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Speaker 1: The Frames per second podcast. YOA, what's good? Everybody is

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Speaker 1: ride back with another France per second episode. Today we

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Speaker 1: are reviewing Hamnet Himnet. It also was for like uh

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Speaker 1: awards and stuff like that, and we're right now we're

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Speaker 1: doing like a little little mini series of nominated films

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Speaker 1: and things. But I am not here alone reviewing this

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Speaker 1: with along with me is to my right can be Inge.

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Speaker 1: In front of him, we got Spike and next to

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Speaker 1: him we got Mike c Town.

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Speaker 2: Yo.

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Speaker 1: That's good, y'all. Y'all good? Mm hmmm, all right, cool man.

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Speaker 1: So we're gonna get into this, man, we ain't gonna

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Speaker 1: waste too much time. I know we're trying to get

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Speaker 1: get through this, you know, super Bowl, but this is

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Speaker 1: hamnet Man, a twenty twenty five historical strategy film directed

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Speaker 1: by Chloe zau As also co wrote, who also co

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Speaker 1: wrote the screenplay with Maggie O'Farrell, Based on the twenty

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Speaker 1: twenty novel by O'Farrell. The film dramatizes the family life

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Speaker 1: of William Shakespeare and his wife Agnes Half the Way,

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Speaker 1: which I thought was interesting because we just reviewed. I'm

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Speaker 1: not sure which one is gonna come out first. Where

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Speaker 1: We just reviewed Sentimental Value, and the girl's name in

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Speaker 1: that movie was at one of the girls names in

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Speaker 1: there was Agnes, and they also referenced to Hamlet in

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Speaker 1: that movie. I don't know if y'all realize that. So

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Speaker 1: I thought that was like kind of interesting that we

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Speaker 1: were doing doing two movies that kind of kind of

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Speaker 1: relate to tragedy, so and I wanted one if that

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Speaker 1: was intentional in that movie. But but yeah, basically they're

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Speaker 1: coping with the death of their eleven year old son, Hamnet,

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Speaker 1: which stars Jesse Buckley, Paul mescal And as Agnes, and

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Speaker 1: William along alongside Emily Watson, Joel Allen and Noah Juke

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Speaker 1: in supporting roles. What was I gonna say the film? Well,

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Speaker 1: before I get into that part, how did you guys

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Speaker 1: feel about this film? Like it was this something that

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Speaker 1: was on yall radiar or you know, just because we

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Speaker 1: were gonna review it. We reviewed it and also did

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Speaker 1: you like it?

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Speaker 2: Spike God, No, this was worse than the reality. I

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Speaker 2: just couldn't this was this was even in English. This

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Speaker 2: was like I didn't get it. I didn't understand the hype.

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Speaker 2: But I felt like that even when I've seen this preview.

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Speaker 2: When I went to go see something else, and even

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Speaker 2: a preview, I was like, this movie looked all pretentious

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Speaker 2: and it just the preview irritated me. But then when

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Speaker 2: we got in the world and I started looking at

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Speaker 2: it like it's it was one scene in here, I.

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Speaker 1: Like, okay, all right, we'll get into that, ken, how

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Speaker 1: did you like it?

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Speaker 3: It received eight OSCAR nominations, a Best Picture, Best Director,

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Speaker 3: Best Actress, Adaptive Screenplay, costume design, production, nown score, and casting,

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Speaker 3: and some other joints. I did enjoy though, I actually

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Speaker 3: did enjoy it. It was oh I was like, damn,

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Speaker 3: actually like that? What did you like about this?

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Speaker 1: Did you? What did you like about this? Mike Spike

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Speaker 1: wrapped my mind just now asking came what the this

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Speaker 1: was awful? I wanted to slit my throat and my

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Speaker 1: wrists at the same time. I fucking hated this. Man.

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Speaker 1: I don't fucking like Shakespeare. I don't like this fucking

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Speaker 1: third world time. I don't not third world. Sorry, I

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Speaker 1: don't like this time period. This was fucking a chore.

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Speaker 1: I was gonna yet, oh man, Yeah, y'all can stay

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Speaker 1: on that couch with this bullshit. Oh man, I can't you.

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Speaker 1: I'm not. I'm not the biggest fan of of uh

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Speaker 1: English literature or whatever, like like, I'm not a big fan.

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Speaker 1: It's weird. I have a weird relationship with Shakespeare because

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Speaker 1: I can respect the stories. I just hate all the

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Speaker 1: the way they speak, how it's written. That's the part English. Yeah,

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Speaker 1: that part kind of gets me sometime. But when people

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Speaker 1: starting to monernize it a little bit, I could it's

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Speaker 1: more palable at that point, like like oh, I like

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Speaker 1: oh like but but yeah, so that's what I appreciated

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Speaker 1: about this. It's like the times where they did do that,

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Speaker 1: they were reenacting things. It wasn't like part of the

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Speaker 1: actual dialogue. Oh you feel that way, yeah, am my

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Speaker 1: trip reenacting? They were they were talking all stupid the

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Speaker 1: whole movie. Do you think that I've seen it worse? Well, sure,

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Speaker 1: but that doesn't mean it's not here. So I guess

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Speaker 1: this was enough for me. This This was more palatable

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Speaker 1: for me because I've seen it to where they I mean,

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Speaker 1: it's like, it wasn't this down fun that woman, Yeah,

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Speaker 1: it wasn't like that.

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Speaker 3: It was it wasn't it wasn't it wasn't heavy handed.

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Speaker 1: I wasn't heavy. Hen it wasn't heavy handed. Oh man,

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Speaker 1: the hand was heavy enough. Oh my god, I was

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Speaker 1: cussing the funk out of jailing on this one description.

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Speaker 1: He was upset. He got.

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Speaker 4: So as I walked around the corner. Why the fun

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Speaker 4: we're doing him decisions? I missed this hold on. I

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Speaker 4: was like, I thought we was gonna skip it. I

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Speaker 4: thought we talked about skipping on later.

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Speaker 1: But anyway, I'm glad we did watch it because I

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Speaker 1: enjoyed it. I enjoyed it too. I enjoyed it too,

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Speaker 1: you know.

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Speaker 2: Like, oh man, what flabbergast did y'all liked this?

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Speaker 1: Me too? Oh? Well, well, I think it was beautifully shot.

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Speaker 1: Can we agree that sentimental value was solid? But this ship,

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Speaker 1: y'all like it? I'm blowing the funk away. Damn. This

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Speaker 1: was so much worse than I appreciate sentimentalbod much more now.

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Speaker 2: I thought we would all be in agreeance and this.

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Speaker 1: Oh no, no, no no. I thought we was going

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Speaker 1: into it, especially if they all liked talking. Well, yeah,

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Speaker 1: I didn't think I was gonna like this, but I did.

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Speaker 1: I end up liking it. I ended up enjoying it.

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Speaker 1: I was like, oh, I like this anyway. Damn all right,

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Speaker 1: So we start off like with the prologue, was a

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Speaker 1: Hamlet and Hamlet were considered the same name. I didn't

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Speaker 1: know they are even being cared to know that or whatever,

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Speaker 1: but it made sense in the movie. Whatever. Right, So

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Speaker 1: we started off with with the man. He's known just

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Speaker 1: the husband. He works as a tutor to help pay

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Speaker 1: his family's debt. And then we also are introduced to Agnes.

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Speaker 1: So we see her in a beautiful shot coming from

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Speaker 1: above and she's like just in the wood, in the

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Speaker 1: forest or the woods or whatever, and then she summons,

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Speaker 1: not summons, but like calls on a hawk or whatever.

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Speaker 1: How did y'all fell about the opening of this movie?

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Speaker 1: I was done immediately, damn Why because she's out here

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Speaker 1: fucking talking to birds. She's a witch, She's a forest witch.

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Speaker 1: She didn't do nothing cool. She's gonna be a witch.

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Speaker 1: Do something cool, at least the chicken. The witch flew

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Speaker 1: talking this ship. She over here, fucking come to me

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Speaker 1: bird and the bird just landing on her. What the fun?

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Speaker 1: But she can see things too, She can see into

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Speaker 1: the future, and she didn't see her little punk ass

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Speaker 1: kid died. Stupid ass. She didn't watching him. Apparently you

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Speaker 1: ain't parents. That's what Eminem said. I thought that was forecast.

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Speaker 1: I thought she did. So she read that forecast. Real shit.

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Speaker 1: She got the same odds as those motherfuckers that were

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Speaker 1: reading the weather for Atlanta. But her her premonition was right.

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Speaker 1: But she was confused about the premenation. She was like,

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Speaker 1: wait a minute, now there were two of them, but

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Speaker 1: I just had three something made right, Yes, stupid, one

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Speaker 1: of them was gonna die. It was.

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Speaker 3: It was early technology. Wasn't to say, you know, the

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Speaker 3: reception was a little they had to plays How did

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Speaker 3: you feel about the opening the same way? Just immediately

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Speaker 3: turned off?

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Speaker 2: Had nothing immediately turned off? I wouldn't. I wasn't curious

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Speaker 2: as to how she was calling the bird and none

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Speaker 2: of it. And I was like, what what is fucking

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Speaker 2: beast master out here?

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Speaker 1: Bro? Damn bro animals. When I thought about the opening, uh,

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Speaker 1: it was it was. It was cool. It was cool.

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Speaker 3: I think they kind of, you know, it was kind

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Speaker 3: of foreshadowing, like the whole sort of haunting horror elements

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Speaker 3: that you know that kind of played around throughout the

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Speaker 3: rest of the movie.

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Speaker 1: You know, and uh, well, I don't know, we we

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Speaker 1: haven't gotten to him yet, but I will say that yeah, yeah, yeah,

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Speaker 1: well we we kind of got into him because he

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Speaker 1: sees her do this or whatever, and then that he's

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Speaker 1: intrigued and he stops what he's doing. Like I said,

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Speaker 1: he's a tutor. He stops what he's doing and he

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Speaker 1: goes on and you know, introduces himself and they pretty

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Speaker 1: much immediately hit it off.

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Speaker 3: That was the thing that got me. I was like, God,

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Speaker 3: damn Christ Like, I was like, okay.

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Speaker 1: Looking at him, like he's crazy. You see a chick

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Speaker 1: talking to a burden. She's like, I got to hit that.

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Speaker 1: The immediate is wrong with you.

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Speaker 3: He said he was bewitched by her.

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Speaker 1: Here. Yeah, but yeah, they share a moment and she

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Speaker 1: gives she basically gives him a premonition and early on

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Speaker 1: just saying like, uh not things that I guess you

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Speaker 1: see with him, and she also and I don't think

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Speaker 1: that happened yet. So but yeah, so williams uh damn,

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Speaker 1: he's not revealed. I don't think he's revealed this William yet.

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Speaker 1: He's revealed this William just's not William Shakespeare.

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Speaker 2: Yeah.

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Speaker 1: Yeah, so he is revealed as William. You had to

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Speaker 1: be a I'm sorry you got well. I was saying,

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Speaker 1: you have to be a real dumb motherfucker. Rod didn't.

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Speaker 1: When they said it later, I was like, oh, ship,

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Speaker 1: come on, Broad I know, I know, I know how

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Speaker 1: many Williams could there be in this world? I feel you,

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Speaker 1: but I wasn't thinking about it. I take it back.

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Speaker 1: You're not dumb, but it's just you know it's fun. No,

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Speaker 1: it's not fun. It's fun because I didn't. Did you

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Speaker 1: think about it? Like I'm dumbing alone? That is a question.

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Speaker 1: How did you know he was not to be?

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Speaker 2: Who did you think it was?

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Speaker 1: The will didn't even think about this, that this was

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Speaker 1: the story of I didn't think he was in the

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Speaker 1: story William Shakespeare. You didn't know. You didn't know Hamlet

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Speaker 1: it was this No, No, I didn't know him. It

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Speaker 1: was a son, So yeah, I didn't know that. I

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Speaker 1: didn't have that context. Is that is that part of

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Speaker 1: the Hamlet story? I thought Hamlet was Hamlet was about

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Speaker 1: the king. Yeah, but it's pretty much known that he

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Speaker 1: was writing about his kids. I didn't. Again, I told you,

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Speaker 1: I didn't. I didn't really care for English literature like that.

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Speaker 1: I it's like one of my worst subjects. But really

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Speaker 1: for you English, well know, this type of English regular

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Speaker 1: literature I could kill. But this type of ship I

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Speaker 1: hated and I hated it, especially like when they wanted

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Speaker 1: us to like emulate that write and explain what he's

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Speaker 1: talking about. My fucking are you serious? I hated it.

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Speaker 1: I hated it. But anyway, so William's mother Mary, and

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Speaker 1: for some of the rumors about acting, is it that

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Speaker 1: daughter of the forest witch who taught her or herbal

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Speaker 1: lore which uses later to heal this cut on his forehead.

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Speaker 1: So I know you mentioned about her being a witch

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Speaker 1: anything any of this part and trigued you guys that

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Speaker 1: you know about her being a witch anything.

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Speaker 2: I was wondering what she was doing when she was

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Speaker 2: mixing up a little potion forest pharmacist or something like

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Speaker 2: making crack. But I did wonder what she was doing

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Speaker 2: when she took the fly with it.

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Speaker 1: Honey, she put it there.

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Speaker 2: I don't know what the shit was.

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Speaker 1: Yeah, I don't know. It's just some horror shit. Yeah,

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Speaker 1: snake es, you know all of that. So it did

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Speaker 1: just stand out to anybody else. I was excited for

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Speaker 1: her for about ten minutes because I was like, oh,

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Speaker 1: maybe this is a horror movie. Okay, you everything, it's

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Speaker 1: a horror movie. I was hoping. I was like, Okay,

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Speaker 1: I didn't know she was. It was about witches, so

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Speaker 1: I was like, Okay, she's a witch and she's making

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Speaker 1: some kind of potion and she put it on his forehead.

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Speaker 1: Maybe he'll grow horn out of it and this will

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Speaker 1: get cool.

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Speaker 3: But no, I was like, Mike, I did think horror too.

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Speaker 3: I was like, oh, they putting a horror spin on it.

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Speaker 3: I was like, okay, I like this. And it was dark,

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Speaker 3: you know, like what happened, and there were these premonitions

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Speaker 3: and stuff, which is one of the things that.

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Speaker 1: I liked about it.

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Speaker 3: But I mean, I knew she wasn't a witch, but

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Speaker 3: you know, back in the old times, bruh, Like all

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Speaker 3: you need is the accusation.

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Speaker 1: But she was a witch, wasn't she. I mean not

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Speaker 1: in the like I don't think you hast spells on people.

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Speaker 1: She was a witch? How many inublical cords did you

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Speaker 1: see this movie? That's just that's just nah.

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Speaker 2: The babies didn't have blood on them, right.

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Speaker 1: She's a witch. That's just direction. Bro. No, they had

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Speaker 1: to do that unintentionally because none of the kids had

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Speaker 1: in bilical cords. I feel you, But this was a

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Speaker 1: low budget film. I'd be with you, but for something

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Speaker 1: like this, this wasn't at budget, no budget go there,

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Speaker 1: because I didn't dad that series like where.

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Speaker 2: Always I didn't.

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Speaker 1: I'm just saying I don't think this is just like

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Speaker 1: a movie that didn't have any kind of budget to

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Speaker 1: put in a biblical cord. This seemed like an indie

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Speaker 1: film to me, but it was. But and the guy, Yeah,

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Speaker 1: thirty five mil. That's enough for in the bilical cord. Yeah,

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Speaker 1: but you know people do that though in movies and

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Speaker 1: shows they won't have it. Yeah, and shitty movies and shows,

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Speaker 1: but like good movies, they haven't bilical cords. Like even

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Speaker 1: Saidie Sweeney had the biblical cord. Yeah, I get you.

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Speaker 1: But why she having the baby in the woods? Then

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Speaker 1: if if she wasn't some kind of witch, I feel you,

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Speaker 1: I feel you. I don't know. I just didn't see

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Speaker 1: any any witch ship other than the fact that she

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Speaker 1: can see.

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Speaker 3: Yeah, these these sort of premonitions that may or may

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Speaker 3: not come true, and I think some of them did.

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Speaker 1: But I think her having a baby in.

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Speaker 3: The woods, I think they were trying to play on

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Speaker 3: the on the accusations of her being a witch.

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Speaker 2: Exactly.

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Speaker 1: I thought I knew the answer, but exactly. Weird.

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Speaker 3: I'm trying to remember why would she go because I'm

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Speaker 3: trying to think that she was trying to hide the

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Speaker 3: baby because that baby was still born, right, the one

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Speaker 3: that Judith was was Hamnet was wait, it wasn't Hamon

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Speaker 3: or the girl, but but but he ended up coming

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Speaker 3: he ended up coming back to like.

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Speaker 1: Yeah, but that was that was Judith. Judith was still born.

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Speaker 3: But the first baby she had in the woods, she

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Speaker 3: didn't have that child. I think that one was she

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Speaker 3: was pregnant.

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Speaker 1: She was pregnant. So she had three total kids? Yeah, yeah, three, Yes,

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Speaker 1: the baby one of them died. Where did you call twin?

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Speaker 1: The two twins handing in and judiful twins?

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Speaker 2: They kind of split the screens though. It woods hard

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Speaker 2: to track because I asked the same thing.

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Speaker 1: It was not one of them was old and then

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Speaker 1: she had one and the lady was like, oh, you're

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Speaker 1: still in label.

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Speaker 3: No, no, those are the twins, right, So she had

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Speaker 3: one before, right, That's what I'm saying.

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Speaker 1: In the woods, one of the woods was still alive

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Speaker 1: and walking around. Okay, that was the oldest kid. Yeah, okay,

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Speaker 1: the one that fucking hamd that killed himself for like

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Speaker 1: a dumb ass, stupid little ship. It was I hate

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Speaker 1: that little punk ass boys. What you wanting. You're gonna

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Speaker 1: come over here and save you, get your stupid ass

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Speaker 1: out of here. But we ain't got there yet anyway

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Speaker 1: I'm doing. Do I be that bad? Yes? I'm sorry?

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Speaker 1: Sorry ship anyway, So moving on and moving on. I

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Speaker 1: had another question when I forgot we were sucking around.

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Speaker 1: I said that, so, yeah, Agnes spends a lot of

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Speaker 1: time in the forest. We were just talking about what

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Speaker 1: there's a mysterious k which I kind of comes back

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Speaker 1: around later. William visits Agnes again in the forest, where

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Speaker 1: she asks for a story. He recounts the legend of

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Speaker 1: Orpheus Euris. I thought this was really you didn't like

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Speaker 1: this part? Oh man? They was basically even just telling

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Speaker 1: the same story we're already watching. I know, but but

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Speaker 1: it was just it was just it was just nicely

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Speaker 1: not the way he delivered it was was I don't know,

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Speaker 1: yeah he was.

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Speaker 3: He was like, you want a motherfucking store, I got it.

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Speaker 1: In tregue like I like that, which comes back around

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Speaker 1: later like like he was really good at storytelling, especially

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Speaker 1: now that well I didn't know he was William Shakespeare.

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Speaker 1: But I'm like, oh no, wonder this motherfucker that ship.

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Speaker 5: But that's why that story Shakespeare.

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Speaker 1: But that's why. That's what I was thinking watching it.

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Speaker 2: I'm like, of course he tells the stories.

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Speaker 1: It's William Shakespeare.

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Speaker 3: Man, you are you're not telling me you weren't all

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Speaker 3: up in that story. You were like, pen is what

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Speaker 3: I just know.

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Speaker 1: She looked bad. Damn she there for eternity. But it's Shakespeare,

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Speaker 1: That's what I'm saying.

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Speaker 2: Like I expected that. I was like, okay, really holding

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Speaker 2: in on the fact that he's a really good story too.

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Speaker 1: I'm bucking y'all thought this was a good story. You

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Speaker 1: sul already know this story. I know the story, but

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Speaker 1: he told it. Well, it's just the way the Bible,

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Speaker 1: it's just the delivery of it, bro the same damn story.

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Speaker 1: We know the story. But I was also looking at

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Speaker 1: it from her perspective. She heard. She was like, She's like, okay,

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Speaker 1: all right, out man, this is good. I was checked

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Speaker 1: out the second I here, complaining she had that burling

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Speaker 1: on her arm. I told you that, oh man, this

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Speaker 1: was a good scene. Man, I really like this, and

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Speaker 1: it hit harder, like because I really did not know

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Speaker 1: he was Shakespeare. I didn't, uh, but no, I really

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Speaker 1: liked this scene. So you liked the scene. Yeah, yeah,

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Speaker 1: I thought because because because I knew the story. Yeah.

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Speaker 3: Yeah, So I was like when he started, I was like,

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Speaker 3: all right, well, because I honestly I was like, well,

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Speaker 3: she had to hear the story too. Yeah, you know,

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Speaker 3: I think I was like, you done hurt this ship. So,

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Speaker 3: you know, I thought she was just called.

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Speaker 1: Up in the ways.

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Speaker 3: It's almost like like remake, right, he was like, hey, man,

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Speaker 3: some such and such that song, but damn the way

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Speaker 3: you say.

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Speaker 1: This, all that one held that ship. That's how I was, man,

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Speaker 1: I'm telling you, Mike. And she was caught up. She

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Speaker 1: would the rest because she's lame too. She would in

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Speaker 1: the rest of the movie. Yeah, she was so yeah,

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Speaker 1: oh yeah, yeah, they abruptly had Now yeah, it's sex

350
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Speaker 1: like at some point. But anyway, I'm losing my.

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Speaker 2: Dog and a witch in the fucking on the table.

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Speaker 1: Yeah, in the bar.

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Speaker 3: Yeah, she didn't get Wait a minute, I've never robbed

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Speaker 3: the witch on the second day, No, I never.

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Speaker 1: She was a witch.

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Speaker 2: Right, you found out afterwards, I'm in trouble now, you

357
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Speaker 2: don't know that witches that little.

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Speaker 1: Saying let's come on yup. Oh my god. Anyway, Agnes

359
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Speaker 1: predicts William's future by holding his hand at his thumbs

360
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Speaker 1: or whatever for telling the successful future for him and

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Speaker 1: two children at her bedside, and that's where they you know,

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Speaker 1: they consummate their relationship and pregnating Agnes, leading her UH

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Speaker 1: family to just own her and forcing her to move

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Speaker 1: into move in with William Uh to marry. Agnes gives

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Speaker 1: birth to Susannah in the woods. So we already kind

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Speaker 1: of talked about most of this stuff. Any of this

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Speaker 1: stood out to y'all, like her having the preminisions for him,

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Speaker 1: you know, her having to move in. How did y'all

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Speaker 1: feel about this at this point?

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Speaker 3: Well, that's definitely some old school ship you get. You

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Speaker 3: get a girl prednant and ship like that, then all

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Speaker 3: of a sudden that's your wife, you know. But I

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Speaker 3: ain't gonna lie Spike. She ran some good game on him, though. Yeah,

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Speaker 3: when she told us that we're gonna have two kids,

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Speaker 3: she ran the whole game on it. He bought that ship,

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Speaker 3: hook line and sinker.

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Speaker 2: He did didn't she have She had a baby in

378
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Speaker 2: the woods, right, that was her? Yeah, yes, and then

379
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Speaker 2: she had two babies.

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Speaker 1: Yeah, that was inside. I hadn't gotten there yet though.

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Speaker 2: And then she had the one baby. So why are

382
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Speaker 2: you like she said it was a baby that already

383
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Speaker 2: she had one kid. She was out there with the hawks.

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Speaker 2: She had a kid.

385
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Speaker 1: No, No, that was just she didn't have no kids.

386
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Speaker 1: That was just the bird. It was a bird. And

387
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Speaker 1: she was there. She was there with with the family.

388
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Speaker 1: That was That was just okay. So I thought one

389
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Speaker 1: of them that was not her kids. That's my mom

390
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Speaker 1: at least. I don't think it was out in the streets.

391
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Speaker 1: She might have been. It wasn't anybody else, any of

392
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Speaker 1: these nothing. No, yeah, I guess y'all kind of already

393
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Speaker 1: allude to how y'all felt about the birth. Did you

394
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Speaker 1: have anything? Can positive? More positive? Said?

395
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Speaker 3: But no, Yeah, like I said, I like that she

396
00:21:21,720 --> 00:21:24,120
Speaker 3: kind of, you know, foreshadow what was going to happen. Again,

397
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Speaker 3: I think there's this idea that she's a witch. She's

398
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Speaker 3: having this premonition, she's doing all this funky ship. She

399
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Speaker 3: definitely got him bewitched and caught up because the first

400
00:21:32,640 --> 00:21:36,199
Speaker 3: first time he laid eyes on her, he was hooked,

401
00:21:36,720 --> 00:21:39,080
Speaker 3: you know, and uh and she put the move on him.

402
00:21:39,160 --> 00:21:42,240
Speaker 3: And you know, because that wasn't his baby, wasn't the

403
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Speaker 3: first baby, his baby.

404
00:21:44,280 --> 00:21:47,080
Speaker 1: That's all of them were his baby. What wrong with y'all?

405
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Speaker 1: That's when he was having on the table. That's that's

406
00:21:50,800 --> 00:21:54,320
Speaker 1: that's what's what Susannah. Oh, yeah, yeah, damn yeah, that's

407
00:21:54,359 --> 00:21:57,560
Speaker 1: that's up. That's what Susanna. Susannah bro I thought that

408
00:21:57,680 --> 00:22:00,359
Speaker 1: was some baby. I thought that. Yeah, what I was

409
00:22:00,400 --> 00:22:03,600
Speaker 1: thinking because because they had the little the cave thing

410
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Speaker 1: where it was like it shuts to a scene with

411
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Speaker 1: it was like that.

412
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Speaker 3: So yeah, so this whole time you're having like this

413
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Speaker 3: because the way the whole movie was shot, it had

414
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Speaker 3: this dark kind of element, you know, visual to it.

415
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Speaker 1: So and then you have this dark cave. So I'm

416
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Speaker 1: sitting I'm like, man, some crazy ship about to happen.

417
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Speaker 3: It didn't really, but I love the haunting like part

418
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Speaker 3: of it, or her being accused of being a witch

419
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Speaker 3: and them kind of playing into it with the movie.

420
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Speaker 1: Yeah, for some reason, I never thought that that was

421
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Speaker 1: gonna come around. It's her being an actual witch. I

422
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Speaker 1: just I just didn't see that for this movie. I

423
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Speaker 1: don't know what it was, but yeah, I'm tripping the

424
00:22:40,160 --> 00:22:41,520
Speaker 1: y'all don't think she was an actual witch. How do

425
00:22:41,520 --> 00:22:43,880
Speaker 1: you think she sees the future? Well, that's what I'm saying.

426
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Speaker 1: She a witch in a way of like wicked witch,

427
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Speaker 1: like you know, like like spells, like a single way.

428
00:22:58,840 --> 00:22:59,440
Speaker 1: She's a witch.

429
00:23:00,200 --> 00:23:03,880
Speaker 6: I didn't see a cauldron. She was mixing up children.

430
00:23:04,600 --> 00:23:08,399
Speaker 6: They had a little, small, little cauldron. But she was

431
00:23:08,440 --> 00:23:10,639
Speaker 6: making she was healing like ointments and ship.

432
00:23:10,800 --> 00:23:15,679
Speaker 2: We just do that. She's a witch doctor.

433
00:23:16,320 --> 00:23:18,960
Speaker 1: Yeah, she was a witch doctor, like like in fucking

434
00:23:19,200 --> 00:23:26,200
Speaker 1: fucking New Orders and ship. She will witch in the

435
00:23:26,280 --> 00:23:30,160
Speaker 1: sense of like the chicken sinners, she will she'll witch

436
00:23:30,200 --> 00:23:39,760
Speaker 1: in that sense. She a little empty and she was God,

437
00:23:40,000 --> 00:23:46,000
Speaker 1: she's making a herbal tea because it healed up real quick.

438
00:23:46,560 --> 00:23:51,480
Speaker 1: Put that ship on it, that eye of newt Oh

439
00:23:51,640 --> 00:23:55,040
Speaker 1: my god. Anyway, man, So now she's living there and

440
00:23:55,080 --> 00:23:57,960
Speaker 1: everything she noticed. William has frustration with writing, so she

441
00:23:58,040 --> 00:24:00,960
Speaker 1: suggests that her brother bark Bar through the mal.

442
00:24:03,119 --> 00:24:23,720
Speaker 7: Through That's Walking book.

443
00:24:17,800 --> 00:24:22,679
Speaker 1: By thollow Me by Tholow. Yes, oh my god, and

444
00:24:22,800 --> 00:24:25,720
Speaker 1: I had it to I had That's what happened all

445
00:24:25,760 --> 00:24:32,119
Speaker 1: the time, like I know this word, I know thom

446
00:24:32,680 --> 00:24:34,640
Speaker 1: to put it in the words spot yeah, and then

447
00:24:34,680 --> 00:24:43,120
Speaker 1: you get out. Oh man, you just forget your fundamentals.

448
00:24:43,960 --> 00:24:47,240
Speaker 1: You do use your syllables. God damn, Oh my god,

449
00:24:47,320 --> 00:24:53,640
Speaker 1: God damn. Anyway about to do it again? Stolen I'm

450
00:24:53,640 --> 00:25:00,119
Speaker 1: not even to say. And then you bark bark all

451
00:25:01,240 --> 00:25:04,920
Speaker 1: all right, man, look, send him to London. I don't

452
00:25:04,920 --> 00:25:07,560
Speaker 1: even think this is gonna be like a funny fucking

453
00:25:07,640 --> 00:25:10,119
Speaker 1: room in the hell going up. Send him to London

454
00:25:10,160 --> 00:25:13,920
Speaker 1: for for theatrical career. Oh my god. At this point,

455
00:25:13,920 --> 00:25:16,480
Speaker 1: I'm still not realizing that this is fucking Will Shakespeare

456
00:25:16,800 --> 00:25:21,920
Speaker 1: leaving her and Susannah and Stratford. How did y'all feel

457
00:25:21,920 --> 00:25:24,320
Speaker 1: about this, like her like sending them off? Did y'all

458
00:25:24,320 --> 00:25:26,240
Speaker 1: think it was anything up with this? Y'all think he

459
00:25:26,359 --> 00:25:28,240
Speaker 1: was like doing something while because it kind of for

460
00:25:28,320 --> 00:25:31,720
Speaker 1: me alluded to maybe he was had a life outside

461
00:25:31,760 --> 00:25:33,880
Speaker 1: of her or something like that. Did anybody have that thought?

462
00:25:34,080 --> 00:25:36,679
Speaker 2: I just took it as he was passionate, like he

463
00:25:36,760 --> 00:25:38,479
Speaker 2: was passionate about what he did. He didn't do it,

464
00:25:38,480 --> 00:25:40,280
Speaker 2: and he does he doesn't do a good job of

465
00:25:40,280 --> 00:25:43,720
Speaker 2: communicating the passion that he has for it, Like she

466
00:25:43,800 --> 00:25:45,760
Speaker 2: looking like you gotta go out away to London to write.

467
00:25:47,320 --> 00:25:51,280
Speaker 1: So yeah, yeah, oh she didn't send him off to London.

468
00:25:51,359 --> 00:25:55,919
Speaker 1: She did. She said she wanted to go to to go.

469
00:25:56,160 --> 00:25:58,000
Speaker 1: That was part of the premonition. She was saying like, no,

470
00:25:58,200 --> 00:26:00,239
Speaker 1: this is your calling basically, this is what you need

471
00:26:00,280 --> 00:26:02,119
Speaker 1: to be doing. But I thought he brought up that

472
00:26:02,200 --> 00:26:04,480
Speaker 1: he wanted to go there. No, this is later. Later

473
00:26:04,520 --> 00:26:06,760
Speaker 1: he was like I need Later, he was like, I

474
00:26:06,840 --> 00:26:10,159
Speaker 1: need to go, whereas before she was pushing him to go.

475
00:26:10,359 --> 00:26:12,320
Speaker 1: You know, a good woman to do that. Man, they

476
00:26:12,320 --> 00:26:13,720
Speaker 1: ain't gonna be the best version.

477
00:26:14,040 --> 00:26:15,639
Speaker 3: What you gotta do, baby, go do it because I

478
00:26:15,720 --> 00:26:16,760
Speaker 3: know I've seen the greatness.

479
00:26:16,920 --> 00:26:19,040
Speaker 1: Yeah, exactly. You know I don't touch your hand, so

480
00:26:19,119 --> 00:26:24,840
Speaker 1: I got Yeah. So that's all y'all got on that part.

481
00:26:25,200 --> 00:26:28,160
Speaker 2: Yeah, Okay, she probably regretted later, but go ahead.

482
00:26:27,920 --> 00:26:32,120
Speaker 1: No not Yeah, we do see that. Later she's pregnant

483
00:26:32,760 --> 00:26:34,639
Speaker 1: and tries to go outside and give birth. This is

484
00:26:34,640 --> 00:26:38,359
Speaker 1: what you were talking about earlier outside the house because

485
00:26:38,680 --> 00:26:41,320
Speaker 1: it was part of something like her mom's mom always.

486
00:26:41,840 --> 00:26:43,960
Speaker 2: I guess that's what she was bent over trying to

487
00:26:43,960 --> 00:26:44,199
Speaker 2: get it.

488
00:26:44,920 --> 00:26:47,520
Speaker 1: Yeah, which I thought was weird because you don't give

489
00:26:47,560 --> 00:26:49,760
Speaker 1: birth like that. But anyway, people.

490
00:26:49,480 --> 00:26:53,359
Speaker 2: That really okay, they done it Game of Thrones if

491
00:26:53,359 --> 00:26:54,360
Speaker 2: I'm mistake.

492
00:26:54,600 --> 00:26:57,320
Speaker 1: Oh yeah they did. They did know something I just

493
00:26:57,359 --> 00:27:01,320
Speaker 1: recently wanted to do. Oh and walking down what she

494
00:27:01,400 --> 00:27:03,920
Speaker 1: tried to before. You know're not supposed I can't remember

495
00:27:03,960 --> 00:27:06,520
Speaker 1: exactly why, but you're not supposed to. This is where

496
00:27:06,520 --> 00:27:10,480
Speaker 1: she gets get to the twins, Hamnet and Judith, the

497
00:27:10,600 --> 00:27:13,760
Speaker 1: latter appearing still born, which is Judith. Judith was the

498
00:27:13,760 --> 00:27:17,800
Speaker 1: one that was still born. Remembering her mother's death. Actus

499
00:27:17,800 --> 00:27:21,479
Speaker 1: demands to hold the baby despite superstition, and Judith away.

500
00:27:21,720 --> 00:27:26,480
Speaker 2: So that's what the witch. It was obvious both of

501
00:27:26,560 --> 00:27:29,560
Speaker 2: us just hit me right then when I because she

502
00:27:29,840 --> 00:27:31,080
Speaker 2: wanted to hold us so she could bring the.

503
00:27:31,080 --> 00:27:32,919
Speaker 1: Back to life. She said give me my baby because the.

504
00:27:32,960 --> 00:27:34,880
Speaker 2: Lady wanted to do it, and she knew she could

505
00:27:34,880 --> 00:27:36,800
Speaker 2: break go back to life. So that's I see what

506
00:27:36,800 --> 00:27:37,200
Speaker 2: you're saying.

507
00:27:37,359 --> 00:27:39,640
Speaker 1: Yeah, y'all thought she brought the baby back the life.

508
00:27:39,680 --> 00:27:43,280
Speaker 1: You didn't what happened to it was dead.

509
00:27:45,000 --> 00:27:47,480
Speaker 3: I've just seen this in movies where you know, like

510
00:27:47,520 --> 00:27:49,639
Speaker 3: giving the baby and then yeah, the mother's touch and

511
00:27:49,680 --> 00:27:51,359
Speaker 3: then the baby just come back to life.

512
00:27:51,119 --> 00:27:53,040
Speaker 1: Anytime there's a mother's touch, and that motherfuck comes back

513
00:27:53,040 --> 00:27:57,760
Speaker 1: to life. There a witch. So that's why I took it.

514
00:27:57,800 --> 00:28:00,399
Speaker 3: I mean, they were gonna be twins, so I just like,

515
00:28:00,480 --> 00:28:01,760
Speaker 3: and again, it's just a movie.

516
00:28:01,760 --> 00:28:02,080
Speaker 1: I said.

517
00:28:02,080 --> 00:28:04,479
Speaker 3: They were just trying to build suspense, intension of drama.

518
00:28:04,960 --> 00:28:08,040
Speaker 3: So that's how I took it, you know. But she

519
00:28:08,640 --> 00:28:09,960
Speaker 3: maybe she would because that when.

520
00:28:11,960 --> 00:28:14,600
Speaker 1: Yeah, turned the ass around real quick, like here you go.

521
00:28:16,080 --> 00:28:18,840
Speaker 1: And y'a didn't think the belching like agony was was

522
00:28:18,880 --> 00:28:22,159
Speaker 1: good and the belching like she was just like like

523
00:28:22,200 --> 00:28:25,320
Speaker 1: when she realized that she thought the baby was dead. Oh,

524
00:28:25,400 --> 00:28:28,240
Speaker 1: the acting was throughout the film. I thought the movie

525
00:28:28,320 --> 00:28:29,280
Speaker 1: was whack. Yeah.

526
00:28:30,200 --> 00:28:32,040
Speaker 2: Yeah, I didn't follow the story. Well, that's what I

527
00:28:32,080 --> 00:28:32,680
Speaker 2: didn't like about.

528
00:28:32,680 --> 00:28:36,560
Speaker 3: The acting was fine, the superstition aspect, because again you're

529
00:28:36,600 --> 00:28:38,040
Speaker 3: playing into the whole witch elements.

530
00:28:38,120 --> 00:28:42,000
Speaker 2: Yeah, that's the guy that plays Shakespeare did amazing. Oh God,

531
00:28:42,440 --> 00:28:43,120
Speaker 2: did a great job.

532
00:28:43,200 --> 00:28:45,240
Speaker 1: Yeah, and that and that's that's what That's what I

533
00:28:45,240 --> 00:28:47,560
Speaker 1: was gonna say earlier. That's the guy from Gladiator, right,

534
00:28:50,280 --> 00:28:53,920
Speaker 1: I think that's the Yeah, I think that's something I

535
00:28:53,960 --> 00:28:55,480
Speaker 1: could be wrong. I could be giving my wife and

536
00:28:55,520 --> 00:28:59,080
Speaker 1: this stuff, but he looks like it's all good. So

537
00:28:59,120 --> 00:29:00,640
Speaker 1: then they do like a pretty it's like a jump

538
00:29:01,360 --> 00:29:04,280
Speaker 1: jump here where it's eleven years later. And that's that's

539
00:29:04,280 --> 00:29:06,760
Speaker 1: another thing I liked about this movie. They didn't have

540
00:29:06,880 --> 00:29:10,760
Speaker 1: to show eleven years later or such such later. You

541
00:29:10,800 --> 00:29:14,400
Speaker 1: could they clearly tell that we were jumping to a

542
00:29:14,400 --> 00:29:15,560
Speaker 1: different point, did y'all?

543
00:29:15,880 --> 00:29:17,200
Speaker 2: I didn't know it was eleven years later.

544
00:29:19,800 --> 00:29:22,360
Speaker 1: I thought she was a witch and the goddamn ya

545
00:29:26,160 --> 00:29:28,560
Speaker 1: some help around the house. This motherfucker was gone for

546
00:29:28,600 --> 00:29:33,000
Speaker 1: eleven years. No, no, no time, No, he was for

547
00:29:33,080 --> 00:29:35,520
Speaker 1: eleven They just showed that, you know, he was obviously

548
00:29:35,520 --> 00:29:36,160
Speaker 1: coming back.

549
00:29:36,000 --> 00:29:38,160
Speaker 2: Back and forth for eleven years.

550
00:29:38,360 --> 00:29:42,360
Speaker 1: Yeah. Yeah, Well if they didn't say it, then how

551
00:29:42,400 --> 00:29:45,400
Speaker 1: did you know it was eleven years? Well, that's just

552
00:29:46,320 --> 00:29:48,200
Speaker 1: that's in my notes that it was eleven. It was.

553
00:29:48,240 --> 00:29:51,200
Speaker 1: It was, it was, it was up. It was definitely.

554
00:29:54,080 --> 00:29:55,760
Speaker 1: I don't know if they said I don't know if

555
00:29:55,760 --> 00:29:59,600
Speaker 1: they said it, but they were, you know whatever, But

556
00:29:59,640 --> 00:30:03,800
Speaker 1: you could you just tell they were older, honestly. And

557
00:30:03,600 --> 00:30:07,080
Speaker 1: now William is successful. He returns and while the children

558
00:30:07,440 --> 00:30:09,960
Speaker 1: grow up very close to Agnes, for tells the uh

559
00:30:10,400 --> 00:30:13,320
Speaker 1: that Hamnet who wishes to join his father's theater company

560
00:30:13,680 --> 00:30:17,000
Speaker 1: would flourish. So this is her seeing it again, just

561
00:30:17,040 --> 00:30:21,000
Speaker 1: like those things. Also, what happens in this moment too?

562
00:30:21,040 --> 00:30:24,520
Speaker 1: The hawk dies and is buried. She tells the children

563
00:30:24,520 --> 00:30:26,600
Speaker 1: and children to make a wish to the hawk spirit,

564
00:30:27,200 --> 00:30:30,320
Speaker 1: who she says, will carry them in his in his heart.

565
00:30:30,360 --> 00:30:33,000
Speaker 1: How did y'all feel about any of this? While you

566
00:30:33,080 --> 00:30:37,600
Speaker 1: rolling your eyes like this again, I was, I was

567
00:30:37,800 --> 00:30:39,960
Speaker 1: thinking that, Okay, this is a horror movie, so at

568
00:30:40,000 --> 00:30:43,680
Speaker 1: some point something interesting is gonna happen. Now that it's not,

569
00:30:43,800 --> 00:30:46,479
Speaker 1: I'm just like, I don't care. Who cares, y'all? The

570
00:30:46,480 --> 00:30:49,960
Speaker 1: fucking bird dies? Oh tell the birdy wish? Shut up?

571
00:30:50,760 --> 00:30:51,160
Speaker 2: Shut up?

572
00:30:51,200 --> 00:30:51,880
Speaker 1: This is stupid.

573
00:30:53,120 --> 00:30:55,160
Speaker 3: Yeah, I mean, you know, the way they did the

574
00:30:55,200 --> 00:30:57,640
Speaker 3: old shot of the bird, I think for music it

575
00:30:57,800 --> 00:31:01,520
Speaker 3: did continue along with that thing of the which thing

576
00:31:01,680 --> 00:31:05,960
Speaker 3: overhanging that you know, she may or may not have something,

577
00:31:06,360 --> 00:31:08,360
Speaker 3: But I mean, for the most part, she her premonition

578
00:31:08,480 --> 00:31:11,080
Speaker 3: were right, So you know, I guess maybe there is

579
00:31:11,120 --> 00:31:16,240
Speaker 3: something there. But but yeah, I mean we you know,

580
00:31:16,320 --> 00:31:18,360
Speaker 3: Hamlet did go join It's just not in the way

581
00:31:18,360 --> 00:31:18,720
Speaker 3: you thought.

582
00:31:21,360 --> 00:31:23,520
Speaker 2: He wrote that Burden to the afterlife.

583
00:31:23,960 --> 00:31:29,280
Speaker 1: Anything for you Spike, Okay, I just want to make sure, buddy,

584
00:31:29,760 --> 00:31:32,360
Speaker 1: you would love to have more content from frames per second.

585
00:31:32,640 --> 00:31:34,960
Speaker 1: Become a patron where you can contribute to what we

586
00:31:35,040 --> 00:31:38,200
Speaker 1: review and discuss. Our patreon gives the listeners the power

587
00:31:38,240 --> 00:31:41,320
Speaker 1: to nominate and vote a monthly discussion in film review,

588
00:31:41,640 --> 00:31:44,720
Speaker 1: while also nominating and voting on weekly solo reviews from

589
00:31:44,720 --> 00:31:47,680
Speaker 1: each cast member. You also get the opportunity to vote

590
00:31:47,680 --> 00:31:51,800
Speaker 1: on the publicly released anniversary film, all exclusive to our Patreon.

591
00:31:52,080 --> 00:31:55,840
Speaker 1: So become a patron at patreon dot com frames per second,

592
00:31:56,280 --> 00:31:58,760
Speaker 1: where there are two tiers you can choose from. That's

593
00:31:58,800 --> 00:32:08,200
Speaker 1: Patreon dot com forward slash frames per second. So return

594
00:32:08,280 --> 00:32:11,120
Speaker 1: to London. William Wonder's the streets doing an outbreak of

595
00:32:11,160 --> 00:32:15,160
Speaker 1: the bublonic plague and watches a puppet show depicting the

596
00:32:15,160 --> 00:32:18,680
Speaker 1: plague carrying people off to death. Do you remember this

597
00:32:18,960 --> 00:32:25,040
Speaker 1: or whatever? And so in Stratford, Judy also contracts the play.

598
00:32:25,440 --> 00:32:29,360
Speaker 1: So yeah, and this is where a Hamnet evokes the

599
00:32:29,400 --> 00:32:32,760
Speaker 1: tell her the hawk to encourage her and lies beside her,

600
00:32:32,880 --> 00:32:35,880
Speaker 1: proclaiming he wants to take her place. So I know

601
00:32:35,920 --> 00:32:38,360
Speaker 1: y'all talking about this earlier. Indeed that it was dumb,

602
00:32:38,400 --> 00:32:40,600
Speaker 1: But I thought it was sweet that he wanted to,

603
00:32:40,880 --> 00:32:42,520
Speaker 1: you know, like maybe we can trick him, you know

604
00:32:42,560 --> 00:32:45,520
Speaker 1: what I'm saying, Like and I can, you know he'll

605
00:32:45,560 --> 00:32:48,440
Speaker 1: he'll take me instead. Like oh, though this this is

606
00:32:48,600 --> 00:32:52,160
Speaker 1: very Shakespearean like like stuff right here, Like how did

607
00:32:52,240 --> 00:32:57,200
Speaker 1: y'all like this? It didn't register with me. I did

608
00:32:57,680 --> 00:33:00,520
Speaker 1: when you say trick, trick who death? Death? M hmm.

609
00:33:00,920 --> 00:33:02,200
Speaker 2: So death was gonna.

610
00:33:01,920 --> 00:33:03,720
Speaker 1: Come for her. She didn't want to have the plague.

611
00:33:03,760 --> 00:33:06,880
Speaker 1: He didn't confuse her. You didn't go for him.

612
00:33:07,400 --> 00:33:08,440
Speaker 2: That's what was going.

613
00:33:09,920 --> 00:33:13,240
Speaker 3: Like, he's not getting his jobs like he.

614
00:33:14,920 --> 00:33:18,960
Speaker 1: I've been doing this. It's like death. Death was ready

615
00:33:19,000 --> 00:33:22,240
Speaker 1: to clock out that day. He saw him and was like, okay,

616
00:33:22,600 --> 00:33:25,720
Speaker 1: you here to hey man, we seeing in the final definition.

617
00:33:25,960 --> 00:33:27,680
Speaker 1: You know what I'm saying. Death don't always get it right,

618
00:33:27,800 --> 00:33:34,000
Speaker 1: but always it may take a minute, but he gets

619
00:33:34,000 --> 00:33:39,320
Speaker 1: your as This ship was stupid stupid. I mean, it's

620
00:33:39,360 --> 00:33:41,480
Speaker 1: not stupid that this little kid would do that, because

621
00:33:41,680 --> 00:33:43,440
Speaker 1: little kids are stupid, and it makes sense that little

622
00:33:43,520 --> 00:33:46,880
Speaker 1: kids do stupid ship. I was more so just like

623
00:33:48,000 --> 00:33:51,360
Speaker 1: where the fuck is where you witch? You know the

624
00:33:51,440 --> 00:33:53,800
Speaker 1: daughter has the plague? How do you even get in

625
00:33:53,800 --> 00:33:56,280
Speaker 1: there with her in the carne. How you get in

626
00:33:56,280 --> 00:33:56,800
Speaker 1: it by herself?

627
00:33:57,120 --> 00:34:00,160
Speaker 2: Why do he? It seems like as much as many

628
00:34:00,400 --> 00:34:02,160
Speaker 2: This is why it frustrated me as many people that

629
00:34:02,200 --> 00:34:04,680
Speaker 2: died from the plague. I knew it was a crazy thing.

630
00:34:04,760 --> 00:34:06,400
Speaker 2: She's not like you said, I don't know what they

631
00:34:06,400 --> 00:34:08,480
Speaker 2: got to put in the barn, but that I'm damn

632
00:34:08,520 --> 00:34:10,920
Speaker 2: sure gonna watch my son because he may be naive

633
00:34:11,239 --> 00:34:14,440
Speaker 2: enough to not know how fucking deadly this is or

634
00:34:14,480 --> 00:34:17,920
Speaker 2: how this virus spreads, like, no, you not going anywhere

635
00:34:17,960 --> 00:34:20,320
Speaker 2: near your sister. It's never gonna happen.

636
00:34:20,440 --> 00:34:26,680
Speaker 3: Did were they knowledgeable about the plague? I know William knew,

637
00:34:26,760 --> 00:34:29,600
Speaker 3: but did they know? Did the news they reach into them?

638
00:34:30,560 --> 00:34:32,680
Speaker 3: You know they didn't know? And it was just the

639
00:34:32,719 --> 00:34:36,360
Speaker 3: regular illness. Then she may not have had the wherewithal

640
00:34:36,440 --> 00:34:38,879
Speaker 3: to do that, you know, so I could I could

641
00:34:39,120 --> 00:34:42,400
Speaker 3: see that. But but what I will say, as a parent,

642
00:34:43,440 --> 00:34:46,080
Speaker 3: when one kid is sick, you do keep the other

643
00:34:46,160 --> 00:34:49,239
Speaker 3: kid away. So that's just that's just stand up protocol.

644
00:34:49,360 --> 00:34:51,840
Speaker 1: You know what she did know what that her premitition

645
00:34:51,920 --> 00:34:56,120
Speaker 1: says she only had two, so why wouldn't she be like,

646
00:34:56,120 --> 00:35:00,080
Speaker 1: oh shit, this little motherfucker got this, got this sickness.

647
00:35:01,000 --> 00:35:03,479
Speaker 1: Let me isolate her and put everybody else in another

648
00:35:03,480 --> 00:35:07,680
Speaker 1: place because she might die whatever, whatever, whatever. It just man, No,

649
00:35:08,440 --> 00:35:11,040
Speaker 1: this wasn't powerful to me. This wasn't emotional. It was like,

650
00:35:11,040 --> 00:35:14,160
Speaker 1: this is ridiculous. You're you're a shitty ass witch.

651
00:35:14,239 --> 00:35:14,439
Speaker 2: Man.

652
00:35:15,160 --> 00:35:17,600
Speaker 1: I wouldn't focusing so much on her. I was just

653
00:35:17,640 --> 00:35:21,560
Speaker 1: focusing on the moment with Hamnet, and especially be since

654
00:35:21,600 --> 00:35:23,960
Speaker 1: it's called Hamnet, so I was wondering, you know, I

655
00:35:24,000 --> 00:35:26,880
Speaker 1: was just really focusing on like, Okay, why you know

656
00:35:27,080 --> 00:35:29,040
Speaker 1: it's called hamded it, Like, I guess you need to

657
00:35:29,040 --> 00:35:31,680
Speaker 1: pay attention to this boy. He didn't even do ship,

658
00:35:32,000 --> 00:35:34,400
Speaker 1: I know, and I was I was a little disappointed

659
00:35:34,400 --> 00:35:40,880
Speaker 1: by that, but I do like he did so he

660
00:35:41,000 --> 00:35:43,840
Speaker 1: died and yeah, yeah, I mean he was. He was

661
00:35:43,840 --> 00:35:46,759
Speaker 1: the inspiration behind the place. So that's what I'm saying.

662
00:35:46,800 --> 00:35:48,719
Speaker 1: I didn't know that's what what it was gonna be.

663
00:35:50,160 --> 00:35:53,799
Speaker 3: It's you know, Shakespeare, so you knew something fucked up

664
00:35:53,840 --> 00:35:54,319
Speaker 3: was gonna happen.

665
00:35:54,480 --> 00:35:56,520
Speaker 1: It's gonna be a of course, but for the whole

666
00:35:56,520 --> 00:35:58,560
Speaker 1: movie to be named after this little motherfucker, I think

667
00:35:58,600 --> 00:36:01,200
Speaker 1: he's gonna do some cool ship I did think that too.

668
00:36:01,760 --> 00:36:04,960
Speaker 1: I did think that, but I wasn't mad at dying.

669
00:36:05,280 --> 00:36:08,080
Speaker 1: That's not cool. It was not cool. It's not cool,

670
00:36:08,120 --> 00:36:10,239
Speaker 1: but you know, I like I like that it was

671
00:36:10,280 --> 00:36:14,120
Speaker 1: dedicated or whatever. Anyway, So because he did that, Judith

672
00:36:14,200 --> 00:36:19,759
Speaker 1: recovers and Hamnet himself gets sick and basically dies. But

673
00:36:19,880 --> 00:36:22,640
Speaker 1: on his deathbed, he envisions himself on a stage calling

674
00:36:22,680 --> 00:36:25,600
Speaker 1: for his mother and acting, and the hawk is appearing.

675
00:36:26,080 --> 00:36:30,320
Speaker 1: William like rushes home and he's you know, he's sad.

676
00:36:30,560 --> 00:36:32,360
Speaker 1: I thought this was really good. Y'all. Didn't like this

677
00:36:32,400 --> 00:36:36,440
Speaker 1: When he came in he saw that Judith was was

678
00:36:36,440 --> 00:36:40,000
Speaker 1: was not sick anymore, and she was alive, not realizing,

679
00:36:40,040 --> 00:36:42,399
Speaker 1: oh ship, now my son has died.

680
00:36:43,200 --> 00:36:47,320
Speaker 2: Y'all didn't like this work, y'all? Yeah, I mean again,

681
00:36:47,360 --> 00:36:51,040
Speaker 2: the acting was great. It just the story was so

682
00:36:51,160 --> 00:36:53,520
Speaker 2: I did like this boy him reacting to it. How

683
00:36:53,560 --> 00:36:55,239
Speaker 2: you could tell how herd he was as a dad.

684
00:36:55,320 --> 00:36:57,360
Speaker 1: Well, yeah, he was happy at first because she was

685
00:36:57,840 --> 00:36:59,719
Speaker 1: because he's still because he didn't know because I mean,

686
00:36:59,760 --> 00:37:02,200
Speaker 1: you know, they didn't he didn't have phones and no ship.

687
00:37:02,239 --> 00:37:04,760
Speaker 1: All he knew was that the daughter. While he was traveling,

688
00:37:04,840 --> 00:37:06,919
Speaker 1: he was going to try to see if his daughter.

689
00:37:07,200 --> 00:37:09,719
Speaker 1: How do you know that part? I mean I thought

690
00:37:09,880 --> 00:37:11,439
Speaker 1: he saw was that bird. He was like, oh, Ship,

691
00:37:11,480 --> 00:37:13,200
Speaker 1: the bird's flying, let me run home. Well, I just

692
00:37:13,360 --> 00:37:19,840
Speaker 1: you know, you know word traveled that I don't know see. Yeah, yeah,

693
00:37:19,960 --> 00:37:21,919
Speaker 1: I didn't need that because we knew that they got met.

694
00:37:21,920 --> 00:37:23,600
Speaker 1: I mean, we we've all seen Game of Throws and

695
00:37:23,600 --> 00:37:26,640
Speaker 1: all the other ship. I would be with you if

696
00:37:26,640 --> 00:37:28,520
Speaker 1: this motherfucker didn't look at this flying bird and jump

697
00:37:28,600 --> 00:37:30,239
Speaker 1: on his horse and start going. But I think he

698
00:37:30,239 --> 00:37:33,719
Speaker 1: would have known about the bird too, right, Rob, He's

699
00:37:33,760 --> 00:37:36,040
Speaker 1: not going to race home because he heard a bird died. Yeah,

700
00:37:36,440 --> 00:37:38,839
Speaker 1: he heard word of his his daughter, which is why

701
00:37:38,920 --> 00:37:41,080
Speaker 1: he got there. He thought it was the daughter because

702
00:37:41,080 --> 00:37:43,000
Speaker 1: he's been traveling and he has no other word that

703
00:37:43,160 --> 00:37:45,680
Speaker 1: is his son. So when he gets there, he's concerned

704
00:37:45,680 --> 00:37:48,000
Speaker 1: about the daughter. So I thought that was good that

705
00:37:48,120 --> 00:37:51,640
Speaker 1: you know, that shows the time and that you know,

706
00:37:51,880 --> 00:37:54,040
Speaker 1: in his travel he's worried about his daughter. But when

707
00:37:54,040 --> 00:37:57,000
Speaker 1: he gets there, he's like, oh, ship, him knew, How

708
00:37:57,000 --> 00:37:57,719
Speaker 1: did you feel about it?

709
00:37:58,480 --> 00:38:01,000
Speaker 3: No, I thought it was I thought it was good.

710
00:38:01,120 --> 00:38:03,560
Speaker 3: Like he was like a lady. He was happy. He

711
00:38:03,600 --> 00:38:07,240
Speaker 3: was like, oh, you better cool, We're good, we Gucci,

712
00:38:07,280 --> 00:38:10,200
Speaker 3: and then he was saying it was like my poor son,

713
00:38:10,320 --> 00:38:14,520
Speaker 3: my poor baby, and you know it was it's always

714
00:38:14,560 --> 00:38:17,520
Speaker 3: your one of your worst nightmares as a parent. But

715
00:38:17,840 --> 00:38:21,720
Speaker 3: you walk in and you you see that your daughter

716
00:38:21,840 --> 00:38:26,520
Speaker 3: is as well, and you're happy, you're relieved, only to

717
00:38:27,680 --> 00:38:29,680
Speaker 3: you know, for that nightmare to be around right around

718
00:38:29,719 --> 00:38:32,880
Speaker 3: the corner, like right there right behind you. Yeah, and

719
00:38:33,040 --> 00:38:37,240
Speaker 3: and oh my god, the mom, oh man, the scream,

720
00:38:37,360 --> 00:38:38,480
Speaker 3: the pain that she shown.

721
00:38:38,600 --> 00:38:40,359
Speaker 1: I think this is the part where she screamed, not

722
00:38:40,400 --> 00:38:43,560
Speaker 1: the not the first Yeah, that part was good, And

723
00:38:43,560 --> 00:38:46,879
Speaker 1: so was the part where the daughter Judith, which is

724
00:38:47,520 --> 00:38:50,640
Speaker 1: the older daughter Susannah Susannah, when she was getting dragged

725
00:38:50,680 --> 00:38:53,440
Speaker 1: away and she was like, no, he needs me. That

726
00:38:53,480 --> 00:38:56,719
Speaker 1: part was really good. Yeah. Yeah, oh and then she

727
00:38:56,800 --> 00:38:58,880
Speaker 1: also said that I thought the daughter was also like,

728
00:38:58,920 --> 00:39:01,160
Speaker 1: don't you see that he's done? Like he's gone, like

729
00:39:01,400 --> 00:39:03,720
Speaker 1: like the mom didn't want that was the other lady

730
00:39:03,719 --> 00:39:06,520
Speaker 1: that was the that was that was the other lady

731
00:39:06,560 --> 00:39:08,839
Speaker 1: that said that they say, can't you see that's he's gone?

732
00:39:10,800 --> 00:39:14,680
Speaker 1: That was either that that was either William's mother, and

733
00:39:14,719 --> 00:39:16,480
Speaker 1: there was also some other lady that was like a

734
00:39:16,600 --> 00:39:19,319
Speaker 1: midwife or some I think it was some mom that's

735
00:39:19,320 --> 00:39:21,960
Speaker 1: actually really good in stuff. I forgot her. Yeah, she

736
00:39:22,080 --> 00:39:22,640
Speaker 1: is really good.

737
00:39:22,719 --> 00:39:24,640
Speaker 2: I fear her name too, but she's a really good actor.

738
00:39:26,000 --> 00:39:29,520
Speaker 1: But anyway, this causes like some strange strain in the marriage,

739
00:39:29,600 --> 00:39:32,479
Speaker 1: like because he's you know, the death of the son,

740
00:39:32,560 --> 00:39:37,200
Speaker 1: so she's basically depressed and and grieving and then he's

741
00:39:37,600 --> 00:39:39,839
Speaker 1: dealing with it in his own way. He's going back

742
00:39:39,880 --> 00:39:43,640
Speaker 1: to London working things like that. But in the intern though,

743
00:39:43,680 --> 00:39:47,080
Speaker 1: he does buy the largest house in Stratford and departs

744
00:39:47,360 --> 00:39:51,560
Speaker 1: for London again. Agnes holds his hand and says she

745
00:39:51,719 --> 00:39:55,040
Speaker 1: now sees nothing because at this point, like she doesn't

746
00:39:55,040 --> 00:39:56,200
Speaker 1: want them to go. What you said, it came back

747
00:39:56,239 --> 00:39:57,640
Speaker 1: and by it in the butt. Like first she was

748
00:39:57,640 --> 00:40:00,000
Speaker 1: telling him like, yeah, go there, get money for the family,

749
00:40:00,160 --> 00:40:03,239
Speaker 1: you know, come back with the bread and we live.

750
00:40:03,560 --> 00:40:06,520
Speaker 1: Well what he did, yeah, yeah he was bomb but

751
00:40:06,600 --> 00:40:08,680
Speaker 1: yeah it just wasn't enough for her, like especially in

752
00:40:08,719 --> 00:40:12,600
Speaker 1: this moment, in this time or whatever. So how do

753
00:40:12,719 --> 00:40:15,160
Speaker 1: y'all feel about this conflict?

754
00:40:16,400 --> 00:40:19,120
Speaker 3: You know, seeing them kind of deal with and process

755
00:40:19,239 --> 00:40:24,200
Speaker 3: grieving in their own way. You know, her losing a

756
00:40:24,280 --> 00:40:29,800
Speaker 3: child that she carried, you know him probably is feeling

757
00:40:29,840 --> 00:40:34,560
Speaker 3: some sort of guilt for not being there, you know,

758
00:40:34,640 --> 00:40:37,000
Speaker 3: being in the whole of the city, leaving her there alone,

759
00:40:37,640 --> 00:40:40,040
Speaker 3: not being there to support her through this moment. If

760
00:40:40,040 --> 00:40:41,799
Speaker 3: he was there, he p really he could have been

761
00:40:41,840 --> 00:40:43,440
Speaker 3: the one who was like, no, you don't need to

762
00:40:43,480 --> 00:40:45,000
Speaker 3: be in there with your sister. Your sister needs to

763
00:40:45,000 --> 00:40:47,239
Speaker 3: get get well. We need to we you know, he

764
00:40:47,280 --> 00:40:49,040
Speaker 3: probably knew more about the play. It was like, this

765
00:40:49,120 --> 00:40:52,480
Speaker 3: is a very serious disease that is going around, so

766
00:40:52,520 --> 00:40:56,600
Speaker 3: we need to keep everybody like isolated. So who and

767
00:40:56,880 --> 00:40:58,960
Speaker 3: you know his way is to I'm a just floss.

768
00:40:58,960 --> 00:41:01,000
Speaker 3: I'm but just buy the biggest house that he doesn't

769
00:41:01,000 --> 00:41:03,759
Speaker 3: even live in, you know. And you know we see

770
00:41:03,840 --> 00:41:06,920
Speaker 3: later on which I'm sure to get to him also

771
00:41:07,000 --> 00:41:09,840
Speaker 3: reacting on all other people, so you know, I you know,

772
00:41:09,960 --> 00:41:12,279
Speaker 3: it was it was good seeing all that kind of

773
00:41:12,480 --> 00:41:12,960
Speaker 3: play out.

774
00:41:14,360 --> 00:41:16,200
Speaker 1: Got you an y'all got anything on this.

775
00:41:18,360 --> 00:41:20,840
Speaker 2: You can see the strain from him being away. He

776
00:41:20,960 --> 00:41:25,120
Speaker 2: was pouring all of his passion and emotion into his writing.

777
00:41:25,400 --> 00:41:28,040
Speaker 2: He wasn't point any into his home, and I think

778
00:41:28,040 --> 00:41:30,280
Speaker 2: that kind of when she said she doesn't see anything

779
00:41:30,320 --> 00:41:34,880
Speaker 2: no more, because there was no passion for his family.

780
00:41:35,040 --> 00:41:37,200
Speaker 2: She didn't believe, but he was a certain all of

781
00:41:37,239 --> 00:41:38,120
Speaker 2: that to what he was writing.

782
00:41:38,600 --> 00:41:41,520
Speaker 1: Right, So, you knowing that he's William Shakespeare at this point,

783
00:41:41,800 --> 00:41:43,719
Speaker 1: did you like that? Did you?

784
00:41:44,640 --> 00:41:47,560
Speaker 2: It made sense because like, how else would William Shakespeare

785
00:41:47,560 --> 00:41:51,360
Speaker 2: become William skespeare passionate as he was that liking? So

786
00:41:51,400 --> 00:41:52,040
Speaker 2: it made sense.

787
00:41:52,800 --> 00:41:56,800
Speaker 1: I like, Mike, Yeah, I was like, man, she is

788
00:41:56,880 --> 00:42:01,520
Speaker 1: sorry as they should have fucking burned her at the stake.

789
00:42:01,600 --> 00:42:02,120
Speaker 2: She's sorry.

790
00:42:02,120 --> 00:42:04,319
Speaker 1: I never said that she was a witch. She didn't

791
00:42:04,360 --> 00:42:05,920
Speaker 1: have to say it. I could tell she had a

792
00:42:05,960 --> 00:42:12,000
Speaker 1: fucking three babies with no umbilical course. It's a movie, man. Nah. Nah,

793
00:42:12,080 --> 00:42:13,719
Speaker 1: she couldn't bring a little motherfucker back to life. She

794
00:42:13,840 --> 00:42:15,920
Speaker 1: is sorry, ass witch. She should have tried that again.

795
00:42:16,960 --> 00:42:20,839
Speaker 1: Give me my baby, Bobby Boo, bring that motherfucker back

796
00:42:20,880 --> 00:42:23,600
Speaker 1: to life, all right? Man. So now we move into

797
00:42:23,719 --> 00:42:26,839
Speaker 1: like where William is rehearsing Hamlet in London, And at

798
00:42:26,880 --> 00:42:28,680
Speaker 1: this point I know y'all think I'm stupid, but I

799
00:42:28,719 --> 00:42:32,239
Speaker 1: still don't not realize that this is William Shakespeare. But

800
00:42:32,239 --> 00:42:34,520
Speaker 1: it's frustrated with his cast for the lack of passion.

801
00:42:35,719 --> 00:42:39,400
Speaker 1: Excuse me. And this is where we hear the famous

802
00:42:39,640 --> 00:42:42,440
Speaker 1: quote to be or not to be that when it clicked,

803
00:42:43,600 --> 00:42:47,160
Speaker 1: y'all was like, oh shit, I think this is uh

804
00:42:47,280 --> 00:42:52,759
Speaker 1: Wayne Shakespeare. Wow. And but yeah, so yeah, how did

805
00:42:52,800 --> 00:42:55,600
Speaker 1: y'all feel about that? I mean, I know I was dumb.

806
00:42:55,640 --> 00:42:57,720
Speaker 1: I didn't realize it, but there was that A nice

807
00:42:57,719 --> 00:43:01,400
Speaker 1: review to y'all or I like that the it was.

808
00:43:01,440 --> 00:43:03,960
Speaker 2: Like you said, the Leo moment. Yeah, I mean like,

809
00:43:03,960 --> 00:43:04,879
Speaker 2: oh he said the thing.

810
00:43:05,640 --> 00:43:09,239
Speaker 1: That's how I felt too, he said, word, yeah, I

811
00:43:09,239 --> 00:43:10,399
Speaker 1: mean it was cool.

812
00:43:10,440 --> 00:43:13,279
Speaker 3: You know, it's a famous line. I don't know if

813
00:43:13,280 --> 00:43:17,799
Speaker 3: it hit in the in the way that I guess

814
00:43:17,880 --> 00:43:21,480
Speaker 3: maybe they thought it it would, but you know it,

815
00:43:21,480 --> 00:43:22,800
Speaker 3: it was still cool. They had to write it in

816
00:43:22,880 --> 00:43:24,600
Speaker 3: and there. I just like the fact that he was

817
00:43:24,640 --> 00:43:26,480
Speaker 3: just cussing out everybody else that was working there.

818
00:43:26,520 --> 00:43:29,080
Speaker 1: He was like, again, y'all not passionate enough, like but

819
00:43:29,280 --> 00:43:31,960
Speaker 1: then he did it and he saw the difference. But

820
00:43:32,000 --> 00:43:34,440
Speaker 1: I was like, that's not fair, man. This is your experience,

821
00:43:34,480 --> 00:43:38,000
Speaker 1: so of course you're gonna gonna deliver it differently. You know.

822
00:43:38,280 --> 00:43:40,239
Speaker 2: I think the director would be a good director would

823
00:43:40,239 --> 00:43:42,200
Speaker 2: be like that. I think, what do you mean, like

824
00:43:42,239 --> 00:43:46,160
Speaker 2: in movies when you see people actors say like some

825
00:43:46,280 --> 00:43:49,200
Speaker 2: directors bring certain stuff out of them because they want

826
00:43:49,239 --> 00:43:51,520
Speaker 2: them like they are that passionate and telling them like,

827
00:43:51,560 --> 00:43:53,640
Speaker 2: you're not doing it right, Do it again, do it again,

828
00:43:53,760 --> 00:43:58,480
Speaker 2: do it again. I think that's part of good directing,

829
00:43:58,560 --> 00:43:59,319
Speaker 2: your storytelling.

830
00:44:00,600 --> 00:44:04,680
Speaker 1: Maybe if he was acting that way before, before.

831
00:44:06,120 --> 00:44:07,719
Speaker 2: It had to do with the loser of his son,

832
00:44:07,920 --> 00:44:10,400
Speaker 2: they should have said, I thought your little son died,

833
00:44:10,800 --> 00:44:13,400
Speaker 2: maybe a fucking babysitter or something. Why you yelling at me,

834
00:44:14,320 --> 00:44:15,200
Speaker 2: punk ass?

835
00:44:15,680 --> 00:44:16,640
Speaker 1: Yeah, I see.

836
00:44:16,680 --> 00:44:20,040
Speaker 2: I don't think they knew this that though, not unless

837
00:44:20,040 --> 00:44:20,480
Speaker 2: he told him.

838
00:44:20,520 --> 00:44:21,759
Speaker 1: I don't think he knew that, because that's in a

839
00:44:21,760 --> 00:44:26,400
Speaker 1: whole nother place where that bird ghost told him. But

840
00:44:27,160 --> 00:44:29,200
Speaker 1: and then I also noticed that, you know, the play

841
00:44:29,280 --> 00:44:33,759
Speaker 1: was called Hamlet and not ham Knitt, and I I

842
00:44:34,000 --> 00:44:35,920
Speaker 1: just initially thought that he was just trying to protect

843
00:44:35,920 --> 00:44:39,960
Speaker 1: the instance of his son's name or I don't know,

844
00:44:40,040 --> 00:44:42,399
Speaker 1: like I just thought, yeah, he just tried to change

845
00:44:42,400 --> 00:44:45,000
Speaker 1: it a little bit so it won't be his actual

846
00:44:45,080 --> 00:44:47,799
Speaker 1: son's name, which I thought was interesting because I didn't

847
00:44:47,800 --> 00:44:50,440
Speaker 1: I didn't I didn't know that about Hamlet. I read that,

848
00:44:50,560 --> 00:44:53,319
Speaker 1: but I still don't really get it? What were they

849
00:44:53,320 --> 00:44:55,840
Speaker 1: say that those names are interchangeable. Basically they mean the

850
00:44:55,840 --> 00:44:58,000
Speaker 1: same thing, So that's what I'm saying. So I think

851
00:44:58,000 --> 00:45:02,359
Speaker 1: that's why, because this worry is about his son, so

852
00:45:02,400 --> 00:45:05,480
Speaker 1: he just in this movie, just in general, I think

853
00:45:05,520 --> 00:45:08,440
Speaker 1: they're saying that the name Hamlet and ham Net just

854
00:45:08,480 --> 00:45:14,680
Speaker 1: in the term in English, the term the the literature itself.

855
00:45:14,680 --> 00:45:16,799
Speaker 1: That's what I thought. I thought they were basically like saying,

856
00:45:16,840 --> 00:45:19,359
Speaker 1: like Mark and Mike are the same name. You're saying

857
00:45:19,360 --> 00:45:23,960
Speaker 1: they're saying specifically in this reference. So maybe stood is

858
00:45:23,960 --> 00:45:27,440
Speaker 1: it two different like languages or something. It's not because

859
00:45:27,480 --> 00:45:31,279
Speaker 1: you know.

860
00:45:30,560 --> 00:45:36,280
Speaker 2: In Spanish they called like it translated George is similar.

861
00:45:36,320 --> 00:45:39,640
Speaker 1: I don't think it's funny, but but but I think

862
00:45:39,640 --> 00:45:42,319
Speaker 1: they just are the same. They're interchangeable. It's basically what

863
00:45:42,680 --> 00:45:46,719
Speaker 1: but specifically to this maybe I don't call me, don't

864
00:45:46,719 --> 00:45:49,239
Speaker 1: don't quote me on that. At first I thought that

865
00:45:49,360 --> 00:45:52,200
Speaker 1: was right, but it could be it could be handed

866
00:45:52,360 --> 00:45:54,719
Speaker 1: his Hamley for real, right, that's why.

867
00:45:54,880 --> 00:46:01,120
Speaker 3: So yeah, yeah, because this is historical fiction, you know,

868
00:46:01,280 --> 00:46:07,640
Speaker 3: built around Shakespeare's son Stealth. But that part in the beginning,

869
00:46:08,440 --> 00:46:11,879
Speaker 3: I thought maybe back in the day that it did

870
00:46:11,960 --> 00:46:12,759
Speaker 3: mean the same thing.

871
00:46:13,000 --> 00:46:15,399
Speaker 1: I didn't look up to see how in a way.

872
00:46:16,000 --> 00:46:18,840
Speaker 3: Yeah, But then when we get to this part, I'm like, oh, well,

873
00:46:18,880 --> 00:46:22,400
Speaker 3: maybe that's what they meant, Like since he changed the

874
00:46:22,440 --> 00:46:27,359
Speaker 3: name of the play to Hamlet, that's why they they

875
00:46:27,360 --> 00:46:28,919
Speaker 3: were saying, they kind of meant the same thing.

876
00:46:30,120 --> 00:46:34,800
Speaker 1: So what Google says is that the play Hamlet draws

877
00:46:34,800 --> 00:46:38,760
Speaker 1: from an older Danish legend, but the similarity in names

878
00:46:38,840 --> 00:46:43,600
Speaker 1: Hamnet Hamlet, and the timing fuels the popular theory that

879
00:46:43,719 --> 00:46:47,920
Speaker 1: Shakespeare channeled his grief into his famous tragedy. So it's

880
00:46:48,000 --> 00:46:50,080
Speaker 1: not really I guess I don't know where I read

881
00:46:50,120 --> 00:46:54,680
Speaker 1: that they were the same, but it's not. Okay, yeah, because,

882
00:46:54,760 --> 00:46:57,520
Speaker 1: like I said, what actually happened to Himnet isn't the

883
00:46:57,560 --> 00:47:00,000
Speaker 1: Hamlet store right right right, I'm saying. So I thought

884
00:47:00,120 --> 00:47:03,160
Speaker 1: that was interesting. It's just an inspiration for the story

885
00:47:03,200 --> 00:47:04,240
Speaker 1: he wrote for Hamlet.

886
00:47:04,440 --> 00:47:07,480
Speaker 3: Yeah, yeah, yeah, is that yeah? Yeah yeah, So they

887
00:47:07,680 --> 00:47:10,000
Speaker 3: put that at the beginning. They wanted to take the

888
00:47:10,000 --> 00:47:13,560
Speaker 3: truth story of his son dying and try to use

889
00:47:13,600 --> 00:47:17,320
Speaker 3: that as the inspiration for Hamlet.

890
00:47:16,680 --> 00:47:18,560
Speaker 1: And I thought that was good. I thought I really

891
00:47:18,600 --> 00:47:20,760
Speaker 1: liked that. I'm want to put out some things about

892
00:47:20,760 --> 00:47:25,279
Speaker 1: the play itself. But so yeah, Agnes stepmother Jones. She

893
00:47:25,360 --> 00:47:27,800
Speaker 1: shows her the play bill for the production of Hamlet

894
00:47:27,880 --> 00:47:36,319
Speaker 1: in London and but but Agnet basically rebukes her and

895
00:47:36,320 --> 00:47:40,239
Speaker 1: and they travel to London and see William, finding him

896
00:47:40,280 --> 00:47:44,600
Speaker 1: absent from his home. They resolved to attend his performance

897
00:47:44,600 --> 00:47:49,680
Speaker 1: at the Hamlet at the Golden Globe Theater, and Agnes

898
00:47:49,760 --> 00:47:54,880
Speaker 1: is initially offended at her son's name being profane. They

899
00:47:54,960 --> 00:48:01,200
Speaker 1: were like, yeah, yeah, don't you say the name of

900
00:48:01,239 --> 00:48:04,120
Speaker 1: my son? That was? That was not damn you say

901
00:48:04,400 --> 00:48:08,680
Speaker 1: the name of my thunnest. I think at this point

902
00:48:08,760 --> 00:48:11,319
Speaker 1: this is where they started saying that it's William Shakespeare.

903
00:48:11,320 --> 00:48:13,480
Speaker 1: And I was like, oh ship, they said it was

904
00:48:13,480 --> 00:48:15,560
Speaker 1: William Shakespeare right when they got to town. Okay, well,

905
00:48:15,800 --> 00:48:18,200
Speaker 1: remember the dude said, why is William Shakespeare living in

906
00:48:18,200 --> 00:48:21,080
Speaker 1: a place? Like that's right and that You're like, oh

907
00:48:21,120 --> 00:48:25,840
Speaker 1: my god, damn it. Yeah, I was. That's hilarious. I

908
00:48:25,840 --> 00:48:26,960
Speaker 1: know I watched this alone.

909
00:48:27,400 --> 00:48:29,960
Speaker 2: I did, Okay, I did earlier.

910
00:48:30,000 --> 00:48:32,279
Speaker 1: I did watch it alone. But yeah, I don't know, man, Like,

911
00:48:32,280 --> 00:48:35,520
Speaker 1: like I just didn't I didn't know. I didn't know that.

912
00:48:36,600 --> 00:48:38,719
Speaker 1: I don't know what I was thinking, Like I just

913
00:48:40,000 --> 00:48:42,640
Speaker 1: it just wasn't connecting that that this was William Shakespeare,

914
00:48:42,680 --> 00:48:44,200
Speaker 1: and so I thought that was so cool that he

915
00:48:44,280 --> 00:48:47,040
Speaker 1: was William Shakespeare. And I was like, oh, ship, that's

916
00:48:47,080 --> 00:48:52,520
Speaker 1: why the motherfuckers so cold with with with the lyrics,

917
00:48:53,040 --> 00:48:54,280
Speaker 1: was so cold with the bars.

918
00:48:54,840 --> 00:48:57,600
Speaker 3: Shakespeare my number one rapper in the of the day, right,

919
00:48:58,040 --> 00:49:05,760
Speaker 3: I'm like, damn three. I did think it was funny

920
00:49:06,800 --> 00:49:09,719
Speaker 3: when she tried to lie at and tried to lie

921
00:49:09,880 --> 00:49:11,960
Speaker 3: to the people in the city about what the play

922
00:49:12,080 --> 00:49:17,000
Speaker 3: was about. And she was like, nah, we know your child, Danny,

923
00:49:17,040 --> 00:49:18,080
Speaker 3: we know what's going on.

924
00:49:18,440 --> 00:49:20,560
Speaker 1: Don't sit here and try to pull that ship on us.

925
00:49:22,920 --> 00:49:25,040
Speaker 1: That was when she handed the play building ship. Yeah,

926
00:49:25,120 --> 00:49:25,600
Speaker 1: she went in.

927
00:49:26,280 --> 00:49:27,960
Speaker 2: I think this was the best part of the movie.

928
00:49:28,480 --> 00:49:31,080
Speaker 1: So okay, well you didn't like this work.

929
00:49:32,760 --> 00:49:34,239
Speaker 2: He was supposed to be the ghost of it on

930
00:49:34,440 --> 00:49:37,239
Speaker 2: right when he came out in Yes, I believe that.

931
00:49:37,440 --> 00:49:38,560
Speaker 1: Yeah, that was fire.

932
00:49:38,719 --> 00:49:41,960
Speaker 2: He absolutely fire. He put his foot in his acting

933
00:49:42,080 --> 00:49:45,759
Speaker 2: bag because he came out and he nailed it, like

934
00:49:46,000 --> 00:49:48,319
Speaker 2: he absolutely he made her shut up.

935
00:49:49,480 --> 00:49:54,359
Speaker 1: Yeah, she was. She was just like y'ost she had

936
00:49:54,360 --> 00:49:58,839
Speaker 1: to be quiet and appreciate greatness. She's like, oh, ship, dude,

937
00:49:59,080 --> 00:50:01,960
Speaker 1: this was captivating. Would you not think it was captivating?

938
00:50:02,000 --> 00:50:05,239
Speaker 1: Because I don't fucking like Shakespeare's plays, So having to

939
00:50:05,480 --> 00:50:08,800
Speaker 1: watch someone watching a fucking play, I was like, what

940
00:50:09,120 --> 00:50:13,040
Speaker 1: is this ship man? Are y'all serious? That not y'all

941
00:50:13,120 --> 00:50:16,040
Speaker 1: but the movie? Are they serious? Like? Are we seriously

942
00:50:16,200 --> 00:50:18,359
Speaker 1: watching them watch this fucking boring ass play?

943
00:50:18,440 --> 00:50:20,600
Speaker 2: I felt like they're going into that in that scene.

944
00:50:20,640 --> 00:50:23,000
Speaker 2: But then he acted out and I was like, oh, okay,

945
00:50:23,280 --> 00:50:25,879
Speaker 2: but I swear I said the same thing, like we're

946
00:50:25,880 --> 00:50:27,960
Speaker 2: not gonna watch him watch a play, like we're not

947
00:50:28,080 --> 00:50:29,719
Speaker 2: going to watch her watch a play. And then she

948
00:50:30,160 --> 00:50:32,640
Speaker 2: on top of that, she's interrupting it too. But then

949
00:50:32,680 --> 00:50:34,480
Speaker 2: when he came out in the white and shit, was like,

950
00:50:34,560 --> 00:50:38,640
Speaker 2: oh shit, this thing so and then you talk about

951
00:50:38,640 --> 00:50:41,440
Speaker 2: the team, team, team like that was a part of

952
00:50:41,480 --> 00:50:43,040
Speaker 2: the play. And then and if you think about it,

953
00:50:43,080 --> 00:50:45,239
Speaker 2: he was doing that with his son. So that's what

954
00:50:45,239 --> 00:50:47,600
Speaker 2: I'm saying. It was like inspired. The Hamlet story was

955
00:50:47,680 --> 00:50:50,480
Speaker 2: inspired because Hamlet was about him with his son. It

956
00:50:50,600 --> 00:50:53,520
Speaker 2: was just about like revenge from the killing.

957
00:50:53,360 --> 00:50:55,360
Speaker 1: Of the king. I got that because I knew it

958
00:50:55,360 --> 00:50:59,200
Speaker 1: was Shakespeare. Yeah, I mean, but like, but it was cool.

959
00:50:59,280 --> 00:51:01,160
Speaker 1: It was a callback because it's just like, oh, that's

960
00:51:01,160 --> 00:51:05,000
Speaker 1: where that came from. Think he's drawing from things with

961
00:51:05,120 --> 00:51:07,400
Speaker 1: his family and things with you know, Like I was like,

962
00:51:07,520 --> 00:51:09,520
Speaker 1: damn that, that's that's really cool. How did you feel,

963
00:51:09,520 --> 00:51:12,640
Speaker 1: a buddy king? No, I liked it. I liked it.

964
00:51:13,000 --> 00:51:15,000
Speaker 1: I was I was like her. I was offended too.

965
00:51:15,120 --> 00:51:16,719
Speaker 3: I was like, bro, the nerve with you to see

966
00:51:16,719 --> 00:51:20,240
Speaker 3: it and run off to England, leave your wife behind

967
00:51:20,640 --> 00:51:23,160
Speaker 3: with her own grief. You bought this big ass house,

968
00:51:23,200 --> 00:51:26,000
Speaker 3: you're not even standing and she back there in this

969
00:51:26,120 --> 00:51:30,120
Speaker 3: fucking cabin or whatever it is, and uh and and

970
00:51:30,280 --> 00:51:32,319
Speaker 3: you're up here living the life, and then you don't

971
00:51:32,480 --> 00:51:34,000
Speaker 3: have the nerve to write this damn play.

972
00:51:34,680 --> 00:51:37,839
Speaker 1: The play was called Hamlet, and didn't they say ham

973
00:51:38,000 --> 00:51:40,880
Speaker 1: Let in the play? That's what I think might be like, Man,

974
00:51:40,920 --> 00:51:43,080
Speaker 1: shut the fuck up, I ain't talking about your little past.

975
00:51:43,160 --> 00:51:45,880
Speaker 1: Can she heard him? Then? Yeah? So?

976
00:51:46,960 --> 00:51:48,840
Speaker 3: But nah, I thought I thought, I thought this this

977
00:51:49,080 --> 00:51:53,279
Speaker 3: was good, like seeing her drastic like turn around from

978
00:51:54,160 --> 00:52:00,160
Speaker 3: from horror and you know, being upset to appreciation, you

979
00:52:00,239 --> 00:52:04,000
Speaker 3: know as well, so Mike, you know, like when when

980
00:52:04,040 --> 00:52:10,680
Speaker 3: he held out his we didn't held out his hand,

981
00:52:10,800 --> 00:52:13,960
Speaker 3: and the way she's just like man were like touching her.

982
00:52:14,280 --> 00:52:16,080
Speaker 3: She got to touch her kid for one last time.

983
00:52:16,480 --> 00:52:19,040
Speaker 1: Almost No, she didn't. That motherfucker beard with that bird.

984
00:52:19,480 --> 00:52:21,919
Speaker 1: But that's how strong that that That's how that's showing

985
00:52:21,960 --> 00:52:26,760
Speaker 1: how powerful the playing because it's like this lady was grieving,

986
00:52:27,000 --> 00:52:29,480
Speaker 1: like really she remember she came into this whole ship

987
00:52:29,600 --> 00:52:32,440
Speaker 1: distraught and turned out a whole new chick like she

988
00:52:32,640 --> 00:52:33,600
Speaker 1: was laughing by the end of this.

989
00:52:34,120 --> 00:52:39,040
Speaker 3: I was grieving and handless. Handless backstage like fuck I

990
00:52:39,160 --> 00:52:43,399
Speaker 3: killed that ship. He did, but I wrote the hell out.

991
00:52:43,280 --> 00:52:47,680
Speaker 1: Of that ship. I didn't know what I'm gonna have

992
00:52:47,719 --> 00:52:50,080
Speaker 1: to do this ship. I do this ship. You know

993
00:52:50,120 --> 00:52:56,319
Speaker 1: what I'm like, I am big motherfuckerg Yeah for real, kid,

994
00:52:56,440 --> 00:53:00,200
Speaker 1: that's how he was. I just didn't. I can't look

995
00:53:00,239 --> 00:53:02,759
Speaker 1: at this scene and really understand why they're all reaching

996
00:53:02,800 --> 00:53:05,160
Speaker 1: out to touch his hand like that. It didn't hit

997
00:53:05,280 --> 00:53:07,560
Speaker 1: me like that, so it's like, this is ridiculous. Why

998
00:53:07,600 --> 00:53:10,279
Speaker 1: are y'all acting like this? Y'all don't even know him

999
00:53:10,360 --> 00:53:12,439
Speaker 1: in it. But that's how that's how much you're into

1000
00:53:12,520 --> 00:53:14,759
Speaker 1: the story, which I thought was cool because we get

1001
00:53:14,800 --> 00:53:17,560
Speaker 1: into stories like I mean, we watched movies, right, we cry,

1002
00:53:17,680 --> 00:53:31,040
Speaker 1: We laugh. Last Cloud acted, I'll tell you that much.

1003
00:53:34,160 --> 00:53:37,160
Speaker 1: You know, y'all Cut y'all, I'll reach your hands out

1004
00:53:37,239 --> 00:53:40,279
Speaker 1: and cut. That's true. So I think in this time

1005
00:53:40,360 --> 00:53:42,920
Speaker 1: it was a really good depension of depiction of like

1006
00:53:43,760 --> 00:53:46,120
Speaker 1: them being really into the story. That how good of

1007
00:53:46,160 --> 00:53:50,960
Speaker 1: a writers. But we saw that they do the little

1008
00:53:51,000 --> 00:53:55,759
Speaker 1: puppet plays and ship and that's just wax. I guess, okay,

1009
00:53:56,480 --> 00:53:59,879
Speaker 1: so that's why he wanted Michael Jackson. No, I ain't

1010
00:54:00,560 --> 00:54:03,600
Speaker 1: Shakespeare wasn't. No said one of those puppies like Michael Jackson.

1011
00:54:03,640 --> 00:54:05,840
Speaker 2: I said, it's like Michael Jackson, everybody be trying to

1012
00:54:05,880 --> 00:54:06,239
Speaker 2: touch it this.

1013
00:54:11,360 --> 00:54:17,680
Speaker 1: Oh my god. Yeah, but Noah, Man, I really enjoy

1014
00:54:17,719 --> 00:54:20,120
Speaker 1: I'm with Spike Man and Ken. I really enjoyed this

1015
00:54:20,200 --> 00:54:23,360
Speaker 1: part because it just showed like that that time period's

1016
00:54:24,160 --> 00:54:27,200
Speaker 1: equal like equality to like you know, how we watch

1017
00:54:27,239 --> 00:54:30,120
Speaker 1: a good ass film or whatever. Like I thought that

1018
00:54:30,239 --> 00:54:33,279
Speaker 1: was dope, man. And you know, her going in there,

1019
00:54:33,360 --> 00:54:35,839
Speaker 1: like I said, realizing that it's it's actually about her son,

1020
00:54:35,880 --> 00:54:40,400
Speaker 1: because what actually happens is when when he does come

1021
00:54:40,440 --> 00:54:42,480
Speaker 1: out as the ghost of Hamlet's father, she realizes that

1022
00:54:42,560 --> 00:54:44,839
Speaker 1: the play is a tribute to Himnet and you can

1023
00:54:44,880 --> 00:54:48,040
Speaker 1: see that realization, and she's like, oh, Ship, this is

1024
00:54:48,080 --> 00:54:50,040
Speaker 1: what you've been doing. This is how you've been grieving,

1025
00:54:50,560 --> 00:54:52,160
Speaker 1: you know, because she can you know, she know she's

1026
00:54:52,200 --> 00:54:53,919
Speaker 1: been grieving, and this is the way he's he's he's

1027
00:54:53,960 --> 00:54:57,840
Speaker 1: been handling, which moves her to tears. By The scene

1028
00:54:57,880 --> 00:55:01,200
Speaker 1: between Hamlet and his father with your guys already kind

1029
00:55:01,200 --> 00:55:04,360
Speaker 1: of alluded to backstage is where we see William notice

1030
00:55:04,360 --> 00:55:06,839
Speaker 1: Agnes break down in tears while listening to the play

1031
00:55:07,560 --> 00:55:11,719
Speaker 1: and returns to watch her from the wings. Played progressions

1032
00:55:11,760 --> 00:55:14,440
Speaker 1: through the scenes, swore fighting, which we talked about, uh

1033
00:55:14,840 --> 00:55:16,600
Speaker 1: doing the scene where Hamlet dies, that's what we did,

1034
00:55:16,760 --> 00:55:21,040
Speaker 1: talked about the reaching out towards the actor's hand. Then

1035
00:55:21,120 --> 00:55:24,240
Speaker 1: she had visions then this after that, that's what she envisions.

1036
00:55:24,320 --> 00:55:28,680
Speaker 1: Hamnet on the stage, seen earlier as his dying vision,

1037
00:55:28,760 --> 00:55:32,520
Speaker 1: now moving from sadness to a smile before disappearing into

1038
00:55:32,560 --> 00:55:35,360
Speaker 1: the backstage through a hole like the one of the

1039
00:55:35,480 --> 00:55:39,160
Speaker 1: mystical forest in the cave for the first time since

1040
00:55:39,239 --> 00:55:46,480
Speaker 1: Hamnon's death, Agnes lasts and smiles. Stupid correct man, This

1041
00:55:46,719 --> 00:55:51,680
Speaker 1: was so man, This was beautiful was on stage. This

1042
00:55:51,920 --> 00:55:56,520
Speaker 1: was beautiful, man. That damn ghost was the smile too.

1043
00:55:56,600 --> 00:55:58,480
Speaker 1: I thought they bodied the end of this man like

1044
00:55:58,800 --> 00:56:01,520
Speaker 1: it was very similar to the For me, I thought

1045
00:56:01,560 --> 00:56:04,279
Speaker 1: it was very similar to the to the one we

1046
00:56:04,440 --> 00:56:06,440
Speaker 1: just had. We just watched with sentimental value, with the

1047
00:56:06,520 --> 00:56:09,880
Speaker 1: expressions of like how you see it changed without her

1048
00:56:10,000 --> 00:56:13,160
Speaker 1: actually saying something, and you see the connection between with

1049
00:56:13,280 --> 00:56:15,040
Speaker 1: William and her they look at each other. It's just

1050
00:56:15,160 --> 00:56:19,800
Speaker 1: like an unspoken relief, Like he feels relief that people,

1051
00:56:20,040 --> 00:56:23,000
Speaker 1: you know, that he made something that's very powerful in

1052
00:56:23,280 --> 00:56:26,080
Speaker 1: the name of his son to uh what am I

1053
00:56:26,160 --> 00:56:30,399
Speaker 1: trying to say? To honor him? To honor his son?

1054
00:56:31,440 --> 00:56:33,080
Speaker 1: So yeah, I thought that was dope. And then she

1055
00:56:33,320 --> 00:56:35,560
Speaker 1: she appreciated and I know that was the satisfaction for

1056
00:56:35,680 --> 00:56:39,560
Speaker 1: him that she actually appreciated it and got it right.

1057
00:56:40,120 --> 00:56:42,520
Speaker 1: So nah, man, I thought they did very well with it.

1058
00:56:42,760 --> 00:56:44,600
Speaker 1: And like I said, even though it's a tragedy, she

1059
00:56:44,760 --> 00:56:47,360
Speaker 1: was able to find the silver lining in it or

1060
00:56:47,400 --> 00:56:50,359
Speaker 1: whatever to be able to laugh and smile. So that's

1061
00:56:50,400 --> 00:56:51,680
Speaker 1: how I felt about it. I don't know what the

1062
00:56:51,719 --> 00:56:57,839
Speaker 1: fuck was funny, even if I'm just looking at the play.

1063
00:56:57,960 --> 00:57:01,160
Speaker 1: What are you giggling about? Woman? Your son is? It's

1064
00:57:01,239 --> 00:57:04,160
Speaker 1: like relief, It's like you. It's like the laugh after

1065
00:57:04,280 --> 00:57:08,520
Speaker 1: you have some after grief, right Like. I don't know

1066
00:57:08,600 --> 00:57:10,920
Speaker 1: if you ever had that moment before, but I've had

1067
00:57:11,000 --> 00:57:16,280
Speaker 1: similar moments like that, where you know, laugh no not

1068
00:57:16,480 --> 00:57:21,160
Speaker 1: not like somebody's dad was gonna be on stage the

1069
00:57:21,240 --> 00:57:27,479
Speaker 1: sun Yeah, said that Hamlet was gonna be said earlier

1070
00:57:27,480 --> 00:57:28,120
Speaker 1: you checked out.

1071
00:57:28,160 --> 00:57:31,000
Speaker 2: I thought, I thought that's what she chuckled about.

1072
00:57:31,360 --> 00:57:37,640
Speaker 1: Okay, that see he's played better. But Mike, he's gonna

1073
00:57:37,640 --> 00:57:39,520
Speaker 1: ask her, what the are you laughing at? When he came.

1074
00:57:40,800 --> 00:57:43,080
Speaker 1: I didn't put nothing funny. I thought you was in

1075
00:57:43,160 --> 00:57:45,400
Speaker 1: my play? Are you laughing about.

1076
00:57:47,440 --> 00:57:49,040
Speaker 2: Laughing at my sol?

1077
00:57:49,040 --> 00:57:51,200
Speaker 1: Wouldn't be dad, if you was at home paying tention,

1078
00:57:51,360 --> 00:57:53,800
Speaker 1: you're laughing at my play. And she was blaming him too,

1079
00:57:54,040 --> 00:57:57,280
Speaker 1: she was, I was fucked up. How are you gonna

1080
00:57:57,280 --> 00:57:59,640
Speaker 1: blame me? I wouldn't even here. I was with them,

1081
00:57:59,720 --> 00:58:01,920
Speaker 1: you were, you're with him? He was upstairs told me

1082
00:58:02,000 --> 00:58:06,120
Speaker 1: to leave. You sure did. And you're supposed to be

1083
00:58:06,160 --> 00:58:09,080
Speaker 1: all seeing ass witchet to go back to witch school. Bro,

1084
00:58:09,480 --> 00:58:14,320
Speaker 1: you suck that the original gas are you right now? Bullshit?

1085
00:58:14,400 --> 00:58:16,760
Speaker 1: That was messed up? That was really should have put

1086
00:58:16,800 --> 00:58:18,520
Speaker 1: her on the fucking pole. And let her on fire.

1087
00:58:18,920 --> 00:58:22,440
Speaker 1: Oh my god, she's sorry as hell. I don't know

1088
00:58:22,480 --> 00:58:23,959
Speaker 1: how you don't think she was a witch. She sees

1089
00:58:23,960 --> 00:58:28,040
Speaker 1: a dead sorry. She got all of it right, you

1090
00:58:28,120 --> 00:58:29,640
Speaker 1: know what I'm saying. She saw a dead person on

1091
00:58:29,680 --> 00:58:33,160
Speaker 1: the stage. Nobody else saw that dead ass motherfucker but her.

1092
00:58:34,000 --> 00:58:36,120
Speaker 1: She is a witch. This is a connection she had,

1093
00:58:36,280 --> 00:58:42,360
Speaker 1: man to the witch world, to the witch world anyway, man, Yeah,

1094
00:58:42,360 --> 00:58:44,280
Speaker 1: I thought. I thought even the way he redesigned the

1095
00:58:44,360 --> 00:58:47,160
Speaker 1: set like to be you know, as a dedication to

1096
00:58:47,240 --> 00:58:50,240
Speaker 1: her as well, because she was so connected to the forest,

1097
00:58:50,560 --> 00:58:52,919
Speaker 1: that cave, all of that, so all that he thought

1098
00:58:52,920 --> 00:58:55,680
Speaker 1: about all of that, I thought that was really cool. Man.

1099
00:58:55,880 --> 00:58:58,160
Speaker 1: It was like a love like just like a letter

1100
00:58:58,240 --> 00:59:01,120
Speaker 1: to to her, like because she just would not listen

1101
00:59:01,160 --> 00:59:02,880
Speaker 1: to him, and she and she was mad at him.

1102
00:59:02,880 --> 00:59:05,960
Speaker 1: And this play was so powerful that it basically brought

1103
00:59:06,000 --> 00:59:08,960
Speaker 1: him back together. But we don't know what they got

1104
00:59:09,000 --> 00:59:10,880
Speaker 1: back to. We don't know if they got back together

1105
00:59:11,000 --> 00:59:13,240
Speaker 1: or she. I don't know. He in the city with

1106
00:59:13,360 --> 00:59:16,680
Speaker 1: a big ass house, He wouldn't found some better ship

1107
00:59:18,160 --> 00:59:23,600
Speaker 1: this witch. No more, bro moved up. Have me another

1108
00:59:23,640 --> 00:59:28,720
Speaker 1: song with somebody else. But do y'all have any any,

1109
00:59:29,040 --> 00:59:32,720
Speaker 1: any last thoughts about the about everything but the movie.

1110
00:59:33,000 --> 00:59:35,680
Speaker 1: I'm glad y'all liked it because I was gonna when

1111
00:59:35,680 --> 00:59:38,320
Speaker 1: I walked in here, I was gonna say that we

1112
00:59:38,480 --> 00:59:40,120
Speaker 1: need to be a little bit more discerning about the

1113
00:59:40,160 --> 00:59:42,320
Speaker 1: movies we paid because I really expected everyone here to

1114
00:59:42,360 --> 00:59:44,480
Speaker 1: hate this. I thought I was gonna hate it. But

1115
00:59:44,600 --> 00:59:46,480
Speaker 1: since y'all liked it, then fine, I me, we can

1116
00:59:47,440 --> 00:59:51,520
Speaker 1: yeah where it is this week. And I honestly don't

1117
00:59:51,520 --> 00:59:53,200
Speaker 1: think we always always got a review ship that we

1118
00:59:53,520 --> 00:59:55,960
Speaker 1: know we're gonna like. I don't mind reviewing ship that

1119
00:59:56,480 --> 00:59:58,840
Speaker 1: out of my wheelhouse. I don't either, But if it's

1120
00:59:58,880 --> 01:00:02,680
Speaker 1: something that everybody here yeah, like I don't want to

1121
01:00:02,720 --> 01:00:04,320
Speaker 1: watch this, then that's a different story. That is a

1122
01:00:04,360 --> 01:00:06,680
Speaker 1: different story. So y'all ended up liking it, then it

1123
01:00:06,800 --> 01:00:08,760
Speaker 1: worked out. But I don't want to watch no more

1124
01:00:09,080 --> 01:00:10,000
Speaker 1: Shakespeare bullshit.

1125
01:00:10,640 --> 01:00:12,360
Speaker 3: That's why sometimes I like watch this stuff out of

1126
01:00:12,400 --> 01:00:15,160
Speaker 3: my wheelhouse because I will I may actually end up

1127
01:00:15,200 --> 01:00:15,480
Speaker 3: liking it.

1128
01:00:16,280 --> 01:00:19,080
Speaker 1: I cannot believe you like this anyway. I see the

1129
01:00:19,160 --> 01:00:23,360
Speaker 1: awards with sentimental value with this, I do not see it. Man,

1130
01:00:23,360 --> 01:00:25,080
Speaker 1: I don't even know what this was nominated for the

1131
01:00:25,320 --> 01:00:29,840
Speaker 1: Best Picture that's crazy unless it's to put people to sleep.

1132
01:00:29,960 --> 01:00:32,440
Speaker 1: I don't I don't know, man, this this hit, this

1133
01:00:32,640 --> 01:00:40,120
Speaker 1: hit what this this doesn't even sound right like? I

1134
01:00:40,160 --> 01:00:41,960
Speaker 1: don't know, man, just it was. It was a good

1135
01:00:42,000 --> 01:00:44,560
Speaker 1: story from from starting to finish to me, especially being

1136
01:00:44,640 --> 01:00:48,800
Speaker 1: that that hacause you like romance, but this wasn't really

1137
01:00:48,840 --> 01:00:55,560
Speaker 1: as a trate you like. And then the you know,

1138
01:00:55,880 --> 01:00:59,919
Speaker 1: the sort of overhanging thing of her being a witch

1139
01:01:00,400 --> 01:01:02,160
Speaker 1: is what I like. See that didn't go anywhere. That

1140
01:01:02,160 --> 01:01:04,680
Speaker 1: didn't go anywhere for him. That's my problem. Don't introduce

1141
01:01:04,760 --> 01:01:06,479
Speaker 1: her being a witch and she's not gonna do nothing cool.

1142
01:01:06,760 --> 01:01:09,919
Speaker 1: I feel like they didn't need that part. How would

1143
01:01:09,960 --> 01:01:12,919
Speaker 1: you expect them, man, I already asked you the fact

1144
01:01:12,960 --> 01:01:14,560
Speaker 1: that they need the witch for it, then they needed

1145
01:01:14,560 --> 01:01:18,080
Speaker 1: in bilical cords. Man, movies do that, not movies like this,

1146
01:01:20,240 --> 01:01:21,960
Speaker 1: movies do this. Maybe they didn't have the bblical cords

1147
01:01:21,960 --> 01:01:23,960
Speaker 1: back in the day like that. I liked it because

1148
01:01:24,280 --> 01:01:26,320
Speaker 1: it was like because they always.

1149
01:01:27,920 --> 01:01:29,960
Speaker 3: They always accused people to being a witch, but without

1150
01:01:30,080 --> 01:01:32,120
Speaker 3: actual real proof, it's just kind of a thing.

1151
01:01:32,200 --> 01:01:33,560
Speaker 1: It's just like you're just talking about some of the

1152
01:01:33,640 --> 01:01:36,000
Speaker 1: rumors and ship like that. Well, if the movie left

1153
01:01:36,040 --> 01:01:38,840
Speaker 1: that ambiguous, that would be a different story. But she's like,

1154
01:01:38,920 --> 01:01:41,040
Speaker 1: oh I see my son on stage and a premonition.

1155
01:01:41,120 --> 01:01:42,440
Speaker 1: It's like, okay, so then you're a witch then so

1156
01:01:42,480 --> 01:01:47,840
Speaker 1: do something cool, fly make some kind of love potion. Yeah,

1157
01:01:47,880 --> 01:01:52,200
Speaker 1: he was hoping for a different movie. I was hoping

1158
01:01:52,240 --> 01:01:54,480
Speaker 1: for something good. Yeah, he was living for something different.

1159
01:01:54,520 --> 01:01:56,520
Speaker 1: But that's fine. But yeah, man, no I enjoyed them.

1160
01:01:56,560 --> 01:01:59,600
Speaker 1: Glad you enjoyed the King would have been up shit

1161
01:01:59,720 --> 01:02:00,400
Speaker 1: create Yeah.

1162
01:02:00,240 --> 01:02:00,480
Speaker 5: I was.

1163
01:02:02,040 --> 01:02:05,320
Speaker 1: Fighting for my life up but but I wouldn't have been. Yeah,

1164
01:02:05,320 --> 01:02:07,800
Speaker 1: it's I thought it was good man. So yeah, I'm

1165
01:02:07,840 --> 01:02:11,200
Speaker 1: glad we are ended up watching it. It wasn't task

1166
01:02:11,280 --> 01:02:13,680
Speaker 1: too though. I will say that this one took me

1167
01:02:13,760 --> 01:02:18,000
Speaker 1: two times to get through. So yeah, but once I

1168
01:02:18,040 --> 01:02:19,200
Speaker 1: got through it, I was like, all right, cool, I

1169
01:02:19,320 --> 01:02:22,000
Speaker 1: like that. But anyway, man, yeah, this has been another

1170
01:02:22,200 --> 01:02:25,360
Speaker 1: France for second episode. Man, we like I said, we

1171
01:02:25,480 --> 01:02:28,120
Speaker 1: reviewed handle it. Make sure you check us out. This

1172
01:02:28,480 --> 01:02:32,040
Speaker 1: is just a regular regular episode, right but yeah, man,

1173
01:02:32,080 --> 01:02:36,640
Speaker 1: make sure you follow us everywhere man, YouTube, fps, podcasts,

1174
01:02:36,800 --> 01:02:41,880
Speaker 1: and also our Patreon where you get like exclusive anniversary reviews,

1175
01:02:42,040 --> 01:02:44,840
Speaker 1: get solo reviews. So yeah, definitely make sure you tune

1176
01:02:44,880 --> 01:02:48,040
Speaker 1: in there. That's our French second Patreon dot com Ford

1177
01:02:48,120 --> 01:02:52,200
Speaker 1: last France per Second podcast, So yeah, man, make sure

1178
01:02:52,200 --> 01:02:54,920
Speaker 1: you check us out. But yeah man, this has been

1179
01:02:54,960 --> 01:02:58,280
Speaker 1: another review. Until next time, peace, peace,