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Speaker 1: Quote from Jason Allen Hammer Casey looks like the hottest

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Speaker 1: lot lizard ever.

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Speaker 2: I'm wearing the WIBC trucker hat. That looks like something

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Speaker 2: Big John Gillis would have had on back in the

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Speaker 2: day right there. Like it's a little faded white hat,

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Speaker 2: the net background. The bill's a little dirty like that

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Speaker 2: bad boy has probably been worn by Big John Gillis

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Speaker 2: and Tom Severina.

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Speaker 3: I didn't even look to see if it's stained on

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Speaker 3: the inside. Let me check, Oh there's a ring.

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Speaker 1: No, no, nobody was wearing makeup. Who had this on? Now?

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Speaker 3: I believe he changed that right now?

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Speaker 1: I bet it wasn't because I believe I got that

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Speaker 1: from my dear friend John Raybold, who is a Indianapolis,

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Speaker 1: Indiana music historian. His house is basically a tribute museum

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Speaker 1: to Indiana radio, and I believe he gave that to

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Speaker 1: me at one point. So I would bet it's in

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Speaker 1: pretty tiptop shape.

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Speaker 2: Says, we're kind of going down this little trip down

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Speaker 2: nostalgia lane here, Can I just say the one thing

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Speaker 2: that I miss and I get why they changed it,

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Speaker 2: But a number of years ago, when we went away

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Speaker 2: from that awesome top of the hour, iconic, do do.

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Speaker 2: They tried to make it more modern.

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Speaker 3: I get it.

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Speaker 2: They didn't want WIBC to sound like the old Guys station.

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Speaker 3: But man, I missed that. I agree. Like when you

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Speaker 3: hear that Top.

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Speaker 2: Of the Hour you know Radio Indiana, Dude, the hair

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Speaker 2: on your arm stands up.

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Speaker 3: That was so good.

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Speaker 1: Well, I would say you should go find it and

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Speaker 1: play it today, but well that system's broken.

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Speaker 3: We have no archives, there's nothing left it all. It's

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Speaker 3: all over.

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Speaker 1: So so I'm curious to get your perspective on this

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Speaker 1: last segment. Casey and I were talking about, you know,

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Speaker 1: I had that fabulous collection of stuff.

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Speaker 3: On my desk.

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Speaker 1: It was just a just a pile of stuff that

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Speaker 1: people had given me and whatever over the years, listeners, whatever.

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Speaker 1: And one of the things that Casey said I could

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Speaker 1: not I could not take with me. I had to

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Speaker 1: get rid of is years ago. Well before I met

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Speaker 1: my wife, a person I was engaged in a social

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Speaker 1: experiment with gave me two pieces of art. That's what

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Speaker 1: she did for her, Like hobby was art, and so

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Speaker 1: I just had it and kept it with me, and

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Speaker 1: it was and there was a good, cool piece of

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Speaker 1: art because like, oh, I want to see that person

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Speaker 1: or be around. There's just two cool pieces of art

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Speaker 1: that fit the hodgepodge of stuff that I had on

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Speaker 1: the you know, in the ensemble in my office. And

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Speaker 1: Casey said, absolutely not. You can't take that home, even

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Speaker 1: if you really like the piece of art. And I said,

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Speaker 1: I guarantee Hammer will say I could take that home.

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Speaker 1: I feel like I'm missing some context here.

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Speaker 3: Were you dating the artist? Did you hook U? Yeah?

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Speaker 1: That's what i'maying, Like I was, you know, okay, you

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Speaker 1: said like social expos trying to be light for a

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Speaker 1: family orient appropriate, but to me, like, I'm an actual guy.

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Speaker 1: For five seconds here you were banging this chick that

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Speaker 1: did art you wanted to hear.

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Speaker 3: Take it home? Is that what we're talking about?

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Speaker 1: Casey? Can you just be a human for five seconds

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Speaker 1: to dork.

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Speaker 3: Because of this? You know what, Go ahead and take

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Speaker 3: it home. Take it home. I hope you tick off

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Speaker 3: your wife. I gave it to Kevin. I gave it

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Speaker 3: to Kevin. How was the art? Kevin? Was it like tasteful?

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Speaker 3: It's very tasteful. What is the art like? What is it?

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Speaker 2: There's one that's like a collage and it's.

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Speaker 3: Got different public figures mixed in there. It's a painting

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Speaker 3: of the sun, like an artistic painting of the sun. Yeah.

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Speaker 3: I mean it's really good stuff. So let me go

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Speaker 3: to Casey.

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Speaker 2: Then let's say that one of Rob's exes had an

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Speaker 2: actual copy of the Declaration of Independence.

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Speaker 3: It's worth a bunch of money. So you're not allowed

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Speaker 3: to take that home either. Well that's different. No it's not.

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Speaker 3: It's the same theory.

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Speaker 2: No, that's that's something historical for the country he's talking about.

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Speaker 1: Your argument is that it came from this woman, so

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Speaker 1: you can't take it home. I think he's got you,

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Speaker 1: cav Can I have the art back?

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Speaker 3: I would say, well, yeah, you did.

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Speaker 2: You got said the art becomes irrelevant in your argument

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Speaker 2: because it's about who made it.

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Speaker 3: Yeah, it's about the emotional attachment that he has to

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Speaker 3: no emotional attachment to it.

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Speaker 1: I just like it because it was a cool looking

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Speaker 1: piece of art, like it ever, said her. I thought, oh,

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Speaker 1: this makes me think of whatever. It's just like if

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Speaker 1: a guy off the street had given it to me,

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Speaker 1: I would have felt the same way about it.

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Speaker 3: It's just a cool art. Okay, Look at all the

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Speaker 3: crap I had in there. Look the way you're wearing

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Speaker 3: on the.

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Speaker 1: Top of your head Casey, what happened to my courtroom sketches?

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Speaker 3: I gave them to you?

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Speaker 1: I did have them until yesterday, and then I very

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Speaker 1: clearly asked you do you want these courtroom sketches of

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Speaker 1: Gabe of Gabe Whitley and that.

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Speaker 3: She'll allow him to take home.

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Speaker 1: No, she specifically said, don't be bringing any of your

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Speaker 1: crap home.

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Speaker 3: We don't have any room for it.

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Speaker 2: Yeah, that's it's gonna be interesting where we uh set

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Speaker 2: up shop tomorrow if that's when we start.

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Speaker 3: Are you bringing anything home with you? What do you so?

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Speaker 2: I brought like picture Brews, you know, the pictures and

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Speaker 2: the booze, which the booze is sponsored, by the way,

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Speaker 2: by our good friends and Thompson.

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Speaker 3: Furniture Mattress, so it has to come over. Yeah, that's right.

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Speaker 2: So I think what we're gonna do is take the

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Speaker 2: fridge that we have, put it in the air studio,

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Speaker 2: but put a lock on it. Oh yeah, So that

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Speaker 2: way those no good weekend bums can stay out of it,

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Speaker 2: and poor people like Rob can stay out of it too.

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Speaker 3: Thank you.

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Speaker 1: I do love that at Duels, to its credit, has

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Speaker 1: cleaned almost his entire office out. I don't know how

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Speaker 1: many storage lockers he ended up getting for all of

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Speaker 1: those comic books.

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Speaker 3: Dude.

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Speaker 2: It went from like embarrassing to just bad, like it's

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Speaker 2: not good yet.

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Speaker 3: It's not good yet.

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Speaker 1: No, like anybody else would say, oh my god, clean

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Speaker 1: this office. But compared to what it was before, hey,

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Speaker 1: he cleaned it up pretty good.

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Speaker 2: It was a Hoarders episode, you know why, because his

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Speaker 2: wife said, don't bring that stuff home, so he kept

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Speaker 2: it to work.

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Speaker 3: What are you doing this afternoon? What's going on?

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Speaker 1: So if it's the final show in this building, we'll

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Speaker 1: take a little trip down memory lane.

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Speaker 3: I don't know if it is or not.

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Speaker 2: If and then uh, we've got Tony Kennett calling in

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Speaker 2: and we're counting down.

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Speaker 3: I guess it's twas the night before the redistrict.

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Speaker 2: We'll find out what the what the temperature is?

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Speaker 3: All right, thank you hammer.

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Speaker 2: It is Kendall and Casey on ninety three WYBC.

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Speaker 3: Good