on a whole bunch of 20 00:01:08,240 --> 00:01:10,880 Speaker 1: artists that we messed with. On a lot of the 21 00:01:10,920 --> 00:01:14,199 Speaker 1: projects that we have reviewed, on that hip hop. Bruiserwolf 22 00:01:14,280 --> 00:01:18,360 Speaker 1: had to grow on me first and foremost, And secondly, 23 00:01:19,720 --> 00:01:24,880 Speaker 1: I didn't think that I would have wanted a Bruiserwolf 24 00:01:25,440 --> 00:01:31,160 Speaker 1: album because I know he has others. And I felt 25 00:01:31,440 --> 00:01:34,560 Speaker 1: about Bruiserwolf the same way I felt about Gonna a 26 00:01:34,600 --> 00:01:38,880 Speaker 1: while ago, where I like him as the you know, 27 00:01:38,920 --> 00:01:43,440 Speaker 1: the extras on a sandwich or you know, any type 28 00:01:43,440 --> 00:01:45,039 Speaker 1: of meal or anything like that, but I don't want 29 00:01:45,120 --> 00:01:49,080 Speaker 1: him as like the base of what, you know, whatever 30 00:01:49,080 --> 00:01:52,080 Speaker 1: you're eating. I take all that back, bro, I take 31 00:01:52,160 --> 00:01:56,880 Speaker 1: all that back. This album is super dope in his 32 00:01:57,240 --> 00:02:00,680 Speaker 1: style and what Harry Froug gave him and the people 33 00:02:00,720 --> 00:02:04,080 Speaker 1: that he decided to collaborate, and these are frequent collaborator 34 00:02:04,200 --> 00:02:07,440 Speaker 1: collaborators like He's He's done plenty of songs with Benny, 35 00:02:07,600 --> 00:02:11,720 Speaker 1: He's done plenty of songs with Currency, so so I 36 00:02:11,800 --> 00:02:16,000 Speaker 1: wasn't surprised there, but the execution of this project and 37 00:02:16,080 --> 00:02:20,160 Speaker 1: how he sounded man the man talk raps. But I 38 00:02:20,160 --> 00:02:22,480 Speaker 1: don't know, this one was just different, Like he didn't 39 00:02:22,480 --> 00:02:25,480 Speaker 1: do nothing, you know, out of the ordinary for bruiser 40 00:02:25,960 --> 00:02:27,160 Speaker 1: but Bruh. 41 00:02:28,600 --> 00:02:30,600 Speaker 3: Have you listened to any of his previous albums? 42 00:02:31,000 --> 00:02:33,919 Speaker 4: I have Oh, okay, you know he's a part of 43 00:02:34,000 --> 00:02:35,720 Speaker 4: Danny Brown's collective Bruis Brigade. 44 00:02:36,520 --> 00:02:39,000 Speaker 1: No, I didn't know that. Yeah, I didn't know that, 45 00:02:39,440 --> 00:02:42,119 Speaker 1: but yeah, no, I listened to other ones and I'm like, yeah, yeah, 46 00:02:42,160 --> 00:02:45,000 Speaker 1: you know School's Bruiser, you know, But nah, this this 47 00:02:45,040 --> 00:02:47,440 Speaker 1: one had me. This one. I was like, okay, yeah, nah, 48 00:02:47,440 --> 00:02:48,480 Speaker 1: I messed with this one. 49 00:02:48,680 --> 00:02:50,680 Speaker 3: Is it because you think he liked them with one producer? 50 00:02:51,040 --> 00:02:54,400 Speaker 1: It could be. I felt like it was just a 51 00:02:54,400 --> 00:03:00,680 Speaker 1: perfect marriage just through and through the music him, uh, 52 00:03:00,720 --> 00:03:03,160 Speaker 1: the rappers that he had on there, how they came in. 53 00:03:03,880 --> 00:03:06,600 Speaker 1: It was just it was executed really well for me. 54 00:03:07,200 --> 00:03:10,639 Speaker 2: Mmmm okay, yeah, I said if I told you once, 55 00:03:10,720 --> 00:03:12,200 Speaker 2: I told you to. 56 00:03:11,840 --> 00:03:12,720 Speaker 3: Too many times. 57 00:03:12,800 --> 00:03:13,040 Speaker 1: Yeah. 58 00:03:13,880 --> 00:03:17,600 Speaker 4: Yeah, Man, this dude is definitely This dude is definitely hilarious. Bro, 59 00:03:18,160 --> 00:03:22,280 Speaker 4: he is definitely hilarious. But no, Bruce would. He's He's cool, man. 60 00:03:22,280 --> 00:03:24,240 Speaker 4: I always I know what I'm gonna get from him. Man, 61 00:03:24,280 --> 00:03:25,720 Speaker 4: I know I'm gonna get. I know I'm gonna get 62 00:03:26,440 --> 00:03:28,560 Speaker 4: game type raps. I'm gonna get some funny ship, some 63 00:03:28,639 --> 00:03:31,480 Speaker 4: hilarious ship. He just he just he just sounded like 64 00:03:31,480 --> 00:03:34,800 Speaker 4: like this a regular street Detroit motherfucker. That's just like, 65 00:03:34,960 --> 00:03:36,280 Speaker 4: let me just get in the studio and just talk 66 00:03:36,320 --> 00:03:37,440 Speaker 4: over these over this production. 67 00:03:37,880 --> 00:03:39,440 Speaker 3: So, I mean this is right on part. 68 00:03:39,520 --> 00:03:43,160 Speaker 4: I mean, if you heard my stories, got Stories, if 69 00:03:43,200 --> 00:03:47,119 Speaker 4: you heard Dope, Game, Stupid, it's previous projects this, I mean, 70 00:03:47,160 --> 00:03:50,000 Speaker 4: he's this is He's very consistent. I will say that 71 00:03:50,240 --> 00:03:51,880 Speaker 4: he's never switched up anything. 72 00:03:51,920 --> 00:03:52,480 Speaker 1: He does. 73 00:03:53,000 --> 00:03:54,760 Speaker 3: Same thing with this project. I mean, I think it 74 00:03:54,840 --> 00:03:55,800 Speaker 3: was it was dope. 75 00:03:55,600 --> 00:03:57,200 Speaker 4: For him to lock in with one producer, you know 76 00:03:57,240 --> 00:03:59,120 Speaker 4: what I'm saying, because he's kind of typically kind of 77 00:03:59,120 --> 00:04:01,480 Speaker 4: always have like multiple deuces on his album. So this 78 00:04:01,560 --> 00:04:04,120 Speaker 4: was kind of dope to hear him like in with 79 00:04:04,200 --> 00:04:06,920 Speaker 4: one and I think Harry Fraud was I ain't gonna 80 00:04:06,920 --> 00:04:08,360 Speaker 4: say it was interesting, but it was. I think that 81 00:04:08,440 --> 00:04:10,440 Speaker 4: was a good type of production that Harry Fraud was 82 00:04:10,440 --> 00:04:12,000 Speaker 4: giving him. And the beat switches on some of these 83 00:04:12,040 --> 00:04:14,560 Speaker 4: songs I think was perfect for the way he set 84 00:04:14,600 --> 00:04:16,680 Speaker 4: it up for Bruises Wood throughout this project. 85 00:04:16,720 --> 00:04:17,640 Speaker 3: And it was quick. 86 00:04:17,680 --> 00:04:19,920 Speaker 4: I think Rod mentioned it like it's a short project, 87 00:04:20,360 --> 00:04:23,880 Speaker 4: you know, under thirty minutes, come in give you right. 88 00:04:24,000 --> 00:04:26,800 Speaker 4: I thought currency sounded okay on this feature, you know, 89 00:04:26,920 --> 00:04:30,919 Speaker 4: nothing like big Yeah. I thought I thought, I thought, 90 00:04:31,080 --> 00:04:33,520 Speaker 4: I mean, I mean, good, Okay, he's good. He signed, 91 00:04:34,120 --> 00:04:36,159 Speaker 4: he signed, he signed it good on this on this one. 92 00:04:36,720 --> 00:04:39,160 Speaker 4: Even Mick Jckens we just talked about. He mentioned it 93 00:04:39,320 --> 00:04:39,800 Speaker 4: about him. 94 00:04:41,400 --> 00:04:41,599 Speaker 3: Yeah. 95 00:04:42,240 --> 00:04:44,359 Speaker 4: Yeah, so it was you know, it was dope. The 96 00:04:44,400 --> 00:04:47,200 Speaker 4: only feature I was a little underwhelmed for. It wasn't whack, 97 00:04:47,279 --> 00:04:49,880 Speaker 4: but I was just like, what's what's Benny I'm sorry for? 98 00:04:50,320 --> 00:04:54,840 Speaker 4: He was the only one that was It wasn't. It 99 00:04:54,880 --> 00:04:58,080 Speaker 4: wasn't I've heard better Bennie feature versus before, so this 100 00:04:58,120 --> 00:05:00,960 Speaker 4: one didn't really you know, it was like, oh okay, 101 00:05:01,120 --> 00:05:03,279 Speaker 4: everybody else I felt like kind of did their thing. 102 00:05:04,880 --> 00:05:07,760 Speaker 1: It was. It was hold on real quick ron it was. 103 00:05:07,800 --> 00:05:10,560 Speaker 1: It wasn't a wild feature from Benny, but it fit though. 104 00:05:11,120 --> 00:05:13,520 Speaker 4: Yeah, I mean it just it was just kind of 105 00:05:13,560 --> 00:05:15,960 Speaker 4: like for me, like I said, I even like I 106 00:05:16,000 --> 00:05:18,600 Speaker 4: like currency more on this than I did Benny. As 107 00:05:18,600 --> 00:05:22,560 Speaker 4: far as features and the ze Loopers you know which 108 00:05:22,680 --> 00:05:24,599 Speaker 4: they they are part of z Loopers, They're part of 109 00:05:24,839 --> 00:05:27,920 Speaker 4: Bruises Brigade as well, So that was I wasn't surprised 110 00:05:27,920 --> 00:05:29,680 Speaker 4: to see that feature on there though. But yeah, other 111 00:05:29,720 --> 00:05:32,880 Speaker 4: than that, man, this was this was this is so man, 112 00:05:32,920 --> 00:05:34,760 Speaker 4: Like I said, it was consistent. It was pretty much 113 00:05:34,800 --> 00:05:37,080 Speaker 4: I got what I when I listened to a Bruises 114 00:05:37,080 --> 00:05:37,839 Speaker 4: Wild project. 115 00:05:38,720 --> 00:05:40,520 Speaker 1: That's exactly what I'm gonna get from him. You know 116 00:05:40,520 --> 00:05:40,960 Speaker 1: what I'm saying. 117 00:05:40,960 --> 00:05:44,280 Speaker 3: Some dope stories, funny stories, and some game. You know 118 00:05:44,279 --> 00:05:44,760 Speaker 3: what I'm saying. 119 00:05:44,800 --> 00:05:46,360 Speaker 1: Like, that's that's pretty much what I'm gonna get. 120 00:05:46,400 --> 00:05:47,919 Speaker 4: So I love it, and I love the way he 121 00:05:48,200 --> 00:05:50,240 Speaker 4: I love the way he paints, paints his stories and 122 00:05:50,240 --> 00:05:52,880 Speaker 4: paints his pictures throughout throughout on all his projects, not 123 00:05:52,960 --> 00:05:54,360 Speaker 4: just this one, but this is all of them. Just 124 00:05:55,080 --> 00:05:58,280 Speaker 4: he's gonna definitely give you introspective rather you might not 125 00:05:58,400 --> 00:06:00,440 Speaker 4: like the way he deliver it, but he's going to 126 00:06:00,480 --> 00:06:02,800 Speaker 4: give it to you regardless if you and I fuck 127 00:06:02,839 --> 00:06:05,080 Speaker 4: with introspective type rap. So, I mean, this is this, 128 00:06:05,080 --> 00:06:07,279 Speaker 4: This was good, This was solid. 129 00:06:07,279 --> 00:06:11,719 Speaker 1: I like, I like this dude. Yeah, I like this dude. 130 00:06:11,760 --> 00:06:16,479 Speaker 5: But but like like I was, I didn't. I didn't 131 00:06:16,480 --> 00:06:18,280 Speaker 5: think I liked him like that at first because it 132 00:06:18,800 --> 00:06:21,400 Speaker 5: does take a minute to like, okay, what is he 133 00:06:21,480 --> 00:06:24,400 Speaker 5: doing because it kind of comes off his parody rap right, 134 00:06:24,600 --> 00:06:28,720 Speaker 5: like just it's like it's almost like parody rap or gimmicky, 135 00:06:29,320 --> 00:06:32,560 Speaker 5: but when you realize, like, nah, this nigga is really spitting, 136 00:06:32,640 --> 00:06:34,680 Speaker 5: like he really rhyming. You know what I'm saying, It 137 00:06:34,720 --> 00:06:38,080 Speaker 5: ain't it ain't just somebody just out here fooling or 138 00:06:38,120 --> 00:06:40,920 Speaker 5: whatever you talk about, like you know who. He sounds 139 00:06:40,960 --> 00:06:44,320 Speaker 5: like like an old Detroit player or whatever, just spitting game. 140 00:06:44,720 --> 00:06:48,800 Speaker 5: His punchlines are just so good, Like that's what That's 141 00:06:48,839 --> 00:06:52,480 Speaker 5: what makes you just kind of tune in a little 142 00:06:52,520 --> 00:06:56,719 Speaker 5: bit more like past the voice that he's doing or whatever. 143 00:06:56,720 --> 00:06:58,880 Speaker 5: Because I did look at something where you said he 144 00:06:58,880 --> 00:06:59,960 Speaker 5: he perfected that voice. 145 00:07:00,040 --> 00:07:01,960 Speaker 1: Because I'm like, man, why this nigga rap like this? 146 00:07:02,160 --> 00:07:05,000 Speaker 1: Like this is just way too unique. I gotta figure 147 00:07:05,040 --> 00:07:05,360 Speaker 1: it out. 148 00:07:05,480 --> 00:07:07,320 Speaker 5: And I saw an interview where he was just like, yeah, man, 149 00:07:07,360 --> 00:07:11,600 Speaker 5: it took years for him to perfect that, and he 150 00:07:11,640 --> 00:07:12,720 Speaker 5: said that's all he does. 151 00:07:12,760 --> 00:07:14,200 Speaker 1: That's all he does is rap like that. 152 00:07:14,240 --> 00:07:17,880 Speaker 5: And I can relate to that because just just just 153 00:07:18,920 --> 00:07:20,840 Speaker 5: doing a little bit of rap, I've been doing, like 154 00:07:21,320 --> 00:07:25,240 Speaker 5: trying to find that voice, trying stupid b No though, 155 00:07:25,480 --> 00:07:27,920 Speaker 5: b No, Like I told b like, I'm trying to 156 00:07:27,960 --> 00:07:30,720 Speaker 5: find a rap voice, like and I get it, you 157 00:07:30,760 --> 00:07:32,520 Speaker 5: know what I'm saying, because it's like, hey, what sounds 158 00:07:32,520 --> 00:07:35,040 Speaker 5: good on you and I and he just said he 159 00:07:35,160 --> 00:07:36,200 Speaker 5: was just he like, man, he was. 160 00:07:36,160 --> 00:07:37,880 Speaker 1: Messing around with He's like, damn, that sounds good. I 161 00:07:37,960 --> 00:07:38,760 Speaker 1: like how that sounds. 162 00:07:39,000 --> 00:07:41,920 Speaker 5: And I can relate to that with the sound of 163 00:07:41,960 --> 00:07:43,960 Speaker 5: it because I because when I rap, I want to 164 00:07:44,000 --> 00:07:45,520 Speaker 5: sound more aggressive. 165 00:07:45,080 --> 00:07:47,600 Speaker 1: Right, So I rap with a more aggressive tone until 166 00:07:47,640 --> 00:07:48,960 Speaker 1: I'm able to perfect it. 167 00:07:49,000 --> 00:07:51,320 Speaker 5: I don't think I've perfected it, but I think that 168 00:07:51,400 --> 00:07:52,840 Speaker 5: would be the direction I want to go in. 169 00:07:52,880 --> 00:07:54,240 Speaker 1: That's kind of what he did here. 170 00:07:54,320 --> 00:07:56,760 Speaker 5: He said he used to rap like four different ways 171 00:07:56,840 --> 00:07:59,280 Speaker 5: until he found this particular way to rap. And I 172 00:07:59,280 --> 00:08:02,960 Speaker 5: thought that was really interesting. And like I said, I 173 00:08:03,080 --> 00:08:05,080 Speaker 5: like that he takes it so serious to where he's 174 00:08:05,080 --> 00:08:09,600 Speaker 5: putting putting time into the bars because it is gonna 175 00:08:09,600 --> 00:08:12,400 Speaker 5: take some time for some people to to get past that. 176 00:08:12,600 --> 00:08:15,200 Speaker 5: Like like one of the songs like rais raised by Dope, 177 00:08:15,200 --> 00:08:18,320 Speaker 5: he said, concerned with who who didn't believe birth the 178 00:08:18,320 --> 00:08:21,200 Speaker 5: style that you couldn't conceive, Like that makes sense, you 179 00:08:21,200 --> 00:08:21,680 Speaker 5: know what I'm saying. 180 00:08:21,880 --> 00:08:24,880 Speaker 1: Like he's he's actually birthing his own style. 181 00:08:24,960 --> 00:08:27,680 Speaker 5: He knows he sounds unique, and it's just like okay, 182 00:08:27,800 --> 00:08:30,080 Speaker 5: you either gonna love it or hate it, but this is. 183 00:08:30,000 --> 00:08:31,960 Speaker 1: What I'm comfortable with, and this is what I want 184 00:08:31,960 --> 00:08:32,200 Speaker 1: to do. 185 00:08:32,640 --> 00:08:34,920 Speaker 5: And I think that shit is just just so dope man, 186 00:08:35,000 --> 00:08:38,880 Speaker 5: Like he's he's super unique, super authentic. Like I said, 187 00:08:38,880 --> 00:08:41,839 Speaker 5: he sounds like a Detroit player. Yeah, man, it's just 188 00:08:41,920 --> 00:08:46,240 Speaker 5: it's just really really really interesting to me and and 189 00:08:46,240 --> 00:08:49,320 Speaker 5: and I really am starting to like it, even like, yeah, 190 00:08:49,320 --> 00:08:50,160 Speaker 5: you said the features. 191 00:08:50,320 --> 00:08:52,080 Speaker 1: Oh you said Benny. You had mentioned Bennie. 192 00:08:52,800 --> 00:08:54,960 Speaker 5: Yeah, it's not Benny that we that we know, but 193 00:08:55,000 --> 00:08:57,240 Speaker 5: I like this new back that Benny's been in. He 194 00:08:57,360 --> 00:09:00,640 Speaker 5: sounds really comfortable with trying new flows, where where before 195 00:09:00,640 --> 00:09:03,079 Speaker 5: it sounded like Bennie was kind of like forcing you stuff. 196 00:09:03,360 --> 00:09:05,640 Speaker 5: Now it feels like, man, I'm gonna rap like this 197 00:09:05,679 --> 00:09:09,880 Speaker 5: because I'm rapping alongside Bruiserwolf, So this is this is 198 00:09:09,880 --> 00:09:12,360 Speaker 5: how I'm gonna going, and I feel it. I like 199 00:09:12,440 --> 00:09:15,160 Speaker 5: what Bennie tries to do differently now, even the name, 200 00:09:15,320 --> 00:09:18,800 Speaker 5: like how he's dedicated to Bruiser Brigade. He changed his 201 00:09:18,880 --> 00:09:21,360 Speaker 5: name from Big Wolf to Bruiser you know what I'm saying, 202 00:09:21,679 --> 00:09:23,920 Speaker 5: just to show his dedication. Like though this ship is forever, 203 00:09:24,400 --> 00:09:26,960 Speaker 5: like yeah, I can't go nowhere else because I changed 204 00:09:27,000 --> 00:09:30,880 Speaker 5: my name to Bruiser Wolf, like to represent the Bruiser Brigade. 205 00:09:30,920 --> 00:09:32,959 Speaker 5: And I was just like, man, this nigga, this nigga 206 00:09:33,000 --> 00:09:36,560 Speaker 5: dope as hell. Man, his perspective is super super dope man. 207 00:09:36,679 --> 00:09:38,880 Speaker 5: And like I had a line off a TV that 208 00:09:38,880 --> 00:09:40,720 Speaker 5: I thought was super dope. It was like these diamonds 209 00:09:40,760 --> 00:09:43,200 Speaker 5: they reflect the rock in a hard place. I was 210 00:09:43,200 --> 00:09:46,480 Speaker 5: Pacino and Brad Johnson, you know Scarface, and I was just. 211 00:09:46,400 --> 00:09:49,320 Speaker 1: Like, God, damn, this nigga really putting thought into these bars, 212 00:09:49,360 --> 00:09:51,600 Speaker 1: bro into these punchline. He said, that's all he does 213 00:09:51,600 --> 00:09:52,640 Speaker 1: all day. He said, he's not just. 214 00:09:52,679 --> 00:09:55,760 Speaker 5: Right right punchlines all day and and that shows like 215 00:09:56,320 --> 00:09:59,680 Speaker 5: Patino and Brad Brad Jordan, Brad Jordan's Scarface, you know 216 00:10:00,720 --> 00:10:03,200 Speaker 5: scar Face real name. And I was just like, damn, man, 217 00:10:03,240 --> 00:10:06,439 Speaker 5: that's that's fucking crazy. And one more, one more I'm 218 00:10:06,440 --> 00:10:09,920 Speaker 5: gonna give you be or Kid because Camvin kim Ben 219 00:10:09,960 --> 00:10:11,560 Speaker 5: said he been like it is doing for a minute 220 00:10:11,600 --> 00:10:12,360 Speaker 5: and this ship like. 221 00:10:12,320 --> 00:10:13,839 Speaker 1: This man a layup lines. 222 00:10:13,840 --> 00:10:17,720 Speaker 5: The nigga said, love looking at the way, I'm a StairMaster, 223 00:10:18,920 --> 00:10:20,720 Speaker 5: but we can find a place where we can squad 224 00:10:20,800 --> 00:10:23,480 Speaker 5: after and you think it stops there, but he keeps going. 225 00:10:23,520 --> 00:10:25,280 Speaker 5: He said, had to drink to hadre out of the 226 00:10:25,360 --> 00:10:28,080 Speaker 5: plate to the bar. Bill you my star player, don't 227 00:10:28,120 --> 00:10:30,720 Speaker 5: mess it up. Teammates on the bench pressing her. She's 228 00:10:30,800 --> 00:10:33,720 Speaker 5: rapping and keep asking when when her set is up. 229 00:10:34,040 --> 00:10:36,880 Speaker 5: But the bottles made your dame, your dame, dash big 230 00:10:36,920 --> 00:10:40,160 Speaker 5: pipp and tell tell the gym rats we lifted like that. 231 00:10:40,240 --> 00:10:43,079 Speaker 5: He's still going on the exercise bar. He said, everything 232 00:10:43,120 --> 00:10:46,120 Speaker 5: and what it seems like, like like it's just a 233 00:10:46,160 --> 00:10:47,040 Speaker 5: double nargent. 234 00:10:47,120 --> 00:10:49,400 Speaker 1: I'm just like this nigga is crazy. 235 00:10:50,480 --> 00:10:54,240 Speaker 5: Like man, I really I really like this nigga man, 236 00:10:54,360 --> 00:10:55,920 Speaker 5: like like I really do. 237 00:10:56,000 --> 00:10:57,839 Speaker 1: Bro like this ship, this ship is, this ship is 238 00:10:57,920 --> 00:11:00,320 Speaker 1: unique as hell. Bro. I like what he doing man, 239 00:11:01,480 --> 00:11:04,000 Speaker 1: one on one Bro, He's I like what he's doing. 240 00:11:04,040 --> 00:11:09,040 Speaker 2: Man, bru, Man, this dude do something else. Man, I 241 00:11:09,080 --> 00:11:11,560 Speaker 2: agree with me. Fuck a lot of holes at once. 242 00:11:11,640 --> 00:11:15,480 Speaker 2: That sufficious. I ain't got no common decency. As soon 243 00:11:15,520 --> 00:11:17,520 Speaker 2: as they speak to me, I asked him to sleep 244 00:11:17,559 --> 00:11:22,120 Speaker 2: with me. Look her in herbelievable lies her nigga allergic 245 00:11:22,200 --> 00:11:29,439 Speaker 2: to money. He probably break out and high bright Detroit 246 00:11:29,480 --> 00:11:33,920 Speaker 2: players like Detroit player ship man, It's like Damn. 247 00:11:33,920 --> 00:11:35,439 Speaker 1: He's really hauled in on this. 248 00:11:36,040 --> 00:11:41,200 Speaker 2: Yeah, man, yeah, man, Yeah, and it's it's easy listen man, 249 00:11:41,280 --> 00:11:48,719 Speaker 2: Like this is so so good. It's almost like we 250 00:11:49,120 --> 00:11:50,760 Speaker 2: say this a lot. I don't want to say he's 251 00:11:50,760 --> 00:11:53,800 Speaker 2: getting better. I think the production that Harry Farouk gave 252 00:11:53,920 --> 00:11:58,720 Speaker 2: him really really worked for him on here and and 253 00:11:58,760 --> 00:12:00,320 Speaker 2: he did a really good job on this out of 254 00:12:00,320 --> 00:12:02,880 Speaker 2: Here fraud because I think these sort of beats that 255 00:12:02,960 --> 00:12:05,400 Speaker 2: he did for him, it seems a little bit different 256 00:12:05,440 --> 00:12:07,400 Speaker 2: than some of the other other stuff that he's done 257 00:12:07,400 --> 00:12:10,280 Speaker 2: with some of the other rappers the people and I've 258 00:12:10,320 --> 00:12:14,120 Speaker 2: discussed as well, but but now I really really mess 259 00:12:14,200 --> 00:12:17,600 Speaker 2: with this man. Just off rip that to be joint man, to. 260 00:12:17,720 --> 00:12:20,199 Speaker 4: Be joint was speaking of Kim, I mean to cut 261 00:12:20,240 --> 00:12:21,920 Speaker 4: you off. But why to be replied to him on 262 00:12:21,960 --> 00:12:25,000 Speaker 4: Twitter saying, uh, you should be up for a Grammy. 263 00:12:25,600 --> 00:12:28,760 Speaker 4: Whoever wanted to be Twitter they mentioned him. It was like, 264 00:12:28,760 --> 00:12:29,200 Speaker 4: you should be. 265 00:12:29,240 --> 00:12:33,480 Speaker 1: Up for a Grammy for that song. It's hell the 266 00:12:33,520 --> 00:12:37,840 Speaker 1: promotion for them, man, really, yeah. 267 00:12:37,640 --> 00:12:41,160 Speaker 2: Somebody paying attention man to go, uh look at that 268 00:12:41,320 --> 00:12:44,080 Speaker 2: and or do somebody mention that to them or if 269 00:12:44,120 --> 00:12:46,560 Speaker 2: they're active, I don't know, but that was pretty dope 270 00:12:46,559 --> 00:12:52,080 Speaker 2: for them to be locked in like that, yeah yeah, yeah, 271 00:12:52,160 --> 00:12:53,280 Speaker 2: yeah really is. 272 00:12:53,640 --> 00:12:55,400 Speaker 4: And for him to be a Detroit nigga like to 273 00:12:55,559 --> 00:12:58,560 Speaker 4: be is filled with movies. That's from the shot in Detroit, 274 00:12:58,640 --> 00:13:00,920 Speaker 4: Like it's so many Detroit movies he's on to b 275 00:13:01,080 --> 00:13:03,240 Speaker 4: So that's so fit for him, so fit for him 276 00:13:03,240 --> 00:13:05,160 Speaker 4: to say that, it's fit to say that. 277 00:13:05,040 --> 00:13:08,160 Speaker 2: Ship y'all probably put to beyond, man, Detroit probably put 278 00:13:08,200 --> 00:13:09,080 Speaker 2: two beyond. 279 00:13:09,160 --> 00:13:11,800 Speaker 1: Probably for real nay movies. 280 00:13:12,760 --> 00:13:15,199 Speaker 3: Bro every time, I'm sorry again. 281 00:13:15,920 --> 00:13:19,040 Speaker 2: No, but nah man, it's just I don't think there's 282 00:13:19,040 --> 00:13:20,679 Speaker 2: a song with here. I don't like like raise my 283 00:13:20,800 --> 00:13:24,880 Speaker 2: dope is against the odds. I owe you the money 284 00:13:24,880 --> 00:13:30,080 Speaker 2: saved my whole life. Connect for well, uh with Currency man, 285 00:13:30,160 --> 00:13:34,600 Speaker 2: currency verse was so good on here, like Currency came 286 00:13:34,640 --> 00:13:36,959 Speaker 2: to rap. It seemed like he really locked in on 287 00:13:37,000 --> 00:13:40,000 Speaker 2: this one. His flow was nice. It seemed like he 288 00:13:40,080 --> 00:13:43,000 Speaker 2: was really engaged. 289 00:13:44,040 --> 00:13:47,640 Speaker 1: You surprised how many projects we got a review on 290 00:13:47,720 --> 00:13:49,439 Speaker 1: D three sixty five. You know what that she was 291 00:13:49,480 --> 00:13:51,640 Speaker 1: giving Currency props and but you know what, it's on 292 00:13:51,640 --> 00:13:52,440 Speaker 1: a verse like this. 293 00:13:52,800 --> 00:13:56,600 Speaker 2: I feel you. But what it is is that when 294 00:13:56,800 --> 00:13:59,959 Speaker 2: he's doing his own project, he has its own style, 295 00:14:00,080 --> 00:14:05,319 Speaker 2: out flow, et cetera, et cetera. He was venturing outside 296 00:14:05,640 --> 00:14:08,839 Speaker 2: of his world and he was going to Bruise Willis 297 00:14:08,920 --> 00:14:13,440 Speaker 2: world with a chance to gain the ear of new listeners. 298 00:14:13,840 --> 00:14:17,040 Speaker 2: So he seemed very intentional, like even even be had 299 00:14:17,040 --> 00:14:18,600 Speaker 2: to give it up to him. He went from Okay, 300 00:14:18,600 --> 00:14:21,960 Speaker 2: the good uh, you know, b might be like what 301 00:14:22,040 --> 00:14:24,280 Speaker 2: Bruce will said on I forgot what I think that 302 00:14:24,560 --> 00:14:27,440 Speaker 2: I forgot what song it was when he said loser situation. 303 00:14:27,560 --> 00:14:31,800 Speaker 2: Niggas go from Hayten to support back to Hayden. Yeah 304 00:14:32,840 --> 00:14:36,400 Speaker 2: he dope, but uh but yeah, but the Boss Up 305 00:14:36,480 --> 00:14:39,840 Speaker 2: is a really really dope track too. It's a really 306 00:14:39,840 --> 00:14:41,840 Speaker 2: dope track on here man, And I thought all the 307 00:14:41,880 --> 00:14:44,440 Speaker 2: features came I thought all the features came round too. 308 00:14:44,520 --> 00:14:49,640 Speaker 2: And perform well one of the singers mm hmm, yeah, yeah, 309 00:14:49,720 --> 00:14:52,960 Speaker 2: shout out to Uh. I don't know who this person is, 310 00:14:53,680 --> 00:15:02,320 Speaker 2: Young Maxico. That's the singer my whole life. The name 311 00:15:02,520 --> 00:15:04,400 Speaker 2: is actually Young Mexico. 312 00:15:05,040 --> 00:15:06,960 Speaker 1: It's hilarious. 313 00:15:07,480 --> 00:15:10,080 Speaker 2: But they sounded good. They did the singing part at 314 00:15:10,080 --> 00:15:12,480 Speaker 2: the end of that song, and that just sounded good. 315 00:15:13,000 --> 00:15:16,920 Speaker 2: The joint because I remember when Bick Jenkins mentioned he 316 00:15:17,120 --> 00:15:19,480 Speaker 2: was on the you know he had a song with him. 317 00:15:19,480 --> 00:15:22,360 Speaker 2: I was like, that's how is this gonna work? Because 318 00:15:22,360 --> 00:15:25,840 Speaker 2: Bruissele Wolf the style and you know, it's so distinct 319 00:15:25,840 --> 00:15:29,040 Speaker 2: and different, which I'm glad you highlighted that that that 320 00:15:29,120 --> 00:15:32,040 Speaker 2: bar Rod, and I think it's dope that he put 321 00:15:32,080 --> 00:15:34,320 Speaker 2: that in there, because it is it does take some 322 00:15:34,400 --> 00:15:36,800 Speaker 2: getting used to, but. 323 00:15:36,840 --> 00:15:38,800 Speaker 1: Not that you couldn't birth the style that you couldn't 324 00:15:38,800 --> 00:15:39,840 Speaker 1: conceive that line. 325 00:15:40,040 --> 00:15:43,280 Speaker 2: Yeah, yep, yeah. When he said that, I was like, 326 00:15:43,400 --> 00:15:49,160 Speaker 2: damn he is. He's absolutely right, but nah, man, Bruiswolf, 327 00:15:49,200 --> 00:15:53,120 Speaker 2: Brusele Wolf might be definitely one of my favorite rappers 328 00:15:53,440 --> 00:15:54,880 Speaker 2: right now. He's probably top. 329 00:15:54,720 --> 00:15:57,120 Speaker 1: Five favorite rappers. Bro. 330 00:15:58,080 --> 00:16:01,600 Speaker 2: Yeah, it's just every everything, Like like you mentioned earlier, 331 00:16:01,640 --> 00:16:05,440 Speaker 2: the punch lines of funny, his style is different. You 332 00:16:05,480 --> 00:16:10,080 Speaker 2: can't help be engaged. He's picking dope beats. He just 333 00:16:10,240 --> 00:16:14,520 Speaker 2: keeps you interested. When when you when listening to his stuff, 334 00:16:15,120 --> 00:16:15,480 Speaker 2: you know. 335 00:16:15,440 --> 00:16:17,280 Speaker 1: How long will it last? Will I will? 336 00:16:17,320 --> 00:16:22,840 Speaker 2: There will a tolerance bill you know with him? Or 337 00:16:22,880 --> 00:16:24,880 Speaker 2: can't he keep it going? But I think he is 338 00:16:24,880 --> 00:16:27,640 Speaker 2: definitely one of the dope is out and one of 339 00:16:27,640 --> 00:16:30,480 Speaker 2: the most interesting out right now. And I think more 340 00:16:30,480 --> 00:16:32,080 Speaker 2: and more people should be paying attention to and I'm 341 00:16:32,080 --> 00:16:34,480 Speaker 2: glad we actually review on this project. It's time for 342 00:16:34,560 --> 00:16:35,320 Speaker 2: him to be in the chamber. 343 00:16:35,560 --> 00:16:37,880 Speaker 5: Nah yeah, yeah, because we always mentioned him. We always 344 00:16:37,920 --> 00:16:40,960 Speaker 5: mentioned mentioned the Bruis of Wild feature. No matter where 345 00:16:41,000 --> 00:16:43,680 Speaker 5: he is, we always say Bruises Wood if he's featured somewhere. 346 00:16:44,040 --> 00:16:46,080 Speaker 5: But something about you, you know, I know you mentioned 347 00:16:46,080 --> 00:16:47,880 Speaker 5: like how long would it last? I mean, look at 348 00:16:48,000 --> 00:16:51,360 Speaker 5: uh young Thug yng Tug. Doug had a unique voice 349 00:16:51,520 --> 00:16:55,080 Speaker 5: like and and that lasted for some time. You know 350 00:16:55,120 --> 00:16:57,480 Speaker 5: what I'm saying still would have lasted too if I think, 351 00:16:57,480 --> 00:17:00,440 Speaker 5: if you know, everything wouldn't happened, you know, But I 352 00:17:00,480 --> 00:17:03,240 Speaker 5: think people with unique voices and hip hop, you know, 353 00:17:03,560 --> 00:17:04,280 Speaker 5: they can last. 354 00:17:04,560 --> 00:17:05,879 Speaker 1: They absolutely can last. 355 00:17:06,520 --> 00:17:08,560 Speaker 5: And it seems like he's been doing this for about 356 00:17:08,720 --> 00:17:11,720 Speaker 5: a solid five years based on what I saw. 357 00:17:11,800 --> 00:17:13,240 Speaker 1: I know he has stuff dating back to. 358 00:17:13,240 --> 00:17:16,720 Speaker 5: Twenty seventeen under like Big Wolf, but like, yeah, like 359 00:17:16,760 --> 00:17:20,560 Speaker 5: he's been solid under distance like twenty twenty with under 360 00:17:20,560 --> 00:17:24,440 Speaker 5: the Bruiser Wolf name. He's yeah, man, he seems like 361 00:17:24,480 --> 00:17:27,400 Speaker 5: he's been straight bro like features of dope people. People 362 00:17:27,440 --> 00:17:31,159 Speaker 5: are are pulling them to come on up, come up 363 00:17:31,160 --> 00:17:34,120 Speaker 5: on them with him, like yeah, man, Yeah, I think 364 00:17:34,160 --> 00:17:36,240 Speaker 5: he got some longevity ahead of I. 365 00:17:36,119 --> 00:17:40,480 Speaker 1: Think he's still getting better Ken because like I said earlier, 366 00:17:40,520 --> 00:17:43,240 Speaker 1: I felt I've always felt like he was like the 367 00:17:43,640 --> 00:17:45,840 Speaker 1: cherry on top, you know, like it was always good 368 00:17:45,840 --> 00:17:49,560 Speaker 1: to hear him. But I think he's getting better because 369 00:17:51,160 --> 00:17:55,800 Speaker 1: the way that this project was constructed and what he's 370 00:17:55,880 --> 00:17:58,600 Speaker 1: doing himself as an MC to be better. And I'm 371 00:17:58,640 --> 00:18:02,159 Speaker 1: glad that Rob Holland highlight at all those bars, bruh, 372 00:18:02,200 --> 00:18:06,880 Speaker 1: Like the bars are are are better, like the bo like. 373 00:18:07,359 --> 00:18:10,640 Speaker 1: It just didn't feel like him talking Detroit play as shit. 374 00:18:11,160 --> 00:18:14,480 Speaker 1: It was deeper than that. And I feel that it's 375 00:18:14,560 --> 00:18:17,040 Speaker 1: long at least for heads like us, right hip hop 376 00:18:17,080 --> 00:18:19,160 Speaker 1: has that break down the bars that love the lyrics, 377 00:18:19,480 --> 00:18:24,040 Speaker 1: love everything about hip hop. He'll have a longevity with us, 378 00:18:24,520 --> 00:18:26,679 Speaker 1: you know what I'm saying. I think he's comfortable. He 379 00:18:26,760 --> 00:18:29,440 Speaker 1: knows what his lane is, and I think as long 380 00:18:29,480 --> 00:18:32,240 Speaker 1: as he continues to do that and become a better 381 00:18:32,359 --> 00:18:36,720 Speaker 1: MC with every project the way that I excuse me, 382 00:18:36,920 --> 00:18:38,840 Speaker 1: the way I feel that he has done, and then 383 00:18:38,880 --> 00:18:40,800 Speaker 1: I feel like this is the best one I've heard 384 00:18:40,840 --> 00:18:44,200 Speaker 1: so far, bruh. Like, I do think he has definitely 385 00:18:44,560 --> 00:18:47,480 Speaker 1: a runway, you know, But I think with him it 386 00:18:47,520 --> 00:18:49,640 Speaker 1: has to be about the lyrics. It has to be 387 00:18:49,640 --> 00:18:53,560 Speaker 1: because the sound is unique. But that's only going to 388 00:18:53,600 --> 00:18:56,040 Speaker 1: take you so far. That's only going to last for 389 00:18:56,080 --> 00:18:58,679 Speaker 1: a project or two or some features. How do you 390 00:18:59,000 --> 00:19:02,480 Speaker 1: have longevity? I think this is the formula I think. 391 00:19:02,720 --> 00:19:05,000 Speaker 1: I think for his style, it would be better to 392 00:19:05,720 --> 00:19:08,960 Speaker 1: do more projects with one producer so they can lock in. 393 00:19:09,400 --> 00:19:12,840 Speaker 1: I think getting deeper on the messaging the way he 394 00:19:12,880 --> 00:19:15,359 Speaker 1: did on here Bro, Like he gave niggas life bars 395 00:19:15,400 --> 00:19:19,120 Speaker 1: on here Bro. Mm hmm. He gave you some stuff 396 00:19:19,280 --> 00:19:21,320 Speaker 1: that you need to apply to your life right now. 397 00:19:21,760 --> 00:19:28,040 Speaker 5: Yeah, he always do yeah, yeah, no, he dope bro like, 398 00:19:28,040 --> 00:19:30,919 Speaker 5: Like I definitely think with bars like he's doing. 399 00:19:31,359 --> 00:19:35,600 Speaker 1: Yeah. I think people are. 400 00:19:33,000 --> 00:19:36,600 Speaker 5: Uh gravitated to him, Like like I said, if you 401 00:19:36,800 --> 00:19:40,360 Speaker 5: have like it's so many mcs where you're like, oh yeah, 402 00:19:40,400 --> 00:19:42,280 Speaker 5: you know, like Freeway, you had to get used to 403 00:19:42,320 --> 00:19:44,359 Speaker 5: his voice, Like it's just it's a lot of different 404 00:19:44,400 --> 00:19:47,360 Speaker 5: things or different artists where you had to get ship 405 00:19:47,480 --> 00:19:50,760 Speaker 5: even Wayne Man, Wayne like had to kind of get 406 00:19:50,840 --> 00:19:53,679 Speaker 5: used to his voice. Like it's just long as the 407 00:19:53,680 --> 00:19:56,040 Speaker 5: bars are there, as long as the as long as 408 00:19:56,080 --> 00:20:02,080 Speaker 5: the the tension is there, the the homework is there 409 00:20:02,080 --> 00:20:04,440 Speaker 5: because like I said, man, this man said, he that's 410 00:20:04,480 --> 00:20:07,840 Speaker 5: what he does. He writes all day, like all day 411 00:20:07,920 --> 00:20:10,760 Speaker 5: just thinking of different punchlines like and you could tell 412 00:20:10,840 --> 00:20:13,880 Speaker 5: and now you're taking those punchlines and and now you're 413 00:20:14,000 --> 00:20:20,560 Speaker 5: you're you're extending the metaphors like that's that's what's that's 414 00:20:20,600 --> 00:20:23,600 Speaker 5: what that's what's gonna keep the longevity. Like you not 415 00:20:23,760 --> 00:20:26,959 Speaker 5: just writing the punchlines. You're you're you're connecting these punchlines 416 00:20:26,960 --> 00:20:30,040 Speaker 5: now and now you're extending it to a metaphor double entireus. 417 00:20:30,720 --> 00:20:33,440 Speaker 1: Bro, people gonna pay attention to that ship. People don't 418 00:20:33,440 --> 00:20:35,639 Speaker 1: pay attention to that ship. And then you got you 419 00:20:35,720 --> 00:20:39,800 Speaker 1: got platforms like to be talking on social media like 420 00:20:39,800 --> 00:20:42,600 Speaker 1: like like those are the dots that you know in 421 00:20:42,640 --> 00:20:46,439 Speaker 1: this new world of marketing yourself as as a hip 422 00:20:46,480 --> 00:20:49,040 Speaker 1: hop artist that you have to have like you and 423 00:20:49,560 --> 00:20:51,320 Speaker 1: you know be I don't know if you have the 424 00:20:51,320 --> 00:20:53,679 Speaker 1: tweet pulled up like did it go viral or you 425 00:20:53,680 --> 00:20:55,159 Speaker 1: know what I'm saying, like, I don't know if it 426 00:20:55,240 --> 00:20:57,679 Speaker 1: went viral. I just it just came across. I just 427 00:20:57,720 --> 00:21:00,320 Speaker 1: saw it and I was like, that's funny. Yeah. Yeah, 428 00:21:00,520 --> 00:21:03,200 Speaker 1: but you know, like like having moments like that can 429 00:21:03,560 --> 00:21:06,080 Speaker 1: shows you that he's on the right path. So it's 430 00:21:06,080 --> 00:21:09,160 Speaker 1: not like y'all, y'all niggas ready for these grades. That's 431 00:21:09,200 --> 00:21:15,920 Speaker 1: what sounds like. Sounds like also if this is if 432 00:21:15,920 --> 00:21:19,600 Speaker 1: this is your first time here, we grade the flow, 433 00:21:19,680 --> 00:21:23,240 Speaker 1: the lyrics, the production, the features, the execution, the replay 434 00:21:23,320 --> 00:21:28,080 Speaker 1: value in the overall, I will start with flow. 435 00:21:28,320 --> 00:21:31,520 Speaker 5: I'm at a B plus same no matter B plus. 436 00:21:31,720 --> 00:21:34,240 Speaker 5: That's the crazy part. I think the flow could get better, 437 00:21:34,359 --> 00:21:37,600 Speaker 5: like like he's been perfecting it, but I see it 438 00:21:37,640 --> 00:21:39,000 Speaker 5: even getting even better. 439 00:21:39,040 --> 00:21:39,600 Speaker 1: Man for real. 440 00:21:41,840 --> 00:21:44,000 Speaker 3: Yeah, I'm at a B plus as well on the flow. 441 00:21:47,960 --> 00:21:54,480 Speaker 2: Ship I got, bro, it's not bad flow for the 442 00:21:54,560 --> 00:21:59,200 Speaker 2: lyrics can lyrics. He got a lot of lines bro 443 00:21:59,400 --> 00:22:01,680 Speaker 2: that when I listen to it, just it just stick 444 00:22:01,760 --> 00:22:02,000 Speaker 2: with me. 445 00:22:03,040 --> 00:22:03,440 Speaker 1: I can't. 446 00:22:03,480 --> 00:22:04,360 Speaker 2: I can't rob him. 447 00:22:04,440 --> 00:22:07,159 Speaker 3: Hey, I'm at a minus. I met an on that 448 00:22:07,920 --> 00:22:08,639 Speaker 3: on his lyrics. 449 00:22:08,640 --> 00:22:10,400 Speaker 4: Man, he always gonna bring it with the lyrics, bro, 450 00:22:11,000 --> 00:22:13,960 Speaker 4: a minus man, Like. 451 00:22:15,800 --> 00:22:18,639 Speaker 1: It is what it is like, this nigga got lyrics. 452 00:22:20,119 --> 00:22:21,240 Speaker 1: He is crazy. 453 00:22:21,440 --> 00:22:23,280 Speaker 4: Like if you if you get past, if you get 454 00:22:23,320 --> 00:22:26,399 Speaker 4: past his delivery man, Yeah, he got lyrics bro. 455 00:22:26,600 --> 00:22:30,040 Speaker 1: The lyrics are there, no doubt. Look y'all say y'all 456 00:22:30,040 --> 00:22:31,760 Speaker 1: didn't want to take nothing from him, but gave him 457 00:22:31,760 --> 00:22:34,159 Speaker 1: the minus. But I'm getting that man of a what'll 458 00:22:35,440 --> 00:22:36,640 Speaker 1: I feel? Lyrics? 459 00:22:36,920 --> 00:22:39,000 Speaker 5: Hey, I just think that could be better, you know 460 00:22:39,040 --> 00:22:40,840 Speaker 5: what I'm saying. I see, I see the growth. I'm 461 00:22:40,840 --> 00:22:42,880 Speaker 5: trying to give him room to grow. Like that's why 462 00:22:42,880 --> 00:22:45,520 Speaker 5: I gave him a minus. But he's still in the 463 00:22:45,600 --> 00:22:47,880 Speaker 5: A though I'm grading this project. 464 00:22:48,040 --> 00:22:50,160 Speaker 1: I don't care about no future project that that's still 465 00:22:50,160 --> 00:22:52,520 Speaker 1: in his head or on a hard drive. Like I'm 466 00:22:52,520 --> 00:22:55,960 Speaker 1: grading this project. The lyrics are on this project. Production 467 00:22:57,000 --> 00:22:59,880 Speaker 1: Harry Froud put his foot in the gumbo and left 468 00:22:59,880 --> 00:23:02,119 Speaker 1: a couple to nails. I know that's a nasty analogy, 469 00:23:02,320 --> 00:23:04,280 Speaker 1: but that's how nasty this production was. I'm at at 470 00:23:04,320 --> 00:23:08,080 Speaker 1: a Yeah, I'm at a as well. Man. 471 00:23:08,080 --> 00:23:10,760 Speaker 5: He gave him perfect production on this, He gave him 472 00:23:10,800 --> 00:23:14,200 Speaker 5: perfect production. He floated on this shit over that Harry 473 00:23:14,200 --> 00:23:14,879 Speaker 5: Fraud production. 474 00:23:16,880 --> 00:23:19,359 Speaker 1: I will say, I think this is the best Harry 475 00:23:19,440 --> 00:23:23,199 Speaker 1: Fraud produced project in twenty twenty five. You can go 476 00:23:23,320 --> 00:23:23,600 Speaker 1: now be. 477 00:23:24,160 --> 00:23:25,199 Speaker 3: Oh okay, yeah, I give it. 478 00:23:25,200 --> 00:23:25,720 Speaker 1: I give it a B. 479 00:23:26,440 --> 00:23:29,040 Speaker 2: I'm a little bit higher than you. B. I'm at 480 00:23:29,040 --> 00:23:34,720 Speaker 2: a B plus for the features, I'm at a B 481 00:23:34,800 --> 00:23:36,479 Speaker 2: plus features. 482 00:23:36,480 --> 00:23:38,520 Speaker 1: I'm at a B yeah, features, I'm in a B 483 00:23:38,600 --> 00:23:43,680 Speaker 1: plus features. I'm atter B plus as well. Execution no 484 00:23:43,800 --> 00:23:47,600 Speaker 1: matter A minus, same A minus, same reason. 485 00:23:47,760 --> 00:23:49,800 Speaker 5: I think he can even make a better project than this, 486 00:23:49,920 --> 00:23:50,680 Speaker 5: which is crazy. 487 00:23:50,800 --> 00:23:53,119 Speaker 1: I think he can even get better. So A minus 488 00:23:53,160 --> 00:23:55,879 Speaker 1: is run for improval B plus. 489 00:23:55,600 --> 00:24:00,120 Speaker 2: For me, same for me, B I gotta be plus. 490 00:24:00,400 --> 00:24:01,880 Speaker 1: Uh for replay. 491 00:24:01,480 --> 00:24:04,640 Speaker 2: Value, I am at an A minus. 492 00:24:04,680 --> 00:24:07,680 Speaker 1: I can let this thing just roll bro repeat. 493 00:24:09,480 --> 00:24:10,840 Speaker 3: Replay for me is B plus. 494 00:24:13,119 --> 00:24:18,040 Speaker 1: Replay for me is b mm hmm. Replay for me 495 00:24:18,080 --> 00:24:21,840 Speaker 1: is A minus. Replay for me is A minus. And 496 00:24:23,440 --> 00:24:25,960 Speaker 1: overalls and a minus. When I look at my report card, 497 00:24:26,040 --> 00:24:30,240 Speaker 1: T B pluses two a's to A minuses. The B 498 00:24:30,280 --> 00:24:32,360 Speaker 1: plus is takes away from the a's, the A minuses 499 00:24:32,400 --> 00:24:36,879 Speaker 1: stay true A minus. Overall cool. 500 00:24:37,760 --> 00:24:40,280 Speaker 5: Yeah, I'm at a B plus and like when I 501 00:24:40,280 --> 00:24:43,560 Speaker 5: look at mine, the replay value is what brought it 502 00:24:43,600 --> 00:24:47,440 Speaker 5: down to a B plus for me, still getting used 503 00:24:47,480 --> 00:24:50,960 Speaker 5: to him, but like going being able to dive into 504 00:24:51,080 --> 00:24:55,120 Speaker 5: him with this project, I am like becoming a fan. 505 00:24:57,520 --> 00:25:02,679 Speaker 2: My overalls a B plus mm hmm uh be uh 506 00:25:02,920 --> 00:25:06,359 Speaker 2: and team. I'm at an A minus for this one. 507 00:25:06,800 --> 00:25:09,320 Speaker 2: You know, it's it's interesting. I was actually thinking when 508 00:25:09,359 --> 00:25:11,400 Speaker 2: I saw this, I would love to know how many 509 00:25:11,520 --> 00:25:15,880 Speaker 2: albums I've actually given age. But uh, but Bruises Wolf 510 00:25:15,920 --> 00:25:16,879 Speaker 2: got one minus. 511 00:25:16,920 --> 00:25:21,800 Speaker 1: Man, Yeah, I know I'm projected for you know how 512 00:25:21,840 --> 00:25:25,679 Speaker 1: your boy does? Is this in consideration? It doesn't have 513 00:25:25,720 --> 00:25:28,399 Speaker 1: to be solidified, so it's in consideration for top ten 514 00:25:28,440 --> 00:25:33,480 Speaker 1: of the year for me consideration? Yeah? Okay, yeah, me too, 515 00:25:34,080 --> 00:25:36,560 Speaker 1: me too. I don't know where it's gonna land yet. 516 00:25:36,960 --> 00:25:38,320 Speaker 1: I got to sit with it a little bit more. 517 00:25:38,320 --> 00:25:40,240 Speaker 1: We got a couple more months before the years out, 518 00:25:40,560 --> 00:25:42,560 Speaker 1: before we do the end of the year joint. 519 00:25:43,160 --> 00:25:46,120 Speaker 4: Probably I would probably slightly put pot. Look, I think 520 00:25:46,119 --> 00:25:48,600 Speaker 4: that would be more considered than this one. The one 521 00:25:48,640 --> 00:25:50,160 Speaker 4: he released he released earlier in May. 522 00:25:52,440 --> 00:25:53,760 Speaker 3: I've been I've been playing that one a lot. 523 00:25:53,960 --> 00:25:55,919 Speaker 4: I mean, well, this just came out, but you know, 524 00:25:56,440 --> 00:25:58,640 Speaker 4: so I have to give it this some more time, 525 00:25:58,720 --> 00:26:00,560 Speaker 4: but I think I will still put I look over this. 526 00:26:01,600 --> 00:26:06,120 Speaker 1: I had to pick the project, that's what's up. Well, look, 527 00:26:06,240 --> 00:26:10,320 Speaker 1: let us know, man, you mess with Bruiser Wolf, Bruiser Brigade, 528 00:26:10,880 --> 00:26:13,480 Speaker 1: y'all like this project. Let us know how you feel 529 00:26:13,960 --> 00:26:16,000 Speaker 1: with the grades in the common section. You already know 530 00:26:16,200 --> 00:26:19,000 Speaker 1: the conversation after the conversation is in the common section. 531 00:26:19,240 --> 00:26:20,800 Speaker 1: So let us know what you thought of the flow, 532 00:26:20,840 --> 00:26:24,200 Speaker 1: the lyrics, the production, the features, the execution of replay. 533 00:26:24,280 --> 00:26:27,240 Speaker 1: Value your overall and we'll catch you on the next one. 534 00:26:27,280 --> 00:26:28,840 Speaker 1: We out peace, Peace,