Speaker 1: The Frames per Second Podcast.
Speaker 2: All right, everybody, welcome to the Frames per Second Podcast,
Speaker 2: where we are reviewing the brand new movie is a God.
Speaker 2: That is This was directed by Alisha Harris, who I
Speaker 2: haven't heard of before. Debut debut filmed by Alisa Harris,
Speaker 2: and it was I seen. It was based off of something.
Speaker 2: You know what it was? I play play Okay, so
Speaker 2: it's based on yes, the first voice you heard?
Speaker 3: Of course, I have Mike rod a Ken with me.
Speaker 1: Guys.
Speaker 4: How are y'all doing? Well? How are you doing?
Speaker 3: All right, let's jump into it.
Speaker 2: Man, I'm gonna go around the room and see what
Speaker 2: y'all thought about this movie. Had you have expectations and
Speaker 2: did it meet them?
Speaker 1: Rod?
Speaker 3: What did you think about this film?
Speaker 1: I had?
Speaker 5: I won't say I had expectations, but I did see
Speaker 5: the review for it and it did piqued my interest.
Speaker 5: I think we did a trailer reaction for it. So
Speaker 5: if you're Patreon supporter, you probably can see that there
Speaker 5: FPS podcast. Look what is it?
Speaker 3: Second podcast?
Speaker 5: Yeah, yeah, French second because I know that it's different
Speaker 5: from the YouTube, but but yeah, no, I enjoyed this.
Speaker 5: It felt like an original story. I didn't know about
Speaker 5: the play but looking at us like, oh, yeah, this
Speaker 5: is I haven't seen anything like this, you know what
Speaker 5: I'm saying, So like, yeah, I thought it. I thought
Speaker 5: it was interesting. Yeah, I enjoyed it. Man, I had
Speaker 5: these people wanted.
Speaker 4: The like.
Speaker 2: Of actions in my theater was crazy, like so yeah, man,
Speaker 2: yeah it was.
Speaker 3: Yeah, it was. It was a fun time. Actually, what'd
Speaker 3: you think?
Speaker 4: I fuck with him man a lot. Actually, I really
Speaker 4: really enjoyed, uh watching this movie. There were there was
Speaker 4: a moment where I was like, oh, I don't I
Speaker 4: don't think I like sort of the messaging that it
Speaker 4: was kind of giving across. But I think everything else
Speaker 4: after that kind of got it out out of my
Speaker 4: mind a little bit. So maybe I was just thinking
Speaker 4: about it it too hard.
Speaker 1: But for the most part, though, I've.
Speaker 4: Really really enjoyed myself watching this movie.
Speaker 3: Okay, Mike, what'd you think?
Speaker 1: So? First of all, I gotta tell y'all something real quick.
Speaker 6: Okay, So I moved from the East I moved from
Speaker 6: East Point, and I was like, I've stopped going to
Speaker 6: Camp Creek a while ago, and I just been going tomorrow.
Speaker 1: Yeah, but Camp Creek is only like eight minutes from
Speaker 1: my old house.
Speaker 6: I was like, I'm just gonna hit Camp Creek this
Speaker 6: last time, just a farewell to Camp Creek. Y'all already
Speaker 6: know this movie. These motherfuckers. It was a whole row
Speaker 6: in the back. They all came together that I can
Speaker 6: deal with. They were just having a conversation. Oh, they
Speaker 6: were just talking.
Speaker 1: Like who is that? I swear to God this happened.
Speaker 2: One guy that was at the end row yelled say
Speaker 2: so at the other guy that was on the other
Speaker 2: side of the road, what's up?
Speaker 1: And they were going back and forth. They were just
Speaker 1: talking during I was fucking mad.
Speaker 6: I lasted until they got to where Biba Gate Fox
Speaker 6: is and I was like, fuck this, and I got
Speaker 6: up and I went outside. I went outside and I said,
Speaker 6: I pulled a Karen. I said, I want to talk
Speaker 6: to a manager because I want my past. Because I
Speaker 6: thought with our ship, the AMC thing we could do.
Speaker 6: I know it's two movies a week, but it's not
Speaker 6: two movies in the day.
Speaker 1: No it's not. I tried, and it would not let
Speaker 1: me do.
Speaker 4: It where the movie times overlapping.
Speaker 3: No, I've done it before.
Speaker 4: I have too.
Speaker 1: It wouldn't let me do it.
Speaker 2: I missed one and I had to go back and
Speaker 2: watch it. Yeah, well, let me do it, because like
Speaker 2: I'm sorry, go ahead. No, it was just for that.
Speaker 5: That movie with I can't remember the name of it though.
Speaker 5: It was like real purplish colors and.
Speaker 1: We can TV glow. Yeah, TV Glow. Did you cancel it? No,
Speaker 1: you can't cancel it. The movie started.
Speaker 4: Right, so you missed the movie time. You just went
Speaker 4: at a later time, so it was in one of
Speaker 4: your empty slots.
Speaker 5: Yeah, so I went to the movie did exactly what
Speaker 5: he did. I had to leave, but it wasn't because
Speaker 5: people were loud. I just had to had to be.
Speaker 5: I had to go somewhere. I got an emergency call,
Speaker 5: and so I went back later okay, and watched it
Speaker 5: that day that day, that same day that.
Speaker 2: Well, that was probably like well, whenever that movie came out,
Speaker 2: it was years ago.
Speaker 4: That may have changed it.
Speaker 6: It might be to where if you're in a movie
Speaker 6: and it's already started, that you can't.
Speaker 3: You probably got to end.
Speaker 6: It's probably the movies got probably got an end before
Speaker 6: you could purchase another ticket.
Speaker 5: Oh so you was trying to purchase something, That's what
Speaker 5: I was saying. The overlapping.
Speaker 1: Yeah, no, the movie hadn't. No, well, okay, I see
Speaker 1: what you're saying overlapping.
Speaker 2: I thought, yeah, you're right, you're right, you're right, yes, yeah,
Speaker 2: Because the next movie didn't start until five fifteen.
Speaker 1: The movie I was in.
Speaker 6: Was at four four o'clock four fifteen, four or fifteen,
Speaker 6: so about four point thirty. I was trying to person
Speaker 6: at to take it and it was like no. So
Speaker 6: I was like fuck this. I went out there and
Speaker 6: I was like, I need to talk to a manager.
Speaker 6: Marriager came out. I was like, bro, I don't usually
Speaker 6: care about people talking like that, but this is ridiculous.
Speaker 2: I gotta go, and he was like, no, we'll go
Speaker 2: in there and just tell them people. I was like no,
Speaker 2: because first while I already missed a good ten minutes
Speaker 2: waiting for you to come out, and they gonna know
Speaker 2: it was me. I'm not finna get jumped by these
Speaker 2: twelve negroes in the back row.
Speaker 1: But I got super lucky.
Speaker 6: I got stuck in forty minutes worth of traffic, but
Speaker 6: I still got tomorrow. I literally walked in as they
Speaker 6: were walking in to see Vivica Fox. Oh wow, this
Speaker 6: is per perfect, and my audience again still all black.
Speaker 1: Yeah, quiet until they didn't need to be quiet. Yes,
Speaker 1: you know what I'm saying, Like they were really into
Speaker 1: the film, you know, like what's going on, what's happening
Speaker 1: with the movie. Oh shit, that's great, that's that's fun.
Speaker 7: But y'all, motherfuckers, all these hot dogs crazy, Nick, these
Speaker 7: hot dogs?
Speaker 1: Are you serious?
Speaker 4: Are you serious?
Speaker 2: Anyway, all that to say, this was fucking great.
Speaker 1: This was fucking great.
Speaker 6: I'm so glad I did not stay in Camp Creek
Speaker 6: because I would have missed all of the dialogue.
Speaker 1: Yep, this was fucking great. I had.
Speaker 6: I don't want to say no or low expectations. I
Speaker 6: think I remember liking the trailer, and I fuck with
Speaker 6: Randall Peterson anytime he's in something.
Speaker 1: So yeah, man, this was This was fantastic.
Speaker 6: Like one of y'all said, it felt original, which is
Speaker 6: so rare these days. It felt like an original idea,
Speaker 6: an original story, and for a debut by a black woman,
Speaker 6: she killed it.
Speaker 1: She killed it. Got some gritch, but they're small, they're
Speaker 1: real small.
Speaker 2: I think we're all in the grits. I was scared.
Speaker 2: I didn't think I was gonna like it, just from
Speaker 2: the trailer. Thought would be kind of like, but the
Speaker 2: dialogue just how she set everything up, the storytelling, how
Speaker 2: they told the story like it was.
Speaker 4: It was great.
Speaker 2: Like, Yeah, I was sitting there and it made me
Speaker 2: think of that movie that we did with with with
Speaker 2: the Hobby. We did a review at the house and
Speaker 2: the movie was about the man and the wife, but
Speaker 2: it was really saying like the god and the different stuff.
Speaker 1: What was that we did.
Speaker 4: Ago?
Speaker 2: It was a review for like an anniversary episode and
Speaker 2: the story was about the Yes, I felt like I
Speaker 2: was watching this movie and it was saying something different
Speaker 2: from what was happening on the screen.
Speaker 3: But I really didn't put you together and I didn't
Speaker 3: know it was.
Speaker 1: Like a black Mother. No.
Speaker 3: I just felt like there was more message into what.
Speaker 2: Was going on on the screen than what they were saying.
Speaker 2: So I want to see some reviews and like breakdowns
Speaker 2: on it. But I enjoyed it. Man, this movie was
Speaker 2: really good. I walked out of it there still thinking
Speaker 2: about it. Yeah, that's absolutely And.
Speaker 5: See people talking on if y'all saw see people talking
Speaker 5: about it afterwards, Yeah, I'm what I'm saying, like after
Speaker 5: they leave them, after they left the movie, So people
Speaker 5: in the movie, I can hear them like kind of
Speaker 5: talking about it and they having reactions.
Speaker 3: So when was it ending?
Speaker 2: Like the guy next to me and the grill that
Speaker 2: was interested in his heir, like you just heard commentary
Speaker 2: after why the movie was going. I did have a
Speaker 2: similar experience. I went to Conyor's because I was out there.
Speaker 2: Oh Jesus oh, I was at that way black, all black,
Speaker 2: and it was going great.
Speaker 3: And like you said, they didn't talk to they need
Speaker 3: to talk.
Speaker 2: But it was a lady behind me, old lady phone
Speaker 2: star rings just didn't cut the ring off.
Speaker 3: She just pressed.
Speaker 2: She just kept lending ring. She answered, hello, Oh no,
Speaker 2: I'm in the movies. Baby, didn't take you out the movie.
Speaker 2: I'm in the movies, baby, I don't know. It was
Speaker 2: Mike calling him. Movie again.
Speaker 1: You were in Conye's or you were at Stonecrast.
Speaker 2: I was at the Kanye Still who even goes to
Speaker 2: the Conyers out there? I used to, but I would,
Speaker 2: I would go ahead and drive to Stonecrust. Here's the
Speaker 2: thing I was behind, and all the other ones started
Speaker 2: too late, and I want to follow feel And that
Speaker 2: was the only one for the window that I had
Speaker 2: from seven to fifteen, because I wouldn't been there. If
Speaker 2: it was after nine en, I was gonna go to sleep.
Speaker 2: I have not been to the Conye staters since I
Speaker 2: lived in Conyers. It was a lot of people, I'm
Speaker 2: sureuse they ain't got nothing else to do.
Speaker 3: I just get into this movie.
Speaker 1: Man.
Speaker 2: We meet the twins, and as we're meeting the twins,
Speaker 2: the introduction of them is just them doing their twin thing.
Speaker 3: And for me, this really worked.
Speaker 2: I liked how they intro this and like introduced us
Speaker 2: to the way that they communicate, how in tune they
Speaker 2: are with each other.
Speaker 3: What did you think about the beginning of this month, you.
Speaker 6: Said, Mike, Yeah, I liked it, Man, I liked it.
Speaker 6: I think it started off with the younger twins, right, Yes,
Speaker 6: I was like, yep, that's what you're doing. Somebody call
Speaker 6: your little sister whip that especially. I think it was
Speaker 6: a little white kid. I think, regardless of the of
Speaker 6: the race, beat the ass. But do we do we
Speaker 6: immediately go on to the older twins.
Speaker 2: After they show him beating after they show her beating
Speaker 2: her with the cone. Then it goes to the older
Speaker 2: twins and they kind of do their spiel of how
Speaker 2: much they know each other and how they think telepathy,
Speaker 2: and I was confused because it started in me. So
Speaker 2: we start with the young twins, Like you said, we
Speaker 2: go to their job with a lady. Yes, that's right,
Speaker 2: and looks at her kind of funny. That's the Yeah.
Speaker 2: This this, all of this threw me off.
Speaker 6: And I don't know if they were trying to say
Speaker 6: something with this either or whatever. But they didn't look
Speaker 6: like twins because like one was clearly way taller than
Speaker 6: the other. But they did that with the boys too,
Speaker 6: So I don't know. Oh, y'all can have to explain that.
Speaker 2: See how I nicely asked y'all to explain it, but
Speaker 2: Rod has to act like I'm stupid.
Speaker 1: No, I just know what I'm saying.
Speaker 6: See how I just friendly was just like, okay, y'all
Speaker 6: can't have to explain that, because I know, I know
Speaker 6: fraternal and much not not much know what's the other one?
Speaker 4: Fraternal?
Speaker 1: Maternal?
Speaker 4: Okay?
Speaker 6: I know one is like they share a cell or
Speaker 6: something and the cell splits. I don't really know the details,
Speaker 6: but I didn't know even if they were fraternal, I
Speaker 6: didn't think one could be like way taller than the ab.
Speaker 1: That's what I was asking Roder. I didn't know that,
Speaker 1: So I didn't know.
Speaker 4: That my uh some real close friends of mine back
Speaker 4: when I was in Meridium, Mississippi. They were fraternal friends,
Speaker 4: right winds, fraternal friends twins. One was Sis six or
Speaker 4: S seven and the other was like five nine.
Speaker 1: I did not know that that could happen, but I
Speaker 1: didn't know it was.
Speaker 4: Yeah, it was, it was. It was crazy because I used.
Speaker 6: To watch Oh and you know, Brenda and Brandon were
Speaker 6: supposed to be twins, and I was when I was
Speaker 6: a kid, I was like, how the funk are they twins?
Speaker 6: Are y'all playing our face like this? White people are weird?
Speaker 6: But then someone else told me, like, no, they're fraternal twins.
Speaker 6: So I thought that just meant that they could be
Speaker 6: boy girl. I didn't know that they would still be
Speaker 6: the same gender or sex, but one would just be like.
Speaker 4: And they looked the same but different. But yeah, the
Speaker 4: height I did not know.
Speaker 3: I went to high school with.
Speaker 2: That's the only reason they didn't throw me off, because
Speaker 2: I went to high school with these two guys who
Speaker 2: were fraternal twins, and one was slightly taller than the
Speaker 2: other one they favored. They looked like brothers, but they
Speaker 2: didn't like twins, and so that's the only thing that
Speaker 2: didn't throw me off because I went to high school interesting.
Speaker 3: And I dated a triplet and she was different from
Speaker 3: the other ones.
Speaker 2: Free Okay, bro, would you think about this opening from
Speaker 2: the kid beating her up and them sitting the tone
Speaker 2: for which sister was which, and then even the scene
Speaker 2: at their job, No.
Speaker 3: I mean it opened really well.
Speaker 5: I was like, Oh, yeah, this, I think this is
Speaker 5: gonna be good, especially like when you see, you know,
Speaker 5: how she protected the system. I think a lot of
Speaker 5: like I don't know how white people are, but a
Speaker 5: lot of black people can relate to that, like siblings.
Speaker 2: Yeah, all of that. That's a very relatable story.
Speaker 5: And I and like just sound effects, like I like
Speaker 5: it sounded like the kid was going through pain and
Speaker 5: agony she was.
Speaker 2: I was like, oh that kids ound like he crying
Speaker 2: for real. Like so I like the fact that they
Speaker 2: really sold that off off camera.
Speaker 5: And then when she came back on camera and put
Speaker 5: her hands around her and you could see like the
Speaker 5: blood on her hand and everything else was black and white, I.
Speaker 1: Was like, Oh the ship creative.
Speaker 2: I was like, oh damn, okay, I was really fucking
Speaker 2: with it and so uh and so yeah, I didn't
Speaker 2: going to the to where they were currently with them
Speaker 2: interacting with that lady that looked at her like you
Speaker 2: could see like she when she handed her the scarf
Speaker 2: and she looked at.
Speaker 1: Her hand and was hesitated to grab it.
Speaker 3: And that's how people are, man.
Speaker 6: She had like a like one two of the fingers
Speaker 6: were stuck together, and ship, I didn't know what that
Speaker 6: look like, might be fucking contained.
Speaker 1: I don't know what the fuck you got the.
Speaker 2: Hell, but you're right though, that like that's something that
Speaker 2: that people think, you know, people think when they see
Speaker 2: stuff like that, and it's kind of sad, you know
Speaker 2: what I'm saying that, Yeah, so I thought that was real,
Speaker 2: you know what I mean, Like I like the realness
Speaker 2: off top like of of of how people think and
Speaker 2: how they are.
Speaker 3: And so yeah, man, I fu with it.
Speaker 2: I didn't take it there. The lady was surprised, and
Speaker 2: you would be if you see that when the other
Speaker 2: you know, when the other girl came, she did a
Speaker 2: very bad job of like even that girl keeping her composed,
Speaker 2: even the one that was that wasn't.
Speaker 1: Burnt as bad, you know what I'm saying, Like she
Speaker 1: was sharing her arm.
Speaker 5: She was just like, I don't want you could tell
Speaker 5: the hesitance, like that's what that was the brilliance of
Speaker 5: the scene. Yeah, because she was just like, you know,
Speaker 5: she had to think about it, like do I want.
Speaker 1: To get this ship? Yeah, like you didn't.
Speaker 2: But I thought the first one was kind of like
Speaker 2: you can kind of expect that. She probably get that
Speaker 2: a lot. But when it was overboard with the sister,
Speaker 2: which is why she snapped on her.
Speaker 3: So I got that. I was I was did you
Speaker 3: like it?
Speaker 1: Yeah?
Speaker 4: But I think what it did was it really set
Speaker 4: the tone for everything else that followed the movie. In
Speaker 4: the movie, and it also quickly established like the real
Speaker 4: world scenarios they be dealing with constantly over and over again,
Speaker 4: just in that that quick like a couple of scenes.
Speaker 4: So now we already know like the different things that's
Speaker 4: been going on in life without having to spend a
Speaker 4: lot of time watching that ship, you know. So they
Speaker 4: showed it from when they were young, and then this
Speaker 4: other scenario, and I felt like that was that was enough?
Speaker 1: That was that?
Speaker 4: Yeah, that was enough.
Speaker 3: I agree with you. I think that was enough.
Speaker 2: So from there we go to them going home. The
Speaker 2: car choice was interesting. They could have gave them a
Speaker 2: little bit. Yeah, like that made me. It just made
Speaker 2: me wonder what year it was. When they go to
Speaker 2: their house and they got a letter from their mother
Speaker 2: that was addressed to the twin that didn't have the
Speaker 2: burns on her face.
Speaker 3: She reads the letter.
Speaker 2: Mother's dying and she wants them to come see her,
Speaker 2: and the other twin is apprehensive racine, yes, racing.
Speaker 3: Did y'all like the it's stupid and said, shout out
Speaker 3: to be man.
Speaker 2: He just walked in. I keep sugar foot on. So
Speaker 2: they had this whole back and forth about should they
Speaker 2: go see their mother. She's never came to see them.
Speaker 2: Now she's asking them to come see her. Uh, them
Speaker 2: to come see her. And they go through this thing
Speaker 2: when they do the twin to let But then they're
Speaker 2: talking and you see it on the screen, so you'll
Speaker 2: know what you're thinking.
Speaker 3: Did y'all like that communication?
Speaker 1: Sorry? Yes, yes, because they were they were talking.
Speaker 6: I don't think ebonics is the correct word anymore. What's
Speaker 6: the correct word now? Av Yeah? African American vernacular? What's
Speaker 6: I don't know is it English?
Speaker 1: It is? So? So are we offended? I'm not sure
Speaker 1: who's offended because I don't.
Speaker 6: I never spoke ebonics, but never did. I'm fluent in
Speaker 6: the You're from fucking Nashville, but no, you're not supposed to.
Speaker 6: I don't remember who's offended. I assume that the word
Speaker 6: ebonics I don't. I don't would have to be folk.
Speaker 2: When you say us, you mean all black people or
Speaker 2: a certain segment of black because people I'm sure Candice
Speaker 2: Owns is perfectly fine with it, but maybe people that
Speaker 2: are poor that speak in that way.
Speaker 1: I don't like it being called ebonic. I don't know.
Speaker 6: All I'm saying is I don't want to offend nobody.
Speaker 6: I don't want no person ebonically coming up in something
Speaker 6: I don't know.
Speaker 1: I don't know.
Speaker 6: All I'm saying is I'm pretty sure you're supposed to
Speaker 6: use the term African American vernacular English.
Speaker 5: I did not know this information. As a person that
Speaker 5: has spoken to bonics, yeah, I did not. I would
Speaker 5: have never felt definitive if somebody said that to me.
Speaker 1: Well, yeah, at any rate, they were speaking a V.
Speaker 2: But they were they were having the text on the screen,
Speaker 2: but it was like in a a V.
Speaker 6: I was like, this is actually kind of funny. The
Speaker 6: way they're doing this. So I really like that.
Speaker 5: That was creative. Like I'm saying, it felt the original.
Speaker 5: I felt like I've seen it somewhere before, but not
Speaker 5: in this way.
Speaker 1: You always want to do the black woman like this, Yeah,
Speaker 1: to do a V on the screen like a.
Speaker 2: V, but to communicate that way amongst the characters.
Speaker 3: Well, oh well yeah that's what I mean.
Speaker 5: Like so so yeah, but no, I still think it
Speaker 5: was dope how they did it because it came out
Speaker 5: of nowhere. I'm like, wait, and you got to catch on, like, oh,
Speaker 5: that's what you know they're going on that this is
Speaker 5: the thing.
Speaker 3: So I thought that was cool because you you know,
Speaker 3: you hear about.
Speaker 2: That with with with twins or whatever, how they can
Speaker 2: read each other's minds and things.
Speaker 4: So yeah, I like that a lot, not only just
Speaker 4: like twins because you're right, but there's that conversation about
Speaker 4: like black people talking.
Speaker 1: Too, just about looking at each other and stuff like that. Yeah,
Speaker 1: that's a good point.
Speaker 4: So yeah, so when I when I saw it, I
Speaker 4: didn't even think about the twins thing. I was thinking about, Oh, yeah,
Speaker 4: that's that's how you know, like black women or would
Speaker 4: talk to one another when they're.
Speaker 1: Walking the spotlight, like we can give each other a look,
Speaker 1: you know, with just kind of detail. You didn't think twins,
Speaker 1: I didn't what.
Speaker 2: I don't know why, but I didn't they were doing
Speaker 2: that whole los of sentences.
Speaker 1: Man, I know, I know.
Speaker 4: So that is that that takes a step a layer further, Yeah.
Speaker 3: Because people can have a whole conversation saying bitch, bitch.
Speaker 4: Yeah yeah yeah.
Speaker 5: But but like it also reminds me of like how
Speaker 5: you see I don't know if y'all see this online
Speaker 5: where people have a bunch of letters that mean something
Speaker 5: like you know what, you know what, it's amazing, It's
Speaker 5: amazing to see it and like, oh, manle mean like
Speaker 5: sit your black ass down, like you know what.
Speaker 2: I'm saying, So you better have your ass in the
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Speaker 2: forward slash frames per second. All right, so we're at
Speaker 2: the point where they're communicating to I think that did
Speaker 2: a good job of showing their connectivity throughout this movie,
Speaker 2: but especially here in the early scenes, just how they
Speaker 2: were aligned it on the same page for ninety eight,
Speaker 2: I would say percent of the stuff, but the one
Speaker 2: percent is with the dude who the taller sister seeing
Speaker 2: she's seeing a guy. They talk about it after that.
Speaker 2: I think his name was Alex Alex. They talk about
Speaker 2: it after they talk about the letter. He only wants
Speaker 2: to hit her from behind, and her sister's trying to
Speaker 2: explain how this may not be a good thing for her.
Speaker 3: Did y'all like this?
Speaker 2: This is the first time we saw the differences in
Speaker 2: the two where she's showing a little bit less self
Speaker 2: worth than her sister, And I think that was a
Speaker 2: really good job and how they slid that in there.
Speaker 4: Did you like that? Ken?
Speaker 1: Yeah?
Speaker 4: Yeah, I mean I think it showed how, you know,
Speaker 4: she's kind of adjusting to the world and still finding
Speaker 4: a way too. It's weird some sort of because I
Speaker 4: don't know if it's love. I don't know what it is,
Speaker 4: but it's something for her, and she's able to get
Speaker 4: some sort of intimacy and willing to make a compromise
Speaker 4: for it based on her situation. So and again, I
Speaker 4: think it shows the complexities of like how they are
Speaker 4: having to adapt to this world and survive in a
Speaker 4: way that some people don't have to. So, yeah, I
Speaker 4: liked it, Mike, what'd you think about it?
Speaker 6: I liked it because it seemed like something that would
Speaker 6: really happen, you know, it seemed like something a motherfucker
Speaker 6: would actually do. Just like, look, I'm hit it from
Speaker 6: the back because I can't. I can't do with your face.
Speaker 6: It just sucks that she would accept that, because I'm sure,
Speaker 6: as sad as it sounds, this is probably the best
Speaker 6: the best she's gonna get right now, because people are assholes.
Speaker 6: Well I can't even say people are assholes. I mean, well,
Speaker 6: it doesn't matter. Way I did like it, I did
Speaker 6: like it.
Speaker 3: Stick out to.
Speaker 5: You, No, I definitely stuck out because I think this
Speaker 5: is the first time we see like the one sister needing,
Speaker 5: like you can say, you could tell the and Ken
Speaker 5: kind of addressed it, but just how the one needs
Speaker 5: her more than the other and the other one's trying
Speaker 5: to just kind of break break off and have some
Speaker 5: of her own because you know, you know, her situation
Speaker 5: is a little different, you know what I mean, So
Speaker 5: you know she's longing for something else, you know, like
Speaker 5: she said, like you know, everybody don't come that easy
Speaker 5: for everybody or whatever. So yeah, I thought this was
Speaker 5: a good another good moment. And like Mike said, I
Speaker 5: think it's again, it's just the realness of it all.
Speaker 5: You know, they're not shine away from how people can
Speaker 5: be assholes about about certain things. And I get where
Speaker 5: Mike was going with that. I mean, you know, everybody
Speaker 5: had their prefaces, so but but yeah, it was just real.
Speaker 5: It was just real. But and I was and even
Speaker 5: myself I was, I was just trying to think, will
Speaker 5: I get used to it by the end of the movie,
Speaker 5: Like I was thinking about that because I know people
Speaker 5: that have, you know, certain things that you you know,
Speaker 5: you start not seeing it. They don't normal they come
Speaker 5: normalized to you and you start just seeing them for
Speaker 5: deeper than the appearance, So I was wondering if that
Speaker 5: would happen in the movie for me.
Speaker 4: Do you think it did?
Speaker 1: I do you a lie?
Speaker 3: No, I'm not lying.
Speaker 1: So you at some point you just stopped noticing that
Speaker 1: she was all burnt up. I wasn't.
Speaker 4: I was.
Speaker 5: I don't feel like I was noticing that much to
Speaker 5: the point where it's like, are they doing it less
Speaker 5: like less makeup or something like. It really started to
Speaker 5: be like I didn't see it the same way by
Speaker 5: the by the end of it, it didn't stop sticking
Speaker 5: out to you.
Speaker 1: Well, what do you mean by sticking out?
Speaker 4: Like?
Speaker 2: I feel like as we was just like to see
Speaker 2: with the worker when they were worked earlier. With your
Speaker 2: first reaction, you're like, oh, ship. But throughout the movie,
Speaker 2: as I'm in there for like an hour, well that's
Speaker 2: just nature.
Speaker 6: Like what are you saying though, you're just trying to
Speaker 6: imply like you got enlightened by the end of the movie,
Speaker 6: you're just like, I see her for a person I
Speaker 6: put it, and I don't see.
Speaker 2: You're talking about tell you how like I don't think
Speaker 2: she don't look like that in real life. You can
Speaker 2: tell that's bake up obviously, But she's.
Speaker 1: Not really burnt. I had seen what she was.
Speaker 2: She like, that is you can start to see how
Speaker 2: cute she was regardless of the Oh so she wasn't cute.
Speaker 1: When she was burnt up.
Speaker 2: Initially she just hurt roding like no, no, no, I'm
Speaker 2: saying initially I couldn't see.
Speaker 3: But as the movie went on, I was like, how
Speaker 3: she actually is cute.
Speaker 2: Yeah, so you hit from the back to that's what
Speaker 2: she'll look at her.
Speaker 1: I was the end up it.
Speaker 5: I was like, yeah, she put the lawns around.
Speaker 1: I was like, I'm not saying, I'm just saying.
Speaker 6: There was no point in the movie where I was like, oh,
Speaker 6: I'm not noticing her burnt up.
Speaker 5: My point is just like I think that was intentional.
Speaker 5: I think they start showing her beauty in other ways.
Speaker 5: Is how how soft she was like she she was
Speaker 5: like she was, yeah, but she had this very soft
Speaker 5: side that was that was attractive.
Speaker 3: Agree, I saw that. I saw it.
Speaker 1: I agree with me. Why y'all.
Speaker 4: I'm just curious, But no, I understand, Yeah, I understand
Speaker 4: the thought process here.
Speaker 1: Yeah you know, yeah, the thought process.
Speaker 2: I think it was intentional. That's why I'm bringing it up.
Speaker 2: I think what was intentional.
Speaker 5: I think the director made an intentional like, Yo, I'm
Speaker 5: gonna show this person in this way, and by the
Speaker 5: end of it, you're not going to see her the same.
Speaker 6: Well, I think that's I don't know. I think I'm
Speaker 6: reading y'all wrong. I think that's any character. Yeah, that's
Speaker 6: exactly not his appearance, right.
Speaker 3: But that's but my point is I don't want to stay.
Speaker 6: Because you said, you got they're putting less makeup on.
Speaker 6: That's where I'm I said, to the point where I
Speaker 6: started thinking that.
Speaker 2: That's the part that I'm hating. Okay, you know for
Speaker 2: a fact that they did not know for a fact,
Speaker 2: But I'm just saying that I would assume that they didn't.
Speaker 2: But because everything else that I'm experiencing with this character
Speaker 2: in the movie, why by the end of it, I'm like, dang,
Speaker 2: it's not starting on the physical y'all started looking looking
Speaker 2: at me on the physical.
Speaker 1: I got it now. It was more when you said
Speaker 1: were they putting they putting less makeup on?
Speaker 3: I know it wasn't just saying that that's what it.
Speaker 4: Okay.
Speaker 6: I thought you were like, are they like lessening the burnt?
Speaker 6: And I was like, no, she looked just as Burt
Speaker 6: by the.
Speaker 1: End of the movie got it.
Speaker 2: So they go to see they they go to see moms,
Speaker 2: they start referring to as God. Did y'all like to
Speaker 2: hang up on the one sister saying.
Speaker 1: Movie goer, hell.
Speaker 4: Uh?
Speaker 2: So they were apprehensive because their mom let them think
Speaker 2: that she was dead, never came to see them, Man,
Speaker 2: go through all these foster homes. That was a conversation
Speaker 2: that they were having before they even decided to go
Speaker 2: see it. Do we all agree that they were right?
Speaker 2: And that like, do y'all feel the same way? What
Speaker 2: woul y'all have went to go see y'all moms?
Speaker 6: I would have went to go see her and cuss
Speaker 6: he the fuck out because they were grown and mom
Speaker 6: was just gone and she wasn't clearly wasn't dead, and
Speaker 6: that was that was not necessarily a gripe.
Speaker 1: But that was one of my hang.
Speaker 6: Ups with the film, which I'm sure they did on purpose.
Speaker 6: But this woman was out of your life this whole time,
Speaker 6: and she when she calls you back, it's not to
Speaker 6: say she's sorry or anything like that. It's to use you.
Speaker 6: So I don't know, man, I mean, she was a
Speaker 6: fucking villain. Honestly, Roger, you think that what are you
Speaker 6: asking me?
Speaker 2: I'm asking you about the apprehensiveness of one of the
Speaker 2: twins to go see moms.
Speaker 4: She was.
Speaker 1: I thought Racine didn't want to go see her. I
Speaker 1: thought the right.
Speaker 2: I thought she wanted to. Thought she wanted to because
Speaker 2: she she didn't. She wasn't even in the well. She
Speaker 2: didn't title the letter her. She did title it, and
Speaker 2: that's why Racine, I felt like, mainly wanted to go.
Speaker 2: But what I'm asking you, right, is were they right
Speaker 2: to be apprehensive the sister that was apprehensive because their
Speaker 2: mom wasn't there. Did you read Fox as a feeling
Speaker 2: like Mike is saying, or just like I'm burnt up.
Speaker 3: I couldn't do nothing for y'all. The best place for
Speaker 3: y'all he was in the system.
Speaker 5: I think they did a good job here as well,
Speaker 5: like having both sides, you know, having the one Racine
Speaker 5: kind of longing longing for to meet their mother and
Speaker 5: the other one like, well, fuck her, like she she
Speaker 5: could have been came and visited us, because you know,
Speaker 5: I've sparenced that myself, Like as far as my father,
Speaker 5: my father was in my life. But I still had
Speaker 5: this longing to know who he was and to meet him.
Speaker 5: But I know people are like, man, fuck that dead
Speaker 5: be that as nigga da da da. I know people
Speaker 5: that think like that too, So I like that you
Speaker 5: saw both both sides. And again, I think they as
Speaker 5: the movie progress, as you start seeing just how different
Speaker 5: they kind of are, and I think they just gradually
Speaker 5: did that.
Speaker 1: Man, it was.
Speaker 4: It was.
Speaker 1: It was brilliant, brilliantly done.
Speaker 5: As far as how to how they looked at her,
Speaker 5: I could see it both ways. I could see Vivocate
Speaker 5: Fox character just being like, well, you know, I ain't
Speaker 5: I didn't want y'all have to deal with kids or whatever,
Speaker 5: you know, people looking at y'all mom and thinking this thing.
Speaker 5: So I just kind of like remove myself from it.
Speaker 5: And then you know, yeah, I could I could see that.
Speaker 5: But I can also see her just wanting to use them,
Speaker 5: you know, because who else is gonna go kill the father?
Speaker 3: Knowing that story? So yeah, but.
Speaker 6: Didn't it seem like she was some kind of boss
Speaker 6: because the fact that people were, yeah.
Speaker 3: Taking care of it.
Speaker 2: That's what I was wondering, Like, was where she get money?
Speaker 2: Like to be like that will see that.
Speaker 6: That's the part that I was hung up on, and
Speaker 6: not as a detriment to the movie. I kind of
Speaker 6: like when they when movies will introduce something and not
Speaker 6: necessarily resolve it. But when they showed her, you have
Speaker 6: these two women raiding her hair, it seemed like she
Speaker 6: was in charge.
Speaker 3: But that seemed normal.
Speaker 1: Just seemed like that seemed normal. Yeah, two women bring
Speaker 1: your hair?
Speaker 2: No no, yeah, they worked for her. Yeah, it seemed
Speaker 2: like they were working for her.
Speaker 1: They weren't. They weren't just doing her hair.
Speaker 3: I never took it that way.
Speaker 1: Oh I definitely did, because like they knew the story. Yeah,
Speaker 1: that was really good. That was really good.
Speaker 6: But it seemed like she was some kind of boss.
Speaker 6: So I was like, you couldn't have got anybody else
Speaker 6: to do this.
Speaker 2: Instead, you brought in your kids that you have not
Speaker 2: seen in years, and you asked them to do this.
Speaker 1: See.
Speaker 5: I looked at them as care workers, like you know
Speaker 5: that that notice that not the situation.
Speaker 3: That costs money though, that's what Yeah, but that's insurance.
Speaker 6: Though insurance is not going to pay for somebody can
Speaker 6: braid your hair, not for six of them.
Speaker 3: Well, well, they'll say, assistant living assistant living care. I'm
Speaker 3: dealing with all that ship right now.
Speaker 6: Saying, but they're not to pay for somebody to do
Speaker 6: your hair. Yeah, but I know it's a movie, but
Speaker 6: it seemed it seemed different.
Speaker 5: You could be a care worker, had a braider, you
Speaker 5: know what I'm saying. Gotta know that ship, you know
Speaker 5: what I'm saying. But I mean, it's all Carre at
Speaker 5: the end of the day.
Speaker 2: Well, I don't think she was like, man, I'm not
Speaker 2: doing this with Rod today and go ahead, can.
Speaker 1: I want you to do it? I'm reading for you today.
Speaker 4: I did get the same feeling that you Twoe got,
Speaker 4: you know, that they were beyond caregivers and in some
Speaker 4: sort of way. But uh, and I did wonder. I
Speaker 4: was like, Okay, well, is there something else going on
Speaker 4: that we don't know? But you know, I think it
Speaker 4: it was a good opportunity to kind of show the
Speaker 4: apprehension and to to create the sort of like crack
Speaker 4: between them that eventually developed in to this canyon as
Speaker 4: the movie went on, which I thought was was really good.
Speaker 4: And you know, I think she probably sent it to
Speaker 4: racing because she probably seen the same thing as in racing. Yeah. Yeah,
Speaker 4: and the dad. Like I was mentioned before, when that
Speaker 4: guy we'll.
Speaker 1: Get to that, you mean, sent the letter.
Speaker 6: Yeah, I think she said why she sent the letters
Speaker 6: She said the other one was too emotional.
Speaker 2: Yeah, yeah, oh they both said the same thing in
Speaker 2: her because she was like why she didn't address the
Speaker 2: letter to me and told her then her mom.
Speaker 4: Covernity Yeah oh yeah, yeah, so yeah, so we you
Speaker 4: know that Mays. But you know, I liked just how
Speaker 4: they were like, nah, we ain't doing that shit, Like
Speaker 4: we're not killers. What are you talking about? This is crazy?
Speaker 4: And she was using them. But I think picking them
Speaker 4: to do it gave them the proper motivation to do it,
Speaker 4: and they could sort of take being in the system
Speaker 4: as they were and use that as further fuel as
Speaker 4: the movie goes on to enhance more and more about
Speaker 4: give them more reason to do it. As they learned
Speaker 4: these sort of stories, it built up even more anger
Speaker 4: in them as well, in addition to whatever they saw
Speaker 4: that was under that blanket. So being in the system
Speaker 4: growing up that way at this point, I think after
Speaker 4: a while it's like, this is not mom's fault, this
Speaker 4: is dad's. He did this.
Speaker 2: See, I never made it there, I never made it
Speaker 2: where there was enough motivation for her to tell her
Speaker 2: daughters to go kill him like the story was dead,
Speaker 2: but to call my daughters who have aren't killers, like
Speaker 2: they don't have any history or like I feel like
Speaker 2: I'm putting them in danger more so than anything, yes,
Speaker 2: versus sending them out to go on to this revenge
Speaker 2: tour that could fulfill them. So that I never made it.
Speaker 2: That was one of my small grapes with the movies,
Speaker 2: like the motivation for them being finally like, yeah, we're
Speaker 2: gonna go kill dad and have to go on this
Speaker 2: whole mission. I had to suspend that because it's a movie,
Speaker 2: so you know, you give and take with it. But
Speaker 2: I never made it that as far as the motivation
Speaker 2: being problem.
Speaker 5: I did because I felt like they had their dad
Speaker 5: in them so they had the ability to kill yeah,
Speaker 5: or one of them did, right, which is why she
Speaker 5: was the one that was kind of gun hole about it.
Speaker 5: And then and then we kind of see it with
Speaker 5: the mom a little bit too, because what I thought
Speaker 5: was beautifully done when she was recalling the situation in
Speaker 5: black and white and the way the camera moving and
Speaker 5: that and the way they were telling that part of
Speaker 5: the story, like the tense, the intensity of uh, what's
Speaker 5: his name?
Speaker 1: Man?
Speaker 3: Like all of all of that was just like so good.
Speaker 4: It was.
Speaker 1: It was just so good.
Speaker 3: I was like, damn, man, they are killing this right now.
Speaker 3: So I felt like.
Speaker 5: The emotion behind that story felt like motivation for me,
Speaker 5: you know, because it basically ruined their lives, you know
Speaker 5: what I'm saying. They put them in all of these,
Speaker 5: uh these group homes or in all of that. So
Speaker 5: I think, you know, you start to build up some
Speaker 5: sort of rage if you're racing or whatever. So yeah,
Speaker 5: I thought that was enough. Honestly, did y'all notice when
Speaker 5: she noticed that she was pregnant she.
Speaker 4: Said something to her?
Speaker 2: Yeah, And I thought that was a good note too,
Speaker 2: because mothers always kind of know what she said, so
Speaker 2: I missed her.
Speaker 1: She I don't think she said necessarily anything.
Speaker 2: She's kind of looked at her like she got like
Speaker 2: some more of her something like that, something like that. Yeah,
Speaker 2: But then they left alone. They ain't say nothing else.
Speaker 6: It's because she ran out and said, I'm gonna be
Speaker 6: sick to my stomach. And I think it's when she
Speaker 6: came back, that's when the mom said something to her.
Speaker 6: Because my mom was like, are you puking too? Like no,
Speaker 6: But I kind of agree with Rod. I do get
Speaker 6: your point though, but I think that that, to me
Speaker 6: is what made me think that Vivak a Fox was
Speaker 6: a villain. She knew that their lives were ruined, so
Speaker 6: she's like, well, this will be easy. I ain't even
Speaker 6: gotta pay these fucking kids. I don't think she gave
Speaker 6: two ships about those kids, if I'm being totally honest,
Speaker 6: I don't think she can heard about them kids at all.
Speaker 6: She used them for this mission, So I think that's
Speaker 6: that was kind of the motivation. It's like she knew
Speaker 6: that the kids had their lives and they went every
Speaker 6: day with people looking at them crazy, call them names,
Speaker 6: all that. So she's like, well, yeah, make your daddy dad.
Speaker 6: He did this to y'all especially, And I do agree
Speaker 6: also with Rob. When she was doing the retelling of
Speaker 6: the story, I was like, God, damn, it was great.
Speaker 1: That's what that's.
Speaker 4: What he did.
Speaker 2: Yeah, that was great. As far as how they told
Speaker 2: nothing story, Yeah, how they how they told Yeah, I
Speaker 2: don't think hopefully you never know what Reddit, but yeah,
Speaker 2: like Mike want to kill I knew it.
Speaker 1: I could tell Jesus Christ.
Speaker 3: It was good the way they tell that story.
Speaker 2: So they offered the mission and the first stop they
Speaker 2: went in too pass the divine. Actually, they are killing
Speaker 2: this That's exactly what I said in my head.
Speaker 1: I was like, Bro, they're killing this movie.
Speaker 2: I think I had the same thought when we get
Speaker 2: to this point to go to the church. They talked
Speaker 2: the past, the divine and who's clearly one of the
Speaker 2: cold he's good man. She nailed it.
Speaker 1: She killed it.
Speaker 2: What'd y'all think about this whole scene? We can talk
Speaker 2: about it all as far as her having the shrine,
Speaker 2: she just left and never came back. They get more
Speaker 2: context to that, Dad, Ken, did you think they did
Speaker 2: it will here?
Speaker 4: Yeah? Yeah, I mean we see, you know, his first stop,
Speaker 4: you know, or one of his first stops. I guess
Speaker 4: it's the first stop, you know. And it painted him
Speaker 4: more as a really fucked up person by getting her
Speaker 4: pregnant and then leaving and not ever coming back. And
Speaker 4: this was where I started to kind of have the
Speaker 4: issue the issue with the movie because I'm like, because
Speaker 4: when she was like, oh, so you mean to tell
Speaker 4: me you set this thing up this whole time, waiting
Speaker 4: on the man who left you prentingant and I'm like, oh, man,
Speaker 4: so now they got the black woman looking like crazy,
Speaker 4: and I'm black men look fucked up and violent, burning women's.
Speaker 1: And kids and all this other stuff.
Speaker 4: So I'm starting to have these sort of thoughts swirling
Speaker 4: through my head. But they left as the movie went
Speaker 4: on because I'm like, Okay, I'm thinking just probably a
Speaker 4: little bit too deep about any sort of a message
Speaker 4: that they're trying to put into it, about like, you know, uh,
Speaker 4: just the violent natures of black men and the stupidity
Speaker 4: of a black woman waiting around for worthless man, you know,
Speaker 4: and then that being in a religious setting as well,
Speaker 4: you know, so all of these dependencies you have on
Speaker 4: things outside of you know whatever. But but outside of
Speaker 4: all that, you know, I think all this was good,
Speaker 4: you know, to the sun that was there and uh,
Speaker 4: and just the way the church was being ran and
Speaker 4: you know how she acting and performed. I agree with
Speaker 4: you guys. She was great. And even even to the
Speaker 4: the end where they all ran out and stole from
Speaker 4: the church and ran out and being chased. I don't
Speaker 4: know why they were running like that though, But but
Speaker 4: not all of this ship was really really good, and
Speaker 4: you really started to I like how they developed Sterling's
Speaker 4: character without.
Speaker 2: Him being on screen, without even showing his face. Yeah, yeah,
Speaker 2: you could tell that was him, but I mean you.
Speaker 1: Knew it was.
Speaker 3: They still didn't have to show his face.
Speaker 5: He's that good order and Mamia killed Bill. That's how
Speaker 5: they did Bill.
Speaker 1: She said. She said that was an influence. I mean,
Speaker 1: Tarantino got one or two decent films, ain't proven nothing.
Speaker 2: I didn't know you saw you read up on the
Speaker 2: I watched it. Dang, I've been so out of it.
Speaker 6: I can't remember if I watched the interview or just
Speaker 6: read the But yeah, she said that Kill Bill was
Speaker 6: an influenced I forgot the other film.
Speaker 5: She said that this definitely had kill Bill's mind because
Speaker 5: it's a good kill Bill is a good revenge story.
Speaker 2: Yeah, so first one at least. Yeah, the other bullshit
Speaker 2: of dialogue. But but yeah, no, I don't know if
Speaker 2: I got exactly what you got.
Speaker 5: But I did get the religious aspect of like how
Speaker 5: it could be like, and we talked about this. I
Speaker 5: think off camera is just how how some some Christian
Speaker 5: communities or Christian can be. And I think this is
Speaker 5: like an extreme version of it that they I think
Speaker 5: they depicted pretty well actually, and and just how kind
Speaker 5: of insane you could look, you know what I mean,
Speaker 5: like why why you like you really think this man
Speaker 5: is coming back? Like you like, that's that's crazy, like that,
Speaker 5: that's kind of crazy.
Speaker 6: I don't say anything. I was, Yeah, I was waiting
Speaker 6: for my turn. But that's what I got from. That's
Speaker 6: what I got to was the Jesus aspect. Yeah, yeah,
Speaker 6: I didn't get the I get your point, no violence
Speaker 6: of black man. I would think that if this wasn't
Speaker 6: this was pretty much a black movie kind of.
Speaker 1: Made from folks.
Speaker 2: If it was, if it was a different story, I
Speaker 2: would kind of feel you.
Speaker 1: A little bit.
Speaker 2: I wasay, but I know I was gonna say that
Speaker 2: while you were talking.
Speaker 4: I was, I was literally gonna say, didn't make this.
Speaker 4: And that's why I was like, you know what, fuck
Speaker 4: all that. Yeah, I'm gonna go with what we got.
Speaker 6: But I did get that parallel, and I think that's
Speaker 6: more what they were leaning towards was you've been sitting
Speaker 6: here waiting for this man. He ain't shown you ship
Speaker 6: and it's like, well, yeah, but they're also in the church,
Speaker 6: which y'all are waiting for a motherfucker.
Speaker 1: I don't want to say a mouf. Oh he is
Speaker 1: a mouf.
Speaker 4: I don't know.
Speaker 1: You've been waiting for this dude, and he ain't done
Speaker 1: shit for you neither, you know. But the whole church.
Speaker 7: Scene, that motherfucking uncot him crying Krome man, that whole
Speaker 7: scene was Maxine.
Speaker 2: I forget her name, Erica.
Speaker 4: That's.
Speaker 3: What's her name? Divine and this is Erica Alexander.
Speaker 4: Yeah, that's.
Speaker 1: A whole different person. Erica Divine. That's like a poor star.
Speaker 2: I said, Erica. You said Divine asking her name in
Speaker 2: the movie.
Speaker 1: No Erica, Erica.
Speaker 6: She is so good and she needs more roles because
Speaker 6: she was perfect, perfect in this.
Speaker 1: But yeah, this whole scene was so well done.
Speaker 4: I agree. Agree.
Speaker 2: I didn't get what you got either. I got more.
Speaker 2: So it's clear that someone's wrong with the kid.
Speaker 4: What kid?
Speaker 1: Her son?
Speaker 3: Clear something was wrong with him? Why because he was
Speaker 3: doing that blinking ship.
Speaker 1: I didn't see that. Always in eyes you can see
Speaker 1: I didn't know anything.
Speaker 2: Of the world. Uh so I thought that they were
Speaker 2: trying to say something about that's like them being kind.
Speaker 3: Of thrown off a little bit.
Speaker 1: I didn't catch that.
Speaker 3: I want to say that kid.
Speaker 2: But I thought that divine and her son and that
Speaker 2: was what's passed down from her, just like from Racine
Speaker 2: got passed down at rage from her dad. So I
Speaker 2: thought they were saying something there. I got a little
Speaker 2: bit of that. I didn't get that that divine was
Speaker 2: off off. Well, he said, he said that she passed. Yeah,
Speaker 2: she kind of.
Speaker 6: She seemed like a fucking regular ass, fucking black Christian,
Speaker 6: but cussing.
Speaker 1: What you eating chicken? You like that she was eating.
Speaker 2: Like that too, talking about it was something. It was
Speaker 2: something wrong with It's something wrong with her. It was
Speaker 2: something wrong with her son. I guess I've just been
Speaker 2: around too many Southern Christians. They all seem like that
Speaker 2: to me. They all seemed like that.
Speaker 5: I'm far removed from it, like I been around it,
Speaker 5: but been around it. Yeah, But I knew even then
Speaker 5: like something was off like with those with those folks,
Speaker 5: like some of those older ladies.
Speaker 3: I was just like something something right.
Speaker 2: So they showed the shrine, racing steals the address book
Speaker 2: out of this shrine for her dad, and from there
Speaker 2: they hit the throw and they head to the tongueless lawyer.
Speaker 1: Who was writing this this is so good, who so
Speaker 1: he knows.
Speaker 3: So this guy was the lawyer for sterning K. Brown's character.
Speaker 2: He got him out of the case, we learned to
Speaker 2: find out, and he admitted that he did it, even
Speaker 2: though he got acquitted for it. And so the lawyer
Speaker 2: would until he cut his tongue out. What did you
Speaker 2: think about this whole scene, Ken from the lady beating
Speaker 2: him up because he knew somebody was trying to prepare
Speaker 2: for it.
Speaker 4: Yeah, I didn't know what I thought he had finished. Yeah,
Speaker 4: that's what I was thinking. I had no idea. It
Speaker 4: was just he wanted to be prepared to take the licks,
Speaker 4: but he took them from the lineage instead of him directly.
Speaker 4: But he was so afraid because he could tell that
Speaker 4: this man was just pure evil and well, I mean
Speaker 4: he got out of his tongue. So at that point
Speaker 4: you should have been like, all right, yeah, but I
Speaker 4: would snitched. At that point, he should have went back
Speaker 4: and said he admitted to doing it because he had
Speaker 4: like all that.
Speaker 1: Yeah, I'm a lawyer, but I guess, well, this dude
Speaker 1: is crazy. Why would he go snitch?
Speaker 4: Right? But still, yeah, right, I'm already dead anyway.
Speaker 2: But if you have some type of agreement with you're
Speaker 2: not supposed to ask them if you're a lawyer, because
Speaker 2: if they admitted, you're supposed to tell yes.
Speaker 4: Yeah, yeah, so he should.
Speaker 6: But I get it, is that true, not supposed to know?
Speaker 6: I'm sorry, kim, My bad, My bad, My bad. That's
Speaker 6: why Lloyd wouldn't ask you if you've done it, because
Speaker 6: they're not.
Speaker 1: But I didn't think that they had to tell.
Speaker 2: Murders you got it, if it's murdered or something like that.
Speaker 2: They can't keep that information.
Speaker 3: A lot of time they'll tell you to stop, stop there,
Speaker 3: do nothing else.
Speaker 1: I know.
Speaker 2: I know because they're obligated by law, and I speaking
Speaker 2: under the ball.
Speaker 5: But what you're saying, yeah, because because even on reasonable doubt,
Speaker 5: remember she was just like, I need to know all
Speaker 5: the details if you did it or not, or something
Speaker 5: like that.
Speaker 6: I think some lawyers do that so they could frame
Speaker 6: a counter came like not a counter case, but like
Speaker 6: to figure out a way to make it seem like
Speaker 6: you're not guilty.
Speaker 4: But I also think they do stop short of admitting guilt.
Speaker 4: But yeah, but I'm not sure they're obligated. I know
Speaker 4: they're obligated to keep the information confidential.
Speaker 1: Yeah, he was through with.
Speaker 4: The case, so he's no longer really the client, so
Speaker 4: maybe at that point he's a man in guilt, maybe
Speaker 4: he would have Either way, I'm restretching this out a
Speaker 4: little longer than it needs to be, but nevertheless, but no,
Speaker 4: I thought this was This was good, and you know,
Speaker 4: I think, uh, it was, you know, because I think
Speaker 4: at this point that she put the rock in the sock.
Speaker 2: That was okay, okay, oh yeah we did actually because
Speaker 2: she said she needs to be prepared for what they're
Speaker 2: going too because they heard him getting beat up.
Speaker 4: Yeah yeah, okay, okay, so so yeah, and I think
Speaker 4: she used it on him too, which I like that
Speaker 4: because it gives her some sort of you know, advantage
Speaker 4: that she doesn't have physically.
Speaker 1: But yeah, all this was good. I like how it
Speaker 1: did this?
Speaker 3: Could you like?
Speaker 1: I did like it.
Speaker 6: Because I again, it just feels like this is quality
Speaker 6: writing because the whole time they're like, what the fuck
Speaker 6: is going on?
Speaker 1: But it's not like what the fuck is going on?
Speaker 6: This is stupid, it's you're intrigued, because of course, I'm like,
Speaker 6: why is this woman beating the shit out of this dude?
Speaker 1: And then when you see he kind of likes it.
Speaker 1: I'm like, oh, okay, so this is like a kink thing.
Speaker 2: Then when you find that part, I it's like, just
Speaker 2: this just keeps unraveling and getting weirder and weirder and weirder.
Speaker 2: So yeah, the only thing that kind of threw me
Speaker 2: off a little bit was because even if the lawyer
Speaker 2: did want to tell, cutting out his tongue.
Speaker 6: Doesn't prevent him from write it. You can write it down,
Speaker 6: So it was more so just like a scare tactic.
Speaker 6: I'm gonna even though you may not tell, I'm going
Speaker 6: to remove your tongue. You know, if you do tell,
Speaker 6: I can make this worse for you, which, by the way,
Speaker 6: defense I just looked it up.
Speaker 1: They do not have to tell them.
Speaker 6: They're actually not supposed to because it's a violation of
Speaker 6: a attorney client privilege, which.
Speaker 1: Is insane insane to me.
Speaker 2: But I think knowing that part makes this scene even
Speaker 2: more interesting because he's removing your tongue knowing that you're
Speaker 2: not even supposed to say anything anyway. So he just
Speaker 2: probably did that shit for fun, just to prove a point,
Speaker 2: had they established for y'all. Sterling Kate Brown's characters like Evil.
Speaker 6: Absolutely the first time they showed him with his fucking
Speaker 6: gray lips, I was like, oh, no, no, no, this
Speaker 6: dude is insane, sterling Kate Brown is that good of
Speaker 6: an actor where all you got to do is show
Speaker 6: his lips And I'm like, oh, he's conveying a certain
Speaker 6: type of person right now.
Speaker 1: But nah.
Speaker 4: Yeah.
Speaker 6: This whole scene, and especially this is one of the
Speaker 6: parts where I really laughed out loud, was when she
Speaker 6: hit him with.
Speaker 2: The rock and he's like, all right, man, I'll tell you.
Speaker 2: I knew gonna take him. He's gonna take the hits.
Speaker 2: He's been training for this. It took one hit and
Speaker 2: he was like, no fun, that that was perfect.
Speaker 1: That was perfect.
Speaker 4: So and at this he also said told Raycine said
Speaker 4: you have his eyes he did so, which you know,
Speaker 4: you go back to her violently defending her sister and
Speaker 4: all these others are her agreeing to do it. So
Speaker 4: now you're looking at her as like, oh, you're a
Speaker 4: part of the lineage as well, so you would be
Speaker 4: the one to do it, and you're creating that further
Speaker 4: the vibe between the two of them. Good and evil.
Speaker 3: Agreed, right, did you like to see?
Speaker 1: Yeah?
Speaker 3: Yeah, for sure, the same reasons do you have the
Speaker 3: eyes take?
Speaker 2: I think throughout this FAMI they speak to the nature
Speaker 2: versus nurture thing because they've never been around him. However,
Speaker 2: she's picked up some of his traits. I really thought
Speaker 2: that was an interesting, like little sidebard that they had.
Speaker 2: But from they they leave the lawyer, they go on
Speaker 2: the road trip, they're doing their twin thing, get in
Speaker 2: an argument, and you hit his motivack motorcycle in the back.
Speaker 3: He does mention that there's other twins. Oh yeah, he
Speaker 3: told him about the other twins.
Speaker 2: So they mentioned the other twins intriguing, Yes, exactly, like way, yeah, it's.
Speaker 6: Like this dude, because you already knew about the one boy.
Speaker 6: So at the time I was like, Okay, is that
Speaker 6: I guess is he?
Speaker 1: Is he a twin? Or is there another cycle?
Speaker 3: What is going on? I thought it was another one?
Speaker 2: Yeah, exactly church, but yeah, he mentioned that there are
Speaker 2: other twins. They hit the road motorcycle approaches, y'all have
Speaker 2: any idea who this is?
Speaker 1: No, not at all.
Speaker 6: I thought it might have been Randall until he got
Speaker 6: off and I was like, that's not that's not Randall's statue,
Speaker 6: That's not Randall stout trying. I can't say body type
Speaker 6: for I was trying to the right word. But yeah,
Speaker 6: I like, that's not Randall stature. I don't know who
Speaker 6: the fuck this is. Thought it was him, but that
Speaker 6: I think it was him till he I thought it
Speaker 6: was him till he got the motorbike, and I was like, oh,
Speaker 6: that's not right.
Speaker 2: I thought it was one of the other one of
Speaker 2: the twins. I thought it was there, not Rammed. I
Speaker 2: thought it was the dude from the church. Oh really,
Speaker 2: he didn't well, because you picked up that he was off.
Speaker 2: I didn't pick up that he was off. I picked
Speaker 2: up that he was off. I was thinking, like, who
Speaker 2: else could it be? It could have been anybody, right,
Speaker 2: I didn't know. I didn't think that they would introduce
Speaker 2: us to a new character that way. Oh I did,
Speaker 2: because I assumed Randall said somebody. Ye when it wasn't Randall,
Speaker 2: I was like, that's someone Randall sent.
Speaker 1: What's his name in this? In this movie?
Speaker 6: I got some calls motherfucker Randa because other are gonna
Speaker 6: be confused. Don't worry about it. Don't worry about it.
Speaker 6: I'll look it up, y'all.
Speaker 4: Go ahead.
Speaker 3: So he chases the motorcycle.
Speaker 2: They do the whole thing in that abandoned place where
Speaker 2: they are Did this work for you, Rod? Did you
Speaker 2: like the scene? Did you like how the intensity of
Speaker 2: it is, the suspense.
Speaker 5: I did like the intensity and suspense, And it was
Speaker 5: believable because you know, he was he was like they
Speaker 5: were they could have lost, like you know what I'm saying.
Speaker 5: They showed that they could have lost, like you're not
Speaker 5: gonna beat this guy, you know what I'm saying. Like so,
Speaker 5: and I just like the intensity of like when they
Speaker 5: were going around the tires and stuff, and then when
Speaker 5: she thought he was gone, she popped.
Speaker 3: Up and he was like behind her as it was dope.
Speaker 2: Like I was like, man, this is done really well
Speaker 2: and and so yeah, like and I liked because they
Speaker 2: ended up both jumping him right and so yeah, yeah, man,
Speaker 2: I thought they executed this this whole thing really well.
Speaker 2: They used a twin things when they were fighting, like
Speaker 2: to help each other.
Speaker 4: Yeah, it created another obstacle for them to as well
Speaker 4: by disabling the car and them having to go out
Speaker 4: on foot. But yeah, the whole tire scene was really
Speaker 4: good because when she got in the tire, the way
Speaker 4: she was walking around and hiding. I was like, dang,
Speaker 4: she probably just kept going. But when she got on
Speaker 4: the tire, I was like, Okay, that's smart. And when
Speaker 4: she saw walk off, was like, she can't be that
Speaker 4: stupid and come up and think that he's gone. And
Speaker 4: then she did. I was like, oh, she is that
Speaker 4: stupid because he's right there. But they do it movies
Speaker 4: a lot. But it made sense. They've never been in
Speaker 4: this situation before. And I'm with you, Rod, I liked
Speaker 4: that they showed that, you know that given the fact
Speaker 4: that they'd never been in this situation before, like they
Speaker 4: weren't gonna beat this guy either, you know, So there's
Speaker 4: they were at a disadvantage in this situation even though
Speaker 4: there were there were two of them and they had
Speaker 4: to basically outsmart him and lot of them in there.
Speaker 4: And then that was the reveal that it was. It
Speaker 4: was the the sun and we show how crazy he
Speaker 4: was and psychotic he was, and you know, willing to
Speaker 4: kill them in order to protect the dad, which you know,
Speaker 4: what does that sound like the Crusades? But either way,
Speaker 4: all this was really really dope. And now because I
Speaker 4: was like, ho, the hell he's going to get out
Speaker 4: of there and is he going to come back the
Speaker 4: rest of the film. But yeah, but how did he
Speaker 4: find them? Anyway?
Speaker 1: That was he had been trailing.
Speaker 2: I guess I was assuming did he caught up with
Speaker 2: them because you heard it in the background when she
Speaker 2: up cutting the music down.
Speaker 1: I take it back the card.
Speaker 4: She had the card, so she probably figured out where
Speaker 4: he was going to see the attorney.
Speaker 6: Well, yeah, because he they stole the Little Black Book,
Speaker 6: so he would have figured out where they were going.
Speaker 6: Crazy thing. I just looked up the dude. He never
Speaker 6: had a name. His name is man. Yeah, they never
Speaker 6: actually gave me. That's why I said, we see in
Speaker 6: something else. I just ain't figured it out yet.
Speaker 1: Oh. I mean they're definitely making religious parallels parallels the
Speaker 1: whole the whole movie, you know.
Speaker 2: So now they're carless, they take I didn't like. I
Speaker 2: didn't Okay, So when they found the water and then
Speaker 2: they woke up.
Speaker 6: On the bus, I still that part. Yeah, you don't
Speaker 6: know what happened. I'm confed.
Speaker 1: I was. I was really confused about that part.
Speaker 6: And I didn't want to do like you and and
Speaker 6: go look up her vis before this.
Speaker 2: It wouldn't because there weren't any I showed. I was
Speaker 2: looking at on explanations and it was none out there.
Speaker 2: I don't know what this meant anything. This is one
Speaker 2: of my small gripes cause I was like, what the.
Speaker 4: Fun was that it just happened.
Speaker 3: It wasn't a gripe for me.
Speaker 5: I just felt like they just kind of use it
Speaker 5: as a transition as that they you know, obviously what
Speaker 5: they were saying is that, you know, they everything is
Speaker 5: going well, but it wasn't. But it was going well though,
Speaker 5: That's what I'm saying. Nothing was going well, but they
Speaker 5: made it seem like they had overcame the situation. They
Speaker 5: found water and then because she says it, and that's
Speaker 5: how they wake up going too Yeah, yeah, this is.
Speaker 6: Going too well and they wake up on the bus.
Speaker 6: So which where my thing was? Where did the illusions start?
Speaker 1: See?
Speaker 3: I can't remember the sequences.
Speaker 6: That's what I'm saying exactly exactly. So it's not it's
Speaker 6: a gripe. But it's not like it bothered me with
Speaker 6: the film. It was more so just like what the
Speaker 6: fuck was that? In that moment, I was like, damn,
Speaker 6: what happened? And that was over it quickly.
Speaker 1: I wasn't.
Speaker 6: I was waiting for them to blame it, because then
Speaker 6: I thought I was like, Okay, this whole fucking movie
Speaker 6: from here out going to be a dream sequence, which
Speaker 6: I would have been okay with, I guess, but when
Speaker 6: they don't ever go back to it by the end
Speaker 6: of the film, I was just like, Okay, I don't
Speaker 6: understand why they did that. It didn't benefit the film
Speaker 6: in any way really, so I don't get it. There
Speaker 6: has to be a reason though.
Speaker 1: It couldn't. It couldn't just be a transition.
Speaker 6: The scene before was when they they they just like yeah, right,
Speaker 6: and then they just ran off into the field, okay,
Speaker 6: And the scene is I'm pretty sure they're like running
Speaker 6: hand in hand, maybe going through the field, and then
Speaker 6: they see water, and the only reference to water is
Speaker 6: they constantly have to keep rubbing the water on their burns.
Speaker 1: Yeah, but I just didn't. I don't know.
Speaker 2: I don't get in this movie, they peel a lot.
Speaker 3: Yeah, they kept showing them paying for some reason. I
Speaker 3: don't that's what I remember.
Speaker 1: One of them. I remember one scene, yeah, like.
Speaker 2: It was when because it just starts sticking out to
Speaker 2: me because they're usually don't show that they're movies.
Speaker 3: It's like, so I feel like they was doing it
Speaker 3: for a reason.
Speaker 1: I don't remember.
Speaker 2: So they on the bus, they wake up from the bus.
Speaker 2: How did they find the dad's house? Did I miss that?
Speaker 3: Yeah?
Speaker 2: The lawyer that got picked face and he gave it
Speaker 2: to him and he told them when they was in Okay,
Speaker 2: So from now on their head to the dance.
Speaker 1: And they told him to go get a trade and said,
Speaker 1: ladies alone, just go get you a job, to a
Speaker 1: trade and leave this in the trouble. You won't just
Speaker 1: go home.
Speaker 2: That ship was funny to get to the house and
Speaker 2: were introduced to the beautiful Victoria Money.
Speaker 3: Mm hmm, is that is that Victoria?
Speaker 1: What's the name? Who the fuck is Victoria Money's like,
Speaker 1: that's an actor, No, it's not. It's a Victoria Money
Speaker 1: too though who knows that? You know, he's not. It's
Speaker 1: the line. It was not her beautiful.
Speaker 2: She's incomparable god yeah, or.
Speaker 3: Sexual chocolate. So oh, man, we're introduced to her.
Speaker 2: We see the whole scenario that she has going on
Speaker 2: with Man's character and how he's abusing her as well.
Speaker 2: She has a better life though it looks like everything
Speaker 2: they wanted he's done something to be successful, and we
Speaker 2: introduced to the other set of twins as well.
Speaker 3: Did y'all like.
Speaker 2: Janelle Monett's story and the introduction of the new twins.
Speaker 1: Yeah, I liked all of this.
Speaker 3: I like, I liked all of this.
Speaker 1: Uh.
Speaker 3: I knew the twins thing was probably gonna be interesting.
Speaker 5: I think when they were showing them Monette's character, you
Speaker 5: saw flashes of well, you kind of understood the hell
Speaker 5: she's probably been through being his wife, and then we
Speaker 5: already have the references of how you treated this first two.
Speaker 5: So her wanted to leave, and I think it was
Speaker 5: a I thought it was interesting how they had the
Speaker 5: person that was going through it narrating, because it was
Speaker 5: her narrating her part, right, and so yeah, she was
Speaker 5: just saying, yeah, this is just you know, you would
Speaker 5: think this is just one regular day, but this is
Speaker 5: the day that she decides to leave.
Speaker 3: So I'm just like, damn, this is this is dope
Speaker 3: or whatever.
Speaker 4: And what she's leaving by Troy, Well, I think Vivica
Speaker 4: left too, and he came back but just put a
Speaker 4: restrain order on him. Yeah yeah, yeah, but vivocals also
Speaker 4: left her twins too, you know, and you know, I
Speaker 4: think at this point we left them left, so it's
Speaker 4: still a similar situation of the mom leaving the kids.
Speaker 1: Be different circumstances, but the same results.
Speaker 4: And you know, at this point, you know, you see
Speaker 4: the twins, and the twins are of course different physically
Speaker 4: and personality wise, which late, well, yeah, I'll wait till
Speaker 4: we get there. And but she's willing to leave them
Speaker 4: behind and escape from the situation that she's in.
Speaker 1: I thought that that was her money, not his.
Speaker 4: Really, yeah, I don't know why, but I thought that
Speaker 4: that was all her situation and he was he was
Speaker 4: basically living with her.
Speaker 2: But yeah, I picked it up as he had gotten successful,
Speaker 2: as something provided this life for his other family that
Speaker 2: they never got. But they also lived through the same hell.
Speaker 4: She guy like that man, he's fine and uses woman
Speaker 4: to his benefit when they don't as serve him, then
Speaker 4: he goes find somebody else. That's what I was thinking
Speaker 4: that his character was. And uh, and that's why I
Speaker 4: thought that he just he just hit the jackpot this time,
Speaker 4: which is why he was still around, especially what he
Speaker 4: said about the kids, like the kids going to be something.
Speaker 4: So they also gave further and seen him to be
Speaker 4: around too as well, So that's what I was thinking.
Speaker 4: But we I don't know. That's just no guys like that.
Speaker 6: Y'all left out that she was peeing in that bottle
Speaker 6: and then spraying on his glasses.
Speaker 1: You didn't catch that? No, wait, did the one of
Speaker 1: y'all caught that? Oh?
Speaker 6: So that is the other side of pen. Yeah, she
Speaker 6: was peeing in a spray. How did y'all not see this?
Speaker 2: She was spring she was peeing a spray, but I
Speaker 2: remember seeing it, and then she was spraying it on
Speaker 2: his glasses.
Speaker 1: So that was her way of like getting back in him.
Speaker 1: Oh my god. And she's so bizarre, Like that's why I.
Speaker 2: Didn't even It's hilarious y'all picked up my motherfucker blanket
Speaker 2: because I missed that. But I saw her peeing in
Speaker 2: that bottle. I saw the scene, but I didn't connected.
Speaker 1: I didn't see that. I ain't connected again.
Speaker 6: This person I forget her name already, the person that
Speaker 6: wrote and directed she's killing it because this is some
Speaker 6: bizarre ship and it's like why why, Yeah, she's she's
Speaker 6: she needs to do more ship because this was this
Speaker 6: was great, but yeah, this was like what But yeah,
Speaker 6: the whole thing with Janelle Monet was so good, how
Speaker 6: saditty she was, how boogie she was. But yeah, the
Speaker 6: fact that she was also leaving her kids, I was like,
Speaker 6: what are they trying to say here?
Speaker 3: I know she was like, y'all picked the worst day.
Speaker 1: Yes, I was almost gone.
Speaker 2: I was almost in the y'all two little motherfuckers sitting
Speaker 2: in the middle of the street acting like y'all can't talk.
Speaker 4: Because she drove around.
Speaker 1: That's what I said. Think about a bougie Karen.
Speaker 6: Would a bougie Karen just drive around or would they
Speaker 6: stop and be like, get out.
Speaker 3: Of my way.
Speaker 1: I think a bougie Karen would have drive around. I don't.
Speaker 1: I think a bougie Karen would demand that you get
Speaker 1: out of.
Speaker 4: Around.
Speaker 2: Now.
Speaker 4: He could have jumped up and ran in front of it,
Speaker 4: so you know how successful it would have been. But
Speaker 4: I was like, just drive around.
Speaker 6: I thought that until I thought about the character that
Speaker 6: they were trying to portray with Janelle Monet. She's not
Speaker 6: gonna just drive her car off the road and go.
Speaker 6: She's gonna be like, just get out of my way.
Speaker 6: I deserve to go this way.
Speaker 1: Just move type.
Speaker 2: That's the type of energy she was on the whole time. Yeah,
Speaker 2: they brought it out of they brought the Karen out
Speaker 2: of it. She was doing well and maintaining it at
Speaker 2: first until she spit on it.
Speaker 3: Oh my god.
Speaker 1: Yeah that was that was good. That was funny. I
Speaker 1: wouldn't have liked this.
Speaker 4: They did good.
Speaker 1: They did it really well. Is spinning.
Speaker 4: I was absolutely in love with racing by this. Yeah,
Speaker 4: she was fucking killing it.
Speaker 3: She's the whole movie.
Speaker 1: Where's she from?
Speaker 3: I feel like she's on something else.
Speaker 4: I don't no, but she was.
Speaker 6: An isle of boost and the isle of Boosters. The
Speaker 6: other the show that that Boots Riley did. Oh, I
Speaker 6: didn't really care for the.
Speaker 4: Virgo. Yeah, yeah, she was in that, but I don't remember.
Speaker 4: But she was absolutely killing it. The dialogue was perfect.
Speaker 4: All of the twin stuff that the kids say nowadays
Speaker 4: over and over again, twin twin, twin twin that, so
Speaker 4: it makes it relatable to that generation as well, so
Speaker 4: it's very current.
Speaker 1: But man, just.
Speaker 4: All of the dialogue, the ship, she was saying, bro,
Speaker 4: and then when she was like oh she was ready
Speaker 4: to square and she just started walking around. I absolutely
Speaker 4: love this fucking scene. At this point, I was like this,
Speaker 4: this is my fucking movie. Bro.
Speaker 2: She's like, y'all ghetto booge your ghetto ass. Mama didn't
Speaker 2: do it when she started going in. Yeah, that just
Speaker 2: kind of backed up the black care. Yeah, because she
Speaker 2: really tried to hold it out. So they killed her.
Speaker 2: But y'all expecting that, you'll thought that was gonna happen, right, Yeah, Yeah,
Speaker 2: that's pretty much.
Speaker 3: When she spent in her face, she did, and I
Speaker 3: thought she was still alive.
Speaker 2: The theater reaction, they kind of made it seem like
Speaker 2: she was, but no, they Yeah, they never really.
Speaker 1: I don't think they ever really said if she was
Speaker 1: still alive or dead.
Speaker 4: Never because she yeah confirmed later but when she said
Speaker 4: the only reason she was talking to me, like the
Speaker 4: only reason I'm stopping is because you know my sister
Speaker 4: or something, she said.
Speaker 6: Yeah, I was like, oh, she left her alive, but
Speaker 6: that's what I'm saying. So they didn't really confirm that
Speaker 6: she's dead.
Speaker 2: Later on man asked him and they were like, well,
Speaker 2: we killed your wife, we killed your brothers, but they
Speaker 2: didn't confirm it.
Speaker 4: No, yeah, well she was she probably she was dead,
Speaker 4: and the theater reaction when she spinning her face.
Speaker 1: Yeah, I was like, yeah, I was like, my whole.
Speaker 3: Theater was like it was it was so fun.
Speaker 1: Trouble I did kind of this is just a me thing.
Speaker 6: I did kind of start to get annoyed a little
Speaker 6: bit that they kept doing all the good stuff off
Speaker 6: the screen. Well, I know, because you you know, I'm
Speaker 6: about that life.
Speaker 2: I like when I like when you can creatively still
Speaker 2: kind of feel it.
Speaker 1: But did a lot. They did it a lot.
Speaker 6: They did like every good kill was kind of off screen,
Speaker 6: you know, like we saw I don't know it was. Again,
Speaker 6: it's not a gripe, so Reddit, shut the fuck up.
Speaker 6: It's not a gripe. It's just, you know, I'm morbid
Speaker 6: like that. I want to notice see this ship.
Speaker 4: I thought we were going to see her face.
Speaker 2: Yeah if you you ain't got to show the rock hit,
Speaker 2: but just show her mangled up ass face. I ain't
Speaker 2: never seen Jenelle Mohen. They look mangled up. Kind of
Speaker 2: wonder what that would look like. All right, So they
Speaker 2: make it back to the house and the two twin
Speaker 2: brothers meet the two twin sisters, but they as soon
Speaker 2: that they're strippers.
Speaker 1: This threw me off too, really, yes, this threw me off.
Speaker 1: Speak what he said, he don't like strippers.
Speaker 4: Why would they assume that they're strippers? Yo?
Speaker 1: I know Rod acting like he don't see it no more.
Speaker 6: But there's no way I'm gonna be sitting at the
Speaker 6: house and a woman who has suffered multiple degrees of
Speaker 6: burns shows up and says, I'm the stripper, so and
Speaker 6: so hired.
Speaker 2: I'm gonna be like, Okay, this is interesting. What's going
Speaker 2: on here? You're gonna be like, oh, okay, cool, Yeah,
Speaker 2: come on in, this is normal.
Speaker 4: And he then they didn't even say that they were stripping.
Speaker 4: They were just they assumed and they said, oh, you
Speaker 4: guys are stripping, and they just like, I bet if
Speaker 4: you think that cool, that'll get us in the house. Yeah.
Speaker 6: I did think it was interesting that that they did
Speaker 6: eventually bring up the fact that he called the other
Speaker 6: girl who what is Racine's sister's name? The other the
Speaker 6: they keep bringing up a Naya. Yes, they don't even
Speaker 6: reference Anaya being burnt up until further into the scene.
Speaker 6: So it was just interesting to this point when why
Speaker 6: how they're how and why they're doing this.
Speaker 5: I just figured that, like, because he was just like
Speaker 5: this guy dad written all over it. Why I don't know,
Speaker 5: like he probably would just do some some some.
Speaker 3: Weird shit like that is what I'm That's that's what
Speaker 3: I'm assuming.
Speaker 2: I think he was excited even he ignored the burn
Speaker 2: poet because you got strippers, Like that's the kind of
Speaker 2: personality he gave off to me.
Speaker 3: When his friend said something.
Speaker 2: He did get that personality off of me, because, like
Speaker 2: you said, he immediately jumped to them being strippers and
Speaker 2: think dad doing it for their birthday.
Speaker 3: He ain't even in the moment to be looking at her.
Speaker 2: Burn shit, right, But so he was even more excited
Speaker 2: about the very.
Speaker 4: Beginning of the movie. There was an immediate reaction to her.
Speaker 4: Everybody has a reaction when.
Speaker 6: Except this guy who doesn't give a reaction to like
Speaker 6: ten minutes.
Speaker 1: Later doesn't fit.
Speaker 2: Only when his friend said, so, I just think that
Speaker 2: that's how overly horny he was. Like he seemed like
Speaker 2: that type of person who just it don't matter.
Speaker 6: Over He seemed more like the type that would be like, okay,
Speaker 6: you can say, you gotta know he.
Speaker 1: Was an asshole. He was so no, I think there
Speaker 1: was go but I definitely let it go.
Speaker 4: I'm like, okay, y'all not going to just address this.
Speaker 6: I think they were trying to say something again, but
Speaker 6: I'm kind of with you, Spike, I don't know what
Speaker 6: the what they were trying to say in this moment.
Speaker 6: It wasn't bad because I wasn't like this is stupid,
Speaker 6: it makes no sense. It was more so like this
Speaker 6: doesn't make sense. I'm missing it. I'm missing it. There's
Speaker 6: something here that I'm not catching.
Speaker 3: I couldn't agree with you there.
Speaker 6: So Reddit helped me help me. I know, y'all figure
Speaker 6: stuff out sometimes that we don't.
Speaker 4: So you definitely established that he has a relationship, that
Speaker 4: the kids have a relationship with the dad.
Speaker 2: Yeah, you know what you're gonna say, right, No, I
Speaker 2: don't think y'all crazy for thinking that.
Speaker 3: I get it, you know what I'm saying. But I
Speaker 3: guess I think.
Speaker 1: At this point for me, like you're just accepting everything.
Speaker 3: I was just kind of.
Speaker 5: Accepting everything one and then two, it's already been kind
Speaker 5: of said that she can get a guy, but a
Speaker 5: guy just you know what I'm saying, she got to
Speaker 5: turn around or whatever. So kind of to your point
Speaker 5: or whatever, he looking at body or whatever, like, Oh,
Speaker 5: I mean I see the potential, but you know, and
Speaker 5: then and then the part that I was saying earlier,
Speaker 5: that's me though as a viewer. This guy just met her,
Speaker 5: so he does he's not gonna have the same procession
Speaker 5: as I do.
Speaker 3: So so yeah, that's why I get what you guys
Speaker 3: are saying.
Speaker 5: It kind of was there for me, but I immediately
Speaker 5: let it go for whatever reason.
Speaker 1: I don't know.
Speaker 5: I was just letting the cook like, yeah, you know
Speaker 5: what I'm saying. I'm just like, Okay, she's gonna make
Speaker 5: this make sense. She's made everything else make sense.
Speaker 1: But she didn't.
Speaker 3: Oh really no.
Speaker 1: She never explained why.
Speaker 2: He was just like, okay, yeah, come on in and
Speaker 2: you're burnt, a no big deal, and I'm gonna discuss
Speaker 2: it until the moment where I want to bring it
Speaker 2: up and it's going to be the big scene.
Speaker 3: It's because I thought she looked good.
Speaker 5: I thought when they got dressed up and everything, and
Speaker 5: like the way they had the lighting all of that,
Speaker 5: I think they look good, which is like you just
Speaker 5: gotta turn around.
Speaker 1: No no, no, no, no no no before that.
Speaker 6: But what I'm saying is I never connected why he
Speaker 6: was so quick to accept that these two are these
Speaker 6: two women are strippers, even though one of them is
Speaker 6: completely burnt up. It never even phased him, like it didn't.
Speaker 6: You didn't even see a look on his face of
Speaker 6: like the fuck. It never phased him until they came out,
Speaker 6: and then they were in the lingerie and that's when
Speaker 6: the joke started.
Speaker 1: That's what I'm saying.
Speaker 4: Maybe because he was his boys now.
Speaker 1: And theyuced him to be asked. I don't know, yeah,
Speaker 1: to wait that.
Speaker 4: Yeah, I don't know.
Speaker 1: I don't look.
Speaker 3: It is a it is a it is a slight.
Speaker 3: I could see why.
Speaker 1: It's just like right for you. It's not a gripe,
Speaker 1: That's what I'm saying. Yeah, that's that's all. I make
Speaker 1: very clear.
Speaker 6: It's not even remotely a gripe. I'm more so griped
Speaker 6: up myself because I don't get it. I think she's
Speaker 6: saying something I just didn't. I don't know what it is. Yeah,
Speaker 6: it wasn't a bad thing. It was like, I don't
Speaker 6: get it.
Speaker 2: Do you think it's like how people are into certain
Speaker 2: kinks when it comes to like strippers and stuff like
Speaker 2: uh the Claremont cl It used to be like people
Speaker 2: be crippled, And I don't think cripples right right, damn.
Speaker 4: Ship.
Speaker 3: Just know what are they called?
Speaker 1: It's the correct what correct.
Speaker 4: Ship?
Speaker 1: God man got called?
Speaker 5: Like I can't even remember that because that's the first
Speaker 5: thought I thought about with Claire.
Speaker 1: But so they but you know what I'm saying though,
Speaker 1: like it's for that part, that part.
Speaker 2: So they go, they getting the lade, they dancing, they
Speaker 2: invite their boys over. It's going down until he tells
Speaker 2: one of the twins that turn around. Yeah, he tells
Speaker 2: an He tells her to turn around.
Speaker 1: That's heartbreak. It was.
Speaker 2: It felt like they really did a great job of
Speaker 2: making you as a viewer like this hit home. Yes,
Speaker 2: Like she was I feel like she was kind of
Speaker 2: starting to feel normal because no one had mentioned it
Speaker 2: and she was there and she was she was proud,
Speaker 2: she was feeling sexy. She was in this moment doing
Speaker 2: what her sister was able to do, and these boys
Speaker 2: seemed to be enjoying it.
Speaker 3: And then boom, she's.
Speaker 6: Like the moment she felt like she was normal exactly.
Speaker 6: They killed it and that that was a powerful scene
Speaker 6: thing it was. Did it hit for you, Ken?
Speaker 4: Yeah? Yeah, yeah, it did it? Did? I mean you
Speaker 4: you know you all pretty much said like she the
Speaker 4: sense of normalcy and stuff, and how they were coming
Speaker 4: in there and dancing, and you know, I was thinking
Speaker 4: about like how they were dancing like in the Openness
Speaker 4: scene they were being fun and now you know, dancing
Speaker 4: on the.
Speaker 1: Side and do all that stuff like that.
Speaker 4: And now to get a chance to do this together
Speaker 4: with these ulterior motives, which we don't really know fully
Speaker 4: what they are, but it was enough to trigger old
Speaker 4: girl racinge and it walked her off, so it gave
Speaker 4: her the motivation she needed to commit that later on,
Speaker 4: because remember she had promised not to kill anybody at
Speaker 4: that point.
Speaker 1: She didn't mean that shit.
Speaker 4: I think she did really mean it.
Speaker 1: I don't think okay, I like, I think she didn't
Speaker 1: want her to leave. No, I think I think he's
Speaker 1: she wanted to.
Speaker 4: She wanted to mean it, but she's still her daddy
Speaker 4: and she's always have been overly protective of the system.
Speaker 4: So once he said it, and once she walked up,
Speaker 4: I was like, Oh, that's she's out the door. Yeah,
Speaker 4: it's it's a rap for him. He's dead. How she's
Speaker 4: gonna do it? And she used like his weakness against him,
Speaker 4: you know, his uh one of the seven sins Lust
Speaker 4: right or whatever is that.
Speaker 2: I think I understand now more why he didn't say
Speaker 2: anything in the beginning as we talked it out, because
Speaker 2: sex was on his mind, and he's thinking about sex,
Speaker 2: and he's thinking that he's gonna get these strippers in here,
Speaker 2: he's going to have sex with him. But as soon
Speaker 2: as somebody else sees as it, mentions it, he resources
Speaker 2: back to how everybody else looks at her, just like
Speaker 2: the guy telling her, I can have sex with you
Speaker 2: from behind, Like, so, I under you're staying your gripe,
Speaker 2: and I.
Speaker 3: Understand what you're saying.
Speaker 2: And everybody else's immediate reaction to her, like the lady
Speaker 2: at the office was like, oh, that kind of taken
Speaker 2: her back. But for him, and we see his mindset,
Speaker 2: as soon as he sees him, his mind goes straight
Speaker 2: to six versus taking her for who she is. And
Speaker 2: then when his boys say something, it's like, oh, yeah, yeah,
Speaker 2: that's right.
Speaker 6: I don't know, man, because I think most men when
Speaker 6: they see women, their minds go to sex. That's how
Speaker 6: they value women based on their attractiveness. So I don't
Speaker 6: That still doesn't really reconcile to me, at least why
Speaker 6: he acted like that in the moment of them showing up,
Speaker 6: because I think, regardless of what they look like, his
Speaker 6: mind would be like sex, How good do they look?
Speaker 1: How fun would the sex be? That kind of thing.
Speaker 1: But again, it's still not a big deal. I'm sure
Speaker 1: it meant something.
Speaker 6: Somebody will figure it out and explain it to me
Speaker 6: at some point, but I did.
Speaker 1: Overall, I did like the scene.
Speaker 6: I don't think when Racing told Anaya that she wasn't
Speaker 6: gonna kill anymore. I think she only told her that
Speaker 6: so and I would not leave because an Ia was
Speaker 6: threatening to take off by herself. I think the whole
Speaker 6: time she was like, I'm not fucking following that, because
Speaker 6: it didn't take anything for her to kill that dude.
Speaker 6: When they got back to the spot, it didn't take
Speaker 6: ship and she was like, okay, cool, let's go. But
Speaker 6: I did like, how, oh wait, I guess we're not.
Speaker 3: There none else. Well, we're just from a dancing scene
Speaker 3: and her taking him back there.
Speaker 1: So well, I was already my brain was already moving
Speaker 1: on to the next scene.
Speaker 2: Okay, Rod, did you have anything about the dancing scene
Speaker 2: and how Anaya had to leave because he told her to.
Speaker 5: No, I think they nailed just like like we already said, like,
Speaker 5: you know, they did a good job executing this and
Speaker 5: the set up to the end result.
Speaker 3: Yeah, So did we go to the back room with
Speaker 3: ray Sin or do we go to the kitchen with Anaya?
Speaker 1: I think that was.
Speaker 2: Yeah, okay, So let's talk about the kitchen with Anaya first.
Speaker 2: Hid She thought that with the other twins, since he
Speaker 2: was there by himself and she had found some one
Speaker 2: even more so than with Racine who could understand her.
Speaker 2: Because Racine is the loud, boisterous twins. She wanted to
Speaker 2: get to set the tone and the Naya just follows her.
Speaker 2: And she thought that this guy was the same way.
Speaker 2: Did y'all pick up on it from him at all?
Speaker 1: I thought he was the same way until it was yeah, yeah,
Speaker 1: until he wasn't.
Speaker 2: But yeah, I thought they set this up extremely well
Speaker 2: because they kept they kept setting expectations and the completely
Speaker 2: knocking them away. Like I thought she was gonna have
Speaker 2: like a real bond with this guy because she came
Speaker 2: off that way. She thought the same thing. She thought
Speaker 2: she was gonna be able to run off of him.
Speaker 2: She even considered that, did you like the kitchen seen?
Speaker 5: Yeah, this is good. This is good to set up
Speaker 5: of that one twin or whatever. Even with him asking
Speaker 5: about the scars, He's like, oh, no, I didn't mean offend.
Speaker 5: Like all of that was executed really really well. So yeah,
Speaker 5: I like how they set up the bond here because
Speaker 5: you know, it's like the parallel like with the twins,
Speaker 5: y'all already meant.
Speaker 3: So, yeah, the setup of this was great. Yeah to
Speaker 3: what we get later.
Speaker 2: I think a lot of stuff that happened in the
Speaker 2: house they had a great setup for, Like when you
Speaker 2: thought we were going one way, like Mike said, then
Speaker 2: it's like a complete left turn.
Speaker 3: Throughout the last twenty twenty.
Speaker 2: Five minutes of the movie, Ken, did the kitchen scene
Speaker 2: mean anything other than no, it did work.
Speaker 4: You know, him being sort of the nerdy one, you know,
Speaker 4: him not participating in all the the shenanigans that were
Speaker 4: that were going on. So the thought did cross my mind.
Speaker 4: I was like, I'm wondering if he was not as
Speaker 4: he portrayed himself to be, But not to the point
Speaker 4: where I was defending. I was like, I said, I
Speaker 4: wonder if they're trying to, you know, put a little trick.
Speaker 4: But it was a fleeting thought not anything that lingered,
Speaker 4: but because he was just way too nerdy and it
Speaker 4: seemed but it also seen the mirror e is actually
Speaker 4: what the twins were, so it made sense for him
Speaker 4: to be that way. So again, I think, as you
Speaker 4: guys are saying, Alicia Harras did a the job of
Speaker 4: like showing and and showing that the similarities between the two.
Speaker 3: Real card and banks shout and watch bel but it
Speaker 3: reminded me of Call to.
Speaker 4: Season.
Speaker 2: I don't watch, but definitely do you think there was
Speaker 2: something behind them swapping them out, because like with the
Speaker 2: with the women, the tall one is the more meek one,
Speaker 2: the short one is the more violent one.
Speaker 1: But then they they swapped it with the men. Pretty
Speaker 1: picked that up.
Speaker 3: I didn't pick that up.
Speaker 4: I did, but I don't think deeply about why they
Speaker 4: would do that.
Speaker 1: I think there's a lot with the film that we're
Speaker 1: not here.
Speaker 3: I think we missing.
Speaker 6: Motherfucker's gonna do like think pieces on this film and
Speaker 6: it's gonna be like, oh, now.
Speaker 1: I get it.
Speaker 4: Yeah.
Speaker 2: I saw people saying that before I want to go
Speaker 2: see it, and I thought they were just doing the
Speaker 2: normal internet stuff. Sure they're gonna write about this. Oh,
Speaker 2: I think they are. I think that I watched it.
Speaker 2: I was like, yes, you know.
Speaker 3: It was crazy. I didn't even think about this.
Speaker 5: I didn't think it was that type of heady film
Speaker 5: like that, but I can see why why it would be,
Speaker 5: even from the title.
Speaker 3: As soon as they just got the.
Speaker 4: Title is the one that that guy is like, is
Speaker 4: God is What are they saying with? When I was leaving,
Speaker 4: I was like, what are they saying with the title?
Speaker 4: I said that God is is being the twins? But
Speaker 4: I'm like, okay, this is something else going.
Speaker 2: On with that the title for one for me? And
Speaker 2: as soon as they started calling their mom God, what's
Speaker 2: going on?
Speaker 4: You know? God? Man? Twins came and able you know, violent,
Speaker 4: you know, so there's there's that part of it as well.
Speaker 2: So yeah, I thought they came for a minute, but
Speaker 2: then I took that away because it didn't really match.
Speaker 4: It don't match, but you still have like, well, yeah
Speaker 4: it doesn't match, only in a violent sense, but yeah, yeah,
Speaker 4: just a violentness.
Speaker 2: So we go to the room where Racine and the
Speaker 2: other twins are dancing. Was there any moment in time
Speaker 2: that y'all think she wasn't gona get you? We knew
Speaker 2: that was like, that was no way.
Speaker 5: They didn't set this whole movie up, like she don't
Speaker 5: play about us, sister, so.
Speaker 2: We knew that was happening. She hit him with the
Speaker 2: I don't know, she chopped him in the throat, but
Speaker 2: she found something, I thought him with the rock. She
Speaker 2: hit him in with the Okay, yeah, because I think
Speaker 2: she crushes the Sophacus thought the ro.
Speaker 3: Came out of his mouth.
Speaker 1: They showed the rock.
Speaker 6: Yeah, because the whole stoning idea, which is also biblical.
Speaker 6: So I think they were just again, there's stuff that
Speaker 6: is here. I don't I just don't think we're catching
Speaker 6: all of it. But yeah, she hit him in the
Speaker 6: throat with the.
Speaker 2: Rock and he comes out, spins up blood all over
Speaker 2: his friend and house clears out. Now we have this
Speaker 2: scene to where the other brother is there. He laughs
Speaker 2: at first, but I thought he was laughing too.
Speaker 1: I didn't.
Speaker 2: Yeah, it is laughing, but I think it's just like that,
Speaker 2: and you know, you know how when people laughing in
Speaker 2: pain or whatever.
Speaker 5: I think that's what it was what they were showing
Speaker 5: the first. When he was laughing, I was like, oh,
Speaker 5: he's happy. He didn't like yeah, like he didn't like
Speaker 5: him he was like, yeah, I never took it that way.
Speaker 5: I took it as like how people like it laughing, Yeah,
Speaker 5: laughing in moments like that where it's like laughing to
Speaker 5: stop from crying type of thing, but just just just
Speaker 5: doing it naturally.
Speaker 1: So that's how I took it.
Speaker 3: I never talked took it as like, oh yeah, ladies did. So,
Speaker 3: apparently Jalen got this whole film.
Speaker 1: He's lying, I'm about to I'm about to. Yeah, he lying.
Speaker 2: He apparently Jaalen got what they're trying to say, and
Speaker 2: we all dumb because we don't know.
Speaker 1: He just text us to say that.
Speaker 4: Well, and maybe maybe since the twin killed another even
Speaker 4: though it was a half brother, you know, that's that's internal.
Speaker 6: Is that how they're connecting the Maybe you could be.
Speaker 6: I don't know, it could be, but it's the angry
Speaker 6: twin killing the other angry twin, so it's still it.
Speaker 4: Is not as as direct.
Speaker 1: Yeah, I don't know, but I'm sure so maybe No,
Speaker 1: who knows.
Speaker 2: So he's mourning his brother. They had this whole thing. Well,
Speaker 2: they think they may be able to trust him, and
Speaker 2: he flipped the switch on the ass quick, which I loved.
Speaker 2: I was not expecting that.
Speaker 3: I mean, neither they got me. I was like, what,
Speaker 3: I didn't even got everybody?
Speaker 5: So you no expectation, did I had no clue that
Speaker 5: he was going to try to truck her ass out,
Speaker 5: no clue, ken, what'd you think about him?
Speaker 1: Switch?
Speaker 3: That's just dand I believe, Yeah.
Speaker 1: It didn't.
Speaker 4: It didn't surprise me. I had a fleeting thought, but
Speaker 4: again it didn't linger. And then it happened. I was like, oh, ship,
Speaker 4: he really is doing it. But I think that gave
Speaker 4: that made her also unpure when she killed him. Yep,
Speaker 4: so now she has blood on her hands too, because
Speaker 4: I forgot what Racine said when she, uh, after she
Speaker 4: killed Janell Moe's character. She was like God only wants
Speaker 4: blood or something like that, and I forgot what the
Speaker 4: line was. Yeah, but now the sister that went from hey,
Speaker 4: you can't kill anybody anymore killed somebody out of rage
Speaker 4: as well? Or oh well yeah yeah, I guess it
Speaker 4: was yeah, you're right either way, I go, she killed somebody,
Speaker 4: you know, now what?
Speaker 3: All right?
Speaker 2: So she killed somebody, uh, but in it, Racine gets
Speaker 2: knocked out. She drags herbody under the table, and at
Speaker 2: this point in time, man starts to come home and
Speaker 2: when I tell you still in Kate Brown was as
Speaker 2: a bag man. Y'all gotta start playing with this motherfucker.
Speaker 1: It was very.
Speaker 2: It's nice though, and the pacing of how he was
Speaker 2: talking was really because you couldn't tell if he was
Speaker 2: a fucking crazy person, but he was just like calm
Speaker 2: and trying to figure through the situation.
Speaker 3: But he absolutely bodied everything he did.
Speaker 2: Once he came into here, he sees her under the table,
Speaker 2: tells her come up here, let's talk, and they start
Speaker 2: exchanging questions.
Speaker 3: What do y'all think about this scene?
Speaker 6: This solidified Sterling Cabra and mean, he was always slified
Speaker 6: for me. I've been saying anything he's in I'm watching it.
Speaker 6: I haven't seen him as a villain though until this.
Speaker 6: If you're taking out Invincible in his voice, but him
Speaker 6: as a villain, amazing.
Speaker 3: Like he'd been waiting to do this.
Speaker 2: Yes, he's medacing. I've only seen him every time I
Speaker 2: see him in something, he's Randall to me. He's the sweet,
Speaker 2: good natured Randall Peterson until this shit. Beth Dune left
Speaker 2: because Randall.
Speaker 1: Is fucked up.
Speaker 2: Hand Tail is fucked up. This whole scene was incredible.
Speaker 2: Are we talking about the whole singer just by the table?
Speaker 1: They got me.
Speaker 2: When he was telling that story and he said, oh,
Speaker 2: she grabbed you, that's why you're burnt. I was like, oh, okay,
Speaker 2: now we're getting Tye.
Speaker 1: She's a villain. They got me.
Speaker 4: He was lying.
Speaker 6: Believe I believed him full stop. I was like, Okay,
Speaker 6: he's not that evil of a person. I cannot believe
Speaker 6: he tracked me.
Speaker 3: We had no reason to believe me. No, no, he
Speaker 3: caught tongue. This motherfucker just walked in the house and
Speaker 3: made a sandwich over his gave and we didn't call
Speaker 3: the police.
Speaker 7: Wonder what happened. This nigga just went on about his day,
Speaker 7: insane because you gotta have chips. This was so good, man,
Speaker 7: Oh my god, this was so.
Speaker 1: The first thing I said.
Speaker 3: So he's gonna call the police, made the sandwich, and
Speaker 3: the sandwich.
Speaker 1: Everything good.
Speaker 2: So they're having a conversation at the table. He tells her, hey,
Speaker 2: I didn't I didn't do it, man. And he had
Speaker 2: the right twin too. He had the right twin. I'm
Speaker 2: wondering when race scene is gonna wake up too. That
Speaker 2: was like, it's just in the back.
Speaker 1: I'm like, yeah, because all he did was choker. Why
Speaker 1: she docked out like that.
Speaker 2: That pissed me off too. But they have this whole
Speaker 2: exchange back and forth. Essentially, man said, look, bro, going
Speaker 2: about your day. You could leave all of this, All
Speaker 2: of this is handled. Yeah, y'all did the thing my
Speaker 2: kids did, my wife did. He ain't gonna kill me.
Speaker 2: So just going about your business.
Speaker 1: But wait, did you notice how he was like.
Speaker 6: Like, oh, the the one he had like expectations, like
Speaker 6: he was gonna be something, but he was his twin,
Speaker 6: like his I'm sorry, his son.
Speaker 1: He was talking about a little nerdy one.
Speaker 4: I think Oh, I thought he was something about the
Speaker 4: other one.
Speaker 1: I thought he was too, or maybe he was. Maybe
Speaker 1: it was either way.
Speaker 6: What was getting me was that he was so nonchalant
Speaker 6: about them being dead, yes, but he was more so
Speaker 6: bothered about the fact that one of them was going
Speaker 6: to be successful.
Speaker 1: He was like, you killed one of my successful kids.
Speaker 1: And he was asking who did you do first? Yeah,
Speaker 1: it's like why are you asking that?
Speaker 4: Yeah, he didn't care about the wife, and so I'm like,
Speaker 4: are you just running around trying to have babies to
Speaker 4: find the one that's going to be.
Speaker 1: Like it for you that you know what, I think
Speaker 1: y'all are onto something.
Speaker 6: That might be why he left Maxine because the kid
Speaker 6: was off and he wasn't going to be successful, so
Speaker 6: he was like, I'm out. He finally got this wife,
Speaker 6: these two kids, one of them at least like one
Speaker 6: was really smart and then the other one was going
Speaker 6: to be in sports or something.
Speaker 1: So he probably thought he finally did it right.
Speaker 4: Well, I thought he didn't. He leave Matt scene before
Speaker 4: the kid was born.
Speaker 1: You know, you're right, You're right. They did say pregnant.
Speaker 2: You're right, and I'm not sure if I mentioned it,
Speaker 2: but we said Nya was pregnant as well.
Speaker 1: We learned she was pretty yeah, yeah, and uh yeah
Speaker 1: he used that.
Speaker 4: But but nah, I'm man, yeah, he completely fooled the
Speaker 4: shit out of me too, because now it really explained,
Speaker 4: like not because I'm like, okay, so that's how the
Speaker 4: burn went here, and that's okay. I guess I guess
Speaker 4: I can see the mom doing that. Maybe the mom
Speaker 4: is fucked up to And while she was sitting them
Speaker 4: like all that ship.
Speaker 3: He spoke to how he fooled everybody in this movie.
Speaker 2: He got us in one so what I'm saying, That's
Speaker 2: what I'm saying, Like damn, that's like, yeah, he's so
Speaker 2: manipulative that he got us in one fucking scene. Yes,
Speaker 2: And she always just said it like he got a
Speaker 2: soft side, yes, so she already explained like but he
Speaker 2: got he got this minister side, he got the saut side,
Speaker 2: but he got a really fucked up side to like
Speaker 2: even adding to add saivacal Fox story because he was like,
Speaker 2: he came in, I didn't want to tell him to leave,
Speaker 2: and he's caressing her and kissing and then he turns.
Speaker 4: He said, just because she wouldn't let me hold and yeah,
Speaker 4: he was crying acts over just silly stupid ship, like
Speaker 4: the entitlement, the property that they think women are to them.
Speaker 2: So there's two more old ship moments. I feel like,
Speaker 2: man one is as and I won't leave and still
Speaker 2: trying to figure this out. And she gives him the rock,
Speaker 2: which great deal the moment as well, people like no good,
Speaker 2: don't do it. And then she takes the rock, have
Speaker 2: another brief conversation and he smacks the ship out.
Speaker 3: That's when and he called her like what he called him.
Speaker 1: Dog bitch, dog bitch.
Speaker 6: I was like, but you got that, like she's breeding,
Speaker 6: she's man. When he when he hit her, I was like,
Speaker 6: motherfucker got me.
Speaker 3: We made just come from.
Speaker 5: Home and everybody right that really everybody motherfucker got me.
Speaker 5: I don't nobody he didn't get.
Speaker 1: Yeah, they be I feel like they'd be lying. I
Speaker 1: expected money of y'all.
Speaker 2: Motherfucker's coming here lying and he but if you fell
Speaker 2: for that, No, I thought he was gonna live, walk out.
Speaker 2: He lied to all y'all. None of us expected him
Speaker 2: to hit the right. Oh no, this goes to Racene
Speaker 2: waking up and getting a fight. They finally finally get
Speaker 2: the better of them, which was a great fight.
Speaker 4: Where was he spiked? When that motherfucker he said, Oh
Speaker 4: that is what you want.
Speaker 1: I said, y'all, y'all, don't be slow, square up. They
Speaker 1: can't can't said do this, bro the head.
Speaker 3: This man beat these two little girls.
Speaker 1: Bro, I knew they couldn't go. And I was like, no,
Speaker 1: he can't beat that ship he did, Like I need.
Speaker 4: To see an interview because the way he did it,
Speaker 4: it was so great. It was.
Speaker 1: Work work working on the first two.
Speaker 2: Like today, started using the twin thing again, and you know,
Speaker 2: we're both tossing the rock around and did y'all like
Speaker 2: the fight scene and how that.
Speaker 1: Cho Hell yeah, it felt like when.
Speaker 6: When Bucky and Cap were fighting Iron Man and they
Speaker 6: were throwing the shield back and forth all that ship.
Speaker 6: That's how it felt to me.
Speaker 2: I was like, Okay, y'all had to use your wonder
Speaker 2: twin power because y'all can communicate without speaking, so this
Speaker 2: would make sense.
Speaker 1: Perfect, perfect, perfect scene. It was so satisfying.
Speaker 5: It was so satisfying because that needed to be satisfying
Speaker 5: with all yeah done through the whole ship.
Speaker 3: Yeah, they had to nail this part and they.
Speaker 4: Did, and they got the violent nature out of her
Speaker 4: too as well. You know, she had already killed somebody,
Speaker 4: but now she I don't even know if she even
Speaker 4: really understood right at the end of the day why
Speaker 4: he had to die, but she was on board, especially
Speaker 4: after slap away.
Speaker 6: She is the way he delivered that line and he said, look,
Speaker 6: you can just leave, otherwise I'm gonna have to kill
Speaker 6: you and my only grandson. I feel like Sterling k
Speaker 6: is probably the only dude that can deliver a cold
Speaker 6: line like that so perfectly.
Speaker 1: Because it didn't really sound scary. It was just a
Speaker 1: matter of fact, I'm gonna.
Speaker 2: Kill you and my grandkid, so and you know I'm
Speaker 2: gonna do it because you know I'm that guy.
Speaker 1: Oh he's so good man.
Speaker 2: So we get that they finally found a way to
Speaker 2: kill him and throw him in the bathtub, and you
Speaker 2: talk about old ship moments like I think this got me.
Speaker 3: The majority of my theater, it was like, oh shit,
Speaker 3: because I thought it was over.
Speaker 1: He was yeah, me too.
Speaker 3: I thought we was gonna get there.
Speaker 2: They walk out, beat up, classic thriller, horror movie, they
Speaker 2: all scarred up, and then they gonna show the cut
Speaker 2: scene and they're gonna be happily ever after together.
Speaker 1: But no, this fuck me.
Speaker 2: This nigga grabbed her from the bathtob on fire and
Speaker 2: pulled him in there widder. Then there was conversation that
Speaker 2: I heard in my theater was like, well, she didn't
Speaker 2: stay and help her, and I thought, was she.
Speaker 1: Gonna donna burn again?
Speaker 2: So there were some expectations where I heard people saying, oh,
Speaker 2: she didn't help her, Like somebody yelled it out in
Speaker 2: my theater.
Speaker 3: So she walks outside.
Speaker 2: She stands at the morning and watch the house burned down,
Speaker 2: thinking that maybe her sister to come out what y'all
Speaker 2: think about?
Speaker 3: That was fucking brilliant to me, you know what.
Speaker 6: I thought in this moment, I was waiting for them
Speaker 6: to say that that the burnt up sister never really
Speaker 6: or the other sister never really existed. And I was like,
Speaker 6: because I've seen a bunch of movies that do that,
Speaker 6: where the violent one is not really a person, it's
Speaker 6: just a part of your personalities. I was like, I
Speaker 6: hope that's not what they're doing. It's not I don't
Speaker 6: think that's what they were doing. But I was not
Speaker 6: even remotely expecting that. I was like, Okay, they killed him,
Speaker 6: he's burnt up.
Speaker 7: Cool.
Speaker 6: When he jumped out and grabbed her, I was like,
Speaker 6: god damn it. But no, at no point did I
Speaker 6: think why didn't she stay in help? The house was
Speaker 6: burning up?
Speaker 1: What was she supposed to do?
Speaker 6: And if you have a thirty eighth degree burned, I
Speaker 6: don't even know what that looks like. If you get
Speaker 6: burned again, she would have just died.
Speaker 1: I mean, I don't know.
Speaker 6: But no, I think they're being a little hard on
Speaker 6: a naye. I think an idea what she had to
Speaker 6: do by leaving, But this was a really fucking good scene.
Speaker 3: Kid, y'all like the same way grab her.
Speaker 1: I did like it.
Speaker 5: I'm still trying to process it though, because I did
Speaker 5: have the thought like, I don't know why she didn't
Speaker 5: help her, damn.
Speaker 3: But I mean, it's her sister, you know what I'm saying.
Speaker 5: But I think they had built up to that point
Speaker 5: where she was looking for that separation, you know what
Speaker 5: I mean, like not like this, but not like this,
Speaker 5: but she was.
Speaker 3: She was starting to look for that separation. Yeah, she well,
Speaker 3: we'll get to it after this.
Speaker 4: Yeah, she was free, Like you know, ray scene was
Speaker 4: kind of like, you know, far of her, sort of
Speaker 4: that that dark side, that devil is always in her,
Speaker 4: in her ear, you know, especially during this part. But
Speaker 4: but nah, I think that, uh yeah, I understand the
Speaker 4: thoughts that they had because I'm with you, Rod, I
Speaker 4: was like, oh shit, you gotta go help your sister.
Speaker 4: She's in there, or are you gonna jump in and
Speaker 4: help her? But I settled where you were, though, Mike,
Speaker 4: because there was trauma of being burned. She's in there,
Speaker 4: and I'm thinking that the reason why she didn't do
Speaker 4: it is because she was still afraid of fire.
Speaker 2: Yeah, that's so you know it made sense for why, Yes,
Speaker 2: I thought she had to save her baby, like she
Speaker 2: I think she.
Speaker 1: I thought she was thinking more so too, did I
Speaker 1: have to save my child.
Speaker 6: And she had to save her baby, she'd have left
Speaker 6: instead fucking squaring up with you know think that.
Speaker 4: I also thought that she was just shocked as well,
Speaker 4: just like in a state of shock. And then the
Speaker 4: house she just went and went and got out. But I, man,
Speaker 4: when this happened, it completely got me. I didn't expect
Speaker 4: it because sterling Man was burnt up for all we've seen,
Speaker 4: we saw him roll over, so for him to come
Speaker 4: out there and you know, uh do to get over
Speaker 4: here sort of thing and snatch her in, I was
Speaker 4: like yo to the point Mike where I was like,
Speaker 4: this shit ain't real. And the reason why I thought
Speaker 4: that because of the damn water scene earlier.
Speaker 1: That's how I think this is fate. This is I
Speaker 1: was like her sister standing out the house.
Speaker 4: I'm like, you waiting, she's gonna be around. It's all
Speaker 4: gonna be a magic, and that ship wasn't a magic.
Speaker 4: I sat there for a minute after the move was over,
Speaker 4: like they really killed this motherfucker. I just couldn't believe it.
Speaker 6: Man, I was like, yo, and they killed her in
Speaker 6: a fucked up way because he just lied to them
Speaker 6: saying what the mother did.
Speaker 1: But then he did that.
Speaker 4: At least she apologized first, who apologized for for what
Speaker 4: she got close with that? But I just couldn't believe that.
Speaker 4: I just that's bold to really take a chance to
Speaker 4: do that, to kill a character that we've been with
Speaker 4: that has violence, violent tendencies, murderous tendencies, you know all that.
Speaker 2: And she was my favorite character, was the one that
Speaker 2: we like, like, Yeah, I loved it, and that was unintentional. Yeah,
Speaker 2: I agree they wanted you to like Anayah, but how
Speaker 2: we are I.
Speaker 1: Know was unintentional. They didn't want her to be your
Speaker 1: favorite character. No, but I guess you're right.
Speaker 6: No, But this was my only gripe with the film,
Speaker 6: and that this is another one of those gripes where
Speaker 6: I feel like there's something that I'm missing with who
Speaker 6: God is or whatever, because I don't really I'm confused
Speaker 6: as to why we never got to see them or
Speaker 6: her go back to Vivigay Fox and be like, yeah,
Speaker 6: he's dead, but because you sent me on this fucked
Speaker 6: up ass mission. Now Racine is dead. I'm still a
Speaker 6: little bit like we didn't even see a scene.
Speaker 1: Huh. I hope it's not that simple.
Speaker 4: Can't be.
Speaker 1: I mean, I hope it's not. Yes, I know that
Speaker 1: I know.
Speaker 6: And since Jalen doesn't have a mic and he's yelling
Speaker 6: off camera, what he's saying, basically saying is like the
Speaker 6: whole idea of God sending people out on missions or
Speaker 6: whatever and then people die, and then they always are like,
Speaker 6: oh why God, and God doesn't answer.
Speaker 1: I get all that, but I'm hoping it's I'm hoping
Speaker 1: it's not that simple.
Speaker 4: Yeah, just killing in the name of God, right, Yeah, But.
Speaker 2: An idea like that might only be simple to people
Speaker 2: that think about that kind of stuff.
Speaker 1: It might not be simple to other folks that don't
Speaker 1: think about it. I don't think. I don't even know.
Speaker 4: I don't know, but I don't I don't know if
Speaker 4: like your regular person would view the movie in that way.
Speaker 1: That's what I'm saying, That's what I'm saying.
Speaker 6: I think that people who are used to criticizing Christianity
Speaker 6: in that way might think about that, but folks that
Speaker 6: don't may not even have that pop into their head.
Speaker 4: They just walk away, like damn, that was a good
Speaker 4: ass movie, exactly done with.
Speaker 2: Exactly because I did think that, but I was just like,
Speaker 2: I don't think it's that simple, but you're probably right.
Speaker 2: You're probably right, You're probably right. And then we get
Speaker 2: to an Aya and she's talking about her new found freedom,
Speaker 2: not being tied to the hip with her twin and
Speaker 2: she's figuring life out, about to be a mother. She
Speaker 2: seemed satisfied. That's what I got from the last scene.
Speaker 2: Anything different from you guys. She definitely seemed that way.
Speaker 5: But again, I think this whole last part of the movie,
Speaker 5: I'm still trying to process, like what are they really
Speaker 5: seeing because just like why, you know, because they had
Speaker 5: such a bond, But like I said, they did show
Speaker 5: how they were kind of, you know, growing apart as
Speaker 5: we get closer to the end. But the one sisters, Yeah, yeah,
Speaker 5: because even Racine was just like, you know, get the
Speaker 5: fuck out my way for I hurt you too, like
Speaker 5: you know what I'm saying.
Speaker 3: So you could see that the rage just started to
Speaker 3: take over her.
Speaker 5: So yeah, eventually it was gonna be maybe a toxic
Speaker 5: relationship or or at something point she probably gona end
Speaker 5: u hurting her as well, like yeah.
Speaker 4: Brother dialogue in this movie. So and when you realized
Speaker 4: she probably had to fight her system, was willing to
Speaker 4: fight the system. And the way she was walking around
Speaker 4: and you want some of this two or whatever, she said,
Speaker 4: Oh my god, I gotta watch this again.
Speaker 3: Yeah, I gotta watch it. I definitely gotta see this anymore.
Speaker 1: About you knew he had to say. So the way
Speaker 1: he got up and was slow walking over here. Motherfucker
Speaker 1: was walking like he's.
Speaker 3: Randall about a guy, you might.
Speaker 2: I think the ending for me is and I had
Speaker 2: to really think of I've been thinking about it since
Speaker 2: I saw Thursday Night. I remember thinking about it is
Speaker 2: that they kind of the twins kind of represent like
Speaker 2: a whole right and with her dying, that's supposed to
Speaker 2: be a piece of her dying, like becoming the angry
Speaker 2: side angry side. So the question that y'all asking, I'm
Speaker 2: kind of lost a little bit on what y'all if
Speaker 2: you because you're admitting it, so I don't know which question,
Speaker 2: like what what does this ending mean?
Speaker 1: A lot of changed Wait, you mean about why they
Speaker 1: didn't go back to Viva k Fox.
Speaker 2: No, like you're saying like the I guess Rod, So yeah,
Speaker 2: I can think rot as as far as like it
Speaker 2: just meaning that trying to figure out the last I
Speaker 2: think the last bit of it is just saying that
Speaker 2: she's finally becoming whole because all that rage and that trauma,
Speaker 2: She's finally coming.
Speaker 1: To the grisk with it. And that's why I said
Speaker 1: in the group, I think water. I remember Sunday School.
Speaker 2: I'm pretty sure that water is like the personification of
Speaker 2: like cleansing and all that. So even them drinking the
Speaker 2: water at that that pieces like them on the mission
Speaker 2: to try to find some cleansing.
Speaker 6: Well, yeah, water definitely represents cleansing in the Bible. That's
Speaker 6: why they're baptized in water. But are you Are you
Speaker 6: saying that to reference why there was that weird scene
Speaker 6: that kind of skipped and they were like yeah, yeah.
Speaker 4: And they never got cleansed because they were like it's
Speaker 4: too good to be true and it was a dream.
Speaker 1: So yeah, you never really like from like you're never
Speaker 1: really fine though, never did what the drinking from the
Speaker 1: water the whole. Yeah, but they don't want a mission
Speaker 1: to do that. They're thinking in their mind like this
Speaker 1: is going to actually bring some some wholeness.
Speaker 2: Only one of them was thinking that, though Anaya never
Speaker 2: thought that even up until the end of Naya didn't
Speaker 2: think that. It was only Racine that thought that killing
Speaker 2: their father was going to be some sort of closure.
Speaker 4: Well, maybe they were saying with that part when because
Speaker 4: it was illusion, Maybe killing the father wouldn't have given
Speaker 4: them the closure that they were seeking, and maybe that
Speaker 4: was the too good to be true far.
Speaker 2: But I guess what I'm saying is that I'm looking
Speaker 2: at with the ending that they're supposed to represent a hole. Yeah,
Speaker 2: so she's still like like in her mind, like her
Speaker 2: other side of her is still like even though the
Speaker 2: film is depicting her as a totally different person, this
Speaker 2: is supposed to be like we look at twins as
Speaker 2: one people. Yeah, yeah, so I'm thinking thebody like this
Speaker 2: other side of her is still think is wrestling with
Speaker 2: this is the way that I'm going to find cleansing. Like, so,
Speaker 2: even though we were watching them as two different people,
Speaker 2: were actually watching one person.
Speaker 1: Maybe I'm overreaching. That's how I kind of started thinking
Speaker 1: about it. In the end of it.
Speaker 6: I mean maybe, but that wouldn't because that wouldn't be
Speaker 6: consistent with the other set of twins, So is it
Speaker 6: is it?
Speaker 1: I wouldn't it be good because men are.
Speaker 6: So okay, But if we're looking at if we're looking
Speaker 6: at the twins as one person and or you know,
Speaker 6: different sides of one person. We didn't really get that
Speaker 6: so much with the male twins because when the one died,
Speaker 6: the sweet one went evil.
Speaker 2: Okay, so if if if we're looking at it from
Speaker 2: your your theory, that wouldn't have happened.
Speaker 1: In a way because it's still self defense because even
Speaker 1: it wasn't at that point, he could have just left
Speaker 1: with anaya. It wasn't self defense.
Speaker 2: But I also feel like there's also an economy of
Speaker 2: like how she depicted men and women and yeah, so
Speaker 2: I think so even with the man part is like, yeah,
Speaker 2: eventually like men eventually because of just like how life is.
Speaker 1: Eventually men are like turned to become this like patriarchy
Speaker 1: turns them this way.
Speaker 6: I get all that, but I guess it doesn't really
Speaker 6: it doesn't really fit with the whole twins looked at
Speaker 6: as one person unless we're completely saying that that only
Speaker 6: is accurate if they're female.
Speaker 1: Is that what you think the movie is saying? No?
Speaker 1: And mind you. I'm saying all this as not a
Speaker 1: way of saying you're wrong. I'm saying all this as
Speaker 1: I don't get it.
Speaker 2: I'm I'm saying with men like, we have the capabilities
Speaker 2: of being both of them, but women, circumstances push us,
Speaker 2: like a lot most of us, certain things push us
Speaker 2: to be more evil than not. And so that's why
Speaker 2: he turned after whatever happened happened like that trauma response
Speaker 2: to him just now just turned him.
Speaker 6: Like, turned him evil, whereas the trauma response for the
Speaker 6: woman turned her. And that's the other side of like
Speaker 6: it just turns him into.
Speaker 4: That maybe able to not have the same reaction too
Speaker 4: when when not.
Speaker 1: Really she was gonna give into stir, she kind of
Speaker 1: was gonna give into.
Speaker 4: She turned into a murderer. When her sister was attacked,
Speaker 4: she had the same reaction as the.
Speaker 6: Her dad attective Yeah, but once once see the difference
Speaker 6: between the two sets of twins is with the boy twins,
Speaker 6: when the more evil one died, the nicer one turned evil.
Speaker 6: With the female twin, when the more rowdy, aggressive one died,
Speaker 6: she just turned into a more calm and loving person.
Speaker 8: That's why I'm saying I don't talk about when she
Speaker 8: killed the the soft to evil twin in self defense
Speaker 8: of her sister, she still ultimately ended up killing.
Speaker 6: She did, But with the boy Twin, it wasn't self defense.
Speaker 6: It was just I'm gonna kill you because.
Speaker 1: I'm mad because she just killed brother. Right.
Speaker 6: But the but the but the reasonings are different. So
Speaker 6: for the for the boy twin, he knew his brother
Speaker 6: was an asshole, and he he tried. He made it
Speaker 6: seem like he was gonna leave with Anaya, who is
Speaker 6: the quote unquote the good twin, But when it came
Speaker 6: down to it, he was going to kill her, whereas
Speaker 6: Anaya never really had that moment. She killed him completely
Speaker 6: out of self defense of her sister. Now you can
Speaker 6: stretch it and say, well, he was defending his brother
Speaker 6: because she killed his Yeah, but the brother was dead
Speaker 6: and and I had nothing to do with it. And
Speaker 6: she took him out the house of the murderer, right,
Speaker 6: she was trying to save him. He's really trying to
Speaker 6: save him.
Speaker 2: But because it's the trauma, response of him at that
Speaker 2: moment was to kill killed this person out of revenge.
Speaker 2: I'm more also out of revenge than self defense, right,
Speaker 2: I get it.
Speaker 4: But there's still somewhat similar to me, because you still
Speaker 4: have both siblings reacting violently to harm that was applied
Speaker 4: to their other sibling. I don't know.
Speaker 1: I don't see that way even with Anaya, not even.
Speaker 4: Yeah, the motivations were different, but the ashes were the same.
Speaker 6: But the motivations and the reasoning were completely different. Like
Speaker 6: he knew that Anaya was not the one that did
Speaker 6: it because Anaya was trying to help him, so they
Speaker 6: could have just left. If he needed to turn his
Speaker 6: anger on somebody, he could have turned it back on racing. Instead,
Speaker 6: he turned it on.
Speaker 2: A Naya who saved him and took him out the house,
Speaker 2: like he literally.
Speaker 4: Well, maybe that goes to you, saying like they he
Speaker 4: just looked at him as one of the same, like yeah,
Speaker 4: y'all walked in here and hit that. I don't give
Speaker 4: a don't I don't care that you weren't the one
Speaker 4: now did it. You're still with her, You're still part
Speaker 4: of this, so I'm gonna kill you too. Or maybe
Speaker 4: this is my way of taking something away from racing
Speaker 4: that she took away from.
Speaker 2: Me, but that I would I would lean on more.
Speaker 2: But even with this conversation, I also feel like and
Speaker 2: it's not attacking you. I think there's awesome message in
Speaker 2: as far as saying like, we give men more like
Speaker 2: leewaight on like their actions because we're trying to justify
Speaker 2: why he is stilling has some justification of doing what
Speaker 2: he did.
Speaker 1: Yeah, when he really does, when he really does, he
Speaker 1: should have just took the took the escaping on.
Speaker 4: Yeah.
Speaker 6: I think there's a lot here that we're just not minted,
Speaker 6: we're not getting I don't know if it's as simple
Speaker 6: as they're they're supposed to be viewed as one person,
Speaker 6: because again I don't really see that in the set
Speaker 6: of male twins.
Speaker 4: Wait, so if y'all have siblings, So if a group
Speaker 4: of twins came and killed and one of them killed
Speaker 4: your sibling, then you would go after the one that
Speaker 4: did it and not the one that didn't.
Speaker 1: Yeah, Yeah, that would makes sense.
Speaker 2: Yeah, especially if the one that didn't do it is
Speaker 2: trying to help me by saying, hey, get let's go.
Speaker 1: She's crazy, my twin is nuts. Let's go. You're telling
Speaker 1: me your sibling is crazy and saving me from them.
Speaker 1: Why would I attack then attack you? Right?
Speaker 6: That makes no sense, especially when I have every opportunity
Speaker 6: to attack the one that just it. Instead we're running
Speaker 6: because with some punks. But I'm gonna attack the one
Speaker 6: that helped me. Doesn't make anything.
Speaker 1: Even just push you away and keep running. Yeah, I
Speaker 1: don't know if I think I see it all the motherfuckers, Bro, I.
Speaker 2: Think, yeah, all right, you're right, you're right, mind coming,
Speaker 2: They appreciate it, they all ship.
Speaker 1: You're okay with that motherfucker. You just responsible. I'm taking
Speaker 1: your ass out and you're right. Hell no, you're right.
Speaker 1: Kill my goddamn brother.
Speaker 4: You should you shouldn't have helped me ship now. Hey,
Speaker 4: I got a hostage you now?
Speaker 3: Hell any other thoughts on this movie?
Speaker 2: No, everyone should go, well not everyone, but because I
Speaker 2: don't know, I don't know if white folks would get
Speaker 2: the same thing that black folks got.
Speaker 6: I know, y'all white people are gonna be mad, but
Speaker 6: I don't know. This felt like a black movie made
Speaker 6: for black folks.
Speaker 1: Reason.
Speaker 6: Yeah, I mean I got that part. It was just well,
Speaker 6: that was one of them that was confused about the title.
Speaker 6: The title didn't really didn't really because I think it
Speaker 6: was also what Ken was referencing with the twins on
Speaker 6: each side of God. So I I the title didn't
Speaker 6: really didn't really confuse me that much. It was more
Speaker 6: so just why did we never go back to God?
Speaker 6: But what you're saying, I'll accept it. But yeah, y'all
Speaker 6: go see, y'all.
Speaker 4: Go see this movie.
Speaker 3: Man, this is I was pleasantly surprised how much I
Speaker 3: enjoyed this.
Speaker 1: One of my top movies of the year. Yeah, I
Speaker 1: think the same. Yeah, I wrote and directed.
Speaker 6: So she definitely needs more Work's like she's like another
Speaker 6: Boots Riley, but and.
Speaker 4: Now walking away with these Yeah, yes, that's the word,
Speaker 4: like racing needs more work. Facts, both of them, action,
Speaker 4: both of them really good. But yeah, that's great. All right.
Speaker 3: That's our review for is God Is. Thank you for
Speaker 3: checking out the phrase per second podcast out