1 00:00:04,519 --> 00:00:09,040 Speaker 1: That in Hip Hop Album Review Overcast While. 2 00:00:08,800 --> 00:00:09,840 Speaker 2: The Iron is Hot. 3 00:00:10,080 --> 00:00:12,360 Speaker 3: Shout out to Sunny because he had this one on 4 00:00:12,520 --> 00:00:17,080 Speaker 3: his number one top five of the year the year midyear. 5 00:00:17,200 --> 00:00:19,560 Speaker 3: So go back and watch that live if you have not, 6 00:00:19,720 --> 00:00:21,720 Speaker 3: so that way you can see what we have on 7 00:00:21,760 --> 00:00:23,680 Speaker 3: our list and go back and listen to some of 8 00:00:23,720 --> 00:00:26,320 Speaker 3: those albums that you may not have been put onto. 9 00:00:27,240 --> 00:00:31,360 Speaker 3: But today we have a special guest, long time den 10 00:00:31,440 --> 00:00:33,839 Speaker 3: in Hip Hop Watcher, short time Patroon. 11 00:00:34,200 --> 00:00:37,879 Speaker 2: But he's all here. Riah, how you doing? Yeo? 12 00:00:38,040 --> 00:00:38,840 Speaker 4: Man, how y'all doing? 13 00:00:38,880 --> 00:00:39,120 Speaker 3: Man? 14 00:00:39,640 --> 00:00:41,880 Speaker 5: You know, thank you guys for having me plat form. 15 00:00:42,640 --> 00:00:46,479 Speaker 5: I've been watching, man, I'm very excited to be very 16 00:00:46,520 --> 00:00:47,120 Speaker 5: excited to be here. 17 00:00:47,120 --> 00:00:47,239 Speaker 3: Man. 18 00:00:47,240 --> 00:00:49,120 Speaker 5: It's a good album that we're going to talk about today. 19 00:00:49,159 --> 00:00:51,120 Speaker 5: But also, you know, a great platform. 20 00:00:51,280 --> 00:00:53,640 Speaker 3: That's what's uping, man, Appreciate it. Shout out. You know 21 00:00:53,640 --> 00:00:55,080 Speaker 3: what I'm saying, your socials and all that. 22 00:00:55,240 --> 00:00:55,480 Speaker 2: You know. 23 00:00:56,360 --> 00:00:59,080 Speaker 5: Yeah, see, I'm finding on all platforms. My name is 24 00:00:59,120 --> 00:01:03,560 Speaker 5: Oriyah our y age Instagram that will be r y 25 00:01:03,640 --> 00:01:07,800 Speaker 5: A h w A D Ride that wave. But from 26 00:01:07,800 --> 00:01:10,480 Speaker 5: there too, I'm a writer, I'm a musician. From my 27 00:01:10,600 --> 00:01:14,800 Speaker 5: music and all platforms. Apple Spotify or or y Age 28 00:01:15,640 --> 00:01:17,319 Speaker 5: and yeah, man from there. You know, I'm just I'm 29 00:01:17,319 --> 00:01:18,560 Speaker 5: just a hip hop fan at the end of the 30 00:01:18,640 --> 00:01:21,200 Speaker 5: day at my core. Man, you know, I just love 31 00:01:21,240 --> 00:01:22,080 Speaker 5: talking about rap man. 32 00:01:23,080 --> 00:01:24,039 Speaker 2: Yeah, that's man. 33 00:01:24,040 --> 00:01:26,679 Speaker 4: So he's saying he's a rap fan, He's a rap fan. Cad, 34 00:01:28,000 --> 00:01:28,880 Speaker 4: he's a rap fan. 35 00:01:29,160 --> 00:01:31,880 Speaker 3: But look, man, I'm I'm gonna let you start it off, 36 00:01:31,920 --> 00:01:33,480 Speaker 3: you know what I'm saying, Like, I don't put the 37 00:01:33,520 --> 00:01:43,040 Speaker 3: person for him. Hey, he ain't got no stage, right, 38 00:01:43,280 --> 00:01:49,680 Speaker 3: don't do that. 39 00:01:46,880 --> 00:01:50,360 Speaker 5: Overcause he's somebody that I've always He was a name 40 00:01:50,400 --> 00:01:53,400 Speaker 5: I've always been familiar with throughout the past few years, 41 00:01:53,440 --> 00:01:55,560 Speaker 5: but I never really took the time to really take 42 00:01:55,600 --> 00:01:58,480 Speaker 5: a deep dive into this catalog. But I know that 43 00:01:58,520 --> 00:02:01,280 Speaker 5: this album had a lot involvementticipation going into it too, 44 00:02:01,320 --> 00:02:02,360 Speaker 5: So I was really excited. 45 00:02:02,680 --> 00:02:04,520 Speaker 4: And I know last year too, I want. 46 00:02:04,400 --> 00:02:08,280 Speaker 5: To say around sometime towards the end of the year, 47 00:02:08,320 --> 00:02:11,480 Speaker 5: he had actually did a collab project with Cardo Uh, 48 00:02:11,560 --> 00:02:15,600 Speaker 5: the producer Carter got Wins released Yeah, So and I 49 00:02:15,600 --> 00:02:18,120 Speaker 5: know he's I know those two are pretty close and 50 00:02:18,120 --> 00:02:20,120 Speaker 5: he's kind of tapped in with that camp a little bit. 51 00:02:20,720 --> 00:02:22,600 Speaker 5: So I was like you know it kind of it 52 00:02:22,680 --> 00:02:25,280 Speaker 5: keeped my interest to check out the album, and there 53 00:02:25,320 --> 00:02:27,440 Speaker 5: were a couple of singles that released to I know. 54 00:02:27,560 --> 00:02:29,359 Speaker 4: I think it's the third song on the track with 55 00:02:29,520 --> 00:02:30,240 Speaker 4: small Talk. 56 00:02:30,080 --> 00:02:32,160 Speaker 1: That was on talk Yeyeah. 57 00:02:33,760 --> 00:02:37,679 Speaker 5: Yeah yeah, yeah, you know, everything everything so far was 58 00:02:37,760 --> 00:02:39,959 Speaker 5: sounding good single wise leading up to it, So I 59 00:02:40,000 --> 00:02:41,840 Speaker 5: was just pretty good for the album itself. And I 60 00:02:41,840 --> 00:02:45,240 Speaker 5: think one of my main takeaways as somebody that wasn't 61 00:02:45,480 --> 00:02:48,720 Speaker 5: heavily familiar with Overcast, I feel like it was a 62 00:02:48,760 --> 00:02:50,440 Speaker 5: good introductory project. 63 00:02:50,720 --> 00:02:53,120 Speaker 3: I one hundred percent agree with you there, because this 64 00:02:53,200 --> 00:02:56,560 Speaker 3: is my first introduction of Overcast, Like I think, I 65 00:02:56,560 --> 00:02:59,520 Speaker 3: think SETI obviously Sonny has been talking about him, but 66 00:02:59,639 --> 00:03:02,720 Speaker 3: like we've really haven't reviewed him like BS typically you're 67 00:03:02,800 --> 00:03:05,680 Speaker 3: like my main source. Yeah for mothers, I never heard 68 00:03:05,760 --> 00:03:06,000 Speaker 3: yeah this. 69 00:03:06,120 --> 00:03:07,800 Speaker 6: No, this was a band camp guy for me because 70 00:03:07,800 --> 00:03:10,320 Speaker 6: I was always band camp is a good sight I 71 00:03:10,440 --> 00:03:12,200 Speaker 6: always go to when I find out. So yeah, he 72 00:03:12,240 --> 00:03:15,480 Speaker 6: got a joint with Mavi and Navy Blue. It's an 73 00:03:15,520 --> 00:03:17,320 Speaker 6: album called try Again. That was the album that I 74 00:03:17,400 --> 00:03:20,320 Speaker 6: first heard him on band camp. I don't know if 75 00:03:20,360 --> 00:03:23,160 Speaker 6: it's on streaming, but it's on his band camp. So yeah, 76 00:03:23,160 --> 00:03:24,800 Speaker 6: that's that was my introduction to him. It's like an 77 00:03:24,840 --> 00:03:27,440 Speaker 6: eight track eight nine track album and he got those 78 00:03:27,440 --> 00:03:30,840 Speaker 6: he got he got Pink, Seafood, Navy Blue, and Mavi 79 00:03:31,040 --> 00:03:32,919 Speaker 6: on there. So yeah, y'all haven't checked that out. This 80 00:03:33,480 --> 00:03:35,880 Speaker 6: is on his band camp, which was it's called try Again. 81 00:03:36,600 --> 00:03:38,640 Speaker 2: Yeah yeah, check that one out. That was my introduction 82 00:03:38,640 --> 00:03:38,920 Speaker 2: to him. 83 00:03:39,000 --> 00:03:43,800 Speaker 6: Then he did some joints off of on Drake's Scary Hours. 84 00:03:44,080 --> 00:03:47,120 Speaker 6: That the latest one, the one that he dropped after 85 00:03:47,160 --> 00:03:49,480 Speaker 6: the album All My Dogs. And then you know, he 86 00:03:49,840 --> 00:03:52,840 Speaker 6: released like five songs Overcast produced like I think two 87 00:03:52,840 --> 00:03:53,160 Speaker 6: of those. 88 00:03:53,480 --> 00:03:54,000 Speaker 2: Yeah. 89 00:03:54,080 --> 00:03:57,760 Speaker 3: Also he produces, yeah yeah, how many of these joints 90 00:03:57,760 --> 00:03:58,360 Speaker 3: he produced? 91 00:03:58,800 --> 00:03:59,960 Speaker 4: So everything just. 92 00:03:59,880 --> 00:04:01,880 Speaker 2: A he's a producer rapper, Yeah he's yeah. 93 00:04:01,680 --> 00:04:05,400 Speaker 3: He's okay, hold on modified a little bit, Yeah, double 94 00:04:05,440 --> 00:04:06,600 Speaker 3: threat man. 95 00:04:06,720 --> 00:04:07,440 Speaker 1: I didn't know that. 96 00:04:07,600 --> 00:04:09,800 Speaker 3: I didn't know that, but no, alright, I agree with 97 00:04:09,840 --> 00:04:12,320 Speaker 3: you where this is a really good introduction. You know, 98 00:04:12,400 --> 00:04:15,240 Speaker 3: me always about feeling back layers and all of that stuff. 99 00:04:15,280 --> 00:04:17,360 Speaker 2: And he's definitely a vulnerable rapper. 100 00:04:17,839 --> 00:04:21,160 Speaker 1: And he has a certain bounce to him that I really. 101 00:04:21,000 --> 00:04:24,240 Speaker 6: Like, Okland man bounce, bro he got he got a. 102 00:04:24,240 --> 00:04:27,120 Speaker 3: Bounce to him, bro like and and and another thing 103 00:04:27,160 --> 00:04:31,400 Speaker 3: about him there there's a certain feeling in his voice 104 00:04:31,440 --> 00:04:33,160 Speaker 3: that I feel like you either. 105 00:04:33,000 --> 00:04:34,560 Speaker 4: Have it don't as a rapper. 106 00:04:34,839 --> 00:04:36,640 Speaker 3: You know what I'm saying, You could tell where him 107 00:04:36,800 --> 00:04:43,120 Speaker 3: is not manufactured bro, like he has this passion, this 108 00:04:43,120 --> 00:04:44,000 Speaker 3: this I don't want. 109 00:04:43,920 --> 00:04:44,760 Speaker 4: To say senitivity. 110 00:04:44,760 --> 00:04:46,080 Speaker 2: This sounds kind of effortless. 111 00:04:46,360 --> 00:04:49,920 Speaker 3: Yes, you know what I'm saying, Like he just he's 112 00:04:50,000 --> 00:04:50,840 Speaker 3: better than I thought. 113 00:04:50,880 --> 00:04:51,360 Speaker 4: You know what I'm saying. 114 00:04:51,440 --> 00:04:55,839 Speaker 1: I know that sound. He put him number one, but. 115 00:04:55,600 --> 00:04:58,960 Speaker 2: They got overcast. You know what I'm saying, good taste. 116 00:04:58,720 --> 00:05:00,680 Speaker 2: He knew he good. 117 00:05:00,560 --> 00:05:03,920 Speaker 3: Taste, but nah, Like I was definitely I was impressed. 118 00:05:03,960 --> 00:05:05,520 Speaker 3: I walked away from the thing like yo. 119 00:05:05,480 --> 00:05:05,640 Speaker 4: Like. 120 00:05:09,480 --> 00:05:14,039 Speaker 6: Cyber dropped the Dope verse Sam ra saying, yeah, me 121 00:05:14,080 --> 00:05:15,360 Speaker 6: and Sonny been champion here. 122 00:05:15,360 --> 00:05:21,039 Speaker 2: For a minute, and she was so damn yeah, this 123 00:05:21,120 --> 00:05:23,360 Speaker 2: is my first intro to. When I saw my view 124 00:05:23,360 --> 00:05:23,840 Speaker 2: on heir, I was. 125 00:05:23,760 --> 00:05:27,320 Speaker 6: Like, oh ship, okay, he tapped in bro overcast. 126 00:05:28,080 --> 00:05:31,719 Speaker 3: You know what's crazy, I'm mistake, not mistakenly, but it 127 00:05:31,760 --> 00:05:33,920 Speaker 3: popped up on my on my on my feet when 128 00:05:34,000 --> 00:05:36,240 Speaker 3: they strange ways did and. 129 00:05:36,720 --> 00:05:38,880 Speaker 2: I liked, I really like Vince on that. 130 00:05:39,040 --> 00:05:42,320 Speaker 3: But I don't think it's showcased Overcast the way the 131 00:05:42,440 --> 00:05:46,520 Speaker 3: album does so like so that was like my intro 132 00:05:47,000 --> 00:05:48,760 Speaker 3: to Overcast. I'm like, Okay, I'll get to him when 133 00:05:48,760 --> 00:05:50,720 Speaker 3: I get to him, because I feel like, you know, 134 00:05:50,920 --> 00:05:54,360 Speaker 3: Vince Staples shined the most there. But if I would 135 00:05:54,400 --> 00:05:57,720 Speaker 3: have heard any of these other songs, like I'd been like, oh, ship, 136 00:05:57,760 --> 00:06:00,480 Speaker 3: this dude was sucking dope because like again on that song, 137 00:06:00,560 --> 00:06:03,920 Speaker 3: and I just felt like he just kind of let 138 00:06:04,279 --> 00:06:04,479 Speaker 3: you know what. 139 00:06:04,440 --> 00:06:07,080 Speaker 2: I'm saying it just for whatever reason for that. 140 00:06:07,200 --> 00:06:09,160 Speaker 3: Yeah, yeah, yeah, it was more so like a producer 141 00:06:09,160 --> 00:06:11,640 Speaker 3: back and I didn't know he was a producer either. Yeah, 142 00:06:11,640 --> 00:06:14,840 Speaker 3: but nah, but yeah, man, I was pleasantly surprised when 143 00:06:14,839 --> 00:06:17,480 Speaker 3: I put this on. I was like, Yo, this is 144 00:06:17,520 --> 00:06:19,880 Speaker 3: this is fucking dope, Like this is really dope. 145 00:06:20,520 --> 00:06:22,720 Speaker 2: Like I did get to it. I just haven't. I 146 00:06:22,720 --> 00:06:23,240 Speaker 2: haven't really. 147 00:06:23,279 --> 00:06:25,200 Speaker 6: I just you know, some of the stuff we listened to, 148 00:06:25,600 --> 00:06:26,960 Speaker 6: I had a chance to get to it. I knew 149 00:06:27,000 --> 00:06:28,240 Speaker 6: it was when it was out. I was going to 150 00:06:28,320 --> 00:06:30,240 Speaker 6: check it out because I said this was early. I 151 00:06:30,279 --> 00:06:31,880 Speaker 6: think it was back in twenty twenty when I discovered 152 00:06:31,960 --> 00:06:34,440 Speaker 6: him on band camp and yeah, yeah, I just been 153 00:06:34,480 --> 00:06:35,760 Speaker 6: meaning to get to it, and I think when Sunny 154 00:06:35,800 --> 00:06:36,719 Speaker 6: put it on this number one, I. 155 00:06:36,680 --> 00:06:38,360 Speaker 3: Was like, yeah, let me let me go listen. I 156 00:06:38,520 --> 00:06:40,640 Speaker 3: really like this. This is right up my alley, like 157 00:06:40,640 --> 00:06:42,800 Speaker 3: you say, you got on. He got sob on here 158 00:06:43,520 --> 00:06:45,280 Speaker 3: like some of the singers that was that was like 159 00:06:45,320 --> 00:06:47,400 Speaker 3: the vocalist that was on. Man, this ship is like 160 00:06:47,560 --> 00:06:50,840 Speaker 3: right just the whole feeling of it, like, oh man, 161 00:06:51,240 --> 00:06:51,560 Speaker 3: it was. 162 00:06:51,600 --> 00:06:53,800 Speaker 2: It was really this was definitely a solid for It 163 00:06:54,279 --> 00:06:56,039 Speaker 2: was really good. I really I really enjoyed it. What 164 00:06:56,040 --> 00:06:58,480 Speaker 2: about you can come on? Come on? 165 00:06:58,560 --> 00:06:59,560 Speaker 1: Can no. 166 00:07:01,120 --> 00:07:01,640 Speaker 4: Going now? 167 00:07:02,120 --> 00:07:11,440 Speaker 3: No not company, No, there's no way, there's no way, no. 168 00:07:11,360 --> 00:07:15,520 Speaker 4: Way, there's no way. 169 00:07:15,760 --> 00:07:17,239 Speaker 2: Again, this is really good. Listen. 170 00:07:17,720 --> 00:07:20,600 Speaker 4: It's not a bad listen. Okay, you know I will 171 00:07:20,640 --> 00:07:21,000 Speaker 4: say that. 172 00:07:21,720 --> 00:07:26,160 Speaker 7: I think it's okay, Okay, I think it's okay. 173 00:07:26,680 --> 00:07:31,840 Speaker 3: You better than okay as yes, Yeah, it's like for me, 174 00:07:32,000 --> 00:07:35,680 Speaker 3: it's almost like how mab is kind of refreshing to me, 175 00:07:35,840 --> 00:07:38,480 Speaker 3: like it's it's right there with it. He's just like 176 00:07:38,520 --> 00:07:41,680 Speaker 3: the first time I heard like Sabbath, Like he's right there. Yeah, 177 00:07:41,800 --> 00:07:46,480 Speaker 3: Like it's the foundation is way higher than just okay, 178 00:07:46,680 --> 00:07:49,520 Speaker 3: like he he has a lot of runway, like he 179 00:07:49,600 --> 00:07:53,600 Speaker 3: can become really great like okay, an okay artist can 180 00:07:53,600 --> 00:07:55,560 Speaker 3: At this point, it's kind of like, well, I don't know, 181 00:07:56,040 --> 00:07:57,880 Speaker 3: you know, how much girls are, how bigger he could know. 182 00:07:58,200 --> 00:08:00,920 Speaker 3: I really feel like he can be one of those 183 00:08:00,920 --> 00:08:03,280 Speaker 3: guys that we're talking about two three years from now 184 00:08:03,320 --> 00:08:05,920 Speaker 3: that like he's grown to you know, his. 185 00:08:05,960 --> 00:08:08,560 Speaker 1: Peer group is elevated, like you. 186 00:08:08,280 --> 00:08:11,360 Speaker 2: You trip and he can wrap. 187 00:08:11,640 --> 00:08:14,200 Speaker 8: I think the production is fine, you know, I think 188 00:08:14,280 --> 00:08:16,760 Speaker 8: overall the album is fine too. 189 00:08:17,240 --> 00:08:17,840 Speaker 4: I just. 190 00:08:19,400 --> 00:08:23,600 Speaker 8: I didn't hear it. You didn't hear what exactly factor? 191 00:08:23,680 --> 00:08:27,200 Speaker 8: I definitely didn't hear top five. I know that's I 192 00:08:27,320 --> 00:08:30,120 Speaker 8: heard for Sonny, the top. 193 00:08:29,920 --> 00:08:30,520 Speaker 1: Five of the year. 194 00:08:30,560 --> 00:08:32,400 Speaker 2: I can easily see why this is in some people's 195 00:08:32,400 --> 00:08:32,800 Speaker 2: top five. 196 00:08:32,840 --> 00:08:34,680 Speaker 1: I can see why it's in Sonny's top five. 197 00:08:34,840 --> 00:08:37,560 Speaker 4: I can see why the chap was going crazy about 198 00:08:37,559 --> 00:08:40,120 Speaker 4: this dude too. I didn't even see the chat for YouTube. 199 00:08:40,840 --> 00:08:43,679 Speaker 4: I wouldn't say, you know, for the year itself. 200 00:08:43,800 --> 00:08:47,440 Speaker 5: Yes, I probably put it right on that fine, I 201 00:08:47,559 --> 00:08:51,520 Speaker 5: kind of mean, but I do think like it's not 202 00:08:51,559 --> 00:08:53,240 Speaker 5: like he does a lot of things that are like 203 00:08:53,440 --> 00:08:56,600 Speaker 5: maybe pushing the boundaries as far as the genre. But 204 00:08:56,640 --> 00:08:58,760 Speaker 5: I feel like you can definitely hear like you can 205 00:08:58,800 --> 00:09:01,400 Speaker 5: you can hear that he's he's student of the game 206 00:09:01,440 --> 00:09:01,800 Speaker 5: for sure. 207 00:09:02,360 --> 00:09:05,559 Speaker 4: He's definitely a student, for sure, and like. 208 00:09:04,679 --> 00:09:07,480 Speaker 5: There's a lot of cool whether it's just like the 209 00:09:07,480 --> 00:09:09,760 Speaker 5: things that he's talking about, and then just like how 210 00:09:09,880 --> 00:09:12,800 Speaker 5: the production. I mean, granted he made all the beats too, 211 00:09:12,840 --> 00:09:14,960 Speaker 5: but I don't know, I just feel like his style 212 00:09:15,040 --> 00:09:18,320 Speaker 5: of rap fits the production very well, and the kind 213 00:09:18,320 --> 00:09:22,040 Speaker 5: of things that he talks about are very relatable, especially 214 00:09:22,040 --> 00:09:24,679 Speaker 5: because I think me and him are similar in age. 215 00:09:25,040 --> 00:09:27,400 Speaker 5: At least for me, it definitely felt pretty at home, 216 00:09:27,559 --> 00:09:30,040 Speaker 5: like topic wise, you know, even just like little tidbits. 217 00:09:30,200 --> 00:09:34,480 Speaker 5: I know, he mentioned I think it's dog days, the 218 00:09:34,520 --> 00:09:37,120 Speaker 5: one with Saba, he had one line. I forget the 219 00:09:37,160 --> 00:09:40,079 Speaker 5: exact line. I don't want to misquoted, but he mentioned 220 00:09:40,080 --> 00:09:42,160 Speaker 5: how it was a goal of his getting his own place. 221 00:09:43,120 --> 00:09:46,319 Speaker 5: But what wasn't like, you know, unexpected, Like I guess 222 00:09:46,679 --> 00:09:48,199 Speaker 5: it sounded like based off the liriers, he had a 223 00:09:48,240 --> 00:09:49,800 Speaker 5: hard time keeping up with the payments. 224 00:09:50,160 --> 00:09:52,000 Speaker 4: And that's real, you know, it's nothing. 225 00:09:52,720 --> 00:09:54,440 Speaker 5: It wasn't like a line that had a lot of 226 00:09:54,960 --> 00:09:57,360 Speaker 5: It wasn't a crazy metaphor. It wasn't like a crazy 227 00:09:57,400 --> 00:09:58,080 Speaker 5: authentic but. 228 00:09:58,160 --> 00:09:58,840 Speaker 4: It's just I don't know. 229 00:09:59,400 --> 00:10:01,240 Speaker 5: It's just certain things that he says that just kind 230 00:10:01,240 --> 00:10:03,200 Speaker 5: of like hit close to home, I would say, And 231 00:10:03,200 --> 00:10:05,040 Speaker 5: I feel like it is starting to resonate with a 232 00:10:05,040 --> 00:10:06,640 Speaker 5: lot of people, especially my age. 233 00:10:07,679 --> 00:10:11,000 Speaker 4: Hold you again, so I'm not I'm twenty four. We 234 00:10:11,000 --> 00:10:12,600 Speaker 4: can cut this out if you don't want it out there. 235 00:10:12,600 --> 00:10:16,640 Speaker 4: But no, no, I don't mind. I'm twenty four. Oh yeah, 236 00:10:23,160 --> 00:10:26,040 Speaker 4: sometimes stuff can hit man. No, that's what I'm saying. 237 00:10:26,679 --> 00:10:30,240 Speaker 8: I understood his connection to that line because I remember 238 00:10:30,360 --> 00:10:34,120 Speaker 8: being twenty four, so that that ships fucking real. Yeah, 239 00:10:34,320 --> 00:10:36,280 Speaker 8: so I get I get the connection to it. What 240 00:10:36,320 --> 00:10:37,520 Speaker 8: you got about to ask me. 241 00:10:38,800 --> 00:10:41,000 Speaker 6: When he was just talking about the simplistic I'm like, 242 00:10:41,120 --> 00:10:43,440 Speaker 6: just like scarface, scarface is the exact same way we 243 00:10:43,480 --> 00:10:44,200 Speaker 6: love Scarface. 244 00:10:49,240 --> 00:10:51,400 Speaker 1: Yeah, simple lines that just that fucking hits. 245 00:10:51,920 --> 00:10:53,800 Speaker 5: You'd be like I was gonna say, I want to 246 00:10:53,800 --> 00:10:56,480 Speaker 5: give some credit to though, because he did also still like, 247 00:10:57,200 --> 00:10:59,080 Speaker 5: because Ken also acknowledge it that well, I feel like 248 00:10:59,120 --> 00:10:59,800 Speaker 5: he's wrapping it. 249 00:11:00,400 --> 00:11:03,120 Speaker 4: Was still overall solid though, despite. 250 00:11:02,760 --> 00:11:05,520 Speaker 5: Not being like, he's not really a tundra guy, and 251 00:11:05,559 --> 00:11:06,960 Speaker 5: I think it's okay for his life. 252 00:11:07,440 --> 00:11:09,560 Speaker 3: Everything doesn't have to be like that. Like you can 253 00:11:09,640 --> 00:11:11,840 Speaker 3: hear somebody straightening their face and they're gonna feel it. 254 00:11:11,840 --> 00:11:15,040 Speaker 3: And that's what That's the thing that I appreciated from Overcast. 255 00:11:15,080 --> 00:11:16,720 Speaker 3: You know what I'm saying, Like a lot of those lines, 256 00:11:16,760 --> 00:11:18,360 Speaker 3: and that's why I said, you know, peeling back the layer, 257 00:11:18,400 --> 00:11:20,880 Speaker 3: or not even peeling back the layers, just being honest, 258 00:11:20,960 --> 00:11:23,000 Speaker 3: just putting the layers here and be like, hey, what 259 00:11:23,000 --> 00:11:23,560 Speaker 3: I'm dealing with. 260 00:11:23,960 --> 00:11:25,480 Speaker 6: I like how he had I like how he kept 261 00:11:25,640 --> 00:11:27,360 Speaker 6: kind of kept a little old school, having some silly 262 00:11:27,400 --> 00:11:28,080 Speaker 6: skits in it too. 263 00:11:28,120 --> 00:11:28,360 Speaker 2: Yeah. 264 00:11:28,440 --> 00:11:33,280 Speaker 1: We were like, man, you had the music the Yeah, 265 00:11:33,520 --> 00:11:34,960 Speaker 1: I had played the song. Why do you think I 266 00:11:35,000 --> 00:11:37,319 Speaker 1: played the song for we already had a conversation and. 267 00:11:37,280 --> 00:11:39,040 Speaker 4: I'm playing the music talking. 268 00:11:38,800 --> 00:11:40,240 Speaker 2: Over I thought that was kind of cool. We having 269 00:11:40,240 --> 00:11:41,800 Speaker 2: a little bit of old school skits in there. Have 270 00:11:41,880 --> 00:11:43,359 Speaker 2: the skits where his mind praying. 271 00:11:43,080 --> 00:11:47,120 Speaker 8: For you know, I'll be honest for a second, man, 272 00:11:47,160 --> 00:11:52,600 Speaker 8: I thought you. I was like, oh, man, I thought 273 00:11:52,720 --> 00:11:54,760 Speaker 8: before I even met you, before you came, I was like, oh, 274 00:11:54,800 --> 00:11:56,640 Speaker 8: we got it. We got a patient want On the review, 275 00:11:56,960 --> 00:11:59,240 Speaker 8: I was like, man, he pitched his I was listening. 276 00:11:59,240 --> 00:12:01,199 Speaker 8: I was like, oh, I bet this is okay. This 277 00:12:01,280 --> 00:12:06,920 Speaker 8: is probably I said it probably him. Yeah, I didn't 278 00:12:06,920 --> 00:12:07,680 Speaker 8: hear what y'all. 279 00:12:08,080 --> 00:12:10,560 Speaker 2: Heard this, This is this is this is good, this 280 00:12:10,679 --> 00:12:11,440 Speaker 2: is this is good. 281 00:12:11,600 --> 00:12:13,000 Speaker 4: But but I also agree. 282 00:12:12,720 --> 00:12:16,320 Speaker 3: With you, like and you know, the chat was going crazy, 283 00:12:17,000 --> 00:12:19,920 Speaker 3: But I could see top five for certain for people 284 00:12:20,800 --> 00:12:23,240 Speaker 3: say it wouldn't it wouldn't be in my top five. 285 00:12:24,000 --> 00:12:27,320 Speaker 8: If somebody puts the album in their top five, then 286 00:12:27,520 --> 00:12:29,960 Speaker 8: when I put the album on, I need to hear 287 00:12:30,360 --> 00:12:35,160 Speaker 8: top five material, not not necessarily where I would agree 288 00:12:35,200 --> 00:12:37,439 Speaker 8: with it. But I'm like, Okay, yeah, I hear it. It 289 00:12:37,440 --> 00:12:39,920 Speaker 8: wouldn't be in mind, but I but I hear the 290 00:12:39,960 --> 00:12:40,800 Speaker 8: top five. 291 00:12:40,679 --> 00:12:43,920 Speaker 4: Worthyness in this. You just don't hear I hear plain 292 00:12:44,360 --> 00:12:46,200 Speaker 4: average sounding album. 293 00:12:46,480 --> 00:12:52,760 Speaker 3: No, That's why I'm just I'm associating myself with you. 294 00:12:53,040 --> 00:12:54,120 Speaker 1: I don't hear top. 295 00:12:53,920 --> 00:12:57,080 Speaker 3: Five either can but it's but it's but it's better 296 00:12:57,120 --> 00:12:58,520 Speaker 3: than what you're explaining. 297 00:12:58,800 --> 00:13:01,040 Speaker 2: Yeah, it's way but than what you're explaining. 298 00:13:01,840 --> 00:13:02,600 Speaker 1: Yeah, like that. 299 00:13:04,080 --> 00:13:08,520 Speaker 3: Disrespectful how because it feels like it feels like Jed 300 00:13:08,600 --> 00:13:09,480 Speaker 3: To me, it's feels. 301 00:13:09,240 --> 00:13:11,319 Speaker 2: Like the first time I heard no No. 302 00:13:11,480 --> 00:13:13,760 Speaker 3: It feelt like the first time I heard Jed, Like 303 00:13:13,760 --> 00:13:17,000 Speaker 3: like I think Jid Jed wasn't an acquired taste for 304 00:13:17,040 --> 00:13:19,439 Speaker 3: some people, especially his voice when he first came out. 305 00:13:19,600 --> 00:13:22,320 Speaker 2: But it was a very solid project. This is a 306 00:13:22,320 --> 00:13:25,960 Speaker 2: fucking solid project. That's That's what I mean by that. 307 00:13:26,040 --> 00:13:27,840 Speaker 2: I'm not saying that he's Jid level. 308 00:13:27,880 --> 00:13:31,320 Speaker 3: I'm not saying that he's he has Jed lyrical ability. 309 00:13:31,320 --> 00:13:33,760 Speaker 3: I think he has his own thing. I'm just saying 310 00:13:33,800 --> 00:13:36,360 Speaker 3: I had a similar feeling to like, oh man, I 311 00:13:36,400 --> 00:13:38,600 Speaker 3: want to hear something else from this guy. That's how 312 00:13:38,640 --> 00:13:40,880 Speaker 3: I felt about Jed. I want to hear some something 313 00:13:40,880 --> 00:13:43,000 Speaker 3: else from Overcast. I'm going to go back and listen 314 00:13:43,000 --> 00:13:45,400 Speaker 3: to the rest of his music. That's how I like him. 315 00:13:45,400 --> 00:13:46,760 Speaker 3: It's not just like, oh man, we had to do 316 00:13:46,800 --> 00:13:49,720 Speaker 3: this for this review, Na, this ship is he did 317 00:13:50,440 --> 00:13:53,520 Speaker 3: He produced Red Button for Drake no clue. 318 00:13:53,600 --> 00:13:56,520 Speaker 2: This is the guy that did that. That's crazy you 319 00:13:56,600 --> 00:14:01,040 Speaker 2: and Brad Buddy. Red Button was great. Just look like that. 320 00:14:01,280 --> 00:14:07,680 Speaker 4: I'm gonna be with this album about to be That 321 00:14:07,840 --> 00:14:11,840 Speaker 4: is what super disrespected. 322 00:14:12,000 --> 00:14:15,680 Speaker 2: But it's cool because man, this dude is talented. 323 00:14:16,200 --> 00:14:18,440 Speaker 6: Telling I'm glad he got four people that that that 324 00:14:18,600 --> 00:14:19,160 Speaker 6: enjoyed it out. 325 00:14:19,680 --> 00:14:24,160 Speaker 4: Yes, I'm glad you're here too. Jesus Christ. No, the 326 00:14:24,240 --> 00:14:27,600 Speaker 4: talent is there. He can wrap. I was, he can produce. 327 00:14:28,320 --> 00:14:33,880 Speaker 3: You know, it felt it sounded wholesome, like especially add 328 00:14:34,000 --> 00:14:38,360 Speaker 3: his mom in it, like like the skids, like the 329 00:14:38,400 --> 00:14:41,240 Speaker 3: stuff that he hit, the subject matter, the content. 330 00:14:41,720 --> 00:14:43,160 Speaker 2: It just sounded very wholesome. 331 00:14:43,200 --> 00:14:45,560 Speaker 3: Man, it sounded like I don't know the guy, but 332 00:14:45,600 --> 00:14:46,840 Speaker 3: it sounded like it would be him. 333 00:14:47,360 --> 00:14:49,480 Speaker 2: It is sound like he was trying to be anybody else. 334 00:14:50,000 --> 00:14:50,640 Speaker 1: And that's what I. 335 00:14:50,640 --> 00:14:52,760 Speaker 3: Really and that's what I felt about Jed, like like 336 00:14:52,760 --> 00:14:55,640 Speaker 3: like that's why I compare, Like like, I know, I 337 00:14:55,640 --> 00:14:57,320 Speaker 3: know it sounded crazy when I said I know what 338 00:14:57,400 --> 00:14:59,840 Speaker 3: you know, but when I heard for the first time, like, man, 339 00:14:59,840 --> 00:15:02,960 Speaker 3: this dude is unique, I like him. Same thing with him. 340 00:15:03,080 --> 00:15:05,240 Speaker 3: I like this dude. I really like this dude, and 341 00:15:05,280 --> 00:15:07,160 Speaker 3: I really want to and I feel what you're saying about. 342 00:15:07,240 --> 00:15:10,120 Speaker 3: You can see him being on a certain trajectory or 343 00:15:10,160 --> 00:15:14,080 Speaker 3: whatever with this new school of younger rappers or whatever. 344 00:15:14,160 --> 00:15:16,160 Speaker 2: He falls right into that bucket. I would not be 345 00:15:16,280 --> 00:15:16,680 Speaker 2: mad if. 346 00:15:16,560 --> 00:15:20,080 Speaker 3: They started putting overcast name into that bucket. It's all 347 00:15:20,160 --> 00:15:23,440 Speaker 3: I'm saying. I wouldn't say he has to win me 348 00:15:23,480 --> 00:15:26,960 Speaker 3: over more. Really, Yeah, Like I can't say I mess 349 00:15:27,000 --> 00:15:27,520 Speaker 3: with him heavy. 350 00:15:27,520 --> 00:15:30,120 Speaker 1: But for your introduction, you like introduction, Yeah, yeah. 351 00:15:30,000 --> 00:15:33,600 Speaker 4: I like yeah, I like check him out like a slot. 352 00:15:34,520 --> 00:15:36,920 Speaker 2: I am definitely replayed bloody right now. 353 00:15:36,960 --> 00:15:40,040 Speaker 3: It's high for me because I'm literally going to go 354 00:15:40,360 --> 00:15:41,840 Speaker 3: and listen to his stuff. 355 00:15:42,520 --> 00:15:44,200 Speaker 2: Like actively, go listen to this stuff. 356 00:15:44,920 --> 00:15:50,160 Speaker 1: You know, is anything else you want to say before 357 00:15:50,160 --> 00:15:50,720 Speaker 1: you get to the. 358 00:15:50,640 --> 00:15:54,720 Speaker 5: Grades, I will say too, like, because I do really 359 00:15:54,800 --> 00:15:56,840 Speaker 5: enjoy the project and I liked it. I liked it 360 00:15:56,880 --> 00:15:59,800 Speaker 5: when it initially came out, but getting ready for this 361 00:16:00,720 --> 00:16:05,120 Speaker 5: you made me appreciate a lot more. It made me 362 00:16:05,120 --> 00:16:07,360 Speaker 5: appreciate a lot more, just like his subject matter, but 363 00:16:07,520 --> 00:16:09,000 Speaker 5: other little things about the project. 364 00:16:09,560 --> 00:16:10,600 Speaker 4: I think one. 365 00:16:10,400 --> 00:16:12,800 Speaker 5: Thing that you guys kind of hinto that earlier though, 366 00:16:12,880 --> 00:16:15,440 Speaker 5: that I would add like because then, even like how 367 00:16:15,440 --> 00:16:20,800 Speaker 5: you said, how strange ways, strange ways, I feel like 368 00:16:22,120 --> 00:16:24,360 Speaker 5: even a song like that, And same thing with small 369 00:16:24,440 --> 00:16:28,200 Speaker 5: Talk too. It's not really a fault of Overcast himself, 370 00:16:29,000 --> 00:16:32,320 Speaker 5: but sometimes I do feel like the features outshine and 371 00:16:32,720 --> 00:16:35,440 Speaker 5: I and I started feeling less like it the more 372 00:16:35,480 --> 00:16:39,480 Speaker 5: I listened to the project, but I can't lie. I 373 00:16:39,520 --> 00:16:41,960 Speaker 5: feel like like Mave definitely got him on that collab. 374 00:16:42,400 --> 00:16:45,040 Speaker 5: I feel like Samar definitely got him in that collab. 375 00:16:44,800 --> 00:16:46,320 Speaker 2: And I want him to produce her. 376 00:16:46,680 --> 00:16:48,600 Speaker 6: I want him to do a whole out with with Smart. 377 00:16:48,640 --> 00:16:49,600 Speaker 2: I want him doing work. 378 00:16:49,840 --> 00:16:51,840 Speaker 5: No, And that's what I was gonna say too, because 379 00:16:51,840 --> 00:16:55,160 Speaker 5: then I also think some of it is not that 380 00:16:55,240 --> 00:16:57,240 Speaker 5: he's letting them kind of steal the show, but I 381 00:16:57,240 --> 00:16:59,560 Speaker 5: wonder if someone it's just his producer brain just kind 382 00:16:59,560 --> 00:17:01,800 Speaker 5: of like let me, you. 383 00:17:01,760 --> 00:17:03,520 Speaker 2: Know, that's what I think. I think. 384 00:17:03,840 --> 00:17:05,600 Speaker 6: I think with artists that dope, I think he kind 385 00:17:05,640 --> 00:17:08,960 Speaker 6: of gotten this producer back for those for those particular features. 386 00:17:09,000 --> 00:17:10,840 Speaker 6: I think it's a good it's a good showcase album 387 00:17:10,840 --> 00:17:13,160 Speaker 6: from it's a showcase on from that look, I'm still 388 00:17:13,240 --> 00:17:14,800 Speaker 6: nice on you know, I'm nice on the on the 389 00:17:14,840 --> 00:17:16,680 Speaker 6: on the mic, and I'm nice on these beats. 390 00:17:16,720 --> 00:17:17,680 Speaker 2: So I think this is a good. 391 00:17:17,600 --> 00:17:19,280 Speaker 6: Way for him to mix it up and kind of 392 00:17:19,320 --> 00:17:21,959 Speaker 6: step back on some of those bigger features that's on 393 00:17:22,000 --> 00:17:22,480 Speaker 6: his album. 394 00:17:22,640 --> 00:17:25,440 Speaker 5: And also too, I won't go with into because I 395 00:17:25,440 --> 00:17:27,440 Speaker 5: know we're gonna get into the grades and whatnot as well, 396 00:17:27,480 --> 00:17:29,280 Speaker 5: but I just wanted to give him credit to as 397 00:17:29,359 --> 00:17:33,000 Speaker 5: well for the production. I really like the I mean, 398 00:17:33,040 --> 00:17:35,960 Speaker 5: this style of production is of my anyways, but I 399 00:17:36,000 --> 00:17:37,800 Speaker 5: do feel like he did a really good job off 400 00:17:37,880 --> 00:17:39,440 Speaker 5: wrapping the beats on here as well. 401 00:17:39,600 --> 00:17:43,480 Speaker 2: Yeah, I agree. All right, so sounds like it's a 402 00:17:43,520 --> 00:17:46,200 Speaker 2: great time here. 403 00:17:46,200 --> 00:17:49,800 Speaker 1: We go about to get super disrespectful. 404 00:17:49,680 --> 00:17:55,160 Speaker 7: Man, I know you won't, all right, So look, if 405 00:17:55,160 --> 00:17:58,320 Speaker 7: this is your first time here, regreading the flow, lyrics, production, 406 00:17:58,480 --> 00:18:00,760 Speaker 7: the features, the execution, replay. 407 00:18:00,480 --> 00:18:03,520 Speaker 3: Value in the overall, all right, I'm gonna start it 408 00:18:03,560 --> 00:18:04,359 Speaker 3: off with the flow. 409 00:18:06,040 --> 00:18:07,120 Speaker 4: Give me a B plus. 410 00:18:08,960 --> 00:18:11,840 Speaker 3: Yeah, I'm with you, B plus on the flow, solid flow. Man, 411 00:18:12,400 --> 00:18:14,639 Speaker 3: I rocked with the flow. I'm gonna go be with 412 00:18:14,680 --> 00:18:15,040 Speaker 3: the flow. 413 00:18:16,960 --> 00:18:17,800 Speaker 2: Can can. 414 00:18:19,200 --> 00:18:19,600 Speaker 4: Plus. 415 00:18:20,119 --> 00:18:23,520 Speaker 2: Holy moment, Ariyah. 416 00:18:23,680 --> 00:18:27,360 Speaker 4: I was originally thinking be I gotta go be plus though, 417 00:18:27,520 --> 00:18:30,760 Speaker 4: I gotta go be plus. That's that's the right grade. 418 00:18:31,200 --> 00:18:36,640 Speaker 3: Be plus yere b plus plus even. 419 00:18:38,520 --> 00:18:41,720 Speaker 4: Ariyah. What about the lyrics? What are your great in 420 00:18:41,760 --> 00:18:42,280 Speaker 4: the lyrics? 421 00:18:42,960 --> 00:18:47,080 Speaker 5: Lyrics? I ended up staying at a b uh for 422 00:18:47,280 --> 00:18:51,680 Speaker 5: lyrics I have. I'll be minus o girl, I gotta 423 00:18:51,720 --> 00:18:52,600 Speaker 5: be minus not bad. 424 00:18:52,760 --> 00:18:55,280 Speaker 4: Yeah good, I gotta be minus as well. 425 00:18:57,000 --> 00:18:59,640 Speaker 3: Yeah, I'm gonna go with solid B on lyrics. It's 426 00:18:59,680 --> 00:19:03,159 Speaker 3: not in know, it's not like overly complex. But like 427 00:19:03,160 --> 00:19:05,080 Speaker 3: I said, I like the subject matter. I like what 428 00:19:05,119 --> 00:19:07,600 Speaker 3: he's rapping about. So I'm gonna go a solid B. 429 00:19:08,720 --> 00:19:10,919 Speaker 3: I'm in the same boat with you, my brother, I 430 00:19:10,960 --> 00:19:13,440 Speaker 3: got a solid bee for every reason that you just named. 431 00:19:13,480 --> 00:19:18,200 Speaker 3: As well production, I'm all sorry to be on production. 432 00:19:18,840 --> 00:19:21,560 Speaker 3: I'm gonna go be plus on production. I actually like 433 00:19:21,600 --> 00:19:24,040 Speaker 3: how it sounds. I like the sound skate, all right, 434 00:19:24,160 --> 00:19:27,680 Speaker 3: so I'm going be plus as well production. He's good, man, 435 00:19:28,600 --> 00:19:31,600 Speaker 3: I didn't know it was him. Like, that's crazy. I 436 00:19:31,640 --> 00:19:32,840 Speaker 3: didn't know it was his production. 437 00:19:34,680 --> 00:19:39,400 Speaker 8: Oh ship, he he raises. 438 00:19:40,320 --> 00:19:42,600 Speaker 4: I'm just talking as a B plus. 439 00:19:42,680 --> 00:19:43,359 Speaker 2: That's that's. 440 00:19:45,359 --> 00:19:46,359 Speaker 4: Plus A. 441 00:19:48,359 --> 00:19:53,400 Speaker 2: Good producer. It's good. He's a good producer. Man. I'm 442 00:19:53,440 --> 00:19:55,720 Speaker 2: gonna pua like red button after so you can hear it. Like, 443 00:19:55,880 --> 00:19:57,240 Speaker 2: how good a producer he is? 444 00:19:58,160 --> 00:20:03,480 Speaker 5: Riah A production, I'm gonna say production. I'm gonna give 445 00:20:03,480 --> 00:20:05,000 Speaker 5: it a I'm pretty high on the production. 446 00:20:05,280 --> 00:20:06,520 Speaker 4: I'm pretty okay. 447 00:20:06,680 --> 00:20:13,640 Speaker 5: Look a B plus originally, but now, man, I don't 448 00:20:13,640 --> 00:20:16,480 Speaker 5: know it's it's a style of production that's already up 449 00:20:16,480 --> 00:20:17,000 Speaker 5: my alley. 450 00:20:17,240 --> 00:20:18,560 Speaker 4: But it's also just well produced. 451 00:20:19,800 --> 00:20:28,600 Speaker 2: Yeah it is. I think it's good, kid. All right, 452 00:20:28,680 --> 00:20:30,760 Speaker 2: what are you? What are you grading the features? 453 00:20:31,560 --> 00:20:34,959 Speaker 5: So I'm gonna give Features an a minus, And the 454 00:20:35,000 --> 00:20:37,480 Speaker 5: only reason why I'm giving it an a minus is 455 00:20:38,400 --> 00:20:41,679 Speaker 5: I think everybody I think all the features are great. 456 00:20:42,040 --> 00:20:44,159 Speaker 5: The only thing, and this could just be me and 457 00:20:44,240 --> 00:20:47,960 Speaker 5: my own hues. I feel like Vince on strange ways. 458 00:20:48,119 --> 00:20:50,719 Speaker 5: I do like his feature. I feel like he's always 459 00:20:50,720 --> 00:20:52,160 Speaker 5: sounded a little I don't. 460 00:20:52,000 --> 00:20:58,800 Speaker 8: Know, I don't know what he's saying, okay out of. 461 00:20:58,720 --> 00:21:00,879 Speaker 4: The song a little bit so, but that's more of 462 00:21:00,960 --> 00:21:02,439 Speaker 4: like a personal like kind of. 463 00:21:02,440 --> 00:21:07,159 Speaker 8: Great, gotcha it nces did sound weird, like almost like 464 00:21:07,200 --> 00:21:09,879 Speaker 8: he didn't want to be there, kind of like you. 465 00:21:13,480 --> 00:21:15,440 Speaker 4: So I'm just playing. I'm just playing with that. 466 00:21:15,560 --> 00:21:17,280 Speaker 2: Said where you at on. 467 00:21:16,960 --> 00:21:20,000 Speaker 8: Features, I'm excuted to be plus on the features. So 468 00:21:20,240 --> 00:21:23,399 Speaker 8: what I will say is is right, I do agree 469 00:21:23,440 --> 00:21:26,280 Speaker 8: with you on that part of it. In terms of 470 00:21:26,320 --> 00:21:31,240 Speaker 8: this album, like I could definitely see the producer angle 471 00:21:31,280 --> 00:21:33,359 Speaker 8: for him, like he can rap two. I'm not just 472 00:21:33,480 --> 00:21:36,879 Speaker 8: bribing a rapping ability. I'm just talking about the project overraw. 473 00:21:36,920 --> 00:21:40,080 Speaker 8: But yeah, in terms of the features, like him producing 474 00:21:40,200 --> 00:21:43,400 Speaker 8: for other rappers, I can see that and I heard it. 475 00:21:43,400 --> 00:21:45,399 Speaker 4: It was very evident for me on the feature. So 476 00:21:45,920 --> 00:21:47,760 Speaker 4: I did like features a lot be plus. 477 00:21:47,560 --> 00:21:50,800 Speaker 6: For me, yes, be plus on the features. Okay, I 478 00:21:50,800 --> 00:21:54,240 Speaker 6: agree with you. This time can be plus on the features. 479 00:21:55,080 --> 00:21:59,959 Speaker 6: I'm going solid because I just don't nobody. Nobody slouts 480 00:22:00,119 --> 00:22:02,600 Speaker 6: to me. I think everybody did what they're supposed to do. 481 00:22:02,640 --> 00:22:06,400 Speaker 3: They added to the songs and yeah, it was very 482 00:22:06,440 --> 00:22:07,119 Speaker 3: solid features. 483 00:22:07,119 --> 00:22:08,399 Speaker 2: I think he knew exactly who. 484 00:22:08,280 --> 00:22:10,160 Speaker 4: To add on this album. 485 00:22:10,359 --> 00:22:13,520 Speaker 3: Yeah, I'm at a B plus. I better be plus 486 00:22:13,600 --> 00:22:15,960 Speaker 3: on the features. I agree with every what everybody said. 487 00:22:16,240 --> 00:22:20,359 Speaker 3: Everybody came and did their job. Execution I better be 488 00:22:20,440 --> 00:22:25,600 Speaker 3: plus as well. Execution I'm actually at an A minus 489 00:22:25,880 --> 00:22:28,840 Speaker 3: on that. I feel like he sought out exactly what 490 00:22:28,960 --> 00:22:29,880 Speaker 3: he meant to do. 491 00:22:30,600 --> 00:22:33,240 Speaker 2: The soundscape was great, he wrapped over it well. 492 00:22:34,680 --> 00:22:38,920 Speaker 3: I feel like the skits helped sew everything together. Yeah, 493 00:22:39,000 --> 00:22:45,320 Speaker 3: execution was was was was a grade for me a minus, and. 494 00:22:44,960 --> 00:22:48,400 Speaker 2: So sequencing for me giving it a B plus as well. Well, 495 00:22:48,440 --> 00:22:50,040 Speaker 2: not as well, but I'm going to be plased below 496 00:22:50,359 --> 00:22:50,840 Speaker 2: right right. 497 00:22:51,040 --> 00:22:57,399 Speaker 8: Everyone else, I am at a B with execution, Okay, Riah, 498 00:22:57,760 --> 00:23:00,320 Speaker 8: I think I think I'm also atitution. 499 00:23:00,720 --> 00:23:04,800 Speaker 5: I think that the sequencing itself was really dope. I 500 00:23:04,840 --> 00:23:06,480 Speaker 5: think it's really well sequenced. 501 00:23:06,800 --> 00:23:07,400 Speaker 4: I think. 502 00:23:08,720 --> 00:23:11,840 Speaker 5: In contrast, as far as the skits, I feel like 503 00:23:12,040 --> 00:23:14,000 Speaker 5: I and this could be a fault of my own 504 00:23:14,040 --> 00:23:17,480 Speaker 5: listening comprehension, but sometimes the skits took me out of it. 505 00:23:18,440 --> 00:23:21,239 Speaker 5: I did like the personal motif element of it, but 506 00:23:21,800 --> 00:23:23,440 Speaker 5: it could just be me. I felt like there might 507 00:23:23,440 --> 00:23:27,679 Speaker 5: have been a deeper story like going on that I 508 00:23:27,720 --> 00:23:30,320 Speaker 5: didn't catch, and that could completely be on beat if 509 00:23:30,320 --> 00:23:34,879 Speaker 5: Overcast is listening, but if it wasn't supposed to be 510 00:23:34,960 --> 00:23:38,000 Speaker 5: a certain narrative to be followed or anything like that, 511 00:23:38,040 --> 00:23:39,960 Speaker 5: I probably go a little bit higher. But it does 512 00:23:40,080 --> 00:23:42,600 Speaker 5: sound like there might be something else there that I 513 00:23:42,680 --> 00:23:44,920 Speaker 5: hasn't cut off for the listening. 514 00:23:45,400 --> 00:23:49,160 Speaker 2: All right. Replay value, yeah, replay. 515 00:23:48,880 --> 00:23:52,560 Speaker 5: Value, Yeah, I'm gonna go ahead. I'm gonna go I'm 516 00:23:52,560 --> 00:23:55,280 Speaker 5: gonna go with solid beat. I'm gonna solid be. 517 00:23:55,320 --> 00:23:59,520 Speaker 4: On replay value. You don't gotta do all that. 518 00:23:59,640 --> 00:24:07,119 Speaker 2: But damn, that's not surprising. It's not surprising. It's not 519 00:24:07,240 --> 00:24:12,520 Speaker 2: a couple of tea. Yeah. Yeah, my replay value is 520 00:24:12,520 --> 00:24:18,240 Speaker 2: a B solid B. My replay value is actually a 521 00:24:22,320 --> 00:24:23,800 Speaker 2: this is this is very interesting. 522 00:24:24,280 --> 00:24:25,919 Speaker 1: We're like kind of all over the place. 523 00:24:25,960 --> 00:24:27,840 Speaker 2: It's an a man like I said, this dude is 524 00:24:27,920 --> 00:24:32,000 Speaker 2: right up my alley. The music he's making is. 525 00:24:32,000 --> 00:24:35,360 Speaker 3: Something that I would absolutely go to. Like I said, 526 00:24:35,359 --> 00:24:37,720 Speaker 3: he's in, He's right there with the artist that I 527 00:24:37,760 --> 00:24:41,560 Speaker 3: listened to, the Mavis, the Sabas. Yeah, this is a 528 00:24:41,600 --> 00:24:42,800 Speaker 3: guy that I would go listen to. 529 00:24:44,760 --> 00:24:50,399 Speaker 2: M Yeah that high. I'm a be. 530 00:24:52,160 --> 00:24:56,600 Speaker 3: On replay value. So I'm out a by same as me. Yeah, 531 00:24:56,800 --> 00:24:59,720 Speaker 3: I like it, you know, super solid. I want to 532 00:24:59,720 --> 00:25:02,119 Speaker 3: go come out, but I'm super solid. 533 00:25:02,400 --> 00:25:04,800 Speaker 2: Super solid, he said, damn super solid. 534 00:25:05,320 --> 00:25:08,240 Speaker 3: Yeah, you said he needed more. Yeah for me, I don't. 535 00:25:08,320 --> 00:25:11,520 Speaker 3: I'm sold. So I'm sold, like I'm not at a bet. 536 00:25:11,640 --> 00:25:15,359 Speaker 3: He cashed out care Oh my god, what that means? 537 00:25:15,920 --> 00:25:18,040 Speaker 4: He's playing the name bro se. 538 00:25:19,040 --> 00:25:23,040 Speaker 2: Yeah, alright. 539 00:25:23,160 --> 00:25:28,240 Speaker 3: Overall for me, I gotta be. Overall for me is 540 00:25:28,280 --> 00:25:30,639 Speaker 3: a B plus. I almost give him a minus, bro, 541 00:25:30,800 --> 00:25:33,719 Speaker 3: but I had too many bees. So yeah, overall, I'm 542 00:25:33,720 --> 00:25:36,080 Speaker 3: gonna give him a B plus. I like this dude, man, 543 00:25:36,240 --> 00:25:38,240 Speaker 3: I really like this dude. He has a new he 544 00:25:38,280 --> 00:25:39,199 Speaker 3: has a new fan in me. 545 00:25:41,000 --> 00:25:43,440 Speaker 2: Yeah, I'm with you. B plus for overall. 546 00:25:43,119 --> 00:25:46,360 Speaker 4: As well, I gave him plus overall. 547 00:25:46,800 --> 00:25:51,760 Speaker 5: Okay, right, I'm go ahead and give him a B plus. 548 00:25:52,200 --> 00:25:59,120 Speaker 3: Okay, So okay, I feel like I didn't anticipate this happening. 549 00:25:59,320 --> 00:26:02,800 Speaker 3: What do you mean what part like it being so polarizing, 550 00:26:03,240 --> 00:26:07,359 Speaker 3: like Ken being so low on him, you being so 551 00:26:07,520 --> 00:26:09,080 Speaker 3: high on in me and be kind of being in 552 00:26:09,119 --> 00:26:09,600 Speaker 3: the middle. 553 00:26:09,640 --> 00:26:11,520 Speaker 1: So my riots kind of like in the middle too. 554 00:26:11,880 --> 00:26:13,080 Speaker 2: But like you. 555 00:26:12,920 --> 00:26:17,200 Speaker 3: Guys like you're you're you so you like you got 556 00:26:17,240 --> 00:26:17,760 Speaker 3: all the stock. 557 00:26:17,880 --> 00:26:18,879 Speaker 2: I bought all the stock. 558 00:26:19,440 --> 00:26:23,040 Speaker 3: It was it was refreshing to hear man like, like, 559 00:26:23,119 --> 00:26:26,120 Speaker 3: I like guys like this. And I think it was 560 00:26:26,200 --> 00:26:29,760 Speaker 3: the MAVI and the sap of features. It's like, Okay, 561 00:26:30,359 --> 00:26:32,840 Speaker 3: they messed with him. It's a reason that they messed 562 00:26:32,840 --> 00:26:36,720 Speaker 3: with him. And I felt like, you know, he held 563 00:26:36,720 --> 00:26:39,000 Speaker 3: his own on record with him. Now, he's not a 564 00:26:39,000 --> 00:26:42,919 Speaker 3: Seasons as a Sober or MAVI, but I could see 565 00:26:43,040 --> 00:26:45,680 Speaker 3: him being in that same school and I like it. 566 00:26:46,280 --> 00:26:48,199 Speaker 3: I like it a lot. It makes me want to 567 00:26:48,280 --> 00:26:50,480 Speaker 3: go listen listen. 568 00:26:50,320 --> 00:26:53,720 Speaker 8: To more of his music. You nailed it, You nailed 569 00:26:53,760 --> 00:27:00,240 Speaker 8: it seasoned, Okay, Yeah, that's what's missing for me. 570 00:27:01,440 --> 00:27:01,760 Speaker 1: Land. 571 00:27:02,840 --> 00:27:06,360 Speaker 8: It's not that he's what's this like his third. 572 00:27:06,400 --> 00:27:10,159 Speaker 2: Project and something like that, Yeah, third or fourth? 573 00:27:10,320 --> 00:27:13,440 Speaker 3: Yeah, you don't mean season like like as in as 574 00:27:13,440 --> 00:27:16,359 Speaker 3: in Salt and Pepper. You mean season as in like 575 00:27:16,560 --> 00:27:18,120 Speaker 3: a season rappers. 576 00:27:17,640 --> 00:27:19,040 Speaker 2: For doing it for a while. 577 00:27:19,720 --> 00:27:23,359 Speaker 4: Yeah, exactly. That is the experience. 578 00:27:23,560 --> 00:27:26,320 Speaker 8: Like he started out the gate, You're like, okay, yeah, 579 00:27:26,320 --> 00:27:29,320 Speaker 8: there's there's talent there. I see it, but you know, 580 00:27:29,920 --> 00:27:32,479 Speaker 8: a couple of more reps in the jam b you know. 581 00:27:32,760 --> 00:27:35,200 Speaker 8: But and I guess I'm giving him grace. 582 00:27:35,560 --> 00:27:38,280 Speaker 3: It's like I can see it because because. 583 00:27:38,080 --> 00:27:40,120 Speaker 2: I feel like Jed wasn't always just there. 584 00:27:40,160 --> 00:27:40,600 Speaker 4: I don't think. 585 00:27:40,600 --> 00:27:42,720 Speaker 3: I think he still had a little bit of room 586 00:27:42,800 --> 00:27:45,399 Speaker 3: to grow. And I feel like that with him, he 587 00:27:45,480 --> 00:27:47,800 Speaker 3: has room to grow. I could see him being better 588 00:27:47,840 --> 00:27:49,639 Speaker 3: than what I felt like on this album. 589 00:27:50,080 --> 00:27:53,199 Speaker 8: I don't hear that yet, but but yeah, when you 590 00:27:53,240 --> 00:27:55,720 Speaker 8: said season, I was like, Okay, that's it. And it's 591 00:27:55,720 --> 00:27:58,480 Speaker 8: like when I hear him up against like Maby, like 592 00:27:58,520 --> 00:28:00,920 Speaker 8: when I see Mobby, I was like, okay, well ship, 593 00:28:01,000 --> 00:28:05,119 Speaker 8: if you got Bobby on here, bro, like that's that's 594 00:28:05,480 --> 00:28:08,640 Speaker 8: that's no slouch. Yeah, And then I didn't hear him 595 00:28:08,680 --> 00:28:12,720 Speaker 8: quite man like you're yeah, you're you're you're punching above 596 00:28:12,760 --> 00:28:14,160 Speaker 8: your weight class or whatever phrase. 597 00:28:14,880 --> 00:28:15,240 Speaker 4: I don't know. 598 00:28:15,280 --> 00:28:24,400 Speaker 8: But but tomorrow Sam standout like she's you know, but yeah, 599 00:28:24,480 --> 00:28:25,960 Speaker 8: I think that was what. 600 00:28:26,200 --> 00:28:29,399 Speaker 4: Was lacking obviously. 601 00:28:29,440 --> 00:28:31,880 Speaker 8: I think the talent production there, like the overall packages there. 602 00:28:32,320 --> 00:28:34,760 Speaker 8: You know, it's it's I feel like he can get there. 603 00:28:35,119 --> 00:28:37,440 Speaker 4: It's just for me. He's not there yet. 604 00:28:38,600 --> 00:28:41,720 Speaker 1: Okay, Well, look man, you already know what it is. 605 00:28:42,320 --> 00:28:44,160 Speaker 4: He's your favorite rapper out right now. 606 00:28:45,880 --> 00:28:48,560 Speaker 5: I mean, I wouldn't say Overcasts is my favorite rapper 607 00:28:48,600 --> 00:28:51,760 Speaker 5: out there right now, but I would agree with the 608 00:28:51,800 --> 00:28:55,239 Speaker 5: other sentiments. I think his name should be put up 609 00:28:55,240 --> 00:28:58,560 Speaker 5: there when people talk about that younger generation, that younger class. 610 00:28:58,640 --> 00:28:59,960 Speaker 4: I think he has a lot of potential. 611 00:29:01,760 --> 00:29:04,840 Speaker 5: I think that I would agree too though with you Ken, 612 00:29:04,880 --> 00:29:07,959 Speaker 5: and that I think with more experience as well, like 613 00:29:08,040 --> 00:29:10,320 Speaker 5: just life experience in general, because he's you know, we're 614 00:29:10,440 --> 00:29:12,520 Speaker 5: me and him both pretty similar in age. I think 615 00:29:13,200 --> 00:29:15,560 Speaker 5: it's subject matter will only grow as far as what 616 00:29:15,640 --> 00:29:18,280 Speaker 5: he can talk about. But I think it's a good 617 00:29:19,360 --> 00:29:21,880 Speaker 5: starting offer and it's a good way to put himself 618 00:29:21,920 --> 00:29:22,880 Speaker 5: out there for sure. 619 00:29:23,920 --> 00:29:26,440 Speaker 8: What I will say, I know you're trying to close 620 00:29:26,440 --> 00:29:29,560 Speaker 8: out what I will say, though, I think b Roder 621 00:29:29,800 --> 00:29:33,440 Speaker 8: rapping a rod. He definitely deserves to be mentioned with 622 00:29:33,520 --> 00:29:36,360 Speaker 8: the newer rappers, like the Samara says and stuff like that. 623 00:29:36,800 --> 00:29:38,400 Speaker 4: Like the up and coming rappers. 624 00:29:38,440 --> 00:29:40,520 Speaker 8: I think he just definitely deserves to be mentioned that 625 00:29:40,720 --> 00:29:43,040 Speaker 8: because as good as Samara is and as much as 626 00:29:43,080 --> 00:29:46,560 Speaker 8: I like her like, she's still not fully polished right, 627 00:29:47,280 --> 00:29:48,600 Speaker 8: so she still has a way to go. But she 628 00:29:48,680 --> 00:29:51,720 Speaker 8: just started out too as well. So I do agree 629 00:29:51,720 --> 00:29:55,640 Speaker 8: with you guys in that regard. Like as far as 630 00:29:55,640 --> 00:29:58,320 Speaker 8: somebody new in inciting, I can see him definitely being 631 00:29:58,320 --> 00:30:09,600 Speaker 8: on the list. Last question I have, bro, I think you're. 632 00:30:05,800 --> 00:30:07,320 Speaker 1: Talking about putting somebody on the spot. 633 00:30:08,680 --> 00:30:13,480 Speaker 4: Yo, you got I'm saying the streaks on it up? 634 00:30:13,520 --> 00:30:15,160 Speaker 2: Bro, No, can't want to know. 635 00:30:16,440 --> 00:30:18,480 Speaker 5: I'm gonna say this, man, because I'm still a rapper 636 00:30:18,520 --> 00:30:20,240 Speaker 5: to at the end of the day, I would love 637 00:30:21,040 --> 00:30:25,000 Speaker 5: I feel confident that I can rap along well almost anyone. 638 00:30:25,760 --> 00:30:28,600 Speaker 5: But to that point though, I would love to work 639 00:30:28,640 --> 00:30:31,400 Speaker 5: one day overcast. If you listening, I ain't gonna lie. 640 00:30:31,800 --> 00:30:33,520 Speaker 5: Can test it up, Get test it up? 641 00:30:34,520 --> 00:30:37,120 Speaker 2: Okay? Is this your? Is this the type of rapper 642 00:30:37,160 --> 00:30:37,400 Speaker 2: you are? 643 00:30:37,600 --> 00:30:37,719 Speaker 4: Like? 644 00:30:37,760 --> 00:30:40,560 Speaker 3: What if you had to describe yourself, your your your 645 00:30:40,640 --> 00:30:45,440 Speaker 3: style or your what what category you will put yourself in? 646 00:30:46,120 --> 00:30:47,960 Speaker 2: What group of people would you put yourself in. 647 00:30:48,720 --> 00:30:50,360 Speaker 5: It's a great question because I make a little bit 648 00:30:50,400 --> 00:30:55,840 Speaker 5: of everything. Like I'd say, primarily primarily this style. Primarily 649 00:30:55,880 --> 00:31:00,600 Speaker 5: this style somebody like an overcast somebody like I'm like, 650 00:31:00,680 --> 00:31:02,920 Speaker 5: primarily that style of rap, even like an earl. 651 00:31:03,000 --> 00:31:05,040 Speaker 4: But I kind of bounce around me, I kind of 652 00:31:05,080 --> 00:31:05,640 Speaker 4: bounce around. 653 00:31:06,400 --> 00:31:09,920 Speaker 3: You ain't doing like Brasela or nothing like that, are you? 654 00:31:10,000 --> 00:31:12,720 Speaker 4: I mean, like over that that style of production. 655 00:31:12,880 --> 00:31:15,840 Speaker 5: Yeah, that style of production, Like I don't live that 656 00:31:15,920 --> 00:31:17,320 Speaker 5: kind of life style, like you know what I mean. 657 00:31:17,360 --> 00:31:18,440 Speaker 4: But that's what I'm saying. 658 00:31:18,720 --> 00:31:19,360 Speaker 2: That's what I mean. 659 00:31:19,480 --> 00:31:22,240 Speaker 3: I'm sure you probably wrap over a danger or something 660 00:31:22,320 --> 00:31:23,800 Speaker 3: like that, if you could wrap over something like what 661 00:31:23,880 --> 00:31:27,040 Speaker 3: he did. I'm saying the styles like like talking about 662 00:31:27,080 --> 00:31:30,120 Speaker 3: gun bars and stuff like that, ain't your lane, right, Finn. 663 00:31:30,360 --> 00:31:31,440 Speaker 4: Nothing nothing. 664 00:31:33,480 --> 00:31:35,200 Speaker 5: I make a lot of music. I make a lot 665 00:31:35,200 --> 00:31:36,600 Speaker 5: of the kind of music that I like to listen to. 666 00:31:36,760 --> 00:31:38,920 Speaker 5: So sometimes it might be, you know, it might be 667 00:31:39,080 --> 00:31:41,239 Speaker 5: like a Dare in your style of production. But then 668 00:31:41,320 --> 00:31:45,440 Speaker 5: sometimes it might be like you know, it might be 669 00:31:45,520 --> 00:31:48,080 Speaker 5: on a boy Cardi style, you know what I mean, 670 00:31:48,200 --> 00:31:50,520 Speaker 5: like a little bit of a little bit of you know, 671 00:31:50,600 --> 00:31:55,240 Speaker 5: I mean, yeah, I say primarily though, because I grew 672 00:31:55,320 --> 00:31:57,400 Speaker 5: up as like uh, you know, I'm a really big 673 00:31:57,480 --> 00:31:58,080 Speaker 5: Kendrick fan. 674 00:31:59,400 --> 00:32:00,920 Speaker 4: I grew up listen to a lot of Dooms, so 675 00:32:01,000 --> 00:32:03,360 Speaker 4: primarily like that. That kind of laying of hip hop 676 00:32:03,480 --> 00:32:06,120 Speaker 4: is more in my you know, at home. I would. 677 00:32:07,920 --> 00:32:11,240 Speaker 3: Got you what, what's point us to your favorite track 678 00:32:11,400 --> 00:32:12,360 Speaker 3: or your favorite project? 679 00:32:13,200 --> 00:32:15,920 Speaker 4: Yeah, I would say a good song. 680 00:32:15,960 --> 00:32:18,840 Speaker 5: I would recommend I have a song called signing Off 681 00:32:19,560 --> 00:32:21,680 Speaker 5: that would be on Apple Spot and by or anything 682 00:32:21,800 --> 00:32:24,560 Speaker 5: like that. I feel like that one's one of my 683 00:32:24,640 --> 00:32:28,959 Speaker 5: best rapping performances lyrically. And again that one's all platforms. 684 00:32:29,120 --> 00:32:30,240 Speaker 2: O R Y A H. 685 00:32:31,080 --> 00:32:33,600 Speaker 5: Again, my name is a riot and also too if 686 00:32:33,600 --> 00:32:36,160 Speaker 5: anybody's are you know watching listening out there also running 687 00:32:36,240 --> 00:32:39,720 Speaker 5: music blog Wave Max w A d M A X 688 00:32:40,400 --> 00:32:42,120 Speaker 5: do a lot of big things over there too, So 689 00:32:42,680 --> 00:32:46,040 Speaker 5: you're into the ratting style of music coverage, you know, 690 00:32:46,120 --> 00:32:47,520 Speaker 5: definitely come check this out. 691 00:32:48,280 --> 00:32:50,520 Speaker 4: But yeah, man, it's the fan fan of the fan 692 00:32:50,560 --> 00:32:54,400 Speaker 4: of the genre man studio again, that's what that's that's 693 00:32:54,440 --> 00:32:56,120 Speaker 4: what's up, bro. That's good to hear that. 694 00:32:57,320 --> 00:32:57,840 Speaker 1: Good to hear that. 695 00:33:00,920 --> 00:33:01,120 Speaker 4: Yeah. 696 00:33:01,160 --> 00:33:03,040 Speaker 5: I was gonna say too, I know too with my 697 00:33:03,160 --> 00:33:06,440 Speaker 5: age group it so it's not too many people like so, 698 00:33:06,680 --> 00:33:09,120 Speaker 5: you know, having platforms like y'all is definitely very important. 699 00:33:10,360 --> 00:33:10,880 Speaker 2: Appreciate it. 700 00:33:10,920 --> 00:33:13,560 Speaker 4: No, we need we need to, you know, the young 701 00:33:13,640 --> 00:33:17,000 Speaker 4: cats like you man, uh to keep going too. 702 00:33:17,880 --> 00:33:18,080 Speaker 2: You know. 703 00:33:18,360 --> 00:33:21,560 Speaker 8: So I think it's important what you're doing and doing 704 00:33:21,600 --> 00:33:24,360 Speaker 8: it with the right intent too, you know. I feel like, 705 00:33:24,520 --> 00:33:26,600 Speaker 8: so now that's what's up. I'm gonna check that out, 706 00:33:26,600 --> 00:33:27,840 Speaker 8: and I'm gonna check out all your stuff. 707 00:33:28,160 --> 00:33:31,040 Speaker 4: Yeah, thank you. Sound like you about to be on 708 00:33:31,160 --> 00:33:32,120 Speaker 4: D through sixty five. 709 00:33:32,960 --> 00:33:39,320 Speaker 1: Yeah, you know good enough. You know we don't hold 710 00:33:39,360 --> 00:33:42,280 Speaker 1: punching out. You know, we don't know really. 711 00:33:42,560 --> 00:33:46,640 Speaker 8: Yeah, I'm gonna listen to it, man, and uh in 712 00:33:46,760 --> 00:33:49,800 Speaker 8: the post that that be uh the thread you got 713 00:33:49,920 --> 00:33:51,440 Speaker 8: with be just put all your information in that. 714 00:33:52,520 --> 00:33:54,920 Speaker 4: I'm sorry, go ahead and closing out so we can talk. 715 00:33:56,320 --> 00:33:57,960 Speaker 1: Well, look, you already know what it is man. 716 00:33:58,040 --> 00:34:02,560 Speaker 3: The conversation, after the conversations and the section like subscribe 717 00:34:02,680 --> 00:34:05,360 Speaker 3: and post your grades, I'm gonna have a brother man 718 00:34:05,400 --> 00:34:16,480 Speaker 3: from the fifth flow pull up on you. Mm hmm