1 00:00:04,480 --> 00:00:08,399 Speaker 1: Dead and Hip Hop album Review. Welcome to the Channel. 2 00:00:08,440 --> 00:00:12,440 Speaker 1: Glad to have you guys on board. Fellow rap fans 3 00:00:12,720 --> 00:00:16,480 Speaker 1: like us. We're here to talk about a new album 4 00:00:16,520 --> 00:00:21,120 Speaker 1: by Rob Marciano. You know, tend to be a favorite 5 00:00:21,239 --> 00:00:24,360 Speaker 1: rapper of the channel. You know, so it has a 6 00:00:24,360 --> 00:00:28,560 Speaker 1: pretty good uh, pretty good track record with us. Usual 7 00:00:28,640 --> 00:00:32,480 Speaker 1: name is Kennedy being yeah yeah, yeah, yeah, yeah yeah, 8 00:00:32,560 --> 00:00:34,560 Speaker 1: joining me on the show though my name is Kenny Bane. 9 00:00:34,600 --> 00:00:40,440 Speaker 1: I am not a lone man. Uh is Rod and 10 00:00:43,440 --> 00:00:49,680 Speaker 1: friend family of the of dead End, Spike Lou What up? Bro? 11 00:00:50,240 --> 00:00:50,839 Speaker 2: What up? Though? 12 00:00:52,320 --> 00:00:53,880 Speaker 3: Are y'all doing? Glad to be here? 13 00:00:54,920 --> 00:00:55,120 Speaker 2: Yeah? 14 00:00:55,200 --> 00:00:58,560 Speaker 1: Yeah, yep, yep, yep, glad glad you joining us? 15 00:00:58,680 --> 00:00:58,880 Speaker 2: Uh? 16 00:00:58,960 --> 00:01:01,960 Speaker 1: You know we this is a new dead End man. 17 00:01:02,000 --> 00:01:03,840 Speaker 1: You're gonna see a lot of a lot of familiar 18 00:01:03,840 --> 00:01:08,440 Speaker 1: in different faces moving forward as we continue to cover 19 00:01:08,720 --> 00:01:12,319 Speaker 1: the culture in the way that we know how anyway, man, 20 00:01:12,400 --> 00:01:17,680 Speaker 1: Rob Marciano, I didn't know this was dropping until I 21 00:01:17,720 --> 00:01:20,800 Speaker 1: actually saw it on Twitter. You got a new album 22 00:01:20,880 --> 00:01:24,360 Speaker 1: out six five six. You look at the cover, it's 23 00:01:24,400 --> 00:01:27,960 Speaker 1: a looks like a floppy disc with track. 24 00:01:27,800 --> 00:01:29,280 Speaker 2: Lists on it. 25 00:01:29,800 --> 00:01:33,400 Speaker 1: So far, it seems like it is being well received 26 00:01:33,920 --> 00:01:37,760 Speaker 1: by the masses. And one of the things I thought 27 00:01:38,200 --> 00:01:43,040 Speaker 1: was interesting Ron and Spike is was Rob Marcy on Twitter. 28 00:01:44,920 --> 00:01:47,880 Speaker 1: He was talking a lot of shit bro and about 29 00:01:47,920 --> 00:01:51,080 Speaker 1: how you know, I mean, he's he's one of the ones, 30 00:01:51,160 --> 00:01:54,120 Speaker 1: like one of the elites, you know, with discography, et cetera, 31 00:01:54,160 --> 00:01:54,600 Speaker 1: et cetera. 32 00:01:55,280 --> 00:01:56,840 Speaker 2: And that was before I listened to the album. 33 00:01:56,880 --> 00:01:59,680 Speaker 1: I was like, Okay, well, ship, this album must be 34 00:02:00,360 --> 00:02:03,960 Speaker 1: be pretty damn good. So I was really really looking 35 00:02:03,960 --> 00:02:06,760 Speaker 1: forward to and I finally got around to listen to it, 36 00:02:07,320 --> 00:02:11,480 Speaker 1: and and yeah, man, I think rock Rock definitely did 37 00:02:11,560 --> 00:02:15,480 Speaker 1: his theme man, you know, as as he normally does. 38 00:02:15,639 --> 00:02:18,520 Speaker 1: I think one of the things that I was really 39 00:02:18,520 --> 00:02:20,919 Speaker 1: curious to hear was was like some of the production, 40 00:02:21,000 --> 00:02:23,760 Speaker 1: and I think, you know, he has that sort of 41 00:02:23,919 --> 00:02:28,760 Speaker 1: laid back, smooth, easy going pimp production. So when Trent 42 00:02:28,880 --> 00:02:31,000 Speaker 1: Bad came on, I was like, oh, you know, that's 43 00:02:31,080 --> 00:02:34,280 Speaker 1: that's cool, but childish gam big childish things. I was like, oh, 44 00:02:34,800 --> 00:02:37,680 Speaker 1: wait a minute, that that ship that shits dope. I 45 00:02:37,800 --> 00:02:41,119 Speaker 1: messed with that joint and then this shit just started flowing, man. 46 00:02:41,440 --> 00:02:43,800 Speaker 1: And looking at like some of the album titles, I 47 00:02:43,840 --> 00:02:46,400 Speaker 1: was really curious, like what some of the subject matter 48 00:02:46,440 --> 00:02:50,320 Speaker 1: and topics were going to be like the Prince Apollonia joint, 49 00:02:50,720 --> 00:02:51,680 Speaker 1: which is really dope. 50 00:02:53,120 --> 00:02:54,200 Speaker 2: How he spent that. 51 00:02:55,720 --> 00:02:58,880 Speaker 1: With the two Trips zero party over year and then 52 00:02:58,919 --> 00:03:00,960 Speaker 1: he yeah, I thought it said that Prince, if I 53 00:03:01,000 --> 00:03:02,959 Speaker 1: was your girlfriend back in ninety nine, niggas thought the 54 00:03:03,000 --> 00:03:06,040 Speaker 1: world in too triple zero again, he said we're still here, 55 00:03:06,080 --> 00:03:08,560 Speaker 1: we ain't go nowhere, which I thought was was dope 56 00:03:08,560 --> 00:03:11,680 Speaker 1: as hell because obviously I probably apply to him as well. 57 00:03:12,880 --> 00:03:14,679 Speaker 2: And they have some other ones that I thought was 58 00:03:14,720 --> 00:03:15,120 Speaker 2: dope too. 59 00:03:15,160 --> 00:03:17,240 Speaker 1: I think one of the ones that really stuck with 60 00:03:17,320 --> 00:03:20,480 Speaker 1: me when he referred to himself as beautiful and then 61 00:03:20,520 --> 00:03:21,760 Speaker 1: he said, uh. 62 00:03:21,800 --> 00:03:24,280 Speaker 2: He said that ship goes both way. 63 00:03:24,320 --> 00:03:27,560 Speaker 3: He said, it's not. 64 00:03:31,120 --> 00:03:37,200 Speaker 1: Crazy, yeah yeah, and and it's production is yeah, it's 65 00:03:37,200 --> 00:03:42,000 Speaker 1: production on here is uh is crazy. But I definitely 66 00:03:42,040 --> 00:03:48,320 Speaker 1: got to shout out Arrow holding man his Verse one trap, 67 00:03:48,400 --> 00:03:56,400 Speaker 1: He's bro. That ship was dope as fuck. And it's 68 00:03:56,440 --> 00:03:58,880 Speaker 1: almost like they knew it because they started to fade 69 00:03:58,880 --> 00:04:02,119 Speaker 1: the ship out because he just kept going, going, going 70 00:04:02,280 --> 00:04:03,000 Speaker 1: on both tracks. 71 00:04:03,040 --> 00:04:04,280 Speaker 4: They did it on both tracks. 72 00:04:05,400 --> 00:04:06,920 Speaker 2: Yeah, yeah, man, I. 73 00:04:06,880 --> 00:04:09,520 Speaker 5: Wonder if that's the thing he does be sent me 74 00:04:09,680 --> 00:04:11,280 Speaker 5: and shout out to be. I don't mean to stop 75 00:04:11,280 --> 00:04:14,400 Speaker 5: you mad now ya you'll take or whatever, but yeah, 76 00:04:14,400 --> 00:04:16,960 Speaker 5: shout out to be man. I almost forgot that this 77 00:04:17,000 --> 00:04:18,800 Speaker 5: had came out, and then he hit me like yo, 78 00:04:18,839 --> 00:04:20,640 Speaker 5: I don't know if you remember, but boom he sent me. 79 00:04:20,720 --> 00:04:22,280 Speaker 4: I was like, oh my god, thank you. B. I 80 00:04:22,320 --> 00:04:22,719 Speaker 4: was listening. 81 00:04:22,800 --> 00:04:26,599 Speaker 5: I was looking for something to listen to or whatever, 82 00:04:26,680 --> 00:04:29,039 Speaker 5: and he sent it to me. But the thing about 83 00:04:29,120 --> 00:04:33,000 Speaker 5: the Arrow, dude, was that he sent me his project 84 00:04:33,000 --> 00:04:34,919 Speaker 5: as well. I just hadn't gotten around and listen to 85 00:04:34,960 --> 00:04:37,400 Speaker 5: it yet, and so I was wondering when I heard 86 00:04:37,400 --> 00:04:38,039 Speaker 5: that fade out. 87 00:04:38,040 --> 00:04:40,360 Speaker 4: Does he do it often? Like on his music? 88 00:04:40,400 --> 00:04:41,920 Speaker 5: I can see that being that thing, you know what 89 00:04:41,960 --> 00:04:44,640 Speaker 5: I'm saying, Like him just kind of just because he's 90 00:04:44,680 --> 00:04:47,440 Speaker 5: not even even like rapping like a bunch of like 91 00:04:47,440 --> 00:04:49,600 Speaker 5: like a sixteen thirty two or anything like that, he 92 00:04:49,720 --> 00:04:51,600 Speaker 5: just got kind of spitting or whatever. So I wanted 93 00:04:51,600 --> 00:04:55,960 Speaker 5: if it's just a thing that he does just real unorthodox, 94 00:04:56,000 --> 00:04:58,160 Speaker 5: you know what I mean. Like, I was wondering if 95 00:04:58,200 --> 00:05:00,000 Speaker 5: that was a thing. So I wanted to go back 96 00:05:00,520 --> 00:05:05,599 Speaker 5: and actually listening to that, to that projects be Like 97 00:05:05,640 --> 00:05:08,680 Speaker 5: I said, B sentence, I mean it's called because. 98 00:05:08,560 --> 00:05:11,400 Speaker 2: I've done a producer with Rob Marciano. 99 00:05:12,160 --> 00:05:14,080 Speaker 4: Yeah, Maulberry Simple Road. 100 00:05:15,080 --> 00:05:17,679 Speaker 2: Oh yeah yeah, yeah, yeah, yeah. 101 00:05:17,080 --> 00:05:18,839 Speaker 4: Yeah yeah, it's called Maulberry Silk Road. 102 00:05:19,120 --> 00:05:20,520 Speaker 5: Meant to go listen to. I just hadn't listened to 103 00:05:20,520 --> 00:05:22,279 Speaker 5: it yet, so I wanted that's something you did. That's 104 00:05:22,320 --> 00:05:23,719 Speaker 5: all I wanted to point out. 105 00:05:23,960 --> 00:05:26,880 Speaker 1: I can't remember I did listen to it last year 106 00:05:27,880 --> 00:05:29,720 Speaker 1: because I'm looking at it now and Apple Music. I 107 00:05:29,720 --> 00:05:34,599 Speaker 1: got like four tracks favorite it, h Yeah, Brazillion bud 108 00:05:34,800 --> 00:05:38,200 Speaker 1: Lights and Puff Lips, Rod Lovers with Stutty Hoodie Jerry 109 00:05:38,200 --> 00:05:40,279 Speaker 1: Buss and Caviar on the Bone Arrow, which is crazy, 110 00:05:40,880 --> 00:05:43,599 Speaker 1: but I can't remember, you know, if that's kind of 111 00:05:43,640 --> 00:05:47,279 Speaker 1: his thing. But but yeah, he absolutely cooked on here. 112 00:05:47,960 --> 00:05:48,320 Speaker 4: Mm hmm. 113 00:05:48,560 --> 00:05:51,880 Speaker 2: So yeah, man, I thought this was dope. Man. I 114 00:05:51,920 --> 00:05:55,039 Speaker 2: love the production bag Rock was in. 115 00:05:56,520 --> 00:06:00,520 Speaker 5: Yeah, it was good because he again shout out to 116 00:06:00,520 --> 00:06:02,760 Speaker 5: be it's weird not having to be on these, you know, 117 00:06:02,839 --> 00:06:06,800 Speaker 5: he the biggest rock fan outside of myself or whatever, 118 00:06:06,920 --> 00:06:10,320 Speaker 5: And yes, it's weird not having been on these on 119 00:06:10,360 --> 00:06:14,080 Speaker 5: this review or whatever. But yeah, just to kind of 120 00:06:14,120 --> 00:06:16,159 Speaker 5: play b role, I think he. I think Rock produced 121 00:06:16,200 --> 00:06:19,440 Speaker 5: the whole thing, if I'm not mistaken. So I like 122 00:06:19,480 --> 00:06:22,640 Speaker 5: what rock Manciano producers. It's like he knows exactly. 123 00:06:22,240 --> 00:06:25,920 Speaker 4: What sounds good for him and so yeah, Man, because 124 00:06:25,920 --> 00:06:28,320 Speaker 4: of that, I was like, man, he floating on all 125 00:06:28,360 --> 00:06:28,560 Speaker 4: of this. 126 00:06:28,640 --> 00:06:31,120 Speaker 5: You know what I'm saying, It's not it's like minimalist drums, 127 00:06:31,480 --> 00:06:33,520 Speaker 5: you know what I'm saying, And that's that's the bag 128 00:06:33,600 --> 00:06:36,320 Speaker 5: he lives in. And like just the sample work on 129 00:06:36,400 --> 00:06:38,880 Speaker 5: here and he just kind of plays off of all 130 00:06:38,920 --> 00:06:41,479 Speaker 5: of that, so he felt like comfortable again. 131 00:06:41,880 --> 00:06:43,279 Speaker 4: I listened to the premiere one. 132 00:06:43,720 --> 00:06:46,560 Speaker 5: It was cool like that one wasn't like really sticking 133 00:06:46,600 --> 00:06:48,000 Speaker 5: with me like that, you know what I'm saying. I'm 134 00:06:48,080 --> 00:06:51,400 Speaker 5: just like, it don't really feel like rock Manciano. But like, 135 00:06:51,440 --> 00:06:55,920 Speaker 5: I think this this one is back to form in 136 00:06:55,960 --> 00:06:59,200 Speaker 5: my opinion as far as what what I like about 137 00:06:59,320 --> 00:07:02,320 Speaker 5: rock Monci, I feel like on this, you know, the 138 00:07:02,360 --> 00:07:05,279 Speaker 5: bars really he gives, he gives a chance. The bars 139 00:07:05,279 --> 00:07:07,400 Speaker 5: really stand out, you know what I'm saying. Like the beat, 140 00:07:07,839 --> 00:07:10,960 Speaker 5: it's just kind of compliments. The bars gives him space 141 00:07:11,000 --> 00:07:13,880 Speaker 5: and pockets to do the flow that he does. 142 00:07:15,960 --> 00:07:17,360 Speaker 4: I'm cares to see what Spikes. 143 00:07:17,800 --> 00:07:21,480 Speaker 5: I feel like I've heard Spike say the past, like 144 00:07:22,400 --> 00:07:23,920 Speaker 5: I don't know if he likes this kind of rest, 145 00:07:23,920 --> 00:07:27,800 Speaker 5: so I really can you see what he thinks. But but, but, 146 00:07:27,800 --> 00:07:30,400 Speaker 5: but but I do understand that rockets an acquired taste, 147 00:07:30,480 --> 00:07:33,160 Speaker 5: you know what I'm saying, Like he you have you 148 00:07:33,280 --> 00:07:35,720 Speaker 5: have to have a certain appreciation for like for like 149 00:07:35,840 --> 00:07:39,800 Speaker 5: bars and listening to what he's actually saying, the slash. 150 00:07:39,520 --> 00:07:41,240 Speaker 4: Ship that he's saying, the the. 151 00:07:42,760 --> 00:07:45,480 Speaker 5: Just the just the overall cadence and confidence, just the 152 00:07:45,520 --> 00:07:47,800 Speaker 5: pimp ship that he's talking about, like like all of that. Man, 153 00:07:47,840 --> 00:07:50,080 Speaker 5: you just got to have like appreciation. It's not one 154 00:07:50,120 --> 00:07:51,760 Speaker 5: of those things that you just bopping your head in 155 00:07:51,800 --> 00:07:54,360 Speaker 5: the car, you know what I'm saying, Like like because 156 00:07:54,400 --> 00:07:57,200 Speaker 5: it's beat heavy now, he cares about the bars and 157 00:07:57,240 --> 00:07:59,400 Speaker 5: the way he delivers bars. And I've been saying this 158 00:07:59,480 --> 00:08:02,559 Speaker 5: for the year, is that he has an impeccable way 159 00:08:03,080 --> 00:08:09,080 Speaker 5: of expressing like stuff that people normally just wouldn't say. 160 00:08:09,280 --> 00:08:11,400 Speaker 4: They just normally just just simply wouldn't. 161 00:08:11,080 --> 00:08:13,520 Speaker 5: Say the stuff that he says, Like, no, Nigga's gonna 162 00:08:13,520 --> 00:08:15,840 Speaker 5: say that I'm beautiful like like like. 163 00:08:15,760 --> 00:08:17,400 Speaker 2: I'm beautiful like you. 164 00:08:17,440 --> 00:08:18,560 Speaker 4: Nobody's gonna say that. 165 00:08:18,600 --> 00:08:21,240 Speaker 5: But Rock Bosio is gonna be that dude, they say 166 00:08:21,360 --> 00:08:23,840 Speaker 5: something like that. So, yeah, man, I'm really feeling this. 167 00:08:23,880 --> 00:08:26,000 Speaker 5: And straight out the gate trick Bag I was like, 168 00:08:26,840 --> 00:08:28,840 Speaker 5: oh my god, Oh my god, like you said, I've 169 00:08:28,840 --> 00:08:30,960 Speaker 5: been like he said something like I've been cold since 170 00:08:31,560 --> 00:08:35,599 Speaker 5: since Snoop, since Snoopy and Iceberg, Iceberg and Snoopy that 171 00:08:35,640 --> 00:08:38,000 Speaker 5: I don't know if y'all remember those Iceberg shirts that 172 00:08:38,160 --> 00:08:39,280 Speaker 5: had like Snoopy on them. 173 00:08:39,160 --> 00:08:39,640 Speaker 4: And stuff like. 174 00:08:39,679 --> 00:08:43,040 Speaker 5: So it's just like his and again like it it's 175 00:08:43,040 --> 00:08:45,600 Speaker 5: so it's so much stuff said about this dude that 176 00:08:45,600 --> 00:08:50,240 Speaker 5: that has already been said, like like like he like 177 00:08:50,280 --> 00:08:52,640 Speaker 5: pop culture references right, Like he has a really good 178 00:08:52,640 --> 00:08:56,720 Speaker 5: way of just like tapping into like the now pop 179 00:08:56,760 --> 00:08:59,440 Speaker 5: culture and stuff that's been like people that like like 180 00:08:59,520 --> 00:09:02,120 Speaker 5: things that we identified from back in the day. You 181 00:09:02,120 --> 00:09:04,040 Speaker 5: know what I'm saying. Like he's just really good at that, 182 00:09:04,520 --> 00:09:08,079 Speaker 5: really really good at that. Yeah, trick bad was good 183 00:09:08,160 --> 00:09:13,640 Speaker 5: childish thing. Hey, this man East Saint Moron godly man. 184 00:09:13,840 --> 00:09:16,520 Speaker 5: And like you said on rain Dance How and Trapeze how, 185 00:09:16,840 --> 00:09:18,760 Speaker 5: Eryl Holden came in on those joints. 186 00:09:19,480 --> 00:09:21,520 Speaker 4: Yeah, man, rock is that guy? Man? 187 00:09:22,120 --> 00:09:26,160 Speaker 5: I just I'm really curious to see what's guy saying that. 188 00:09:27,480 --> 00:09:29,120 Speaker 4: I'm like, you're just gonna I feel like he's just 189 00:09:29,120 --> 00:09:30,640 Speaker 4: about to rain on the whole bread. 190 00:09:33,160 --> 00:09:33,360 Speaker 2: Rod. 191 00:09:34,000 --> 00:09:35,840 Speaker 6: I wish I would I had talked to you before 192 00:09:35,880 --> 00:09:37,640 Speaker 6: I listened to this, and you explained all of that 193 00:09:37,679 --> 00:09:42,079 Speaker 6: to me before I started listening. I'm familiar with who 194 00:09:42,120 --> 00:09:45,200 Speaker 6: rock Marciana is. I've heard him on stuff, I've heard 195 00:09:45,280 --> 00:09:46,760 Speaker 6: him on records. While I look, I was like, damn, 196 00:09:46,760 --> 00:09:49,520 Speaker 6: who is that? But I never dived into his music. 197 00:09:49,760 --> 00:09:51,920 Speaker 4: Yeah, yeah, you're absolutely right. 198 00:09:51,920 --> 00:09:54,160 Speaker 6: It's in the choir taste right right right. And as 199 00:09:54,200 --> 00:09:56,720 Speaker 6: I'm listening to it, you said it ain't drum heavy. 200 00:09:56,800 --> 00:09:58,360 Speaker 6: I kept waiting for some drugs. 201 00:09:59,320 --> 00:10:02,480 Speaker 3: I kept waiting. I feel like up beat the drop somewhere. 202 00:10:03,080 --> 00:10:06,280 Speaker 6: Then it hit me as to what type of music 203 00:10:06,440 --> 00:10:08,600 Speaker 6: this was, in the sense of more like boom bath. 204 00:10:09,120 --> 00:10:12,400 Speaker 6: It reminded me of like Ray Kwan and ghost Face 205 00:10:12,480 --> 00:10:17,040 Speaker 6: and uh, what's the white boy named the Cooked Action Bronson? 206 00:10:18,240 --> 00:10:19,680 Speaker 6: It reminded me of stuff like that. 207 00:10:20,880 --> 00:10:21,080 Speaker 2: Now. 208 00:10:21,160 --> 00:10:23,199 Speaker 6: I did like a couple of songs in the beginning. 209 00:10:23,320 --> 00:10:26,120 Speaker 6: I liked Hat's Love. I liked the song rain Dance 210 00:10:26,160 --> 00:10:31,839 Speaker 6: with Arrow Holder, I liked I like Tracing Morgan Vomit It. 211 00:10:32,240 --> 00:10:35,080 Speaker 6: It took me too about it may have been tracing 212 00:10:35,120 --> 00:10:37,480 Speaker 6: Morgan's vomit and there after like hearing him on his 213 00:10:37,559 --> 00:10:41,080 Speaker 6: ad lips like nigga iron My draws, Nigga, He's fine. 214 00:10:42,120 --> 00:10:43,880 Speaker 3: I was like, oh okay, I get what this is. 215 00:10:43,880 --> 00:10:46,240 Speaker 6: This niggas just talking shit like I'm looking for a 216 00:10:46,240 --> 00:10:49,360 Speaker 6: bunch lines and bars and streetlights. And I was like, 217 00:10:49,400 --> 00:10:51,640 Speaker 6: oh okay, he just talking shit on here. And then 218 00:10:51,679 --> 00:10:53,480 Speaker 6: he got this ong way talking to the girl some 219 00:10:53,520 --> 00:10:55,800 Speaker 6: pimp shit like you said. I was like, okay, I 220 00:10:55,840 --> 00:10:57,720 Speaker 6: get more of what it is. As I got later 221 00:10:57,800 --> 00:11:00,280 Speaker 6: into the album, I recognize what you're saying is a 222 00:11:00,360 --> 00:11:04,560 Speaker 6: straight like you got to listen to the words. It 223 00:11:04,600 --> 00:11:08,400 Speaker 6: ain't like so it's just too slow for me though, 224 00:11:08,440 --> 00:11:10,880 Speaker 6: like too slow tempo like this reminds me of like 225 00:11:11,520 --> 00:11:14,360 Speaker 6: the North, like the East Coast version of like a 226 00:11:14,440 --> 00:11:18,400 Speaker 6: Larry June, Like if you with it, it's gonna be slow, 227 00:11:18,640 --> 00:11:21,200 Speaker 6: it's gonna be same tempo. If you're looking for something else, 228 00:11:21,280 --> 00:11:23,320 Speaker 6: it ain't gonna be right here. But I can't fault 229 00:11:23,360 --> 00:11:25,160 Speaker 6: them for that because they do it really well. Rock 230 00:11:25,400 --> 00:11:27,760 Speaker 6: does as well. Like I said about song seven, I'm 231 00:11:27,800 --> 00:11:29,719 Speaker 6: into it. I'm like, okay, this nigga talking ship like 232 00:11:29,760 --> 00:11:32,079 Speaker 6: ghost Face will talk shit like Ray Kwaran talk shit 233 00:11:32,400 --> 00:11:33,800 Speaker 6: back in the day. 234 00:11:34,280 --> 00:11:35,960 Speaker 3: He's really good at what he does. I just don't 235 00:11:36,000 --> 00:11:37,560 Speaker 3: think it's for me. 236 00:11:38,760 --> 00:11:43,319 Speaker 5: Yeah yeah, yeah, Like you had that line that necklace 237 00:11:43,320 --> 00:11:46,880 Speaker 5: with been fifty pinners, niggas giving me corners like he 238 00:11:47,000 --> 00:11:49,240 Speaker 5: just be talking like just cash ship like that. 239 00:11:49,320 --> 00:11:50,840 Speaker 3: It was like my fragrance. 240 00:11:50,480 --> 00:11:52,600 Speaker 6: Niggas when I walk in the room, My fragrance niggai. 241 00:11:52,640 --> 00:11:54,839 Speaker 6: Y'all niggas made Cubans look bad? How you do that? 242 00:11:55,400 --> 00:11:58,160 Speaker 6: They're talking about averx jackets and shit. I started picking 243 00:11:58,280 --> 00:11:59,800 Speaker 6: up on those things as I go. I'm like, oh, 244 00:12:00,120 --> 00:12:00,480 Speaker 6: I get it. 245 00:12:00,520 --> 00:12:02,840 Speaker 4: That's the that's the I like that. 246 00:12:02,920 --> 00:12:06,480 Speaker 5: I like and I could respect that because like it 247 00:12:06,520 --> 00:12:09,360 Speaker 5: took fifo a minute because the same way he's like. 248 00:12:09,320 --> 00:12:11,040 Speaker 4: Man, I can't man, he don't have no drums. 249 00:12:11,760 --> 00:12:15,800 Speaker 5: So for years just is just not like rock Manciano 250 00:12:15,960 --> 00:12:17,960 Speaker 5: until like one day and click for him too, Like 251 00:12:18,000 --> 00:12:19,960 Speaker 5: he was just like man, yeah, this dude, he'd be 252 00:12:20,000 --> 00:12:23,880 Speaker 5: talking that ship like for real. Yeah, man, So that 253 00:12:23,880 --> 00:12:26,240 Speaker 5: that that's cool. I can definitely respect it. Like I said, 254 00:12:26,240 --> 00:12:28,640 Speaker 5: I've been We've been dealing with that for years. Like 255 00:12:28,840 --> 00:12:34,640 Speaker 5: with like just not understanding, just not understand it. 256 00:12:34,640 --> 00:12:35,079 Speaker 4: But that's cool. 257 00:12:35,120 --> 00:12:37,679 Speaker 6: That's we're called though, though, Yeah I like the stuff, 258 00:12:37,720 --> 00:12:39,240 Speaker 6: Like again, the ad libs helped me out a lot, 259 00:12:39,280 --> 00:12:40,840 Speaker 6: and I'm hearing them talk shit and I'm like, oh, okay, 260 00:12:40,880 --> 00:12:42,800 Speaker 6: I get it. But on the dive in because I 261 00:12:42,800 --> 00:12:44,880 Speaker 6: ain't never really explored one of his projects, it does 262 00:12:45,000 --> 00:12:47,520 Speaker 6: make me interested to know from y'all since y'all are 263 00:12:47,520 --> 00:12:49,640 Speaker 6: big fans, like what his best project will, because I 264 00:12:49,679 --> 00:12:51,480 Speaker 6: would be interested in hearing his best project. 265 00:12:51,880 --> 00:12:54,160 Speaker 5: I feel like one of his best is like Reloaded, 266 00:12:54,320 --> 00:12:57,680 Speaker 5: Like uh, that has a lot of big saying, yeah. 267 00:12:57,559 --> 00:13:00,560 Speaker 3: I heard reasonable Drought was good draws. 268 00:13:01,280 --> 00:13:05,120 Speaker 4: That's that's not right. That Stole God Cooks he. 269 00:13:05,240 --> 00:13:06,959 Speaker 3: Just okay, I got you, I got you. 270 00:13:06,960 --> 00:13:11,640 Speaker 6: Well he produces it, okay, but Stole God Cooks is 271 00:13:11,640 --> 00:13:12,000 Speaker 6: dope too. 272 00:13:12,040 --> 00:13:14,679 Speaker 4: He talks a lot of okay. 273 00:13:14,400 --> 00:13:16,880 Speaker 2: Cool, yeah you're gonna fuck with that. Then one of 274 00:13:16,880 --> 00:13:18,840 Speaker 2: my favorite is the Bitter Dose. 275 00:13:20,000 --> 00:13:24,600 Speaker 5: Yeah better Yeah, yeah, yeah, Rosebud Revenge that's the that's 276 00:13:24,600 --> 00:13:25,320 Speaker 5: the second one. 277 00:13:25,960 --> 00:13:26,120 Speaker 2: Yeah. 278 00:13:26,160 --> 00:13:29,280 Speaker 6: This definitely wasn't nothing that I like. This ain't nothing 279 00:13:29,320 --> 00:13:31,200 Speaker 6: that I heard of, Like I'm never listening to this 280 00:13:31,280 --> 00:13:34,160 Speaker 6: again like that. It wasn't that, it was more. It 281 00:13:34,240 --> 00:13:37,000 Speaker 6: made me curious because again I have heard his name. 282 00:13:37,400 --> 00:13:39,120 Speaker 6: I hear how much ship he talking, and how he 283 00:13:39,200 --> 00:13:41,760 Speaker 6: was comparing himself like he should be biggest drake. I 284 00:13:41,760 --> 00:13:43,600 Speaker 6: think one of the lies he said it here, so 285 00:13:43,679 --> 00:13:45,040 Speaker 6: I hear how he talk about himself. 286 00:13:45,040 --> 00:13:46,880 Speaker 3: It made me want to hear more his music. I 287 00:13:46,960 --> 00:13:47,680 Speaker 3: want to say that. 288 00:13:48,440 --> 00:13:52,360 Speaker 1: Saying you Iron draws is crazy. 289 00:13:52,480 --> 00:13:54,680 Speaker 3: Just feel better, nigga. 290 00:13:57,520 --> 00:14:00,640 Speaker 2: Yeah, I don't know. 291 00:14:02,200 --> 00:14:04,000 Speaker 4: Yeah, I think that was the other guy that said 292 00:14:04,040 --> 00:14:05,600 Speaker 4: it something. 293 00:14:05,720 --> 00:14:11,079 Speaker 5: I think so, but but still that's something that I say. 294 00:14:11,160 --> 00:14:14,840 Speaker 1: I'm sure, like, yeah, we're talking that ship on Tracy 295 00:14:14,840 --> 00:14:18,400 Speaker 1: Morgan's vomit too, man, Like the second verse, uh, you 296 00:14:18,440 --> 00:14:21,000 Speaker 1: know with brain particles, hit the carpet that sparked ship 297 00:14:21,040 --> 00:14:25,200 Speaker 1: all years, hit dogs barking. That's niggas talking like a 298 00:14:25,200 --> 00:14:28,880 Speaker 1: bunch of bras and a gossip column. He said, you 299 00:14:28,920 --> 00:14:31,480 Speaker 1: ain't got to be a barber to get your wig parted, 300 00:14:31,520 --> 00:14:34,000 Speaker 1: and then he just went on the whole spill. 301 00:14:34,040 --> 00:14:34,200 Speaker 2: Bro. 302 00:14:34,280 --> 00:14:39,440 Speaker 1: I was like, yeah, you're talking that ship brot on 303 00:14:39,640 --> 00:14:39,960 Speaker 1: this bro. 304 00:14:40,920 --> 00:14:42,440 Speaker 4: He knows what what he said. Good. 305 00:14:42,920 --> 00:14:47,200 Speaker 3: So he produced the majority of his beach On projects. 306 00:14:48,800 --> 00:14:52,400 Speaker 5: A lot of times he does joints, joints with like Alchemists, 307 00:14:52,400 --> 00:14:56,880 Speaker 5: Like Alchemists did like Skeleton Bones and Elephant Man's. 308 00:14:57,000 --> 00:14:59,640 Speaker 4: Forgot what it's called. I I'm sorry, Elephant Man's. 309 00:14:59,320 --> 00:15:02,200 Speaker 5: Bones and and uh what was the other one that 310 00:15:02,640 --> 00:15:06,400 Speaker 5: Alchemists produced? He produced another one too, But yeah, he'll 311 00:15:06,440 --> 00:15:11,120 Speaker 5: have people that that kind of produced, like minimumless drums 312 00:15:11,160 --> 00:15:11,920 Speaker 5: and stuff like that. 313 00:15:12,320 --> 00:15:13,760 Speaker 4: Uh that's why, like I said, the. 314 00:15:14,120 --> 00:15:19,520 Speaker 5: The premiere one didn't really stick with me like that. 315 00:15:20,040 --> 00:15:21,880 Speaker 4: It just didn't. It just didn't. It was cool, it 316 00:15:21,880 --> 00:15:23,320 Speaker 4: was it was good, it wasn't bad. 317 00:15:23,360 --> 00:15:25,880 Speaker 5: It just it just wanted to rock and wants the 318 00:15:25,920 --> 00:15:29,880 Speaker 5: other project I wanted. This is more so what I wanted. 319 00:15:29,920 --> 00:15:31,600 Speaker 5: And I think this is like a precursor to the 320 00:15:31,680 --> 00:15:34,320 Speaker 5: to an album that's coming out, Like this isn't even 321 00:15:34,360 --> 00:15:36,840 Speaker 5: the real official album for what I'm understanding, there's a 322 00:15:37,440 --> 00:15:39,400 Speaker 5: there's a another project that. 323 00:15:39,400 --> 00:15:42,080 Speaker 4: He's dropping called something Jazz. 324 00:15:43,520 --> 00:15:45,200 Speaker 3: Do y'all think he could be a bigger artist. 325 00:15:46,360 --> 00:15:46,640 Speaker 2: I don't. 326 00:15:46,800 --> 00:15:48,560 Speaker 4: I don't know. I don't think he I don't think. 327 00:15:48,440 --> 00:15:51,400 Speaker 5: He has any I don't think he has any desire 328 00:15:51,440 --> 00:15:52,320 Speaker 5: to be a bigger arts. 329 00:15:52,360 --> 00:15:53,680 Speaker 4: I think I think he's He's. 330 00:15:53,520 --> 00:15:56,080 Speaker 5: Comfortable where he is because you think about it too. 331 00:15:57,560 --> 00:16:00,880 Speaker 5: He like you think about grizz Elder on them. Guy, 332 00:16:01,160 --> 00:16:03,680 Speaker 5: He's who paid the way for those type of guys. 333 00:16:03,760 --> 00:16:05,920 Speaker 5: Like the way he raps. You know what I'm saying. 334 00:16:06,040 --> 00:16:08,360 Speaker 5: You really kind of go back and listen to the 335 00:16:08,400 --> 00:16:11,760 Speaker 5: way they rap, like it's kind of paid by by 336 00:16:11,880 --> 00:16:15,640 Speaker 5: Rock Marciano, Like for real, because Rockey Marciano been around 337 00:16:15,680 --> 00:16:19,280 Speaker 5: since Flip Mode days. Really when he came up with 338 00:16:19,320 --> 00:16:22,560 Speaker 5: Flip Moo Squad. Yeah, yeah, this is just thirteen. Yeah, 339 00:16:22,600 --> 00:16:23,240 Speaker 5: this is thirteen. 340 00:16:23,320 --> 00:16:25,400 Speaker 3: Yeah, I'm looking at his album you go all the 341 00:16:25,400 --> 00:16:26,400 Speaker 3: way back to twenty fifteen. 342 00:16:26,840 --> 00:16:29,240 Speaker 4: Yeah, man, he been in the game for a minute. 343 00:16:30,200 --> 00:16:32,600 Speaker 1: You see the first one. Yeah, this is the first 344 00:16:32,600 --> 00:16:37,880 Speaker 1: one he's fully produced since twenty thirteen. Marti cool. 345 00:16:38,960 --> 00:16:40,120 Speaker 4: Yeah that's crazy. 346 00:16:40,520 --> 00:16:41,440 Speaker 2: Yeah, that's crazy. 347 00:16:42,720 --> 00:16:45,520 Speaker 4: Yeah, that's crazy man. 348 00:16:45,640 --> 00:16:45,880 Speaker 2: It was. 349 00:16:47,680 --> 00:16:50,320 Speaker 1: Yeah, yeah, it was when I was trying to look 350 00:16:50,360 --> 00:16:53,240 Speaker 1: for what six five six men? 351 00:16:54,360 --> 00:16:56,040 Speaker 2: But there's a couple of different things out there. 352 00:16:56,160 --> 00:16:59,720 Speaker 4: I saw that. Yeah, yeah, I was looking at them too. 353 00:16:59,760 --> 00:17:02,280 Speaker 5: I was wondering if it had anything to do with 354 00:17:02,440 --> 00:17:03,520 Speaker 5: what I saw. 355 00:17:04,359 --> 00:17:10,600 Speaker 6: In the description it mentions it. It says for over 356 00:17:10,600 --> 00:17:12,959 Speaker 6: a decade and a half rock. Marciano has been at 357 00:17:12,960 --> 00:17:16,040 Speaker 6: the forefront of perps Underground as an elite see who 358 00:17:16,160 --> 00:17:18,760 Speaker 6: Moves are closely studied by artists and fans of life. 359 00:17:18,760 --> 00:17:20,879 Speaker 6: Continue with the work to begin in the twenty ten's 360 00:17:21,560 --> 00:17:25,560 Speaker 6: game changing Hallmark Mark Berg then itself for titles six 361 00:17:25,760 --> 00:17:29,600 Speaker 6: five six exemplifies why New York while the New York 362 00:17:29,640 --> 00:17:31,960 Speaker 6: Rapper remains is how to respect this or no, I 363 00:17:32,000 --> 00:17:33,359 Speaker 6: don't really say nothing was. 364 00:17:33,400 --> 00:17:34,040 Speaker 2: I thought it is. 365 00:17:34,520 --> 00:17:38,560 Speaker 5: Yeah, what I saw as an angel numbers upcoming blessings 366 00:17:38,560 --> 00:17:41,280 Speaker 5: of fortune, balance and positive transformation in your life. It's 367 00:17:41,320 --> 00:17:43,720 Speaker 5: the main thing I'm seeing that that was six five 368 00:17:43,800 --> 00:17:47,480 Speaker 5: six means so yeah, an act. It acts as a 369 00:17:47,680 --> 00:17:51,160 Speaker 5: prompt to maintain positive mindset, appreciate your journey, and utilize 370 00:17:51,200 --> 00:17:51,959 Speaker 5: your creativity. 371 00:17:51,960 --> 00:17:54,080 Speaker 4: It is this number suggests as your. 372 00:17:53,920 --> 00:17:56,760 Speaker 5: Time to shine often highlight and need of need to 373 00:17:56,840 --> 00:18:00,879 Speaker 5: balance personal growth with professional efforts. I'm almost one hundred 374 00:18:00,880 --> 00:18:03,760 Speaker 5: percent sure he looked that up and know that whatever 375 00:18:04,800 --> 00:18:07,439 Speaker 5: it's tied to that and whatever else he has, if 376 00:18:07,480 --> 00:18:11,040 Speaker 5: it's not solely that, so h yeah, mm hmm. 377 00:18:11,720 --> 00:18:11,920 Speaker 4: Yeah. 378 00:18:11,960 --> 00:18:15,760 Speaker 3: I like the album cover though. Yeah, a lot of 379 00:18:15,800 --> 00:18:17,120 Speaker 3: kids don't even know what that is. 380 00:18:18,119 --> 00:18:26,720 Speaker 7: Right, right exactly, yeah, exactly, all right, man, Well, uh 381 00:18:27,880 --> 00:18:32,960 Speaker 7: good to his spike didn't hate it, well he respected Yeah, 382 00:18:33,000 --> 00:18:33,359 Speaker 7: I guess. 383 00:18:33,640 --> 00:18:33,760 Speaker 4: Uh. 384 00:18:33,800 --> 00:18:36,000 Speaker 1: Anyway, man, let's get into these grades. We'll see what 385 00:18:36,119 --> 00:18:38,040 Speaker 1: We'll see what the grades say. The grades will be 386 00:18:38,040 --> 00:18:43,800 Speaker 1: the truth teller. Starting with flow, man, for those of 387 00:18:43,840 --> 00:18:48,800 Speaker 1: you that are unfamiliar, we are great flow lyrics, production features, execution, 388 00:18:48,920 --> 00:18:50,440 Speaker 1: replay value, and then we give. 389 00:18:50,400 --> 00:18:53,080 Speaker 2: An overall score at the end. 390 00:18:53,520 --> 00:18:53,760 Speaker 7: Uh. 391 00:18:54,040 --> 00:18:56,240 Speaker 2: Starting with flow, I am at a B. 392 00:18:57,240 --> 00:19:00,439 Speaker 4: Yeah, man, I'm a big fan of rot. Me just 393 00:19:00,480 --> 00:19:01,040 Speaker 4: flows an A. 394 00:19:03,480 --> 00:19:05,240 Speaker 3: The flow wasn't the problem at all for me. I'll 395 00:19:05,240 --> 00:19:08,280 Speaker 3: give the floor a okay, all right. 396 00:19:09,960 --> 00:19:13,760 Speaker 1: Lyrics lyrics. I'm I'm high on my lyrics. I think 397 00:19:13,840 --> 00:19:14,960 Speaker 1: lyrics lyrics. 398 00:19:15,000 --> 00:19:18,919 Speaker 2: I gave him an A one of my probably my 399 00:19:19,000 --> 00:19:20,920 Speaker 2: favorite line. 400 00:19:20,720 --> 00:19:23,840 Speaker 1: Off ears cut off so many freaks that fancy me. 401 00:19:23,920 --> 00:19:26,960 Speaker 1: You might randomly meet an amputy bitches, missing hands and 402 00:19:27,040 --> 00:19:28,840 Speaker 1: feet like some damn. 403 00:19:28,640 --> 00:19:34,600 Speaker 4: Or rings, Smike, you just gotta go. 404 00:19:34,600 --> 00:19:39,160 Speaker 3: Through the lyrics like that's yeah, that's why my lyric. Yeah, 405 00:19:39,200 --> 00:19:39,879 Speaker 3: they gotta let you go. 406 00:19:41,480 --> 00:19:43,720 Speaker 2: That was from We're going ahead right. 407 00:19:45,200 --> 00:19:47,560 Speaker 5: Yeah man a on lyrics, Man like he wanted the 408 00:19:47,560 --> 00:19:48,680 Speaker 5: best with the lyrics bro. 409 00:19:48,920 --> 00:19:51,080 Speaker 4: He just one of the best. Bro, just one of 410 00:19:51,080 --> 00:19:52,280 Speaker 4: the best. I'll give you anothers. 411 00:19:52,440 --> 00:19:56,800 Speaker 5: I just keep I just eat horribly Arby's firearms and 412 00:19:56,840 --> 00:19:59,919 Speaker 5: it's just randomly say Arby's. You know what I'm saying, firearms, 413 00:20:00,080 --> 00:20:03,080 Speaker 5: my g nine these R and B Sean Connery said, 414 00:20:03,160 --> 00:20:04,520 Speaker 5: calmly fire arms. 415 00:20:04,240 --> 00:20:04,720 Speaker 4: In the cheek. 416 00:20:05,160 --> 00:20:07,480 Speaker 5: Now needs the R and B bone thugs in harmony 417 00:20:08,000 --> 00:20:10,160 Speaker 5: like and the way he flows that. 418 00:20:10,280 --> 00:20:14,040 Speaker 4: Man, it's just man, it's just so good. It's just 419 00:20:14,080 --> 00:20:16,320 Speaker 4: so good. Not many people are gonna gonna rap like that. 420 00:20:18,040 --> 00:20:19,399 Speaker 3: I didn't get there. That was. 421 00:20:19,720 --> 00:20:22,280 Speaker 6: I have to go back because I believe y'all because 422 00:20:22,280 --> 00:20:25,280 Speaker 6: I heard the flow was making I believe y'all. But 423 00:20:25,320 --> 00:20:29,000 Speaker 6: I have to listen again, like I get it. One 424 00:20:29,000 --> 00:20:30,720 Speaker 6: of the things, one of the flows stood out to me. 425 00:20:31,080 --> 00:20:34,399 Speaker 3: It's about lyrics, right lyrics, lyrics. 426 00:20:34,520 --> 00:20:37,760 Speaker 6: See you because it's on the grater two ken because 427 00:20:37,760 --> 00:20:39,160 Speaker 6: I do it. I have to go back and listen 428 00:20:39,240 --> 00:20:41,880 Speaker 6: again now that I'm missing y'all. One of the ones 429 00:20:41,880 --> 00:20:43,359 Speaker 6: that stuck out for me when he said he was 430 00:20:43,400 --> 00:20:47,160 Speaker 6: in Ja Vinci trying to looking for Tracy Ellens Ross 431 00:20:47,160 --> 00:20:49,119 Speaker 6: you ain't gonna find a bit looked like this and ross, 432 00:20:51,080 --> 00:20:52,080 Speaker 6: so just think about it. 433 00:20:52,640 --> 00:20:55,960 Speaker 4: He got so many bars like that, So. 434 00:20:56,280 --> 00:20:58,160 Speaker 6: I do believe y'all. I gotta go back and listen 435 00:20:58,200 --> 00:21:00,200 Speaker 6: to it. I believe my grade can be changed on that. 436 00:21:00,280 --> 00:21:02,680 Speaker 4: But this is see his lyrics is super power bro. 437 00:21:02,960 --> 00:21:07,600 Speaker 2: Yeah, so for production, production is up next. I have a. 438 00:21:09,359 --> 00:21:11,240 Speaker 4: Bet for production. 439 00:21:11,800 --> 00:21:16,919 Speaker 5: I gave a B plus only because, like, I like 440 00:21:17,000 --> 00:21:19,240 Speaker 5: the Beasts, but I'm not I'm not sure rock MANC 441 00:21:19,400 --> 00:21:20,880 Speaker 5: is the best producer in the world. I just think 442 00:21:20,920 --> 00:21:24,000 Speaker 5: he made great beats for himself or whatever like. So 443 00:21:24,520 --> 00:21:28,000 Speaker 5: that's why I went a little lore on the production personally. 444 00:21:29,119 --> 00:21:31,119 Speaker 6: Similar to someone you said, it's a bee for me, 445 00:21:32,560 --> 00:21:38,399 Speaker 6: even though it didn't b a beat, it's because I 446 00:21:38,440 --> 00:21:41,520 Speaker 6: understood it. I immediately got it with his flow and 447 00:21:41,560 --> 00:21:44,040 Speaker 6: his Okay, I understand like it ain't too much shit 448 00:21:44,119 --> 00:21:45,240 Speaker 6: that he's going to be rapping over. 449 00:21:45,320 --> 00:21:46,840 Speaker 3: Like you, I wouldn't expect to hear. 450 00:21:46,720 --> 00:21:51,240 Speaker 6: Some fancy mainstream beef, so it did nothing sounded out 451 00:21:51,280 --> 00:21:53,720 Speaker 6: of place. I love this old samples, so it was 452 00:21:53,720 --> 00:21:56,639 Speaker 6: a beef for me. Yeah, you gotta get a if 453 00:21:56,640 --> 00:21:58,200 Speaker 6: he had some drums in them. 454 00:22:00,280 --> 00:22:03,399 Speaker 1: Man, that easy bake oven b was crazy. I messed 455 00:22:03,280 --> 00:22:06,880 Speaker 1: with that it's like you mentioned earlier, Rod them samples 456 00:22:07,040 --> 00:22:12,200 Speaker 1: was on point. Moving on features features, there's only one. 457 00:22:12,400 --> 00:22:16,600 Speaker 1: There's an Erro holding, and I am going A for. 458 00:22:16,640 --> 00:22:20,080 Speaker 5: Him cool cool for Arrow holding. 459 00:22:20,160 --> 00:22:23,840 Speaker 4: I'm going B plus. Yeah, I'm just going to be 460 00:22:23,840 --> 00:22:26,640 Speaker 4: plus for Errow. 461 00:22:26,720 --> 00:22:27,359 Speaker 3: I'm going B. 462 00:22:27,880 --> 00:22:30,000 Speaker 6: That first song that he's on made me look at 463 00:22:30,000 --> 00:22:32,159 Speaker 6: my phone and like trying to figure out who that was. 464 00:22:32,760 --> 00:22:35,320 Speaker 6: And then for that second song, I was like, Okay, 465 00:22:35,400 --> 00:22:37,400 Speaker 6: he didn't he impressed me more on the first song, 466 00:22:37,920 --> 00:22:39,720 Speaker 6: So A B M. 467 00:22:40,240 --> 00:22:47,000 Speaker 1: Okay, execution is up net for execution, I have a. 468 00:22:46,359 --> 00:22:51,040 Speaker 4: B cool for execution, I have an A minus. 469 00:22:51,080 --> 00:22:53,960 Speaker 5: I feel like he accomplished everything he wanted to accomplish 470 00:22:54,000 --> 00:22:55,960 Speaker 5: with the I was didn't have any problem with. 471 00:22:55,920 --> 00:22:58,560 Speaker 4: The sequence in here. I thought, I thought it was great. 472 00:22:58,800 --> 00:23:00,800 Speaker 4: So I'm going to a minus on execution. 473 00:23:02,640 --> 00:23:06,240 Speaker 6: On execution, I'm going A. And I literally said, I 474 00:23:06,359 --> 00:23:07,760 Speaker 6: was say, I don't know who this is. I mean, 475 00:23:07,800 --> 00:23:10,480 Speaker 6: I know this ain't for me. With whoever it's for, 476 00:23:10,600 --> 00:23:12,960 Speaker 6: I know they love it because he's too comfortable like 477 00:23:13,000 --> 00:23:15,520 Speaker 6: this time, yeah, like he had to be like he 478 00:23:15,560 --> 00:23:17,880 Speaker 6: get it. I know whoever this is for, they fuck 479 00:23:17,920 --> 00:23:19,399 Speaker 6: with this heavy. So he executed it with. 480 00:23:20,600 --> 00:23:23,919 Speaker 1: So good point replay value. I'm not a B for 481 00:23:24,000 --> 00:23:25,440 Speaker 1: replay value. 482 00:23:26,200 --> 00:23:30,040 Speaker 5: I'm at an absolute A for replay value. Rock Monci 483 00:23:30,200 --> 00:23:32,919 Speaker 5: is one of my favorites. I will be playing this. 484 00:23:33,480 --> 00:23:34,840 Speaker 5: I'm glad it came at the top of the year 485 00:23:34,880 --> 00:23:36,040 Speaker 5: so I could play it all year. 486 00:23:38,680 --> 00:23:39,800 Speaker 3: Replay for me is gonna be C. 487 00:23:40,520 --> 00:23:42,040 Speaker 6: I'm gonna have to be in a mood one day 488 00:23:42,080 --> 00:23:45,680 Speaker 6: and go down a rabbit hole to understand. But it 489 00:23:45,720 --> 00:23:48,120 Speaker 6: may may not be no time soon, but it's it's 490 00:23:48,119 --> 00:23:50,840 Speaker 6: a C for me. I'm more so a replay value 491 00:23:50,880 --> 00:23:52,679 Speaker 6: of him as an artist because now I'm interested in 492 00:23:52,720 --> 00:23:55,280 Speaker 6: wanting no more. But I'm looking for another project that's 493 00:23:55,280 --> 00:23:57,680 Speaker 6: gonna give me another taste of height Sime. 494 00:23:59,160 --> 00:24:02,080 Speaker 2: And to close us out, we have overall, and I 495 00:24:02,119 --> 00:24:03,600 Speaker 2: am at a B plus. 496 00:24:04,680 --> 00:24:07,800 Speaker 5: Yeah, overall, Like I said, one of my favorite artists 497 00:24:07,840 --> 00:24:08,760 Speaker 5: man a minus. 498 00:24:08,920 --> 00:24:09,560 Speaker 3: I don't I don't know. 499 00:24:09,600 --> 00:24:11,440 Speaker 4: It's going to be very rare that he gets less 500 00:24:11,480 --> 00:24:14,440 Speaker 4: than A for me because I just rocked with him. 501 00:24:14,720 --> 00:24:17,880 Speaker 5: No pun attended, But yeah, I just yeah, I've been 502 00:24:18,880 --> 00:24:22,560 Speaker 5: I've been a rock for a minute. Like I always 503 00:24:22,560 --> 00:24:26,480 Speaker 5: anticipated his projects. I feel like I'm I'm I'm represented 504 00:24:26,520 --> 00:24:27,679 Speaker 5: for be as well with my A. 505 00:24:27,880 --> 00:24:32,159 Speaker 4: Min Yeah, so give me an a on that. 506 00:24:33,280 --> 00:24:35,359 Speaker 6: It's a beef for me, this ain't It's not an 507 00:24:35,400 --> 00:24:40,320 Speaker 6: average project. It's definitely quality. I was interested after this 508 00:24:40,520 --> 00:24:42,320 Speaker 6: then listening and y'all talk made me want to go 509 00:24:42,359 --> 00:24:46,000 Speaker 6: listen more so overall like for me not being like 510 00:24:46,520 --> 00:24:48,840 Speaker 6: a big rock fel like y'all like, I'm just was 511 00:24:48,880 --> 00:24:50,840 Speaker 6: put on to this essentially, this being the first project 512 00:24:50,880 --> 00:24:53,360 Speaker 6: I listened to through and through, I didn't walk away like, man, 513 00:24:53,480 --> 00:24:56,119 Speaker 6: my god, I just wasted forty five minutes. 514 00:24:56,480 --> 00:24:58,440 Speaker 3: I walked away intrigued. So for that I give it 515 00:24:58,480 --> 00:25:00,920 Speaker 3: a bey's man. 516 00:25:01,119 --> 00:25:07,200 Speaker 5: I respect this, but that open mindedness it's what we leave. 517 00:25:08,040 --> 00:25:12,800 Speaker 4: It's the overall theme for this review. That's respect. 518 00:25:12,840 --> 00:25:14,399 Speaker 6: I like when people talk though, that's some of my 519 00:25:14,440 --> 00:25:15,000 Speaker 6: favorite music. 520 00:25:15,080 --> 00:25:19,400 Speaker 5: This is the guy, Yeah, this is the God man 521 00:25:20,480 --> 00:25:23,480 Speaker 5: he likes. If you like Stole God like yeah, yeah. 522 00:25:23,600 --> 00:25:25,760 Speaker 5: I think you will like rock Marci once you dig 523 00:25:25,880 --> 00:25:28,720 Speaker 5: deeper into his catalogue for sure, if you like if 524 00:25:28,720 --> 00:25:30,800 Speaker 5: you like Stole God for sure. 525 00:25:31,040 --> 00:25:31,480 Speaker 2: Yeah. 526 00:25:31,560 --> 00:25:35,639 Speaker 1: Well, anyway, Rob Marciano sits five six good start to 527 00:25:35,680 --> 00:25:39,000 Speaker 1: the year, getting new music from him one of the 528 00:25:39,040 --> 00:25:42,800 Speaker 1: best in the game. The dopest to do it and 529 00:25:42,920 --> 00:25:47,320 Speaker 1: uh and the catalog is is impeccable. It's definitely up there. 530 00:25:47,400 --> 00:25:51,720 Speaker 1: So what do you guys think about Rob Marcy's new project. 531 00:25:51,760 --> 00:25:54,080 Speaker 1: Let us know in the comment sessions section. 532 00:25:54,600 --> 00:25:55,440 Speaker 2: We are out piece