WEBVTT - Train to Busan (10th Anniversary)

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<v Speaker 1>The Frames Per Second Podcast.

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<v Speaker 2>Welcome to another episode of the Frames Per Second Podcast.

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<v Speaker 2>I'm your host for the evening. My name is Mike.

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<v Speaker 1>And next to me I have Spike. What up? Crossing Spike,

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<v Speaker 1>I have Ken.

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<v Speaker 3>Hold on. Sorry.

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<v Speaker 1>I was about to show Rod this insane price.

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<v Speaker 3>For this two-pack. Let's our SD card.

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<v Speaker 1>Ken's trying to show Rod his two-pack. And since we're talking,

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<v Speaker 1>what's up, Rod? How you doing? I'm good, man. All right, man.

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<v Speaker 1>He's still looking at Ken's two-pack.

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<v Speaker 2>But we're going to go ahead and start because we

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<v Speaker 2>ain't got time to wait for Ken's two-pack. We are

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<v Speaker 2>talking about Train to Busan. This is an anniversary review,

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<v Speaker 2>10-year anniversary. This was released in 2016, if you can't

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<v Speaker 2>do math. And this was directed by Yeon Sang Ho.

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<v Speaker 2>That's Yeon Sang Ho. You know what I'm saying? Yeah.

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<v Speaker 2>This motherfucker a bad motherfucker, bro. Bad motherfucker. Let me

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<v Speaker 2>go ahead and go on around the room. I know

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<v Speaker 2>Spike had not seen this before, so I guess I'll

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<v Speaker 2>start with him. Spike, what did you think of this film?

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<v Speaker 1>It was okay. All right.

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<v Speaker 4>Yeah, it wasn't... I kept waiting on something special to

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<v Speaker 4>happen since y'all spoke so highly of this movie.

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<v Speaker 1>It never did. It was just a zombie movie on

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<v Speaker 1>a train. Zombies on a train.

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<v Speaker 2>I had it with these motherfucking zombies on this motherfucking train.

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<v Speaker 1>So yeah, it was, it was okay. All right. It

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<v Speaker 1>was okay. Ken, was it okay?

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<v Speaker 3>I'm just, I'm dumbfounded.

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<v Speaker 1>Okay. That's, that's crazy. Um, Wow, but I get it.

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<v Speaker 1>It was a lot of hype.

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<v Speaker 5>No, I think this is an amazing movie. Yeah, I

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<v Speaker 5>remember the first time I watched it, we were supposed

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<v Speaker 5>to go out of town to my in-laws with my wife,

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<v Speaker 5>and I was watching the movie, and she actually got

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<v Speaker 5>caught up watching it, and she sat down, and we

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<v Speaker 5>watched the whole movie before we left. I think it

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<v Speaker 5>was for New Year's or something like that because we

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<v Speaker 5>got so caught up in the movie. And she got

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<v Speaker 5>so caught up in just everything that was going on

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<v Speaker 5>and the action, the sequence, and the storytelling, the ending, everything, bro.

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<v Speaker 3>And for me, it still holds up. Amazing.

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<v Speaker 1>Rob, was it okay or was it amazing? Neither.

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<v Speaker 6>Was it good?

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<v Speaker 1>It was good.

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<v Speaker 6>Okay, well, I wouldn't describe it as amazing, but it

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<v Speaker 6>is done. It's done well. It's definitely done well. I

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<v Speaker 6>think you guys hyped.

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<v Speaker 1>It for me.

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<v Speaker 6>And it was just like, all right, you might like

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<v Speaker 6>it because y'all know I don't like subtitles. So y'all

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<v Speaker 6>were like, oh, yeah, you would like it. This is

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<v Speaker 6>your first time.

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<v Speaker 1>No, no, no. This is the second time. Okay.

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<v Speaker 6>Y'all hyped it for me before and I watched it

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<v Speaker 6>or whatever. But it's not documented in any way, I

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<v Speaker 6>don't think, of me watching it.

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<v Speaker 1>But, yeah. But, no, yeah, it was good.

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<v Speaker 6>Like, for me not liking subtitles, things like that, you know,

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<v Speaker 6>it was really good.

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<v Speaker 1>It was executed really well. I'm trying to think.

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<v Speaker 6>I got some other stuff to say, but I'll just

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<v Speaker 6>wait till we start reviewing it, whatever.

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<v Speaker 2>So after hearing you talk, I owe you an apology.

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<v Speaker 2>I 100% meant to text you and tell you that

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<v Speaker 2>there is a dub version on the same app that

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<v Speaker 2>you told Spike to.

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<v Speaker 1>Watch it on. Oh, wow. Yeah, that was my fault.

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<v Speaker 1>I had so much shit going on this week. I

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<v Speaker 1>meant to tell you that. Yeah. But yeah, and the

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<v Speaker 1>dub is actually not bad. It's pretty close to the original. Yeah, yeah, yeah.

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<v Speaker 1>But yeah, I totally forgot.

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<v Speaker 6>I didn't mind it, because my whole thing about this one,

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<v Speaker 6>I think I said it to y'all off off camera

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<v Speaker 6>is that because it's so much action and things like that,

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<v Speaker 6>it don't, you don't really need to read too much.

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<v Speaker 3>It's just, you see what's happening or.

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<v Speaker 1>Whatever, you know? Um, so yeah. Um, so no, it

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<v Speaker 1>was fine. Yeah. I've, I've watched this many times.

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<v Speaker 2>The, the, the subtitle version, uh, this past time was

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<v Speaker 2>my first time watching, um, a dubbed version, but yeah,

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<v Speaker 2>this is one of my favorite zombie films, hands down. Um,

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<v Speaker 2>The story is amazing. The emotional rollercoaster that we're going

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<v Speaker 2>on is amazing. It does a lot of things that

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<v Speaker 2>a lot of zombie films don't do, which is build

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<v Speaker 2>up a character. And we have a side story, a

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<v Speaker 2>side arc that actually makes sense. It's not just, hey,

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<v Speaker 2>there's a bunch of zombies biting people. But I can

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<v Speaker 2>see how the movie would come off that way. But yeah,

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<v Speaker 2>I think this is an absolutely fantastic movie. So we're

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<v Speaker 2>going to try to run through this, y'all. So the

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<v Speaker 2>movie starts with a truck running through a checkpoint, and

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<v Speaker 2>after going through it, he runs over a deer that

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<v Speaker 2>reanimates after the driver drives away. We then meet, and

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<v Speaker 2>anybody that speaks Korean, by the way, I'm probably going

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<v Speaker 2>to butcher these Korean names, even though I've seen the

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<v Speaker 2>movie so many times, I know how it sounds in

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<v Speaker 2>my head, but I'll probably still say it wrong.

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<v Speaker 1>But we meet Seok-woo.

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<v Speaker 2>Who's a single father of Suwan, and he seems to

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<v Speaker 2>be going through a really messy divorce with his wife,

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<v Speaker 2>whose name is Nae Young. Um, his disconnect with his

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<v Speaker 2>daughter culminates in him, uh, sorry, in her wanting to

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<v Speaker 2>leave to go see her mother in Busan.

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<v Speaker 1>So, Spike, what'd you think of this opening?

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<v Speaker 4>Uh, it was a typical setup. I don't, I thought

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<v Speaker 4>the deer stuff was cool when he ran the deer

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<v Speaker 4>over and reanimated. That left a little mystery there, but, um,

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<v Speaker 4>And what was he saying about his pigs being buried?

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<v Speaker 2>So he thought that they were closing it down for,

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<v Speaker 2>I forgot what that's called, like foot and mouth disease

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<v Speaker 2>or something. It's almost like a bird flu or swine

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<v Speaker 2>flu type of thing. So he was just saying, I

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<v Speaker 2>hope you're not about to take my pigs again.

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<v Speaker 4>That was interesting in the thing being reanimated.

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<v Speaker 1>But the family part was like, okay. Damn. Anybody else

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<v Speaker 1>get anything from the family part?

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<v Speaker 6>So when I first watched this, it was funny to

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<v Speaker 6>me when I saw the deer because every season, for

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<v Speaker 6>whatever reason, Ne always thought the animals was going to

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<v Speaker 6>be zombies in Walking Dead.

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<v Speaker 1>I don't blame her. Yeah, she always thought. She's like, oh,

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<v Speaker 1>zombie deer, zombie deer.

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<v Speaker 6>And so when I finally saw a zombie deer, I

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<v Speaker 6>just was like, wow, a zombie deer finally.

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<v Speaker 1>So yeah, that was my first... reaction to when i

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<v Speaker 1>seen it.

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<v Speaker 6>But i was dope the way that looked like like

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<v Speaker 6>you said the way it came came back to life

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<v Speaker 6>i guess but um um as far as the you

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<v Speaker 6>said the family what were you asking about the.

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<v Speaker 2>Family i get nothing from this family shit huh i

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<v Speaker 2>expected the the motherfuckers with kids what.

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<v Speaker 1>Are you that's what i'm saying what were you asking.

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<v Speaker 2>About anything from like the whole family dynamic with like

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<v Speaker 2>you know the the uh song woo and um his

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<v Speaker 2>his daughter And the daughter wants to leave to go

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<v Speaker 2>be with the mother.

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<v Speaker 1>Yeah, yeah. What about it? Ken, did you get anything

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<v Speaker 1>from the family dynamic of this part? You already said it.

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<v Speaker 1>You're talking about they were going through a mess. I'm saying,

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<v Speaker 1>did you get, like, was it hard-hitting? Were you invested? Oh,

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<v Speaker 1>that's what you're saying. Did you get anything from it?

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<v Speaker 6>I mean, it was fine. I mean, I was wondering,

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<v Speaker 6>she said something. What did she say? She was under

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<v Speaker 6>the cover. She was talking to her mom. She said

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<v Speaker 6>she was going to train by herself.

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<v Speaker 2>And.

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<v Speaker 1>I could kind of relate. I'll say that. Okay. Because.

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<v Speaker 1>That's what I was waiting for. Okay. Okay. Cool. Cool.

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<v Speaker 1>Because I do work a lot.

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<v Speaker 5>Right.

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<v Speaker 1>But I do make time for my kids at the

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<v Speaker 1>end of the day too.

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<v Speaker 3>Right.

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<v Speaker 6>So I was wondering if they were going to go

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<v Speaker 6>there with it. And when he had the Wii, I'm like, man,

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<v Speaker 6>I'm grateful ass. It's a fucking Wii. And then you

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<v Speaker 6>look at the thing and it's like, oh, you already

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<v Speaker 6>got on one.

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<v Speaker 1>So just think how out of touch he was with

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<v Speaker 1>her or whatnot. So yeah, it's like. But they say

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<v Speaker 1>something later that, oh, I know what happens later. I

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<v Speaker 1>hope I remember. Okay. Because the guy made a point

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<v Speaker 1>to say it later. That's right. And I was just like, hmm. See,

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<v Speaker 1>we got there. It took a minute. I was just

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<v Speaker 1>putting it where you wanted. I was like, there ain't

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<v Speaker 1>no way Rod took nothing from this. Oh, yeah, yeah, yeah,

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<v Speaker 1>I did. Yeah, yeah. I just didn't know where you

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<v Speaker 1>were going with it. All right, Ken, did you get

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<v Speaker 1>anything from this part?

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<v Speaker 5>Yeah, I think just in terms of the overall story,

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<v Speaker 5>this was, uh, a good setup for where we ended. Um,

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<v Speaker 5>you know, uh, uh, father and daughter that's completely disconnected

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<v Speaker 5>from one another and using the, we to show an

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<v Speaker 5>example of that, uh, was, was great. You showed it,

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<v Speaker 5>not tell it. Um, I thought that that was dope. Even,

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<v Speaker 5>even him saying, yo, what the kids are into these days. Um,

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<v Speaker 5>he didn't even know that. So, um, Also like the part,

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<v Speaker 5>like in the beginning where they were talking about, oh yeah,

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<v Speaker 5>sell everything. And it's just like a ominous, well, not

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<v Speaker 5>an ominous warning. It's just another warning because we saw

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<v Speaker 5>the deer and then he's on the phone and like

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<v Speaker 5>sell everything, which means that most of these guys know

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<v Speaker 5>something's happening before everybody else. So that's a sign that

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<v Speaker 5>something's on the way. And then to get home and

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<v Speaker 5>the daughter being under the covers and yeah, I'm, In

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<v Speaker 5>similar fashion, I can relate because, you know, I would

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<v Speaker 5>hear the stories of you're never home.

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<v Speaker 3>You're always doing this. You're always doing that.

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<v Speaker 5>And, you know, my wife not really understanding, you know,

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<v Speaker 5>everything that was being done and why it was so important.

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<v Speaker 5>With him, it's a slightly different meaning, but still, nevertheless,

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<v Speaker 5>he's consumed by work regardless of whatever the means are

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<v Speaker 5>or the intentions are. But, no, I thought it was

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<v Speaker 5>a good, small, subtle, like, set up. That you didn't

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<v Speaker 5>know was significant until we get to the end.

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<v Speaker 1>That's right. That's right.

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<v Speaker 2>Especially when it comes to the recital, which we will

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<v Speaker 2>get to. But yes, he missed her school recital. And

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<v Speaker 2>she really wanted him to be at the recital. And

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<v Speaker 2>when he watches the video, he sees. that she's not

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<v Speaker 2>able to sing the song that she was supposed to

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<v Speaker 2>sing so we'll get we'll get back to that but

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<v Speaker 2>the next day they leave on a train this is

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<v Speaker 2>a small part i just wanted to see if did

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<v Speaker 2>y'all take anything from the fact that there were two

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<v Speaker 2>stowaways one was a homeless man and then the other

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<v Speaker 2>one was the woman who was actually infected like did

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<v Speaker 2>you notice the difference in how those two people were treated.

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<v Speaker 1>Well, the homeless man was in the, he was hiding away.

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<v Speaker 1>They were both hiding. Oh, yeah, yeah, yeah, yeah.

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<v Speaker 5>So the infected person, they were immediately trying to make

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<v Speaker 5>sure that she was okay.

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<v Speaker 3>The one that was bit.

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<v Speaker 1>Oh, I didn't see that. They ignored her.

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<v Speaker 2>So the infected woman was in one bathroom. The homeless

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<v Speaker 2>man was in the other bathroom. The evil guy who,

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<v Speaker 2>I can't remember his name, but we'll get to him.

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<v Speaker 1>Yeah, the business guy. The fucking absolute dick guy. Sook.

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<v Speaker 5>Because, yeah, the way they told it was we saw

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<v Speaker 5>the homeless man and we thought they were going.

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<v Speaker 1>No, we saw her get on. We didn't see the

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<v Speaker 1>homeless guy get on.

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<v Speaker 2>Right.

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<v Speaker 1>Yeah. And we thought they were going to her, but

0:10:57.270 --> 0:10:57.590
<v Speaker 1>they went.

0:10:57.530 --> 0:10:58.150
<v Speaker 3>To the homeless man.

0:10:58.410 --> 0:10:58.809
<v Speaker 1>Right. Yeah.

0:10:58.970 --> 0:11:03.449
<v Speaker 2>And then they're they're they're really like concerned about him. Like,

0:11:03.550 --> 0:11:05.949
<v Speaker 2>what is he doing? You know, the guys like I

0:11:06.030 --> 0:11:08.770
<v Speaker 2>saw a homeless guy sneak on the. And if you

0:11:08.830 --> 0:11:11.869
<v Speaker 2>notice the shot, the shot is shooting up from the

0:11:11.910 --> 0:11:14.819
<v Speaker 2>homeless guy. So they're looking down on him the whole time.

0:11:14.860 --> 0:11:17.240
<v Speaker 2>But they really don't pay any attention to the other woman.

0:11:17.620 --> 0:11:20.300
<v Speaker 2>Even when she comes out of the bathroom, they're not

0:11:20.320 --> 0:11:22.960
<v Speaker 2>really paying her any mind. They're still more concerned with

0:11:22.980 --> 0:11:25.340
<v Speaker 2>the fact that it's a homeless man on the train.

0:11:25.380 --> 0:11:27.760
<v Speaker 2>But the female stowaway bites one of the train attendants

0:11:28.500 --> 0:11:30.730
<v Speaker 2>who then starts to bite other people within the car.

0:11:31.470 --> 0:11:34.370
<v Speaker 2>And in that car, it contains a young, like teenage

0:11:34.530 --> 0:11:37.850
<v Speaker 2>baseball team. And this is where we become more familiar with...

0:11:39.040 --> 0:11:41.179
<v Speaker 2>I'm going to fuck this up. I think it's Young Gook.

0:11:42.470 --> 0:11:44.429
<v Speaker 2>Because I really don't feel right saying Young Gook. I

0:11:44.450 --> 0:11:47.850
<v Speaker 2>don't think it's Young Gook. But anyways, I'm going to

0:11:47.870 --> 0:11:52.130
<v Speaker 2>say Young. And his girlfriend, Jin Hee. What did y'all

0:11:52.170 --> 0:11:54.630
<v Speaker 2>think about how we see the initial breakout start with

0:11:54.670 --> 0:11:55.189
<v Speaker 2>the zombies?

0:11:55.870 --> 0:11:58.670
<v Speaker 6>Yeah, I just thought it was like, man, I forgot

0:11:58.720 --> 0:12:01.340
<v Speaker 6>how this shit, once it gets going, it's going. Because

0:12:01.420 --> 0:12:03.600
<v Speaker 6>at first, I'm just like, all right, how is this

0:12:03.620 --> 0:12:08.280
<v Speaker 6>going to just have this I felt like it was

0:12:08.300 --> 0:12:11.620
<v Speaker 6>going to go slower than that. So when the first

0:12:11.679 --> 0:12:14.819
<v Speaker 6>bite happens, it's just like, we're off to the races.

0:12:15.000 --> 0:12:18.160
<v Speaker 6>It's just like, person after person, I'm like, oh my God,

0:12:18.179 --> 0:12:22.400
<v Speaker 6>now I can see how this can become an issue

0:12:22.850 --> 0:12:27.430
<v Speaker 6>or whatever. So yeah, I immediately saw how quickly out

0:12:27.470 --> 0:12:29.650
<v Speaker 6>of hand this can get or whatnot. As far as

0:12:29.670 --> 0:12:35.170
<v Speaker 6>the homeless guy and the infected, I did like how they...

0:12:35.590 --> 0:12:39.410
<v Speaker 6>directed that part like how you you know you see

0:12:39.490 --> 0:12:41.390
<v Speaker 6>her but then they cut to the other guy because

0:12:41.429 --> 0:12:43.109
<v Speaker 6>he was just like i think what he said actually

0:12:43.150 --> 0:12:46.340
<v Speaker 6>was uh somebody that's not supposed to be here or

0:12:46.360 --> 0:12:48.360
<v Speaker 6>whatever and he was referring to the homeless guy so

0:12:48.420 --> 0:12:51.120
<v Speaker 6>i did like like how they um did like a

0:12:51.120 --> 0:12:55.300
<v Speaker 6>little switcheroo with camera there yeah um but nah and

0:12:55.320 --> 0:12:56.579
<v Speaker 6>that was i don't think that was his girl i

0:12:56.600 --> 0:12:59.520
<v Speaker 6>think they were they were trying to be like She.

0:12:59.200 --> 0:13:01.460
<v Speaker 2>Had a crush on him. She had a crush on him.

0:13:01.760 --> 0:13:03.340
<v Speaker 2>And he kind of liked her, but he was being

0:13:03.360 --> 0:13:03.990
<v Speaker 2>weird about it.

0:13:04.179 --> 0:13:07.120
<v Speaker 1>Yeah. But I tend to refer to her. I got you.

0:13:07.179 --> 0:13:09.000
<v Speaker 1>Because by the end of the film, they made it well. Yeah, yeah, yeah.

0:13:09.200 --> 0:13:12.280
<v Speaker 1>For sure. For sure. But now, yeah, my first impression

0:13:12.300 --> 0:13:15.260
<v Speaker 1>was like, wow, this is about to get crazy. Immediately.

0:13:16.559 --> 0:13:17.220
<v Speaker 1>Anybody else?

0:13:19.240 --> 0:13:21.620
<v Speaker 4>I was surprised at how fast it spread, like Rod said.

0:13:21.980 --> 0:13:25.400
<v Speaker 4>Like how it got out of hand that quickly. I

0:13:25.420 --> 0:13:26.070
<v Speaker 4>wasn't expecting that.

0:13:26.650 --> 0:13:32.010
<v Speaker 5>It was really tense how they did it because you

0:13:32.050 --> 0:13:35.310
<v Speaker 5>have the girl, the daughter, that gets up and she's

0:13:35.330 --> 0:13:36.150
<v Speaker 5>going to the train.

0:13:36.210 --> 0:13:40.170
<v Speaker 3>He's next to her asleep. So, again, he's.

0:13:40.010 --> 0:13:44.620
<v Speaker 5>Not supervising her or watching over her. She's going off

0:13:44.679 --> 0:13:47.820
<v Speaker 5>doing things by herself, which is probably what she's accustomed

0:13:47.860 --> 0:13:48.540
<v Speaker 5>to doing.

0:13:49.380 --> 0:13:52.520
<v Speaker 1>That's sort of independence. And she goes in the restroom.

0:13:52.640 --> 0:13:54.600
<v Speaker 5>And the way they kind of play with that rod

0:13:54.660 --> 0:13:57.060
<v Speaker 5>is like they made it seem like she was going

0:13:57.080 --> 0:13:58.780
<v Speaker 5>to run into them as well.

0:13:58.820 --> 0:14:00.160
<v Speaker 3>So I thought that that was dope too.

0:14:00.980 --> 0:14:04.679
<v Speaker 5>And when it broke, when the affection broke out, when

0:14:04.720 --> 0:14:08.220
<v Speaker 5>he wakes up, he's going to look for, and you're like,

0:14:08.360 --> 0:14:10.459
<v Speaker 5>where is she? Where is he? Is he going to

0:14:10.500 --> 0:14:13.800
<v Speaker 5>find her? And that whole tension that they had, cause

0:14:14.080 --> 0:14:15.420
<v Speaker 5>these things were moving fast.

0:14:15.520 --> 0:14:15.819
<v Speaker 1>Yeah.

0:14:16.520 --> 0:14:18.220
<v Speaker 5>And you're like, Oh my God, is he going to

0:14:18.300 --> 0:14:19.700
<v Speaker 5>get it? You know, he is, but the way they

0:14:19.820 --> 0:14:22.160
<v Speaker 5>did it was really, really dope and building that up.

0:14:22.320 --> 0:14:25.110
<v Speaker 3>Cause he passed her, but we didn't know he passed her.

0:14:25.180 --> 0:14:25.500
<v Speaker 1>Yup.

0:14:25.610 --> 0:14:28.670
<v Speaker 3>Yup. Um, No, they did a lot.

0:14:28.570 --> 0:14:30.290
<v Speaker 1>Of great camera work here.

0:14:30.470 --> 0:14:33.490
<v Speaker 5>Again, I'm looking at him as a father. I'm like, bro,

0:14:33.510 --> 0:14:37.750
<v Speaker 5>what a terrible father you are. You're just sleeping. First

0:14:37.790 --> 0:14:40.010
<v Speaker 5>of all, you're walking off by yourself. You're a badass,

0:14:40.050 --> 0:14:42.270
<v Speaker 5>but she's used to it. And then you're just sleeping

0:14:42.290 --> 0:14:44.770
<v Speaker 5>here on this train full of strangers and let her

0:14:44.810 --> 0:14:46.220
<v Speaker 5>walk off and not paying attention to her.

0:14:47.350 --> 0:14:50.770
<v Speaker 2>So Seok-woo and Soo-won, after he finds her, they run

0:14:50.790 --> 0:14:53.400
<v Speaker 2>through the train cars away from the zombies. And this

0:14:53.420 --> 0:14:58.160
<v Speaker 2>is where we meet tough guy Sang-hwa. and his pregnant wife,

0:14:58.870 --> 0:15:03.150
<v Speaker 2>Siong Kyung. What did you think about how Sang Hwa

0:15:03.270 --> 0:15:05.090
<v Speaker 2>differs from Siong Kook?

0:15:05.550 --> 0:15:09.550
<v Speaker 1>No, that's not his name. I told y'all I'm going

0:15:09.570 --> 0:15:13.670
<v Speaker 1>to fuck these names up, bro. He's got these good-ass descriptors, man.

0:15:13.810 --> 0:15:14.109
<v Speaker 5>Huh?

0:15:14.350 --> 0:15:16.690
<v Speaker 1>You mean he's just like the father?

0:15:16.730 --> 0:15:19.130
<v Speaker 3>He was in the Eternals.

0:15:19.830 --> 0:15:23.050
<v Speaker 1>Yeah, that's where he's from. He looked like the other

0:15:23.530 --> 0:15:25.130
<v Speaker 1>guy that took Dr.

0:15:25.150 --> 0:15:26.690
<v Speaker 3>Strange. That guy?

0:15:27.110 --> 0:15:28.130
<v Speaker 1>That's not Wong.

0:15:28.390 --> 0:15:30.070
<v Speaker 5>It's not Wong, but it's the other guy from The Eternals. Oh,

0:15:30.070 --> 0:15:31.609
<v Speaker 5>I was about to say, you racist as fuck. I

0:15:31.650 --> 0:15:35.400
<v Speaker 5>was being racist. Because I thought it was Wong, but

0:15:35.440 --> 0:15:38.180
<v Speaker 5>I'm like, I know he looks familiar, but it doesn't

0:15:38.220 --> 0:15:40.060
<v Speaker 5>look like him. Because at first I was like, that's

0:15:40.080 --> 0:15:42.680
<v Speaker 5>the guy that became Doctor Strange when Doctor Strange left.

0:15:42.700 --> 0:15:44.260
<v Speaker 1>That don't even look like Wong.

0:15:44.500 --> 0:15:47.570
<v Speaker 5>And then I was like, let me verify. But I

0:15:47.610 --> 0:15:48.690
<v Speaker 5>knew he was in a Marvel movie.

0:15:48.750 --> 0:15:50.770
<v Speaker 1>Oh, but he was in Eternals? He was in Eternals. Yes,

0:15:50.870 --> 0:15:52.510
<v Speaker 1>he was in Eternals. Interesting.

0:15:52.980 --> 0:15:53.900
<v Speaker 3>That's my guy, Mike.

0:15:54.020 --> 0:15:54.340
<v Speaker 1>Yeah.

0:15:55.060 --> 0:15:56.280
<v Speaker 3>That's my guy, bro.

0:15:56.730 --> 0:15:59.170
<v Speaker 2>So did you pick up anything about how he differs

0:15:59.430 --> 0:16:02.590
<v Speaker 2>from Sakwu?

0:16:02.970 --> 0:16:05.790
<v Speaker 1>He cared about people. And the other guy was selfish.

0:16:05.990 --> 0:16:10.030
<v Speaker 5>Because the people are running, trying to get into the

0:16:10.200 --> 0:16:12.420
<v Speaker 5>way he was running, trying to get in. And old

0:16:12.440 --> 0:16:13.960
<v Speaker 5>boy locked in and wouldn't let him in. And if

0:16:14.020 --> 0:16:16.840
<v Speaker 5>it wasn't for his daughter, they would have gotten bitten.

0:16:16.920 --> 0:16:18.040
<v Speaker 1>Yep. Yep.

0:16:18.420 --> 0:16:20.360
<v Speaker 3>And that became a point of contention between the two.

0:16:20.980 --> 0:16:21.100
<v Speaker 1>Yep.

0:16:21.570 --> 0:16:24.830
<v Speaker 2>And if you notice, when he first encounters them, he

0:16:24.890 --> 0:16:26.550
<v Speaker 2>runs right by them. He doesn't even try to help.

0:16:27.450 --> 0:16:28.590
<v Speaker 1>Now, granted, he has.

0:16:30.070 --> 0:16:32.990
<v Speaker 2>His daughter in his arms, but he doesn't even think

0:16:33.070 --> 0:16:34.210
<v Speaker 2>about stopping to help these people.

0:16:34.230 --> 0:16:35.130
<v Speaker 1>He just runs right by them.

0:16:35.150 --> 0:16:36.080
<v Speaker 3>And she's pregnant, too.

0:16:36.120 --> 0:16:36.740
<v Speaker 1>That was us.

0:16:36.750 --> 0:16:38.980
<v Speaker 3>I was like, bro, she is pregnant. Like, you can

0:16:39.050 --> 0:16:39.860
<v Speaker 3>save these people.

0:16:40.060 --> 0:16:40.620
<v Speaker 1>He didn't care.

0:16:41.120 --> 0:16:42.820
<v Speaker 2>But he does change his mind, to be fair. But yeah,

0:16:42.880 --> 0:16:44.880
<v Speaker 2>like you said, his daughter was like, nah, I know

0:16:44.900 --> 0:16:45.260
<v Speaker 2>that guy.

0:16:45.300 --> 0:16:48.820
<v Speaker 1>You can't do that. But we realized the zombies don't

0:16:48.860 --> 0:16:49.620
<v Speaker 1>know how to open doors.

0:16:50.460 --> 0:16:54.080
<v Speaker 2>And that they can't see the survivors, that if they

0:16:54.100 --> 0:16:56.010
<v Speaker 2>can't see the survivors, they'll calm down and they won't

0:16:56.030 --> 0:16:57.050
<v Speaker 2>really be bothered with them.

0:16:57.070 --> 0:16:57.930
<v Speaker 1>Powerful moment.

0:16:58.430 --> 0:17:01.810
<v Speaker 2>What did you think about the scene between Seok-woo, Soo-won,

0:17:02.310 --> 0:17:06.030
<v Speaker 2>and the elderly sisters, In-gil and Jung-gil, Spike?

0:17:06.050 --> 0:17:06.690
<v Speaker 1>Do you remember this.

0:17:06.619 --> 0:17:10.440
<v Speaker 2>Part where they were in the hallway and Soo-won gives

0:17:10.500 --> 0:17:12.300
<v Speaker 2>up her seat to them?

0:17:13.960 --> 0:17:14.180
<v Speaker 1>No.

0:17:14.359 --> 0:17:16.139
<v Speaker 3>The dad came over and was like, you didn't have

0:17:16.160 --> 0:17:16.500
<v Speaker 3>to do that.

0:17:16.520 --> 0:17:16.660
<v Speaker 2>Right.

0:17:17.460 --> 0:17:20.450
<v Speaker 1>He said, you shouldn't always be trying to be so nice.

0:17:20.990 --> 0:17:22.889
<v Speaker 1>Talking to his youngest daughter, right? Talking to his daughter. No,

0:17:24.350 --> 0:17:28.189
<v Speaker 1>I didn't get it. Was it something like that?

0:17:29.330 --> 0:17:31.399
<v Speaker 2>It's just demonstrating how fucking selfish he is.

0:17:31.390 --> 0:17:34.080
<v Speaker 1>Yeah, they're building up his selfishness. I agree with what.

0:17:33.960 --> 0:17:36.139
<v Speaker 4>Y'all were saying as far as him not being a

0:17:36.180 --> 0:17:38.860
<v Speaker 4>people person. They did a very good job of just

0:17:39.180 --> 0:17:42.580
<v Speaker 4>displaying that throughout several different scenes in the movie.

0:17:42.619 --> 0:17:45.550
<v Speaker 1>And also to... I didn't say anything about the other guy.

0:17:45.570 --> 0:17:47.870
<v Speaker 1>I liked it. The dude that wrapped the tape around

0:17:47.890 --> 0:17:50.100
<v Speaker 1>his ass, right? I liked him a lot, too. Yeah.

0:17:50.300 --> 0:17:58.760
<v Speaker 5>Yeah, it's, you know, you can also see how parents

0:17:58.800 --> 0:18:02.510
<v Speaker 5>can instill certain values in kids, and that continues this

0:18:02.550 --> 0:18:05.870
<v Speaker 5>sort of cycle. You know, and he's like, you don't

0:18:05.890 --> 0:18:07.710
<v Speaker 5>have to do that. You don't have to always be nice,

0:18:07.750 --> 0:18:10.350
<v Speaker 5>et cetera, et cetera. Imagine if it wasn't around and

0:18:10.369 --> 0:18:13.520
<v Speaker 5>she's growing up hearing that and she's living in a

0:18:13.690 --> 0:18:17.060
<v Speaker 5>place of privilege, she would look down on people that

0:18:17.100 --> 0:18:19.879
<v Speaker 5>are below her because that's how she was taught and raised.

0:18:20.760 --> 0:18:22.780
<v Speaker 2>Yeah, because they kind of imply that he's more of

0:18:22.840 --> 0:18:27.130
<v Speaker 2>a working class type of dude. So you could see, sorry,

0:18:27.150 --> 0:18:30.830
<v Speaker 2>that Hua, I forgot his first name already, but the

0:18:30.850 --> 0:18:33.430
<v Speaker 2>big dude, that he's more of a working class guy.

0:18:33.450 --> 0:18:37.690
<v Speaker 2>So you could see why Seok-woo would kind of not

0:18:37.750 --> 0:18:40.260
<v Speaker 2>really care about him and then you see the elderly

0:18:40.300 --> 0:18:42.359
<v Speaker 2>people the way all even in America the way we

0:18:42.380 --> 0:18:45.420
<v Speaker 2>treat our elderly I can see some people on a

0:18:45.440 --> 0:18:46.120
<v Speaker 2>mortar train not.

0:18:46.040 --> 0:18:48.960
<v Speaker 5>Giving up to some older folks which all that attaches

0:18:49.020 --> 0:18:51.020
<v Speaker 5>back to the homeless guy.

0:18:50.859 --> 0:18:54.359
<v Speaker 2>Too right it's all these people that we as society

0:18:54.400 --> 0:18:57.780
<v Speaker 2>just look down upon and just disregard if you would

0:18:57.859 --> 0:19:00.680
<v Speaker 2>love to have more content from frames per second become

0:19:00.720 --> 0:19:03.080
<v Speaker 2>a patron where you can contribute to what we review

0:19:03.119 --> 0:19:06.060
<v Speaker 2>and discuss our patreon gives the listeners the power to

0:19:06.140 --> 0:19:09.590
<v Speaker 2>nominate and vote a monthly discussion and film review, while

0:19:09.650 --> 0:19:12.670
<v Speaker 2>also nominating and voting on weekly solo reviews from each

0:19:12.730 --> 0:19:15.510
<v Speaker 2>cast member. You also get the opportunity to vote on

0:19:15.530 --> 0:19:19.590
<v Speaker 2>the publicly released anniversary film, all exclusive to our Patreon.

0:19:19.890 --> 0:19:24.240
<v Speaker 2>So become a patron at patreon.com frames per second, where

0:19:24.260 --> 0:19:27.639
<v Speaker 2>there are two tiers you can choose from. That's patreon.com

0:19:27.940 --> 0:19:36.060
<v Speaker 2>forward slash frames per second. But while on the train

0:19:36.119 --> 0:19:40.610
<v Speaker 2>to Dajon, Seok-woo sets up to be picked up by

0:19:40.650 --> 0:19:42.550
<v Speaker 2>his company at the station. But once they get to

0:19:42.570 --> 0:19:45.679
<v Speaker 2>the station, it's completely overrun. So, Rob, what did you

0:19:45.700 --> 0:19:47.040
<v Speaker 2>think of this part where they have to escape the

0:19:47.080 --> 0:19:51.220
<v Speaker 2>station because this this starts to break down who saku.

0:19:50.900 --> 0:19:58.350
<v Speaker 6>Is yes um i wasn't i wasn't expecting this for

0:19:58.369 --> 0:20:01.530
<v Speaker 6>them to get off the train for whatever reason because

0:20:01.570 --> 0:20:04.070
<v Speaker 6>it's called train to busan yeah yeah yeah so when

0:20:04.109 --> 0:20:05.790
<v Speaker 6>this happened i was like oh okay well damn they

0:20:05.810 --> 0:20:09.590
<v Speaker 6>get off the train all right cool um But, nah,

0:20:09.609 --> 0:20:12.109
<v Speaker 6>that shit was crazy when they was trying to go

0:20:12.150 --> 0:20:16.950
<v Speaker 6>down the stairs and you just see them motherfuckers, like, gathered. But, nah, yeah,

0:20:16.970 --> 0:20:20.210
<v Speaker 6>this whole part was crazy, too. Like, it was just

0:20:20.260 --> 0:20:22.520
<v Speaker 6>as crazy as the train. And I was just like,

0:20:22.580 --> 0:20:25.720
<v Speaker 6>how are they making this just as crazy? But, you know,

0:20:25.760 --> 0:20:29.459
<v Speaker 6>I told you, man, them fat zombies, bro. Fat zombies

0:20:29.560 --> 0:20:32.570
<v Speaker 6>is scarier to me. Like, I always said it. I

0:20:32.690 --> 0:20:35.210
<v Speaker 6>always said it. And, yeah, this was intense.

0:20:35.990 --> 0:20:38.320
<v Speaker 1>Yeah. A lot happened here too, but I would need

0:20:38.340 --> 0:20:39.510
<v Speaker 1>you to refresh my memory though.

0:20:42.770 --> 0:20:45.710
<v Speaker 5>Examples of him being selfish. The homeless guy picking up

0:20:45.850 --> 0:20:47.020
<v Speaker 5>on it because he overheard it.

0:20:47.450 --> 0:20:48.970
<v Speaker 1>Oh, yeah, that's right. That's right.

0:20:49.330 --> 0:20:49.930
<v Speaker 3>I'm going with you.

0:20:49.990 --> 0:20:50.470
<v Speaker 1>Fuck that.

0:20:50.840 --> 0:20:51.080
<v Speaker 2>Right.

0:20:51.100 --> 0:20:53.399
<v Speaker 1>I heard the phone call. I heard the call, but

0:20:53.440 --> 0:20:54.620
<v Speaker 1>I'm going with you. I heard the call.

0:20:54.640 --> 0:20:54.860
<v Speaker 4>Goddamn.

0:20:54.940 --> 0:20:56.260
<v Speaker 1>You can't tell me I can't come with you.

0:20:56.280 --> 0:20:59.520
<v Speaker 6>You look like you ain't going over there.

0:20:59.540 --> 0:21:01.220
<v Speaker 1>No, I don't want to go over there. You ain't

0:21:01.300 --> 0:21:03.780
<v Speaker 1>going over there. Staying right here.

0:21:03.840 --> 0:21:06.159
<v Speaker 2>I'm staying right here with you. You seem like you

0:21:06.180 --> 0:21:07.800
<v Speaker 2>know what's going on, bro. I'm going with you.

0:21:08.480 --> 0:21:11.150
<v Speaker 5>And, uh, The blue collar guy was like, I just

0:21:11.210 --> 0:21:14.970
<v Speaker 5>ignore him. But the daughter again was like, yo, what

0:21:15.010 --> 0:21:20.989
<v Speaker 5>are we doing and why? This is fucked up. But

0:21:21.030 --> 0:21:23.929
<v Speaker 5>they did it so well because he's walking towards a

0:21:23.950 --> 0:21:27.449
<v Speaker 5>guy that's been bit. The other people are walking downstairs

0:21:27.510 --> 0:21:30.550
<v Speaker 5>to the whole army that's been bit. And it was

0:21:30.570 --> 0:21:35.710
<v Speaker 5>just all hell broke loose. This shit was crazy.

0:21:35.930 --> 0:21:38.659
<v Speaker 1>The fact that they were stuck on a downward escalator.

0:21:38.920 --> 0:21:39.100
<v Speaker 5>Yeah.

0:21:39.590 --> 0:21:42.070
<v Speaker 2>And they had to get over the wall to go

0:21:42.150 --> 0:21:43.950
<v Speaker 2>back up. Man, this part was dope.

0:21:44.109 --> 0:21:48.570
<v Speaker 5>He threw his pregnant wife over and jumped over.

0:21:48.590 --> 0:21:49.690
<v Speaker 1>That's my boy, man.

0:21:49.850 --> 0:21:52.770
<v Speaker 5>And he was hauling ass and punching the shit out

0:21:52.830 --> 0:21:54.070
<v Speaker 5>of the motherfucking zombies.

0:21:54.090 --> 0:21:55.010
<v Speaker 3>Was he punching them here, too?

0:21:55.050 --> 0:21:55.490
<v Speaker 5>Yeah.

0:21:55.510 --> 0:21:56.790
<v Speaker 1>He was punching the fuck out of the zombies.

0:21:56.810 --> 0:21:58.230
<v Speaker 6>Any time he got a chance to punch a zombie,

0:21:58.250 --> 0:21:58.730
<v Speaker 6>he punched a zombie.

0:21:58.750 --> 0:22:01.250
<v Speaker 1>He did it. He took it. Elbowing motherfuckers.

0:22:01.290 --> 0:22:03.949
<v Speaker 5>And they took a lot of people out. The baseball team.

0:22:04.230 --> 0:22:08.090
<v Speaker 5>This was sad, too, seeing them get taken out. And then,

0:22:08.130 --> 0:22:11.729
<v Speaker 5>of course, people getting separated. But the business man, the

0:22:11.810 --> 0:22:15.530
<v Speaker 5>other guy, the asshole asshole, was like, yo, man, we.

0:22:15.410 --> 0:22:16.010
<v Speaker 3>Need to go.

0:22:16.030 --> 0:22:17.970
<v Speaker 1>We don't even need to stay and leave these motherfuckers here.

0:22:17.990 --> 0:22:20.869
<v Speaker 1>He didn't give a two shits. He didn't.

0:22:21.650 --> 0:22:26.910
<v Speaker 2>But this does show the kind of asshole that Saku

0:22:27.050 --> 0:22:30.750
<v Speaker 2>is because we see that he once again left his

0:22:30.790 --> 0:22:32.859
<v Speaker 2>fucking daughter and was like, hey, stay here for a minute.

0:22:33.670 --> 0:22:35.879
<v Speaker 2>You know there's a fucking zombie outbreak. Stay here just

0:22:35.900 --> 0:22:37.540
<v Speaker 2>for a minute. And you walk down there with your

0:22:37.560 --> 0:22:42.840
<v Speaker 2>stupid ass. And then you notice that if he had

0:22:42.940 --> 0:22:49.260
<v Speaker 2>left Sang Hwa and Song Kyung to die, then everything

0:22:49.280 --> 0:22:51.800
<v Speaker 2>would have been fucked because they saved his daughter when

0:22:51.840 --> 0:22:55.330
<v Speaker 2>he fucking couldn't. And they didn't have to. They didn't

0:22:55.350 --> 0:22:57.830
<v Speaker 2>have to at all. My man Sang Hwa came through

0:22:57.850 --> 0:22:59.390
<v Speaker 2>with the fucking flying elbow on that.

0:22:59.310 --> 0:23:02.470
<v Speaker 1>Bitch ass zombie. You know what I'm saying? That dude

0:23:02.490 --> 0:23:04.629
<v Speaker 1>did not fuck around. He was like a superhero. He

0:23:04.670 --> 0:23:06.190
<v Speaker 1>really was. He really was.

0:23:06.369 --> 0:23:08.030
<v Speaker 2>And remember what you just said, because we're going to

0:23:08.050 --> 0:23:09.840
<v Speaker 2>get back to that a little bit later.

0:23:09.859 --> 0:23:11.580
<v Speaker 1>But yes, he was like a superhero.

0:23:12.080 --> 0:23:15.800
<v Speaker 2>But also, we start seeing that not everybody is selfish

0:23:16.660 --> 0:23:21.160
<v Speaker 2>like Seok Woo. Because when he's being attacked by a zombie,

0:23:21.180 --> 0:23:22.240
<v Speaker 2>the homeless man even helps him.

0:23:22.660 --> 0:23:23.260
<v Speaker 1>Even though.

0:23:23.670 --> 0:23:25.790
<v Speaker 2>Sock Wu left the homeless man when the fucking other

0:23:25.810 --> 0:23:28.840
<v Speaker 2>zombie was coming around. He didn't even think about helping

0:23:28.859 --> 0:23:30.580
<v Speaker 2>that homeless man up. Homeless man got a fucked up

0:23:30.680 --> 0:23:32.620
<v Speaker 2>ass leg. I don't know if he got spotted biffing

0:23:32.640 --> 0:23:34.420
<v Speaker 2>or what the fuck he got, but he can't walk.

0:23:34.760 --> 0:23:38.320
<v Speaker 2>He left his ass and ran off. But when the

0:23:38.359 --> 0:23:40.350
<v Speaker 2>homeless man had the opportunity, and the only reason I'm

0:23:40.369 --> 0:23:41.649
<v Speaker 2>calling him the homeless man is because he doesn't have

0:23:41.690 --> 0:23:45.090
<v Speaker 2>a name. He's literally referred to in this movie as

0:23:45.109 --> 0:23:48.820
<v Speaker 2>the homeless man. Uh, He threw the jacket over the

0:23:48.859 --> 0:23:50.580
<v Speaker 2>zombie's head so the zombie couldn't see.

0:23:50.600 --> 0:23:55.600
<v Speaker 1>Then you have Sang-hwa that held the door for him,

0:23:55.619 --> 0:23:57.220
<v Speaker 1>but he didn't have to.

0:23:58.050 --> 0:24:02.090
<v Speaker 2>So all of these people around are showing Seok-woo that

0:24:02.109 --> 0:24:03.770
<v Speaker 2>you don't have to be this selfish. And if you

0:24:03.850 --> 0:24:05.590
<v Speaker 2>are going to continue to be this selfish, we're probably

0:24:05.609 --> 0:24:09.060
<v Speaker 2>going to lose this fight. But yeah, while getting back

0:24:09.100 --> 0:24:11.320
<v Speaker 2>on the train, the people become separated into different cars,

0:24:11.380 --> 0:24:15.830
<v Speaker 2>as one of y'all just referenced. Seokwoo, Sanghwa, and Youngguk

0:24:16.150 --> 0:24:20.450
<v Speaker 2>are in one train, while Seongkyung, who's the pregnant woman,

0:24:21.310 --> 0:24:22.970
<v Speaker 2>and Suwon are in another train.

0:24:23.270 --> 0:24:27.030
<v Speaker 1>I can't remember if they had the.

0:24:27.310 --> 0:24:31.189
<v Speaker 2>Other elderly lady because they got separated, which I will

0:24:31.670 --> 0:24:35.000
<v Speaker 2>ask really quickly because I've never been able to get

0:24:35.040 --> 0:24:35.920
<v Speaker 2>a consensus on this part.

0:24:36.359 --> 0:24:39.139
<v Speaker 1>She left her, right? No, I don't think she did. See,

0:24:39.359 --> 0:24:39.860
<v Speaker 1>I don't know.

0:24:40.300 --> 0:24:44.060
<v Speaker 2>The sister didn't even look back. When they grabbed her ass,

0:24:44.840 --> 0:24:46.480
<v Speaker 2>she didn't even look back.

0:24:46.500 --> 0:24:47.679
<v Speaker 3>I don't know.

0:24:48.050 --> 0:24:49.530
<v Speaker 1>I'm still confused about this part.

0:24:49.770 --> 0:24:54.890
<v Speaker 5>I thought they got they got separated by one zombie.

0:24:54.910 --> 0:24:57.810
<v Speaker 1>That's all it takes. You're right. You're right.

0:24:57.850 --> 0:24:58.629
<v Speaker 3>You're right.

0:24:58.670 --> 0:25:01.250
<v Speaker 1>Because. Yeah. Yeah.

0:25:01.430 --> 0:25:02.770
<v Speaker 3>Just even real quick.

0:25:02.790 --> 0:25:03.290
<v Speaker 1>Just go back.

0:25:03.330 --> 0:25:06.930
<v Speaker 5>Like because this all still in that scene, like holding

0:25:06.950 --> 0:25:09.070
<v Speaker 5>the glass and glass breaking and they running down and then.

0:25:09.960 --> 0:25:12.680
<v Speaker 1>We started to see a little bit of a character.

0:25:12.340 --> 0:25:16.890
<v Speaker 5>Turn for him when he helped the superhero guy because

0:25:16.910 --> 0:25:19.710
<v Speaker 5>he's running out and helping the train. I thought all

0:25:19.730 --> 0:25:22.170
<v Speaker 5>of that was really, really intense and dope because I'm

0:25:22.210 --> 0:25:24.770
<v Speaker 5>worried for him. At this point, I'm worried, Rod. I'm

0:25:24.810 --> 0:25:29.649
<v Speaker 5>concerned for everybody. And we spent a little bit amount

0:25:29.910 --> 0:25:33.500
<v Speaker 5>of time with the characters, but we've come to attach

0:25:33.560 --> 0:25:38.900
<v Speaker 5>ourselves to them in different ways, including the old people where... Yeah,

0:25:39.080 --> 0:25:40.899
<v Speaker 5>I thought it was a wrap for the sister.

0:25:41.180 --> 0:25:42.020
<v Speaker 1>Oh, yeah.

0:25:42.200 --> 0:25:46.379
<v Speaker 5>But she got saved, but I think they just got separated.

0:25:46.520 --> 0:25:49.369
<v Speaker 1>Yeah, I feel like they got separated. That's what I thought, too. Yeah,

0:25:49.410 --> 0:25:51.350
<v Speaker 1>I don't see anything that implied that she tried to

0:25:51.410 --> 0:25:51.730
<v Speaker 1>leave her.

0:25:52.230 --> 0:25:54.510
<v Speaker 2>She did not look back one time. And then the

0:25:54.590 --> 0:25:57.290
<v Speaker 2>other sister looked like she was upset about it. It

0:25:57.310 --> 0:25:58.859
<v Speaker 2>didn't even look like she was scared of the zombie.

0:25:58.900 --> 0:26:00.820
<v Speaker 2>She was like, my sister just left me.

0:26:00.840 --> 0:26:02.160
<v Speaker 3>I'm trying to think, because.

0:26:02.990 --> 0:26:05.480
<v Speaker 1>They grabbed her ass up and she went straight. She

0:26:05.520 --> 0:26:07.320
<v Speaker 1>didn't even be like, hey, look at my sister. She

0:26:07.340 --> 0:26:09.360
<v Speaker 1>was just like, let's go. Fuck that. You've seen this

0:26:09.380 --> 0:26:10.680
<v Speaker 1>more than I have, so yeah.

0:26:11.140 --> 0:26:12.619
<v Speaker 2>I mean, I'm hoping I'm wrong because I don't want

0:26:12.640 --> 0:26:14.240
<v Speaker 2>to think that about this old Asian lady.

0:26:15.980 --> 0:26:19.020
<v Speaker 5>So I went to the movie theater to watch it.

0:26:19.300 --> 0:26:21.240
<v Speaker 5>I wanted to, but I didn't get a chance. Man,

0:26:21.340 --> 0:26:24.620
<v Speaker 5>it's a good experience. I'm sure it is. It's tough

0:26:24.640 --> 0:26:26.140
<v Speaker 5>for this one part I'll tell you all about later.

0:26:28.700 --> 0:26:34.080
<v Speaker 5>But I do remember her not looking back And I

0:26:34.100 --> 0:26:35.580
<v Speaker 5>was like, oh, man, she about to die.

0:26:36.200 --> 0:26:39.510
<v Speaker 1>And then they saved her. But I thought, man, I

0:26:39.550 --> 0:26:40.270
<v Speaker 1>don't know. I don't know.

0:26:40.410 --> 0:26:41.310
<v Speaker 3>What was she supposed to do?

0:26:41.830 --> 0:26:44.050
<v Speaker 1>Just look back and try to go back? Oh, my God, no,

0:26:44.070 --> 0:26:46.189
<v Speaker 1>not my sister. She's getting left. She didn't do none

0:26:46.210 --> 0:26:46.730
<v Speaker 1>of that shit.

0:26:47.710 --> 0:26:49.170
<v Speaker 3>She didn't even say nothing.

0:26:49.210 --> 0:26:52.729
<v Speaker 1>Yeah. She didn't even say anything. She thought she was

0:26:52.770 --> 0:26:55.830
<v Speaker 1>with her. No, she didn't. No, she didn't. Really?

0:26:56.010 --> 0:26:59.300
<v Speaker 2>No, she saw her on the ground. And then the

0:26:59.320 --> 0:27:02.540
<v Speaker 2>zombie fell in between them. And the only reason I

0:27:02.600 --> 0:27:04.699
<v Speaker 2>think this so hard is because when they show the

0:27:04.740 --> 0:27:07.680
<v Speaker 2>sister's face, the sister has this look on her face like,

0:27:07.900 --> 0:27:09.139
<v Speaker 2>oh my God, she's laughing at me.

0:27:09.160 --> 0:27:09.940
<v Speaker 1>You dirty ho.

0:27:10.140 --> 0:27:13.159
<v Speaker 5>Damn, Mike, you might be right. Now that I'm remembering it,

0:27:14.790 --> 0:27:18.169
<v Speaker 5>you might be right. I do remember the look, but

0:27:18.190 --> 0:27:19.790
<v Speaker 5>I thought it was a look about, damn, I'm about

0:27:19.810 --> 0:27:20.170
<v Speaker 5>to die.

0:27:20.350 --> 0:27:21.070
<v Speaker 1>Maybe it is.

0:27:21.090 --> 0:27:24.230
<v Speaker 2>I am completely willing to accept that I'm wrong here.

0:27:24.250 --> 0:27:28.030
<v Speaker 2>Because like I said, I'm not sure. But either way,

0:27:28.150 --> 0:27:32.780
<v Speaker 2>either way, They're separated. We further see that Sang-hwa is,

0:27:32.859 --> 0:27:36.840
<v Speaker 2>like Rod said, the superhero, but Seok-woo is starting to

0:27:36.859 --> 0:27:40.040
<v Speaker 2>step up because they have to fight their way through

0:27:40.080 --> 0:27:43.420
<v Speaker 2>the separate cars to get to their women. Now, some

0:27:43.440 --> 0:27:45.530
<v Speaker 2>people have a big problem with this part. I think

0:27:45.570 --> 0:27:49.649
<v Speaker 2>this part is fucking great, but it is unrealistic. It's

0:27:49.790 --> 0:27:50.590
<v Speaker 2>very unreal.

0:27:50.609 --> 0:27:52.010
<v Speaker 1>I mean, it's a zombie movie, but even in a

0:27:52.030 --> 0:27:53.850
<v Speaker 1>zombie movie, it's fucking unrealistic.

0:27:54.490 --> 0:27:58.379
<v Speaker 2>I still think it's great because my man, Fucking Song

0:27:58.400 --> 0:27:59.800
<v Speaker 2>Hwa is that guy.

0:27:59.820 --> 0:28:01.750
<v Speaker 1>I don't give a fuck. I don't care if it's

0:28:01.790 --> 0:28:02.560
<v Speaker 1>game up against him.

0:28:02.570 --> 0:28:06.149
<v Speaker 2>I don't care if it's fucking, what's that fuck, Wack 100?

0:28:06.150 --> 0:28:09.300
<v Speaker 1>I don't care who it is. Y'all not fucking with

0:28:09.359 --> 0:28:09.940
<v Speaker 1>Song Hwa.

0:28:10.200 --> 0:28:12.889
<v Speaker 2>I don't give a shit. But he was beating the

0:28:13.130 --> 0:28:15.369
<v Speaker 2>shit out of them fucking zombies. That fucking zombie came up.

0:28:15.630 --> 0:28:17.870
<v Speaker 2>He grabbed him and slammed him into the ceiling.

0:28:17.890 --> 0:28:20.190
<v Speaker 1>You ever seen somebody... You love a good body slam, Rod.

0:28:20.210 --> 0:28:21.570
<v Speaker 1>You always talking about body slam. Right, right, right. You

0:28:21.609 --> 0:28:23.470
<v Speaker 1>ever seen somebody get body slammed into a ceiling? No.

0:28:23.510 --> 0:28:25.469
<v Speaker 6>No, I ain't never seen somebody get up. I ain't

0:28:25.510 --> 0:28:28.650
<v Speaker 6>never seen somebody get body slammed up. Body slammed up.

0:28:29.609 --> 0:28:30.310
<v Speaker 3>Oh, gosh.

0:28:30.330 --> 0:28:34.209
<v Speaker 1>That's so funny to me. That's body tossed. Like, that's...

0:28:34.330 --> 0:28:39.600
<v Speaker 1>I don't know what that is. That was crazy. But, yeah.

0:28:39.620 --> 0:28:41.790
<v Speaker 1>Did you have... Oh, go ahead, go ahead. I said, no,

0:28:41.830 --> 0:28:43.830
<v Speaker 1>he was a G, man. He was a G. When

0:28:43.850 --> 0:28:45.550
<v Speaker 1>you saw him rapping his arms, you already knew what

0:28:45.570 --> 0:28:46.790
<v Speaker 1>time it was. You already knew. I'm telling you, bro.

0:28:46.810 --> 0:28:48.750
<v Speaker 6>You already knew what time it was.

0:28:48.910 --> 0:28:51.070
<v Speaker 1>And the other dude only had one arm wrapped. What

0:28:51.150 --> 0:28:54.420
<v Speaker 1>the fuck? What are you doing? He's not about this life, man.

0:28:54.440 --> 0:28:57.500
<v Speaker 1>He's not about the life. Not at all. No.

0:28:57.600 --> 0:29:00.280
<v Speaker 5>You talking about the baseball, the kid, or the... I

0:29:00.300 --> 0:29:01.700
<v Speaker 5>think both of them only rapped one arm.

0:29:01.720 --> 0:29:02.980
<v Speaker 1>Yeah, yeah. The father.

0:29:03.500 --> 0:29:05.140
<v Speaker 6>I'm not as good with the names as Mike, but yeah,

0:29:05.160 --> 0:29:07.850
<v Speaker 6>the father, he had the... Just the one arm.

0:29:08.010 --> 0:29:10.990
<v Speaker 1>Yeah, I think they both had bats. Yeah, he got

0:29:11.010 --> 0:29:13.890
<v Speaker 1>a bat later. But yeah, the kid had the bat first. Yeah.

0:29:14.530 --> 0:29:16.680
<v Speaker 1>Did you at least like this part, Spike? I did.

0:29:16.780 --> 0:29:19.740
<v Speaker 4>I did like him taking charge and putting a little

0:29:19.820 --> 0:29:21.020
<v Speaker 4>tape around his wrist and shit, so.

0:29:22.580 --> 0:29:24.340
<v Speaker 3>He said, I'm going first.

0:29:24.380 --> 0:29:25.080
<v Speaker 1>Get behind me.

0:29:25.310 --> 0:29:27.890
<v Speaker 5>Yeah, what did he say about the people that are

0:29:28.030 --> 0:29:30.110
<v Speaker 5>useless or something get left behind or something like that?

0:29:30.330 --> 0:29:33.630
<v Speaker 2>Yeah, he was making a lot of commentary about him

0:29:33.670 --> 0:29:36.810
<v Speaker 2>as a father and him as a man. And yeah,

0:29:36.930 --> 0:29:39.469
<v Speaker 2>he was talking about how he thinks the useless are

0:29:39.490 --> 0:29:41.890
<v Speaker 2>left behind. And he was talking about how he's not

0:29:41.930 --> 0:29:43.950
<v Speaker 2>a good father. He's like, you know, you're not good

0:29:43.970 --> 0:29:45.780
<v Speaker 2>to your daughter. He's picking up on all of this shit,

0:29:45.800 --> 0:29:47.820
<v Speaker 2>and he's only known him for like 10 minutes. But

0:29:47.860 --> 0:29:54.120
<v Speaker 2>he sees it already. We've talked about Sue, what the

0:29:54.160 --> 0:29:55.120
<v Speaker 2>fuck is the little girl's name?

0:29:55.180 --> 0:29:55.780
<v Speaker 1>God damn it.

0:29:56.000 --> 0:29:56.440
<v Speaker 3>Sue Wan.

0:29:57.420 --> 0:29:59.350
<v Speaker 1>First of all, this is one of the best little

0:29:59.370 --> 0:30:00.330
<v Speaker 1>kid actors I've ever seen.

0:30:00.350 --> 0:30:02.530
<v Speaker 3>Yeah, she was good.

0:30:02.790 --> 0:30:04.610
<v Speaker 2>Absolutely. I need to keep meaning to look up and

0:30:04.650 --> 0:30:06.970
<v Speaker 2>see if she's done anything else, but she is incredible

0:30:07.010 --> 0:30:08.170
<v Speaker 2>throughout this whole movie.

0:30:09.410 --> 0:30:11.580
<v Speaker 1>I never even think about her, oh, she's an actor.

0:30:11.920 --> 0:30:15.600
<v Speaker 2>That looks like a scared-ass little girl the whole film.

0:30:16.060 --> 0:30:16.880
<v Speaker 1>She's incredible.

0:30:17.440 --> 0:30:20.920
<v Speaker 2>But yeah, they do finally get to the cars where

0:30:21.040 --> 0:30:24.120
<v Speaker 2>their women are. They get them all up, they swoop

0:30:24.140 --> 0:30:25.750
<v Speaker 2>them up, and they try to get to the end

0:30:25.870 --> 0:30:30.340
<v Speaker 2>of the trains But that motherfucker, Yon Suk, won't let

0:30:30.400 --> 0:30:33.680
<v Speaker 2>them in. And while holding off the zombies, my man

0:30:33.740 --> 0:30:36.860
<v Speaker 2>Sang Hwa is bitten. Spike, were you sad to see

0:30:37.600 --> 0:30:39.060
<v Speaker 2>my man Sang Hwa go?

0:30:39.340 --> 0:30:41.360
<v Speaker 1>Or were you just like, damn, that's fucked up, but

0:30:41.380 --> 0:30:43.720
<v Speaker 1>let's keep going? Damn, that's fucked up, but let's keep going.

0:30:43.780 --> 0:30:47.210
<v Speaker 4>I mean, because I felt like he was going to

0:30:47.230 --> 0:30:48.450
<v Speaker 4>get killed at some point.

0:30:49.150 --> 0:30:50.600
<v Speaker 1>I didn't. You thought he was going to make it?

0:30:50.790 --> 0:30:53.170
<v Speaker 2>The first time I watched this film, I thought the

0:30:53.210 --> 0:30:56.190
<v Speaker 2>father was going to die. Because we're so used to...

0:30:57.100 --> 0:30:58.880
<v Speaker 2>We see the hero of the movie and then we

0:30:58.900 --> 0:31:01.600
<v Speaker 2>just attach to that person. I didn't think he was

0:31:01.620 --> 0:31:03.320
<v Speaker 2>going to die. I thought the fucking dad was going

0:31:03.360 --> 0:31:04.640
<v Speaker 2>to die because the dad's kind of a bitch.

0:31:04.960 --> 0:31:07.380
<v Speaker 4>The dad was a bitch, but I didn't think that

0:31:07.400 --> 0:31:09.480
<v Speaker 4>this was that type of movie as to where they

0:31:09.500 --> 0:31:11.260
<v Speaker 4>were going to kill the dad to try to give

0:31:11.300 --> 0:31:13.840
<v Speaker 4>a message. I always felt like the hero guy was

0:31:13.860 --> 0:31:15.960
<v Speaker 4>going to die, but the other dude that was locked

0:31:15.980 --> 0:31:17.680
<v Speaker 4>the door, it was like, we don't know if they're

0:31:17.700 --> 0:31:20.500
<v Speaker 4>infected or not. They can't get in here. I thought

0:31:20.520 --> 0:31:22.430
<v Speaker 4>that that was a good contrast to add to it.

0:31:22.720 --> 0:31:24.310
<v Speaker 4>That shit pisses me off.

0:31:24.320 --> 0:31:25.920
<v Speaker 3>Yeah, because he was a businessman too.

0:31:26.270 --> 0:31:26.510
<v Speaker 1>Yes.

0:31:27.020 --> 0:31:32.380
<v Speaker 5>So he's also in that sort of capitalistic lane.

0:31:32.680 --> 0:31:33.860
<v Speaker 3>And you have one.

0:31:34.360 --> 0:31:38.250
<v Speaker 5>Who is starting to fight with the people and for

0:31:38.330 --> 0:31:40.050
<v Speaker 5>the people. And then you have the other was like, nah,

0:31:40.110 --> 0:31:40.530
<v Speaker 5>fuck all of them.

0:31:40.550 --> 0:31:41.770
<v Speaker 1>It's me by myself.

0:31:42.410 --> 0:31:47.489
<v Speaker 5>And he's using the population against the rest of them

0:31:48.210 --> 0:31:49.870
<v Speaker 5>by locking them in the train and not letting them in.

0:31:49.880 --> 0:31:51.800
<v Speaker 5>And even when they get in there, he makes up

0:31:51.880 --> 0:31:54.200
<v Speaker 5>something to get them kicked out.

0:31:54.220 --> 0:31:55.980
<v Speaker 3>I don't know. I don't know what kind of like.

0:31:56.250 --> 0:31:56.590
<v Speaker 1>I don't know.

0:31:56.710 --> 0:31:58.910
<v Speaker 3>Immigrants? Illegal immigrants or something like that?

0:31:59.030 --> 0:31:59.290
<v Speaker 1>Anyway.

0:32:01.130 --> 0:32:03.870
<v Speaker 4>This thing reminds me of... It reminds me of... I

0:32:04.130 --> 0:32:06.150
<v Speaker 4>sent it to you. It was a Twilight Zone episode.

0:32:06.690 --> 0:32:09.820
<v Speaker 1>Oh, yeah. You said it was your favorite Twilight Zone episode. Well,

0:32:09.910 --> 0:32:11.920
<v Speaker 1>they said it was the number one. Oh, I thought

0:32:11.940 --> 0:32:13.560
<v Speaker 1>you were saying it was your number one. I liked it,

0:32:13.580 --> 0:32:15.680
<v Speaker 1>but no. It reminded me of it.

0:32:16.500 --> 0:32:18.420
<v Speaker 2>I could kind of see that. I think you only

0:32:18.440 --> 0:32:19.220
<v Speaker 2>sent it to me. I don't think you sent it

0:32:19.240 --> 0:32:21.500
<v Speaker 2>to everybody else. And I can't remember the name of

0:32:21.520 --> 0:32:23.140
<v Speaker 2>it either, but it was a good one.

0:32:23.960 --> 0:32:24.550
<v Speaker 1>But no, I....

0:32:26.570 --> 0:32:29.350
<v Speaker 3>No matter how many times I watch this, I hate

0:32:29.390 --> 0:32:30.190
<v Speaker 3>that guy with a passion.

0:32:30.210 --> 0:32:34.270
<v Speaker 1>Yes, me too. The business business.

0:32:34.470 --> 0:32:35.850
<v Speaker 3>Every single time, Rod.

0:32:37.030 --> 0:32:41.410
<v Speaker 5>Every single time, bro, because there's no rhyme or reason

0:32:41.450 --> 0:32:43.380
<v Speaker 5>for him to do any of the stuff that he did.

0:32:43.490 --> 0:32:46.060
<v Speaker 2>But you just nailed it as to why he's there.

0:32:46.280 --> 0:32:51.400
<v Speaker 2>He represents the older version of our main guy, of

0:32:51.720 --> 0:32:55.040
<v Speaker 2>the businessman. He's who he would have become.

0:32:54.680 --> 0:32:55.440
<v Speaker 1>Had he not.

0:32:56.220 --> 0:32:59.740
<v Speaker 2>you know, experienced, you know, selflessness from all these other people.

0:32:59.760 --> 0:33:01.200
<v Speaker 1>Of course, you know, he dies at the end.

0:33:01.840 --> 0:33:04.840
<v Speaker 2>But if he had lived, he would have become that

0:33:04.900 --> 0:33:07.120
<v Speaker 2>guy because he was already on that path. So I

0:33:07.140 --> 0:33:09.000
<v Speaker 2>thought that was actually kind of dope that they made

0:33:09.100 --> 0:33:10.040
<v Speaker 2>that dude the villain.

0:33:10.800 --> 0:33:11.080
<v Speaker 1>Yeah.

0:33:11.480 --> 0:33:16.380
<v Speaker 5>Yeah. And I liked the superhero guy. Like, even in

0:33:16.400 --> 0:33:19.120
<v Speaker 5>this part when he got bit, like, he fought off

0:33:19.180 --> 0:33:20.080
<v Speaker 5>the infection.

0:33:20.160 --> 0:33:20.640
<v Speaker 1>He did.

0:33:21.010 --> 0:33:21.390
<v Speaker 3>Oh, my God.

0:33:21.400 --> 0:33:26.080
<v Speaker 5>And he pushed all the whores of zombie back, bro. Like, Hey, man,

0:33:26.160 --> 0:33:29.540
<v Speaker 5>I was idolizing this guy in this movie, bro. He

0:33:29.640 --> 0:33:32.540
<v Speaker 5>was not fucking around. And he heard his wife call.

0:33:32.560 --> 0:33:34.000
<v Speaker 5>She was like, you need to get your ass over here.

0:33:34.020 --> 0:33:34.260
<v Speaker 2>He did.

0:33:34.780 --> 0:33:36.520
<v Speaker 5>And he was like, I bet. He wrapped him on

0:33:36.540 --> 0:33:39.160
<v Speaker 5>his rod. And the other guy had his daughter, so

0:33:39.180 --> 0:33:41.640
<v Speaker 5>they had to take, man. And then the other guy

0:33:41.660 --> 0:33:45.370
<v Speaker 5>had the girl. He had to go get his girlfriend. So, man,

0:33:45.430 --> 0:33:46.090
<v Speaker 5>that shit was dope.

0:33:46.450 --> 0:33:49.110
<v Speaker 1>And he gave her the name of the baby before.

0:33:49.650 --> 0:33:50.590
<v Speaker 1>So that was a touching part.

0:33:50.610 --> 0:33:51.350
<v Speaker 3>It really was.

0:33:51.370 --> 0:33:54.610
<v Speaker 1>I'm like, dang. It was fun. Let's keep going. This part.

0:33:55.010 --> 0:33:57.710
<v Speaker 1>Gets me every time, especially the baby name part.

0:33:59.380 --> 0:34:02.360
<v Speaker 6>Before he got bitten, though, I thought he did have

0:34:02.400 --> 0:34:07.340
<v Speaker 6>a conversation with the father was saying, like, it's almost

0:34:07.380 --> 0:34:11.580
<v Speaker 6>like he didn't understand his position when he said she

0:34:11.620 --> 0:34:14.130
<v Speaker 6>won't understand until he gets older. Oh, yeah, he did

0:34:14.150 --> 0:34:16.950
<v Speaker 6>say that, yeah. You know, why you work as hard

0:34:16.969 --> 0:34:18.790
<v Speaker 6>as you do. You remember that part? So, yeah, I

0:34:18.810 --> 0:34:22.469
<v Speaker 6>thought that was cool that he still had a sense of, like, understanding.

0:34:22.489 --> 0:34:24.330
<v Speaker 6>You're like, look, I understand... Right.

0:34:24.390 --> 0:34:26.860
<v Speaker 1>What you're doing, but you need to find some balance.

0:34:26.890 --> 0:34:29.640
<v Speaker 1>You know what I'm saying? So I did. Yep. I

0:34:29.700 --> 0:34:31.400
<v Speaker 1>liked his character in this, man.

0:34:31.520 --> 0:34:34.439
<v Speaker 3>It was really, really good. Was that the part you

0:34:34.560 --> 0:34:35.220
<v Speaker 3>wanted to remember?

0:34:35.239 --> 0:34:35.359
<v Speaker 6>Mm-hmm.

0:34:35.540 --> 0:34:38.060
<v Speaker 1>Okay. Yeah, that was one of them. No, he definitely

0:34:38.140 --> 0:34:40.560
<v Speaker 1>did give him a little bit of empathy.

0:34:40.620 --> 0:34:40.980
<v Speaker 6>Mm-hmm.

0:34:41.410 --> 0:34:43.270
<v Speaker 1>But he was basically like, check yourself.

0:34:43.530 --> 0:34:43.650
<v Speaker 2>Yeah.

0:34:43.690 --> 0:34:45.650
<v Speaker 1>Like, you got a fucking great daughter right here, and

0:34:45.670 --> 0:34:49.129
<v Speaker 1>you're fucking it up. Right. And you need to wake up. Yeah.

0:34:49.150 --> 0:34:50.489
<v Speaker 2>So that's why it was so sad to see him

0:34:50.530 --> 0:34:52.489
<v Speaker 2>die in that moment, because it was just them two

0:34:52.550 --> 0:34:57.250
<v Speaker 2>holding that door down. Yeah. And the fact that, again,

0:34:57.390 --> 0:35:00.930
<v Speaker 2>he was the superhero, but he passes the torch to

0:35:00.950 --> 0:35:05.810
<v Speaker 2>Seok-woo in this moment. I thought that part was actually really,

0:35:05.850 --> 0:35:07.530
<v Speaker 2>really dope. And this is when we start to see

0:35:08.110 --> 0:35:12.109
<v Speaker 2>Seok-woo stop being so selfish. Because if you notice, this

0:35:12.180 --> 0:35:14.839
<v Speaker 2>is when he grabs the pregnant wife and says, come on.

0:35:15.400 --> 0:35:17.259
<v Speaker 2>Whereas 30 minutes.

0:35:17.200 --> 0:35:20.480
<v Speaker 1>Prior, he would have ran right by her. Grabbed his

0:35:20.520 --> 0:35:21.460
<v Speaker 1>daughter and kept going.

0:35:21.500 --> 0:35:24.210
<v Speaker 2>But he grabbed her. and said, we have to go.

0:35:24.989 --> 0:35:28.489
<v Speaker 2>So this part gets me, man. We also see, this

0:35:28.570 --> 0:35:32.960
<v Speaker 2>is where the separated sisters see each other. In-Gil, I

0:35:32.980 --> 0:35:37.120
<v Speaker 2>think is how you pronounce her name, is the one

0:35:37.140 --> 0:35:40.520
<v Speaker 2>that got away or whatever.

0:35:43.090 --> 0:35:44.750
<v Speaker 1>But yeah, then we also see.

0:35:46.410 --> 0:35:50.190
<v Speaker 2>Jeon-Gil, which is the kind of younger looking sister. But

0:35:50.940 --> 0:35:53.000
<v Speaker 2>the one sister is killed right in front of the other.

0:35:53.600 --> 0:35:55.799
<v Speaker 2>And it looks like she doesn't even fight it. She just,

0:35:56.700 --> 0:35:59.700
<v Speaker 2>and that's another reason why I always wonder if she

0:35:59.960 --> 0:36:03.140
<v Speaker 2>left her because she was completely fine with being bit.

0:36:03.160 --> 0:36:04.760
<v Speaker 1>She didn't even try to get away. She was just like,

0:36:05.700 --> 0:36:09.890
<v Speaker 1>I see my sister's okay. I can die. Yeah.

0:36:10.090 --> 0:36:13.070
<v Speaker 3>Yeah. I, or she just knew she wasn't gonna make it.

0:36:13.070 --> 0:36:14.900
<v Speaker 3>It was like, all right, I'm old. Fuck it.

0:36:14.930 --> 0:36:15.730
<v Speaker 1>I can't run.

0:36:15.810 --> 0:36:18.509
<v Speaker 3>I barely got on the train last time.

0:36:19.310 --> 0:36:24.690
<v Speaker 5>Um, Yeah, this was sad, but it was done well

0:36:24.910 --> 0:36:28.750
<v Speaker 5>to set up what happened to them, you know, as

0:36:28.989 --> 0:36:31.950
<v Speaker 5>a revenge mechanism for that dude.

0:36:31.969 --> 0:36:35.670
<v Speaker 3>Because if it wasn't for him, the sister.

0:36:35.430 --> 0:36:38.630
<v Speaker 1>Would have been alive. The superhero guy would have been alive.

0:36:38.930 --> 0:36:41.109
<v Speaker 1>All of them would still be alive, you know.

0:36:41.930 --> 0:36:44.640
<v Speaker 2>So the part Ken's referring to is once they're in

0:36:44.680 --> 0:36:46.940
<v Speaker 2>the room, the survivors of the train, they demand that

0:36:46.960 --> 0:36:47.319
<v Speaker 2>they leave.

0:36:49.030 --> 0:36:52.969
<v Speaker 1>They force them into another car behind them.

0:36:52.989 --> 0:36:56.049
<v Speaker 2>And at this point, this is when Jonggil, after seeing

0:36:56.090 --> 0:36:58.989
<v Speaker 2>her sister die, she decides to enact her own karma

0:36:59.469 --> 0:37:01.990
<v Speaker 2>on the others by letting the zombies in to kill everybody.

0:37:02.650 --> 0:37:03.669
<v Speaker 1>So yeah, you're right.

0:37:03.930 --> 0:37:08.259
<v Speaker 2>If the asshole guy had not done any of this shit,

0:37:09.200 --> 0:37:11.200
<v Speaker 2>they would have all been fine. Or at least we

0:37:11.219 --> 0:37:12.859
<v Speaker 2>can assume they would have all been fine. She wouldn't

0:37:12.880 --> 0:37:15.540
<v Speaker 2>have opened the door and let all those fucking zombies

0:37:15.560 --> 0:37:16.279
<v Speaker 2>come in and kill them.

0:37:16.900 --> 0:37:19.140
<v Speaker 1>So, yeah, I thought this part was good. Anybody else

0:37:19.160 --> 0:37:20.020
<v Speaker 1>have any thoughts on this part?

0:37:20.400 --> 0:37:21.600
<v Speaker 6>Well, shit, it wasn't even when it was in a

0:37:21.640 --> 0:37:23.979
<v Speaker 6>whole other car. It was just in that little midsection

0:37:24.000 --> 0:37:26.540
<v Speaker 6>where the bathrooms are. So it was in that little

0:37:26.560 --> 0:37:27.300
<v Speaker 6>tight space.

0:37:27.760 --> 0:37:31.339
<v Speaker 1>I thought it was another car. It was another car.

0:37:31.360 --> 0:37:34.700
<v Speaker 6>No, I thought they got past that one door and

0:37:34.739 --> 0:37:38.920
<v Speaker 6>was inside the little midsection because I thought it was

0:37:38.940 --> 0:37:43.719
<v Speaker 6>the midsection between where the burly guy stopped off everybody,

0:37:43.800 --> 0:37:46.440
<v Speaker 6>closed that door. They got through that door and was

0:37:46.480 --> 0:37:48.109
<v Speaker 6>going to where the other people were. So I think

0:37:48.120 --> 0:37:49.070
<v Speaker 6>they were caught in the middle.

0:37:49.410 --> 0:37:50.270
<v Speaker 1>It did seem like it was low. It's on the

0:37:50.290 --> 0:37:50.770
<v Speaker 1>other side.

0:37:50.790 --> 0:37:50.870
<v Speaker 5>Yeah.

0:37:50.930 --> 0:37:54.250
<v Speaker 1>Is it on the other side? Yeah. It just seemed

0:37:54.270 --> 0:37:55.370
<v Speaker 1>like a smaller space.

0:37:55.469 --> 0:37:56.430
<v Speaker 3>It did seem like it was smaller.

0:37:56.469 --> 0:37:59.049
<v Speaker 2>It was definitely smaller. It was called like a vestibule,

0:37:59.090 --> 0:38:01.140
<v Speaker 2>but I don't know much about trains. So I don't

0:38:01.160 --> 0:38:03.299
<v Speaker 2>really know what that room actually is.

0:38:03.360 --> 0:38:07.100
<v Speaker 1>Gotcha. And why did she open the door? I think

0:38:07.140 --> 0:38:08.520
<v Speaker 1>it was because she just gave up.

0:38:08.560 --> 0:38:12.589
<v Speaker 2>She didn't like the fact that these people callously let

0:38:12.620 --> 0:38:17.529
<v Speaker 2>her sister die. And, you know, because she walks up

0:38:17.550 --> 0:38:19.089
<v Speaker 2>to the door and she says to her sister, thank

0:38:19.110 --> 0:38:21.370
<v Speaker 2>you for everything. And then she opens the door and

0:38:21.410 --> 0:38:23.230
<v Speaker 2>lets the zombies in. So I think it was just

0:38:23.270 --> 0:38:24.950
<v Speaker 2>a matter of, she was like, well, I don't want

0:38:24.969 --> 0:38:28.129
<v Speaker 2>to live without my sister. And y'all just did this.

0:38:28.270 --> 0:38:31.330
<v Speaker 2>Y'all killed them. So y'all don't deserve to live. The

0:38:31.390 --> 0:38:33.980
<v Speaker 2>good people, she waited until she saw them in the

0:38:34.040 --> 0:38:36.219
<v Speaker 2>other room and that door was closed and she said,

0:38:36.280 --> 0:38:36.560
<v Speaker 2>fuck it.

0:38:37.540 --> 0:38:39.820
<v Speaker 1>She was even an old zombie, too. She wasn't growling.

0:38:39.840 --> 0:38:42.260
<v Speaker 1>She wasn't trying to bite anybody. She was. She was chilling.

0:38:42.340 --> 0:38:43.280
<v Speaker 3>She was just tired.

0:38:43.380 --> 0:38:45.480
<v Speaker 1>She was like, what's going on? What's going on? What

0:38:45.520 --> 0:38:47.859
<v Speaker 1>the fuck? I'm a zombie?

0:38:47.910 --> 0:38:48.319
<v Speaker 3>Right.

0:38:48.570 --> 0:38:50.750
<v Speaker 1>A zombie with dementia is wild work.

0:38:51.370 --> 0:38:53.609
<v Speaker 2>Because she was, for real, just looking around like, I

0:38:53.890 --> 0:38:55.609
<v Speaker 2>think I'm hungry, but I'm not sure what I'm supposed

0:38:55.630 --> 0:38:59.029
<v Speaker 2>to be eating. But yeah, I really like this part.

0:38:59.090 --> 0:39:05.330
<v Speaker 2>But we catch up with Sokwu and Suwan. And we

0:39:05.370 --> 0:39:07.790
<v Speaker 2>learn the reason why she couldn't sing the song at

0:39:07.810 --> 0:39:10.470
<v Speaker 2>the recital. And that was because she practiced it for him,

0:39:11.070 --> 0:39:14.220
<v Speaker 2>but he was not there. And we also find out

0:39:14.410 --> 0:39:18.400
<v Speaker 2>that Saku's company was partially responsible for the outbreak.

0:39:19.739 --> 0:39:22.960
<v Speaker 1>So this is, again, I knew Spike wasn't going to

0:39:22.980 --> 0:39:26.899
<v Speaker 1>like this movie. But it's shit like this that makes

0:39:26.940 --> 0:39:28.520
<v Speaker 1>this movie separate for me.

0:39:28.739 --> 0:39:29.160
<v Speaker 3>Because.

0:39:29.239 --> 0:39:30.680
<v Speaker 1>I'm going to let.

0:39:30.580 --> 0:39:33.100
<v Speaker 2>Y'all go first, but there is some shit that happens

0:39:33.239 --> 0:39:35.859
<v Speaker 2>in this scene that I think is just fantastic.

0:39:36.219 --> 0:39:36.980
<v Speaker 1>So what did y'all.

0:39:36.880 --> 0:39:40.200
<v Speaker 2>Think of this scene, learning about the recital and then

0:39:40.260 --> 0:39:42.200
<v Speaker 2>learning that Seok-woo's company.

0:39:41.920 --> 0:39:45.489
<v Speaker 1>Was partially responsible for the outbreak? Anybody can take that.

0:39:48.010 --> 0:39:51.150
<v Speaker 5>Well, yeah, it goes back to the beginning where, you know,

0:39:51.170 --> 0:39:58.259
<v Speaker 5>he said, sell everything. And throughout the movie, there are

0:39:58.280 --> 0:40:01.739
<v Speaker 5>these check-ins. And he was like, yo, we got a

0:40:01.760 --> 0:40:03.860
<v Speaker 5>way out for you. I know a connect that can

0:40:03.890 --> 0:40:07.290
<v Speaker 5>get you out, showing that the people up top have.

0:40:07.150 --> 0:40:08.650
<v Speaker 3>Ways to escape.

0:40:08.270 --> 0:40:11.230
<v Speaker 5>Things that those on the bottom do not. You know,

0:40:11.630 --> 0:40:13.550
<v Speaker 5>the rumors of a bunker and all this other stuff.

0:40:14.310 --> 0:40:17.800
<v Speaker 5>And throughout this movie, we see that there's this sort

0:40:17.890 --> 0:40:21.700
<v Speaker 5>of small sort of equality thing that's happening because in

0:40:21.719 --> 0:40:24.960
<v Speaker 5>the zombie outbreak, at some point, none of that shit matters.

0:40:25.440 --> 0:40:28.940
<v Speaker 5>But there's also, almost like Snowpiercer has this, where you

0:40:28.980 --> 0:40:32.540
<v Speaker 5>have sort of factions being played out as well.

0:40:33.120 --> 0:40:34.299
<v Speaker 3>And then you come to find out.

0:40:34.420 --> 0:40:40.560
<v Speaker 5>That they may have been responsible for the demise of

0:40:40.840 --> 0:40:49.280
<v Speaker 5>everything in the pursuit of profit. And then we also

0:40:49.320 --> 0:40:51.799
<v Speaker 5>learned that the reason why she choked, of course, is

0:40:51.840 --> 0:40:58.010
<v Speaker 5>because she couldn't sing the song without him there.

0:40:58.250 --> 0:41:01.310
<v Speaker 3>So his absenteeism is.

0:41:01.270 --> 0:41:05.069
<v Speaker 5>Being kind of another layer added on to that. And

0:41:05.090 --> 0:41:08.780
<v Speaker 5>his absenteeism is also was one of the reasons why

0:41:08.840 --> 0:41:12.880
<v Speaker 5>everything fucking happened. So she fell apart and couldn't sing.

0:41:12.940 --> 0:41:17.390
<v Speaker 5>And now the world is falling apart. Because he wasn't there. Now,

0:41:17.410 --> 0:41:22.250
<v Speaker 5>he didn't create the outbreak or whatever, but he worked

0:41:22.270 --> 0:41:26.239
<v Speaker 5>for the company that did. So I thought this was

0:41:26.340 --> 0:41:28.600
<v Speaker 5>dope because this helped set up the rest of the

0:41:28.640 --> 0:41:31.920
<v Speaker 5>movie for me in terms of now him starting to

0:41:32.000 --> 0:41:35.160
<v Speaker 5>really create that connection that he never really had with

0:41:35.200 --> 0:41:38.080
<v Speaker 5>his daughter. He's starting to get that in one of

0:41:38.120 --> 0:41:42.320
<v Speaker 5>the worst possible moments ever. And people realize the importance

0:41:42.380 --> 0:41:45.959
<v Speaker 5>of somebody that they love sometimes at the worst moments

0:41:46.000 --> 0:41:49.230
<v Speaker 5>or in times of crisis. And you think about all

0:41:49.290 --> 0:41:51.990
<v Speaker 5>the times that you could have spent with that person

0:41:52.150 --> 0:41:55.430
<v Speaker 5>that really would have meant quality time and stuff like that.

0:41:56.850 --> 0:42:01.560
<v Speaker 1>This is where subtitle becomes critical for me because I didn't.

0:42:01.480 --> 0:42:07.380
<v Speaker 6>Realize this time around that the company was attached. I

0:42:07.400 --> 0:42:09.480
<v Speaker 6>was wondering if it was. I just wasn't quite sure.

0:42:09.500 --> 0:42:11.509
<v Speaker 6>I think I missed that. I definitely missed it in

0:42:11.530 --> 0:42:13.330
<v Speaker 6>the beginning when it was saying, like, sell it all

0:42:13.370 --> 0:42:16.710
<v Speaker 6>and all that. I didn't catch that because of the subtitles.

0:42:17.969 --> 0:42:21.210
<v Speaker 6>And this one, I kind of caught that the company

0:42:21.250 --> 0:42:22.330
<v Speaker 6>might have had something to do with it, and it

0:42:22.350 --> 0:42:24.430
<v Speaker 6>was basically off his facial expression from the call.

0:42:24.450 --> 0:42:26.690
<v Speaker 1>I was like, oh, wait. And I didn't feel like

0:42:26.710 --> 0:42:27.969
<v Speaker 1>running it back because I didn't have enough time to

0:42:27.989 --> 0:42:28.490
<v Speaker 1>run it back.

0:42:28.570 --> 0:42:32.450
<v Speaker 6>But I just kind of used context clues to be like, okay,

0:42:32.469 --> 0:42:36.109
<v Speaker 6>maybe it was his company that kind of was part

0:42:36.150 --> 0:42:36.310
<v Speaker 6>of that.

0:42:36.390 --> 0:42:37.230
<v Speaker 3>He never really confirmed.

0:42:37.270 --> 0:42:38.700
<v Speaker 1>He was like, was this because... Yeah, he was like,

0:42:38.739 --> 0:42:39.510
<v Speaker 1>was this because... He never.

0:42:39.570 --> 0:42:40.300
<v Speaker 3>I don't think he said.

0:42:40.820 --> 0:42:43.290
<v Speaker 5>in the affirmative, he just, he never.

0:42:43.930 --> 0:42:45.230
<v Speaker 1>Yeah, yeah, yeah.

0:42:45.330 --> 0:42:45.930
<v Speaker 3>Is this us?

0:42:45.989 --> 0:42:49.489
<v Speaker 5>Were we responsible? Whatever, whatever he said. And he, I don't,

0:42:49.830 --> 0:42:51.049
<v Speaker 5>he never said yeah, did he?

0:42:51.750 --> 0:42:54.390
<v Speaker 1>No, he just kind of looked like. Yeah. Did you

0:42:54.410 --> 0:42:54.750
<v Speaker 1>catch it?

0:42:55.030 --> 0:42:59.190
<v Speaker 4>I caught the look. But not the subtitles. Well, even

0:42:59.210 --> 0:43:01.390
<v Speaker 4>the subtitles, yeah, as far as his company having something

0:43:01.420 --> 0:43:03.360
<v Speaker 4>to do with it. The look, like you said, is

0:43:03.380 --> 0:43:05.260
<v Speaker 4>what gave it was like, oh, okay, that makes sense.

0:43:05.540 --> 0:43:05.800
<v Speaker 1>Yeah.

0:43:06.020 --> 0:43:07.380
<v Speaker 3>He never audibly confirmed it.

0:43:07.540 --> 0:43:07.739
<v Speaker 1>Right.

0:43:08.000 --> 0:43:08.200
<v Speaker 2>Yeah.

0:43:08.790 --> 0:43:10.170
<v Speaker 1>He never audibly confirmed it.

0:43:10.190 --> 0:43:13.589
<v Speaker 2>But I think what might be getting mixed up is

0:43:13.739 --> 0:43:17.020
<v Speaker 2>this is another really, really smart part of this film.

0:43:17.620 --> 0:43:20.620
<v Speaker 2>So he's talking to his assistant and this assistant is

0:43:20.660 --> 0:43:24.020
<v Speaker 2>the one that says, you know, they think that the

0:43:24.100 --> 0:43:29.580
<v Speaker 2>leak came from biotech. And they they being Saku's company,

0:43:30.070 --> 0:43:34.319
<v Speaker 2>they removed the funding from biotech. So biotech, we can

0:43:34.380 --> 0:43:37.540
<v Speaker 2>assume then biotech started cutting corners, and that's why this happened.

0:43:37.960 --> 0:43:40.040
<v Speaker 2>So what y'all are thinking about is when he's talking

0:43:40.060 --> 0:43:42.489
<v Speaker 2>to the assistant, and it's a young guy. It's the

0:43:42.530 --> 0:43:44.370
<v Speaker 2>same young guy that he talked about at the beginning.

0:43:44.210 --> 0:43:48.690
<v Speaker 1>Of the movie. The assistant is saying, are we responsible?

0:43:48.850 --> 0:43:50.130
<v Speaker 1>Am I responsible?

0:43:50.469 --> 0:43:54.270
<v Speaker 2>And he tells him no. He's basically absolving the kid

0:43:54.430 --> 0:43:57.370
<v Speaker 2>of his guilt. He's not really telling him the truth.

0:43:57.430 --> 0:44:00.660
<v Speaker 2>They are responsible, but the kid is not. So in

0:44:00.680 --> 0:44:03.020
<v Speaker 2>that moment, he's just telling the kid, like, look, no,

0:44:03.180 --> 0:44:07.140
<v Speaker 2>you're not responsible. I told you to do that. It's

0:44:07.200 --> 0:44:10.219
<v Speaker 2>not your fault. It's my fault. Because immediately after that,

0:44:10.239 --> 0:44:11.899
<v Speaker 2>and I was hoping y'all noticed this. Did y'all notice

0:44:11.920 --> 0:44:13.359
<v Speaker 2>what he does after he gets off the phone?

0:44:14.420 --> 0:44:14.920
<v Speaker 3>No.

0:44:15.300 --> 0:44:18.279
<v Speaker 2>It's very cliche, but it's really well done here. He

0:44:18.300 --> 0:44:19.680
<v Speaker 2>starts washing the blood off his hands.

0:44:20.040 --> 0:44:21.240
<v Speaker 1>Oh, yeah. In the bathroom.

0:44:21.960 --> 0:44:23.799
<v Speaker 2>So he's washing the blood off his hands, and he

0:44:23.860 --> 0:44:26.500
<v Speaker 2>breaks down crying. This is the first time you see.

0:44:26.400 --> 0:44:27.940
<v Speaker 1>Him do that. Interesting.

0:44:28.400 --> 0:44:31.879
<v Speaker 2>So the whole thing is he's taking that guilt from

0:44:31.920 --> 0:44:34.120
<v Speaker 2>that kid and he's like, I'll carry this because this

0:44:34.160 --> 0:44:37.760
<v Speaker 2>is not your fault. And this is, again, him showing

0:44:38.840 --> 0:44:43.640
<v Speaker 2>I'm no longer that selfish guy because, again, two hours prior,

0:44:43.660 --> 0:44:47.029
<v Speaker 2>Seok-woo would have been like, this ain't none of our

0:44:47.070 --> 0:44:50.230
<v Speaker 2>fucking fault. This is their fault because they cut corners.

0:44:50.530 --> 0:44:52.549
<v Speaker 2>That's not our fault they can't run their business. But

0:44:52.650 --> 0:44:55.830
<v Speaker 2>in this moment, the look on his face says, I

0:44:55.870 --> 0:44:56.250
<v Speaker 2>did this.

0:44:56.930 --> 0:44:57.180
<v Speaker 5>Yeah.

0:44:57.410 --> 0:45:00.330
<v Speaker 1>I got all of these people killed. Yeah, that's a

0:45:00.370 --> 0:45:02.870
<v Speaker 1>lot of deregulation happening now. That's why we can't eat shit.

0:45:03.370 --> 0:45:08.590
<v Speaker 1>Don't talk to your boy. Anyway. So, they get to

0:45:08.730 --> 0:45:11.890
<v Speaker 1>Don Degue Station. I want some popsicles. You want some popsicles?

0:45:12.090 --> 0:45:13.070
<v Speaker 1>Glass and popsicles.

0:45:13.390 --> 0:45:13.509
<v Speaker 2>Oh.

0:45:14.330 --> 0:45:16.230
<v Speaker 1>Why he look at kid talking about I want some popsicles?

0:45:16.250 --> 0:45:16.310
<v Speaker 5>No.

0:45:19.560 --> 0:45:23.259
<v Speaker 1>And if I did? Maybe I'll do it. What if

0:45:23.900 --> 0:45:27.840
<v Speaker 1>I do want a popsicle, man? I do like popsicles.

0:45:28.340 --> 0:45:35.030
<v Speaker 2>Anyway, they get to Don Dugu Station, and they find

0:45:35.050 --> 0:45:38.469
<v Speaker 2>that the track is blocked. The conductor goes to find

0:45:38.510 --> 0:45:42.989
<v Speaker 2>another train, but here we find that that motherfucker young suck.

0:45:43.500 --> 0:45:47.440
<v Speaker 1>Is alive and hiding in the fucking bathroom. I was

0:45:47.460 --> 0:45:50.080
<v Speaker 1>so mad. I was like, get this motherfucker out of here.

0:45:50.600 --> 0:45:52.800
<v Speaker 1>And then he did some other fuck shit.

0:45:52.900 --> 0:45:55.280
<v Speaker 2>But in this moment, this is when we see how

0:45:55.360 --> 0:45:59.190
<v Speaker 2>he keeps getting away. Because earlier when those zombies came in,

0:45:59.210 --> 0:46:01.370
<v Speaker 2>it cut away. But you can assume that he was

0:46:01.390 --> 0:46:03.390
<v Speaker 2>probably throwing people left and right in front of him

0:46:03.430 --> 0:46:07.830
<v Speaker 2>so he can get away. Because he throws the fucking

0:46:07.870 --> 0:46:09.250
<v Speaker 2>guy that he's in the bathroom with.

0:46:09.880 --> 0:46:11.520
<v Speaker 1>To save his own life. He throws him in front

0:46:11.580 --> 0:46:14.359
<v Speaker 1>of a zombie. Did he kind of trick him too?

0:46:14.500 --> 0:46:14.900
<v Speaker 5>Yeah.

0:46:14.940 --> 0:46:17.180
<v Speaker 1>Yeah. He should go first. You should go first. Yeah,

0:46:17.200 --> 0:46:20.770
<v Speaker 1>it's cool. Because the guy's like, are we clear? He's like, yeah, man,

0:46:20.810 --> 0:46:23.589
<v Speaker 1>we're clear. Go, bitch, go. Oh, my God, I hate

0:46:23.630 --> 0:46:24.489
<v Speaker 1>this motherfucker, man.

0:46:24.510 --> 0:46:26.930
<v Speaker 2>When we had that conversation about the worst villains in

0:46:26.969 --> 0:46:29.770
<v Speaker 2>movies and we're talking about Joffrey and them, I don't

0:46:29.790 --> 0:46:31.739
<v Speaker 2>know why I didn't think of this guy. He is

0:46:31.780 --> 0:46:34.100
<v Speaker 2>the most evil motherfucker in just about any movie I've

0:46:34.160 --> 0:46:37.239
<v Speaker 2>ever seen. I hate this dude.

0:46:37.700 --> 0:46:41.759
<v Speaker 6>He's like a representation of like, capitalist like yeah like

0:46:41.800 --> 0:46:44.469
<v Speaker 6>doing people dirty to get to the you know get

0:46:44.530 --> 0:46:46.530
<v Speaker 6>out of situations or get to the top or stay

0:46:47.210 --> 0:46:50.830
<v Speaker 6>it shows like the things that they would do to get.

0:46:50.650 --> 0:46:53.089
<v Speaker 1>To where they are or whatever so yeah i'm.

0:46:52.989 --> 0:46:54.850
<v Speaker 2>Glad you said that because that was actually gonna be

0:46:54.870 --> 0:46:56.739
<v Speaker 2>in my next paragraph but we can talk about it

0:46:56.780 --> 0:47:00.280
<v Speaker 2>here yeah um yeah he is a representation of capitalism

0:47:00.300 --> 0:47:03.160
<v Speaker 2>when people are always like you know i'm a capitalist

0:47:03.200 --> 0:47:06.300
<v Speaker 2>and capitalism is cool killer mike this is why capitalism

0:47:06.340 --> 0:47:09.210
<v Speaker 2>is not cool Because this is what happens. You're always

0:47:09.290 --> 0:47:11.670
<v Speaker 2>stepping on other people to get ahead. This is a

0:47:11.850 --> 0:47:17.210
<v Speaker 2>visual human representation of the idea of capitalism. And it

0:47:17.250 --> 0:47:20.149
<v Speaker 2>just amazes me that so many folks just still don't

0:47:20.190 --> 0:47:22.670
<v Speaker 2>fucking get that. But I thought that this was extremely

0:47:22.730 --> 0:47:24.910
<v Speaker 2>well done. Because some of the stuff he does is

0:47:25.010 --> 0:47:27.950
<v Speaker 2>a little subtle. And then other things are done and

0:47:27.989 --> 0:47:31.550
<v Speaker 2>it's very overt. The looking down upon the homeless man,

0:47:32.030 --> 0:47:34.270
<v Speaker 2>that could be subtle because you might see that and think, oh,

0:47:34.290 --> 0:47:36.450
<v Speaker 2>he just thinks that the guy's dangerous.

0:47:36.890 --> 0:47:38.730
<v Speaker 1>He's just looking out for his own safety.

0:47:39.530 --> 0:47:42.489
<v Speaker 2>But then you start realizing who this dude is, that

0:47:42.550 --> 0:47:46.649
<v Speaker 2>he's willing to lie, cheat, steal, and kill to make

0:47:46.710 --> 0:47:49.610
<v Speaker 2>sure that he gets ahead. And then we'll get to

0:47:49.660 --> 0:47:50.750
<v Speaker 2>what happens with him at the.

0:47:50.760 --> 0:47:51.300
<v Speaker 1>End, but.

0:47:51.480 --> 0:47:53.900
<v Speaker 6>Because he even said the father was infected. Yeah, he

0:47:54.020 --> 0:47:55.600
<v Speaker 6>lied about the father being infected to get.

0:47:55.540 --> 0:47:56.540
<v Speaker 3>Them kicked out.

0:47:56.840 --> 0:47:58.160
<v Speaker 1>After he got punched.

0:47:59.320 --> 0:48:01.340
<v Speaker 2>So, yeah, a fiery locomotive, I can't remember if I

0:48:01.360 --> 0:48:03.320
<v Speaker 2>said this part already, the fiery locomotive shows up and

0:48:03.360 --> 0:48:06.250
<v Speaker 2>it smashes into the train, which separates.

0:48:08.280 --> 0:48:10.920
<v Speaker 1>Yongguk and Jinhee.

0:48:10.930 --> 0:48:21.089
<v Speaker 2>From Suwon the father Seokwoo and Yongkyung the pregnant lady

0:48:21.570 --> 0:48:27.000
<v Speaker 2>separates them Yongguk and Jinhee try to get away but

0:48:27.080 --> 0:48:30.799
<v Speaker 2>what did y'all think about what happened when bitch ass

0:48:31.460 --> 0:48:34.130
<v Speaker 2>Yongsuk showed up and what he did to Jinhee.

0:48:36.230 --> 0:48:36.750
<v Speaker 3>Do y'all remember?

0:48:37.890 --> 0:48:40.160
<v Speaker 1>He shows up and he throws Jin-Hee into the zombie.

0:48:40.180 --> 0:48:43.040
<v Speaker 1>I don't remember. What?

0:48:43.219 --> 0:48:45.720
<v Speaker 5>So we're on the final scene? Yeah.

0:48:45.940 --> 0:48:48.080
<v Speaker 1>It's not the final scene, but yeah, he jumps into

0:48:48.100 --> 0:48:52.250
<v Speaker 1>the train. But yeah, he's on the... Oh! Yeah, you're

0:48:52.270 --> 0:48:52.930
<v Speaker 1>thinking of the end.

0:48:53.030 --> 0:48:54.290
<v Speaker 3>Oh yeah, I am thinking about the end.

0:48:54.330 --> 0:48:59.000
<v Speaker 1>He's running away. He's running through different train cars. Yeah.

0:48:59.020 --> 0:49:00.759
<v Speaker 1>He sees... Oh, I'm sorry.

0:49:00.780 --> 0:49:01.859
<v Speaker 3>I was thinking about the little girl.

0:49:01.920 --> 0:49:02.860
<v Speaker 1>Yes, that was fucked up.

0:49:02.860 --> 0:49:04.040
<v Speaker 3>You talking about the conductor?

0:49:04.219 --> 0:49:05.779
<v Speaker 1>No, no, no. The kids.

0:49:05.960 --> 0:49:06.839
<v Speaker 3>The teenagers.

0:49:06.880 --> 0:49:09.720
<v Speaker 1>The two, the baseball player and his girlfriend. Yeah, yeah. Remember.

0:49:10.010 --> 0:49:10.910
<v Speaker 3>I forgot their names.

0:49:11.010 --> 0:49:13.790
<v Speaker 1>Young Suk, the name is Young Guk.

0:49:14.090 --> 0:49:14.850
<v Speaker 3>That's why I didn't know what.

0:49:14.790 --> 0:49:17.299
<v Speaker 1>You were talking about. The baseball player. Yes.

0:49:17.340 --> 0:49:19.360
<v Speaker 2>I need to just call him that because I'm not sure. Anyway,

0:49:19.780 --> 0:49:22.000
<v Speaker 2>the baseball player and his girlfriend, they're on the train.

0:49:24.000 --> 0:49:27.860
<v Speaker 2>Young Suk jumps in, the evil guy, and immediately grabs

0:49:27.920 --> 0:49:29.790
<v Speaker 2>Jin Hee and throws.

0:49:29.489 --> 0:49:31.310
<v Speaker 1>Her into the zombie. I don't think I realized he

0:49:31.330 --> 0:49:32.089
<v Speaker 1>did that. What?

0:49:32.170 --> 0:49:32.990
<v Speaker 5>Yeah, man.

0:49:33.010 --> 0:49:35.350
<v Speaker 2>Because there's a zombie right behind him and he did

0:49:35.370 --> 0:49:38.890
<v Speaker 2>the same shit to her that he just did to

0:49:38.910 --> 0:49:44.480
<v Speaker 2>the other guy. Yeah. And the baseball player sees this happen.

0:49:44.500 --> 0:49:47.420
<v Speaker 1>He flips out. He kicks the zombie out. I remember

0:49:47.460 --> 0:49:49.950
<v Speaker 1>this part. Yeah. Because he just basically just was like,

0:49:50.070 --> 0:49:51.780
<v Speaker 1>if she died, I'm dying too.

0:49:52.390 --> 0:49:54.410
<v Speaker 3>I don't know if I got that in me, but

0:49:54.430 --> 0:49:55.029
<v Speaker 3>I get it.

0:49:55.030 --> 0:49:57.650
<v Speaker 1>Because I would have kicked her out. I'm going to

0:49:57.670 --> 0:50:00.870
<v Speaker 1>live for you, baby. Right? I would have kicked her

0:50:00.890 --> 0:50:03.250
<v Speaker 1>ass out. They got them trains so fast. He lost

0:50:03.290 --> 0:50:06.210
<v Speaker 1>his entire friend group. There's some other ones out there? No,

0:50:06.230 --> 0:50:07.910
<v Speaker 1>there's not. Oh, yeah. The world is fucked up. All

0:50:07.989 --> 0:50:10.550
<v Speaker 1>of the baseball players are dead. They were the last.

0:50:10.590 --> 0:50:11.469
<v Speaker 1>He was the last one.

0:50:11.670 --> 0:50:14.170
<v Speaker 3>Bitched up and didn't want to hit his friends. They're zombies, bro.

0:50:14.190 --> 0:50:16.410
<v Speaker 1>Knock them out. I get it, though. I did like

0:50:16.450 --> 0:50:18.839
<v Speaker 1>that part. If y'all turn into zombies, bro, and y'all

0:50:18.880 --> 0:50:22.160
<v Speaker 1>in my way. I feel you. You turning into someone.

0:50:22.219 --> 0:50:24.530
<v Speaker 1>All the years of going out the window. All the years.

0:50:24.570 --> 0:50:28.160
<v Speaker 1>Got to. Got to. All this is me sitting across

0:50:28.200 --> 0:50:30.020
<v Speaker 1>from you, man. I'm not saying I would do it.

0:50:30.100 --> 0:50:33.880
<v Speaker 1>I'm saying Ken would do it. I would at least hesitate. Yeah,

0:50:33.960 --> 0:50:36.980
<v Speaker 1>I got it. When I saw it, I was like, oh, shit.

0:50:37.320 --> 0:50:38.140
<v Speaker 1>I'll probably do it again.

0:50:38.800 --> 0:50:41.390
<v Speaker 6>I mean, survival, yeah, will kick in at some point.

0:50:41.430 --> 0:50:43.150
<v Speaker 6>But the hesitation might be there.

0:50:43.190 --> 0:50:45.250
<v Speaker 1>Like, I like that part. I did, too. I like

0:50:45.270 --> 0:50:45.870
<v Speaker 1>that part.

0:50:45.969 --> 0:50:47.170
<v Speaker 3>A lot.

0:50:48.070 --> 0:50:51.450
<v Speaker 5>Every human is different and react differently. It's just when

0:50:51.489 --> 0:50:53.330
<v Speaker 5>I see it in the movie, I'm like, that's not

0:50:53.730 --> 0:50:55.230
<v Speaker 5>your boy. That's not your kid.

0:50:55.250 --> 0:50:56.030
<v Speaker 3>That's not your wife.

0:50:56.760 --> 0:50:59.420
<v Speaker 1>Kendall, I'm sorry, bro. You get bit. That's crazy.

0:50:59.760 --> 0:51:03.080
<v Speaker 5>I'll mourn you later, but I'm going to have to

0:51:03.200 --> 0:51:03.580
<v Speaker 5>push you.

0:51:03.840 --> 0:51:05.009
<v Speaker 3>I may not kill you, but I'm going to at

0:51:05.030 --> 0:51:05.730
<v Speaker 3>least push you.

0:51:05.910 --> 0:51:08.550
<v Speaker 1>Out of the way. That is funny. Yeah.

0:51:08.570 --> 0:51:10.750
<v Speaker 2>We didn't talk about it, but I'm more with Rod.

0:51:10.830 --> 0:51:13.830
<v Speaker 2>I think this part was extremely well done when they

0:51:13.969 --> 0:51:15.469
<v Speaker 2>show the hesitation in that kid.

0:51:15.489 --> 0:51:15.830
<v Speaker 5>Yeah.

0:51:15.850 --> 0:51:18.359
<v Speaker 1>Because he sees all of his friends. Friends, yeah.

0:51:18.390 --> 0:51:19.700
<v Speaker 2>And he's just like, and the thing about it is

0:51:19.719 --> 0:51:22.380
<v Speaker 2>you don't know if they're undead. You just know that

0:51:22.400 --> 0:51:24.420
<v Speaker 2>they're actually crazy. Yeah, because you don't know what's going on, really, really.

0:51:24.460 --> 0:51:25.219
<v Speaker 2>You don't know what this is.

0:51:25.580 --> 0:51:27.299
<v Speaker 1>It could be a cure for it. Right. You don't

0:51:27.320 --> 0:51:27.940
<v Speaker 1>want to kill him.

0:51:28.739 --> 0:51:34.020
<v Speaker 2>Now, Song Hwa was breaking my fucking neck. But, you know, yeah,

0:51:34.060 --> 0:51:35.080
<v Speaker 2>he's like, I'm just going to bust you in the

0:51:35.120 --> 0:51:36.660
<v Speaker 2>face with the bat. I'm not going to, you know,

0:51:36.719 --> 0:51:40.009
<v Speaker 2>really hurt you. But this part, Spike, did you cry?

0:51:40.030 --> 0:51:43.509
<v Speaker 1>No, I thought it was good, though. The hesitation was good.

0:51:44.010 --> 0:51:46.570
<v Speaker 1>I'm sorry. The part where... Yeah, I went back a

0:51:46.570 --> 0:51:48.330
<v Speaker 1>little bit. Yeah, I went back. That's my fault.

0:51:48.370 --> 0:51:51.009
<v Speaker 2>But yeah, no, the part where Jin-Hee dies and then

0:51:51.070 --> 0:51:52.279
<v Speaker 2>she comes back and bites him.

0:51:53.580 --> 0:51:53.799
<v Speaker 1>Damn.

0:51:53.820 --> 0:51:53.920
<v Speaker 2>Damn.

0:51:54.390 --> 0:51:56.750
<v Speaker 1>When he was just like, when she was in his arms.

0:51:57.350 --> 0:51:58.070
<v Speaker 3>It was sad.

0:51:58.290 --> 0:51:58.670
<v Speaker 1>It was.

0:51:58.850 --> 0:52:01.670
<v Speaker 5>It was sad. Because, yeah, we had been with them

0:52:01.710 --> 0:52:03.790
<v Speaker 5>for a while. They had fought to get back together

0:52:03.810 --> 0:52:06.250
<v Speaker 5>for love and all this other stuff. So they died

0:52:06.290 --> 0:52:06.609
<v Speaker 5>like that.

0:52:06.630 --> 0:52:08.590
<v Speaker 1>We thought they were going to make it. Yeah. We

0:52:08.610 --> 0:52:09.710
<v Speaker 1>really thought they were going to make it. It was

0:52:09.730 --> 0:52:13.610
<v Speaker 1>the end of the fucking movie. I'm like, okay, cool. But, no,

0:52:13.660 --> 0:52:14.380
<v Speaker 1>this part gets me.

0:52:14.550 --> 0:52:16.080
<v Speaker 3>Oh, by the way, Kendall, yeah, if I'm a zombie,

0:52:16.100 --> 0:52:17.640
<v Speaker 3>don't hesitate. Got to.

0:52:18.180 --> 0:52:18.630
<v Speaker 1>Knock his ass out.

0:52:18.640 --> 0:52:20.230
<v Speaker 3>I'm giving you permission. Don't hesitate.

0:52:20.930 --> 0:52:24.870
<v Speaker 1>Ain't nothing worse than a big, thick-ass zombie, though. You

0:52:24.890 --> 0:52:26.170
<v Speaker 1>know what I'm saying?

0:52:26.190 --> 0:52:28.790
<v Speaker 2>Them little skinny, wavy ones that just be like, you

0:52:28.810 --> 0:52:30.109
<v Speaker 2>can just knock them motherfuckers over.

0:52:30.130 --> 0:52:33.750
<v Speaker 1>These two turn into zombies? Bro, me and you, Kendall,

0:52:33.770 --> 0:52:35.549
<v Speaker 1>we're going to have some work for our... We got

0:52:35.570 --> 0:52:36.910
<v Speaker 1>to put Spike in front of us, dog.

0:52:37.350 --> 0:52:41.089
<v Speaker 2>We're going to have to have a sacrificial lamb, bro,

0:52:41.110 --> 0:52:42.590
<v Speaker 2>because our skinny asses ain't making it.

0:52:43.230 --> 0:52:44.230
<v Speaker 1>Anyway....

0:52:44.969 --> 0:52:47.350
<v Speaker 2>So, yeah, during the melee, the homeless man ends up

0:52:47.390 --> 0:52:51.430
<v Speaker 2>sacrificing himself to save Suwon and Song Kyung.

0:52:51.450 --> 0:52:51.950
<v Speaker 3>That was dope.

0:52:51.989 --> 0:52:53.910
<v Speaker 1>Did y'all like this part? Yeah.

0:52:54.640 --> 0:52:57.060
<v Speaker 5>Yeah, that was dope. I did like that part. And

0:52:57.100 --> 0:52:59.620
<v Speaker 5>I want to shout out the conductor, bro. That conductor.

0:52:59.820 --> 0:53:00.470
<v Speaker 5>He was a real one.

0:53:00.500 --> 0:53:05.320
<v Speaker 1>Yeah, he was, bro. He could have left the world. Yeah, man. Easily.

0:53:05.520 --> 0:53:08.939
<v Speaker 3>Yeah, no, he was really dope. So, shout out to him.

0:53:09.200 --> 0:53:11.900
<v Speaker 5>And he got fucked up because he was a survivor

0:53:11.940 --> 0:53:13.720
<v Speaker 5>running from train to train trying to save these people.

0:53:13.739 --> 0:53:13.910
<v Speaker 2>Mm-hmm.

0:53:14.950 --> 0:53:16.820
<v Speaker 1>And, you know, the guy took him out. But, yeah,

0:53:16.860 --> 0:53:17.700
<v Speaker 1>them sacrificing.

0:53:17.719 --> 0:53:19.279
<v Speaker 5>Oh, man, the way they had that whole shit set

0:53:19.340 --> 0:53:21.880
<v Speaker 5>up with the damn zombies about to fall through the glass.

0:53:21.900 --> 0:53:22.420
<v Speaker 3>Oh, man.

0:53:23.239 --> 0:53:25.460
<v Speaker 1>And there was just that one little hole for them

0:53:25.500 --> 0:53:26.040
<v Speaker 1>to get through.

0:53:26.080 --> 0:53:26.440
<v Speaker 3>Yeah.

0:53:26.820 --> 0:53:29.000
<v Speaker 1>Man, this was not a regular zombie film. Yeah.

0:53:29.080 --> 0:53:32.660
<v Speaker 5>And then you saw the dad, that parent strength, right?

0:53:32.680 --> 0:53:35.140
<v Speaker 5>Because he lifted that motherfucker up to get his daughter out.

0:53:35.320 --> 0:53:37.020
<v Speaker 1>He became the superhero of the movie.

0:53:37.520 --> 0:53:37.980
<v Speaker 3>And the girl.

0:53:38.000 --> 0:53:39.219
<v Speaker 1>Because Song Hua passed it to him.

0:53:39.640 --> 0:53:40.780
<v Speaker 3>Goddamn, that's a good, yeah.

0:53:41.180 --> 0:53:41.509
<v Speaker 1>Damn.

0:53:41.690 --> 0:53:42.489
<v Speaker 3>Yep, that's a good point.

0:53:42.510 --> 0:53:44.370
<v Speaker 1>Because if you think about it, Salahual could have easily

0:53:44.410 --> 0:53:46.490
<v Speaker 1>moved that shit. Yep. But this was.

0:53:46.390 --> 0:53:48.730
<v Speaker 2>Him passing along the torch to him and being like,

0:53:48.770 --> 0:53:49.629
<v Speaker 2>you're that guy now.

0:53:50.010 --> 0:53:50.930
<v Speaker 1>Now you got the juice.

0:53:51.260 --> 0:53:55.799
<v Speaker 5>Damn, that's a good point. Yeah, you're absolutely right. It

0:53:55.840 --> 0:53:56.540
<v Speaker 5>took him a minute, too.

0:53:56.600 --> 0:53:57.640
<v Speaker 3>It took him a couple minutes.

0:53:57.920 --> 0:53:59.490
<v Speaker 1>It took him some time. It took him some time.

0:53:59.510 --> 0:54:03.089
<v Speaker 1>The homeless dude was like, bro, come on, man. Come on, man.

0:54:03.110 --> 0:54:06.310
<v Speaker 1>I ain't had a good day in a long time. Right.

0:54:06.410 --> 0:54:09.170
<v Speaker 2>And I'm about to die for your kid and another

0:54:09.210 --> 0:54:10.190
<v Speaker 2>motherfucking girl?

0:54:10.370 --> 0:54:12.390
<v Speaker 1>Right. I've been homeless for years. I ain't had no

0:54:12.570 --> 0:54:15.589
<v Speaker 1>ass in forever. As with the kids. God damn, this

0:54:15.610 --> 0:54:18.330
<v Speaker 1>some bullshit. But no, this part is really good.

0:54:19.550 --> 0:54:22.410
<v Speaker 2>So they all make it to the new train that's

0:54:22.469 --> 0:54:27.530
<v Speaker 2>being pursued by the zombies. The conductor almost made it,

0:54:27.739 --> 0:54:30.280
<v Speaker 2>but bitch ass song.

0:54:31.020 --> 0:54:35.020
<v Speaker 1>What the fuck? I'm sorry, y'all. What was his name again?

0:54:35.100 --> 0:54:39.910
<v Speaker 1>Bitch ass businessman. Bitch ass businessman. Young Suck. That's his name.

0:54:40.760 --> 0:54:43.830
<v Speaker 1>He ends up getting bit. Yeah.

0:54:43.989 --> 0:54:47.170
<v Speaker 2>And then the conductor gets bit. Now, you might watch

0:54:47.230 --> 0:54:50.810
<v Speaker 2>this because the conductor's like, help me. Young Suck just

0:54:50.850 --> 0:54:53.040
<v Speaker 2>got up and ran. You might be like, well, shit,

0:54:53.340 --> 0:54:55.040
<v Speaker 2>there was nothing he could do for him. But if

0:54:55.080 --> 0:54:59.140
<v Speaker 2>you look at it, he was already bit. There was

0:54:59.320 --> 0:55:02.350
<v Speaker 2>no reason why he could have, he should have been like,

0:55:02.530 --> 0:55:04.290
<v Speaker 2>I'm just going to leave. He could have been like, look, man,

0:55:04.310 --> 0:55:05.870
<v Speaker 2>I'm going to help you at least not get bit

0:55:05.930 --> 0:55:06.570
<v Speaker 2>up that bad.

0:55:06.950 --> 0:55:09.030
<v Speaker 1>I can at least help you. But no, he fucking

0:55:09.070 --> 0:55:12.089
<v Speaker 1>ran his punk ass off and, you know, they get

0:55:12.130 --> 0:55:13.969
<v Speaker 1>to the train. I don't think I realized he got bit.

0:55:14.350 --> 0:55:15.200
<v Speaker 3>You can hear it.

0:55:15.210 --> 0:55:16.649
<v Speaker 1>Yeah, you hear it and then he starts.

0:55:17.340 --> 0:55:19.560
<v Speaker 2>They did the whole Carl thing where if you go

0:55:19.600 --> 0:55:21.660
<v Speaker 2>back and you watch that scene again, you see where

0:55:21.680 --> 0:55:24.640
<v Speaker 2>Carl gets bit, but it doesn't make it clear until later.

0:55:24.980 --> 0:55:27.160
<v Speaker 5>But they did it so with the way they did it,

0:55:27.180 --> 0:55:29.540
<v Speaker 5>you hear it, you see it, but then you see

0:55:29.560 --> 0:55:30.780
<v Speaker 5>the conductor, so you think it's the conductor.

0:55:30.800 --> 0:55:32.509
<v Speaker 1>Right, so you think it's the conductor. It's such a

0:55:32.610 --> 0:55:33.610
<v Speaker 1>good fucking trick.

0:55:35.660 --> 0:55:40.670
<v Speaker 2>But yeah, once they get to the new car, they

0:55:40.710 --> 0:55:46.339
<v Speaker 2>find a zombified young Sook on there. And Seok Woo

0:55:46.400 --> 0:55:49.819
<v Speaker 2>has to sacrifice himself so that Song Kyung and Su

0:55:49.840 --> 0:55:55.080
<v Speaker 2>Won live. So there's this battle between him and, in

0:55:55.160 --> 0:55:58.080
<v Speaker 2>my opinion, his older, terrible self.

0:55:59.020 --> 0:56:00.860
<v Speaker 1>They're fighting on the train.

0:56:00.900 --> 0:56:03.819
<v Speaker 2>But if you remember, the part that got me the

0:56:03.840 --> 0:56:05.930
<v Speaker 2>first time is they made it very clear that the

0:56:05.969 --> 0:56:08.810
<v Speaker 2>zombies don't know how to open doors. So when the

0:56:08.850 --> 0:56:10.870
<v Speaker 2>dude turned around and opened the door, I was like,

0:56:10.910 --> 0:56:12.029
<v Speaker 2>how the fuck is he doing this?

0:56:12.070 --> 0:56:13.850
<v Speaker 1>Is he an advanced zombie?

0:56:14.360 --> 0:56:18.140
<v Speaker 2>No, what's fucked up is he wasn't a zombie all

0:56:18.180 --> 0:56:20.840
<v Speaker 2>the way yet, but he chose to open the fucking

0:56:20.880 --> 0:56:24.120
<v Speaker 2>door because he's so goddamn selfish. He goes out there

0:56:24.140 --> 0:56:26.640
<v Speaker 2>and he's like, help me, take me to my mom.

0:56:27.900 --> 0:56:30.089
<v Speaker 2>All of this shit that he'd done throughout this movie

0:56:30.570 --> 0:56:33.270
<v Speaker 2>and he reverts to a baby at the end after

0:56:33.330 --> 0:56:35.290
<v Speaker 2>he's bit and he's like, take me to my mom.

0:56:35.830 --> 0:56:39.970
<v Speaker 1>I need help. And it's like, bro, what? But yeah,

0:56:40.090 --> 0:56:42.810
<v Speaker 1>was this whole part sad? Meaning, you know....

0:56:44.170 --> 0:56:48.259
<v Speaker 2>Seok-woo fighting this guy, then him having to let himself

0:56:48.300 --> 0:56:51.840
<v Speaker 2>get bit to save his daughter and the pregnant friend,

0:56:52.620 --> 0:56:53.920
<v Speaker 2>him stepping off the train.

0:56:54.580 --> 0:56:55.560
<v Speaker 1>Any thoughts on this part?

0:56:56.000 --> 0:56:57.900
<v Speaker 6>Well, I thought it was crazy before we even got there,

0:56:58.000 --> 0:57:01.820
<v Speaker 6>the scene of the horde coming after the train, attaching

0:57:01.880 --> 0:57:04.760
<v Speaker 6>on the train, dragging on that shit.

0:57:05.200 --> 0:57:07.190
<v Speaker 1>I was like, God, man. And he's kicking their hands

0:57:07.270 --> 0:57:09.669
<v Speaker 1>to get them to let go. That was a dope scene.

0:57:09.730 --> 0:57:09.969
<v Speaker 3>It was.

0:57:10.030 --> 0:57:11.690
<v Speaker 6>Even the one that was climbing on top of the

0:57:12.280 --> 0:57:14.780
<v Speaker 6>And then he had to dodge his ass.

0:57:14.820 --> 0:57:17.380
<v Speaker 1>That was executed really well. And it hits the camera.

0:57:17.480 --> 0:57:19.080
<v Speaker 6>And it hits the camera, yeah. So I thought that

0:57:19.140 --> 0:57:22.500
<v Speaker 6>was really, really nice. As far as this scene, yeah,

0:57:22.520 --> 0:57:25.620
<v Speaker 6>that was crazy because he's like, bro, you infected, bro.

0:57:25.640 --> 0:57:36.110
<v Speaker 1>Yeah. Yeah. I don't know if anybody told you. So

0:57:36.270 --> 0:57:37.840
<v Speaker 1>I thought that was a really....

0:57:39.190 --> 0:57:42.650
<v Speaker 6>The reason why I like that so much because... it

0:57:42.890 --> 0:57:45.590
<v Speaker 6>wasn't instant for him, right? He had to know, he

0:57:46.170 --> 0:57:48.670
<v Speaker 6>got a chance to, you know how like somebody, you know,

0:57:48.690 --> 0:57:50.590
<v Speaker 6>I think we talked about it last week, somebody we

0:57:50.630 --> 0:57:52.680
<v Speaker 6>would like to think that you don't even see your

0:57:52.700 --> 0:57:55.560
<v Speaker 6>death coming. But yeah, they made him suffer for a

0:57:55.580 --> 0:57:57.540
<v Speaker 6>minute and let him know like, yo, nah, your ass

0:57:57.600 --> 0:58:01.200
<v Speaker 6>is infected and you gonna fucking cry about it and

0:58:01.260 --> 0:58:04.000
<v Speaker 6>all of that. So yeah, it was a really good

0:58:04.100 --> 0:58:06.080
<v Speaker 6>death scene for him because it wasn't just like he

0:58:06.100 --> 0:58:08.320
<v Speaker 6>got bit and he turned. It was like, nah, he

0:58:08.380 --> 0:58:11.140
<v Speaker 6>had to sit with it, you know? And so I

0:58:11.300 --> 0:58:12.140
<v Speaker 6>did like that part.

0:58:14.400 --> 0:58:15.560
<v Speaker 1>Yeah, man, I kind of had a.

0:58:15.560 --> 0:58:18.680
<v Speaker 6>Feeling that the dad was going to get bitten and die.

0:58:18.740 --> 0:58:22.180
<v Speaker 6>I didn't understand why he reached for his mouth, though.

0:58:22.500 --> 0:58:23.860
<v Speaker 6>That part bothered me.

0:58:23.980 --> 0:58:25.080
<v Speaker 1>I didn't understand.

0:58:25.620 --> 0:58:28.100
<v Speaker 6>You could have grabbed him under the neck or something.

0:58:28.700 --> 0:58:31.800
<v Speaker 1>You grabbed him on the mouth. That's the last place

0:58:31.820 --> 0:58:32.500
<v Speaker 1>you want to grab.

0:58:32.640 --> 0:58:35.419
<v Speaker 2>I reconcile it because I'm with you. It doesn't really

0:58:35.480 --> 0:58:38.930
<v Speaker 2>make a lot of sense. I reconcile it that the

0:58:38.970 --> 0:58:42.450
<v Speaker 2>dude was already coming down to bite Suwon, and he

0:58:42.510 --> 0:58:45.050
<v Speaker 2>put his hand in front, just instinctively.

0:58:45.550 --> 0:58:47.560
<v Speaker 1>But I'm with you. You could have grabbed him by

0:58:47.580 --> 0:58:47.939
<v Speaker 1>the back.

0:58:47.860 --> 0:58:48.320
<v Speaker 3>Of his shirt.

0:58:48.480 --> 0:58:50.000
<v Speaker 6>You could have done something else.

0:58:51.780 --> 0:58:54.640
<v Speaker 1>Spike, do you like this part? Yeah, I thought it

0:58:54.660 --> 0:58:55.490
<v Speaker 1>was a good ending to it.

0:58:56.380 --> 0:59:03.610
<v Speaker 4>I didn't get as much from it as you were

0:59:03.650 --> 0:59:05.070
<v Speaker 4>explaining it, but no, I thought it was a good

0:59:05.130 --> 0:59:05.690
<v Speaker 4>ending to the movie.

0:59:06.340 --> 0:59:09.390
<v Speaker 6>What about what I was just saying about him having

0:59:09.410 --> 0:59:12.450
<v Speaker 6>to sit with being bitten and stuff like that, especially

0:59:12.510 --> 0:59:15.270
<v Speaker 6>after all we've seen with him throughout.

0:59:14.590 --> 0:59:17.630
<v Speaker 1>The whole movie? You're talking about the dad, right? No, no, no, no.

0:59:17.690 --> 0:59:20.590
<v Speaker 1>The business guy. Oh, the business dude. Young suck.

0:59:21.430 --> 0:59:24.650
<v Speaker 4>Yeah, but there was never a time that I felt

0:59:24.670 --> 0:59:27.180
<v Speaker 4>like he didn't deserve it. Like, everything that he was

0:59:27.200 --> 0:59:29.800
<v Speaker 4>sitting right there dealing with and, you know, coming to

0:59:29.840 --> 0:59:31.280
<v Speaker 4>realization that he'd be in bed, like, yeah.

0:59:31.560 --> 0:59:33.680
<v Speaker 1>I guess what I'm asking is, was it a satisfying

0:59:33.700 --> 0:59:41.340
<v Speaker 1>death for you? Yes, it was. Man, I think if.

0:59:42.970 --> 0:59:47.470
<v Speaker 5>You would have got caught up in the story and

0:59:48.550 --> 0:59:50.770
<v Speaker 5>the zombies would have been secondary, I wonder if you

0:59:50.810 --> 0:59:52.970
<v Speaker 5>would have probably appreciated.

0:59:52.430 --> 0:59:53.250
<v Speaker 3>It a little bit more.

0:59:54.490 --> 0:59:56.990
<v Speaker 1>Maybe if I had watched the dub version. Yeah, maybe.

0:59:57.250 --> 0:59:58.350
<v Speaker 3>Yeah.

0:59:59.150 --> 1:00:02.140
<v Speaker 5>Because the zombies are like just a vehicle to tell

1:00:02.160 --> 1:00:06.820
<v Speaker 5>the story. But at least that's kind of how I

1:00:06.820 --> 1:00:09.000
<v Speaker 5>looked at it, which is why I love the movie.

1:00:10.240 --> 1:00:14.480
<v Speaker 5>Because I did not see the father dying at all. Yeah,

1:00:14.540 --> 1:00:16.890
<v Speaker 5>I thought he was good once he got to the train. Man,

1:00:17.450 --> 1:00:19.870
<v Speaker 5>this is what got me. Because at this point, I'm

1:00:19.890 --> 1:00:22.530
<v Speaker 5>rooting for him. I'm like, man, this dad doing any

1:00:22.590 --> 1:00:28.220
<v Speaker 5>and everything. For his daughter. And it really was. Because

1:00:28.240 --> 1:00:31.880
<v Speaker 5>he sacrificed himself. For his daughter. The daughter that he

1:00:31.920 --> 1:00:34.260
<v Speaker 5>was never around for. He was around all the way

1:00:34.280 --> 1:00:34.960
<v Speaker 5>to this end.

1:00:35.360 --> 1:00:39.340
<v Speaker 1>And either. Saved her.

1:00:40.020 --> 1:00:40.180
<v Speaker 2>Or.

1:00:41.100 --> 1:00:43.240
<v Speaker 5>Because he was so absent. She wanted to get on

1:00:43.260 --> 1:00:47.290
<v Speaker 5>this train. Kind of put them in this situation. Put

1:00:47.330 --> 1:00:50.590
<v Speaker 5>them in this situation. Because that's the only reason. Why

1:00:50.610 --> 1:00:53.450
<v Speaker 5>they're on this train. From the very beginning. is because

1:00:53.490 --> 1:00:57.189
<v Speaker 5>she wanted to go be with the mom. So, but

1:00:57.910 --> 1:00:59.610
<v Speaker 5>who knows if they would have stayed at home, they

1:00:59.630 --> 1:01:03.740
<v Speaker 5>probably would have gotten bitten and whatever. But all this

1:01:03.780 --> 1:01:06.520
<v Speaker 5>was dope, including what Rob was talking about. All that

1:01:06.540 --> 1:01:08.919
<v Speaker 5>shit was crazy. Because at this point in the movie,

1:01:08.940 --> 1:01:14.860
<v Speaker 5>there's a lot of superhero movie shit happening and surviving

1:01:15.580 --> 1:01:19.270
<v Speaker 5>against all odds. And then you get on here, and

1:01:19.310 --> 1:01:20.850
<v Speaker 5>he could have easily just kicked the man off the

1:01:20.870 --> 1:01:24.570
<v Speaker 5>damn train while he was still talking, but yeah, the

1:01:24.630 --> 1:01:29.370
<v Speaker 5>fighting and everything when he got bit, I was like, no,

1:01:29.530 --> 1:01:32.630
<v Speaker 5>I could not believe it. And that's, that's one of

1:01:32.670 --> 1:01:34.470
<v Speaker 5>the things that made this a good movie for me

1:01:34.490 --> 1:01:35.830
<v Speaker 5>because you don't have a happy ending.

1:01:36.330 --> 1:01:36.610
<v Speaker 3>Right.

1:01:36.810 --> 1:01:39.470
<v Speaker 5>You know, and typically, you know, some of these movies,

1:01:39.510 --> 1:01:41.720
<v Speaker 5>you know, the person that, you know, he's the hero.

1:01:41.800 --> 1:01:43.560
<v Speaker 3>He's going to survive all the way through the end.

1:01:43.740 --> 1:01:44.439
<v Speaker 1>Not in this shit.

1:01:45.140 --> 1:01:48.060
<v Speaker 5>Koreans may be doing some other shit with.

1:01:47.980 --> 1:01:48.740
<v Speaker 3>Their movies, bro.

1:01:49.360 --> 1:01:51.800
<v Speaker 5>And this is where I love this movie so much

1:01:51.840 --> 1:01:54.820
<v Speaker 5>because it, it made everything he did for something, but

1:01:54.860 --> 1:01:56.920
<v Speaker 5>also for nothing, you know?

1:01:57.240 --> 1:02:00.800
<v Speaker 3>And, um, yeah, this is, this is, this was, this

1:02:00.840 --> 1:02:02.360
<v Speaker 3>was fucking great for me.

1:02:02.820 --> 1:02:04.450
<v Speaker 5>And I didn't even think about it, right. When you

1:02:04.470 --> 1:02:07.330
<v Speaker 5>were talking about like the suffering. Cause when I saw him,

1:02:07.350 --> 1:02:09.630
<v Speaker 5>I was like, Oh man, this motherfucker is still alive.

1:02:09.950 --> 1:02:10.690
<v Speaker 1>Like, come on.

1:02:10.790 --> 1:02:15.640
<v Speaker 5>But I think if we compare him to the superhero

1:02:15.660 --> 1:02:21.280
<v Speaker 5>guy and the duality of good versus evil, like both

1:02:21.600 --> 1:02:28.880
<v Speaker 5>fall off, the infection for their own selfish reasons the

1:02:28.920 --> 1:02:34.240
<v Speaker 5>superhero guy trying to save everybody there the pregnant woman

1:02:34.280 --> 1:02:37.030
<v Speaker 5>and everybody behind he's doing that for good so he

1:02:37.050 --> 1:02:39.390
<v Speaker 5>fought off the infection and him fighting off the infection

1:02:39.430 --> 1:02:42.630
<v Speaker 5>because he's evil so they become kind of synonymous with

1:02:42.670 --> 1:02:46.720
<v Speaker 5>each other in these different intervals so When you said

1:02:46.760 --> 1:02:48.780
<v Speaker 5>I was thinking about that, that's why he was like, oh, what?

1:02:48.840 --> 1:02:49.420
<v Speaker 3>I'm infected?

1:02:49.520 --> 1:02:55.120
<v Speaker 1>Since when? Who told you that? Right. Right. They alive?

1:03:02.650 --> 1:03:07.130
<v Speaker 2>I think what made this such a strong ending for

1:03:08.050 --> 1:03:13.669
<v Speaker 2>the businessman, the good businessman, is what Rob was alluding to.

1:03:13.690 --> 1:03:17.709
<v Speaker 2>The fact that the evil businessman had to sit with

1:03:18.530 --> 1:03:22.800
<v Speaker 2>what happened to him. And, you know, he had to

1:03:23.020 --> 1:03:24.680
<v Speaker 2>not revel in it, but he just had to kind

1:03:24.700 --> 1:03:26.060
<v Speaker 2>of just sit in the fact that you had done

1:03:26.220 --> 1:03:26.740
<v Speaker 2>all of this.

1:03:27.180 --> 1:03:31.820
<v Speaker 1>You killed all of these people and now you're infected.

1:03:32.640 --> 1:03:38.710
<v Speaker 2>Then couple that with what happens to, um, sock Wu

1:03:39.090 --> 1:03:40.210
<v Speaker 2>at the very end of his life.

1:03:41.570 --> 1:03:44.610
<v Speaker 1>He goes through what, what happened before.

1:03:45.160 --> 1:03:50.210
<v Speaker 2>And he focuses on his daughter and he sees the,

1:03:50.370 --> 1:03:52.850
<v Speaker 2>the beauty of his daughter being born and all the

1:03:52.930 --> 1:03:56.030
<v Speaker 2>good times with his daughter. And then he dies happy

1:03:56.170 --> 1:04:00.240
<v Speaker 2>because I'm dying, saving my daughter. And then if you,

1:04:00.380 --> 1:04:02.979
<v Speaker 2>if you think about the part right before that was

1:04:03.220 --> 1:04:07.560
<v Speaker 2>in amazing, it's heartbreaking how this little girl has lost

1:04:07.600 --> 1:04:11.870
<v Speaker 2>her mother already. And now she's losing her father. And

1:04:11.930 --> 1:04:14.270
<v Speaker 2>she blames herself for all of it. She says to him,

1:04:14.310 --> 1:04:17.700
<v Speaker 2>this is all my fault. Because she made him take

1:04:17.740 --> 1:04:18.660
<v Speaker 2>her on that train.

1:04:19.600 --> 1:04:21.320
<v Speaker 1>Of course, she's a kid. She doesn't get that. Yeah,

1:04:21.360 --> 1:04:23.540
<v Speaker 1>y'all probably would have got bit if you stayed home.

1:04:23.560 --> 1:04:26.240
<v Speaker 1>Because the mom did. His mom stayed home. And her

1:04:26.280 --> 1:04:26.840
<v Speaker 1>ass is dead.

1:04:26.930 --> 1:04:27.870
<v Speaker 3>That shit was crazy.

1:04:27.910 --> 1:04:29.050
<v Speaker 1>Yes. Yeah.

1:04:29.370 --> 1:04:31.050
<v Speaker 2>She called her a bitch. She called somebody a bitch.

1:04:33.560 --> 1:04:36.300
<v Speaker 2>by before she died. Her turning on the phone man.

1:04:36.370 --> 1:04:39.370
<v Speaker 1>Yeah, it was crazy. Yeah, that was wild. I don't

1:04:39.570 --> 1:04:41.720
<v Speaker 1>understand how the phone hung up, but yeah, it was

1:04:41.760 --> 1:04:44.880
<v Speaker 1>crazy though. Yeah, that's true.

1:04:45.440 --> 1:04:48.200
<v Speaker 2>Well, maybe she hung it up because she called somebody

1:04:48.220 --> 1:04:50.950
<v Speaker 2>a bitch. I can't, I'm assuming she called the ex-wife

1:04:51.010 --> 1:04:51.669
<v Speaker 2>a bitch, I think.

1:04:51.990 --> 1:04:55.410
<v Speaker 1>Some, yeah, yeah. She's going, that bitch. Right, right, right.

1:04:55.550 --> 1:04:58.410
<v Speaker 1>I was like, damn, mom. She was so nice at first.

1:04:58.490 --> 1:04:59.770
<v Speaker 1>She was. Yeah.

1:04:59.990 --> 1:05:01.910
<v Speaker 6>But yeah, I looked at that last part, it's almost

1:05:01.930 --> 1:05:03.160
<v Speaker 6>like salvation or whatever.

1:05:03.360 --> 1:05:04.400
<v Speaker 3>Yeah.

1:05:05.060 --> 1:05:07.700
<v Speaker 6>You know, where, yeah, he experienced salvation, but the other

1:05:07.840 --> 1:05:10.880
<v Speaker 6>guy experienced like, you know, like fear and like.

1:05:10.980 --> 1:05:12.980
<v Speaker 1>Right. You know, like, so yeah, I thought that was

1:05:13.020 --> 1:05:17.750
<v Speaker 1>a really good contrast there. Yeah, he turned into a child.

1:05:17.770 --> 1:05:20.210
<v Speaker 2>And I think that it says a lot that Young

1:05:20.250 --> 1:05:21.590
<v Speaker 2>Suk turned into a child.

1:05:21.870 --> 1:05:22.070
<v Speaker 5>Mm-hmm.

1:05:22.370 --> 1:05:28.890
<v Speaker 1>But Seok Woo just revel in the fact that he... Mm-hmm. Yeah,

1:05:28.910 --> 1:05:30.630
<v Speaker 1>he kind of redeemed himself. Yeah, yeah, yeah, for sure.

1:05:30.650 --> 1:05:34.630
<v Speaker 2>Even though his daughter has nobody, but she has Song Kyung.

1:05:34.670 --> 1:05:41.800
<v Speaker 2>So the pair of Song Kyung and Su Won, they

1:05:41.860 --> 1:05:44.600
<v Speaker 2>are wandering through this tunnel.

1:05:44.620 --> 1:05:45.700
<v Speaker 1>Mm-hmm.

1:05:46.030 --> 1:05:48.930
<v Speaker 2>And they find these soldiers and the soldiers are about

1:05:48.950 --> 1:05:51.150
<v Speaker 2>to kill him because they can't tell if they're infected.

1:05:51.690 --> 1:05:55.330
<v Speaker 2>But then they hear Sue on singing that song from

1:05:55.350 --> 1:05:59.370
<v Speaker 2>the recital. And that's what saves them. So the soldiers

1:05:59.410 --> 1:06:00.330
<v Speaker 2>take them to safety.

1:06:00.730 --> 1:06:03.310
<v Speaker 1>So. This is it, y'all.

1:06:03.330 --> 1:06:04.830
<v Speaker 2>So let's go around the room. This is how the

1:06:04.870 --> 1:06:07.310
<v Speaker 2>movie ends. What did y'all think of this ending? I'll

1:06:07.330 --> 1:06:08.110
<v Speaker 2>start with you, Spike.

1:06:09.470 --> 1:06:11.610
<v Speaker 4>I like the fact that he had his hand on

1:06:11.660 --> 1:06:13.920
<v Speaker 4>the trigger and was. going to kill them until the

1:06:13.960 --> 1:06:16.720
<v Speaker 4>song comes back to play in the end from the recital.

1:06:17.320 --> 1:06:21.060
<v Speaker 1>So I thought that that was good. What was my takeaway?

1:06:21.880 --> 1:06:23.320
<v Speaker 1>All right, Kid, did you get something?

1:06:25.910 --> 1:06:27.990
<v Speaker 5>It was good to kind of bring that back around.

1:06:28.010 --> 1:06:29.530
<v Speaker 5>I mean, because she was singing that shit to the

1:06:29.570 --> 1:06:32.850
<v Speaker 5>top of her damn lungs, bro. And, you know, I

1:06:33.390 --> 1:06:35.710
<v Speaker 5>don't know what I'm thinking about her singing that song.

1:06:35.750 --> 1:06:37.660
<v Speaker 5>It's like she doesn't know what's on the other end,

1:06:37.680 --> 1:06:39.620
<v Speaker 5>and she probably doesn't know if this might be the

1:06:39.740 --> 1:06:43.850
<v Speaker 5>hit for her. You know, so maybe she's singing it

1:06:43.870 --> 1:06:45.950
<v Speaker 5>for her dad in memory of her dad, but also

1:06:45.990 --> 1:06:50.120
<v Speaker 5>singing it to kind of comfort herself. Because they may

1:06:50.140 --> 1:06:53.560
<v Speaker 5>be zombies. And, you know, maybe she wants to at

1:06:53.600 --> 1:06:57.800
<v Speaker 5>least try to go out in her own way. But yeah,

1:06:57.840 --> 1:07:00.460
<v Speaker 5>the military was like, nah, just go ahead and pop them.

1:07:00.480 --> 1:07:01.040
<v Speaker 1>Take them out.

1:07:01.680 --> 1:07:03.490
<v Speaker 5>And, you know, her singing the song was... Because they

1:07:03.510 --> 1:07:05.250
<v Speaker 5>were kind of looking at it. They were kind of

1:07:05.730 --> 1:07:08.830
<v Speaker 5>walking a little like zombies, so I get it. But

1:07:08.850 --> 1:07:14.020
<v Speaker 5>it looked like they had things in containment there, but Yeah, but, well,

1:07:14.060 --> 1:07:16.080
<v Speaker 5>I'll let Rod go, then I'll.

1:07:15.660 --> 1:07:18.620
<v Speaker 6>Come back to this damn song. Yeah, no, it wasn't

1:07:18.680 --> 1:07:21.120
<v Speaker 6>much I got from here before. It's been a really

1:07:21.160 --> 1:07:25.870
<v Speaker 6>nice bookend to it from bringing the song she was

1:07:25.890 --> 1:07:31.780
<v Speaker 6>trying to sing full circle. I did have the thought of, like, man,

1:07:31.800 --> 1:07:33.320
<v Speaker 6>what the fuck? You don't know what's in this tunnel,

1:07:33.400 --> 1:07:36.200
<v Speaker 6>and y'all making a lot of noise. I did have

1:07:36.240 --> 1:07:36.760
<v Speaker 6>that thought.

1:07:37.000 --> 1:07:40.360
<v Speaker 1>But they can't see in the dark. I understand. Right.

1:07:40.380 --> 1:07:40.700
<v Speaker 3>Exactly.

1:07:40.800 --> 1:07:42.660
<v Speaker 1>They can hear, though. Damn, you're right. Yeah, so that's

1:07:42.700 --> 1:07:43.260
<v Speaker 1>what I'm saying.

1:07:43.300 --> 1:07:45.030
<v Speaker 6>So, like, if it was a situation where they couldn't

1:07:45.090 --> 1:07:46.550
<v Speaker 6>see him, they can now hear your ass.

1:07:46.750 --> 1:07:49.010
<v Speaker 1>So I did have that thought. But I did. I

1:07:49.070 --> 1:07:51.450
<v Speaker 1>knew what they were going for here, so I let

1:07:51.490 --> 1:07:54.550
<v Speaker 1>that go. Yeah. Yeah.

1:07:54.910 --> 1:07:56.890
<v Speaker 5>Damn, which goes back to that part when they were

1:07:56.930 --> 1:08:00.040
<v Speaker 5>on that last, I think the last hard or whatever. Oh,

1:08:00.060 --> 1:08:02.320
<v Speaker 5>they had almost got out and they're, now this is

1:08:02.340 --> 1:08:04.780
<v Speaker 5>a little far fetch when they crawling through the cargo

1:08:04.800 --> 1:08:07.840
<v Speaker 5>thing at the top and climbing down because it was dark.

1:08:07.860 --> 1:08:09.580
<v Speaker 5>First of all, that was long in two minutes, but

1:08:10.160 --> 1:08:12.890
<v Speaker 5>who's counting? But when he was like, all right, let's

1:08:12.930 --> 1:08:14.690
<v Speaker 5>go to homeless guys there and he's there and then

1:08:14.710 --> 1:08:15.730
<v Speaker 5>he steps on the can.

1:08:15.810 --> 1:08:21.750
<v Speaker 1>Oh my God. Yeah. That shit was crazy. Run! Yeah.

1:08:21.770 --> 1:08:24.010
<v Speaker 1>They had a few moments. Yeah, they had some really

1:08:24.030 --> 1:08:24.790
<v Speaker 1>good moments in this.

1:08:24.729 --> 1:08:25.250
<v Speaker 3>Movie, Spike.

1:08:25.550 --> 1:08:26.940
<v Speaker 1>This movie's so good, y'all.

1:08:26.990 --> 1:08:30.740
<v Speaker 2>But, um, The ending, I think the ending was perfect

1:08:30.820 --> 1:08:34.610
<v Speaker 2>because it brings everything that we had seen full circle.

1:08:35.510 --> 1:08:38.270
<v Speaker 2>And that's why I was asking at the beginning, did

1:08:38.850 --> 1:08:40.130
<v Speaker 2>the family part hit?

1:08:40.189 --> 1:08:42.050
<v Speaker 1>Because he's talking about the recital.

1:08:42.550 --> 1:08:45.170
<v Speaker 2>And then she says to him towards the middle of

1:08:45.189 --> 1:08:48.309
<v Speaker 2>the movie that she can't sing the song in public

1:08:48.640 --> 1:08:50.920
<v Speaker 2>if he's not around because the song is for him.

1:08:52.120 --> 1:08:53.180
<v Speaker 2>Then we get to the end.

1:08:53.740 --> 1:08:57.299
<v Speaker 1>He has died. She is singing that song in tribute

1:08:57.320 --> 1:08:57.960
<v Speaker 1>to her father.

1:08:58.380 --> 1:09:00.270
<v Speaker 2>And if you read the subtitles, the lyrics, are you

1:09:00.310 --> 1:09:02.110
<v Speaker 2>know until I till I see you again I think

1:09:02.150 --> 1:09:04.550
<v Speaker 2>it's a song that's something I.

1:09:04.490 --> 1:09:06.889
<v Speaker 1>Think it's a song I've heard sung here but you know.

1:09:10.310 --> 1:09:13.979
<v Speaker 2>In spirit hit the dad kind of helped them live

1:09:14.040 --> 1:09:17.380
<v Speaker 2>because he sacrificed himself she sang the song you gotta

1:09:17.400 --> 1:09:20.250
<v Speaker 2>think if he had lived And all three of them

1:09:20.290 --> 1:09:22.610
<v Speaker 2>came walking through that tunnel. Those fucking soldiers probably would

1:09:22.640 --> 1:09:25.380
<v Speaker 2>have shot him. They probably would have killed him. But

1:09:25.660 --> 1:09:28.720
<v Speaker 2>he died. She wanted to sing tribute to him, so

1:09:28.780 --> 1:09:30.760
<v Speaker 2>she was singing this song. We all know that zombies

1:09:30.780 --> 1:09:31.660
<v Speaker 2>can't fucking sing.

1:09:32.520 --> 1:09:33.960
<v Speaker 1>So that saved him.

1:09:34.460 --> 1:09:37.850
<v Speaker 2>And I thought this was a perfect, perfect fucking ending, man.

1:09:38.070 --> 1:09:39.510
<v Speaker 1>That was a good ending. Perfect ending.

1:09:40.010 --> 1:09:40.270
<v Speaker 2>Yeah.

1:09:40.970 --> 1:09:42.809
<v Speaker 1>Yeah, now that you mention it, yeah, he saved our

1:09:42.830 --> 1:09:43.710
<v Speaker 1>lives twice. Yep.

1:09:44.350 --> 1:09:44.550
<v Speaker 2>Yeah.

1:09:44.930 --> 1:09:47.630
<v Speaker 1>Yeah, he went from a shit father to a good father. Yeah,

1:09:47.650 --> 1:09:48.150
<v Speaker 1>he did. That's a.

1:09:49.180 --> 1:09:52.460
<v Speaker 5>That's a full-ass character arc. Just a couple of hours

1:09:52.520 --> 1:09:57.840
<v Speaker 5>in this one thing. So I'm at the movie, Mike.

1:09:59.680 --> 1:10:00.420
<v Speaker 3>Spike and Rod.

1:10:01.100 --> 1:10:04.080
<v Speaker 5>And the gays were in there with me, too. And

1:10:04.100 --> 1:10:07.100
<v Speaker 5>they came in there, and they were loud. And I

1:10:07.120 --> 1:10:08.770
<v Speaker 5>was like, ah, they're going to get quiet. They don't miss, like,

1:10:08.790 --> 1:10:10.830
<v Speaker 5>the first 10, 15 minutes. When I swear, Spike.

1:10:12.200 --> 1:10:13.220
<v Speaker 1>Every single damn zombie.

1:10:13.260 --> 1:10:13.880
<v Speaker 6>Woo!

1:10:14.780 --> 1:10:18.020
<v Speaker 1>Woo! I'm like, oh, my God. I love it.

1:10:18.260 --> 1:10:20.019
<v Speaker 5>Me and the whites, we were so annoyed because it

1:10:20.040 --> 1:10:21.800
<v Speaker 5>was the white folks next to me. Bro, we were

1:10:21.920 --> 1:10:22.679
<v Speaker 5>so frustrated.

1:10:22.700 --> 1:10:24.860
<v Speaker 1>Oh, were these black gays? Yeah. Oh, they're the best

1:10:24.900 --> 1:10:25.560
<v Speaker 1>kind of motherfuckers.

1:10:25.580 --> 1:10:26.600
<v Speaker 3>Oh, man, they were so loud.

1:10:26.620 --> 1:10:28.879
<v Speaker 1>They're the best motherfuckers to watch movies with. They talked

1:10:28.960 --> 1:10:31.460
<v Speaker 1>throughout the whole movie. It's subtitled. You ain't got to

1:10:31.479 --> 1:10:32.280
<v Speaker 1>hear what they're saying.

1:10:32.560 --> 1:10:35.220
<v Speaker 5>They were like, they called a black, that guy.

1:10:36.030 --> 1:10:37.570
<v Speaker 3>It was like, well, that's Donald Trump right there. He

1:10:37.590 --> 1:10:38.010
<v Speaker 3>killing it.

1:10:38.090 --> 1:10:40.490
<v Speaker 1>He don't give a fuck about nobody. Oh, my God.

1:10:40.510 --> 1:10:43.370
<v Speaker 1>They act like they living room. Yeah. They were.

1:10:43.410 --> 1:10:43.790
<v Speaker 3>They were.

1:10:43.890 --> 1:10:45.530
<v Speaker 1>They were. Oh, man.

1:10:45.650 --> 1:10:48.760
<v Speaker 5>So then the worst part was right at the end of.

1:10:48.729 --> 1:10:52.120
<v Speaker 3>The movie, they start singing this damn song with the girl,

1:10:52.160 --> 1:10:52.679
<v Speaker 3>with the damn.

1:10:52.720 --> 1:10:53.939
<v Speaker 1>The gay dudes were?

1:10:53.960 --> 1:10:57.280
<v Speaker 5>One of them was singing the song that the girl

1:10:57.320 --> 1:10:58.360
<v Speaker 5>was singing in the tunnel.

1:10:58.979 --> 1:11:01.099
<v Speaker 1>Like, know the song?

1:11:01.120 --> 1:11:04.950
<v Speaker 5>They were just singing what they heard. The movie's over

1:11:05.030 --> 1:11:07.010
<v Speaker 5>and they're singing the song. Now, I would do it,

1:11:07.010 --> 1:11:10.780
<v Speaker 5>but I'm not. I can't remember the song, but they were.

1:11:10.660 --> 1:11:15.180
<v Speaker 1>Singing the song. That was themselves, louder and worse. I

1:11:16.660 --> 1:11:19.559
<v Speaker 1>love it. It was so obnoxious. Like, bro, what are

1:11:19.580 --> 1:11:23.770
<v Speaker 1>y'all doing and why? Having fun. That's what they do.

1:11:23.810 --> 1:11:25.850
<v Speaker 1>We're not here for that, bro. No, I feel you.

1:11:25.890 --> 1:11:27.490
<v Speaker 1>That might have annoyed me with a different movie.

1:11:27.510 --> 1:11:28.950
<v Speaker 2>For this one, it probably wouldn't have bothered me too

1:11:28.970 --> 1:11:31.790
<v Speaker 2>much because, like I said, I'm reading the whole movie anyway.

1:11:32.479 --> 1:11:33.769
<v Speaker 1>So I probably would have had fun with it.

1:11:33.939 --> 1:11:36.580
<v Speaker 2>But part of me gets annoyed when motherfuckers talk too

1:11:36.620 --> 1:11:37.759
<v Speaker 2>much anyway in films.

1:11:38.020 --> 1:11:42.500
<v Speaker 5>The guy, he had his shoes.

1:11:42.340 --> 1:11:44.639
<v Speaker 3>Off, feet on the thing.

1:11:44.680 --> 1:11:46.300
<v Speaker 1>My man got comfortable. He did.

1:11:46.420 --> 1:11:49.140
<v Speaker 5>And he said something that was supposed to be a joke.

1:11:49.180 --> 1:11:51.059
<v Speaker 5>And then he looked back at me and my arm

1:11:51.100 --> 1:11:51.780
<v Speaker 5>was folded.

1:11:51.900 --> 1:11:57.070
<v Speaker 1>He said, who's going to check me, boo? I came close,

1:11:57.090 --> 1:11:57.550
<v Speaker 1>but I'm like.

1:11:58.180 --> 1:11:59.820
<v Speaker 3>I'm going to let it go. Because I've seen the

1:11:59.840 --> 1:12:01.420
<v Speaker 3>movie before, so I was fine. But I wanted to

1:12:01.460 --> 1:12:02.259
<v Speaker 3>enjoy it.

1:12:02.160 --> 1:12:05.420
<v Speaker 1>On the screen. I really wish I had had time

1:12:05.460 --> 1:12:07.479
<v Speaker 1>to go do that. Yeah, I didn't notice it until

1:12:07.550 --> 1:12:08.970
<v Speaker 1>I texted you. I was like, oh, snap, this is

1:12:09.030 --> 1:12:11.309
<v Speaker 1>in the theater. Yeah, and it was only playing out

1:12:11.350 --> 1:12:13.910
<v Speaker 1>by y'all. So it would have been a long-ass drive

1:12:13.950 --> 1:12:14.269
<v Speaker 1>for me.

1:12:14.290 --> 1:12:18.889
<v Speaker 6>Yeah, I couldn't remember if you were that much more further.

1:12:18.930 --> 1:12:22.269
<v Speaker 1>Yeah, I'm like 35 minutes from there now. Maybe longer.

1:12:22.689 --> 1:12:25.150
<v Speaker 1>And that's the only one it was at, I believe.

1:12:25.270 --> 1:12:28.080
<v Speaker 2>Mm-hmm. Mm-hmm. There was one other thing I want to

1:12:28.100 --> 1:12:30.010
<v Speaker 2>throw out there that I learned after this movie.

1:12:30.510 --> 1:12:33.550
<v Speaker 1>Did y'all notice the lack of guns in this film?

1:12:33.970 --> 1:12:34.930
<v Speaker 1>Like nobody has guns.

1:12:34.950 --> 1:12:35.670
<v Speaker 3>I did not notice that.

1:12:36.750 --> 1:12:38.030
<v Speaker 1>Nobody here has a gun.

1:12:38.610 --> 1:12:41.559
<v Speaker 2>If this was an American film, at least 12 of

1:12:41.600 --> 1:12:42.960
<v Speaker 2>those motherfuckers on that train would.

1:12:42.880 --> 1:12:45.759
<v Speaker 1>Have had a gun. Where are they? This is Korea.

1:12:45.780 --> 1:12:47.420
<v Speaker 2>So in Korea, only 0.2 out of every 100 people

1:12:47.439 --> 1:12:54.280
<v Speaker 2>carry a gun. And I don't even know how that

1:12:54.320 --> 1:12:54.880
<v Speaker 2>math works.

1:12:54.939 --> 1:12:57.280
<v Speaker 1>How does. 2.... 2. I don't know how that works.

1:12:57.360 --> 1:13:01.650
<v Speaker 2>But yeah,. 2 out of every 100 people carries a gun.

1:13:01.790 --> 1:13:06.670
<v Speaker 6>And I know London or just England, they don't carry guns, dude.

1:13:07.290 --> 1:13:11.490
<v Speaker 1>Yeah, so... As far as I know, unless the laws change.

1:13:11.650 --> 1:13:14.330
<v Speaker 1>But yeah, they don't. And this is just in South Korea.

1:13:14.350 --> 1:13:15.969
<v Speaker 1>So out of everybody in South Korea.

1:13:16.600 --> 1:13:21.700
<v Speaker 2>Only 79,000 people are registered gun owners. So that's why

1:13:22.060 --> 1:13:25.300
<v Speaker 2>this movie makes so much sense of how it fucking

1:13:25.340 --> 1:13:28.650
<v Speaker 2>breaks out. Because nobody on that train could defend themselves.

1:13:28.660 --> 1:13:30.870
<v Speaker 2>Because I definitely remember one of the critiques being like,

1:13:31.770 --> 1:13:34.290
<v Speaker 2>all these zombie films, how do these people not know

1:13:34.350 --> 1:13:36.570
<v Speaker 2>to shoot them in the head? And I was like, bro,

1:13:36.590 --> 1:13:40.170
<v Speaker 2>with what? Nobody had a gun. Not a single person

1:13:40.229 --> 1:13:41.290
<v Speaker 2>in this movie had a gun.

1:13:41.650 --> 1:13:42.790
<v Speaker 1>Except for the soldiers. Yep.

1:13:43.410 --> 1:13:47.110
<v Speaker 2>So that's also what makes this movie so fucking good,

1:13:47.490 --> 1:13:52.839
<v Speaker 2>is you're having to watch them use hand-to-hand with zombies.

1:13:53.100 --> 1:13:56.180
<v Speaker 2>So yeah, man, I love this movie. I'm glad we

1:13:56.200 --> 1:14:01.700
<v Speaker 2>got to cover it. If you get bored, if you're

1:14:01.720 --> 1:14:04.760
<v Speaker 2>extremely bored, you can watch the sequel. I think the

1:14:04.800 --> 1:14:11.090
<v Speaker 2>sequel is fucking hard-boiled ass juice. The prequel though, Soul Station,

1:14:11.670 --> 1:14:13.610
<v Speaker 2>which suggests how all of this started.

1:14:14.110 --> 1:14:17.009
<v Speaker 1>It's an anime. It's also subtitled though, but it's actually

1:14:17.070 --> 1:14:17.570
<v Speaker 1>really good.

1:14:17.890 --> 1:14:19.670
<v Speaker 3>It's really good.

1:14:19.770 --> 1:14:22.099
<v Speaker 1>It's not as good as this. It's not as good

1:14:22.140 --> 1:14:25.150
<v Speaker 1>as this, but Soul Station is actually really good.

1:14:25.820 --> 1:14:30.229
<v Speaker 2>So yeah, that's it for this review. Hopefully y'all enjoyed it.

1:14:30.580 --> 1:14:33.080
<v Speaker 2>Make sure you share this with as many people as possible.

1:14:33.580 --> 1:14:35.540
<v Speaker 2>Shout out to, I can't remember who it was, but

1:14:35.560 --> 1:14:39.410
<v Speaker 2>whoever posted this on Reddit, that kind of pushed us

1:14:39.530 --> 1:14:43.910
<v Speaker 2>to do this movie. Y'all keep throwing out suggestions and

1:14:43.930 --> 1:14:45.189
<v Speaker 2>we'll keep trying to fulfill them.

1:14:45.689 --> 1:14:48.650
<v Speaker 1>This is the anniversary, right? Yes, it's the 10 year anniversary.

1:14:50.210 --> 1:14:52.639
<v Speaker 2>So yeah, thank y'all for listening and we will see

1:14:52.660 --> 1:14:53.380
<v Speaker 2>y'all next time.

1:14:53.800 --> 1:14:54.020
<v Speaker 1>Peace.