1 00:00:03,360 --> 00:00:08,440 Speaker 1: Trying ourselves a little bit of whiskey, not bourbon. Whiskey 2 00:00:08,560 --> 00:00:11,280 Speaker 1: seat drink smoke. I'm Tony Katz and that is America's 3 00:00:11,320 --> 00:00:15,000 Speaker 1: favorite amateur drinker, Fingers molloy. All bourbons are whiskeys, but 4 00:00:15,040 --> 00:00:18,200 Speaker 1: not all whiskies are bourbons. That's how it goes. A 5 00:00:18,200 --> 00:00:20,600 Speaker 1: bourbon has to be fifty one percent corn and follow 6 00:00:20,640 --> 00:00:23,239 Speaker 1: a whole series of rules. You can find those rules 7 00:00:23,280 --> 00:00:24,960 Speaker 1: in her book, Let's Go Bourbon, By the Way. It's 8 00:00:24,960 --> 00:00:27,440 Speaker 1: available at Amazon dot com wherever fine books are sold. 9 00:00:27,800 --> 00:00:32,040 Speaker 1: This is a whiskey, oddly enough, called a North American 10 00:00:32,120 --> 00:00:37,040 Speaker 1: whiskey from Fraser and Thompson. That is the brand Fraser 11 00:00:37,120 --> 00:00:41,479 Speaker 1: and Thompson. This is a North American whiskey. This is 12 00:00:41,600 --> 00:00:46,800 Speaker 1: made out of Bardstown, Kentucky, and it's owned by Michael Boublay. 13 00:00:47,800 --> 00:00:51,080 Speaker 2: The singer ye songwriter. I love all of his brooner 14 00:00:51,280 --> 00:00:53,720 Speaker 2: love all of his music. That song that he does 15 00:00:54,000 --> 00:00:57,000 Speaker 2: right what the music in the background. 16 00:00:57,040 --> 00:00:59,320 Speaker 1: I like Boublay. Boobley's a guy you can hang with. 17 00:01:00,520 --> 00:01:03,040 Speaker 1: I dude, I can't say dis liked him. I just can't. 18 00:01:03,440 --> 00:01:05,440 Speaker 2: I can't name any Bubley songs. 19 00:01:05,440 --> 00:01:08,000 Speaker 1: It didn't sound like you liked much. You didn't sound 20 00:01:08,080 --> 00:01:10,880 Speaker 1: like like you were like thankful he was making you 21 00:01:10,959 --> 00:01:12,680 Speaker 1: some fine whiskey for you to try to fine. 22 00:01:12,760 --> 00:01:15,360 Speaker 2: I like that one song he does, Hot Cross Buns. 23 00:01:15,920 --> 00:01:19,720 Speaker 1: Give me the bottle right there, a standard bottle. Happened 24 00:01:19,720 --> 00:01:23,120 Speaker 1: to like the label with with with the copper and 25 00:01:23,120 --> 00:01:25,759 Speaker 1: and the black. Here this comes in an eighty four proof. 26 00:01:25,800 --> 00:01:28,240 Speaker 1: No applause because it's not one hundred proof, fingers moy 27 00:01:28,240 --> 00:01:31,279 Speaker 1: would only applau for things that are a hundred proof. Again, 28 00:01:31,880 --> 00:01:36,240 Speaker 1: not bourbon. This is whiskey. We usually see this as 29 00:01:36,240 --> 00:01:41,240 Speaker 1: American whiskey. That's usually the way this this comes up. Uh, 30 00:01:41,360 --> 00:01:44,920 Speaker 1: first things first, fingers moy. Uh, that is a very 31 00:01:44,959 --> 00:01:49,000 Speaker 1: pale gold as a pale gold color. Uh that this 32 00:01:49,000 --> 00:01:53,080 Speaker 1: this bourbon has and a touch of this costity here 33 00:01:53,080 --> 00:01:55,600 Speaker 1: there's the bottle. Take there, Oh, thank you a touch 34 00:01:55,600 --> 00:01:58,640 Speaker 1: of his costody there. Uh, that's all I can really 35 00:01:58,800 --> 00:02:04,600 Speaker 1: gather from, not the traditional bourbon. Uh, look right, anything 36 00:02:04,720 --> 00:02:09,639 Speaker 1: darker amber, deep rich coppers, things like that doesn't mean 37 00:02:09,680 --> 00:02:11,520 Speaker 1: that it's going to be a problem. It's just it's 38 00:02:11,560 --> 00:02:14,920 Speaker 1: a different process altogether, and you're gonna get a different result. 39 00:02:15,320 --> 00:02:18,800 Speaker 1: Then you would get what you would normally consider a bourbon. 40 00:02:18,840 --> 00:02:22,560 Speaker 1: Fingers Will is into the nose already on this, What 41 00:02:22,720 --> 00:02:23,760 Speaker 1: say you, fingers Willy. 42 00:02:23,919 --> 00:02:27,920 Speaker 2: So there's a hint of spice and I'm getting oak. 43 00:02:28,000 --> 00:02:36,400 Speaker 2: But I but I'm not getting any like caramel or vanilla. 44 00:02:36,600 --> 00:02:38,959 Speaker 1: Well there, there's so a couple of we don't have 45 00:02:39,000 --> 00:02:42,760 Speaker 1: an age statement here, right because because again not a bourbon, 46 00:02:43,000 --> 00:02:45,240 Speaker 1: I also don't have a mash Bill. I don't know 47 00:02:45,280 --> 00:02:51,040 Speaker 1: what this comes you know how, No, stop it, that's 48 00:02:51,080 --> 00:02:56,959 Speaker 1: not it. Okay, I'm done. There is there is a 49 00:02:57,000 --> 00:02:58,960 Speaker 1: little bit of speed, sweetness. There is a little bit 50 00:02:58,960 --> 00:03:03,880 Speaker 1: of ethanol. To me that that hits right off the 51 00:03:03,919 --> 00:03:09,119 Speaker 1: bat on this. I definitely definitely get that. I don't 52 00:03:09,160 --> 00:03:14,800 Speaker 1: know if it's necessarily in inviting, but it's not bad. 53 00:03:15,280 --> 00:03:19,680 Speaker 1: It's it's a it's a it's a fine nose. A 54 00:03:19,720 --> 00:03:22,680 Speaker 1: little underdeveloped maybe is the way I would say it. 55 00:03:23,160 --> 00:03:25,040 Speaker 1: But I do get. I do get a sweetness that 56 00:03:25,080 --> 00:03:27,640 Speaker 1: I think you could put his caramel. I think you 57 00:03:27,680 --> 00:03:30,000 Speaker 1: could put it there. That would be my take on 58 00:03:30,040 --> 00:03:33,520 Speaker 1: the nose. But smelling, smelling fingers woy, Are you ready 59 00:03:33,520 --> 00:03:36,040 Speaker 1: for this, Tony? I've been ready for this all week. 60 00:03:36,120 --> 00:03:40,440 Speaker 1: Fraser and Thompson. Whiskey is what we've got here. This 61 00:03:40,560 --> 00:03:45,680 Speaker 1: comes from Michael Boublay. He's Canadian. Eh So, Fingers mooy 62 00:03:45,760 --> 00:03:48,160 Speaker 1: is doing what's known as the Kentucky chew, moving the 63 00:03:48,240 --> 00:03:50,920 Speaker 1: juice around the palette, try and get a feel for it. 64 00:03:51,240 --> 00:03:53,240 Speaker 1: I'm a believer in the two SIPs method. The first 65 00:03:53,280 --> 00:03:55,760 Speaker 1: sip to set the taste buds, second sip to really 66 00:03:55,800 --> 00:03:58,560 Speaker 1: get an idea of where the flavors are. Fingers may 67 00:03:59,120 --> 00:04:02,640 Speaker 1: what say you? So that oak is there? 68 00:04:02,680 --> 00:04:06,680 Speaker 2: It's first of all, very little sting on the tongue, 69 00:04:06,760 --> 00:04:11,119 Speaker 2: no real warmth in the in the chest. It's it's 70 00:04:11,200 --> 00:04:16,320 Speaker 2: very nice. Uh sip and whiskey. Uh that oak is there. 71 00:04:19,839 --> 00:04:23,520 Speaker 2: I've seen people online talk about honey. I'm getting that 72 00:04:23,680 --> 00:04:28,919 Speaker 2: a little bit on the palette and and the and 73 00:04:29,040 --> 00:04:35,200 Speaker 2: there too on on the finish there that spice hits you. 74 00:04:35,400 --> 00:04:40,120 Speaker 2: And then there's i'd say a little bit maybe caramel. 75 00:04:42,200 --> 00:04:44,080 Speaker 2: I'm not getting hit with a lot of things, but 76 00:04:44,120 --> 00:04:46,320 Speaker 2: what I'm getting hit with is pleasant. 77 00:04:47,279 --> 00:04:51,360 Speaker 1: All right. I'm going in that that was that you're 78 00:04:51,360 --> 00:04:52,600 Speaker 1: not getting hit with anything. 79 00:04:53,279 --> 00:04:57,080 Speaker 2: I said a little bit honey, honey, oak, a little 80 00:04:57,080 --> 00:05:01,839 Speaker 2: bit of caramel, and that's spice. So there's four things, 81 00:05:01,880 --> 00:05:04,640 Speaker 2: but nothing is like really punching in the face. It's 82 00:05:04,680 --> 00:05:06,919 Speaker 2: a nice little blend of all that, all right, and 83 00:05:06,960 --> 00:05:07,560 Speaker 2: it's pleasant. 84 00:05:07,800 --> 00:05:11,400 Speaker 1: I'm going in. This is Fraser and Thompson, this is 85 00:05:11,520 --> 00:05:15,800 Speaker 1: Uh Michael buble Uh and his crew going in. He's 86 00:05:15,800 --> 00:05:16,800 Speaker 1: going in, ladies and gentlemen. 87 00:05:16,839 --> 00:05:20,080 Speaker 2: He's doing what we like to call the sagon of 88 00:05:20,240 --> 00:05:27,120 Speaker 2: swish and the Memphis munch, taking a North American nip 89 00:05:27,400 --> 00:05:27,760 Speaker 2: that is. 90 00:05:27,800 --> 00:05:31,719 Speaker 1: Much more flavorful on the on the palate than the nose. 91 00:05:34,560 --> 00:05:40,400 Speaker 1: Your other honey is a really good call. Butterscotch interesting 92 00:05:40,640 --> 00:05:46,560 Speaker 1: is where I'm at, really like almost with an intensity there. 93 00:05:46,600 --> 00:05:51,960 Speaker 1: This is so yeah, yeah, butterscotches it. This is way 94 00:05:52,120 --> 00:05:56,400 Speaker 1: sweeter than I ever would have possibly imagined. Really, Oh 95 00:05:56,480 --> 00:05:59,880 Speaker 1: my gosh, full tongue is almost like a syrupy coating. 96 00:06:01,680 --> 00:06:03,200 Speaker 1: You're looking at me like I'm nuts. 97 00:06:03,200 --> 00:06:06,600 Speaker 2: Maybe that wonderful steak we had in the first hour 98 00:06:06,760 --> 00:06:08,000 Speaker 2: is messing with my palate. 99 00:06:08,160 --> 00:06:15,760 Speaker 1: It's it's it's not that's I think we're all in. 100 00:06:16,120 --> 00:06:18,799 Speaker 2: We're in the same place. I the butterscotch is interesting, 101 00:06:18,839 --> 00:06:20,880 Speaker 2: butterscotch and a little bit citrusy. 102 00:06:24,600 --> 00:06:27,280 Speaker 1: I'm not gonna like like the finish has has a 103 00:06:27,320 --> 00:06:30,400 Speaker 1: touch of heat. I see where you're getting a little 104 00:06:30,400 --> 00:06:34,840 Speaker 1: bit of the oak. I'm I'm overpowered by the sweet. 105 00:06:35,880 --> 00:06:39,800 Speaker 1: Like yeah, like I'm gonna put a cube to this syrupy, 106 00:06:40,480 --> 00:06:47,080 Speaker 1: syrupy sweet candied orange butters The finish is more candied orange. 107 00:06:47,279 --> 00:06:52,240 Speaker 1: The palate is butterscotch. There's no spice, if you. 108 00:06:52,360 --> 00:06:54,599 Speaker 2: See, I was getting a little bit of spice. I'm 109 00:06:54,640 --> 00:06:57,480 Speaker 2: not being over well, I'm not saying you're being overwhelmed. 110 00:06:57,560 --> 00:07:01,880 Speaker 2: But everything to me flow very nicely. And but it's not, 111 00:07:02,839 --> 00:07:04,960 Speaker 2: Oh my goodness, this is almost like a dessert whiskey. 112 00:07:05,000 --> 00:07:07,960 Speaker 1: It's very sweet. I'm not getting almost brain freeze sweet. 113 00:07:08,160 --> 00:07:12,880 Speaker 1: Really yeah, that's crazed. I can't how do you? I 114 00:07:13,080 --> 00:07:14,040 Speaker 1: don't go back in. 115 00:07:14,080 --> 00:07:16,760 Speaker 2: Maybe it's the three honey buns I've had today cheaper, 116 00:07:17,280 --> 00:07:17,720 Speaker 2: by the way. 117 00:07:17,760 --> 00:07:20,000 Speaker 1: You know that's true, right, you know he's had three 118 00:07:20,080 --> 00:07:26,400 Speaker 1: honey buns today. That's definitely happened. Really it there's a 119 00:07:26,400 --> 00:07:29,080 Speaker 1: sweetness to it. What I say, Oh my goodness, this 120 00:07:29,240 --> 00:07:34,040 Speaker 1: is like I'm I'm just it's a Worther's original. It's 121 00:07:34,080 --> 00:07:37,280 Speaker 1: a butterscotch. I don't even know Worthers is butterscotch. It's 122 00:07:37,280 --> 00:07:39,480 Speaker 1: a butterscotch. I mean, that's just you're not old enough 123 00:07:39,520 --> 00:07:44,320 Speaker 1: to know that. I've read books, I've heard tail the 124 00:07:44,400 --> 00:07:48,080 Speaker 1: question fingers from boy, This is from Fraser and Thompson. 125 00:07:48,160 --> 00:07:52,240 Speaker 1: This is a North American whiskey. Is this in your 126 00:07:52,320 --> 00:07:56,960 Speaker 1: liquor cabinet? For thirty dollars a bottle? I'd buy this. 127 00:07:57,640 --> 00:07:59,320 Speaker 1: I gotta try it on a cube because right now, 128 00:07:59,600 --> 00:08:02,560 Speaker 1: for us a profile, I'm gonna know this is this 129 00:08:02,680 --> 00:08:10,600 Speaker 1: is overwhelmingly sweet. Wow, right, this is I think like 130 00:08:11,120 --> 00:08:14,640 Speaker 1: as a basis for a hot toddie, this could work 131 00:08:15,080 --> 00:08:18,400 Speaker 1: what this could work tremendously well with not as much 132 00:08:18,440 --> 00:08:21,880 Speaker 1: honey in it. But yeah, too much, too much. I'm 133 00:08:21,880 --> 00:08:24,800 Speaker 1: hoping a cube will bring that down wow a little bit. 134 00:08:24,840 --> 00:08:26,720 Speaker 1: But we will, we will get into that. We will 135 00:08:26,720 --> 00:08:29,880 Speaker 1: give that a try. Uh find everything we do at 136 00:08:29,920 --> 00:08:33,079 Speaker 1: Eatdrink smokeshow dot com. Don't forget Instagram, Eat Drink Smoke 137 00:08:33,160 --> 00:08:36,800 Speaker 1: podcasts start following us over there. You should do that immediately, 138 00:08:36,800 --> 00:08:42,680 Speaker 1: if not sooner. If you haven't figured it out by now, 139 00:08:42,760 --> 00:08:47,560 Speaker 1: neither fingers Malloy nor I are from the South. It 140 00:08:47,600 --> 00:08:50,840 Speaker 1: hasn't happened. What has happened is that Fingers molloy just 141 00:08:50,880 --> 00:08:56,800 Speaker 1: spilled his bourbon all over the table. God, that was funny. 142 00:08:57,320 --> 00:08:59,920 Speaker 1: It's eat, drink smoke. I'm Tony Katz and that is 143 00:09:00,000 --> 00:09:04,680 Speaker 1: it's America's favorite amateur drinker. Fingers. My boy, that is 144 00:09:04,720 --> 00:09:08,280 Speaker 1: the first time in all the years we've done this 145 00:09:08,840 --> 00:09:11,319 Speaker 1: that has ever happened. Leave it, dude, it's not anywhere 146 00:09:11,320 --> 00:09:13,120 Speaker 1: near the near the equipment. 147 00:09:13,160 --> 00:09:15,840 Speaker 2: I don't want to ruin your table. Oh please, do 148 00:09:15,880 --> 00:09:17,640 Speaker 2: you think I bought a new table. When I got 149 00:09:17,640 --> 00:09:20,240 Speaker 2: this table, I knew who I was dealing. You were 150 00:09:20,360 --> 00:09:24,920 Speaker 2: grabbing the steak orgeous. He was going for the RBS steak. 151 00:09:24,760 --> 00:09:29,400 Speaker 1: That we were trying. They're steak nuggets. And also they're 152 00:09:29,440 --> 00:09:32,200 Speaker 1: not steak, it's brisket. And he's like, hey, Tony, I 153 00:09:32,200 --> 00:09:34,320 Speaker 1: brought you steak. I'm like, oh, I love steak. Wait 154 00:09:34,640 --> 00:09:38,280 Speaker 1: why is that a bag from RB's And he's like, ha, 155 00:09:39,040 --> 00:09:42,480 Speaker 1: I was like, no, that's not steak. If you want steak, 156 00:09:42,720 --> 00:09:47,160 Speaker 1: you go to Defiancebeef dot com. Defiance Beef right there 157 00:09:47,280 --> 00:09:51,079 Speaker 1: Northern Indiana. They are the ones that you can order 158 00:09:51,120 --> 00:09:53,400 Speaker 1: a quarter cow, half cow, the whole cow butcher to 159 00:09:53,440 --> 00:09:56,520 Speaker 1: your specifications. Everything is aged twenty one days, so you 160 00:09:56,559 --> 00:09:59,480 Speaker 1: get the tenderness, you get the flavor. It just is 161 00:09:59,600 --> 00:10:03,520 Speaker 1: so wonderfully perfectly balanced. Whether it's the strip, whether it's 162 00:10:03,520 --> 00:10:06,520 Speaker 1: the rabbi, the filets, the brisket, all of it, the 163 00:10:06,520 --> 00:10:08,760 Speaker 1: ground beef, and you decide what you want. I went 164 00:10:08,840 --> 00:10:11,360 Speaker 1: through the cut sheet with the butcher. I have so 165 00:10:11,600 --> 00:10:16,040 Speaker 1: many good steaks coming my way. I cannot wait. Cuts 166 00:10:16,120 --> 00:10:19,959 Speaker 1: I didn't even know existed, stew meat, all sorts of stuff. 167 00:10:20,240 --> 00:10:23,520 Speaker 1: Cannot wait to make that all happen. That's right, stew meat. 168 00:10:23,640 --> 00:10:27,240 Speaker 1: It was part of the cow. Nuggets I could make them. 169 00:10:27,720 --> 00:10:30,520 Speaker 1: I could make them. There's no actual nugget part of 170 00:10:30,520 --> 00:10:32,120 Speaker 1: the cow. I hate to break it to you, but 171 00:10:32,200 --> 00:10:34,840 Speaker 1: if it came from Defiance Beef, I would eat it. 172 00:10:35,080 --> 00:10:37,280 Speaker 1: Use promo code Eat Drink smoke to get one hundred 173 00:10:37,280 --> 00:10:41,400 Speaker 1: and fifty dollars off your order defiancebeef dot com. Everything 174 00:10:41,440 --> 00:10:45,360 Speaker 1: cut to your specifications, then frozen a CRAYOVACX frozen and 175 00:10:45,440 --> 00:10:49,880 Speaker 1: sent to you. You want to go to defiancepeef dot com. 176 00:10:50,040 --> 00:10:52,320 Speaker 1: Promo code Eat Drink Smoke get one hundred and fifty 177 00:10:52,320 --> 00:10:53,400 Speaker 1: dollars off your order. 178 00:10:53,720 --> 00:10:57,240 Speaker 2: Defiance beef dot Com so good it'll make you spill 179 00:10:57,240 --> 00:11:01,000 Speaker 2: your whiskey. So good it'll make you spill your whiskey. 180 00:11:01,040 --> 00:11:04,079 Speaker 2: That's a that's a dang good tagline right there defines 181 00:11:04,080 --> 00:11:06,480 Speaker 2: beef dot com. But we're not from the South. Fingers 182 00:11:06,480 --> 00:11:09,680 Speaker 2: boin no, right, but there's some people call you the 183 00:11:09,679 --> 00:11:10,480 Speaker 2: Southern dandies. 184 00:11:10,960 --> 00:11:15,160 Speaker 1: Those people are special. These are twelve beverages, according to 185 00:11:15,200 --> 00:11:19,120 Speaker 1: Southern Living, that define the South. Now, I have not 186 00:11:19,160 --> 00:11:21,960 Speaker 1: seen the list, jetfingers, Bologne. I'm gonna bet that the 187 00:11:22,000 --> 00:11:24,840 Speaker 1: mint julip is on there. Okay, I'm gonna bet the 188 00:11:24,840 --> 00:11:29,520 Speaker 1: whiskey sours on there. Sweet tea A sweet tea is 189 00:11:29,640 --> 00:11:34,319 Speaker 1: definitively on there. Those would that's number one. Sweet tea 190 00:11:34,960 --> 00:11:37,560 Speaker 1: number one on Do you like sweet tea? No, I 191 00:11:37,559 --> 00:11:40,880 Speaker 1: don't like tea at all. Tea is disgusting, really, he 192 00:11:41,080 --> 00:11:45,319 Speaker 1: is awful. Wow. Now everybody who drinks it are kidding themselves. 193 00:11:45,640 --> 00:11:47,679 Speaker 1: And I know that I am now insulting the British 194 00:11:47,679 --> 00:11:49,479 Speaker 1: Empire and the subcontinents. 195 00:11:49,559 --> 00:11:52,480 Speaker 2: I'm okay with that and all of our Southern listeners. 196 00:11:52,520 --> 00:11:53,640 Speaker 2: Why do you hate the South, Tony? 197 00:11:53,800 --> 00:11:59,280 Speaker 1: I love the South and the people. Grits Lah perfection. 198 00:12:00,080 --> 00:12:02,760 Speaker 2: Tea not so you're telling me you don't like an 199 00:12:02,880 --> 00:12:06,320 Speaker 2: Arnold Palmer the old lemonade and the and the tea. 200 00:12:06,400 --> 00:12:08,160 Speaker 1: No, no, I'll have lemonade, thank you. I don't need 201 00:12:08,200 --> 00:12:11,400 Speaker 1: to ruin my lemonade. Wow right, why not just urinate 202 00:12:11,440 --> 00:12:14,600 Speaker 1: in my lemonade? Oh my goodness, that's way till I 203 00:12:14,600 --> 00:12:21,400 Speaker 1: tell Arnold Palmer you said that? What exactly? Also on 204 00:12:21,440 --> 00:12:30,320 Speaker 1: the now they've got bourbon on the list. No, no, no, no, 205 00:12:31,080 --> 00:12:34,640 Speaker 1: it's you. Don't do you think of bourbon as Southern 206 00:12:34,679 --> 00:12:36,360 Speaker 1: bourbon as the American drink. 207 00:12:36,200 --> 00:12:39,120 Speaker 2: Kentucky, America, Kentucky, that's South. 208 00:12:39,559 --> 00:12:41,320 Speaker 1: I just I don't. I don't. I guess I don't 209 00:12:41,360 --> 00:12:42,199 Speaker 1: visualize it like that. 210 00:12:42,480 --> 00:12:48,320 Speaker 2: No, nah, nah, I don't you combine uh, the sweet 211 00:12:48,320 --> 00:12:53,080 Speaker 2: tea with the bourbon, and now you're cooking but little 212 00:12:53,080 --> 00:12:54,040 Speaker 2: bourbon with the sweet tea. 213 00:12:54,640 --> 00:12:58,280 Speaker 1: No god, no, why would I do that to my bourbon? 214 00:12:59,360 --> 00:13:02,440 Speaker 1: I don't understand you. Okay, let me. I think other 215 00:13:02,480 --> 00:13:05,440 Speaker 1: people can have it. It's fine, they should have it 216 00:13:05,520 --> 00:13:06,160 Speaker 1: other people. 217 00:13:06,280 --> 00:13:11,680 Speaker 2: You have seen me casino gaming, I sure have. Every 218 00:13:11,800 --> 00:13:13,680 Speaker 2: ten seconds I need to take a sip of something. 219 00:13:14,520 --> 00:13:15,160 Speaker 1: Jack and coke. 220 00:13:15,400 --> 00:13:18,360 Speaker 2: Yes, I usually do the jack and coke because if 221 00:13:18,400 --> 00:13:21,880 Speaker 2: I just order myself a free bourbon that comes while 222 00:13:21,920 --> 00:13:26,040 Speaker 2: I win dozens of dollars playing video poker, I will 223 00:13:26,040 --> 00:13:29,240 Speaker 2: go through that bourbon in four seconds, and you know, 224 00:13:29,360 --> 00:13:32,000 Speaker 2: four or five bourbons later, you're carrying me out of 225 00:13:32,000 --> 00:13:33,000 Speaker 2: the joint. 226 00:13:33,120 --> 00:13:34,480 Speaker 1: So what does that have to do with anything? 227 00:13:34,520 --> 00:13:38,040 Speaker 2: So you sometimes you're thinking yourself, I, this is this 228 00:13:38,120 --> 00:13:40,760 Speaker 2: is a night, this is this is a full night 229 00:13:40,840 --> 00:13:41,280 Speaker 2: of drinking. 230 00:13:43,400 --> 00:13:44,640 Speaker 1: You need to have a mixer. 231 00:13:45,520 --> 00:13:48,280 Speaker 2: You can't go it's it's gotta slow things down a 232 00:13:48,280 --> 00:13:52,760 Speaker 2: little bit. So no what I normally mix sweet tea 233 00:13:52,800 --> 00:13:58,120 Speaker 2: and bourbon together. Probably not, but since we're just having 234 00:13:58,160 --> 00:14:00,920 Speaker 2: a conversation here, if you had some sweet tea and 235 00:14:01,280 --> 00:14:04,120 Speaker 2: some bourbon, I'd drink it for eat drink smoke Nation. 236 00:14:05,240 --> 00:14:06,559 Speaker 1: I think you should. I think you should make that 237 00:14:06,679 --> 00:14:08,600 Speaker 1: video and share it with them, okay, and I should 238 00:14:08,640 --> 00:14:12,480 Speaker 1: be nowhere in the room. Coca Cola Southern drink. I mean, 239 00:14:12,480 --> 00:14:14,880 Speaker 1: when you get down to Georgia, you order a coke, 240 00:14:15,040 --> 00:14:16,760 Speaker 1: what kind, and then you tell them what you want, 241 00:14:16,840 --> 00:14:20,720 Speaker 1: like everything's a cokes. Coke is soda in parts of 242 00:14:20,720 --> 00:14:22,200 Speaker 1: the South, absolutely. 243 00:14:21,720 --> 00:14:23,880 Speaker 2: And you you need to know that ahead of time 244 00:14:24,560 --> 00:14:27,760 Speaker 2: because that you need to be warned because if you 245 00:14:27,800 --> 00:14:31,400 Speaker 2: walk into a diner and they ask you what kind 246 00:14:31,400 --> 00:14:33,960 Speaker 2: of coke, you're thinking, Oh, cherry coke, diet coke, No, 247 00:14:34,040 --> 00:14:35,480 Speaker 2: do you want do doctor pepper coke? 248 00:14:35,640 --> 00:14:38,440 Speaker 1: Do you want? Doctor Pepper's also on the list. 249 00:14:38,760 --> 00:14:41,760 Speaker 2: That is absolutely that is like a huge Texas thing. 250 00:14:41,760 --> 00:14:43,640 Speaker 2: And I didn't know that until. You know, we have 251 00:14:43,720 --> 00:14:47,920 Speaker 2: some friends from Texas and they're like, pride doctor Pepper 252 00:14:47,960 --> 00:14:49,720 Speaker 2: out of my dead hand. Try to You're not gonna 253 00:14:49,720 --> 00:14:50,120 Speaker 2: be able to. 254 00:14:50,200 --> 00:14:52,360 Speaker 1: Yeah, it's another one of those drinks, which it's. 255 00:14:52,200 --> 00:14:55,800 Speaker 2: Not for me fingers only. Senior Ah good Man never 256 00:14:55,840 --> 00:14:57,760 Speaker 2: had a doctor Pepper in his entire life, eighty seven 257 00:14:57,840 --> 00:14:59,720 Speaker 2: years old. And now I feel like it's a sense 258 00:14:59,720 --> 00:15:02,920 Speaker 2: of because I've tried, why don't you have want doctor Pepper? No, 259 00:15:03,080 --> 00:15:07,320 Speaker 2: never had one. It's like I don't understand. You know, 260 00:15:07,560 --> 00:15:09,560 Speaker 2: we're not gonna get some prize at the end and 261 00:15:09,560 --> 00:15:12,080 Speaker 2: you go up to the Pearly gates. Oh, you get 262 00:15:12,120 --> 00:15:14,160 Speaker 2: in the express line. You've never had a doctor Pepper. 263 00:15:14,320 --> 00:15:16,520 Speaker 1: You don't know that. You know what, I don't know that. 264 00:15:16,600 --> 00:15:20,280 Speaker 1: You don't know that at all. And Arnold Palmer is 265 00:15:20,360 --> 00:15:24,080 Speaker 1: on the list of Southern drinks. Makes perfect sense the 266 00:15:24,120 --> 00:15:28,000 Speaker 1: min Julip said, so talk about Kentucky, the Kentucky Derby. 267 00:15:28,320 --> 00:15:32,560 Speaker 1: There was no question. Uh sazarak. Now they're not talking 268 00:15:32,560 --> 00:15:35,960 Speaker 1: about sazarak rye. They're talking about the cocktail that is 269 00:15:36,080 --> 00:15:41,640 Speaker 1: made with rye. This is uh Nor Orleans. You've got 270 00:15:41,680 --> 00:15:46,160 Speaker 1: the bitterers, You've got the absinthe uh, the sazaa, the sazaraq. 271 00:15:46,560 --> 00:15:51,480 Speaker 1: We've discussed this before. Like that's the like, that's the drink, 272 00:15:51,640 --> 00:15:56,960 Speaker 1: that's the that's not the first mixed drink, right, who 273 00:15:57,000 --> 00:15:59,080 Speaker 1: would know, but it is. It's it's one of those 274 00:15:59,160 --> 00:16:03,880 Speaker 1: drinks that is like American legend, American institution, and and 275 00:16:03,920 --> 00:16:07,760 Speaker 1: it's a rye based drink. A sazarak is is good. Now, 276 00:16:07,800 --> 00:16:10,040 Speaker 1: I'm not an old fashioned guy. I'm not a Manhattan guy. 277 00:16:10,360 --> 00:16:13,680 Speaker 1: These these are not my not my things, they never 278 00:16:13,800 --> 00:16:16,360 Speaker 1: have been. But it's I have I have a respect 279 00:16:16,400 --> 00:16:19,200 Speaker 1: for the thing. Like I get why people like old fashions. 280 00:16:19,240 --> 00:16:22,120 Speaker 1: I know it's not for me, but I absolutely get it. 281 00:16:22,160 --> 00:16:24,720 Speaker 1: And there's there really is a difference because I'll sit, 282 00:16:24,880 --> 00:16:28,600 Speaker 1: I'll try things when someone does it right, when it's 283 00:16:28,600 --> 00:16:33,640 Speaker 1: a good old fashioned right. Yeah, Like you're like you 284 00:16:33,680 --> 00:16:37,480 Speaker 1: could so recognize how above the other stuff you've had. 285 00:16:37,520 --> 00:16:39,320 Speaker 1: It is when you hit that moment, you're like, yep, 286 00:16:39,360 --> 00:16:39,760 Speaker 1: that's for me. 287 00:16:39,880 --> 00:16:43,760 Speaker 2: I wish I were more into making cocktails at home 288 00:16:44,120 --> 00:16:44,600 Speaker 2: than I am. 289 00:16:45,960 --> 00:16:46,880 Speaker 1: Having too much time. 290 00:16:47,240 --> 00:16:49,680 Speaker 2: Yeah, it's like I'll just pour the bourbon and drink 291 00:16:49,720 --> 00:16:51,400 Speaker 2: it right out of the glass. I don't want to 292 00:16:51,720 --> 00:16:54,200 Speaker 2: put a lot of I don't want a monkey with 293 00:16:54,240 --> 00:16:55,960 Speaker 2: it too much out of it. But but then once 294 00:16:56,000 --> 00:16:57,560 Speaker 2: I go to a place, you know, we've been to 295 00:16:57,800 --> 00:17:01,920 Speaker 2: places before where they have the specialty Old Fashioned or Manhattan, 296 00:17:02,000 --> 00:17:03,720 Speaker 2: is like, oh, that sounds good, And then I think 297 00:17:03,720 --> 00:17:05,520 Speaker 2: to myself afterwards, why don't I have more of these? 298 00:17:05,720 --> 00:17:08,800 Speaker 1: It's because it takes it takes work. Yeah, it takes 299 00:17:08,800 --> 00:17:09,960 Speaker 1: a whole seven minutes. 300 00:17:10,080 --> 00:17:13,159 Speaker 2: Yes, and who needs that? Who has the time time? 301 00:17:14,000 --> 00:17:15,880 Speaker 1: That's why I don't find anything in my limonade there. 302 00:17:15,880 --> 00:17:23,040 Speaker 1: It is also tea is gross. Eat Drink Smoke. It 303 00:17:23,200 --> 00:17:26,400 Speaker 1: is your cigar bourbon foody extravaganza Tony Kat's fingers below. 304 00:17:26,440 --> 00:17:28,920 Speaker 1: I find everything, all of it at Eat Drink Smoke 305 00:17:29,000 --> 00:17:33,200 Speaker 1: show dot com. We are smoking the brick Toberfest. This 306 00:17:33,480 --> 00:17:36,720 Speaker 1: is the brick Toberfest from jac Newman. The Brick House 307 00:17:36,800 --> 00:17:39,000 Speaker 1: twenty twenty five. They do it every year. Is a 308 00:17:39,040 --> 00:17:43,960 Speaker 1: special release that Ecuadori and Havana Rozzato rapper, Nicaraguan binder 309 00:17:44,000 --> 00:17:47,000 Speaker 1: and the filler seven and three quarter inch buy a 310 00:17:47,080 --> 00:17:53,640 Speaker 1: forty eight and yeah, twelve bucks all day, every day. 311 00:17:53,960 --> 00:17:57,280 Speaker 2: No question, ridiculous value from this cigar. I've had to 312 00:17:57,280 --> 00:17:59,840 Speaker 2: touch it up a couple of times, but other than 313 00:17:59,840 --> 00:18:04,040 Speaker 2: that it's been pretty maintenance free. That spice is kind 314 00:18:04,040 --> 00:18:06,560 Speaker 2: of subdued for me as I've moved into the second 315 00:18:06,640 --> 00:18:10,040 Speaker 2: third of the smoke, but that wood node is still there. 316 00:18:10,200 --> 00:18:13,439 Speaker 2: That kind of cash, you know it is there as well. 317 00:18:14,040 --> 00:18:16,280 Speaker 2: It's geez for twelve dollars. 318 00:18:16,720 --> 00:18:19,159 Speaker 1: I almost want to say there's something a touch herbal 319 00:18:19,280 --> 00:18:22,360 Speaker 1: going on in a very very good way. No, I 320 00:18:22,480 --> 00:18:26,480 Speaker 1: like it. I like it a lot. Twelve dollars. Unquestionable 321 00:18:26,880 --> 00:18:28,960 Speaker 1: that this should be in the humid or. It's a 322 00:18:28,960 --> 00:18:31,400 Speaker 1: special release once a year. So if you can find 323 00:18:31,400 --> 00:18:34,560 Speaker 1: the box, box of ten, get the box, share it 324 00:18:34,560 --> 00:18:36,920 Speaker 1: with friends, do whatever it is you're gonna do with it. 325 00:18:37,040 --> 00:18:40,320 Speaker 1: Really a fan here of what Jason Newman has done. 326 00:18:40,800 --> 00:18:44,320 Speaker 1: Drew fine work, fine work, indeed, and we are drinking 327 00:18:45,200 --> 00:18:51,320 Speaker 1: this right here is a Frasier and Thompson, Michael Boublay 328 00:18:51,560 --> 00:18:55,920 Speaker 1: one of the proprietors here. This is a North American whiskey, 329 00:18:55,960 --> 00:18:58,800 Speaker 1: so not a bourbon, non American whiskey. He's Canadian. They're 330 00:18:58,800 --> 00:19:02,879 Speaker 1: still they're calling it American whiskey. This to me was 331 00:19:02,920 --> 00:19:08,320 Speaker 1: outrageously sweet. Eighty four proof butterscotch note really a light 332 00:19:08,359 --> 00:19:12,919 Speaker 1: honey kind of of color, but a butterswat almost overly sweet. 333 00:19:12,920 --> 00:19:16,399 Speaker 1: A little bit of orange zest, almost candied orange on 334 00:19:16,440 --> 00:19:18,399 Speaker 1: the finish is what I got. You did not get that, 335 00:19:18,440 --> 00:19:19,119 Speaker 1: fingers maloy. 336 00:19:20,320 --> 00:19:23,400 Speaker 2: I was not overwhelmed by the sweetness that you're talking about. 337 00:19:23,440 --> 00:19:26,199 Speaker 2: I got some honey, that oak is there, maybe some 338 00:19:26,280 --> 00:19:29,760 Speaker 2: caramel and a little bit of spice, and they all 339 00:19:29,960 --> 00:19:34,919 Speaker 2: to me kind of melded together nicely, not one note 340 00:19:35,280 --> 00:19:38,520 Speaker 2: overwhelming another or anything like that. I thoroughly enjoy it, 341 00:19:38,520 --> 00:19:41,120 Speaker 2: and especially at that price point twenty nine to ninety nine. 342 00:19:41,560 --> 00:19:44,200 Speaker 1: It's in my liquor cabinet. But I had to try 343 00:19:44,240 --> 00:19:47,000 Speaker 1: it on a cube. I had to see where it 344 00:19:47,119 --> 00:19:49,439 Speaker 1: was going to be, how this was going to work, 345 00:19:49,680 --> 00:19:51,439 Speaker 1: because it was it was just too sweet for me, 346 00:19:52,040 --> 00:19:57,439 Speaker 1: way too sweet for me as a neat drink. I couldn't. 347 00:19:57,480 --> 00:19:59,480 Speaker 1: I couldn't have it even at twenty ninety nine. It 348 00:19:59,480 --> 00:20:02,240 Speaker 1: wouldn't be my liquor cabinet because of the sweetness. So 349 00:20:02,280 --> 00:20:05,520 Speaker 1: I added a cube so ice water. It brings down proof. 350 00:20:06,240 --> 00:20:08,760 Speaker 1: Some flavors become more pronounced, some more muter. It kind 351 00:20:08,800 --> 00:20:11,280 Speaker 1: of opens up the bourbon or the whiskey. Fingers. Just 352 00:20:11,320 --> 00:20:13,479 Speaker 1: added a little bit of water to his I'm going in. 353 00:20:13,800 --> 00:20:17,280 Speaker 2: Oh, he's going in, ladies and gentlemen. He is making 354 00:20:17,320 --> 00:20:20,239 Speaker 2: a second attempt. 355 00:20:19,800 --> 00:20:24,240 Speaker 1: It cut the so now there's now there's some spice. 356 00:20:24,520 --> 00:20:28,760 Speaker 1: It absolutely cut the sweetness. Now it's just sweet. But 357 00:20:29,040 --> 00:20:33,760 Speaker 1: still that finish is oh my god. Yeah, that finish 358 00:20:33,840 --> 00:20:37,560 Speaker 1: is still sweet and there's a little bit of heat 359 00:20:37,600 --> 00:20:43,960 Speaker 1: center chest. So oh, he's going back in. At least 360 00:20:43,960 --> 00:20:45,879 Speaker 1: you're giving it more of it, You're giving it a chance. 361 00:20:46,160 --> 00:20:50,200 Speaker 1: There's a little bit of oak now on the finish. Okay, 362 00:20:51,600 --> 00:20:54,800 Speaker 1: I can appreciate that that is not my flavor profile, 363 00:20:56,000 --> 00:20:59,480 Speaker 1: but I could really appreciate that that is someone's flavor profile. 364 00:21:00,119 --> 00:21:03,440 Speaker 1: And I would be curious. We need to take this 365 00:21:03,560 --> 00:21:07,880 Speaker 1: to bartender Brian and see how he makes old fashions 366 00:21:07,880 --> 00:21:10,399 Speaker 1: out of this. To me, that it's so there's this 367 00:21:10,440 --> 00:21:15,000 Speaker 1: big butterscotch and this big candied orange finish. I'd be 368 00:21:15,080 --> 00:21:19,080 Speaker 1: curious to what an old fashion would look like with 369 00:21:19,480 --> 00:21:23,600 Speaker 1: this the Fraser and Thompson. It's it's much better on 370 00:21:23,680 --> 00:21:27,440 Speaker 1: a cube. It's got more complexity. The sweetness is brought down, 371 00:21:27,520 --> 00:21:31,520 Speaker 1: but still it's more sweet than I like. I would 372 00:21:31,560 --> 00:21:33,560 Speaker 1: want more oak. You had a little bit of water 373 00:21:33,560 --> 00:21:36,720 Speaker 1: to yours fingers in the way, What say you? He's 374 00:21:36,760 --> 00:21:40,480 Speaker 1: going in He's doing the sip right there. 375 00:21:40,880 --> 00:21:45,560 Speaker 2: And enchilada Marzapan. 376 00:21:45,960 --> 00:21:47,760 Speaker 1: Nice to me. 377 00:21:47,920 --> 00:21:49,520 Speaker 2: It brought out a little bit more of the oak, 378 00:21:49,640 --> 00:21:51,760 Speaker 2: and the rest of the notes are kind of the same. 379 00:21:51,800 --> 00:21:54,159 Speaker 2: All I can say to you, Tony, as if you're 380 00:21:54,200 --> 00:21:56,120 Speaker 2: drinking this, you think yourself, it's a beautiful day. 381 00:21:57,200 --> 00:21:58,040 Speaker 1: I'm feeling good. 382 00:21:58,080 --> 00:22:00,680 Speaker 2: And if it's around the holidays, you'd have a holly 383 00:22:00,800 --> 00:22:02,040 Speaker 2: jolly Christmas. 384 00:22:02,440 --> 00:22:07,119 Speaker 1: He went full Boublay, full full blue blaze. 385 00:22:07,160 --> 00:22:10,000 Speaker 2: So listen to me. This is a value question, right. 386 00:22:10,119 --> 00:22:14,600 Speaker 2: This is an enjoyable drink, yep, under thirty dollars a bottle. 387 00:22:15,119 --> 00:22:18,280 Speaker 2: To me, those are the reasons why they would be 388 00:22:18,320 --> 00:22:20,399 Speaker 2: in my liquor cabinet. This would be my liquor cabin. Now, 389 00:22:20,440 --> 00:22:23,120 Speaker 2: would this be an every day drinker for me? No, 390 00:22:23,560 --> 00:22:25,639 Speaker 2: it wouldn't be, but I'd be glad that it's in 391 00:22:25,680 --> 00:22:28,840 Speaker 2: the liquor cabinet. I would be happy to serve it 392 00:22:28,880 --> 00:22:32,720 Speaker 2: to my guests and drink it myself. I think that 393 00:22:34,040 --> 00:22:38,479 Speaker 2: this may be something for people if they aren't a 394 00:22:38,480 --> 00:22:43,280 Speaker 2: whiskey drinker. It would still be palatable because you're you know, 395 00:22:43,320 --> 00:22:46,280 Speaker 2: you're saying that it may hit them as sweet as 396 00:22:47,320 --> 00:22:49,880 Speaker 2: it's hitting you. So maybe that would be a little 397 00:22:49,880 --> 00:22:54,000 Speaker 2: bit more acceptable to a table that may not necessarily say, Okay, 398 00:22:54,040 --> 00:22:57,600 Speaker 2: I want some whiskey. I think for under thirty dollars 399 00:22:57,640 --> 00:23:00,600 Speaker 2: a bottle, it's it's in my liquor cabin I. 400 00:23:00,560 --> 00:23:03,280 Speaker 1: Can appreciate that you'd go that direction, but it's time 401 00:23:03,320 --> 00:23:05,720 Speaker 1: Fingers mooy for news of the week. 402 00:23:05,760 --> 00:23:08,639 Speaker 2: Well, Tony, we talked about it in the first hour 403 00:23:08,680 --> 00:23:10,879 Speaker 2: that the government is shut down, and because it is 404 00:23:10,920 --> 00:23:14,240 Speaker 2: shut down, there wasn't a jobs report correct that was released. 405 00:23:14,280 --> 00:23:19,120 Speaker 2: But monster dot com Monster is still a thing, apparently 406 00:23:19,480 --> 00:23:23,280 Speaker 2: because I saw the press release. They came out with 407 00:23:23,440 --> 00:23:28,560 Speaker 2: their third quarter twenty twenty five job market report right, 408 00:23:29,280 --> 00:23:32,760 Speaker 2: and they went through in their minds the the ten 409 00:23:33,119 --> 00:23:35,880 Speaker 2: hottest jobs that are out there right now. If you're 410 00:23:35,880 --> 00:23:41,560 Speaker 2: a job seeker and featuring smoke radio host. 411 00:23:41,000 --> 00:23:43,800 Speaker 1: Are we having a meeting afterwards? Oh no, No, I 412 00:23:43,800 --> 00:23:44,880 Speaker 1: just assume it's a hot job. 413 00:23:45,080 --> 00:23:47,760 Speaker 2: Oh no, it's not. But there are actually a few 414 00:23:47,800 --> 00:23:49,240 Speaker 2: surprising things on the list. 415 00:23:49,240 --> 00:23:49,480 Speaker 1: Okay. 416 00:23:50,320 --> 00:23:56,800 Speaker 2: Number ten is a customer service representative. Particularly yeah, for 417 00:23:57,400 --> 00:24:01,560 Speaker 2: they're looking for people with bilingual bilinguals skills, and you 418 00:24:01,640 --> 00:24:05,040 Speaker 2: have the opportunity to work from home. But we've heard 419 00:24:05,119 --> 00:24:08,840 Speaker 2: so much about AI taking over some of these jobs, specifically, 420 00:24:09,880 --> 00:24:11,880 Speaker 2: you know so much of this It can be done 421 00:24:11,920 --> 00:24:15,399 Speaker 2: now via chat online, which I did last week when 422 00:24:15,440 --> 00:24:19,639 Speaker 2: I was canceling my homeowner's insurance at the old house. 423 00:24:20,400 --> 00:24:24,159 Speaker 2: Did that over over chat. You wondered how much of 424 00:24:24,200 --> 00:24:27,600 Speaker 2: an impact a I would have on industries like customer service. 425 00:24:27,640 --> 00:24:30,399 Speaker 2: But yet it's on the list here. A lot of this, 426 00:24:30,480 --> 00:24:30,720 Speaker 2: By the. 427 00:24:30,720 --> 00:24:33,440 Speaker 1: Way, that whole chat thing sucks that I haven't you think, 428 00:24:33,640 --> 00:24:36,399 Speaker 1: Oh god, it's terrible. Why I want to talk to people? 429 00:24:36,640 --> 00:24:40,080 Speaker 1: Why because I want to talk to you? No, you don't. No. 430 00:24:40,119 --> 00:24:43,600 Speaker 2: The problem with this world today, Tony, And I'm going 431 00:24:43,640 --> 00:24:45,240 Speaker 2: to quote the great Homer Simpson. 432 00:24:45,840 --> 00:24:48,880 Speaker 1: Communication, too much communication. 433 00:24:51,080 --> 00:24:56,480 Speaker 2: That's the problem that we have today, people not talking enough. 434 00:24:56,960 --> 00:24:59,359 Speaker 2: That's the future and that's where we should be headed. 435 00:25:00,080 --> 00:25:06,600 Speaker 2: Nobody talking, just being angry, uh, sitting alone, listening to eat, rink, smoke, 436 00:25:06,640 --> 00:25:08,040 Speaker 2: hoping that it makes them feel better. 437 00:25:08,800 --> 00:25:10,879 Speaker 1: Well that part it will will make you. 438 00:25:10,840 --> 00:25:13,600 Speaker 2: Feel Some of these things are not surprising. Delivery driver 439 00:25:14,040 --> 00:25:16,719 Speaker 2: number seven, Yeah, I can see that, although we did 440 00:25:16,720 --> 00:25:19,000 Speaker 2: a story last week where they're they're starting to bring 441 00:25:19,119 --> 00:25:20,320 Speaker 2: the delivery bots in. 442 00:25:21,560 --> 00:25:23,399 Speaker 1: Yeah, but it's not gonna last. They're all gonna end 443 00:25:23,440 --> 00:25:25,120 Speaker 1: up in a river somewhere. No, they're going to take 444 00:25:25,119 --> 00:25:31,879 Speaker 1: over the planet. They're going uh sales rep. Yeah, but 445 00:25:32,040 --> 00:25:34,600 Speaker 1: you always need that. I was gonna sell the good. 446 00:25:34,960 --> 00:25:38,119 Speaker 2: Yeah. So much of this uh, and we're gonna get 447 00:25:38,119 --> 00:25:42,520 Speaker 2: to the healthcare stuff is you know, whether it's product delivery, uh, 448 00:25:42,600 --> 00:25:44,439 Speaker 2: product sales or uh. 449 00:25:44,680 --> 00:25:44,919 Speaker 1: You know. 450 00:25:45,040 --> 00:25:47,800 Speaker 2: One thing that seems to be a common theme and 451 00:25:47,880 --> 00:25:49,960 Speaker 2: has been for some time is there is a great 452 00:25:50,000 --> 00:25:51,280 Speaker 2: shortage of truck drivers. 453 00:25:51,800 --> 00:25:55,600 Speaker 1: Yeah. And so there's this big thought process about the 454 00:25:55,640 --> 00:25:59,600 Speaker 1: truck driving world being automated and and uh driverless and 455 00:25:59,640 --> 00:26:02,000 Speaker 1: all that. That's not gonna be there for a good, 456 00:26:02,160 --> 00:26:04,239 Speaker 1: good long time. So how are you gonna get things 457 00:26:04,280 --> 00:26:06,480 Speaker 1: from point A to point B without the truck driver. 458 00:26:06,600 --> 00:26:11,320 Speaker 1: It's it's just a necessity that scares the living scar 459 00:26:11,480 --> 00:26:15,040 Speaker 1: big rig going down the road with no driver. That 460 00:26:15,040 --> 00:26:18,639 Speaker 1: that sounds terrible. You're asking me to trust Elon too much. 461 00:26:18,920 --> 00:26:22,200 Speaker 1: I I nice guy. I'm sure look forward to hanging 462 00:26:22,200 --> 00:26:25,480 Speaker 1: out with him. But trust trust the driverless a big rig. 463 00:26:25,520 --> 00:26:29,040 Speaker 1: I don't trust the driverless car. No. Number two physical therapist. 464 00:26:29,320 --> 00:26:31,159 Speaker 2: As we have an aging population, more people have to 465 00:26:31,200 --> 00:26:34,080 Speaker 2: go to the perfect sense and Number one going again 466 00:26:34,119 --> 00:26:35,280 Speaker 2: with the aging population. 467 00:26:35,800 --> 00:26:40,399 Speaker 1: Registered nurse. Yeah, our shortage of nurses is is real 468 00:26:40,960 --> 00:26:44,520 Speaker 1: and uh and problematic and and as a matter of 469 00:26:44,520 --> 00:26:48,440 Speaker 1: just national security, I'm not kidding like that. That needs 470 00:26:48,480 --> 00:26:50,800 Speaker 1: to be addressed. That needs to be handled and there 471 00:26:50,880 --> 00:26:53,159 Speaker 1: that we need to think incentive based. 472 00:26:53,680 --> 00:26:55,919 Speaker 2: I think on that, and I don't want to registered 473 00:26:56,000 --> 00:26:56,920 Speaker 2: nurse robot. 474 00:26:58,320 --> 00:27:04,120 Speaker 1: Not after the first time they say what is old 475 00:27:04,200 --> 00:27:07,560 Speaker 1: is new again? I read that in a Hallmark card, 476 00:27:08,000 --> 00:27:10,280 Speaker 1: did you good for you? I thought you would have 477 00:27:10,280 --> 00:27:12,840 Speaker 1: read that in Boys Life, Either that or a bumper 478 00:27:12,880 --> 00:27:16,040 Speaker 1: sticker d drink smoke, im Tony Katz that right there, 479 00:27:16,080 --> 00:27:19,760 Speaker 1: as America's favorite amateur drinker. Fingers molloy oh, don't forget 480 00:27:19,800 --> 00:27:23,080 Speaker 1: to follow us on Instagram, Eat Drink Smoke podcast, on 481 00:27:23,119 --> 00:27:25,960 Speaker 1: Facebook Eat Drink Smoke, and on the Twitter x go 482 00:27:26,160 --> 00:27:30,440 Speaker 1: Eat Drink Smoke. You should get that done immediately. Gen 483 00:27:30,560 --> 00:27:35,720 Speaker 1: Z is a unique generation. On one hand, they seem 484 00:27:35,800 --> 00:27:40,480 Speaker 1: to have rejected the insanity of millennials that were hyper 485 00:27:40,480 --> 00:27:42,679 Speaker 1: political all the time, and they're like, you know what, 486 00:27:42,720 --> 00:27:45,880 Speaker 1: can we just live our lives and they're rather health 487 00:27:45,880 --> 00:27:48,480 Speaker 1: conscious people. On the downside, they don't seem to do 488 00:27:48,560 --> 00:27:51,680 Speaker 1: much dating. They don't seem to do much togetherness things, 489 00:27:51,720 --> 00:27:55,280 Speaker 1: if you know what I mean like about togetherness things, Yes, 490 00:27:55,600 --> 00:28:01,359 Speaker 1: you know what I mean by that's a serious issue. 491 00:28:01,520 --> 00:28:05,520 Speaker 1: It's a serious problem in terms of relationships. But going 492 00:28:05,520 --> 00:28:08,480 Speaker 1: back to something, it's interesting they seem to have an 493 00:28:08,520 --> 00:28:13,680 Speaker 1: appreciation or desire for things not to be handed to them, 494 00:28:14,280 --> 00:28:17,840 Speaker 1: like there's a reason that things of some things of 495 00:28:17,920 --> 00:28:21,920 Speaker 1: yesteryear were cooler and better. And so it's a list here, 496 00:28:22,000 --> 00:28:24,360 Speaker 1: we do love a list at Eat Drink Smoke from 497 00:28:24,440 --> 00:28:29,000 Speaker 1: Your Tango Your Tango dot com. Seven once forgotten nineties 498 00:28:29,040 --> 00:28:31,440 Speaker 1: relics making a comeback with gen Z. And you were 499 00:28:31,480 --> 00:28:35,680 Speaker 1: just talking about your youngest wanting a camera, an actual 500 00:28:35,760 --> 00:28:38,400 Speaker 1: true camera. And it's crazy because that happened with us 501 00:28:38,680 --> 00:28:42,280 Speaker 1: like two months ago. My youngest wanted an actual camera 502 00:28:42,360 --> 00:28:47,000 Speaker 1: digital camera, but want not the phone. Wanted an actual camera. Yeah. 503 00:28:47,160 --> 00:28:51,960 Speaker 2: The debate, her internal debate was between a digital camera, 504 00:28:52,480 --> 00:28:56,160 Speaker 2: which I would argue to her unsuccessfully. Was you already 505 00:28:56,240 --> 00:28:57,560 Speaker 2: have one on your phone? 506 00:28:58,120 --> 00:28:58,320 Speaker 1: Right? 507 00:28:59,000 --> 00:29:01,000 Speaker 2: And that might as well have been Charlie Brown's teacher 508 00:29:01,040 --> 00:29:02,760 Speaker 2: going wa wanh wah wah wah wah. 509 00:29:02,960 --> 00:29:05,080 Speaker 1: Or did you have to explain to her what Charlie 510 00:29:05,080 --> 00:29:10,720 Speaker 1: Brown was? No, I did not. I have Charlie Brown 511 00:29:10,760 --> 00:29:12,040 Speaker 1: Christmas on the loop at the house. 512 00:29:12,720 --> 00:29:16,240 Speaker 2: Uh. She was going back and forth between the digital 513 00:29:16,280 --> 00:29:19,120 Speaker 2: camera and a polaroid, and at that point I thought 514 00:29:19,120 --> 00:29:21,360 Speaker 2: I was just being punked, Like why would you want 515 00:29:21,400 --> 00:29:24,880 Speaker 2: a polaroid? They're very popular right now with kids. It's 516 00:29:24,960 --> 00:29:28,560 Speaker 2: unreal film Tony by film. 517 00:29:29,800 --> 00:29:32,040 Speaker 1: Try and get them to understand what it took to 518 00:29:32,080 --> 00:29:35,640 Speaker 1: develop film. The dark room, the red light, the smell 519 00:29:35,720 --> 00:29:36,640 Speaker 1: of the chemicals. 520 00:29:37,200 --> 00:29:40,680 Speaker 2: Wait, you you developed your own film? 521 00:29:40,720 --> 00:29:44,479 Speaker 1: Sure? No, I mean not always in high school. Did 522 00:29:44,560 --> 00:29:48,160 Speaker 1: you really film class? Absolutely? You never did that. 523 00:29:49,080 --> 00:29:52,840 Speaker 2: I mean maybe once in film class, but yeah, when 524 00:29:52,880 --> 00:29:55,360 Speaker 2: I worked for the high school newspaper, what was on 525 00:29:55,440 --> 00:29:57,600 Speaker 2: the lunch room beat? 526 00:29:57,760 --> 00:30:00,320 Speaker 1: Were you on the lunch room beat? Yes, them en 527 00:30:00,400 --> 00:30:04,200 Speaker 1: rolls twenty percent off, Sloppy Joe's or silent Killers. 528 00:30:04,640 --> 00:30:05,600 Speaker 2: Stop the presses. 529 00:30:07,040 --> 00:30:12,920 Speaker 1: My fingers were day line second off. The word on 530 00:30:12,920 --> 00:30:15,600 Speaker 1: the street is that Josie behind the lunch counter is 531 00:30:15,680 --> 00:30:17,680 Speaker 1: trying to kill the seven year olds. 532 00:30:18,840 --> 00:30:22,720 Speaker 2: It's it's like you were there. It's like you were there, 533 00:30:22,880 --> 00:30:26,840 Speaker 2: but no. The you went to the photo matt or 534 00:30:27,160 --> 00:30:31,400 Speaker 2: the pharmacy to have your pictures developed, you went. 535 00:30:31,240 --> 00:30:34,800 Speaker 1: To the hut. It was a small hut with one 536 00:30:34,840 --> 00:30:37,640 Speaker 1: person in it and had two drive through sides, and 537 00:30:37,680 --> 00:30:40,280 Speaker 1: you drop off your film and then, like I don't know, 538 00:30:40,400 --> 00:30:42,760 Speaker 1: somewhere between six and one hundred and thirty three days later, 539 00:30:42,960 --> 00:30:46,080 Speaker 1: you got your film back with the photos and usually 540 00:30:46,240 --> 00:30:48,480 Speaker 1: they were in triplicate and none of them were actually 541 00:30:48,560 --> 00:30:51,960 Speaker 1: what you wanted, and everybody had a red eye. Oh sure, 542 00:30:52,080 --> 00:30:54,800 Speaker 1: probably two, but you were excited. That's the one thing 543 00:30:54,800 --> 00:30:57,120 Speaker 1: that kids are missing out, well, one of many things. 544 00:30:58,360 --> 00:31:02,000 Speaker 1: The anticipation of going to pick up those photos instead 545 00:31:02,040 --> 00:31:04,400 Speaker 1: of just clicking it and immediately looking at it on 546 00:31:04,440 --> 00:31:07,120 Speaker 1: your phone, because you lose it. And everybody who goes 547 00:31:07,160 --> 00:31:09,920 Speaker 1: to a concert, and it is recording the whole concert 548 00:31:10,320 --> 00:31:13,520 Speaker 1: you just watched on TV. What are you doing? I 549 00:31:13,560 --> 00:31:15,240 Speaker 1: don't experience the damn show. 550 00:31:15,400 --> 00:31:17,520 Speaker 2: I used to do that, and there are times I 551 00:31:17,560 --> 00:31:21,040 Speaker 2: will still videotape a clip of the concert. But then 552 00:31:21,080 --> 00:31:24,840 Speaker 2: I started to realize, over you know, a decade of 553 00:31:24,960 --> 00:31:28,240 Speaker 2: having a smartphone in my pocket, how many times do 554 00:31:28,280 --> 00:31:29,960 Speaker 2: you really revisit those videos? 555 00:31:30,360 --> 00:31:34,320 Speaker 1: Zero? Absolutely zero is the answer. Yeah. 556 00:31:34,360 --> 00:31:36,520 Speaker 2: So, but I was amazed that you know, you and 557 00:31:36,600 --> 00:31:40,080 Speaker 2: I before we started the segment, we're talking about how 558 00:31:40,120 --> 00:31:42,240 Speaker 2: both of our kids wanted digital cameras. 559 00:31:42,560 --> 00:31:44,200 Speaker 1: One of the other things on this list is a 560 00:31:44,200 --> 00:31:48,160 Speaker 1: flip phone. Now there's a really interesting tale in here 561 00:31:48,680 --> 00:31:51,040 Speaker 1: that social media usage is starting to decline. We talked 562 00:31:51,080 --> 00:31:56,760 Speaker 1: about doom scrolling earlier, social media and fingers moy if 563 00:31:56,840 --> 00:32:01,000 Speaker 1: you did not know, as a pastime, monitors social media outrage. 564 00:32:01,080 --> 00:32:03,080 Speaker 2: Social media outrage. 565 00:32:02,880 --> 00:32:06,680 Speaker 1: And that's all it is. It is a cesspool. It 566 00:32:06,760 --> 00:32:10,760 Speaker 1: is ridiculous, it is It can only make you sad, 567 00:32:11,240 --> 00:32:15,560 Speaker 1: It could only make you sick. And kids are like, yeah, 568 00:32:15,560 --> 00:32:17,800 Speaker 1: I don't need this in my life. Give me my 569 00:32:17,880 --> 00:32:20,200 Speaker 1: group on snap Chat, give me some Instagram where I 570 00:32:20,240 --> 00:32:24,000 Speaker 1: see some pictures and I'm done. I don't need the rest. 571 00:32:24,320 --> 00:32:29,520 Speaker 1: I am making the move to not look at my 572 00:32:29,720 --> 00:32:33,320 Speaker 1: smartphone on weekends. I'm out. I'm done. I need it 573 00:32:33,080 --> 00:32:35,560 Speaker 1: for the work that I do in radio, but I 574 00:32:35,680 --> 00:32:38,400 Speaker 1: don't need to have a weekend where I'm tempted to 575 00:32:38,440 --> 00:32:42,840 Speaker 1: click on Twitter and see what's what. So I am 576 00:32:42,880 --> 00:32:45,160 Speaker 1: getting a flip phone. I had already made this decision. 577 00:32:45,240 --> 00:32:47,960 Speaker 1: I didn't see this list, and I'm gonna utilize that 578 00:32:48,040 --> 00:32:50,120 Speaker 1: on weekends. You want to call me, you can call me. 579 00:32:50,120 --> 00:32:52,280 Speaker 1: I can still get a text message, but no, or 580 00:32:52,320 --> 00:32:54,440 Speaker 1: I'm gonna get a different smartphone that has no apps 581 00:32:54,480 --> 00:32:56,760 Speaker 1: on it whatsoever. You know, it would be interesting. I 582 00:32:56,760 --> 00:32:58,560 Speaker 1: know that sounds crazy. Why don't you just not look 583 00:32:58,600 --> 00:33:00,800 Speaker 1: at the app? But the temptation there, I'm just removing 584 00:33:00,840 --> 00:33:01,400 Speaker 1: the temptation. 585 00:33:02,080 --> 00:33:04,680 Speaker 2: It would be interesting if they could somehow develop and 586 00:33:04,720 --> 00:33:07,960 Speaker 2: maybe it's out there. And I'm gonna sound ridiculous proposing 587 00:33:08,000 --> 00:33:11,280 Speaker 2: this to be able to tie a flip phone into 588 00:33:11,320 --> 00:33:16,200 Speaker 2: your smartphone to where it's the same number, same telephone number, 589 00:33:16,240 --> 00:33:19,040 Speaker 2: but you can leave the smartphone behind but just have 590 00:33:19,160 --> 00:33:22,480 Speaker 2: your flip phone and the call, you know, would go 591 00:33:22,600 --> 00:33:25,360 Speaker 2: immediately to your. 592 00:33:25,200 --> 00:33:25,920 Speaker 1: Flip phone instead. 593 00:33:25,920 --> 00:33:27,760 Speaker 2: Of having to do some call forwarding or all that 594 00:33:27,800 --> 00:33:29,520 Speaker 2: other stuff that you you know, back in the day, 595 00:33:30,400 --> 00:33:32,120 Speaker 2: because that would be a great idea, Like you say, 596 00:33:32,240 --> 00:33:34,640 Speaker 2: you have two of the phones on one number, so 597 00:33:34,680 --> 00:33:36,920 Speaker 2: people aren't, oh I got to call on the other 598 00:33:37,000 --> 00:33:38,800 Speaker 2: number on the weekend and all that stuff. 599 00:33:39,440 --> 00:33:41,240 Speaker 1: I think people are gonna listen to me and be like, Tony, 600 00:33:41,280 --> 00:33:43,320 Speaker 1: that's crazy. Just don't look at the dang app. Just 601 00:33:43,360 --> 00:33:46,000 Speaker 1: don't look at it. But I don't. I don't even 602 00:33:46,040 --> 00:33:50,360 Speaker 1: want it there. I want to have this very proactive 603 00:33:50,400 --> 00:33:54,040 Speaker 1: separation in these parts of my life because I want 604 00:33:54,400 --> 00:33:59,120 Speaker 1: more of my downtime to be family focused or other focused. 605 00:33:59,120 --> 00:34:00,719 Speaker 1: But I'm in I just don't want it there. But 606 00:34:00,720 --> 00:34:01,080 Speaker 1: you're right. 607 00:34:01,120 --> 00:34:03,920 Speaker 2: I'm just showing Tony my phone right now, and you look. 608 00:34:04,120 --> 00:34:06,880 Speaker 2: You just think about the number of apps. Oh my god, 609 00:34:06,960 --> 00:34:11,960 Speaker 2: that you acquire. What is that he's on page thirteen? Yeah, 610 00:34:12,320 --> 00:34:16,560 Speaker 2: thirteen pages of apps? Absolutely, you don't know when you're 611 00:34:16,560 --> 00:34:22,200 Speaker 2: gonna need the Texas Roadhouse app or then yeah two huh, 612 00:34:23,120 --> 00:34:27,000 Speaker 2: there's half of one. Yeah, but you've you've made folders 613 00:34:27,000 --> 00:34:29,960 Speaker 2: out of stuff. Yeah, I do have some folders, but no, 614 00:34:30,160 --> 00:34:33,760 Speaker 2: mine's all everything's out there. Yeah, everything's out there. Who 615 00:34:33,840 --> 00:34:38,399 Speaker 2: needs organization? Nuts for suckers. But that's the problem, right 616 00:34:38,560 --> 00:34:41,000 Speaker 2: is it's not just social media, it's the other stuff 617 00:34:41,040 --> 00:34:43,880 Speaker 2: that you can get involved with, you know, geez, I 618 00:34:43,920 --> 00:34:48,440 Speaker 2: spend way too much time on the Amazon app shopping 619 00:34:48,480 --> 00:34:50,759 Speaker 2: for things that I don't really need. But it's right there. 620 00:34:50,920 --> 00:34:52,840 Speaker 2: It's like, well, I got to reach and grab my 621 00:34:52,840 --> 00:34:54,040 Speaker 2: phone and look at it for something. 622 00:34:54,520 --> 00:34:56,440 Speaker 1: What are the other things on the list? I don't understand? 623 00:34:56,440 --> 00:35:00,319 Speaker 1: And that's a landline for for what? Do you want 624 00:35:00,320 --> 00:35:02,879 Speaker 1: the cord It all twisted and nodded up. 625 00:35:03,160 --> 00:35:05,400 Speaker 2: There was a time in my life when I was 626 00:35:05,440 --> 00:35:08,560 Speaker 2: a teenager where you know, we're talking the eighties where 627 00:35:08,600 --> 00:35:11,560 Speaker 2: cordless phones really exploded or I wanted the landline. 628 00:35:11,560 --> 00:35:13,160 Speaker 1: I didn't want a cordless phone. 629 00:35:12,960 --> 00:35:18,960 Speaker 2: Because mother Molloy discovered that she could tune in a 630 00:35:19,000 --> 00:35:21,600 Speaker 2: certain place on the radio and be able to pick 631 00:35:21,680 --> 00:35:25,080 Speaker 2: up cordless phone conversations and then she's listening to her 632 00:35:25,120 --> 00:35:28,440 Speaker 2: teenage son say things that would break her heart. 633 00:35:28,680 --> 00:35:28,960 Speaker 1: No. 634 00:35:29,239 --> 00:35:31,839 Speaker 2: Well, one day she had the radio up a little 635 00:35:31,880 --> 00:35:35,680 Speaker 2: too loud and then I could hear myself talking through 636 00:35:35,719 --> 00:35:38,280 Speaker 2: the phone in the other room. And that's when I Okay, 637 00:35:38,440 --> 00:35:40,880 Speaker 2: that's the end of that, and switched over to a landline. 638 00:35:41,480 --> 00:35:44,040 Speaker 1: You know, I often think I had the very strange upbringing. 639 00:35:45,320 --> 00:35:48,280 Speaker 1: You you that's oh. I have a hunch. 640 00:35:48,880 --> 00:35:54,200 Speaker 2: I would be very curious to know jen Xers who 641 00:35:54,480 --> 00:35:59,680 Speaker 2: know that their mother or dad probably be that's more 642 00:35:59,680 --> 00:36:01,560 Speaker 2: of a mind, that's more of a mom thing. Listening, 643 00:36:01,640 --> 00:36:03,680 Speaker 2: we're listening in on phone conversations. 644 00:36:03,719 --> 00:36:10,360 Speaker 1: Cheap all fingers at Eat Drink Smokeshow dot com. Prepare 645 00:36:10,480 --> 00:36:15,080 Speaker 1: to be flooded. This is the Fraser and Thompson. That 646 00:36:15,320 --> 00:36:18,640 Speaker 1: is the North American whiskey, twenty nine dollars and ninety 647 00:36:18,680 --> 00:36:21,760 Speaker 1: nine cents a bottle. It's sweet, but fingers is a yes. 648 00:36:22,120 --> 00:36:25,000 Speaker 1: Fingers is all in for it right there. And this 649 00:36:25,719 --> 00:36:29,160 Speaker 1: the brick Toberfest from J. C. Newman. It's their brick house. 650 00:36:29,239 --> 00:36:31,759 Speaker 1: Brick Toberfest comes out once a year, seven and three 651 00:36:31,800 --> 00:36:35,320 Speaker 1: quarter by forty eight. And the cigar is it's excellent, 652 00:36:35,400 --> 00:36:40,120 Speaker 1: twelve dollars a stick, absolutely no question. Find everything at 653 00:36:40,120 --> 00:36:42,960 Speaker 1: Eat Drinks Smoke Show dot com. Catch you soon. It's 654 00:36:42,960 --> 00:36:43,560 Speaker 1: Eat Drink Smoke