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Speaker 1: We're alive, all right, Cool, cool, cool, It's good. Everybody. Welcome,

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Speaker 1: Welcome to another Dead and Hip Hop Live.

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Speaker 2: I know it's it's early and then you're used to

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Speaker 2: some'mma give y'all a little bit of time to get in.

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Speaker 1: Sorry, we haven't been able to make it the last

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Speaker 1: the last shoot, I did have some stuff I had

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Speaker 1: to do out of town. So but I am back,

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Speaker 1: you know what I'm saying, and ready to talk this

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Speaker 1: hip hop stuff. If y'all don't know, I'm your host,

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Speaker 1: Rod aka Modest Media. Also got seven here with me.

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Speaker 1: It's good, bro, Bro. Also Kenneth be in. What's up? Brother?

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Speaker 3: Oh?

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Speaker 1: Good to see y'all.

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Speaker 2: Yeah, man, good to see y'all boys again. Man, I

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Speaker 2: hope people are starting to roll in. Tonight, man, we're

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Speaker 2: gonna do something a little different. You know, it wasn't

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Speaker 2: a lot of news happening right now, and the news

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Speaker 2: that I saw that was happening was real gossipy and

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Speaker 2: just kind of.

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Speaker 1: Not stuff that we normally talk about. So it just

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Speaker 1: I didn't think it would be that engaging personally. And

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Speaker 1: I know sometimes we just do super chat shows. But tonight, man,

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Speaker 1: we decided to do a Denning hip Hop Live podcast.

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Speaker 2: As we've been kind of telling y'all here and there,

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Speaker 2: we have started doing an official Deading hip Hop podcast,

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Speaker 2: So we decided to do it live to give y'all

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Speaker 2: a taste of.

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Speaker 1: That and what and how and how it goes. Just

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Speaker 1: in case you haven't peaked it yet.

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Speaker 2: Ken, you're saying that the podcasts aren't actually live where

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Speaker 2: we can get your podcast right now?

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Speaker 3: Yeah, yeah, yeah, yeah.

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Speaker 4: So the pilot episode that the patrons got, they've had

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Speaker 4: it for a minute now, I think all the way

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Speaker 4: back to like January February. That one is up, and

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Speaker 4: I have the other ones loaded and ready to be

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Speaker 4: posted as well.

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Speaker 3: I just got to sort out one thing real quick.

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Speaker 4: But outside of that, they'll be on the Deading hip

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Speaker 4: Hop podcast feed along with other stuff that we're doing.

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Speaker 3: So uh yeah, just going to and you.

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Speaker 4: Know, subscribe to that wherever you get your your podcasts,

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Speaker 4: and we're going to keep that updated.

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Speaker 2: Cool cool, and then like yeah, man, we'll release video

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Speaker 2: versions of it here on the channel, and like can said,

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Speaker 2: also on Patreon supporters get it first, so make sure

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Speaker 2: you're a dead in hip Hop Patreon supported Patreon dot

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Speaker 2: com for slash Dead and hip Hop. You will get

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Speaker 2: exclusive access to it before it actually goes up the

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Speaker 2: video version, and then you might get you know, some

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Speaker 2: clips here and there on the actual channel to make

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Speaker 2: sure you subscribe to the.

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Speaker 1: Channel as well. I think members get it to have

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Speaker 1: access to it as well.

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Speaker 2: But yeah, man, as always, even though we're going to

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Speaker 2: do a podcast show, super chests are open, So if

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Speaker 2: you want to send us some super chests, definitely send

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Speaker 2: those in be questioning statement and superstickers or just.

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Speaker 1: Just support man, whatever you whatever you want to sit in.

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Speaker 2: It's definitely helpful to the channel as we continue to

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Speaker 2: work through all the things all dead end.

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Speaker 1: So without further ado, I'm going to hand it over to.

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Speaker 2: Ken to let y'all know what the podcast will consist

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Speaker 2: of tonight, and then we're gonna get into it.

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Speaker 4: All right, what up y'all, just with real quick rundown,

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Speaker 4: so you know it's it's broken up into sections. So

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Speaker 4: we start with the hip hop man, and then we

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Speaker 4: do uh if the Old School.

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Speaker 3: Didn't pave away, which is actually going to come from Twitter.

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Speaker 4: It's uh so it's an interesting one that kind of

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Speaker 4: just fell in in our lap today.

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Speaker 3: And then uh, you use.

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Speaker 5: The wrong word. It was dusty, dusty as hell. I

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Speaker 5: had to do this on my phone line.

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Speaker 3: I'm just saying, man, the people no, no, man.

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Speaker 4: So I uh, I thought it was interesting when uh,

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Speaker 4: and I'm gonna shout him out.

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Speaker 3: I'm gonna shout him out when we actually do it.

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Speaker 4: But uh but yeah, when when when he when he

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Speaker 4: sent it to me, I was like, you know what,

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Speaker 4: we can do this on the show.

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Speaker 3: So, mchel so, I thought it'd be fun. Man. That's

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Speaker 3: that's what the pot is about, man, you know.

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Speaker 4: Uh So, yeah, so that one should be entertaining for

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Speaker 4: show and then and then you know, we just close

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Speaker 4: out with our into the streets.

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Speaker 3: And uh and and that's it.

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Speaker 4: So just check in to see what people listening to,

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Speaker 4: who people should check out, et cetera, et cetera. So,

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Speaker 4: but you know, it varies, it depends on the news

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Speaker 4: and it's not a lot of news. Then we just

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Speaker 4: kind of, you know, throw something together and figure out

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Speaker 4: what we're gonna talk about.

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Speaker 3: And you know, so it's really kind of organic.

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Speaker 4: And there are a couple of freestyles that I put

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Speaker 4: on here as well that I saw floating on Twitter

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Speaker 4: that we're going to react to so and that's not,

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Speaker 4: you know, something that we normally do in the pot,

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Speaker 4: but nothing.

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Speaker 3: Is really off limits.

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Speaker 4: So I hope you guys enjoyed the show and we

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Speaker 4: are going to kick things off with our hip hot minute.

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Speaker 3: So last week Rob Fifa and I we.

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Speaker 4: Reacted to the Cameron interview that he did live on

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Speaker 4: the channel, So we kind of went through really the

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Speaker 4: juicy stuff, the main stuff that people wanted to know about.

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Speaker 4: So I don't know if you had a chance to

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Speaker 4: really catch up with that at all.

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Speaker 3: But he's still on press tour and he's.

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Speaker 4: Still dropping more and more bombshells and more and more news.

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Speaker 4: So most recently he was on Lost in Vegas. Have

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Speaker 4: you kept up with any of that stuff.

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Speaker 1: I've seen some of it, and I've seen I've also

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Speaker 1: seen just stuff like floating around. I see a lot of.

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Speaker 2: People joking about it as well. So yeah, I've actually

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Speaker 2: been seeing that. Somebody hitting me up personally was just like, yo,

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Speaker 2: he made it to this podcast, why you're not on

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Speaker 2: y'alls or whatever?

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Speaker 1: And yeah, but I think it probably is the Lost

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Speaker 1: in Vegas podcast.

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Speaker 3: I think it might be, yeah, Lost in Vegas.

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Speaker 1: Yeah, it was just like, what is going on, Like,

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Speaker 1: you know, man, Jay come probably scared to come on

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Speaker 1: that in hip hop, bro. I think I think he scared.

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Speaker 5: Probably, Yo. Did you see what Joe Budden was saying?

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Speaker 3: Uh huh man.

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Speaker 5: Joe Buddy was like, look, man, I don't believe this guy.

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Speaker 5: He's like, first he tell you he felt like this

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Speaker 5: when this happened, then that, then he changed this, that

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Speaker 5: and the third. Obviously I'm paraphrasing, but he's like, come on, bro,

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Speaker 5: I don't trust the guy that that that has these

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Speaker 5: type of emotional swings and ships. So he's like, I

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Speaker 5: don't believe mene not a word.

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Speaker 4: I don't know about that, but I mean, MiG, you

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Speaker 4: have emotional swings, you know. Yeah, I don't know about that.

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Speaker 4: When it depends on what specifically he was referring to,

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Speaker 4: but I could easily see.

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Speaker 3: Going through his exactly what he described on that on

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Speaker 3: that interview.

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Speaker 1: Yeah, I mean I feel like Joe Budden's had those

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Speaker 1: kind of swings himself, like.

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Speaker 4: He has you know, the series dedicated to it's called

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Speaker 4: Moose Music. Yeah, so no, so he's he hasn't been

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Speaker 4: on is he going on Joe Budden? He hasn't been

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Speaker 4: on Joe but nah one is he gonna go on there?

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Speaker 4: He has to go on button Bro.

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Speaker 3: He comes off very.

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Speaker 5: You want to just play it?

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Speaker 3: I guess I hear it too. All right, Bell, let

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Speaker 3: me turn it out.

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Speaker 1: He comes off very disingenuous.

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Speaker 3: Do you think so?

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Speaker 5: Really? Yes?

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Speaker 6: How so I don't almost be cool? And I kind

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Speaker 6: of understand why I just don't be doing interviews and

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Speaker 6: get the talking. I don't believe. I don't believe nothing,

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Speaker 6: he said.

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Speaker 1: He just comes off to.

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Speaker 3: Screen authentic.

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Speaker 5: He got too much of a story for each each.

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Speaker 6: It was too many times during that interview where he said, well,

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Speaker 6: at first I felt like this, and then I felt

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Speaker 6: like this nobody.

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Speaker 1: He said that when it came to I.

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Speaker 6: Whole decided to market them early in his career, to

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Speaker 6: Howhole decided to separate or do the deal whatever, he

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Speaker 6: said it. When it came to the cam suing him,

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Speaker 6: he said it, when it came to the Kendrick this,

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Speaker 6: he said it. When it came to his features that

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Speaker 6: were supposed.

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Speaker 1: To be both, He's just too many times he was like,

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Speaker 1: you know.

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Speaker 6: At first it was this first the at first kid bro,

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Speaker 6: a first camp.

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Speaker 5: I was like, man, you suing in this?

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Speaker 6: But then and then it always lands, and I don't

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Speaker 6: believe none of them.

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Speaker 1: He h.

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Speaker 3: I believe it, man.

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Speaker 4: I understand where Joe's coming from because it is a

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Speaker 4: rollercoaster of emotions and the way that he's telling the story.

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Speaker 3: But I believe him. Like I can see Cole.

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Speaker 4: Definitely feeling one way and then talking to some people

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Speaker 4: or sleeping on it be like, oh man, maybe I

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Speaker 4: jumped the gun on that one.

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Speaker 1: I mean, he did it in real time, and I

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Speaker 1: know that's a part of the rundown I mean of

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Speaker 1: the hip hop minute, But yeah, he literally did it

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Speaker 1: in real time. He made he didn't.

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Speaker 2: Want to do or did this record, he felt pressure,

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Speaker 2: he did it, and then he took it down because

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Speaker 2: he felt bad.

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Speaker 1: Like he literally did it in real time.

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Speaker 2: So I think it's his true emotions, and I think

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Speaker 2: he acts on his emotions at the time, which is fine,

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Speaker 2: you know what I'm saying. Even Pop did it, Pocket

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Speaker 2: did it and admitted it. Like you know, he's a

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Speaker 2: man of contradictions. We all are, you know what I'm saying.

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Speaker 2: So I don't think it's anything wrong with that, you

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Speaker 2: know what I'm saying. I feel like that is you know,

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Speaker 2: digging him to express his emotions in real time, you know.

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Speaker 4: Yeah, And I think it's good to kind of, you know,

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Speaker 4: hear his side of the story. We no longer can speculate,

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Speaker 4: We no longer can just go by actions, Like now

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Speaker 4: we hear him tell us, you know, what was going

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Speaker 4: on and how he felt, and then I think for

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Speaker 4: you know, it's up to of course us to interpret

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Speaker 4: what we hear. But you know, and Button feels differently

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Speaker 4: now you know he's so he's saying a lot of stuff.

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Speaker 5: Though, I feel I feel where Joe coming from though, right,

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Speaker 5: because it's hard to trust somebody like that. It is

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Speaker 5: because it's like because you're always it's like if somebody

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Speaker 5: sue you, then you're going to like just be cool

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Speaker 5: about it, like after the fact, like just oh yeah,

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Speaker 5: well you know, like you sue me, it's like noah,

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Speaker 5: fuck you nah nah.

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Speaker 4: Based on how the story was, based on how he

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Speaker 4: told the story, like he probably I think he did

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Speaker 4: say he felt some kind of way at first, and

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Speaker 4: then uh, and then he kind of like then he

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Speaker 4: kind of calmed down again and had a different approach,

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Speaker 4: and then I think what he did was now that

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Speaker 4: the album out, he made good and then Cam just

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Speaker 4: dropped the lawsuit, so I think it may have been like, Hey,

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Speaker 4: the album's out, yo, I want to come.

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Speaker 3: Through to do the interview like I said I would.

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Speaker 4: Because he was detailing the whole stories, like you know

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Speaker 4: about him saying he was gonna go to go on

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Speaker 4: the show.

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Speaker 3: It's just the time kept getting put back for one

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Speaker 3: thing or another. So I was surprised by how calm

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Speaker 3: Cameron was.

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Speaker 4: In terms of how the story went down, because he

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Speaker 4: made a whole thing about it too. So but yeah, man,

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Speaker 4: I think once he realized that the album's out, I'm

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Speaker 4: gonna do a press run. I'm going to Cameron. The

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Speaker 4: suit's gonna be dead. It don't even matter. So I

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Speaker 4: get that. I get that. It makes sense to me,

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Speaker 4: but I think ain't to now. I don't remember him

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Speaker 4: saying this about and he said this on seven PM

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Speaker 4: in Brooklyn, that that Drake tried to get Kendrick on

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Speaker 4: the track and Katok wasn't moving fast enough, so Boy

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Speaker 4: wanted to push Drake to call Cole instead, and Cole said,

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Speaker 4: I never looked at that song like it was going to.

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Speaker 3: Be all of us. That's very interesting.

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Speaker 4: Yeah, And my thing when I read that. I'm like,

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Speaker 4: wait a minute. So you were like second, you worked

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Speaker 4: the first choice and you were like all right, cool,

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Speaker 4: you know, sloppy seconds is what they call it, like

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Speaker 4: and you were just cool with that.

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Speaker 3: Like what.

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Speaker 5: That's I'm just saying.

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Speaker 1: It wasn't that he he wasn't that he wanted all

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Speaker 1: both of them. He just he rather so he wanted

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Speaker 1: but he didn't want Ja Cole. J Cole was just

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Speaker 1: a second. Well he wanted all. He wanted it all all.

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Speaker 5: Three No, no, no, no no. He wanted Katok first.

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Speaker 5: Kato was dragging his feet on doing it. So then

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Speaker 5: boy Wonder was like, hey, instead of Katok, just hit

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Speaker 5: up call Co picked up the phone, So yeah, I'll

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Speaker 5: do it. That's how we got first person shooting.

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Speaker 3: Which started all this mess.

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Speaker 4: Yeah, I know, how ironic is that if Katok would

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Speaker 4: have been like, all, I bet I'm gonna do it

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Speaker 4: because we all, everybody watching, everybody know and they should

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Speaker 4: know about now, regardless that they worked together before.

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Speaker 3: So if he would.

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Speaker 4: Have been on the song instead of Call, who knows

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Speaker 4: what could have happened. Now we're getting into like, you know,

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Speaker 4: a bunch of hypotheticals and all kinds of shit. But like,

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Speaker 4: imagine if he was on that song First Person Shooter

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Speaker 4: and he pulled like his own version of control on

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Speaker 4: that joint with Drake on it, that would have been interesting.

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Speaker 4: But yeah, so again I think that, and I guess,

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Speaker 4: you know, and I didn't see the full interview, but

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Speaker 4: Cole being like cool with that, I'm like, dang, you

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Speaker 4: just cool, and him just like, hey man, you know

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Speaker 4: I reached out to Candred. He said, no, always take

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Speaker 4: it too long, by the way, you know, if you

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Speaker 4: want to go up on it since I can't get Kendrick,

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Speaker 4: what up?

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Speaker 3: Yeah, I don't know.

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Speaker 1: It's wow, that's really wild, Like that's wild, Like none

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Speaker 1: of this probably would have happened if that would have happened. Yep, Like, yep,

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Speaker 1: that's kind of that's kind of crazy. That's kind of crazy.

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Speaker 5: Hey man, Hey, that's physics. Though every action has an

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Speaker 5: equal and opposite reaction. So instead of it being collabed

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Speaker 5: and being cool for however much longer, got cold perceived

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Speaker 5: that way boom boom k I did the joint with

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Speaker 5: Future and then.

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Speaker 4: You know, I I would have to see because he

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Speaker 4: also said that that Drake and Kendrick were supposed to

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Speaker 4: be at the Dreamville Fest. That's the type of mess

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Speaker 4: I wanted to see, bro like, he.

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Speaker 3: Wanted to bring both. He wanted to bring both out.

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Speaker 4: Drake knew and agreed, but he pulled out once to

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Speaker 4: be started heating up, telling Cole he didn't want to

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Speaker 4: come down there and put him in that situation on stage,

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Speaker 4: and Cole was like, oh, thank you because he left

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Speaker 4: space for him to do what he was supposed to do,

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Speaker 4: which was apologized.

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Speaker 3: So again like.

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Speaker 4: What if, like we like Marvel, now, what if they

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Speaker 4: both were there? Who like, what if the cruise interacted?

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Speaker 3: Who knows? Shit could have went crazy? Cole probably never

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Speaker 3: would have.

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Speaker 4: And the fact that he even not that I think

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Speaker 4: about it even more, like the fact that all of

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Speaker 4: this was going on and you still after dropping the

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Speaker 4: disc track and taking it down or whatever, it was like, Hey,

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Speaker 4: I want to bring Kendrick got here right from my

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Speaker 4: festival after you diss this man?

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Speaker 3: What that's that's crazy. So that would have been interesting.

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Speaker 5: But that's the way Cole was gonna make peace with it,

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Speaker 5: can like, because he wanted to show that they still homies.

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Speaker 5: If he would have did it, that's the that was

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Speaker 5: the reason to think that it would have happened.

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Speaker 3: You don't think, yeah, yeah, no, I do.

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Speaker 4: But I just think it would have been a hell

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Speaker 4: of a thing to happen, especially with our tense things

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Speaker 4: were and how everything was going to have both of

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Speaker 4: them be there, and you're supposed to be like the mediator,

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Speaker 4: the so called man in the middle, you know. So

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Speaker 4: you know, I think that it would have been It

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Speaker 4: would have been a hell of a moment that we

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Speaker 4: could have gotten, you know, for them to be on

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Speaker 4: stage and all this stuff happening. So who knows. But

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Speaker 4: col I here telling all the business. He's telling everything, bro.

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Speaker 5: I mean, he's telling interesting stuff though you're letting his

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Speaker 5: soul crime man.

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Speaker 3: But but one of the most interesting.

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Speaker 1: Now.

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Speaker 2: I'm just trying to figure out what's the reason though,

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Speaker 2: I mean, you already got like sold out tours and

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Speaker 2: stuff like that.

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Speaker 1: I'm just trying to figure out, like, what's the reason

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Speaker 1: for the press run.

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Speaker 5: You gotta get off his chest?

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Speaker 7: Bro?

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Speaker 5: Everybody asking, but.

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Speaker 1: Can he do that at the concerts and the shows.

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Speaker 5: It's better to do it like this, It's better to

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Speaker 5: do it like this.

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Speaker 1: Interesting. I don't know. I just felt like that that

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Speaker 1: type of stuff be adding like heartfelt moments at shows,

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Speaker 1: you know what I mean, And you know.

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Speaker 5: And he's done that, and he's done that, but that

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Speaker 5: so it's not saying that because he's done this, he

349
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Speaker 5: can't still do that, you know what I'm saying, Like,

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Speaker 5: he can still do both. But at the end of

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Speaker 5: the day, it was very strategic and how you did

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Speaker 5: to think about it, bro like, like he even said

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Speaker 5: he had to push the fall off back. So everybody

354
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Speaker 5: that was a very anticipated album dropped it early and

355
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Speaker 5: now he's doing the probomer after. Most people do it before,

356
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Speaker 5: he's doing it after. So he's very strategic at how

357
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Speaker 5: he's moving and like I said, initially, he's letting his

358
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Speaker 5: soul cry. This shit was heavy on his contest, on

359
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Speaker 5: his chest. He's letting it out. He's letting everybody know,

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Speaker 5: these are my reasons for doing what I did. And

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Speaker 5: he's the bipartisan party here, you know, like the it's

362
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Speaker 5: the other two that don't really like each other. I'm

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00:18:35,720 --> 00:18:39,280
Speaker 5: cool with both of them. That's his narrative. He's trying

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Speaker 5: to control his narrative after the album, also explaining parts

365
00:18:43,760 --> 00:18:47,280
Speaker 5: of the album so it's perfect. This is this is

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Speaker 5: a perfect market for Ja Cole. Now I'm not saying

367
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Speaker 5: everybody should do this, but the situation that Jake Cole

368
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Speaker 5: was in, this is the perfect way how to re

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Speaker 5: establish who you are. And think about this. On the

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Speaker 5: after album prom what was one of the first things

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Speaker 5: that dropped from that, Oh ship, I ain't done making albums?

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00:19:04,640 --> 00:19:06,720
Speaker 5: Where that come from? You know what I'm saying. So

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Speaker 5: Jake Cole is just opening himself up for life after

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Speaker 5: the beef, you know what I'm saying. That's what this is.

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Speaker 3: Man.

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Speaker 1: So you're saying, it's all part of the plan.

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00:19:16,480 --> 00:19:19,800
Speaker 5: The revised plan, playing be er C making this ship.

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Speaker 2: What I'm saying, I like when he when he decided

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Speaker 2: to drop the album, you're saying, like, Okay, I'm gonna

380
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Speaker 2: go out there.

381
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Speaker 1: I'm gonna hit the streets in the Honda. You know

382
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Speaker 1: what I'm saying. We were gonna drop all the album. Yea,

383
00:19:32,000 --> 00:19:33,639
Speaker 1: all that was part of the plan. It's all.

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00:19:35,680 --> 00:19:35,920
Speaker 5: Yeah.

385
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Speaker 4: I saw one clip where he said that he be

386
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Speaker 4: lying about being the best rapper.

387
00:19:44,080 --> 00:19:49,760
Speaker 1: Yeah, he said, but but I feel him though with

388
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Speaker 1: hold on hold I feel him, No, No, I feel him.

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Speaker 5: I'm gonna use it in a basketball context, right, I'm

390
00:19:55,000 --> 00:19:57,720
Speaker 5: using in a basketball context, right, man, I just.

391
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Speaker 1: Want to make sure I heard herd the career you did, yeah,

392
00:20:01,600 --> 00:20:03,800
Speaker 1: he said, he be lying about being the best rapper,

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Speaker 1: That's what he said.

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Speaker 5: Yeah. So I got you, right, I got you, I

395
00:20:07,320 --> 00:20:09,919
Speaker 5: got you, I got you, I got you right, I

396
00:20:09,920 --> 00:20:10,199
Speaker 5: got you.

397
00:20:11,680 --> 00:20:12,160
Speaker 3: Go ahead.

398
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Speaker 5: Wow. So look, this is this is Jimmy Butler. Right.

399
00:20:17,720 --> 00:20:20,840
Speaker 5: You would say he's a very good player. Yes, he's

400
00:20:20,840 --> 00:20:25,199
Speaker 5: not top five, top three, never has been. Right, Career

401
00:20:25,320 --> 00:20:27,960
Speaker 5: average in the regular seasons like right, eighteen nineteen points

402
00:20:27,960 --> 00:20:32,600
Speaker 5: a game. In the playoffs he averages mid twenties. He

403
00:20:32,680 --> 00:20:35,400
Speaker 5: can't wake up every morning and be like, I'm the

404
00:20:35,400 --> 00:20:40,280
Speaker 5: greatest nigga alive. He knows he's not Lebron out here,

405
00:20:40,400 --> 00:20:45,480
Speaker 5: KD out here, Steph out here. But I have to

406
00:20:45,520 --> 00:20:48,240
Speaker 5: believe I am when I'm on this court, and because

407
00:20:48,240 --> 00:20:50,920
Speaker 5: of that belief, I made it to two NBA finals.

408
00:20:50,960 --> 00:20:55,160
Speaker 5: I ain't war shit, but because of that believe because

409
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Speaker 5: I know I'm not the best, but when we get

410
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Speaker 5: on that court, I'm gonna give it my at all.

411
00:21:00,520 --> 00:21:02,800
Speaker 5: And I know I got more heart than y'all. So

412
00:21:03,000 --> 00:21:05,680
Speaker 5: because of that, I can overcome the talent gap. Right,

413
00:21:06,240 --> 00:21:10,480
Speaker 5: even though I know I belong obviously, but I'm not

414
00:21:10,520 --> 00:21:12,959
Speaker 5: the best nigga out here in the NBA. I'm just

415
00:21:13,000 --> 00:21:16,960
Speaker 5: not you being real with yourself. That's what Cole is saying.

416
00:21:17,400 --> 00:21:21,760
Speaker 5: Is that, huh, but that's not cold though, what do

417
00:21:21,800 --> 00:21:22,920
Speaker 5: you yes it is?

418
00:21:23,400 --> 00:21:27,280
Speaker 1: It's cold cold? Cold is like like we put him

419
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Speaker 1: on him rushmore. What he was talking.

420
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Speaker 5: I understand, I understand because he's nice like that.

421
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Speaker 1: He's it's not even that it's not that he's nice

422
00:21:34,640 --> 00:21:37,800
Speaker 1: like that. I don't think anybody was surpassing the Cole, Drake,

423
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Speaker 1: Kendrick and I last person we put on there.

424
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Speaker 5: Huh, but they're the top three of their era. But

425
00:21:44,560 --> 00:21:46,600
Speaker 5: he said, yo, like you know, there's niggas like black

426
00:21:46,640 --> 00:21:48,680
Speaker 5: Thought out there. You know what I'm saying.

427
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Speaker 1: That's what he's saying.

428
00:21:49,800 --> 00:21:52,040
Speaker 2: He's talking about for us, See he see he down

429
00:21:52,119 --> 00:21:54,600
Speaker 2: playing himself because the thing that that's why we put

430
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Speaker 2: him up there at the top, because he's able to

431
00:21:56,240 --> 00:21:59,439
Speaker 2: do a plethora of things one hundred.

432
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Speaker 5: Jimmy Butler, Jimmy Butler, I don't.

433
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Speaker 1: Think that's Jimmy Butler. But okay, I get what you

434
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Speaker 1: I get what you're trying to say, though you know

435
00:22:08,520 --> 00:22:12,520
Speaker 1: what I'm saying. So I'm not saying he is Jimmy Butler,

436
00:22:12,680 --> 00:22:15,560
Speaker 1: like if we're comparing rappers to basketball players. No, he's

437
00:22:15,600 --> 00:22:18,520
Speaker 1: way beyond Jimmy Butler. You know what I'm saying, Like he's.

438
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Speaker 5: You know, but in terms of the amount of what

439
00:22:21,880 --> 00:22:24,760
Speaker 5: he's saying to try to explain what he what he's meaning,

440
00:22:25,520 --> 00:22:27,760
Speaker 5: the perfect player is Jimmy Butler. I know I'm not

441
00:22:27,760 --> 00:22:29,800
Speaker 5: the best, but I belong. But when I'm out here,

442
00:22:29,840 --> 00:22:32,320
Speaker 5: you can't. I'm gonna talk shit like I am. And

443
00:22:32,400 --> 00:22:35,200
Speaker 5: that's why I made it to two finals. Jimmy Butler,

444
00:22:35,320 --> 00:22:36,200
Speaker 5: that's what he's saying.

445
00:22:36,440 --> 00:22:39,320
Speaker 3: But did you try to clip n I did.

446
00:22:40,400 --> 00:22:43,560
Speaker 5: Let's go run that run that he said, hold on,

447
00:22:43,560 --> 00:22:45,400
Speaker 5: hold on before you go right over here talking about

448
00:22:45,680 --> 00:22:46,520
Speaker 5: that's not him though.

449
00:22:46,520 --> 00:22:47,320
Speaker 3: That shit came out of.

450
00:22:47,280 --> 00:22:49,879
Speaker 5: His own mouth. Fry hesus talking me.

451
00:22:50,320 --> 00:22:51,240
Speaker 1: He being modest.

452
00:22:53,200 --> 00:22:55,680
Speaker 3: He's not you bgro He's not you.

453
00:22:57,960 --> 00:23:02,800
Speaker 1: Make sure I got it, They say, j Collins, bamd.

454
00:23:05,520 --> 00:23:06,560
Speaker 3: Hey, that's another one.

455
00:23:07,000 --> 00:23:07,600
Speaker 5: That's another.

456
00:23:07,680 --> 00:23:08,439
Speaker 3: What go ahead?

457
00:23:08,720 --> 00:23:12,080
Speaker 5: Eighty three? Let go, that's a good one.

458
00:23:14,359 --> 00:23:23,440
Speaker 3: Yeah, this was wild alright, old pause that joint? There

459
00:23:23,440 --> 00:23:23,760
Speaker 3: we go?

460
00:23:25,280 --> 00:23:27,399
Speaker 1: Which one wave? What's wave?

461
00:23:28,760 --> 00:23:32,000
Speaker 3: He on everything that's seven PM in Brooklyn.

462
00:23:34,280 --> 00:23:36,399
Speaker 8: How I say I'm the best on songs? It's like

463
00:23:37,200 --> 00:23:39,359
Speaker 8: how I say I'm the best on songs? It's like,

464
00:23:40,680 --> 00:23:42,199
Speaker 8: ask me in real life, do I think I'm the

465
00:23:42,240 --> 00:23:45,720
Speaker 8: best rapper alive? Do you think it's the best, bro

466
00:23:46,440 --> 00:23:50,159
Speaker 8: It's a nigga name Black Thought that exists. It's a

467
00:23:50,240 --> 00:23:54,840
Speaker 8: nigganame Lupe Fiasco that exists. It's niggas that on any

468
00:23:54,840 --> 00:23:57,080
Speaker 8: given day, even my peers a Drake or Kendrick where

469
00:23:57,080 --> 00:23:59,280
Speaker 8: it's like, yo, I know any given day I can.

470
00:23:59,160 --> 00:24:00,960
Speaker 3: Show it to the studio these niggas eighty.

471
00:24:01,640 --> 00:24:03,080
Speaker 8: But I know they can show up on any day

472
00:24:03,080 --> 00:24:05,440
Speaker 8: in the studio and give me eighty and I might

473
00:24:05,480 --> 00:24:09,439
Speaker 8: only have thirty. Like so if i'm if I'm taking

474
00:24:09,480 --> 00:24:12,480
Speaker 8: on a rap persona like when I'm rapping.

475
00:24:12,560 --> 00:24:14,639
Speaker 3: Of course, that's that's what I like to That's how

476
00:24:14,680 --> 00:24:15,359
Speaker 3: I like to rap.

477
00:24:15,680 --> 00:24:17,840
Speaker 8: And guess what, Sometimes I hit the mark and I

478
00:24:17,920 --> 00:24:19,920
Speaker 8: say shit and I spit a verse that really might

479
00:24:19,960 --> 00:24:22,080
Speaker 8: have you believe in that shit. But if you ask

480
00:24:22,240 --> 00:24:24,640
Speaker 8: me in real life, do I walk around like I'm

481
00:24:24,640 --> 00:24:28,000
Speaker 8: the best rapper alive? No nigga like I'm the best

482
00:24:28,040 --> 00:24:31,560
Speaker 8: ever know but when I put on that motherfucking cape,

483
00:24:32,160 --> 00:24:34,800
Speaker 8: like that's how I try to attack shit and have

484
00:24:34,880 --> 00:24:37,119
Speaker 8: their big things and moments and verses where I'm writing

485
00:24:37,119 --> 00:24:38,960
Speaker 8: this shit and I'm like, I know, nigga not fucking

486
00:24:39,000 --> 00:24:45,359
Speaker 8: with this absolutely, But in reality do I walk around

487
00:24:45,359 --> 00:24:49,040
Speaker 8: this earth like there's no nigga better than me in

488
00:24:49,080 --> 00:24:51,240
Speaker 8: real life? Like I can't get in the studio with

489
00:24:51,280 --> 00:24:54,119
Speaker 8: black thought and he just give me ninety you.

490
00:24:54,160 --> 00:24:54,560
Speaker 1: Know what I mean.

491
00:24:55,280 --> 00:24:57,840
Speaker 8: And I'm sitting there like I got twenty five for

492
00:24:57,920 --> 00:25:02,399
Speaker 8: you or any want to be amazing rappers. But I

493
00:25:02,440 --> 00:25:04,239
Speaker 8: think people hear me say it because they don't know

494
00:25:04,280 --> 00:25:06,200
Speaker 8: me for real. They hear me say it in a

495
00:25:06,280 --> 00:25:08,520
Speaker 8: verse so much when I have on the cape, it sounds.

496
00:25:08,280 --> 00:25:11,680
Speaker 4: Convincing like a man that's right.

497
00:25:12,080 --> 00:25:13,880
Speaker 3: Yeah, so he.

498
00:25:15,320 --> 00:25:21,200
Speaker 1: Take away his mic, take away his mic, Kobe Jordan,

499
00:25:21,240 --> 00:25:23,320
Speaker 1: None of them niggas a never saying nothing like that.

500
00:25:23,720 --> 00:25:27,520
Speaker 3: Yeah, but they also are elite, right.

501
00:25:27,920 --> 00:25:33,840
Speaker 1: But but but but but he he is elite. You

502
00:25:33,880 --> 00:25:35,960
Speaker 1: can name the Loop Page, you can name you can

503
00:25:36,040 --> 00:25:38,320
Speaker 1: name the Black thoughts and all that. But that's what

504
00:25:38,359 --> 00:25:41,360
Speaker 1: I'm saying, and it's totality him as an art as

505
00:25:41,400 --> 00:25:44,720
Speaker 1: a hip hop artist, he's able to do a lot

506
00:25:44,760 --> 00:25:48,320
Speaker 1: of different things. Well, I don't know if a black

507
00:25:48,359 --> 00:25:50,640
Speaker 1: Dot can do the same stuff that Jay Cole can do.

508
00:25:50,840 --> 00:25:53,159
Speaker 1: I don't know if j if Black Doll can make

509
00:25:53,280 --> 00:25:59,600
Speaker 1: hit records the way J Cole can. That's lyricism when

510
00:25:59,600 --> 00:26:00,960
Speaker 1: it comes to to black Dot.

511
00:26:01,119 --> 00:26:03,600
Speaker 5: Huh. They all got different superpowers, right.

512
00:26:05,880 --> 00:26:06,080
Speaker 1: Yeah?

513
00:26:06,119 --> 00:26:10,400
Speaker 5: Yeah, well okay, so look, if we're talking just the

514
00:26:10,560 --> 00:26:13,800
Speaker 5: art of putting words together, right.

515
00:26:13,760 --> 00:26:18,720
Speaker 3: Jaco is not elite? Mm hmm, come bro, come on,

516
00:26:18,880 --> 00:26:19,960
Speaker 3: y'all not about to do this.

517
00:26:21,080 --> 00:26:24,199
Speaker 5: Hold on? Is J Cole elite? Is J Cole that

518
00:26:24,280 --> 00:26:25,280
Speaker 5: putting words together?

519
00:26:26,760 --> 00:26:29,679
Speaker 1: And I think rapper? I think J Cole is an

520
00:26:29,720 --> 00:26:30,479
Speaker 1: elite rapper.

521
00:26:31,160 --> 00:26:31,679
Speaker 3: I think you.

522
00:26:32,000 --> 00:26:34,480
Speaker 1: I think J Cole could wrap alongside anybody.

523
00:26:34,560 --> 00:26:36,359
Speaker 5: Can I do too?

524
00:26:37,680 --> 00:26:38,480
Speaker 1: That's what I'm saying.

525
00:26:38,600 --> 00:26:39,000
Speaker 3: He can.

526
00:26:39,280 --> 00:26:39,840
Speaker 1: He can.

527
00:26:42,920 --> 00:26:45,240
Speaker 3: And not compete and not compete.

528
00:26:45,320 --> 00:26:45,760
Speaker 5: Yes, he can.

529
00:26:45,840 --> 00:26:47,440
Speaker 3: He just on the team.

530
00:26:47,760 --> 00:26:53,360
Speaker 1: Yeah, you're not gonna You're not gonna wash J Cole

531
00:26:53,400 --> 00:26:56,520
Speaker 1: when he's at his best. You're just not gonna wash him.

532
00:26:56,760 --> 00:26:57,800
Speaker 1: You're not gonna wash him.

533
00:26:57,800 --> 00:26:58,920
Speaker 5: He could wrap anybody.

534
00:26:59,280 --> 00:27:02,359
Speaker 2: But but is he But but you know, Kenny Kenny

535
00:27:02,480 --> 00:27:03,800
Speaker 2: out wrapped Black Doll.

536
00:27:04,000 --> 00:27:06,359
Speaker 1: No, he's right with that. He can't out wrap a loupe.

537
00:27:06,600 --> 00:27:11,200
Speaker 1: He can't. But they're not gonna wash him though, they're

538
00:27:11,200 --> 00:27:12,639
Speaker 1: not gonna watch him king. I'm sorry.

539
00:27:12,760 --> 00:27:15,120
Speaker 3: We've had a lot of We've heard a lot of albums.

540
00:27:15,280 --> 00:27:19,320
Speaker 4: I've listened to Jacob's entire discography, mixtapes and everything.

541
00:27:20,640 --> 00:27:23,400
Speaker 3: Don't I don't know he's he's a really good rapper.

542
00:27:24,840 --> 00:27:24,959
Speaker 8: Him.

543
00:27:25,000 --> 00:27:27,600
Speaker 4: Man, what's the seven levels? I don't think he's a

544
00:27:27,680 --> 00:27:29,879
Speaker 4: I don't think he's a seven level rapper. Whatever the

545
00:27:29,960 --> 00:27:30,800
Speaker 4: highest level is.

546
00:27:30,880 --> 00:27:35,320
Speaker 2: Okay, okay, okay, okay, so okay, now now you're starting

547
00:27:35,320 --> 00:27:36,399
Speaker 2: a little bit of debate with that.

548
00:27:37,000 --> 00:27:41,199
Speaker 1: But but then, mmmm, I can't remember where we put him.

549
00:27:41,240 --> 00:27:43,200
Speaker 1: I can't remember where I put him. I don't want to.

550
00:27:43,240 --> 00:27:48,520
Speaker 1: I don't want to. H uh uh What am I

551
00:27:48,560 --> 00:27:51,560
Speaker 1: trying to say? I don't wanna damn what's the what's

552
00:27:51,560 --> 00:27:53,720
Speaker 1: the damn word? I can't right now.

553
00:27:53,760 --> 00:27:57,240
Speaker 5: But look, if we are going to have this conversation,

554
00:27:57,840 --> 00:27:59,720
Speaker 5: I need you to pull up the definitions of these

555
00:27:59,760 --> 00:28:04,440
Speaker 5: level again, because there's no way that we're just gonna win. Yeh,

556
00:28:04,720 --> 00:28:11,240
Speaker 5: because that ship was very particular. I'm just saying it,

557
00:28:11,320 --> 00:28:11,760
Speaker 5: let's do it.

558
00:28:11,880 --> 00:28:15,679
Speaker 1: That I should have it in my notes somewhere. I

559
00:28:15,680 --> 00:28:17,440
Speaker 1: should have it on my not seven level.

560
00:28:19,680 --> 00:28:23,639
Speaker 3: The fact that this is even a debate, it's crazy.

561
00:28:24,720 --> 00:28:27,840
Speaker 1: It's I really will to know where you put him,

562
00:28:27,840 --> 00:28:30,320
Speaker 1: because I know he did that, did that that thing.

563
00:28:31,800 --> 00:28:32,119
Speaker 3: Ranking?

564
00:28:33,440 --> 00:28:36,440
Speaker 1: I'm sure it ain't. No way we didn't rank j Cole.

565
00:28:36,520 --> 00:28:41,959
Speaker 1: I can't. Yeah, yeah, yeah, but anyway, man, you know,

566
00:28:42,600 --> 00:28:44,800
Speaker 1: people put them up there for a reason. People people

567
00:28:44,840 --> 00:28:46,040
Speaker 1: said that they are the top three.

568
00:28:45,920 --> 00:28:46,440
Speaker 5: For a reason.

569
00:28:46,960 --> 00:28:49,920
Speaker 1: And it's not just about lyrics, lyrics and rapping the building.

570
00:28:49,920 --> 00:28:51,760
Speaker 1: It's about everything that they're able to bring.

571
00:28:52,640 --> 00:28:53,200
Speaker 5: Mm hmmm.

572
00:28:54,280 --> 00:28:56,320
Speaker 3: As a matter of fact, So here's I found.

573
00:28:56,720 --> 00:29:01,520
Speaker 4: Uh Like the video, the actual original video had him

574
00:29:01,520 --> 00:29:02,320
Speaker 4: at a level six.

575
00:29:03,520 --> 00:29:07,320
Speaker 1: Okay, but the level.

576
00:29:06,480 --> 00:29:09,800
Speaker 4: The goats is once in a generation artists who dominate

577
00:29:09,920 --> 00:29:14,680
Speaker 4: an impact, skill and consistency. The guy that did it

578
00:29:15,400 --> 00:29:20,080
Speaker 4: had him at six, which is artists recognized for exceptional skill,

579
00:29:20,160 --> 00:29:26,920
Speaker 4: complex writing, or massive impact. So he's a level below them, which.

580
00:29:26,840 --> 00:29:30,040
Speaker 5: But wait, hold on, hold on, but once in a generation.

581
00:29:30,240 --> 00:29:33,800
Speaker 5: So you're saying both k Dot and Drake are once

582
00:29:33,800 --> 00:29:36,920
Speaker 5: in a generation and Cole is not based on what

583
00:29:39,680 --> 00:29:41,160
Speaker 5: because if they are, he should be.

584
00:29:43,560 --> 00:29:47,120
Speaker 4: Based on he he hasn't reached their level, Like I

585
00:29:47,400 --> 00:29:51,640
Speaker 4: don't think col I was colder once in a generation artist.

586
00:29:53,320 --> 00:29:56,840
Speaker 1: Look, I'll give him six, I could, I mean seven

587
00:29:56,920 --> 00:29:59,880
Speaker 1: is debatable whatever, but that still doesn't make them just

588
00:30:01,000 --> 00:30:02,600
Speaker 1: that's That's what I'm saying. He could rap with a

589
00:30:02,640 --> 00:30:04,960
Speaker 1: better like anybody on a level since can rap with

590
00:30:05,000 --> 00:30:10,760
Speaker 1: a level seven, I think, yeah, that far. I don't

591
00:30:10,800 --> 00:30:11,400
Speaker 1: think it's that far.

592
00:30:12,520 --> 00:30:16,120
Speaker 4: And I know I introduced the seven levels, but we're

593
00:30:16,200 --> 00:30:20,760
Speaker 4: talking about rapping bro like the art of rapping, Like

594
00:30:21,920 --> 00:30:25,640
Speaker 4: you really think J Cole can rap on Loupe's level.

595
00:30:26,320 --> 00:30:28,440
Speaker 4: Out of all of the ship that you've heard with

596
00:30:28,560 --> 00:30:33,960
Speaker 4: J Cole over these years, think about every single song.

597
00:30:34,880 --> 00:30:36,000
Speaker 4: Where is that evidence?

598
00:30:36,800 --> 00:30:37,520
Speaker 3: What do you mean?

599
00:30:38,160 --> 00:30:42,880
Speaker 1: The verse on the Beby Ship, the verse on Beby Ship,

600
00:30:43,160 --> 00:30:45,040
Speaker 1: the verse with Little Yachty.

601
00:30:45,400 --> 00:30:49,120
Speaker 5: He killed that Clouds. He just dropped Clouds.

602
00:30:49,200 --> 00:30:53,680
Speaker 1: Clouds can talking about moments he Bo?

603
00:30:53,840 --> 00:30:56,880
Speaker 5: What did you talk ed? This is how I know

604
00:30:56,960 --> 00:31:00,640
Speaker 5: you behating sometimes. Man, It's because because Rod is one

605
00:31:00,720 --> 00:31:04,920
Speaker 5: hundred percent right. Look, he's in the tier of S

606
00:31:04,960 --> 00:31:07,440
Speaker 5: class rappers, right, I know you've seen the S class

607
00:31:07,440 --> 00:31:10,280
Speaker 5: and a class B class, all of that shit on YouTube.

608
00:31:10,400 --> 00:31:13,680
Speaker 5: He's an S class rapper, but in the tier of

609
00:31:13,920 --> 00:31:18,360
Speaker 5: S class, he's middle to lower class in the tier

610
00:31:18,440 --> 00:31:22,920
Speaker 5: of s Loope, Black thought. In the tier of rapping

611
00:31:23,080 --> 00:31:27,320
Speaker 5: in the S class their top tier. J co middle

612
00:31:27,320 --> 00:31:28,880
Speaker 5: of that tier, but he could rap with them. Bro,

613
00:31:29,040 --> 00:31:31,280
Speaker 5: what is what is we talking about? So you're saying

614
00:31:31,280 --> 00:31:33,320
Speaker 5: that they just gonna leave JA Cole in the dust.

615
00:31:34,920 --> 00:31:40,360
Speaker 4: Yes, yes, absolutely, that's what I'm saying. Okay, okay, So

616
00:31:40,480 --> 00:31:42,520
Speaker 4: I just gave you three songs where I feel like

617
00:31:42,600 --> 00:31:45,560
Speaker 4: J Cole was god teer rapping. Right, can you give

618
00:31:45,600 --> 00:31:48,920
Speaker 4: me three songs where J Cole was washed as a feature.

619
00:31:50,280 --> 00:31:51,240
Speaker 3: All of them?

620
00:31:54,080 --> 00:32:00,719
Speaker 1: What's the man we're talking about? But it was a

621
00:32:00,760 --> 00:32:01,720
Speaker 1: really good rapper.

622
00:32:01,800 --> 00:32:05,040
Speaker 2: Benny Butch is a very good rapper, and he he

623
00:32:05,600 --> 00:32:06,960
Speaker 2: watched Bennie on his own track.

624
00:32:08,640 --> 00:32:09,080
Speaker 3: Yeah, but.

625
00:32:11,840 --> 00:32:18,040
Speaker 4: Disrespe but listen to but he could compete. He could

626
00:32:18,040 --> 00:32:20,560
Speaker 4: compete with a Bennie. Benny can't compete with a Loop

627
00:32:20,800 --> 00:32:21,400
Speaker 4: or Black thought.

628
00:32:22,120 --> 00:32:23,959
Speaker 5: No, no, no, no, he can't. He can't be there.

629
00:32:25,520 --> 00:32:29,080
Speaker 4: So that's probably appear the only other Uh well, yeah,

630
00:32:30,200 --> 00:32:32,160
Speaker 4: oh I didn't. I didn't get a video of this,

631
00:32:32,280 --> 00:32:33,880
Speaker 4: but I thought this was interesting. I'll see if I

632
00:32:33,880 --> 00:32:38,200
Speaker 4: can uh, share it about what he is said about Jed.

633
00:32:38,240 --> 00:32:40,840
Speaker 4: I know we spent a lot of time on coach.

634
00:32:43,800 --> 00:32:46,560
Speaker 4: Oh my god, this is the pot, y'all, this is

635
00:32:46,560 --> 00:32:48,960
Speaker 4: what happens.

636
00:32:51,840 --> 00:32:52,400
Speaker 3: Let's see.

637
00:32:52,880 --> 00:32:54,920
Speaker 4: I thought this thing was because people really been on

638
00:32:55,080 --> 00:32:56,840
Speaker 4: him about this whole Jed thing.

639
00:32:58,080 --> 00:33:03,840
Speaker 3: Oh, let's see. I wasn't prepared for this one kind

640
00:33:03,880 --> 00:33:04,680
Speaker 3: of freezetule.

641
00:33:07,320 --> 00:33:08,680
Speaker 1: I saw the Jed thing too.

642
00:33:09,800 --> 00:33:16,440
Speaker 3: Okay, I'm playing for the people. Put this on. Sorry, y'all,

643
00:33:16,480 --> 00:33:18,160
Speaker 3: here we really doing that.

644
00:33:18,160 --> 00:33:21,200
Speaker 4: That's that's that's the wrong one. We don't need to

645
00:33:21,200 --> 00:33:27,560
Speaker 4: hear him not believing himself. Uh but no, I love

646
00:33:27,560 --> 00:33:29,280
Speaker 4: this self aware of this though. I think that's dope.

647
00:33:29,680 --> 00:33:32,280
Speaker 4: And so here we go, yeah at this to the

648
00:33:32,280 --> 00:33:36,600
Speaker 4: stage and press play. Oh yeah, the videos play.

649
00:33:38,240 --> 00:33:39,040
Speaker 5: J I d man.

650
00:33:39,480 --> 00:33:42,600
Speaker 9: I feel like, I know it's it's your duty to

651
00:33:42,640 --> 00:33:44,440
Speaker 9: be like, yeah, he's one of the next people up,

652
00:33:44,480 --> 00:33:46,680
Speaker 9: but we really feel like he could be the guy.

653
00:33:47,600 --> 00:33:48,160
Speaker 3: You know what I'm saying.

654
00:33:48,280 --> 00:33:51,760
Speaker 8: Jed is like he has uh, he has the desire

655
00:33:51,920 --> 00:33:54,280
Speaker 8: first of all, the will, you know what I mean,

656
00:33:54,400 --> 00:33:58,560
Speaker 8: The desire and the will and the want to to

657
00:33:58,560 --> 00:34:00,440
Speaker 8: to pass all of us first of you know what

658
00:34:00,480 --> 00:34:03,240
Speaker 8: I mean, Like he got what I had and what

659
00:34:03,440 --> 00:34:06,360
Speaker 8: I'm sure Kendrick had and what Drake had, the high

660
00:34:06,400 --> 00:34:08,160
Speaker 8: bar for himself, you know what I mean. Right, And

661
00:34:08,200 --> 00:34:11,560
Speaker 8: then number two he has the ability to do it.

662
00:34:12,160 --> 00:34:14,360
Speaker 8: But number three more important than all he got. The

663
00:34:14,560 --> 00:34:16,839
Speaker 8: he got the he's willing to do the work. He's

664
00:34:16,840 --> 00:34:19,000
Speaker 8: got the work ethic to do it, you know what

665
00:34:19,000 --> 00:34:21,719
Speaker 8: I mean. He loved his ship. So it's like, absolutely,

666
00:34:22,080 --> 00:34:24,319
Speaker 8: j I d Man. I feel like I.

667
00:34:24,239 --> 00:34:29,760
Speaker 1: Know he only said too he said will twice.

668
00:34:30,840 --> 00:34:44,960
Speaker 3: Oh he said, he talking bro. So it'll be interesting.

669
00:34:45,040 --> 00:34:46,600
Speaker 4: The only thing I got for this to be interesting

670
00:34:46,640 --> 00:34:49,520
Speaker 4: to see if he had, If he says all the

671
00:34:49,560 --> 00:34:52,040
Speaker 4: things and believes all of those things, and I'm not

672
00:34:52,080 --> 00:34:54,000
Speaker 4: one to disagree with him, I think he would know

673
00:34:54,040 --> 00:34:58,160
Speaker 4: about Jid's work, ethic and will more than I because

674
00:34:58,200 --> 00:35:02,520
Speaker 4: he's around him. Then let's see where Chid moves from here.

675
00:35:02,600 --> 00:35:06,279
Speaker 4: People liked the album a lot last last year. I

676
00:35:06,320 --> 00:35:08,440
Speaker 4: wasn't as hound as a lot of people. But you know,

677
00:35:08,600 --> 00:35:11,600
Speaker 4: I'm an anomaly, you know, in that in that whole thing.

678
00:35:11,719 --> 00:35:15,000
Speaker 4: So people messing with him. So now what type of

679
00:35:15,040 --> 00:35:18,239
Speaker 4: support will you put behind him? And that's what I

680
00:35:18,280 --> 00:35:20,879
Speaker 4: want to see, Like, if so are you gonna endorse him?

681
00:35:20,920 --> 00:35:24,240
Speaker 4: Can you get your uh your kindred gone to Baby

682
00:35:24,320 --> 00:35:26,080
Speaker 4: King and and see what happens.

683
00:35:26,120 --> 00:35:29,800
Speaker 3: So, I don't know, we'll see, we'll see.

684
00:35:30,320 --> 00:35:32,719
Speaker 4: And then uh he said Killer Priest is his current

685
00:35:32,760 --> 00:35:35,160
Speaker 4: favorite rapper, which was some rare shit.

686
00:35:35,239 --> 00:35:39,400
Speaker 3: I never thought I would hear so shout out to

687
00:35:39,480 --> 00:35:40,000
Speaker 3: Killer Priest.

688
00:35:40,040 --> 00:35:40,120
Speaker 7: Man.

689
00:35:40,160 --> 00:35:41,279
Speaker 3: I hope them numbers went up.

690
00:35:43,400 --> 00:35:43,920
Speaker 1: They should have.

691
00:35:44,760 --> 00:35:46,040
Speaker 3: Yeah, so you call.

692
00:35:46,000 --> 00:35:49,880
Speaker 4: Him cap can No, absolutely not.

693
00:35:50,239 --> 00:35:53,319
Speaker 3: I look, I believe cod BROLI.

694
00:35:54,480 --> 00:35:58,319
Speaker 4: I believe you don't just randomly pull Killer Priest out

695
00:35:58,320 --> 00:35:58,760
Speaker 4: of nowhere.

696
00:35:58,800 --> 00:36:03,480
Speaker 3: Bro, that's just you don't do that. You don't do that.

697
00:36:05,320 --> 00:36:07,399
Speaker 3: It's the oddest number, it's the oddest name.

698
00:36:07,480 --> 00:36:10,400
Speaker 4: I didn't know who I but I was like, okay,

699
00:36:10,400 --> 00:36:12,719
Speaker 4: who's his favorite rapper? And this niggas that kill a

700
00:36:12,719 --> 00:36:17,399
Speaker 4: prison Like okay, nah that that's that's all facts. And uh,

701
00:36:17,520 --> 00:36:19,640
Speaker 4: any shot a out cannabis and roy so I thought

702
00:36:19,640 --> 00:36:21,640
Speaker 4: that was dope. But yeah, so now I believe on

703
00:36:21,680 --> 00:36:24,799
Speaker 4: that ship. I don't know what it is about that

704
00:36:24,920 --> 00:36:28,560
Speaker 4: song that got him, you know, twisted up, but hey,

705
00:36:28,680 --> 00:36:34,239
Speaker 4: that's just me. A couple of other updates, man, and

706
00:36:34,280 --> 00:36:37,120
Speaker 4: then uh, just on this, it's not a lot here.

707
00:36:37,160 --> 00:36:39,000
Speaker 4: I just wanted to since we've been covering just get

708
00:36:39,040 --> 00:36:42,840
Speaker 4: people an update on the UMG lossuit the pill and

709
00:36:42,880 --> 00:36:46,360
Speaker 4: you guys can chiming if you have anything. UMG responded

710
00:36:46,480 --> 00:36:50,520
Speaker 4: on the twenty seventh with the eighty three page response,

711
00:36:50,560 --> 00:36:59,800
Speaker 4: calling Drake astoundingly hypocritical, noting that he signed Yeah around

712
00:37:03,840 --> 00:37:06,719
Speaker 4: and they said that he signed a twenty twenty two

713
00:37:08,120 --> 00:37:10,720
Speaker 4: petition opposed in the use of rap lyrics as factual

714
00:37:10,760 --> 00:37:14,360
Speaker 4: evidence in criminal cases. Now he wants to opposite standard

715
00:37:14,400 --> 00:37:18,320
Speaker 4: applied to him. And the key quote is that Drake

716
00:37:19,040 --> 00:37:22,359
Speaker 4: seeks the strip words from their contexts and dean them

717
00:37:22,600 --> 00:37:26,640
Speaker 4: actionably defam defamation that is not the law and Dre's

718
00:37:26,719 --> 00:37:31,000
Speaker 4: view would critically undermine a highly creative art form built

719
00:37:31,040 --> 00:37:38,640
Speaker 4: on exaggeration, insult, and wordplay. So yeah, So his replies

720
00:37:38,680 --> 00:37:41,800
Speaker 4: do April seventeenth and the oral arguments may follow.

721
00:37:41,880 --> 00:37:43,440
Speaker 3: So that's what we are with that.

722
00:37:44,200 --> 00:37:47,359
Speaker 1: How do you reply to that? When you were could

723
00:37:47,360 --> 00:37:49,680
Speaker 1: you're trying to switch it to where it benefits you

724
00:37:49,800 --> 00:37:54,960
Speaker 1: now and saves you, Like, that's that's wow.

725
00:37:55,480 --> 00:37:58,200
Speaker 2: So he signed a petition saying that you couldn't use

726
00:37:58,239 --> 00:38:00,120
Speaker 2: the lyrics, and now he's trying to it.

727
00:38:02,440 --> 00:38:04,280
Speaker 1: God, he stay losing.

728
00:38:06,320 --> 00:38:09,200
Speaker 4: Yeah, yeah, that's crazy.

729
00:38:10,200 --> 00:38:13,680
Speaker 1: He stayed losing and they said he got twenty four

730
00:38:13,719 --> 00:38:19,280
Speaker 1: hours to you got.

731
00:38:21,719 --> 00:38:21,879
Speaker 10: Yo.

732
00:38:22,160 --> 00:38:27,520
Speaker 1: You know it's crazy, bro, Like they like, oh oh

733
00:38:27,719 --> 00:38:29,480
Speaker 1: oh what about when you said this?

734
00:38:30,520 --> 00:38:34,200
Speaker 3: God, yeah, what is it?

735
00:38:34,640 --> 00:38:37,040
Speaker 1: I wouldn't think he would have had the best lawyers man,

736
00:38:37,600 --> 00:38:39,759
Speaker 1: somebody like Drake. I would think he would have he

737
00:38:39,800 --> 00:38:41,400
Speaker 1: would have had better lawyers than he does.

738
00:38:44,560 --> 00:38:47,560
Speaker 4: Yes, but I do think they're just this is the

739
00:38:47,600 --> 00:38:53,000
Speaker 4: money graph for them at this point, just raping them. Yeah, yeah,

740
00:38:54,320 --> 00:38:54,960
Speaker 4: that's what I think.

741
00:38:55,160 --> 00:38:57,400
Speaker 1: But we all knew, man, if he was gonna go

742
00:38:57,440 --> 00:38:59,880
Speaker 1: for UMG, they were really gonna comfort him, like like

743
00:39:00,040 --> 00:39:02,759
Speaker 1: he knew. Like, bro, really you shouldn't want to do that.

744
00:39:03,719 --> 00:39:04,200
Speaker 3: Mm hmm.

745
00:39:04,320 --> 00:39:06,520
Speaker 1: You see you want to do that. And they try

746
00:39:06,560 --> 00:39:08,479
Speaker 1: to give him. They try to give him out too.

747
00:39:09,760 --> 00:39:12,919
Speaker 1: They try to tell him to stand down. They try

748
00:39:13,000 --> 00:39:14,120
Speaker 1: to tell him to stand down.

749
00:39:16,520 --> 00:39:20,040
Speaker 3: But you know that's that's how it goes.

750
00:39:20,800 --> 00:39:24,680
Speaker 4: Uh. So in other news, Black Thought and Mack Hommie

751
00:39:24,719 --> 00:39:28,680
Speaker 4: your boy Rod were talking, rapper can can cold rap

752
00:39:28,719 --> 00:39:29,719
Speaker 4: with my COMMI.

753
00:39:33,200 --> 00:39:37,000
Speaker 1: Alright, you can't. I mean, but you know why comedy different?

754
00:39:37,600 --> 00:39:41,200
Speaker 1: Why comedy different that's what I'm saying. But he can

755
00:39:41,280 --> 00:39:43,160
Speaker 1: rap with him though, but he can rap with him,

756
00:39:43,600 --> 00:39:45,440
Speaker 1: he wanted, saying, I don't think he was signed out

757
00:39:45,480 --> 00:39:50,000
Speaker 1: of place with him Makami, but he's gonna eat God

758
00:39:50,880 --> 00:39:52,880
Speaker 1: commedy just different. I'm curious to see what something like

759
00:39:52,920 --> 00:39:56,520
Speaker 1: this sounds like, because even Black Dogs and Mohammie are different.

760
00:39:57,000 --> 00:39:58,960
Speaker 1: You know, I know they don't rich ass hation together,

761
00:40:01,040 --> 00:40:06,279
Speaker 1: but but yeah, I don't know, that's interesting. I like it.

762
00:40:06,760 --> 00:40:08,000
Speaker 1: Who said it was or you?

763
00:40:08,640 --> 00:40:10,479
Speaker 3: Yeah? Yeah, put it in the chat?

764
00:40:11,120 --> 00:40:15,080
Speaker 1: Yeah yeah, no, that's really curious.

765
00:40:15,160 --> 00:40:17,000
Speaker 2: Yeah, because I was like, I wonder how long it

766
00:40:17,040 --> 00:40:20,160
Speaker 2: took them to come to agree on that name and

767
00:40:20,160 --> 00:40:20,640
Speaker 2: not go.

768
00:40:24,000 --> 00:40:24,560
Speaker 3: What was it?

769
00:40:24,680 --> 00:40:25,239
Speaker 4: Uh?

770
00:40:27,000 --> 00:40:36,000
Speaker 1: Mock thought yeah, but yeah, I'm interested. I'm definitely interested,

771
00:40:36,040 --> 00:40:37,400
Speaker 1: and I would have never saw that coming.

772
00:40:39,880 --> 00:40:43,680
Speaker 4: Yeah yeah, ba back thought, Man, he's I like what

773
00:40:43,760 --> 00:40:46,080
Speaker 4: he's doing, but this is gonna be interesting. I'm really uh,

774
00:40:46,920 --> 00:40:48,920
Speaker 4: I'm like you, I'm curious to hear what it sounds like.

775
00:40:49,080 --> 00:40:52,520
Speaker 4: And magoo, I'm gonna put this on screen. He uh.

776
00:40:53,120 --> 00:40:55,759
Speaker 4: He said that Mark in addition to announcing this and

777
00:40:55,760 --> 00:40:57,800
Speaker 4: this and those too, but he said he has a

778
00:40:57,880 --> 00:41:02,200
Speaker 4: rash G produced project coming in all his fanon produced

779
00:41:02,239 --> 00:41:05,319
Speaker 4: project coming in. So he's working in twenty twenty six, bro,

780
00:41:06,160 --> 00:41:09,279
Speaker 4: like he's putting the work and then uh yeah this

781
00:41:09,360 --> 00:41:12,560
Speaker 4: Earl Mike dropping tomorrow night. But yeah, so this is

782
00:41:12,560 --> 00:41:14,759
Speaker 4: gonna be interesting to see what comes out of this

783
00:41:14,800 --> 00:41:17,319
Speaker 4: and what it sounds like. Hopefully, well, you know, and

784
00:41:17,360 --> 00:41:19,279
Speaker 4: I think we'll get it. Unlike what happened with Stove

785
00:41:19,360 --> 00:41:20,359
Speaker 4: got cooked.

786
00:41:20,360 --> 00:41:26,160
Speaker 1: Joy m h that's crazy what happened with the Stove guy.

787
00:41:26,560 --> 00:41:28,000
Speaker 1: So it is dropping.

788
00:41:27,680 --> 00:41:31,279
Speaker 4: Right, No, they're blaming that. They're saying Baby Graham has

789
00:41:31,320 --> 00:41:31,799
Speaker 4: something to.

790
00:41:31,760 --> 00:41:32,160
Speaker 3: Do with it.

791
00:41:33,200 --> 00:41:36,440
Speaker 1: But I thought he came back and posted something saying

792
00:41:36,480 --> 00:41:39,000
Speaker 1: that it is or something like what was that? What

793
00:41:39,080 --> 00:41:40,719
Speaker 1: did he posted afterwards?

794
00:41:41,440 --> 00:41:42,880
Speaker 5: He did post something after.

795
00:41:43,760 --> 00:41:45,319
Speaker 1: Yeah, but I don't know.

796
00:41:45,400 --> 00:41:50,440
Speaker 4: Oh well it was something that he did say something,

797
00:41:50,520 --> 00:41:51,960
Speaker 4: But I don't know.

798
00:41:53,120 --> 00:41:54,840
Speaker 3: I don't know, you know what b put something in

799
00:41:54,960 --> 00:41:55,279
Speaker 3: chat Bro.

800
00:41:55,280 --> 00:41:58,120
Speaker 4: I didn't even look at it, to be honest, But

801
00:41:58,239 --> 00:42:00,680
Speaker 4: all I know is I saw there was suspended definitely,

802
00:42:01,200 --> 00:42:04,200
Speaker 4: So now it's like, what's really going on. It has

803
00:42:04,239 --> 00:42:08,400
Speaker 4: something to do with baby brand, so it'll be interesting.

804
00:42:08,640 --> 00:42:11,799
Speaker 4: So maybe at some point it'll get released, and they

805
00:42:11,880 --> 00:42:15,719
Speaker 4: just wanted to cover themselves with saying that using the

806
00:42:15,719 --> 00:42:16,680
Speaker 4: words indefinitely.

807
00:42:17,280 --> 00:42:19,120
Speaker 3: But it's just.

808
00:42:19,120 --> 00:42:22,480
Speaker 4: Hilarious because everybody was excited thought that joint was on

809
00:42:22,560 --> 00:42:25,360
Speaker 4: the way. They had been promoting it heavy, So I

810
00:42:25,400 --> 00:42:27,560
Speaker 4: don't know, it's just like, how do you fumble the

811
00:42:27,680 --> 00:42:30,840
Speaker 4: bag when you do all this promo and hyping the

812
00:42:30,840 --> 00:42:33,279
Speaker 4: album up and then the day before.

813
00:42:33,040 --> 00:42:34,799
Speaker 11: The day of you'd be like, oh, yeah, by the way,

814
00:42:34,840 --> 00:42:38,359
Speaker 11: yeah it's not coming out, bro, Like so yeah, terrible bro,

815
00:42:39,840 --> 00:42:43,360
Speaker 11: but you know maybe it will anyway.

816
00:42:44,600 --> 00:42:52,240
Speaker 4: So to close out, Uh, we're gonna listen to some freestyles. Man, okay,

817
00:42:53,400 --> 00:43:01,759
Speaker 4: I found uh for Next two Times.

818
00:43:00,040 --> 00:43:01,360
Speaker 3: Will Smith.

819
00:43:03,520 --> 00:43:09,680
Speaker 4: And nope save Ben Riley who freestyled on Bootleg Care.

820
00:43:10,800 --> 00:43:15,840
Speaker 4: So so I haven't listened to any of these, so

821
00:43:16,200 --> 00:43:16,839
Speaker 4: but I saw them.

822
00:43:16,840 --> 00:43:18,000
Speaker 3: I was like, you know what, since we're doing the

823
00:43:18,040 --> 00:43:20,760
Speaker 3: show tonight, why not? Why not?

824
00:43:22,000 --> 00:43:26,000
Speaker 4: So we're we are going to start with the Next

825
00:43:26,080 --> 00:43:31,439
Speaker 4: two Times. And I saw this on at one DJ

826
00:43:31,600 --> 00:43:38,520
Speaker 4: first Class Twitter and he's freestyling over notorious Thugs.

827
00:43:40,760 --> 00:43:43,040
Speaker 1: Oh is this the one? This the one where where

828
00:43:43,160 --> 00:43:48,160
Speaker 1: it where that? How you got into it with them?

829
00:43:48,719 --> 00:43:53,239
Speaker 1: How you got into it with bone them?

830
00:43:53,440 --> 00:43:53,880
Speaker 3: I don't know.

831
00:43:54,400 --> 00:43:55,879
Speaker 1: You remember you remember that that clip.

832
00:43:56,000 --> 00:43:58,399
Speaker 4: I do remember having Yeah, I do remember us having

833
00:43:58,440 --> 00:44:01,759
Speaker 4: a conversation. So that's why I was like, hey, you know, uh,

834
00:44:02,320 --> 00:44:03,640
Speaker 4: because we talked about it before.

835
00:44:04,000 --> 00:44:08,080
Speaker 1: Why not Yeah, because somebody came after him Ford or whatever.

836
00:44:08,120 --> 00:44:10,399
Speaker 1: He thought it was them, but he was like, nah,

837
00:44:10,640 --> 00:44:12,400
Speaker 1: that wasn't us, that was the label.

838
00:44:13,360 --> 00:44:15,400
Speaker 2: So you know what I'm saying. That's when he started

839
00:44:15,400 --> 00:44:22,400
Speaker 2: disrespecting Bone them and then not crazy one. Was it

840
00:44:22,480 --> 00:44:25,560
Speaker 2: Crazy Bone that had came out and said some about

841
00:44:25,640 --> 00:44:26,520
Speaker 2: him like look, and.

842
00:44:26,880 --> 00:44:29,960
Speaker 1: And he got mad about that. It's just like if

843
00:44:29,960 --> 00:44:32,040
Speaker 1: I say something, you shut up or something like that.

844
00:44:33,800 --> 00:44:38,279
Speaker 4: Yeah, yeah, yeah, I remember what you're talking about, but

845
00:44:38,320 --> 00:44:42,200
Speaker 4: I can't remember exactly the details of it. I just

846
00:44:42,239 --> 00:44:45,680
Speaker 4: remember we talked about it before on the show. So

847
00:44:47,520 --> 00:44:50,040
Speaker 4: but anyway, let's let's let's let's see what he does. Man,

848
00:44:52,600 --> 00:44:55,160
Speaker 4: let me yeah, pause this right here?

849
00:44:56,280 --> 00:45:02,279
Speaker 3: All right? There we go, And that's two times.

850
00:45:02,080 --> 00:45:04,319
Speaker 9: Let's see the ship I've been through. You might not

851
00:45:04,440 --> 00:45:06,480
Speaker 9: believe me if I tell you my old head put

852
00:45:06,480 --> 00:45:08,160
Speaker 9: the twelve on me. I ain't got no respect for

853
00:45:08,200 --> 00:45:10,000
Speaker 9: ill this night, I ain't got no respect for nothing.

854
00:45:10,120 --> 00:45:11,520
Speaker 9: Nigga wants some extion and I ain't dunking.

855
00:45:11,640 --> 00:45:12,640
Speaker 3: I'm from minty ten, but.

856
00:45:12,560 --> 00:45:14,680
Speaker 9: I ain't bluffing bust damn cuss, but I ain't cuffing.

857
00:45:15,239 --> 00:45:16,880
Speaker 9: Hop out the lamb truck four they o'clock and no

858
00:45:16,920 --> 00:45:17,759
Speaker 9: where it could jam up.

859
00:45:17,840 --> 00:45:19,360
Speaker 3: I get caught this bitch on my man up to

860
00:45:19,480 --> 00:45:20,880
Speaker 3: a tea and come back on them bands up.

861
00:45:21,400 --> 00:45:23,719
Speaker 9: They want my name on headstone, waking Mama. They gonna

862
00:45:23,719 --> 00:45:25,799
Speaker 9: something bedroom free my little niggas they know all.

863
00:45:25,719 --> 00:45:26,920
Speaker 3: Love me, but I don't want to talk on no

864
00:45:27,040 --> 00:45:27,520
Speaker 3: bed phone.

865
00:45:27,600 --> 00:45:29,480
Speaker 9: I've been through it all the tail, the wall, betrail,

866
00:45:29,520 --> 00:45:31,160
Speaker 9: from dollars right here with all my bim If you

867
00:45:31,280 --> 00:45:33,000
Speaker 9: calling me ask for money when I would lock, you

868
00:45:33,000 --> 00:45:35,040
Speaker 9: blocked all my calls. And I ain't bringing up the past,

869
00:45:35,320 --> 00:45:36,600
Speaker 9: just staying on point for the future.

870
00:45:36,760 --> 00:45:38,400
Speaker 3: That ain't fucking with me. I ain't fucking with them.

871
00:45:38,520 --> 00:45:40,760
Speaker 3: Fuck you may feelish usual. I played at the field,

872
00:45:40,760 --> 00:45:41,400
Speaker 3: I hooshed up.

873
00:45:41,480 --> 00:45:42,920
Speaker 5: I feed them when he fucked up.

874
00:45:43,080 --> 00:45:44,640
Speaker 9: If you think you say just because you got money,

875
00:45:44,640 --> 00:45:46,000
Speaker 9: you wrong, because you can get touched up.

876
00:45:46,080 --> 00:45:48,120
Speaker 3: Y'all come from the projects. I looked up now stepping

877
00:45:48,160 --> 00:45:48,440
Speaker 3: on toe.

878
00:45:48,480 --> 00:45:49,080
Speaker 5: They stuffed up.

879
00:45:49,120 --> 00:45:50,759
Speaker 3: That's so bitch back. They ain't getting bussed up or

880
00:45:50,800 --> 00:45:51,560
Speaker 3: they see this shit coming.

881
00:45:51,600 --> 00:45:52,239
Speaker 5: I snuck up.

882
00:45:52,239 --> 00:45:53,839
Speaker 3: He put it to feed up. You used to ask

883
00:45:53,840 --> 00:45:54,200
Speaker 3: for their help.

884
00:45:54,239 --> 00:45:55,879
Speaker 9: Now they need us by my daddy some pucha.

885
00:45:55,920 --> 00:45:56,440
Speaker 1: He g up.

886
00:45:56,480 --> 00:45:57,400
Speaker 9: I jumped out in the problem.

887
00:45:57,400 --> 00:45:58,200
Speaker 3: I'm feed you up now here.

888
00:45:58,239 --> 00:45:59,840
Speaker 9: The niggas they trapping, they freeze up, come up with

889
00:46:00,040 --> 00:46:00,560
Speaker 9: for them season.

890
00:46:00,520 --> 00:46:01,120
Speaker 5: I'm three you up.

891
00:46:01,120 --> 00:46:02,400
Speaker 9: I had to give me some money, and when got

892
00:46:02,400 --> 00:46:03,960
Speaker 9: me a pack, got it off and right back and read.

893
00:46:04,520 --> 00:46:07,160
Speaker 9: I'm the man with the plan. I was behind it all.

894
00:46:07,480 --> 00:46:09,880
Speaker 9: They screaming federal, federal, fed. But I ain't been behind

895
00:46:09,920 --> 00:46:12,239
Speaker 9: the walls. I never get cocky when I'm getting money,

896
00:46:12,239 --> 00:46:12,799
Speaker 9: because you can.

897
00:46:12,800 --> 00:46:13,399
Speaker 3: Rise and fall.

898
00:46:13,640 --> 00:46:15,680
Speaker 9: She's sucking my dick while we're into Jakuza. Put me

899
00:46:15,719 --> 00:46:17,800
Speaker 9: in a man of jaws. The niggas fake it to

900
00:46:17,840 --> 00:46:20,279
Speaker 9: make it. I really was facing them cases. I really

901
00:46:20,360 --> 00:46:22,840
Speaker 9: was jilling and Mason with no conversation. I'm patiently waiting.

902
00:46:23,040 --> 00:46:25,080
Speaker 9: I'm coming like cracking the eighties. I'm back to the basis.

903
00:46:25,080 --> 00:46:25,960
Speaker 9: Ain't talking, yo, got it?

904
00:46:26,040 --> 00:46:26,279
Speaker 3: Come on?

905
00:46:26,400 --> 00:46:28,239
Speaker 9: I told my nigga, hold on, I'm coming back home.

906
00:46:28,280 --> 00:46:30,680
Speaker 9: He called them a body. They tried to blame a nigga.

907
00:46:31,000 --> 00:46:33,320
Speaker 9: They tried to change a nigga. They painted a picture

908
00:46:33,400 --> 00:46:34,160
Speaker 9: like I was a monster.

909
00:46:34,200 --> 00:46:35,280
Speaker 3: They tried to frame a nigga.

910
00:46:35,560 --> 00:46:38,640
Speaker 9: I really lived on Reford, did nigga tell another nigga story?

911
00:46:38,760 --> 00:46:39,920
Speaker 9: And I put my life on this.

912
00:46:39,960 --> 00:46:46,280
Speaker 3: Quarters hey man for the next two times.

913
00:46:46,400 --> 00:46:46,600
Speaker 5: Right?

914
00:46:49,080 --> 00:46:49,279
Speaker 7: Yeah?

915
00:46:51,080 --> 00:46:54,360
Speaker 4: Yeah, that was that was That was That was pretty

916
00:46:54,400 --> 00:46:57,560
Speaker 4: damn good that that was a Jimmy Butler moment.

917
00:47:02,160 --> 00:47:03,200
Speaker 3: Yeah yeah.

918
00:47:04,600 --> 00:47:08,080
Speaker 5: For this dude. But you know that was nice though.

919
00:47:08,200 --> 00:47:08,840
Speaker 5: That was nice.

920
00:47:09,000 --> 00:47:12,680
Speaker 1: That was Yeah, that's got nice moments. No, no, dude,

921
00:47:12,719 --> 00:47:14,239
Speaker 1: gotta dude got a crazy flow.

922
00:47:15,640 --> 00:47:16,960
Speaker 3: Yeah, no, that was that was dope.

923
00:47:17,120 --> 00:47:22,440
Speaker 4: But look, is this a nice moment because I remember

924
00:47:23,360 --> 00:47:24,239
Speaker 4: you guys.

925
00:47:24,080 --> 00:47:26,000
Speaker 3: Were talking about this and clowning this on.

926
00:47:28,800 --> 00:47:30,800
Speaker 4: I don't think I ever listened to the Will Smith

927
00:47:31,080 --> 00:47:32,600
Speaker 4: freestyle bro from a year ago.

928
00:47:33,200 --> 00:47:36,439
Speaker 1: Oh, the one when he's like doing that ship.

929
00:47:39,760 --> 00:47:40,439
Speaker 5: Go ahead and play.

930
00:47:41,680 --> 00:47:44,319
Speaker 3: Yeah. I don't think the lunch break freestyle is what

931
00:47:44,360 --> 00:47:44,920
Speaker 3: they call it.

932
00:47:46,040 --> 00:47:47,640
Speaker 5: I don't know what the hell the name was.

933
00:47:49,880 --> 00:47:52,640
Speaker 3: I don't think that name don't matter, bro.

934
00:47:52,680 --> 00:47:55,040
Speaker 4: I don't think that where he has the colorful headphones

935
00:47:55,080 --> 00:47:57,480
Speaker 4: on and he's at look like yeah some school. No, Bro,

936
00:47:57,520 --> 00:48:02,000
Speaker 4: I don't think i've ever seen this ship. I don't

937
00:48:02,000 --> 00:48:07,360
Speaker 4: think I have to see it, bro. So that's why.

938
00:48:07,600 --> 00:48:09,200
Speaker 3: So I'm hold on, let me, let me put this

939
00:48:09,239 --> 00:48:09,680
Speaker 3: on screen.

940
00:48:10,480 --> 00:48:10,879
Speaker 1: This is it?

941
00:48:11,160 --> 00:48:12,839
Speaker 3: Hold on? Is this it?

942
00:48:13,400 --> 00:48:13,640
Speaker 6: Yes?

943
00:48:13,760 --> 00:48:16,440
Speaker 1: That's it. Oh my god, bro, I've.

944
00:48:16,239 --> 00:48:17,080
Speaker 3: Never listened to this.

945
00:48:17,160 --> 00:48:17,359
Speaker 1: Bro.

946
00:48:20,280 --> 00:48:22,719
Speaker 3: I was just laughing at y'all because y'all were hilarious.

947
00:48:22,800 --> 00:48:23,000
Speaker 1: Bro.

948
00:48:23,520 --> 00:48:25,000
Speaker 3: You see you see so.

949
00:48:26,560 --> 00:48:28,719
Speaker 1: He got some cringy moments in this boy.

950
00:48:30,200 --> 00:48:32,840
Speaker 4: So yeah, I saw this. I saw this on Twitter today.

951
00:48:32,880 --> 00:48:36,520
Speaker 4: It was on wrap Wikipedia. Uh, they posted it yesterday,

952
00:48:37,200 --> 00:48:39,640
Speaker 4: and I guess this was he did this a year ago.

953
00:48:41,120 --> 00:48:45,000
Speaker 1: So Jordan's triple stupid action stop.

954
00:48:47,560 --> 00:48:50,920
Speaker 4: All right, I gotta so now, I gotta, I gotta

955
00:48:50,960 --> 00:48:51,839
Speaker 4: see this.

956
00:48:53,719 --> 00:49:03,400
Speaker 3: All right, here we go volume ball lem Okay, I

957
00:49:03,520 --> 00:49:06,080
Speaker 3: like that, and y'all.

958
00:49:05,960 --> 00:49:10,840
Speaker 7: Got me a little nervous. I know that I be

959
00:49:10,960 --> 00:49:13,319
Speaker 7: on some other shit. I know that I'm dead for it.

960
00:49:13,640 --> 00:49:16,000
Speaker 7: I be on some y'all don't understand it. I don't

961
00:49:16,040 --> 00:49:18,880
Speaker 7: mentionine it made it to the top of Hollywood without

962
00:49:18,920 --> 00:49:19,680
Speaker 7: a membership.

963
00:49:19,840 --> 00:49:20,800
Speaker 5: Killed them in July.

964
00:49:20,960 --> 00:49:23,480
Speaker 7: Then I switched to my dissemble shit, i'd be your

965
00:49:23,520 --> 00:49:26,359
Speaker 7: becoming shit that y'all be having trouble with. Let them

966
00:49:26,440 --> 00:49:28,840
Speaker 7: run their mouths. I mean really, that's what comes with this.

967
00:49:29,320 --> 00:49:32,000
Speaker 7: They built a wall, but I'm jumping it and loving it.

968
00:49:32,040 --> 00:49:34,000
Speaker 7: They want me to be done with it, but I'm

969
00:49:34,000 --> 00:49:38,280
Speaker 7: still having fun with it, writing songs, writing checks, writing history,

970
00:49:38,880 --> 00:49:42,279
Speaker 7: righting wrongs, but I'm still right Mentally. I go to

971
00:49:42,360 --> 00:49:46,279
Speaker 7: sleep and my ancestors visit me. They surrounded me, gave

972
00:49:46,320 --> 00:49:49,600
Speaker 7: me the vision, vividly, gave me a lion to protect

973
00:49:49,600 --> 00:49:52,520
Speaker 7: me in this industry. Now I just walk and heat

974
00:49:52,600 --> 00:49:55,840
Speaker 7: you through my enemies. Feel like I'm just getting started.

975
00:49:55,880 --> 00:49:59,200
Speaker 7: They tried to finish me. I'm like the universe infinite,

976
00:49:59,200 --> 00:50:03,279
Speaker 7: there's no ending. This is the bounce back.

977
00:50:08,239 --> 00:50:20,640
Speaker 12: You gotta keep going, all right, Okay, we.

978
00:50:22,560 --> 00:50:27,440
Speaker 7: Watch will y'all. This is the bounce back. Here, come

979
00:50:27,520 --> 00:50:30,600
Speaker 7: to bounce back. Get your eyes on him. This is

980
00:50:30,640 --> 00:50:33,480
Speaker 7: the bounce back. With these mics, I feel like I'm

981
00:50:33,520 --> 00:50:38,040
Speaker 7: custom Motto hundred rounds alike, but still boxing my shadow. Yeah,

982
00:50:38,080 --> 00:50:40,719
Speaker 7: I took a knee, never threw in the towel. Though

983
00:50:40,960 --> 00:50:46,399
Speaker 7: hip hop's messy, neymar and Ronaldo do sport on these

984
00:50:46,480 --> 00:50:49,160
Speaker 7: boys out the one damn hear every single aboard on

985
00:50:49,280 --> 00:50:52,360
Speaker 7: these boys, sold out movie theaters and even toys on

986
00:50:52,480 --> 00:50:55,000
Speaker 7: these boys feeling like the mock wipe the.

987
00:50:55,040 --> 00:50:58,839
Speaker 3: Floor with these boys. People ask me how I do it.

988
00:50:59,040 --> 00:51:01,160
Speaker 3: I just bite off more than I can shoo.

989
00:51:01,560 --> 00:51:04,200
Speaker 7: Then I chew it and yeah, y'all, joker start, I

990
00:51:04,239 --> 00:51:05,080
Speaker 7: blew it with it.

991
00:51:05,200 --> 00:51:08,240
Speaker 3: I'll be on some other ship. I know that I'm dead.

992
00:51:08,440 --> 00:51:14,279
Speaker 3: I start the whole Damni gonna wait? What what ye.

993
00:51:16,680 --> 00:51:17,400
Speaker 1: Never seen it?

994
00:51:19,760 --> 00:51:20,359
Speaker 3: And what the.

995
00:51:23,719 --> 00:51:25,320
Speaker 1: I cannot believe?

996
00:51:26,880 --> 00:51:27,920
Speaker 3: Oh my god, hold.

997
00:51:27,760 --> 00:51:31,160
Speaker 7: On, tell them one Damnar Reverie single, a board on

998
00:51:31,280 --> 00:51:34,360
Speaker 7: these boys, sold out movie theaters and even toys on

999
00:51:34,480 --> 00:51:37,719
Speaker 7: these boys. Feeling like a mock wipe the floor with

1000
00:51:37,840 --> 00:51:38,560
Speaker 7: these boys.

1001
00:51:39,320 --> 00:51:41,960
Speaker 3: People ask me how I do it. I just bite

1002
00:51:41,960 --> 00:51:43,240
Speaker 3: off more than I can shoe.

1003
00:51:43,600 --> 00:51:46,759
Speaker 7: Then I shoot, and yeah, y'all, jokers start, I blew it.

1004
00:51:47,280 --> 00:51:50,080
Speaker 7: I'm put to pend out the grenade on purpose when

1005
00:51:50,120 --> 00:51:53,600
Speaker 7: I threw it. And even though I'm an action star,

1006
00:51:54,480 --> 00:51:59,520
Speaker 7: sometimes I'm an actmatha because I'm an artist at HI.

1007
00:52:00,920 --> 00:52:06,439
Speaker 7: I'm not just an actor, y'all. This is the bounce back.

1008
00:52:06,960 --> 00:52:11,799
Speaker 7: Watch will y'all, this is the bounce back. You come

1009
00:52:11,880 --> 00:52:14,439
Speaker 7: to bounce back. Keep your eyes on him.

1010
00:52:14,600 --> 00:52:22,760
Speaker 3: This is the bounce back. Yeah, let's see tradition.

1011
00:52:22,960 --> 00:52:31,759
Speaker 1: I'm like you, just killed it is christ Man, oh

1012
00:52:31,840 --> 00:52:37,440
Speaker 1: Man seen that that's crazy.

1013
00:52:37,680 --> 00:52:41,160
Speaker 3: Oh Jesus christ oh ship.

1014
00:52:42,880 --> 00:52:43,120
Speaker 1: Yeap.

1015
00:52:45,600 --> 00:52:45,880
Speaker 7: You know.

1016
00:52:47,560 --> 00:52:49,600
Speaker 1: And that album man, that album was so.

1017
00:52:51,040 --> 00:52:53,360
Speaker 4: He said, I pulled the pin out the grenade on

1018
00:52:53,560 --> 00:52:57,440
Speaker 4: purpose and then I threw it. But isn't that what

1019
00:52:57,480 --> 00:53:02,600
Speaker 4: you're supposed to do when you threw grenade? Right, You're

1020
00:53:02,600 --> 00:53:05,600
Speaker 4: supposed to pull out the grenade and throw it to

1021
00:53:05,680 --> 00:53:08,200
Speaker 4: kill the enemy, right, isn't that right?

1022
00:53:09,840 --> 00:53:13,359
Speaker 3: I was so confused. I'm like that. Yeah. Well anyway, yeah,

1023
00:53:13,440 --> 00:53:14,880
Speaker 3: so yeah that was a.

1024
00:53:15,440 --> 00:53:16,759
Speaker 1: Man there you go? Bro?

1025
00:53:17,320 --> 00:53:17,600
Speaker 3: Wow?

1026
00:53:19,000 --> 00:53:25,640
Speaker 4: Uh, I hope that was freestyle. Geez all right, Palette

1027
00:53:25,640 --> 00:53:32,120
Speaker 4: Cleanser save. Ben Ralegh was on bootleg calv and Ben Raleigh.

1028
00:53:32,239 --> 00:53:35,400
Speaker 3: Uh we know him. He actually supposed to come on

1029
00:53:35,400 --> 00:53:35,719
Speaker 3: the show.

1030
00:53:36,400 --> 00:53:39,400
Speaker 4: Sunny was was working on that hooking up and I

1031
00:53:39,440 --> 00:53:41,480
Speaker 4: think we were supposed to have him on for like

1032
00:53:41,520 --> 00:53:43,520
Speaker 4: the listening or something like that. So I think he

1033
00:53:43,600 --> 00:53:46,319
Speaker 4: has an album on the way or something, so we'll

1034
00:53:46,320 --> 00:53:46,719
Speaker 4: follow up.

1035
00:53:46,719 --> 00:53:49,239
Speaker 3: But yeah, he was on bootleg cav.

1036
00:53:49,360 --> 00:53:54,000
Speaker 4: This was posted today on Twitter as well, and uh,

1037
00:53:54,239 --> 00:53:56,600
Speaker 4: you knows he's well, I'll let you guys decide if

1038
00:53:56,600 --> 00:54:03,719
Speaker 4: he's kind of nice. But but yeah, so anyway, Ben

1039
00:54:03,880 --> 00:54:10,040
Speaker 4: Riley hit and he's wrapping over chains and wheeps too.

1040
00:54:13,680 --> 00:54:16,560
Speaker 3: You you you can't mess it like this.

1041
00:54:16,680 --> 00:54:18,840
Speaker 4: Hey, you gotta come, you out of you gotta do

1042
00:54:19,239 --> 00:54:20,200
Speaker 4: your business on this joint.

1043
00:54:20,239 --> 00:54:22,359
Speaker 3: So anyway, enough talking, Here we.

1044
00:54:22,320 --> 00:54:26,960
Speaker 10: Go the Raley hero Man Irie bulet Kef Yes, sir,

1045
00:54:27,040 --> 00:54:32,359
Speaker 10: save out now yeah, wailing on their instruments, the two

1046
00:54:32,400 --> 00:54:36,200
Speaker 10: more horn. The details are all intricate, they reported, all

1047
00:54:36,239 --> 00:54:38,279
Speaker 10: ins and this to keep it honorable, your honored. Don't

1048
00:54:38,360 --> 00:54:40,879
Speaker 10: question my inner sense in the sense that guilty step

1049
00:54:40,880 --> 00:54:44,399
Speaker 10: with hardships, office departments for rental, trace my heart, miss father,

1050
00:54:44,480 --> 00:54:46,560
Speaker 10: the light that's soon, when the knight the darkness, no

1051
00:54:46,680 --> 00:54:48,799
Speaker 10: matter how dark the night is, I got don't watch

1052
00:54:48,840 --> 00:54:51,920
Speaker 10: this wash your mouth, speaking to your shpictures, your reviewed

1053
00:54:51,920 --> 00:54:52,799
Speaker 10: and the inch of your crew.

1054
00:54:52,920 --> 00:54:53,440
Speaker 5: To keep it true.

1055
00:54:53,480 --> 00:54:55,880
Speaker 10: There all in fifty year ahead. By the longest the yards,

1056
00:54:55,920 --> 00:54:57,600
Speaker 10: you feel a change of the guard. I'm changing the

1057
00:54:57,640 --> 00:54:59,040
Speaker 10: outcome as soon as I get in charge.

1058
00:54:59,200 --> 00:54:59,399
Speaker 1: Ball.

1059
00:54:59,440 --> 00:55:01,279
Speaker 10: You ain't no bar hitch, you see, I got this

1060
00:55:01,360 --> 00:55:03,719
Speaker 10: ship like my risk watches track threety second album on

1061
00:55:03,719 --> 00:55:05,880
Speaker 10: a Missgott My dog had caught his Simpson the matcha

1062
00:55:06,000 --> 00:55:08,360
Speaker 10: before TikTok and kept the peace, not like my hotmun

1063
00:55:08,440 --> 00:55:11,000
Speaker 10: you know that look top of the deal, start the kettle.

1064
00:55:11,080 --> 00:55:13,160
Speaker 10: I got something this spill, something that's brewing in my

1065
00:55:13,160 --> 00:55:16,080
Speaker 10: spirit for real, brooding on top of a building, meditating

1066
00:55:16,120 --> 00:55:18,719
Speaker 10: to kill thing twice before approaching the real I'm the

1067
00:55:18,800 --> 00:55:20,160
Speaker 10: post child, for go on postal.

1068
00:55:20,239 --> 00:55:21,239
Speaker 3: I cracked your egg and have.

1069
00:55:21,200 --> 00:55:23,400
Speaker 10: My niggas poach you. If you're thinking I'm gonna let

1070
00:55:23,400 --> 00:55:25,840
Speaker 10: you go through. It's why it's free range for anyone.

1071
00:55:25,920 --> 00:55:28,280
Speaker 10: You know too, were talking numbers, body shit, so docal,

1072
00:55:28,400 --> 00:55:31,200
Speaker 10: thinking outside of the boss, speaking of box a channel floor.

1073
00:55:31,000 --> 00:55:32,000
Speaker 5: And like I bought a rocu.

1074
00:55:32,160 --> 00:55:35,080
Speaker 10: The gravitar is avatar element is passing, y'all. It's funny

1075
00:55:35,120 --> 00:55:37,600
Speaker 10: niggas gassing y'all when you hardy mobile. That shit is

1076
00:55:37,640 --> 00:55:40,760
Speaker 10: Harley opal and hardly worth the total working approven worthy

1077
00:55:40,760 --> 00:55:43,239
Speaker 10: of multi millions by thirty. But running into the same

1078
00:55:43,320 --> 00:55:45,720
Speaker 10: issues with she too, Curvey. You thought the ship was smooth,

1079
00:55:45,719 --> 00:55:48,520
Speaker 10: selling and contract discurfy. You thought the rules wouldn't applyted

1080
00:55:48,560 --> 00:55:50,440
Speaker 10: you and learned it early. I see my this is

1081
00:55:50,440 --> 00:55:52,560
Speaker 10: way too often. She get offully flirty. I crack a

1082
00:55:52,600 --> 00:55:54,920
Speaker 10: smele of TV is white It then urner Shurly Shirley,

1083
00:55:54,960 --> 00:55:55,720
Speaker 10: I see you watching.

1084
00:55:56,480 --> 00:56:03,799
Speaker 5: Fuck it, God damn you that I lost it.

1085
00:56:03,880 --> 00:56:06,799
Speaker 3: But it's cool. I like, I like that.

1086
00:56:06,800 --> 00:56:09,439
Speaker 1: That's another Who's who's that guy?

1087
00:56:10,239 --> 00:56:15,200
Speaker 3: Save Ben Raley? Ben Raleigh? Y'are not familiar Sony been

1088
00:56:15,239 --> 00:56:16,120
Speaker 3: telling you all about him?

1089
00:56:17,239 --> 00:56:21,319
Speaker 1: Yeah, because of Sonny M Yeah, that he would do

1090
00:56:21,320 --> 00:56:23,040
Speaker 1: something D three sixty five can.

1091
00:56:24,560 --> 00:56:28,719
Speaker 4: We may have We may have after check in and see.

1092
00:56:29,000 --> 00:56:31,520
Speaker 4: But yeah, he Yeah, what do you think?

1093
00:56:31,600 --> 00:56:33,560
Speaker 3: Right? Though? No, he was cool.

1094
00:56:33,600 --> 00:56:36,239
Speaker 2: I like the slow you know what I'm saying. It

1095
00:56:36,280 --> 00:56:38,360
Speaker 2: seemed like he still needs a little bit of refinement,

1096
00:56:38,800 --> 00:56:41,160
Speaker 2: you know what I'm saying. But but no, I think

1097
00:56:41,200 --> 00:56:43,680
Speaker 2: I think he's dope though. I think he's dope though.

1098
00:56:44,440 --> 00:56:47,200
Speaker 3: Yeah, I like that dark Man Gotham that he had.

1099
00:56:47,400 --> 00:56:48,320
Speaker 3: I thought that was dope.

1100
00:56:49,080 --> 00:56:52,600
Speaker 4: But yeah, No, I think he's good man and I think,

1101
00:56:54,400 --> 00:56:57,040
Speaker 4: you know, he's definitely part of this new school. I

1102
00:56:57,040 --> 00:57:00,920
Speaker 4: think he definitely got up net so. But yeah, you know,

1103
00:57:00,960 --> 00:57:03,359
Speaker 4: I think I think you'll start to see more of

1104
00:57:03,440 --> 00:57:06,200
Speaker 4: him as time goes on. I mean, you know, you

1105
00:57:06,280 --> 00:57:08,040
Speaker 4: get on there, he's on here.

1106
00:57:07,840 --> 00:57:11,560
Speaker 3: So we'll see. But yeah, but yeah, that that that

1107
00:57:11,719 --> 00:57:17,120
Speaker 3: change it will be. It's just nice yeah mm hmm.

1108
00:57:18,800 --> 00:57:21,800
Speaker 3: All right. Anyway, let's get to the dusty part of

1109
00:57:21,840 --> 00:57:25,320
Speaker 3: the show as peopeel like, uh.

1110
00:57:25,920 --> 00:57:32,280
Speaker 5: Super dusty. You need a duster to pull out these records.

1111
00:57:33,320 --> 00:57:36,880
Speaker 4: Yeah, let me see if I can post this on screen.

1112
00:57:37,040 --> 00:57:41,920
Speaker 4: So we have so uh, someone on Twitter sent a

1113
00:57:42,040 --> 00:57:48,200
Speaker 4: request for me to put these albums in order. Man,

1114
00:57:48,240 --> 00:57:52,840
Speaker 4: it's from Michael Oliver thirteen. So a lot of people

1115
00:57:52,880 --> 00:57:56,880
Speaker 4: watching now probably I haven't even heard of these albums,

1116
00:57:56,960 --> 00:58:02,320
Speaker 4: so which is fine, just fine, Yeah.

1117
00:58:01,960 --> 00:58:03,680
Speaker 3: Yeah, but that's what we're here for.

1118
00:58:03,840 --> 00:58:07,120
Speaker 4: Man, you know, kind of put you guys on game

1119
00:58:07,200 --> 00:58:10,120
Speaker 4: of some that you guys should probably check out.

1120
00:58:10,520 --> 00:58:15,000
Speaker 3: So let me go ahead and see.

1121
00:58:15,040 --> 00:58:17,080
Speaker 4: I took a screenshot. Let me see how this looks

1122
00:58:18,920 --> 00:58:21,760
Speaker 4: some people see what we're looking at here. Let me

1123
00:58:21,800 --> 00:58:25,160
Speaker 4: take that off. See if that helps out some here.

1124
00:58:27,880 --> 00:58:31,800
Speaker 4: All right, So I think that is all of them.

1125
00:58:32,040 --> 00:58:34,320
Speaker 4: So yeah, so this is what we got and we're

1126
00:58:34,320 --> 00:58:38,720
Speaker 4: gonna put them in order. Soul Food by Goodie mob

1127
00:58:40,000 --> 00:58:45,120
Speaker 4: Ripping on the other level, ghetto boys everybody knows so

1128
00:58:45,120 --> 00:58:49,160
Speaker 4: othern player Catalyistic is out cast. Everybody should know. A

1129
00:58:49,320 --> 00:58:53,680
Speaker 4: BALLJG Coroming our Heart. The listening you should know is

1130
00:58:54,120 --> 00:58:57,160
Speaker 4: Little Brother two Low Lifes.

1131
00:58:57,600 --> 00:59:00,280
Speaker 3: You may not know. That is Poorison.

1132
00:59:05,160 --> 00:59:05,880
Speaker 1: That's All Night.

1133
00:59:08,880 --> 00:59:11,560
Speaker 4: That's what's on that album. U G is too hard

1134
00:59:11,600 --> 00:59:17,280
Speaker 4: to Swallow, that's what Odd Squad is. Fat enough for everybody.

1135
00:59:17,520 --> 00:59:25,640
Speaker 4: Everybody you all know, Lord Will Yes, Okay, the Convicts.

1136
00:59:25,720 --> 00:59:34,640
Speaker 1: Mm hmmmm, that's that's like J Princeton, Big Big Mike. Yeah, yeah.

1137
00:59:36,000 --> 00:59:38,280
Speaker 4: And two Live Crew is what we are. That's their

1138
00:59:38,320 --> 00:59:43,440
Speaker 4: debut album. And then you have Mystic Styles. Uh three

1139
00:59:43,520 --> 00:59:46,200
Speaker 4: Sis Mother for you guys. You know that this was

1140
00:59:46,240 --> 00:59:48,000
Speaker 4: the one I had to verify, but I think it's

1141
00:59:48,120 --> 00:59:55,880
Speaker 4: Field Mob actually. Yeah, So those are the are the

1142
00:59:55,920 --> 00:59:58,560
Speaker 4: ones that he wanted. He reached out, he said, put

1143
00:59:58,560 --> 01:00:00,320
Speaker 4: these in the order? He said, Well, he asked, is

1144
01:00:00,400 --> 01:00:01,400
Speaker 4: this the right order?

1145
01:00:02,520 --> 01:00:04,000
Speaker 1: No, it is not the right order.

1146
01:00:07,160 --> 01:00:11,640
Speaker 4: Answer that for our if the old school didn't pave

1147
01:00:11,680 --> 01:00:13,680
Speaker 4: the way, our old school set me where we look

1148
01:00:13,760 --> 01:00:17,200
Speaker 4: back and we're trying to recognize albums that are unknown

1149
01:00:17,240 --> 01:00:17,680
Speaker 4: or whatever.

1150
01:00:17,960 --> 01:00:19,960
Speaker 3: This gives us a chance to kind of reflect. So

1151
01:00:20,320 --> 01:00:22,080
Speaker 3: and hopefully you guys go check out some of this

1152
01:00:22,120 --> 01:00:23,760
Speaker 3: stuff based on the order.

1153
01:00:23,880 --> 01:00:28,800
Speaker 4: So, uh, just chime in where you can, brother man,

1154
01:00:29,360 --> 01:00:32,720
Speaker 4: So Rod, what is the order you have?

1155
01:00:34,680 --> 01:00:37,920
Speaker 1: All right? The order I have is home on. I

1156
01:00:37,960 --> 01:00:44,320
Speaker 1: was finishing up my last one, okay, all right, the

1157
01:00:44,440 --> 01:00:50,920
Speaker 1: number one man man and okay, all right, I'll be

1158
01:00:51,040 --> 01:00:52,920
Speaker 1: going through them. So you're just want to go through

1159
01:00:53,040 --> 01:00:55,920
Speaker 1: without explanation, or just explain as I go through them,

1160
01:00:56,040 --> 01:01:00,760
Speaker 1: just no explanation, go through, or you want at thirteen

1161
01:01:00,800 --> 01:01:01,600
Speaker 1: and worked my way up.

1162
01:01:02,600 --> 01:01:04,600
Speaker 3: Yeah we can do that way. Yeah, we're doing that all.

1163
01:01:04,560 --> 01:01:08,160
Speaker 1: Right, So thirteen I think it's correct. Actually class the

1164
01:01:08,240 --> 01:01:14,120
Speaker 1: film all was cool, but yeah, that's thirteen twelve The Convicts.

1165
01:01:14,240 --> 01:01:16,080
Speaker 1: I'm not, I'm not. I didn't listen to that one

1166
01:01:16,120 --> 01:01:18,720
Speaker 1: like that, So I put that one at twelve. Same

1167
01:01:18,720 --> 01:01:23,600
Speaker 1: thing with like for enough for everybody, for everybody. I

1168
01:01:23,640 --> 01:01:27,480
Speaker 1: got that at eleven. At ten, I got two low Lifes.

1169
01:01:28,280 --> 01:01:33,120
Speaker 1: At nine, I got two Live Crew. What's them again?

1170
01:01:33,200 --> 01:01:38,280
Speaker 1: To two Live is what we are? At eight? I

1171
01:01:38,320 --> 01:01:44,200
Speaker 1: have Lord Willing at seven, I have Mystic Styles at six,

1172
01:01:44,400 --> 01:01:48,600
Speaker 1: I have the Listening at five. My top five are

1173
01:01:48,680 --> 01:01:53,800
Speaker 1: grip it on another level, four is so full, three's

1174
01:01:53,880 --> 01:01:58,880
Speaker 1: too hard to swallow, Two's Southern playeristic, and number one

1175
01:01:59,040 --> 01:01:59,919
Speaker 1: is coming out hard.

1176
01:02:01,560 --> 01:02:08,880
Speaker 4: I'll be damn okay, all right, this this, this, this

1177
01:02:08,920 --> 01:02:13,640
Speaker 4: is gonna, this is gonna be funny, bro. So here's

1178
01:02:13,640 --> 01:02:17,200
Speaker 4: here's what I have classes in session y'all. Also, so

1179
01:02:17,360 --> 01:02:19,880
Speaker 4: pay attention and go listen to these in the order.

1180
01:02:20,120 --> 01:02:22,680
Speaker 4: And I actually, uh, we'll give you guys some homework

1181
01:02:23,200 --> 01:02:27,240
Speaker 4: as well. So I'm with you with number thirteen. Ask

1182
01:02:27,280 --> 01:02:32,280
Speaker 4: you the classy. Yeah, I have the convicts also at

1183
01:02:32,480 --> 01:02:33,440
Speaker 4: at at twelve.

1184
01:02:34,440 --> 01:02:39,280
Speaker 3: Yeah, much like you familiar with it, heard it, never

1185
01:02:39,360 --> 01:02:44,080
Speaker 3: bought it, never like copied it or whatever. I'll just

1186
01:02:44,120 --> 01:02:44,600
Speaker 3: go through them.

1187
01:02:45,160 --> 01:02:46,840
Speaker 1: Yeah, yeah, yeah, I know, I know it's hard to

1188
01:02:46,840 --> 01:02:48,200
Speaker 1: not explain it as you're going through.

1189
01:02:48,320 --> 01:02:48,360
Speaker 10: No.

1190
01:02:51,080 --> 01:02:53,880
Speaker 4: Two live is what we are is at eleven, then

1191
01:02:53,960 --> 01:02:58,440
Speaker 4: I have too low life and methods nine, I have

1192
01:02:58,600 --> 01:03:05,520
Speaker 4: fat enough, the squad eight, Mystic styles, seven, Lord Willing six,

1193
01:03:05,560 --> 01:03:09,680
Speaker 4: gripping on another level, five the listening.

1194
01:03:09,720 --> 01:03:13,320
Speaker 3: Wow, and my four, three, two and one is exactly

1195
01:03:13,360 --> 01:03:13,720
Speaker 3: the same.

1196
01:03:14,160 --> 01:03:18,480
Speaker 1: Bro that who hard to swallow Southern playlist thing coming

1197
01:03:18,520 --> 01:03:24,560
Speaker 1: out hard because it's right, dog, it's the right answer, bro,

1198
01:03:24,840 --> 01:03:27,760
Speaker 1: telling you yeap, that is wow, that you had those,

1199
01:03:28,240 --> 01:03:31,280
Speaker 1: that's wow, man. And you know what, I almost had

1200
01:03:31,320 --> 01:03:34,680
Speaker 1: the six and five separate the way you had them, almost,

1201
01:03:34,720 --> 01:03:36,080
Speaker 1: but I switched it last minute.

1202
01:03:36,760 --> 01:03:37,120
Speaker 3: Mm hmm.

1203
01:03:37,680 --> 01:03:40,919
Speaker 1: I switched it last minute, because what was your five

1204
01:03:40,920 --> 01:03:43,920
Speaker 1: gripping on another level? I mean listening the listener.

1205
01:03:44,360 --> 01:03:47,440
Speaker 3: Yeah, gripping on No. Five five was the listening. Six

1206
01:03:47,520 --> 01:03:48,720
Speaker 3: was gripping on another level.

1207
01:03:50,000 --> 01:03:50,160
Speaker 7: Bro.

1208
01:03:51,080 --> 01:03:53,880
Speaker 2: I literally had him switched out. I put I put

1209
01:03:53,960 --> 01:03:55,560
Speaker 2: like an arrow right there.

1210
01:03:55,600 --> 01:03:59,280
Speaker 1: I had it just like you had it, just like

1211
01:03:59,360 --> 01:04:02,920
Speaker 1: you had and I swapped him. I couldn't. I couldn't

1212
01:04:03,000 --> 01:04:11,240
Speaker 1: justify putting, putting the listening over gripping on another level.

1213
01:04:11,440 --> 01:04:15,280
Speaker 1: Over over that album I almost did. I literally had it,

1214
01:04:15,320 --> 01:04:17,840
Speaker 1: but then I swapped it last minute. That's crazy. We

1215
01:04:17,920 --> 01:04:20,360
Speaker 1: almost had the same top five mm hmmm.

1216
01:04:23,800 --> 01:04:27,400
Speaker 2: Yeah that's the eerorover man. You know what I'm saying, Like,

1217
01:04:28,600 --> 01:04:30,240
Speaker 2: call it dusty man, But go listen.

1218
01:04:30,040 --> 01:04:30,960
Speaker 1: To some of those albums, bro.

1219
01:04:32,960 --> 01:04:35,120
Speaker 5: Yeah, no, I know, I know a lot of these.

1220
01:04:35,480 --> 01:04:37,360
Speaker 1: It was just the top five. You've heard it.

1221
01:04:37,440 --> 01:04:39,800
Speaker 5: Yeah, of course, of course, of course I was. You know,

1222
01:04:39,840 --> 01:04:42,800
Speaker 5: I was just talking smack man. You know, everybody can't

1223
01:04:42,840 --> 01:04:45,360
Speaker 5: be copaesthetic, man, gotta have a little bit of drama.

1224
01:04:45,400 --> 01:04:47,080
Speaker 5: But na, I was just you know, just throwing a

1225
01:04:47,120 --> 01:04:49,480
Speaker 5: little shade. But nah, a lot of these ate dusty,

1226
01:04:49,880 --> 01:04:55,360
Speaker 5: you know what I'm saying. But like, uh, fat enough

1227
01:04:55,800 --> 01:04:57,840
Speaker 5: for everybody, like, I don't know that, I don't know

1228
01:04:57,920 --> 01:05:03,840
Speaker 5: the convicts. H yeah, so you know it is what

1229
01:05:03,960 --> 01:05:06,000
Speaker 5: it is, hey man.

1230
01:05:05,840 --> 01:05:08,960
Speaker 4: That odd squad bro and listen to that. Listen to

1231
01:05:09,000 --> 01:05:15,960
Speaker 4: that people. It don't sound super old. You'll you'll know

1232
01:05:16,040 --> 01:05:18,720
Speaker 4: it's old because old. But that's when Devin the Dude

1233
01:05:18,920 --> 01:05:24,320
Speaker 4: was a part of them. And that's why I bought it.

1234
01:05:24,360 --> 01:05:27,280
Speaker 4: Because we've explained this before. It's kind of happening now

1235
01:05:27,320 --> 01:05:31,200
Speaker 4: whereas you listen and go get albums from other artists

1236
01:05:32,320 --> 01:05:37,880
Speaker 4: based on like their features, yea and you become and

1237
01:05:38,960 --> 01:05:43,400
Speaker 4: they were on the Posse cut and they have a

1238
01:05:43,400 --> 01:05:47,760
Speaker 4: dope Posse cut on that album as well. But they

1239
01:05:47,560 --> 01:05:52,280
Speaker 4: they were on the Posse cut for the Ghetto Boys album.

1240
01:05:53,160 --> 01:05:57,000
Speaker 3: That was one of my favorite albums.

1241
01:05:56,560 --> 01:06:00,480
Speaker 4: By them that I encourage everybody to listen to is

1242
01:06:00,520 --> 01:06:04,480
Speaker 4: probably by far my favorite album to Death to Death

1243
01:06:04,520 --> 01:06:05,240
Speaker 4: to Us part.

1244
01:06:05,560 --> 01:06:06,760
Speaker 1: Oh yeah, I remember you said that.

1245
01:06:06,920 --> 01:06:11,120
Speaker 4: Yeah, yeah, it's it's it's it's crazy, but so.

1246
01:06:11,000 --> 01:06:13,480
Speaker 3: And then I got it and and Devin and Dude. Yeah,

1247
01:06:13,520 --> 01:06:15,320
Speaker 3: so so I encourage you to listen to that.

1248
01:06:15,560 --> 01:06:18,120
Speaker 4: The other one, so so where it gets a little

1249
01:06:18,120 --> 01:06:22,960
Speaker 4: spooky is ten through thirteen you know, you're probably already

1250
01:06:22,960 --> 01:06:26,720
Speaker 4: familiar with Actuley Classy, the Covicts, Too Low Life really

1251
01:06:26,760 --> 01:06:28,160
Speaker 4: only has that one track on it.

1252
01:06:28,680 --> 01:06:30,200
Speaker 3: They got some other tracks you can listen.

1253
01:06:30,280 --> 01:06:31,720
Speaker 1: Yeah, it only really has that one.

1254
01:06:32,880 --> 01:06:38,680
Speaker 4: Uh two live is what we are has? Uh we

1255
01:06:38,720 --> 01:06:42,680
Speaker 4: want some p and uh throw that. I think throw

1256
01:06:42,720 --> 01:06:45,800
Speaker 4: that d on it. But it's it's a very short album,

1257
01:06:45,840 --> 01:06:47,200
Speaker 4: like thirty six minutes and it.

1258
01:06:47,160 --> 01:06:48,680
Speaker 3: Has like maybe two tracks on it.

1259
01:06:49,280 --> 01:06:53,920
Speaker 4: Yeah, but everything else, Bro, You're like, come on, like, yeah,

1260
01:06:53,960 --> 01:06:54,640
Speaker 4: everything else.

1261
01:06:56,360 --> 01:06:58,520
Speaker 3: And I keep telling I'm gonna keep pounding the pavement.

1262
01:06:58,600 --> 01:06:58,960
Speaker 3: I know it.

1263
01:06:59,640 --> 01:07:02,560
Speaker 4: If you if you guys are listening to my voice,

1264
01:07:04,080 --> 01:07:07,920
Speaker 4: go listen to the Too Hard to Swallow album by

1265
01:07:08,800 --> 01:07:09,160
Speaker 4: U g K.

1266
01:07:09,760 --> 01:07:13,640
Speaker 1: I'm telling y'all, man the best work man, it really is.

1267
01:07:13,680 --> 01:07:14,640
Speaker 3: People slip on it.

1268
01:07:14,720 --> 01:07:19,160
Speaker 13: Man, it's like their best work, manez, the best work

1269
01:07:19,280 --> 01:07:22,880
Speaker 13: pocket full of Stones, Like you got so much on

1270
01:07:22,920 --> 01:07:25,480
Speaker 13: that album that makes UGK.

1271
01:07:25,320 --> 01:07:32,240
Speaker 1: Who they are. Man, Man, God, that album is so good,

1272
01:07:34,200 --> 01:07:37,440
Speaker 1: like man like, it's so much on that on that

1273
01:07:38,320 --> 01:07:42,080
Speaker 1: on that album. Yeah, it's one of my it's one

1274
01:07:42,080 --> 01:07:44,840
Speaker 1: of my favorites. Man, It's definitely one of my favorites.

1275
01:07:45,600 --> 01:07:48,560
Speaker 4: And shout out to Jordan Tripplett bringing on, Man, bringing

1276
01:07:48,560 --> 01:07:51,280
Speaker 4: On Man, Underrated, Possey cut slept On, I should say,

1277
01:07:51,280 --> 01:07:56,320
Speaker 4: I don't know it's underrated, but that's slept On, bringing on,

1278
01:07:57,080 --> 01:07:58,720
Speaker 4: bringing Clip, bringing on.

1279
01:08:02,120 --> 01:08:04,320
Speaker 3: But yeah, that's so that's everybody's homework.

1280
01:08:04,400 --> 01:08:08,040
Speaker 4: Man, Go go listen to the albums you have not

1281
01:08:08,160 --> 01:08:12,400
Speaker 4: heard and U and report Batman, leave a comment or

1282
01:08:12,640 --> 01:08:15,760
Speaker 4: you know when we come back on are next week.

1283
01:08:16,280 --> 01:08:18,360
Speaker 4: We already got the show planned out in terms of

1284
01:08:18,400 --> 01:08:19,960
Speaker 4: the lives, so make sure you guys come back for

1285
01:08:20,040 --> 01:08:23,599
Speaker 4: that and let us know what you guys have, what

1286
01:08:23,680 --> 01:08:28,880
Speaker 4: you guys think. So uh, as we get ready to

1287
01:08:29,000 --> 01:08:34,000
Speaker 4: close out the show on our last couple of segments, Man,

1288
01:08:34,240 --> 01:08:40,360
Speaker 4: today is of course April Fool's Day, and.

1289
01:08:42,320 --> 01:08:49,040
Speaker 3: You know, is a sad one for me and the

1290
01:08:49,080 --> 01:08:53,240
Speaker 3: world because today is the day that Marvin Gay was

1291
01:08:53,240 --> 01:08:55,280
Speaker 3: shot and killed by his father.

1292
01:08:56,280 --> 01:08:59,599
Speaker 4: I can only imagine that news getting out and people

1293
01:08:59,640 --> 01:09:00,679
Speaker 4: thinking it was a joke.

1294
01:09:00,760 --> 01:09:04,519
Speaker 3: And I haven't really looked into much of you know,

1295
01:09:05,320 --> 01:09:07,960
Speaker 3: like the reaction to like people believing it was real

1296
01:09:08,560 --> 01:09:10,400
Speaker 3: or not. But yeah, he was.

1297
01:09:10,640 --> 01:09:13,080
Speaker 4: It was he was forty four, I think, But yeah,

1298
01:09:13,120 --> 01:09:16,320
Speaker 4: it was the day that that Marvin was shot and

1299
01:09:16,400 --> 01:09:19,200
Speaker 4: killed by his father. So we're gonna pour out a

1300
01:09:19,200 --> 01:09:23,120
Speaker 4: little liquor for Marvin Gaye, who left us with some

1301
01:09:23,280 --> 01:09:29,240
Speaker 4: really really incredible, incredible albums, very applicable today with what's

1302
01:09:29,280 --> 01:09:32,479
Speaker 4: going on. You can play that anytime and it don't

1303
01:09:32,560 --> 01:09:37,479
Speaker 4: it don't miss. And you know, he's some notable samples

1304
01:09:37,520 --> 01:09:39,920
Speaker 4: for you guys. We're gonna tie this into hip hop,

1305
01:09:39,920 --> 01:09:42,960
Speaker 4: but I don't think I really need to. I want

1306
01:09:43,000 --> 01:09:48,559
Speaker 4: you a sample by Trip Call Quest and some others.

1307
01:09:49,680 --> 01:09:56,160
Speaker 4: What's going on kind of as an album, conceptual album,

1308
01:09:56,280 --> 01:10:00,800
Speaker 4: kind of probably later for conscious me as we know

1309
01:10:00,840 --> 01:10:04,599
Speaker 4: it today. So yeah, Inner City Blues with sample by

1310
01:10:04,680 --> 01:10:09,080
Speaker 4: Q Most Death and others as well. So yeah, man,

1311
01:10:09,880 --> 01:10:14,040
Speaker 4: rip to Marvin gay Gay and on my channel, man,

1312
01:10:14,080 --> 01:10:17,320
Speaker 4: I did a I did a series called Marvin March

1313
01:10:17,800 --> 01:10:19,880
Speaker 4: about a year or two ago. You guys can check

1314
01:10:19,960 --> 01:10:24,639
Speaker 4: that out. And I also did a soundtrack of the day.

1315
01:10:24,800 --> 01:10:28,240
Speaker 4: It's the thing I've been doing where I did songs

1316
01:10:28,240 --> 01:10:31,559
Speaker 4: from Marvin gay all of the month of March and

1317
01:10:31,600 --> 01:10:35,840
Speaker 4: I ended with here my Dear, So yeah, go go

1318
01:10:35,960 --> 01:10:39,080
Speaker 4: check that out. As I celebrate Marvin. I got Stevie

1319
01:10:39,200 --> 01:10:42,000
Speaker 4: up nets because I did. I gotta finish Stevie Wonder.

1320
01:10:42,040 --> 01:10:44,080
Speaker 4: But I got Stevie up nets in April because he

1321
01:10:44,200 --> 01:10:46,759
Speaker 4: was born in April, so he's up nets in April.

1322
01:10:46,800 --> 01:10:48,800
Speaker 4: And then I got to finish reviewing his albums because

1323
01:10:48,800 --> 01:10:51,320
Speaker 4: I started the Stevie series rob but I never finished it.

1324
01:10:51,880 --> 01:10:53,960
Speaker 3: I think I got all the way to U and

1325
01:10:54,040 --> 01:10:56,479
Speaker 3: I recorded the reviews. This is when we were in

1326
01:10:56,520 --> 01:11:00,200
Speaker 3: an old studio. I recorded them, but I just put

1327
01:11:00,280 --> 01:11:00,599
Speaker 3: him out.

1328
01:11:01,000 --> 01:11:02,680
Speaker 1: You should have to be join you on that one.

1329
01:11:03,760 --> 01:11:06,360
Speaker 3: I do plan on hit him be up.

1330
01:11:07,080 --> 01:11:10,320
Speaker 4: What I want to do is I want to listen

1331
01:11:10,360 --> 01:11:14,960
Speaker 4: to do a live listening of Here My Dear on Twitch,

1332
01:11:15,880 --> 01:11:20,760
Speaker 4: and I also want to do maybe the same for

1333
01:11:20,840 --> 01:11:22,200
Speaker 4: songs in the Key of Life. I know this b

1334
01:11:22,280 --> 01:11:27,120
Speaker 4: favorite album, but but that was a pretty long album.

1335
01:11:27,120 --> 01:11:28,479
Speaker 4: So we'll see. I got I got hit him up

1336
01:11:28,479 --> 01:11:30,120
Speaker 4: and see which ones he will be interested in and

1337
01:11:30,920 --> 01:11:33,479
Speaker 4: joining me on. But I'm definitely hit up b Bron.

1338
01:11:33,479 --> 01:11:36,360
Speaker 4: I got to hit up be for Stevie Broyh.

1339
01:11:38,320 --> 01:11:41,760
Speaker 5: You know, I didn't know that that's how that's how

1340
01:11:41,760 --> 01:11:42,400
Speaker 5: he passed.

1341
01:11:43,400 --> 01:11:44,120
Speaker 3: I don't either.

1342
01:11:44,479 --> 01:11:46,200
Speaker 1: I didn't know that either. I didn't I didn't know that.

1343
01:11:48,479 --> 01:11:52,639
Speaker 4: Yeah yeah man, yeah, yeah, it's his father. Was was terrible.

1344
01:11:52,680 --> 01:11:55,879
Speaker 3: Bro. Yeah, his father was was horrible.

1345
01:11:55,880 --> 01:11:56,080
Speaker 1: Bro.

1346
01:11:58,280 --> 01:12:01,600
Speaker 3: So yeah it was. It is, yeah, very tragic.

1347
01:12:03,840 --> 01:12:06,920
Speaker 5: Real quick. You know, I didn't know. I didn't know.

1348
01:12:06,960 --> 01:12:09,920
Speaker 1: I didn't know that he passed on today because today

1349
01:12:10,000 --> 01:12:11,679
Speaker 1: is also the day that my grandma passed.

1350
01:12:12,760 --> 01:12:18,200
Speaker 3: Oh okay, yeah, and that's been liquor.

1351
01:12:19,720 --> 01:12:21,559
Speaker 5: That's seven years ago now, Bro.

1352
01:12:22,520 --> 01:12:23,320
Speaker 3: It's crazy.

1353
01:12:23,840 --> 01:12:24,840
Speaker 1: Yeah, that's crazy.

1354
01:12:25,760 --> 01:12:28,120
Speaker 3: Mm hmm yeah r.

1355
01:12:28,200 --> 01:12:32,599
Speaker 5: P Nipsey Hustle that was yesterday or uh the day

1356
01:12:32,600 --> 01:12:33,559
Speaker 5: before m.

1357
01:12:33,680 --> 01:12:40,840
Speaker 4: Hm oh yeah yeah it was that would have been yeah, yeah,

1358
01:12:41,439 --> 01:12:42,280
Speaker 4: yeah I.

1359
01:12:42,560 --> 01:12:44,840
Speaker 5: Lost nip Well, we lost it, and then I lost

1360
01:12:44,840 --> 01:12:45,639
Speaker 5: my grandmother day after.

1361
01:12:45,720 --> 01:12:45,880
Speaker 1: Bro.

1362
01:12:45,960 --> 01:12:46,799
Speaker 5: That was crazy.

1363
01:12:47,400 --> 01:12:50,120
Speaker 4: I put the link in the chat, uh for those

1364
01:12:50,120 --> 01:12:54,040
Speaker 4: of you that were asking. But but yeah, man, yeah yeah,

1365
01:12:54,120 --> 01:12:57,719
Speaker 4: some some some iconic kind of people that that's definitely

1366
01:12:57,720 --> 01:13:01,080
Speaker 4: going too soon. So but yeah, pouring out of liquor

1367
01:13:01,120 --> 01:13:05,400
Speaker 4: for all the great ones we have lost. And as

1368
01:13:05,400 --> 01:13:07,439
Speaker 4: we close out before we get into super chats Man

1369
01:13:07,880 --> 01:13:09,960
Speaker 4: to the Streaks. Just wanted to check in to see

1370
01:13:11,280 --> 01:13:15,439
Speaker 4: if you guys haven't listened to anything UH worthwhile.

1371
01:13:17,439 --> 01:13:21,559
Speaker 1: You got some people I have hold up, you know,

1372
01:13:21,560 --> 01:13:27,840
Speaker 1: I go to the uh to the library, the.

1373
01:13:28,000 --> 01:13:30,960
Speaker 5: Uh Bruiser Wolf. I know we did, I know we

1374
01:13:31,000 --> 01:13:35,160
Speaker 5: did the review. Uh that that that came out already, right,

1375
01:13:35,520 --> 01:13:40,920
Speaker 5: that's something chant channel Yeah, Channel, Bruiser Wolf pushing paint.

1376
01:13:41,760 --> 01:13:43,200
Speaker 5: You know, I like to jump out the window. What

1377
01:13:43,760 --> 01:13:47,280
Speaker 5: would I be? Yea, So I feel so go check

1378
01:13:47,320 --> 01:13:50,080
Speaker 5: that joint out. Uh Me and Ken are gonna do this.

1379
01:13:50,120 --> 01:13:54,320
Speaker 5: It's gonna come onto the the channel. But some Mars

1380
01:13:54,360 --> 01:13:59,200
Speaker 5: and detour. That project is very interesting. I really like that.

1381
01:14:01,120 --> 01:14:06,719
Speaker 5: But for oh and I'm not gonna say the whole joint,

1382
01:14:06,760 --> 01:14:15,320
Speaker 5: but it got some joints on here. The Juvie album, Yeah, yeah, yeah,

1383
01:14:15,479 --> 01:14:17,840
Speaker 5: it got some joints on here. It's kind of it's

1384
01:14:18,520 --> 01:14:21,360
Speaker 5: freaking twenty joints. Is about an hour long, so it's

1385
01:14:21,360 --> 01:14:24,720
Speaker 5: a little bit, you know, more time consuming than I

1386
01:14:24,800 --> 01:14:28,479
Speaker 5: previously like. But it's good though. It's good. I fuck

1387
01:14:28,560 --> 01:14:28,680
Speaker 5: with it.

1388
01:14:30,560 --> 01:14:30,840
Speaker 4: I like.

1389
01:14:31,000 --> 01:14:35,960
Speaker 5: I like this version of where cash Money is at.

1390
01:14:36,160 --> 01:14:39,080
Speaker 5: You know, they're all grown. They put their differences behind them,

1391
01:14:39,400 --> 01:14:42,600
Speaker 5: you know, baby apologized for sucking up some money, like

1392
01:14:43,360 --> 01:14:46,200
Speaker 5: you know, man, Manny's good like they are. They on

1393
01:14:46,360 --> 01:14:50,800
Speaker 5: podcasts and ship like. I love this version of cash Money, bro.

1394
01:14:50,840 --> 01:14:52,439
Speaker 5: I hope the rest of these niggas really pushed them

1395
01:14:52,439 --> 01:14:54,120
Speaker 5: out and K remember a couple of years ago when

1396
01:14:54,120 --> 01:14:56,240
Speaker 5: BG just got out, we did that joint with Gucci

1397
01:14:56,680 --> 01:14:58,679
Speaker 5: that was really good. So I'm here for it, man,

1398
01:15:01,000 --> 01:15:01,479
Speaker 5: I got you.

1399
01:15:03,520 --> 01:15:05,680
Speaker 1: I haven't gotten through gotten through both of them, and

1400
01:15:05,720 --> 01:15:07,320
Speaker 1: I wanted to put him the Juby. I just haven't.

1401
01:15:07,439 --> 01:15:11,479
Speaker 2: I just hadn't pressed playing yet. But I did hear

1402
01:15:11,479 --> 01:15:13,240
Speaker 2: a single. I think I sent the single to y'all.

1403
01:15:13,240 --> 01:15:14,280
Speaker 1: I was banging.

1404
01:15:15,680 --> 01:15:15,920
Speaker 3: Whatever.

1405
01:15:18,760 --> 01:15:23,040
Speaker 1: Yeah, yeah, that's hard, but I'm like.

1406
01:15:23,080 --> 01:15:27,360
Speaker 3: Damn ju sorry, yeah, you did send that to us? Yeah, yeah, I.

1407
01:15:27,280 --> 01:15:30,599
Speaker 2: Sent that to y'all. But I started playing the uh

1408
01:15:31,280 --> 01:15:37,560
Speaker 2: Lucid album. That's sounding good. Mm hmmm, yeah, that was

1409
01:15:37,640 --> 01:15:39,200
Speaker 2: sounding good so far. I just had to have a

1410
01:15:39,280 --> 01:15:42,120
Speaker 2: chance to get through that one. And I also started

1411
01:15:42,200 --> 01:15:44,920
Speaker 2: playing Mickey Faxt's album.

1412
01:15:45,320 --> 01:15:49,200
Speaker 1: Uh yeah, yeah, yeah, I started playing that when he

1413
01:15:49,479 --> 01:15:51,719
Speaker 1: dissed some people on that. He started off just folks,

1414
01:15:52,680 --> 01:15:53,320
Speaker 1: you know what I'm saying.

1415
01:15:53,360 --> 01:15:56,479
Speaker 2: So, no, I think I think those are those are

1416
01:15:57,920 --> 01:16:00,280
Speaker 2: because Mickey fact draw something else too before this one,

1417
01:16:01,360 --> 01:16:03,479
Speaker 2: So he's kind of putting stuff out there, you know

1418
01:16:03,479 --> 01:16:06,120
Speaker 2: what I'm saying, testing the waters or whatever. But no, man,

1419
01:16:06,160 --> 01:16:08,599
Speaker 2: he he puts some stuff out and I started listening

1420
01:16:08,640 --> 01:16:10,160
Speaker 2: to Anna Ana Lusis.

1421
01:16:10,240 --> 01:16:11,960
Speaker 1: So those are the two that I've been kind of

1422
01:16:12,400 --> 01:16:13,080
Speaker 1: kind of playing.

1423
01:16:15,280 --> 01:16:21,439
Speaker 4: Uh yeah, what I got is uh yeah, yeah, We're Yeah.

1424
01:16:21,439 --> 01:16:21,680
Speaker 3: I did.

1425
01:16:21,760 --> 01:16:26,320
Speaker 4: I did listen to Mickey Facts as well. I listened

1426
01:16:26,320 --> 01:16:31,479
Speaker 4: to Yeat's album and I'm Not I'm not happy.

1427
01:16:32,400 --> 01:16:36,320
Speaker 3: Uh yeah, I don't. I don't know about this one.

1428
01:16:37,160 --> 01:16:41,800
Speaker 3: I don't know about this one. Yeah, I don't know. Yeah, man,

1429
01:16:41,880 --> 01:16:43,960
Speaker 3: I'm like, damn man, you when you went two for

1430
01:16:44,040 --> 01:16:46,479
Speaker 3: two back to back and now this I don't know.

1431
01:16:48,920 --> 01:16:54,040
Speaker 4: But I do want to point out the baby got

1432
01:16:54,040 --> 01:16:57,880
Speaker 4: a banger bro in terms, well, let me not say

1433
01:16:57,920 --> 01:16:58,400
Speaker 4: it that way.

1434
01:16:59,120 --> 01:17:02,879
Speaker 3: He has that way yet to say.

1435
01:17:02,520 --> 01:17:06,360
Speaker 4: He has a hit song that's going crazy right now,

1436
01:17:07,080 --> 01:17:10,120
Speaker 4: listen to the album, but he rot he got one

1437
01:17:10,320 --> 01:17:13,080
Speaker 4: that's going crazy.

1438
01:17:13,320 --> 01:17:15,360
Speaker 1: He won't he won't go away. That's one thing I

1439
01:17:15,360 --> 01:17:18,080
Speaker 1: can say about the baby. He won't go away like

1440
01:17:18,200 --> 01:17:22,599
Speaker 1: he is. He's just not going away because.

1441
01:17:22,360 --> 01:17:25,439
Speaker 5: He's proven he could rap like like you know what

1442
01:17:25,479 --> 01:17:28,479
Speaker 5: I'm saying, Like like he got Jimmy Butler moments. You

1443
01:17:28,520 --> 01:17:30,320
Speaker 5: know what I'm saying. He getting buckets out there, though,

1444
01:17:30,680 --> 01:17:32,840
Speaker 5: Don't play him like he like he a little baby

1445
01:17:32,840 --> 01:17:37,479
Speaker 5: boy for real intended. But now man like the baby

1446
01:17:37,600 --> 01:17:39,080
Speaker 5: he be he be rapping.

1447
01:17:38,880 --> 01:17:44,679
Speaker 4: Bro mm hmm he he's yeah. I was listening on Deck.

1448
01:17:44,720 --> 01:17:47,280
Speaker 4: They were talking about him and and and he uh

1449
01:17:47,400 --> 01:17:49,840
Speaker 4: and y'all check out on Deck TV show there on

1450
01:17:49,880 --> 01:17:53,639
Speaker 4: YouTube as well. But yeah, he he didn't know how

1451
01:17:53,680 --> 01:17:57,519
Speaker 4: serious shi it was and when he when he got

1452
01:17:57,560 --> 01:18:00,639
Speaker 4: it canceled because he definitely got out of here.

1453
01:18:01,400 --> 01:18:02,519
Speaker 3: He's been trying to come back.

1454
01:18:02,560 --> 01:18:06,200
Speaker 4: But either way, that's yeah, yeah, yeah, and and even now,

1455
01:18:06,400 --> 01:18:08,400
Speaker 4: like you wouldn't know that he has a hit, a

1456
01:18:08,479 --> 01:18:12,160
Speaker 4: hit song out there, but it's rising. So I'm telling

1457
01:18:12,240 --> 01:18:15,320
Speaker 4: y'all now, people listen to the channel will not like it.

1458
01:18:15,800 --> 01:18:17,800
Speaker 4: Most of us will not like it. All I'm pointing

1459
01:18:17,800 --> 01:18:20,679
Speaker 4: out is that he he got one. That's that's that's

1460
01:18:20,680 --> 01:18:21,839
Speaker 4: tearing it up for the ladies.

1461
01:18:22,600 --> 01:18:25,240
Speaker 1: Yeah, making those I did it.

1462
01:18:25,280 --> 01:18:29,040
Speaker 2: I did a couple of videos with the baby tracks,

1463
01:18:29,040 --> 01:18:30,679
Speaker 2: so I know he stayed like a lady.

1464
01:18:30,760 --> 01:18:32,320
Speaker 1: Still like him some of those.

1465
01:18:32,160 --> 01:18:36,760
Speaker 4: Tracks, Yeah, yeah, cool, Chris. I did listen to the

1466
01:18:36,760 --> 01:18:39,880
Speaker 4: shot Side Show album. I need to listen to it again.

1467
01:18:40,080 --> 01:18:41,920
Speaker 4: I don't know if I liked it as much as

1468
01:18:41,920 --> 01:18:44,680
Speaker 4: you got it. The last one I got for you

1469
01:18:44,720 --> 01:18:47,400
Speaker 4: guys to check out is j This and Camouflage month.

1470
01:18:47,840 --> 01:18:50,760
Speaker 4: What is the name of the album?

1471
01:18:49,960 --> 01:18:53,800
Speaker 3: Uh, just under some underground cast Art of Expression two.

1472
01:18:54,479 --> 01:18:59,600
Speaker 4: El Camino is on this joint Ralph. Yeah he's on

1473
01:18:59,760 --> 01:19:03,000
Speaker 4: the second to laugh track. But no, it's a couple

1474
01:19:03,000 --> 01:19:05,719
Speaker 4: of joints on here. That's that's pretty good. So y'all,

1475
01:19:05,800 --> 01:19:07,880
Speaker 4: y'all check that Art of Expression two, j Ass This,

1476
01:19:08,040 --> 01:19:11,320
Speaker 4: Camouflage Monk and uh yep.

1477
01:19:11,200 --> 01:19:13,160
Speaker 3: And that's it man, that's that's what we have our

1478
01:19:13,200 --> 01:19:18,000
Speaker 3: ear to the streets. And yeah, that's classify.

1479
01:19:18,600 --> 01:19:22,280
Speaker 1: Real quick for Hazak. I didn't shoot at the baby video.

1480
01:19:22,479 --> 01:19:25,760
Speaker 1: I shot a video where somebody wanted to use the

1481
01:19:25,840 --> 01:19:30,080
Speaker 1: Baby's music as as their music video. So it was

1482
01:19:30,200 --> 01:19:32,880
Speaker 1: us like some some chicks dancing, but they wanted to

1483
01:19:33,040 --> 01:19:36,400
Speaker 1: use the Babies one of his records that was banging

1484
01:19:36,439 --> 01:19:37,120
Speaker 1: at the time.

1485
01:19:39,600 --> 01:19:40,120
Speaker 3: All right.

1486
01:19:43,040 --> 01:19:48,200
Speaker 4: So yeah, so that is basically the podcast, guys. So

1487
01:19:48,720 --> 01:19:52,519
Speaker 4: you guys enjoyed it, man, That's what we do. Man,

1488
01:19:52,720 --> 01:19:55,360
Speaker 4: that's what we do. So you heard, you got it

1489
01:19:55,360 --> 01:19:58,519
Speaker 4: all and it's it's uh and I hope you guys

1490
01:19:59,000 --> 01:20:03,000
Speaker 4: liked it. So make sure you guys tune in and subscribe.

1491
01:20:03,439 --> 01:20:06,120
Speaker 4: Wherever you get your podcast. The pilot episode is out

1492
01:20:06,120 --> 01:20:07,679
Speaker 4: if you guys have not heard it, so go ahead

1493
01:20:07,720 --> 01:20:09,720
Speaker 4: to check that out and the other ones will be

1494
01:20:09,880 --> 01:20:15,639
Speaker 4: uploaded as well. So as we move on to our

1495
01:20:15,800 --> 01:20:20,719
Speaker 4: super chats, we appreciate everybody sending those in. I Will said,

1496
01:20:20,840 --> 01:20:22,400
Speaker 4: I thought I saw one in this, but I saw

1497
01:20:22,439 --> 01:20:28,200
Speaker 4: people asking Rod if we have Well, let me get

1498
01:20:28,200 --> 01:20:32,519
Speaker 4: through the super chests. Y'all stay around for this last thing.

1499
01:20:34,800 --> 01:20:38,519
Speaker 4: But Ron Jay, now that you guys finally know who

1500
01:20:38,560 --> 01:20:40,680
Speaker 4: lost in Vegas, are are we ever going to get

1501
01:20:40,680 --> 01:20:48,000
Speaker 4: a collapse? Q sent me Lost in Vegas, like when

1502
01:20:48,040 --> 01:20:50,479
Speaker 4: the interview dropped and I was talking to him, you

1503
01:20:50,520 --> 01:20:52,599
Speaker 4: know a little bit about that.

1504
01:20:52,600 --> 01:20:54,720
Speaker 3: So I don't know. We'll reach out and see what's up.

1505
01:20:55,520 --> 01:20:57,599
Speaker 4: Yeah, but he said he started following them when they

1506
01:20:57,600 --> 01:20:59,920
Speaker 4: had twenty five thousand subs and now they at one

1507
01:21:00,080 --> 01:21:03,760
Speaker 4: point three milo, which is insane.

1508
01:21:06,600 --> 01:21:09,240
Speaker 3: But yeah, we'll see what's up. But I'm down for it,

1509
01:21:10,160 --> 01:21:12,120
Speaker 3: you know, down the collap.

1510
01:21:15,640 --> 01:21:19,439
Speaker 4: Jonathan Hernandez at the YA concert that so far place

1511
01:21:19,840 --> 01:21:21,240
Speaker 4: is packed.

1512
01:21:23,680 --> 01:21:27,840
Speaker 5: The Apple A. I gave it a once through. It's

1513
01:21:27,880 --> 01:21:32,040
Speaker 5: not horrible, It's definitely not horrible.

1514
01:21:32,680 --> 01:21:35,800
Speaker 4: Well brought it up since you brought it up. This

1515
01:21:35,800 --> 01:21:37,200
Speaker 4: This is what I was gonna say to the end

1516
01:21:37,240 --> 01:21:40,679
Speaker 4: of the show. I have not listened to it yet,

1517
01:21:42,000 --> 01:21:46,439
Speaker 4: but I know there's this whole conversation about people listening

1518
01:21:46,439 --> 01:21:50,200
Speaker 4: to the album. I know that I think that I've

1519
01:21:50,200 --> 01:21:52,720
Speaker 4: seen the reviews emits and he's getting destroyed.

1520
01:21:54,600 --> 01:21:56,920
Speaker 3: And on Deck actually did a review of it.

1521
01:21:56,920 --> 01:22:00,479
Speaker 4: If you guys are interested in some thoughts on it,

1522
01:22:01,280 --> 01:22:02,840
Speaker 4: because A B is a Kanye fan.

1523
01:22:04,160 --> 01:22:05,360
Speaker 3: But the album finally dropped.

1524
01:22:05,360 --> 01:22:08,240
Speaker 4: He's been promoting it for a while, so and finally

1525
01:22:08,320 --> 01:22:10,960
Speaker 4: dropped and it's been delayed after he did his apology.

1526
01:22:11,040 --> 01:22:13,799
Speaker 3: So but no, I have not listened to it yet.

1527
01:22:14,640 --> 01:22:17,320
Speaker 1: So, but people, have you seen the rumor of him

1528
01:22:17,600 --> 01:22:25,800
Speaker 1: uh doing like a contract with Adidas. No, I saw back.

1529
01:22:26,439 --> 01:22:29,000
Speaker 1: I saw a rumoring that they're gonna they're gonna reach

1530
01:22:29,080 --> 01:22:32,000
Speaker 1: a deal. I don't know how true that.

1531
01:22:33,560 --> 01:22:37,240
Speaker 5: If it does happen, that means that they ain't got

1532
01:22:37,280 --> 01:22:37,799
Speaker 5: the sauce.

1533
01:22:37,880 --> 01:22:43,719
Speaker 1: Man, you know they don't have to just saying nobody

1534
01:22:43,760 --> 01:22:50,160
Speaker 1: was wearing Adidas into Kanye like, come away was it April?

1535
01:22:50,680 --> 01:22:52,360
Speaker 1: I don't know, That's what I'm saying. I don't know.

1536
01:22:52,400 --> 01:22:54,680
Speaker 1: I saw, I saw it but yeah, it could be.

1537
01:22:56,720 --> 01:23:00,880
Speaker 4: Well we'll see, uh, Donald Van, who's an unrated lyrical

1538
01:23:00,920 --> 01:23:04,600
Speaker 4: female rapper, a bar baddie if you will, someone like

1539
01:23:04,680 --> 01:23:08,240
Speaker 4: rahaps they wouldn't count because that's exactly what she's known for.

1540
01:23:09,120 --> 01:23:11,920
Speaker 3: Jean Gray, but she.

1541
01:23:11,880 --> 01:23:16,160
Speaker 5: Ain't rapping no more though that it does matter, and

1542
01:23:16,439 --> 01:23:17,200
Speaker 5: it does matter.

1543
01:23:17,960 --> 01:23:21,400
Speaker 3: No, well, it's it is. Are they underrated?

1544
01:23:21,479 --> 01:23:25,120
Speaker 4: I don't know, but that was the first thought that

1545
01:23:25,200 --> 01:23:30,000
Speaker 4: came to mind, was Jean Gray and I and I know, yeah,

1546
01:23:30,080 --> 01:23:32,960
Speaker 4: Jean Gray, I'll say, I'll just leave it there, but yeah,

1547
01:23:32,960 --> 01:23:34,360
Speaker 4: I don't know if they're rapping anymore.

1548
01:23:35,800 --> 01:23:41,920
Speaker 1: And who we had on the show, I can't. I'm

1549
01:23:42,000 --> 01:23:49,080
Speaker 1: losing everybody star who rock? No, not a rock we

1550
01:23:49,120 --> 01:23:51,679
Speaker 1: had on the listening. She was like the first listen

1551
01:23:52,720 --> 01:23:59,439
Speaker 1: Yeah say no, yeah, yeah, say underrated for sure, Yeah,

1552
01:23:59,560 --> 01:24:03,040
Speaker 1: say underrated for sure. I think some are I think

1553
01:24:03,040 --> 01:24:07,920
Speaker 1: some our Sin is underrated. Some Awmar is underrated. She

1554
01:24:08,200 --> 01:24:09,520
Speaker 1: is definitely underrated.

1555
01:24:10,720 --> 01:24:15,320
Speaker 3: But she barred up though. That's that's what Donald's asking.

1556
01:24:16,040 --> 01:24:16,439
Speaker 1: Mhmm.

1557
01:24:19,080 --> 01:24:23,479
Speaker 5: She got bars, she got bars, she got bars, Samar

1558
01:24:23,640 --> 01:24:24,800
Speaker 5: got bars.

1559
01:24:27,360 --> 01:24:27,720
Speaker 3: Mm hmm.

1560
01:24:28,720 --> 01:24:31,840
Speaker 1: Okay, I saw no name of there, somebody putting no name.

1561
01:24:32,200 --> 01:24:33,280
Speaker 1: Somebody putting drake.

1562
01:24:33,479 --> 01:24:35,920
Speaker 5: But uh, it's no name.

1563
01:24:36,040 --> 01:24:38,519
Speaker 1: Underrated though, that's what I was thinking. I don't know

1564
01:24:38,520 --> 01:24:44,439
Speaker 1: if she's underrated, though I don't think she underrated. Yeah,

1565
01:24:44,439 --> 01:24:45,719
Speaker 1: I don't think she underrated either.

1566
01:24:46,320 --> 01:24:53,120
Speaker 5: I think, oh, man, what the hell is this?

1567
01:24:53,840 --> 01:24:56,160
Speaker 4: And maybe I'm not understanding the question because I was

1568
01:24:56,360 --> 01:25:00,920
Speaker 4: people saying, uh, like when whe not known.

1569
01:25:00,760 --> 01:25:05,320
Speaker 5: For Hey, look remember the white girl that I had

1570
01:25:05,360 --> 01:25:07,720
Speaker 5: posted in our group chat, And he was like, no,

1571
01:25:07,800 --> 01:25:09,880
Speaker 5: I don't like her because she's white. You know what

1572
01:25:09,920 --> 01:25:12,400
Speaker 5: I'm saying. She bro she got a couple of joints

1573
01:25:12,400 --> 01:25:14,639
Speaker 5: that she broke. She rapping bro.

1574
01:25:14,960 --> 01:25:16,080
Speaker 3: Damn man, you gonna.

1575
01:25:19,920 --> 01:25:23,360
Speaker 2: I think when she got a good flow, she do.

1576
01:25:24,080 --> 01:25:25,680
Speaker 2: She got a good flow. But I don't know if

1577
01:25:25,720 --> 01:25:31,680
Speaker 2: I would I would say rapp it. She has a

1578
01:25:31,680 --> 01:25:34,680
Speaker 2: good she has a nice appeal to her, like it's

1579
01:25:34,720 --> 01:25:37,439
Speaker 2: something about yeah, yeah, I like I like her, But

1580
01:25:37,640 --> 01:25:40,400
Speaker 2: I don't know if I would say underrated lyrical rapper,

1581
01:25:43,880 --> 01:25:45,240
Speaker 2: but I mean teachers.

1582
01:25:46,720 --> 01:25:49,040
Speaker 5: I think she can hold her all with anybody. I

1583
01:25:49,080 --> 01:25:52,960
Speaker 5: don't think she'll wrap many, but I don't think. I

1584
01:25:52,960 --> 01:25:55,160
Speaker 5: don't think that like she'll get left in the dust.

1585
01:25:55,240 --> 01:26:01,120
Speaker 3: Though mm hmm, dang, he just put me all the

1586
01:26:01,120 --> 01:26:02,560
Speaker 3: way out there by that's crazy.

1587
01:26:03,080 --> 01:26:08,240
Speaker 4: Uh, I'll check out Detrenada and uh and mister Towns.

1588
01:26:08,280 --> 01:26:13,080
Speaker 3: I did. Yeah. We talked about TD's new artists on one.

1589
01:26:13,000 --> 01:26:17,360
Speaker 4: Of the podcasts. Actually, so yeah, that's why you gotta. Hey,

1590
01:26:17,400 --> 01:26:21,799
Speaker 4: sure you get on that, bro. Uh, what's your album

1591
01:26:21,800 --> 01:26:25,240
Speaker 4: of the first quarter? Donald Van stay tuned, brother, We

1592
01:26:25,360 --> 01:26:26,040
Speaker 4: got something in.

1593
01:26:26,040 --> 01:26:30,559
Speaker 3: Store for you. Glad you asked, so, uh be on

1594
01:26:30,600 --> 01:26:34,160
Speaker 3: the lookout.

1595
01:26:34,680 --> 01:26:38,280
Speaker 4: Steven Cole stands have been calling him the best rapper

1596
01:26:38,320 --> 01:26:42,320
Speaker 4: for years now, saying, of course he doesn't think he's

1597
01:26:42,360 --> 01:26:43,000
Speaker 4: the best.

1598
01:26:42,720 --> 01:26:43,640
Speaker 3: Stop at l m A.

1599
01:26:43,800 --> 01:26:49,920
Speaker 4: Oh right, all right, well maybe they can stop calling

1600
01:26:50,000 --> 01:26:51,759
Speaker 4: him that then.

1601
01:26:52,680 --> 01:26:55,000
Speaker 3: Hey, now what they're gonna say, right, was like call

1602
01:26:55,080 --> 01:26:57,160
Speaker 3: the best rapper? Cold told y'all he's not.

1603
01:27:02,240 --> 01:27:04,519
Speaker 1: Yeah, that's kind of crazy, man.

1604
01:27:04,800 --> 01:27:06,000
Speaker 3: He let nas down with that.

1605
01:27:06,040 --> 01:27:17,519
Speaker 4: One can't write about Cole versus Loupe. Just listen to failure. Hmmm,

1606
01:27:17,840 --> 01:27:21,439
Speaker 4: this is an interesting one. Jid is thirty six. He's

1607
01:27:21,439 --> 01:27:23,760
Speaker 4: too old to lead the new class.

1608
01:27:26,640 --> 01:27:27,519
Speaker 1: No, that's not true.

1609
01:27:27,560 --> 01:27:30,680
Speaker 5: I didn't realize he was that old though, but he is.

1610
01:27:31,200 --> 01:27:33,200
Speaker 5: He's too he's too old to lead the new class.

1611
01:27:33,200 --> 01:27:34,840
Speaker 1: He ain't really talking about what the youngers want to

1612
01:27:34,840 --> 01:27:37,439
Speaker 1: talk about. No. I mean, like.

1613
01:27:38,960 --> 01:27:41,920
Speaker 2: I think, I don't think he's too old too to

1614
01:27:42,000 --> 01:27:46,639
Speaker 2: take the place of a Kendrick uh j Cole Drake.

1615
01:27:47,120 --> 01:27:51,840
Speaker 3: And it's not about age anymore. Really, it's not.

1616
01:27:52,040 --> 01:27:56,040
Speaker 5: It's about who the young people follow. But I don't

1617
01:27:56,040 --> 01:27:58,800
Speaker 5: think that it's the young people that are on JID

1618
01:27:58,920 --> 01:28:04,120
Speaker 5: like that. It's generation. It's still the fall the fallover

1619
01:28:04,320 --> 01:28:09,960
Speaker 5: of the k Dot Drake Cole generation. Like Jid is

1620
01:28:09,960 --> 01:28:13,880
Speaker 5: a baby of that era. He's not. He's not far

1621
01:28:14,040 --> 01:28:18,480
Speaker 5: enough removed to be the leader of the next generation.

1622
01:28:18,920 --> 01:28:19,559
Speaker 3: Like he's just not.

1623
01:28:19,880 --> 01:28:23,599
Speaker 5: He's not talking their language. He talking all language. That's

1624
01:28:23,600 --> 01:28:26,000
Speaker 5: why we fuck with him.

1625
01:28:26,439 --> 01:28:28,360
Speaker 1: I think he'd be talking to kids language too. Like

1626
01:28:28,400 --> 01:28:30,360
Speaker 1: that's a round sound crazy.

1627
01:28:31,439 --> 01:28:33,719
Speaker 5: Yeah, but it didn't go crazy right when it dropped.

1628
01:28:34,120 --> 01:28:36,479
Speaker 5: It went crazy because of the challenge that you know,

1629
01:28:36,560 --> 01:28:37,960
Speaker 5: some girl decided to post.

1630
01:28:38,479 --> 01:28:40,000
Speaker 1: Well that's what I'm saying. I think if people have

1631
01:28:40,120 --> 01:28:42,000
Speaker 1: access to it and know who he is, I think.

1632
01:28:42,800 --> 01:28:47,000
Speaker 1: I don't know, man, Yeah, I don't know. I'm with

1633
01:28:47,160 --> 01:28:49,240
Speaker 1: somebody that said in the shad, I'm starting to think

1634
01:28:49,280 --> 01:28:51,599
Speaker 1: his time may have passed. I don't know.

1635
01:28:52,520 --> 01:28:56,160
Speaker 5: M hmm. I think he's gonna be solid.

1636
01:28:56,200 --> 01:28:56,320
Speaker 1: Bro.

1637
01:28:57,080 --> 01:28:58,960
Speaker 5: You know, hey, look I just saw this thing right

1638
01:28:59,080 --> 01:29:02,519
Speaker 5: like Ray Daniels, you know, music exact long time in

1639
01:29:02,560 --> 01:29:05,519
Speaker 5: the game, and he had posed like he showed he said, look, man,

1640
01:29:05,760 --> 01:29:09,200
Speaker 5: this this is this is what the industry is. He said,

1641
01:29:09,360 --> 01:29:14,639
Speaker 5: I can't so this chick, she's she's singing her ass off, right,

1642
01:29:14,840 --> 01:29:17,760
Speaker 5: singing her eyes off. Amazing girl. And he's like, look

1643
01:29:17,760 --> 01:29:21,559
Speaker 5: at how many views five point three thousand, five fifty

1644
01:29:21,600 --> 01:29:24,200
Speaker 5: three hundred views he posted on his ship right because

1645
01:29:24,200 --> 01:29:27,920
Speaker 5: he had like this show whatever whatever. Then he pulls

1646
01:29:28,000 --> 01:29:30,479
Speaker 5: up this black dude. I guess it's the new viral

1647
01:29:30,560 --> 01:29:32,840
Speaker 5: theme where like he you know, he's like in this

1648
01:29:33,200 --> 01:29:35,360
Speaker 5: chipping down type of thing, and I don't even know

1649
01:29:35,360 --> 01:29:37,559
Speaker 5: what the hell he's saying, but he's just like doing

1650
01:29:37,600 --> 01:29:42,320
Speaker 5: this dance and it has one hundred and forty thousand views,

1651
01:29:42,640 --> 01:29:44,840
Speaker 5: and Ray Dands just like, this is this is what

1652
01:29:44,880 --> 01:29:47,799
Speaker 5: we are, this is what we like. He's like, don't blame,

1653
01:29:49,000 --> 01:29:51,559
Speaker 5: don't say that it's about the talent. It's just that

1654
01:29:51,600 --> 01:29:55,120
Speaker 5: this is what people want. And he said, look, he said,

1655
01:29:55,120 --> 01:29:57,120
Speaker 5: I approve with you like this. He said the first

1656
01:29:57,160 --> 01:30:00,599
Speaker 5: three weeks that that that that went up right, people

1657
01:30:00,640 --> 01:30:02,720
Speaker 5: were saying, and the com was like, what the hell

1658
01:30:02,800 --> 01:30:04,200
Speaker 5: is this? Get this ship up out of here? Hell

1659
01:30:04,360 --> 01:30:07,320
Speaker 5: not this that And the third he said, now people

1660
01:30:07,400 --> 01:30:11,599
Speaker 5: are saying, where's the song at it's catchy. I like it.

1661
01:30:12,120 --> 01:30:14,280
Speaker 5: And then he was saying that it was perfect marketing

1662
01:30:14,320 --> 01:30:17,720
Speaker 5: because the song's not out. It's on all the tiktoks,

1663
01:30:17,720 --> 01:30:20,160
Speaker 5: the snapchats, all of it is everywhere, but you can't

1664
01:30:20,160 --> 01:30:22,360
Speaker 5: even get the song. So they're driving the mand for

1665
01:30:22,439 --> 01:30:24,360
Speaker 5: the song. But at the end of the day, it's

1666
01:30:24,400 --> 01:30:29,680
Speaker 5: some you know, some junking and driving type ship that

1667
01:30:29,720 --> 01:30:31,439
Speaker 5: people doing dances and stuff too.

1668
01:30:33,280 --> 01:30:35,280
Speaker 3: It is of that clip.

1669
01:30:35,280 --> 01:30:37,120
Speaker 4: I want to I want to see it. I want

1670
01:30:37,120 --> 01:30:43,479
Speaker 4: to revisit this conversation. Get Jeff Cole has food, y'all.

1671
01:30:44,040 --> 01:30:46,000
Speaker 4: He can give you an amazing verse of one song.

1672
01:30:46,120 --> 01:30:48,920
Speaker 4: Then when it comes to creating a timeless song and

1673
01:30:48,960 --> 01:30:51,240
Speaker 4: by extension, an album, he's not that guy.

1674
01:30:51,840 --> 01:30:53,200
Speaker 3: That's where Doc takes it.

1675
01:30:53,280 --> 01:30:58,599
Speaker 1: By miles, he can create a timeless song. It's albums

1676
01:30:58,640 --> 01:31:00,240
Speaker 1: I give you.

1677
01:31:00,800 --> 01:31:03,800
Speaker 2: But nah j Cogan definitely. I mean he got songs

1678
01:31:03,840 --> 01:31:06,479
Speaker 2: that are gonna live the test of time. I mean

1679
01:31:06,920 --> 01:31:10,800
Speaker 2: most of his hit records, like cricket, smile and all

1680
01:31:10,800 --> 01:31:11,240
Speaker 2: that stuff.

1681
01:31:11,280 --> 01:31:14,880
Speaker 1: That stuff is gonna always be be good. Like he

1682
01:31:15,120 --> 01:31:18,920
Speaker 1: has records, that's gonna that's gonna always be out there.

1683
01:31:20,000 --> 01:31:25,000
Speaker 1: He has toomless songs, all right?

1684
01:31:25,320 --> 01:31:26,479
Speaker 3: U up next?

1685
01:31:27,000 --> 01:31:27,320
Speaker 4: Uh?

1686
01:31:27,920 --> 01:31:29,360
Speaker 3: Earle's the new school.

1687
01:31:29,439 --> 01:31:33,840
Speaker 4: He got two waves of Babies with Lucky and these

1688
01:31:34,120 --> 01:31:36,920
Speaker 4: of the World and the mics.

1689
01:31:38,520 --> 01:31:39,840
Speaker 3: Mavi's of the world.

1690
01:31:41,360 --> 01:31:44,800
Speaker 2: I mean because Earl didn't even coin that style. Earl

1691
01:31:44,880 --> 01:31:47,599
Speaker 2: got that from Billy Woods.

1692
01:31:49,240 --> 01:31:53,559
Speaker 1: Mhmm, yeah, I like, but I wouldn't call I wouldn't

1693
01:31:53,600 --> 01:31:55,839
Speaker 1: call him the leader of that of that style.

1694
01:31:56,240 --> 01:32:00,040
Speaker 2: That's definitely like a Billy Woods elucid. Those those he

1695
01:32:00,120 --> 01:32:05,320
Speaker 2: has been doing that type of style, all right.

1696
01:32:05,640 --> 01:32:10,880
Speaker 4: Uh yeah, what what is the new school? I think

1697
01:32:10,880 --> 01:32:13,040
Speaker 4: there's the hunt for the new school. For Earl has

1698
01:32:13,080 --> 01:32:14,680
Speaker 4: been around for a minute, so he can't be the

1699
01:32:14,760 --> 01:32:19,000
Speaker 4: leader of the new school. Doesn't make sense. Imagine alchemists

1700
01:32:19,000 --> 01:32:21,240
Speaker 4: producing a cold project.

1701
01:32:25,080 --> 01:32:27,840
Speaker 3: Okay, it'd be bad, might be all right, Yeah, it'd

1702
01:32:27,880 --> 01:32:28,600
Speaker 3: be nice.

1703
01:32:28,760 --> 01:32:33,080
Speaker 4: He'll hook him up, get youf He has shown to

1704
01:32:33,160 --> 01:32:36,240
Speaker 4: be a technically great rapper, but to say his lyricism

1705
01:32:36,320 --> 01:32:40,160
Speaker 4: is on the level of a Loope's absolutely insane. Cole

1706
01:32:40,320 --> 01:32:42,840
Speaker 4: is never giving you a text on youth, the cool

1707
01:32:43,080 --> 01:32:47,040
Speaker 4: or drogist wave. His most acclaiant album is twenty fourteen

1708
01:32:47,600 --> 01:32:48,639
Speaker 4: Forest Hill Drive.

1709
01:32:48,800 --> 01:32:49,200
Speaker 3: Please.

1710
01:32:50,320 --> 01:32:54,120
Speaker 1: Yeah, nobody's saying that he's an elite lyricist, like like

1711
01:32:54,160 --> 01:32:57,160
Speaker 1: a Loope or Black Thought. I'm just saying that he

1712
01:32:57,200 --> 01:33:00,360
Speaker 1: could rap with those guys because he has the ability

1713
01:33:00,439 --> 01:33:04,120
Speaker 1: to do a lot of different great things, which is rap. Now,

1714
01:33:04,520 --> 01:33:06,960
Speaker 1: he wasn't that what he was saying, but that's what

1715
01:33:07,040 --> 01:33:09,599
Speaker 1: he was saying in it. That's what Cole was saying

1716
01:33:09,680 --> 01:33:13,280
Speaker 1: himself too. Yeah, I get that's what he was saying.

1717
01:33:13,600 --> 01:33:15,160
Speaker 1: I get that was what he was saying.

1718
01:33:15,240 --> 01:33:17,040
Speaker 5: You just don't agree with him saying it.

1719
01:33:18,400 --> 01:33:21,000
Speaker 1: I just don't agree with him because when.

1720
01:33:21,479 --> 01:33:25,200
Speaker 2: People put you as the top rapper for a reason,

1721
01:33:25,240 --> 01:33:29,639
Speaker 2: it's just like jay Z. Jay Z isn't the greatest

1722
01:33:29,680 --> 01:33:32,599
Speaker 2: lyricists of all time, but but people will say that

1723
01:33:32,640 --> 01:33:35,960
Speaker 2: he's number one because of everything else that he does great.

1724
01:33:37,439 --> 01:33:40,519
Speaker 1: But even like like even even Drake, even he says it,

1725
01:33:40,600 --> 01:33:43,559
Speaker 1: he can't. He's not rapping like a common sense, he's

1726
01:33:43,600 --> 01:33:44,320
Speaker 1: not rapping like.

1727
01:33:44,280 --> 01:33:47,840
Speaker 2: A black Dought, but he can still put the words

1728
01:33:47,840 --> 01:33:50,800
Speaker 2: together and he can still make hit records and everything else.

1729
01:33:58,439 --> 01:34:01,599
Speaker 4: Okay, y'all keeping in this little reezy guy. I'm gonna

1730
01:34:01,640 --> 01:34:04,439
Speaker 4: check him out. Should I check him out? I'm gonna

1731
01:34:04,479 --> 01:34:05,040
Speaker 4: check him out?

1732
01:34:05,680 --> 01:34:07,720
Speaker 3: Uh. And I agree with somebody that said, baby chief

1733
01:34:07,800 --> 01:34:13,600
Speaker 3: do it man. Man. The kids listening to him.

1734
01:34:12,160 --> 01:34:16,040
Speaker 4: Uh, it's those Jonathan Ernandez and nosebleed at ya.

1735
01:34:16,200 --> 01:34:21,080
Speaker 3: But staff upgrade me to second floor. Damn. Let's dope.

1736
01:34:21,240 --> 01:34:22,760
Speaker 3: Shout out to Jonathan Nandez.

1737
01:34:22,840 --> 01:34:23,040
Speaker 1: Bro.

1738
01:34:23,640 --> 01:34:29,000
Speaker 3: Have have fun, man, have fun, enjoy yourself, you know

1739
01:34:29,800 --> 01:34:30,760
Speaker 3: at the A thing.

1740
01:34:32,280 --> 01:34:35,200
Speaker 4: Glad you got the upgrade, bro, and uh, you know,

1741
01:34:35,240 --> 01:34:42,800
Speaker 4: hope you catch this afterwards, green beans. Did y'all watch

1742
01:34:42,880 --> 01:34:46,519
Speaker 4: the tank versus Tyree's versus thoughts? No, I did not.

1743
01:34:47,160 --> 01:34:48,559
Speaker 1: But they are acting a fool.

1744
01:34:49,360 --> 01:34:52,880
Speaker 3: I saw a clip rid and yes, you're right, the turtleneck.

1745
01:34:53,720 --> 01:34:58,080
Speaker 1: Turtlenck, the turnnick thing, and then I saw Tyree's talking

1746
01:34:58,080 --> 01:35:01,599
Speaker 1: about Bro, why are you doing too? With the same songs? Like, man,

1747
01:35:01,640 --> 01:35:03,320
Speaker 1: they are acting a fool.

1748
01:35:04,080 --> 01:35:07,680
Speaker 3: As expected, right, it's Tyrese. What do you expected that?

1749
01:35:07,960 --> 01:35:12,240
Speaker 1: Tyrese is crazy? Man, Tyrese is crazy.

1750
01:35:13,680 --> 01:35:14,680
Speaker 3: Yeah.

1751
01:35:14,760 --> 01:35:19,720
Speaker 1: Yeah, I didn't watch it, but my wife did, and

1752
01:35:21,000 --> 01:35:22,120
Speaker 1: yeah she enjoyed it.

1753
01:35:22,320 --> 01:35:23,040
Speaker 5: She enjoyed it.

1754
01:35:27,080 --> 01:35:29,640
Speaker 3: Yeah, I. Uh, so I'm gonna check it out. But

1755
01:35:29,680 --> 01:35:30,160
Speaker 3: what I what?

1756
01:35:30,200 --> 01:35:33,559
Speaker 4: Because Spike and AB talked about in her own deck

1757
01:35:34,840 --> 01:35:37,840
Speaker 4: last week and then we had a no no, no, no.

1758
01:35:38,000 --> 01:35:39,280
Speaker 3: They didn't talk about on the show.

1759
01:35:39,800 --> 01:35:42,880
Speaker 4: It was after they finished recording, but they were telling

1760
01:35:42,920 --> 01:35:45,559
Speaker 4: me about the Tank versus Tyrese because they weren't really

1761
01:35:45,600 --> 01:35:46,479
Speaker 4: romoting it like that.

1762
01:35:47,120 --> 01:35:50,800
Speaker 3: And I was like, Tyrese is gonna Tank don't stand

1763
01:35:50,800 --> 01:35:51,160
Speaker 3: the shot?

1764
01:35:51,240 --> 01:35:53,320
Speaker 4: And that was a debate about whether or not Tank

1765
01:35:53,360 --> 01:35:56,760
Speaker 4: could win and uh and he did not from what

1766
01:35:56,880 --> 01:35:59,680
Speaker 4: I saw because I didn't watch it, but yeah, I'm like.

1767
01:35:59,720 --> 01:36:01,920
Speaker 3: Tank, I like two records and he was like, yeah,

1768
01:36:02,000 --> 01:36:02,760
Speaker 3: we wrote for a lot.

1769
01:36:02,840 --> 01:36:05,000
Speaker 4: We actually have this conversation on deadn in Sports too,

1770
01:36:05,120 --> 01:36:08,320
Speaker 4: like before Dead in Sports as well. So yeah, so

1771
01:36:08,479 --> 01:36:11,840
Speaker 4: but I will go back and rewatch it because I

1772
01:36:12,040 --> 01:36:15,439
Speaker 4: definitely want to talk about it. I watched it before Sunday,

1773
01:36:16,120 --> 01:36:18,880
Speaker 4: uh because I gotta because Spike did not answer my

1774
01:36:18,960 --> 01:36:20,160
Speaker 4: question when I asked him who won?

1775
01:36:21,920 --> 01:36:26,840
Speaker 1: So but he may have been traveling. Everybody's saying yeah,

1776
01:36:26,840 --> 01:36:28,160
Speaker 1: everybody says Tyree st.

1777
01:36:30,120 --> 01:36:30,960
Speaker 3: Yes, what I'm saying.

1778
01:36:33,040 --> 01:36:37,840
Speaker 4: I know my R and B bro, and like, I

1779
01:36:37,880 --> 01:36:40,920
Speaker 4: know how this stuff is gonna go anyway, Uh, just

1780
01:36:40,960 --> 01:36:43,480
Speaker 4: a couple of more. Never mind, give me a Conductor

1781
01:36:43,520 --> 01:36:46,480
Speaker 4: produced cold joint. So we went from alchemist to conductor.

1782
01:36:47,160 --> 01:36:49,479
Speaker 4: So you do like Drake because Drake did the same ship.

1783
01:36:51,439 --> 01:36:54,479
Speaker 1: Yeah, I think Conductor can give him some some good.

1784
01:36:57,479 --> 01:36:59,040
Speaker 5: Honestly, I think that's what Drake should do.

1785
01:37:00,280 --> 01:37:00,639
Speaker 3: He did.

1786
01:37:00,680 --> 01:37:04,200
Speaker 5: I think the next nah, he gave it. It wasn't

1787
01:37:04,200 --> 01:37:07,280
Speaker 5: an official project. I'm saying. I think I think Drake

1788
01:37:07,720 --> 01:37:11,680
Speaker 5: should go on one producer runs. They don't have to

1789
01:37:11,680 --> 01:37:15,000
Speaker 5: be twenty twenty five songs like the normal album. I

1790
01:37:15,040 --> 01:37:17,880
Speaker 5: think because look, part of the reason why people say that,

1791
01:37:18,080 --> 01:37:23,040
Speaker 5: or the industry does like these twenty twenty five song albums,

1792
01:37:23,080 --> 01:37:25,120
Speaker 5: and so that way it gets played like a playlist,

1793
01:37:25,120 --> 01:37:27,559
Speaker 5: like you just play it or whatever my thing is.

1794
01:37:28,000 --> 01:37:31,880
Speaker 5: You can effectively do that by giving us a whole

1795
01:37:31,880 --> 01:37:36,200
Speaker 5: bunch of smaller length one producer joints, and then people

1796
01:37:36,240 --> 01:37:38,120
Speaker 5: will put it on a playlist and it's still gonna

1797
01:37:38,160 --> 01:37:40,759
Speaker 5: get the spins. People are just gonna put the joints

1798
01:37:40,760 --> 01:37:43,840
Speaker 5: that they like together, you know what I'm saying. So

1799
01:37:45,280 --> 01:37:47,479
Speaker 5: to me, I would like to see Drake switch it up.

1800
01:37:47,800 --> 01:37:52,439
Speaker 5: I think one producer run would be nice for Drake's catalog.

1801
01:37:55,560 --> 01:37:59,720
Speaker 1: All right, I don't know, because he Drake needs to

1802
01:37:59,720 --> 01:38:01,559
Speaker 1: rely on the hits.

1803
01:38:05,720 --> 01:38:09,559
Speaker 5: He need to veer off that because the hits ain't hitting.

1804
01:38:10,120 --> 01:38:12,000
Speaker 1: That's not gonna revive his career though.

1805
01:38:12,760 --> 01:38:17,280
Speaker 5: But it's not. It's not about reviving. It's about switching. Like,

1806
01:38:18,960 --> 01:38:21,599
Speaker 5: you gotta do something different, bro, because not heard to say.

1807
01:38:21,760 --> 01:38:24,559
Speaker 5: Think about it, bro, think about it. We've been knowing

1808
01:38:24,560 --> 01:38:26,840
Speaker 5: about Iceman for a minute now, and every time he

1809
01:38:26,920 --> 01:38:29,920
Speaker 5: drops something, what happens? People are not fucking with it.

1810
01:38:31,280 --> 01:38:33,200
Speaker 5: I don't know. I'm just I don't think he could

1811
01:38:33,280 --> 01:38:34,160
Speaker 5: keep doing the same thing.

1812
01:38:38,160 --> 01:38:38,639
Speaker 3: All right.

1813
01:38:38,760 --> 01:38:41,360
Speaker 4: Check out my comed verse on Eastern Gun day two

1814
01:38:41,520 --> 01:38:49,559
Speaker 4: and see if cold can rap like that? That hey man,

1815
01:38:49,640 --> 01:38:52,719
Speaker 4: that you have to clip that cold ship because that

1816
01:38:52,720 --> 01:38:55,439
Speaker 4: that that got the chat. Hey, y'all got some thoughts

1817
01:38:55,439 --> 01:39:03,559
Speaker 4: on that one and last one Cole talks too much?

1818
01:39:03,640 --> 01:39:06,240
Speaker 4: But whatever, we all haven't.

1819
01:39:06,000 --> 01:39:10,639
Speaker 1: Sent what's going on? What's the latest news on Larrussell?

1820
01:39:10,720 --> 01:39:13,439
Speaker 1: Has he came hes he come back to social media yet?

1821
01:39:14,240 --> 01:39:14,920
Speaker 3: I don't think so.

1822
01:39:14,960 --> 01:39:16,759
Speaker 4: They had a million what they call it a million

1823
01:39:16,880 --> 01:39:21,439
Speaker 4: mid March right his mom did a mark for and

1824
01:39:21,560 --> 01:39:22,880
Speaker 4: a couple of people showed up.

1825
01:39:26,720 --> 01:39:29,840
Speaker 2: Then it made this man going to hide, and that's crazy, bro,

1826
01:39:30,560 --> 01:39:32,120
Speaker 2: Well he made himself going to hide.

1827
01:39:32,160 --> 01:39:36,000
Speaker 3: And honestly, yeah, this.

1828
01:39:36,040 --> 01:39:38,559
Speaker 1: Man said, like maybe if I they'll forget about it.

1829
01:39:39,520 --> 01:39:42,160
Speaker 4: Nah, because as soon as you pop up, they're gonna

1830
01:39:42,160 --> 01:39:46,360
Speaker 4: be right back at it. There you go, right, because

1831
01:39:46,400 --> 01:39:49,720
Speaker 4: he didn't, you know, and so but L Russell will

1832
01:39:49,760 --> 01:39:52,040
Speaker 4: be straight because he has his fan base and his

1833
01:39:52,080 --> 01:39:52,960
Speaker 4: community built in.

1834
01:39:53,120 --> 01:39:56,160
Speaker 3: So in terms of that, L Russell is fine.

1835
01:39:56,960 --> 01:40:01,400
Speaker 4: But outside of that, you know, I don't know if

1836
01:40:01,439 --> 01:40:04,800
Speaker 4: this I don't know if he was gaining any traction anyway,

1837
01:40:04,920 --> 01:40:07,320
Speaker 4: because most of the stuff again wasn't about the music.

1838
01:40:07,400 --> 01:40:11,400
Speaker 4: So uh, we'll see. Buadalaloupe. No, I have not listened

1839
01:40:11,400 --> 01:40:12,679
Speaker 4: to Pink Panthers yet.

1840
01:40:12,880 --> 01:40:15,400
Speaker 3: I'm sorry. I will. I do have it written down.

1841
01:40:15,439 --> 01:40:16,800
Speaker 3: I will get to it.

1842
01:40:17,120 --> 01:40:20,120
Speaker 4: I feel like I was setting me up, but I

1843
01:40:20,160 --> 01:40:23,559
Speaker 4: would definitely check it out. And I saw the comment

1844
01:40:24,200 --> 01:40:28,240
Speaker 4: when I said I would have said about Tang's two songs. Look,

1845
01:40:28,280 --> 01:40:30,519
Speaker 4: I know about the other songs he got, and I

1846
01:40:30,520 --> 01:40:32,160
Speaker 4: said what I said for a reason. I know they

1847
01:40:32,200 --> 01:40:35,080
Speaker 4: were hits, the Old Thing or whatever the other ones

1848
01:40:35,120 --> 01:40:40,080
Speaker 4: you want to mention, you know, So so don't don't,

1849
01:40:40,080 --> 01:40:44,840
Speaker 4: don't try me like that. Whoever said that Philly somebody,

1850
01:40:46,680 --> 01:40:49,439
Speaker 4: Philly somebody. Yeah, I had, I already had this whole

1851
01:40:49,439 --> 01:40:53,839
Speaker 4: discussion with with with Tank and all these damn songs

1852
01:40:53,880 --> 01:40:57,479
Speaker 4: he supposedly have and they mentioned all the ones that

1853
01:40:57,520 --> 01:41:01,280
Speaker 4: you're probably going to mention. I've already had this discussion anyway.

1854
01:41:01,360 --> 01:41:03,320
Speaker 4: I'm sorry, but yeah, we're done, man.

1855
01:41:05,760 --> 01:41:06,400
Speaker 1: That's what's up?

1856
01:41:06,479 --> 01:41:09,519
Speaker 2: Man, Look man as always, man, thank y'all for coming

1857
01:41:09,520 --> 01:41:10,760
Speaker 2: in and tuning into.

1858
01:41:10,800 --> 01:41:12,240
Speaker 1: Another Dead and hip Hop Live.

1859
01:41:12,320 --> 01:41:12,519
Speaker 7: Man.

1860
01:41:12,560 --> 01:41:14,240
Speaker 1: Like I said, we wanted to give y'all a taste

1861
01:41:14,720 --> 01:41:17,439
Speaker 1: of the new newest thing that we started was the

1862
01:41:17,520 --> 01:41:19,000
Speaker 1: Dead and hip Hop podcast.

1863
01:41:19,120 --> 01:41:21,960
Speaker 2: We officially have watched the podcast and you can listen

1864
01:41:21,960 --> 01:41:25,479
Speaker 2: to that wherever you get your podcasts. Also, if you

1865
01:41:25,479 --> 01:41:27,880
Speaker 2: want to see the video version of this podcast, go

1866
01:41:28,000 --> 01:41:31,880
Speaker 2: to our Patreon page patreon dot com.

1867
01:41:30,960 --> 01:41:34,120
Speaker 1: For Slash Dead Dead in hip Hop.

1868
01:41:34,720 --> 01:41:37,240
Speaker 2: We also dropped clips here on the channel, so make

1869
01:41:37,240 --> 01:41:40,240
Speaker 2: sure you subscribe to the channel to catch some of

1870
01:41:40,280 --> 01:41:45,200
Speaker 2: those clips from the podcast. But yeah, man, this has been,

1871
01:41:45,760 --> 01:41:47,320
Speaker 2: like I said, another Dead in hip Hop Live. Thank

1872
01:41:47,320 --> 01:41:49,040
Speaker 2: you as always for the super chests, thank you for

1873
01:41:49,080 --> 01:41:52,960
Speaker 2: the members, and yeah, did anything else y'all want.

1874
01:41:52,880 --> 01:41:55,480
Speaker 1: To say before we hit out.

1875
01:41:55,880 --> 01:41:57,960
Speaker 3: No, that was fun. Yeah, that's fun.

1876
01:41:58,000 --> 01:42:00,920
Speaker 1: All right, cool, all right, cool, all right man. We

1877
01:42:00,960 --> 01:42:02,720
Speaker 1: will catch you guys next week and then being on

1878
01:42:02,800 --> 01:42:05,320
Speaker 1: the lookout for stuff that's dropping on the channel. Peace.

1879
01:42:06,280 --> 01:42:08,639
Speaker 3: Peace, Peace,