WEBVTT - Is God Is

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<v Speaker 1>The Frames per Second Podcast.

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<v Speaker 2>All right, everybody, welcome to the Frames per Second Podcast,

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<v Speaker 2>where we are reviewing the brand new movie is a God.

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<v Speaker 2>That is This was directed by Alisha Harris, who I

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<v Speaker 2>haven't heard of before. Debut debut filmed by Alisa Harris,

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<v Speaker 2>and it was I seen. It was based off of something.

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<v Speaker 2>You know what it was? I play play Okay, so

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<v Speaker 2>it's based on yes, the first voice you heard?

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<v Speaker 3>Of course, I have Mike rod a Ken with me.

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<v Speaker 1>Guys.

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<v Speaker 4>How are y'all doing? Well? How are you doing?

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<v Speaker 3>All right, let's jump into it.

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<v Speaker 2>Man, I'm gonna go around the room and see what

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<v Speaker 2>y'all thought about this movie. Had you have expectations and

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<v Speaker 2>did it meet them?

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<v Speaker 1>Rod?

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<v Speaker 3>What did you think about this film?

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<v Speaker 1>I had?

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<v Speaker 5>I won't say I had expectations, but I did see

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<v Speaker 5>the review for it and it did piqued my interest.

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<v Speaker 5>I think we did a trailer reaction for it. So

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<v Speaker 5>if you're Patreon supporter, you probably can see that there

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<v Speaker 5>FPS podcast. Look what is it?

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<v Speaker 3>Second podcast?

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<v Speaker 5>Yeah, yeah, French second because I know that it's different

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<v Speaker 5>from the YouTube, but but yeah, no, I enjoyed this.

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<v Speaker 5>It felt like an original story. I didn't know about

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<v Speaker 5>the play but looking at us like, oh, yeah, this

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<v Speaker 5>is I haven't seen anything like this, you know what

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<v Speaker 5>I'm saying, So like, yeah, I thought it. I thought

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<v Speaker 5>it was interesting. Yeah, I enjoyed it. Man, I had

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<v Speaker 5>these people wanted.

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<v Speaker 4>The like.

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<v Speaker 2>Of actions in my theater was crazy, like so yeah, man,

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<v Speaker 2>yeah it was.

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<v Speaker 3>Yeah, it was. It was a fun time. Actually, what'd

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<v Speaker 3>you think?

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<v Speaker 4>I fuck with him man a lot. Actually, I really

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<v Speaker 4>really enjoyed, uh watching this movie. There were there was

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<v Speaker 4>a moment where I was like, oh, I don't I

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<v Speaker 4>don't think I like sort of the messaging that it

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<v Speaker 4>was kind of giving across. But I think everything else

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<v Speaker 4>after that kind of got it out out of my

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<v Speaker 4>mind a little bit. So maybe I was just thinking

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<v Speaker 4>about it it too hard.

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<v Speaker 1>But for the most part, though, I've.

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<v Speaker 4>Really really enjoyed myself watching this movie.

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<v Speaker 3>Okay, Mike, what'd you think?

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<v Speaker 1>So? First of all, I gotta tell y'all something real quick.

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<v Speaker 6>Okay, So I moved from the East I moved from

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<v Speaker 6>East Point, and I was like, I've stopped going to

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<v Speaker 6>Camp Creek a while ago, and I just been going tomorrow.

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<v Speaker 1>Yeah, but Camp Creek is only like eight minutes from

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<v Speaker 1>my old house.

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<v Speaker 6>I was like, I'm just gonna hit Camp Creek this

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<v Speaker 6>last time, just a farewell to Camp Creek. Y'all already

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<v Speaker 6>know this movie. These motherfuckers. It was a whole row

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<v Speaker 6>in the back. They all came together that I can

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<v Speaker 6>deal with. They were just having a conversation. Oh, they

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<v Speaker 6>were just talking.

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<v Speaker 1>Like who is that? I swear to God this happened.

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<v Speaker 2>One guy that was at the end row yelled say

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<v Speaker 2>so at the other guy that was on the other

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<v Speaker 2>side of the road, what's up?

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<v Speaker 1>And they were going back and forth. They were just

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<v Speaker 1>talking during I was fucking mad.

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<v Speaker 6>I lasted until they got to where Biba Gate Fox

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<v Speaker 6>is and I was like, fuck this, and I got

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<v Speaker 6>up and I went outside. I went outside and I said,

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<v Speaker 6>I pulled a Karen. I said, I want to talk

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<v Speaker 6>to a manager because I want my past. Because I

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<v Speaker 6>thought with our ship, the AMC thing we could do.

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<v Speaker 6>I know it's two movies a week, but it's not

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<v Speaker 6>two movies in the day.

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<v Speaker 1>No it's not. I tried, and it would not let

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<v Speaker 1>me do.

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<v Speaker 4>It where the movie times overlapping.

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<v Speaker 3>No, I've done it before.

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<v Speaker 4>I have too.

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<v Speaker 1>It wouldn't let me do it.

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<v Speaker 2>I missed one and I had to go back and

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<v Speaker 2>watch it. Yeah, well, let me do it, because like

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<v Speaker 2>I'm sorry, go ahead. No, it was just for that.

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<v Speaker 5>That movie with I can't remember the name of it though.

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<v Speaker 5>It was like real purplish colors and.

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<v Speaker 1>We can TV glow. Yeah, TV Glow. Did you cancel it? No,

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<v Speaker 1>you can't cancel it. The movie started.

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<v Speaker 4>Right, so you missed the movie time. You just went

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<v Speaker 4>at a later time, so it was in one of

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<v Speaker 4>your empty slots.

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<v Speaker 5>Yeah, so I went to the movie did exactly what

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<v Speaker 5>he did. I had to leave, but it wasn't because

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<v Speaker 5>people were loud. I just had to had to be.

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<v Speaker 5>I had to go somewhere. I got an emergency call,

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<v Speaker 5>and so I went back later okay, and watched it

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<v Speaker 5>that day that day, that same day that.

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<v Speaker 2>Well, that was probably like well, whenever that movie came out,

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<v Speaker 2>it was years ago.

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<v Speaker 4>That may have changed it.

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<v Speaker 6>It might be to where if you're in a movie

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<v Speaker 6>and it's already started, that you can't.

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<v Speaker 3>You probably got to end.

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<v Speaker 6>It's probably the movies got probably got an end before

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<v Speaker 6>you could purchase another ticket.

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<v Speaker 5>Oh so you was trying to purchase something, That's what

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<v Speaker 5>I was saying. The overlapping.

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<v Speaker 1>Yeah, no, the movie hadn't. No, well, okay, I see

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<v Speaker 1>what you're saying overlapping.

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<v Speaker 2>I thought, yeah, you're right, you're right, you're right, yes, yeah,

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<v Speaker 2>Because the next movie didn't start until five fifteen.

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<v Speaker 1>The movie I was in.

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<v Speaker 6>Was at four four o'clock four fifteen, four or fifteen,

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<v Speaker 6>so about four point thirty. I was trying to person

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<v Speaker 6>at to take it and it was like no. So

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<v Speaker 6>I was like fuck this. I went out there and

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<v Speaker 6>I was like, I need to talk to a manager.

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<v Speaker 6>Marriager came out. I was like, bro, I don't usually

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<v Speaker 6>care about people talking like that, but this is ridiculous.

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<v Speaker 2>I gotta go, and he was like, no, we'll go

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<v Speaker 2>in there and just tell them people. I was like no,

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<v Speaker 2>because first while I already missed a good ten minutes

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<v Speaker 2>waiting for you to come out, and they gonna know

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<v Speaker 2>it was me. I'm not finna get jumped by these

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<v Speaker 2>twelve negroes in the back row.

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<v Speaker 1>But I got super lucky.

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<v Speaker 6>I got stuck in forty minutes worth of traffic, but

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<v Speaker 6>I still got tomorrow. I literally walked in as they

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<v Speaker 6>were walking in to see Vivica Fox. Oh wow, this

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<v Speaker 6>is per perfect, and my audience again still all black.

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<v Speaker 1>Yeah, quiet until they didn't need to be quiet. Yes,

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<v Speaker 1>you know what I'm saying, Like they were really into

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<v Speaker 1>the film, you know, like what's going on, what's happening

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<v Speaker 1>with the movie. Oh shit, that's great, that's that's fun.

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<v Speaker 7>But y'all, motherfuckers, all these hot dogs crazy, Nick, these

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<v Speaker 7>hot dogs?

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<v Speaker 1>Are you serious?

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<v Speaker 4>Are you serious?

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<v Speaker 2>Anyway, all that to say, this was fucking great.

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<v Speaker 1>This was fucking great.

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<v Speaker 6>I'm so glad I did not stay in Camp Creek

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<v Speaker 6>because I would have missed all of the dialogue.

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<v Speaker 1>Yep, this was fucking great. I had.

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<v Speaker 6>I don't want to say no or low expectations. I

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<v Speaker 6>think I remember liking the trailer, and I fuck with

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<v Speaker 6>Randall Peterson anytime he's in something.

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<v Speaker 1>So yeah, man, this was This was fantastic.

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<v Speaker 6>Like one of y'all said, it felt original, which is

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<v Speaker 6>so rare these days. It felt like an original idea,

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<v Speaker 6>an original story, and for a debut by a black woman,

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<v Speaker 6>she killed it.

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<v Speaker 1>She killed it. Got some gritch, but they're small, they're

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<v Speaker 1>real small.

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<v Speaker 2>I think we're all in the grits. I was scared.

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<v Speaker 2>I didn't think I was gonna like it, just from

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<v Speaker 2>the trailer. Thought would be kind of like, but the

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<v Speaker 2>dialogue just how she set everything up, the storytelling, how

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<v Speaker 2>they told the story like it was.

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<v Speaker 4>It was great.

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<v Speaker 2>Like, Yeah, I was sitting there and it made me

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<v Speaker 2>think of that movie that we did with with with

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<v Speaker 2>the Hobby. We did a review at the house and

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<v Speaker 2>the movie was about the man and the wife, but

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<v Speaker 2>it was really saying like the god and the different stuff.

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<v Speaker 1>What was that we did.

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<v Speaker 4>Ago?

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<v Speaker 2>It was a review for like an anniversary episode and

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<v Speaker 2>the story was about the Yes, I felt like I

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<v Speaker 2>was watching this movie and it was saying something different

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<v Speaker 2>from what was happening on the screen.

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<v Speaker 3>But I really didn't put you together and I didn't

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<v Speaker 3>know it was.

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<v Speaker 1>Like a black Mother. No.

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<v Speaker 3>I just felt like there was more message into what.

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<v Speaker 2>Was going on on the screen than what they were saying.

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<v Speaker 2>So I want to see some reviews and like breakdowns

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<v Speaker 2>on it. But I enjoyed it. Man, this movie was

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<v Speaker 2>really good. I walked out of it there still thinking

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<v Speaker 2>about it. Yeah, that's absolutely And.

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<v Speaker 5>See people talking on if y'all saw see people talking

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<v Speaker 5>about it afterwards, Yeah, I'm what I'm saying, like after

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<v Speaker 5>they leave them, after they left the movie, So people

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<v Speaker 5>in the movie, I can hear them like kind of

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<v Speaker 5>talking about it and they having reactions.

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<v Speaker 3>So when was it ending?

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<v Speaker 2>Like the guy next to me and the grill that

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<v Speaker 2>was interested in his heir, like you just heard commentary

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<v Speaker 2>after why the movie was going. I did have a

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<v Speaker 2>similar experience. I went to Conyor's because I was out there.

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<v Speaker 2>Oh Jesus oh, I was at that way black, all black,

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<v Speaker 2>and it was going great.

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<v Speaker 3>And like you said, they didn't talk to they need

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<v Speaker 3>to talk.

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<v Speaker 2>But it was a lady behind me, old lady phone

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<v Speaker 2>star rings just didn't cut the ring off.

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<v Speaker 3>She just pressed.

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<v Speaker 2>She just kept lending ring. She answered, hello, Oh no,

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<v Speaker 2>I'm in the movies. Baby, didn't take you out the movie.

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<v Speaker 2>I'm in the movies, baby, I don't know. It was

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<v Speaker 2>Mike calling him. Movie again.

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<v Speaker 1>You were in Conye's or you were at Stonecrast.

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<v Speaker 2>I was at the Kanye Still who even goes to

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<v Speaker 2>the Conyers out there? I used to, but I would,

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<v Speaker 2>I would go ahead and drive to Stonecrust. Here's the

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<v Speaker 2>thing I was behind, and all the other ones started

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<v Speaker 2>too late, and I want to follow feel And that

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<v Speaker 2>was the only one for the window that I had

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<v Speaker 2>from seven to fifteen, because I wouldn't been there. If

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<v Speaker 2>it was after nine en, I was gonna go to sleep.

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<v Speaker 2>I have not been to the Conye staters since I

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<v Speaker 2>lived in Conyers. It was a lot of people, I'm

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<v Speaker 2>sureuse they ain't got nothing else to do.

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<v Speaker 3>I just get into this movie.

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<v Speaker 1>Man.

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<v Speaker 2>We meet the twins, and as we're meeting the twins,

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<v Speaker 2>the introduction of them is just them doing their twin thing.

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<v Speaker 3>And for me, this really worked.

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<v Speaker 2>I liked how they intro this and like introduced us

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<v Speaker 2>to the way that they communicate, how in tune they

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<v Speaker 2>are with each other.

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<v Speaker 3>What did you think about the beginning of this month, you.

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<v Speaker 6>Said, Mike, Yeah, I liked it, Man, I liked it.

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<v Speaker 6>I think it started off with the younger twins, right, Yes,

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<v Speaker 6>I was like, yep, that's what you're doing. Somebody call

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<v Speaker 6>your little sister whip that especially. I think it was

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<v Speaker 6>a little white kid. I think, regardless of the of

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<v Speaker 6>the race, beat the ass. But do we do we

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<v Speaker 6>immediately go on to the older twins.

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<v Speaker 2>After they show him beating after they show her beating

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<v Speaker 2>her with the cone. Then it goes to the older

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<v Speaker 2>twins and they kind of do their spiel of how

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<v Speaker 2>much they know each other and how they think telepathy,

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<v Speaker 2>and I was confused because it started in me. So

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<v Speaker 2>we start with the young twins, Like you said, we

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<v Speaker 2>go to their job with a lady. Yes, that's right,

0:10:23.360 --> 0:10:25.760
<v Speaker 2>and looks at her kind of funny. That's the Yeah.

0:10:25.920 --> 0:10:27.720
<v Speaker 2>This this, all of this threw me off.

0:10:28.280 --> 0:10:30.520
<v Speaker 6>And I don't know if they were trying to say

0:10:30.520 --> 0:10:33.680
<v Speaker 6>something with this either or whatever. But they didn't look

0:10:33.760 --> 0:10:36.920
<v Speaker 6>like twins because like one was clearly way taller than

0:10:36.920 --> 0:10:39.080
<v Speaker 6>the other. But they did that with the boys too,

0:10:39.120 --> 0:10:42.959
<v Speaker 6>So I don't know. Oh, y'all can have to explain that.

0:10:44.360 --> 0:10:47.920
<v Speaker 2>See how I nicely asked y'all to explain it, but

0:10:48.040 --> 0:10:50.079
<v Speaker 2>Rod has to act like I'm stupid.

0:10:50.200 --> 0:10:52.160
<v Speaker 1>No, I just know what I'm saying.

0:10:52.240 --> 0:10:54.200
<v Speaker 6>See how I just friendly was just like, okay, y'all

0:10:54.200 --> 0:10:58.120
<v Speaker 6>can't have to explain that, because I know, I know

0:10:58.240 --> 0:11:00.720
<v Speaker 6>fraternal and much not not much know what's the other one?

0:11:01.400 --> 0:11:01.760
<v Speaker 4>Fraternal?

0:11:02.040 --> 0:11:02.400
<v Speaker 1>Maternal?

0:11:02.440 --> 0:11:02.720
<v Speaker 4>Okay?

0:11:03.360 --> 0:11:06.040
<v Speaker 6>I know one is like they share a cell or

0:11:06.080 --> 0:11:09.320
<v Speaker 6>something and the cell splits. I don't really know the details,

0:11:09.320 --> 0:11:12.319
<v Speaker 6>but I didn't know even if they were fraternal, I

0:11:12.360 --> 0:11:15.200
<v Speaker 6>didn't think one could be like way taller than the ab.

0:11:16.040 --> 0:11:19.400
<v Speaker 1>That's what I was asking Roder. I didn't know that,

0:11:19.520 --> 0:11:20.160
<v Speaker 1>So I didn't know.

0:11:20.080 --> 0:11:26.120
<v Speaker 4>That my uh some real close friends of mine back

0:11:26.400 --> 0:11:29.920
<v Speaker 4>when I was in Meridium, Mississippi. They were fraternal friends,

0:11:30.160 --> 0:11:41.520
<v Speaker 4>right winds, fraternal friends twins. One was Sis six or

0:11:41.559 --> 0:11:46.559
<v Speaker 4>S seven and the other was like five nine.

0:11:46.720 --> 0:11:49.600
<v Speaker 1>I did not know that that could happen, but I

0:11:49.600 --> 0:11:50.080
<v Speaker 1>didn't know it was.

0:11:50.640 --> 0:11:53.360
<v Speaker 4>Yeah, it was, it was. It was crazy because I used.

0:11:53.240 --> 0:11:55.720
<v Speaker 6>To watch Oh and you know, Brenda and Brandon were

0:11:55.720 --> 0:11:57.640
<v Speaker 6>supposed to be twins, and I was when I was

0:11:57.640 --> 0:11:59.440
<v Speaker 6>a kid, I was like, how the funk are they twins?

0:12:00.040 --> 0:12:02.240
<v Speaker 6>Are y'all playing our face like this? White people are weird?

0:12:02.480 --> 0:12:05.200
<v Speaker 6>But then someone else told me, like, no, they're fraternal twins.

0:12:05.559 --> 0:12:07.200
<v Speaker 6>So I thought that just meant that they could be

0:12:07.240 --> 0:12:09.600
<v Speaker 6>boy girl. I didn't know that they would still be

0:12:09.600 --> 0:12:12.560
<v Speaker 6>the same gender or sex, but one would just be like.

0:12:13.360 --> 0:12:15.240
<v Speaker 4>And they looked the same but different. But yeah, the

0:12:15.280 --> 0:12:17.120
<v Speaker 4>height I did not know.

0:12:18.440 --> 0:12:19.400
<v Speaker 3>I went to high school with.

0:12:19.920 --> 0:12:21.440
<v Speaker 2>That's the only reason they didn't throw me off, because

0:12:21.440 --> 0:12:22.840
<v Speaker 2>I went to high school with these two guys who

0:12:22.840 --> 0:12:25.200
<v Speaker 2>were fraternal twins, and one was slightly taller than the

0:12:25.200 --> 0:12:27.640
<v Speaker 2>other one they favored. They looked like brothers, but they

0:12:27.640 --> 0:12:30.040
<v Speaker 2>didn't like twins, and so that's the only thing that

0:12:30.600 --> 0:12:33.679
<v Speaker 2>didn't throw me off because I went to high school interesting.

0:12:33.440 --> 0:12:35.760
<v Speaker 3>And I dated a triplet and she was different from

0:12:35.760 --> 0:12:36.280
<v Speaker 3>the other ones.

0:12:36.600 --> 0:12:42.600
<v Speaker 2>Free Okay, bro, would you think about this opening from

0:12:42.679 --> 0:12:44.680
<v Speaker 2>the kid beating her up and them sitting the tone

0:12:44.679 --> 0:12:47.480
<v Speaker 2>for which sister was which, and then even the scene

0:12:47.880 --> 0:12:48.720
<v Speaker 2>at their job, No.

0:12:48.800 --> 0:12:50.640
<v Speaker 3>I mean it opened really well.

0:12:50.760 --> 0:12:52.200
<v Speaker 5>I was like, Oh, yeah, this, I think this is

0:12:52.200 --> 0:12:55.360
<v Speaker 5>gonna be good, especially like when you see, you know,

0:12:55.360 --> 0:12:57.800
<v Speaker 5>how she protected the system. I think a lot of

0:12:57.880 --> 0:12:59.400
<v Speaker 5>like I don't know how white people are, but a

0:12:59.440 --> 0:13:06.960
<v Speaker 5>lot of black people can relate to that, like siblings.

0:13:04.559 --> 0:13:07.520
<v Speaker 2>Yeah, all of that. That's a very relatable story.

0:13:08.040 --> 0:13:10.839
<v Speaker 5>And I and like just sound effects, like I like

0:13:11.080 --> 0:13:13.280
<v Speaker 5>it sounded like the kid was going through pain and

0:13:13.360 --> 0:13:14.480
<v Speaker 5>agony she was.

0:13:14.840 --> 0:13:16.600
<v Speaker 2>I was like, oh that kids ound like he crying

0:13:16.640 --> 0:13:19.240
<v Speaker 2>for real. Like so I like the fact that they

0:13:19.320 --> 0:13:21.600
<v Speaker 2>really sold that off off camera.

0:13:22.600 --> 0:13:25.600
<v Speaker 5>And then when she came back on camera and put

0:13:25.600 --> 0:13:27.400
<v Speaker 5>her hands around her and you could see like the

0:13:27.440 --> 0:13:30.559
<v Speaker 5>blood on her hand and everything else was black and white, I.

0:13:30.480 --> 0:13:32.000
<v Speaker 1>Was like, Oh the ship creative.

0:13:32.080 --> 0:13:34.560
<v Speaker 2>I was like, oh damn, okay, I was really fucking

0:13:34.600 --> 0:13:37.840
<v Speaker 2>with it and so uh and so yeah, I didn't

0:13:37.840 --> 0:13:41.640
<v Speaker 2>going to the to where they were currently with them

0:13:41.640 --> 0:13:43.880
<v Speaker 2>interacting with that lady that looked at her like you

0:13:43.880 --> 0:13:47.040
<v Speaker 2>could see like she when she handed her the scarf

0:13:47.480 --> 0:13:48.160
<v Speaker 2>and she looked at.

0:13:48.040 --> 0:13:49.720
<v Speaker 1>Her hand and was hesitated to grab it.

0:13:50.000 --> 0:13:51.320
<v Speaker 3>And that's how people are, man.

0:13:53.760 --> 0:13:55.720
<v Speaker 6>She had like a like one two of the fingers

0:13:55.720 --> 0:13:57.840
<v Speaker 6>were stuck together, and ship, I didn't know what that

0:13:57.960 --> 0:14:00.000
<v Speaker 6>look like, might be fucking contained.

0:14:00.120 --> 0:14:02.480
<v Speaker 1>I don't know what the fuck you got the.

0:14:02.480 --> 0:14:05.400
<v Speaker 2>Hell, but you're right though, that like that's something that

0:14:05.400 --> 0:14:07.440
<v Speaker 2>that people think, you know, people think when they see

0:14:07.440 --> 0:14:09.559
<v Speaker 2>stuff like that, and it's kind of sad, you know

0:14:09.559 --> 0:14:14.440
<v Speaker 2>what I'm saying that, Yeah, so I thought that was real,

0:14:14.480 --> 0:14:16.400
<v Speaker 2>you know what I mean, Like I like the realness

0:14:16.400 --> 0:14:19.880
<v Speaker 2>off top like of of of how people think and

0:14:19.880 --> 0:14:20.400
<v Speaker 2>how they are.

0:14:20.600 --> 0:14:22.920
<v Speaker 3>And so yeah, man, I fu with it.

0:14:22.960 --> 0:14:25.840
<v Speaker 2>I didn't take it there. The lady was surprised, and

0:14:25.880 --> 0:14:28.000
<v Speaker 2>you would be if you see that when the other

0:14:28.440 --> 0:14:29.880
<v Speaker 2>you know, when the other girl came, she did a

0:14:29.960 --> 0:14:33.400
<v Speaker 2>very bad job of like even that girl keeping her composed,

0:14:33.400 --> 0:14:35.080
<v Speaker 2>even the one that was that wasn't.

0:14:34.880 --> 0:14:36.960
<v Speaker 1>Burnt as bad, you know what I'm saying, Like she

0:14:37.040 --> 0:14:37.920
<v Speaker 1>was sharing her arm.

0:14:38.200 --> 0:14:39.600
<v Speaker 5>She was just like, I don't want you could tell

0:14:39.640 --> 0:14:41.720
<v Speaker 5>the hesitance, like that's what that was the brilliance of

0:14:41.720 --> 0:14:44.120
<v Speaker 5>the scene. Yeah, because she was just like, you know,

0:14:44.200 --> 0:14:46.640
<v Speaker 5>she had to think about it, like do I want.

0:14:46.480 --> 0:14:48.800
<v Speaker 1>To get this ship? Yeah, like you didn't.

0:14:50.560 --> 0:14:53.160
<v Speaker 2>But I thought the first one was kind of like

0:14:53.240 --> 0:14:55.080
<v Speaker 2>you can kind of expect that. She probably get that

0:14:55.320 --> 0:14:57.520
<v Speaker 2>a lot. But when it was overboard with the sister,

0:14:57.520 --> 0:14:58.640
<v Speaker 2>which is why she snapped on her.

0:14:58.640 --> 0:15:00.960
<v Speaker 3>So I got that. I was I was did you

0:15:01.040 --> 0:15:01.320
<v Speaker 3>like it?

0:15:01.760 --> 0:15:02.000
<v Speaker 1>Yeah?

0:15:02.040 --> 0:15:05.360
<v Speaker 4>But I think what it did was it really set

0:15:05.400 --> 0:15:09.440
<v Speaker 4>the tone for everything else that followed the movie. In

0:15:09.480 --> 0:15:16.960
<v Speaker 4>the movie, and it also quickly established like the real

0:15:17.120 --> 0:15:22.640
<v Speaker 4>world scenarios they be dealing with constantly over and over again,

0:15:22.840 --> 0:15:25.880
<v Speaker 4>just in that that quick like a couple of scenes.

0:15:26.480 --> 0:15:29.480
<v Speaker 4>So now we already know like the different things that's

0:15:29.520 --> 0:15:31.560
<v Speaker 4>been going on in life without having to spend a

0:15:31.600 --> 0:15:36.200
<v Speaker 4>lot of time watching that ship, you know. So they

0:15:36.200 --> 0:15:38.400
<v Speaker 4>showed it from when they were young, and then this

0:15:38.560 --> 0:15:42.640
<v Speaker 4>other scenario, and I felt like that was that was enough?

0:15:42.760 --> 0:15:43.160
<v Speaker 1>That was that?

0:15:43.600 --> 0:15:44.440
<v Speaker 4>Yeah, that was enough.

0:15:44.680 --> 0:15:46.120
<v Speaker 3>I agree with you. I think that was enough.

0:15:46.400 --> 0:15:49.760
<v Speaker 2>So from there we go to them going home. The

0:15:49.760 --> 0:15:52.120
<v Speaker 2>car choice was interesting. They could have gave them a

0:15:52.120 --> 0:15:56.360
<v Speaker 2>little bit. Yeah, like that made me. It just made

0:15:56.360 --> 0:16:00.840
<v Speaker 2>me wonder what year it was. When they go to

0:16:00.880 --> 0:16:04.760
<v Speaker 2>their house and they got a letter from their mother

0:16:04.840 --> 0:16:07.840
<v Speaker 2>that was addressed to the twin that didn't have the

0:16:07.880 --> 0:16:08.680
<v Speaker 2>burns on her face.

0:16:09.480 --> 0:16:10.280
<v Speaker 3>She reads the letter.

0:16:10.360 --> 0:16:13.200
<v Speaker 2>Mother's dying and she wants them to come see her,

0:16:13.360 --> 0:16:17.200
<v Speaker 2>and the other twin is apprehensive racine, yes, racing.

0:16:18.440 --> 0:16:29.640
<v Speaker 3>Did y'all like the it's stupid and said, shout out

0:16:29.680 --> 0:16:30.160
<v Speaker 3>to be man.

0:16:30.160 --> 0:16:33.320
<v Speaker 2>He just walked in. I keep sugar foot on. So

0:16:34.880 --> 0:16:36.720
<v Speaker 2>they had this whole back and forth about should they

0:16:36.720 --> 0:16:38.840
<v Speaker 2>go see their mother. She's never came to see them.

0:16:39.200 --> 0:16:41.640
<v Speaker 2>Now she's asking them to come see her. Uh, them

0:16:41.680 --> 0:16:43.720
<v Speaker 2>to come see her. And they go through this thing

0:16:43.720 --> 0:16:45.160
<v Speaker 2>when they do the twin to let But then they're

0:16:45.200 --> 0:16:46.680
<v Speaker 2>talking and you see it on the screen, so you'll

0:16:46.680 --> 0:16:47.280
<v Speaker 2>know what you're thinking.

0:16:47.280 --> 0:16:48.479
<v Speaker 3>Did y'all like that communication?

0:16:48.640 --> 0:16:56.320
<v Speaker 1>Sorry? Yes, yes, because they were they were talking.

0:16:57.200 --> 0:16:59.200
<v Speaker 6>I don't think ebonics is the correct word anymore. What's

0:16:59.240 --> 0:17:08.480
<v Speaker 6>the correct word now? Av Yeah? African American vernacular? What's

0:17:08.800 --> 0:17:12.119
<v Speaker 6>I don't know is it English?

0:17:12.480 --> 0:17:15.960
<v Speaker 1>It is? So? So are we offended? I'm not sure

0:17:15.960 --> 0:17:17.440
<v Speaker 1>who's offended because I don't.

0:17:17.480 --> 0:17:21.800
<v Speaker 6>I never spoke ebonics, but never did. I'm fluent in

0:17:21.840 --> 0:17:26.680
<v Speaker 6>the You're from fucking Nashville, but no, you're not supposed to.

0:17:26.880 --> 0:17:29.680
<v Speaker 6>I don't remember who's offended. I assume that the word

0:17:29.720 --> 0:17:33.560
<v Speaker 6>ebonics I don't. I don't would have to be folk.

0:17:33.760 --> 0:17:36.560
<v Speaker 2>When you say us, you mean all black people or

0:17:36.600 --> 0:17:39.600
<v Speaker 2>a certain segment of black because people I'm sure Candice

0:17:39.640 --> 0:17:41.679
<v Speaker 2>Owns is perfectly fine with it, but maybe people that

0:17:41.720 --> 0:17:44.040
<v Speaker 2>are poor that speak in that way.

0:17:44.680 --> 0:17:47.440
<v Speaker 1>I don't like it being called ebonic. I don't know.

0:17:47.600 --> 0:17:49.880
<v Speaker 6>All I'm saying is I don't want to offend nobody.

0:17:50.200 --> 0:17:53.159
<v Speaker 6>I don't want no person ebonically coming up in something

0:17:53.320 --> 0:17:54.240
<v Speaker 6>I don't know.

0:17:54.480 --> 0:17:55.000
<v Speaker 1>I don't know.

0:17:55.080 --> 0:17:58.000
<v Speaker 6>All I'm saying is I'm pretty sure you're supposed to

0:17:58.080 --> 0:18:00.240
<v Speaker 6>use the term African American vernacular English.

0:18:00.320 --> 0:18:02.679
<v Speaker 5>I did not know this information. As a person that

0:18:02.800 --> 0:18:05.880
<v Speaker 5>has spoken to bonics, yeah, I did not. I would

0:18:06.000 --> 0:18:08.719
<v Speaker 5>have never felt definitive if somebody said that to me.

0:18:09.280 --> 0:18:12.920
<v Speaker 1>Well, yeah, at any rate, they were speaking a V.

0:18:13.680 --> 0:18:17.200
<v Speaker 2>But they were they were having the text on the screen,

0:18:18.040 --> 0:18:20.359
<v Speaker 2>but it was like in a a V.

0:18:20.520 --> 0:18:22.720
<v Speaker 6>I was like, this is actually kind of funny. The

0:18:22.720 --> 0:18:26.560
<v Speaker 6>way they're doing this. So I really like that.

0:18:25.600 --> 0:18:28.560
<v Speaker 5>That was creative. Like I'm saying, it felt the original.

0:18:28.960 --> 0:18:31.480
<v Speaker 5>I felt like I've seen it somewhere before, but not

0:18:31.640 --> 0:18:32.800
<v Speaker 5>in this way.

0:18:33.320 --> 0:18:38.720
<v Speaker 1>You always want to do the black woman like this, Yeah,

0:18:39.240 --> 0:18:40.960
<v Speaker 1>to do a V on the screen like a.

0:18:41.119 --> 0:18:44.240
<v Speaker 2>V, but to communicate that way amongst the characters.

0:18:44.280 --> 0:18:46.000
<v Speaker 3>Well, oh well yeah that's what I mean.

0:18:46.240 --> 0:18:50.040
<v Speaker 5>Like so so yeah, but no, I still think it

0:18:50.080 --> 0:18:51.639
<v Speaker 5>was dope how they did it because it came out

0:18:51.680 --> 0:18:54.480
<v Speaker 5>of nowhere. I'm like, wait, and you got to catch on, like, oh,

0:18:54.600 --> 0:18:56.679
<v Speaker 5>that's what you know they're going on that this is

0:18:56.680 --> 0:18:57.040
<v Speaker 5>the thing.

0:18:57.560 --> 0:18:59.280
<v Speaker 3>So I thought that was cool because you you know,

0:18:59.280 --> 0:19:00.040
<v Speaker 3>you hear about.

0:18:59.800 --> 0:19:02.520
<v Speaker 2>That with with with twins or whatever, how they can

0:19:02.520 --> 0:19:03.880
<v Speaker 2>read each other's minds and things.

0:19:03.960 --> 0:19:06.800
<v Speaker 4>So yeah, I like that a lot, not only just

0:19:07.359 --> 0:19:11.280
<v Speaker 4>like twins because you're right, but there's that conversation about

0:19:11.320 --> 0:19:14.160
<v Speaker 4>like black people talking.

0:19:14.160 --> 0:19:17.000
<v Speaker 1>Too, just about looking at each other and stuff like that. Yeah,

0:19:17.000 --> 0:19:17.760
<v Speaker 1>that's a good point.

0:19:17.880 --> 0:19:19.760
<v Speaker 4>So yeah, so when I when I saw it, I

0:19:19.760 --> 0:19:22.000
<v Speaker 4>didn't even think about the twins thing. I was thinking about, Oh, yeah,

0:19:22.000 --> 0:19:25.160
<v Speaker 4>that's that's how you know, like black women or would

0:19:25.160 --> 0:19:26.280
<v Speaker 4>talk to one another when they're.

0:19:26.080 --> 0:19:28.520
<v Speaker 1>Walking the spotlight, like we can give each other a look,

0:19:29.000 --> 0:19:31.920
<v Speaker 1>you know, with just kind of detail. You didn't think twins,

0:19:33.040 --> 0:19:33.760
<v Speaker 1>I didn't what.

0:19:34.480 --> 0:19:37.520
<v Speaker 2>I don't know why, but I didn't they were doing

0:19:37.520 --> 0:19:38.840
<v Speaker 2>that whole los of sentences.

0:19:38.840 --> 0:19:39.840
<v Speaker 1>Man, I know, I know.

0:19:40.080 --> 0:19:44.600
<v Speaker 4>So that is that that takes a step a layer further, Yeah.

0:19:44.560 --> 0:19:47.520
<v Speaker 3>Because people can have a whole conversation saying bitch, bitch.

0:19:47.680 --> 0:19:49.960
<v Speaker 4>Yeah yeah yeah.

0:19:50.080 --> 0:19:52.520
<v Speaker 5>But but like it also reminds me of like how

0:19:52.560 --> 0:19:54.119
<v Speaker 5>you see I don't know if y'all see this online

0:19:54.119 --> 0:19:56.440
<v Speaker 5>where people have a bunch of letters that mean something

0:19:56.480 --> 0:20:03.080
<v Speaker 5>like you know what, you know what, it's amazing, It's

0:20:03.119 --> 0:20:05.199
<v Speaker 5>amazing to see it and like, oh, manle mean like

0:20:05.200 --> 0:20:07.399
<v Speaker 5>sit your black ass down, like you know what.

0:20:07.400 --> 0:20:08.679
<v Speaker 2>I'm saying, So you better have your ass in the

0:20:08.680 --> 0:20:17.840
<v Speaker 2>house for I know you would love to have more

0:20:17.840 --> 0:20:20.679
<v Speaker 2>content from Frames per Second. Become a patron where you

0:20:20.680 --> 0:20:23.760
<v Speaker 2>can contribute to what we review and discuss. Our Patreon

0:20:23.800 --> 0:20:26.159
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0:20:26.200 --> 0:20:29.880
<v Speaker 2>monthly discussion and film review, while also nominating and voting

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<v Speaker 2>on weekly solo reviews from each cast member. You also

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<v Speaker 2>at patreon dot com frames per second where there are

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<v Speaker 2>two tiers you can choose from. That's Patreon dot com

0:20:46.960 --> 0:20:54.840
<v Speaker 2>forward slash frames per second. All right, so we're at

0:20:54.880 --> 0:20:57.880
<v Speaker 2>the point where they're communicating to I think that did

0:20:57.880 --> 0:21:01.159
<v Speaker 2>a good job of showing their connectivity throughout this movie,

0:21:01.160 --> 0:21:04.200
<v Speaker 2>but especially here in the early scenes, just how they

0:21:04.240 --> 0:21:07.560
<v Speaker 2>were aligned it on the same page for ninety eight,

0:21:07.880 --> 0:21:10.160
<v Speaker 2>I would say percent of the stuff, but the one

0:21:10.160 --> 0:21:14.240
<v Speaker 2>percent is with the dude who the taller sister seeing

0:21:15.680 --> 0:21:17.920
<v Speaker 2>she's seeing a guy. They talk about it after that.

0:21:18.119 --> 0:21:20.120
<v Speaker 2>I think his name was Alex Alex. They talk about

0:21:20.160 --> 0:21:24.680
<v Speaker 2>it after they talk about the letter. He only wants

0:21:24.680 --> 0:21:27.359
<v Speaker 2>to hit her from behind, and her sister's trying to

0:21:27.359 --> 0:21:29.680
<v Speaker 2>explain how this may not be a good thing for her.

0:21:30.000 --> 0:21:31.000
<v Speaker 3>Did y'all like this?

0:21:31.000 --> 0:21:33.560
<v Speaker 2>This is the first time we saw the differences in

0:21:33.720 --> 0:21:36.439
<v Speaker 2>the two where she's showing a little bit less self

0:21:36.480 --> 0:21:38.480
<v Speaker 2>worth than her sister, And I think that was a

0:21:38.480 --> 0:21:40.600
<v Speaker 2>really good job and how they slid that in there.

0:21:40.920 --> 0:21:41.760
<v Speaker 4>Did you like that? Ken?

0:21:43.280 --> 0:21:43.680
<v Speaker 1>Yeah?

0:21:43.800 --> 0:21:47.439
<v Speaker 4>Yeah, I mean I think it showed how, you know,

0:21:47.600 --> 0:21:55.320
<v Speaker 4>she's kind of adjusting to the world and still finding

0:21:55.400 --> 0:22:02.879
<v Speaker 4>a way too. It's weird some sort of because I

0:22:02.880 --> 0:22:04.439
<v Speaker 4>don't know if it's love. I don't know what it is,

0:22:04.640 --> 0:22:07.880
<v Speaker 4>but it's something for her, and she's able to get

0:22:07.960 --> 0:22:11.679
<v Speaker 4>some sort of intimacy and willing to make a compromise

0:22:11.760 --> 0:22:17.679
<v Speaker 4>for it based on her situation. So and again, I

0:22:17.680 --> 0:22:21.879
<v Speaker 4>think it shows the complexities of like how they are

0:22:22.200 --> 0:22:27.439
<v Speaker 4>having to adapt to this world and survive in a

0:22:27.440 --> 0:22:31.240
<v Speaker 4>way that some people don't have to. So, yeah, I

0:22:31.320 --> 0:22:33.159
<v Speaker 4>liked it, Mike, what'd you think about it?

0:22:34.480 --> 0:22:36.440
<v Speaker 6>I liked it because it seemed like something that would

0:22:36.480 --> 0:22:40.720
<v Speaker 6>really happen, you know, it seemed like something a motherfucker

0:22:40.720 --> 0:22:42.639
<v Speaker 6>would actually do. Just like, look, I'm hit it from

0:22:42.640 --> 0:22:44.880
<v Speaker 6>the back because I can't. I can't do with your face.

0:22:45.920 --> 0:22:49.200
<v Speaker 6>It just sucks that she would accept that, because I'm sure,

0:22:50.200 --> 0:22:52.680
<v Speaker 6>as sad as it sounds, this is probably the best

0:22:53.040 --> 0:22:56.200
<v Speaker 6>the best she's gonna get right now, because people are assholes.

0:22:57.160 --> 0:22:59.000
<v Speaker 6>Well I can't even say people are assholes. I mean, well,

0:22:59.240 --> 0:23:01.399
<v Speaker 6>it doesn't matter. Way I did like it, I did

0:23:01.560 --> 0:23:02.680
<v Speaker 6>like it.

0:23:02.840 --> 0:23:03.359
<v Speaker 3>Stick out to.

0:23:03.359 --> 0:23:05.240
<v Speaker 5>You, No, I definitely stuck out because I think this

0:23:05.320 --> 0:23:10.119
<v Speaker 5>is the first time we see like the one sister needing,

0:23:10.280 --> 0:23:13.000
<v Speaker 5>like you can say, you could tell the and Ken

0:23:13.080 --> 0:23:17.760
<v Speaker 5>kind of addressed it, but just how the one needs

0:23:17.760 --> 0:23:19.760
<v Speaker 5>her more than the other and the other one's trying

0:23:19.800 --> 0:23:21.679
<v Speaker 5>to just kind of break break off and have some

0:23:21.800 --> 0:23:24.480
<v Speaker 5>of her own because you know, you know, her situation

0:23:24.600 --> 0:23:26.199
<v Speaker 5>is a little different, you know what I mean, So

0:23:26.760 --> 0:23:30.040
<v Speaker 5>you know she's longing for something else, you know, like

0:23:30.119 --> 0:23:32.359
<v Speaker 5>she said, like you know, everybody don't come that easy

0:23:32.400 --> 0:23:34.760
<v Speaker 5>for everybody or whatever. So yeah, I thought this was

0:23:34.800 --> 0:23:37.840
<v Speaker 5>a good another good moment. And like Mike said, I

0:23:37.840 --> 0:23:40.160
<v Speaker 5>think it's again, it's just the realness of it all.

0:23:40.359 --> 0:23:43.520
<v Speaker 5>You know, they're not shine away from how people can

0:23:43.600 --> 0:23:46.560
<v Speaker 5>be assholes about about certain things. And I get where

0:23:46.560 --> 0:23:48.520
<v Speaker 5>Mike was going with that. I mean, you know, everybody

0:23:48.520 --> 0:23:53.359
<v Speaker 5>had their prefaces, so but but yeah, it was just real.

0:23:53.720 --> 0:23:56.600
<v Speaker 5>It was just real. But and I was and even

0:23:56.640 --> 0:23:59.440
<v Speaker 5>myself I was, I was just trying to think, will

0:23:59.440 --> 0:24:01.280
<v Speaker 5>I get used to it by the end of the movie,

0:24:01.640 --> 0:24:03.720
<v Speaker 5>Like I was thinking about that because I know people

0:24:03.760 --> 0:24:06.879
<v Speaker 5>that have, you know, certain things that you you know,

0:24:06.680 --> 0:24:09.320
<v Speaker 5>you start not seeing it. They don't normal they come

0:24:09.400 --> 0:24:11.600
<v Speaker 5>normalized to you and you start just seeing them for

0:24:11.840 --> 0:24:14.879
<v Speaker 5>deeper than the appearance, So I was wondering if that

0:24:14.920 --> 0:24:16.199
<v Speaker 5>would happen in the movie for me.

0:24:16.760 --> 0:24:17.520
<v Speaker 4>Do you think it did?

0:24:17.840 --> 0:24:18.920
<v Speaker 1>I do you a lie?

0:24:19.080 --> 0:24:19.919
<v Speaker 3>No, I'm not lying.

0:24:20.280 --> 0:24:22.200
<v Speaker 1>So you at some point you just stopped noticing that

0:24:22.280 --> 0:24:23.440
<v Speaker 1>she was all burnt up. I wasn't.

0:24:23.680 --> 0:24:23.879
<v Speaker 4>I was.

0:24:24.000 --> 0:24:25.639
<v Speaker 5>I don't feel like I was noticing that much to

0:24:25.640 --> 0:24:27.520
<v Speaker 5>the point where it's like, are they doing it less

0:24:27.560 --> 0:24:30.600
<v Speaker 5>like less makeup or something like. It really started to

0:24:30.640 --> 0:24:32.520
<v Speaker 5>be like I didn't see it the same way by

0:24:32.560 --> 0:24:34.359
<v Speaker 5>the by the end of it, it didn't stop sticking

0:24:34.359 --> 0:24:35.679
<v Speaker 5>out to you.

0:24:35.760 --> 0:24:37.040
<v Speaker 1>Well, what do you mean by sticking out?

0:24:37.400 --> 0:24:37.480
<v Speaker 4>Like?

0:24:37.640 --> 0:24:40.480
<v Speaker 2>I feel like as we was just like to see

0:24:40.520 --> 0:24:43.200
<v Speaker 2>with the worker when they were worked earlier. With your

0:24:43.320 --> 0:24:46.600
<v Speaker 2>first reaction, you're like, oh, ship. But throughout the movie,

0:24:46.640 --> 0:24:49.160
<v Speaker 2>as I'm in there for like an hour, well that's

0:24:49.200 --> 0:24:49.840
<v Speaker 2>just nature.

0:24:49.920 --> 0:24:55.359
<v Speaker 6>Like what are you saying though, you're just trying to

0:24:55.359 --> 0:24:57.000
<v Speaker 6>imply like you got enlightened by the end of the movie,

0:24:57.040 --> 0:24:58.679
<v Speaker 6>you're just like, I see her for a person I

0:24:58.680 --> 0:24:59.800
<v Speaker 6>put it, and I don't see.

0:25:01.400 --> 0:25:04.480
<v Speaker 2>You're talking about tell you how like I don't think

0:25:04.520 --> 0:25:05.719
<v Speaker 2>she don't look like that in real life. You can

0:25:05.760 --> 0:25:08.000
<v Speaker 2>tell that's bake up obviously, But she's.

0:25:07.880 --> 0:25:10.159
<v Speaker 1>Not really burnt. I had seen what she was.

0:25:10.320 --> 0:25:14.119
<v Speaker 2>She like, that is you can start to see how

0:25:14.160 --> 0:25:16.960
<v Speaker 2>cute she was regardless of the Oh so she wasn't cute.

0:25:16.840 --> 0:25:17.560
<v Speaker 1>When she was burnt up.

0:25:18.119 --> 0:25:20.880
<v Speaker 2>Initially she just hurt roding like no, no, no, I'm

0:25:20.880 --> 0:25:22.680
<v Speaker 2>saying initially I couldn't see.

0:25:23.119 --> 0:25:24.679
<v Speaker 3>But as the movie went on, I was like, how

0:25:24.720 --> 0:25:26.000
<v Speaker 3>she actually is cute.

0:25:26.160 --> 0:25:30.680
<v Speaker 2>Yeah, so you hit from the back to that's what

0:25:30.720 --> 0:25:32.160
<v Speaker 2>she'll look at her.

0:25:35.080 --> 0:25:37.439
<v Speaker 1>I was the end up it.

0:25:37.480 --> 0:25:43.080
<v Speaker 5>I was like, yeah, she put the lawns around.

0:25:44.560 --> 0:25:46.800
<v Speaker 1>I was like, I'm not saying, I'm just saying.

0:25:47.280 --> 0:25:49.200
<v Speaker 6>There was no point in the movie where I was like, oh,

0:25:49.280 --> 0:25:50.480
<v Speaker 6>I'm not noticing her burnt up.

0:25:50.720 --> 0:25:53.600
<v Speaker 5>My point is just like I think that was intentional.

0:25:53.640 --> 0:25:56.359
<v Speaker 5>I think they start showing her beauty in other ways.

0:25:56.440 --> 0:25:58.600
<v Speaker 5>Is how how soft she was like she she was

0:25:58.640 --> 0:26:01.920
<v Speaker 5>like she was, yeah, but she had this very soft

0:26:02.000 --> 0:26:03.520
<v Speaker 5>side that was that was attractive.

0:26:03.880 --> 0:26:06.760
<v Speaker 3>Agree, I saw that. I saw it.

0:26:06.800 --> 0:26:10.320
<v Speaker 1>I agree with me. Why y'all.

0:26:11.800 --> 0:26:16.720
<v Speaker 4>I'm just curious, But no, I understand, Yeah, I understand

0:26:16.840 --> 0:26:18.680
<v Speaker 4>the thought process here.

0:26:18.760 --> 0:26:21.600
<v Speaker 1>Yeah you know, yeah, the thought process.

0:26:21.680 --> 0:26:23.359
<v Speaker 2>I think it was intentional. That's why I'm bringing it up.

0:26:23.359 --> 0:26:24.400
<v Speaker 2>I think what was intentional.

0:26:24.480 --> 0:26:27.280
<v Speaker 5>I think the director made an intentional like, Yo, I'm

0:26:27.320 --> 0:26:29.480
<v Speaker 5>gonna show this person in this way, and by the

0:26:29.600 --> 0:26:31.560
<v Speaker 5>end of it, you're not going to see her the same.

0:26:32.400 --> 0:26:34.640
<v Speaker 6>Well, I think that's I don't know. I think I'm

0:26:34.680 --> 0:26:38.080
<v Speaker 6>reading y'all wrong. I think that's any character. Yeah, that's

0:26:38.160 --> 0:26:40.760
<v Speaker 6>exactly not his appearance, right.

0:26:40.840 --> 0:26:42.879
<v Speaker 3>But that's but my point is I don't want to stay.

0:26:43.040 --> 0:26:44.960
<v Speaker 6>Because you said, you got they're putting less makeup on.

0:26:45.119 --> 0:26:47.080
<v Speaker 6>That's where I'm I said, to the point where I

0:26:47.119 --> 0:26:48.879
<v Speaker 6>started thinking that.

0:26:48.320 --> 0:26:50.119
<v Speaker 2>That's the part that I'm hating. Okay, you know for

0:26:50.119 --> 0:26:51.800
<v Speaker 2>a fact that they did not know for a fact,

0:26:51.800 --> 0:26:54.479
<v Speaker 2>But I'm just saying that I would assume that they didn't.

0:26:54.560 --> 0:26:58.679
<v Speaker 2>But because everything else that I'm experiencing with this character

0:26:58.680 --> 0:27:02.320
<v Speaker 2>in the movie, why by the end of it, I'm like, dang,

0:27:02.720 --> 0:27:05.760
<v Speaker 2>it's not starting on the physical y'all started looking looking

0:27:05.760 --> 0:27:06.560
<v Speaker 2>at me on the physical.

0:27:06.680 --> 0:27:08.800
<v Speaker 1>I got it now. It was more when you said

0:27:09.119 --> 0:27:11.159
<v Speaker 1>were they putting they putting less makeup on?

0:27:11.280 --> 0:27:12.720
<v Speaker 3>I know it wasn't just saying that that's what it.

0:27:13.200 --> 0:27:13.480
<v Speaker 4>Okay.

0:27:13.680 --> 0:27:15.960
<v Speaker 6>I thought you were like, are they like lessening the burnt?

0:27:16.000 --> 0:27:17.880
<v Speaker 6>And I was like, no, she looked just as Burt

0:27:17.960 --> 0:27:18.199
<v Speaker 6>by the.

0:27:18.240 --> 0:27:19.680
<v Speaker 1>End of the movie got it.

0:27:20.560 --> 0:27:25.800
<v Speaker 2>So they go to see they they go to see moms,

0:27:26.000 --> 0:27:28.520
<v Speaker 2>they start referring to as God. Did y'all like to

0:27:28.600 --> 0:27:31.560
<v Speaker 2>hang up on the one sister saying.

0:27:31.800 --> 0:27:34.639
<v Speaker 1>Movie goer, hell.

0:27:37.920 --> 0:27:38.400
<v Speaker 4>Uh?

0:27:38.760 --> 0:27:41.680
<v Speaker 2>So they were apprehensive because their mom let them think

0:27:41.720 --> 0:27:43.640
<v Speaker 2>that she was dead, never came to see them, Man,

0:27:43.760 --> 0:27:45.720
<v Speaker 2>go through all these foster homes. That was a conversation

0:27:45.800 --> 0:27:48.080
<v Speaker 2>that they were having before they even decided to go

0:27:48.160 --> 0:27:50.000
<v Speaker 2>see it. Do we all agree that they were right?

0:27:50.080 --> 0:27:51.879
<v Speaker 2>And that like, do y'all feel the same way? What

0:27:51.880 --> 0:27:53.480
<v Speaker 2>woul y'all have went to go see y'all moms?

0:27:53.680 --> 0:27:55.240
<v Speaker 6>I would have went to go see her and cuss

0:27:55.240 --> 0:27:58.880
<v Speaker 6>he the fuck out because they were grown and mom

0:27:59.000 --> 0:28:02.719
<v Speaker 6>was just gone and she wasn't clearly wasn't dead, and

0:28:02.880 --> 0:28:04.560
<v Speaker 6>that was that was not necessarily a gripe.

0:28:04.560 --> 0:28:05.560
<v Speaker 1>But that was one of my hang.

0:28:05.480 --> 0:28:08.719
<v Speaker 6>Ups with the film, which I'm sure they did on purpose.

0:28:08.800 --> 0:28:12.560
<v Speaker 6>But this woman was out of your life this whole time,

0:28:13.400 --> 0:28:15.720
<v Speaker 6>and she when she calls you back, it's not to

0:28:15.720 --> 0:28:18.159
<v Speaker 6>say she's sorry or anything like that. It's to use you.

0:28:19.160 --> 0:28:21.560
<v Speaker 6>So I don't know, man, I mean, she was a

0:28:21.600 --> 0:28:26.960
<v Speaker 6>fucking villain. Honestly, Roger, you think that what are you

0:28:27.040 --> 0:28:27.399
<v Speaker 6>asking me?

0:28:27.400 --> 0:28:31.280
<v Speaker 2>I'm asking you about the apprehensiveness of one of the

0:28:31.280 --> 0:28:32.479
<v Speaker 2>twins to go see moms.

0:28:34.119 --> 0:28:34.600
<v Speaker 4>She was.

0:28:36.119 --> 0:28:38.320
<v Speaker 1>I thought Racine didn't want to go see her. I

0:28:38.360 --> 0:28:41.440
<v Speaker 1>thought the right.

0:28:41.720 --> 0:28:47.000
<v Speaker 2>I thought she wanted to. Thought she wanted to because

0:28:47.000 --> 0:28:48.680
<v Speaker 2>she she didn't. She wasn't even in the well. She

0:28:48.680 --> 0:28:51.120
<v Speaker 2>didn't title the letter her. She did title it, and

0:28:51.120 --> 0:28:53.640
<v Speaker 2>that's why Racine, I felt like, mainly wanted to go.

0:28:53.840 --> 0:28:55.760
<v Speaker 2>But what I'm asking you, right, is were they right

0:28:55.800 --> 0:28:58.680
<v Speaker 2>to be apprehensive the sister that was apprehensive because their

0:28:58.680 --> 0:29:01.080
<v Speaker 2>mom wasn't there. Did you read Fox as a feeling

0:29:01.120 --> 0:29:03.479
<v Speaker 2>like Mike is saying, or just like I'm burnt up.

0:29:03.480 --> 0:29:05.320
<v Speaker 3>I couldn't do nothing for y'all. The best place for

0:29:05.400 --> 0:29:06.440
<v Speaker 3>y'all he was in the system.

0:29:06.480 --> 0:29:08.240
<v Speaker 5>I think they did a good job here as well,

0:29:08.320 --> 0:29:12.480
<v Speaker 5>like having both sides, you know, having the one Racine

0:29:12.880 --> 0:29:15.120
<v Speaker 5>kind of longing longing for to meet their mother and

0:29:15.160 --> 0:29:16.840
<v Speaker 5>the other one like, well, fuck her, like she she

0:29:16.840 --> 0:29:20.360
<v Speaker 5>could have been came and visited us, because you know,

0:29:20.400 --> 0:29:22.960
<v Speaker 5>I've sparenced that myself, Like as far as my father,

0:29:23.040 --> 0:29:25.920
<v Speaker 5>my father was in my life. But I still had

0:29:25.920 --> 0:29:29.360
<v Speaker 5>this longing to know who he was and to meet him.

0:29:29.360 --> 0:29:32.040
<v Speaker 5>But I know people are like, man, fuck that dead

0:29:32.080 --> 0:29:34.000
<v Speaker 5>be that as nigga da da da. I know people

0:29:34.040 --> 0:29:36.840
<v Speaker 5>that think like that too, So I like that you

0:29:36.880 --> 0:29:40.760
<v Speaker 5>saw both both sides. And again, I think they as

0:29:40.800 --> 0:29:43.520
<v Speaker 5>the movie progress, as you start seeing just how different

0:29:44.080 --> 0:29:46.800
<v Speaker 5>they kind of are, and I think they just gradually

0:29:46.840 --> 0:29:47.200
<v Speaker 5>did that.

0:29:47.280 --> 0:29:48.200
<v Speaker 1>Man, it was.

0:29:47.920 --> 0:29:48.120
<v Speaker 4>It was.

0:29:48.240 --> 0:29:50.000
<v Speaker 1>It was brilliant, brilliantly done.

0:29:50.320 --> 0:29:52.680
<v Speaker 5>As far as how to how they looked at her,

0:29:52.760 --> 0:29:56.320
<v Speaker 5>I could see it both ways. I could see Vivocate

0:29:56.360 --> 0:29:59.360
<v Speaker 5>Fox character just being like, well, you know, I ain't

0:29:59.400 --> 0:30:03.520
<v Speaker 5>I didn't want y'all have to deal with kids or whatever,

0:30:03.720 --> 0:30:06.360
<v Speaker 5>you know, people looking at y'all mom and thinking this thing.

0:30:06.480 --> 0:30:09.960
<v Speaker 5>So I just kind of like remove myself from it.

0:30:10.440 --> 0:30:13.480
<v Speaker 5>And then you know, yeah, I could I could see that.

0:30:13.560 --> 0:30:15.720
<v Speaker 5>But I can also see her just wanting to use them,

0:30:16.000 --> 0:30:18.960
<v Speaker 5>you know, because who else is gonna go kill the father?

0:30:19.560 --> 0:30:22.160
<v Speaker 3>Knowing that story? So yeah, but.

0:30:22.120 --> 0:30:24.080
<v Speaker 6>Didn't it seem like she was some kind of boss

0:30:25.720 --> 0:30:27.960
<v Speaker 6>because the fact that people were, yeah.

0:30:27.720 --> 0:30:28.320
<v Speaker 3>Taking care of it.

0:30:28.320 --> 0:30:30.640
<v Speaker 2>That's what I was wondering, Like, was where she get money?

0:30:30.920 --> 0:30:32.600
<v Speaker 2>Like to be like that will see that.

0:30:32.760 --> 0:30:34.959
<v Speaker 6>That's the part that I was hung up on, and

0:30:35.000 --> 0:30:36.880
<v Speaker 6>not as a detriment to the movie. I kind of

0:30:36.920 --> 0:30:39.440
<v Speaker 6>like when they when movies will introduce something and not

0:30:39.520 --> 0:30:43.720
<v Speaker 6>necessarily resolve it. But when they showed her, you have

0:30:43.800 --> 0:30:47.120
<v Speaker 6>these two women raiding her hair, it seemed like she

0:30:47.240 --> 0:30:47.920
<v Speaker 6>was in charge.

0:30:48.240 --> 0:30:49.120
<v Speaker 3>But that seemed normal.

0:30:49.240 --> 0:30:52.960
<v Speaker 1>Just seemed like that seemed normal. Yeah, two women bring

0:30:52.960 --> 0:30:53.280
<v Speaker 1>your hair?

0:30:53.440 --> 0:30:56.840
<v Speaker 2>No no, yeah, they worked for her. Yeah, it seemed

0:30:56.880 --> 0:30:57.680
<v Speaker 2>like they were working for her.

0:30:57.720 --> 0:30:59.800
<v Speaker 1>They weren't. They weren't just doing her hair.

0:31:00.880 --> 0:31:02.120
<v Speaker 3>I never took it that way.

0:31:02.240 --> 0:31:07.360
<v Speaker 1>Oh I definitely did, because like they knew the story. Yeah,

0:31:08.160 --> 0:31:10.200
<v Speaker 1>that was really good. That was really good.

0:31:10.600 --> 0:31:12.560
<v Speaker 6>But it seemed like she was some kind of boss.

0:31:13.880 --> 0:31:15.640
<v Speaker 6>So I was like, you couldn't have got anybody else

0:31:15.680 --> 0:31:16.080
<v Speaker 6>to do this.

0:31:16.160 --> 0:31:18.240
<v Speaker 2>Instead, you brought in your kids that you have not

0:31:18.440 --> 0:31:21.360
<v Speaker 2>seen in years, and you asked them to do this.

0:31:21.440 --> 0:31:21.640
<v Speaker 1>See.

0:31:21.680 --> 0:31:23.720
<v Speaker 5>I looked at them as care workers, like you know

0:31:24.120 --> 0:31:26.400
<v Speaker 5>that that notice that not the situation.

0:31:26.200 --> 0:31:28.880
<v Speaker 3>That costs money though, that's what Yeah, but that's insurance.

0:31:28.920 --> 0:31:30.520
<v Speaker 6>Though insurance is not going to pay for somebody can

0:31:30.600 --> 0:31:32.160
<v Speaker 6>braid your hair, not for six of them.

0:31:32.280 --> 0:31:37.000
<v Speaker 3>Well, well, they'll say, assistant living assistant living care. I'm

0:31:37.000 --> 0:31:38.240
<v Speaker 3>dealing with all that ship right now.

0:31:38.200 --> 0:31:39.760
<v Speaker 6>Saying, but they're not to pay for somebody to do

0:31:39.800 --> 0:31:42.640
<v Speaker 6>your hair. Yeah, but I know it's a movie, but

0:31:42.680 --> 0:31:44.280
<v Speaker 6>it seemed it seemed different.

0:31:45.520 --> 0:31:47.040
<v Speaker 5>You could be a care worker, had a braider, you

0:31:47.080 --> 0:31:49.800
<v Speaker 5>know what I'm saying. Gotta know that ship, you know

0:31:49.840 --> 0:31:52.320
<v Speaker 5>what I'm saying. But I mean, it's all Carre at

0:31:52.360 --> 0:31:52.960
<v Speaker 5>the end of the day.

0:31:54.360 --> 0:31:56.600
<v Speaker 2>Well, I don't think she was like, man, I'm not

0:31:56.720 --> 0:31:58.160
<v Speaker 2>doing this with Rod today and go ahead, can.

0:32:00.480 --> 0:32:03.320
<v Speaker 1>I want you to do it? I'm reading for you today.

0:32:06.640 --> 0:32:09.400
<v Speaker 4>I did get the same feeling that you Twoe got,

0:32:10.880 --> 0:32:16.200
<v Speaker 4>you know, that they were beyond caregivers and in some

0:32:16.240 --> 0:32:20.360
<v Speaker 4>sort of way. But uh, and I did wonder. I

0:32:20.400 --> 0:32:22.280
<v Speaker 4>was like, Okay, well, is there something else going on

0:32:22.320 --> 0:32:27.120
<v Speaker 4>that we don't know? But you know, I think it

0:32:27.120 --> 0:32:30.160
<v Speaker 4>it was a good opportunity to kind of show the

0:32:30.240 --> 0:32:37.720
<v Speaker 4>apprehension and to to create the sort of like crack

0:32:37.880 --> 0:32:43.360
<v Speaker 4>between them that eventually developed in to this canyon as

0:32:43.400 --> 0:32:46.240
<v Speaker 4>the movie went on, which I thought was was really good.

0:32:46.720 --> 0:32:52.080
<v Speaker 4>And you know, I think she probably sent it to

0:32:52.160 --> 0:32:58.600
<v Speaker 4>racing because she probably seen the same thing as in racing. Yeah. Yeah,

0:32:58.760 --> 0:33:01.320
<v Speaker 4>and the dad. Like I was mentioned before, when that

0:33:01.360 --> 0:33:02.000
<v Speaker 4>guy we'll.

0:33:01.840 --> 0:33:03.320
<v Speaker 1>Get to that, you mean, sent the letter.

0:33:03.760 --> 0:33:05.640
<v Speaker 6>Yeah, I think she said why she sent the letters

0:33:05.640 --> 0:33:06.920
<v Speaker 6>She said the other one was too emotional.

0:33:07.200 --> 0:33:09.800
<v Speaker 2>Yeah, yeah, oh they both said the same thing in

0:33:09.880 --> 0:33:12.800
<v Speaker 2>her because she was like why she didn't address the

0:33:12.840 --> 0:33:14.960
<v Speaker 2>letter to me and told her then her mom.

0:33:15.560 --> 0:33:18.280
<v Speaker 4>Covernity Yeah oh yeah, yeah, so yeah, so we you

0:33:18.360 --> 0:33:21.080
<v Speaker 4>know that Mays. But you know, I liked just how

0:33:21.120 --> 0:33:23.280
<v Speaker 4>they were like, nah, we ain't doing that shit, Like

0:33:23.800 --> 0:33:26.800
<v Speaker 4>we're not killers. What are you talking about? This is crazy?

0:33:27.040 --> 0:33:30.640
<v Speaker 4>And she was using them. But I think picking them

0:33:30.720 --> 0:33:34.000
<v Speaker 4>to do it gave them the proper motivation to do it,

0:33:34.720 --> 0:33:39.000
<v Speaker 4>and they could sort of take being in the system

0:33:39.160 --> 0:33:44.120
<v Speaker 4>as they were and use that as further fuel as

0:33:44.160 --> 0:33:51.840
<v Speaker 4>the movie goes on to enhance more and more about

0:33:52.280 --> 0:33:55.520
<v Speaker 4>give them more reason to do it. As they learned

0:33:55.520 --> 0:33:58.560
<v Speaker 4>these sort of stories, it built up even more anger

0:33:59.200 --> 0:34:02.080
<v Speaker 4>in them as well, in addition to whatever they saw

0:34:02.120 --> 0:34:06.560
<v Speaker 4>that was under that blanket. So being in the system

0:34:07.000 --> 0:34:10.879
<v Speaker 4>growing up that way at this point, I think after

0:34:10.920 --> 0:34:14.200
<v Speaker 4>a while it's like, this is not mom's fault, this

0:34:14.360 --> 0:34:16.960
<v Speaker 4>is dad's. He did this.

0:34:17.640 --> 0:34:20.080
<v Speaker 2>See, I never made it there, I never made it

0:34:20.120 --> 0:34:24.640
<v Speaker 2>where there was enough motivation for her to tell her

0:34:24.719 --> 0:34:28.760
<v Speaker 2>daughters to go kill him like the story was dead,

0:34:28.960 --> 0:34:33.000
<v Speaker 2>but to call my daughters who have aren't killers, like

0:34:33.040 --> 0:34:35.440
<v Speaker 2>they don't have any history or like I feel like

0:34:35.440 --> 0:34:38.040
<v Speaker 2>I'm putting them in danger more so than anything, yes,

0:34:38.160 --> 0:34:40.640
<v Speaker 2>versus sending them out to go on to this revenge

0:34:40.680 --> 0:34:43.480
<v Speaker 2>tour that could fulfill them. So that I never made it.

0:34:43.480 --> 0:34:45.120
<v Speaker 2>That was one of my small grapes with the movies,

0:34:45.160 --> 0:34:47.640
<v Speaker 2>like the motivation for them being finally like, yeah, we're

0:34:47.640 --> 0:34:49.279
<v Speaker 2>gonna go kill dad and have to go on this

0:34:49.320 --> 0:34:52.760
<v Speaker 2>whole mission. I had to suspend that because it's a movie,

0:34:52.920 --> 0:34:55.880
<v Speaker 2>so you know, you give and take with it. But

0:34:55.920 --> 0:34:57.720
<v Speaker 2>I never made it that as far as the motivation

0:34:57.880 --> 0:34:58.719
<v Speaker 2>being problem.

0:34:58.960 --> 0:35:04.600
<v Speaker 5>I did because I felt like they had their dad

0:35:04.719 --> 0:35:09.200
<v Speaker 5>in them so they had the ability to kill yeah,

0:35:09.320 --> 0:35:10.880
<v Speaker 5>or one of them did, right, which is why she

0:35:10.960 --> 0:35:12.520
<v Speaker 5>was the one that was kind of gun hole about it.

0:35:14.320 --> 0:35:17.239
<v Speaker 5>And then and then we kind of see it with

0:35:17.280 --> 0:35:19.759
<v Speaker 5>the mom a little bit too, because what I thought

0:35:19.840 --> 0:35:24.120
<v Speaker 5>was beautifully done when she was recalling the situation in

0:35:24.160 --> 0:35:27.080
<v Speaker 5>black and white and the way the camera moving and

0:35:27.160 --> 0:35:28.920
<v Speaker 5>that and the way they were telling that part of

0:35:28.960 --> 0:35:34.080
<v Speaker 5>the story, like the tense, the intensity of uh, what's

0:35:34.080 --> 0:35:34.439
<v Speaker 5>his name?

0:35:38.200 --> 0:35:38.359
<v Speaker 1>Man?

0:35:38.520 --> 0:35:41.400
<v Speaker 3>Like all of all of that was just like so good.

0:35:41.640 --> 0:35:41.800
<v Speaker 4>It was.

0:35:41.880 --> 0:35:43.120
<v Speaker 1>It was just so good.

0:35:43.239 --> 0:35:45.359
<v Speaker 3>I was like, damn, man, they are killing this right now.

0:35:46.080 --> 0:35:47.360
<v Speaker 3>So I felt like.

0:35:49.360 --> 0:35:53.160
<v Speaker 5>The emotion behind that story felt like motivation for me,

0:35:54.840 --> 0:35:56.840
<v Speaker 5>you know, because it basically ruined their lives, you know

0:35:56.880 --> 0:35:59.080
<v Speaker 5>what I'm saying. They put them in all of these,

0:35:59.200 --> 0:36:02.279
<v Speaker 5>uh these group homes or in all of that. So

0:36:02.440 --> 0:36:04.719
<v Speaker 5>I think, you know, you start to build up some

0:36:04.760 --> 0:36:08.239
<v Speaker 5>sort of rage if you're racing or whatever. So yeah,

0:36:08.520 --> 0:36:11.719
<v Speaker 5>I thought that was enough. Honestly, did y'all notice when

0:36:11.760 --> 0:36:13.759
<v Speaker 5>she noticed that she was pregnant she.

0:36:13.760 --> 0:36:14.440
<v Speaker 4>Said something to her?

0:36:14.560 --> 0:36:16.319
<v Speaker 2>Yeah, And I thought that was a good note too,

0:36:16.320 --> 0:36:18.799
<v Speaker 2>because mothers always kind of know what she said, so

0:36:18.840 --> 0:36:19.359
<v Speaker 2>I missed her.

0:36:19.480 --> 0:36:21.680
<v Speaker 1>She I don't think she said necessarily anything.

0:36:21.800 --> 0:36:23.600
<v Speaker 2>She's kind of looked at her like she got like

0:36:23.719 --> 0:36:27.719
<v Speaker 2>some more of her something like that, something like that. Yeah,

0:36:27.840 --> 0:36:30.080
<v Speaker 2>But then they left alone. They ain't say nothing else.

0:36:30.120 --> 0:36:32.040
<v Speaker 6>It's because she ran out and said, I'm gonna be

0:36:32.040 --> 0:36:34.120
<v Speaker 6>sick to my stomach. And I think it's when she

0:36:34.160 --> 0:36:36.200
<v Speaker 6>came back, that's when the mom said something to her.

0:36:36.719 --> 0:36:38.920
<v Speaker 6>Because my mom was like, are you puking too? Like no,

0:36:39.760 --> 0:36:41.799
<v Speaker 6>But I kind of agree with Rod. I do get

0:36:41.800 --> 0:36:44.880
<v Speaker 6>your point though, but I think that that, to me

0:36:45.239 --> 0:36:47.880
<v Speaker 6>is what made me think that Vivak a Fox was

0:36:47.920 --> 0:36:51.600
<v Speaker 6>a villain. She knew that their lives were ruined, so

0:36:51.640 --> 0:36:54.239
<v Speaker 6>she's like, well, this will be easy. I ain't even

0:36:54.239 --> 0:36:56.560
<v Speaker 6>gotta pay these fucking kids. I don't think she gave

0:36:56.560 --> 0:36:58.920
<v Speaker 6>two ships about those kids, if I'm being totally honest,

0:36:59.280 --> 0:37:01.239
<v Speaker 6>I don't think she can heard about them kids at all.

0:37:01.680 --> 0:37:05.040
<v Speaker 6>She used them for this mission, So I think that's

0:37:05.080 --> 0:37:07.799
<v Speaker 6>that was kind of the motivation. It's like she knew

0:37:07.840 --> 0:37:10.399
<v Speaker 6>that the kids had their lives and they went every

0:37:10.480 --> 0:37:13.520
<v Speaker 6>day with people looking at them crazy, call them names,

0:37:13.719 --> 0:37:16.960
<v Speaker 6>all that. So she's like, well, yeah, make your daddy dad.

0:37:17.000 --> 0:37:20.439
<v Speaker 6>He did this to y'all especially, And I do agree

0:37:20.480 --> 0:37:22.440
<v Speaker 6>also with Rob. When she was doing the retelling of

0:37:22.480 --> 0:37:24.919
<v Speaker 6>the story, I was like, God, damn, it was great.

0:37:25.080 --> 0:37:25.960
<v Speaker 1>That's what that's.

0:37:25.800 --> 0:37:26.359
<v Speaker 4>What he did.

0:37:26.480 --> 0:37:29.239
<v Speaker 2>Yeah, that was great. As far as how they told

0:37:29.400 --> 0:37:31.440
<v Speaker 2>nothing story, Yeah, how they how they told Yeah, I

0:37:31.440 --> 0:37:36.000
<v Speaker 2>don't think hopefully you never know what Reddit, but yeah,

0:37:36.800 --> 0:37:40.000
<v Speaker 2>like Mike want to kill I knew it.

0:37:40.360 --> 0:37:43.080
<v Speaker 1>I could tell Jesus Christ.

0:37:44.640 --> 0:37:46.359
<v Speaker 3>It was good the way they tell that story.

0:37:46.400 --> 0:37:49.480
<v Speaker 2>So they offered the mission and the first stop they

0:37:49.480 --> 0:37:54.160
<v Speaker 2>went in too pass the divine. Actually, they are killing

0:37:54.200 --> 0:37:56.440
<v Speaker 2>this That's exactly what I said in my head.

0:37:56.440 --> 0:37:57.760
<v Speaker 1>I was like, Bro, they're killing this movie.

0:37:58.160 --> 0:37:59.799
<v Speaker 2>I think I had the same thought when we get

0:37:59.800 --> 0:38:02.359
<v Speaker 2>to this point to go to the church. They talked

0:38:02.360 --> 0:38:04.840
<v Speaker 2>the past, the divine and who's clearly one of the

0:38:04.840 --> 0:38:07.279
<v Speaker 2>cold he's good man. She nailed it.

0:38:07.360 --> 0:38:08.040
<v Speaker 1>She killed it.

0:38:08.200 --> 0:38:10.759
<v Speaker 2>What'd y'all think about this whole scene? We can talk

0:38:10.800 --> 0:38:13.440
<v Speaker 2>about it all as far as her having the shrine,

0:38:14.000 --> 0:38:16.680
<v Speaker 2>she just left and never came back. They get more

0:38:16.719 --> 0:38:19.440
<v Speaker 2>context to that, Dad, Ken, did you think they did

0:38:19.440 --> 0:38:20.080
<v Speaker 2>it will here?

0:38:20.920 --> 0:38:24.240
<v Speaker 4>Yeah? Yeah, I mean we see, you know, his first stop,

0:38:24.719 --> 0:38:26.399
<v Speaker 4>you know, or one of his first stops. I guess

0:38:26.400 --> 0:38:30.640
<v Speaker 4>it's the first stop, you know. And it painted him

0:38:30.640 --> 0:38:34.239
<v Speaker 4>more as a really fucked up person by getting her

0:38:34.239 --> 0:38:41.120
<v Speaker 4>pregnant and then leaving and not ever coming back. And

0:38:41.520 --> 0:38:44.040
<v Speaker 4>this was where I started to kind of have the

0:38:44.440 --> 0:38:48.320
<v Speaker 4>issue the issue with the movie because I'm like, because

0:38:48.320 --> 0:38:50.399
<v Speaker 4>when she was like, oh, so you mean to tell

0:38:50.440 --> 0:38:52.640
<v Speaker 4>me you set this thing up this whole time, waiting

0:38:52.680 --> 0:38:56.239
<v Speaker 4>on the man who left you prentingant and I'm like, oh, man,

0:38:56.360 --> 0:38:59.440
<v Speaker 4>so now they got the black woman looking like crazy,

0:38:59.480 --> 0:39:03.520
<v Speaker 4>and I'm black men look fucked up and violent, burning women's.

0:39:03.239 --> 0:39:04.720
<v Speaker 1>And kids and all this other stuff.

0:39:04.760 --> 0:39:07.120
<v Speaker 4>So I'm starting to have these sort of thoughts swirling

0:39:07.160 --> 0:39:10.960
<v Speaker 4>through my head. But they left as the movie went

0:39:11.000 --> 0:39:13.200
<v Speaker 4>on because I'm like, Okay, I'm thinking just probably a

0:39:13.239 --> 0:39:16.760
<v Speaker 4>little bit too deep about any sort of a message

0:39:16.760 --> 0:39:22.160
<v Speaker 4>that they're trying to put into it, about like, you know, uh,

0:39:22.880 --> 0:39:26.879
<v Speaker 4>just the violent natures of black men and the stupidity

0:39:26.920 --> 0:39:32.000
<v Speaker 4>of a black woman waiting around for worthless man, you know,

0:39:32.880 --> 0:39:35.840
<v Speaker 4>and then that being in a religious setting as well,

0:39:36.600 --> 0:39:38.759
<v Speaker 4>you know, so all of these dependencies you have on

0:39:39.120 --> 0:39:43.880
<v Speaker 4>things outside of you know whatever. But but outside of

0:39:43.880 --> 0:39:46.439
<v Speaker 4>all that, you know, I think all this was good,

0:39:47.080 --> 0:39:50.480
<v Speaker 4>you know, to the sun that was there and uh,

0:39:50.920 --> 0:39:53.600
<v Speaker 4>and just the way the church was being ran and

0:39:53.800 --> 0:39:56.759
<v Speaker 4>you know how she acting and performed. I agree with

0:39:56.800 --> 0:40:00.040
<v Speaker 4>you guys. She was great. And even even to the

0:40:00.040 --> 0:40:02.359
<v Speaker 4>the end where they all ran out and stole from

0:40:02.400 --> 0:40:04.680
<v Speaker 4>the church and ran out and being chased. I don't

0:40:04.680 --> 0:40:10.239
<v Speaker 4>know why they were running like that though, But but

0:40:10.320 --> 0:40:12.879
<v Speaker 4>not all of this ship was really really good, and

0:40:12.960 --> 0:40:16.200
<v Speaker 4>you really started to I like how they developed Sterling's

0:40:16.280 --> 0:40:17.800
<v Speaker 4>character without.

0:40:17.400 --> 0:40:21.640
<v Speaker 2>Him being on screen, without even showing his face. Yeah, yeah,

0:40:21.880 --> 0:40:23.799
<v Speaker 2>you could tell that was him, but I mean you.

0:40:23.840 --> 0:40:24.200
<v Speaker 1>Knew it was.

0:40:24.800 --> 0:40:26.120
<v Speaker 3>They still didn't have to show his face.

0:40:27.400 --> 0:40:32.120
<v Speaker 5>He's that good order and Mamia killed Bill. That's how

0:40:32.160 --> 0:40:33.040
<v Speaker 5>they did Bill.

0:40:34.560 --> 0:40:37.359
<v Speaker 1>She said. She said that was an influence. I mean,

0:40:37.360 --> 0:40:40.719
<v Speaker 1>Tarantino got one or two decent films, ain't proven nothing.

0:40:40.800 --> 0:40:43.000
<v Speaker 2>I didn't know you saw you read up on the

0:40:43.080 --> 0:40:45.880
<v Speaker 2>I watched it. Dang, I've been so out of it.

0:40:45.960 --> 0:40:47.600
<v Speaker 6>I can't remember if I watched the interview or just

0:40:47.600 --> 0:40:50.960
<v Speaker 6>read the But yeah, she said that Kill Bill was

0:40:51.000 --> 0:40:52.520
<v Speaker 6>an influenced I forgot the other film.

0:40:52.560 --> 0:40:55.879
<v Speaker 5>She said that this definitely had kill Bill's mind because

0:40:55.880 --> 0:40:57.640
<v Speaker 5>it's a good kill Bill is a good revenge story.

0:40:57.800 --> 0:41:02.719
<v Speaker 2>Yeah, so first one at least. Yeah, the other bullshit

0:41:03.480 --> 0:41:08.160
<v Speaker 2>of dialogue. But but yeah, no, I don't know if

0:41:08.200 --> 0:41:09.439
<v Speaker 2>I got exactly what you got.

0:41:09.440 --> 0:41:11.719
<v Speaker 5>But I did get the religious aspect of like how

0:41:11.760 --> 0:41:13.239
<v Speaker 5>it could be like, and we talked about this. I

0:41:13.280 --> 0:41:17.320
<v Speaker 5>think off camera is just how how some some Christian

0:41:17.360 --> 0:41:20.799
<v Speaker 5>communities or Christian can be. And I think this is

0:41:20.840 --> 0:41:22.839
<v Speaker 5>like an extreme version of it that they I think

0:41:22.840 --> 0:41:30.680
<v Speaker 5>they depicted pretty well actually, and and just how kind

0:41:30.680 --> 0:41:33.000
<v Speaker 5>of insane you could look, you know what I mean,

0:41:33.120 --> 0:41:35.640
<v Speaker 5>like why why you like you really think this man

0:41:35.719 --> 0:41:39.120
<v Speaker 5>is coming back? Like you like, that's that's crazy, like that,

0:41:39.280 --> 0:41:40.200
<v Speaker 5>that's kind of crazy.

0:41:40.920 --> 0:41:47.520
<v Speaker 6>I don't say anything. I was, Yeah, I was waiting

0:41:47.560 --> 0:41:49.399
<v Speaker 6>for my turn. But that's what I got from. That's

0:41:49.440 --> 0:41:52.680
<v Speaker 6>what I got to was the Jesus aspect. Yeah, yeah,

0:41:52.680 --> 0:41:56.280
<v Speaker 6>I didn't get the I get your point, no violence

0:41:56.360 --> 0:41:58.640
<v Speaker 6>of black man. I would think that if this wasn't

0:41:58.680 --> 0:42:01.080
<v Speaker 6>this was pretty much a black movie kind of.

0:42:01.000 --> 0:42:01.960
<v Speaker 1>Made from folks.

0:42:02.680 --> 0:42:04.600
<v Speaker 2>If it was, if it was a different story, I

0:42:04.600 --> 0:42:05.640
<v Speaker 2>would kind of feel you.

0:42:05.600 --> 0:42:06.080
<v Speaker 1>A little bit.

0:42:06.200 --> 0:42:08.840
<v Speaker 2>I wasay, but I know I was gonna say that

0:42:08.880 --> 0:42:09.600
<v Speaker 2>while you were talking.

0:42:09.640 --> 0:42:11.759
<v Speaker 4>I was, I was literally gonna say, didn't make this.

0:42:12.560 --> 0:42:14.239
<v Speaker 4>And that's why I was like, you know what, fuck

0:42:14.320 --> 0:42:16.560
<v Speaker 4>all that. Yeah, I'm gonna go with what we got.

0:42:16.640 --> 0:42:19.319
<v Speaker 6>But I did get that parallel, and I think that's

0:42:19.360 --> 0:42:22.920
<v Speaker 6>more what they were leaning towards was you've been sitting

0:42:22.920 --> 0:42:25.200
<v Speaker 6>here waiting for this man. He ain't shown you ship

0:42:25.880 --> 0:42:28.760
<v Speaker 6>and it's like, well, yeah, but they're also in the church,

0:42:29.000 --> 0:42:30.920
<v Speaker 6>which y'all are waiting for a motherfucker.

0:42:31.120 --> 0:42:32.239
<v Speaker 1>I don't want to say a mouf. Oh he is

0:42:32.280 --> 0:42:32.560
<v Speaker 1>a mouf.

0:42:32.600 --> 0:42:32.960
<v Speaker 4>I don't know.

0:42:33.280 --> 0:42:35.000
<v Speaker 1>You've been waiting for this dude, and he ain't done

0:42:35.000 --> 0:42:41.239
<v Speaker 1>shit for you neither, you know. But the whole church.

0:42:41.120 --> 0:42:49.080
<v Speaker 7>Scene, that motherfucking uncot him crying Krome man, that whole

0:42:49.120 --> 0:42:50.440
<v Speaker 7>scene was Maxine.

0:42:50.440 --> 0:42:57.080
<v Speaker 2>I forget her name, Erica.

0:42:53.360 --> 0:42:53.680
<v Speaker 4>That's.

0:42:55.120 --> 0:42:57.960
<v Speaker 3>What's her name? Divine and this is Erica Alexander.

0:42:58.080 --> 0:42:58.680
<v Speaker 4>Yeah, that's.

0:43:00.040 --> 0:43:03.640
<v Speaker 1>A whole different person. Erica Divine. That's like a poor star.

0:43:05.000 --> 0:43:09.120
<v Speaker 2>I said, Erica. You said Divine asking her name in

0:43:09.200 --> 0:43:09.720
<v Speaker 2>the movie.

0:43:10.320 --> 0:43:11.279
<v Speaker 1>No Erica, Erica.

0:43:11.680 --> 0:43:14.320
<v Speaker 6>She is so good and she needs more roles because

0:43:14.360 --> 0:43:18.120
<v Speaker 6>she was perfect, perfect in this.

0:43:18.239 --> 0:43:19.960
<v Speaker 1>But yeah, this whole scene was so well done.

0:43:20.080 --> 0:43:20.920
<v Speaker 4>I agree. Agree.

0:43:20.960 --> 0:43:23.359
<v Speaker 2>I didn't get what you got either. I got more.

0:43:23.440 --> 0:43:27.439
<v Speaker 2>So it's clear that someone's wrong with the kid.

0:43:28.680 --> 0:43:29.120
<v Speaker 4>What kid?

0:43:29.760 --> 0:43:30.280
<v Speaker 1>Her son?

0:43:30.560 --> 0:43:33.120
<v Speaker 3>Clear something was wrong with him? Why because he was

0:43:33.120 --> 0:43:33.959
<v Speaker 3>doing that blinking ship.

0:43:35.239 --> 0:43:38.080
<v Speaker 1>I didn't see that. Always in eyes you can see

0:43:38.239 --> 0:43:39.480
<v Speaker 1>I didn't know anything.

0:43:41.080 --> 0:43:43.960
<v Speaker 2>Of the world. Uh so I thought that they were

0:43:44.000 --> 0:43:46.920
<v Speaker 2>trying to say something about that's like them being kind.

0:43:46.719 --> 0:43:48.000
<v Speaker 3>Of thrown off a little bit.

0:43:48.400 --> 0:43:49.000
<v Speaker 1>I didn't catch that.

0:43:49.120 --> 0:43:50.000
<v Speaker 3>I want to say that kid.

0:43:50.000 --> 0:43:54.239
<v Speaker 2>But I thought that divine and her son and that

0:43:54.440 --> 0:43:57.360
<v Speaker 2>was what's passed down from her, just like from Racine

0:43:57.440 --> 0:44:00.360
<v Speaker 2>got passed down at rage from her dad. So I

0:44:00.360 --> 0:44:02.560
<v Speaker 2>thought they were saying something there. I got a little

0:44:02.560 --> 0:44:06.120
<v Speaker 2>bit of that. I didn't get that that divine was

0:44:06.200 --> 0:44:10.799
<v Speaker 2>off off. Well, he said, he said that she passed. Yeah,

0:44:10.800 --> 0:44:11.440
<v Speaker 2>she kind of.

0:44:13.239 --> 0:44:17.480
<v Speaker 6>She seemed like a fucking regular ass, fucking black Christian,

0:44:18.040 --> 0:44:19.680
<v Speaker 6>but cussing.

0:44:21.160 --> 0:44:25.600
<v Speaker 1>What you eating chicken? You like that she was eating.

0:44:27.719 --> 0:44:31.560
<v Speaker 2>Like that too, talking about it was something. It was

0:44:31.560 --> 0:44:34.239
<v Speaker 2>something wrong with It's something wrong with her. It was

0:44:34.280 --> 0:44:36.600
<v Speaker 2>something wrong with her son. I guess I've just been

0:44:36.600 --> 0:44:38.799
<v Speaker 2>around too many Southern Christians. They all seem like that

0:44:38.840 --> 0:44:40.759
<v Speaker 2>to me. They all seemed like that.

0:44:40.840 --> 0:44:43.640
<v Speaker 5>I'm far removed from it, like I been around it,

0:44:43.719 --> 0:44:47.000
<v Speaker 5>but been around it. Yeah, But I knew even then

0:44:47.320 --> 0:44:49.920
<v Speaker 5>like something was off like with those with those folks,

0:44:50.000 --> 0:44:51.240
<v Speaker 5>like some of those older ladies.

0:44:52.239 --> 0:44:53.680
<v Speaker 3>I was just like something something right.

0:44:54.000 --> 0:44:59.279
<v Speaker 2>So they showed the shrine, racing steals the address book

0:44:59.280 --> 0:45:04.000
<v Speaker 2>out of this shrine for her dad, and from there

0:45:04.880 --> 0:45:08.040
<v Speaker 2>they hit the throw and they head to the tongueless lawyer.

0:45:09.560 --> 0:45:14.600
<v Speaker 1>Who was writing this this is so good, who so

0:45:14.680 --> 0:45:15.480
<v Speaker 1>he knows.

0:45:16.160 --> 0:45:19.040
<v Speaker 3>So this guy was the lawyer for sterning K. Brown's character.

0:45:19.120 --> 0:45:20.759
<v Speaker 2>He got him out of the case, we learned to

0:45:20.800 --> 0:45:23.480
<v Speaker 2>find out, and he admitted that he did it, even

0:45:23.520 --> 0:45:25.759
<v Speaker 2>though he got acquitted for it. And so the lawyer

0:45:25.760 --> 0:45:28.759
<v Speaker 2>would until he cut his tongue out. What did you

0:45:28.800 --> 0:45:31.719
<v Speaker 2>think about this whole scene, Ken from the lady beating

0:45:31.800 --> 0:45:33.640
<v Speaker 2>him up because he knew somebody was trying to prepare

0:45:33.719 --> 0:45:34.080
<v Speaker 2>for it.

0:45:34.200 --> 0:45:39.439
<v Speaker 4>Yeah, I didn't know what I thought he had finished. Yeah,

0:45:39.440 --> 0:45:41.200
<v Speaker 4>that's what I was thinking. I had no idea. It

0:45:41.239 --> 0:45:43.400
<v Speaker 4>was just he wanted to be prepared to take the licks,

0:45:44.320 --> 0:45:47.840
<v Speaker 4>but he took them from the lineage instead of him directly.

0:45:48.000 --> 0:45:52.120
<v Speaker 4>But he was so afraid because he could tell that

0:45:52.160 --> 0:45:55.040
<v Speaker 4>this man was just pure evil and well, I mean

0:45:55.040 --> 0:45:57.000
<v Speaker 4>he got out of his tongue. So at that point

0:45:57.120 --> 0:45:58.759
<v Speaker 4>you should have been like, all right, yeah, but I

0:45:58.760 --> 0:46:00.719
<v Speaker 4>would snitched. At that point, he should have went back

0:46:00.760 --> 0:46:02.560
<v Speaker 4>and said he admitted to doing it because he had

0:46:02.680 --> 0:46:03.839
<v Speaker 4>like all that.

0:46:04.600 --> 0:46:09.600
<v Speaker 1>Yeah, I'm a lawyer, but I guess, well, this dude

0:46:09.719 --> 0:46:11.440
<v Speaker 1>is crazy. Why would he go snitch?

0:46:12.239 --> 0:46:17.760
<v Speaker 4>Right? But still, yeah, right, I'm already dead anyway.

0:46:17.960 --> 0:46:20.440
<v Speaker 2>But if you have some type of agreement with you're

0:46:20.440 --> 0:46:22.560
<v Speaker 2>not supposed to ask them if you're a lawyer, because

0:46:22.600 --> 0:46:24.359
<v Speaker 2>if they admitted, you're supposed to tell yes.

0:46:24.440 --> 0:46:26.040
<v Speaker 4>Yeah, yeah, so he should.

0:46:26.160 --> 0:46:28.880
<v Speaker 6>But I get it, is that true, not supposed to know?

0:46:28.960 --> 0:46:31.600
<v Speaker 6>I'm sorry, kim, My bad, My bad, My bad. That's

0:46:31.600 --> 0:46:33.520
<v Speaker 6>why Lloyd wouldn't ask you if you've done it, because

0:46:33.520 --> 0:46:33.840
<v Speaker 6>they're not.

0:46:34.719 --> 0:46:36.760
<v Speaker 1>But I didn't think that they had to tell.

0:46:36.719 --> 0:46:40.120
<v Speaker 2>Murders you got it, if it's murdered or something like that.

0:46:40.520 --> 0:46:42.040
<v Speaker 2>They can't keep that information.

0:46:42.080 --> 0:46:43.879
<v Speaker 3>A lot of time they'll tell you to stop, stop there,

0:46:43.920 --> 0:46:44.799
<v Speaker 3>do nothing else.

0:46:45.320 --> 0:46:45.640
<v Speaker 1>I know.

0:46:45.800 --> 0:46:48.800
<v Speaker 2>I know because they're obligated by law, and I speaking

0:46:48.920 --> 0:46:49.359
<v Speaker 2>under the ball.

0:46:49.480 --> 0:46:52.799
<v Speaker 5>But what you're saying, yeah, because because even on reasonable doubt,

0:46:52.840 --> 0:46:54.480
<v Speaker 5>remember she was just like, I need to know all

0:46:54.520 --> 0:46:56.279
<v Speaker 5>the details if you did it or not, or something

0:46:56.320 --> 0:46:56.680
<v Speaker 5>like that.

0:46:56.880 --> 0:46:59.240
<v Speaker 6>I think some lawyers do that so they could frame

0:46:59.360 --> 0:47:01.839
<v Speaker 6>a counter came like not a counter case, but like

0:47:02.239 --> 0:47:04.000
<v Speaker 6>to figure out a way to make it seem like

0:47:04.040 --> 0:47:05.040
<v Speaker 6>you're not guilty.

0:47:05.880 --> 0:47:09.760
<v Speaker 4>But I also think they do stop short of admitting guilt.

0:47:10.000 --> 0:47:14.600
<v Speaker 4>But yeah, but I'm not sure they're obligated. I know

0:47:14.640 --> 0:47:18.520
<v Speaker 4>they're obligated to keep the information confidential.

0:47:19.280 --> 0:47:22.359
<v Speaker 1>Yeah, he was through with.

0:47:22.320 --> 0:47:25.400
<v Speaker 4>The case, so he's no longer really the client, so

0:47:25.680 --> 0:47:27.480
<v Speaker 4>maybe at that point he's a man in guilt, maybe

0:47:27.480 --> 0:47:30.400
<v Speaker 4>he would have Either way, I'm restretching this out a

0:47:30.440 --> 0:47:33.880
<v Speaker 4>little longer than it needs to be, but nevertheless, but no,

0:47:34.000 --> 0:47:36.239
<v Speaker 4>I thought this was This was good, and you know,

0:47:36.320 --> 0:47:40.359
<v Speaker 4>I think, uh, it was, you know, because I think

0:47:40.400 --> 0:47:42.200
<v Speaker 4>at this point that she put the rock in the sock.

0:47:44.840 --> 0:47:49.439
<v Speaker 2>That was okay, okay, oh yeah we did actually because

0:47:49.440 --> 0:47:51.919
<v Speaker 2>she said she needs to be prepared for what they're

0:47:51.960 --> 0:47:53.520
<v Speaker 2>going too because they heard him getting beat up.

0:47:53.920 --> 0:47:58.399
<v Speaker 4>Yeah yeah, okay, okay, so so yeah, and I think

0:47:58.440 --> 0:48:01.239
<v Speaker 4>she used it on him too, which I like that

0:48:01.280 --> 0:48:04.920
<v Speaker 4>because it gives her some sort of you know, advantage

0:48:05.000 --> 0:48:06.400
<v Speaker 4>that she doesn't have physically.

0:48:07.360 --> 0:48:09.160
<v Speaker 1>But yeah, all this was good. I like how it

0:48:09.239 --> 0:48:09.560
<v Speaker 1>did this?

0:48:10.719 --> 0:48:11.200
<v Speaker 3>Could you like?

0:48:12.120 --> 0:48:13.040
<v Speaker 1>I did like it.

0:48:14.800 --> 0:48:17.880
<v Speaker 6>Because I again, it just feels like this is quality

0:48:18.120 --> 0:48:20.080
<v Speaker 6>writing because the whole time they're like, what the fuck

0:48:20.160 --> 0:48:20.719
<v Speaker 6>is going on?

0:48:21.320 --> 0:48:22.799
<v Speaker 1>But it's not like what the fuck is going on?

0:48:22.800 --> 0:48:26.080
<v Speaker 6>This is stupid, it's you're intrigued, because of course, I'm like,

0:48:26.120 --> 0:48:28.520
<v Speaker 6>why is this woman beating the shit out of this dude?

0:48:29.200 --> 0:48:30.960
<v Speaker 1>And then when you see he kind of likes it.

0:48:31.360 --> 0:48:33.960
<v Speaker 1>I'm like, oh, okay, so this is like a kink thing.

0:48:35.040 --> 0:48:36.960
<v Speaker 2>Then when you find that part, I it's like, just

0:48:37.040 --> 0:48:41.160
<v Speaker 2>this just keeps unraveling and getting weirder and weirder and weirder.

0:48:42.520 --> 0:48:44.560
<v Speaker 2>So yeah, the only thing that kind of threw me

0:48:44.600 --> 0:48:47.880
<v Speaker 2>off a little bit was because even if the lawyer

0:48:47.960 --> 0:48:51.760
<v Speaker 2>did want to tell, cutting out his tongue.

0:48:51.440 --> 0:48:53.879
<v Speaker 6>Doesn't prevent him from write it. You can write it down,

0:48:54.080 --> 0:48:56.120
<v Speaker 6>So it was more so just like a scare tactic.

0:48:56.680 --> 0:48:59.000
<v Speaker 6>I'm gonna even though you may not tell, I'm going

0:48:59.040 --> 0:49:01.359
<v Speaker 6>to remove your tongue. You know, if you do tell,

0:49:01.760 --> 0:49:04.279
<v Speaker 6>I can make this worse for you, which, by the way,

0:49:04.320 --> 0:49:05.360
<v Speaker 6>defense I just looked it up.

0:49:05.400 --> 0:49:06.560
<v Speaker 1>They do not have to tell them.

0:49:06.560 --> 0:49:09.320
<v Speaker 6>They're actually not supposed to because it's a violation of

0:49:09.360 --> 0:49:13.160
<v Speaker 6>a attorney client privilege, which.

0:49:12.960 --> 0:49:15.920
<v Speaker 1>Is insane insane to me.

0:49:16.280 --> 0:49:19.719
<v Speaker 2>But I think knowing that part makes this scene even

0:49:19.760 --> 0:49:23.839
<v Speaker 2>more interesting because he's removing your tongue knowing that you're

0:49:23.880 --> 0:49:27.560
<v Speaker 2>not even supposed to say anything anyway. So he just

0:49:27.640 --> 0:49:30.720
<v Speaker 2>probably did that shit for fun, just to prove a point,

0:49:31.600 --> 0:49:35.440
<v Speaker 2>had they established for y'all. Sterling Kate Brown's characters like Evil.

0:49:35.280 --> 0:49:38.960
<v Speaker 6>Absolutely the first time they showed him with his fucking

0:49:39.000 --> 0:49:41.200
<v Speaker 6>gray lips, I was like, oh, no, no, no, this

0:49:41.280 --> 0:49:44.239
<v Speaker 6>dude is insane, sterling Kate Brown is that good of

0:49:44.280 --> 0:49:45.799
<v Speaker 6>an actor where all you got to do is show

0:49:45.840 --> 0:49:48.520
<v Speaker 6>his lips And I'm like, oh, he's conveying a certain

0:49:48.560 --> 0:49:49.640
<v Speaker 6>type of person right now.

0:49:50.719 --> 0:49:51.200
<v Speaker 1>But nah.

0:49:51.280 --> 0:49:51.560
<v Speaker 4>Yeah.

0:49:51.600 --> 0:49:53.560
<v Speaker 6>This whole scene, and especially this is one of the

0:49:53.600 --> 0:49:56.120
<v Speaker 6>parts where I really laughed out loud, was when she

0:49:56.239 --> 0:49:56.759
<v Speaker 6>hit him with.

0:49:56.719 --> 0:49:58.440
<v Speaker 2>The rock and he's like, all right, man, I'll tell you.

0:50:01.040 --> 0:50:04.720
<v Speaker 2>I knew gonna take him. He's gonna take the hits.

0:50:04.880 --> 0:50:08.279
<v Speaker 2>He's been training for this. It took one hit and

0:50:08.320 --> 0:50:11.120
<v Speaker 2>he was like, no fun, that that was perfect.

0:50:11.160 --> 0:50:11.960
<v Speaker 1>That was perfect.

0:50:12.239 --> 0:50:17.120
<v Speaker 4>So and at this he also said told Raycine said

0:50:17.239 --> 0:50:21.160
<v Speaker 4>you have his eyes he did so, which you know,

0:50:21.200 --> 0:50:25.120
<v Speaker 4>you go back to her violently defending her sister and

0:50:25.280 --> 0:50:27.799
<v Speaker 4>all these others are her agreeing to do it. So

0:50:28.000 --> 0:50:30.840
<v Speaker 4>now you're looking at her as like, oh, you're a

0:50:30.920 --> 0:50:33.480
<v Speaker 4>part of the lineage as well, so you would be

0:50:33.520 --> 0:50:35.560
<v Speaker 4>the one to do it, and you're creating that further

0:50:35.640 --> 0:50:39.319
<v Speaker 4>the vibe between the two of them. Good and evil.

0:50:39.680 --> 0:50:41.160
<v Speaker 3>Agreed, right, did you like to see?

0:50:41.600 --> 0:50:41.799
<v Speaker 1>Yeah?

0:50:41.840 --> 0:50:44.000
<v Speaker 3>Yeah, for sure, the same reasons do you have the

0:50:44.040 --> 0:50:44.480
<v Speaker 3>eyes take?

0:50:44.560 --> 0:50:46.759
<v Speaker 2>I think throughout this FAMI they speak to the nature

0:50:46.840 --> 0:50:49.920
<v Speaker 2>versus nurture thing because they've never been around him. However,

0:50:50.000 --> 0:50:52.839
<v Speaker 2>she's picked up some of his traits. I really thought

0:50:52.880 --> 0:50:55.439
<v Speaker 2>that was an interesting, like little sidebard that they had.

0:50:55.880 --> 0:50:57.759
<v Speaker 2>But from they they leave the lawyer, they go on

0:50:57.800 --> 0:51:00.560
<v Speaker 2>the road trip, they're doing their twin thing, get in

0:51:00.560 --> 0:51:05.439
<v Speaker 2>an argument, and you hit his motivack motorcycle in the back.

0:51:06.640 --> 0:51:09.640
<v Speaker 3>He does mention that there's other twins. Oh yeah, he

0:51:09.680 --> 0:51:11.000
<v Speaker 3>told him about the other twins.

0:51:12.280 --> 0:51:16.680
<v Speaker 2>So they mentioned the other twins intriguing, Yes, exactly, like way, yeah, it's.

0:51:16.520 --> 0:51:18.759
<v Speaker 6>Like this dude, because you already knew about the one boy.

0:51:18.800 --> 0:51:20.600
<v Speaker 6>So at the time I was like, Okay, is that

0:51:20.719 --> 0:51:21.360
<v Speaker 6>I guess is he?

0:51:21.560 --> 0:51:23.880
<v Speaker 1>Is he a twin? Or is there another cycle?

0:51:23.880 --> 0:51:26.279
<v Speaker 3>What is going on? I thought it was another one?

0:51:26.440 --> 0:51:30.640
<v Speaker 2>Yeah, exactly church, but yeah, he mentioned that there are

0:51:30.640 --> 0:51:34.000
<v Speaker 2>other twins. They hit the road motorcycle approaches, y'all have

0:51:34.080 --> 0:51:35.080
<v Speaker 2>any idea who this is?

0:51:35.200 --> 0:51:37.879
<v Speaker 1>No, not at all.

0:51:38.040 --> 0:51:40.160
<v Speaker 6>I thought it might have been Randall until he got

0:51:40.160 --> 0:51:43.320
<v Speaker 6>off and I was like, that's not that's not Randall's statue,

0:51:43.360 --> 0:51:46.040
<v Speaker 6>That's not Randall stout trying. I can't say body type

0:51:46.120 --> 0:51:49.000
<v Speaker 6>for I was trying to the right word. But yeah,

0:51:49.000 --> 0:51:50.719
<v Speaker 6>I like, that's not Randall stature. I don't know who

0:51:50.719 --> 0:51:53.399
<v Speaker 6>the fuck this is. Thought it was him, but that

0:51:54.280 --> 0:51:55.600
<v Speaker 6>I think it was him till he I thought it

0:51:55.600 --> 0:51:57.080
<v Speaker 6>was him till he got the motorbike, and I was like, oh,

0:51:57.080 --> 0:51:57.440
<v Speaker 6>that's not right.

0:51:57.480 --> 0:51:58.759
<v Speaker 2>I thought it was one of the other one of

0:51:58.800 --> 0:52:00.800
<v Speaker 2>the twins. I thought it was there, not Rammed. I

0:52:00.800 --> 0:52:02.840
<v Speaker 2>thought it was the dude from the church. Oh really,

0:52:03.320 --> 0:52:05.400
<v Speaker 2>he didn't well, because you picked up that he was off.

0:52:05.440 --> 0:52:06.759
<v Speaker 2>I didn't pick up that he was off. I picked

0:52:06.840 --> 0:52:08.319
<v Speaker 2>up that he was off. I was thinking, like, who

0:52:08.360 --> 0:52:10.719
<v Speaker 2>else could it be? It could have been anybody, right,

0:52:10.719 --> 0:52:12.280
<v Speaker 2>I didn't know. I didn't think that they would introduce

0:52:12.360 --> 0:52:14.080
<v Speaker 2>us to a new character that way. Oh I did,

0:52:14.560 --> 0:52:20.080
<v Speaker 2>because I assumed Randall said somebody. Ye when it wasn't Randall,

0:52:20.120 --> 0:52:21.560
<v Speaker 2>I was like, that's someone Randall sent.

0:52:22.480 --> 0:52:23.800
<v Speaker 1>What's his name in this? In this movie?

0:52:24.880 --> 0:52:27.000
<v Speaker 6>I got some calls motherfucker Randa because other are gonna

0:52:27.000 --> 0:52:28.640
<v Speaker 6>be confused. Don't worry about it. Don't worry about it.

0:52:28.680 --> 0:52:29.799
<v Speaker 6>I'll look it up, y'all.

0:52:29.840 --> 0:52:30.200
<v Speaker 4>Go ahead.

0:52:30.800 --> 0:52:32.799
<v Speaker 3>So he chases the motorcycle.

0:52:32.840 --> 0:52:36.000
<v Speaker 2>They do the whole thing in that abandoned place where

0:52:36.040 --> 0:52:38.120
<v Speaker 2>they are Did this work for you, Rod? Did you

0:52:38.200 --> 0:52:41.040
<v Speaker 2>like the scene? Did you like how the intensity of

0:52:41.120 --> 0:52:41.920
<v Speaker 2>it is, the suspense.

0:52:42.880 --> 0:52:44.880
<v Speaker 5>I did like the intensity and suspense, And it was

0:52:44.920 --> 0:52:48.000
<v Speaker 5>believable because you know, he was he was like they

0:52:48.080 --> 0:52:50.439
<v Speaker 5>were they could have lost, like you know what I'm saying.

0:52:50.520 --> 0:52:52.160
<v Speaker 5>They showed that they could have lost, like you're not

0:52:52.160 --> 0:52:54.279
<v Speaker 5>gonna beat this guy, you know what I'm saying. Like so,

0:52:55.000 --> 0:52:58.319
<v Speaker 5>and I just like the intensity of like when they

0:52:58.320 --> 0:53:01.239
<v Speaker 5>were going around the tires and stuff, and then when

0:53:01.280 --> 0:53:02.960
<v Speaker 5>she thought he was gone, she popped.

0:53:02.719 --> 0:53:05.560
<v Speaker 3>Up and he was like behind her as it was dope.

0:53:05.719 --> 0:53:08.480
<v Speaker 2>Like I was like, man, this is done really well

0:53:09.120 --> 0:53:12.400
<v Speaker 2>and and so yeah, like and I liked because they

0:53:12.480 --> 0:53:15.880
<v Speaker 2>ended up both jumping him right and so yeah, yeah, man,

0:53:15.960 --> 0:53:19.279
<v Speaker 2>I thought they executed this this whole thing really well.

0:53:19.440 --> 0:53:23.040
<v Speaker 2>They used a twin things when they were fighting, like

0:53:23.080 --> 0:53:23.799
<v Speaker 2>to help each other.

0:53:24.239 --> 0:53:29.439
<v Speaker 4>Yeah, it created another obstacle for them to as well

0:53:29.560 --> 0:53:33.879
<v Speaker 4>by disabling the car and them having to go out

0:53:33.920 --> 0:53:38.200
<v Speaker 4>on foot. But yeah, the whole tire scene was really

0:53:38.239 --> 0:53:40.000
<v Speaker 4>good because when she got in the tire, the way

0:53:40.000 --> 0:53:43.040
<v Speaker 4>she was walking around and hiding. I was like, dang,

0:53:43.480 --> 0:53:46.799
<v Speaker 4>she probably just kept going. But when she got on

0:53:46.880 --> 0:53:50.239
<v Speaker 4>the tire, I was like, Okay, that's smart. And when

0:53:50.280 --> 0:53:51.799
<v Speaker 4>she saw walk off, was like, she can't be that

0:53:51.920 --> 0:53:55.880
<v Speaker 4>stupid and come up and think that he's gone. And

0:53:55.920 --> 0:53:57.800
<v Speaker 4>then she did. I was like, oh, she is that

0:53:57.840 --> 0:54:00.359
<v Speaker 4>stupid because he's right there. But they do it movies

0:54:00.400 --> 0:54:01.799
<v Speaker 4>a lot. But it made sense. They've never been in

0:54:01.800 --> 0:54:04.520
<v Speaker 4>this situation before. And I'm with you, Rod, I liked

0:54:04.520 --> 0:54:09.279
<v Speaker 4>that they showed that, you know that given the fact

0:54:09.320 --> 0:54:11.520
<v Speaker 4>that they'd never been in this situation before, like they

0:54:11.520 --> 0:54:15.040
<v Speaker 4>weren't gonna beat this guy either, you know, So there's

0:54:15.200 --> 0:54:21.279
<v Speaker 4>they were at a disadvantage in this situation even though

0:54:21.320 --> 0:54:23.359
<v Speaker 4>there were there were two of them and they had

0:54:23.400 --> 0:54:25.520
<v Speaker 4>to basically outsmart him and lot of them in there.

0:54:25.560 --> 0:54:27.200
<v Speaker 4>And then that was the reveal that it was. It

0:54:27.280 --> 0:54:31.160
<v Speaker 4>was the the sun and we show how crazy he

0:54:31.320 --> 0:54:34.680
<v Speaker 4>was and psychotic he was, and you know, willing to

0:54:34.800 --> 0:54:38.480
<v Speaker 4>kill them in order to protect the dad, which you know,

0:54:38.640 --> 0:54:42.600
<v Speaker 4>what does that sound like the Crusades? But either way,

0:54:43.120 --> 0:54:46.239
<v Speaker 4>all this was really really dope. And now because I

0:54:46.239 --> 0:54:47.440
<v Speaker 4>was like, ho, the hell he's going to get out

0:54:47.440 --> 0:54:49.640
<v Speaker 4>of there and is he going to come back the

0:54:49.680 --> 0:54:52.520
<v Speaker 4>rest of the film. But yeah, but how did he

0:54:52.560 --> 0:54:53.360
<v Speaker 4>find them? Anyway?

0:54:53.920 --> 0:54:55.080
<v Speaker 1>That was he had been trailing.

0:54:55.239 --> 0:54:57.560
<v Speaker 2>I guess I was assuming did he caught up with

0:54:57.640 --> 0:54:59.880
<v Speaker 2>them because you heard it in the background when she

0:55:00.040 --> 0:55:00.839
<v Speaker 2>up cutting the music down.

0:55:00.920 --> 0:55:02.640
<v Speaker 1>I take it back the card.

0:55:02.719 --> 0:55:04.759
<v Speaker 4>She had the card, so she probably figured out where

0:55:04.760 --> 0:55:06.640
<v Speaker 4>he was going to see the attorney.

0:55:06.800 --> 0:55:10.160
<v Speaker 6>Well, yeah, because he they stole the Little Black Book,

0:55:10.239 --> 0:55:11.839
<v Speaker 6>so he would have figured out where they were going.

0:55:12.800 --> 0:55:14.440
<v Speaker 6>Crazy thing. I just looked up the dude. He never

0:55:14.520 --> 0:55:17.520
<v Speaker 6>had a name. His name is man. Yeah, they never

0:55:17.560 --> 0:55:21.520
<v Speaker 6>actually gave me. That's why I said, we see in

0:55:21.520 --> 0:55:23.360
<v Speaker 6>something else. I just ain't figured it out yet.

0:55:23.600 --> 0:55:29.000
<v Speaker 1>Oh. I mean they're definitely making religious parallels parallels the

0:55:29.040 --> 0:55:30.960
<v Speaker 1>whole the whole movie, you know.

0:55:36.239 --> 0:55:39.520
<v Speaker 2>So now they're carless, they take I didn't like. I

0:55:39.520 --> 0:55:41.640
<v Speaker 2>didn't Okay, So when they found the water and then

0:55:41.680 --> 0:55:42.279
<v Speaker 2>they woke up.

0:55:42.160 --> 0:55:46.120
<v Speaker 6>On the bus, I still that part. Yeah, you don't

0:55:46.120 --> 0:55:48.440
<v Speaker 6>know what happened. I'm confed.

0:55:48.440 --> 0:55:50.560
<v Speaker 1>I was. I was really confused about that part.

0:55:51.080 --> 0:55:53.080
<v Speaker 6>And I didn't want to do like you and and

0:55:53.120 --> 0:55:54.440
<v Speaker 6>go look up her vis before this.

0:55:54.800 --> 0:55:58.440
<v Speaker 2>It wouldn't because there weren't any I showed. I was

0:55:58.480 --> 0:56:01.040
<v Speaker 2>looking at on explanations and it was none out there.

0:56:01.160 --> 0:56:04.319
<v Speaker 2>I don't know what this meant anything. This is one

0:56:04.320 --> 0:56:06.080
<v Speaker 2>of my small gripes cause I was like, what the.

0:56:06.000 --> 0:56:07.280
<v Speaker 4>Fun was that it just happened.

0:56:08.160 --> 0:56:09.239
<v Speaker 3>It wasn't a gripe for me.

0:56:09.320 --> 0:56:11.200
<v Speaker 5>I just felt like they just kind of use it

0:56:11.200 --> 0:56:14.319
<v Speaker 5>as a transition as that they you know, obviously what

0:56:14.360 --> 0:56:17.239
<v Speaker 5>they were saying is that, you know, they everything is

0:56:17.280 --> 0:56:22.439
<v Speaker 5>going well, but it wasn't. But it was going well though,

0:56:22.560 --> 0:56:25.360
<v Speaker 5>That's what I'm saying. Nothing was going well, but they

0:56:25.400 --> 0:56:27.880
<v Speaker 5>made it seem like they had overcame the situation. They

0:56:27.920 --> 0:56:31.879
<v Speaker 5>found water and then because she says it, and that's

0:56:31.880 --> 0:56:34.719
<v Speaker 5>how they wake up going too Yeah, yeah, this is.

0:56:34.680 --> 0:56:36.480
<v Speaker 6>Going too well and they wake up on the bus.

0:56:36.480 --> 0:56:41.960
<v Speaker 6>So which where my thing was? Where did the illusions start?

0:56:42.320 --> 0:56:42.520
<v Speaker 1>See?

0:56:42.920 --> 0:56:45.720
<v Speaker 3>I can't remember the sequences.

0:56:45.760 --> 0:56:49.440
<v Speaker 6>That's what I'm saying exactly exactly. So it's not it's

0:56:49.520 --> 0:56:52.080
<v Speaker 6>a gripe. But it's not like it bothered me with

0:56:52.120 --> 0:56:53.680
<v Speaker 6>the film. It was more so just like what the

0:56:53.680 --> 0:56:55.439
<v Speaker 6>fuck was that? In that moment, I was like, damn,

0:56:55.480 --> 0:56:57.400
<v Speaker 6>what happened? And that was over it quickly.

0:56:57.719 --> 0:56:58.560
<v Speaker 1>I wasn't.

0:56:58.680 --> 0:57:00.799
<v Speaker 6>I was waiting for them to blame it, because then

0:57:00.800 --> 0:57:03.000
<v Speaker 6>I thought I was like, Okay, this whole fucking movie

0:57:03.320 --> 0:57:06.319
<v Speaker 6>from here out going to be a dream sequence, which

0:57:06.320 --> 0:57:09.040
<v Speaker 6>I would have been okay with, I guess, but when

0:57:09.080 --> 0:57:10.880
<v Speaker 6>they don't ever go back to it by the end

0:57:10.880 --> 0:57:12.239
<v Speaker 6>of the film, I was just like, Okay, I don't

0:57:12.320 --> 0:57:16.640
<v Speaker 6>understand why they did that. It didn't benefit the film

0:57:16.760 --> 0:57:19.640
<v Speaker 6>in any way really, so I don't get it. There

0:57:19.680 --> 0:57:20.720
<v Speaker 6>has to be a reason though.

0:57:20.720 --> 0:57:23.080
<v Speaker 1>It couldn't. It couldn't just be a transition.

0:57:25.200 --> 0:57:30.120
<v Speaker 6>The scene before was when they they they just like yeah, right,

0:57:30.160 --> 0:57:32.840
<v Speaker 6>and then they just ran off into the field, okay,

0:57:34.160 --> 0:57:36.200
<v Speaker 6>And the scene is I'm pretty sure they're like running

0:57:36.200 --> 0:57:38.160
<v Speaker 6>hand in hand, maybe going through the field, and then

0:57:38.200 --> 0:57:40.960
<v Speaker 6>they see water, and the only reference to water is

0:57:41.000 --> 0:57:44.520
<v Speaker 6>they constantly have to keep rubbing the water on their burns.

0:57:44.920 --> 0:57:47.240
<v Speaker 1>Yeah, but I just didn't. I don't know.

0:57:47.280 --> 0:57:50.560
<v Speaker 2>I don't get in this movie, they peel a lot.

0:57:50.720 --> 0:57:52.760
<v Speaker 3>Yeah, they kept showing them paying for some reason. I

0:57:52.800 --> 0:57:55.400
<v Speaker 3>don't that's what I remember.

0:57:55.400 --> 0:57:59.160
<v Speaker 1>One of them. I remember one scene, yeah, like.

0:57:59.240 --> 0:58:02.480
<v Speaker 2>It was when because it just starts sticking out to

0:58:02.520 --> 0:58:04.360
<v Speaker 2>me because they're usually don't show that they're movies.

0:58:04.400 --> 0:58:05.800
<v Speaker 3>It's like, so I feel like they was doing it

0:58:05.840 --> 0:58:06.400
<v Speaker 3>for a reason.

0:58:06.520 --> 0:58:07.040
<v Speaker 1>I don't remember.

0:58:07.480 --> 0:58:09.520
<v Speaker 2>So they on the bus, they wake up from the bus.

0:58:10.520 --> 0:58:16.080
<v Speaker 2>How did they find the dad's house? Did I miss that?

0:58:17.000 --> 0:58:18.960
<v Speaker 3>Yeah?

0:58:19.040 --> 0:58:21.000
<v Speaker 2>The lawyer that got picked face and he gave it

0:58:21.000 --> 0:58:22.480
<v Speaker 2>to him and he told them when they was in Okay,

0:58:22.760 --> 0:58:24.000
<v Speaker 2>So from now on their head to the dance.

0:58:24.040 --> 0:58:25.520
<v Speaker 1>And they told him to go get a trade and said,

0:58:25.760 --> 0:58:27.880
<v Speaker 1>ladies alone, just go get you a job, to a

0:58:27.960 --> 0:58:29.840
<v Speaker 1>trade and leave this in the trouble. You won't just

0:58:29.880 --> 0:58:30.160
<v Speaker 1>go home.

0:58:30.200 --> 0:58:32.720
<v Speaker 2>That ship was funny to get to the house and

0:58:32.760 --> 0:58:36.760
<v Speaker 2>were introduced to the beautiful Victoria Money.

0:58:37.480 --> 0:58:39.600
<v Speaker 3>Mm hmm, is that is that Victoria?

0:58:39.920 --> 0:58:41.920
<v Speaker 1>What's the name? Who the fuck is Victoria Money's like,

0:58:42.360 --> 0:58:46.560
<v Speaker 1>that's an actor, No, it's not. It's a Victoria Money

0:58:46.600 --> 0:58:52.160
<v Speaker 1>too though who knows that? You know, he's not. It's

0:58:53.960 --> 0:58:58.560
<v Speaker 1>the line. It was not her beautiful.

0:59:01.200 --> 0:59:08.120
<v Speaker 2>She's incomparable god yeah, or.

0:59:10.120 --> 0:59:13.760
<v Speaker 3>Sexual chocolate. So oh, man, we're introduced to her.

0:59:13.960 --> 0:59:15.880
<v Speaker 2>We see the whole scenario that she has going on

0:59:15.960 --> 0:59:19.960
<v Speaker 2>with Man's character and how he's abusing her as well.

0:59:20.320 --> 0:59:22.800
<v Speaker 2>She has a better life though it looks like everything

0:59:22.800 --> 0:59:25.600
<v Speaker 2>they wanted he's done something to be successful, and we

0:59:25.720 --> 0:59:28.000
<v Speaker 2>introduced to the other set of twins as well.

0:59:28.840 --> 0:59:29.480
<v Speaker 3>Did y'all like.

0:59:31.480 --> 0:59:35.400
<v Speaker 2>Janelle Monett's story and the introduction of the new twins.

0:59:36.040 --> 0:59:36.920
<v Speaker 1>Yeah, I liked all of this.

0:59:38.120 --> 0:59:39.160
<v Speaker 3>I like, I liked all of this.

0:59:39.640 --> 0:59:39.760
<v Speaker 1>Uh.

0:59:41.640 --> 0:59:43.880
<v Speaker 3>I knew the twins thing was probably gonna be interesting.

0:59:44.960 --> 0:59:47.840
<v Speaker 5>I think when they were showing them Monette's character, you

0:59:47.920 --> 0:59:52.600
<v Speaker 5>saw flashes of well, you kind of understood the hell

0:59:52.720 --> 0:59:55.080
<v Speaker 5>she's probably been through being his wife, and then we

0:59:55.120 --> 0:59:57.480
<v Speaker 5>already have the references of how you treated this first two.

0:59:58.280 --> 1:00:01.600
<v Speaker 5>So her wanted to leave, and I think it was

1:00:01.640 --> 1:00:03.560
<v Speaker 5>a I thought it was interesting how they had the

1:00:03.600 --> 1:00:06.520
<v Speaker 5>person that was going through it narrating, because it was

1:00:06.560 --> 1:00:09.880
<v Speaker 5>her narrating her part, right, and so yeah, she was

1:00:09.920 --> 1:00:11.880
<v Speaker 5>just saying, yeah, this is just you know, you would

1:00:11.880 --> 1:00:13.640
<v Speaker 5>think this is just one regular day, but this is

1:00:13.640 --> 1:00:15.280
<v Speaker 5>the day that she decides to leave.

1:00:15.920 --> 1:00:17.720
<v Speaker 3>So I'm just like, damn, this is this is dope

1:00:18.120 --> 1:00:18.520
<v Speaker 3>or whatever.

1:00:20.240 --> 1:00:26.240
<v Speaker 4>And what she's leaving by Troy, Well, I think Vivica

1:00:26.320 --> 1:00:28.960
<v Speaker 4>left too, and he came back but just put a

1:00:29.000 --> 1:00:34.520
<v Speaker 4>restrain order on him. Yeah yeah, yeah, but vivocals also

1:00:34.600 --> 1:00:38.240
<v Speaker 4>left her twins too, you know, and you know, I

1:00:38.240 --> 1:00:44.920
<v Speaker 4>think at this point we left them left, so it's

1:00:44.920 --> 1:00:47.760
<v Speaker 4>still a similar situation of the mom leaving the kids.

1:00:48.000 --> 1:00:53.000
<v Speaker 1>Be different circumstances, but the same results.

1:00:53.120 --> 1:00:57.360
<v Speaker 4>And you know, at this point, you know, you see

1:00:57.360 --> 1:01:01.480
<v Speaker 4>the twins, and the twins are of course different physically

1:01:02.360 --> 1:01:07.680
<v Speaker 4>and personality wise, which late, well, yeah, I'll wait till

1:01:07.720 --> 1:01:11.480
<v Speaker 4>we get there. And but she's willing to leave them

1:01:11.480 --> 1:01:15.280
<v Speaker 4>behind and escape from the situation that she's in.

1:01:15.360 --> 1:01:17.200
<v Speaker 1>I thought that that was her money, not his.

1:01:18.240 --> 1:01:20.640
<v Speaker 4>Really, yeah, I don't know why, but I thought that

1:01:20.640 --> 1:01:22.760
<v Speaker 4>that was all her situation and he was he was

1:01:22.800 --> 1:01:24.400
<v Speaker 4>basically living with her.

1:01:26.480 --> 1:01:29.680
<v Speaker 2>But yeah, I picked it up as he had gotten successful,

1:01:29.720 --> 1:01:33.760
<v Speaker 2>as something provided this life for his other family that

1:01:33.800 --> 1:01:37.640
<v Speaker 2>they never got. But they also lived through the same hell.

1:01:38.600 --> 1:01:44.040
<v Speaker 4>She guy like that man, he's fine and uses woman

1:01:44.240 --> 1:01:47.600
<v Speaker 4>to his benefit when they don't as serve him, then

1:01:47.640 --> 1:01:50.200
<v Speaker 4>he goes find somebody else. That's what I was thinking

1:01:50.280 --> 1:01:54.040
<v Speaker 4>that his character was. And uh, and that's why I

1:01:54.080 --> 1:01:56.440
<v Speaker 4>thought that he just he just hit the jackpot this time,

1:01:56.440 --> 1:01:58.800
<v Speaker 4>which is why he was still around, especially what he

1:01:58.800 --> 1:02:00.680
<v Speaker 4>said about the kids, like the kids going to be something.

1:02:00.680 --> 1:02:02.200
<v Speaker 4>So they also gave further and seen him to be

1:02:02.240 --> 1:02:04.760
<v Speaker 4>around too as well, So that's what I was thinking.

1:02:04.800 --> 1:02:09.200
<v Speaker 4>But we I don't know. That's just no guys like that.

1:02:09.440 --> 1:02:11.640
<v Speaker 6>Y'all left out that she was peeing in that bottle

1:02:12.120 --> 1:02:13.720
<v Speaker 6>and then spraying on his glasses.

1:02:15.640 --> 1:02:18.560
<v Speaker 1>You didn't catch that? No, wait, did the one of

1:02:18.640 --> 1:02:20.520
<v Speaker 1>y'all caught that? Oh?

1:02:20.560 --> 1:02:25.080
<v Speaker 6>So that is the other side of pen. Yeah, she

1:02:25.240 --> 1:02:27.440
<v Speaker 6>was peeing in a spray. How did y'all not see this?

1:02:27.760 --> 1:02:29.760
<v Speaker 2>She was spring she was peeing a spray, but I

1:02:29.760 --> 1:02:32.240
<v Speaker 2>remember seeing it, and then she was spraying it on

1:02:32.320 --> 1:02:33.160
<v Speaker 2>his glasses.

1:02:34.320 --> 1:02:36.919
<v Speaker 1>So that was her way of like getting back in him.

1:02:37.280 --> 1:02:41.040
<v Speaker 1>Oh my god. And she's so bizarre, Like that's why I.

1:02:41.000 --> 1:02:45.080
<v Speaker 2>Didn't even It's hilarious y'all picked up my motherfucker blanket

1:02:45.200 --> 1:02:47.440
<v Speaker 2>because I missed that. But I saw her peeing in

1:02:47.440 --> 1:02:51.280
<v Speaker 2>that bottle. I saw the scene, but I didn't connected.

1:02:51.360 --> 1:02:54.680
<v Speaker 1>I didn't see that. I ain't connected again.

1:02:55.800 --> 1:02:58.200
<v Speaker 6>This person I forget her name already, the person that

1:02:58.240 --> 1:03:01.160
<v Speaker 6>wrote and directed she's killing it because this is some

1:03:01.400 --> 1:03:07.000
<v Speaker 6>bizarre ship and it's like why why, Yeah, she's she's

1:03:07.440 --> 1:03:08.880
<v Speaker 6>she needs to do more ship because this was this

1:03:08.920 --> 1:03:12.320
<v Speaker 6>was great, but yeah, this was like what But yeah,

1:03:12.360 --> 1:03:17.400
<v Speaker 6>the whole thing with Janelle Monet was so good, how

1:03:17.520 --> 1:03:20.640
<v Speaker 6>saditty she was, how boogie she was. But yeah, the

1:03:20.640 --> 1:03:24.160
<v Speaker 6>fact that she was also leaving her kids, I was like,

1:03:24.240 --> 1:03:25.720
<v Speaker 6>what are they trying to say here?

1:03:26.920 --> 1:03:31.320
<v Speaker 3>I know she was like, y'all picked the worst day.

1:03:32.040 --> 1:03:34.520
<v Speaker 1>Yes, I was almost gone.

1:03:34.960 --> 1:03:37.479
<v Speaker 2>I was almost in the y'all two little motherfuckers sitting

1:03:37.480 --> 1:03:39.760
<v Speaker 2>in the middle of the street acting like y'all can't talk.

1:03:40.480 --> 1:03:41.800
<v Speaker 4>Because she drove around.

1:03:42.320 --> 1:03:46.120
<v Speaker 1>That's what I said. Think about a bougie Karen.

1:03:46.360 --> 1:03:48.600
<v Speaker 6>Would a bougie Karen just drive around or would they

1:03:48.680 --> 1:03:50.320
<v Speaker 6>stop and be like, get out.

1:03:50.200 --> 1:03:50.680
<v Speaker 3>Of my way.

1:03:50.800 --> 1:03:55.000
<v Speaker 1>I think a bougie Karen would have drive around. I don't.

1:03:55.040 --> 1:03:56.640
<v Speaker 1>I think a bougie Karen would demand that you get

1:03:56.640 --> 1:03:56.880
<v Speaker 1>out of.

1:03:58.720 --> 1:03:59.000
<v Speaker 4>Around.

1:03:59.120 --> 1:03:59.240
<v Speaker 2>Now.

1:03:59.520 --> 1:04:01.440
<v Speaker 4>He could have jumped up and ran in front of it,

1:04:01.560 --> 1:04:04.520
<v Speaker 4>so you know how successful it would have been. But

1:04:04.520 --> 1:04:05.680
<v Speaker 4>I was like, just drive around.

1:04:06.040 --> 1:04:08.280
<v Speaker 6>I thought that until I thought about the character that

1:04:08.320 --> 1:04:10.800
<v Speaker 6>they were trying to portray with Janelle Monet. She's not

1:04:11.000 --> 1:04:13.880
<v Speaker 6>gonna just drive her car off the road and go.

1:04:13.960 --> 1:04:16.560
<v Speaker 6>She's gonna be like, just get out of my way.

1:04:16.720 --> 1:04:18.200
<v Speaker 6>I deserve to go this way.

1:04:18.320 --> 1:04:19.760
<v Speaker 1>Just move type.

1:04:20.320 --> 1:04:22.840
<v Speaker 2>That's the type of energy she was on the whole time. Yeah,

1:04:24.360 --> 1:04:26.320
<v Speaker 2>they brought it out of they brought the Karen out

1:04:26.320 --> 1:04:28.400
<v Speaker 2>of it. She was doing well and maintaining it at

1:04:28.440 --> 1:04:30.080
<v Speaker 2>first until she spit on it.

1:04:30.720 --> 1:04:31.960
<v Speaker 3>Oh my god.

1:04:32.520 --> 1:04:38.080
<v Speaker 1>Yeah that was that was good. That was funny. I

1:04:38.080 --> 1:04:38.920
<v Speaker 1>wouldn't have liked this.

1:04:39.080 --> 1:04:39.800
<v Speaker 4>They did good.

1:04:39.840 --> 1:04:43.560
<v Speaker 1>They did it really well. Is spinning.

1:04:46.360 --> 1:04:51.320
<v Speaker 4>I was absolutely in love with racing by this. Yeah,

1:04:51.640 --> 1:04:54.720
<v Speaker 4>she was fucking killing it.

1:04:54.960 --> 1:04:57.280
<v Speaker 3>She's the whole movie.

1:04:57.800 --> 1:04:58.360
<v Speaker 1>Where's she from?

1:04:58.400 --> 1:04:59.600
<v Speaker 3>I feel like she's on something else.

1:04:59.640 --> 1:05:00.880
<v Speaker 4>I don't no, but she was.

1:05:00.880 --> 1:05:03.520
<v Speaker 6>An isle of boost and the isle of Boosters. The

1:05:03.600 --> 1:05:08.200
<v Speaker 6>other the show that that Boots Riley did. Oh, I

1:05:08.240 --> 1:05:09.960
<v Speaker 6>didn't really care for the.

1:05:11.480 --> 1:05:14.920
<v Speaker 4>Virgo. Yeah, yeah, she was in that, but I don't remember.

1:05:14.960 --> 1:05:17.960
<v Speaker 4>But she was absolutely killing it. The dialogue was perfect.

1:05:18.120 --> 1:05:21.000
<v Speaker 4>All of the twin stuff that the kids say nowadays

1:05:21.480 --> 1:05:24.280
<v Speaker 4>over and over again, twin twin, twin twin that, so

1:05:24.320 --> 1:05:28.040
<v Speaker 4>it makes it relatable to that generation as well, so

1:05:28.240 --> 1:05:29.360
<v Speaker 4>it's very current.

1:05:30.280 --> 1:05:31.959
<v Speaker 1>But man, just.

1:05:32.720 --> 1:05:36.520
<v Speaker 4>All of the dialogue, the ship, she was saying, bro,

1:05:36.800 --> 1:05:39.840
<v Speaker 4>and then when she was like oh she was ready

1:05:39.880 --> 1:05:43.520
<v Speaker 4>to square and she just started walking around. I absolutely

1:05:43.920 --> 1:05:47.640
<v Speaker 4>love this fucking scene. At this point, I was like this,

1:05:47.640 --> 1:05:48.840
<v Speaker 4>this is my fucking movie. Bro.

1:05:48.920 --> 1:05:52.080
<v Speaker 2>She's like, y'all ghetto booge your ghetto ass. Mama didn't

1:05:52.120 --> 1:05:55.720
<v Speaker 2>do it when she started going in. Yeah, that just

1:05:55.800 --> 1:05:59.080
<v Speaker 2>kind of backed up the black care. Yeah, because she

1:05:59.200 --> 1:06:01.280
<v Speaker 2>really tried to hold it out. So they killed her.

1:06:01.760 --> 1:06:04.240
<v Speaker 2>But y'all expecting that, you'll thought that was gonna happen, right, Yeah, Yeah,

1:06:04.240 --> 1:06:05.040
<v Speaker 2>that's pretty much.

1:06:05.560 --> 1:06:08.440
<v Speaker 3>When she spent in her face, she did, and I

1:06:08.480 --> 1:06:09.440
<v Speaker 3>thought she was still alive.

1:06:09.600 --> 1:06:11.760
<v Speaker 2>The theater reaction, they kind of made it seem like

1:06:11.800 --> 1:06:14.200
<v Speaker 2>she was, but no, they Yeah, they never really.

1:06:14.240 --> 1:06:15.920
<v Speaker 1>I don't think they ever really said if she was

1:06:15.960 --> 1:06:16.880
<v Speaker 1>still alive or dead.

1:06:17.280 --> 1:06:20.560
<v Speaker 4>Never because she yeah confirmed later but when she said

1:06:20.680 --> 1:06:22.240
<v Speaker 4>the only reason she was talking to me, like the

1:06:22.320 --> 1:06:25.360
<v Speaker 4>only reason I'm stopping is because you know my sister

1:06:25.480 --> 1:06:26.400
<v Speaker 4>or something, she said.

1:06:26.400 --> 1:06:28.320
<v Speaker 6>Yeah, I was like, oh, she left her alive, but

1:06:28.360 --> 1:06:30.080
<v Speaker 6>that's what I'm saying. So they didn't really confirm that

1:06:30.120 --> 1:06:30.560
<v Speaker 6>she's dead.

1:06:30.640 --> 1:06:32.400
<v Speaker 2>Later on man asked him and they were like, well,

1:06:32.400 --> 1:06:34.960
<v Speaker 2>we killed your wife, we killed your brothers, but they

1:06:35.040 --> 1:06:35.760
<v Speaker 2>didn't confirm it.

1:06:35.960 --> 1:06:40.680
<v Speaker 4>No, yeah, well she was she probably she was dead,

1:06:40.800 --> 1:06:43.480
<v Speaker 4>and the theater reaction when she spinning her face.

1:06:44.760 --> 1:06:51.160
<v Speaker 1>Yeah, I was like, yeah, I was like, my whole.

1:06:50.920 --> 1:06:54.120
<v Speaker 3>Theater was like it was it was so fun.

1:06:54.240 --> 1:06:56.560
<v Speaker 1>Trouble I did kind of this is just a me thing.

1:06:56.600 --> 1:06:58.160
<v Speaker 6>I did kind of start to get annoyed a little

1:06:58.160 --> 1:07:00.200
<v Speaker 6>bit that they kept doing all the good stuff off

1:07:00.200 --> 1:07:06.200
<v Speaker 6>the screen. Well, I know, because you you know, I'm

1:07:06.200 --> 1:07:06.880
<v Speaker 6>about that life.

1:07:07.000 --> 1:07:09.520
<v Speaker 2>I like when I like when you can creatively still

1:07:09.640 --> 1:07:10.280
<v Speaker 2>kind of feel it.

1:07:10.440 --> 1:07:12.440
<v Speaker 1>But did a lot. They did it a lot.

1:07:12.440 --> 1:07:16.960
<v Speaker 6>They did like every good kill was kind of off screen,

1:07:17.960 --> 1:07:20.680
<v Speaker 6>you know, like we saw I don't know it was. Again,

1:07:20.880 --> 1:07:23.280
<v Speaker 6>it's not a gripe, so Reddit, shut the fuck up.

1:07:23.320 --> 1:07:26.880
<v Speaker 6>It's not a gripe. It's just, you know, I'm morbid

1:07:26.920 --> 1:07:29.240
<v Speaker 6>like that. I want to notice see this ship.

1:07:29.480 --> 1:07:31.240
<v Speaker 4>I thought we were going to see her face.

1:07:31.480 --> 1:07:34.240
<v Speaker 2>Yeah if you you ain't got to show the rock hit,

1:07:34.640 --> 1:07:36.640
<v Speaker 2>but just show her mangled up ass face. I ain't

1:07:36.640 --> 1:07:39.680
<v Speaker 2>never seen Jenelle Mohen. They look mangled up. Kind of

1:07:39.680 --> 1:07:42.640
<v Speaker 2>wonder what that would look like. All right, So they

1:07:42.680 --> 1:07:45.240
<v Speaker 2>make it back to the house and the two twin

1:07:45.360 --> 1:07:48.840
<v Speaker 2>brothers meet the two twin sisters, but they as soon

1:07:48.880 --> 1:07:49.680
<v Speaker 2>that they're strippers.

1:07:50.480 --> 1:07:55.880
<v Speaker 1>This threw me off too, really, yes, this threw me off.

1:07:57.920 --> 1:08:01.840
<v Speaker 1>Speak what he said, he don't like strippers.

1:08:02.880 --> 1:08:04.800
<v Speaker 4>Why would they assume that they're strippers? Yo?

1:08:09.520 --> 1:08:11.400
<v Speaker 1>I know Rod acting like he don't see it no more.

1:08:12.120 --> 1:08:15.880
<v Speaker 6>But there's no way I'm gonna be sitting at the

1:08:15.920 --> 1:08:19.920
<v Speaker 6>house and a woman who has suffered multiple degrees of

1:08:19.960 --> 1:08:22.760
<v Speaker 6>burns shows up and says, I'm the stripper, so and

1:08:22.840 --> 1:08:23.360
<v Speaker 6>so hired.

1:08:23.680 --> 1:08:26.639
<v Speaker 2>I'm gonna be like, Okay, this is interesting. What's going

1:08:26.680 --> 1:08:29.240
<v Speaker 2>on here? You're gonna be like, oh, okay, cool, Yeah,

1:08:29.240 --> 1:08:30.320
<v Speaker 2>come on in, this is normal.

1:08:31.400 --> 1:08:34.160
<v Speaker 4>And he then they didn't even say that they were stripping.

1:08:34.240 --> 1:08:36.519
<v Speaker 4>They were just they assumed and they said, oh, you

1:08:36.520 --> 1:08:38.200
<v Speaker 4>guys are stripping, and they just like, I bet if

1:08:38.240 --> 1:08:41.200
<v Speaker 4>you think that cool, that'll get us in the house. Yeah.

1:08:41.400 --> 1:08:43.760
<v Speaker 6>I did think it was interesting that that they did

1:08:43.920 --> 1:08:46.880
<v Speaker 6>eventually bring up the fact that he called the other

1:08:46.960 --> 1:08:50.680
<v Speaker 6>girl who what is Racine's sister's name? The other the

1:08:50.680 --> 1:08:54.719
<v Speaker 6>they keep bringing up a Naya. Yes, they don't even

1:08:54.800 --> 1:08:58.400
<v Speaker 6>reference Anaya being burnt up until further into the scene.

1:08:59.120 --> 1:09:02.840
<v Speaker 6>So it was just interesting to this point when why

1:09:02.920 --> 1:09:04.840
<v Speaker 6>how they're how and why they're doing this.

1:09:06.000 --> 1:09:08.240
<v Speaker 5>I just figured that, like, because he was just like

1:09:08.240 --> 1:09:11.479
<v Speaker 5>this guy dad written all over it. Why I don't know,

1:09:11.560 --> 1:09:14.160
<v Speaker 5>like he probably would just do some some some.

1:09:14.040 --> 1:09:18.280
<v Speaker 3>Weird shit like that is what I'm That's that's what

1:09:18.360 --> 1:09:19.000
<v Speaker 3>I'm assuming.

1:09:19.439 --> 1:09:23.719
<v Speaker 2>I think he was excited even he ignored the burn

1:09:23.800 --> 1:09:28.400
<v Speaker 2>poet because you got strippers, Like that's the kind of

1:09:28.439 --> 1:09:30.000
<v Speaker 2>personality he gave off to me.

1:09:31.080 --> 1:09:32.840
<v Speaker 3>When his friend said something.

1:09:32.680 --> 1:09:36.120
<v Speaker 2>He did get that personality off of me, because, like

1:09:36.160 --> 1:09:38.200
<v Speaker 2>you said, he immediately jumped to them being strippers and

1:09:38.200 --> 1:09:39.599
<v Speaker 2>think dad doing it for their birthday.

1:09:39.680 --> 1:09:43.120
<v Speaker 3>He ain't even in the moment to be looking at her.

1:09:43.360 --> 1:09:47.559
<v Speaker 2>Burn shit, right, But so he was even more excited

1:09:47.600 --> 1:09:49.879
<v Speaker 2>about the very.

1:09:49.680 --> 1:09:52.720
<v Speaker 4>Beginning of the movie. There was an immediate reaction to her.

1:09:53.240 --> 1:09:56.160
<v Speaker 4>Everybody has a reaction when.

1:09:56.000 --> 1:09:58.760
<v Speaker 6>Except this guy who doesn't give a reaction to like

1:09:58.800 --> 1:09:59.479
<v Speaker 6>ten minutes.

1:09:59.320 --> 1:10:00.000
<v Speaker 1>Later doesn't fit.

1:10:00.160 --> 1:10:02.479
<v Speaker 2>Only when his friend said, so, I just think that

1:10:02.479 --> 1:10:05.280
<v Speaker 2>that's how overly horny he was. Like he seemed like

1:10:05.280 --> 1:10:07.839
<v Speaker 2>that type of person who just it don't matter.

1:10:10.000 --> 1:10:13.400
<v Speaker 6>Over He seemed more like the type that would be like, okay,

1:10:13.520 --> 1:10:15.599
<v Speaker 6>you can say, you gotta know he.

1:10:15.640 --> 1:10:18.400
<v Speaker 1>Was an asshole. He was so no, I think there

1:10:18.479 --> 1:10:20.479
<v Speaker 1>was go but I definitely let it go.

1:10:20.800 --> 1:10:23.120
<v Speaker 4>I'm like, okay, y'all not going to just address this.

1:10:23.439 --> 1:10:25.040
<v Speaker 6>I think they were trying to say something again, but

1:10:25.040 --> 1:10:27.120
<v Speaker 6>I'm kind of with you, Spike, I don't know what

1:10:27.160 --> 1:10:29.080
<v Speaker 6>the what they were trying to say in this moment.

1:10:29.240 --> 1:10:31.879
<v Speaker 6>It wasn't bad because I wasn't like this is stupid,

1:10:31.880 --> 1:10:35.080
<v Speaker 6>it makes no sense. It was more so like this

1:10:35.160 --> 1:10:38.760
<v Speaker 6>doesn't make sense. I'm missing it. I'm missing it. There's

1:10:38.760 --> 1:10:40.320
<v Speaker 6>something here that I'm not catching.

1:10:40.400 --> 1:10:41.439
<v Speaker 3>I couldn't agree with you there.

1:10:41.520 --> 1:10:44.200
<v Speaker 6>So Reddit helped me help me. I know, y'all figure

1:10:44.200 --> 1:10:45.960
<v Speaker 6>stuff out sometimes that we don't.

1:10:46.040 --> 1:10:48.800
<v Speaker 4>So you definitely established that he has a relationship, that

1:10:48.840 --> 1:10:51.519
<v Speaker 4>the kids have a relationship with the dad.

1:10:51.760 --> 1:10:53.960
<v Speaker 2>Yeah, you know what you're gonna say, right, No, I

1:10:54.000 --> 1:10:55.479
<v Speaker 2>don't think y'all crazy for thinking that.

1:10:55.760 --> 1:10:58.240
<v Speaker 3>I get it, you know what I'm saying. But I

1:10:58.240 --> 1:10:58.960
<v Speaker 3>guess I think.

1:10:58.800 --> 1:11:02.439
<v Speaker 1>At this point for me, like you're just accepting everything.

1:11:02.640 --> 1:11:03.160
<v Speaker 3>I was just kind of.

1:11:03.120 --> 1:11:07.240
<v Speaker 5>Accepting everything one and then two, it's already been kind

1:11:07.240 --> 1:11:09.160
<v Speaker 5>of said that she can get a guy, but a

1:11:09.200 --> 1:11:10.720
<v Speaker 5>guy just you know what I'm saying, she got to

1:11:10.760 --> 1:11:12.960
<v Speaker 5>turn around or whatever. So kind of to your point

1:11:13.040 --> 1:11:15.120
<v Speaker 5>or whatever, he looking at body or whatever, like, Oh,

1:11:15.160 --> 1:11:18.240
<v Speaker 5>I mean I see the potential, but you know, and

1:11:18.280 --> 1:11:21.799
<v Speaker 5>then and then the part that I was saying earlier,

1:11:22.040 --> 1:11:24.639
<v Speaker 5>that's me though as a viewer. This guy just met her,

1:11:24.680 --> 1:11:26.759
<v Speaker 5>so he does he's not gonna have the same procession

1:11:26.760 --> 1:11:27.200
<v Speaker 5>as I do.

1:11:27.320 --> 1:11:29.800
<v Speaker 3>So so yeah, that's why I get what you guys

1:11:29.840 --> 1:11:30.280
<v Speaker 3>are saying.

1:11:30.320 --> 1:11:33.040
<v Speaker 5>It kind of was there for me, but I immediately

1:11:33.080 --> 1:11:34.679
<v Speaker 5>let it go for whatever reason.

1:11:34.800 --> 1:11:35.160
<v Speaker 1>I don't know.

1:11:35.200 --> 1:11:37.640
<v Speaker 5>I was just letting the cook like, yeah, you know

1:11:37.680 --> 1:11:39.160
<v Speaker 5>what I'm saying. I'm just like, Okay, she's gonna make

1:11:39.160 --> 1:11:40.960
<v Speaker 5>this make sense. She's made everything else make sense.

1:11:41.000 --> 1:11:41.599
<v Speaker 1>But she didn't.

1:11:42.040 --> 1:11:43.320
<v Speaker 3>Oh really no.

1:11:43.560 --> 1:11:44.880
<v Speaker 1>She never explained why.

1:11:44.920 --> 1:11:46.519
<v Speaker 2>He was just like, okay, yeah, come on in and

1:11:46.520 --> 1:11:48.400
<v Speaker 2>you're burnt, a no big deal, and I'm gonna discuss

1:11:48.439 --> 1:11:51.040
<v Speaker 2>it until the moment where I want to bring it

1:11:51.080 --> 1:11:52.519
<v Speaker 2>up and it's going to be the big scene.

1:11:53.320 --> 1:11:55.200
<v Speaker 3>It's because I thought she looked good.

1:11:55.479 --> 1:11:58.000
<v Speaker 5>I thought when they got dressed up and everything, and

1:11:58.080 --> 1:11:59.840
<v Speaker 5>like the way they had the lighting all of that,

1:11:59.920 --> 1:12:01.640
<v Speaker 5>I think they look good, which is like you just

1:12:01.640 --> 1:12:02.479
<v Speaker 5>gotta turn around.

1:12:02.560 --> 1:12:04.679
<v Speaker 1>No no, no, no, no no no before that.

1:12:05.160 --> 1:12:09.080
<v Speaker 6>But what I'm saying is I never connected why he

1:12:09.200 --> 1:12:12.880
<v Speaker 6>was so quick to accept that these two are these

1:12:12.880 --> 1:12:16.760
<v Speaker 6>two women are strippers, even though one of them is

1:12:16.880 --> 1:12:20.120
<v Speaker 6>completely burnt up. It never even phased him, like it didn't.

1:12:20.160 --> 1:12:21.600
<v Speaker 6>You didn't even see a look on his face of

1:12:21.720 --> 1:12:26.519
<v Speaker 6>like the fuck. It never phased him until they came out,

1:12:26.720 --> 1:12:29.080
<v Speaker 6>and then they were in the lingerie and that's when

1:12:29.120 --> 1:12:29.960
<v Speaker 6>the joke started.

1:12:31.439 --> 1:12:32.200
<v Speaker 1>That's what I'm saying.

1:12:32.400 --> 1:12:34.719
<v Speaker 4>Maybe because he was his boys now.

1:12:34.640 --> 1:12:38.479
<v Speaker 1>And theyuced him to be asked. I don't know, yeah,

1:12:38.920 --> 1:12:39.400
<v Speaker 1>to wait that.

1:12:39.760 --> 1:12:40.439
<v Speaker 4>Yeah, I don't know.

1:12:41.400 --> 1:12:42.000
<v Speaker 1>I don't look.

1:12:42.120 --> 1:12:44.639
<v Speaker 3>It is a it is a it is a slight.

1:12:44.720 --> 1:12:45.280
<v Speaker 3>I could see why.

1:12:45.280 --> 1:12:46.679
<v Speaker 1>It's just like right for you. It's not a gripe,

1:12:46.680 --> 1:12:48.519
<v Speaker 1>That's what I'm saying. Yeah, that's that's all. I make

1:12:48.640 --> 1:12:49.000
<v Speaker 1>very clear.

1:12:49.040 --> 1:12:51.880
<v Speaker 6>It's not even remotely a gripe. I'm more so griped

1:12:51.920 --> 1:12:54.840
<v Speaker 6>up myself because I don't get it. I think she's

1:12:54.880 --> 1:12:58.080
<v Speaker 6>saying something I just didn't. I don't know what it is. Yeah,

1:12:58.120 --> 1:12:59.679
<v Speaker 6>it wasn't a bad thing. It was like, I don't

1:12:59.680 --> 1:13:00.000
<v Speaker 6>get it.

1:13:00.160 --> 1:13:02.320
<v Speaker 2>Do you think it's like how people are into certain

1:13:02.400 --> 1:13:04.160
<v Speaker 2>kinks when it comes to like strippers and stuff like

1:13:04.280 --> 1:13:07.400
<v Speaker 2>uh the Claremont cl It used to be like people

1:13:08.040 --> 1:13:11.240
<v Speaker 2>be crippled, And I don't think cripples right right, damn.

1:13:13.720 --> 1:13:13.920
<v Speaker 4>Ship.

1:13:15.080 --> 1:13:17.800
<v Speaker 3>Just know what are they called?

1:13:19.920 --> 1:13:22.280
<v Speaker 1>It's the correct what correct.

1:13:23.560 --> 1:13:23.800
<v Speaker 4>Ship?

1:13:25.080 --> 1:13:27.840
<v Speaker 1>God man got called?

1:13:28.400 --> 1:13:31.320
<v Speaker 5>Like I can't even remember that because that's the first

1:13:31.320 --> 1:13:32.519
<v Speaker 5>thought I thought about with Claire.

1:13:32.560 --> 1:13:35.920
<v Speaker 1>But so they but you know what I'm saying though,

1:13:35.960 --> 1:13:37.720
<v Speaker 1>like it's for that part, that part.

1:13:38.479 --> 1:13:41.320
<v Speaker 2>So they go, they getting the lade, they dancing, they

1:13:41.360 --> 1:13:44.719
<v Speaker 2>invite their boys over. It's going down until he tells

1:13:46.280 --> 1:13:48.840
<v Speaker 2>one of the twins that turn around. Yeah, he tells

1:13:48.360 --> 1:13:50.439
<v Speaker 2>an He tells her to turn around.

1:13:50.760 --> 1:13:52.680
<v Speaker 1>That's heartbreak. It was.

1:13:52.880 --> 1:13:56.120
<v Speaker 2>It felt like they really did a great job of

1:13:56.520 --> 1:13:59.240
<v Speaker 2>making you as a viewer like this hit home. Yes,

1:13:59.439 --> 1:14:01.160
<v Speaker 2>Like she was I feel like she was kind of

1:14:01.160 --> 1:14:03.320
<v Speaker 2>starting to feel normal because no one had mentioned it

1:14:03.360 --> 1:14:06.040
<v Speaker 2>and she was there and she was she was proud,

1:14:06.160 --> 1:14:09.120
<v Speaker 2>she was feeling sexy. She was in this moment doing

1:14:09.120 --> 1:14:11.200
<v Speaker 2>what her sister was able to do, and these boys

1:14:11.200 --> 1:14:12.400
<v Speaker 2>seemed to be enjoying it.

1:14:12.439 --> 1:14:14.559
<v Speaker 3>And then boom, she's.

1:14:14.439 --> 1:14:17.320
<v Speaker 6>Like the moment she felt like she was normal exactly.

1:14:17.760 --> 1:14:20.639
<v Speaker 6>They killed it and that that was a powerful scene

1:14:20.640 --> 1:14:22.280
<v Speaker 6>thing it was. Did it hit for you, Ken?

1:14:24.040 --> 1:14:27.400
<v Speaker 4>Yeah? Yeah, yeah, it did it? Did? I mean you

1:14:27.400 --> 1:14:30.200
<v Speaker 4>you know you all pretty much said like she the

1:14:30.280 --> 1:14:33.000
<v Speaker 4>sense of normalcy and stuff, and how they were coming

1:14:33.040 --> 1:14:35.400
<v Speaker 4>in there and dancing, and you know, I was thinking

1:14:35.400 --> 1:14:37.360
<v Speaker 4>about like how they were dancing like in the Openness

1:14:37.360 --> 1:14:40.320
<v Speaker 4>scene they were being fun and now you know, dancing

1:14:40.360 --> 1:14:40.639
<v Speaker 4>on the.

1:14:40.600 --> 1:14:42.120
<v Speaker 1>Side and do all that stuff like that.

1:14:42.479 --> 1:14:44.840
<v Speaker 4>And now to get a chance to do this together

1:14:46.320 --> 1:14:49.840
<v Speaker 4>with these ulterior motives, which we don't really know fully

1:14:49.880 --> 1:14:52.960
<v Speaker 4>what they are, but it was enough to trigger old

1:14:52.960 --> 1:14:56.200
<v Speaker 4>girl racinge and it walked her off, so it gave

1:14:56.240 --> 1:14:59.439
<v Speaker 4>her the motivation she needed to commit that later on,

1:14:59.479 --> 1:15:01.760
<v Speaker 4>because remember she had promised not to kill anybody at

1:15:01.760 --> 1:15:02.160
<v Speaker 4>that point.

1:15:02.439 --> 1:15:03.360
<v Speaker 1>She didn't mean that shit.

1:15:03.960 --> 1:15:07.519
<v Speaker 4>I think she did really mean it.

1:15:07.720 --> 1:15:10.479
<v Speaker 1>I don't think okay, I like, I think she didn't

1:15:10.520 --> 1:15:13.000
<v Speaker 1>want her to leave. No, I think I think he's

1:15:13.080 --> 1:15:13.720
<v Speaker 1>she wanted to.

1:15:14.720 --> 1:15:18.960
<v Speaker 4>She wanted to mean it, but she's still her daddy

1:15:19.880 --> 1:15:24.439
<v Speaker 4>and she's always have been overly protective of the system.

1:15:24.520 --> 1:15:25.920
<v Speaker 4>So once he said it, and once she walked up,

1:15:25.920 --> 1:15:27.920
<v Speaker 4>I was like, Oh, that's she's out the door. Yeah,

1:15:27.960 --> 1:15:29.920
<v Speaker 4>it's it's a rap for him. He's dead. How she's

1:15:29.960 --> 1:15:34.040
<v Speaker 4>gonna do it? And she used like his weakness against him,

1:15:34.120 --> 1:15:36.760
<v Speaker 4>you know, his uh one of the seven sins Lust

1:15:36.840 --> 1:15:37.880
<v Speaker 4>right or whatever is that.

1:15:38.760 --> 1:15:41.280
<v Speaker 2>I think I understand now more why he didn't say

1:15:41.280 --> 1:15:43.840
<v Speaker 2>anything in the beginning as we talked it out, because

1:15:43.880 --> 1:15:46.559
<v Speaker 2>sex was on his mind, and he's thinking about sex,

1:15:47.080 --> 1:15:48.920
<v Speaker 2>and he's thinking that he's gonna get these strippers in here,

1:15:48.920 --> 1:15:50.280
<v Speaker 2>he's going to have sex with him. But as soon

1:15:50.320 --> 1:15:53.479
<v Speaker 2>as somebody else sees as it, mentions it, he resources

1:15:53.560 --> 1:15:56.080
<v Speaker 2>back to how everybody else looks at her, just like

1:15:56.080 --> 1:15:57.800
<v Speaker 2>the guy telling her, I can have sex with you

1:15:57.840 --> 1:16:00.880
<v Speaker 2>from behind, Like, so, I under you're staying your gripe,

1:16:00.880 --> 1:16:01.080
<v Speaker 2>and I.

1:16:03.760 --> 1:16:04.639
<v Speaker 3>Understand what you're saying.

1:16:04.680 --> 1:16:07.200
<v Speaker 2>And everybody else's immediate reaction to her, like the lady

1:16:07.240 --> 1:16:09.280
<v Speaker 2>at the office was like, oh, that kind of taken

1:16:09.320 --> 1:16:12.240
<v Speaker 2>her back. But for him, and we see his mindset,

1:16:12.400 --> 1:16:14.599
<v Speaker 2>as soon as he sees him, his mind goes straight

1:16:14.640 --> 1:16:18.040
<v Speaker 2>to six versus taking her for who she is. And

1:16:18.040 --> 1:16:20.360
<v Speaker 2>then when his boys say something, it's like, oh, yeah, yeah,

1:16:20.360 --> 1:16:20.720
<v Speaker 2>that's right.

1:16:20.880 --> 1:16:23.920
<v Speaker 6>I don't know, man, because I think most men when

1:16:23.920 --> 1:16:26.040
<v Speaker 6>they see women, their minds go to sex. That's how

1:16:26.080 --> 1:16:30.160
<v Speaker 6>they value women based on their attractiveness. So I don't

1:16:30.240 --> 1:16:34.040
<v Speaker 6>That still doesn't really reconcile to me, at least why

1:16:34.080 --> 1:16:36.920
<v Speaker 6>he acted like that in the moment of them showing up,

1:16:37.040 --> 1:16:39.600
<v Speaker 6>because I think, regardless of what they look like, his

1:16:40.560 --> 1:16:44.559
<v Speaker 6>mind would be like sex, How good do they look?

1:16:44.840 --> 1:16:46.679
<v Speaker 1>How fun would the sex be? That kind of thing.

1:16:47.240 --> 1:16:49.160
<v Speaker 1>But again, it's still not a big deal. I'm sure

1:16:49.160 --> 1:16:49.759
<v Speaker 1>it meant something.

1:16:49.800 --> 1:16:51.640
<v Speaker 6>Somebody will figure it out and explain it to me

1:16:51.680 --> 1:16:53.040
<v Speaker 6>at some point, but I did.

1:16:53.240 --> 1:16:54.599
<v Speaker 1>Overall, I did like the scene.

1:16:54.960 --> 1:17:00.800
<v Speaker 6>I don't think when Racing told Anaya that she wasn't

1:17:00.800 --> 1:17:03.040
<v Speaker 6>gonna kill anymore. I think she only told her that

1:17:03.040 --> 1:17:04.800
<v Speaker 6>so and I would not leave because an Ia was

1:17:04.840 --> 1:17:08.240
<v Speaker 6>threatening to take off by herself. I think the whole

1:17:08.240 --> 1:17:10.240
<v Speaker 6>time she was like, I'm not fucking following that, because

1:17:10.320 --> 1:17:13.759
<v Speaker 6>it didn't take anything for her to kill that dude.

1:17:13.800 --> 1:17:16.479
<v Speaker 6>When they got back to the spot, it didn't take

1:17:16.560 --> 1:17:20.200
<v Speaker 6>ship and she was like, okay, cool, let's go. But

1:17:20.280 --> 1:17:21.720
<v Speaker 6>I did like, how, oh wait, I guess we're not.

1:17:21.640 --> 1:17:24.280
<v Speaker 3>There none else. Well, we're just from a dancing scene

1:17:24.320 --> 1:17:25.639
<v Speaker 3>and her taking him back there.

1:17:25.520 --> 1:17:28.280
<v Speaker 1>So well, I was already my brain was already moving

1:17:28.320 --> 1:17:28.960
<v Speaker 1>on to the next scene.

1:17:28.960 --> 1:17:31.719
<v Speaker 2>Okay, Rod, did you have anything about the dancing scene

1:17:31.760 --> 1:17:34.640
<v Speaker 2>and how Anaya had to leave because he told her to.

1:17:35.960 --> 1:17:38.720
<v Speaker 5>No, I think they nailed just like like we already said, like,

1:17:38.760 --> 1:17:41.040
<v Speaker 5>you know, they did a good job executing this and

1:17:41.120 --> 1:17:43.480
<v Speaker 5>the set up to the end result.

1:17:45.240 --> 1:17:46.800
<v Speaker 3>Yeah, So did we go to the back room with

1:17:47.760 --> 1:17:49.639
<v Speaker 3>ray Sin or do we go to the kitchen with Anaya?

1:17:50.080 --> 1:17:50.519
<v Speaker 1>I think that was.

1:17:52.080 --> 1:17:55.400
<v Speaker 2>Yeah, okay, So let's talk about the kitchen with Anaya first.

1:17:54.920 --> 1:17:57.680
<v Speaker 2>Hid She thought that with the other twins, since he

1:17:57.800 --> 1:18:00.200
<v Speaker 2>was there by himself and she had found some one

1:18:00.280 --> 1:18:02.680
<v Speaker 2>even more so than with Racine who could understand her.

1:18:03.160 --> 1:18:06.360
<v Speaker 2>Because Racine is the loud, boisterous twins. She wanted to

1:18:06.400 --> 1:18:09.080
<v Speaker 2>get to set the tone and the Naya just follows her.

1:18:09.200 --> 1:18:11.320
<v Speaker 2>And she thought that this guy was the same way.

1:18:11.560 --> 1:18:13.360
<v Speaker 2>Did y'all pick up on it from him at all?

1:18:13.960 --> 1:18:17.000
<v Speaker 1>I thought he was the same way until it was yeah, yeah,

1:18:17.040 --> 1:18:17.719
<v Speaker 1>until he wasn't.

1:18:17.720 --> 1:18:20.479
<v Speaker 2>But yeah, I thought they set this up extremely well

1:18:20.520 --> 1:18:24.640
<v Speaker 2>because they kept they kept setting expectations and the completely

1:18:24.720 --> 1:18:29.280
<v Speaker 2>knocking them away. Like I thought she was gonna have

1:18:29.320 --> 1:18:32.240
<v Speaker 2>like a real bond with this guy because she came

1:18:32.280 --> 1:18:35.280
<v Speaker 2>off that way. She thought the same thing. She thought

1:18:35.280 --> 1:18:37.040
<v Speaker 2>she was gonna be able to run off of him.

1:18:37.040 --> 1:18:39.439
<v Speaker 2>She even considered that, did you like the kitchen seen?

1:18:39.880 --> 1:18:42.200
<v Speaker 5>Yeah, this is good. This is good to set up

1:18:43.160 --> 1:18:46.320
<v Speaker 5>of that one twin or whatever. Even with him asking

1:18:46.360 --> 1:18:48.519
<v Speaker 5>about the scars, He's like, oh, no, I didn't mean offend.

1:18:49.400 --> 1:18:53.320
<v Speaker 5>Like all of that was executed really really well. So yeah,

1:18:53.400 --> 1:18:56.080
<v Speaker 5>I like how they set up the bond here because

1:18:56.120 --> 1:18:59.280
<v Speaker 5>you know, it's like the parallel like with the twins,

1:18:59.360 --> 1:18:59.960
<v Speaker 5>y'all already meant.

1:19:00.240 --> 1:19:04.160
<v Speaker 3>So, yeah, the setup of this was great. Yeah to

1:19:04.280 --> 1:19:05.040
<v Speaker 3>what we get later.

1:19:05.280 --> 1:19:06.760
<v Speaker 2>I think a lot of stuff that happened in the

1:19:06.760 --> 1:19:09.439
<v Speaker 2>house they had a great setup for, Like when you

1:19:09.520 --> 1:19:11.519
<v Speaker 2>thought we were going one way, like Mike said, then

1:19:11.520 --> 1:19:13.320
<v Speaker 2>it's like a complete left turn.

1:19:14.320 --> 1:19:17.000
<v Speaker 3>Throughout the last twenty twenty.

1:19:16.680 --> 1:19:19.280
<v Speaker 2>Five minutes of the movie, Ken, did the kitchen scene

1:19:19.479 --> 1:19:21.479
<v Speaker 2>mean anything other than no, it did work.

1:19:22.240 --> 1:19:26.160
<v Speaker 4>You know, him being sort of the nerdy one, you know,

1:19:26.280 --> 1:19:30.040
<v Speaker 4>him not participating in all the the shenanigans that were

1:19:30.120 --> 1:19:34.120
<v Speaker 4>that were going on. So the thought did cross my mind.

1:19:34.120 --> 1:19:38.519
<v Speaker 4>I was like, I'm wondering if he was not as

1:19:38.640 --> 1:19:41.800
<v Speaker 4>he portrayed himself to be, But not to the point

1:19:41.800 --> 1:19:43.519
<v Speaker 4>where I was defending. I was like, I said, I

1:19:43.560 --> 1:19:45.880
<v Speaker 4>wonder if they're trying to, you know, put a little trick.

1:19:45.960 --> 1:19:49.559
<v Speaker 4>But it was a fleeting thought not anything that lingered,

1:19:49.840 --> 1:19:52.439
<v Speaker 4>but because he was just way too nerdy and it

1:19:52.479 --> 1:19:54.519
<v Speaker 4>seemed but it also seen the mirror e is actually

1:19:54.520 --> 1:19:56.439
<v Speaker 4>what the twins were, so it made sense for him

1:19:56.439 --> 1:19:58.519
<v Speaker 4>to be that way. So again, I think, as you

1:19:58.600 --> 1:20:00.720
<v Speaker 4>guys are saying, Alicia Harras did a the job of

1:20:00.800 --> 1:20:05.639
<v Speaker 4>like showing and and showing that the similarities between the two.

1:20:07.120 --> 1:20:09.479
<v Speaker 3>Real card and banks shout and watch bel but it

1:20:09.640 --> 1:20:10.639
<v Speaker 3>reminded me of Call to.

1:20:12.720 --> 1:20:13.000
<v Speaker 4>Season.

1:20:13.040 --> 1:20:16.280
<v Speaker 2>I don't watch, but definitely do you think there was

1:20:16.320 --> 1:20:20.439
<v Speaker 2>something behind them swapping them out, because like with the

1:20:20.560 --> 1:20:23.120
<v Speaker 2>with the women, the tall one is the more meek one,

1:20:23.200 --> 1:20:24.559
<v Speaker 2>the short one is the more violent one.

1:20:24.600 --> 1:20:28.719
<v Speaker 1>But then they they swapped it with the men. Pretty

1:20:29.160 --> 1:20:29.599
<v Speaker 1>picked that up.

1:20:29.720 --> 1:20:30.680
<v Speaker 3>I didn't pick that up.

1:20:31.320 --> 1:20:34.880
<v Speaker 4>I did, but I don't think deeply about why they

1:20:34.880 --> 1:20:35.439
<v Speaker 4>would do that.

1:20:37.840 --> 1:20:39.240
<v Speaker 1>I think there's a lot with the film that we're

1:20:39.240 --> 1:20:39.639
<v Speaker 1>not here.

1:20:40.040 --> 1:20:40.759
<v Speaker 3>I think we missing.

1:20:40.800 --> 1:20:43.000
<v Speaker 6>Motherfucker's gonna do like think pieces on this film and

1:20:43.040 --> 1:20:45.599
<v Speaker 6>it's gonna be like, oh, now.

1:20:45.479 --> 1:20:45.920
<v Speaker 1>I get it.

1:20:46.439 --> 1:20:46.639
<v Speaker 4>Yeah.

1:20:46.840 --> 1:20:48.800
<v Speaker 2>I saw people saying that before I want to go

1:20:48.840 --> 1:20:50.040
<v Speaker 2>see it, and I thought they were just doing the

1:20:50.040 --> 1:20:52.479
<v Speaker 2>normal internet stuff. Sure they're gonna write about this. Oh,

1:20:52.520 --> 1:20:54.559
<v Speaker 2>I think they are. I think that I watched it.

1:20:54.800 --> 1:20:56.320
<v Speaker 2>I was like, yes, you know.

1:20:56.280 --> 1:20:57.920
<v Speaker 3>It was crazy. I didn't even think about this.

1:20:58.120 --> 1:20:59.840
<v Speaker 5>I didn't think it was that type of heady film

1:21:00.200 --> 1:21:02.800
<v Speaker 5>like that, but I can see why why it would be,

1:21:03.560 --> 1:21:04.439
<v Speaker 5>even from the title.

1:21:04.479 --> 1:21:05.439
<v Speaker 3>As soon as they just got the.

1:21:05.560 --> 1:21:07.840
<v Speaker 4>Title is the one that that guy is like, is

1:21:07.920 --> 1:21:09.880
<v Speaker 4>God is What are they saying with? When I was leaving,

1:21:09.880 --> 1:21:11.160
<v Speaker 4>I was like, what are they saying with the title?

1:21:11.240 --> 1:21:15.720
<v Speaker 4>I said that God is is being the twins? But

1:21:15.920 --> 1:21:17.840
<v Speaker 4>I'm like, okay, this is something else going.

1:21:17.720 --> 1:21:19.360
<v Speaker 2>On with that the title for one for me? And

1:21:19.400 --> 1:21:23.080
<v Speaker 2>as soon as they started calling their mom God, what's

1:21:23.080 --> 1:21:23.479
<v Speaker 2>going on?

1:21:25.040 --> 1:21:29.679
<v Speaker 4>You know? God? Man? Twins came and able you know, violent,

1:21:29.960 --> 1:21:33.559
<v Speaker 4>you know, so there's there's that part of it as well.

1:21:33.640 --> 1:21:35.880
<v Speaker 2>So yeah, I thought they came for a minute, but

1:21:35.880 --> 1:21:37.639
<v Speaker 2>then I took that away because it didn't really match.

1:21:37.880 --> 1:21:41.280
<v Speaker 4>It don't match, but you still have like, well, yeah

1:21:41.280 --> 1:21:44.599
<v Speaker 4>it doesn't match, only in a violent sense, but yeah, yeah,

1:21:44.760 --> 1:21:45.600
<v Speaker 4>just a violentness.

1:21:50.640 --> 1:21:55.160
<v Speaker 2>So we go to the room where Racine and the

1:21:55.200 --> 1:21:58.920
<v Speaker 2>other twins are dancing. Was there any moment in time

1:21:58.920 --> 1:22:01.439
<v Speaker 2>that y'all think she wasn't gona get you? We knew

1:22:01.479 --> 1:22:04.519
<v Speaker 2>that was like, that was no way.

1:22:04.360 --> 1:22:06.840
<v Speaker 5>They didn't set this whole movie up, like she don't

1:22:06.840 --> 1:22:09.120
<v Speaker 5>play about us, sister, so.

1:22:09.040 --> 1:22:10.640
<v Speaker 2>We knew that was happening. She hit him with the

1:22:10.680 --> 1:22:12.560
<v Speaker 2>I don't know, she chopped him in the throat, but

1:22:12.720 --> 1:22:15.559
<v Speaker 2>she found something, I thought him with the rock. She

1:22:15.600 --> 1:22:18.760
<v Speaker 2>hit him in with the Okay, yeah, because I think

1:22:18.760 --> 1:22:21.640
<v Speaker 2>she crushes the Sophacus thought the ro.

1:22:23.560 --> 1:22:24.320
<v Speaker 3>Came out of his mouth.

1:22:27.000 --> 1:22:27.760
<v Speaker 1>They showed the rock.

1:22:28.720 --> 1:22:31.800
<v Speaker 6>Yeah, because the whole stoning idea, which is also biblical.

1:22:32.479 --> 1:22:35.360
<v Speaker 6>So I think they were just again, there's stuff that

1:22:35.960 --> 1:22:38.240
<v Speaker 6>is here. I don't I just don't think we're catching

1:22:38.280 --> 1:22:39.880
<v Speaker 6>all of it. But yeah, she hit him in the

1:22:39.960 --> 1:22:40.320
<v Speaker 6>throat with the.

1:22:40.400 --> 1:22:43.000
<v Speaker 2>Rock and he comes out, spins up blood all over

1:22:43.040 --> 1:22:48.240
<v Speaker 2>his friend and house clears out. Now we have this

1:22:48.360 --> 1:22:51.960
<v Speaker 2>scene to where the other brother is there. He laughs

1:22:52.479 --> 1:22:54.439
<v Speaker 2>at first, but I thought he was laughing too.

1:22:54.640 --> 1:22:55.080
<v Speaker 1>I didn't.

1:22:55.240 --> 1:22:57.360
<v Speaker 2>Yeah, it is laughing, but I think it's just like that,

1:22:57.560 --> 1:23:00.120
<v Speaker 2>and you know, you know how when people laughing in

1:23:00.240 --> 1:23:01.000
<v Speaker 2>pain or whatever.

1:23:01.120 --> 1:23:02.519
<v Speaker 5>I think that's what it was what they were showing

1:23:02.600 --> 1:23:03.960
<v Speaker 5>the first. When he was laughing, I was like, oh,

1:23:04.240 --> 1:23:07.000
<v Speaker 5>he's happy. He didn't like yeah, like he didn't like

1:23:07.080 --> 1:23:10.120
<v Speaker 5>him he was like, yeah, I never took it that way.

1:23:10.439 --> 1:23:13.400
<v Speaker 5>I took it as like how people like it laughing, Yeah,

1:23:13.600 --> 1:23:18.320
<v Speaker 5>laughing in moments like that where it's like laughing to

1:23:18.400 --> 1:23:21.320
<v Speaker 5>stop from crying type of thing, but just just just

1:23:21.400 --> 1:23:22.240
<v Speaker 5>doing it naturally.

1:23:22.400 --> 1:23:23.160
<v Speaker 1>So that's how I took it.

1:23:23.240 --> 1:23:25.519
<v Speaker 3>I never talked took it as like, oh yeah, ladies did. So,

1:23:25.600 --> 1:23:27.200
<v Speaker 3>apparently Jalen got this whole film.

1:23:27.400 --> 1:23:29.679
<v Speaker 1>He's lying, I'm about to I'm about to. Yeah, he lying.

1:23:29.760 --> 1:23:32.080
<v Speaker 2>He apparently Jaalen got what they're trying to say, and

1:23:32.120 --> 1:23:33.400
<v Speaker 2>we all dumb because we don't know.

1:23:33.880 --> 1:23:35.040
<v Speaker 1>He just text us to say that.

1:23:36.080 --> 1:23:40.519
<v Speaker 4>Well, and maybe maybe since the twin killed another even

1:23:40.560 --> 1:23:44.040
<v Speaker 4>though it was a half brother, you know, that's that's internal.

1:23:44.280 --> 1:23:47.640
<v Speaker 6>Is that how they're connecting the Maybe you could be.

1:23:47.800 --> 1:23:51.320
<v Speaker 6>I don't know, it could be, but it's the angry

1:23:51.680 --> 1:23:54.880
<v Speaker 6>twin killing the other angry twin, so it's still it.

1:23:55.080 --> 1:23:56.759
<v Speaker 4>Is not as as direct.

1:23:57.000 --> 1:24:01.160
<v Speaker 1>Yeah, I don't know, but I'm sure so maybe No,

1:24:01.280 --> 1:24:01.639
<v Speaker 1>who knows.

1:24:01.720 --> 1:24:05.800
<v Speaker 2>So he's mourning his brother. They had this whole thing. Well,

1:24:05.960 --> 1:24:08.560
<v Speaker 2>they think they may be able to trust him, and

1:24:08.720 --> 1:24:12.200
<v Speaker 2>he flipped the switch on the ass quick, which I loved.

1:24:12.840 --> 1:24:14.080
<v Speaker 2>I was not expecting that.

1:24:14.400 --> 1:24:17.840
<v Speaker 3>I mean, neither they got me. I was like, what,

1:24:20.439 --> 1:24:21.519
<v Speaker 3>I didn't even got everybody?

1:24:22.280 --> 1:24:25.360
<v Speaker 5>So you no expectation, did I had no clue that

1:24:25.439 --> 1:24:27.080
<v Speaker 5>he was going to try to truck her ass out,

1:24:28.439 --> 1:24:31.280
<v Speaker 5>no clue, ken, what'd you think about him?

1:24:32.320 --> 1:24:32.599
<v Speaker 1>Switch?

1:24:33.120 --> 1:24:35.240
<v Speaker 3>That's just dand I believe, Yeah.

1:24:35.479 --> 1:24:35.840
<v Speaker 1>It didn't.

1:24:35.960 --> 1:24:38.320
<v Speaker 4>It didn't surprise me. I had a fleeting thought, but

1:24:38.360 --> 1:24:40.840
<v Speaker 4>again it didn't linger. And then it happened. I was like, oh, ship,

1:24:41.560 --> 1:24:43.960
<v Speaker 4>he really is doing it. But I think that gave

1:24:44.680 --> 1:24:49.400
<v Speaker 4>that made her also unpure when she killed him. Yep,

1:24:49.920 --> 1:24:52.719
<v Speaker 4>so now she has blood on her hands too, because

1:24:52.720 --> 1:24:55.800
<v Speaker 4>I forgot what Racine said when she, uh, after she

1:24:56.400 --> 1:25:00.240
<v Speaker 4>killed Janell Moe's character. She was like God only wants

1:25:00.240 --> 1:25:01.720
<v Speaker 4>blood or something like that, and I forgot what the

1:25:01.800 --> 1:25:08.360
<v Speaker 4>line was. Yeah, but now the sister that went from hey,

1:25:08.439 --> 1:25:12.799
<v Speaker 4>you can't kill anybody anymore killed somebody out of rage

1:25:13.520 --> 1:25:19.280
<v Speaker 4>as well? Or oh well yeah yeah, I guess it

1:25:19.360 --> 1:25:21.920
<v Speaker 4>was yeah, you're right either way, I go, she killed somebody,

1:25:23.400 --> 1:25:24.479
<v Speaker 4>you know, now what?

1:25:26.240 --> 1:25:26.559
<v Speaker 3>All right?

1:25:26.600 --> 1:25:30.200
<v Speaker 2>So she killed somebody, uh, but in it, Racine gets

1:25:30.280 --> 1:25:33.000
<v Speaker 2>knocked out. She drags herbody under the table, and at

1:25:33.040 --> 1:25:37.360
<v Speaker 2>this point in time, man starts to come home and

1:25:37.439 --> 1:25:39.519
<v Speaker 2>when I tell you still in Kate Brown was as

1:25:39.560 --> 1:25:42.320
<v Speaker 2>a bag man. Y'all gotta start playing with this motherfucker.

1:25:44.160 --> 1:25:44.799
<v Speaker 1>It was very.

1:25:46.240 --> 1:25:49.040
<v Speaker 2>It's nice though, and the pacing of how he was

1:25:49.160 --> 1:25:51.640
<v Speaker 2>talking was really because you couldn't tell if he was

1:25:51.680 --> 1:25:54.880
<v Speaker 2>a fucking crazy person, but he was just like calm

1:25:54.960 --> 1:25:56.320
<v Speaker 2>and trying to figure through the situation.

1:25:56.520 --> 1:26:00.720
<v Speaker 3>But he absolutely bodied everything he did.

1:26:00.800 --> 1:26:02.960
<v Speaker 2>Once he came into here, he sees her under the table,

1:26:03.040 --> 1:26:05.000
<v Speaker 2>tells her come up here, let's talk, and they start

1:26:05.080 --> 1:26:06.160
<v Speaker 2>exchanging questions.

1:26:06.240 --> 1:26:07.479
<v Speaker 3>What do y'all think about this scene?

1:26:10.000 --> 1:26:13.960
<v Speaker 6>This solidified Sterling Cabra and mean, he was always slified

1:26:14.000 --> 1:26:16.640
<v Speaker 6>for me. I've been saying anything he's in I'm watching it.

1:26:17.040 --> 1:26:19.600
<v Speaker 6>I haven't seen him as a villain though until this.

1:26:20.920 --> 1:26:24.080
<v Speaker 6>If you're taking out Invincible in his voice, but him

1:26:24.240 --> 1:26:26.800
<v Speaker 6>as a villain, amazing.

1:26:26.600 --> 1:26:27.479
<v Speaker 3>Like he'd been waiting to do this.

1:26:27.840 --> 1:26:31.960
<v Speaker 2>Yes, he's medacing. I've only seen him every time I

1:26:32.000 --> 1:26:34.759
<v Speaker 2>see him in something, he's Randall to me. He's the sweet,

1:26:35.520 --> 1:26:41.240
<v Speaker 2>good natured Randall Peterson until this shit. Beth Dune left

1:26:41.960 --> 1:26:43.080
<v Speaker 2>because Randall.

1:26:42.920 --> 1:26:43.880
<v Speaker 1>Is fucked up.

1:26:44.680 --> 1:26:49.920
<v Speaker 2>Hand Tail is fucked up. This whole scene was incredible.

1:26:50.160 --> 1:26:51.880
<v Speaker 2>Are we talking about the whole singer just by the table?

1:26:53.240 --> 1:26:53.800
<v Speaker 1>They got me.

1:26:54.479 --> 1:26:57.120
<v Speaker 2>When he was telling that story and he said, oh,

1:26:57.320 --> 1:27:00.240
<v Speaker 2>she grabbed you, that's why you're burnt. I was like, oh, okay,

1:27:00.400 --> 1:27:01.599
<v Speaker 2>now we're getting Tye.

1:27:02.360 --> 1:27:04.720
<v Speaker 1>She's a villain. They got me.

1:27:05.560 --> 1:27:06.400
<v Speaker 4>He was lying.

1:27:06.640 --> 1:27:09.759
<v Speaker 6>Believe I believed him full stop. I was like, Okay,

1:27:10.760 --> 1:27:13.080
<v Speaker 6>he's not that evil of a person. I cannot believe

1:27:13.080 --> 1:27:13.479
<v Speaker 6>he tracked me.

1:27:13.600 --> 1:27:16.800
<v Speaker 3>We had no reason to believe me. No, no, he

1:27:16.920 --> 1:27:19.960
<v Speaker 3>caught tongue. This motherfucker just walked in the house and

1:27:20.040 --> 1:27:26.880
<v Speaker 3>made a sandwich over his gave and we didn't call

1:27:26.960 --> 1:27:27.519
<v Speaker 3>the police.

1:27:29.240 --> 1:27:32.200
<v Speaker 7>Wonder what happened. This nigga just went on about his day,

1:27:34.240 --> 1:27:42.320
<v Speaker 7>insane because you gotta have chips. This was so good, man,

1:27:42.960 --> 1:27:44.680
<v Speaker 7>Oh my god, this was so.

1:27:45.800 --> 1:27:46.519
<v Speaker 1>The first thing I said.

1:27:46.520 --> 1:27:51.600
<v Speaker 3>So he's gonna call the police, made the sandwich, and

1:27:51.720 --> 1:27:52.520
<v Speaker 3>the sandwich.

1:27:54.080 --> 1:27:55.200
<v Speaker 1>Everything good.

1:28:07.520 --> 1:28:11.000
<v Speaker 2>So they're having a conversation at the table. He tells her, hey,

1:28:11.040 --> 1:28:14.680
<v Speaker 2>I didn't I didn't do it, man. And he had

1:28:14.720 --> 1:28:17.240
<v Speaker 2>the right twin too. He had the right twin. I'm

1:28:17.280 --> 1:28:19.000
<v Speaker 2>wondering when race scene is gonna wake up too. That

1:28:19.120 --> 1:28:19.880
<v Speaker 2>was like, it's just in the back.

1:28:20.040 --> 1:28:22.760
<v Speaker 1>I'm like, yeah, because all he did was choker. Why

1:28:22.960 --> 1:28:24.320
<v Speaker 1>she docked out like that.

1:28:24.520 --> 1:28:26.360
<v Speaker 2>That pissed me off too. But they have this whole

1:28:26.439 --> 1:28:30.360
<v Speaker 2>exchange back and forth. Essentially, man said, look, bro, going

1:28:30.360 --> 1:28:33.720
<v Speaker 2>about your day. You could leave all of this, All

1:28:33.760 --> 1:28:36.840
<v Speaker 2>of this is handled. Yeah, y'all did the thing my

1:28:37.520 --> 1:28:40.400
<v Speaker 2>kids did, my wife did. He ain't gonna kill me.

1:28:40.560 --> 1:28:41.719
<v Speaker 2>So just going about your business.

1:28:41.800 --> 1:28:43.280
<v Speaker 1>But wait, did you notice how he was like.

1:28:45.600 --> 1:28:49.960
<v Speaker 6>Like, oh, the the one he had like expectations, like

1:28:50.040 --> 1:28:53.360
<v Speaker 6>he was gonna be something, but he was his twin,

1:28:53.720 --> 1:28:55.599
<v Speaker 6>like his I'm sorry, his son.

1:28:56.000 --> 1:28:57.400
<v Speaker 1>He was talking about a little nerdy one.

1:28:58.120 --> 1:28:59.640
<v Speaker 4>I think Oh, I thought he was something about the

1:28:59.680 --> 1:29:00.000
<v Speaker 4>other one.

1:29:00.040 --> 1:29:01.679
<v Speaker 1>I thought he was too, or maybe he was. Maybe

1:29:01.680 --> 1:29:02.400
<v Speaker 1>it was either way.

1:29:02.560 --> 1:29:04.720
<v Speaker 6>What was getting me was that he was so nonchalant

1:29:04.760 --> 1:29:07.040
<v Speaker 6>about them being dead, yes, but he was more so

1:29:07.320 --> 1:29:09.120
<v Speaker 6>bothered about the fact that one of them was going

1:29:09.200 --> 1:29:10.040
<v Speaker 6>to be successful.

1:29:10.880 --> 1:29:13.400
<v Speaker 1>He was like, you killed one of my successful kids.

1:29:14.760 --> 1:29:16.920
<v Speaker 1>And he was asking who did you do first? Yeah,

1:29:17.439 --> 1:29:19.000
<v Speaker 1>it's like why are you asking that?

1:29:19.280 --> 1:29:21.760
<v Speaker 4>Yeah, he didn't care about the wife, and so I'm like,

1:29:21.880 --> 1:29:23.720
<v Speaker 4>are you just running around trying to have babies to

1:29:23.800 --> 1:29:24.960
<v Speaker 4>find the one that's going to be.

1:29:25.280 --> 1:29:28.479
<v Speaker 1>Like it for you that you know what, I think

1:29:28.560 --> 1:29:29.439
<v Speaker 1>y'all are onto something.

1:29:29.920 --> 1:29:33.960
<v Speaker 6>That might be why he left Maxine because the kid

1:29:34.160 --> 1:29:36.000
<v Speaker 6>was off and he wasn't going to be successful, so

1:29:36.040 --> 1:29:39.320
<v Speaker 6>he was like, I'm out. He finally got this wife,

1:29:40.320 --> 1:29:43.040
<v Speaker 6>these two kids, one of them at least like one

1:29:43.160 --> 1:29:44.640
<v Speaker 6>was really smart and then the other one was going

1:29:44.720 --> 1:29:45.719
<v Speaker 6>to be in sports or something.

1:29:46.400 --> 1:29:49.040
<v Speaker 1>So he probably thought he finally did it right.

1:29:50.280 --> 1:29:53.360
<v Speaker 4>Well, I thought he didn't. He leave Matt scene before

1:29:53.439 --> 1:29:54.120
<v Speaker 4>the kid was born.

1:29:56.920 --> 1:30:00.400
<v Speaker 1>You know, you're right, You're right. They did say pregnant.

1:30:00.400 --> 1:30:02.760
<v Speaker 2>You're right, and I'm not sure if I mentioned it,

1:30:02.800 --> 1:30:04.360
<v Speaker 2>but we said Nya was pregnant as well.

1:30:04.400 --> 1:30:07.880
<v Speaker 1>We learned she was pretty yeah, yeah, and uh yeah

1:30:07.920 --> 1:30:08.840
<v Speaker 1>he used that.

1:30:09.720 --> 1:30:12.960
<v Speaker 4>But but nah, I'm man, yeah, he completely fooled the

1:30:12.960 --> 1:30:15.800
<v Speaker 4>shit out of me too, because now it really explained,

1:30:15.920 --> 1:30:18.360
<v Speaker 4>like not because I'm like, okay, so that's how the

1:30:18.400 --> 1:30:20.680
<v Speaker 4>burn went here, and that's okay. I guess I guess

1:30:20.680 --> 1:30:22.360
<v Speaker 4>I can see the mom doing that. Maybe the mom

1:30:23.240 --> 1:30:24.960
<v Speaker 4>is fucked up to And while she was sitting them

1:30:25.320 --> 1:30:26.200
<v Speaker 4>like all that ship.

1:30:26.200 --> 1:30:28.599
<v Speaker 3>He spoke to how he fooled everybody in this movie.

1:30:28.640 --> 1:30:30.400
<v Speaker 2>He got us in one so what I'm saying, That's

1:30:30.400 --> 1:30:33.960
<v Speaker 2>what I'm saying, Like damn, that's like, yeah, he's so

1:30:34.120 --> 1:30:38.479
<v Speaker 2>manipulative that he got us in one fucking scene. Yes,

1:30:38.600 --> 1:30:40.080
<v Speaker 2>And she always just said it like he got a

1:30:40.200 --> 1:30:42.960
<v Speaker 2>soft side, yes, so she already explained like but he

1:30:43.000 --> 1:30:45.080
<v Speaker 2>got he got this minister side, he got the saut side,

1:30:45.080 --> 1:30:47.479
<v Speaker 2>but he got a really fucked up side to like

1:30:47.600 --> 1:30:50.640
<v Speaker 2>even adding to add saivacal Fox story because he was like,

1:30:50.720 --> 1:30:53.160
<v Speaker 2>he came in, I didn't want to tell him to leave,

1:30:53.280 --> 1:30:56.639
<v Speaker 2>and he's caressing her and kissing and then he turns.

1:30:58.040 --> 1:31:03.920
<v Speaker 4>He said, just because she wouldn't let me hold and yeah,

1:31:04.200 --> 1:31:08.560
<v Speaker 4>he was crying acts over just silly stupid ship, like

1:31:08.760 --> 1:31:12.599
<v Speaker 4>the entitlement, the property that they think women are to them.

1:31:12.840 --> 1:31:15.439
<v Speaker 2>So there's two more old ship moments. I feel like,

1:31:15.720 --> 1:31:19.880
<v Speaker 2>man one is as and I won't leave and still

1:31:19.920 --> 1:31:22.360
<v Speaker 2>trying to figure this out. And she gives him the rock,

1:31:22.479 --> 1:31:25.080
<v Speaker 2>which great deal the moment as well, people like no good,

1:31:25.160 --> 1:31:28.200
<v Speaker 2>don't do it. And then she takes the rock, have

1:31:28.320 --> 1:31:31.120
<v Speaker 2>another brief conversation and he smacks the ship out.

1:31:31.680 --> 1:31:34.080
<v Speaker 3>That's when and he called her like what he called him.

1:31:34.120 --> 1:31:35.519
<v Speaker 1>Dog bitch, dog bitch.

1:31:35.840 --> 1:31:40.679
<v Speaker 6>I was like, but you got that, like she's breeding,

1:31:40.840 --> 1:31:45.479
<v Speaker 6>she's man. When he when he hit her, I was like,

1:31:45.920 --> 1:31:46.840
<v Speaker 6>motherfucker got me.

1:31:47.160 --> 1:31:49.439
<v Speaker 3>We made just come from.

1:31:49.280 --> 1:31:53.600
<v Speaker 5>Home and everybody right that really everybody motherfucker got me.

1:31:53.640 --> 1:31:54.880
<v Speaker 5>I don't nobody he didn't get.

1:31:55.080 --> 1:31:57.400
<v Speaker 1>Yeah, they be I feel like they'd be lying. I

1:31:57.560 --> 1:31:58.360
<v Speaker 1>expected money of y'all.

1:31:58.400 --> 1:32:01.639
<v Speaker 2>Motherfucker's coming here lying and he but if you fell

1:32:01.720 --> 1:32:03.800
<v Speaker 2>for that, No, I thought he was gonna live, walk out.

1:32:04.760 --> 1:32:11.160
<v Speaker 2>He lied to all y'all. None of us expected him

1:32:11.160 --> 1:32:14.400
<v Speaker 2>to hit the right. Oh no, this goes to Racene

1:32:14.479 --> 1:32:18.639
<v Speaker 2>waking up and getting a fight. They finally finally get

1:32:18.680 --> 1:32:20.479
<v Speaker 2>the better of them, which was a great fight.

1:32:20.600 --> 1:32:25.680
<v Speaker 4>Where was he spiked? When that motherfucker he said, Oh

1:32:25.760 --> 1:32:26.519
<v Speaker 4>that is what you want.

1:32:30.000 --> 1:32:33.360
<v Speaker 1>I said, y'all, y'all, don't be slow, square up. They

1:32:33.439 --> 1:32:37.160
<v Speaker 1>can't can't said do this, bro the head.

1:32:37.200 --> 1:32:38.679
<v Speaker 3>This man beat these two little girls.

1:32:39.479 --> 1:32:41.880
<v Speaker 1>Bro, I knew they couldn't go. And I was like, no,

1:32:42.000 --> 1:32:45.639
<v Speaker 1>he can't beat that ship he did, Like I need.

1:32:45.520 --> 1:32:47.280
<v Speaker 4>To see an interview because the way he did it,

1:32:48.400 --> 1:32:50.920
<v Speaker 4>it was so great. It was.

1:32:54.120 --> 1:32:57.360
<v Speaker 1>Work work working on the first two.

1:32:58.400 --> 1:33:01.280
<v Speaker 2>Like today, started using the twin thing again, and you know,

1:33:01.360 --> 1:33:03.519
<v Speaker 2>we're both tossing the rock around and did y'all like

1:33:03.600 --> 1:33:04.479
<v Speaker 2>the fight scene and how that.

1:33:04.560 --> 1:33:07.479
<v Speaker 1>Cho Hell yeah, it felt like when.

1:33:10.520 --> 1:33:13.760
<v Speaker 6>When Bucky and Cap were fighting Iron Man and they

1:33:13.800 --> 1:33:15.719
<v Speaker 6>were throwing the shield back and forth all that ship.

1:33:15.840 --> 1:33:16.680
<v Speaker 6>That's how it felt to me.

1:33:16.760 --> 1:33:18.960
<v Speaker 2>I was like, Okay, y'all had to use your wonder

1:33:18.960 --> 1:33:22.160
<v Speaker 2>twin power because y'all can communicate without speaking, so this

1:33:22.240 --> 1:33:23.080
<v Speaker 2>would make sense.

1:33:23.800 --> 1:33:27.640
<v Speaker 1>Perfect, perfect, perfect scene. It was so satisfying.

1:33:28.280 --> 1:33:30.640
<v Speaker 5>It was so satisfying because that needed to be satisfying

1:33:30.680 --> 1:33:32.240
<v Speaker 5>with all yeah done through the whole ship.

1:33:32.320 --> 1:33:34.920
<v Speaker 3>Yeah, they had to nail this part and they.

1:33:34.920 --> 1:33:37.000
<v Speaker 4>Did, and they got the violent nature out of her

1:33:37.120 --> 1:33:39.559
<v Speaker 4>too as well. You know, she had already killed somebody,

1:33:39.640 --> 1:33:42.680
<v Speaker 4>but now she I don't even know if she even

1:33:42.720 --> 1:33:45.439
<v Speaker 4>really understood right at the end of the day why

1:33:45.560 --> 1:33:48.639
<v Speaker 4>he had to die, but she was on board, especially

1:33:48.680 --> 1:33:49.479
<v Speaker 4>after slap away.

1:33:49.560 --> 1:33:52.720
<v Speaker 6>She is the way he delivered that line and he said, look,

1:33:52.760 --> 1:33:56.439
<v Speaker 6>you can just leave, otherwise I'm gonna have to kill

1:33:56.840 --> 1:34:00.800
<v Speaker 6>you and my only grandson. I feel like Sterling k

1:34:01.040 --> 1:34:03.120
<v Speaker 6>is probably the only dude that can deliver a cold

1:34:03.200 --> 1:34:05.680
<v Speaker 6>line like that so perfectly.

1:34:05.720 --> 1:34:08.000
<v Speaker 1>Because it didn't really sound scary. It was just a

1:34:08.080 --> 1:34:09.360
<v Speaker 1>matter of fact, I'm gonna.

1:34:09.200 --> 1:34:11.400
<v Speaker 2>Kill you and my grandkid, so and you know I'm

1:34:11.400 --> 1:34:13.439
<v Speaker 2>gonna do it because you know I'm that guy.

1:34:15.120 --> 1:34:16.200
<v Speaker 1>Oh he's so good man.

1:34:16.360 --> 1:34:17.960
<v Speaker 2>So we get that they finally found a way to

1:34:18.040 --> 1:34:20.840
<v Speaker 2>kill him and throw him in the bathtub, and you

1:34:20.960 --> 1:34:23.519
<v Speaker 2>talk about old ship moments like I think this got me.

1:34:23.600 --> 1:34:26.120
<v Speaker 3>The majority of my theater, it was like, oh shit,

1:34:27.280 --> 1:34:28.240
<v Speaker 3>because I thought it was over.

1:34:28.360 --> 1:34:29.639
<v Speaker 1>He was yeah, me too.

1:34:30.160 --> 1:34:31.240
<v Speaker 3>I thought we was gonna get there.

1:34:31.320 --> 1:34:35.200
<v Speaker 2>They walk out, beat up, classic thriller, horror movie, they

1:34:35.280 --> 1:34:37.160
<v Speaker 2>all scarred up, and then they gonna show the cut

1:34:37.240 --> 1:34:39.400
<v Speaker 2>scene and they're gonna be happily ever after together.

1:34:39.760 --> 1:34:41.200
<v Speaker 1>But no, this fuck me.

1:34:41.600 --> 1:34:44.880
<v Speaker 2>This nigga grabbed her from the bathtob on fire and

1:34:45.080 --> 1:34:48.479
<v Speaker 2>pulled him in there widder. Then there was conversation that

1:34:48.560 --> 1:34:50.080
<v Speaker 2>I heard in my theater was like, well, she didn't

1:34:50.080 --> 1:34:53.240
<v Speaker 2>stay and help her, and I thought, was she.

1:34:53.320 --> 1:34:56.200
<v Speaker 1>Gonna donna burn again?

1:34:56.560 --> 1:34:59.640
<v Speaker 2>So there were some expectations where I heard people saying, oh,

1:34:59.680 --> 1:35:01.479
<v Speaker 2>she didn't help her, Like somebody yelled it out in

1:35:01.520 --> 1:35:01.920
<v Speaker 2>my theater.

1:35:02.479 --> 1:35:03.479
<v Speaker 3>So she walks outside.

1:35:03.560 --> 1:35:05.800
<v Speaker 2>She stands at the morning and watch the house burned down,

1:35:05.880 --> 1:35:08.599
<v Speaker 2>thinking that maybe her sister to come out what y'all

1:35:08.640 --> 1:35:09.000
<v Speaker 2>think about?

1:35:09.479 --> 1:35:11.800
<v Speaker 3>That was fucking brilliant to me, you know what.

1:35:11.840 --> 1:35:15.200
<v Speaker 6>I thought in this moment, I was waiting for them

1:35:15.240 --> 1:35:17.240
<v Speaker 6>to say that that the burnt up sister never really

1:35:17.400 --> 1:35:20.400
<v Speaker 6>or the other sister never really existed. And I was like,

1:35:20.439 --> 1:35:21.960
<v Speaker 6>because I've seen a bunch of movies that do that,

1:35:22.640 --> 1:35:26.800
<v Speaker 6>where the violent one is not really a person, it's

1:35:26.920 --> 1:35:28.519
<v Speaker 6>just a part of your personalities. I was like, I

1:35:28.560 --> 1:35:30.559
<v Speaker 6>hope that's not what they're doing. It's not I don't

1:35:30.560 --> 1:35:32.920
<v Speaker 6>think that's what they were doing. But I was not

1:35:33.120 --> 1:35:35.920
<v Speaker 6>even remotely expecting that. I was like, Okay, they killed him,

1:35:35.960 --> 1:35:36.519
<v Speaker 6>he's burnt up.

1:35:36.600 --> 1:35:36.800
<v Speaker 7>Cool.

1:35:37.400 --> 1:35:38.800
<v Speaker 6>When he jumped out and grabbed her, I was like,

1:35:38.880 --> 1:35:41.160
<v Speaker 6>god damn it. But no, at no point did I

1:35:41.240 --> 1:35:44.120
<v Speaker 6>think why didn't she stay in help? The house was

1:35:44.160 --> 1:35:44.720
<v Speaker 6>burning up?

1:35:45.200 --> 1:35:46.200
<v Speaker 1>What was she supposed to do?

1:35:46.400 --> 1:35:49.000
<v Speaker 6>And if you have a thirty eighth degree burned, I

1:35:49.000 --> 1:35:50.479
<v Speaker 6>don't even know what that looks like. If you get

1:35:50.520 --> 1:35:53.120
<v Speaker 6>burned again, she would have just died.

1:35:53.320 --> 1:35:53.840
<v Speaker 1>I mean, I don't know.

1:35:54.680 --> 1:35:57.000
<v Speaker 6>But no, I think they're being a little hard on

1:35:57.160 --> 1:35:58.760
<v Speaker 6>a naye. I think an idea what she had to

1:35:58.800 --> 1:36:02.080
<v Speaker 6>do by leaving, But this was a really fucking good scene.

1:36:03.240 --> 1:36:05.040
<v Speaker 3>Kid, y'all like the same way grab her.

1:36:05.840 --> 1:36:06.519
<v Speaker 1>I did like it.

1:36:06.560 --> 1:36:08.439
<v Speaker 5>I'm still trying to process it though, because I did

1:36:08.520 --> 1:36:10.400
<v Speaker 5>have the thought like, I don't know why she didn't

1:36:10.400 --> 1:36:12.480
<v Speaker 5>help her, damn.

1:36:12.560 --> 1:36:14.519
<v Speaker 3>But I mean, it's her sister, you know what I'm saying.

1:36:14.520 --> 1:36:16.360
<v Speaker 5>But I think they had built up to that point

1:36:16.400 --> 1:36:20.800
<v Speaker 5>where she was looking for that separation, you know what

1:36:20.840 --> 1:36:23.160
<v Speaker 5>I mean, like not like this, but not like this,

1:36:23.320 --> 1:36:23.840
<v Speaker 5>but she was.

1:36:24.000 --> 1:36:26.840
<v Speaker 3>She was starting to look for that separation. Yeah, she well,

1:36:26.920 --> 1:36:27.760
<v Speaker 3>we'll get to it after this.

1:36:28.000 --> 1:36:29.960
<v Speaker 4>Yeah, she was free, Like you know, ray scene was

1:36:30.000 --> 1:36:32.479
<v Speaker 4>kind of like, you know, far of her, sort of

1:36:32.520 --> 1:36:35.840
<v Speaker 4>that that dark side, that devil is always in her,

1:36:36.040 --> 1:36:39.439
<v Speaker 4>in her ear, you know, especially during this part. But

1:36:40.640 --> 1:36:45.640
<v Speaker 4>but nah, I think that, uh yeah, I understand the

1:36:45.840 --> 1:36:48.479
<v Speaker 4>thoughts that they had because I'm with you, Rod, I

1:36:48.600 --> 1:36:50.160
<v Speaker 4>was like, oh shit, you gotta go help your sister.

1:36:50.240 --> 1:36:51.439
<v Speaker 4>She's in there, or are you gonna jump in and

1:36:51.479 --> 1:36:54.599
<v Speaker 4>help her? But I settled where you were, though, Mike,

1:36:54.760 --> 1:36:58.559
<v Speaker 4>because there was trauma of being burned. She's in there,

1:36:58.800 --> 1:37:00.640
<v Speaker 4>and I'm thinking that the reason why she didn't do

1:37:00.680 --> 1:37:02.400
<v Speaker 4>it is because she was still afraid of fire.

1:37:02.600 --> 1:37:07.120
<v Speaker 2>Yeah, that's so you know it made sense for why, Yes,

1:37:07.280 --> 1:37:09.080
<v Speaker 2>I thought she had to save her baby, like she

1:37:09.240 --> 1:37:09.600
<v Speaker 2>I think she.

1:37:09.760 --> 1:37:11.840
<v Speaker 1>I thought she was thinking more so too, did I

1:37:11.960 --> 1:37:13.040
<v Speaker 1>have to save my child.

1:37:12.880 --> 1:37:14.320
<v Speaker 6>And she had to save her baby, she'd have left

1:37:14.360 --> 1:37:17.320
<v Speaker 6>instead fucking squaring up with you know think that.

1:37:17.760 --> 1:37:20.599
<v Speaker 4>I also thought that she was just shocked as well,

1:37:21.080 --> 1:37:23.439
<v Speaker 4>just like in a state of shock. And then the

1:37:23.520 --> 1:37:27.360
<v Speaker 4>house she just went and went and got out. But I, man,

1:37:28.160 --> 1:37:32.599
<v Speaker 4>when this happened, it completely got me. I didn't expect

1:37:32.640 --> 1:37:37.840
<v Speaker 4>it because sterling Man was burnt up for all we've seen,

1:37:37.960 --> 1:37:40.479
<v Speaker 4>we saw him roll over, so for him to come

1:37:40.520 --> 1:37:43.439
<v Speaker 4>out there and you know, uh do to get over

1:37:43.479 --> 1:37:45.439
<v Speaker 4>here sort of thing and snatch her in, I was

1:37:45.560 --> 1:37:49.080
<v Speaker 4>like yo to the point Mike where I was like,

1:37:50.080 --> 1:37:52.519
<v Speaker 4>this shit ain't real. And the reason why I thought

1:37:52.560 --> 1:37:54.479
<v Speaker 4>that because of the damn water scene earlier.

1:37:54.560 --> 1:37:57.800
<v Speaker 1>That's how I think this is fate. This is I

1:37:57.960 --> 1:37:59.519
<v Speaker 1>was like her sister standing out the house.

1:37:59.680 --> 1:38:03.000
<v Speaker 4>I'm like, you waiting, she's gonna be around. It's all

1:38:03.040 --> 1:38:04.800
<v Speaker 4>gonna be a magic, and that ship wasn't a magic.

1:38:05.080 --> 1:38:06.760
<v Speaker 4>I sat there for a minute after the move was over,

1:38:06.920 --> 1:38:11.000
<v Speaker 4>like they really killed this motherfucker. I just couldn't believe it.

1:38:11.080 --> 1:38:13.200
<v Speaker 6>Man, I was like, yo, and they killed her in

1:38:13.320 --> 1:38:16.000
<v Speaker 6>a fucked up way because he just lied to them

1:38:17.000 --> 1:38:18.479
<v Speaker 6>saying what the mother did.

1:38:18.640 --> 1:38:19.880
<v Speaker 1>But then he did that.

1:38:21.040 --> 1:38:26.120
<v Speaker 4>At least she apologized first, who apologized for for what

1:38:26.920 --> 1:38:29.800
<v Speaker 4>she got close with that? But I just couldn't believe that.

1:38:29.920 --> 1:38:35.400
<v Speaker 4>I just that's bold to really take a chance to

1:38:35.600 --> 1:38:38.600
<v Speaker 4>do that, to kill a character that we've been with

1:38:39.479 --> 1:38:44.920
<v Speaker 4>that has violence, violent tendencies, murderous tendencies, you know all that.

1:38:45.080 --> 1:38:46.680
<v Speaker 2>And she was my favorite character, was the one that

1:38:46.720 --> 1:38:51.120
<v Speaker 2>we like, like, Yeah, I loved it, and that was unintentional. Yeah,

1:38:51.120 --> 1:38:54.599
<v Speaker 2>I agree they wanted you to like Anayah, but how

1:38:54.640 --> 1:38:55.760
<v Speaker 2>we are I.

1:38:55.800 --> 1:38:59.240
<v Speaker 1>Know was unintentional. They didn't want her to be your

1:38:59.280 --> 1:39:02.920
<v Speaker 1>favorite character. No, but I guess you're right.

1:39:03.520 --> 1:39:06.120
<v Speaker 6>No, But this was my only gripe with the film,

1:39:06.200 --> 1:39:09.080
<v Speaker 6>and that this is another one of those gripes where

1:39:09.240 --> 1:39:12.120
<v Speaker 6>I feel like there's something that I'm missing with who

1:39:12.200 --> 1:39:18.400
<v Speaker 6>God is or whatever, because I don't really I'm confused

1:39:18.439 --> 1:39:22.600
<v Speaker 6>as to why we never got to see them or

1:39:22.720 --> 1:39:25.760
<v Speaker 6>her go back to Vivigay Fox and be like, yeah,

1:39:25.840 --> 1:39:28.800
<v Speaker 6>he's dead, but because you sent me on this fucked

1:39:28.840 --> 1:39:33.160
<v Speaker 6>up ass mission. Now Racine is dead. I'm still a

1:39:33.240 --> 1:39:35.519
<v Speaker 6>little bit like we didn't even see a scene.

1:39:36.240 --> 1:39:40.559
<v Speaker 1>Huh. I hope it's not that simple.

1:39:41.640 --> 1:39:42.000
<v Speaker 4>Can't be.

1:39:42.840 --> 1:39:47.080
<v Speaker 1>I mean, I hope it's not. Yes, I know that

1:39:47.240 --> 1:39:47.479
<v Speaker 1>I know.

1:39:47.880 --> 1:39:49.920
<v Speaker 6>And since Jalen doesn't have a mic and he's yelling

1:39:49.960 --> 1:39:52.600
<v Speaker 6>off camera, what he's saying, basically saying is like the

1:39:52.680 --> 1:39:55.680
<v Speaker 6>whole idea of God sending people out on missions or

1:39:56.439 --> 1:39:59.760
<v Speaker 6>whatever and then people die, and then they always are like,

1:40:00.000 --> 1:40:01.880
<v Speaker 6>oh why God, and God doesn't answer.

1:40:02.040 --> 1:40:05.160
<v Speaker 1>I get all that, but I'm hoping it's I'm hoping

1:40:05.200 --> 1:40:05.960
<v Speaker 1>it's not that simple.

1:40:06.040 --> 1:40:08.680
<v Speaker 4>Yeah, just killing in the name of God, right, Yeah, But.

1:40:08.760 --> 1:40:11.719
<v Speaker 2>An idea like that might only be simple to people

1:40:11.840 --> 1:40:13.360
<v Speaker 2>that think about that kind of stuff.

1:40:13.439 --> 1:40:15.200
<v Speaker 1>It might not be simple to other folks that don't

1:40:15.200 --> 1:40:16.680
<v Speaker 1>think about it. I don't think. I don't even know.

1:40:16.720 --> 1:40:19.599
<v Speaker 4>I don't know, but I don't I don't know if

1:40:19.720 --> 1:40:22.880
<v Speaker 4>like your regular person would view the movie in that way.

1:40:22.960 --> 1:40:24.760
<v Speaker 1>That's what I'm saying, That's what I'm saying.

1:40:24.800 --> 1:40:27.880
<v Speaker 6>I think that people who are used to criticizing Christianity

1:40:27.960 --> 1:40:30.760
<v Speaker 6>in that way might think about that, but folks that

1:40:31.439 --> 1:40:34.840
<v Speaker 6>don't may not even have that pop into their head.

1:40:34.880 --> 1:40:36.360
<v Speaker 4>They just walk away, like damn, that was a good

1:40:36.360 --> 1:40:37.880
<v Speaker 4>ass movie, exactly done with.

1:40:38.200 --> 1:40:40.040
<v Speaker 2>Exactly because I did think that, but I was just like,

1:40:40.200 --> 1:40:42.200
<v Speaker 2>I don't think it's that simple, but you're probably right.

1:40:42.520 --> 1:40:47.280
<v Speaker 2>You're probably right, You're probably right. And then we get

1:40:47.320 --> 1:40:52.599
<v Speaker 2>to an Aya and she's talking about her new found freedom,

1:40:53.240 --> 1:40:55.840
<v Speaker 2>not being tied to the hip with her twin and

1:40:55.960 --> 1:40:58.920
<v Speaker 2>she's figuring life out, about to be a mother. She

1:40:59.000 --> 1:41:02.120
<v Speaker 2>seemed satisfied. That's what I got from the last scene.

1:41:02.520 --> 1:41:07.599
<v Speaker 2>Anything different from you guys. She definitely seemed that way.

1:41:09.280 --> 1:41:12.479
<v Speaker 5>But again, I think this whole last part of the movie,

1:41:12.520 --> 1:41:14.280
<v Speaker 5>I'm still trying to process, like what are they really

1:41:14.320 --> 1:41:19.000
<v Speaker 5>seeing because just like why, you know, because they had

1:41:19.080 --> 1:41:22.719
<v Speaker 5>such a bond, But like I said, they did show

1:41:23.560 --> 1:41:27.559
<v Speaker 5>how they were kind of, you know, growing apart as

1:41:27.600 --> 1:41:32.400
<v Speaker 5>we get closer to the end. But the one sisters, Yeah, yeah,

1:41:32.439 --> 1:41:34.960
<v Speaker 5>because even Racine was just like, you know, get the

1:41:35.000 --> 1:41:36.920
<v Speaker 5>fuck out my way for I hurt you too, like

1:41:37.040 --> 1:41:37.639
<v Speaker 5>you know what I'm saying.

1:41:37.680 --> 1:41:40.040
<v Speaker 3>So you could see that the rage just started to

1:41:40.080 --> 1:41:40.640
<v Speaker 3>take over her.

1:41:41.720 --> 1:41:44.880
<v Speaker 5>So yeah, eventually it was gonna be maybe a toxic

1:41:44.920 --> 1:41:47.960
<v Speaker 5>relationship or or at something point she probably gona end

1:41:48.000 --> 1:41:50.879
<v Speaker 5>u hurting her as well, like yeah.

1:41:51.360 --> 1:41:56.120
<v Speaker 4>Brother dialogue in this movie. So and when you realized

1:41:56.160 --> 1:41:58.120
<v Speaker 4>she probably had to fight her system, was willing to

1:41:58.160 --> 1:42:00.479
<v Speaker 4>fight the system. And the way she was walking around

1:42:00.520 --> 1:42:03.240
<v Speaker 4>and you want some of this two or whatever, she said,

1:42:03.280 --> 1:42:05.320
<v Speaker 4>Oh my god, I gotta watch this again.

1:42:05.640 --> 1:42:08.760
<v Speaker 3>Yeah, I gotta watch it. I definitely gotta see this anymore.

1:42:10.120 --> 1:42:11.640
<v Speaker 1>About you knew he had to say. So the way

1:42:11.680 --> 1:42:15.160
<v Speaker 1>he got up and was slow walking over here. Motherfucker

1:42:15.240 --> 1:42:15.960
<v Speaker 1>was walking like he's.

1:42:15.840 --> 1:42:18.720
<v Speaker 3>Randall about a guy, you might.

1:42:22.520 --> 1:42:25.800
<v Speaker 2>I think the ending for me is and I had

1:42:25.800 --> 1:42:27.280
<v Speaker 2>to really think of I've been thinking about it since

1:42:27.400 --> 1:42:29.840
<v Speaker 2>I saw Thursday Night. I remember thinking about it is

1:42:29.880 --> 1:42:34.400
<v Speaker 2>that they kind of the twins kind of represent like

1:42:35.360 --> 1:42:40.240
<v Speaker 2>a whole right and with her dying, that's supposed to

1:42:40.240 --> 1:42:42.479
<v Speaker 2>be a piece of her dying, like becoming the angry

1:42:42.520 --> 1:42:46.120
<v Speaker 2>side angry side. So the question that y'all asking, I'm

1:42:46.200 --> 1:42:48.559
<v Speaker 2>kind of lost a little bit on what y'all if

1:42:48.600 --> 1:42:50.840
<v Speaker 2>you because you're admitting it, so I don't know which question,

1:42:51.760 --> 1:42:53.040
<v Speaker 2>like what what does this ending mean?

1:42:54.000 --> 1:42:57.800
<v Speaker 1>A lot of changed Wait, you mean about why they

1:42:57.840 --> 1:42:59.640
<v Speaker 1>didn't go back to Viva k Fox.

1:42:59.800 --> 1:43:03.720
<v Speaker 2>No, like you're saying like the I guess Rod, So yeah,

1:43:03.920 --> 1:43:06.120
<v Speaker 2>I can think rot as as far as like it

1:43:06.320 --> 1:43:08.160
<v Speaker 2>just meaning that trying to figure out the last I

1:43:08.200 --> 1:43:09.240
<v Speaker 2>think the last bit of it is just saying that

1:43:09.280 --> 1:43:12.759
<v Speaker 2>she's finally becoming whole because all that rage and that trauma,

1:43:13.360 --> 1:43:14.280
<v Speaker 2>She's finally coming.

1:43:14.080 --> 1:43:15.360
<v Speaker 1>To the grisk with it. And that's why I said

1:43:15.400 --> 1:43:18.360
<v Speaker 1>in the group, I think water. I remember Sunday School.

1:43:18.360 --> 1:43:20.640
<v Speaker 2>I'm pretty sure that water is like the personification of

1:43:20.760 --> 1:43:23.280
<v Speaker 2>like cleansing and all that. So even them drinking the

1:43:23.400 --> 1:43:26.000
<v Speaker 2>water at that that pieces like them on the mission

1:43:26.040 --> 1:43:27.160
<v Speaker 2>to try to find some cleansing.

1:43:27.960 --> 1:43:30.439
<v Speaker 6>Well, yeah, water definitely represents cleansing in the Bible. That's

1:43:30.439 --> 1:43:35.280
<v Speaker 6>why they're baptized in water. But are you Are you

1:43:35.320 --> 1:43:38.120
<v Speaker 6>saying that to reference why there was that weird scene

1:43:38.160 --> 1:43:40.839
<v Speaker 6>that kind of skipped and they were like yeah, yeah.

1:43:41.000 --> 1:43:42.680
<v Speaker 4>And they never got cleansed because they were like it's

1:43:42.720 --> 1:43:44.000
<v Speaker 4>too good to be true and it was a dream.

1:43:44.400 --> 1:43:47.120
<v Speaker 1>So yeah, you never really like from like you're never

1:43:47.200 --> 1:43:54.439
<v Speaker 1>really fine though, never did what the drinking from the

1:43:54.479 --> 1:43:56.360
<v Speaker 1>water the whole. Yeah, but they don't want a mission

1:43:56.400 --> 1:43:57.960
<v Speaker 1>to do that. They're thinking in their mind like this

1:43:58.080 --> 1:43:59.880
<v Speaker 1>is going to actually bring some some wholeness.

1:44:00.120 --> 1:44:03.559
<v Speaker 2>Only one of them was thinking that, though Anaya never

1:44:03.680 --> 1:44:07.040
<v Speaker 2>thought that even up until the end of Naya didn't

1:44:07.120 --> 1:44:10.759
<v Speaker 2>think that. It was only Racine that thought that killing

1:44:11.760 --> 1:44:14.400
<v Speaker 2>their father was going to be some sort of closure.

1:44:16.760 --> 1:44:19.280
<v Speaker 4>Well, maybe they were saying with that part when because

1:44:19.320 --> 1:44:22.559
<v Speaker 4>it was illusion, Maybe killing the father wouldn't have given

1:44:22.600 --> 1:44:25.080
<v Speaker 4>them the closure that they were seeking, and maybe that

1:44:25.280 --> 1:44:26.720
<v Speaker 4>was the too good to be true far.

1:44:26.960 --> 1:44:29.360
<v Speaker 2>But I guess what I'm saying is that I'm looking

1:44:29.400 --> 1:44:32.599
<v Speaker 2>at with the ending that they're supposed to represent a hole. Yeah,

1:44:32.720 --> 1:44:36.160
<v Speaker 2>so she's still like like in her mind, like her

1:44:36.200 --> 1:44:38.760
<v Speaker 2>other side of her is still like even though the

1:44:38.840 --> 1:44:40.960
<v Speaker 2>film is depicting her as a totally different person, this

1:44:41.080 --> 1:44:43.240
<v Speaker 2>is supposed to be like we look at twins as

1:44:43.280 --> 1:44:45.760
<v Speaker 2>one people. Yeah, yeah, so I'm thinking thebody like this

1:44:45.880 --> 1:44:47.800
<v Speaker 2>other side of her is still think is wrestling with

1:44:47.960 --> 1:44:50.960
<v Speaker 2>this is the way that I'm going to find cleansing. Like, so,

1:44:51.160 --> 1:44:52.840
<v Speaker 2>even though we were watching them as two different people,

1:44:52.840 --> 1:44:54.080
<v Speaker 2>were actually watching one person.

1:44:55.320 --> 1:44:57.559
<v Speaker 1>Maybe I'm overreaching. That's how I kind of started thinking

1:44:57.560 --> 1:44:58.439
<v Speaker 1>about it. In the end of it.

1:44:58.600 --> 1:45:01.160
<v Speaker 6>I mean maybe, but that wouldn't because that wouldn't be

1:45:01.240 --> 1:45:05.320
<v Speaker 6>consistent with the other set of twins, So is it

1:45:05.479 --> 1:45:05.600
<v Speaker 6>is it?

1:45:05.800 --> 1:45:08.200
<v Speaker 1>I wouldn't it be good because men are.

1:45:11.920 --> 1:45:14.519
<v Speaker 6>So okay, But if we're looking at if we're looking

1:45:14.560 --> 1:45:17.439
<v Speaker 6>at the twins as one person and or you know,

1:45:18.040 --> 1:45:21.760
<v Speaker 6>different sides of one person. We didn't really get that

1:45:22.000 --> 1:45:26.479
<v Speaker 6>so much with the male twins because when the one died,

1:45:26.800 --> 1:45:28.200
<v Speaker 6>the sweet one went evil.

1:45:31.240 --> 1:45:35.040
<v Speaker 2>Okay, so if if if we're looking at it from

1:45:35.120 --> 1:45:38.880
<v Speaker 2>your your theory, that wouldn't have happened.

1:45:38.960 --> 1:45:40.720
<v Speaker 1>In a way because it's still self defense because even

1:45:41.000 --> 1:45:42.960
<v Speaker 1>it wasn't at that point, he could have just left

1:45:43.040 --> 1:45:44.799
<v Speaker 1>with anaya. It wasn't self defense.

1:45:45.400 --> 1:45:47.840
<v Speaker 2>But I also feel like there's also an economy of

1:45:47.920 --> 1:45:50.280
<v Speaker 2>like how she depicted men and women and yeah, so

1:45:50.360 --> 1:45:52.479
<v Speaker 2>I think so even with the man part is like, yeah,

1:45:52.479 --> 1:45:57.160
<v Speaker 2>eventually like men eventually because of just like how life is.

1:45:57.280 --> 1:46:02.040
<v Speaker 1>Eventually men are like turned to become this like patriarchy

1:46:02.120 --> 1:46:02.920
<v Speaker 1>turns them this way.

1:46:03.000 --> 1:46:05.479
<v Speaker 6>I get all that, but I guess it doesn't really

1:46:07.120 --> 1:46:10.400
<v Speaker 6>it doesn't really fit with the whole twins looked at

1:46:10.479 --> 1:46:13.200
<v Speaker 6>as one person unless we're completely saying that that only

1:46:13.439 --> 1:46:16.839
<v Speaker 6>is accurate if they're female.

1:46:18.760 --> 1:46:20.479
<v Speaker 1>Is that what you think the movie is saying? No?

1:46:20.840 --> 1:46:22.760
<v Speaker 1>And mind you. I'm saying all this as not a

1:46:22.800 --> 1:46:24.720
<v Speaker 1>way of saying you're wrong. I'm saying all this as

1:46:24.880 --> 1:46:25.439
<v Speaker 1>I don't get it.

1:46:25.640 --> 1:46:28.840
<v Speaker 2>I'm I'm saying with men like, we have the capabilities

1:46:28.880 --> 1:46:32.840
<v Speaker 2>of being both of them, but women, circumstances push us,

1:46:33.000 --> 1:46:34.960
<v Speaker 2>like a lot most of us, certain things push us

1:46:35.000 --> 1:46:38.240
<v Speaker 2>to be more evil than not. And so that's why

1:46:38.280 --> 1:46:41.240
<v Speaker 2>he turned after whatever happened happened like that trauma response

1:46:41.320 --> 1:46:42.519
<v Speaker 2>to him just now just turned him.

1:46:42.479 --> 1:46:45.000
<v Speaker 6>Like, turned him evil, whereas the trauma response for the

1:46:45.000 --> 1:46:46.800
<v Speaker 6>woman turned her. And that's the other side of like

1:46:46.880 --> 1:46:48.559
<v Speaker 6>it just turns him into.

1:46:48.479 --> 1:46:51.120
<v Speaker 4>That maybe able to not have the same reaction too

1:46:51.840 --> 1:46:53.280
<v Speaker 4>when when not.

1:46:53.400 --> 1:46:55.640
<v Speaker 1>Really she was gonna give into stir, she kind of

1:46:55.720 --> 1:46:56.519
<v Speaker 1>was gonna give into.

1:46:57.240 --> 1:46:59.719
<v Speaker 4>She turned into a murderer. When her sister was attacked,

1:46:59.800 --> 1:47:01.200
<v Speaker 4>she had the same reaction as the.

1:47:03.000 --> 1:47:07.120
<v Speaker 6>Her dad attective Yeah, but once once see the difference

1:47:07.120 --> 1:47:10.960
<v Speaker 6>between the two sets of twins is with the boy twins,

1:47:11.360 --> 1:47:16.599
<v Speaker 6>when the more evil one died, the nicer one turned evil.

1:47:17.240 --> 1:47:21.639
<v Speaker 6>With the female twin, when the more rowdy, aggressive one died,

1:47:22.320 --> 1:47:25.679
<v Speaker 6>she just turned into a more calm and loving person.

1:47:26.240 --> 1:47:28.120
<v Speaker 8>That's why I'm saying I don't talk about when she

1:47:28.320 --> 1:47:34.400
<v Speaker 8>killed the the soft to evil twin in self defense

1:47:34.439 --> 1:47:39.680
<v Speaker 8>of her sister, she still ultimately ended up killing.

1:47:39.840 --> 1:47:43.519
<v Speaker 6>She did, But with the boy Twin, it wasn't self defense.

1:47:43.600 --> 1:47:45.320
<v Speaker 6>It was just I'm gonna kill you because.

1:47:45.080 --> 1:47:51.559
<v Speaker 1>I'm mad because she just killed brother. Right.

1:47:51.640 --> 1:47:54.280
<v Speaker 6>But the but the but the reasonings are different. So

1:47:54.479 --> 1:47:57.120
<v Speaker 6>for the for the boy twin, he knew his brother

1:47:57.280 --> 1:48:01.120
<v Speaker 6>was an asshole, and he he tried. He made it

1:48:01.200 --> 1:48:03.160
<v Speaker 6>seem like he was gonna leave with Anaya, who is

1:48:03.200 --> 1:48:06.280
<v Speaker 6>the quote unquote the good twin, But when it came

1:48:06.400 --> 1:48:10.439
<v Speaker 6>down to it, he was going to kill her, whereas

1:48:10.600 --> 1:48:14.960
<v Speaker 6>Anaya never really had that moment. She killed him completely

1:48:15.080 --> 1:48:18.360
<v Speaker 6>out of self defense of her sister. Now you can

1:48:18.479 --> 1:48:21.719
<v Speaker 6>stretch it and say, well, he was defending his brother

1:48:22.560 --> 1:48:24.760
<v Speaker 6>because she killed his Yeah, but the brother was dead

1:48:24.760 --> 1:48:26.120
<v Speaker 6>and and I had nothing to do with it. And

1:48:26.240 --> 1:48:28.760
<v Speaker 6>she took him out the house of the murderer, right,

1:48:28.880 --> 1:48:30.760
<v Speaker 6>she was trying to save him. He's really trying to

1:48:30.760 --> 1:48:31.120
<v Speaker 6>save him.

1:48:31.120 --> 1:48:33.439
<v Speaker 2>But because it's the trauma, response of him at that

1:48:33.520 --> 1:48:36.439
<v Speaker 2>moment was to kill killed this person out of revenge.

1:48:36.800 --> 1:48:39.280
<v Speaker 2>I'm more also out of revenge than self defense, right,

1:48:41.520 --> 1:48:41.880
<v Speaker 2>I get it.

1:48:41.960 --> 1:48:45.200
<v Speaker 4>But there's still somewhat similar to me, because you still

1:48:45.360 --> 1:48:52.760
<v Speaker 4>have both siblings reacting violently to harm that was applied

1:48:53.240 --> 1:48:56.640
<v Speaker 4>to their other sibling. I don't know.

1:48:56.680 --> 1:49:00.120
<v Speaker 1>I don't see that way even with Anaya, not even.

1:49:00.479 --> 1:49:04.200
<v Speaker 4>Yeah, the motivations were different, but the ashes were the same.

1:49:04.040 --> 1:49:07.519
<v Speaker 6>But the motivations and the reasoning were completely different. Like

1:49:08.200 --> 1:49:11.439
<v Speaker 6>he knew that Anaya was not the one that did

1:49:11.520 --> 1:49:14.120
<v Speaker 6>it because Anaya was trying to help him, so they

1:49:14.160 --> 1:49:16.560
<v Speaker 6>could have just left. If he needed to turn his

1:49:16.680 --> 1:49:21.240
<v Speaker 6>anger on somebody, he could have turned it back on racing. Instead,

1:49:21.280 --> 1:49:21.920
<v Speaker 6>he turned it on.

1:49:22.000 --> 1:49:24.120
<v Speaker 2>A Naya who saved him and took him out the house,

1:49:24.880 --> 1:49:27.080
<v Speaker 2>like he literally.

1:49:26.560 --> 1:49:28.600
<v Speaker 4>Well, maybe that goes to you, saying like they he

1:49:28.760 --> 1:49:31.400
<v Speaker 4>just looked at him as one of the same, like yeah,

1:49:31.479 --> 1:49:33.680
<v Speaker 4>y'all walked in here and hit that. I don't give

1:49:33.720 --> 1:49:36.679
<v Speaker 4>a don't I don't care that you weren't the one

1:49:37.320 --> 1:49:40.479
<v Speaker 4>now did it. You're still with her, You're still part

1:49:40.520 --> 1:49:43.120
<v Speaker 4>of this, so I'm gonna kill you too. Or maybe

1:49:43.200 --> 1:49:46.400
<v Speaker 4>this is my way of taking something away from racing

1:49:46.560 --> 1:49:47.639
<v Speaker 4>that she took away from.

1:49:47.600 --> 1:49:50.000
<v Speaker 2>Me, but that I would I would lean on more.

1:49:50.479 --> 1:49:53.120
<v Speaker 2>But even with this conversation, I also feel like and

1:49:53.200 --> 1:49:55.040
<v Speaker 2>it's not attacking you. I think there's awesome message in

1:49:55.080 --> 1:49:58.800
<v Speaker 2>as far as saying like, we give men more like

1:49:59.160 --> 1:50:02.559
<v Speaker 2>leewaight on like their actions because we're trying to justify

1:50:02.720 --> 1:50:05.880
<v Speaker 2>why he is stilling has some justification of doing what

1:50:05.960 --> 1:50:06.240
<v Speaker 2>he did.

1:50:06.400 --> 1:50:08.120
<v Speaker 1>Yeah, when he really does, when he really does, he

1:50:08.120 --> 1:50:11.240
<v Speaker 1>should have just took the took the escaping on.

1:50:12.400 --> 1:50:12.599
<v Speaker 4>Yeah.

1:50:12.680 --> 1:50:14.519
<v Speaker 6>I think there's a lot here that we're just not minted,

1:50:14.680 --> 1:50:16.599
<v Speaker 6>we're not getting I don't know if it's as simple

1:50:16.800 --> 1:50:19.599
<v Speaker 6>as they're they're supposed to be viewed as one person,

1:50:19.600 --> 1:50:21.960
<v Speaker 6>because again I don't really see that in the set

1:50:22.080 --> 1:50:22.960
<v Speaker 6>of male twins.

1:50:24.000 --> 1:50:33.400
<v Speaker 4>Wait, so if y'all have siblings, So if a group

1:50:33.479 --> 1:50:36.719
<v Speaker 4>of twins came and killed and one of them killed

1:50:37.520 --> 1:50:39.800
<v Speaker 4>your sibling, then you would go after the one that

1:50:39.880 --> 1:50:41.160
<v Speaker 4>did it and not the one that didn't.

1:50:41.560 --> 1:50:42.840
<v Speaker 1>Yeah, Yeah, that would makes sense.

1:50:42.960 --> 1:50:44.600
<v Speaker 2>Yeah, especially if the one that didn't do it is

1:50:44.640 --> 1:50:47.519
<v Speaker 2>trying to help me by saying, hey, get let's go.

1:50:48.160 --> 1:50:51.679
<v Speaker 1>She's crazy, my twin is nuts. Let's go. You're telling

1:50:51.760 --> 1:50:54.200
<v Speaker 1>me your sibling is crazy and saving me from them.

1:50:54.240 --> 1:50:55.960
<v Speaker 1>Why would I attack then attack you? Right?

1:50:56.800 --> 1:50:59.000
<v Speaker 6>That makes no sense, especially when I have every opportunity

1:50:59.000 --> 1:51:00.960
<v Speaker 6>to attack the one that just it. Instead we're running

1:51:00.960 --> 1:51:03.040
<v Speaker 6>because with some punks. But I'm gonna attack the one

1:51:03.040 --> 1:51:04.400
<v Speaker 6>that helped me. Doesn't make anything.

1:51:04.520 --> 1:51:07.160
<v Speaker 1>Even just push you away and keep running. Yeah, I

1:51:07.200 --> 1:51:10.640
<v Speaker 1>don't know if I think I see it all the motherfuckers, Bro, I.

1:51:10.680 --> 1:51:14.599
<v Speaker 2>Think, yeah, all right, you're right, you're right, mind coming,

1:51:15.040 --> 1:51:17.519
<v Speaker 2>They appreciate it, they all ship.

1:51:17.760 --> 1:51:21.439
<v Speaker 1>You're okay with that motherfucker. You just responsible. I'm taking

1:51:21.479 --> 1:51:26.160
<v Speaker 1>your ass out and you're right. Hell no, you're right.

1:51:27.120 --> 1:51:28.280
<v Speaker 1>Kill my goddamn brother.

1:51:29.040 --> 1:51:32.559
<v Speaker 4>You should you shouldn't have helped me ship now. Hey,

1:51:32.640 --> 1:51:35.559
<v Speaker 4>I got a hostage you now?

1:51:38.760 --> 1:51:43.960
<v Speaker 3>Hell any other thoughts on this movie?

1:51:44.880 --> 1:51:48.479
<v Speaker 2>No, everyone should go, well not everyone, but because I

1:51:48.479 --> 1:51:50.000
<v Speaker 2>don't know, I don't know if white folks would get

1:51:50.000 --> 1:51:51.200
<v Speaker 2>the same thing that black folks got.

1:51:51.240 --> 1:51:53.360
<v Speaker 6>I know, y'all white people are gonna be mad, but

1:51:53.479 --> 1:51:55.360
<v Speaker 6>I don't know. This felt like a black movie made

1:51:55.400 --> 1:51:56.120
<v Speaker 6>for black folks.

1:51:56.520 --> 1:51:56.800
<v Speaker 1>Reason.

1:52:01.439 --> 1:52:04.200
<v Speaker 6>Yeah, I mean I got that part. It was just well,

1:52:04.240 --> 1:52:05.840
<v Speaker 6>that was one of them that was confused about the title.

1:52:09.200 --> 1:52:11.479
<v Speaker 6>The title didn't really didn't really because I think it

1:52:11.560 --> 1:52:13.760
<v Speaker 6>was also what Ken was referencing with the twins on

1:52:13.840 --> 1:52:16.719
<v Speaker 6>each side of God. So I I the title didn't

1:52:16.760 --> 1:52:19.120
<v Speaker 6>really didn't really confuse me that much. It was more

1:52:19.200 --> 1:52:21.160
<v Speaker 6>so just why did we never go back to God?

1:52:21.439 --> 1:52:27.040
<v Speaker 6>But what you're saying, I'll accept it. But yeah, y'all

1:52:27.080 --> 1:52:28.799
<v Speaker 6>go see, y'all.

1:52:28.640 --> 1:52:29.240
<v Speaker 4>Go see this movie.

1:52:29.280 --> 1:52:32.680
<v Speaker 3>Man, this is I was pleasantly surprised how much I

1:52:32.840 --> 1:52:33.160
<v Speaker 3>enjoyed this.

1:52:33.400 --> 1:52:34.920
<v Speaker 1>One of my top movies of the year. Yeah, I

1:52:35.080 --> 1:52:37.439
<v Speaker 1>think the same. Yeah, I wrote and directed.

1:52:37.520 --> 1:52:40.840
<v Speaker 6>So she definitely needs more Work's like she's like another

1:52:40.880 --> 1:52:42.320
<v Speaker 6>Boots Riley, but and.

1:52:42.640 --> 1:52:45.360
<v Speaker 4>Now walking away with these Yeah, yes, that's the word,

1:52:45.560 --> 1:52:50.479
<v Speaker 4>like racing needs more work. Facts, both of them, action,

1:52:50.640 --> 1:52:53.479
<v Speaker 4>both of them really good. But yeah, that's great. All right.

1:52:53.560 --> 1:52:56.160
<v Speaker 3>That's our review for is God Is. Thank you for

1:52:56.280 --> 1:52:58.559
<v Speaker 3>checking out the phrase per second podcast out