1 00:00:00,600 --> 00:00:05,880 Speaker 1: You're saying the jobs, jobs Report, job information, things are 2 00:00:05,920 --> 00:00:06,920 Speaker 1: not going well with jobs. 3 00:00:07,200 --> 00:00:10,760 Speaker 2: Yikes is the word. You're looking for. Job cuts for 4 00:00:10,800 --> 00:00:14,240 Speaker 2: October totaled one hundred fifty three thousand and seventy four, 5 00:00:14,760 --> 00:00:18,759 Speaker 2: a one hundred and eighty three percent surge from September 6 00:00:19,160 --> 00:00:22,120 Speaker 2: and also one hundred and seventy five percent higher than 7 00:00:22,160 --> 00:00:23,279 Speaker 2: the same month a year ago. 8 00:00:24,000 --> 00:00:30,080 Speaker 1: Yeah. Look, I mean, I think this reinforces what we've 9 00:00:30,120 --> 00:00:32,600 Speaker 1: been saying for a long time on this program, dating 10 00:00:32,640 --> 00:00:37,159 Speaker 1: way back before the Trump presidency, even that structurally the 11 00:00:37,159 --> 00:00:42,040 Speaker 1: economy is broken, and you know, you can mask it 12 00:00:42,159 --> 00:00:44,400 Speaker 1: just like they masked you know for years that oh, 13 00:00:44,440 --> 00:00:47,040 Speaker 1: hey we shut society down and no one felt any pain, right, 14 00:00:47,120 --> 00:00:49,240 Speaker 1: and then obviously a year or two into it, everybody, 15 00:00:49,440 --> 00:00:51,960 Speaker 1: oh why is everything so expensive? It turns out if 16 00:00:52,000 --> 00:00:54,240 Speaker 1: you just print trillions of dollars and throw it at people, 17 00:00:54,280 --> 00:00:56,640 Speaker 1: things are going to get more expensive. The same thing here. 18 00:00:57,160 --> 00:00:59,960 Speaker 1: You have an economy that has been boosted in large 19 00:01:00,160 --> 00:01:04,399 Speaker 1: part for years now based on totally ridiculous, out of 20 00:01:04,440 --> 00:01:08,959 Speaker 1: control government spending, and then when you couple that with 21 00:01:09,040 --> 00:01:12,959 Speaker 1: the fact that the money Spicott got turned off, then 22 00:01:13,120 --> 00:01:17,319 Speaker 1: you put that on top of that that AI is 23 00:01:17,400 --> 00:01:21,120 Speaker 1: now front and center in this economy and it's a 24 00:01:21,160 --> 00:01:25,480 Speaker 1: recipe for abject disaster. Yeah, which is what appears to 25 00:01:25,480 --> 00:01:26,039 Speaker 1: be going on. 26 00:01:26,360 --> 00:01:29,520 Speaker 2: So the technology sector laid off more than thirty three 27 00:01:29,560 --> 00:01:33,960 Speaker 2: thousand people. That was up six times since September. October 28 00:01:34,080 --> 00:01:36,520 Speaker 2: was not a good month for jobs layoffs linked to 29 00:01:36,560 --> 00:01:41,600 Speaker 2: AI integration like you mentioned, and also staffing recalculation. It 30 00:01:41,720 --> 00:01:45,280 Speaker 2: was the highest level of job cuts since October of 31 00:01:45,319 --> 00:01:49,040 Speaker 2: two thousand and three and has been the worst year 32 00:01:49,080 --> 00:01:50,840 Speaker 2: for layoffs since two thousand and nine. 33 00:01:51,160 --> 00:01:53,920 Speaker 1: Isn't it fascinating though? Like this happens, So these are 34 00:01:53,960 --> 00:01:58,000 Speaker 1: real people losing their jobs, outside of people talking about 35 00:01:58,000 --> 00:02:02,000 Speaker 1: it on the radio or whatever. Some lawmaker crying for 36 00:02:02,080 --> 00:02:05,160 Speaker 1: these people like they're crying for the federal employees. Is 37 00:02:05,200 --> 00:02:08,240 Speaker 1: anybody And I'm not saying those federal employees I want 38 00:02:08,240 --> 00:02:09,960 Speaker 1: them to lose their jobs or be in a bad position. 39 00:02:10,200 --> 00:02:11,640 Speaker 1: But you don't hear a word about it. When it's 40 00:02:11,639 --> 00:02:13,799 Speaker 1: a private sector, you don't hear anything. We've talked about 41 00:02:13,840 --> 00:02:15,960 Speaker 1: this with the Obamacare stuff. No one gives a damn 42 00:02:16,000 --> 00:02:18,679 Speaker 1: about our premiums. No one's fighting for us and going Man, 43 00:02:19,040 --> 00:02:21,120 Speaker 1: it's twice as expensive for those guys as it was, 44 00:02:21,320 --> 00:02:22,840 Speaker 1: you know, four or five years ago. We got to 45 00:02:22,880 --> 00:02:25,320 Speaker 1: do something about that. Oh, but these Obamacare people, they'll 46 00:02:25,320 --> 00:02:28,080 Speaker 1: shut the government down. Same thing here. When it's a 47 00:02:28,080 --> 00:02:31,760 Speaker 1: private sector job, nobody cares at all. But when these lawmakers. 48 00:02:31,760 --> 00:02:34,680 Speaker 1: But when it's a government person, well, this is a tragedy. 49 00:02:34,840 --> 00:02:39,200 Speaker 2: Yeah. So hiring freezes and the belt tightening among companies, 50 00:02:39,560 --> 00:02:41,760 Speaker 2: it's not only because of AI, but it's also because 51 00:02:41,760 --> 00:02:45,200 Speaker 2: of rising costs. Not only are we paying more for stuff, 52 00:02:45,360 --> 00:02:49,680 Speaker 2: but so are companies, which means they can hire less people. 53 00:02:50,000 --> 00:02:52,919 Speaker 1: Well, and it's this you're also on top of this, 54 00:02:53,000 --> 00:02:57,160 Speaker 1: these these tariffs which at a time or inflation is 55 00:02:57,160 --> 00:02:59,840 Speaker 1: out of control. This is like the worst thing you 56 00:02:59,840 --> 00:03:03,320 Speaker 1: can could have done. And I mean, I think Trump's 57 00:03:03,320 --> 00:03:06,760 Speaker 1: going to lose at the Supreme Court now they're they're struggling. 58 00:03:07,000 --> 00:03:10,640 Speaker 1: Those oral arguments in this tariff case were fascinating because 59 00:03:10,639 --> 00:03:13,880 Speaker 1: the judges basically said or Amy Cony Barrett said it 60 00:03:13,880 --> 00:03:16,240 Speaker 1: out loud. And so what it was happening here is 61 00:03:16,280 --> 00:03:19,720 Speaker 1: these Democrat attorney generals and the and this business business 62 00:03:19,720 --> 00:03:23,560 Speaker 1: groups are suing over these tariffs. And you know from 63 00:03:23,600 --> 00:03:25,040 Speaker 1: the sound of it, I think they're going to win. 64 00:03:25,880 --> 00:03:27,720 Speaker 1: But one of the things the judges are appeared to 65 00:03:27,720 --> 00:03:30,880 Speaker 1: be struggling with is if they win, these people are 66 00:03:30,919 --> 00:03:33,680 Speaker 1: going to be entitled to all this money back, and 67 00:03:33,720 --> 00:03:36,240 Speaker 1: they're saying, how do you get the money back? Who 68 00:03:36,280 --> 00:03:38,080 Speaker 1: pays it back? How do we do this? We don't 69 00:03:38,160 --> 00:03:40,800 Speaker 1: under you know, we're really struggling with how you do this? 70 00:03:41,080 --> 00:03:43,800 Speaker 1: And the people that are suing even admitted they said, yeah, 71 00:03:43,800 --> 00:03:47,160 Speaker 1: it's going to be a disaster, total nightmare. Not our problem. Well, 72 00:03:47,160 --> 00:03:47,960 Speaker 1: got enforce the law. 73 00:03:48,080 --> 00:03:50,480 Speaker 2: Donald Trump just yesterday he was saying that if the 74 00:03:50,520 --> 00:03:53,360 Speaker 2: Supreme Court takes down his tariffs, it's going to be 75 00:03:53,400 --> 00:03:55,400 Speaker 2: the American people who are going to have to pay 76 00:03:55,400 --> 00:03:56,080 Speaker 2: back trillions. 77 00:03:56,640 --> 00:03:59,160 Speaker 1: It could be several weeks. Are you going to lay 78 00:03:59,160 --> 00:04:01,720 Speaker 1: out any new additional time. I don't want to talk 79 00:04:01,720 --> 00:04:02,040 Speaker 1: about it. 80 00:04:02,360 --> 00:04:04,960 Speaker 3: I'm going to hope that we win. I can't imagine 81 00:04:04,960 --> 00:04:09,520 Speaker 3: that anybody would do that kind of devastation to our country. 82 00:04:09,880 --> 00:04:12,720 Speaker 3: You know, we'd have to pay back trillions of dollars. 83 00:04:12,720 --> 00:04:15,600 Speaker 3: We've taken entrillions. We haven't taken ambillions. We've taken in 84 00:04:15,640 --> 00:04:20,039 Speaker 3: trillions of dollars. We've made trade deals based on that. 85 00:04:20,040 --> 00:04:24,799 Speaker 3: That give us as an example, European Union nine hundred 86 00:04:24,839 --> 00:04:28,960 Speaker 3: and fifty billion dollars, Japan six hundred and fifty billion dollars, 87 00:04:29,440 --> 00:04:33,400 Speaker 3: South Korea three hundred and fifty billion dollars. Without this, 88 00:04:33,480 --> 00:04:35,000 Speaker 3: we're not talking about that kind of money. 89 00:04:35,000 --> 00:04:36,359 Speaker 1: And they're okay, they're satisfied. 90 00:04:36,440 --> 00:04:39,160 Speaker 3: They love us. I just left. They all love us, 91 00:04:39,560 --> 00:04:42,360 Speaker 3: so it's not like we're such bad people. But they 92 00:04:42,360 --> 00:04:44,480 Speaker 3: were doing it to us until I came home. 93 00:04:44,720 --> 00:04:50,680 Speaker 1: Okay, it's not about whether anybody likes it. It's not 94 00:04:50,760 --> 00:04:53,720 Speaker 1: about whether it's good. It's about whether it's legal or not. 95 00:04:54,440 --> 00:04:57,760 Speaker 1: And you have invoked a statute that is centered around 96 00:04:57,760 --> 00:05:00,120 Speaker 1: emergencies that there was not an emergency. You could make 97 00:05:00,120 --> 00:05:03,920 Speaker 1: a compelling case probably on the Mexico and the Canada 98 00:05:04,040 --> 00:05:07,680 Speaker 1: because of the fentanyl stuff. I think somebody, a reasonable 99 00:05:07,720 --> 00:05:09,600 Speaker 1: person might buy that. But when you're doing all these 100 00:05:09,600 --> 00:05:12,039 Speaker 1: countries that are allies of us, and like, there's no 101 00:05:12,720 --> 00:05:16,840 Speaker 1: emergency and we just got accept going forward, Like there 102 00:05:16,839 --> 00:05:18,520 Speaker 1: are some people who don't want to admit we live 103 00:05:18,520 --> 00:05:21,560 Speaker 1: in a world economy. Now that ship has sailed. Oh yeah, 104 00:05:21,720 --> 00:05:24,120 Speaker 1: we stopped making stuff and doing stuff here a long 105 00:05:24,120 --> 00:05:26,200 Speaker 1: time ago. And it's one thing to have a goal 106 00:05:26,279 --> 00:05:29,560 Speaker 1: to bring that back over the long term. But you're 107 00:05:29,600 --> 00:05:32,480 Speaker 1: not just gonna just punish it. So and by the way, 108 00:05:33,440 --> 00:05:35,760 Speaker 1: what happened all these this money that's coming in? 109 00:05:36,240 --> 00:05:36,480 Speaker 2: Right? 110 00:05:36,520 --> 00:05:38,039 Speaker 1: I thought we were supposed to get money back. Have 111 00:05:38,080 --> 00:05:40,320 Speaker 1: you gotten any money back? Oh? I haven't. I thought 112 00:05:40,360 --> 00:05:42,160 Speaker 1: we're supposed to paying down the debt. Has any debt? 113 00:05:42,240 --> 00:05:44,159 Speaker 1: And let's see what the debt is right doing with 114 00:05:44,880 --> 00:05:48,719 Speaker 1: us debt? Okay, it's saved right there, very good. The 115 00:05:48,760 --> 00:05:51,360 Speaker 1: debt is currently at thirty eight trillion, one and sixty 116 00:05:51,839 --> 00:05:53,760 Speaker 1: four hundred and forty nine million. So no, no, they're not 117 00:05:53,760 --> 00:05:55,200 Speaker 1: paying down any debt. So where'd the money go? 118 00:05:55,400 --> 00:05:55,479 Speaker 3: Right? 119 00:05:56,000 --> 00:05:57,120 Speaker 2: What is that money going to? 120 00:05:57,279 --> 00:05:59,120 Speaker 1: Right? The answer is what they're doing is they're in 121 00:05:59,160 --> 00:06:02,320 Speaker 1: the legalized vote. They're giving it away to people during 122 00:06:02,320 --> 00:06:04,760 Speaker 1: this government shutdown to try to make you think, or 123 00:06:04,760 --> 00:06:07,640 Speaker 1: at least that's what they proposed they want to do. Remember, 124 00:06:07,640 --> 00:06:09,440 Speaker 1: originally they proposed to give it back to us. But 125 00:06:09,480 --> 00:06:10,520 Speaker 1: if you have a spin it, then you should just 126 00:06:10,520 --> 00:06:11,880 Speaker 1: be able to give it back and no big deal 127 00:06:12,360 --> 00:06:14,719 Speaker 1: unless you've spent it and then you don't have right. 128 00:06:14,800 --> 00:06:18,080 Speaker 2: Well, Trump says that the tariffs equal national security. 129 00:06:18,600 --> 00:06:21,680 Speaker 3: Look, I'm ending war because of these tariffs. The Americans 130 00:06:21,720 --> 00:06:24,400 Speaker 3: would have to fight in some of these wars. They're 131 00:06:24,440 --> 00:06:29,600 Speaker 3: gaining and national security, they're gaining, in economics, they're gaining 132 00:06:29,640 --> 00:06:33,239 Speaker 3: in so many different ways, and they're gaining in self 133 00:06:33,279 --> 00:06:36,599 Speaker 3: respect for our own country with other countries used to 134 00:06:36,720 --> 00:06:39,440 Speaker 3: laugh at us. They would charge as terffs. Japan was 135 00:06:39,520 --> 00:06:42,920 Speaker 3: charging as massive tariffs, and yet they wouldn't allow our 136 00:06:42,960 --> 00:06:46,279 Speaker 3: cars to be sold in Japan. But they were selling 137 00:06:46,600 --> 00:06:49,400 Speaker 3: nine million cars here, but they wouldn't allow one car. 138 00:06:49,520 --> 00:06:52,200 Speaker 3: Not one car was sold in Japan. They don't laugh 139 00:06:52,240 --> 00:06:54,840 Speaker 3: at us anymore. This is really a matter of This 140 00:06:54,920 --> 00:06:58,560 Speaker 3: is national security. And by the way, going bankrupt is 141 00:06:58,640 --> 00:07:02,080 Speaker 3: national security. You know, our country is really in trouble 142 00:07:02,400 --> 00:07:03,680 Speaker 3: going stop. 143 00:07:03,760 --> 00:07:06,320 Speaker 1: I will blow a gasket if we don't stop that. 144 00:07:06,320 --> 00:07:10,400 Speaker 1: That infuriates me. Casey, this guy has racked up at 145 00:07:10,440 --> 00:07:12,680 Speaker 1: this point. You tut what he did the first term, 146 00:07:12,920 --> 00:07:16,200 Speaker 1: what he's doing now. We're well over ten trillion dollars 147 00:07:16,240 --> 00:07:19,840 Speaker 1: in his presidencies alone, and he has the audacity to 148 00:07:19,880 --> 00:07:21,840 Speaker 1: talk about being concerned about going bankrupt. 149 00:07:22,560 --> 00:07:25,840 Speaker 2: Well, it's either that or if we don't have the tariffs. 150 00:07:26,280 --> 00:07:27,880 Speaker 2: Sons and daughters are going to have to go to war. 151 00:07:27,960 --> 00:07:32,800 Speaker 1: Which country was that in, mister President? What country were 152 00:07:32,800 --> 00:07:35,040 Speaker 1: we going to be invading? If we don't have the 153 00:07:35,080 --> 00:07:37,240 Speaker 1: tariffs periff money. And it's not whether it's right or 154 00:07:37,240 --> 00:07:40,480 Speaker 1: it's wrong, it's whether it's legal. If these tariffs are 155 00:07:40,480 --> 00:07:43,120 Speaker 1: so great, then there's a process by which you're supposed 156 00:07:43,120 --> 00:07:45,160 Speaker 1: to go through and get approval on that, and then 157 00:07:45,160 --> 00:07:48,640 Speaker 1: the otis becomes on the United States Congress, which is 158 00:07:48,640 --> 00:07:51,440 Speaker 1: where the authority should lie to approve those things. Most 159 00:07:51,480 --> 00:07:53,800 Speaker 1: of these things are clearly not emergencies. They never should 160 00:07:53,840 --> 00:07:56,360 Speaker 1: have been done this way. He got called out on it. 161 00:07:56,440 --> 00:07:59,640 Speaker 1: He's probably going to lose. And instead of looking in 162 00:07:59,680 --> 00:08:01,400 Speaker 1: the mirroring, yeah, you know, I screwed up on that, 163 00:08:01,440 --> 00:08:03,480 Speaker 1: we should have done it this way. Maybe this isn't working. 164 00:08:03,720 --> 00:08:05,960 Speaker 1: Heat just starts throwing everything out of Oh we could 165 00:08:06,040 --> 00:08:08,840 Speaker 1: go bankrupt, does it? Oh so the twelve thirteen for 166 00:08:08,960 --> 00:08:11,480 Speaker 1: whatever number right now? Trillion you added, that's not going 167 00:08:11,560 --> 00:08:13,920 Speaker 1: to bankrupt us. It's the tariff deal that's going to 168 00:08:14,160 --> 00:08:16,360 Speaker 1: get out of here. That is so insulting and I 169 00:08:17,000 --> 00:08:19,400 Speaker 1: everyone should just be outraged that he said. 170 00:08:19,200 --> 00:08:22,080 Speaker 2: That seventy five percent of Americans are more stressed about 171 00:08:22,120 --> 00:08:27,160 Speaker 2: the country's future than before. And you've got two thirds 172 00:08:27,240 --> 00:08:31,040 Speaker 2: of young Americans have considered moving abroad. I don't know 173 00:08:31,040 --> 00:08:32,560 Speaker 2: where they're planning on moving to. 174 00:08:32,720 --> 00:08:33,760 Speaker 1: Where's it going to be better? 175 00:08:34,040 --> 00:08:34,160 Speaker 4: Right? 176 00:08:34,400 --> 00:08:36,839 Speaker 1: What country do you look at and go? They really 177 00:08:36,880 --> 00:08:38,960 Speaker 1: got it, They really got a firm grasp on what's 178 00:08:39,000 --> 00:08:40,000 Speaker 1: going on exactly. 179 00:08:40,040 --> 00:08:43,640 Speaker 2: So some of the top stressors for people economy number 180 00:08:43,679 --> 00:08:48,920 Speaker 2: one seventy five percent, money sixty six percent, and then politics, 181 00:08:48,960 --> 00:08:51,840 Speaker 2: housing and a crime at sixty five percent. 182 00:08:51,920 --> 00:08:54,559 Speaker 1: All right, let's take a break. When we come back. Oh, 183 00:08:54,600 --> 00:08:57,000 Speaker 1: he's back a friend of the show. He's back for 184 00:08:57,120 --> 00:09:00,400 Speaker 1: his fourth consecutive year. He does this every year and 185 00:09:00,440 --> 00:09:04,440 Speaker 1: it is such a big event. Recording legend Billy Dean 186 00:09:04,559 --> 00:09:06,160 Speaker 1: is going to be with us. He's coming back to 187 00:09:06,200 --> 00:09:08,520 Speaker 1: Central Indiana for his Christmas show. You and I have 188 00:09:08,559 --> 00:09:10,920 Speaker 1: been a part of several of these. They're awesome. We're 189 00:09:10,920 --> 00:09:13,199 Speaker 1: going to talk about the state of the recording industry, 190 00:09:13,840 --> 00:09:15,959 Speaker 1: songwriting and this big of it coming up with the 191 00:09:16,040 --> 00:09:16,880 Speaker 1: legendary Billy Dean. 192 00:09:17,000 --> 00:09:19,800 Speaker 2: It's kennln Casey on ninety three WYBC. 193 00:09:20,760 --> 00:09:30,920 Speaker 1: I'm miss Billy luck Casey. I wonder what it's like 194 00:09:31,000 --> 00:09:32,080 Speaker 1: to get invited back. 195 00:09:31,920 --> 00:09:34,640 Speaker 2: Places really never happened to you before. 196 00:09:36,120 --> 00:09:39,559 Speaker 1: We can regret singson, They get the experience once and 197 00:09:39,679 --> 00:09:42,360 Speaker 1: say you're out of here, buddy. But one guy that 198 00:09:42,440 --> 00:09:44,920 Speaker 1: keeps getting back to Central getting invited back to Central 199 00:09:44,960 --> 00:09:49,040 Speaker 1: Indiana every year or a great Christmas program as our 200 00:09:49,080 --> 00:09:52,959 Speaker 1: old pal friend of the show, legendary recording artist Billy Dean. 201 00:09:53,160 --> 00:09:54,880 Speaker 2: Yes, he'll be back again, huh. 202 00:09:54,960 --> 00:09:56,520 Speaker 1: Also known as your celebrity boyfriend. 203 00:09:56,559 --> 00:09:59,800 Speaker 2: That's true, that's true. It's been a long time crush. 204 00:10:00,080 --> 00:10:01,720 Speaker 2: He's aware of it, by the way, so it won't 205 00:10:01,720 --> 00:10:03,080 Speaker 2: make him uncomfortable anymore. 206 00:10:03,120 --> 00:10:05,080 Speaker 1: Well, we're going to ask him about it here momentarily, 207 00:10:05,559 --> 00:10:09,079 Speaker 1: but before we do, Billy Dean coming back again November 208 00:10:09,160 --> 00:10:13,079 Speaker 1: thirtieth this year, seven pm at the Royal Theater in Danville. 209 00:10:13,080 --> 00:10:15,079 Speaker 1: This is always such a great event. I'm going to 210 00:10:15,120 --> 00:10:17,120 Speaker 1: be a part of it again this year as well. 211 00:10:17,240 --> 00:10:18,840 Speaker 1: We'll get to those details in just a second, but 212 00:10:18,920 --> 00:10:23,120 Speaker 1: let's welcome legendary recording artist Billy Dean on the WIBC hotline. Billy, Hello, 213 00:10:23,920 --> 00:10:24,719 Speaker 1: Hey guys. 214 00:10:24,480 --> 00:10:26,520 Speaker 4: It's such an honor to be invited back up there. 215 00:10:26,600 --> 00:10:26,760 Speaker 5: Man. 216 00:10:26,800 --> 00:10:29,400 Speaker 4: It's for such a great cause and as you know, 217 00:10:29,520 --> 00:10:32,040 Speaker 4: rob Man, we've raised a few We've raised a few 218 00:10:32,040 --> 00:10:35,440 Speaker 4: dollars with a couple of special items that we bring. 219 00:10:36,400 --> 00:10:39,880 Speaker 4: I usually autograph of a not just autograph of guitar. 220 00:10:40,000 --> 00:10:43,280 Speaker 4: We usually take and I've only done it just a 221 00:10:43,280 --> 00:10:46,079 Speaker 4: half a dozen times. Where I write the lyric of 222 00:10:46,679 --> 00:10:48,640 Speaker 4: a song like let Them Be Little or Billy the 223 00:10:48,760 --> 00:10:52,720 Speaker 4: Kid or you know somewhere I'm Broken Heart, I'll write 224 00:10:52,720 --> 00:10:55,880 Speaker 4: the whole chorus on the guitar. And I've only done 225 00:10:55,920 --> 00:10:58,520 Speaker 4: that just a handful of times, you know, to keep 226 00:10:58,559 --> 00:11:00,679 Speaker 4: it kind of valuable. And we raised little money for 227 00:11:01,440 --> 00:11:03,720 Speaker 4: the area there, the shop with the cop and the 228 00:11:03,760 --> 00:11:06,679 Speaker 4: different programs they have, And first of all, I can't believe. 229 00:11:06,800 --> 00:11:09,120 Speaker 4: I can't believe they invited me back year after year 230 00:11:09,160 --> 00:11:11,679 Speaker 4: if they only knew how smelly my socks were sometimes 231 00:11:11,679 --> 00:11:12,960 Speaker 4: when I take these boots off. 232 00:11:13,080 --> 00:11:15,959 Speaker 1: Man. Yeah, this year, fourth year coming back to dan 233 00:11:16,080 --> 00:11:18,320 Speaker 1: And like you said, all the money goes to charities 234 00:11:18,320 --> 00:11:21,040 Speaker 1: in the greater Danville area. So I'm curious at this 235 00:11:21,160 --> 00:11:23,880 Speaker 1: stage of your career when you decide you're going to 236 00:11:24,040 --> 00:11:26,720 Speaker 1: go places because you live down there in Florida, when 237 00:11:26,760 --> 00:11:28,720 Speaker 1: you decide you're gonna Hey, I'm gonna come to Indiana 238 00:11:28,760 --> 00:11:32,480 Speaker 1: and do this event. What's the scheduling process like for you? 239 00:11:34,000 --> 00:11:36,400 Speaker 4: Well, you know, first of all, my buddy Alan Kiger 240 00:11:36,440 --> 00:11:39,560 Speaker 4: has been in my court man. He's helped me and 241 00:11:39,600 --> 00:11:41,960 Speaker 4: played my records for years and years as a DJ. 242 00:11:42,160 --> 00:11:45,839 Speaker 4: And I just, man, I'm at that stage of my 243 00:11:45,920 --> 00:11:49,360 Speaker 4: career now where it's time to say thank you and 244 00:11:49,400 --> 00:11:52,440 Speaker 4: pay back and pay it forward. You know, we're coming 245 00:11:52,520 --> 00:11:55,680 Speaker 4: up on thirty five years of my first release, my 246 00:11:55,760 --> 00:11:59,760 Speaker 4: first album, and we're getting busy again. And so I 247 00:11:59,880 --> 00:12:02,560 Speaker 4: just moved to Florida thinking that this. You know, hey, 248 00:12:02,800 --> 00:12:05,880 Speaker 4: it's time to sunset the career, maybe a slow down 249 00:12:05,920 --> 00:12:07,319 Speaker 4: a little bit, and then all of a sudden the 250 00:12:07,440 --> 00:12:11,079 Speaker 4: nineties come roaring back. And in fact, I just did 251 00:12:11,120 --> 00:12:14,160 Speaker 4: the UH. I did the Rhymens last couple of nights 252 00:12:14,200 --> 00:12:16,760 Speaker 4: with Ernest. He's a kid I've known since he was 253 00:12:16,800 --> 00:12:19,920 Speaker 4: in UH. You know, he went to elementary school with 254 00:12:20,040 --> 00:12:23,400 Speaker 4: my son. He wrote. He's written now eleven number ones, 255 00:12:23,440 --> 00:12:26,320 Speaker 4: a lot of mostly from Morgan Wallen and and he's 256 00:12:26,440 --> 00:12:28,480 Speaker 4: called me and said, hey, man, we come up to 257 00:12:28,559 --> 00:12:31,040 Speaker 4: Nashville and UH and do a couple of nights at 258 00:12:31,040 --> 00:12:33,160 Speaker 4: the Rhymen with me I said, yeah, yeah, I will, 259 00:12:33,240 --> 00:12:36,520 Speaker 4: And then we had Danville coming up, and we had 260 00:12:36,559 --> 00:12:38,480 Speaker 4: a couple of other things, cause anyway, it totaled to 261 00:12:38,520 --> 00:12:42,319 Speaker 4: be three weeks away from from the island there in Florida, 262 00:12:42,400 --> 00:12:44,839 Speaker 4: and I told my wife, I said, well hang on, man, 263 00:12:44,920 --> 00:12:47,400 Speaker 4: because here it comes again. But the only thing is 264 00:12:47,440 --> 00:12:51,480 Speaker 4: I'm not thirty anymore. But but I love it. 265 00:12:51,600 --> 00:12:54,280 Speaker 2: Hey, Billy, you mentioned the guitar that you normally autograph 266 00:12:54,360 --> 00:12:56,560 Speaker 2: and put a verse to a song on. I'm curious, 267 00:12:56,600 --> 00:12:58,440 Speaker 2: have you picked the song for this year. 268 00:13:00,640 --> 00:13:04,400 Speaker 4: I'm thinking that you don't count the cost might be 269 00:13:04,640 --> 00:13:07,360 Speaker 4: a good one, and it's a toss up between I 270 00:13:07,360 --> 00:13:09,480 Speaker 4: don't think I've done only here for a little while, 271 00:13:09,520 --> 00:13:12,920 Speaker 4: and I think this year I'm gonna do gonna hold 272 00:13:12,960 --> 00:13:15,120 Speaker 4: who needs hold? And men what needs men? And walk 273 00:13:15,160 --> 00:13:17,720 Speaker 4: what needs walking? Though it means an extra mile, say 274 00:13:17,760 --> 00:13:20,240 Speaker 4: what needs saying, Pray what needs praying. We're only here 275 00:13:20,280 --> 00:13:22,520 Speaker 4: for a little while. I just think that message. I 276 00:13:22,559 --> 00:13:25,160 Speaker 4: think we need that message hanging on a wall somewhere 277 00:13:25,480 --> 00:13:27,240 Speaker 4: to walk by and look at it, because I just 278 00:13:27,280 --> 00:13:30,240 Speaker 4: think thirty five years ago that was the first song 279 00:13:30,320 --> 00:13:33,600 Speaker 4: we released, and our country had just went into a desert. 280 00:13:33,280 --> 00:13:35,120 Speaker 1: Storm, and it was. 281 00:13:35,880 --> 00:13:40,320 Speaker 4: It was a lyric that people started gravitating towards and two, 282 00:13:40,960 --> 00:13:44,079 Speaker 4: and I just think that it's needed again thirty five 283 00:13:44,160 --> 00:13:46,240 Speaker 4: years later. I feel like our country kind of needs 284 00:13:46,640 --> 00:13:50,360 Speaker 4: those words again, you know, to kind of help bring 285 00:13:50,400 --> 00:13:52,720 Speaker 4: people together with music. So I think that might be 286 00:13:52,800 --> 00:13:55,920 Speaker 4: the one I'm gonna do. We were re releasing a 287 00:13:55,960 --> 00:13:59,000 Speaker 4: brand new version of it, which is one that I 288 00:13:59,360 --> 00:14:02,880 Speaker 4: you know, they said, my team said, can you reimagine 289 00:14:02,920 --> 00:14:04,959 Speaker 4: some of your old hits? I was like, what does 290 00:14:05,000 --> 00:14:07,520 Speaker 4: that even mean? I'm saying the same way for thirty 291 00:14:07,559 --> 00:14:13,040 Speaker 4: five years reimagined it. But it's interesting because I just 292 00:14:13,160 --> 00:14:15,079 Speaker 4: printed the lyric of only here. For a little while, 293 00:14:15,120 --> 00:14:15,760 Speaker 4: I printed it. 294 00:14:15,720 --> 00:14:16,679 Speaker 1: Out and I looked. 295 00:14:16,679 --> 00:14:18,360 Speaker 4: I was just staring at it, and I just happen 296 00:14:18,360 --> 00:14:21,440 Speaker 4: to have my guitar on my lap, and as I'm 297 00:14:21,480 --> 00:14:24,720 Speaker 4: reading it, I'm just kind of subconsciously noodling with the guitar. 298 00:14:25,440 --> 00:14:28,000 Speaker 4: And I realized, Man, this lyric hits me a lot 299 00:14:28,040 --> 00:14:30,480 Speaker 4: different than it did when I was, you know, twenty eight, 300 00:14:30,520 --> 00:14:32,840 Speaker 4: twenty nine years old. When I sang it, it means 301 00:14:33,320 --> 00:14:35,400 Speaker 4: has deeper meanings for me now, and so it just 302 00:14:35,520 --> 00:14:38,240 Speaker 4: kind of kind of flowed through my fingers. A few 303 00:14:38,280 --> 00:14:41,480 Speaker 4: little different chord changes slowed it down a little bit, 304 00:14:41,640 --> 00:14:44,160 Speaker 4: and so I hope people will like you know, you know, 305 00:14:44,280 --> 00:14:47,080 Speaker 4: it's hard to mess with with songs that have been 306 00:14:47,240 --> 00:14:49,440 Speaker 4: classics or you know, I'm not saying that's a classic, 307 00:14:49,520 --> 00:14:51,920 Speaker 4: but I'm just saying, you know, it's hard to mess 308 00:14:51,960 --> 00:14:55,240 Speaker 4: with something that's worked before. But I really think people 309 00:14:54,960 --> 00:14:58,600 Speaker 4: will see this and hear this almost as a new song. 310 00:14:59,120 --> 00:15:01,800 Speaker 1: Billy Dean is our yes, legendary recording artist. He's going 311 00:15:01,880 --> 00:15:04,600 Speaker 1: to be in Danville fourth year. He's done this back 312 00:15:04,680 --> 00:15:07,840 Speaker 1: by popular demand, November thirty, seven pm at the Royal 313 00:15:07,880 --> 00:15:10,640 Speaker 1: Theater in Danville. Tickets available this year at the North 314 00:15:10,720 --> 00:15:14,720 Speaker 1: Salem State Bank in the Danville branch or from a 315 00:15:14,800 --> 00:15:17,720 Speaker 1: Danville ROTORIT member. So, Billy, I'm curious one of the 316 00:15:17,720 --> 00:15:20,200 Speaker 1: things you do every year that I love. I'm a 317 00:15:20,240 --> 00:15:23,280 Speaker 1: gigantic Dan Fogelberg fan. Yeah, and every year Billy does 318 00:15:23,360 --> 00:15:26,320 Speaker 1: Leader of the Band as part of his show. Please 319 00:15:26,440 --> 00:15:29,160 Speaker 1: make sure that is part of the repertoire. Again on 320 00:15:29,200 --> 00:15:32,680 Speaker 1: the list. But I'm curious, Like you know, the Fogelberg 321 00:15:32,760 --> 00:15:35,640 Speaker 1: the Spring Sea movie came out. You're a phenomenal song, right, like, 322 00:15:36,040 --> 00:15:38,600 Speaker 1: how do you put together a great song? Like when 323 00:15:38,600 --> 00:15:41,320 Speaker 1: you're writing a song, you're like, oh, that's gonna be awesome. 324 00:15:41,320 --> 00:15:43,480 Speaker 1: Where do you get done? This song go? That stinks? Like, 325 00:15:43,520 --> 00:15:47,640 Speaker 1: how do you how do you put together a yeah, you. 326 00:15:47,600 --> 00:15:51,320 Speaker 4: Know one, I kind of you kind of know right away, 327 00:15:51,400 --> 00:15:54,120 Speaker 4: you know, you you write through the bad ones and 328 00:15:54,160 --> 00:15:57,000 Speaker 4: then the good would the good ones come kind of 329 00:15:57,680 --> 00:16:02,360 Speaker 4: roaring to become obvious, you know. I had a great example. 330 00:16:02,560 --> 00:16:06,560 Speaker 4: Buddy mine had his grant, his daughter had twins. He 331 00:16:06,600 --> 00:16:09,920 Speaker 4: had another grandson that was a little older. He said, hey, Billy, 332 00:16:09,960 --> 00:16:12,680 Speaker 4: we're going to get to keep our grandson all week long, 333 00:16:12,880 --> 00:16:14,840 Speaker 4: you know, while the twins, you know, and Molly are 334 00:16:14,880 --> 00:16:19,040 Speaker 4: in the hospital. And and so I was so happy 335 00:16:19,040 --> 00:16:20,960 Speaker 4: for him, and I said, well, man, when that week 336 00:16:21,240 --> 00:16:23,560 Speaker 4: is up, buddy, and you have to put that little 337 00:16:23,600 --> 00:16:25,760 Speaker 4: booger back in the car and send him back to mom. 338 00:16:25,800 --> 00:16:29,200 Speaker 4: I said, you don't need a handkerchief. And it hit 339 00:16:29,280 --> 00:16:33,240 Speaker 4: me so hard that young guys, you know, don't have handkerchiefs. 340 00:16:33,280 --> 00:16:35,480 Speaker 4: You know, it's like you got to live a little bit. 341 00:16:35,640 --> 00:16:38,200 Speaker 4: All of a sudden, this idea of this handkerchief being 342 00:16:38,240 --> 00:16:41,080 Speaker 4: a metaphor for a life, Well, lived. It hit me 343 00:16:41,120 --> 00:16:43,800 Speaker 4: so hard. In course, he's one of my best friends, 344 00:16:43,800 --> 00:16:45,760 Speaker 4: but I was trying to hear his story. But when 345 00:16:45,800 --> 00:16:47,600 Speaker 4: I said that, I said, hey, man, I got to go. 346 00:16:47,640 --> 00:16:49,320 Speaker 4: I got a song idea. 347 00:16:50,640 --> 00:16:53,120 Speaker 1: Like when you're on stage, like Casey and I say 348 00:16:53,120 --> 00:16:55,240 Speaker 1: this all the time, we're just stealing money from our employer, 349 00:16:55,440 --> 00:16:56,880 Speaker 1: Like we get paid to come in here and talk 350 00:16:56,920 --> 00:16:58,680 Speaker 1: each day. Do you ever think about out of your 351 00:16:58,720 --> 00:17:00,960 Speaker 1: career You're like, I'm just having fun of her. I'm 352 00:17:01,000 --> 00:17:03,800 Speaker 1: stealing money from everybody totally. 353 00:17:03,840 --> 00:17:07,320 Speaker 4: Man, I'll be on stage singing, just loving it and going. 354 00:17:07,480 --> 00:17:10,320 Speaker 4: You know, you're not getting paid for this night right here. 355 00:17:10,359 --> 00:17:13,200 Speaker 4: You're getting paid for the canceled flight that you had 356 00:17:13,240 --> 00:17:13,560 Speaker 4: on the. 357 00:17:13,520 --> 00:17:14,120 Speaker 1: Way up here. 358 00:17:14,440 --> 00:17:17,760 Speaker 4: You know, it's like Fogelberg said, the audience is heavenly, 359 00:17:17,800 --> 00:17:19,400 Speaker 4: but the traveling was hell. 360 00:17:19,480 --> 00:17:20,480 Speaker 1: You know, that's awesome. 361 00:17:20,600 --> 00:17:22,840 Speaker 4: So that's why you kind of you get paid for 362 00:17:22,920 --> 00:17:25,760 Speaker 4: being away from your loved ones and traveling. But man, 363 00:17:25,800 --> 00:17:28,159 Speaker 4: it makes it all worthwhile when you're standing up there 364 00:17:28,200 --> 00:17:31,480 Speaker 4: and people really are receiving you know what you're singing about. 365 00:17:31,480 --> 00:17:34,000 Speaker 4: And you mentioned the folks Burg thing. I even added 366 00:17:34,000 --> 00:17:37,240 Speaker 4: this Robi, So in the middle of Firing the Dark. 367 00:17:37,760 --> 00:17:40,160 Speaker 4: A couple of months ago, I was like, man, these 368 00:17:40,200 --> 00:17:43,199 Speaker 4: are the same kind of chord changes for in the 369 00:17:43,359 --> 00:17:47,680 Speaker 4: cool of evening. Everything you're getting kind of so I part. 370 00:17:47,760 --> 00:17:49,880 Speaker 4: I put spooky with Fire in the Dark and now, 371 00:17:49,920 --> 00:17:52,520 Speaker 4: and I put Old Black Water with Billy the Kid, 372 00:17:52,960 --> 00:17:56,320 Speaker 4: all kind of you know, Old Blackwall who keep on 373 00:17:56,440 --> 00:17:59,960 Speaker 4: roll some of these old classic rock songs that I 374 00:18:00,000 --> 00:18:02,920 Speaker 4: I grew up with. And I realized these songs were 375 00:18:02,960 --> 00:18:05,840 Speaker 4: the reason that I wrote songs like Billy the Kid, 376 00:18:05,960 --> 00:18:09,040 Speaker 4: or that I chose songs like only the Wind. They 377 00:18:09,080 --> 00:18:12,080 Speaker 4: came from a you know, like we always say the 378 00:18:12,200 --> 00:18:18,720 Speaker 4: nineties was the sixties turned upside down, it really was, Billy. 379 00:18:18,760 --> 00:18:21,120 Speaker 2: I'm curious. As Rob mentioned, this is the fourth time 380 00:18:21,160 --> 00:18:23,840 Speaker 2: they've invited you back for this event. What motivates you 381 00:18:23,920 --> 00:18:24,919 Speaker 2: to keep coming back? 382 00:18:26,600 --> 00:18:28,560 Speaker 4: Well, man, a little bit has to do with that 383 00:18:28,640 --> 00:18:33,639 Speaker 4: Mayberry cafe up there that they got. You get a 384 00:18:33,680 --> 00:18:37,320 Speaker 4: home cooked meal made you get real green beans and 385 00:18:37,359 --> 00:18:39,600 Speaker 4: not out of a can, and real mash potato is 386 00:18:39,640 --> 00:18:41,240 Speaker 4: not out of a box. I love that. 387 00:18:41,600 --> 00:18:43,960 Speaker 1: And the other thing I love Casey is Billy when 388 00:18:43,960 --> 00:18:45,880 Speaker 1: he comes, he doesn't just like jet in and jet out. 389 00:18:45,920 --> 00:18:48,320 Speaker 1: This's not some U two affair. Billy was like pounding 390 00:18:48,400 --> 00:18:52,320 Speaker 1: Bruis at the local pub. I mean it was great, Billy. 391 00:18:52,400 --> 00:18:54,800 Speaker 1: We love it, man. November the thirtieth is the date, 392 00:18:54,960 --> 00:18:58,040 Speaker 1: seven pm, Royal Theater and Daniel. It's a great intimate show. 393 00:18:58,080 --> 00:19:00,760 Speaker 1: People love it when they go. You can get tickets 394 00:19:00,840 --> 00:19:03,440 Speaker 1: right now at the North Salem State Bank in Danville, 395 00:19:03,440 --> 00:19:06,800 Speaker 1: the Danville Branch or the Danville or a Danville roat 396 00:19:06,840 --> 00:19:08,480 Speaker 1: to remember Man. I'm excited to see you. 397 00:19:08,560 --> 00:19:08,720 Speaker 4: Man. 398 00:19:08,760 --> 00:19:10,480 Speaker 1: I love the show and we'll look forward to seeing 399 00:19:10,560 --> 00:19:11,960 Speaker 1: you on November the thirtieth. 400 00:19:12,720 --> 00:19:15,280 Speaker 4: Man, thank you guys. You're the best thing that's happened 401 00:19:15,320 --> 00:19:17,720 Speaker 4: in that community. Thanks for supporting this and that just 402 00:19:17,760 --> 00:19:19,560 Speaker 4: shows your heart and we love you for it. 403 00:19:20,240 --> 00:19:24,520 Speaker 2: Thank you, Billy. It is Kendley Casey. It's ninety three WIBC. 404 00:19:32,840 --> 00:19:33,080 Speaker 3: Hey. 405 00:19:33,480 --> 00:19:37,280 Speaker 1: Yeah, it's Steve Perry everybody. Yeah, better known as the 406 00:19:37,320 --> 00:19:40,199 Speaker 1: guy who wrote in sang most of the songs and Journey. 407 00:19:40,320 --> 00:19:43,280 Speaker 2: Yeah. So Journey has announced their farewell tour. 408 00:19:44,280 --> 00:19:45,440 Speaker 1: Oh they're on one now too. 409 00:19:45,600 --> 00:19:49,520 Speaker 2: Yeah. Kicks off February twenty eighth in Hershey, Pennsylvania. They're 410 00:19:49,560 --> 00:19:53,840 Speaker 2: going to be in Indianapolis March seventeenth. Is that the 411 00:19:53,920 --> 00:19:57,360 Speaker 2: day March seventeenth, I believe? Yeah, okay, Gamebridge. 412 00:19:56,800 --> 00:20:01,960 Speaker 1: So you know how I feel about these bands. Now, 413 00:20:02,240 --> 00:20:05,199 Speaker 1: I'm gonna you're the music radio experts. I'm gonna let 414 00:20:05,200 --> 00:20:09,000 Speaker 1: you either say, Rob, You're totally validated in your belief 415 00:20:09,040 --> 00:20:13,119 Speaker 1: system or you are totally off in your belief system. 416 00:20:13,359 --> 00:20:15,520 Speaker 1: Either way is fine. We can either just agree and 417 00:20:15,560 --> 00:20:18,320 Speaker 1: move on, or we have a spirited debate. If the 418 00:20:18,400 --> 00:20:21,080 Speaker 1: guy who wrote and sang, now, this is true with 419 00:20:21,240 --> 00:20:25,240 Speaker 1: the with the Foreigner, It's certainly true with Styx. Yeah, 420 00:20:26,080 --> 00:20:28,520 Speaker 1: are you Speedwagon now that Kevin Cronin is not there? 421 00:20:28,880 --> 00:20:30,760 Speaker 1: And Journey, like, I feel like those are the four 422 00:20:30,800 --> 00:20:33,320 Speaker 1: big ones that in the seventies and eighties were just 423 00:20:33,400 --> 00:20:37,280 Speaker 1: these juggernaut, larger than life bands. If the guy who 424 00:20:37,320 --> 00:20:40,000 Speaker 1: wrote and sang and so in this case it's Steve Perry. 425 00:20:40,480 --> 00:20:43,359 Speaker 1: Most of the songs, yeah, like every one of the 426 00:20:43,480 --> 00:20:46,119 Speaker 1: on Journey's greatest hits, all but two of the songs 427 00:20:46,119 --> 00:20:49,359 Speaker 1: Steve Perry has a writing credit, and I think all 428 00:20:49,400 --> 00:20:53,119 Speaker 1: of them except for maybe one of them, he's the 429 00:20:53,200 --> 00:20:54,360 Speaker 1: vocalist on Does he. 430 00:20:54,359 --> 00:20:57,160 Speaker 2: Have singular writing credit or is it he's just one 431 00:20:57,160 --> 00:20:57,600 Speaker 2: of the many. 432 00:20:57,760 --> 00:21:00,479 Speaker 1: It's shown Neil shown in that Jonathan Cane Doud who 433 00:21:00,520 --> 00:21:02,000 Speaker 1: still the band. So, by the way, Journey only has 434 00:21:02,000 --> 00:21:04,639 Speaker 1: one original guy. It's the Neil showing the guitar players 435 00:21:05,320 --> 00:21:07,359 Speaker 1: there either. Well, he's there, but he's not original. Now, 436 00:21:07,440 --> 00:21:09,000 Speaker 1: I will give you credit for him because he was 437 00:21:09,000 --> 00:21:11,480 Speaker 1: there at the height of Journey the eighties. He joined 438 00:21:11,480 --> 00:21:13,840 Speaker 1: in the early eighties, so we'll count him, right, So 439 00:21:13,840 --> 00:21:18,199 Speaker 1: you got two dudes of what at the height was Journey. Yeah, okay, 440 00:21:18,320 --> 00:21:20,920 Speaker 1: but I have a real problem when the guy who 441 00:21:20,960 --> 00:21:24,960 Speaker 1: wrote and sang the majority or all of the songs 442 00:21:25,440 --> 00:21:26,600 Speaker 1: is not in the band anymore. 443 00:21:26,680 --> 00:21:29,040 Speaker 2: Yeah, I know, it's just not the same. It's like 444 00:21:29,080 --> 00:21:31,800 Speaker 2: the you know, and it's not a thing like where 445 00:21:31,960 --> 00:21:32,800 Speaker 2: where you know? 446 00:21:33,960 --> 00:21:37,000 Speaker 1: Okay, Queen Freddie Mercury dies right, and then fifteen years 447 00:21:37,040 --> 00:21:39,080 Speaker 1: later they come back and they're like, well, obviously he 448 00:21:39,119 --> 00:21:42,080 Speaker 1: ain't performing. Let's get an equal replacement. They brought Paul 449 00:21:42,200 --> 00:21:45,320 Speaker 1: Rodgers in from Bad Company. And you're like, Paul Rogers 450 00:21:45,400 --> 00:21:48,480 Speaker 1: is freaking awesome. Nobody's gonna be Freddy Mercury. But this 451 00:21:48,520 --> 00:21:52,919 Speaker 1: guy's pretty darn close. I accept your offer because this 452 00:21:52,960 --> 00:21:56,720 Speaker 1: guy cannot perform. It's just you know whatever, all these 453 00:21:56,720 --> 00:21:59,359 Speaker 1: guys it's some different thing. It's usually he can't get 454 00:21:59,400 --> 00:22:02,920 Speaker 1: along and guy hijacks a band or something. But am 455 00:22:02,920 --> 00:22:04,680 Speaker 1: I wrong? Am I just? Am I just an old 456 00:22:04,680 --> 00:22:05,960 Speaker 1: man who yells at clouds? Or Do I have a 457 00:22:05,960 --> 00:22:06,440 Speaker 1: case here? 458 00:22:06,560 --> 00:22:08,760 Speaker 2: I think you have a case here. But I think 459 00:22:08,760 --> 00:22:10,800 Speaker 2: that there's many people like, Hey, this is your last 460 00:22:10,880 --> 00:22:14,960 Speaker 2: chance to ever see Journey in any Neil Shown and 461 00:22:15,040 --> 00:22:17,440 Speaker 2: Jonathan Kane, Right, it's your last chance to see those 462 00:22:17,480 --> 00:22:22,520 Speaker 2: two guys in any sort of combination of Journey on stage. 463 00:22:22,640 --> 00:22:24,240 Speaker 1: I mean, I've been hung up on this for years. 464 00:22:25,000 --> 00:22:26,760 Speaker 1: You know, I really got it hung up on this 465 00:22:26,800 --> 00:22:29,720 Speaker 1: when I was Overnight's Casey. Most people know Casey and 466 00:22:29,760 --> 00:22:31,879 Speaker 1: I once upon a time that we did not work together. 467 00:22:32,000 --> 00:22:34,440 Speaker 1: We worked for the same guy at one point. Yeah, 468 00:22:34,480 --> 00:22:36,280 Speaker 1: that was my first real full time job. And he 469 00:22:36,320 --> 00:22:37,879 Speaker 1: did he did. He liked you much better than he 470 00:22:37,960 --> 00:22:40,239 Speaker 1: liked me. Did you ever get a hotline call at 471 00:22:40,240 --> 00:22:40,680 Speaker 1: three am? 472 00:22:40,760 --> 00:22:41,000 Speaker 3: No? 473 00:22:41,000 --> 00:22:41,040 Speaker 2: No? 474 00:22:41,400 --> 00:22:45,600 Speaker 1: Yeah. But anyway, when I just sit there in my 475 00:22:45,640 --> 00:22:49,640 Speaker 1: own stew you know, in two thirty in the morning, 476 00:22:49,720 --> 00:22:51,880 Speaker 1: with nothing else to do, and I would ponder things 477 00:22:51,920 --> 00:22:53,560 Speaker 1: like this, and I would see these, you know, songs 478 00:22:53,560 --> 00:22:55,280 Speaker 1: come up and these bands have been doing this for 479 00:22:55,359 --> 00:22:58,000 Speaker 1: so long now. I was like, that just doesn't seem right. 480 00:22:58,320 --> 00:23:01,120 Speaker 1: It's not the band, the out the guy who wrote 481 00:23:01,200 --> 00:23:03,800 Speaker 1: and sang most of the song, the front man. 482 00:23:04,280 --> 00:23:06,760 Speaker 2: So I think Journey didn't did. They kind of go 483 00:23:06,840 --> 00:23:09,400 Speaker 2: off the off the off the rails. When they had 484 00:23:09,440 --> 00:23:12,679 Speaker 2: what was his name, Steve Cherry who full in for 485 00:23:12,840 --> 00:23:15,200 Speaker 2: Steve Perry, they hired. 486 00:23:15,160 --> 00:23:18,480 Speaker 1: Some song like I thought Arnell Panada guy or whatever 487 00:23:18,520 --> 00:23:20,760 Speaker 1: his name is had been there was the guy I 488 00:23:20,800 --> 00:23:21,480 Speaker 1: think said there. 489 00:23:21,400 --> 00:23:23,359 Speaker 2: Was somebody else in between Steve Perry. 490 00:23:23,560 --> 00:23:25,119 Speaker 1: They've been doing this for a while now. 491 00:23:25,440 --> 00:23:27,960 Speaker 2: Right when Steve Perry left, they had some other guys. 492 00:23:27,640 --> 00:23:31,320 Speaker 1: Because that Arnellaneda Panada whatever is Potato Potato, let's call 493 00:23:31,400 --> 00:23:32,919 Speaker 1: him there for a while. Let's call the whole thing off, 494 00:23:32,960 --> 00:23:35,199 Speaker 1: all right. But what he was a somewhat I mean 495 00:23:35,240 --> 00:23:37,560 Speaker 1: he was it's not like we're bringing to Paul Rodgers, right, 496 00:23:37,560 --> 00:23:40,879 Speaker 1: but he was a kind of a known quantity because 497 00:23:40,920 --> 00:23:44,719 Speaker 1: didn't van Halen do this too? Not after Roth and 498 00:23:44,760 --> 00:23:46,600 Speaker 1: then Hager left, they brought some other dude in and 499 00:23:46,600 --> 00:23:48,680 Speaker 1: it was a disaster, but they were still running around 500 00:23:48,720 --> 00:23:50,200 Speaker 1: his Van van Halen and they were like, that's not 501 00:23:50,240 --> 00:23:51,960 Speaker 1: goal work. We got to bring one of these guys 502 00:23:51,960 --> 00:23:54,359 Speaker 1: back Cave. You're the musician here, you tell me, Am 503 00:23:54,400 --> 00:23:55,159 Speaker 1: I off base on this? 504 00:23:55,240 --> 00:23:57,639 Speaker 5: Well, I think Arnell Pinedo was just a super fan 505 00:23:57,880 --> 00:24:00,600 Speaker 5: and he's from the Philippines. Yeah, and just came from 506 00:24:00,640 --> 00:24:02,960 Speaker 5: humble beginnings and somehow he was. 507 00:24:02,880 --> 00:24:05,480 Speaker 1: Like some sort of accomplished singer. Though, is that not true? 508 00:24:05,560 --> 00:24:07,600 Speaker 1: Did I imagine that they just pulled him out of 509 00:24:07,640 --> 00:24:09,920 Speaker 1: a win a Sing for Journey contest? 510 00:24:10,160 --> 00:24:12,240 Speaker 5: Yeah, he might have won some kind of contest, but 511 00:24:12,359 --> 00:24:14,399 Speaker 5: I don't know. I thought I thought he just like 512 00:24:14,560 --> 00:24:17,280 Speaker 5: they saw one of his videos that he uploads this series. 513 00:24:17,359 --> 00:24:19,479 Speaker 2: Yeah, and Neil Showan began searching YouTube for a new 514 00:24:19,560 --> 00:24:21,480 Speaker 2: lead vocalist. Are kidding? Ready? 515 00:24:21,600 --> 00:24:25,479 Speaker 1: No, They're like, that guy's pretty good. Where's he at? Well, 516 00:24:25,480 --> 00:24:27,160 Speaker 1: he's in the Philippines, Sir, get him. 517 00:24:27,280 --> 00:24:30,240 Speaker 2: Let's hire that guy and bring him on tour. Yeah. 518 00:24:30,320 --> 00:24:33,160 Speaker 5: Yeah, he's extremely talented. I will say that that's. 519 00:24:33,000 --> 00:24:34,800 Speaker 1: Fine, But I would like to think that Journey could 520 00:24:34,800 --> 00:24:37,520 Speaker 1: have done something to carry on the legacy of Steve Perry. 521 00:24:37,600 --> 00:24:39,040 Speaker 1: Not that he's no longer with us. I think he's 522 00:24:39,040 --> 00:24:41,120 Speaker 1: still very much with us. With some guy other than 523 00:24:42,280 --> 00:24:43,680 Speaker 1: a fan winning a contest. 524 00:24:43,680 --> 00:24:45,560 Speaker 2: That's what they should do. If this is really the 525 00:24:45,720 --> 00:24:49,840 Speaker 2: farewell tools, they should bring Steve Perry back, if he 526 00:24:49,920 --> 00:24:52,879 Speaker 2: would do it, you know, if nothing else, at the 527 00:24:53,000 --> 00:24:55,520 Speaker 2: end of every show, come out, do one song. 528 00:24:55,440 --> 00:24:56,480 Speaker 1: The end of every show. 529 00:24:56,800 --> 00:24:59,840 Speaker 2: It was the show, faithfully, I know. But I mean 530 00:25:00,080 --> 00:25:01,080 Speaker 2: he left the band. 531 00:25:01,520 --> 00:25:04,080 Speaker 1: Oh we're gonna have this fan do the whole concert, 532 00:25:04,160 --> 00:25:06,320 Speaker 1: and the guy that you remember seeing in the heyday, We're. 533 00:25:06,359 --> 00:25:09,320 Speaker 2: Bringing the one guy that you really the reason you 534 00:25:09,320 --> 00:25:13,399 Speaker 2: you loved us because of his vocals still sing one song. 535 00:25:13,840 --> 00:25:18,960 Speaker 2: So yeah, I mean, Journey so much success they had, 536 00:25:19,359 --> 00:25:24,560 Speaker 2: they sold so many records, like over one hundred million globally. 537 00:25:24,720 --> 00:25:27,160 Speaker 1: Yeah, because Steve Perry's really good case at a. 538 00:25:27,160 --> 00:25:30,399 Speaker 2: Time when you actually had to spend your money to 539 00:25:30,520 --> 00:25:33,440 Speaker 2: buy the cassette or the album. I used to have. 540 00:25:34,320 --> 00:25:38,080 Speaker 2: Which one was Stone in Love on? Uh not Infinity? 541 00:25:38,880 --> 00:25:40,520 Speaker 2: I can't remember which was. 542 00:25:41,880 --> 00:25:44,720 Speaker 1: I just had this up. Let's see here, I just 543 00:25:44,840 --> 00:25:46,760 Speaker 1: I just literally had this up because we were talking 544 00:25:46,760 --> 00:25:51,120 Speaker 1: about great uh, great Journey songs. Hang on here because 545 00:25:51,119 --> 00:25:56,200 Speaker 1: they have so many uh what is this scape? 546 00:25:56,440 --> 00:25:56,880 Speaker 4: Escape? 547 00:25:57,119 --> 00:25:59,760 Speaker 2: Oh? Yes, that's it? Yeah yeah, yeah, Escape. So I 548 00:25:59,800 --> 00:26:02,880 Speaker 2: had but I used to buy albums, I believe. 549 00:26:02,600 --> 00:26:06,040 Speaker 1: It or not, Rob how we did it in the fifties. 550 00:26:05,600 --> 00:26:08,879 Speaker 2: Eyeing albums, and I took the album and hung it 551 00:26:08,960 --> 00:26:09,320 Speaker 2: up in my. 552 00:26:09,440 --> 00:26:12,119 Speaker 1: Locker because, like I said, I mean with Sticks, Okay, 553 00:26:12,600 --> 00:26:15,399 Speaker 1: what are the songs you think of with six Babe Lady, 554 00:26:15,440 --> 00:26:18,120 Speaker 1: Best of Times, Come sail Away? They're all dennist Young songs. 555 00:26:18,119 --> 00:26:21,520 Speaker 1: I'm not disputing that Tommy Shaw had and James Young 556 00:26:21,600 --> 00:26:25,000 Speaker 1: had some songs that were reasonably you know, a blue 557 00:26:25,000 --> 00:26:27,000 Speaker 1: collar man, too much time on my hands. So those 558 00:26:27,000 --> 00:26:29,560 Speaker 1: obviously have been played for years on radio. I get that, 559 00:26:30,119 --> 00:26:32,160 Speaker 1: But then you can't in the case of Sticks, they've 560 00:26:32,160 --> 00:26:34,760 Speaker 1: been horribly rotten to Denisty Young and then play all 561 00:26:34,800 --> 00:26:37,960 Speaker 1: those songs with some of their guys singing You're gonna 562 00:26:37,960 --> 00:26:40,800 Speaker 1: be rotten to the guy and say, oh, it didn't 563 00:26:40,840 --> 00:26:43,080 Speaker 1: matter that he's not here anymore. That don't play the songs. 564 00:26:43,160 --> 00:26:45,320 Speaker 1: You know how well that concert go over if it 565 00:26:45,359 --> 00:26:47,160 Speaker 1: was just too much time on my hands and man 566 00:26:47,200 --> 00:26:49,520 Speaker 1: in the wilderness, everybody walk out. 567 00:26:49,960 --> 00:26:54,280 Speaker 2: I think Jersey's got more hits though, than Styx did. No, Yeah, 568 00:26:54,440 --> 00:26:54,919 Speaker 2: I think so. 569 00:26:55,840 --> 00:26:59,520 Speaker 1: Remember in the Big Daddy movie with Adam Sandler where 570 00:26:59,520 --> 00:27:01,879 Speaker 1: he teaches just the kid and the kid asked, like 571 00:27:01,880 --> 00:27:04,040 Speaker 1: what he learned or something, and he goes. Stix is 572 00:27:04,080 --> 00:27:06,720 Speaker 1: one of the greatest rock bands of all time. Most 573 00:27:06,720 --> 00:27:10,000 Speaker 1: critic and critics are just cynical a holes, that's right. 574 00:27:10,359 --> 00:27:13,280 Speaker 1: Dennis de Young is a saint. Casey a saint. 575 00:27:13,520 --> 00:27:18,280 Speaker 2: Don't stop believing, faithfully, separate ways, wheeling the sky, who's crying? 576 00:27:18,320 --> 00:27:18,439 Speaker 4: Now? 577 00:27:18,920 --> 00:27:21,680 Speaker 2: Anyway you want, that's the way you need it. 578 00:27:21,800 --> 00:27:25,040 Speaker 1: I would put the Mount Rushmore sticks up against Journey 579 00:27:25,080 --> 00:27:26,600 Speaker 1: any day. Like, what do you say are. 580 00:27:26,480 --> 00:27:28,080 Speaker 2: The top four Jurney songs? 581 00:27:29,000 --> 00:27:30,000 Speaker 1: What are you pick it as the top? 582 00:27:30,080 --> 00:27:32,720 Speaker 2: And love and Squeeze and feeling that way, send her 583 00:27:32,720 --> 00:27:35,880 Speaker 2: my love. I mean, I'm on the thirteen and these 584 00:27:35,920 --> 00:27:37,280 Speaker 2: are all major hits. 585 00:27:37,280 --> 00:27:38,920 Speaker 1: But I just said I would put the Mount Rushmore 586 00:27:38,960 --> 00:27:41,359 Speaker 1: of Sticks up against the Mount Rushmore of Journey any day. 587 00:27:41,560 --> 00:27:42,720 Speaker 1: What are you going with? What are your top four 588 00:27:42,800 --> 00:27:43,399 Speaker 1: Journey songs? 589 00:27:43,400 --> 00:27:48,520 Speaker 2: Hop four, don't stop believing, faithfully, open arms, and then 590 00:27:48,560 --> 00:27:53,000 Speaker 2: that fourth one you could probably there's plenty to choose from. 591 00:27:53,080 --> 00:27:54,880 Speaker 2: I mean, I've got my personal there. 592 00:27:54,760 --> 00:27:56,560 Speaker 1: Are lots of presidents to pick from, and they picked 593 00:27:56,560 --> 00:27:59,840 Speaker 1: a guy. They picked Roosevelt. Yeah, uh yeah, Teddy Roosevelt. 594 00:28:00,200 --> 00:28:02,120 Speaker 2: Any way you want it, Okay, that's my four. 595 00:28:02,160 --> 00:28:06,479 Speaker 1: I would say, come sail away, babe, best of times lady. 596 00:28:06,840 --> 00:28:10,440 Speaker 2: Isn't it interesting that you these are rock bands, arena 597 00:28:10,560 --> 00:28:13,200 Speaker 2: rock bands that we're talking about, and we both said 598 00:28:13,240 --> 00:28:16,120 Speaker 2: their top four songs are these rock ballads. 599 00:28:16,200 --> 00:28:18,320 Speaker 1: Yeah, because love songs. Most people are lazy and they 600 00:28:18,359 --> 00:28:20,200 Speaker 1: don't want to listen to the lyrics, and the lyrics 601 00:28:20,200 --> 00:28:24,320 Speaker 1: are where it's at. Casey, don't be a lazy musical consumer. 602 00:28:25,920 --> 00:28:26,479 Speaker 2: I won't. 603 00:28:27,119 --> 00:28:29,200 Speaker 1: All right up next, you're going, aren't you? You're gonna 604 00:28:29,200 --> 00:28:30,840 Speaker 1: go to go see Journey. 605 00:28:31,040 --> 00:28:33,760 Speaker 2: I've seen them. I saw them on a military base. 606 00:28:33,920 --> 00:28:34,880 Speaker 1: Real Journey or pretender. 607 00:28:34,960 --> 00:28:38,320 Speaker 2: It was pretend Journey. It's still good though, because you 608 00:28:38,400 --> 00:28:40,160 Speaker 2: knew all the songs in all the words. 609 00:28:40,160 --> 00:28:42,040 Speaker 1: Oh yeah, this thing will sell out. People love it. 610 00:28:42,280 --> 00:28:43,640 Speaker 1: Good for them. We're just having fun. 611 00:28:43,880 --> 00:28:45,600 Speaker 2: Speed Dome, that's the thing. 612 00:28:46,120 --> 00:28:51,720 Speaker 1: Yes, we're gonna talk all about an Indiana institution you 613 00:28:51,800 --> 00:28:53,560 Speaker 1: may have heard of but not know a lot about. 614 00:28:53,600 --> 00:28:54,240 Speaker 1: When we come back. 615 00:28:54,400 --> 00:29:03,000 Speaker 2: It's Kendall and Casey on ninety three w IBCs. 616 00:29:03,480 --> 00:29:11,760 Speaker 1: Just Casey, there's an institution in the city of Indianapolis. 617 00:29:11,880 --> 00:29:13,960 Speaker 1: A lot of people probably heard the name of it, 618 00:29:14,160 --> 00:29:16,080 Speaker 1: but maybe they don't know exactly what it is. 619 00:29:16,680 --> 00:29:19,040 Speaker 2: And I'm one of those people, so please start explaining. 620 00:29:19,160 --> 00:29:21,680 Speaker 1: Yeah, I mean, that's a great thing about our city 621 00:29:21,960 --> 00:29:24,520 Speaker 1: is there's so many super cool things that sort of 622 00:29:24,520 --> 00:29:27,640 Speaker 1: become a part of the lexicon, and yet many people 623 00:29:27,680 --> 00:29:30,480 Speaker 1: have never had an experience with it. And that's our 624 00:29:30,560 --> 00:29:33,440 Speaker 1: next segment because we're going to learn about it and 625 00:29:33,480 --> 00:29:36,360 Speaker 1: there's a big event going on there this weekend. Sounds good, 626 00:29:36,440 --> 00:29:39,640 Speaker 1: Kennlly Casey, I'm Rob Casey's here. It's the speed Drome. 627 00:29:40,040 --> 00:29:43,160 Speaker 1: Been around, for get this Casey since nineteen forty one. 628 00:29:43,680 --> 00:29:48,480 Speaker 1: The Indianapolis speed Drome has been entertaining race fans not 629 00:29:48,600 --> 00:29:51,160 Speaker 1: just across Central Indiana, but across the Midwest. And they 630 00:29:51,240 --> 00:29:53,480 Speaker 1: got a big event coming up on Saturday, so let's 631 00:29:53,520 --> 00:29:56,160 Speaker 1: learn about it. One of the great advocates and fans 632 00:29:56,280 --> 00:29:58,480 Speaker 1: of the speed Drome joins us now, Josh Malsak is 633 00:29:58,520 --> 00:29:58,800 Speaker 1: his name? 634 00:29:58,880 --> 00:29:59,480 Speaker 6: Josh? Hello? 635 00:30:01,000 --> 00:30:01,360 Speaker 1: Or Rob? 636 00:30:01,480 --> 00:30:02,200 Speaker 6: How are you my man? 637 00:30:02,360 --> 00:30:04,720 Speaker 1: Doing? Great? So tell us about the speed Room because 638 00:30:04,720 --> 00:30:08,080 Speaker 1: I have heard about this place for years, and it's 639 00:30:08,120 --> 00:30:10,959 Speaker 1: been there since nineteen forty one, and people are still 640 00:30:11,000 --> 00:30:14,960 Speaker 1: flooding in there. What is the speed drom. Let me 641 00:30:14,960 --> 00:30:15,440 Speaker 1: tell you something. 642 00:30:15,520 --> 00:30:19,520 Speaker 6: The speed drom is a one fifth paved paved my 643 00:30:19,760 --> 00:30:22,959 Speaker 6: I guess one's a mile sorry, paved oval and Figure 644 00:30:23,000 --> 00:30:26,200 Speaker 6: eight on the east side of India at fifty two 645 00:30:26,240 --> 00:30:28,680 Speaker 6: and Kittley. And it's been there, like you said, for 646 00:30:28,720 --> 00:30:31,720 Speaker 6: like eighty years, for over eighty years, in fact eighty five. 647 00:30:31,960 --> 00:30:36,160 Speaker 6: All going on in twenty twenty six and they it's contested, 648 00:30:36,440 --> 00:30:39,520 Speaker 6: But apparently the sport of figure eight racing was created 649 00:30:39,520 --> 00:30:41,520 Speaker 6: at the Indianapolis seed Room. Now, I know there are 650 00:30:41,560 --> 00:30:44,080 Speaker 6: some people in other states, like New York that might say, no, 651 00:30:44,160 --> 00:30:45,920 Speaker 6: it wasn't it was created here, But we're not here 652 00:30:45,920 --> 00:30:47,760 Speaker 6: to talk about that. We're here to talk about the 653 00:30:47,800 --> 00:30:50,480 Speaker 6: Indianapolis Speedroom. You know, Indianapolis is a city built on 654 00:30:50,520 --> 00:30:53,200 Speaker 6: the backs of bricks and sweet mother speed. But it's 655 00:30:53,200 --> 00:30:55,600 Speaker 6: not just home to the Indianapolis Motor Speedway. It's also home, 656 00:30:55,640 --> 00:30:57,280 Speaker 6: as you know, to the Indianapolis Speed Room. 657 00:30:57,360 --> 00:30:59,640 Speaker 1: Okay, so let's talk about Figure eight racing for a second. 658 00:30:59,600 --> 00:31:02,280 Speaker 1: Obviously the racing capital of the world. Case he thinks 659 00:31:02,320 --> 00:31:05,760 Speaker 1: about the Indianapolis Motor Speedway, tell us about Figure eight 660 00:31:05,880 --> 00:31:09,040 Speaker 1: racing because this is fascinating for sure. 661 00:31:09,120 --> 00:31:09,400 Speaker 4: Yeah. 662 00:31:09,440 --> 00:31:11,720 Speaker 6: So when a lot of people think of figure eight racing, 663 00:31:11,720 --> 00:31:13,400 Speaker 6: they think of a bunch of hillbillies going out and 664 00:31:13,400 --> 00:31:14,479 Speaker 6: getting cars and wrecking them. 665 00:31:14,560 --> 00:31:14,880 Speaker 2: Wrong. 666 00:31:15,200 --> 00:31:18,760 Speaker 6: These are purpose built race cars. Some of these cars 667 00:31:18,920 --> 00:31:21,600 Speaker 6: cost anywhere from thirty to fifty to seventy five thousand 668 00:31:21,640 --> 00:31:23,880 Speaker 6: dollars and they race them in a figure eight race. 669 00:31:24,200 --> 00:31:27,080 Speaker 6: And they have several across the season. They have about 670 00:31:27,080 --> 00:31:29,040 Speaker 6: twenty during the season, and they have a major one 671 00:31:29,800 --> 00:31:31,760 Speaker 6: in September towards the end of the season called the 672 00:31:32,000 --> 00:31:35,240 Speaker 6: three hour Figure eight and that's three hours of outlaw 673 00:31:35,360 --> 00:31:37,960 Speaker 6: figure eight racing at the Indianapolis Speed Room. 674 00:31:38,320 --> 00:31:41,200 Speaker 1: Josh Malsak is our guest. He's here talking about the 675 00:31:41,200 --> 00:31:43,160 Speaker 1: Indianapolis Speed Drum. They got a big event coming up 676 00:31:43,200 --> 00:31:45,400 Speaker 1: on Saturday, which we're going to get to. But like 677 00:31:45,520 --> 00:31:48,400 Speaker 1: thousands of people every year flood into this speed Drom. 678 00:31:48,480 --> 00:31:50,800 Speaker 1: Rights like this is a major economic driver for the 679 00:31:50,840 --> 00:31:51,840 Speaker 1: city of Indianapolis. 680 00:31:52,920 --> 00:31:55,840 Speaker 6: I mean, it's gotta be man. It's a beautiful, wonderful facility. 681 00:31:56,320 --> 00:31:59,000 Speaker 6: The owners are fantastic, the management is great. You know, 682 00:31:59,160 --> 00:32:02,560 Speaker 6: It's one of those things sometimes often goes overlooks. Peoplere like, oh, 683 00:32:02,600 --> 00:32:04,160 Speaker 6: let's go to a Let's go to a PACER's game, 684 00:32:04,200 --> 00:32:06,000 Speaker 6: Let's go to a Colts game, let's go to a 685 00:32:06,240 --> 00:32:08,880 Speaker 6: let's go to an Indians game at Victory Field. When really, 686 00:32:08,880 --> 00:32:11,080 Speaker 6: in fact, for like one third the cost of going 687 00:32:11,160 --> 00:32:13,719 Speaker 6: to a Colts game, you can go to the Indianapolis 688 00:32:13,720 --> 00:32:16,240 Speaker 6: speed Drome, pay for your ticket, and then you can 689 00:32:16,240 --> 00:32:18,680 Speaker 6: get your family in for another thirty or forty bucks. 690 00:32:18,760 --> 00:32:21,120 Speaker 6: You know you can't have that kind of fun for 691 00:32:21,240 --> 00:32:22,840 Speaker 6: less than fifteen bucks, You know what I mean. 692 00:32:23,280 --> 00:32:25,600 Speaker 2: Josh, I'm curious. How fast do these cars go? 693 00:32:26,840 --> 00:32:29,400 Speaker 6: It varies, it depends. Sometimes they can go anywhere from 694 00:32:29,400 --> 00:32:31,440 Speaker 6: about seventy miles an hour. It doesn't seem very fast 695 00:32:31,760 --> 00:32:33,600 Speaker 6: when you see it, but when you're on a fifth 696 00:32:33,600 --> 00:32:36,080 Speaker 6: mile and there and the the outlaw cars are crossing 697 00:32:36,080 --> 00:32:39,440 Speaker 6: in front of each other, it's it's very uh Sometimes 698 00:32:39,440 --> 00:32:43,280 Speaker 6: it can be puckering, as they say. Uh so, I 699 00:32:43,320 --> 00:32:44,360 Speaker 6: don't know if we can use that word. 700 00:32:46,360 --> 00:32:48,000 Speaker 1: Yes, the words you use. 701 00:32:48,880 --> 00:32:50,800 Speaker 6: Let's just say that you might need a spash, let 702 00:32:50,800 --> 00:32:52,400 Speaker 6: it get off your seats sometimes, you know what I mean? 703 00:32:52,800 --> 00:32:53,320 Speaker 3: Uh so? 704 00:32:53,920 --> 00:32:54,479 Speaker 2: Uh So. 705 00:32:54,800 --> 00:32:56,640 Speaker 6: It not only do they have outlaws, salves to have 706 00:32:56,640 --> 00:32:59,840 Speaker 6: other classes like they race Crown Victoria's, they race four 707 00:33:00,000 --> 00:33:03,000 Speaker 6: cylinder cars, they race go cards, they race these things 708 00:33:03,000 --> 00:33:06,160 Speaker 6: called modified They're so cool, man. It's a beautiful, wonderful facility. 709 00:33:06,400 --> 00:33:08,840 Speaker 1: Josh Malsek is our guest, and I love this segment 710 00:33:08,880 --> 00:33:10,720 Speaker 1: because this is what the speed Drobe is all about. 711 00:33:10,880 --> 00:33:13,120 Speaker 1: This dude didn't get getting paid to do this interview. Yeah, 712 00:33:13,120 --> 00:33:15,480 Speaker 1: he's not an employee. He's just some guy who loves 713 00:33:15,520 --> 00:33:16,840 Speaker 1: the Speed Drom and what it does. 714 00:33:16,920 --> 00:33:17,480 Speaker 2: An advocate. 715 00:33:17,640 --> 00:33:19,360 Speaker 1: Yeah, that's why we called him an advocate. And so 716 00:33:19,560 --> 00:33:21,000 Speaker 1: that's a real quick to be we're talking about the 717 00:33:21,040 --> 00:33:23,320 Speaker 1: big event. That's what the speed Drom really is. It's 718 00:33:23,360 --> 00:33:26,560 Speaker 1: people who love racing, like these people who are racing. 719 00:33:27,040 --> 00:33:29,200 Speaker 1: It is some people who want to be professional racers, 720 00:33:29,280 --> 00:33:32,600 Speaker 1: but it's also these weekend warrior type people. It's people 721 00:33:32,600 --> 00:33:34,680 Speaker 1: who truly have a love of the sport. 722 00:33:35,360 --> 00:33:37,520 Speaker 6: Yeah, and dare I say it, it's real money racing, 723 00:33:37,560 --> 00:33:40,120 Speaker 6: you know. Yeah, you've got your massive sponsors in Indian NASCAR, 724 00:33:40,400 --> 00:33:42,960 Speaker 6: But when you really think about it, the real money 725 00:33:43,320 --> 00:33:45,120 Speaker 6: is the people who are trying to say, well, do 726 00:33:45,200 --> 00:33:46,600 Speaker 6: I want to have steak for dinner or eat a 727 00:33:46,600 --> 00:33:48,640 Speaker 6: blooney sandwich and put those new brakes, or work on 728 00:33:48,680 --> 00:33:50,920 Speaker 6: that new motor for my vehicle. You know what I mean. 729 00:33:51,120 --> 00:33:53,520 Speaker 6: It's not just it's not just oh yeah, here's a 730 00:33:53,520 --> 00:33:56,600 Speaker 6: million dollars for a new car. It's people actually using 731 00:33:56,640 --> 00:33:59,400 Speaker 6: their real hard earned money to go out there and 732 00:33:59,440 --> 00:34:01,880 Speaker 6: put on a show, so not only for the fans, 733 00:34:01,880 --> 00:34:03,840 Speaker 6: but also for their friends and their family as well. 734 00:34:03,920 --> 00:34:06,479 Speaker 2: You know, Josh, tell us about the event that you 735 00:34:06,520 --> 00:34:09,080 Speaker 2: have coming up this weekend for sure. 736 00:34:09,120 --> 00:34:11,239 Speaker 6: Yeah, on Saturday, November eighth, that's tomorrow for those of 737 00:34:11,280 --> 00:34:13,080 Speaker 6: you who don't know. It starts at two thirty pm. 738 00:34:13,160 --> 00:34:15,560 Speaker 6: The first flag will fly at two thirty pm, and 739 00:34:15,640 --> 00:34:17,279 Speaker 6: there's all kinds of fun stuff going on. They've got 740 00:34:17,280 --> 00:34:19,480 Speaker 6: a bus figure eight, they're doing bus rides, They're doing 741 00:34:19,520 --> 00:34:22,200 Speaker 6: a trailer race and a figure eight, a grocery Getter event, 742 00:34:22,200 --> 00:34:24,160 Speaker 6: and a powder Puff van and suv race. Now, the 743 00:34:24,200 --> 00:34:26,120 Speaker 6: Grocery Getter event is basically, you go out, you get 744 00:34:26,120 --> 00:34:28,120 Speaker 6: a car, you just knock out all the glass, so 745 00:34:28,160 --> 00:34:30,480 Speaker 6: that's like the windows except for the front windshield and 746 00:34:30,480 --> 00:34:32,560 Speaker 6: then the lights and everything, and then you can race 747 00:34:32,600 --> 00:34:35,320 Speaker 6: on a Noble. On top of that, we're doing something 748 00:34:35,400 --> 00:34:40,000 Speaker 6: called the Kevin Pringle memorial fifteen laps, figure eight. It's 749 00:34:40,560 --> 00:34:43,759 Speaker 6: it's adults on power wheels. Okay, Like remember those little 750 00:34:43,800 --> 00:34:46,000 Speaker 6: cars the kids have where you set a little battery 751 00:34:46,000 --> 00:34:48,359 Speaker 6: in there and you go, it's ridiculous, it's ridiculous, Lis 752 00:34:48,360 --> 00:34:52,800 Speaker 6: And here's the deal. It's fifteen laps. And there I 753 00:34:52,840 --> 00:34:54,960 Speaker 6: when my buddy Dave, my buddy Dave Hollinsworth came to 754 00:34:54,960 --> 00:34:56,880 Speaker 6: me and said, Josh, I want to put on this 755 00:34:56,920 --> 00:34:59,279 Speaker 6: event for my brother. Can you help me? And I'm like, dude, 756 00:34:59,360 --> 00:35:02,319 Speaker 6: yes a million times. Yes, you're a great friend. I 757 00:35:02,360 --> 00:35:04,400 Speaker 6: know that your brother was well known in our community. 758 00:35:04,640 --> 00:35:06,080 Speaker 6: He was one of those kind of guys that would 759 00:35:06,120 --> 00:35:08,360 Speaker 6: help people. He would help them whenever they needed it, 760 00:35:08,400 --> 00:35:11,480 Speaker 6: didn't matter who they were. He wasn't he wasn't worried about, 761 00:35:11,640 --> 00:35:14,760 Speaker 6: you know, being popular or anything like that, or siding 762 00:35:14,760 --> 00:35:16,680 Speaker 6: with one side or another. He would help out with 763 00:35:16,760 --> 00:35:19,200 Speaker 6: anyone in the pits. And that's that's a big deal. 764 00:35:19,239 --> 00:35:21,160 Speaker 6: And you see that a lot with short track racing, 765 00:35:21,160 --> 00:35:24,359 Speaker 6: where someone will need something and and they won't and 766 00:35:24,400 --> 00:35:26,120 Speaker 6: then they'll reach out and someone like yeah, I got that. 767 00:35:26,120 --> 00:35:27,719 Speaker 6: When he help you out, you know that, that's what 768 00:35:27,760 --> 00:35:29,879 Speaker 6: you see most of the time in short track racing 769 00:35:29,920 --> 00:35:31,160 Speaker 6: sometimes you know the sideways. 770 00:35:31,440 --> 00:35:35,040 Speaker 1: Excuse me, but real quick, Josh would tell us about 771 00:35:35,200 --> 00:35:37,440 Speaker 1: the power wheels, like this race fascinates me. We're going 772 00:35:37,480 --> 00:35:39,160 Speaker 1: to see adults on power wheels. 773 00:35:39,960 --> 00:35:42,520 Speaker 6: Yes, that's right, you're gonna see adults on power wheels. 774 00:35:42,520 --> 00:35:45,760 Speaker 6: It's gonna be fifteen laps. It's short because the battery 775 00:35:45,760 --> 00:35:48,640 Speaker 6: life span of that's that long. It was gonna be 776 00:35:48,719 --> 00:35:50,640 Speaker 6: like a fifteen. It was gonna be a fifteen lap 777 00:35:50,680 --> 00:35:53,360 Speaker 6: on on the full course. So they're gonna go short. 778 00:35:53,840 --> 00:35:56,200 Speaker 6: Excuse me, they're gonna go short on the on the 779 00:35:56,239 --> 00:35:58,080 Speaker 6: course instead of the long one because we were worried 780 00:35:58,080 --> 00:35:59,759 Speaker 6: that people would run out of battery life. But yeah, 781 00:36:00,000 --> 00:36:02,919 Speaker 6: it's adults on power wheels on November eighth, two thirty 782 00:36:02,960 --> 00:36:05,960 Speaker 6: pm at the speed Rome and it's ten bucks for 783 00:36:06,360 --> 00:36:08,840 Speaker 6: people to get in as adults, five bucks for kids, 784 00:36:08,920 --> 00:36:10,960 Speaker 6: and if they're six and or five and under they 785 00:36:10,960 --> 00:36:11,640 Speaker 6: are free. 786 00:36:12,200 --> 00:36:15,239 Speaker 1: What a deal. Tomorrow afternoon the Indianapolis speed Room, east 787 00:36:15,280 --> 00:36:18,120 Speaker 1: side of Indianapolis. Josh, this is awesome. Thanks for telling 788 00:36:18,200 --> 00:36:20,080 Speaker 1: us about the speed Drom and you're big event. 789 00:36:19,840 --> 00:36:22,840 Speaker 6: Tomorrow, hey man, thank you so much. Listen if you 790 00:36:23,000 --> 00:36:26,240 Speaker 6: mentioned that you you heard me here on the Kendall 791 00:36:26,280 --> 00:36:28,359 Speaker 6: and Casey Show. I want you to know that you're 792 00:36:28,360 --> 00:36:29,719 Speaker 6: going to get a free high five. 793 00:36:31,600 --> 00:36:33,840 Speaker 2: Perfect Dan, a smile. 794 00:36:33,960 --> 00:36:34,440 Speaker 1: I love it. 795 00:36:35,239 --> 00:36:37,440 Speaker 2: Josh and Rob. That's going to do it for us today, 796 00:36:37,480 --> 00:36:40,600 Speaker 2: all right. Thank you and thank you Kevin, Thank you 797 00:36:40,640 --> 00:36:44,200 Speaker 2: for listening. This has been Kendally Casey on ninety three 798 00:36:44,440 --> 00:36:45,200 Speaker 2: WYBC