Speaker 1: The Frans per Second Podcast.
Speaker 2: Alrighty, welcome to the France per Second. Alight, right, he's
Speaker 2: starting this all real white.
Speaker 1: I don't know I was a I love Lucy. Yeah,
Speaker 1: I never knew that. He used to say it all
Speaker 1: the time. Yea some crazy ship. Yeah it's I ain't
Speaker 1: gonna say what. It's really offensive what I say. In
Speaker 1: addition to oh my god.
Speaker 2: All right, we are here to review the nineteen ninety
Speaker 2: six film far Ago. Welcome to the France per Second Podcast.
Speaker 2: I am Spike lou here with me. I have Mike
Speaker 2: c Town Yo, I have Rod, and I have Ken.
Speaker 1: Yeah I did.
Speaker 3: Oh, I get it?
Speaker 2: Yeah Bett, all right. So Fargo as a nineteen ninety
Speaker 2: six film. It's a black comedy crime film by the
Speaker 2: Coen Brothers. And I don't mean black as in for
Speaker 2: that dark, dark dar dark comedy.
Speaker 3: What they call it dark comedies, but back then they
Speaker 3: refer to it.
Speaker 2: So it's about a car salesman who hires true criminals
Speaker 2: to kidnap his wife. I'll go around the room first,
Speaker 2: ro what'd you think about Fargo.
Speaker 4: I'd never seen this before, and I used to see
Speaker 4: it like I wanted.
Speaker 3: I was just to rent it.
Speaker 4: Or whatever, and I just never got around to like
Speaker 4: written it. It's like one of those that I've always
Speaker 4: wanted to see. So I'm glad again that this was
Speaker 4: nominated because I was like, Okay, now I can finally
Speaker 4: watch this movie.
Speaker 3: And so, yeah, I liked it. I liked it.
Speaker 4: They did a really good job with composition here, they
Speaker 4: did a really good job, uh with story, and yeah,
Speaker 4: I enjoyed it.
Speaker 3: I thought I thought it was good. I thought it
Speaker 3: was good. What do you think? No, damn, you're trying
Speaker 3: to get us back for that Mummy.
Speaker 1: I'm not. I'm not. I reverse, I'm not. I don't
Speaker 1: think it was bad. I did not know it was
Speaker 1: a comedy. Going again my expectations of what they've said
Speaker 1: about this movie, because it's supposed to be one of
Speaker 1: the ones classic et cetera, et cetera. I think it's
Speaker 1: been in Top something film or whatever whatever the number is,
Speaker 1: you know. So and then I think the one thing
Speaker 1: I saw, like in the description was that it was
Speaker 1: like a crime movie. So I'm thinking of it's gonna
Speaker 1: be some mob bosses and ship like that. So when
Speaker 1: this ship kept being all silly and goofy and kind
Speaker 1: of all over the place. I was really throwing off
Speaker 1: about why people enjoyed this, especially with the yeah you
Speaker 1: bet you all the other ship, which was you know
Speaker 1: I saw after it was a play on how I
Speaker 1: guess wherever they are supposed to be. Yeah, yeah it is.
Speaker 3: It's a little exaggerate. Yeah yeah, they dude, say, are you.
Speaker 1: Like, oh my god, what are we doing? And why
Speaker 1: is this a classic? That was really the thing. Why
Speaker 1: is this a class?
Speaker 2: I feel like this had a similar thing for you,
Speaker 2: like No Country for Old.
Speaker 1: Men very much.
Speaker 2: So, yeah, everybody was talking about it and then you
Speaker 2: see it, You're like this, yes it is.
Speaker 1: I'm sorry that contest. Yes it was, But I like you, Rod,
Speaker 1: I wanted to watch it mainly because the two of
Speaker 1: them talk about that TV show and and I was like, Okay,
Speaker 1: there's something to this Fargo thing because all the white
Speaker 1: people talk about this damn movie and Spike, so I was.
Speaker 2: Like, I need, I need to see this damn movie,
Speaker 2: you know.
Speaker 1: But yeah, I walked away.
Speaker 3: I was.
Speaker 1: I really wasn't that impressed. I didn't think it was trash.
Speaker 1: I just was not impressed at all.
Speaker 3: Interesting, Mike, what you think I love this movie?
Speaker 1: Yeah?
Speaker 5: This is this is great. I haven't seen I'm trying
Speaker 5: to think. I don't think I've seen any other Coen
Speaker 5: Brothers movies, but this one is I yeah, this.
Speaker 1: Is really Oh the Coen Brothers have a name, right.
Speaker 3: Yeah, very popular. Oh, brother, we're art thou on. I've
Speaker 3: never watched any of that.
Speaker 1: Ship I've seen.
Speaker 3: They didn't do No Country.
Speaker 5: No, yeah, I've seen they did. I thought they only
Speaker 5: did like goofy comedies.
Speaker 3: They I did not realize that.
Speaker 1: And that was the other thing. When I saw that
Speaker 1: they did it afterwards, I was like, oh, they they
Speaker 1: have a name. So now I was able to see
Speaker 1: why people are hype when they're getting behind movies, you know,
Speaker 1: because this was one of the ones that I guess
Speaker 1: is added to their You didn't see Raised in Arizona
Speaker 1: and I liked. I like Arizona.
Speaker 5: I guess I've just never really seen the really like.
Speaker 5: Like I said, like, oh, brother, We're art thou It
Speaker 5: just doesn't look like something I would like.
Speaker 1: I don't think you would. It's a comedy too.
Speaker 2: I didn't know they did a bad sensor and the
Speaker 2: white people's favorite The Big Lebowski if you ever heard
Speaker 2: of it.
Speaker 3: No, my girlfriend talks about it all the time. I've
Speaker 3: never watched it.
Speaker 5: Like the dude I don't know really likes it, but
Speaker 5: she's always makes references.
Speaker 3: To this guy. It's like your opinion, bro, I guess
Speaker 3: that's from the movie.
Speaker 1: Yeah, yeah, that's another. That's another one that gets put
Speaker 1: on the pedal.
Speaker 3: Yeah, the big lebo.
Speaker 1: Yeah, they love You're right, they love that movie, bro.
Speaker 5: I like I got a big little I know. I
Speaker 5: told her that. I told you, I'm sick of y'all.
Speaker 3: Be like, have you seen the movie?
Speaker 1: Right?
Speaker 3: Yeah?
Speaker 5: Yeah, most people don't do that, Spike. It's only you.
Speaker 1: I wouldn't. So you say you like it?
Speaker 3: Yeah, I liked it.
Speaker 2: I liked it more than the first time than I
Speaker 2: did this time around.
Speaker 3: It didn't. It didn't. It was still good. I still
Speaker 3: enjoyed it.
Speaker 2: But I remember the first time watching it, I was
Speaker 2: like because I just wasn't expecting it to be what
Speaker 2: it was, and it was like, this is fine.
Speaker 3: Uh one of them minisodi is.
Speaker 2: Yeah yeah, but all of that stuff, like before I
Speaker 2: had seen it, even the dialogue, the yeah, like all
Speaker 2: of that was fired to me the first time I
Speaker 2: watched it.
Speaker 3: But I seen it the second time, I was like, Okay,
Speaker 3: I expect.
Speaker 2: That, but it's good in the show too, Like it
Speaker 2: renewed that when I watched the show, because they do
Speaker 2: a similar thing in a couple of the seasons in
Speaker 2: the shows.
Speaker 3: It's just good.
Speaker 1: Yeah. I wanted to watch the show because they talk
Speaker 1: about how good the show is.
Speaker 3: You can stop after season two, and I.
Speaker 1: Remember what you're saying that, and then it had and
Speaker 1: then I remember being attached to you know this movie.
Speaker 1: So I just wanted to catch up on culture.
Speaker 3: Yeap. It reminds me of like Canadian how they talk from.
Speaker 2: Same same yeah thing region. So what did you guys
Speaker 2: think about? We beat mister Loungard and he's walking into
Speaker 2: a ball where two we found out Hitman had been
Speaker 2: waiting on him. What did y'all think about the conversation
Speaker 2: between Lunguard and It hit me they had been waiting
Speaker 2: since seven thirty and he got there day thirty.
Speaker 5: It was just indicative of his personality of just just
Speaker 5: being a fuck up. He's like, oh, col sworn, I
Speaker 5: swore just sex thirty said seven thirty, well sworn, Yeah,
Speaker 5: just him going back and forth.
Speaker 3: I liked it.
Speaker 1: I thought they were fucking with him. I thought that,
Speaker 1: you know, they were gonna be like, oh no, we
Speaker 1: just messing with you, man. It was it was it
Speaker 1: was eight thirty whatever the time was.
Speaker 3: I think they fucked I.
Speaker 1: Didn't know they were really serious that he did at
Speaker 1: the time.
Speaker 3: Same, I didn't know it was. I ain't know. It
Speaker 3: was like a serious time mess up.
Speaker 2: I thought I thought that they were serious, but I
Speaker 2: thought they fucked up the time. Yeah, I thought they
Speaker 2: were supposed to be there eight thirty, but they just
Speaker 2: got there seven thirty. Yeah.
Speaker 1: Uh.
Speaker 3: Did y'all like the two hit men on first? I
Speaker 3: like the quiet one. Yeah, yeah.
Speaker 2: He kind of looked like Ryan Goslin in a warped boy.
Speaker 1: That's all.
Speaker 3: That's funny.
Speaker 1: That's funny, that's crazy.
Speaker 3: No, I like them. I like them.
Speaker 4: I mean I've always liked. I forgot, I don't know
Speaker 4: his name, the man got with the messed up t
Speaker 4: the funny looking fella, Yeah yeah, always that fella.
Speaker 3: Yeah, the little fella, the little fellow, the little one
Speaker 3: is a little one, all right.
Speaker 2: So from there we hear the conversation. We hear what
Speaker 2: missus Lunguard is trying to do. He's trying to get
Speaker 2: his wife kidnapped, but he's trying to take the ransom
Speaker 2: money and split it with them. Nothing bad, nothing, the
Speaker 2: fair is gonna happen. It starts just like an episode
Speaker 2: of Dateline, like they're expecting this one thing to happen
Speaker 2: and people end up dead. From from there, mister Lungguard
Speaker 2: goes to the car dealership. He gets a phone call
Speaker 2: about a three hundred thousand dollars loan that he just secured,
Speaker 2: but he gave them fake serial numbers on the car.
Speaker 2: He also has a conversation with the mechanic about the
Speaker 2: two dudes that he meant and one that he didn't
Speaker 2: vouch for. The mechanic makes clear to himself, you spoke
Speaker 2: a little bit about this as we got into it, Mike, Like,
Speaker 2: are they building a good case for us to see
Speaker 2: that mister Lunguard is really just the fuck up?
Speaker 5: Yeah, Yeah, that's that's evident from the beginning. He's just
Speaker 5: a fuck up, and it's I mean, it's clear he
Speaker 5: doesn't know what he's doing. He's just fumbling around, but
Speaker 5: he's I forgot why he needed the money.
Speaker 2: He wanted to buy that park a lot, but why
Speaker 2: because he wanted to make more money.
Speaker 3: Okay, so there wasn't like he was just wanted to business.
Speaker 4: Yeah, and he basically like the family his wife's dad
Speaker 4: was was rich, but he wanted his own money.
Speaker 3: That's what it was. That's why I was trying to remember. Yeah, yeah, yeah, yeah.
Speaker 5: He didn't like always having to depend on his wife,
Speaker 5: his wife's dad, so he wanted to have his own money.
Speaker 5: But then he was still kind of depending on him
Speaker 5: because he wanted him to give him that loan or whatever.
Speaker 2: Yes, wanted him invest in his business. Right, nothing reminds
Speaker 2: me of broken.
Speaker 3: Yeah. It was just like you know, the her dad
Speaker 3: was rich, he owned like a whatever he wanted it.
Speaker 3: He told him off. Kid.
Speaker 2: What did you think about long Guard? Did you think
Speaker 2: he was up after these couple of scenes?
Speaker 1: Yeah, And I don't think his voice is like that
Speaker 1: for real, So I think they, you know, intentionally did
Speaker 1: that voice to kind of illustrate that he was like,
Speaker 1: goofy and silly and don't know what the hell he's doing.
Speaker 1: That opening scene was dope. It was just the snow
Speaker 1: and you see the car the headlights. Yeah, that ship
Speaker 1: was dope. That's what I was like, Oh, ship were
Speaker 1: about to be in for some crime mob boss ship.
Speaker 3: Absolutely, you got long guard.
Speaker 1: Yeah, now, ste we got him, all right.
Speaker 3: So we go to the.
Speaker 2: Home there, the wife's there cooking dinner. Dad's stop by visiting.
Speaker 2: He mentioned this business deal that one guard wants to
Speaker 2: do and he wants to look at the paperwork, looks
Speaker 2: at the paperwork, calls him in the next day and
Speaker 2: it's like, how much you want for the Finder Street
Speaker 2: A little buddy, because I'm taking this over from here.
Speaker 3: That was fucked up?
Speaker 1: It was up.
Speaker 3: Yeah, what do y'all have done the same thing?
Speaker 2: If this dude is a poop put I ain't give
Speaker 2: you like he's a what he said, one of the
Speaker 2: best things and he put poo putut?
Speaker 1: What show man you got that from?
Speaker 2: Oh no, I can't remember that dad being said Mike.
Speaker 2: He was like, so you want me to give you
Speaker 2: three hundred thousand dollars and you.
Speaker 3: Make all the money. He made a good point as
Speaker 3: a businessman.
Speaker 5: He did, But I mean I think he put I mean,
Speaker 5: maybe uh, William mas Matson, what's his name again, lung guard,
Speaker 5: lung guard, Maybe he should have presented it more as like,
Speaker 5: let's both go in on this and we can split it.
Speaker 3: But he didn't do that.
Speaker 2: I think he realized his son, like, we just sit here,
Speaker 2: and he realized his son in laws that was it,
Speaker 2: because he was like, every time you get around some
Speaker 2: ship something crazy like I ain't gonna give you three
Speaker 2: hundred thousands.
Speaker 1: Was just on the business ship.
Speaker 5: Yeah, I thought, but if he if he wasn't such
Speaker 5: a funk up, maybe he wouldn't have thought he could
Speaker 5: debo him out of it.
Speaker 1: Would you'll have taken the finals for at least?
Speaker 2: Yes, got to at that point, what else he gonna do?
Speaker 2: What's set up? And kidnapping dog? Yeah, I think you
Speaker 2: take the seventy five and that's got it.
Speaker 3: That's what it is. Well, I think I think it was.
Speaker 4: I mean, well, that gave him reason to not call
Speaker 4: off the the Kidnapper because he was trying to call
Speaker 4: it off because whatever, because he got that he got.
Speaker 3: To mister Lightfoot.
Speaker 1: Yeah, and I thought that was going to be the movie,
Speaker 1: just him trying to do this. He got the money.
Speaker 1: Now the rest of the movies him trying to call
Speaker 1: it off and he was unable to stop it.
Speaker 3: But it was not the case. It was not the case.
Speaker 2: And the two robbers show up at the house can
Speaker 2: and the wife is just looking at a masked man
Speaker 2: laying around her house, out moving and waste to decide
Speaker 2: to jump around once the windows broken.
Speaker 3: How stupid was this? Anybody can take it. I don't
Speaker 3: know how much I want to call it stupid. Just
Speaker 3: go grab the phone.
Speaker 5: I might have been like, what the fuck is this
Speaker 5: dude doing? He must be at the wrong with a
Speaker 5: ski mask?
Speaker 1: Yeah, I would like to think that.
Speaker 3: You wouldn't think.
Speaker 1: Doing with a ski mask and a gun?
Speaker 3: Yeah, he's never gun yet. All he had was what
Speaker 3: the is this dude doing with a ski That's not
Speaker 3: what she would do in the second s.
Speaker 5: I might have waited until he busted the window out
Speaker 5: and then took off my gun, Like I know.
Speaker 3: I might have been like, this motherfucker's at the wrong house.
Speaker 5: The audacity, the nervous Yeah, the audacity and broad daylight
Speaker 5: to come roll up on my house like this.
Speaker 1: You must be at the wrong You must be right.
Speaker 3: That's what I would have That's really what I would
Speaker 3: have thought. If it was nighttime, i'd have already got
Speaker 3: the blaky but it's a broad daylight. I would have
Speaker 3: been like, what is he doing fuck y'all.
Speaker 5: You see the Jack City Man broad Day, that's true.
Speaker 5: I don't know, I don't know. I didn't really think
Speaker 5: she was stupid. I thought she's just one of those
Speaker 5: white people that just like they're not used to crime.
Speaker 4: Used to crime in Minnesota. I mean, yeah, yeah, I
Speaker 4: can see that. Oh yeah, Minnesota definitely has something, let's
Speaker 4: be clear.
Speaker 1: But as she was just ignorant. And then I don't
Speaker 1: even know how the water was dripping in the shower
Speaker 1: unless she just bumped it or whatnot. But yeah, I
Speaker 1: was wondering.
Speaker 3: I thought he's seen something.
Speaker 1: I said it on the captures, water dripping.
Speaker 3: I missed that times she wounded back. That was smart.
Speaker 3: She had me food, Yeah I did. I was seeing
Speaker 3: this in the movie several times.
Speaker 1: Yeah, that was food. I didn't think she was I
Speaker 1: didn't think she was in the shower until the way
Speaker 1: the shower said, and you saw the shower in the back.
Speaker 1: I thought she was in the thing next to the
Speaker 1: shower and like that cabinet thing. I thought that's what
Speaker 1: she was hiding. But I knew she didn't go ass
Speaker 1: out that window because she just said and watched the
Speaker 1: motherfucker come through the winter. She ain't that God damn smart,
Speaker 1: that's true.
Speaker 3: So they kidnapped her, put in the truck.
Speaker 2: She shower though she was yelling coming out there and
Speaker 2: filled out, was lacked.
Speaker 3: I thought she was gonna kill herself, right, I thought
Speaker 3: that's what I thought she was too. I thought she
Speaker 3: was dead.
Speaker 1: I thought she was killed, and she ain't moved, like
Speaker 1: damn killed this damn woman.
Speaker 3: Men.
Speaker 2: But she wasn't dead. So they got her in the car.
Speaker 2: They're taking her away. They wanted to take her and
Speaker 2: cop season. These two idiots forgot to put plates on
Speaker 2: the car. Not one idiots, one idiot, but the second
Speaker 2: one didn't not knowing the way an' no when no place.
Speaker 2: But still there's no plates on the car to get
Speaker 2: pulled over for temporary tags.
Speaker 3: Y'all haven't seen this. What did y'all think was gonna
Speaker 3: happen right here?
Speaker 1: I didn't think this is gonna happen.
Speaker 3: Yeah, I did not know that this was that type
Speaker 3: of movie.
Speaker 2: Yeah, because it had been funny up to this point.
Speaker 2: You don't expect it, okay.
Speaker 3: Yeah, I didn't.
Speaker 4: I want to expect him that for him to shoot
Speaker 4: him like that and then fucking blood. I was like, oh, okay,
Speaker 4: well damn so so yeah that that quickly changed.
Speaker 3: This movie and I was just like, damn.
Speaker 4: And then motherfucking people that was riding passed, he looking like.
Speaker 2: You like he's mashed off to get them. Think twice
Speaker 2: about he really about to really about to go chase
Speaker 2: them down. Yeah, that's what we got to cover from. Yeah,
Speaker 2: the other movie. I knew that cop was good and dead.
Speaker 2: I didn't know how he was gonna kill.
Speaker 1: Him, but yeah, yeah, yeah, yeah, yeah, I know, especially
Speaker 1: once he said the tags were messed up and jacked up.
Speaker 1: The only thing that gave me slight pause was I
Speaker 1: thought he was gonna take the fifty.
Speaker 4: Dollars when he tried to bribe him a little subtle
Speaker 4: sit he was saying.
Speaker 3: He said, you know, we could just take care of this.
Speaker 3: He was not good at that.
Speaker 1: He was like, y'all, don want to go through ass
Speaker 1: out the car man. He's dumb ass, bro. And then
Speaker 1: yeah he was. He was worthless because he couldn't even
Speaker 1: drag the body to, you know, to cover it up.
Speaker 1: But yeah, when he I thought it was no, they
Speaker 1: didn't drive off. Did they try to drive off the
Speaker 1: road and crash or.
Speaker 3: They were going too fast.
Speaker 5: They were trying to drive away fast and get away,
Speaker 5: and they just wrapped. Which is another thing I like
Speaker 5: about this movie, because I mean, that's realistic as fuck.
Speaker 3: The fact that Buddy left his girl in the car
Speaker 3: and the.
Speaker 1: Still drive.
Speaker 5: Maybe, but then again, maybe he thought he would divert
Speaker 5: and lead the guy away, but it.
Speaker 1: Looked like he was just running away. He ain't care
Speaker 1: about this girl, y'all.
Speaker 3: Y'all, y'all want no girl like that.
Speaker 1: Why why are.
Speaker 3: You asking that?
Speaker 2: You said you ranged gunman, I'm just asking just wondering, right, No,
Speaker 2: I would have definitely not left her.
Speaker 3: Yeah, No, So we got three people right back.
Speaker 2: So we got three people dead there, and from the
Speaker 2: three homicide scene we meet March, that's four people.
Speaker 5: Because wasn't there somebody in the passenger sat of the
Speaker 5: cop car?
Speaker 3: Am I making that up up? Yeah?
Speaker 2: It was just a cop and the two bodies in
Speaker 2: another car. I thought there was two cops in the
Speaker 2: car just because somebody would have they would have to
Speaker 2: shoot the other one, and I thought they did.
Speaker 1: Know what you're thinking about the bride, Yeah, because it
Speaker 1: is funny.
Speaker 3: You're right, That's what I'm thinking of before I even
Speaker 3: get there.
Speaker 2: On the car ride to there, they're going through this
Speaker 2: whole spiel with him, Steve Beshemian telling his character like,
Speaker 2: you ain't said nothing, and they did. They do a
Speaker 2: good job of setting the other character up as a
Speaker 2: psychle by showing he don't talk.
Speaker 1: Always like that.
Speaker 3: Yeah, yeah, I didn't. And he was smoking the hell
Speaker 3: out that didn't need it?
Speaker 1: Then, Yeah, I think they did a good job of
Speaker 1: trying to go and establish that.
Speaker 3: I did like it, you know, anything either then was
Speaker 3: just go inside. It was silence.
Speaker 2: He was smoking the hell out of them cigarettes too,
Speaker 2: Like that was insane how many cigarettes he was smoking.
Speaker 2: But back to March. We meet March. She seems like
Speaker 2: a pretty, you know, sharp cop. Did y'all like Barge
Speaker 2: on the introduction?
Speaker 1: Right?
Speaker 3: Did you like Mark?
Speaker 1: Hell?
Speaker 5: Yeah, March is March is my girl, pregnant his hell
Speaker 5: on the job and I don't really even like cops.
Speaker 3: I like this cop. She was all right and March
Speaker 3: do it for you? Can you bet?
Speaker 1: This is when the movie started the.
Speaker 3: Term for me, Damn, are you really like to show.
Speaker 1: That I was? I was okay with like the introduction
Speaker 1: of March, you know, because they're new characters. So you're
Speaker 1: showing like you're you're introduced her to her personality type
Speaker 1: through the husband. You know, I want to I'm gonna
Speaker 1: make your bags hunt and stuff like that. So and bye.
Speaker 1: By now the tone is sort of being established. But
Speaker 1: it felt like from here they really doubled down on
Speaker 1: the tone because we spent a lot of more time
Speaker 1: with her and her interactions and other stuff that was happening.
Speaker 1: So yeah, as it went on, like and like and
Speaker 1: that's that's the one. I'll tell you when I was like, Okay, nah,
Speaker 1: this ain't the movie that I thought, because because once
Speaker 1: they killed the three people, I'm like, oh, ship, we
Speaker 1: offer running now, hick, come March. They're gonna be running
Speaker 1: from March. So we gotta we gotta, we gotta hunt
Speaker 1: to get this woman. And she's you know, but it it,
Speaker 1: it did not go where I thought it was gonna go.
Speaker 3: Did you like March?
Speaker 1: Yeah?
Speaker 3: She was fine.
Speaker 4: I thought she was a little too good as a
Speaker 4: as a cop a woman.
Speaker 3: But she's pregnant.
Speaker 2: Oh you don't think pregnant women would be.
Speaker 3: She was too good to be a dame.
Speaker 1: Wasn't she over the police department or something?
Speaker 3: You mean to tell me, this was the chief. They
Speaker 3: don't make broad too good. God's fucking crazy.
Speaker 2: That's fucking swimming Mellope cruise went through and uh, people
Speaker 2: like damn like that what I mean by they made
Speaker 2: it too good? I don't think I would have to
Speaker 2: explain this, but it's like for the.
Speaker 4: For the movie, like it's just like you didn't give
Speaker 4: us anything like to like you just PLoP her in
Speaker 4: this and then she's just I don't have no history.
Speaker 3: With this, like this is it?
Speaker 1: Though?
Speaker 2: This was establishing that foundation that she's really good. That's
Speaker 2: why they called her. Who Yeah, she was in bid
Speaker 2: with her husband's dude couldn't figure it out and she
Speaker 2: had to give somebody couldn't figure it out and brought her.
Speaker 2: Maybe I missed that, Okay, so that makes sense.
Speaker 4: I'm like, why don't she just jump on the scene
Speaker 4: and she just fucking ace detective Damn, Like I need
Speaker 4: some type of lead up.
Speaker 3: But if it was a dude that other than it
Speaker 3: was elbow, the chief in her name didn't really just
Speaker 3: read out.
Speaker 2: I was just like, I need you, I know you,
Speaker 2: the chief believe I still need thought she was Native
Speaker 2: American or some ship.
Speaker 3: He didn't think he ain't no way, ain't no way.
Speaker 3: This broad as a fucking chief of belief that the
Speaker 3: nation chief. At the very.
Speaker 2: Most, Marge identifies everything. She pretty much pushed together. You
Speaker 2: know how the crime worked, what happened. And then we
Speaker 2: go back to mister what's his name again?
Speaker 3: Which guy?
Speaker 2: Lounder guard London Guard is talking to his stepdad about
Speaker 2: the ransom money.
Speaker 3: It has to go through me. I don't want to
Speaker 3: talk to anybody else.
Speaker 2: No, this is my thing now, you won't ruin it.
Speaker 1: This is my wife.
Speaker 3: He should have been like, what's your money?
Speaker 1: But and my daughter too? Right, Bro, you're talking to
Speaker 1: did you like this boy?
Speaker 3: Kid? And I did? Where you signing with the dad
Speaker 3: or the husband?
Speaker 1: Oh? Well, I mean I was signing with the dad.
Speaker 1: You know this? Yeah, Like you said, this is my
Speaker 1: money and my daughter and you don't have the money,
Speaker 1: so you know. And I know the rules of marriages
Speaker 1: once they marriage is responsible whatever, but don't matter right there, b.
Speaker 5: Yeah, Nah, that's always my daughter. It might not always
Speaker 5: be your wife, right right.
Speaker 1: Yeah, you had nothing to do with that, but nah,
Speaker 1: I like the sort of paranoia that it showed. Also earlier,
Speaker 1: how you know they already had signed him anyway. So
Speaker 1: now here's this thing that he can assert real, true
Speaker 1: control over because the life of the dart, of the
Speaker 1: thing he cares about the most is at stake here.
Speaker 1: So he had enough leverage to hold him off even
Speaker 1: though the guy wanted to call the cops, you know
Speaker 1: as well, but he had the right idea to call
Speaker 1: the cops, and you know, he and this seemed like
Speaker 1: he was all that concerned too. It was like, and
Speaker 1: it's one hundred million dollars, what are we talking about,
Speaker 1: Like there's a lot of money, the professionals, all the
Speaker 1: professional in which he you know, not dealing with this
Speaker 1: fucking idiot.
Speaker 2: I guess because the movie watches and we're watching it
Speaker 2: from this lens, and we know he just seemed super
Speaker 2: guilty of that conversation to me, like it seemed like
Speaker 2: he was giving himself away, like I gotta do it.
Speaker 3: No, no, no, no car the police. No. I thought it
Speaker 3: was because I thought the dad was trying to not
Speaker 3: give him all the money. Well, he did want to negotiate, Yeah,
Speaker 3: give him less.
Speaker 2: That's why I was like, no, they might take five honey, No,
Speaker 2: are you.
Speaker 3: Was wed him? Might him down?
Speaker 5: Wed that ship? Was weird, that's my daughter. But I'm
Speaker 5: gonna haggle. You don't haggle with fucking kidnappers.
Speaker 3: What are you doing, Roger?
Speaker 1: What you.
Speaker 3: Say?
Speaker 4: He's probably used to doing it and think he could
Speaker 4: get away with with with.
Speaker 3: A criminal as well, And yeah, no, it don't work that.
Speaker 4: Way, which related to say, see that that's gonna be
Speaker 4: his the mind because again he just thinks he you know,
Speaker 4: money talks and he's always in charge.
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Speaker 2: So we get that he's gonna chet up everything to
Speaker 2: go to the cabin where he had his wife head
Speaker 2: at this point in time, watching the movie Ken o'
Speaker 2: roger first time, Sai. Did y'all think something was gonna
Speaker 2: go wrong with the kidnapping?
Speaker 1: I mean, yeah, it was clear as day by. Now
Speaker 1: we see that one don't know what the hell they're doing.
Speaker 1: We see the other as a psycho. We saw them
Speaker 1: basically playing with their foods order when she got out
Speaker 1: of the car, and they just watched her stump, which
Speaker 1: was funny.
Speaker 3: That was funny.
Speaker 1: I don't know, I probably would feel like I would
Speaker 1: do the same thing.
Speaker 5: Watch see hold on, just wait wait this way that.
Speaker 3: I just I was waiting for.
Speaker 1: I was that's what the house house?
Speaker 4: Yeah yeah, because he had already fell down the stairs
Speaker 4: doing the same ship.
Speaker 1: Yeah but nah, yeah, this this was definitely gonna go wrong.
Speaker 3: Did you think the same thing right?
Speaker 1: Yeah? Yeah, I knew something was gonna happen.
Speaker 4: They they had already been messing up this mission to
Speaker 4: begin with, so yeah, I knew something was gonna happen.
Speaker 2: Now because they had to kill three people on the way.
Speaker 2: Kidnappers called mister London Garden and be like, we need
Speaker 2: more money, we need a flat out a million, And
Speaker 2: from that point the dad wants to take over the
Speaker 2: negotiation and I want to pull up you out of
Speaker 2: you you go back to the bullpen son is what
Speaker 2: he told.
Speaker 3: Us because he was on the other phone.
Speaker 1: Listen.
Speaker 3: Yeahah, he was like, it's over with back in the day,
Speaker 3: you can do that on the line in the house.
Speaker 1: I want to get the numbers right. So the first
Speaker 1: dollar on the table was eighty thousand, and.
Speaker 3: They were gonna split the forty forty.
Speaker 1: Yeah, it turned into when Lunsguard talked to the dad,
Speaker 1: a million, okay, but the.
Speaker 3: Guy turned it turned to five hundred thousand and then
Speaker 3: went to a minute.
Speaker 1: It turned to five hundred thousand, but the people that
Speaker 1: did the kidnapping didn't know it was it was all
Speaker 1: it was for them. It was still eighty thousand, so
Speaker 1: he was gonna keep the rest and forty thousand. So
Speaker 1: did he ask for more money because of what they
Speaker 1: did earlier? Then, No, Lunsford. Did he raise the amount
Speaker 1: because of the parking lot deal?
Speaker 2: Yeah, because now he was boxed out and wasn't gonna
Speaker 2: even get anything from the law, so he wanted to
Speaker 2: do the deal on his own.
Speaker 1: That finders fee could have been close to that forty thousand, though,
Speaker 1: depending if it was three hundred whatever, the still was
Speaker 1: seventy five you even depending on what the percentage was
Speaker 1: through the math. But okay, so it went from eighty
Speaker 1: to five hundred thousand to a mini and the kidnappers
Speaker 1: were the ones that raised it to a meal.
Speaker 3: Yep.
Speaker 1: Okay, so they bruh, you can't go from eighty thousand
Speaker 1: dollars to a million dollars.
Speaker 2: Three people did, nah, man, they know what thousand? He
Speaker 2: told them that her dad got money. So now they're thinking,
Speaker 2: all this would be a big look for us if
Speaker 2: your dad got money or do anything.
Speaker 3: Let's shoot for the move.
Speaker 1: Yeah, well, how do you know he had a million? Though?
Speaker 1: That's a good point, you know, you went from like
Speaker 1: eighty thousand, yeah, but a million. But anyway, okay, I
Speaker 1: just want to make sure I was right on that.
Speaker 1: I was clear on that.
Speaker 3: Oh ro I didn't thank for you on that all.
Speaker 1: Right.
Speaker 2: From there, March goes up to the Twin Cities, so
Speaker 2: follow up on the lead and she runs into Jerry.
Speaker 2: Do you think that she thought that he was up
Speaker 2: to something? And this is when she goes up and
Speaker 2: she talks to him at the car lot and he
Speaker 2: just first she talked to lightfoot.
Speaker 1: Oh yeah, step lightfoot.
Speaker 3: Yeah.
Speaker 2: Did she go talk to Jerry and he's nervous being
Speaker 2: his typical self. Roger said, you don't know if she
Speaker 2: was good police. Do you think she was picking up
Speaker 2: on anything right here?
Speaker 3: Oh?
Speaker 4: Absolutely, yeah, yeah, yeah she was. And it was just
Speaker 4: a little pressure. It wasn't even like no heavy pressure.
Speaker 4: Like he was just that bad at hiding that something's up.
Speaker 4: So so yeah, yeah he was. He was a horrible liar.
Speaker 2: He wanted them people to arm pitch, probably swear a lot,
Speaker 2: like you'd be sitting there talking to him. The next
Speaker 2: thing you know, it's her whole shirt, it's like wet
Speaker 2: on the side. He seemed like one of those people.
Speaker 1: But it all makes sense, right, He's never done anything
Speaker 1: like that. He's clearly a buffoon, but right now we
Speaker 1: know that. So for him, he would not know how
Speaker 1: to finagle this. And we saw earlier with the with
Speaker 1: the serial numbers, he couldn't even get that lost straight. Shit.
Speaker 2: It was one more that that motherfucker just went mute
Speaker 2: like he ain't even saying that.
Speaker 3: She was like mis she didn't know what she said.
Speaker 3: Mister Linderguard, mister Linderguard.
Speaker 1: He checked out yeah, and Danny Love.
Speaker 3: That was that was Nick get to that.
Speaker 1: Mike.
Speaker 2: Did you think she figured out mister lounderguard the first
Speaker 2: time she made him?
Speaker 3: Oh?
Speaker 5: Yeah, he knew he was involved because he's not yet like,
Speaker 5: I agree with you one hundred percent. He definitely seems
Speaker 5: like the type that would have the whole sign and
Speaker 5: shirt and around his chest and is wet because he's
Speaker 5: sweating so hard.
Speaker 3: He's he was not good at any of this. He
Speaker 3: wasn't really good at anything.
Speaker 5: I think this is after the part where that the
Speaker 5: guy punk him about the car, the Truth, the True Seal.
Speaker 3: He's like, I don't want the true sea. You told
Speaker 3: me eleven five or nineteen five told me nineteen Jore,
Speaker 3: that's what it is. Just a liar. That's how I
Speaker 3: go to man. And then they'll be like, well, let
Speaker 3: me go talk to mine, and the same thing you say, man,
Speaker 3: he said, I'm going to the Flyers.
Speaker 1: Game went from a leven he said, he said, I
Speaker 1: can knock off one hundred dollars for you, bro.
Speaker 3: That was crazy.
Speaker 5: That's off the truth and stuff I don't want. And
Speaker 5: I told you I told you I didn't want.
Speaker 1: Yo that.
Speaker 3: It was crazy because it because because.
Speaker 1: They do that ship.
Speaker 3: That was that was so spot on.
Speaker 1: When you do that ship.
Speaker 3: And they tld me they got to go talk to
Speaker 3: the management.
Speaker 2: Let me go fly. He's never done this before, but
Speaker 2: he file from him. Man, they mayboul have drug me
Speaker 2: out of there. Bro, I hated.
Speaker 3: I'm so glad of like the car, Bro car straight
Speaker 3: on line.
Speaker 1: You don't have to go in there.
Speaker 2: So they questioned lightfoot, but this was I still don't
Speaker 2: know because I've watched a long time ago. Of course
Speaker 2: this time, which one of them did he vouch for
Speaker 2: the mechanic?
Speaker 3: Was it funny looking a big Actually I couldn't.
Speaker 2: That's what I thought too, until we get to the
Speaker 2: other scene, which other saying I'll get to it. Totally
Speaker 2: get you good glad you asked before I get to that.
Speaker 2: Another thing that confused me was the Marge and Mike situation.
Speaker 2: This just felt like from another movie. And Mike was
Speaker 2: the Asian guy that she meant for dinner that always
Speaker 2: had a crush on her.
Speaker 3: You gotta describe as the Asian man because he's the
Speaker 3: only Asian. I mean, it's been a guy.
Speaker 1: We didn't need. We know he's the only age but
Speaker 1: he was Asian.
Speaker 3: For the people that just listening and may not know.
Speaker 1: Mike is Mike.
Speaker 3: He was I know, and his name was Mike.
Speaker 2: So it is racist expected what y'all take from Marge
Speaker 2: and Mike.
Speaker 3: It is like a separate movie.
Speaker 1: Yeah did it?
Speaker 2: It didn't for me. It's just because this movie is
Speaker 2: so random. I don't know why she even went there.
Speaker 2: That's the part that that's.
Speaker 3: What I was confused. I guess it was just the
Speaker 3: dude was in town. It was like, hey, she was
Speaker 3: in his town. Sorry, thank you. Yeah, so, but but
Speaker 3: how did he know she was there? He saw on TV. Yeah,
Speaker 3: they called her okay, so it makes sense. Then he
Speaker 3: saw she made an excuse to go up here.
Speaker 2: That's why I was like, what, because what you mean
Speaker 2: she made an excuse to go up there? Well, it
Speaker 2: was she talked to him and then last minute she
Speaker 2: was like, I'm going to the Twin Cities and her
Speaker 2: husband's like you are, Like.
Speaker 3: It was almost I think she had to go for
Speaker 3: the job. I think she kind of mixed both up together. No,
Speaker 3: I don't think she was going up to on her husband,
Speaker 3: not like that. She's alreadygnant she said here. I mean
Speaker 3: even though you GK told you about that girl. Baby,
Speaker 3: she ate a lot in this film too. That's a
Speaker 3: crazy segue.
Speaker 2: You said, like she was that Joe played at the buffet?
Speaker 3: Yeah, did she want to go get lunch after that?
Speaker 3: Did you? She went to go get lunch after it?
Speaker 3: I know she's eating for two.
Speaker 5: I've never been with a pregnant woman, so I don't
Speaker 5: I say that that's how it goes?
Speaker 1: Yeah, all day? All this for me, this is where
Speaker 1: the movie started to lose.
Speaker 3: They already lost you.
Speaker 1: The way because Mark Marge was fine up to this point.
Speaker 1: But now we're getting a lot of her and the
Speaker 1: you betcha, the yeah and all this stuff, and now
Speaker 1: it's very random and nothing is kind of stitching together.
Speaker 1: So then you add in this Mike, random character that
Speaker 1: called her on the phone late. She answered, had a
Speaker 1: full conversation with him. I thought the ship was fucking weird,
Speaker 1: yet she decided to go meet him for lunch. I'm
Speaker 1: with you, guys, why the fuck did you even go?
Speaker 1: And her husband need to ask that motherfucking question.
Speaker 3: Yeah, I'm with you on that. I do like he
Speaker 3: don't got no job, so he can't ask no questions.
Speaker 3: The fuck.
Speaker 5: Put I put that load in you.
Speaker 1: Why are you going up there?
Speaker 3: What was his job? He's like he was describe.
Speaker 1: Something about stamps or whatever.
Speaker 3: It's about stamps.
Speaker 1: But I thought there was there was going to be
Speaker 1: more from this scene of him, just especially when they
Speaker 1: were like, yeah, he ain't really married that and all
Speaker 1: that ship was alive. So I'm like, okay, what was
Speaker 1: the purpose of that scene at all? But I did
Speaker 1: like when he went over there, was like, yeah, I'm
Speaker 1: just sit over here, and she was like, nah, I
Speaker 1: prefer you.
Speaker 2: That was It was real good because she didn't need
Speaker 2: to look at It's fine, and it's fine.
Speaker 3: But that was, oh my god, that was so cringey.
Speaker 3: Why was he trying to make a move on the pregnant?
Speaker 2: Her face didn't break it all all either. She was like, yeah,
Speaker 2: there's fine, she's good.
Speaker 1: She's good. Yeah right, that was a good answer to
Speaker 1: and he started to break down and crying and lying
Speaker 1: even more. He just made all that shit up. She
Speaker 1: died from cancer and all those ship.
Speaker 3: Yeah, but you didn't do that.
Speaker 2: Andwhere was the same way you asked me about to
Speaker 2: see Mike uh with Lightfoot And he goes to Steve Masini.
Speaker 2: He finds it, and he pulls a tony soprano and
Speaker 2: puts belt the ass on Steve me. And this is
Speaker 2: what many questioned which one of them had he vouched for,
Speaker 2: because I feel like if he vouched for Steve Beshemi,
Speaker 2: he wouldn't have go went bell to ask with him.
Speaker 3: Oh see, I thought the opposite.
Speaker 2: I thought that he knew the other guy and knew
Speaker 2: that the pulley, he wouldn't have told the police and
Speaker 2: this other dude that I don't know, I'm gonna come
Speaker 2: beat your ass because they threatened to send me back
Speaker 2: to Oklahoma.
Speaker 3: That's how I you. I feel you, Spike.
Speaker 2: I thought the reason he went up there and whipped
Speaker 2: his ass is because he knows him and he knows
Speaker 2: he can do that. But what you're saying makes way
Speaker 2: more sense because his attitude and the other guy's attitude
Speaker 2: are way more similar.
Speaker 3: So I think you're saying. I think you're totally right.
Speaker 2: What did you'all think about him putting belt the ass
Speaker 2: on the funny looking fellow.
Speaker 3: Rod Ken?
Speaker 1: It was funny a grown man whopping another grown man
Speaker 1: with a belt while he in there having said, bru,
Speaker 1: how embarrassing is fucking that number one and they didn't
Speaker 1: even whoop her ass.
Speaker 3: I think he hit her as he kicked.
Speaker 1: Was running down out of here, and they came in
Speaker 1: and whooped his ass some more. Again more random that.
Speaker 1: I'm like, what the hell because it was just an
Speaker 1: ass whooping and then it didn't go anywhere. He just
Speaker 1: showed up and whooped his ass and then it we
Speaker 1: didn't see him anymore.
Speaker 3: Where'd you want it to go?
Speaker 1: I don't know. I thought they want to do more
Speaker 1: with it.
Speaker 3: Yeah, I'm kind of a spike.
Speaker 5: I don't think you'll like the show because the show
Speaker 5: is kind of like this too, where it's weirdly random.
Speaker 3: But I like stuff like that too.
Speaker 2: Like one of my favorite scenes was in the middle
Speaker 2: of the street when he called the detective over there.
Speaker 2: It's like, yeah, I got this weird guy that came
Speaker 2: in the bar and he was asking this thing about prostitutes,
Speaker 2: and I was like, well, yeah, I can't chitch you
Speaker 2: up with prostitutes, so I don't look like that kind
Speaker 2: of guy that I look like that kind of like, well,
Speaker 2: I mean you asked like I thought that whole thing
Speaker 2: was good.
Speaker 5: See, and I don't want this to go to a
Speaker 5: crazy segue. But like, this movie is very dialogue heavy,
Speaker 5: but this kind of dialogue works for me. This is
Speaker 5: what I wish Tarantino movies had like this. This dialogue
Speaker 5: is totally random, but it's so awkward that it's funny.
Speaker 5: And I feel like Tarantino almost does stuff like that,
Speaker 5: but it doesn't work for me.
Speaker 3: This kind of movie with this kind of dialogue. I
Speaker 3: love this shit.
Speaker 5: I need to see some other movies. Then I think,
Speaker 5: at least the comedy Ones cool Tarantino, No, no, no, this
Speaker 5: guy Coen Brothers.
Speaker 2: All right, so belta ass scene. Then the dad again
Speaker 2: takes over and I'm going to meet.
Speaker 3: The kid with a hard dick.
Speaker 5: Ain't that some ship he ain't even not yet brought that?
Speaker 3: He said, Hey, buddy, I'm fucking this. That was so
Speaker 3: I'm glad we went back. That ship had me in tears.
Speaker 3: He buddy, Hey buddy, this girl this is so good.
Speaker 1: Man.
Speaker 3: You didn't laugh with that? Can you laughing at the monkey?
Speaker 3: But you ain't laughing at this? That ship was so buddy,
Speaker 3: I'm gunny, it's so white. Just the same, buddy, I'm
Speaker 3: fucking this. No power.
Speaker 1: He walked his ass, ship lashes on his belt. I
Speaker 1: said that, Now you see how that ship feels.
Speaker 3: He's whipping stupid. He was whipping him with the buckle.
Speaker 3: I don't think that picked up on that until this
Speaker 3: time of watching it. He was hitting him with the
Speaker 3: belt buckle, That's why he.
Speaker 1: Had those.
Speaker 3: Interesting. I thought he just had it from the whip action,
Speaker 3: unless I'm making that up.
Speaker 5: I'm almost positive when I look it looked like the
Speaker 5: buckle was swinging down.
Speaker 3: Interesting. And ya, I don't know why he did it,
Speaker 3: That's what I'm saying.
Speaker 1: Or y'all knownching threatened.
Speaker 3: Why y'all thought it was random then? Or why did
Speaker 3: you think it was random?
Speaker 1: Just No, his actions and why he did it made sense. Snitching.
Speaker 1: It's just a random ass belt whipping in a movie
Speaker 1: about a crime. I guess at this point it's a
Speaker 1: crime gone wrong and not this old crime mob thing
Speaker 1: or whatever. And then it just kind of that was it.
Speaker 1: Like he didn't go after the other guy, he didn't
Speaker 1: do anything. It's just I'm whooped you g ass, and
Speaker 1: then I got my pay back.
Speaker 2: But the other guy was just what I think happened.
Speaker 2: And they do a good job. They leave so much
Speaker 2: to be like you figure it out. For yourself. But
Speaker 2: what I think happened was he called the other guy
Speaker 2: once the police left, and it's like, hey, man, I
Speaker 2: hooked you up with this dude who you working with
Speaker 2: on this? Because he told me somebody else was with you?
Speaker 2: And now the police coming up here hollering at me.
Speaker 2: And then the dude told him who it was and
Speaker 2: where he was, and that's when he went and whooped
Speaker 2: his ass.
Speaker 3: That's what I think.
Speaker 1: Oh yeah, yeah, Then I started asking questions. What you
Speaker 1: just reminded me? Like I did he know where he
Speaker 1: was at? I get the room, but I didn't he
Speaker 1: know where he was at?
Speaker 3: And he told the other dude where he was at.
Speaker 1: So yeah, which we didn't see or right.
Speaker 3: Here, all right.
Speaker 2: The dad goes to meet the kidnappers, and this goes
Speaker 2: exactly how you thought it would go.
Speaker 3: I love this man. Yeah, are you people fucking stupid?
Speaker 1: Who are you?
Speaker 5: I told him, Oh, it seems so good man. So
Speaker 5: he thought it was going to go like this.
Speaker 2: Yeah, the dad was too much of a deckhead. There's
Speaker 2: no way that dad was making it.
Speaker 3: Out in cold blood. And Steve Beshini is way too
Speaker 3: unhinged at this point, you know. Yeah, at this point.
Speaker 4: Yeah, well I've seen the other one killed somebody, but
Speaker 4: I hadn't seen him killing anybody yet.
Speaker 5: But I think he was Yeah, you're right. I think
Speaker 5: at this point he just got his ass whipped.
Speaker 3: Yeah, he just took.
Speaker 1: All this and maybe that was the peron because after that, no,
Speaker 1: now you guys mentioned that, maybe that's okay, maybe that's
Speaker 1: what yeah, yeah, yeah, yeah, okay, it makes more sense now.
Speaker 3: I thought it was crazy when the dad shot him in.
Speaker 2: The face, his face, Yeah, I thought he I thought
Speaker 2: he shot him through the face.
Speaker 1: I do love this scene because it was so random,
Speaker 1: and you know, you're seeing these movies. People show up
Speaker 1: and ship kind of go right or wrong or something
Speaker 1: happened as a renegotiation and they start telling the whole story. Nah.
Speaker 1: He was just like man like, man, what money? Yeah,
Speaker 1: but I like that dad still don't visit to It
Speaker 1: was like, nah, you showed me my my my daughter,
Speaker 1: no money, but you had no leverage exactly.
Speaker 3: The dad is a hothead, Yep, that's why this happened.
Speaker 3: He thought he could come just figure it out by himself. Yeah,
Speaker 3: he thought he thinks he knows everything. And that guy
Speaker 3: was so annoying. Man, he was, you knowing character, all right.
Speaker 2: So from there, so the dad's dead, the three people
Speaker 2: on the road did that's four. He's leaving out of there,
Speaker 2: he shoots the gate attend, So five people are dead
Speaker 2: from this bullshit that London Chriss got.
Speaker 1: On for no reason.
Speaker 2: I just want to keep it Italia that and then
Speaker 2: Marge understand what happened. She goes back to the car
Speaker 2: lot asked Jerry some information about the cars, and when
Speaker 2: they did inventory, he said, you know what, I'll go
Speaker 2: do it right now. That was so funny. Oh no,
Speaker 2: you didn't like that. That was so funny. That was
Speaker 2: so fucking funny. That lady did a great job.
Speaker 1: Interviews interviews. I was like, and in fact she let
Speaker 1: him trying to do inventory.
Speaker 3: I thought he was really the inventory got out of
Speaker 3: there there. Oh man, I'm not doing right now.
Speaker 1: Man, you start cussing the ass out.
Speaker 3: Oh that shit was so funny.
Speaker 1: I'm trying to comply. I'm trying to help you.
Speaker 3: Out right, I'm trying to help you. And she was like, sir,
Speaker 3: I didn't do anything to warrant that.
Speaker 1: Yeah with me, because was this one on the second
Speaker 1: interview where she asked him a question. He ain't say shit, that.
Speaker 3: Was the first one.
Speaker 2: Yeah, then this one, and he just snapped and she
Speaker 2: was like, I didn't say anything to make you do that.
Speaker 2: So he dips out. My man got the money, he
Speaker 2: buries half of it in the snow. He takes out
Speaker 2: their big gran. It's super dumb because if you taking
Speaker 2: the car that you was driving in, just leave it
Speaker 2: in the car.
Speaker 1: Bro You're looking around for like landmarks, right, and you
Speaker 1: just see there in the landmarks, so you leave the
Speaker 1: handle there. But I guess he was gonna come right back.
Speaker 2: He that money still there by the way, Yeah, yeah,
Speaker 2: he thought he would. He takes the eighty grand out,
Speaker 2: so it's nine hundred and twenty thousand dollar was in
Speaker 2: the briefcase. Eighty grand he's riding with, takes it back
Speaker 2: to my man and says he go your cut, go
Speaker 2: your forty grand, go my forty grand. You take my truck.
Speaker 2: I'm gonna take the car. My man was like, well,
Speaker 2: we splitting the car.
Speaker 3: He was like, why the fuck were gonna split the car?
Speaker 3: Which seemed pretty obvious to me. Nigga giveing me.
Speaker 2: Half the money and Steve BESHEMI was not going forward
Speaker 2: what's this is probably one of the dumbest decisions in
Speaker 2: the movie, would you say, so.
Speaker 3: Ken Rod and Mike some decisions to not go for
Speaker 3: the splitting another car.
Speaker 1: Just give the man that car.
Speaker 2: It's nine hundred thousand million, yeah, all this stuff. Yeah,
Speaker 2: now you say that, it's now you got nine hundred.
Speaker 3: All you gotta do is make it out of here. Yeah,
Speaker 3: just make it home, you know, for the car. He
Speaker 3: got greedy. Yeah, but he felt disrespected. And I'm actually
Speaker 3: trying to remember this part. This is a very prominent
Speaker 3: I'm trying to remember.
Speaker 2: He went back to the cabin, right, he said, he
Speaker 2: threw the eighty grand down, Here go your forty, Here
Speaker 2: go my forty in the face, right, I remember that.
Speaker 2: He tells the dude, you're gonna take my truck. I'm
Speaker 2: gonna take the car.
Speaker 3: Okay.
Speaker 2: Crazy dude was like, well, if you're gonna take the car,
Speaker 2: were splitting it? And Steven seems like how were gonna
Speaker 2: split Gonna cut it with an axe or with a change, right,
Speaker 2: And then he dude was like, no, you're gonna pay
Speaker 2: me for my half of the car. So he was
Speaker 2: asking Steve Mashine, if you're gonna take the car, pay
Speaker 2: me for half kind of what it's worth it. He
Speaker 2: is stupid, but to get out of there, Steve Macheen
Speaker 2: should have did it because you.
Speaker 3: Had the other money. You got nine thousand dollars.
Speaker 5: God, he got the money in the car, right, I forgot.
Speaker 5: He took the money after he killed the dad.
Speaker 2: So you got nine hundred thousand up the street and
Speaker 2: all you had to do was split that twenty whatever
Speaker 2: he wanted for that car. That car couldn't have been
Speaker 2: over eight grand, let's call it that. So after he
Speaker 2: agrees he doesn't agree to it, he comes behind him
Speaker 2: with an axez.
Speaker 7: That was It was like one of the long yeah yeah,
Speaker 7: like a pick axe, like a chopping yeah, yeah yeah,
Speaker 7: some small ones that have the little pointy end on
Speaker 7: one side and the axe on the other side.
Speaker 3: So it wasn't that, No, it was a real axe.
Speaker 1: Here's my question for y'all. If you saw a guy
Speaker 1: pull a guy's head into the car and shoot somebody
Speaker 1: another blood, why would you turn your back to.
Speaker 2: That motherfucker and not just giving what you're asking for.
Speaker 5: It showed throughout the movie that Steve Beshemi is irrational.
Speaker 5: He's not he's not all the way there. And I
Speaker 5: think he just thought that motherfucker's not gonna one. Motherfucker's
Speaker 5: not gonna do this to me. Two, I just killed
Speaker 5: a man and I'm in paying for my face.
Speaker 2: He's just not thinking, Yeah, it is true, all right,
Speaker 2: so he kills Yeah, he ain't thinking nothing because that
Speaker 2: acts in the back of his damn head. Now, at
Speaker 2: this point, Marge is putting two and two together. She's
Speaker 2: sewing all the pieces together. She's heard the story from
Speaker 2: the police. They were talking in the middle of the
Speaker 2: street about them being up by the lake. So she
Speaker 2: tries to bust the block around the lakes and she
Speaker 2: finds the car she's looking for, And then she finds
Speaker 2: the car that she looks for.
Speaker 3: She see my man in the place.
Speaker 2: Putting his partner in the woodchipper with then stepping out
Speaker 2: with blood all over the snow.
Speaker 3: Was this too convenient.
Speaker 1: Of her just happening to drive oy the car?
Speaker 3: Yep?
Speaker 1: And it's just being there. I mean, at this point,
Speaker 1: I'm just go with thy giving me damn but and
Speaker 1: we had to get to the end. One thing I
Speaker 1: did like it.
Speaker 3: Was only our I like that got in and I was.
Speaker 1: Trying to think of how we go, We're going to
Speaker 1: get to a reasonable conclusion. That made sense. This made sense,
Speaker 1: whether it was convenient or not. We didn't know where
Speaker 1: they were, so they were just somewhere. So it it
Speaker 1: worked out, It worked out. It was fine.
Speaker 4: Did it work out for your Yeah, it's fine. I like,
Speaker 4: I like to set up for this scene. It was
Speaker 4: very subtle, not subtle, but I like. I liked him
Speaker 4: what it's.
Speaker 3: Saying something, but uh, I like to set up and
Speaker 3: her walking seeing him.
Speaker 4: I liked all of this, how this looking ship, how
Speaker 4: she was calling him, what oh, how she was calling
Speaker 4: him like but he couldn't hear over the gun because
Speaker 4: he's just like, oh shit.
Speaker 3: He tried to run away and she shot it. She
Speaker 3: had to shoot him. So yeah, I like that.
Speaker 5: Did it work for you? No, I'm glad you asked
Speaker 5: is this too convenient? This is the only part of
Speaker 5: the movie that I've never liked. I've always been like, wait,
Speaker 5: she was just I'm I'm still kind of assuming I
Speaker 5: missed something, but she's just driving around.
Speaker 3: It was a conversation in the middle of the street
Speaker 3: when he was telling him he.
Speaker 2: Met that guy right, and that guy told him that
Speaker 2: he said he was up by the lakes. She called
Speaker 2: or talked to another one of those things off screen
Speaker 2: that happened. But she talked to the deputy, and the
Speaker 2: deputy was like telling her what vicinity they win.
Speaker 5: Okay, I must have missed that part every single time
Speaker 5: I watched the movie.
Speaker 3: No, they didn't show it. You was just supposed to
Speaker 3: assume that.
Speaker 2: That's the only reason that they showed their conversation, the
Speaker 2: conversation in the middle because that conversation in the middle
Speaker 2: street was completely random. But in that conversation, he named
Speaker 2: that location that she found the car, and he was like,
Speaker 2: the dude said he was staying there.
Speaker 5: See, I think the scene was so random. I never
Speaker 5: paid close attention.
Speaker 3: I got that this time. Okay, I only got because
Speaker 3: I was watching it this time.
Speaker 2: I was like, oh, he's talking about it, And she
Speaker 2: said she said the same thing to the same lake
Speaker 2: that he was saying in the middle of the shore.
Speaker 3: Then that was the only part where I was like, Damn,
Speaker 3: that doesn't make any sense. She's just driving around.
Speaker 5: She just sees the car because she can't be that good, right,
Speaker 5: she can't be that good a woman to find some
Speaker 5: shit though, Yeah, oh yeah, but yeah, no, man, this scene,
Speaker 5: oh my god, I remember the I can vividly remember
Speaker 5: the first time I saw this. That was not what
Speaker 5: I was expecting. I was him putting Buddy in the
Speaker 5: fucking wood chipper.
Speaker 1: Because you just hear the noise.
Speaker 3: I didn't know what the noise was.
Speaker 1: I never heard a wood chipper before.
Speaker 3: I was I don't know what that noise is.
Speaker 5: And then when he goes back there, I was like,
Speaker 5: what the And then the thing about it is, at
Speaker 5: first you're like, well, he was trying to hide the body.
Speaker 3: No he wasn't. He wasn't because it's spurting blood everywhere
Speaker 3: something like this, But that's crazy. He just wanted to
Speaker 3: do This was just.
Speaker 5: Such a he just wanted to Man, this is such
Speaker 5: a perfect ending for this movie.
Speaker 1: Girl did too.
Speaker 2: Yeah, and they killed the wife and I liked that.
Speaker 3: Off screen, they were just like, yeah, we found the wife.
Speaker 2: In the house, three people on the side of the road,
Speaker 2: the wife man, the guy at the tailor booth. Six
Speaker 2: people got killed because mister London was dumb ass playing
Speaker 2: god man.
Speaker 1: This movie is so good.
Speaker 2: Yeah, so crazy, And then they were staying on him
Speaker 2: and lock him up at the end and yeah, we
Speaker 2: find out that her husband wins the step contest for
Speaker 2: the three cents.
Speaker 1: Now nobody uses yep, yep.
Speaker 3: What did y'all think about the ending?
Speaker 1: Perfect a random ending to a random a movie full
Speaker 1: of random events. Yeah, so it fits because that's what
Speaker 1: the movie was. And I'm wondering if it had something
Speaker 1: to also do with the money, because she was, like
Speaker 1: she made a commentary a statement about the money too,
Speaker 1: and then I mean, her husband really won't worry about shit,
Speaker 1: because yeah, he won, but she said, I'm so proud
Speaker 1: of you. Because I guess for her, since she told him,
Speaker 1: it's not about the money. For her, it's not about
Speaker 1: the money either. I guess it's not about having a husband.
Speaker 1: That's about shit too, right, So I guess she was
Speaker 1: practicing what she preached cook her eggs kid that she
Speaker 1: almost threw up and blamed it on a morning sitness
Speaker 1: because you know by that time, you.
Speaker 2: Yeah, I canna say you nine, uh ride anything on
Speaker 2: the ending before we get out of here.
Speaker 3: No, it was, it was. It did feel kind of random.
Speaker 4: I had to run it back to make sure I
Speaker 4: was this the ending, like you know what I'm saying, Like,
Speaker 4: like I think I stepped away, and then it was
Speaker 4: the next thing. It was credits. I was like, oh shit,
Speaker 4: that was the ending. So yeah, that was fun because
Speaker 4: he said he won something.
Speaker 3: I don't think I heard that. It was all just
Speaker 3: kind of like strung together.
Speaker 2: But yeah, throughout the conversations about the move when he
Speaker 2: was talking to her, he was talking about this little
Speaker 2: arts and craft of event that he was.
Speaker 3: Entering in and he won. Got it all right?
Speaker 2: That was our review for the classic film, nineteen ninety
Speaker 2: six is Far Ago.
Speaker 3: We appreciate you guys tapping in. We are out Peace.