1 00:00:06,840 --> 00:00:08,320 Speaker 1: Someone said, Stevie wonder listening. 2 00:00:10,560 --> 00:00:11,560 Speaker 2: Yeah, that's a good. 3 00:00:11,360 --> 00:00:14,080 Speaker 3: One, man, But thank y'all for coming through tonight. 4 00:00:14,200 --> 00:00:14,440 Speaker 4: Man. 5 00:00:14,640 --> 00:00:16,079 Speaker 3: You know what I'm saying this is this is a 6 00:00:16,120 --> 00:00:18,720 Speaker 3: special one for me in particular. Man, I've been offiting 7 00:00:18,720 --> 00:00:22,760 Speaker 3: this guy for a very long time, and even when 8 00:00:22,760 --> 00:00:24,360 Speaker 3: I was behind the camera, I think the first time 9 00:00:24,400 --> 00:00:26,760 Speaker 3: I got in front of the camera to express how 10 00:00:26,840 --> 00:00:29,360 Speaker 3: much I enjoyed his music. 11 00:00:29,240 --> 00:00:31,240 Speaker 1: Was I was an elephant in the room. 12 00:00:31,240 --> 00:00:33,159 Speaker 5: I think it's the first one, and then I you 13 00:00:33,200 --> 00:00:34,960 Speaker 5: mean the first one that we were not that we 14 00:00:35,000 --> 00:00:37,199 Speaker 5: review started from the water, But I'm just saying I 15 00:00:37,240 --> 00:00:39,080 Speaker 5: was always behind the camera. I think the first time 16 00:00:39,120 --> 00:00:41,360 Speaker 5: I got in front of the camera to express how 17 00:00:41,440 --> 00:00:44,000 Speaker 5: much I liked his music was a elephant in the room. 18 00:00:43,840 --> 00:00:44,599 Speaker 2: If I'm not mistaken. 19 00:00:45,280 --> 00:00:48,040 Speaker 5: And then from there everything he's been really man, man's 20 00:00:48,120 --> 00:00:49,680 Speaker 5: just crazy crazy Man. 21 00:00:50,800 --> 00:00:52,199 Speaker 1: I'm sorry talking while. 22 00:00:54,040 --> 00:00:57,840 Speaker 3: Man, but hey, man, this man he needs no introduction, really, 23 00:00:58,200 --> 00:01:01,280 Speaker 3: like yad, I'm really excited. This is probably one of 24 00:01:01,360 --> 00:01:04,360 Speaker 3: my most excited ones. I was like that with Rome Streets. Yeah, 25 00:01:04,400 --> 00:01:08,280 Speaker 3: but no, seriously, no, I mean, if anybody watches the show, 26 00:01:08,360 --> 00:01:10,360 Speaker 3: y'all know I'm a big He's one of my favorites 27 00:01:10,440 --> 00:01:10,759 Speaker 3: or whatever. 28 00:01:10,840 --> 00:01:15,240 Speaker 5: So yeah, definitely exciting wins Chicago. You know what I'm saying, man, Midwest. 29 00:01:14,840 --> 00:01:16,040 Speaker 1: Love we out here. 30 00:01:16,360 --> 00:01:20,319 Speaker 3: Man, I'm saying, finally, finally happy to get him here 31 00:01:20,400 --> 00:01:23,480 Speaker 3: with us to uh, you know, talk talk to mom 32 00:01:23,560 --> 00:01:26,080 Speaker 3: some music, man and you know, hear something from the past. 33 00:01:26,240 --> 00:01:27,800 Speaker 1: If you if you it's your first time. 34 00:01:27,640 --> 00:01:29,800 Speaker 3: To the show, man, the way this goes down, you know, 35 00:01:29,880 --> 00:01:32,960 Speaker 3: we got questions came into Patreon, so if you you know, uh, 36 00:01:33,440 --> 00:01:36,680 Speaker 3: if you're Patreon supporter, you had your We saw your questions, 37 00:01:36,680 --> 00:01:38,840 Speaker 3: so we're going to ask those towards the end of 38 00:01:38,880 --> 00:01:41,160 Speaker 3: the show. If you want to do that next time, man, 39 00:01:41,440 --> 00:01:43,640 Speaker 3: make sure you come appoint Patreon supporter Patreon dot com 40 00:01:43,680 --> 00:01:46,520 Speaker 3: for slash Dead in hip Hop appreciate the yeah for sure. 41 00:01:46,560 --> 00:01:47,360 Speaker 1: That way you can get your. 42 00:01:47,280 --> 00:01:52,280 Speaker 3: Voice heard members super test things like that. Man, So yeah, 43 00:01:52,360 --> 00:01:53,680 Speaker 3: just make sure you you know, you're a part of 44 00:01:53,720 --> 00:01:55,360 Speaker 3: the community so your voice can be heard on this 45 00:01:55,440 --> 00:01:58,080 Speaker 3: show and get to interact with, you know, artists like 46 00:01:58,160 --> 00:02:00,680 Speaker 3: Mick Jenkins. So yeah, man, what we do is we 47 00:02:00,760 --> 00:02:05,440 Speaker 3: play uh one song you know from his older catalog. 48 00:02:05,520 --> 00:02:07,480 Speaker 3: We play a current song and we play something that 49 00:02:07,600 --> 00:02:09,880 Speaker 3: is unreleased. 50 00:02:12,280 --> 00:02:12,520 Speaker 1: Release. 51 00:02:12,600 --> 00:02:14,720 Speaker 3: And I know he got so because I m say like, 52 00:02:15,320 --> 00:02:16,560 Speaker 3: you know what I'm saying, like we you know, we 53 00:02:16,600 --> 00:02:17,600 Speaker 3: had to chop something off. 54 00:02:17,639 --> 00:02:17,799 Speaker 6: Man. 55 00:02:17,840 --> 00:02:20,080 Speaker 5: I know, I know he's sitting on some ship. 56 00:02:20,560 --> 00:02:22,360 Speaker 1: I know he's sitting on some ship. And that's another 57 00:02:22,360 --> 00:02:24,640 Speaker 1: thing to man, we don't listen to him. We don't listen. 58 00:02:24,680 --> 00:02:27,040 Speaker 1: Well I don't. I don't know. I don't. I don't 59 00:02:27,240 --> 00:02:29,840 Speaker 1: listen to like what he picks to play. 60 00:02:29,880 --> 00:02:32,280 Speaker 3: So I'm always curious to see what the artists themselves 61 00:02:32,280 --> 00:02:36,000 Speaker 3: picked to play from the past, current, and future. So 62 00:02:36,000 --> 00:02:38,240 Speaker 3: so yeah, man, without further ado, Man, I don't even 63 00:02:38,280 --> 00:02:42,280 Speaker 3: want to wait any longer. Man, the one and only 64 00:02:42,560 --> 00:02:44,919 Speaker 3: Mick Jenkins is on dead end hipping. 65 00:02:47,560 --> 00:02:50,679 Speaker 2: What's up, man, what's going on? Man? I appreciate you, man, 66 00:02:50,720 --> 00:02:51,720 Speaker 2: for real. 67 00:02:51,880 --> 00:02:54,120 Speaker 1: No, Man, we appreciate you coming on. Appreciate you. I'm 68 00:02:54,160 --> 00:02:55,359 Speaker 1: glad we could finally work it out. 69 00:02:55,400 --> 00:02:57,520 Speaker 3: I know we have been trying to get the schedules, 70 00:02:57,560 --> 00:02:58,280 Speaker 3: a line and everything. 71 00:02:58,320 --> 00:03:00,200 Speaker 1: Man, So I'm just glad it finally a line and 72 00:03:00,680 --> 00:03:01,440 Speaker 1: got you on here. 73 00:03:03,400 --> 00:03:05,440 Speaker 3: I know fIF has been doing most of the correspondence 74 00:03:05,480 --> 00:03:07,400 Speaker 3: with you, man, but like I was telling them, you know, 75 00:03:07,480 --> 00:03:10,120 Speaker 3: he just moved to Dallas h with his you know, 76 00:03:10,200 --> 00:03:12,200 Speaker 3: family and stuff like that, but he'll be back and 77 00:03:12,240 --> 00:03:14,960 Speaker 3: forth to Atlanta because that's what we are now in Atlanta. 78 00:03:15,520 --> 00:03:16,600 Speaker 1: So yeah, man, No. 79 00:03:16,800 --> 00:03:18,720 Speaker 4: I want to I want to just say off top, like, 80 00:03:19,919 --> 00:03:22,760 Speaker 4: I really appreciate what y'all do. I think y'all want 81 00:03:22,800 --> 00:03:25,600 Speaker 4: of the best, one of the best things smoking when 82 00:03:25,600 --> 00:03:27,040 Speaker 4: they come to hip hop media, I. 83 00:03:27,000 --> 00:03:28,840 Speaker 1: Think, Wow. 84 00:03:29,600 --> 00:03:35,520 Speaker 4: I think something that's really important to me is how 85 00:03:35,720 --> 00:03:38,680 Speaker 4: niggas talk about our art and how niggas represent our art. 86 00:03:38,800 --> 00:03:43,480 Speaker 4: And I think what has always been I recognize it immediately, 87 00:03:44,560 --> 00:03:48,920 Speaker 4: but it's always been like exactly like, yeah, I knew 88 00:03:48,920 --> 00:03:52,840 Speaker 4: it every time I tune in and watch some ship is. 89 00:03:54,400 --> 00:04:00,240 Speaker 4: Music is so objective, it's so subjective. It's so so 90 00:04:00,320 --> 00:04:02,720 Speaker 4: much nuanced. There's so much what I like versus what 91 00:04:02,800 --> 00:04:06,600 Speaker 4: you like. What I constantly see is that y'all challenge 92 00:04:06,600 --> 00:04:10,360 Speaker 4: each other's opinions to a certain level of explanation that 93 00:04:10,480 --> 00:04:15,640 Speaker 4: helps you understand, you know, with all of y'all contributing 94 00:04:16,240 --> 00:04:19,480 Speaker 4: a balance of where to decide how you feel about 95 00:04:19,480 --> 00:04:21,560 Speaker 4: the music, or where to decide whether you're gonna check 96 00:04:21,600 --> 00:04:22,240 Speaker 4: something out or not. 97 00:04:22,279 --> 00:04:26,200 Speaker 2: You know what I'm saying like, yeah, I love that 98 00:04:26,400 --> 00:04:28,920 Speaker 2: Ken early on wasn't really fussing me, you know what 99 00:04:28,960 --> 00:04:32,080 Speaker 2: I'm saying, because. 100 00:04:32,040 --> 00:04:35,000 Speaker 4: In the landscape of the conversation, I got to see 101 00:04:35,440 --> 00:04:38,200 Speaker 4: how five different niggas enjoyed listening to music. I don't 102 00:04:38,200 --> 00:04:40,200 Speaker 4: think your guy is here or I got the wrong, 103 00:04:40,240 --> 00:04:48,479 Speaker 4: but the one who just like bumping it in the whip, like, that's. 104 00:04:45,920 --> 00:04:51,880 Speaker 2: A very important part of listening to music and enjoying music. 105 00:04:52,040 --> 00:04:54,760 Speaker 4: But if that's the only place the opinion comes from, 106 00:04:54,960 --> 00:04:57,000 Speaker 4: then it's various you. And so I think it's like 107 00:04:57,440 --> 00:05:00,520 Speaker 4: almost essential to have multiple people contribut get into the 108 00:05:00,560 --> 00:05:05,200 Speaker 4: conversation when reviewing or when talking about how good or 109 00:05:05,240 --> 00:05:09,279 Speaker 4: bad music is, because not only do those opinions get expressed, 110 00:05:09,279 --> 00:05:11,880 Speaker 4: they get challenged and they get defended, you know what 111 00:05:11,920 --> 00:05:13,880 Speaker 4: I'm saying. And I think that gets your full scope 112 00:05:13,880 --> 00:05:17,919 Speaker 4: of understanding how something is being received and impact and 113 00:05:17,960 --> 00:05:22,840 Speaker 4: how it's the impact of it. Most niggas just spearhead 114 00:05:22,880 --> 00:05:25,520 Speaker 4: talking about these things by themselves, and it just leaves 115 00:05:25,560 --> 00:05:29,480 Speaker 4: you a very warped version of a review or you know, 116 00:05:30,440 --> 00:05:34,640 Speaker 4: a dive into perspective and music. So I really appreciate 117 00:05:34,680 --> 00:05:36,680 Speaker 4: what y'all do, Like I think this is one of 118 00:05:36,680 --> 00:05:37,880 Speaker 4: the best ways to do it. 119 00:05:39,000 --> 00:05:40,480 Speaker 2: Man, hands down. 120 00:05:40,600 --> 00:05:43,479 Speaker 4: Y'all all seem very knowledgeable and care about music, so 121 00:05:43,560 --> 00:05:44,839 Speaker 4: I just want to give you all all flowers. 122 00:05:44,880 --> 00:05:46,599 Speaker 2: I'm really excited to be here for real. 123 00:05:46,839 --> 00:05:50,159 Speaker 3: I really appreciate that. I know we reviewed No Name 124 00:05:50,200 --> 00:05:53,279 Speaker 3: one time and No Name was just like she she 125 00:05:53,480 --> 00:05:56,080 Speaker 3: likes to if you're watching part. I remember she said, 126 00:05:56,120 --> 00:05:57,600 Speaker 3: like she thought that part. 127 00:05:57,400 --> 00:06:00,320 Speaker 1: Was really cool. Yeah, that we added later. 128 00:06:00,360 --> 00:06:02,279 Speaker 3: I think I think we started doing if You're watch 129 00:06:02,360 --> 00:06:05,719 Speaker 3: it on It might have been a circus. I forgot 130 00:06:05,720 --> 00:06:07,760 Speaker 3: which review it was, ever, But that's when we talk 131 00:06:07,839 --> 00:06:10,200 Speaker 3: directly to the artist, you know, just just letting you know, 132 00:06:10,279 --> 00:06:12,960 Speaker 3: like it's it's just you know, it's just our opinion 133 00:06:13,000 --> 00:06:15,159 Speaker 3: on things, and we just want to let you know, like, look, 134 00:06:15,440 --> 00:06:16,920 Speaker 3: we ain't trying to hide you know what I mean, 135 00:06:17,000 --> 00:06:19,360 Speaker 3: Like this is our real opinion and this is how 136 00:06:19,400 --> 00:06:21,360 Speaker 3: we feel. And if you feel some type of way 137 00:06:21,360 --> 00:06:22,640 Speaker 3: of body, like you know what I'm saying, we could 138 00:06:22,680 --> 00:06:23,520 Speaker 3: talk about it or whatever. 139 00:06:23,560 --> 00:06:25,159 Speaker 1: But I like that you played our kick. We always 140 00:06:25,200 --> 00:06:27,240 Speaker 1: tease king about it, we do every time. 141 00:06:27,279 --> 00:06:32,440 Speaker 6: We always we mess with kid every time, like you. 142 00:06:32,360 --> 00:06:33,359 Speaker 2: Know what I think. 143 00:06:33,480 --> 00:06:36,200 Speaker 4: But when it comes in the discussion like this is 144 00:06:36,400 --> 00:06:38,279 Speaker 4: this is what made it very comfortable for me, Like 145 00:06:39,240 --> 00:06:44,000 Speaker 4: y'all ma can't explain themselves, so it comes off defense, 146 00:06:44,640 --> 00:06:47,080 Speaker 4: right for myself as the artist, it comes off defense, 147 00:06:47,120 --> 00:06:49,080 Speaker 4: It's like, okay, well, what does he have to say it? 148 00:06:49,120 --> 00:06:51,040 Speaker 4: And it's just like and if and if it's anything 149 00:06:51,080 --> 00:06:52,720 Speaker 4: that makes sense, I don't have to agree. If it's 150 00:06:52,760 --> 00:06:55,400 Speaker 4: anything that makes sense, then to me, it's just like, Okay, 151 00:06:55,560 --> 00:06:57,360 Speaker 4: this is an informed opinion and this ain't just a 152 00:06:57,400 --> 00:06:58,000 Speaker 4: nigga hating. 153 00:06:58,360 --> 00:07:00,840 Speaker 2: Now I can digest it a completely differ, you know what. 154 00:07:00,839 --> 00:07:04,200 Speaker 4: I especially since as black men, y'all, me and my 155 00:07:04,279 --> 00:07:10,840 Speaker 4: niggas talk about music, so you feel like, yes, yeah, man, 156 00:07:11,480 --> 00:07:15,640 Speaker 4: I ain't gonna my handswer lord. When I told these songs, 157 00:07:15,680 --> 00:07:17,440 Speaker 4: I was like, I can't go white. 158 00:07:22,040 --> 00:07:26,080 Speaker 1: I haven't listened to them. I'm looking forward to it. 159 00:07:26,520 --> 00:07:29,360 Speaker 5: And every time you release something that even beers, I 160 00:07:29,400 --> 00:07:32,920 Speaker 5: sent them the link. For a while you was dropping 161 00:07:32,920 --> 00:07:34,800 Speaker 5: stuff on even beers, I'm like, man, I think that's 162 00:07:34,800 --> 00:07:37,360 Speaker 5: so dope, so let's less support. I even tweeted it out. 163 00:07:37,400 --> 00:07:39,120 Speaker 5: I was like, let's support with your link. I said, 164 00:07:39,160 --> 00:07:42,960 Speaker 5: let's support dope artists. Making dope art, like, you know, doing. 165 00:07:42,880 --> 00:07:44,840 Speaker 4: Things that way. We'll end up talking about it on here. 166 00:07:44,880 --> 00:07:46,960 Speaker 4: But yeah, I wanted to make sure I gave you 167 00:07:46,960 --> 00:07:47,920 Speaker 4: all the flowers first. 168 00:07:49,120 --> 00:07:52,440 Speaker 1: Appreciate you appreciate that for sure. That means do you 169 00:07:52,480 --> 00:07:54,440 Speaker 1: have anything anything you want to say to that? No, 170 00:07:54,520 --> 00:07:56,760 Speaker 1: I mean, you know, don't get a twist. I can't 171 00:07:56,760 --> 00:07:57,160 Speaker 1: be a hater. 172 00:07:57,280 --> 00:08:04,880 Speaker 6: But that now, it wasn't that with your music, you know. 173 00:08:04,960 --> 00:08:07,120 Speaker 6: I you know, I saw one of your responses to 174 00:08:07,280 --> 00:08:08,320 Speaker 6: one of the later albums. 175 00:08:08,360 --> 00:08:09,760 Speaker 1: Eventually, you know, I got there. 176 00:08:09,800 --> 00:08:12,000 Speaker 6: The funny thing is I actually do go back and listen, 177 00:08:12,720 --> 00:08:16,679 Speaker 6: uh to the earlier projects, just because music is so interesting. 178 00:08:16,720 --> 00:08:19,559 Speaker 6: Because we talked about twenty one Savage yep, early didn't 179 00:08:19,600 --> 00:08:20,480 Speaker 6: like twenty one Savage. 180 00:08:20,840 --> 00:08:21,280 Speaker 1: I came up. 181 00:08:21,800 --> 00:08:25,160 Speaker 6: So I'll go back and listen to just see like 182 00:08:25,240 --> 00:08:28,920 Speaker 6: where I'm at in present day. Yeah, to see you know, 183 00:08:29,160 --> 00:08:32,920 Speaker 6: if I was tripping or not. But yeah, yeah, but 184 00:08:33,040 --> 00:08:35,520 Speaker 6: that's you know, that's just how how you know how 185 00:08:35,559 --> 00:08:35,719 Speaker 6: I do? 186 00:08:36,160 --> 00:08:39,800 Speaker 1: Uh, And I take the craft man for sure. Man 187 00:08:39,840 --> 00:08:40,240 Speaker 1: for sure. 188 00:08:40,600 --> 00:08:43,120 Speaker 3: Man, I'm just ready to get into the music. So 189 00:08:43,160 --> 00:08:45,640 Speaker 3: I'm so curious to see what you picked, bro. So 190 00:08:46,320 --> 00:08:48,000 Speaker 3: I mean we're gonna go ahead and get in toward man, 191 00:08:48,000 --> 00:08:49,680 Speaker 3: because we got a lot of questions in for you. 192 00:08:49,720 --> 00:08:51,880 Speaker 3: Already knew that was going to happen, man, because I said, 193 00:08:51,880 --> 00:08:54,960 Speaker 3: we pretty much withview every one of your projects. 194 00:08:55,120 --> 00:08:56,760 Speaker 1: With the session of like pieces of Men. 195 00:08:56,800 --> 00:08:58,120 Speaker 5: I think that's the only that's the only one we 196 00:08:58,120 --> 00:09:01,000 Speaker 5: I don't know why we get to that, yeah, ep joints, 197 00:09:01,040 --> 00:09:03,079 Speaker 5: But I think we had it in like our year 198 00:09:03,160 --> 00:09:03,560 Speaker 5: end list. 199 00:09:03,920 --> 00:09:05,440 Speaker 1: I know I did. I think I had in my 200 00:09:05,520 --> 00:09:07,520 Speaker 1: year end list one year. But yeah, we didn't. I 201 00:09:07,520 --> 00:09:09,000 Speaker 1: don't know why we didn't review pieces of Man. 202 00:09:09,480 --> 00:09:11,880 Speaker 3: Yeah, I got you all right, man, So let's start 203 00:09:11,880 --> 00:09:14,600 Speaker 3: with this with your older joint. 204 00:09:14,640 --> 00:09:17,040 Speaker 1: Man, tell us about what you picked and why you 205 00:09:17,120 --> 00:09:18,800 Speaker 1: picked it these. 206 00:09:21,360 --> 00:09:25,840 Speaker 4: Yeah, I didn't want to go too far back. Actually, Yeah, 207 00:09:25,920 --> 00:09:31,719 Speaker 4: I'm in this situation where everything that is previous to 208 00:09:34,960 --> 00:09:37,920 Speaker 4: the patients. Yeah, that's what that's wrong, Everything before the patients. 209 00:09:39,120 --> 00:09:41,240 Speaker 4: I don't even own one hundred percent of that, you 210 00:09:41,280 --> 00:09:43,800 Speaker 4: know what I'm saying. And I'm just in a new 211 00:09:44,000 --> 00:09:46,280 Speaker 4: space in my career, you know what I'm saying, where 212 00:09:46,640 --> 00:09:50,400 Speaker 4: I'm way more focused about what I'm doing right now. 213 00:09:50,440 --> 00:09:52,480 Speaker 4: And a big part of that is even in my mind, 214 00:09:52,520 --> 00:09:55,640 Speaker 4: like I've separated my catalog of like, Okay, this was 215 00:09:56,520 --> 00:09:58,680 Speaker 4: those ten years, and those ten years was when I 216 00:09:58,679 --> 00:10:02,720 Speaker 4: didn't have shit together. I'm saying, like from being in 217 00:10:02,760 --> 00:10:05,720 Speaker 4: a bad deal and growing to the point of getting 218 00:10:05,720 --> 00:10:08,000 Speaker 4: out of it and recognizing how to do business differently, 219 00:10:08,200 --> 00:10:09,800 Speaker 4: right I do the Patients on? 220 00:10:10,040 --> 00:10:10,840 Speaker 1: Is that for me? 221 00:10:12,360 --> 00:10:15,559 Speaker 4: And so I separate those things now, you know what 222 00:10:15,600 --> 00:10:18,560 Speaker 4: I'm saying. It's like I'm a completely different person than 223 00:10:18,600 --> 00:10:22,000 Speaker 4: I was for those ten years, and now I'm looking 224 00:10:22,040 --> 00:10:25,920 Speaker 4: to do something different with these next ten years. And 225 00:10:26,000 --> 00:10:28,040 Speaker 4: so I didn't want to go too far back because 226 00:10:28,240 --> 00:10:30,600 Speaker 4: that's how I think about that. So I chose Guapanese 227 00:10:30,640 --> 00:10:32,959 Speaker 4: just because for me, that's my favorite song off The Patients. 228 00:10:34,600 --> 00:10:36,880 Speaker 4: And I'm in different stages of my writing, and right 229 00:10:36,920 --> 00:10:39,560 Speaker 4: now I'm in a stage where I'm trying to say 230 00:10:39,600 --> 00:10:43,360 Speaker 4: a lot more with a lot less. I think we 231 00:10:43,440 --> 00:10:47,160 Speaker 4: know Mick Jenkins can be wordy, wordy, wordy rapping certains, 232 00:10:47,160 --> 00:10:49,080 Speaker 4: you know what I'm saying, Like, I'm really trying to 233 00:10:49,120 --> 00:10:54,560 Speaker 4: practice speaking speaking louder and deeper with fewer words, and 234 00:10:54,600 --> 00:10:56,839 Speaker 4: I think Guapanese is a good example of what I mean. 235 00:10:57,080 --> 00:10:59,000 Speaker 4: That doesn't mean I always got to sound like this. 236 00:10:59,520 --> 00:11:01,440 Speaker 4: But but like I said, I think this is a 237 00:11:01,440 --> 00:11:03,920 Speaker 4: good example of me trying to do that, and I'm 238 00:11:03,920 --> 00:11:04,960 Speaker 4: looking to do more of that. 239 00:11:05,520 --> 00:11:07,360 Speaker 1: You was talking like you was, piste off. 240 00:11:08,480 --> 00:11:09,520 Speaker 2: I love that ship. 241 00:11:09,920 --> 00:11:12,319 Speaker 5: I fucking love that ship. Oh my god, I love 242 00:11:12,360 --> 00:11:12,680 Speaker 5: that ship. 243 00:11:13,240 --> 00:11:15,240 Speaker 1: Okay, we go ahead, but I love that ship. 244 00:11:27,559 --> 00:11:34,120 Speaker 2: Gotta let this bitch pree. I love that ship right right. 245 00:11:36,600 --> 00:11:39,960 Speaker 1: I love performing that year. Oh man, I know. 246 00:11:40,080 --> 00:11:44,480 Speaker 5: Performing that ship hits every fucking time, every fucking time. 247 00:11:44,600 --> 00:11:48,960 Speaker 4: It's usually my last song right after right after some 248 00:11:49,120 --> 00:11:51,120 Speaker 4: lit ship, like I ad after some ship that make 249 00:11:51,200 --> 00:11:53,520 Speaker 4: you you know what I'm saying, something like Truffles. 250 00:11:53,559 --> 00:11:55,640 Speaker 2: I played after Truffles or something like that. 251 00:11:55,679 --> 00:12:06,800 Speaker 4: Okay, but I am screaming at niggas face like like 252 00:12:07,520 --> 00:12:13,920 Speaker 4: yeah you you you the nigga, yeah you and and 253 00:12:13,960 --> 00:12:17,280 Speaker 4: it really sobers people up and it's like god damn, 254 00:12:17,320 --> 00:12:18,880 Speaker 4: why is he And it's like then it makes you 255 00:12:18,920 --> 00:12:21,160 Speaker 4: really think about what I'm saying, Like you know what 256 00:12:21,200 --> 00:12:24,760 Speaker 4: I'm saying, like, uh yeah, I love performing that ship. 257 00:12:24,800 --> 00:12:26,120 Speaker 2: Niggas, don't be expecting at all. 258 00:12:26,640 --> 00:12:28,600 Speaker 3: The one the one off of the off of patience 259 00:12:28,600 --> 00:12:30,679 Speaker 3: that I that I'm like pointing that niggas I'm in 260 00:12:30,679 --> 00:12:35,400 Speaker 3: my car, can't tell me this pasta man, Like yeah, 261 00:12:35,640 --> 00:12:39,680 Speaker 3: same energy, bro, Like, Bro, don't even look at don't 262 00:12:39,679 --> 00:12:46,200 Speaker 3: even look at the hardest nigga alive playing that, Like, 263 00:12:46,240 --> 00:12:48,040 Speaker 3: you can't tell me I ain't the hardest nigga alive 264 00:12:48,120 --> 00:12:50,959 Speaker 3: playing that ship. Yeah, I'll be whipping in that we're 265 00:12:50,960 --> 00:12:53,800 Speaker 3: playing that. Possibly I had, but this one too, man, 266 00:12:53,840 --> 00:12:56,160 Speaker 3: but postive to man, that's that one. I see people 267 00:12:56,480 --> 00:12:58,920 Speaker 3: in the chat saying, like I seen somebody said that 268 00:13:00,120 --> 00:13:05,840 Speaker 3: the one with like yeah man, but yeah, yeah, yeah 269 00:13:06,760 --> 00:13:10,560 Speaker 3: yeah man. Man, it's so dope that you uh, he's 270 00:13:10,559 --> 00:13:12,840 Speaker 3: doing it like this is crazy. This is like some 271 00:13:12,920 --> 00:13:15,360 Speaker 3: real that like this is that he's actually playing the 272 00:13:15,400 --> 00:13:16,319 Speaker 3: tracks that he wanted to. 273 00:13:16,520 --> 00:13:18,000 Speaker 1: Like, man, that's amazing. 274 00:13:18,040 --> 00:13:18,160 Speaker 6: Bro. 275 00:13:18,320 --> 00:13:19,400 Speaker 1: Again, I just. 276 00:13:19,320 --> 00:13:22,120 Speaker 3: Really, really really appreciate it, bro, And it's great that 277 00:13:22,200 --> 00:13:27,120 Speaker 3: you are the man himself is rapping. 278 00:13:25,520 --> 00:13:31,360 Speaker 1: I love it. I mean, you know what I'm saying 279 00:13:32,200 --> 00:13:37,840 Speaker 1: better than us, I guess. Yeah, I had to myself. 280 00:13:38,120 --> 00:13:41,000 Speaker 3: I know, took everything give me not to be rapping 281 00:13:41,000 --> 00:13:41,720 Speaker 3: it out loud. 282 00:13:42,320 --> 00:13:43,360 Speaker 1: It takes everything give me. 283 00:13:43,440 --> 00:13:47,680 Speaker 5: That's this bitch, brief man, that's my ship. How you 284 00:13:47,679 --> 00:13:49,720 Speaker 5: feel about the state of the state of Chicago as 285 00:13:49,760 --> 00:13:51,199 Speaker 5: far as hip hop right now, because I feel like 286 00:13:51,280 --> 00:13:53,960 Speaker 5: y'all got y'all got some lot of heavy hitters. 287 00:13:54,040 --> 00:13:55,400 Speaker 1: That's that's coming up, that's making. 288 00:13:55,679 --> 00:13:59,160 Speaker 3: And I argue, don't you know marv One the battle 289 00:13:59,200 --> 00:14:03,440 Speaker 3: Rapper's he's a battle rapper out of Detroit. Uh, Man, 290 00:14:03,480 --> 00:14:05,960 Speaker 3: I are like, I literally are. We had listening with 291 00:14:06,080 --> 00:14:08,920 Speaker 3: him and He's like, man, Detroit got the best niggas. 292 00:14:09,280 --> 00:14:11,200 Speaker 3: I was like, Man, I want to about Chicago though, 293 00:14:11,520 --> 00:14:14,880 Speaker 3: And so yeah, we was going artists for artists on 294 00:14:14,920 --> 00:14:15,640 Speaker 3: that when we were. 295 00:14:15,720 --> 00:14:16,760 Speaker 2: Trying what I'd like to hear. 296 00:14:16,880 --> 00:14:18,480 Speaker 4: I think that makes no sense because what I was 297 00:14:18,480 --> 00:14:22,600 Speaker 4: about to say is like for me, especially being an 298 00:14:22,720 --> 00:14:25,520 Speaker 4: artist nobody knew about and then being slowly on the 299 00:14:25,560 --> 00:14:29,560 Speaker 4: come up like that ship don't ever stop, Like there's 300 00:14:29,640 --> 00:14:31,960 Speaker 4: never a pause, you know what I'm saying, Like in 301 00:14:32,000 --> 00:14:35,080 Speaker 4: the in the birth of creativity and new artists and 302 00:14:35,120 --> 00:14:38,080 Speaker 4: new sounds and new groups and new teams and people 303 00:14:38,360 --> 00:14:40,720 Speaker 4: and a new crop of fifty niggas that's all talented, 304 00:14:40,760 --> 00:14:43,400 Speaker 4: from photographers to rappers, to you get a new one 305 00:14:43,440 --> 00:14:44,760 Speaker 4: of those every three four years. 306 00:14:44,760 --> 00:14:46,160 Speaker 2: You feel me like that doesn't stop. 307 00:14:46,480 --> 00:14:50,760 Speaker 4: What stops is the no the awareness, you know what 308 00:14:50,760 --> 00:14:54,520 Speaker 4: I'm saying, Like, sometimes the awareness just keeps getting handed 309 00:14:54,520 --> 00:14:57,200 Speaker 4: off to the next group, and then sometimes it stops, 310 00:14:57,640 --> 00:15:01,600 Speaker 4: and then niggas like damn, where is that? Until those 311 00:15:01,640 --> 00:15:03,520 Speaker 4: people get found again, you know what I'm saying. But 312 00:15:03,840 --> 00:15:05,880 Speaker 4: it's just like, but they've always been cooking, you know 313 00:15:05,920 --> 00:15:07,720 Speaker 4: what I'm saying, They've always been marinated, and they just 314 00:15:07,800 --> 00:15:08,760 Speaker 4: was coming up, you know. 315 00:15:08,720 --> 00:15:09,080 Speaker 1: And so. 316 00:15:10,680 --> 00:15:12,280 Speaker 2: That's something it was easier for me to see. 317 00:15:12,520 --> 00:15:16,280 Speaker 4: The more I'm outside with intention, the more you get 318 00:15:16,400 --> 00:15:17,440 Speaker 4: younger friends. 319 00:15:17,720 --> 00:15:19,760 Speaker 2: And then they got younger friends, you know what I'm saying. 320 00:15:19,800 --> 00:15:23,920 Speaker 4: I was talking about this idea of like as an artist, 321 00:15:24,240 --> 00:15:26,720 Speaker 4: people don't be understanding this, but you need younger people. 322 00:15:26,480 --> 00:15:28,320 Speaker 2: Around you if you're. 323 00:15:28,160 --> 00:15:31,360 Speaker 4: Trying to be in anywhere near the posts of what's 324 00:15:31,400 --> 00:15:33,960 Speaker 4: going on, you know what I'm saying, Like, because once 325 00:15:33,960 --> 00:15:36,280 Speaker 4: you I'm thirty four, Once you reach thirty four, it's 326 00:15:36,320 --> 00:15:42,240 Speaker 4: just like, dude, I don't this this this is a 327 00:15:42,240 --> 00:15:43,880 Speaker 4: real theory I have. It's like, I don't have one 328 00:15:43,920 --> 00:15:46,000 Speaker 4: eighteen year old around me in any way. 329 00:15:45,800 --> 00:15:47,480 Speaker 2: Tape or form. 330 00:15:47,520 --> 00:15:49,440 Speaker 4: When I was twenty six, I used to have two 331 00:15:49,560 --> 00:15:51,680 Speaker 4: or three eighteen year olds around me, not around me, 332 00:15:51,960 --> 00:15:54,560 Speaker 4: but in a way of sense of like every once 333 00:15:54,600 --> 00:15:56,840 Speaker 4: in a while, I see a nigga at the studio 334 00:15:56,960 --> 00:16:00,240 Speaker 4: hell of talented and be like, Yo, what hate team? 335 00:16:00,320 --> 00:16:01,960 Speaker 2: What the fuck are you do? You know what I'm saying. 336 00:16:01,960 --> 00:16:04,400 Speaker 4: And it's just like, there's no wonder why he's here. 337 00:16:04,920 --> 00:16:07,200 Speaker 4: He's talented, you know what I'm saying. That's why he's 338 00:16:07,240 --> 00:16:09,480 Speaker 4: eighteen year old in here with us. You feel me like, 339 00:16:09,720 --> 00:16:11,720 Speaker 4: that's why they're sixteen years old in here with us. 340 00:16:11,800 --> 00:16:15,520 Speaker 4: But what they bring with them is knowledge and influencing 341 00:16:15,560 --> 00:16:19,480 Speaker 4: conversation and lingo and perspective that eighteen year olds have, 342 00:16:20,040 --> 00:16:22,960 Speaker 4: and it informs you the same way that you're informing them. 343 00:16:23,360 --> 00:16:23,600 Speaker 1: Right. 344 00:16:23,680 --> 00:16:26,680 Speaker 4: So it's just like, if I'm thirty, I need some 345 00:16:27,560 --> 00:16:30,000 Speaker 4: I just was with my man's Kirk Knight, he twenty five. 346 00:16:31,080 --> 00:16:34,680 Speaker 4: He had me around nineteen year olds. They wasn't around me. 347 00:16:34,760 --> 00:16:37,560 Speaker 4: They was around Kirk. I'm around Kurt. You feel me like, 348 00:16:37,720 --> 00:16:40,400 Speaker 4: so now me Kirk politican in our way. But I'm 349 00:16:40,440 --> 00:16:43,080 Speaker 4: also getting in here these niggas perspectives because I know 350 00:16:43,200 --> 00:16:46,720 Speaker 4: my man's gonna have younger people around him, just like 351 00:16:46,840 --> 00:16:48,680 Speaker 4: I did when I was twenty six, you know. 352 00:16:48,640 --> 00:16:49,080 Speaker 1: What I'm saying. 353 00:16:49,240 --> 00:16:49,640 Speaker 2: I didn't. 354 00:16:49,960 --> 00:16:52,200 Speaker 4: I didn't get to a point say, all right, I'm 355 00:16:52,360 --> 00:16:55,720 Speaker 4: eighteen year olds around me. I was growing and I 356 00:16:55,880 --> 00:16:58,960 Speaker 4: naturally was no longer in spaces where those people would 357 00:16:58,960 --> 00:16:59,480 Speaker 4: be around me. 358 00:17:00,720 --> 00:17:03,239 Speaker 2: I was. We were talking about how niggas be looking weird. 359 00:17:05,000 --> 00:17:07,520 Speaker 4: Be around and I'm like, damn, niggas don't be understanding though, 360 00:17:07,520 --> 00:17:10,359 Speaker 4: like you really need them young niggas around you, Like yeah, 361 00:17:10,480 --> 00:17:13,320 Speaker 4: or you're just gonna be extremely out of touch. And 362 00:17:13,359 --> 00:17:17,080 Speaker 4: if your art style can hold up on his own, 363 00:17:17,200 --> 00:17:18,040 Speaker 4: then cool, that's not. 364 00:17:17,960 --> 00:17:19,840 Speaker 2: Gonna really be a big problem, you know what I'm saying. 365 00:17:19,920 --> 00:17:21,680 Speaker 4: But if you're trying to be on a post of shit, 366 00:17:22,280 --> 00:17:25,280 Speaker 4: then you know you could run into issues with that. 367 00:17:26,119 --> 00:17:28,600 Speaker 4: I'm a nigga who talked way too much, so I 368 00:17:28,640 --> 00:17:32,120 Speaker 4: said that for a reason, but I forgot what we were. 369 00:17:32,400 --> 00:17:33,120 Speaker 1: You're actually good. 370 00:17:33,920 --> 00:17:36,560 Speaker 6: I think that's interesting because I, you know, I have 371 00:17:36,640 --> 00:17:42,199 Speaker 6: a seventeen year old and a ten year old, and 372 00:17:42,280 --> 00:17:46,040 Speaker 6: I spend time like talking to them and you know, 373 00:17:46,240 --> 00:17:49,240 Speaker 6: their friends and their friends, just to kind of get 374 00:17:49,240 --> 00:17:53,360 Speaker 6: an understanding of what they're listening to, what they're liking, 375 00:17:53,960 --> 00:17:57,560 Speaker 6: what's moving out there. Just kind of see where you 376 00:17:57,560 --> 00:17:59,640 Speaker 6: know hip hop is going. So it's interesting that you're 377 00:17:59,640 --> 00:18:02,719 Speaker 6: saying that and that you're doing that, because you know, 378 00:18:03,080 --> 00:18:04,840 Speaker 6: we do get out of touch, you know at some 379 00:18:04,880 --> 00:18:08,720 Speaker 6: point we you know, I know I'm phase out. I 380 00:18:08,800 --> 00:18:09,439 Speaker 6: don't want to be me. 381 00:18:09,480 --> 00:18:09,600 Speaker 2: Bro. 382 00:18:09,840 --> 00:18:13,080 Speaker 4: You met a session like two weeks ago with unexpectedly dude. 383 00:18:13,160 --> 00:18:15,919 Speaker 4: Mahommie called me through like eleven PM. I'm there at 384 00:18:15,920 --> 00:18:18,920 Speaker 4: this other girl. She's super talented, she's twenty one man. 385 00:18:18,960 --> 00:18:19,840 Speaker 2: We outside smoking. 386 00:18:19,920 --> 00:18:22,120 Speaker 4: I probably interviewed her for like black people, like I'm 387 00:18:22,160 --> 00:18:25,879 Speaker 4: y'all like I asked her at one point. I was like, yo, 388 00:18:25,960 --> 00:18:27,800 Speaker 4: I'm not I'm not prying too much, and she's like, no, 389 00:18:28,080 --> 00:18:29,680 Speaker 4: I love talking like this. I'm like, all right, cool, 390 00:18:30,240 --> 00:18:33,399 Speaker 4: just firing off all types of questions, like when is 391 00:18:33,400 --> 00:18:35,159 Speaker 4: the last time I've been around somebody who's twenty one 392 00:18:35,200 --> 00:18:38,520 Speaker 4: years old and it's talented and it's creative and got thought, 393 00:18:38,640 --> 00:18:40,360 Speaker 4: like they can think about what the fuck is going 394 00:18:40,400 --> 00:18:40,960 Speaker 4: on in the world. 395 00:18:41,000 --> 00:18:41,600 Speaker 2: You know what I'm saying. 396 00:18:41,600 --> 00:18:45,159 Speaker 4: It's just like, yeah, trying to connect with people like 397 00:18:45,200 --> 00:18:48,119 Speaker 4: that purely for mining it for information. You feel me like, 398 00:18:48,400 --> 00:18:51,480 Speaker 4: as an artist, that shit is so necessary, Like I 399 00:18:51,480 --> 00:18:54,760 Speaker 4: ain't finna put on your stock. You know what I'm saying, Like, 400 00:18:54,800 --> 00:18:56,960 Speaker 4: but I need I need little tid bits of that. 401 00:18:57,160 --> 00:18:58,680 Speaker 1: So yeah, not for sure. 402 00:18:58,680 --> 00:19:00,560 Speaker 3: We like that around here too, man, and like like 403 00:19:00,600 --> 00:19:03,920 Speaker 3: we keep young cats around us like product on production. 404 00:19:04,040 --> 00:19:06,679 Speaker 3: You know what I'm saying, because you know, like I 405 00:19:06,760 --> 00:19:09,000 Speaker 3: was the main one doing the production, you know, back 406 00:19:09,040 --> 00:19:11,800 Speaker 3: in the day. Man, but you know, bringing fresh fresh eyes, 407 00:19:12,600 --> 00:19:15,080 Speaker 3: fresh eyes around to you know, see what people are doing, 408 00:19:15,160 --> 00:19:17,800 Speaker 3: like for us editing and just how things look. I'm 409 00:19:17,880 --> 00:19:21,320 Speaker 3: always like, look, man, give I give you creative control because, 410 00:19:21,359 --> 00:19:22,040 Speaker 3: like you know. 411 00:19:22,440 --> 00:19:23,639 Speaker 1: I have an old way of thinking. 412 00:19:23,880 --> 00:19:26,320 Speaker 3: I think my style is still cool, but I love 413 00:19:26,400 --> 00:19:28,720 Speaker 3: seeing like what the new trends are, like what people 414 00:19:28,720 --> 00:19:30,920 Speaker 3: are doing, what they're using, and how and how they 415 00:19:30,960 --> 00:19:32,159 Speaker 3: go about telling story. 416 00:19:32,400 --> 00:19:34,160 Speaker 2: It's the same thing I do with my music, bro, 417 00:19:34,280 --> 00:19:35,159 Speaker 2: Like I think people. 418 00:19:35,720 --> 00:19:38,480 Speaker 4: I've had conversations with people who are like super surprised 419 00:19:38,480 --> 00:19:40,399 Speaker 4: that I'll know about shit or that I'll die or 420 00:19:40,400 --> 00:19:42,560 Speaker 4: that I'll even listen to shit. And it's just like 421 00:19:42,560 --> 00:19:46,440 Speaker 4: like I like guilty Pleasure. I love Love Tyler, like 422 00:19:46,600 --> 00:19:51,160 Speaker 4: love Tyler from Florida, Like and it's like, niggas don't 423 00:19:51,200 --> 00:19:53,720 Speaker 4: think Mick Jenkins be rocking like that, but I do 424 00:19:53,760 --> 00:19:56,040 Speaker 4: you know what I'm saying? And it's like for me 425 00:19:56,800 --> 00:19:58,879 Speaker 4: a big party. I was telling the conversation that I 426 00:19:58,920 --> 00:20:00,560 Speaker 4: was just represented. I was telling somebody about how much 427 00:20:00,560 --> 00:20:02,639 Speaker 4: I learned from listening to Young Thug, and they was 428 00:20:02,680 --> 00:20:05,320 Speaker 4: just like what And I was just like, what you mean? 429 00:20:05,400 --> 00:20:08,639 Speaker 2: What like that I'm saying? 430 00:20:09,680 --> 00:20:11,560 Speaker 4: And it's just like, Nah, it's not like I'm you 431 00:20:11,680 --> 00:20:15,560 Speaker 4: finna ever hear me, you know, hitting them tones or 432 00:20:15,960 --> 00:20:19,240 Speaker 4: mumbling it or but it's just like, nah, what's there 433 00:20:19,320 --> 00:20:19,920 Speaker 4: is melody? 434 00:20:20,000 --> 00:20:20,720 Speaker 2: You know what I'm saying? 435 00:20:20,760 --> 00:20:24,479 Speaker 4: Like, what's really strong about what Young Thug or a 436 00:20:24,520 --> 00:20:26,760 Speaker 4: play Cardi boy boy CARDI would do. It's just like, 437 00:20:27,040 --> 00:20:29,960 Speaker 4: now you understand how strong melody is. You know what 438 00:20:30,000 --> 00:20:33,200 Speaker 4: I'm saying, It's so strong. Niggas irritated by the idea 439 00:20:33,200 --> 00:20:35,639 Speaker 4: of mumble wrap. I'm like, man, melody so strong. Niggas 440 00:20:35,640 --> 00:20:38,679 Speaker 4: don't have to say anything like Niggas don't have to 441 00:20:38,720 --> 00:20:41,440 Speaker 4: be audible to a certain degree, right like, and it 442 00:20:41,520 --> 00:20:43,840 Speaker 4: can still be fire within the scope of what you 443 00:20:43,960 --> 00:20:46,800 Speaker 4: actually are saying, right Am I gonna take it that far? No, 444 00:20:47,200 --> 00:20:49,080 Speaker 4: But does it give me an understanding of how to 445 00:20:49,119 --> 00:20:51,000 Speaker 4: apply melody to what I do. You know what I'm 446 00:20:51,000 --> 00:20:54,520 Speaker 4: saying and how important it's. It's like, I think learning 447 00:20:54,560 --> 00:20:57,959 Speaker 4: shit like that from how far these new young niggas 448 00:20:57,960 --> 00:21:00,440 Speaker 4: be taking ship And it's just like, Okay, I see 449 00:21:00,440 --> 00:21:01,080 Speaker 4: why you're doing that. 450 00:21:01,160 --> 00:21:05,359 Speaker 2: Let me bring that back and make it makes sense 451 00:21:05,359 --> 00:21:05,600 Speaker 2: for me. 452 00:21:05,760 --> 00:21:08,520 Speaker 4: You feel me like, I think, absolutely, you develop your style, 453 00:21:08,600 --> 00:21:10,200 Speaker 4: you know what I'm saying, Like, that's how you as 454 00:21:10,240 --> 00:21:13,960 Speaker 4: far as like progressing progressive, Yeah, yeah, and can't stay 455 00:21:13,960 --> 00:21:17,000 Speaker 4: relevant with So that's definitely some ship I do for sure. 456 00:21:17,440 --> 00:21:19,080 Speaker 1: But yeah, man, without further do Man, we're gonna go 457 00:21:19,080 --> 00:21:20,120 Speaker 1: into the current one. 458 00:21:20,200 --> 00:21:20,400 Speaker 5: Man. 459 00:21:21,880 --> 00:21:24,399 Speaker 3: We didn't get a chance to get around to uh 460 00:21:24,680 --> 00:21:26,840 Speaker 3: to reviewing Murderer Crows. 461 00:21:27,160 --> 00:21:27,280 Speaker 2: Uh. 462 00:21:28,160 --> 00:21:31,520 Speaker 3: But but it's like I said, we've been in transition 463 00:21:31,720 --> 00:21:34,560 Speaker 3: from studio to studio and you know, just doing all 464 00:21:34,640 --> 00:21:38,080 Speaker 3: kind of stuff that you can see, uh uh, personnel 465 00:21:38,200 --> 00:21:39,560 Speaker 3: changes and all kinds of stuff. 466 00:21:39,600 --> 00:21:39,719 Speaker 2: Man. 467 00:21:39,760 --> 00:21:41,520 Speaker 3: So we're just trying to trying to get get our 468 00:21:41,560 --> 00:21:44,879 Speaker 3: footing or whatever. But man, I personally love the album. 469 00:21:44,880 --> 00:21:46,520 Speaker 3: I know, b we talked about it. We did talk 470 00:21:46,560 --> 00:21:48,800 Speaker 3: about it though, because we do uh stuff like that, 471 00:21:48,840 --> 00:21:51,840 Speaker 3: we missed that we didn't talk about and so we 472 00:21:51,920 --> 00:21:53,880 Speaker 3: talked about it to NACT or whatever. I'm not sure 473 00:21:53,920 --> 00:21:56,280 Speaker 3: if it's released yet, but we did talk about it. 474 00:21:56,280 --> 00:21:56,600 Speaker 2: It was. 475 00:21:58,880 --> 00:22:01,760 Speaker 5: Talk about like albums, the best albums that we enjoyed 476 00:22:01,960 --> 00:22:04,560 Speaker 5: each month of previous months. Yeah, I mentioned your album 477 00:22:05,640 --> 00:22:07,080 Speaker 5: better get It. I mean, I know it came out 478 00:22:07,160 --> 00:22:10,480 Speaker 5: Dreaming in October, but I've supported it in September. I 479 00:22:10,560 --> 00:22:13,560 Speaker 5: just won't let you know love. 480 00:22:14,840 --> 00:22:16,080 Speaker 1: Man, Like, listen to this. 481 00:22:16,280 --> 00:22:19,520 Speaker 5: I always I have no problem going on folks websites 482 00:22:19,600 --> 00:22:21,800 Speaker 5: or band camps or whatever, like I will buy. 483 00:22:22,240 --> 00:22:24,399 Speaker 4: I really appreciate it though too for the chat, Like 484 00:22:24,440 --> 00:22:26,520 Speaker 4: I don't you know what I'm saying, Like we. 485 00:22:28,200 --> 00:22:30,639 Speaker 2: Y'all watching us live, figure that out, you know what 486 00:22:30,640 --> 00:22:31,720 Speaker 2: I'm saying. I think. 487 00:22:34,400 --> 00:22:38,320 Speaker 4: The value is in providing fans value, you know what 488 00:22:38,359 --> 00:22:41,960 Speaker 4: I'm saying. Like I think I want to be selling 489 00:22:42,000 --> 00:22:44,480 Speaker 4: my ship myself just because I want to stop getting robbed, 490 00:22:44,480 --> 00:22:45,080 Speaker 4: you know what I'm saying. 491 00:22:45,119 --> 00:22:46,760 Speaker 2: Like it's as simple as that. It's like NIXT Streaming 492 00:22:46,840 --> 00:22:47,600 Speaker 2: just don't pay us enough. 493 00:22:47,680 --> 00:22:50,760 Speaker 4: It's like I could really, like truly, like I honestly 494 00:22:50,760 --> 00:22:52,320 Speaker 4: I can say this all honestly, I could care less 495 00:22:52,320 --> 00:22:54,119 Speaker 4: about the two million niggas that have access to my 496 00:22:54,160 --> 00:22:56,040 Speaker 4: ship on Apple Music, and I can care less about 497 00:22:56,080 --> 00:22:56,239 Speaker 4: the soup. 498 00:22:56,240 --> 00:22:58,560 Speaker 2: Many niggas have access to much on the spot. It 499 00:22:58,640 --> 00:23:00,600 Speaker 2: don't pay me enough, and that's just right. 500 00:23:00,800 --> 00:23:01,600 Speaker 1: Like it's like I. 501 00:23:01,560 --> 00:23:04,840 Speaker 4: Don't get to actually enjoy the two million people in 502 00:23:04,880 --> 00:23:06,720 Speaker 4: the way you think you feel me like. So it's 503 00:23:06,760 --> 00:23:10,520 Speaker 4: just like I'd rather rock with the niggas who will 504 00:23:10,520 --> 00:23:13,879 Speaker 4: support me directly. Try to provide value for people who 505 00:23:13,880 --> 00:23:16,400 Speaker 4: support me directly. I'm doing a lot more stuff outside 506 00:23:16,440 --> 00:23:19,400 Speaker 4: as far as listen. That's why I before match, I'll 507 00:23:19,400 --> 00:23:21,480 Speaker 4: do all listening session is the same way I do minds. 508 00:23:21,480 --> 00:23:24,240 Speaker 4: It's just way with songs, and then I end up 509 00:23:24,280 --> 00:23:27,320 Speaker 4: playing unreleased stuff. I got a lot of ideas that 510 00:23:27,800 --> 00:23:30,919 Speaker 4: were about to roll out for like experiential things and 511 00:23:31,000 --> 00:23:36,400 Speaker 4: like doing things with people and fans. But any anybody 512 00:23:36,400 --> 00:23:39,160 Speaker 4: who supports me in that way, I think it's extremely 513 00:23:39,240 --> 00:23:42,359 Speaker 4: valuable because it's so counter culture as far as the 514 00:23:42,359 --> 00:23:44,800 Speaker 4: messaging that we've been sold on the value of music. 515 00:23:44,840 --> 00:23:47,199 Speaker 4: You know what I'm saying, Like it's it's hard body 516 00:23:47,240 --> 00:23:51,760 Speaker 4: and the whole other direction, Like Yo, I'm. 517 00:23:51,800 --> 00:23:56,280 Speaker 2: Been this dub with you. I be like, yo, yes, 518 00:23:58,960 --> 00:23:59,479 Speaker 2: straight up. 519 00:24:00,359 --> 00:24:02,520 Speaker 3: That's how we are about Patreon, man, like like we 520 00:24:02,800 --> 00:24:04,840 Speaker 3: put a lot of value. Like I'm glad we started 521 00:24:04,840 --> 00:24:06,959 Speaker 3: that long time ago that you could really see it. 522 00:24:07,040 --> 00:24:07,600 Speaker 1: You know what I'm saying. 523 00:24:07,640 --> 00:24:10,520 Speaker 3: You say, oh wow, like every every month like like 524 00:24:10,560 --> 00:24:12,439 Speaker 3: I look at him, like, man, that's that's dope. Like 525 00:24:12,480 --> 00:24:15,600 Speaker 3: we had this many people that continuously, you know, pay 526 00:24:15,680 --> 00:24:17,840 Speaker 3: that amount of money to us, like directly, you know 527 00:24:17,840 --> 00:24:20,120 Speaker 3: what I'm saying. So you know, no, you know they'll 528 00:24:20,119 --> 00:24:22,000 Speaker 3: shout out to YouTube because this is where we you know, 529 00:24:22,080 --> 00:24:24,760 Speaker 3: where we started. But Patreon, definitely, it is where we 530 00:24:25,000 --> 00:24:27,359 Speaker 3: where we really appreciate, really appreciate what they're doing there 531 00:24:27,400 --> 00:24:29,520 Speaker 3: and the members too, the YouTube members. All right, So 532 00:24:29,520 --> 00:24:31,480 Speaker 3: when we're gonna get into this current track. 533 00:24:31,320 --> 00:24:34,879 Speaker 2: Man, this is actually off producer Python P. 534 00:24:35,040 --> 00:24:37,840 Speaker 4: He's out of te he just dropped the album and 535 00:24:37,880 --> 00:24:40,080 Speaker 4: this is off his album. I did this maybe two 536 00:24:40,080 --> 00:24:43,280 Speaker 4: weeks after I finished my album, and I didn't expect. 537 00:24:43,359 --> 00:24:45,960 Speaker 2: I didn't expect this to be just fired. I love it. 538 00:24:46,720 --> 00:24:48,520 Speaker 2: I think it just came out last week. 539 00:24:49,640 --> 00:24:57,560 Speaker 4: Yeah, Salt La Python P just fine. 540 00:24:57,320 --> 00:24:58,760 Speaker 1: Over the cheese and ship. I see. 541 00:25:06,280 --> 00:25:08,000 Speaker 4: Sometimes it's just how you talk. 542 00:25:14,480 --> 00:25:22,400 Speaker 1: Don't make some walk like that ship. Can't you can't 543 00:25:22,400 --> 00:25:27,479 Speaker 1: know he's a believer. 544 00:25:27,560 --> 00:25:28,399 Speaker 5: Now he's a believer. 545 00:25:32,280 --> 00:25:35,520 Speaker 1: Said what the fuck you thought? Kid? 546 00:25:36,119 --> 00:25:36,560 Speaker 6: You say what. 547 00:25:39,920 --> 00:25:43,600 Speaker 1: That was dope? That was dope? That was dope. Yeah. 548 00:25:43,680 --> 00:25:44,920 Speaker 1: I like the little subtle ship. 549 00:25:44,920 --> 00:25:46,520 Speaker 3: I like be I be liking a little subtle ship 550 00:25:46,600 --> 00:25:49,040 Speaker 3: like how he like he started laughing, like what the 551 00:25:49,119 --> 00:25:49,840 Speaker 3: fuck you thought? 552 00:25:50,119 --> 00:25:50,199 Speaker 2: Like? 553 00:25:50,280 --> 00:25:52,840 Speaker 3: I like little ship like that, man, Like little subtle 554 00:25:52,920 --> 00:25:56,119 Speaker 3: like detailed ship like that, like you know, because I 555 00:25:56,160 --> 00:25:57,679 Speaker 3: know it's on purpose, you know what I'm saying, Like, 556 00:25:57,720 --> 00:25:58,760 Speaker 3: I know it's intentional. 557 00:25:58,760 --> 00:25:59,359 Speaker 1: You know what I'm saying. 558 00:25:59,640 --> 00:26:01,200 Speaker 2: Nah, everything is intentional. 559 00:26:02,119 --> 00:26:02,320 Speaker 1: Yeah. 560 00:26:02,520 --> 00:26:06,560 Speaker 4: I see people say comments about things sometimes and I 561 00:26:06,600 --> 00:26:08,879 Speaker 4: can understand how people don't understand that, but it's like 562 00:26:09,240 --> 00:26:13,040 Speaker 4: definitely with me, every single thing you ever heard is intentional. 563 00:26:13,160 --> 00:26:15,040 Speaker 2: Every cough, every sniff. 564 00:26:15,840 --> 00:26:20,399 Speaker 4: Every pos, every h if I say the word wrong, 565 00:26:20,560 --> 00:26:23,280 Speaker 4: if I don't say the full word, if every everything 566 00:26:23,400 --> 00:26:25,320 Speaker 4: is intentional, like for sure. 567 00:26:25,920 --> 00:26:29,160 Speaker 1: Trace up. And I definitely have noticed that throughout your career. Man, 568 00:26:29,240 --> 00:26:31,000 Speaker 1: I because I'm detailed. 569 00:26:31,040 --> 00:26:33,679 Speaker 3: I'm an artist, like just like find like you know, 570 00:26:33,840 --> 00:26:36,560 Speaker 3: just an artist like I draw, draw, came up that animation, 571 00:26:36,680 --> 00:26:39,320 Speaker 3: all kind of stuff. So I'm really particular about the 572 00:26:39,359 --> 00:26:42,159 Speaker 3: details too. So I pick up on ship like that. Man, 573 00:26:42,200 --> 00:26:45,600 Speaker 3: I've always appreciated, appreciated that about you as an artist 574 00:26:46,000 --> 00:26:46,399 Speaker 3: or whatnot. 575 00:26:46,520 --> 00:26:46,680 Speaker 2: Man. 576 00:26:46,760 --> 00:26:51,000 Speaker 4: So I think that, I mean, on a basic level 577 00:26:51,080 --> 00:26:53,119 Speaker 4: is what we're talking about, but all the way up 578 00:26:53,119 --> 00:26:56,199 Speaker 4: to like easter egg level, I think I love I 579 00:26:56,280 --> 00:26:58,240 Speaker 4: just love playing with shit. 580 00:26:58,359 --> 00:26:58,840 Speaker 2: You feel me? 581 00:26:58,880 --> 00:27:02,239 Speaker 1: So yeah, yeah, no, that's dope of sale. Bro. Damn man, 582 00:27:02,280 --> 00:27:03,359 Speaker 1: it's so good to have you on here. 583 00:27:03,440 --> 00:27:03,640 Speaker 5: Man. 584 00:27:04,400 --> 00:27:09,960 Speaker 3: You're again, bro, easy like for real, man, god let. 585 00:27:10,200 --> 00:27:14,760 Speaker 4: Yeah yeah music man, It's cool. 586 00:27:14,880 --> 00:27:16,120 Speaker 1: Yeah whatever, straight up. 587 00:27:16,480 --> 00:27:18,520 Speaker 3: Yeah, I hurt you in an interview, said you you 588 00:27:18,560 --> 00:27:20,520 Speaker 3: want to go back home just to kind of do 589 00:27:20,600 --> 00:27:21,680 Speaker 3: some stuff that you want to do. 590 00:27:21,840 --> 00:27:23,440 Speaker 1: That still a case or you still. 591 00:27:23,240 --> 00:27:24,359 Speaker 2: Oh yeah, absolutely. 592 00:27:25,040 --> 00:27:27,879 Speaker 4: I think what I want to you know, like how 593 00:27:27,920 --> 00:27:29,520 Speaker 4: I want to give back, how I want to like 594 00:27:29,680 --> 00:27:32,240 Speaker 4: help artists come after me. I mean I do that already, 595 00:27:32,240 --> 00:27:36,360 Speaker 4: but like just a in a very intentional space, Like 596 00:27:36,720 --> 00:27:39,919 Speaker 4: I had a creative space called WE Space in Chicago 597 00:27:40,000 --> 00:27:41,000 Speaker 4: right before COVID hit. 598 00:27:42,520 --> 00:27:42,919 Speaker 1: It was a. 599 00:27:44,480 --> 00:27:47,080 Speaker 4: Gallery space. We had a studio in the back. We 600 00:27:47,119 --> 00:27:50,600 Speaker 4: built out another studio in the basement. Were trying to 601 00:27:50,640 --> 00:27:52,159 Speaker 4: turn the rest of the basement into it like a 602 00:27:52,840 --> 00:27:55,359 Speaker 4: like a party space because the upstairs events space was 603 00:27:55,359 --> 00:27:59,600 Speaker 4: really not a party space. I was hosting like open 604 00:27:59,640 --> 00:28:04,320 Speaker 4: mics and people's first exhibits with their paintings, and we 605 00:28:04,320 --> 00:28:06,119 Speaker 4: was having niggas in the studio. Then Covid here and 606 00:28:06,119 --> 00:28:12,719 Speaker 4: that she got you know, mm hmm co Yeah, that 607 00:28:12,800 --> 00:28:14,240 Speaker 4: is really what I want to go back to the 608 00:28:14,240 --> 00:28:15,800 Speaker 4: crib and do. Like you know what I'm saying my 609 00:28:15,960 --> 00:28:17,960 Speaker 4: side out my boydline from them. 610 00:28:18,000 --> 00:28:19,480 Speaker 2: People's produced a lot for me. 611 00:28:20,440 --> 00:28:22,439 Speaker 4: He's doing a lot with his studio, shapes kind of 612 00:28:22,440 --> 00:28:25,520 Speaker 4: service in the community in the same way, definitely a 613 00:28:25,920 --> 00:28:28,560 Speaker 4: music focused, but doing a lot of other ship outside 614 00:28:28,560 --> 00:28:30,159 Speaker 4: of that, And that's that's definitely the same thing I 615 00:28:30,200 --> 00:28:31,879 Speaker 4: want to do, go back home and kind of affect 616 00:28:31,920 --> 00:28:32,920 Speaker 4: the culture in that way. 617 00:28:33,040 --> 00:28:37,080 Speaker 3: So dope dope, Yeah, covid mess up a lot of stuff, people, man, 618 00:28:37,200 --> 00:28:37,879 Speaker 3: it messed up us. 619 00:28:37,880 --> 00:28:38,960 Speaker 1: We wanted to jump. 620 00:28:38,720 --> 00:28:41,880 Speaker 3: Into like live studio audience stuff, like we had a 621 00:28:41,920 --> 00:28:44,320 Speaker 3: studio space to do it and everything, and Covid here 622 00:28:44,360 --> 00:28:46,480 Speaker 3: we kind of never got to that project. Yeah, you know, 623 00:28:46,600 --> 00:28:48,880 Speaker 3: I do still want to do that one day that 624 00:28:49,000 --> 00:28:51,040 Speaker 3: we have a live studio. Autists like have people like 625 00:28:51,080 --> 00:28:54,040 Speaker 3: you on and be able to have people interact and 626 00:28:54,080 --> 00:28:56,200 Speaker 3: all of that man due to listening lot, Like I 627 00:28:56,200 --> 00:28:59,200 Speaker 3: think something like that with Dope Live the Artists. 628 00:29:00,040 --> 00:29:02,560 Speaker 1: Yeah, yeah, yeah, I appreciate that. I see that. 629 00:29:02,680 --> 00:29:05,120 Speaker 2: Yeah, most of the time, it's probably less stopping you 630 00:29:05,160 --> 00:29:05,640 Speaker 2: than you think. 631 00:29:06,440 --> 00:29:10,880 Speaker 1: Yeah, sure for so, for sure, definitely because. 632 00:29:10,600 --> 00:29:12,880 Speaker 4: Because even for myself, that's something that we've had to 633 00:29:12,920 --> 00:29:16,840 Speaker 4: like really do on independence as we've like stepped away 634 00:29:16,840 --> 00:29:18,959 Speaker 4: from the system. Not just independence, but it's just like 635 00:29:19,920 --> 00:29:23,960 Speaker 4: all right, like for me, I do listening sessions, and like, 636 00:29:24,040 --> 00:29:26,200 Speaker 4: I don't mind saying this because we provide so much 637 00:29:26,320 --> 00:29:28,600 Speaker 4: value that I don't even mind telling niggas exactly what 638 00:29:28,720 --> 00:29:29,080 Speaker 4: it's like. 639 00:29:29,560 --> 00:29:31,560 Speaker 2: My manager when we decided. 640 00:29:31,120 --> 00:29:33,960 Speaker 4: That we weren't going to like get you know, sign 641 00:29:34,000 --> 00:29:39,960 Speaker 4: conventional dialney, more like, all right, we're getting this bread from. 642 00:29:40,400 --> 00:29:40,680 Speaker 1: All right? 643 00:29:41,680 --> 00:29:42,920 Speaker 2: Where we getting this money from? 644 00:29:43,440 --> 00:29:43,680 Speaker 1: Right? 645 00:29:44,440 --> 00:29:46,280 Speaker 2: All right? Here? God idea. I pissed him this idea. 646 00:29:46,320 --> 00:29:49,760 Speaker 4: I was like, how about if we did listening sessions 647 00:29:49,800 --> 00:29:54,600 Speaker 4: and we did ten people in this studio with me 648 00:29:55,120 --> 00:29:58,400 Speaker 4: listen to the album top to bottom. Afterwards they get 649 00:29:58,440 --> 00:30:00,640 Speaker 4: to ask questions about it, We'll run it back again 650 00:30:01,320 --> 00:30:04,640 Speaker 4: one hundred dollars a person. 651 00:30:05,320 --> 00:30:05,680 Speaker 1: Mm hmm. 652 00:30:06,680 --> 00:30:08,240 Speaker 2: I had asked the homies. 653 00:30:08,240 --> 00:30:09,560 Speaker 4: I was like, Yo, if you could be in a 654 00:30:09,840 --> 00:30:12,960 Speaker 4: listening session with one of your favorite artists, you know, 655 00:30:13,240 --> 00:30:15,600 Speaker 4: and you knew only nine other people were gonna be there, 656 00:30:15,640 --> 00:30:16,920 Speaker 4: would you pay a hundred dollars for that? 657 00:30:17,000 --> 00:30:17,360 Speaker 2: Niggas? 658 00:30:17,400 --> 00:30:17,960 Speaker 1: Just like what. 659 00:30:20,640 --> 00:30:21,280 Speaker 2: You know what I'm saying? 660 00:30:21,320 --> 00:30:22,920 Speaker 4: And then I had to think about it, like truly 661 00:30:23,000 --> 00:30:26,520 Speaker 4: right now myself, Jason me, I'll pay a thousand dollars 662 00:30:26,600 --> 00:30:28,560 Speaker 4: to be in a studio chemmy for three hours right now. 663 00:30:28,800 --> 00:30:33,840 Speaker 4: I up that bread right now. And so to me, 664 00:30:33,920 --> 00:30:36,360 Speaker 4: it's just like, all right, cool, I'm not really marketing 665 00:30:36,360 --> 00:30:38,920 Speaker 4: to people who don't know me. I'm marketing to people 666 00:30:38,920 --> 00:30:42,080 Speaker 4: who love me already for one hundred dollars. What ends 667 00:30:42,120 --> 00:30:44,240 Speaker 4: up happening now with the way we developed it? Come 668 00:30:44,280 --> 00:30:47,120 Speaker 4: sit with me three hours. You're gonna listen to the 669 00:30:47,160 --> 00:30:49,520 Speaker 4: newest album. You gonna ask whatever questions you want. Then 670 00:30:49,520 --> 00:30:51,720 Speaker 4: we're gonna play old shit. You canna ask whatever question 671 00:30:51,760 --> 00:30:53,800 Speaker 4: you want. Then I'm gonna play unreleasedh it. You canna 672 00:30:53,800 --> 00:30:55,560 Speaker 4: ask the other question you want. I ended up playing 673 00:30:55,560 --> 00:30:57,840 Speaker 4: for my last two listening sessions that I did in 674 00:30:57,960 --> 00:31:00,160 Speaker 4: LA in Chicago. I ended up playing niggas everything I 675 00:31:00,200 --> 00:31:02,000 Speaker 4: have about to come out for the next year, and. 676 00:31:03,480 --> 00:31:05,840 Speaker 2: That like pictures, you know what I'm saying. 677 00:31:05,880 --> 00:31:07,760 Speaker 4: I got wine and full in here for y'all, Like 678 00:31:07,800 --> 00:31:10,440 Speaker 4: it's just like and so for me, it's just like experience. 679 00:31:10,480 --> 00:31:12,720 Speaker 4: But what that ends up being is I'm in LA 680 00:31:12,920 --> 00:31:17,200 Speaker 4: for a week, five nights. We did that. That's five rats. 681 00:31:17,440 --> 00:31:19,440 Speaker 4: And all I did was sitting with niggas for three hours, 682 00:31:19,440 --> 00:31:19,920 Speaker 4: you know what I'm saying. 683 00:31:20,400 --> 00:31:23,040 Speaker 1: Then I go to do what you love, doing what 684 00:31:23,080 --> 00:31:23,640 Speaker 1: you love. 685 00:31:23,560 --> 00:31:25,800 Speaker 4: At ten people at night. Five rats. Then I go 686 00:31:25,880 --> 00:31:27,880 Speaker 4: to New York five rats. Then I go to Atlanta 687 00:31:27,960 --> 00:31:30,960 Speaker 4: five rests. Then I go to wherever how six weeks 688 00:31:30,960 --> 00:31:34,040 Speaker 4: have been gone, come back home with thirty rands, like right, 689 00:31:34,400 --> 00:31:36,520 Speaker 4: And all I did was listen to my music with 690 00:31:36,640 --> 00:31:38,800 Speaker 4: my fans, you. 691 00:31:38,720 --> 00:31:41,560 Speaker 2: Know what I'm saying, Like, like, think about that. All 692 00:31:41,600 --> 00:31:43,760 Speaker 2: I did was listen to my music with. 693 00:31:43,800 --> 00:31:47,400 Speaker 4: My fans, and ten at a time, I only touched 694 00:31:47,400 --> 00:31:48,640 Speaker 4: fifty people in the city. 695 00:31:49,600 --> 00:31:53,840 Speaker 3: Yeah, straight up, Hey man, it's a brilliant And it's 696 00:31:53,880 --> 00:31:56,640 Speaker 3: like I tell I'm telling all my artist friends, it's like, yeah, 697 00:31:56,680 --> 00:31:57,760 Speaker 3: anybody can do this. 698 00:31:58,240 --> 00:32:00,880 Speaker 2: Do you have an audience do you do do they 699 00:32:00,920 --> 00:32:01,640 Speaker 2: love your music? 700 00:32:01,960 --> 00:32:04,240 Speaker 4: Inviting them to your personal if you want, if you know, 701 00:32:04,280 --> 00:32:06,520 Speaker 4: if you want to invite them into an experience that 702 00:32:06,560 --> 00:32:10,360 Speaker 4: they can't get nowhere. Ain't nobody doing shit like this? 703 00:32:10,760 --> 00:32:11,400 Speaker 1: We did that, no. 704 00:32:11,600 --> 00:32:15,240 Speaker 4: Person, simple idea that came out of leaning money. 705 00:32:15,560 --> 00:32:18,760 Speaker 2: But when you change your focus to your fans. 706 00:32:19,680 --> 00:32:22,200 Speaker 4: Yeah, and and not the way niggas do ship or 707 00:32:22,200 --> 00:32:23,840 Speaker 4: the way we're supposed to do shit or the way 708 00:32:23,880 --> 00:32:25,200 Speaker 4: they told me I'm supposed to do ship? 709 00:32:25,560 --> 00:32:26,680 Speaker 2: She get real simple? 710 00:32:27,520 --> 00:32:28,160 Speaker 1: Yeah, for sure? 711 00:32:28,200 --> 00:32:31,240 Speaker 2: What do they want? Can we do that? 712 00:32:32,480 --> 00:32:32,640 Speaker 5: Bro? 713 00:32:33,080 --> 00:32:37,280 Speaker 2: What's in the way? You don't know what y'all dealing with. 714 00:32:37,680 --> 00:32:41,240 Speaker 4: I can't imagine it's too complicated to get a large 715 00:32:41,240 --> 00:32:45,640 Speaker 4: situation going. Y'all got enough of a fan base, right, 716 00:32:46,200 --> 00:32:47,880 Speaker 4: you could rent a great space for less than a 717 00:32:47,920 --> 00:32:48,640 Speaker 4: thousand dollars. 718 00:32:48,800 --> 00:32:49,520 Speaker 1: Yeah, for sure. 719 00:32:49,680 --> 00:32:51,000 Speaker 2: I don't. Like I said, I don't know what y'all 720 00:32:51,000 --> 00:32:52,480 Speaker 2: got going on, so I'm not trying to minimize it. 721 00:32:52,560 --> 00:32:52,880 Speaker 2: But it's just. 722 00:32:52,880 --> 00:32:57,840 Speaker 4: Like with me, it's probably not as as difficult as 723 00:32:57,960 --> 00:32:58,640 Speaker 4: y'all making this in. 724 00:32:59,440 --> 00:33:02,400 Speaker 3: Nah, you're right, man, because we actually did it once 725 00:33:02,480 --> 00:33:04,560 Speaker 3: time here, Like we we had somebody come to a 726 00:33:04,560 --> 00:33:06,920 Speaker 3: live taping, and it was just like it. 727 00:33:06,840 --> 00:33:10,160 Speaker 1: Was I forgot his name? What's his name? I don't 728 00:33:10,200 --> 00:33:12,240 Speaker 1: even want to put anyway to you. 729 00:33:12,280 --> 00:33:15,080 Speaker 2: I'm more like talking to other artists like me. 730 00:33:15,560 --> 00:33:18,680 Speaker 4: It's been a simple shift of perspective and it's just like, okay, 731 00:33:18,960 --> 00:33:21,640 Speaker 4: so then now, so now the perspective is like, oh, okay, 732 00:33:21,720 --> 00:33:23,440 Speaker 4: how can I engage with my fans? 733 00:33:24,240 --> 00:33:25,280 Speaker 2: What would they like to do? 734 00:33:25,680 --> 00:33:27,560 Speaker 4: How much can I charge them? And then how much 735 00:33:27,680 --> 00:33:29,400 Speaker 4: value can I give them? 736 00:33:29,440 --> 00:33:29,840 Speaker 1: For sure? 737 00:33:30,040 --> 00:33:32,560 Speaker 4: You know what I'm saying, because then I asked them 738 00:33:32,600 --> 00:33:35,120 Speaker 4: after every time, woul y'all, it's just worth one hundred, 739 00:33:35,280 --> 00:33:36,320 Speaker 4: It's worth one hundred dollars. 740 00:33:37,680 --> 00:33:39,760 Speaker 2: It's like, all right, cool, I just needed to know, 741 00:33:39,920 --> 00:33:41,840 Speaker 2: like right, right. 742 00:33:41,600 --> 00:33:45,840 Speaker 3: Cool, Yeah, because you wanted to be a genuine experience, 743 00:33:45,840 --> 00:33:47,840 Speaker 3: you know what I'm saying, Like like, sure, you need 744 00:33:47,880 --> 00:33:49,440 Speaker 3: the money, but you also want them. 745 00:33:49,280 --> 00:33:50,640 Speaker 1: To get some type of enjoyment out of there. 746 00:33:50,680 --> 00:33:53,160 Speaker 4: My perspective is I can charge you whatever I want 747 00:33:53,280 --> 00:33:56,480 Speaker 4: if after you get it, you think you would have paid. 748 00:33:56,320 --> 00:33:58,280 Speaker 5: More mmmm hmm. 749 00:33:59,640 --> 00:34:00,960 Speaker 1: Straight up, I can taught you whatever. 750 00:34:00,960 --> 00:34:02,720 Speaker 4: I can jude you one thousand dollars after you pay 751 00:34:02,720 --> 00:34:04,800 Speaker 4: a thousand dollars and you have the experience, you go, 752 00:34:05,280 --> 00:34:11,040 Speaker 4: I would have paid five. So we need all right, 753 00:34:11,120 --> 00:34:13,520 Speaker 4: what do we need? We need this money? Okay, how 754 00:34:13,560 --> 00:34:15,560 Speaker 4: do we provide enough value for that? 755 00:34:15,680 --> 00:34:19,360 Speaker 2: Like? How do we make niggas care about paying that much? 756 00:34:19,520 --> 00:34:22,520 Speaker 4: Like, and when you're dealing with niggas who are a 757 00:34:22,560 --> 00:34:25,880 Speaker 4: fan of you, all you have to when you're thinking 758 00:34:25,920 --> 00:34:29,400 Speaker 4: about them is not that art when you want to 759 00:34:29,560 --> 00:34:31,440 Speaker 4: when you think about making the most profit. 760 00:34:31,760 --> 00:34:32,480 Speaker 2: Now you're giving. 761 00:34:32,360 --> 00:34:35,000 Speaker 4: Niggas the guild in fifty to fifty for two hundred 762 00:34:35,000 --> 00:34:35,760 Speaker 4: and fifty dollars. 763 00:34:35,840 --> 00:34:38,080 Speaker 2: Like it's like, come on, bro, you robbing me. 764 00:34:41,280 --> 00:34:43,960 Speaker 4: So that's that's really where I'm at with it as 765 00:34:43,960 --> 00:34:46,719 Speaker 4: far as like my independence and like really getting away 766 00:34:46,719 --> 00:34:47,280 Speaker 4: from the system. 767 00:34:47,320 --> 00:34:49,480 Speaker 2: The system don't care about the fan. Like the system 768 00:34:49,520 --> 00:34:50,879 Speaker 2: cares about money, you know what I'm saying. 769 00:34:50,960 --> 00:34:54,040 Speaker 4: Some system don't care about the arts about money. 770 00:34:54,120 --> 00:34:54,600 Speaker 2: You feel me? 771 00:34:54,640 --> 00:34:57,279 Speaker 4: So I feel like I focus on the art, I 772 00:34:57,360 --> 00:35:00,759 Speaker 4: focus on the fans. I got an of support to 773 00:35:00,800 --> 00:35:02,040 Speaker 4: do exactly what I want to do. 774 00:35:02,280 --> 00:35:04,319 Speaker 1: I love it, Bro. Look man, make out here giving 775 00:35:04,400 --> 00:35:09,600 Speaker 1: y'all free game, free game, bro, including us right now 776 00:35:09,680 --> 00:35:10,560 Speaker 1: listening free game. 777 00:35:10,680 --> 00:35:13,160 Speaker 3: Yeah for sure, man, damn man, all right, But we're 778 00:35:13,160 --> 00:35:16,560 Speaker 3: gonna get to this, this, this, this, to this unreleased 779 00:35:16,600 --> 00:35:18,719 Speaker 3: track because I know the fans are itching to get that. 780 00:35:21,080 --> 00:35:21,759 Speaker 2: And we could go over. 781 00:35:21,760 --> 00:35:22,960 Speaker 4: I don't know what if y'all got time, but I 782 00:35:22,960 --> 00:35:25,960 Speaker 4: got the unreleased joint is coming from a project is 783 00:35:26,000 --> 00:35:31,000 Speaker 4: about to come out. Me and my DJ Slime, he 784 00:35:31,200 --> 00:35:34,200 Speaker 4: was on Pieces of a Man with me on d U. 785 00:35:34,320 --> 00:35:38,320 Speaker 4: I amazing rapper, amazing producer. We're doing a joint project. 786 00:35:39,400 --> 00:35:40,240 Speaker 2: Uh. 787 00:35:40,280 --> 00:35:42,000 Speaker 4: It might be the next project y'all hear from me 788 00:35:42,360 --> 00:35:45,239 Speaker 4: very soon, so we're not absolutely sure, but I got 789 00:35:45,280 --> 00:35:47,360 Speaker 4: a bunch of projects done, so this is from that. 790 00:35:48,280 --> 00:35:50,720 Speaker 2: Uh, but we'll talk more about that when y'all ask questions. 791 00:35:50,760 --> 00:35:51,680 Speaker 2: This is a. 792 00:36:03,040 --> 00:36:13,799 Speaker 1: Yeah, simple yes, a. 793 00:36:16,239 --> 00:36:19,920 Speaker 5: Phase need five to get their spoon right. Mynn still 794 00:36:20,000 --> 00:36:21,959 Speaker 5: shine in the moonlight. 795 00:36:24,200 --> 00:36:27,160 Speaker 2: Nah. This project is just straight beats and bars. That's it. 796 00:36:28,080 --> 00:36:28,480 Speaker 1: That's it. 797 00:36:29,080 --> 00:36:32,160 Speaker 2: Yes, it's just straight low f. 798 00:36:33,600 --> 00:36:36,640 Speaker 1: Like, oh my god, what's that there? 799 00:36:37,440 --> 00:36:41,000 Speaker 4: Slim six four he produced the project that is on. 800 00:36:41,080 --> 00:36:43,000 Speaker 4: He produced the whole project, and he's rapping on it 801 00:36:43,080 --> 00:36:45,600 Speaker 4: with me. I got the majority of the raps. But 802 00:36:45,719 --> 00:36:46,560 Speaker 4: my nigga is nice. 803 00:36:46,680 --> 00:36:52,680 Speaker 1: He's nice to yeah, nice, super nice. He definitely right way, 804 00:36:54,040 --> 00:36:55,799 Speaker 1: got the way talking to him. 805 00:36:56,960 --> 00:36:58,960 Speaker 2: Let's talking for you to look forward to. Originally that 806 00:36:59,040 --> 00:36:59,839 Speaker 2: was supposed to come out. 807 00:37:00,000 --> 00:37:01,680 Speaker 4: The whole project is supposed to come out in December, 808 00:37:01,920 --> 00:37:03,960 Speaker 4: but we like, all right, look like a Murder of. 809 00:37:03,960 --> 00:37:06,279 Speaker 2: Crows gonna do better than he doing. 810 00:37:06,440 --> 00:37:12,520 Speaker 4: So whenever whenever we feel like it's dying down is 811 00:37:12,560 --> 00:37:14,400 Speaker 4: when we're gonna start pushing the next ship, you know, 812 00:37:14,440 --> 00:37:15,880 Speaker 4: which is a really comfortable. 813 00:37:15,520 --> 00:37:16,319 Speaker 1: Position to be in. 814 00:37:16,400 --> 00:37:20,000 Speaker 4: But no, for sure, Yeah, so it was supposed to 815 00:37:20,000 --> 00:37:21,839 Speaker 4: be December. It won't be December now, but y'all that's 816 00:37:21,880 --> 00:37:23,440 Speaker 4: something for y'all look forward to for sure. 817 00:37:23,640 --> 00:37:25,760 Speaker 5: Is there any other like one producer projects. 818 00:37:26,160 --> 00:37:29,120 Speaker 4: Yeah, yeah, that's my whole m right now. I'm cooking 819 00:37:29,400 --> 00:37:36,319 Speaker 4: a bigger album like a Magnum opus, but especially you know, 820 00:37:37,120 --> 00:37:39,560 Speaker 4: twin with how I'm releasing music on even and have 821 00:37:39,680 --> 00:37:42,920 Speaker 4: an independent project that people can buy the physicals on. 822 00:37:44,080 --> 00:37:46,279 Speaker 4: My whole mo is locking in with one producer right now. 823 00:37:46,320 --> 00:37:48,920 Speaker 4: It gets easier on a on a on a payment 824 00:37:48,960 --> 00:37:50,919 Speaker 4: on a you know, on a on the business side 825 00:37:51,400 --> 00:37:53,600 Speaker 4: with it just being one person. And then for me, 826 00:37:54,200 --> 00:37:57,279 Speaker 4: it's actually fairly quick for me, Like I don't you know, 827 00:37:57,520 --> 00:38:00,000 Speaker 4: like the total time spent on the Murder of Crows 828 00:38:00,080 --> 00:38:02,640 Speaker 4: is a little over three weeks. Like actually, you know 829 00:38:02,680 --> 00:38:05,319 Speaker 4: what I'm saying. Like me and Slime, the total time 830 00:38:05,360 --> 00:38:06,720 Speaker 4: spent is just about two weeks. 831 00:38:06,800 --> 00:38:10,040 Speaker 2: On the R project. We got eleven songs. Yeah, I 832 00:38:10,040 --> 00:38:12,719 Speaker 2: got six songs with Kate done right now. I'm trying 833 00:38:12,719 --> 00:38:18,080 Speaker 2: to get I was me and Harry's fraud locked in. 834 00:38:18,280 --> 00:38:20,080 Speaker 4: We I just did assumed with him and bruises will 835 00:38:20,120 --> 00:38:21,760 Speaker 4: put me and him locked in for a whole project. 836 00:38:23,520 --> 00:38:26,600 Speaker 2: Yeah, I'm on this album yesterday. 837 00:38:26,800 --> 00:38:27,360 Speaker 1: Yeah, that's that. 838 00:38:28,960 --> 00:38:29,200 Speaker 2: Yeah. 839 00:38:30,280 --> 00:38:32,719 Speaker 4: And through that connection, Harry was like, all right, man, 840 00:38:32,800 --> 00:38:36,240 Speaker 4: let's lock in. He sent me a bunch of shit already. 841 00:38:36,440 --> 00:38:39,200 Speaker 4: H I got a joint done with my girl Amby 842 00:38:39,280 --> 00:38:41,560 Speaker 4: lyrics out the same as she fired. 843 00:38:42,440 --> 00:38:44,920 Speaker 2: That's my whole ship right now, Like I got I. 844 00:38:44,960 --> 00:38:48,280 Speaker 4: Legit have three projects done right now, but I'm working 845 00:38:48,320 --> 00:38:53,040 Speaker 4: on like seven. Obviously that's like hell compartmentalizing. But it's 846 00:38:53,040 --> 00:38:55,960 Speaker 4: just like I do certain ship. Like for example, I 847 00:38:56,000 --> 00:38:59,400 Speaker 4: locked in on Katera and like April, I finished like 848 00:38:59,480 --> 00:39:01,359 Speaker 4: seven songs. I sent them to him and was like, yo, 849 00:39:01,480 --> 00:39:03,040 Speaker 4: can I use all of these? He was like, two 850 00:39:03,040 --> 00:39:03,680 Speaker 4: of those you can? 851 00:39:03,680 --> 00:39:04,080 Speaker 2: I use. 852 00:39:04,160 --> 00:39:06,040 Speaker 1: I was like, damn, I. 853 00:39:06,080 --> 00:39:08,279 Speaker 4: Was, but just tell me I got these five though, 854 00:39:08,280 --> 00:39:10,560 Speaker 4: he was like you got five? 855 00:39:10,600 --> 00:39:12,520 Speaker 2: I'm like, all right, cool. So then I go back 856 00:39:12,560 --> 00:39:13,120 Speaker 2: to the lab. 857 00:39:13,160 --> 00:39:14,920 Speaker 4: I got like a bunch of K beats, So I 858 00:39:15,040 --> 00:39:17,839 Speaker 4: hold those fires cool and go back to the lab 859 00:39:17,880 --> 00:39:18,600 Speaker 4: and try to make more. 860 00:39:18,760 --> 00:39:20,520 Speaker 2: But that's what you got to do with niggas like him. 861 00:39:20,880 --> 00:39:22,880 Speaker 4: You can't sit on that ship for seven months and 862 00:39:22,920 --> 00:39:25,120 Speaker 4: then show up seven months later and expect all the 863 00:39:25,200 --> 00:39:26,160 Speaker 4: beats to be availers. 864 00:39:26,200 --> 00:39:29,000 Speaker 2: Like, bro, you ain't say nothing to me like I 865 00:39:29,000 --> 00:39:29,440 Speaker 2: sold them? 866 00:39:29,880 --> 00:39:30,520 Speaker 1: Yeah, so. 867 00:39:32,040 --> 00:39:34,279 Speaker 2: Yeah, yeah, so absolutely. 868 00:39:35,600 --> 00:39:37,480 Speaker 4: I don't want to promise him. But the Magnum open is 869 00:39:37,520 --> 00:39:40,080 Speaker 4: probably into twenty six, top of twenty seven. But in 870 00:39:40,120 --> 00:39:42,160 Speaker 4: the meantime, y'all just gonna get a bunch of single 871 00:39:42,200 --> 00:39:45,960 Speaker 4: producer projects that's really fire and it allows me to 872 00:39:46,000 --> 00:39:48,359 Speaker 4: show you know what I can do. But that's another thing. 873 00:39:48,400 --> 00:39:51,640 Speaker 4: It's like, I don't have to engineer a sound amongst 874 00:39:51,680 --> 00:39:54,879 Speaker 4: five producers for one project, right, K T is gonna 875 00:39:54,880 --> 00:39:56,960 Speaker 4: take me somewhere else, and B is gonna take me 876 00:39:57,040 --> 00:40:00,520 Speaker 4: somewhere else. Emil took me to somewhere where live production 877 00:40:00,680 --> 00:40:03,480 Speaker 4: is first and foremost. Me and slim going straight in 878 00:40:03,520 --> 00:40:05,680 Speaker 4: the low fire and samples, you know what I'm saying. 879 00:40:05,719 --> 00:40:08,319 Speaker 4: So it's just like it's all gonna sound different and 880 00:40:08,400 --> 00:40:10,600 Speaker 4: kind of show the depth of what I can do. 881 00:40:11,640 --> 00:40:14,440 Speaker 1: Yeah, mil is dope, mill is crazy. 882 00:40:14,520 --> 00:40:17,800 Speaker 4: Yeah, only two songs on that are are samples. Everything 883 00:40:17,800 --> 00:40:18,359 Speaker 4: else is live. 884 00:40:19,680 --> 00:40:21,799 Speaker 1: Yeah, that's that's that's pretty dope. 885 00:40:21,840 --> 00:40:27,480 Speaker 4: Who's any any yo, amazing, amazing rapper out of London. 886 00:40:28,000 --> 00:40:30,439 Speaker 4: She got a joint called charge It. That's what really 887 00:40:30,440 --> 00:40:33,839 Speaker 4: went crazy. When I heard that, I said, I, uh, 888 00:40:34,400 --> 00:40:37,480 Speaker 4: a so called niggas jedis, Like, you know, really, who 889 00:40:37,480 --> 00:40:39,360 Speaker 4: really got it? I said, I knew she was a 890 00:40:39,440 --> 00:40:42,239 Speaker 4: Jedi immediately, and I asked her to do. 891 00:40:42,280 --> 00:40:43,520 Speaker 2: This joint and she did it right. 892 00:40:43,560 --> 00:40:46,640 Speaker 4: I think a lot of times when people do relationship 893 00:40:46,719 --> 00:40:50,319 Speaker 4: songs or girl man, man and woman back and forth songs, for. 894 00:40:50,360 --> 00:40:52,080 Speaker 2: Me, it's either the woman is. 895 00:40:53,760 --> 00:40:58,680 Speaker 4: It's crazy lashing out at you, or she's endorsing your 896 00:40:58,719 --> 00:40:59,839 Speaker 4: behavior one or the other. 897 00:41:01,080 --> 00:41:03,040 Speaker 2: She making space for you to act the way you're talking, 898 00:41:03,200 --> 00:41:04,759 Speaker 2: or she ripping your head off right. 899 00:41:05,040 --> 00:41:08,400 Speaker 4: And what I really like about any verses that I 900 00:41:08,400 --> 00:41:10,719 Speaker 4: think there's very much an in between from both of us. 901 00:41:11,520 --> 00:41:12,799 Speaker 2: I think male or woman. 902 00:41:12,880 --> 00:41:15,160 Speaker 4: You could feel like any and you could feel like me, 903 00:41:15,360 --> 00:41:17,040 Speaker 4: you feel me like or you could feel like both 904 00:41:17,080 --> 00:41:19,000 Speaker 4: of us and understand that niggas just need to have 905 00:41:19,040 --> 00:41:20,439 Speaker 4: more conversation. 906 00:41:20,520 --> 00:41:21,319 Speaker 2: Whatever it is. 907 00:41:21,360 --> 00:41:23,920 Speaker 4: And I appreciated that from her verse that she didn't 908 00:41:23,920 --> 00:41:27,319 Speaker 4: take such a I think relationship shifts me way more 909 00:41:27,440 --> 00:41:31,320 Speaker 4: nuanced than the black and white that comes in art form. 910 00:41:31,360 --> 00:41:32,799 Speaker 2: A lot of the time, you know what I'm saying. 911 00:41:32,840 --> 00:41:35,719 Speaker 4: And I feel like her verse was was exactly what 912 00:41:35,800 --> 00:41:39,120 Speaker 4: I wanted as far as nuanced. So yeah, she's amazing. 913 00:41:39,160 --> 00:41:39,600 Speaker 2: She's dope. 914 00:41:39,600 --> 00:41:41,600 Speaker 4: And then she told me she wrote that ship. She 915 00:41:41,680 --> 00:41:44,760 Speaker 4: was like she was out with a nigga. She realized 916 00:41:44,760 --> 00:41:46,160 Speaker 4: she was out with the wrong nigga, Like while they 917 00:41:46,200 --> 00:41:47,720 Speaker 4: were out leaving. 918 00:41:47,520 --> 00:41:48,759 Speaker 2: That nigga, she said she wrote that shit. 919 00:41:50,560 --> 00:41:58,120 Speaker 4: Oh yeah, I was like she told me that. 920 00:42:00,080 --> 00:42:05,320 Speaker 1: As soon as I was like, yeah, I miss I 921 00:42:05,400 --> 00:42:08,040 Speaker 1: missed on thatoint. That's what's up, mann. 922 00:42:08,080 --> 00:42:10,440 Speaker 3: I got questions to man, but I'm gonna let It's 923 00:42:10,480 --> 00:42:12,799 Speaker 3: taken everything in me not to ask questions. I want 924 00:42:12,800 --> 00:42:16,439 Speaker 3: to get to the uh the Patreon support of questions, man, 925 00:42:16,560 --> 00:42:18,880 Speaker 3: like they you know, they they you know, we just 926 00:42:18,920 --> 00:42:21,960 Speaker 3: talked about people that you know, give their contributions to 927 00:42:22,080 --> 00:42:23,680 Speaker 3: the man. So I definitely want to make sure that 928 00:42:23,800 --> 00:42:25,840 Speaker 3: verse be heard on the channel some man. So without 929 00:42:25,880 --> 00:42:27,480 Speaker 3: further do Man, we're gonna go through some of these 930 00:42:28,239 --> 00:42:29,360 Speaker 3: Patreon questions. 931 00:42:29,600 --> 00:42:31,279 Speaker 1: Be you gonna read them all? Yeah? Yeah, all right, 932 00:42:31,840 --> 00:42:32,160 Speaker 1: all right. 933 00:42:32,200 --> 00:42:35,640 Speaker 5: So the first one is from Beans Beans for one zero. 934 00:42:36,200 --> 00:42:38,680 Speaker 5: He said, what are the top three features you still want? 935 00:42:38,800 --> 00:42:39,920 Speaker 5: Who you still want to work with? 936 00:42:44,440 --> 00:42:46,880 Speaker 4: It's I hate doing this because I don't want to 937 00:42:46,960 --> 00:42:49,280 Speaker 4: rob you'll give you too because my first listen is niggas. 938 00:42:49,280 --> 00:42:56,359 Speaker 2: I'm probably never gonna get the feature absolutely you know what, 939 00:42:57,440 --> 00:42:58,320 Speaker 2: hit it right on the head. 940 00:42:58,640 --> 00:43:03,319 Speaker 4: I got a uh playlists of prio socials that I'm like, Man, 941 00:43:03,360 --> 00:43:03,560 Speaker 4: I'm a 942 00:43:12,880 --> 00:43:12,920 Speaker 2: M