WEBVTT - Hamnet

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<v Speaker 1>The Frames per second podcast. YOA, what's good? Everybody is

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<v Speaker 1>ride back with another France per second episode. Today we

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<v Speaker 1>are reviewing Hamnet Himnet. It also was for like uh

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<v Speaker 1>awards and stuff like that, and we're right now we're

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<v Speaker 1>doing like a little little mini series of nominated films

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<v Speaker 1>and things. But I am not here alone reviewing this

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<v Speaker 1>with along with me is to my right can be Inge.

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<v Speaker 1>In front of him, we got Spike and next to

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<v Speaker 1>him we got Mike c Town.

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<v Speaker 2>Yo.

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<v Speaker 1>That's good, y'all. Y'all good? Mm hmmm, all right, cool man.

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<v Speaker 1>So we're gonna get into this, man, we ain't gonna

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<v Speaker 1>waste too much time. I know we're trying to get

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<v Speaker 1>get through this, you know, super Bowl, but this is

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<v Speaker 1>hamnet Man, a twenty twenty five historical strategy film directed

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<v Speaker 1>by Chloe zau As also co wrote, who also co

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<v Speaker 1>wrote the screenplay with Maggie O'Farrell, Based on the twenty

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<v Speaker 1>twenty novel by O'Farrell. The film dramatizes the family life

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<v Speaker 1>of William Shakespeare and his wife Agnes Half the Way,

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<v Speaker 1>which I thought was interesting because we just reviewed. I'm

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<v Speaker 1>not sure which one is gonna come out first. Where

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<v Speaker 1>We just reviewed Sentimental Value, and the girl's name in

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<v Speaker 1>that movie was at one of the girls names in

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<v Speaker 1>there was Agnes, and they also referenced to Hamlet in

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<v Speaker 1>that movie. I don't know if y'all realize that. So

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<v Speaker 1>I thought that was like kind of interesting that we

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<v Speaker 1>were doing doing two movies that kind of kind of

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<v Speaker 1>relate to tragedy, so and I wanted one if that

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<v Speaker 1>was intentional in that movie. But but yeah, basically they're

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<v Speaker 1>coping with the death of their eleven year old son, Hamnet,

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<v Speaker 1>which stars Jesse Buckley, Paul mescal And as Agnes, and

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<v Speaker 1>William along alongside Emily Watson, Joel Allen and Noah Juke

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<v Speaker 1>in supporting roles. What was I gonna say the film? Well,

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<v Speaker 1>before I get into that part, how did you guys

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<v Speaker 1>feel about this film? Like it was this something that

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<v Speaker 1>was on yall radiar or you know, just because we

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<v Speaker 1>were gonna review it. We reviewed it and also did

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<v Speaker 1>you like it?

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<v Speaker 2>Spike God, No, this was worse than the reality. I

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<v Speaker 2>just couldn't this was this was even in English. This

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<v Speaker 2>was like I didn't get it. I didn't understand the hype.

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<v Speaker 2>But I felt like that even when I've seen this preview.

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<v Speaker 2>When I went to go see something else, and even

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<v Speaker 2>a preview, I was like, this movie looked all pretentious

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<v Speaker 2>and it just the preview irritated me. But then when

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<v Speaker 2>we got in the world and I started looking at

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<v Speaker 2>it like it's it was one scene in here, I.

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<v Speaker 1>Like, okay, all right, we'll get into that, ken, how

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<v Speaker 1>did you like it?

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<v Speaker 3>It received eight OSCAR nominations, a Best Picture, Best Director,

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<v Speaker 3>Best Actress, Adaptive Screenplay, costume design, production, nown score, and casting,

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<v Speaker 3>and some other joints. I did enjoy though, I actually

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<v Speaker 3>did enjoy it. It was oh I was like, damn,

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<v Speaker 3>actually like that? What did you like about this?

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<v Speaker 1>Did you? What did you like about this? Mike Spike

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<v Speaker 1>wrapped my mind just now asking came what the this

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<v Speaker 1>was awful? I wanted to slit my throat and my

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<v Speaker 1>wrists at the same time. I fucking hated this. Man.

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<v Speaker 1>I don't fucking like Shakespeare. I don't like this fucking

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<v Speaker 1>third world time. I don't not third world. Sorry, I

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<v Speaker 1>don't like this time period. This was fucking a chore.

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<v Speaker 1>I was gonna yet, oh man, Yeah, y'all can stay

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<v Speaker 1>on that couch with this bullshit. Oh man, I can't you.

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<v Speaker 1>I'm not. I'm not the biggest fan of of uh

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<v Speaker 1>English literature or whatever, like like, I'm not a big fan.

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<v Speaker 1>It's weird. I have a weird relationship with Shakespeare because

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<v Speaker 1>I can respect the stories. I just hate all the

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<v Speaker 1>the way they speak, how it's written. That's the part English. Yeah,

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<v Speaker 1>that part kind of gets me sometime. But when people

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<v Speaker 1>starting to monernize it a little bit, I could it's

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<v Speaker 1>more palable at that point, like like oh, I like

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<v Speaker 1>oh like but but yeah, so that's what I appreciated

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<v Speaker 1>about this. It's like the times where they did do that,

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<v Speaker 1>they were reenacting things. It wasn't like part of the

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<v Speaker 1>actual dialogue. Oh you feel that way, yeah, am my

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<v Speaker 1>trip reenacting? They were they were talking all stupid the

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<v Speaker 1>whole movie. Do you think that I've seen it worse? Well, sure,

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<v Speaker 1>but that doesn't mean it's not here. So I guess

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<v Speaker 1>this was enough for me. This This was more palatable

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<v Speaker 1>for me because I've seen it to where they I mean,

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<v Speaker 1>it's like, it wasn't this down fun that woman, Yeah,

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<v Speaker 1>it wasn't like that.

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<v Speaker 3>It was it wasn't it wasn't it wasn't heavy handed.

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<v Speaker 1>I wasn't heavy. Hen it wasn't heavy handed. Oh man,

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<v Speaker 1>the hand was heavy enough. Oh my god, I was

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<v Speaker 1>cussing the funk out of jailing on this one description.

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<v Speaker 1>He was upset. He got.

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<v Speaker 4>So as I walked around the corner. Why the fun

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<v Speaker 4>we're doing him decisions? I missed this hold on. I

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<v Speaker 4>was like, I thought we was gonna skip it. I

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<v Speaker 4>thought we talked about skipping on later.

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<v Speaker 1>But anyway, I'm glad we did watch it because I

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<v Speaker 1>enjoyed it. I enjoyed it too. I enjoyed it too,

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<v Speaker 1>you know.

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<v Speaker 2>Like, oh man, what flabbergast did y'all liked this?

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<v Speaker 1>Me too? Oh? Well, well, I think it was beautifully shot.

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<v Speaker 1>Can we agree that sentimental value was solid? But this ship,

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<v Speaker 1>y'all like it? I'm blowing the funk away. Damn. This

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<v Speaker 1>was so much worse than I appreciate sentimentalbod much more now.

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<v Speaker 2>I thought we would all be in agreeance and this.

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<v Speaker 1>Oh no, no, no no. I thought we was going

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<v Speaker 1>into it, especially if they all liked talking. Well, yeah,

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<v Speaker 1>I didn't think I was gonna like this, but I did.

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<v Speaker 1>I end up liking it. I ended up enjoying it.

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<v Speaker 1>I was like, oh, I like this anyway. Damn all right,

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<v Speaker 1>So we start off like with the prologue, was a

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<v Speaker 1>Hamlet and Hamlet were considered the same name. I didn't

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<v Speaker 1>know they are even being cared to know that or whatever,

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<v Speaker 1>but it made sense in the movie. Whatever. Right, So

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<v Speaker 1>we started off with with the man. He's known just

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<v Speaker 1>the husband. He works as a tutor to help pay

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<v Speaker 1>his family's debt. And then we also are introduced to Agnes.

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<v Speaker 1>So we see her in a beautiful shot coming from

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<v Speaker 1>above and she's like just in the wood, in the

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<v Speaker 1>forest or the woods or whatever, and then she summons,

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<v Speaker 1>not summons, but like calls on a hawk or whatever.

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<v Speaker 1>How did y'all fell about the opening of this movie?

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<v Speaker 1>I was done immediately, damn Why because she's out here

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<v Speaker 1>fucking talking to birds. She's a witch, She's a forest witch.

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<v Speaker 1>She didn't do nothing cool. She's gonna be a witch.

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<v Speaker 1>Do something cool, at least the chicken. The witch flew

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<v Speaker 1>talking this ship. She over here, fucking come to me

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<v Speaker 1>bird and the bird just landing on her. What the fun?

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<v Speaker 1>But she can see things too, She can see into

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<v Speaker 1>the future, and she didn't see her little punk ass

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<v Speaker 1>kid died. Stupid ass. She didn't watching him. Apparently you

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<v Speaker 1>ain't parents. That's what Eminem said. I thought that was forecast.

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<v Speaker 1>I thought she did. So she read that forecast. Real shit.

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<v Speaker 1>She got the same odds as those motherfuckers that were

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<v Speaker 1>reading the weather for Atlanta. But her her premonition was right.

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<v Speaker 1>But she was confused about the premenation. She was like,

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<v Speaker 1>wait a minute, now there were two of them, but

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<v Speaker 1>I just had three something made right, Yes, stupid, one

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<v Speaker 1>of them was gonna die. It was.

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<v Speaker 3>It was early technology. Wasn't to say, you know, the

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<v Speaker 3>reception was a little they had to plays How did

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<v Speaker 3>you feel about the opening the same way? Just immediately

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<v Speaker 3>turned off?

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<v Speaker 2>Had nothing immediately turned off? I wouldn't. I wasn't curious

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<v Speaker 2>as to how she was calling the bird and none

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<v Speaker 2>of it. And I was like, what what is fucking

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<v Speaker 2>beast master out here?

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<v Speaker 1>Bro? Damn bro animals. When I thought about the opening, uh,

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<v Speaker 1>it was it was. It was cool. It was cool.

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<v Speaker 3>I think they kind of, you know, it was kind

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<v Speaker 3>of foreshadowing, like the whole sort of haunting horror elements

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<v Speaker 3>that you know that kind of played around throughout the

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<v Speaker 3>rest of the movie.

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<v Speaker 1>You know, and uh, well, I don't know, we we

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<v Speaker 1>haven't gotten to him yet, but I will say that yeah, yeah, yeah,

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<v Speaker 1>well we we kind of got into him because he

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<v Speaker 1>sees her do this or whatever, and then that he's

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<v Speaker 1>intrigued and he stops what he's doing. Like I said,

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<v Speaker 1>he's a tutor. He stops what he's doing and he

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<v Speaker 1>goes on and you know, introduces himself and they pretty

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<v Speaker 1>much immediately hit it off.

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<v Speaker 3>That was the thing that got me. I was like, God,

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<v Speaker 3>damn Christ Like, I was like, okay.

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<v Speaker 1>Looking at him, like he's crazy. You see a chick

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<v Speaker 1>talking to a burden. She's like, I got to hit that.

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<v Speaker 1>The immediate is wrong with you.

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<v Speaker 3>He said he was bewitched by her.

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<v Speaker 1>Here. Yeah, but yeah, they share a moment and she

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<v Speaker 1>gives she basically gives him a premonition and early on

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<v Speaker 1>just saying like, uh not things that I guess you

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<v Speaker 1>see with him, and she also and I don't think

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<v Speaker 1>that happened yet. So but yeah, so williams uh damn,

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<v Speaker 1>he's not revealed. I don't think he's revealed this William yet.

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<v Speaker 1>He's revealed this William just's not William Shakespeare.

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<v Speaker 2>Yeah.

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<v Speaker 1>Yeah, so he is revealed as William. You had to

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<v Speaker 1>be a I'm sorry you got well. I was saying,

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<v Speaker 1>you have to be a real dumb motherfucker. Rod didn't.

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<v Speaker 1>When they said it later, I was like, oh, ship,

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<v Speaker 1>come on, Broad I know, I know, I know how

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<v Speaker 1>many Williams could there be in this world? I feel you,

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<v Speaker 1>but I wasn't thinking about it. I take it back.

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<v Speaker 1>You're not dumb, but it's just you know it's fun. No,

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<v Speaker 1>it's not fun. It's fun because I didn't. Did you

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<v Speaker 1>think about it? Like I'm dumbing alone? That is a question.

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<v Speaker 1>How did you know he was not to be?

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<v Speaker 2>Who did you think it was?

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<v Speaker 1>The will didn't even think about this, that this was

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<v Speaker 1>the story of I didn't think he was in the

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<v Speaker 1>story William Shakespeare. You didn't know. You didn't know Hamlet

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<v Speaker 1>it was this No, No, I didn't know him. It

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<v Speaker 1>was a son, So yeah, I didn't know that. I

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<v Speaker 1>didn't have that context. Is that is that part of

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<v Speaker 1>the Hamlet story? I thought Hamlet was Hamlet was about

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<v Speaker 1>the king. Yeah, but it's pretty much known that he

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<v Speaker 1>was writing about his kids. I didn't. Again, I told you,

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<v Speaker 1>I didn't. I didn't really care for English literature like that.

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<v Speaker 1>I it's like one of my worst subjects. But really

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<v Speaker 1>for you English, well know, this type of English regular

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<v Speaker 1>literature I could kill. But this type of ship I

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<v Speaker 1>hated and I hated it, especially like when they wanted

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<v Speaker 1>us to like emulate that write and explain what he's

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<v Speaker 1>talking about. My fucking are you serious? I hated it.

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<v Speaker 1>I hated it. But anyway, so William's mother Mary, and

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<v Speaker 1>for some of the rumors about acting, is it that

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<v Speaker 1>daughter of the forest witch who taught her or herbal

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<v Speaker 1>lore which uses later to heal this cut on his forehead.

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<v Speaker 1>So I know you mentioned about her being a witch

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<v Speaker 1>anything any of this part and trigued you guys that

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<v Speaker 1>you know about her being a witch anything.

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<v Speaker 2>I was wondering what she was doing when she was

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<v Speaker 2>mixing up a little potion forest pharmacist or something like

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<v Speaker 2>making crack. But I did wonder what she was doing

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<v Speaker 2>when she took the fly with it.

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<v Speaker 1>Honey, she put it there.

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<v Speaker 2>I don't know what the shit was.

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<v Speaker 1>Yeah, I don't know. It's just some horror shit. Yeah,

0:12:07.200 --> 0:12:11.960
<v Speaker 1>snake es, you know all of that. So it did

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<v Speaker 1>just stand out to anybody else. I was excited for

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<v Speaker 1>her for about ten minutes because I was like, oh,

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<v Speaker 1>maybe this is a horror movie. Okay, you everything, it's

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<v Speaker 1>a horror movie. I was hoping. I was like, Okay,

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<v Speaker 1>I didn't know she was. It was about witches, so

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<v Speaker 1>I was like, Okay, she's a witch and she's making

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<v Speaker 1>some kind of potion and she put it on his forehead.

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<v Speaker 1>Maybe he'll grow horn out of it and this will

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<v Speaker 1>get cool.

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<v Speaker 3>But no, I was like, Mike, I did think horror too.

0:12:36.360 --> 0:12:38.520
<v Speaker 3>I was like, oh, they putting a horror spin on it.

0:12:38.880 --> 0:12:42.920
<v Speaker 3>I was like, okay, I like this. And it was dark,

0:12:43.400 --> 0:12:45.960
<v Speaker 3>you know, like what happened, and there were these premonitions

0:12:46.000 --> 0:12:47.559
<v Speaker 3>and stuff, which is one of the things that.

0:12:47.520 --> 0:12:48.360
<v Speaker 1>I liked about it.

0:12:49.400 --> 0:12:51.640
<v Speaker 3>But I mean, I knew she wasn't a witch, but

0:12:51.840 --> 0:12:54.120
<v Speaker 3>you know, back in the old times, bruh, Like all

0:12:54.160 --> 0:12:55.199
<v Speaker 3>you need is the accusation.

0:12:55.559 --> 0:12:57.520
<v Speaker 1>But she was a witch, wasn't she. I mean not

0:12:57.600 --> 0:13:01.680
<v Speaker 1>in the like I don't think you hast spells on people.

0:13:01.760 --> 0:13:03.760
<v Speaker 1>She was a witch? How many inublical cords did you

0:13:03.800 --> 0:13:07.120
<v Speaker 1>see this movie? That's just that's just nah.

0:13:07.440 --> 0:13:09.640
<v Speaker 2>The babies didn't have blood on them, right.

0:13:09.840 --> 0:13:14.240
<v Speaker 1>She's a witch. That's just direction. Bro. No, they had

0:13:14.280 --> 0:13:16.120
<v Speaker 1>to do that unintentionally because none of the kids had

0:13:16.160 --> 0:13:18.679
<v Speaker 1>in bilical cords. I feel you, But this was a

0:13:18.760 --> 0:13:21.240
<v Speaker 1>low budget film. I'd be with you, but for something

0:13:21.320 --> 0:13:24.880
<v Speaker 1>like this, this wasn't at budget, no budget go there,

0:13:26.800 --> 0:13:29.840
<v Speaker 1>because I didn't dad that series like where.

0:13:32.080 --> 0:13:33.720
<v Speaker 2>Always I didn't.

0:13:34.040 --> 0:13:35.600
<v Speaker 1>I'm just saying I don't think this is just like

0:13:35.720 --> 0:13:37.840
<v Speaker 1>a movie that didn't have any kind of budget to

0:13:38.000 --> 0:13:40.280
<v Speaker 1>put in a biblical cord. This seemed like an indie

0:13:40.280 --> 0:13:44.160
<v Speaker 1>film to me, but it was. But and the guy, Yeah,

0:13:44.200 --> 0:13:48.040
<v Speaker 1>thirty five mil. That's enough for in the bilical cord. Yeah,

0:13:48.040 --> 0:13:49.839
<v Speaker 1>but you know people do that though in movies and

0:13:49.880 --> 0:13:54.560
<v Speaker 1>shows they won't have it. Yeah, and shitty movies and shows,

0:13:54.600 --> 0:13:56.839
<v Speaker 1>but like good movies, they haven't bilical cords. Like even

0:13:56.880 --> 0:13:59.280
<v Speaker 1>Saidie Sweeney had the biblical cord. Yeah, I get you.

0:13:59.320 --> 0:14:01.360
<v Speaker 1>But why she having the baby in the woods? Then

0:14:01.360 --> 0:14:05.240
<v Speaker 1>if if she wasn't some kind of witch, I feel you,

0:14:06.160 --> 0:14:07.959
<v Speaker 1>I feel you. I don't know. I just didn't see

0:14:07.960 --> 0:14:10.400
<v Speaker 1>any any witch ship other than the fact that she

0:14:10.480 --> 0:14:10.959
<v Speaker 1>can see.

0:14:12.559 --> 0:14:15.719
<v Speaker 3>Yeah, these these sort of premonitions that may or may

0:14:15.760 --> 0:14:17.320
<v Speaker 3>not come true, and I think some of them did.

0:14:17.320 --> 0:14:19.720
<v Speaker 1>But I think her having a baby in.

0:14:19.600 --> 0:14:22.800
<v Speaker 3>The woods, I think they were trying to play on

0:14:22.840 --> 0:14:25.560
<v Speaker 3>the on the accusations of her being a witch.

0:14:30.880 --> 0:14:31.360
<v Speaker 2>Exactly.

0:14:31.400 --> 0:14:35.280
<v Speaker 1>I thought I knew the answer, but exactly. Weird.

0:14:35.640 --> 0:14:38.160
<v Speaker 3>I'm trying to remember why would she go because I'm

0:14:38.200 --> 0:14:40.960
<v Speaker 3>trying to think that she was trying to hide the

0:14:41.080 --> 0:14:45.560
<v Speaker 3>baby because that baby was still born, right, the one

0:14:45.640 --> 0:14:51.160
<v Speaker 3>that Judith was was Hamnet was wait, it wasn't Hamon

0:14:51.240 --> 0:14:53.520
<v Speaker 3>or the girl, but but but he ended up coming

0:14:53.640 --> 0:14:54.560
<v Speaker 3>he ended up coming back to like.

0:14:54.640 --> 0:14:57.160
<v Speaker 1>Yeah, but that was that was Judith. Judith was still born.

0:14:57.240 --> 0:15:00.320
<v Speaker 3>But the first baby she had in the woods, she

0:15:00.360 --> 0:15:04.320
<v Speaker 3>didn't have that child. I think that one was she

0:15:04.400 --> 0:15:04.880
<v Speaker 3>was pregnant.

0:15:05.680 --> 0:15:09.000
<v Speaker 1>She was pregnant. So she had three total kids? Yeah, yeah, three, Yes,

0:15:09.520 --> 0:15:12.240
<v Speaker 1>the baby one of them died. Where did you call twin?

0:15:12.360 --> 0:15:14.960
<v Speaker 1>The two twins handing in and judiful twins?

0:15:15.120 --> 0:15:17.320
<v Speaker 2>They kind of split the screens though. It woods hard

0:15:17.320 --> 0:15:18.680
<v Speaker 2>to track because I asked the same thing.

0:15:19.040 --> 0:15:21.760
<v Speaker 1>It was not one of them was old and then

0:15:21.840 --> 0:15:23.400
<v Speaker 1>she had one and the lady was like, oh, you're

0:15:23.400 --> 0:15:24.040
<v Speaker 1>still in label.

0:15:24.040 --> 0:15:26.880
<v Speaker 3>No, no, those are the twins, right, So she had

0:15:26.920 --> 0:15:28.520
<v Speaker 3>one before, right, That's what I'm saying.

0:15:28.960 --> 0:15:30.840
<v Speaker 1>In the woods, one of the woods was still alive

0:15:30.880 --> 0:15:34.400
<v Speaker 1>and walking around. Okay, that was the oldest kid. Yeah, okay,

0:15:34.640 --> 0:15:36.840
<v Speaker 1>the one that fucking hamd that killed himself for like

0:15:36.840 --> 0:15:43.240
<v Speaker 1>a dumb ass, stupid little ship. It was I hate

0:15:43.240 --> 0:15:46.040
<v Speaker 1>that little punk ass boys. What you wanting. You're gonna

0:15:46.080 --> 0:15:48.320
<v Speaker 1>come over here and save you, get your stupid ass

0:15:48.320 --> 0:15:50.800
<v Speaker 1>out of here. But we ain't got there yet anyway

0:15:51.640 --> 0:15:56.160
<v Speaker 1>I'm doing. Do I be that bad? Yes? I'm sorry?

0:15:57.960 --> 0:16:03.520
<v Speaker 1>Sorry ship anyway, So moving on and moving on. I

0:16:03.520 --> 0:16:08.240
<v Speaker 1>had another question when I forgot we were sucking around.

0:16:08.880 --> 0:16:12.800
<v Speaker 1>I said that, so, yeah, Agnes spends a lot of

0:16:12.840 --> 0:16:14.440
<v Speaker 1>time in the forest. We were just talking about what

0:16:14.480 --> 0:16:16.520
<v Speaker 1>there's a mysterious k which I kind of comes back

0:16:16.520 --> 0:16:21.160
<v Speaker 1>around later. William visits Agnes again in the forest, where

0:16:21.280 --> 0:16:23.920
<v Speaker 1>she asks for a story. He recounts the legend of

0:16:24.520 --> 0:16:30.640
<v Speaker 1>Orpheus Euris. I thought this was really you didn't like

0:16:30.680 --> 0:16:35.160
<v Speaker 1>this part? Oh man? They was basically even just telling

0:16:35.200 --> 0:16:37.400
<v Speaker 1>the same story we're already watching. I know, but but

0:16:37.600 --> 0:16:39.280
<v Speaker 1>it was just it was just it was just nicely

0:16:39.360 --> 0:16:42.760
<v Speaker 1>not the way he delivered it was was I don't know,

0:16:42.840 --> 0:16:43.360
<v Speaker 1>yeah he was.

0:16:43.400 --> 0:16:45.760
<v Speaker 3>He was like, you want a motherfucking store, I got it.

0:16:47.840 --> 0:16:50.760
<v Speaker 1>In tregue like I like that, which comes back around

0:16:50.840 --> 0:16:53.840
<v Speaker 1>later like like he was really good at storytelling, especially

0:16:53.840 --> 0:16:56.280
<v Speaker 1>now that well I didn't know he was William Shakespeare.

0:16:56.800 --> 0:16:59.840
<v Speaker 1>But I'm like, oh no, wonder this motherfucker that ship.

0:17:00.200 --> 0:17:10.880
<v Speaker 5>But that's why that story Shakespeare.

0:17:12.520 --> 0:17:16.040
<v Speaker 1>But that's why. That's what I was thinking watching it.

0:17:16.080 --> 0:17:17.560
<v Speaker 2>I'm like, of course he tells the stories.

0:17:17.560 --> 0:17:18.440
<v Speaker 1>It's William Shakespeare.

0:17:18.680 --> 0:17:20.359
<v Speaker 3>Man, you are you're not telling me you weren't all

0:17:20.400 --> 0:17:23.080
<v Speaker 3>up in that story. You were like, pen is what

0:17:23.880 --> 0:17:24.560
<v Speaker 3>I just know.

0:17:27.119 --> 0:17:31.119
<v Speaker 1>She looked bad. Damn she there for eternity. But it's Shakespeare,

0:17:31.480 --> 0:17:32.240
<v Speaker 1>That's what I'm saying.

0:17:32.280 --> 0:17:34.400
<v Speaker 2>Like I expected that. I was like, okay, really holding

0:17:34.480 --> 0:17:36.120
<v Speaker 2>in on the fact that he's a really good story too.

0:17:36.160 --> 0:17:37.840
<v Speaker 1>I'm bucking y'all thought this was a good story. You

0:17:37.840 --> 0:17:39.960
<v Speaker 1>sul already know this story. I know the story, but

0:17:40.040 --> 0:17:43.360
<v Speaker 1>he told it. Well, it's just the way the Bible,

0:17:43.920 --> 0:17:47.120
<v Speaker 1>it's just the delivery of it, bro the same damn story.

0:17:47.840 --> 0:17:49.480
<v Speaker 1>We know the story. But I was also looking at

0:17:49.520 --> 0:17:53.760
<v Speaker 1>it from her perspective. She heard. She was like, She's like, okay,

0:17:54.440 --> 0:17:59.200
<v Speaker 1>all right, out man, this is good. I was checked

0:17:59.200 --> 0:18:01.320
<v Speaker 1>out the second I here, complaining she had that burling

0:18:01.400 --> 0:18:03.520
<v Speaker 1>on her arm. I told you that, oh man, this

0:18:03.640 --> 0:18:06.800
<v Speaker 1>was a good scene. Man, I really like this, and

0:18:07.480 --> 0:18:10.159
<v Speaker 1>it hit harder, like because I really did not know

0:18:10.240 --> 0:18:15.560
<v Speaker 1>he was Shakespeare. I didn't, uh, but no, I really

0:18:15.600 --> 0:18:17.520
<v Speaker 1>liked this scene. So you liked the scene. Yeah, yeah,

0:18:17.520 --> 0:18:20.360
<v Speaker 1>I thought because because because I knew the story. Yeah.

0:18:20.440 --> 0:18:22.679
<v Speaker 3>Yeah, So I was like when he started, I was like,

0:18:22.880 --> 0:18:26.240
<v Speaker 3>all right, well, because I honestly I was like, well,

0:18:26.280 --> 0:18:28.359
<v Speaker 3>she had to hear the story too. Yeah, you know,

0:18:28.880 --> 0:18:31.080
<v Speaker 3>I think I was like, you done hurt this ship. So,

0:18:31.520 --> 0:18:32.879
<v Speaker 3>you know, I thought she was just called.

0:18:32.800 --> 0:18:33.320
<v Speaker 1>Up in the ways.

0:18:33.520 --> 0:18:38.680
<v Speaker 3>It's almost like like remake, right, he was like, hey, man,

0:18:38.760 --> 0:18:41.280
<v Speaker 3>some such and such that song, but damn the way

0:18:41.320 --> 0:18:41.800
<v Speaker 3>you say.

0:18:41.720 --> 0:18:46.440
<v Speaker 1>This, all that one held that ship. That's how I was, man,

0:18:46.720 --> 0:18:48.959
<v Speaker 1>I'm telling you, Mike. And she was caught up. She

0:18:49.040 --> 0:18:51.320
<v Speaker 1>would the rest because she's lame too. She would in

0:18:51.359 --> 0:18:55.000
<v Speaker 1>the rest of the movie. Yeah, she was so yeah,

0:18:55.720 --> 0:18:58.680
<v Speaker 1>oh yeah, yeah, they abruptly had Now yeah, it's sex

0:18:58.880 --> 0:19:04.199
<v Speaker 1>like at some point. But anyway, I'm losing my.

0:19:04.359 --> 0:19:06.480
<v Speaker 2>Dog and a witch in the fucking on the table.

0:19:06.280 --> 0:19:06.800
<v Speaker 1>Yeah, in the bar.

0:19:07.000 --> 0:19:12.920
<v Speaker 3>Yeah, she didn't get Wait a minute, I've never robbed

0:19:13.119 --> 0:19:16.680
<v Speaker 3>the witch on the second day, No, I never.

0:19:19.560 --> 0:19:20.119
<v Speaker 1>She was a witch.

0:19:20.359 --> 0:19:26.639
<v Speaker 2>Right, you found out afterwards, I'm in trouble now, you

0:19:26.640 --> 0:19:29.680
<v Speaker 2>don't know that witches that little.

0:19:29.400 --> 0:19:33.280
<v Speaker 1>Saying let's come on yup. Oh my god. Anyway, Agnes

0:19:33.560 --> 0:19:36.919
<v Speaker 1>predicts William's future by holding his hand at his thumbs

0:19:37.000 --> 0:19:40.320
<v Speaker 1>or whatever for telling the successful future for him and

0:19:40.440 --> 0:19:44.320
<v Speaker 1>two children at her bedside, and that's where they you know,

0:19:44.600 --> 0:19:49.080
<v Speaker 1>they consummate their relationship and pregnating Agnes, leading her UH

0:19:49.200 --> 0:19:51.360
<v Speaker 1>family to just own her and forcing her to move

0:19:51.400 --> 0:19:55.760
<v Speaker 1>into move in with William Uh to marry. Agnes gives

0:19:55.760 --> 0:19:58.760
<v Speaker 1>birth to Susannah in the woods. So we already kind

0:19:58.800 --> 0:20:01.159
<v Speaker 1>of talked about most of this stuff. Any of this

0:20:01.359 --> 0:20:05.760
<v Speaker 1>stood out to y'all, like her having the preminisions for him,

0:20:06.119 --> 0:20:09.320
<v Speaker 1>you know, her having to move in. How did y'all

0:20:09.320 --> 0:20:10.720
<v Speaker 1>feel about this at this point?

0:20:10.760 --> 0:20:13.040
<v Speaker 3>Well, that's definitely some old school ship you get. You

0:20:13.119 --> 0:20:15.879
<v Speaker 3>get a girl prednant and ship like that, then all

0:20:15.880 --> 0:20:18.639
<v Speaker 3>of a sudden that's your wife, you know. But I

0:20:18.680 --> 0:20:23.680
<v Speaker 3>ain't gonna lie Spike. She ran some good game on him, though. Yeah,

0:20:23.720 --> 0:20:25.920
<v Speaker 3>when she told us that we're gonna have two kids,

0:20:26.000 --> 0:20:29.320
<v Speaker 3>she ran the whole game on it. He bought that ship,

0:20:29.400 --> 0:20:30.760
<v Speaker 3>hook line and sinker.

0:20:31.119 --> 0:20:33.200
<v Speaker 2>He did didn't she have She had a baby in

0:20:33.240 --> 0:20:35.520
<v Speaker 2>the woods, right, that was her? Yeah, yes, and then

0:20:35.520 --> 0:20:36.760
<v Speaker 2>she had two babies.

0:20:36.920 --> 0:20:38.840
<v Speaker 1>Yeah, that was inside. I hadn't gotten there yet though.

0:20:38.960 --> 0:20:42.239
<v Speaker 2>And then she had the one baby. So why are

0:20:42.280 --> 0:20:46.520
<v Speaker 2>you like she said it was a baby that already

0:20:47.080 --> 0:20:49.320
<v Speaker 2>she had one kid. She was out there with the hawks.

0:20:49.320 --> 0:20:49.880
<v Speaker 2>She had a kid.

0:20:49.960 --> 0:20:52.440
<v Speaker 1>No, No, that was just she didn't have no kids.

0:20:52.760 --> 0:20:54.720
<v Speaker 1>That was just the bird. It was a bird. And

0:20:55.440 --> 0:20:57.280
<v Speaker 1>she was there. She was there with with the family.

0:20:57.320 --> 0:20:59.000
<v Speaker 1>That was That was just okay. So I thought one

0:20:59.000 --> 0:21:00.480
<v Speaker 1>of them that was not her kids. That's my mom

0:21:01.000 --> 0:21:04.760
<v Speaker 1>at least. I don't think it was out in the streets.

0:21:05.280 --> 0:21:09.399
<v Speaker 1>She might have been. It wasn't anybody else, any of

0:21:09.400 --> 0:21:13.000
<v Speaker 1>these nothing. No, yeah, I guess y'all kind of already

0:21:13.119 --> 0:21:15.239
<v Speaker 1>allude to how y'all felt about the birth. Did you

0:21:15.280 --> 0:21:17.800
<v Speaker 1>have anything? Can positive? More positive? Said?

0:21:17.840 --> 0:21:21.520
<v Speaker 3>But no, Yeah, like I said, I like that she

0:21:21.720 --> 0:21:24.120
<v Speaker 3>kind of, you know, foreshadow what was going to happen. Again,

0:21:24.160 --> 0:21:26.880
<v Speaker 3>I think there's this idea that she's a witch. She's

0:21:26.920 --> 0:21:29.720
<v Speaker 3>having this premonition, she's doing all this funky ship. She

0:21:29.840 --> 0:21:32.240
<v Speaker 3>definitely got him bewitched and caught up because the first

0:21:32.640 --> 0:21:36.199
<v Speaker 3>first time he laid eyes on her, he was hooked,

0:21:36.720 --> 0:21:39.080
<v Speaker 3>you know, and uh and she put the move on him.

0:21:39.160 --> 0:21:42.240
<v Speaker 3>And you know, because that wasn't his baby, wasn't the

0:21:42.240 --> 0:21:44.280
<v Speaker 3>first baby, his baby.

0:21:44.280 --> 0:21:47.080
<v Speaker 1>That's all of them were his baby. What wrong with y'all?

0:21:47.240 --> 0:21:50.720
<v Speaker 1>That's when he was having on the table. That's that's

0:21:50.800 --> 0:21:54.320
<v Speaker 1>that's what's what Susannah. Oh, yeah, yeah, damn yeah, that's

0:21:54.359 --> 0:21:57.560
<v Speaker 1>that's up. That's what Susanna. Susannah bro I thought that

0:21:57.680 --> 0:22:00.359
<v Speaker 1>was some baby. I thought that. Yeah, what I was

0:22:00.400 --> 0:22:03.600
<v Speaker 1>thinking because because they had the little the cave thing

0:22:03.760 --> 0:22:05.879
<v Speaker 1>where it was like it shuts to a scene with

0:22:06.000 --> 0:22:07.200
<v Speaker 1>it was like that.

0:22:07.560 --> 0:22:10.960
<v Speaker 3>So yeah, so this whole time you're having like this

0:22:11.240 --> 0:22:14.359
<v Speaker 3>because the way the whole movie was shot, it had

0:22:14.400 --> 0:22:17.960
<v Speaker 3>this dark kind of element, you know, visual to it.

0:22:18.200 --> 0:22:20.880
<v Speaker 1>So and then you have this dark cave. So I'm

0:22:20.920 --> 0:22:23.560
<v Speaker 1>sitting I'm like, man, some crazy ship about to happen.

0:22:23.680 --> 0:22:26.840
<v Speaker 3>It didn't really, but I love the haunting like part

0:22:26.960 --> 0:22:30.000
<v Speaker 3>of it, or her being accused of being a witch

0:22:30.040 --> 0:22:31.720
<v Speaker 3>and them kind of playing into it with the movie.

0:22:31.800 --> 0:22:34.119
<v Speaker 1>Yeah, for some reason, I never thought that that was

0:22:34.160 --> 0:22:36.240
<v Speaker 1>gonna come around. It's her being an actual witch. I

0:22:36.280 --> 0:22:38.080
<v Speaker 1>just I just didn't see that for this movie. I

0:22:38.080 --> 0:22:40.119
<v Speaker 1>don't know what it was, but yeah, I'm tripping the

0:22:40.160 --> 0:22:41.520
<v Speaker 1>y'all don't think she was an actual witch. How do

0:22:41.520 --> 0:22:43.880
<v Speaker 1>you think she sees the future? Well, that's what I'm saying.

0:22:43.920 --> 0:22:47.480
<v Speaker 1>She a witch in a way of like wicked witch,

0:22:48.680 --> 0:22:58.800
<v Speaker 1>like you know, like like spells, like a single way.

0:22:58.840 --> 0:22:59.440
<v Speaker 1>She's a witch.

0:23:00.200 --> 0:23:03.880
<v Speaker 6>I didn't see a cauldron. She was mixing up children.

0:23:04.600 --> 0:23:08.399
<v Speaker 6>They had a little, small, little cauldron. But she was

0:23:08.440 --> 0:23:10.639
<v Speaker 6>making she was healing like ointments and ship.

0:23:10.800 --> 0:23:15.679
<v Speaker 2>We just do that. She's a witch doctor.

0:23:16.320 --> 0:23:18.960
<v Speaker 1>Yeah, she was a witch doctor, like like in fucking

0:23:19.200 --> 0:23:26.200
<v Speaker 1>fucking New Orders and ship. She will witch in the

0:23:26.280 --> 0:23:30.160
<v Speaker 1>sense of like the chicken sinners, she will she'll witch

0:23:30.200 --> 0:23:39.760
<v Speaker 1>in that sense. She a little empty and she was God,

0:23:40.000 --> 0:23:46.000
<v Speaker 1>she's making a herbal tea because it healed up real quick.

0:23:46.560 --> 0:23:51.480
<v Speaker 1>Put that ship on it, that eye of newt Oh

0:23:51.640 --> 0:23:55.040
<v Speaker 1>my god. Anyway, man, So now she's living there and

0:23:55.080 --> 0:23:57.960
<v Speaker 1>everything she noticed. William has frustration with writing, so she

0:23:58.040 --> 0:24:00.960
<v Speaker 1>suggests that her brother bark Bar through the mal.

0:24:03.119 --> 0:24:23.720
<v Speaker 7>Through That's Walking book.

0:24:17.800 --> 0:24:22.679
<v Speaker 1>By thollow Me by Tholow. Yes, oh my god, and

0:24:22.800 --> 0:24:25.720
<v Speaker 1>I had it to I had That's what happened all

0:24:25.760 --> 0:24:32.119
<v Speaker 1>the time, like I know this word, I know thom

0:24:32.680 --> 0:24:34.640
<v Speaker 1>to put it in the words spot yeah, and then

0:24:34.680 --> 0:24:43.120
<v Speaker 1>you get out. Oh man, you just forget your fundamentals.

0:24:43.960 --> 0:24:47.240
<v Speaker 1>You do use your syllables. God damn, Oh my god,

0:24:47.320 --> 0:24:53.640
<v Speaker 1>God damn. Anyway about to do it again? Stolen I'm

0:24:53.640 --> 0:25:00.119
<v Speaker 1>not even to say. And then you bark bark all

0:25:01.240 --> 0:25:04.920
<v Speaker 1>all right, man, look, send him to London. I don't

0:25:04.920 --> 0:25:07.560
<v Speaker 1>even think this is gonna be like a funny fucking

0:25:07.640 --> 0:25:10.119
<v Speaker 1>room in the hell going up. Send him to London

0:25:10.160 --> 0:25:13.920
<v Speaker 1>for for theatrical career. Oh my god. At this point,

0:25:13.920 --> 0:25:16.480
<v Speaker 1>I'm still not realizing that this is fucking Will Shakespeare

0:25:16.800 --> 0:25:21.920
<v Speaker 1>leaving her and Susannah and Stratford. How did y'all feel

0:25:21.920 --> 0:25:24.320
<v Speaker 1>about this, like her like sending them off? Did y'all

0:25:24.320 --> 0:25:26.240
<v Speaker 1>think it was anything up with this? Y'all think he

0:25:26.359 --> 0:25:28.240
<v Speaker 1>was like doing something while because it kind of for

0:25:28.320 --> 0:25:31.720
<v Speaker 1>me alluded to maybe he was had a life outside

0:25:31.760 --> 0:25:33.880
<v Speaker 1>of her or something like that. Did anybody have that thought?

0:25:34.080 --> 0:25:36.679
<v Speaker 2>I just took it as he was passionate, like he

0:25:36.760 --> 0:25:38.479
<v Speaker 2>was passionate about what he did. He didn't do it,

0:25:38.480 --> 0:25:40.280
<v Speaker 2>and he does he doesn't do a good job of

0:25:40.280 --> 0:25:43.720
<v Speaker 2>communicating the passion that he has for it, Like she

0:25:43.800 --> 0:25:45.760
<v Speaker 2>looking like you gotta go out away to London to write.

0:25:47.320 --> 0:25:51.280
<v Speaker 1>So yeah, yeah, oh she didn't send him off to London.

0:25:51.359 --> 0:25:55.919
<v Speaker 1>She did. She said she wanted to go to to go.

0:25:56.160 --> 0:25:58.000
<v Speaker 1>That was part of the premonition. She was saying like, no,

0:25:58.200 --> 0:26:00.239
<v Speaker 1>this is your calling basically, this is what you need

0:26:00.280 --> 0:26:02.119
<v Speaker 1>to be doing. But I thought he brought up that

0:26:02.200 --> 0:26:04.480
<v Speaker 1>he wanted to go there. No, this is later. Later

0:26:04.520 --> 0:26:06.760
<v Speaker 1>he was like I need Later, he was like, I

0:26:06.840 --> 0:26:10.159
<v Speaker 1>need to go, whereas before she was pushing him to go.

0:26:10.359 --> 0:26:12.320
<v Speaker 1>You know, a good woman to do that. Man, they

0:26:12.320 --> 0:26:13.720
<v Speaker 1>ain't gonna be the best version.

0:26:14.040 --> 0:26:15.639
<v Speaker 3>What you gotta do, baby, go do it because I

0:26:15.720 --> 0:26:16.760
<v Speaker 3>know I've seen the greatness.

0:26:16.920 --> 0:26:19.040
<v Speaker 1>Yeah, exactly. You know I don't touch your hand, so

0:26:19.119 --> 0:26:24.840
<v Speaker 1>I got Yeah. So that's all y'all got on that part.

0:26:25.200 --> 0:26:28.160
<v Speaker 2>Yeah, Okay, she probably regretted later, but go ahead.

0:26:27.920 --> 0:26:32.120
<v Speaker 1>No not Yeah, we do see that. Later she's pregnant

0:26:32.760 --> 0:26:34.639
<v Speaker 1>and tries to go outside and give birth. This is

0:26:34.640 --> 0:26:38.359
<v Speaker 1>what you were talking about earlier outside the house because

0:26:38.680 --> 0:26:41.320
<v Speaker 1>it was part of something like her mom's mom always.

0:26:41.840 --> 0:26:43.960
<v Speaker 2>I guess that's what she was bent over trying to

0:26:43.960 --> 0:26:44.199
<v Speaker 2>get it.

0:26:44.920 --> 0:26:47.520
<v Speaker 1>Yeah, which I thought was weird because you don't give

0:26:47.560 --> 0:26:49.760
<v Speaker 1>birth like that. But anyway, people.

0:26:49.480 --> 0:26:53.359
<v Speaker 2>That really okay, they done it Game of Thrones if

0:26:53.359 --> 0:26:54.360
<v Speaker 2>I'm mistake.

0:26:54.600 --> 0:26:57.320
<v Speaker 1>Oh yeah they did. They did know something I just

0:26:57.359 --> 0:27:01.320
<v Speaker 1>recently wanted to do. Oh and walking down what she

0:27:01.400 --> 0:27:03.920
<v Speaker 1>tried to before. You know're not supposed I can't remember

0:27:03.960 --> 0:27:06.520
<v Speaker 1>exactly why, but you're not supposed to. This is where

0:27:06.520 --> 0:27:10.480
<v Speaker 1>she gets get to the twins, Hamnet and Judith, the

0:27:10.600 --> 0:27:13.760
<v Speaker 1>latter appearing still born, which is Judith. Judith was the

0:27:13.760 --> 0:27:17.800
<v Speaker 1>one that was still born. Remembering her mother's death. Actus

0:27:17.800 --> 0:27:21.479
<v Speaker 1>demands to hold the baby despite superstition, and Judith away.

0:27:21.720 --> 0:27:26.480
<v Speaker 2>So that's what the witch. It was obvious both of

0:27:26.560 --> 0:27:29.560
<v Speaker 2>us just hit me right then when I because she

0:27:29.840 --> 0:27:31.080
<v Speaker 2>wanted to hold us so she could bring the.

0:27:31.080 --> 0:27:32.919
<v Speaker 1>Back to life. She said give me my baby because the.

0:27:32.960 --> 0:27:34.880
<v Speaker 2>Lady wanted to do it, and she knew she could

0:27:34.880 --> 0:27:36.800
<v Speaker 2>break go back to life. So that's I see what

0:27:36.800 --> 0:27:37.200
<v Speaker 2>you're saying.

0:27:37.359 --> 0:27:39.640
<v Speaker 1>Yeah, y'all thought she brought the baby back the life.

0:27:39.680 --> 0:27:43.280
<v Speaker 1>You didn't what happened to it was dead.

0:27:45.000 --> 0:27:47.480
<v Speaker 3>I've just seen this in movies where you know, like

0:27:47.520 --> 0:27:49.639
<v Speaker 3>giving the baby and then yeah, the mother's touch and

0:27:49.680 --> 0:27:51.359
<v Speaker 3>then the baby just come back to life.

0:27:51.119 --> 0:27:53.040
<v Speaker 1>Anytime there's a mother's touch, and that motherfuck comes back

0:27:53.040 --> 0:27:57.760
<v Speaker 1>to life. There a witch. So that's why I took it.

0:27:57.800 --> 0:28:00.399
<v Speaker 3>I mean, they were gonna be twins, so I just like,

0:28:00.480 --> 0:28:01.760
<v Speaker 3>and again, it's just a movie.

0:28:01.760 --> 0:28:02.080
<v Speaker 1>I said.

0:28:02.080 --> 0:28:04.479
<v Speaker 3>They were just trying to build suspense, intension of drama.

0:28:04.960 --> 0:28:08.040
<v Speaker 3>So that's how I took it, you know. But she

0:28:08.640 --> 0:28:09.960
<v Speaker 3>maybe she would because that when.

0:28:11.960 --> 0:28:14.600
<v Speaker 1>Yeah, turned the ass around real quick, like here you go.

0:28:16.080 --> 0:28:18.840
<v Speaker 1>And y'a didn't think the belching like agony was was

0:28:18.880 --> 0:28:22.159
<v Speaker 1>good and the belching like she was just like like

0:28:22.200 --> 0:28:25.320
<v Speaker 1>when she realized that she thought the baby was dead. Oh,

0:28:25.400 --> 0:28:28.240
<v Speaker 1>the acting was throughout the film. I thought the movie

0:28:28.320 --> 0:28:29.280
<v Speaker 1>was whack. Yeah.

0:28:30.200 --> 0:28:32.040
<v Speaker 2>Yeah, I didn't follow the story. Well, that's what I

0:28:32.080 --> 0:28:32.680
<v Speaker 2>didn't like about.

0:28:32.680 --> 0:28:36.560
<v Speaker 3>The acting was fine, the superstition aspect, because again you're

0:28:36.600 --> 0:28:38.040
<v Speaker 3>playing into the whole witch elements.

0:28:38.120 --> 0:28:42.000
<v Speaker 2>Yeah, that's the guy that plays Shakespeare did amazing. Oh God,

0:28:42.440 --> 0:28:43.120
<v Speaker 2>did a great job.

0:28:43.200 --> 0:28:45.240
<v Speaker 1>Yeah, and that and that's that's what That's what I

0:28:45.240 --> 0:28:47.560
<v Speaker 1>was gonna say earlier. That's the guy from Gladiator, right,

0:28:50.280 --> 0:28:53.920
<v Speaker 1>I think that's the Yeah, I think that's something I

0:28:53.960 --> 0:28:55.480
<v Speaker 1>could be wrong. I could be giving my wife and

0:28:55.520 --> 0:28:59.080
<v Speaker 1>this stuff, but he looks like it's all good. So

0:28:59.120 --> 0:29:00.640
<v Speaker 1>then they do like a pretty it's like a jump

0:29:01.360 --> 0:29:04.280
<v Speaker 1>jump here where it's eleven years later. And that's that's

0:29:04.280 --> 0:29:06.760
<v Speaker 1>another thing I liked about this movie. They didn't have

0:29:06.880 --> 0:29:10.760
<v Speaker 1>to show eleven years later or such such later. You

0:29:10.800 --> 0:29:14.400
<v Speaker 1>could they clearly tell that we were jumping to a

0:29:14.400 --> 0:29:15.560
<v Speaker 1>different point, did y'all?

0:29:15.880 --> 0:29:17.200
<v Speaker 2>I didn't know it was eleven years later.

0:29:19.800 --> 0:29:22.360
<v Speaker 1>I thought she was a witch and the goddamn ya

0:29:26.160 --> 0:29:28.560
<v Speaker 1>some help around the house. This motherfucker was gone for

0:29:28.600 --> 0:29:33.000
<v Speaker 1>eleven years. No, no, no time, No, he was for

0:29:33.080 --> 0:29:35.520
<v Speaker 1>eleven They just showed that, you know, he was obviously

0:29:35.520 --> 0:29:36.160
<v Speaker 1>coming back.

0:29:36.000 --> 0:29:38.160
<v Speaker 2>Back and forth for eleven years.

0:29:38.360 --> 0:29:42.360
<v Speaker 1>Yeah. Yeah, Well if they didn't say it, then how

0:29:42.400 --> 0:29:45.400
<v Speaker 1>did you know it was eleven years? Well, that's just

0:29:46.320 --> 0:29:48.200
<v Speaker 1>that's in my notes that it was eleven. It was.

0:29:48.240 --> 0:29:51.200
<v Speaker 1>It was, it was, it was up. It was definitely.

0:29:54.080 --> 0:29:55.760
<v Speaker 1>I don't know if they said I don't know if

0:29:55.760 --> 0:29:59.600
<v Speaker 1>they said it, but they were, you know whatever, But

0:29:59.640 --> 0:30:03.800
<v Speaker 1>you could you just tell they were older, honestly. And

0:30:03.600 --> 0:30:07.080
<v Speaker 1>now William is successful. He returns and while the children

0:30:07.440 --> 0:30:09.960
<v Speaker 1>grow up very close to Agnes, for tells the uh

0:30:10.400 --> 0:30:13.320
<v Speaker 1>that Hamnet who wishes to join his father's theater company

0:30:13.680 --> 0:30:17.000
<v Speaker 1>would flourish. So this is her seeing it again, just

0:30:17.040 --> 0:30:21.000
<v Speaker 1>like those things. Also, what happens in this moment too?

0:30:21.040 --> 0:30:24.520
<v Speaker 1>The hawk dies and is buried. She tells the children

0:30:24.520 --> 0:30:26.600
<v Speaker 1>and children to make a wish to the hawk spirit,

0:30:27.200 --> 0:30:30.320
<v Speaker 1>who she says, will carry them in his in his heart.

0:30:30.360 --> 0:30:33.000
<v Speaker 1>How did y'all feel about any of this? While you

0:30:33.080 --> 0:30:37.600
<v Speaker 1>rolling your eyes like this again, I was, I was

0:30:37.800 --> 0:30:39.960
<v Speaker 1>thinking that, Okay, this is a horror movie, so at

0:30:40.000 --> 0:30:43.680
<v Speaker 1>some point something interesting is gonna happen. Now that it's not,

0:30:43.800 --> 0:30:46.479
<v Speaker 1>I'm just like, I don't care. Who cares, y'all? The

0:30:46.480 --> 0:30:49.960
<v Speaker 1>fucking bird dies? Oh tell the birdy wish? Shut up?

0:30:50.760 --> 0:30:51.160
<v Speaker 2>Shut up?

0:30:51.200 --> 0:30:51.880
<v Speaker 1>This is stupid.

0:30:53.120 --> 0:30:55.160
<v Speaker 3>Yeah, I mean, you know, the way they did the

0:30:55.200 --> 0:30:57.640
<v Speaker 3>old shot of the bird, I think for music it

0:30:57.800 --> 0:31:01.520
<v Speaker 3>did continue along with that thing of the which thing

0:31:01.680 --> 0:31:05.960
<v Speaker 3>overhanging that you know, she may or may not have something,

0:31:06.360 --> 0:31:08.360
<v Speaker 3>But I mean, for the most part, she her premonition

0:31:08.480 --> 0:31:11.080
<v Speaker 3>were right, So you know, I guess maybe there is

0:31:11.120 --> 0:31:16.240
<v Speaker 3>something there. But but yeah, I mean we you know,

0:31:16.320 --> 0:31:18.360
<v Speaker 3>Hamlet did go join It's just not in the way

0:31:18.360 --> 0:31:18.720
<v Speaker 3>you thought.

0:31:21.360 --> 0:31:23.520
<v Speaker 2>He wrote that Burden to the afterlife.

0:31:23.960 --> 0:31:29.280
<v Speaker 1>Anything for you Spike, Okay, I just want to make sure, buddy,

0:31:29.760 --> 0:31:32.360
<v Speaker 1>you would love to have more content from frames per second.

0:31:32.640 --> 0:31:34.960
<v Speaker 1>Become a patron where you can contribute to what we

0:31:35.040 --> 0:31:38.200
<v Speaker 1>review and discuss. Our patreon gives the listeners the power

0:31:38.240 --> 0:31:41.320
<v Speaker 1>to nominate and vote a monthly discussion in film review,

0:31:41.640 --> 0:31:44.720
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0:31:44.720 --> 0:31:47.680
<v Speaker 1>each cast member. You also get the opportunity to vote

0:31:47.680 --> 0:31:51.800
<v Speaker 1>on the publicly released anniversary film, all exclusive to our Patreon.

0:31:52.080 --> 0:31:55.840
<v Speaker 1>So become a patron at patreon dot com frames per second,

0:31:56.280 --> 0:31:58.760
<v Speaker 1>where there are two tiers you can choose from. That's

0:31:58.800 --> 0:32:08.200
<v Speaker 1>Patreon dot com forward slash frames per second. So return

0:32:08.280 --> 0:32:11.120
<v Speaker 1>to London. William Wonder's the streets doing an outbreak of

0:32:11.160 --> 0:32:15.160
<v Speaker 1>the bublonic plague and watches a puppet show depicting the

0:32:15.160 --> 0:32:18.680
<v Speaker 1>plague carrying people off to death. Do you remember this

0:32:18.960 --> 0:32:25.040
<v Speaker 1>or whatever? And so in Stratford, Judy also contracts the play.

0:32:25.440 --> 0:32:29.360
<v Speaker 1>So yeah, and this is where a Hamnet evokes the

0:32:29.400 --> 0:32:32.760
<v Speaker 1>tell her the hawk to encourage her and lies beside her,

0:32:32.880 --> 0:32:35.880
<v Speaker 1>proclaiming he wants to take her place. So I know

0:32:35.920 --> 0:32:38.360
<v Speaker 1>y'all talking about this earlier. Indeed that it was dumb,

0:32:38.400 --> 0:32:40.600
<v Speaker 1>But I thought it was sweet that he wanted to,

0:32:40.880 --> 0:32:42.520
<v Speaker 1>you know, like maybe we can trick him, you know

0:32:42.560 --> 0:32:45.520
<v Speaker 1>what I'm saying, Like and I can, you know he'll

0:32:45.560 --> 0:32:48.440
<v Speaker 1>he'll take me instead. Like oh, though this this is

0:32:48.600 --> 0:32:52.160
<v Speaker 1>very Shakespearean like like stuff right here, Like how did

0:32:52.240 --> 0:32:57.200
<v Speaker 1>y'all like this? It didn't register with me. I did

0:32:57.680 --> 0:33:00.520
<v Speaker 1>when you say trick, trick who death? Death? M hmm.

0:33:00.920 --> 0:33:02.200
<v Speaker 2>So death was gonna.

0:33:01.920 --> 0:33:03.720
<v Speaker 1>Come for her. She didn't want to have the plague.

0:33:03.760 --> 0:33:06.880
<v Speaker 1>He didn't confuse her. You didn't go for him.

0:33:07.400 --> 0:33:08.440
<v Speaker 2>That's what was going.

0:33:09.920 --> 0:33:13.240
<v Speaker 3>Like, he's not getting his jobs like he.

0:33:14.920 --> 0:33:18.960
<v Speaker 1>I've been doing this. It's like death. Death was ready

0:33:19.000 --> 0:33:22.240
<v Speaker 1>to clock out that day. He saw him and was like, okay,

0:33:22.600 --> 0:33:25.720
<v Speaker 1>you here to hey man, we seeing in the final definition.

0:33:25.960 --> 0:33:27.680
<v Speaker 1>You know what I'm saying. Death don't always get it right,

0:33:27.800 --> 0:33:34.000
<v Speaker 1>but always it may take a minute, but he gets

0:33:34.000 --> 0:33:39.320
<v Speaker 1>your as This ship was stupid stupid. I mean, it's

0:33:39.360 --> 0:33:41.480
<v Speaker 1>not stupid that this little kid would do that, because

0:33:41.680 --> 0:33:43.440
<v Speaker 1>little kids are stupid, and it makes sense that little

0:33:43.520 --> 0:33:46.880
<v Speaker 1>kids do stupid ship. I was more so just like

0:33:48.000 --> 0:33:51.360
<v Speaker 1>where the fuck is where you witch? You know the

0:33:51.440 --> 0:33:53.800
<v Speaker 1>daughter has the plague? How do you even get in

0:33:53.800 --> 0:33:56.280
<v Speaker 1>there with her in the carne. How you get in

0:33:56.280 --> 0:33:56.800
<v Speaker 1>it by herself?

0:33:57.120 --> 0:34:00.160
<v Speaker 2>Why do he? It seems like as much as many

0:34:00.400 --> 0:34:02.160
<v Speaker 2>This is why it frustrated me as many people that

0:34:02.200 --> 0:34:04.680
<v Speaker 2>died from the plague. I knew it was a crazy thing.

0:34:04.760 --> 0:34:06.400
<v Speaker 2>She's not like you said, I don't know what they

0:34:06.400 --> 0:34:08.480
<v Speaker 2>got to put in the barn, but that I'm damn

0:34:08.520 --> 0:34:10.920
<v Speaker 2>sure gonna watch my son because he may be naive

0:34:11.239 --> 0:34:14.440
<v Speaker 2>enough to not know how fucking deadly this is or

0:34:14.480 --> 0:34:17.920
<v Speaker 2>how this virus spreads, like, no, you not going anywhere

0:34:17.960 --> 0:34:20.320
<v Speaker 2>near your sister. It's never gonna happen.

0:34:20.440 --> 0:34:26.680
<v Speaker 3>Did were they knowledgeable about the plague? I know William knew,

0:34:26.760 --> 0:34:29.600
<v Speaker 3>but did they know? Did the news they reach into them?

0:34:30.560 --> 0:34:32.680
<v Speaker 3>You know they didn't know? And it was just the

0:34:32.719 --> 0:34:36.360
<v Speaker 3>regular illness. Then she may not have had the wherewithal

0:34:36.440 --> 0:34:38.879
<v Speaker 3>to do that, you know, so I could I could

0:34:39.120 --> 0:34:42.400
<v Speaker 3>see that. But but what I will say, as a parent,

0:34:43.440 --> 0:34:46.080
<v Speaker 3>when one kid is sick, you do keep the other

0:34:46.160 --> 0:34:49.239
<v Speaker 3>kid away. So that's just that's just stand up protocol.

0:34:49.360 --> 0:34:51.840
<v Speaker 1>You know what she did know what that her premitition

0:34:51.920 --> 0:34:56.120
<v Speaker 1>says she only had two, so why wouldn't she be like,

0:34:56.120 --> 0:35:00.080
<v Speaker 1>oh shit, this little motherfucker got this, got this sickness.

0:35:01.000 --> 0:35:03.479
<v Speaker 1>Let me isolate her and put everybody else in another

0:35:03.480 --> 0:35:07.680
<v Speaker 1>place because she might die whatever, whatever, whatever. It just man, No,

0:35:08.440 --> 0:35:11.040
<v Speaker 1>this wasn't powerful to me. This wasn't emotional. It was like,

0:35:11.040 --> 0:35:14.160
<v Speaker 1>this is ridiculous. You're you're a shitty ass witch.

0:35:14.239 --> 0:35:14.439
<v Speaker 2>Man.

0:35:15.160 --> 0:35:17.600
<v Speaker 1>I wouldn't focusing so much on her. I was just

0:35:17.640 --> 0:35:21.560
<v Speaker 1>focusing on the moment with Hamnet, and especially be since

0:35:21.600 --> 0:35:23.960
<v Speaker 1>it's called Hamnet, so I was wondering, you know, I

0:35:24.000 --> 0:35:26.880
<v Speaker 1>was just really focusing on like, Okay, why you know

0:35:27.080 --> 0:35:29.040
<v Speaker 1>it's called hamded it, Like, I guess you need to

0:35:29.040 --> 0:35:31.680
<v Speaker 1>pay attention to this boy. He didn't even do ship,

0:35:32.000 --> 0:35:34.400
<v Speaker 1>I know, and I was I was a little disappointed

0:35:34.400 --> 0:35:40.880
<v Speaker 1>by that, but I do like he did so he

0:35:41.000 --> 0:35:43.840
<v Speaker 1>died and yeah, yeah, I mean he was. He was

0:35:43.840 --> 0:35:46.759
<v Speaker 1>the inspiration behind the place. So that's what I'm saying.

0:35:46.800 --> 0:35:48.719
<v Speaker 1>I didn't know that's what what it was gonna be.

0:35:50.160 --> 0:35:53.799
<v Speaker 3>It's you know, Shakespeare, so you knew something fucked up

0:35:53.840 --> 0:35:54.319
<v Speaker 3>was gonna happen.

0:35:54.480 --> 0:35:56.520
<v Speaker 1>It's gonna be a of course, but for the whole

0:35:56.520 --> 0:35:58.560
<v Speaker 1>movie to be named after this little motherfucker, I think

0:35:58.600 --> 0:36:01.200
<v Speaker 1>he's gonna do some cool ship I did think that too.

0:36:01.760 --> 0:36:04.960
<v Speaker 1>I did think that, but I wasn't mad at dying.

0:36:05.280 --> 0:36:08.080
<v Speaker 1>That's not cool. It was not cool. It's not cool,

0:36:08.120 --> 0:36:10.239
<v Speaker 1>but you know, I like I like that it was

0:36:10.280 --> 0:36:14.120
<v Speaker 1>dedicated or whatever. Anyway, So because he did that, Judith

0:36:14.200 --> 0:36:19.759
<v Speaker 1>recovers and Hamnet himself gets sick and basically dies. But

0:36:19.880 --> 0:36:22.640
<v Speaker 1>on his deathbed, he envisions himself on a stage calling

0:36:22.680 --> 0:36:25.600
<v Speaker 1>for his mother and acting, and the hawk is appearing.

0:36:26.080 --> 0:36:30.320
<v Speaker 1>William like rushes home and he's you know, he's sad.

0:36:30.560 --> 0:36:32.360
<v Speaker 1>I thought this was really good. Y'all. Didn't like this

0:36:32.400 --> 0:36:36.440
<v Speaker 1>When he came in he saw that Judith was was

0:36:36.440 --> 0:36:40.000
<v Speaker 1>was not sick anymore, and she was alive, not realizing,

0:36:40.040 --> 0:36:42.399
<v Speaker 1>oh ship, now my son has died.

0:36:43.200 --> 0:36:47.320
<v Speaker 2>Y'all didn't like this work, y'all? Yeah, I mean again,

0:36:47.360 --> 0:36:51.040
<v Speaker 2>the acting was great. It just the story was so

0:36:51.160 --> 0:36:53.520
<v Speaker 2>I did like this boy him reacting to it. How

0:36:53.560 --> 0:36:55.239
<v Speaker 2>you could tell how herd he was as a dad.

0:36:55.320 --> 0:36:57.360
<v Speaker 1>Well, yeah, he was happy at first because she was

0:36:57.840 --> 0:36:59.719
<v Speaker 1>because he's still because he didn't know because I mean,

0:36:59.760 --> 0:37:02.200
<v Speaker 1>you know, they didn't he didn't have phones and no ship.

0:37:02.239 --> 0:37:04.760
<v Speaker 1>All he knew was that the daughter. While he was traveling,

0:37:04.840 --> 0:37:06.919
<v Speaker 1>he was going to try to see if his daughter.

0:37:07.200 --> 0:37:09.719
<v Speaker 1>How do you know that part? I mean I thought

0:37:09.880 --> 0:37:11.439
<v Speaker 1>he saw was that bird. He was like, oh, Ship,

0:37:11.480 --> 0:37:13.200
<v Speaker 1>the bird's flying, let me run home. Well, I just

0:37:13.360 --> 0:37:19.840
<v Speaker 1>you know, you know word traveled that I don't know see. Yeah, yeah,

0:37:19.960 --> 0:37:21.919
<v Speaker 1>I didn't need that because we knew that they got met.

0:37:21.920 --> 0:37:23.600
<v Speaker 1>I mean, we we've all seen Game of Throws and

0:37:23.600 --> 0:37:26.640
<v Speaker 1>all the other ship. I would be with you if

0:37:26.640 --> 0:37:28.520
<v Speaker 1>this motherfucker didn't look at this flying bird and jump

0:37:28.600 --> 0:37:30.239
<v Speaker 1>on his horse and start going. But I think he

0:37:30.239 --> 0:37:33.719
<v Speaker 1>would have known about the bird too, right, Rob, He's

0:37:33.760 --> 0:37:36.040
<v Speaker 1>not going to race home because he heard a bird died. Yeah,

0:37:36.440 --> 0:37:38.839
<v Speaker 1>he heard word of his his daughter, which is why

0:37:38.920 --> 0:37:41.080
<v Speaker 1>he got there. He thought it was the daughter because

0:37:41.080 --> 0:37:43.000
<v Speaker 1>he's been traveling and he has no other word that

0:37:43.160 --> 0:37:45.680
<v Speaker 1>is his son. So when he gets there, he's concerned

0:37:45.680 --> 0:37:48.000
<v Speaker 1>about the daughter. So I thought that was good that

0:37:48.120 --> 0:37:51.640
<v Speaker 1>you know, that shows the time and that you know,

0:37:51.880 --> 0:37:54.040
<v Speaker 1>in his travel he's worried about his daughter. But when

0:37:54.040 --> 0:37:57.000
<v Speaker 1>he gets there, he's like, oh, ship, him knew, How

0:37:57.000 --> 0:37:57.719
<v Speaker 1>did you feel about it?

0:37:58.480 --> 0:38:01.000
<v Speaker 3>No, I thought it was I thought it was good.

0:38:01.120 --> 0:38:03.560
<v Speaker 3>Like he was like a lady. He was happy. He

0:38:03.600 --> 0:38:07.240
<v Speaker 3>was like, oh, you better cool, We're good, we Gucci,

0:38:07.280 --> 0:38:10.200
<v Speaker 3>and then he was saying it was like my poor son,

0:38:10.320 --> 0:38:14.520
<v Speaker 3>my poor baby, and you know it was it's always

0:38:14.560 --> 0:38:17.520
<v Speaker 3>your one of your worst nightmares as a parent. But

0:38:17.840 --> 0:38:21.720
<v Speaker 3>you walk in and you you see that your daughter

0:38:21.840 --> 0:38:26.520
<v Speaker 3>is as well, and you're happy, you're relieved, only to

0:38:27.680 --> 0:38:29.680
<v Speaker 3>you know, for that nightmare to be around right around

0:38:29.719 --> 0:38:32.880
<v Speaker 3>the corner, like right there right behind you. Yeah, and

0:38:33.040 --> 0:38:37.240
<v Speaker 3>and oh my god, the mom, oh man, the scream,

0:38:37.360 --> 0:38:38.480
<v Speaker 3>the pain that she shown.

0:38:38.600 --> 0:38:40.359
<v Speaker 1>I think this is the part where she screamed, not

0:38:40.400 --> 0:38:43.560
<v Speaker 1>the not the first Yeah, that part was good, And

0:38:43.560 --> 0:38:46.879
<v Speaker 1>so was the part where the daughter Judith, which is

0:38:47.520 --> 0:38:50.640
<v Speaker 1>the older daughter Susannah Susannah, when she was getting dragged

0:38:50.680 --> 0:38:53.440
<v Speaker 1>away and she was like, no, he needs me. That

0:38:53.480 --> 0:38:56.719
<v Speaker 1>part was really good. Yeah. Yeah, oh and then she

0:38:56.800 --> 0:38:58.880
<v Speaker 1>also said that I thought the daughter was also like,

0:38:58.920 --> 0:39:01.160
<v Speaker 1>don't you see that he's done? Like he's gone, like

0:39:01.400 --> 0:39:03.720
<v Speaker 1>like the mom didn't want that was the other lady

0:39:03.719 --> 0:39:06.520
<v Speaker 1>that was the that was that was the other lady

0:39:06.560 --> 0:39:08.839
<v Speaker 1>that said that they say, can't you see that's he's gone?

0:39:10.800 --> 0:39:14.680
<v Speaker 1>That was either that that was either William's mother, and

0:39:14.719 --> 0:39:16.480
<v Speaker 1>there was also some other lady that was like a

0:39:16.600 --> 0:39:19.319
<v Speaker 1>midwife or some I think it was some mom that's

0:39:19.320 --> 0:39:21.960
<v Speaker 1>actually really good in stuff. I forgot her. Yeah, she

0:39:22.080 --> 0:39:22.640
<v Speaker 1>is really good.

0:39:22.719 --> 0:39:24.640
<v Speaker 2>I fear her name too, but she's a really good actor.

0:39:26.000 --> 0:39:29.520
<v Speaker 1>But anyway, this causes like some strange strain in the marriage,

0:39:29.600 --> 0:39:32.479
<v Speaker 1>like because he's you know, the death of the son,

0:39:32.560 --> 0:39:37.200
<v Speaker 1>so she's basically depressed and and grieving and then he's

0:39:37.600 --> 0:39:39.839
<v Speaker 1>dealing with it in his own way. He's going back

0:39:39.880 --> 0:39:43.640
<v Speaker 1>to London working things like that. But in the intern though,

0:39:43.680 --> 0:39:47.080
<v Speaker 1>he does buy the largest house in Stratford and departs

0:39:47.360 --> 0:39:51.560
<v Speaker 1>for London again. Agnes holds his hand and says she

0:39:51.719 --> 0:39:55.040
<v Speaker 1>now sees nothing because at this point, like she doesn't

0:39:55.040 --> 0:39:56.200
<v Speaker 1>want them to go. What you said, it came back

0:39:56.239 --> 0:39:57.640
<v Speaker 1>and by it in the butt. Like first she was

0:39:57.640 --> 0:40:00.000
<v Speaker 1>telling him like, yeah, go there, get money for the family,

0:40:00.160 --> 0:40:03.239
<v Speaker 1>you know, come back with the bread and we live.

0:40:03.560 --> 0:40:06.520
<v Speaker 1>Well what he did, yeah, yeah he was bomb but

0:40:06.600 --> 0:40:08.680
<v Speaker 1>yeah it just wasn't enough for her, like especially in

0:40:08.719 --> 0:40:12.600
<v Speaker 1>this moment, in this time or whatever. So how do

0:40:12.719 --> 0:40:15.160
<v Speaker 1>y'all feel about this conflict?

0:40:16.400 --> 0:40:19.120
<v Speaker 3>You know, seeing them kind of deal with and process

0:40:19.239 --> 0:40:24.200
<v Speaker 3>grieving in their own way. You know, her losing a

0:40:24.280 --> 0:40:29.800
<v Speaker 3>child that she carried, you know him probably is feeling

0:40:29.840 --> 0:40:34.560
<v Speaker 3>some sort of guilt for not being there, you know,

0:40:34.640 --> 0:40:37.000
<v Speaker 3>being in the whole of the city, leaving her there alone,

0:40:37.640 --> 0:40:40.040
<v Speaker 3>not being there to support her through this moment. If

0:40:40.040 --> 0:40:41.799
<v Speaker 3>he was there, he p really he could have been

0:40:41.840 --> 0:40:43.440
<v Speaker 3>the one who was like, no, you don't need to

0:40:43.480 --> 0:40:45.000
<v Speaker 3>be in there with your sister. Your sister needs to

0:40:45.000 --> 0:40:47.239
<v Speaker 3>get get well. We need to we you know, he

0:40:47.280 --> 0:40:49.040
<v Speaker 3>probably knew more about the play. It was like, this

0:40:49.120 --> 0:40:52.480
<v Speaker 3>is a very serious disease that is going around, so

0:40:52.520 --> 0:40:56.600
<v Speaker 3>we need to keep everybody like isolated. So who and

0:40:56.880 --> 0:40:58.960
<v Speaker 3>you know his way is to I'm a just floss.

0:40:58.960 --> 0:41:01.000
<v Speaker 3>I'm but just buy the biggest house that he doesn't

0:41:01.000 --> 0:41:03.759
<v Speaker 3>even live in, you know. And you know we see

0:41:03.840 --> 0:41:06.920
<v Speaker 3>later on which I'm sure to get to him also

0:41:07.000 --> 0:41:09.840
<v Speaker 3>reacting on all other people, so you know, I you know,

0:41:09.960 --> 0:41:12.279
<v Speaker 3>it was it was good seeing all that kind of

0:41:12.480 --> 0:41:12.960
<v Speaker 3>play out.

0:41:14.360 --> 0:41:16.200
<v Speaker 1>Got you an y'all got anything on this.

0:41:18.360 --> 0:41:20.840
<v Speaker 2>You can see the strain from him being away. He

0:41:20.960 --> 0:41:25.120
<v Speaker 2>was pouring all of his passion and emotion into his writing.

0:41:25.400 --> 0:41:28.040
<v Speaker 2>He wasn't point any into his home, and I think

0:41:28.040 --> 0:41:30.280
<v Speaker 2>that kind of when she said she doesn't see anything

0:41:30.320 --> 0:41:34.880
<v Speaker 2>no more, because there was no passion for his family.

0:41:35.040 --> 0:41:37.200
<v Speaker 2>She didn't believe, but he was a certain all of

0:41:37.239 --> 0:41:38.120
<v Speaker 2>that to what he was writing.

0:41:38.600 --> 0:41:41.520
<v Speaker 1>Right, So, you knowing that he's William Shakespeare at this point,

0:41:41.800 --> 0:41:43.719
<v Speaker 1>did you like that? Did you?

0:41:44.640 --> 0:41:47.560
<v Speaker 2>It made sense because like, how else would William Shakespeare

0:41:47.560 --> 0:41:51.360
<v Speaker 2>become William skespeare passionate as he was that liking? So

0:41:51.400 --> 0:41:52.040
<v Speaker 2>it made sense.

0:41:52.800 --> 0:41:56.800
<v Speaker 1>I like, Mike, Yeah, I was like, man, she is

0:41:56.880 --> 0:42:01.520
<v Speaker 1>sorry as they should have fucking burned her at the stake.

0:42:01.600 --> 0:42:02.120
<v Speaker 2>She's sorry.

0:42:02.120 --> 0:42:04.319
<v Speaker 1>I never said that she was a witch. She didn't

0:42:04.360 --> 0:42:05.920
<v Speaker 1>have to say it. I could tell she had a

0:42:05.960 --> 0:42:12.000
<v Speaker 1>fucking three babies with no umbilical course. It's a movie, man. Nah. Nah,

0:42:12.080 --> 0:42:13.719
<v Speaker 1>she couldn't bring a little motherfucker back to life. She

0:42:13.840 --> 0:42:15.920
<v Speaker 1>is sorry, ass witch. She should have tried that again.

0:42:16.960 --> 0:42:20.839
<v Speaker 1>Give me my baby, Bobby Boo, bring that motherfucker back

0:42:20.880 --> 0:42:23.600
<v Speaker 1>to life, all right? Man. So now we move into

0:42:23.719 --> 0:42:26.839
<v Speaker 1>like where William is rehearsing Hamlet in London, And at

0:42:26.880 --> 0:42:28.680
<v Speaker 1>this point I know y'all think I'm stupid, but I

0:42:28.719 --> 0:42:32.239
<v Speaker 1>still don't not realize that this is William Shakespeare. But

0:42:32.239 --> 0:42:34.520
<v Speaker 1>it's frustrated with his cast for the lack of passion.

0:42:35.719 --> 0:42:39.400
<v Speaker 1>Excuse me. And this is where we hear the famous

0:42:39.640 --> 0:42:42.440
<v Speaker 1>quote to be or not to be that when it clicked,

0:42:43.600 --> 0:42:47.160
<v Speaker 1>y'all was like, oh shit, I think this is uh

0:42:47.280 --> 0:42:52.759
<v Speaker 1>Wayne Shakespeare. Wow. And but yeah, so yeah, how did

0:42:52.800 --> 0:42:55.600
<v Speaker 1>y'all feel about that? I mean, I know I was dumb.

0:42:55.640 --> 0:42:57.720
<v Speaker 1>I didn't realize it, but there was that A nice

0:42:57.719 --> 0:43:01.400
<v Speaker 1>review to y'all or I like that the it was.

0:43:01.440 --> 0:43:03.960
<v Speaker 2>Like you said, the Leo moment. Yeah, I mean like,

0:43:03.960 --> 0:43:04.879
<v Speaker 2>oh he said the thing.

0:43:05.640 --> 0:43:09.239
<v Speaker 1>That's how I felt too, he said, word, yeah, I

0:43:09.239 --> 0:43:10.399
<v Speaker 1>mean it was cool.

0:43:10.440 --> 0:43:13.279
<v Speaker 3>You know, it's a famous line. I don't know if

0:43:13.280 --> 0:43:17.799
<v Speaker 3>it hit in the in the way that I guess

0:43:17.880 --> 0:43:21.480
<v Speaker 3>maybe they thought it it would, but you know it,

0:43:21.480 --> 0:43:22.800
<v Speaker 3>it was still cool. They had to write it in

0:43:22.880 --> 0:43:24.600
<v Speaker 3>and there. I just like the fact that he was

0:43:24.640 --> 0:43:26.480
<v Speaker 3>just cussing out everybody else that was working there.

0:43:26.520 --> 0:43:29.080
<v Speaker 1>He was like, again, y'all not passionate enough, like but

0:43:29.280 --> 0:43:31.960
<v Speaker 1>then he did it and he saw the difference. But

0:43:32.000 --> 0:43:34.440
<v Speaker 1>I was like, that's not fair, man. This is your experience,

0:43:34.480 --> 0:43:38.000
<v Speaker 1>so of course you're gonna gonna deliver it differently. You know.

0:43:38.280 --> 0:43:40.239
<v Speaker 2>I think the director would be a good director would

0:43:40.239 --> 0:43:42.200
<v Speaker 2>be like that. I think, what do you mean, like

0:43:42.239 --> 0:43:46.160
<v Speaker 2>in movies when you see people actors say like some

0:43:46.280 --> 0:43:49.200
<v Speaker 2>directors bring certain stuff out of them because they want

0:43:49.239 --> 0:43:51.520
<v Speaker 2>them like they are that passionate and telling them like,

0:43:51.560 --> 0:43:53.640
<v Speaker 2>you're not doing it right, Do it again, do it again,

0:43:53.760 --> 0:43:58.480
<v Speaker 2>do it again. I think that's part of good directing,

0:43:58.560 --> 0:43:59.319
<v Speaker 2>your storytelling.

0:44:00.600 --> 0:44:04.680
<v Speaker 1>Maybe if he was acting that way before, before.

0:44:06.120 --> 0:44:07.719
<v Speaker 2>It had to do with the loser of his son,

0:44:07.920 --> 0:44:10.400
<v Speaker 2>they should have said, I thought your little son died,

0:44:10.800 --> 0:44:13.400
<v Speaker 2>maybe a fucking babysitter or something. Why you yelling at me,

0:44:14.320 --> 0:44:15.200
<v Speaker 2>punk ass?

0:44:15.680 --> 0:44:16.640
<v Speaker 1>Yeah, I see.

0:44:16.680 --> 0:44:20.040
<v Speaker 2>I don't think they knew this that though, not unless

0:44:20.040 --> 0:44:20.480
<v Speaker 2>he told him.

0:44:20.520 --> 0:44:21.759
<v Speaker 1>I don't think he knew that, because that's in a

0:44:21.760 --> 0:44:26.400
<v Speaker 1>whole nother place where that bird ghost told him. But

0:44:27.160 --> 0:44:29.200
<v Speaker 1>and then I also noticed that, you know, the play

0:44:29.280 --> 0:44:33.759
<v Speaker 1>was called Hamlet and not ham Knitt, and I I

0:44:34.000 --> 0:44:35.920
<v Speaker 1>just initially thought that he was just trying to protect

0:44:35.920 --> 0:44:39.960
<v Speaker 1>the instance of his son's name or I don't know,

0:44:40.040 --> 0:44:42.399
<v Speaker 1>like I just thought, yeah, he just tried to change

0:44:42.400 --> 0:44:45.000
<v Speaker 1>it a little bit so it won't be his actual

0:44:45.080 --> 0:44:47.799
<v Speaker 1>son's name, which I thought was interesting because I didn't

0:44:47.800 --> 0:44:50.440
<v Speaker 1>I didn't I didn't know that about Hamlet. I read that,

0:44:50.560 --> 0:44:53.319
<v Speaker 1>but I still don't really get it? What were they

0:44:53.320 --> 0:44:55.840
<v Speaker 1>say that those names are interchangeable. Basically they mean the

0:44:55.840 --> 0:44:58.000
<v Speaker 1>same thing, So that's what I'm saying. So I think

0:44:58.000 --> 0:45:02.359
<v Speaker 1>that's why, because this worry is about his son, so

0:45:02.400 --> 0:45:05.480
<v Speaker 1>he just in this movie, just in general, I think

0:45:05.520 --> 0:45:08.440
<v Speaker 1>they're saying that the name Hamlet and ham Net just

0:45:08.480 --> 0:45:14.680
<v Speaker 1>in the term in English, the term the the literature itself.

0:45:14.680 --> 0:45:16.799
<v Speaker 1>That's what I thought. I thought they were basically like saying,

0:45:16.840 --> 0:45:19.359
<v Speaker 1>like Mark and Mike are the same name. You're saying

0:45:19.360 --> 0:45:23.960
<v Speaker 1>they're saying specifically in this reference. So maybe stood is

0:45:23.960 --> 0:45:27.440
<v Speaker 1>it two different like languages or something. It's not because

0:45:27.480 --> 0:45:31.279
<v Speaker 1>you know.

0:45:30.560 --> 0:45:36.280
<v Speaker 2>In Spanish they called like it translated George is similar.

0:45:36.320 --> 0:45:39.640
<v Speaker 1>I don't think it's funny, but but but I think

0:45:39.640 --> 0:45:42.319
<v Speaker 1>they just are the same. They're interchangeable. It's basically what

0:45:42.680 --> 0:45:46.719
<v Speaker 1>but specifically to this maybe I don't call me, don't

0:45:46.719 --> 0:45:49.239
<v Speaker 1>don't quote me on that. At first I thought that

0:45:49.360 --> 0:45:52.200
<v Speaker 1>was right, but it could be it could be handed

0:45:52.360 --> 0:45:54.719
<v Speaker 1>his Hamley for real, right, that's why.

0:45:54.880 --> 0:46:01.120
<v Speaker 3>So yeah, yeah, because this is historical fiction, you know,

0:46:01.280 --> 0:46:07.640
<v Speaker 3>built around Shakespeare's son Stealth. But that part in the beginning,

0:46:08.440 --> 0:46:11.879
<v Speaker 3>I thought maybe back in the day that it did

0:46:11.960 --> 0:46:12.759
<v Speaker 3>mean the same thing.

0:46:13.000 --> 0:46:15.399
<v Speaker 1>I didn't look up to see how in a way.

0:46:16.000 --> 0:46:18.840
<v Speaker 3>Yeah, But then when we get to this part, I'm like, oh, well,

0:46:18.880 --> 0:46:22.400
<v Speaker 3>maybe that's what they meant, Like since he changed the

0:46:22.440 --> 0:46:27.359
<v Speaker 3>name of the play to Hamlet, that's why they they

0:46:27.360 --> 0:46:28.919
<v Speaker 3>were saying, they kind of meant the same thing.

0:46:30.120 --> 0:46:34.800
<v Speaker 1>So what Google says is that the play Hamlet draws

0:46:34.800 --> 0:46:38.760
<v Speaker 1>from an older Danish legend, but the similarity in names

0:46:38.840 --> 0:46:43.600
<v Speaker 1>Hamnet Hamlet, and the timing fuels the popular theory that

0:46:43.719 --> 0:46:47.920
<v Speaker 1>Shakespeare channeled his grief into his famous tragedy. So it's

0:46:48.000 --> 0:46:50.080
<v Speaker 1>not really I guess I don't know where I read

0:46:50.120 --> 0:46:54.680
<v Speaker 1>that they were the same, but it's not. Okay, yeah, because,

0:46:54.760 --> 0:46:57.520
<v Speaker 1>like I said, what actually happened to Himnet isn't the

0:46:57.560 --> 0:47:00.000
<v Speaker 1>Hamlet store right right right, I'm saying. So I thought

0:47:00.120 --> 0:47:03.160
<v Speaker 1>that was interesting. It's just an inspiration for the story

0:47:03.200 --> 0:47:04.240
<v Speaker 1>he wrote for Hamlet.

0:47:04.440 --> 0:47:07.480
<v Speaker 3>Yeah, yeah, yeah, is that yeah? Yeah yeah, So they

0:47:07.680 --> 0:47:10.000
<v Speaker 3>put that at the beginning. They wanted to take the

0:47:10.000 --> 0:47:13.560
<v Speaker 3>truth story of his son dying and try to use

0:47:13.600 --> 0:47:17.320
<v Speaker 3>that as the inspiration for Hamlet.

0:47:16.680 --> 0:47:18.560
<v Speaker 1>And I thought that was good. I thought I really

0:47:18.600 --> 0:47:20.760
<v Speaker 1>liked that. I'm want to put out some things about

0:47:20.760 --> 0:47:25.279
<v Speaker 1>the play itself. But so yeah, Agnes stepmother Jones. She

0:47:25.360 --> 0:47:27.800
<v Speaker 1>shows her the play bill for the production of Hamlet

0:47:27.880 --> 0:47:36.319
<v Speaker 1>in London and but but Agnet basically rebukes her and

0:47:36.320 --> 0:47:40.239
<v Speaker 1>and they travel to London and see William, finding him

0:47:40.280 --> 0:47:44.600
<v Speaker 1>absent from his home. They resolved to attend his performance

0:47:44.600 --> 0:47:49.680
<v Speaker 1>at the Hamlet at the Golden Globe Theater, and Agnes

0:47:49.760 --> 0:47:54.880
<v Speaker 1>is initially offended at her son's name being profane. They

0:47:54.960 --> 0:48:01.200
<v Speaker 1>were like, yeah, yeah, don't you say the name of

0:48:01.239 --> 0:48:04.120
<v Speaker 1>my son? That was? That was not damn you say

0:48:04.400 --> 0:48:08.680
<v Speaker 1>the name of my thunnest. I think at this point

0:48:08.760 --> 0:48:11.319
<v Speaker 1>this is where they started saying that it's William Shakespeare.

0:48:11.320 --> 0:48:13.480
<v Speaker 1>And I was like, oh ship, they said it was

0:48:13.480 --> 0:48:15.560
<v Speaker 1>William Shakespeare right when they got to town. Okay, well,

0:48:15.800 --> 0:48:18.200
<v Speaker 1>remember the dude said, why is William Shakespeare living in

0:48:18.200 --> 0:48:21.080
<v Speaker 1>a place? Like that's right and that You're like, oh

0:48:21.120 --> 0:48:25.840
<v Speaker 1>my god, damn it. Yeah, I was. That's hilarious. I

0:48:25.840 --> 0:48:26.960
<v Speaker 1>know I watched this alone.

0:48:27.400 --> 0:48:29.960
<v Speaker 2>I did, Okay, I did earlier.

0:48:30.000 --> 0:48:32.279
<v Speaker 1>I did watch it alone. But yeah, I don't know, man, Like,

0:48:32.280 --> 0:48:35.520
<v Speaker 1>like I just didn't I didn't know. I didn't know that.

0:48:36.600 --> 0:48:38.719
<v Speaker 1>I don't know what I was thinking, Like I just

0:48:40.000 --> 0:48:42.640
<v Speaker 1>it just wasn't connecting that that this was William Shakespeare,

0:48:42.680 --> 0:48:44.200
<v Speaker 1>and so I thought that was so cool that he

0:48:44.280 --> 0:48:47.040
<v Speaker 1>was William Shakespeare. And I was like, oh, ship, that's

0:48:47.080 --> 0:48:52.520
<v Speaker 1>why the motherfuckers so cold with with with the lyrics,

0:48:53.040 --> 0:48:54.280
<v Speaker 1>was so cold with the bars.

0:48:54.840 --> 0:48:57.600
<v Speaker 3>Shakespeare my number one rapper in the of the day, right,

0:48:58.040 --> 0:49:05.760
<v Speaker 3>I'm like, damn three. I did think it was funny

0:49:06.800 --> 0:49:09.719
<v Speaker 3>when she tried to lie at and tried to lie

0:49:09.880 --> 0:49:11.960
<v Speaker 3>to the people in the city about what the play

0:49:12.080 --> 0:49:17.000
<v Speaker 3>was about. And she was like, nah, we know your child, Danny,

0:49:17.040 --> 0:49:18.080
<v Speaker 3>we know what's going on.

0:49:18.440 --> 0:49:20.560
<v Speaker 1>Don't sit here and try to pull that ship on us.

0:49:22.920 --> 0:49:25.040
<v Speaker 1>That was when she handed the play building ship. Yeah,

0:49:25.120 --> 0:49:25.600
<v Speaker 1>she went in.

0:49:26.280 --> 0:49:27.960
<v Speaker 2>I think this was the best part of the movie.

0:49:28.480 --> 0:49:31.080
<v Speaker 1>So okay, well you didn't like this work.

0:49:32.760 --> 0:49:34.239
<v Speaker 2>He was supposed to be the ghost of it on

0:49:34.440 --> 0:49:37.239
<v Speaker 2>right when he came out in Yes, I believe that.

0:49:37.440 --> 0:49:38.560
<v Speaker 1>Yeah, that was fire.

0:49:38.719 --> 0:49:41.960
<v Speaker 2>He absolutely fire. He put his foot in his acting

0:49:42.080 --> 0:49:45.759
<v Speaker 2>bag because he came out and he nailed it, like

0:49:46.000 --> 0:49:48.319
<v Speaker 2>he absolutely he made her shut up.

0:49:49.480 --> 0:49:54.359
<v Speaker 1>Yeah, she was. She was just like y'ost she had

0:49:54.360 --> 0:49:58.839
<v Speaker 1>to be quiet and appreciate greatness. She's like, oh, ship, dude,

0:49:59.080 --> 0:50:01.960
<v Speaker 1>this was captivating. Would you not think it was captivating?

0:50:02.000 --> 0:50:05.239
<v Speaker 1>Because I don't fucking like Shakespeare's plays, So having to

0:50:05.480 --> 0:50:08.800
<v Speaker 1>watch someone watching a fucking play, I was like, what

0:50:09.120 --> 0:50:13.040
<v Speaker 1>is this ship man? Are y'all serious? That not y'all

0:50:13.120 --> 0:50:16.040
<v Speaker 1>but the movie? Are they serious? Like? Are we seriously

0:50:16.200 --> 0:50:18.359
<v Speaker 1>watching them watch this fucking boring ass play?

0:50:18.440 --> 0:50:20.600
<v Speaker 2>I felt like they're going into that in that scene.

0:50:20.640 --> 0:50:23.000
<v Speaker 2>But then he acted out and I was like, oh, okay,

0:50:23.280 --> 0:50:25.879
<v Speaker 2>but I swear I said the same thing, like we're

0:50:25.880 --> 0:50:27.960
<v Speaker 2>not gonna watch him watch a play, like we're not

0:50:28.080 --> 0:50:29.719
<v Speaker 2>going to watch her watch a play. And then she

0:50:30.160 --> 0:50:32.640
<v Speaker 2>on top of that, she's interrupting it too. But then

0:50:32.680 --> 0:50:34.480
<v Speaker 2>when he came out in the white and shit, was like,

0:50:34.560 --> 0:50:38.640
<v Speaker 2>oh shit, this thing so and then you talk about

0:50:38.640 --> 0:50:41.440
<v Speaker 2>the team, team, team like that was a part of

0:50:41.480 --> 0:50:43.040
<v Speaker 2>the play. And then and if you think about it,

0:50:43.080 --> 0:50:45.239
<v Speaker 2>he was doing that with his son. So that's what

0:50:45.239 --> 0:50:47.600
<v Speaker 2>I'm saying. It was like inspired. The Hamlet story was

0:50:47.680 --> 0:50:50.480
<v Speaker 2>inspired because Hamlet was about him with his son. It

0:50:50.600 --> 0:50:53.520
<v Speaker 2>was just about like revenge from the killing.

0:50:53.360 --> 0:50:55.360
<v Speaker 1>Of the king. I got that because I knew it

0:50:55.360 --> 0:50:59.200
<v Speaker 1>was Shakespeare. Yeah, I mean, but like, but it was cool.

0:50:59.280 --> 0:51:01.160
<v Speaker 1>It was a callback because it's just like, oh, that's

0:51:01.160 --> 0:51:05.000
<v Speaker 1>where that came from. Think he's drawing from things with

0:51:05.120 --> 0:51:07.400
<v Speaker 1>his family and things with you know, Like I was like,

0:51:07.520 --> 0:51:09.520
<v Speaker 1>damn that, that's that's really cool. How did you feel,

0:51:09.520 --> 0:51:12.640
<v Speaker 1>a buddy king? No, I liked it. I liked it.

0:51:13.000 --> 0:51:15.000
<v Speaker 1>I was I was like her. I was offended too.

0:51:15.120 --> 0:51:16.719
<v Speaker 3>I was like, bro, the nerve with you to see

0:51:16.719 --> 0:51:20.240
<v Speaker 3>it and run off to England, leave your wife behind

0:51:20.640 --> 0:51:23.160
<v Speaker 3>with her own grief. You bought this big ass house,

0:51:23.200 --> 0:51:26.000
<v Speaker 3>you're not even standing and she back there in this

0:51:26.120 --> 0:51:30.120
<v Speaker 3>fucking cabin or whatever it is, and uh and and

0:51:30.280 --> 0:51:32.319
<v Speaker 3>you're up here living the life, and then you don't

0:51:32.480 --> 0:51:34.000
<v Speaker 3>have the nerve to write this damn play.

0:51:34.680 --> 0:51:37.839
<v Speaker 1>The play was called Hamlet, and didn't they say ham

0:51:38.000 --> 0:51:40.880
<v Speaker 1>Let in the play? That's what I think might be like, Man,

0:51:40.920 --> 0:51:43.080
<v Speaker 1>shut the fuck up, I ain't talking about your little past.

0:51:43.160 --> 0:51:45.880
<v Speaker 1>Can she heard him? Then? Yeah? So?

0:51:46.960 --> 0:51:48.840
<v Speaker 3>But nah, I thought I thought, I thought this this

0:51:49.080 --> 0:51:53.279
<v Speaker 3>was good, like seeing her drastic like turn around from

0:51:54.160 --> 0:52:00.160
<v Speaker 3>from horror and you know, being upset to appreciation, you

0:52:00.239 --> 0:52:04.000
<v Speaker 3>know as well, so Mike, you know, like when when

0:52:04.040 --> 0:52:10.680
<v Speaker 3>he held out his we didn't held out his hand,

0:52:10.800 --> 0:52:13.960
<v Speaker 3>and the way she's just like man were like touching her.

0:52:14.280 --> 0:52:16.080
<v Speaker 3>She got to touch her kid for one last time.

0:52:16.480 --> 0:52:19.040
<v Speaker 1>Almost No, she didn't. That motherfucker beard with that bird.

0:52:19.480 --> 0:52:21.919
<v Speaker 1>But that's how strong that that That's how that's showing

0:52:21.960 --> 0:52:26.760
<v Speaker 1>how powerful the playing because it's like this lady was grieving,

0:52:27.000 --> 0:52:29.480
<v Speaker 1>like really she remember she came into this whole ship

0:52:29.600 --> 0:52:32.440
<v Speaker 1>distraught and turned out a whole new chick like she

0:52:32.640 --> 0:52:33.600
<v Speaker 1>was laughing by the end of this.

0:52:34.120 --> 0:52:39.040
<v Speaker 3>I was grieving and handless. Handless backstage like fuck I

0:52:39.160 --> 0:52:43.399
<v Speaker 3>killed that ship. He did, but I wrote the hell out.

0:52:43.280 --> 0:52:47.680
<v Speaker 1>Of that ship. I didn't know what I'm gonna have

0:52:47.719 --> 0:52:50.080
<v Speaker 1>to do this ship. I do this ship. You know

0:52:50.120 --> 0:52:56.319
<v Speaker 1>what I'm like, I am big motherfuckerg Yeah for real, kid,

0:52:56.440 --> 0:53:00.200
<v Speaker 1>that's how he was. I just didn't. I can't look

0:53:00.239 --> 0:53:02.759
<v Speaker 1>at this scene and really understand why they're all reaching

0:53:02.800 --> 0:53:05.160
<v Speaker 1>out to touch his hand like that. It didn't hit

0:53:05.280 --> 0:53:07.560
<v Speaker 1>me like that, so it's like, this is ridiculous. Why

0:53:07.600 --> 0:53:10.279
<v Speaker 1>are y'all acting like this? Y'all don't even know him

0:53:10.360 --> 0:53:12.439
<v Speaker 1>in it. But that's how that's how much you're into

0:53:12.520 --> 0:53:14.759
<v Speaker 1>the story, which I thought was cool because we get

0:53:14.800 --> 0:53:17.560
<v Speaker 1>into stories like I mean, we watched movies, right, we cry,

0:53:17.680 --> 0:53:31.040
<v Speaker 1>We laugh. Last Cloud acted, I'll tell you that much.

0:53:34.160 --> 0:53:37.160
<v Speaker 1>You know, y'all Cut y'all, I'll reach your hands out

0:53:37.239 --> 0:53:40.279
<v Speaker 1>and cut. That's true. So I think in this time

0:53:40.360 --> 0:53:42.920
<v Speaker 1>it was a really good depension of depiction of like

0:53:43.760 --> 0:53:46.120
<v Speaker 1>them being really into the story. That how good of

0:53:46.160 --> 0:53:50.960
<v Speaker 1>a writers. But we saw that they do the little

0:53:51.000 --> 0:53:55.759
<v Speaker 1>puppet plays and ship and that's just wax. I guess, okay,

0:53:56.480 --> 0:53:59.879
<v Speaker 1>so that's why he wanted Michael Jackson. No, I ain't

0:54:00.560 --> 0:54:03.600
<v Speaker 1>Shakespeare wasn't. No said one of those puppies like Michael Jackson.

0:54:03.640 --> 0:54:05.840
<v Speaker 2>I said, it's like Michael Jackson, everybody be trying to

0:54:05.880 --> 0:54:06.239
<v Speaker 2>touch it this.

0:54:11.360 --> 0:54:17.680
<v Speaker 1>Oh my god. Yeah, but Noah, Man, I really enjoy

0:54:17.719 --> 0:54:20.120
<v Speaker 1>I'm with Spike Man and Ken. I really enjoyed this

0:54:20.200 --> 0:54:23.360
<v Speaker 1>part because it just showed like that that time period's

0:54:24.160 --> 0:54:27.200
<v Speaker 1>equal like equality to like you know, how we watch

0:54:27.239 --> 0:54:30.120
<v Speaker 1>a good ass film or whatever. Like I thought that

0:54:30.239 --> 0:54:33.279
<v Speaker 1>was dope, man. And you know, her going in there,

0:54:33.360 --> 0:54:35.839
<v Speaker 1>like I said, realizing that it's it's actually about her son,

0:54:35.880 --> 0:54:40.400
<v Speaker 1>because what actually happens is when when he does come

0:54:40.440 --> 0:54:42.480
<v Speaker 1>out as the ghost of Hamlet's father, she realizes that

0:54:42.560 --> 0:54:44.839
<v Speaker 1>the play is a tribute to Himnet and you can

0:54:44.880 --> 0:54:48.040
<v Speaker 1>see that realization, and she's like, oh, Ship, this is

0:54:48.080 --> 0:54:50.040
<v Speaker 1>what you've been doing. This is how you've been grieving,

0:54:50.560 --> 0:54:52.160
<v Speaker 1>you know, because she can you know, she know she's

0:54:52.200 --> 0:54:53.919
<v Speaker 1>been grieving, and this is the way he's he's he's

0:54:53.960 --> 0:54:57.840
<v Speaker 1>been handling, which moves her to tears. By The scene

0:54:57.880 --> 0:55:01.200
<v Speaker 1>between Hamlet and his father with your guys already kind

0:55:01.200 --> 0:55:04.360
<v Speaker 1>of alluded to backstage is where we see William notice

0:55:04.360 --> 0:55:06.839
<v Speaker 1>Agnes break down in tears while listening to the play

0:55:07.560 --> 0:55:11.719
<v Speaker 1>and returns to watch her from the wings. Played progressions

0:55:11.760 --> 0:55:14.440
<v Speaker 1>through the scenes, swore fighting, which we talked about, uh

0:55:14.840 --> 0:55:16.600
<v Speaker 1>doing the scene where Hamlet dies, that's what we did,

0:55:16.760 --> 0:55:21.040
<v Speaker 1>talked about the reaching out towards the actor's hand. Then

0:55:21.120 --> 0:55:24.240
<v Speaker 1>she had visions then this after that, that's what she envisions.

0:55:24.320 --> 0:55:28.680
<v Speaker 1>Hamnet on the stage, seen earlier as his dying vision,

0:55:28.760 --> 0:55:32.520
<v Speaker 1>now moving from sadness to a smile before disappearing into

0:55:32.560 --> 0:55:35.360
<v Speaker 1>the backstage through a hole like the one of the

0:55:35.480 --> 0:55:39.160
<v Speaker 1>mystical forest in the cave for the first time since

0:55:39.239 --> 0:55:46.480
<v Speaker 1>Hamnon's death, Agnes lasts and smiles. Stupid correct man, This

0:55:46.719 --> 0:55:51.680
<v Speaker 1>was so man, This was beautiful was on stage. This

0:55:51.920 --> 0:55:56.520
<v Speaker 1>was beautiful, man. That damn ghost was the smile too.

0:55:56.600 --> 0:55:58.480
<v Speaker 1>I thought they bodied the end of this man like

0:55:58.800 --> 0:56:01.520
<v Speaker 1>it was very similar to the For me, I thought

0:56:01.560 --> 0:56:04.279
<v Speaker 1>it was very similar to the to the one we

0:56:04.440 --> 0:56:06.440
<v Speaker 1>just had. We just watched with sentimental value, with the

0:56:06.520 --> 0:56:09.880
<v Speaker 1>expressions of like how you see it changed without her

0:56:10.000 --> 0:56:13.160
<v Speaker 1>actually saying something, and you see the connection between with

0:56:13.280 --> 0:56:15.040
<v Speaker 1>William and her they look at each other. It's just

0:56:15.160 --> 0:56:19.800
<v Speaker 1>like an unspoken relief, Like he feels relief that people,

0:56:20.040 --> 0:56:23.000
<v Speaker 1>you know, that he made something that's very powerful in

0:56:23.280 --> 0:56:26.080
<v Speaker 1>the name of his son to uh what am I

0:56:26.160 --> 0:56:30.399
<v Speaker 1>trying to say? To honor him? To honor his son?

0:56:31.440 --> 0:56:33.080
<v Speaker 1>So yeah, I thought that was dope. And then she

0:56:33.320 --> 0:56:35.560
<v Speaker 1>she appreciated and I know that was the satisfaction for

0:56:35.680 --> 0:56:39.560
<v Speaker 1>him that she actually appreciated it and got it right.

0:56:40.120 --> 0:56:42.520
<v Speaker 1>So nah, man, I thought they did very well with it.

0:56:42.760 --> 0:56:44.600
<v Speaker 1>And like I said, even though it's a tragedy, she

0:56:44.760 --> 0:56:47.360
<v Speaker 1>was able to find the silver lining in it or

0:56:47.400 --> 0:56:50.359
<v Speaker 1>whatever to be able to laugh and smile. So that's

0:56:50.400 --> 0:56:51.680
<v Speaker 1>how I felt about it. I don't know what the

0:56:51.719 --> 0:56:57.839
<v Speaker 1>fuck was funny, even if I'm just looking at the play.

0:56:57.960 --> 0:57:01.160
<v Speaker 1>What are you giggling about? Woman? Your son is? It's

0:57:01.239 --> 0:57:04.160
<v Speaker 1>like relief, It's like you. It's like the laugh after

0:57:04.280 --> 0:57:08.520
<v Speaker 1>you have some after grief, right Like. I don't know

0:57:08.600 --> 0:57:10.920
<v Speaker 1>if you ever had that moment before, but I've had

0:57:11.000 --> 0:57:16.280
<v Speaker 1>similar moments like that, where you know, laugh no not

0:57:16.480 --> 0:57:21.160
<v Speaker 1>not like somebody's dad was gonna be on stage the

0:57:21.240 --> 0:57:27.479
<v Speaker 1>sun Yeah, said that Hamlet was gonna be said earlier

0:57:27.480 --> 0:57:28.120
<v Speaker 1>you checked out.

0:57:28.160 --> 0:57:31.000
<v Speaker 2>I thought, I thought that's what she chuckled about.

0:57:31.360 --> 0:57:37.640
<v Speaker 1>Okay, that see he's played better. But Mike, he's gonna

0:57:37.640 --> 0:57:39.520
<v Speaker 1>ask her, what the are you laughing at? When he came.

0:57:40.800 --> 0:57:43.080
<v Speaker 1>I didn't put nothing funny. I thought you was in

0:57:43.160 --> 0:57:45.400
<v Speaker 1>my play? Are you laughing about.

0:57:47.440 --> 0:57:49.040
<v Speaker 2>Laughing at my sol?

0:57:49.040 --> 0:57:51.200
<v Speaker 1>Wouldn't be dad, if you was at home paying tention,

0:57:51.360 --> 0:57:53.800
<v Speaker 1>you're laughing at my play. And she was blaming him too,

0:57:54.040 --> 0:57:57.280
<v Speaker 1>she was, I was fucked up. How are you gonna

0:57:57.280 --> 0:57:59.640
<v Speaker 1>blame me? I wouldn't even here. I was with them,

0:57:59.720 --> 0:58:01.920
<v Speaker 1>you were, you're with him? He was upstairs told me

0:58:02.000 --> 0:58:06.120
<v Speaker 1>to leave. You sure did. And you're supposed to be

0:58:06.160 --> 0:58:09.080
<v Speaker 1>all seeing ass witchet to go back to witch school. Bro,

0:58:09.480 --> 0:58:14.320
<v Speaker 1>you suck that the original gas are you right now? Bullshit?

0:58:14.400 --> 0:58:16.760
<v Speaker 1>That was messed up? That was really should have put

0:58:16.800 --> 0:58:18.520
<v Speaker 1>her on the fucking pole. And let her on fire.

0:58:18.920 --> 0:58:22.440
<v Speaker 1>Oh my god, she's sorry as hell. I don't know

0:58:22.480 --> 0:58:23.959
<v Speaker 1>how you don't think she was a witch. She sees

0:58:23.960 --> 0:58:28.040
<v Speaker 1>a dead sorry. She got all of it right, you

0:58:28.120 --> 0:58:29.640
<v Speaker 1>know what I'm saying. She saw a dead person on

0:58:29.680 --> 0:58:33.160
<v Speaker 1>the stage. Nobody else saw that dead ass motherfucker but her.

0:58:34.000 --> 0:58:36.120
<v Speaker 1>She is a witch. This is a connection she had,

0:58:36.280 --> 0:58:42.360
<v Speaker 1>man to the witch world, to the witch world anyway, man, Yeah,

0:58:42.360 --> 0:58:44.280
<v Speaker 1>I thought. I thought even the way he redesigned the

0:58:44.360 --> 0:58:47.160
<v Speaker 1>set like to be you know, as a dedication to

0:58:47.240 --> 0:58:50.240
<v Speaker 1>her as well, because she was so connected to the forest,

0:58:50.560 --> 0:58:52.919
<v Speaker 1>that cave, all of that, so all that he thought

0:58:52.920 --> 0:58:55.680
<v Speaker 1>about all of that, I thought that was really cool. Man.

0:58:55.880 --> 0:58:58.160
<v Speaker 1>It was like a love like just like a letter

0:58:58.240 --> 0:59:01.120
<v Speaker 1>to to her, like because she just would not listen

0:59:01.160 --> 0:59:02.880
<v Speaker 1>to him, and she and she was mad at him.

0:59:02.880 --> 0:59:05.960
<v Speaker 1>And this play was so powerful that it basically brought

0:59:06.000 --> 0:59:08.960
<v Speaker 1>him back together. But we don't know what they got

0:59:09.000 --> 0:59:10.880
<v Speaker 1>back to. We don't know if they got back together

0:59:11.000 --> 0:59:13.240
<v Speaker 1>or she. I don't know. He in the city with

0:59:13.360 --> 0:59:16.680
<v Speaker 1>a big ass house, He wouldn't found some better ship

0:59:18.160 --> 0:59:23.600
<v Speaker 1>this witch. No more, bro moved up. Have me another

0:59:23.640 --> 0:59:28.720
<v Speaker 1>song with somebody else. But do y'all have any any,

0:59:29.040 --> 0:59:32.720
<v Speaker 1>any last thoughts about the about everything but the movie.

0:59:33.000 --> 0:59:35.680
<v Speaker 1>I'm glad y'all liked it because I was gonna when

0:59:35.680 --> 0:59:38.320
<v Speaker 1>I walked in here, I was gonna say that we

0:59:38.480 --> 0:59:40.120
<v Speaker 1>need to be a little bit more discerning about the

0:59:40.160 --> 0:59:42.320
<v Speaker 1>movies we paid because I really expected everyone here to

0:59:42.360 --> 0:59:44.480
<v Speaker 1>hate this. I thought I was gonna hate it. But

0:59:44.600 --> 0:59:46.480
<v Speaker 1>since y'all liked it, then fine, I me, we can

0:59:47.440 --> 0:59:51.520
<v Speaker 1>yeah where it is this week. And I honestly don't

0:59:51.520 --> 0:59:53.200
<v Speaker 1>think we always always got a review ship that we

0:59:53.520 --> 0:59:55.960
<v Speaker 1>know we're gonna like. I don't mind reviewing ship that

0:59:56.480 --> 0:59:58.840
<v Speaker 1>out of my wheelhouse. I don't either, But if it's

0:59:58.880 --> 1:00:02.680
<v Speaker 1>something that everybody here yeah, like I don't want to

1:00:02.720 --> 1:00:04.320
<v Speaker 1>watch this, then that's a different story. That is a

1:00:04.360 --> 1:00:06.680
<v Speaker 1>different story. So y'all ended up liking it, then it

1:00:06.800 --> 1:00:08.760
<v Speaker 1>worked out. But I don't want to watch no more

1:00:09.080 --> 1:00:10.000
<v Speaker 1>Shakespeare bullshit.

1:00:10.640 --> 1:00:12.360
<v Speaker 3>That's why sometimes I like watch this stuff out of

1:00:12.400 --> 1:00:15.160
<v Speaker 3>my wheelhouse because I will I may actually end up

1:00:15.200 --> 1:00:15.480
<v Speaker 3>liking it.

1:00:16.280 --> 1:00:19.080
<v Speaker 1>I cannot believe you like this anyway. I see the

1:00:19.160 --> 1:00:23.360
<v Speaker 1>awards with sentimental value with this, I do not see it. Man,

1:00:23.360 --> 1:00:25.080
<v Speaker 1>I don't even know what this was nominated for the

1:00:25.320 --> 1:00:29.840
<v Speaker 1>Best Picture that's crazy unless it's to put people to sleep.

1:00:29.960 --> 1:00:32.440
<v Speaker 1>I don't I don't know, man, this this hit, this

1:00:32.640 --> 1:00:40.120
<v Speaker 1>hit what this this doesn't even sound right like? I

1:00:40.160 --> 1:00:41.960
<v Speaker 1>don't know, man, just it was. It was a good

1:00:42.000 --> 1:00:44.560
<v Speaker 1>story from from starting to finish to me, especially being

1:00:44.640 --> 1:00:48.800
<v Speaker 1>that that hacause you like romance, but this wasn't really

1:00:48.840 --> 1:00:55.560
<v Speaker 1>as a trate you like. And then the you know,

1:00:55.880 --> 1:00:59.919
<v Speaker 1>the sort of overhanging thing of her being a witch

1:01:00.400 --> 1:01:02.160
<v Speaker 1>is what I like. See that didn't go anywhere. That

1:01:02.160 --> 1:01:04.680
<v Speaker 1>didn't go anywhere for him. That's my problem. Don't introduce

1:01:04.760 --> 1:01:06.479
<v Speaker 1>her being a witch and she's not gonna do nothing cool.

1:01:06.760 --> 1:01:09.919
<v Speaker 1>I feel like they didn't need that part. How would

1:01:09.960 --> 1:01:12.919
<v Speaker 1>you expect them, man, I already asked you the fact

1:01:12.960 --> 1:01:14.560
<v Speaker 1>that they need the witch for it, then they needed

1:01:14.560 --> 1:01:18.080
<v Speaker 1>in bilical cords. Man, movies do that, not movies like this,

1:01:20.240 --> 1:01:21.960
<v Speaker 1>movies do this. Maybe they didn't have the bblical cords

1:01:21.960 --> 1:01:23.960
<v Speaker 1>back in the day like that. I liked it because

1:01:24.280 --> 1:01:26.320
<v Speaker 1>it was like because they always.

1:01:27.920 --> 1:01:29.960
<v Speaker 3>They always accused people to being a witch, but without

1:01:30.080 --> 1:01:32.120
<v Speaker 3>actual real proof, it's just kind of a thing.

1:01:32.200 --> 1:01:33.560
<v Speaker 1>It's just like you're just talking about some of the

1:01:33.640 --> 1:01:36.000
<v Speaker 1>rumors and ship like that. Well, if the movie left

1:01:36.040 --> 1:01:38.840
<v Speaker 1>that ambiguous, that would be a different story. But she's like,

1:01:38.920 --> 1:01:41.040
<v Speaker 1>oh I see my son on stage and a premonition.

1:01:41.120 --> 1:01:42.440
<v Speaker 1>It's like, okay, so then you're a witch then so

1:01:42.480 --> 1:01:47.840
<v Speaker 1>do something cool, fly make some kind of love potion. Yeah,

1:01:47.880 --> 1:01:52.200
<v Speaker 1>he was hoping for a different movie. I was hoping

1:01:52.240 --> 1:01:54.480
<v Speaker 1>for something good. Yeah, he was living for something different.

1:01:54.520 --> 1:01:56.520
<v Speaker 1>But that's fine. But yeah, man, no I enjoyed them.

1:01:56.560 --> 1:01:59.600
<v Speaker 1>Glad you enjoyed the King would have been up shit

1:01:59.720 --> 1:02:00.400
<v Speaker 1>create Yeah.

1:02:00.240 --> 1:02:00.480
<v Speaker 5>I was.

1:02:02.040 --> 1:02:05.320
<v Speaker 1>Fighting for my life up but but I wouldn't have been. Yeah,

1:02:05.320 --> 1:02:07.800
<v Speaker 1>it's I thought it was good man. So yeah, I'm

1:02:07.840 --> 1:02:11.200
<v Speaker 1>glad we are ended up watching it. It wasn't task

1:02:11.280 --> 1:02:13.680
<v Speaker 1>too though. I will say that this one took me

1:02:13.760 --> 1:02:18.000
<v Speaker 1>two times to get through. So yeah, but once I

1:02:18.040 --> 1:02:19.200
<v Speaker 1>got through it, I was like, all right, cool, I

1:02:19.320 --> 1:02:22.000
<v Speaker 1>like that. But anyway, man, yeah, this has been another

1:02:22.200 --> 1:02:25.360
<v Speaker 1>France for second episode. Man, we like I said, we

1:02:25.480 --> 1:02:28.120
<v Speaker 1>reviewed handle it. Make sure you check us out. This

1:02:28.480 --> 1:02:32.040
<v Speaker 1>is just a regular regular episode, right but yeah, man,

1:02:32.080 --> 1:02:36.640
<v Speaker 1>make sure you follow us everywhere man, YouTube, fps, podcasts,

1:02:36.800 --> 1:02:41.880
<v Speaker 1>and also our Patreon where you get like exclusive anniversary reviews,

1:02:42.040 --> 1:02:44.840
<v Speaker 1>get solo reviews. So yeah, definitely make sure you tune

1:02:44.880 --> 1:02:48.040
<v Speaker 1>in there. That's our French second Patreon dot com Ford

1:02:48.120 --> 1:02:52.200
<v Speaker 1>last France per Second podcast, So yeah, man, make sure

1:02:52.200 --> 1:02:54.920
<v Speaker 1>you check us out. But yeah man, this has been

1:02:54.960 --> 1:02:58.280
<v Speaker 1>another review. Until next time, peace, peace,