1 00:00:04,640 --> 00:00:10,160 Speaker 1: Debtit hip Hop Man, the first recorded content of twenty 2 00:00:10,240 --> 00:00:12,639 Speaker 1: twenty six. You know what I'm saying, everybody had their 3 00:00:12,640 --> 00:00:16,400 Speaker 1: little holiday time off. We go year round, so you know, 4 00:00:16,480 --> 00:00:20,079 Speaker 1: we take a lot of the end of December, mid 5 00:00:20,280 --> 00:00:23,960 Speaker 1: December off until middle of January. Man, Look, we work hard, 6 00:00:24,280 --> 00:00:26,600 Speaker 1: not only for you guys in the community here at 7 00:00:26,600 --> 00:00:29,120 Speaker 1: DETA hip Hop, but for ourselves and our family, you 8 00:00:29,160 --> 00:00:31,200 Speaker 1: know what I'm saying, So we definitely needed that time 9 00:00:31,240 --> 00:00:34,839 Speaker 1: off before we get into it. Stay tuned on the 10 00:00:34,880 --> 00:00:38,199 Speaker 1: Top one hundred hip Hop Lists or Debt of hip 11 00:00:38,200 --> 00:00:41,840 Speaker 1: Hop officially ranked top to bottom. We're gonna have behind 12 00:00:41,880 --> 00:00:44,560 Speaker 1: the scenes, We're gonna have content. We're gonna have a 13 00:00:44,600 --> 00:00:46,640 Speaker 1: whole bunch of stuff, So make sure you stay tuned 14 00:00:46,760 --> 00:00:49,599 Speaker 1: because that will be dropping soon. The date is tbd, 15 00:00:49,960 --> 00:00:53,080 Speaker 1: you know what I'm saying. It's TBD. So once we 16 00:00:53,159 --> 00:00:55,640 Speaker 1: figure that out, we're gonna have the whole promo. We're 17 00:00:55,680 --> 00:00:57,920 Speaker 1: gonna roll it out. We're gonna make it very beautiful 18 00:00:58,200 --> 00:01:00,560 Speaker 1: and exceptional and as big as in the needed to be, 19 00:01:00,560 --> 00:01:04,520 Speaker 1: because what what are we sixteen fifteen years in this year? 20 00:01:04,920 --> 00:01:07,160 Speaker 1: So look, so you know, we definitely had to do it. 21 00:01:07,280 --> 00:01:09,480 Speaker 1: Now the one caveat is this. I saw when we 22 00:01:09,600 --> 00:01:12,919 Speaker 1: mentioned this on our last live of the year, people 23 00:01:12,920 --> 00:01:16,080 Speaker 1: were questioning there are gonna be no repeat albums. So 24 00:01:16,120 --> 00:01:19,040 Speaker 1: we narrowed it down so that way we have more 25 00:01:19,160 --> 00:01:22,000 Speaker 1: artists on there with more representation. We're not gonna have 26 00:01:22,080 --> 00:01:23,920 Speaker 1: Kanye on there with three albums. We're not gonna have 27 00:01:24,000 --> 00:01:26,640 Speaker 1: Kate out on there with four albums. Kato's best album, 28 00:01:26,760 --> 00:01:30,559 Speaker 1: Kanye's best album, Jay's best album. Obviously I gave you three, 29 00:01:31,120 --> 00:01:32,959 Speaker 1: I ain't give you no more. Those three people are 30 00:01:32,959 --> 00:01:35,080 Speaker 1: gonna be on the list, but stay tuned for that. 31 00:01:35,440 --> 00:01:38,560 Speaker 1: But today, man, we're talking J Cole bro he just 32 00:01:38,680 --> 00:01:42,040 Speaker 1: dropped Obviously the fall off is on the way. You know, 33 00:01:42,880 --> 00:01:44,959 Speaker 1: it took a little hiatus because of the beef two 34 00:01:45,040 --> 00:01:48,880 Speaker 1: years ago and it got pushed back, but J Cole said, 35 00:01:48,920 --> 00:01:52,000 Speaker 1: fuck all that, we're gonna drop it February sixth. I 36 00:01:52,040 --> 00:01:54,680 Speaker 1: believe that is the tentative date for the project. And 37 00:01:54,800 --> 00:01:56,680 Speaker 1: one of the first singles that we are gonna be 38 00:01:56,680 --> 00:02:00,680 Speaker 1: talking about is track two, Disc two. Watch the music 39 00:02:00,760 --> 00:02:03,240 Speaker 1: video and everything. How did y'all feel about that. 40 00:02:03,160 --> 00:02:07,960 Speaker 2: Particular song, Well, he dropped that the little trailer first, right, 41 00:02:08,000 --> 00:02:10,080 Speaker 2: I thought that trailer was dope that he dropped saying 42 00:02:10,080 --> 00:02:11,800 Speaker 2: that the fall Off was coming. So I know he 43 00:02:12,040 --> 00:02:14,720 Speaker 2: did that first, and I think soon after that then 44 00:02:14,760 --> 00:02:15,320 Speaker 2: he dropped the. 45 00:02:15,400 --> 00:02:17,840 Speaker 1: Song got You. Yeah, I didn't see the trailer. 46 00:02:18,080 --> 00:02:20,080 Speaker 2: Oh yeah, it was a trailer that has a snippet 47 00:02:20,080 --> 00:02:24,160 Speaker 2: of a song on it. Two okay, okay, pretty nice whatever, 48 00:02:25,520 --> 00:02:28,200 Speaker 2: And yeah, yeah it was. It was a dope promo. 49 00:02:28,400 --> 00:02:30,160 Speaker 2: So I do want to mention that that he did 50 00:02:30,160 --> 00:02:32,840 Speaker 2: that first, and then immediately after he did he dropped 51 00:02:33,160 --> 00:02:38,760 Speaker 2: the video for that first song. But but yeah, man, 52 00:02:38,760 --> 00:02:40,679 Speaker 2: I just I just think it's crazy the irony of 53 00:02:40,720 --> 00:02:43,080 Speaker 2: the fall Off, because he actually did fall off, like 54 00:02:43,800 --> 00:02:47,480 Speaker 2: so this kind of played into his his whole favor honestly, 55 00:02:47,520 --> 00:02:50,520 Speaker 2: when you think about it, I want to say I 56 00:02:50,520 --> 00:02:53,440 Speaker 2: had that thought when all the drama was happening with him, 57 00:02:53,480 --> 00:02:57,120 Speaker 2: and it kind of messed up his initial release. But 58 00:02:57,120 --> 00:03:01,080 Speaker 2: but but I think it's interesting that he did in 59 00:03:01,120 --> 00:03:03,600 Speaker 2: a way fall off and now he has an album 60 00:03:03,680 --> 00:03:05,320 Speaker 2: called The fall Off and he can kind of play 61 00:03:05,360 --> 00:03:08,640 Speaker 2: into that, you know, And I'm sure he rewrote a 62 00:03:08,720 --> 00:03:11,800 Speaker 2: lot of stuff, like, you know, to be able to 63 00:03:11,840 --> 00:03:14,919 Speaker 2: play into everything that happened. So I think this whole 64 00:03:14,919 --> 00:03:18,160 Speaker 2: situation just gave him ammo to tap into something else. 65 00:03:18,280 --> 00:03:18,799 Speaker 3: You know what I'm saying. 66 00:03:18,840 --> 00:03:20,919 Speaker 2: We saw him on the beach, we saw him all 67 00:03:20,960 --> 00:03:24,440 Speaker 2: these other places or whatever. So I think it's interesting, Uh, 68 00:03:24,960 --> 00:03:28,000 Speaker 2: you know, what's what's going on with Jake Cole as 69 00:03:28,000 --> 00:03:29,440 Speaker 2: far as this this track? 70 00:03:30,320 --> 00:03:31,840 Speaker 1: Hold on, hold on, hold hold on pause right there, 71 00:03:31,840 --> 00:03:34,200 Speaker 1: because I want to tap into what you said because 72 00:03:34,200 --> 00:03:37,160 Speaker 1: I don't disagree. You know, Initially I was like I thought, 73 00:03:37,280 --> 00:03:41,600 Speaker 1: you know, the whole situation like really messed him up. 74 00:03:41,840 --> 00:03:44,360 Speaker 1: But I agree with you. I do think it allowed 75 00:03:44,440 --> 00:03:48,200 Speaker 1: him to kind of refocus on what this project is 76 00:03:48,320 --> 00:03:51,000 Speaker 1: or when it can be. Because I think and I 77 00:03:51,000 --> 00:03:52,920 Speaker 1: do agree with you, I think he probably did write 78 00:03:53,120 --> 00:03:57,120 Speaker 1: rewrite some stuff because you know, j Cole, before this 79 00:03:57,160 --> 00:03:59,520 Speaker 1: whole situation, he had a lot of bars of like 80 00:03:59,560 --> 00:04:01,640 Speaker 1: I'm the best, I'm just on that and you know, 81 00:04:01,800 --> 00:04:03,280 Speaker 1: like like I said, I've been saying, I don't want 82 00:04:03,320 --> 00:04:05,480 Speaker 1: to hear that no more because you had an opportunity, 83 00:04:05,480 --> 00:04:09,600 Speaker 1: you didn't necessarily take it. But now that that the 84 00:04:09,640 --> 00:04:14,600 Speaker 1: word or the title of the project fits even better 85 00:04:14,920 --> 00:04:18,600 Speaker 1: because the fall off was just him kind of playing like, yeah, 86 00:04:18,640 --> 00:04:20,800 Speaker 1: you know, I fell off, But not really, but now 87 00:04:20,920 --> 00:04:22,960 Speaker 1: it's kind of like I fell off a little bit, 88 00:04:23,440 --> 00:04:24,600 Speaker 1: you know what I'm saying, So let me show off 89 00:04:24,600 --> 00:04:27,920 Speaker 1: a lot. Hey, I'm I'm very respectful. 90 00:04:29,560 --> 00:04:32,919 Speaker 2: Did But again, I think that plays into his favors. 91 00:04:33,680 --> 00:04:36,960 Speaker 2: It brings humility, right, you know what I'm saying, Like, like, 92 00:04:37,720 --> 00:04:39,800 Speaker 2: it makes it well. I would think it would allow 93 00:04:39,800 --> 00:04:42,240 Speaker 2: you to tap into something even deeper than what you 94 00:04:42,279 --> 00:04:44,720 Speaker 2: were going to do initially. So yeah, I think he's 95 00:04:44,760 --> 00:04:49,120 Speaker 2: in a very interesting position, especially with the lack of 96 00:04:49,360 --> 00:04:53,320 Speaker 2: artists like him on the radio and the mainstream. I like, 97 00:04:53,440 --> 00:04:59,240 Speaker 2: I think he has a really good opportunity to. 98 00:04:57,800 --> 00:04:59,640 Speaker 3: To get to get some footing under this thing. 99 00:05:00,000 --> 00:05:03,000 Speaker 2: Already got a lot of views like and it just drops, 100 00:05:03,800 --> 00:05:05,560 Speaker 2: you know, I think he has a lot of people 101 00:05:05,680 --> 00:05:09,200 Speaker 2: curious right now. So yeah, I mean I'm curious, you 102 00:05:09,200 --> 00:05:11,200 Speaker 2: know what I'm saying. Before I wasn't. I was just like, 103 00:05:11,320 --> 00:05:11,880 Speaker 2: oh damn. 104 00:05:12,400 --> 00:05:14,520 Speaker 1: Yeah. But now I think this was the best promo 105 00:05:14,720 --> 00:05:17,680 Speaker 1: I think. I think what happened, and also the way 106 00:05:17,920 --> 00:05:20,320 Speaker 1: you know, he already been called the fall off. Like, 107 00:05:20,360 --> 00:05:23,080 Speaker 1: I definitely think this is really good promo for everything. 108 00:05:23,360 --> 00:05:26,960 Speaker 1: I think it's gonna be interesting. I'm interested to see 109 00:05:26,960 --> 00:05:29,600 Speaker 1: if there's gonna be any features on here and if 110 00:05:29,680 --> 00:05:34,479 Speaker 1: so cool. But in terms of the video, I thought, 111 00:05:35,600 --> 00:05:37,599 Speaker 1: I watched it once, I listened to it once. I 112 00:05:37,600 --> 00:05:41,760 Speaker 1: thought it was very interesting that that the song is 113 00:05:41,839 --> 00:05:44,960 Speaker 1: kind of like a play on NAS's rewind to a degree, 114 00:05:45,320 --> 00:05:47,880 Speaker 1: like everything kind of going backwards. 115 00:05:47,680 --> 00:05:50,240 Speaker 3: You know what I'm saying. So I thought reverse, Yeah. 116 00:05:49,960 --> 00:05:52,479 Speaker 1: Yeah, in reverse. So so I thought that was dope. 117 00:05:52,960 --> 00:05:55,279 Speaker 1: Some of the imagery that you saw right like when 118 00:05:55,279 --> 00:05:57,479 Speaker 1: he was talking about having his kid, then you see 119 00:05:57,480 --> 00:06:00,800 Speaker 1: his girl like really pregnant and not barely pregnant, not pregnant, 120 00:06:00,800 --> 00:06:03,120 Speaker 1: but then like right when they're getting married. So I 121 00:06:03,600 --> 00:06:06,600 Speaker 1: thought it was very interesting. I think j Cole to 122 00:06:06,640 --> 00:06:11,000 Speaker 1: your to your point, Rod, he can go deeper than 123 00:06:11,000 --> 00:06:15,960 Speaker 1: he's ever gone musically, you know what I'm saying. And 124 00:06:16,279 --> 00:06:19,599 Speaker 1: I think that that is going to be very interesting. 125 00:06:19,720 --> 00:06:22,880 Speaker 1: And I think that this could arguably be his best 126 00:06:22,920 --> 00:06:25,240 Speaker 1: project if he executes it the right way. 127 00:06:26,120 --> 00:06:27,760 Speaker 2: I mean, well, yeah, that's what he was going for. 128 00:06:27,960 --> 00:06:30,440 Speaker 2: He's challenging himself to write the best work he's ever read. 129 00:06:31,600 --> 00:06:34,039 Speaker 2: And I think this is a really good start to 130 00:06:34,080 --> 00:06:36,719 Speaker 2: tell the story backwards from your death to your birth 131 00:06:37,520 --> 00:06:39,520 Speaker 2: and like a lot of people say, like, you know 132 00:06:39,560 --> 00:06:42,520 Speaker 2: how things kind of just kind of comes back around, 133 00:06:42,600 --> 00:06:45,320 Speaker 2: like as you get older, you be diapers, like like, 134 00:06:45,360 --> 00:06:47,840 Speaker 2: it's just like to be able to tell that story 135 00:06:47,880 --> 00:06:49,679 Speaker 2: in a rap verse was dope. 136 00:06:49,760 --> 00:06:51,920 Speaker 3: Like like I said, he started off with. 137 00:06:53,560 --> 00:06:56,760 Speaker 2: Like like how he appeared in a hearse or whatever, 138 00:06:56,839 --> 00:06:59,279 Speaker 2: and like how his grandkids carried him to the coffin 139 00:06:59,360 --> 00:07:03,720 Speaker 2: he's wrapping backwards, so it's like, oh, snap, that's really crazy. 140 00:07:03,839 --> 00:07:07,719 Speaker 2: And then from there he goes and he talks about, 141 00:07:07,760 --> 00:07:10,200 Speaker 2: like you said, the birth of his son or whatever, 142 00:07:10,360 --> 00:07:14,320 Speaker 2: how he uh, how he watched him like disperse and 143 00:07:14,360 --> 00:07:18,080 Speaker 2: then then watch him disappear at his birth, And I 144 00:07:18,120 --> 00:07:20,240 Speaker 2: was just like, Yo, that's dope. So you can like 145 00:07:20,360 --> 00:07:24,960 Speaker 2: see that imagery or whatever like like so yeah, like 146 00:07:25,080 --> 00:07:28,520 Speaker 2: I thought that was was really cool man. And then 147 00:07:28,560 --> 00:07:30,480 Speaker 2: and then and then after that, he goes to his 148 00:07:30,560 --> 00:07:36,040 Speaker 2: wedding and then uh, from wedding to with you know, 149 00:07:36,120 --> 00:07:38,720 Speaker 2: seeing his I think his ring disappearing the knights and 150 00:07:38,760 --> 00:07:41,320 Speaker 2: the club with chicks or whatever, because he just got signed. 151 00:07:41,720 --> 00:07:44,000 Speaker 2: Like I was like, damn, like he really telling like 152 00:07:44,120 --> 00:07:48,160 Speaker 2: to find those key moments in your life to talk about, 153 00:07:48,200 --> 00:07:49,960 Speaker 2: to be able to tell a story in a rap 154 00:07:50,080 --> 00:07:53,440 Speaker 2: form to go from your depth to your to your birth. 155 00:07:53,760 --> 00:07:58,520 Speaker 2: I thought was was really cool to identify those those 156 00:07:58,520 --> 00:08:01,480 Speaker 2: major milestones or whatever and try to look into the 157 00:08:01,480 --> 00:08:03,280 Speaker 2: future of what that would look like, right, Like you 158 00:08:03,280 --> 00:08:05,240 Speaker 2: gotta you know, from like when you be. 159 00:08:05,200 --> 00:08:07,880 Speaker 3: Carried in hurts, like would you have your grandkids carrying you? 160 00:08:08,520 --> 00:08:10,880 Speaker 2: Like, so that part you had to kind of come 161 00:08:10,960 --> 00:08:15,040 Speaker 2: up with based on you know, traditional you know, burials 162 00:08:15,080 --> 00:08:17,320 Speaker 2: and things like that, but you know, all the rest 163 00:08:17,360 --> 00:08:19,360 Speaker 2: of it, he knows, like he knows the key moments 164 00:08:19,360 --> 00:08:21,600 Speaker 2: in his life to be that to the part of 165 00:08:21,640 --> 00:08:24,280 Speaker 2: his birth. Like so I thought that was really really 166 00:08:24,320 --> 00:08:28,520 Speaker 2: really dope, really dope way to really dope track to 167 00:08:28,560 --> 00:08:33,400 Speaker 2: start off with to show like O, yeah, okay, serious serious. 168 00:08:33,080 --> 00:08:38,880 Speaker 4: And still make him proclamations of in the best, you know, 169 00:08:39,080 --> 00:08:42,000 Speaker 4: like it was like one of the first couple of 170 00:08:42,040 --> 00:08:44,080 Speaker 4: lives you know where you you know what I'm saying, 171 00:08:44,080 --> 00:08:48,239 Speaker 4: I'm the best. I thought that that was interesting. He's 172 00:08:48,280 --> 00:08:53,439 Speaker 4: not letting that go yeah and saying it didn't work 173 00:08:53,480 --> 00:08:54,959 Speaker 4: out for you. Well, I don't know it didn't work 174 00:08:55,000 --> 00:08:58,559 Speaker 4: out for you last time, But you know, I think 175 00:08:58,640 --> 00:09:04,080 Speaker 4: that with it was he had a lot of time, 176 00:09:05,400 --> 00:09:06,560 Speaker 4: he had a lot of time. 177 00:09:06,400 --> 00:09:07,199 Speaker 1: To really. 178 00:09:08,840 --> 00:09:14,600 Speaker 4: Reorient himself, figure out this new plan, and come up 179 00:09:14,600 --> 00:09:20,520 Speaker 4: with a really solid strategy about how to gain entrance 180 00:09:20,640 --> 00:09:26,360 Speaker 4: back into the fold of hip hop. And everything you 181 00:09:26,400 --> 00:09:29,320 Speaker 4: guys said is spot on about how the fall off 182 00:09:29,400 --> 00:09:32,320 Speaker 4: became real and it's gonna it could really be a 183 00:09:32,400 --> 00:09:37,679 Speaker 4: hell of a story that is told depending on how 184 00:09:37,760 --> 00:09:41,600 Speaker 4: good this album is. And this song is a good start, 185 00:09:42,480 --> 00:09:45,520 Speaker 4: including the trailer. Rod I do think the trailer was 186 00:09:45,520 --> 00:09:46,000 Speaker 4: was dope. 187 00:09:46,200 --> 00:09:48,480 Speaker 3: And what he did with the song on the the 188 00:09:48,559 --> 00:09:49,760 Speaker 3: snipping on the. 189 00:09:49,480 --> 00:09:54,440 Speaker 4: Back end of it, that sounded good. This song sounded 190 00:09:54,480 --> 00:09:58,320 Speaker 4: good as well. The beat was dope. The concept of 191 00:09:58,440 --> 00:10:02,880 Speaker 4: the song was the rapping J Cole just rapping. You know, 192 00:10:02,920 --> 00:10:04,199 Speaker 4: we already know he's good at that. 193 00:10:05,040 --> 00:10:08,360 Speaker 1: And and I think it delivered. 194 00:10:08,559 --> 00:10:13,480 Speaker 4: And you know, I think it's strong enough to create 195 00:10:13,600 --> 00:10:17,400 Speaker 4: interest to have people talking about the possibilities of what's that. 196 00:10:18,600 --> 00:10:21,319 Speaker 4: So it's going to be interesting to see what the 197 00:10:21,360 --> 00:10:24,120 Speaker 4: next move is, what the follow up song would be 198 00:10:24,280 --> 00:10:27,320 Speaker 4: to this, if there, if there is one, and I 199 00:10:27,320 --> 00:10:30,400 Speaker 4: think it's I think I also think it's dope, just 200 00:10:30,400 --> 00:10:33,000 Speaker 4: going with two six two six, like it's right there, 201 00:10:33,120 --> 00:10:34,599 Speaker 4: And I think that that was a good that was 202 00:10:34,600 --> 00:10:40,320 Speaker 4: a good move. I didn't even care, Yeah February. Yeah, 203 00:10:40,960 --> 00:10:43,040 Speaker 4: So I think that that's dope too. So that's another 204 00:10:43,120 --> 00:10:45,120 Speaker 4: thing that that's packaged right on top of it. 205 00:10:45,200 --> 00:10:45,360 Speaker 3: Man. 206 00:10:45,400 --> 00:10:49,480 Speaker 4: And and and I think we're I think Jake Go's 207 00:10:49,480 --> 00:10:51,680 Speaker 4: off to a good start, man, I really do. Like 208 00:10:52,200 --> 00:10:54,600 Speaker 4: when I listened, I was like the first time when 209 00:10:54,600 --> 00:10:56,600 Speaker 4: the beat start, I was like, oh, he is good, 210 00:10:56,800 --> 00:10:58,040 Speaker 4: Like what is he gonna do with it? 211 00:10:58,080 --> 00:10:59,640 Speaker 1: And he did his thing with it? 212 00:10:59,760 --> 00:11:03,040 Speaker 3: Man, so you know, I can't even hate. Yeah. And 213 00:11:03,080 --> 00:11:06,880 Speaker 3: then then you heard the song that's like for the credits. 214 00:11:06,559 --> 00:11:10,080 Speaker 4: Right yeah, and that's yeah, yeah, I did. I thought 215 00:11:10,080 --> 00:11:12,160 Speaker 4: that that was like I don't know that. At first, 216 00:11:12,160 --> 00:11:14,520 Speaker 4: I was like, is that like a part? Is that 217 00:11:14,600 --> 00:11:17,040 Speaker 4: like a beat switch to this song? I thought it was. 218 00:11:17,640 --> 00:11:20,240 Speaker 2: It sounds like another song because he rapping to the 219 00:11:20,360 --> 00:11:23,559 Speaker 2: end and then it cuts off, like yeah, man, I 220 00:11:24,000 --> 00:11:25,080 Speaker 2: like the rollout right now. 221 00:11:25,520 --> 00:11:27,840 Speaker 3: I like the rollout. Obviously it's a very short rollout. 222 00:11:27,840 --> 00:11:31,320 Speaker 2: It's not it's not an Eclips rollout, but I think 223 00:11:31,360 --> 00:11:34,400 Speaker 2: it's a I think it's a solid enough rollout for 224 00:11:34,400 --> 00:11:35,960 Speaker 2: for j Cole. And we don't know what he's gonna 225 00:11:35,960 --> 00:11:38,360 Speaker 2: do up until these in these coming days leading up 226 00:11:38,360 --> 00:11:42,400 Speaker 2: to the six. So so yeah, he got some time 227 00:11:42,480 --> 00:11:45,400 Speaker 2: to get people's perk. And I think I think this 228 00:11:45,840 --> 00:11:49,120 Speaker 2: already people He is a perk based on what I'm saying. 229 00:11:49,760 --> 00:11:52,679 Speaker 1: Yeah, I think people already. Man, I think I think 230 00:11:52,679 --> 00:11:56,600 Speaker 1: people are ready for J Cole. You know, you know, 231 00:11:56,720 --> 00:11:58,400 Speaker 1: I know we didn't talk about this song that he 232 00:11:58,480 --> 00:12:01,800 Speaker 1: dropped last year, but I think like Clouds was like 233 00:12:01,840 --> 00:12:05,480 Speaker 1: a really good single. It was a lucy but like 234 00:12:05,559 --> 00:12:07,800 Speaker 1: his flow on that was crazy, and I think we 235 00:12:07,960 --> 00:12:09,920 Speaker 1: never hear at that of hip hop. We never questioned 236 00:12:09,920 --> 00:12:12,680 Speaker 1: the ability to rap. It was a lot of the 237 00:12:12,760 --> 00:12:18,640 Speaker 1: other things. And I think that the situation gave him clarity, 238 00:12:19,160 --> 00:12:21,160 Speaker 1: you know what I'm saying, And just from this first 239 00:12:21,200 --> 00:12:24,000 Speaker 1: release sounds like it a little bit right, like like 240 00:12:24,240 --> 00:12:26,600 Speaker 1: this is where I want to go. And I think 241 00:12:26,640 --> 00:12:29,959 Speaker 1: he had clarity for this last project anyway before all 242 00:12:30,000 --> 00:12:32,920 Speaker 1: of that, you know, like I really felt that this 243 00:12:33,040 --> 00:12:34,920 Speaker 1: was going to be one of his best ones. And 244 00:12:34,960 --> 00:12:37,040 Speaker 1: I think he's still on track, whether you know he 245 00:12:37,520 --> 00:12:40,280 Speaker 1: redid some stuff or he did it. I think that 246 00:12:40,559 --> 00:12:45,000 Speaker 1: the idea of this and I think that rappers, when 247 00:12:45,000 --> 00:12:48,040 Speaker 1: they think about their rap mortality. I think it brings 248 00:12:48,080 --> 00:12:51,280 Speaker 1: out some of the best music in them, right, like Jay, like, 249 00:12:51,360 --> 00:12:55,079 Speaker 1: you know that's my favorite album, the Black album go ahead, kay, 250 00:12:55,679 --> 00:12:55,880 Speaker 1: you know. 251 00:12:56,040 --> 00:12:58,800 Speaker 4: And I think that, man, that was a great lead 252 00:12:58,840 --> 00:13:00,800 Speaker 4: in because I was just thinking of about like a 253 00:13:00,840 --> 00:13:05,360 Speaker 4: song from death to birth, this song and why this 254 00:13:05,480 --> 00:13:09,640 Speaker 4: song first, Well, think about it his career. You can 255 00:13:09,679 --> 00:13:13,720 Speaker 4: look at it figuratively like his career died, you know, 256 00:13:13,800 --> 00:13:16,480 Speaker 4: and this could essentially be his his rebirth. I know 257 00:13:16,520 --> 00:13:21,080 Speaker 4: it's you know, that's that's uh, you know, hyperbolic. But 258 00:13:21,280 --> 00:13:24,000 Speaker 4: if you really think about like picking this song and 259 00:13:24,120 --> 00:13:28,960 Speaker 4: like you're talking about mortality, like j cole legit could 260 00:13:28,960 --> 00:13:31,040 Speaker 4: have been sitting back looking at that and be like yo, 261 00:13:31,320 --> 00:13:34,160 Speaker 4: like just like that it would be over in my 262 00:13:34,320 --> 00:13:37,720 Speaker 4: rap career. And then just also adding the extra layer 263 00:13:37,760 --> 00:13:43,040 Speaker 4: about light so hey that that that could be even 264 00:13:43,120 --> 00:13:46,520 Speaker 4: doper man if if that's an added part to it. 265 00:13:47,160 --> 00:13:51,800 Speaker 1: Yeah, And you know I mentioned the features and I'm 266 00:13:51,800 --> 00:13:55,240 Speaker 1: not talking about like people outside of the Dreamville. I'm 267 00:13:55,280 --> 00:13:59,640 Speaker 1: talking Dreamville. I'm interested because we know that Dreamville isn't 268 00:13:59,679 --> 00:14:02,320 Speaker 1: in a place and more than likely it's gonna disperse. 269 00:14:02,720 --> 00:14:05,720 Speaker 1: So if this is gonna be technically J Coole's last 270 00:14:05,840 --> 00:14:08,640 Speaker 1: joint on Dreamville, like you should go out with a 271 00:14:08,679 --> 00:14:11,200 Speaker 1: bang with some of the dopest artists that he has on, 272 00:14:11,360 --> 00:14:13,480 Speaker 1: you know what I'm saying. So like, I'm really interested 273 00:14:13,559 --> 00:14:18,480 Speaker 1: to just see you know, Roder rollout the music, the 274 00:14:19,120 --> 00:14:21,360 Speaker 1: imagery that he has with this. If this is gonna 275 00:14:21,360 --> 00:14:24,560 Speaker 1: be one of his last ones, I still think he's 276 00:14:24,600 --> 00:14:26,840 Speaker 1: young enough where I don't think this is the last 277 00:14:26,880 --> 00:14:28,680 Speaker 1: music that we're gonna give from J Cole. But I 278 00:14:28,720 --> 00:14:31,080 Speaker 1: think we're probably gonna get a long ass hiatus from him, 279 00:14:31,320 --> 00:14:32,880 Speaker 1: you know what I'm saying. Like you may see him 280 00:14:32,920 --> 00:14:35,680 Speaker 1: pop in feature here, feature there, but like his own 281 00:14:35,760 --> 00:14:38,920 Speaker 1: music is own body of work. You know, I could 282 00:14:38,920 --> 00:14:42,040 Speaker 1: see him taking a chill from that. But but I'm 283 00:14:42,080 --> 00:14:45,320 Speaker 1: just I'm interested, bro Like, I'm really interested to see 284 00:14:45,360 --> 00:14:47,400 Speaker 1: where j Cole goes with this because you know, I 285 00:14:47,440 --> 00:14:49,960 Speaker 1: really like the last project with ninety five. I can't 286 00:14:49,960 --> 00:14:52,320 Speaker 1: remember the damn I know the album cover, but the 287 00:14:52,360 --> 00:14:53,960 Speaker 1: one that had to intro with ninety five sid with 288 00:14:54,080 --> 00:14:56,920 Speaker 1: Cam on there. So I like, I think J Co's 289 00:14:56,920 --> 00:15:00,120 Speaker 1: in a very interesting space and I feel like he 290 00:15:00,160 --> 00:15:04,360 Speaker 1: can't fumble this one, bro Like, because I don't know 291 00:15:04,360 --> 00:15:06,560 Speaker 1: if there's no comeback, like like like if this is 292 00:15:06,640 --> 00:15:08,680 Speaker 1: like oh, like there's like three good songs and he 293 00:15:08,760 --> 00:15:12,080 Speaker 1: got like eighteen and they're like fourteen of them is like. 294 00:15:13,720 --> 00:15:17,400 Speaker 4: Yeah, bruh, Yeah, but the best of live and what 295 00:15:17,480 --> 00:15:18,960 Speaker 4: you now hear is the work. 296 00:15:19,080 --> 00:15:22,840 Speaker 3: The inspiration was rare and it spurts the wind. It's there. 297 00:15:22,960 --> 00:15:26,520 Speaker 4: I'm immersed And if you just thinking about that, about 298 00:15:26,560 --> 00:15:28,480 Speaker 4: what's going on right now. First of all, you know, 299 00:15:28,600 --> 00:15:31,120 Speaker 4: being like I was talking about earlier, declaring he's the 300 00:15:31,120 --> 00:15:32,640 Speaker 4: best alive and the. 301 00:15:32,600 --> 00:15:34,240 Speaker 3: Work you know to follow. 302 00:15:34,960 --> 00:15:37,760 Speaker 4: But maybe now after everything that went down taking that 303 00:15:37,840 --> 00:15:42,560 Speaker 4: second line, he's probably inspired. This could have inspired him 304 00:15:42,640 --> 00:15:46,120 Speaker 4: and he's immersed in it. So we'll see, man, we'll 305 00:15:46,120 --> 00:15:48,080 Speaker 4: find out find out next month. 306 00:15:48,840 --> 00:15:51,520 Speaker 2: You know, it is a good way to start the year. 307 00:15:51,720 --> 00:15:56,560 Speaker 2: And you know what with a good J Cole project, 308 00:15:56,760 --> 00:15:58,000 Speaker 2: you know what I'm saying. I know we're gonna talk 309 00:15:58,000 --> 00:16:00,160 Speaker 2: on a live later and if you watch it now 310 00:16:00,200 --> 00:16:01,800 Speaker 2: to make sure you go back and watch your live. 311 00:16:01,680 --> 00:16:04,080 Speaker 3: Can we talk about you know, twenty twenty six and 312 00:16:04,120 --> 00:16:04,640 Speaker 3: what's to come. 313 00:16:05,200 --> 00:16:10,760 Speaker 2: Yeah, I think it's a really good start and it's 314 00:16:10,800 --> 00:16:13,200 Speaker 2: good that he's getting it out in front of ice man, right, 315 00:16:13,280 --> 00:16:19,200 Speaker 2: because like, what's gonna happen after that? But because I 316 00:16:19,240 --> 00:16:21,880 Speaker 2: just got a feeling Kendrick's probably gonna drop something right 317 00:16:21,880 --> 00:16:23,200 Speaker 2: after he drops his album. 318 00:16:23,080 --> 00:16:26,200 Speaker 3: Just to mess up his rollout. But that's just my theory. 319 00:16:26,240 --> 00:16:29,560 Speaker 2: But but yeah, you know, telling what's gonna happen after that, 320 00:16:29,600 --> 00:16:31,080 Speaker 2: you know what I'm saying, So just go ahead and 321 00:16:31,120 --> 00:16:34,240 Speaker 2: get get it out top of the year, and you know, 322 00:16:34,280 --> 00:16:37,840 Speaker 2: before things get going. You know what I'm saying, get 323 00:16:37,880 --> 00:16:39,600 Speaker 2: your get your numbers up. You know what I'm saying, 324 00:16:39,640 --> 00:16:42,520 Speaker 2: get people talking about you buzzing. So yeah, I think 325 00:16:42,560 --> 00:16:43,560 Speaker 2: I think it's a good move. 326 00:16:43,600 --> 00:16:43,760 Speaker 3: Man. 327 00:16:43,760 --> 00:16:46,600 Speaker 2: I think the timing as of right now is really 328 00:16:46,640 --> 00:16:49,960 Speaker 2: good for him, unless something happens crazy, I think the 329 00:16:50,040 --> 00:16:52,360 Speaker 2: timming is really good for him. I know you said 330 00:16:52,360 --> 00:16:54,760 Speaker 2: something about the futures, but I can't see him continuing 331 00:16:54,840 --> 00:16:55,840 Speaker 2: the whole you. 332 00:16:55,720 --> 00:16:57,240 Speaker 1: Know, no features. 333 00:16:57,400 --> 00:16:59,480 Speaker 3: I can see that just because he's known for that. 334 00:16:59,840 --> 00:17:02,640 Speaker 2: I know he has to like what three four at 335 00:17:02,640 --> 00:17:05,560 Speaker 2: this point with no features, But like so he'll probably 336 00:17:06,200 --> 00:17:08,240 Speaker 2: I wouldn't be surprised if you went that route for 337 00:17:08,280 --> 00:17:10,960 Speaker 2: this one as well, you know what I'm saying, especially 338 00:17:11,000 --> 00:17:14,840 Speaker 2: if it's very personal personal to him and just trying 339 00:17:14,840 --> 00:17:17,640 Speaker 2: to you know, you know, take that on the chant 340 00:17:17,720 --> 00:17:21,639 Speaker 2: as far as the fall the fall off and just 341 00:17:21,680 --> 00:17:23,400 Speaker 2: getting back up by himself, you know what I mean. 342 00:17:23,440 --> 00:17:25,840 Speaker 3: So I can definitely see him doing that on this. 343 00:17:25,920 --> 00:17:29,280 Speaker 2: But man, this is definitely a solid, solid track to 344 00:17:29,359 --> 00:17:31,400 Speaker 2: come out the gate with him. And another thing I respect, 345 00:17:31,960 --> 00:17:34,280 Speaker 2: which I know is pretty common now, but it doesn't 346 00:17:34,320 --> 00:17:38,920 Speaker 2: sound like a single and tradition in traditional form, right. 347 00:17:39,400 --> 00:17:41,600 Speaker 2: It's something that you know, he wanted to create and 348 00:17:41,640 --> 00:17:45,040 Speaker 2: it's and it's creative, so you know, he not trying 349 00:17:45,040 --> 00:17:47,280 Speaker 2: to go for the radio hit or anything like that. 350 00:17:47,359 --> 00:17:49,840 Speaker 2: So that's something that he said as well as far 351 00:17:49,880 --> 00:17:52,400 Speaker 2: as as far as the track is concerned. 352 00:17:52,720 --> 00:17:55,080 Speaker 1: Yeah, I think for j Cole, like a lot of 353 00:17:55,080 --> 00:17:59,160 Speaker 1: his own stuff hasn't really been targeted to radio, right, 354 00:17:59,240 --> 00:18:02,400 Speaker 1: And and then you know, we think about port Antonio, right, 355 00:18:02,440 --> 00:18:05,080 Speaker 1: like when he addressed the whole situation, and then like 356 00:18:05,119 --> 00:18:07,840 Speaker 1: I said that the song clouds like he's not like 357 00:18:07,920 --> 00:18:10,199 Speaker 1: I think I think he's in Jake Cole's world. Like 358 00:18:10,240 --> 00:18:12,400 Speaker 1: I think he's in his own little bubble and can't 359 00:18:12,440 --> 00:18:14,560 Speaker 1: nobody pop that bubble right now? You know what I'm 360 00:18:14,600 --> 00:18:17,000 Speaker 1: saying so alluding to what you were saying with Drake 361 00:18:17,119 --> 00:18:20,040 Speaker 1: and you know, everything else in hip hop, like it's 362 00:18:20,080 --> 00:18:22,480 Speaker 1: like it don't matter right now, you know. So, so 363 00:18:22,560 --> 00:18:25,160 Speaker 1: I do think that the timing is is really good. 364 00:18:25,520 --> 00:18:28,000 Speaker 1: Get it off, you know, let people have their opinions 365 00:18:28,040 --> 00:18:29,920 Speaker 1: and you know, it is what it is, and let 366 00:18:29,960 --> 00:18:32,480 Speaker 1: the rest of the year play out, because again, you know, 367 00:18:32,560 --> 00:18:34,480 Speaker 1: like he's not going for the radio. He's not going 368 00:18:34,520 --> 00:18:38,159 Speaker 1: for the smash summer song or the springtime song. Now 369 00:18:38,359 --> 00:18:40,800 Speaker 1: not saying he may not have one on there. 370 00:18:40,880 --> 00:18:45,200 Speaker 2: We don't know, you know, definitely, yeah, definitely one, don't 371 00:18:45,200 --> 00:18:47,480 Speaker 2: get me wrong. I mean everybody needs something that you know, 372 00:18:47,520 --> 00:18:48,280 Speaker 2: people gonna be. 373 00:18:48,760 --> 00:18:52,040 Speaker 1: I don't think I don't think so, because he's proven it, 374 00:18:52,080 --> 00:18:53,560 Speaker 1: you know what I'm saying, no radio spins an he 375 00:18:53,640 --> 00:18:55,920 Speaker 1: went platinum, Like, I don't think he. I don't think 376 00:18:55,960 --> 00:18:58,159 Speaker 1: it's I don't I don't think he's gonna follow the 377 00:18:58,160 --> 00:19:01,919 Speaker 1: formula here. Either way, it's a good start off or 378 00:19:02,080 --> 00:19:04,480 Speaker 1: J Cole, it's a good start off for hip hop. 379 00:19:06,320 --> 00:19:08,679 Speaker 1: And we'll see, we'll see if some of what we 380 00:19:08,800 --> 00:19:11,800 Speaker 1: feel will come to fruition or it may not. You know, 381 00:19:11,840 --> 00:19:13,919 Speaker 1: we may be totally surprised or this may be what 382 00:19:14,000 --> 00:19:16,600 Speaker 1: we expected, but either way, you know, we are definitely 383 00:19:16,640 --> 00:19:20,679 Speaker 1: gonna review it. So February six is a Friday, so 384 00:19:21,520 --> 00:19:25,200 Speaker 1: that following Wednesday. Hey, we may do it as a live. 385 00:19:25,320 --> 00:19:28,080 Speaker 1: We may review that project live, you know what I'm saying. 386 00:19:28,080 --> 00:19:31,480 Speaker 1: But either way, we will talk about it that following Wednesday, 387 00:19:31,480 --> 00:19:33,920 Speaker 1: whether it's recorded or live. So stay tuned at a 388 00:19:34,000 --> 00:19:38,159 Speaker 1: hip hop top one hundred albums coming soon. And Ja 389 00:19:38,320 --> 00:19:38,600 Speaker 1: Cole