1 00:00:10,600 --> 00:00:15,480 Speaker 1: Now let's jump into We're still working on a workshopping title. 2 00:00:15,600 --> 00:00:18,120 Speaker 1: But if the old school didn't pave the way, Spike. 3 00:00:18,400 --> 00:00:21,560 Speaker 1: This came from Tupac's album I don't know if you're 4 00:00:21,560 --> 00:00:23,160 Speaker 1: familiar with it, He Against the World. 5 00:00:23,200 --> 00:00:23,640 Speaker 2: Stop There. 6 00:00:28,800 --> 00:00:31,120 Speaker 3: You can only do that with Mob Deep and Woo 7 00:00:31,200 --> 00:00:34,680 Speaker 3: Tang and all of them. If it was the Low Baltimore, 8 00:00:35,200 --> 00:00:35,800 Speaker 3: I was on it. 9 00:00:36,280 --> 00:00:39,280 Speaker 1: So yeah, man, look in January, we had the birth 10 00:00:39,440 --> 00:00:45,920 Speaker 1: of Rock Him, Rock him, very very very pivotal rapper 11 00:00:46,360 --> 00:00:52,080 Speaker 1: in hip hop history who completely changed what rap was 12 00:00:52,240 --> 00:00:55,760 Speaker 1: to what rap is now. He is definitely an icon, 13 00:00:56,160 --> 00:00:59,600 Speaker 1: So it's good to kind of look back and honor him. 14 00:01:00,480 --> 00:01:03,600 Speaker 1: You know, he was born January fifteen, nineteen sixty eight, 15 00:01:03,680 --> 00:01:08,440 Speaker 1: so salute to that brother. And before him, you had punchlines, 16 00:01:08,480 --> 00:01:11,399 Speaker 1: you had party rhymes, you had all that stuff where 17 00:01:11,400 --> 00:01:14,080 Speaker 1: they were rapping over disco tracks and shit like that. 18 00:01:14,200 --> 00:01:15,880 Speaker 2: And after him, shit was different. 19 00:01:17,000 --> 00:01:21,280 Speaker 1: Intricate structure, rhyme schemes, et cetera, et cetera. A couple 20 00:01:21,319 --> 00:01:28,360 Speaker 1: of questions I have you, guys, man, did he kind 21 00:01:28,360 --> 00:01:33,120 Speaker 1: of put us into like this sort of space where 22 00:01:34,319 --> 00:01:38,200 Speaker 1: it became sort of this elitism sort of rap where 23 00:01:38,600 --> 00:01:40,679 Speaker 1: people would be quit to say, oh, that ain't hip hop, 24 00:01:41,080 --> 00:01:44,960 Speaker 1: and very dismissive of stuff that doesn't sound like what 25 00:01:45,080 --> 00:01:48,760 Speaker 1: rappers like him and others from New York were doing. 26 00:01:49,120 --> 00:01:51,639 Speaker 1: Which is how you know, when you have the stuff 27 00:01:51,640 --> 00:01:53,280 Speaker 1: that was happening in the South with two Live Crew, 28 00:01:53,280 --> 00:01:55,520 Speaker 1: et cetera, et cetera, and then you have, of course 29 00:01:55,560 --> 00:01:58,160 Speaker 1: the other stuff that was happening in Atlanta, all of 30 00:01:58,160 --> 00:02:02,440 Speaker 1: that stuff got dismissed as not being wrapped. And it 31 00:02:02,480 --> 00:02:06,120 Speaker 1: could have started with him coming in and changing the 32 00:02:06,120 --> 00:02:08,000 Speaker 1: game in the way that it was that he did. 33 00:02:08,040 --> 00:02:09,840 Speaker 2: So what do you guys think about. 34 00:02:09,800 --> 00:02:12,639 Speaker 4: That it could have possibly started with him? I mean, 35 00:02:12,760 --> 00:02:14,359 Speaker 4: I mean, I mean, but I don't want to I 36 00:02:14,400 --> 00:02:18,720 Speaker 4: wouldn't want to say that Rock Kim affected hip hop 37 00:02:18,720 --> 00:02:22,560 Speaker 4: in a negative way. I guess like I think I 38 00:02:22,560 --> 00:02:25,919 Speaker 4: would like to stay and that he if he affected 39 00:02:26,000 --> 00:02:28,359 Speaker 4: hip hop in a positive way by showing how much 40 00:02:28,400 --> 00:02:32,320 Speaker 4: more it could be. So even if it is the 41 00:02:32,360 --> 00:02:36,440 Speaker 4: case that that it could had an effect on how 42 00:02:36,480 --> 00:02:40,880 Speaker 4: people looked at other coasts and things like that and 43 00:02:41,000 --> 00:02:43,639 Speaker 4: how and what they did, I don't I wouldn't put 44 00:02:43,639 --> 00:02:47,480 Speaker 4: that all on rock him. I think because of so early. 45 00:02:48,880 --> 00:02:53,919 Speaker 2: What if I said that because I agree with you. 46 00:02:54,520 --> 00:03:00,640 Speaker 1: Like it morphed into that and evolved into accepting ability 47 00:03:00,800 --> 00:03:04,240 Speaker 1: from all these other rappers from the South and all 48 00:03:04,320 --> 00:03:07,160 Speaker 1: these other coasts, like it's just and it was recognized 49 00:03:07,160 --> 00:03:12,560 Speaker 1: as like, Okay, we can now understand and appreciate the 50 00:03:12,600 --> 00:03:14,560 Speaker 1: outcasts of the world, the goodie mobs of the world, 51 00:03:14,600 --> 00:03:15,360 Speaker 1: et cetera, et cetera. 52 00:03:15,639 --> 00:03:17,200 Speaker 2: It just took a minute to get there. 53 00:03:18,360 --> 00:03:22,360 Speaker 4: Yeah, because I think with rock Kim also, although he 54 00:03:22,440 --> 00:03:27,040 Speaker 4: had the lyricism, the sound was still you dance to it, 55 00:03:27,200 --> 00:03:30,080 Speaker 4: you still move to it, So it wasn't just a 56 00:03:30,120 --> 00:03:32,960 Speaker 4: straight lyrical miracle thing. It was just like a really 57 00:03:32,960 --> 00:03:38,480 Speaker 4: good balance of like lyrics and and just movement right 58 00:03:38,600 --> 00:03:42,280 Speaker 4: and just jazz right. He brought jazz element and it 59 00:03:42,320 --> 00:03:43,840 Speaker 4: with some of the well some of the sounds like 60 00:03:44,920 --> 00:03:48,720 Speaker 4: it was a combination. It was a good combination of rap. 61 00:03:49,120 --> 00:03:51,240 Speaker 4: So I don't think I don't think it was until 62 00:03:51,560 --> 00:03:55,120 Speaker 4: you know, cats really started focusing on the lyrics like 63 00:03:56,080 --> 00:04:00,480 Speaker 4: later on in rap. I think that's what pretty much 64 00:04:00,520 --> 00:04:06,240 Speaker 4: created that you know, rappers just saying I'm the best 65 00:04:06,240 --> 00:04:09,440 Speaker 4: at this and the best at that, versus like somebody 66 00:04:09,480 --> 00:04:11,840 Speaker 4: in Florida. We just we just want to see girls 67 00:04:11,840 --> 00:04:14,440 Speaker 4: shaking their asses or you know, just party, you know, 68 00:04:14,520 --> 00:04:16,880 Speaker 4: doing you know, dancing at a party or whatever. We're 69 00:04:16,920 --> 00:04:20,520 Speaker 4: more focused on that. So I don't know. I feel 70 00:04:20,520 --> 00:04:23,039 Speaker 4: like rock Kim just had a good blend of both 71 00:04:23,080 --> 00:04:24,880 Speaker 4: of them. Like like like I said, the music just 72 00:04:25,080 --> 00:04:28,719 Speaker 4: you know you you bounce to it, Spike, were you 73 00:04:28,720 --> 00:04:29,039 Speaker 4: a fan? 74 00:04:29,680 --> 00:04:33,320 Speaker 3: I had to go back and listen because it was 75 00:04:33,360 --> 00:04:35,360 Speaker 3: one of those things when you're young and you're having 76 00:04:35,400 --> 00:04:39,200 Speaker 3: a conversation and you like crediting somebody for something, and 77 00:04:39,640 --> 00:04:41,560 Speaker 3: then somebody old and you're be like, nah, nah, you need. 78 00:04:41,400 --> 00:04:42,160 Speaker 2: To go listen to this. 79 00:04:43,480 --> 00:04:46,000 Speaker 3: And I know people will say like Nas changed hip 80 00:04:46,040 --> 00:04:48,800 Speaker 3: hop in the sense of his flow and everything was illmatic, 81 00:04:49,240 --> 00:04:51,520 Speaker 3: and I was having that conversation with someone old was like, nah, 82 00:04:51,560 --> 00:04:54,080 Speaker 3: you need to listen to rock Kim. And rock Kim 83 00:04:54,200 --> 00:04:58,159 Speaker 3: was the one that introduced that. It made lyrics as important, 84 00:04:58,279 --> 00:05:00,800 Speaker 3: it still had that bop chain as like to it, 85 00:05:00,920 --> 00:05:03,320 Speaker 3: like Rob was saying, but rock Kim was the one. 86 00:05:03,360 --> 00:05:06,120 Speaker 3: It was really like the Ryan Patterns was different. The 87 00:05:06,120 --> 00:05:08,719 Speaker 3: flow was different. It's it's different from what we hear, 88 00:05:09,320 --> 00:05:12,000 Speaker 3: like the I said have one, two, three, two to four, 89 00:05:12,080 --> 00:05:14,280 Speaker 3: like that ship right like rock Kim wasn't doing it 90 00:05:14,320 --> 00:05:16,480 Speaker 3: like you was like, he was really saying some shit, 91 00:05:16,839 --> 00:05:20,920 Speaker 3: and that did raise the bar in hip hop, and 92 00:05:21,040 --> 00:05:23,680 Speaker 3: it did have kind of elitism to it. 93 00:05:23,760 --> 00:05:25,080 Speaker 2: But I don't think it was him. I don't think 94 00:05:25,120 --> 00:05:25,840 Speaker 2: it was on him. 95 00:05:26,080 --> 00:05:27,800 Speaker 3: I think it was the people following him, saying that 96 00:05:27,839 --> 00:05:30,320 Speaker 3: if I could do this just as good as him, 97 00:05:30,360 --> 00:05:32,520 Speaker 3: I can get in my bag. Well, I don't got 98 00:05:32,560 --> 00:05:34,520 Speaker 3: to care about the beats or a hero or a single. 99 00:05:34,640 --> 00:05:37,120 Speaker 3: Just because I can rap really good, I'm better than you. 100 00:05:37,880 --> 00:05:39,760 Speaker 3: I think that this may have burthed it, but I 101 00:05:39,760 --> 00:05:41,800 Speaker 3: don't think that's a negative thing. I think you need 102 00:05:41,839 --> 00:05:42,880 Speaker 3: those different Jon. 103 00:05:43,560 --> 00:05:46,280 Speaker 1: You know what was what was interesting? And I didn't 104 00:05:46,320 --> 00:05:51,000 Speaker 1: even consider this until I recently did for frames or 105 00:05:51,040 --> 00:05:53,680 Speaker 1: so long. In the last Dragon and Uh and Mouse 106 00:05:53,880 --> 00:06:00,440 Speaker 1: watched it with me, and that movie is from eighty 107 00:06:00,520 --> 00:06:08,719 Speaker 1: six and they were rapping like that. Though Miles has 108 00:06:08,800 --> 00:06:12,400 Speaker 1: never heard that before. So when you heard it, he 109 00:06:12,560 --> 00:06:17,160 Speaker 1: was like, what is that? Why does he sound like that? 110 00:06:17,279 --> 00:06:20,680 Speaker 1: What is wrong with him? He had never heard it before. 111 00:06:20,760 --> 00:06:23,680 Speaker 1: It was so because I grew up with it. He 112 00:06:24,040 --> 00:06:30,520 Speaker 1: only heard like what is rap? What rap is like today? 113 00:06:30,680 --> 00:06:36,040 Speaker 1: And hearing like him. I'm still processing what it all means, 114 00:06:36,200 --> 00:06:41,080 Speaker 1: but it's like to him, he was like, something sounds 115 00:06:41,200 --> 00:06:44,640 Speaker 1: wrong with that guy, like he's off. And it really 116 00:06:44,760 --> 00:06:48,160 Speaker 1: helped polish and take rap to a whole whole another. 117 00:06:48,320 --> 00:06:52,120 Speaker 1: It really elevated the art form and we wouldn't have 118 00:06:52,200 --> 00:06:53,719 Speaker 1: that without Rakim. 119 00:06:53,839 --> 00:06:58,000 Speaker 2: It could have easily died off if it didn't evolve. 120 00:06:58,360 --> 00:07:02,400 Speaker 1: So to him, and the question that I have for 121 00:07:02,440 --> 00:07:04,680 Speaker 1: you guys just off of this, because he came in 122 00:07:04,720 --> 00:07:07,880 Speaker 1: and became like one of the great rappers, what in 123 00:07:08,200 --> 00:07:10,840 Speaker 1: present day or just overall, what do you guys think 124 00:07:10,920 --> 00:07:13,040 Speaker 1: a great rapper sounds like? 125 00:07:14,000 --> 00:07:16,920 Speaker 2: What what if we had to build a great example 126 00:07:16,960 --> 00:07:20,880 Speaker 2: of it? Mm hmmm damn. 127 00:07:21,440 --> 00:07:24,280 Speaker 4: I mean I think the president example is a Kendred right. 128 00:07:27,520 --> 00:07:29,840 Speaker 2: Because you got to look at like that. I think 129 00:07:29,920 --> 00:07:30,840 Speaker 2: that's for us. 130 00:07:31,280 --> 00:07:33,640 Speaker 3: If you building a present day example, you're really trying 131 00:07:33,640 --> 00:07:35,920 Speaker 3: to appeel more to the youth. Kendrick, don't know, like 132 00:07:36,160 --> 00:07:38,240 Speaker 3: you would have to go to like a road Wave 133 00:07:38,600 --> 00:07:40,600 Speaker 3: or someone that has that type of rap style. 134 00:07:41,160 --> 00:07:44,680 Speaker 2: You're talking about what a great rappers? A rap? Okay? 135 00:07:45,320 --> 00:07:49,960 Speaker 3: Yeah, in today's times though, that's what they consider a great. 136 00:07:49,800 --> 00:07:54,560 Speaker 4: Rapper yeah, but I think with a Kendrick it's undoable, right, 137 00:07:55,240 --> 00:07:58,840 Speaker 4: Like I think it's underenoable from any person, like whether 138 00:07:58,880 --> 00:08:03,000 Speaker 4: you're young, whether old, whether you're middle age. I think 139 00:08:03,120 --> 00:08:06,000 Speaker 4: I think, let me get it out. I think, no 140 00:08:06,040 --> 00:08:09,320 Speaker 4: matter what you're gonna say, that guy could rap. He's 141 00:08:09,360 --> 00:08:12,640 Speaker 4: a great rapper. It's not my taste per se. And 142 00:08:12,880 --> 00:08:15,040 Speaker 4: sometimes you know, some of the things he rap about 143 00:08:15,120 --> 00:08:18,160 Speaker 4: go over my head. But at the end of the day, 144 00:08:18,200 --> 00:08:21,360 Speaker 4: I think he's a great rapper. And any race, any culture, 145 00:08:22,400 --> 00:08:25,320 Speaker 4: most people are gonna say Kendrick Lamar is a great rapper. 146 00:08:25,360 --> 00:08:27,320 Speaker 4: And I think the like not like Gus proved. I 147 00:08:27,320 --> 00:08:28,880 Speaker 4: mean he was able to do all of that stuff 148 00:08:28,880 --> 00:08:31,480 Speaker 4: on a grand stage of the Super Bowl, Like how 149 00:08:31,480 --> 00:08:34,880 Speaker 4: many rappers do you know that can can do that. 150 00:08:35,320 --> 00:08:37,920 Speaker 4: I also think Drake can actually be a great rapper. 151 00:08:38,120 --> 00:08:40,640 Speaker 4: I think the Big Three were a good example of 152 00:08:40,679 --> 00:08:43,240 Speaker 4: great rappers to be quite honest, when you think about it, 153 00:08:43,320 --> 00:08:46,280 Speaker 4: like like j Cole was very palatable for people like 154 00:08:46,679 --> 00:08:48,800 Speaker 4: I just had a conversation with my with my nineteen 155 00:08:48,840 --> 00:08:51,520 Speaker 4: year old or whatever. So she's trying to put together 156 00:08:51,559 --> 00:08:54,400 Speaker 4: the showcase right now, and she in the showcases like 157 00:08:55,120 --> 00:08:58,800 Speaker 4: Kendrick lamar level, like heady or whatever. And I'm like, 158 00:08:58,840 --> 00:09:00,680 Speaker 4: you might need to dumb that down for some people 159 00:09:00,720 --> 00:09:02,439 Speaker 4: a little bit because they might go over their heads 160 00:09:02,480 --> 00:09:04,000 Speaker 4: a little bit. I know, you're trying to get tickets 161 00:09:04,000 --> 00:09:06,440 Speaker 4: for this thing, right, And so she was just like, 162 00:09:07,720 --> 00:09:09,440 Speaker 4: and I said, you might want to go you know, 163 00:09:09,640 --> 00:09:12,079 Speaker 4: more drake with it, And then she was like, no, 164 00:09:12,120 --> 00:09:14,280 Speaker 4: I don't want to go for a drake. And so 165 00:09:14,320 --> 00:09:16,560 Speaker 4: she was just like, who's a rapper that you know? 166 00:09:16,720 --> 00:09:18,320 Speaker 4: It's kind of like both, and I was and she 167 00:09:18,400 --> 00:09:21,200 Speaker 4: was just like J Cole. J Cole is a mixture 168 00:09:21,240 --> 00:09:23,520 Speaker 4: of both. I think J Cole could do it both. 169 00:09:23,559 --> 00:09:26,400 Speaker 4: So if you don't like my Kendrick answer, I can 170 00:09:26,480 --> 00:09:28,959 Speaker 4: even go a J Cole row. I can say J Cole. 171 00:09:29,640 --> 00:09:35,120 Speaker 3: I think that answer resgnates for us because we still 172 00:09:35,280 --> 00:09:37,640 Speaker 3: listen to hip hop today and we still remember what 173 00:09:37,679 --> 00:09:40,320 Speaker 3: a great rapper was. But I think if you look 174 00:09:40,360 --> 00:09:42,640 Speaker 3: forward to the next generation, if you're building a rapper 175 00:09:42,679 --> 00:09:46,480 Speaker 3: for longevity, if you take Kendrick as an example, what 176 00:09:46,600 --> 00:09:50,640 Speaker 3: you get is Ji d and Jid makes amazing music. 177 00:09:50,920 --> 00:09:53,760 Speaker 3: He's a really good rapper, but it's just us resignate 178 00:09:54,360 --> 00:09:57,320 Speaker 3: with a very large fan base. He has a niche 179 00:09:57,320 --> 00:09:59,920 Speaker 3: fan base, but he probably could never be Kendrick Lamar. 180 00:10:01,960 --> 00:10:04,840 Speaker 4: Yeah, because I don't think he's quite Kendrid Lamar. I 181 00:10:04,880 --> 00:10:07,719 Speaker 4: think Jed like I love Jed, and I think he 182 00:10:07,760 --> 00:10:10,760 Speaker 4: should be be bigger than what he is right now, 183 00:10:10,800 --> 00:10:14,120 Speaker 4: which he did get a good little got more attention 184 00:10:14,240 --> 00:10:15,880 Speaker 4: with this last With this last album, he got a 185 00:10:15,960 --> 00:10:19,560 Speaker 4: lot more attention than he normally does. Right. I just 186 00:10:19,600 --> 00:10:22,640 Speaker 4: think he does like that double time and all that 187 00:10:22,640 --> 00:10:27,640 Speaker 4: stuff really well. Kendrick's able to to do that along 188 00:10:27,720 --> 00:10:32,280 Speaker 4: with some other things like people are doing freaking like 189 00:10:32,320 --> 00:10:34,760 Speaker 4: I said, like writing essays on some of the stuff 190 00:10:34,800 --> 00:10:38,760 Speaker 4: that he does. Man's one has won a What's what's 191 00:10:38,760 --> 00:10:39,200 Speaker 4: the award? 192 00:10:39,200 --> 00:10:39,760 Speaker 2: He won the. 193 00:10:42,960 --> 00:10:47,280 Speaker 4: Polit Surprise Pulit surprise. Like he's done so much. He's 194 00:10:47,320 --> 00:10:49,560 Speaker 4: he's made a big hit with not like us. He's 195 00:10:49,640 --> 00:10:52,959 Speaker 4: done so many different things he made Damn he's made 196 00:10:53,360 --> 00:10:56,400 Speaker 4: good kid man City like like, like it's so much 197 00:10:56,400 --> 00:10:57,040 Speaker 4: that he's done. 198 00:10:57,600 --> 00:11:00,840 Speaker 3: I'm not arguing his resume. I'm agreeing to you there. 199 00:11:01,000 --> 00:11:03,080 Speaker 3: I think then I need to ask again about the 200 00:11:03,160 --> 00:11:06,280 Speaker 3: question Ken You're saying, if I'm building a rapper in 201 00:11:06,320 --> 00:11:09,160 Speaker 3: twenty twenty six and then Rod, you're saying you would 202 00:11:09,120 --> 00:11:10,320 Speaker 3: want him to sound like Kendrick. 203 00:11:11,800 --> 00:11:16,440 Speaker 4: No, well okay, said Kendrick. Yeah yeah, initially I said Kendrick. 204 00:11:16,520 --> 00:11:20,640 Speaker 4: But I don't know. I think I think I might keep. 205 00:11:20,720 --> 00:11:21,320 Speaker 4: I think it's. 206 00:11:23,040 --> 00:11:25,680 Speaker 3: I don't but he a recD can come out today 207 00:11:25,840 --> 00:11:27,120 Speaker 3: sounded like Kendrick Lamar. 208 00:11:27,640 --> 00:11:30,640 Speaker 2: I don't think that's possible. The dam. 209 00:11:32,480 --> 00:11:34,360 Speaker 3: Yeah, I don't think that people I know, the fan, 210 00:11:34,400 --> 00:11:38,120 Speaker 3: I don't even think the consumer like that. That's like 211 00:11:38,240 --> 00:11:41,320 Speaker 3: really into music today has the palette for what Kendrick 212 00:11:41,400 --> 00:11:43,679 Speaker 3: Lamar can do, which is why I brought up j 213 00:11:43,800 --> 00:11:45,840 Speaker 3: I D. Because if they did, then Jed would be 214 00:11:45,880 --> 00:11:46,480 Speaker 3: more popping. 215 00:11:46,880 --> 00:11:50,160 Speaker 4: So if you but but he took out the biggest 216 00:11:50,240 --> 00:11:51,960 Speaker 4: rapper in hip hop, which is Drake. 217 00:11:52,840 --> 00:11:55,600 Speaker 2: I mean at all. I'm just saying I wouldn't. 218 00:11:56,200 --> 00:11:59,800 Speaker 3: I wouldn't recreate that as a If I were a man, 219 00:12:00,080 --> 00:12:02,920 Speaker 3: you're an A and R A record exeque. If someone 220 00:12:03,040 --> 00:12:05,160 Speaker 3: walked in my office and they sounded like Kendrick Lamar, 221 00:12:05,280 --> 00:12:06,800 Speaker 3: I probably would pass. 222 00:12:07,679 --> 00:12:07,839 Speaker 2: Well. 223 00:12:09,800 --> 00:12:13,280 Speaker 1: Yeah, well that that's if you're trying to do album sales. 224 00:12:13,440 --> 00:12:17,160 Speaker 1: But in respect a great rapper, yeah, we if we 225 00:12:17,360 --> 00:12:20,040 Speaker 1: if if we had yeah, yeah, a great rapper today. 226 00:12:20,080 --> 00:12:22,320 Speaker 1: I think can do the best of both worlds. You 227 00:12:22,400 --> 00:12:27,079 Speaker 1: can be lyrically depth uh like Kendrick, and you can 228 00:12:27,120 --> 00:12:30,000 Speaker 1: also have commercial appeal. And I think that's why Kendrick 229 00:12:30,160 --> 00:12:33,199 Speaker 1: worked so well as a model, because he can he 230 00:12:33,880 --> 00:12:35,200 Speaker 1: has the best of both worlds. 231 00:12:35,960 --> 00:12:36,600 Speaker 2: He's able to. 232 00:12:36,640 --> 00:12:39,880 Speaker 1: Entertain and he can be also real layer. He can 233 00:12:39,920 --> 00:12:46,440 Speaker 1: make conceptual albums as well. I think the step below that, 234 00:12:47,120 --> 00:12:49,440 Speaker 1: and I think role you named two good ones would 235 00:12:49,480 --> 00:12:53,720 Speaker 1: be Ja cole I think j cole Is is really 236 00:12:53,800 --> 00:12:57,880 Speaker 1: like the h a good version of like a mainstream rapper, 237 00:12:57,880 --> 00:13:02,080 Speaker 1: even though he's not super mainstream, right, So I think 238 00:13:02,160 --> 00:13:04,360 Speaker 1: you can't go wrong with either one of them. 239 00:13:04,440 --> 00:13:05,200 Speaker 2: In present day. 240 00:13:06,000 --> 00:13:08,920 Speaker 1: I think the ones that you were describing Spike are 241 00:13:08,920 --> 00:13:11,800 Speaker 1: more in line with like trends and stuff that's going 242 00:13:11,840 --> 00:13:15,520 Speaker 1: on with how it sounds today. But I wouldn't classify 243 00:13:15,600 --> 00:13:17,040 Speaker 1: them as great rappers. 244 00:13:17,040 --> 00:13:20,520 Speaker 2: Maybe good artists, right, Yeah, I want to be cool. 245 00:13:20,559 --> 00:13:22,079 Speaker 2: I don't think ro Wave is a great rapper. 246 00:13:22,080 --> 00:13:25,719 Speaker 1: I just yeah, that's the truth. And jay Z with 247 00:13:25,840 --> 00:13:27,880 Speaker 1: great rappers, then you go to the underground. You have 248 00:13:27,920 --> 00:13:31,160 Speaker 1: a lot of different molds, so I think, yeah, yeah, 249 00:13:31,200 --> 00:13:34,640 Speaker 1: so I think you have you know Rob Marcy MF Doom, 250 00:13:34,760 --> 00:13:38,120 Speaker 1: So you have a lot that could be considered great rappers. 251 00:13:38,160 --> 00:13:44,600 Speaker 1: So I think you know, versatility sounds like would would 252 00:13:44,640 --> 00:13:46,960 Speaker 1: be a thing that I would definitely look for. 253 00:13:48,480 --> 00:13:52,480 Speaker 3: I like J cole My outside the box answer would 254 00:13:52,520 --> 00:13:55,160 Speaker 3: be J cole I think it's the correct answer. If 255 00:13:55,160 --> 00:13:57,160 Speaker 3: I was thinking outside of the box, though, I would 256 00:13:57,160 --> 00:14:01,640 Speaker 3: think of somebody like Kodak, Kodak Black hell no, because 257 00:14:01,679 --> 00:14:06,080 Speaker 3: he can people love him. I'm telling you how that 258 00:14:06,160 --> 00:14:11,400 Speaker 3: would be like if yeah, oh man, it's outside. 259 00:14:15,800 --> 00:14:18,439 Speaker 4: Man, that's a that's a that's a hot take. Not 260 00:14:18,480 --> 00:14:21,640 Speaker 4: saying that Kodak can't rap because Kodak can't rap. Kodak 261 00:14:21,680 --> 00:14:24,360 Speaker 4: can rap. He does have an appeal to him and 262 00:14:24,400 --> 00:14:27,440 Speaker 4: he can do the kids like to. Yeah. But but 263 00:14:27,440 --> 00:14:30,400 Speaker 4: but he's not getting respected by everybody. Let's just be clear. 264 00:14:30,760 --> 00:14:33,320 Speaker 3: He's insane. Like if I feel like if he was 265 00:14:33,600 --> 00:14:36,680 Speaker 3: more of an artist and wasn't outside as much, then. 266 00:14:37,160 --> 00:14:40,240 Speaker 4: Even outside of even the outside of being the same, 267 00:14:40,360 --> 00:14:42,560 Speaker 4: he's not going to get the respect from everybody. I 268 00:14:42,600 --> 00:14:46,640 Speaker 4: feel like Kendrick Lamar gets the respect from any and everybody. 269 00:14:47,040 --> 00:14:49,960 Speaker 4: You can act like you can't you don't. But You'll 270 00:14:50,000 --> 00:14:53,440 Speaker 4: just be lying to yourself. This man sold out shows 271 00:14:53,640 --> 00:14:59,320 Speaker 4: across the country and outside of the country, Like, this 272 00:14:59,400 --> 00:15:01,440 Speaker 4: is the guy that you want. This is the model 273 00:15:01,480 --> 00:15:03,240 Speaker 4: that you want. You want a guy that can sell 274 00:15:03,280 --> 00:15:06,040 Speaker 4: out arenas. You want a guy that can actually wrap 275 00:15:06,360 --> 00:15:08,600 Speaker 4: You want a guy that can appeal to the commercial 276 00:15:08,640 --> 00:15:11,280 Speaker 4: with the dam He just took out the biggest commercial 277 00:15:11,360 --> 00:15:15,320 Speaker 4: act in hip hop. What other rapper can do this, Like, 278 00:15:15,560 --> 00:15:17,800 Speaker 4: that's what I'm saying. I don't know no other rapper 279 00:15:17,840 --> 00:15:21,680 Speaker 4: that could compare with Kendrick Lamar. He's I think he's 280 00:15:21,720 --> 00:15:24,240 Speaker 4: the king of rap for a reason. This is the rapper, 281 00:15:24,320 --> 00:15:28,320 Speaker 4: he is the model. He is the mold Speaking of. 282 00:15:28,320 --> 00:15:32,960 Speaker 1: Models in Mold Rod Also in January, we had January 283 00:15:33,080 --> 00:15:36,720 Speaker 1: twenty twenty twenty one, we had in nineteen eighty five, 284 00:15:36,960 --> 00:15:38,960 Speaker 1: Jesus get that out of there. 285 00:15:39,880 --> 00:15:43,240 Speaker 2: LL cool J released Radio and. 286 00:15:43,600 --> 00:15:48,080 Speaker 1: You know, looking back in history, their argument could be 287 00:15:48,120 --> 00:15:51,480 Speaker 1: made that it was the birth of the solo rap star. Again, 288 00:15:51,720 --> 00:15:54,120 Speaker 1: there was a shift in the culture that took place 289 00:15:54,160 --> 00:15:58,960 Speaker 1: where you had DJ Cruz sort of center music and 290 00:15:59,160 --> 00:16:05,320 Speaker 1: artists and group to it being more personality driven individuality, 291 00:16:05,520 --> 00:16:10,720 Speaker 1: you know, mainstream appeal. L L COOLJ came out and 292 00:16:10,400 --> 00:16:12,840 Speaker 1: made a case for himself and we've actually had this 293 00:16:12,880 --> 00:16:19,800 Speaker 1: conversation on that end a while ago. So thoughts on 294 00:16:20,960 --> 00:16:25,360 Speaker 1: l L inventing the modern day brand rapper. 295 00:16:26,080 --> 00:16:28,680 Speaker 4: Absolutely, Like I said, y'all want to see that conversation 296 00:16:28,760 --> 00:16:31,520 Speaker 4: in the full in depth. Go back in and look. 297 00:16:31,560 --> 00:16:33,560 Speaker 4: I forgot the name of it. But if you type 298 00:16:33,560 --> 00:16:36,800 Speaker 4: of LL didn't hip hop, it'll probably come up. But yeah, absolutely, 299 00:16:36,920 --> 00:16:38,960 Speaker 4: I don't think he was crazy at all for saying that. 300 00:16:40,080 --> 00:16:42,200 Speaker 4: Like he he paved the way for the drinks of 301 00:16:42,240 --> 00:16:46,640 Speaker 4: the world and people that are these modern brand rappers. 302 00:16:46,800 --> 00:16:50,640 Speaker 4: I mean he had like all type of commercial deals 303 00:16:50,760 --> 00:16:55,480 Speaker 4: and he had he did dig combo songs with with 304 00:16:55,480 --> 00:16:58,240 Speaker 4: with with R and B singers like he was the 305 00:16:58,280 --> 00:16:59,520 Speaker 4: first to do that type of stuff. 306 00:17:00,120 --> 00:17:03,200 Speaker 3: Yes, absolutely, like LL is the reason I want to 307 00:17:03,200 --> 00:17:05,920 Speaker 3: well Kingo had. He's the reason I wanted to add 308 00:17:06,000 --> 00:17:08,639 Speaker 3: Peters pants. He the reason that I bought a boom box. 309 00:17:09,680 --> 00:17:12,680 Speaker 3: He the reason that I considered fool boo like he 310 00:17:12,680 --> 00:17:15,479 Speaker 3: he was the first and the he was the person 311 00:17:15,560 --> 00:17:19,560 Speaker 3: I think pop was based off him to an extent. Snoop, 312 00:17:19,960 --> 00:17:22,679 Speaker 3: like you said, Drake, like, there's so many Like he 313 00:17:22,840 --> 00:17:26,760 Speaker 3: was the first model of No, I'm that nigga, Like, 314 00:17:26,800 --> 00:17:29,240 Speaker 3: it ain't the crew, it ain't the DJ, it ain't 315 00:17:29,280 --> 00:17:31,080 Speaker 3: me and him, it's me LLL. 316 00:17:31,160 --> 00:17:31,480 Speaker 4: Cool J. 317 00:17:31,720 --> 00:17:35,359 Speaker 3: Mama said knock you out radio like I'm bad. Like 318 00:17:36,119 --> 00:17:38,399 Speaker 3: that was the first like rapper that I was like, 319 00:17:38,440 --> 00:17:41,240 Speaker 3: oh ship, he was like I was real big into wrestling. 320 00:17:41,240 --> 00:17:43,280 Speaker 3: He was the only one that compelled like wrestlers to me, 321 00:17:43,640 --> 00:17:45,399 Speaker 3: Like that's how I was like, oh shit, Like I 322 00:17:45,400 --> 00:17:47,919 Speaker 3: had a poster of LLL in my room. He was 323 00:17:47,920 --> 00:17:48,639 Speaker 3: the first person. 324 00:17:48,800 --> 00:17:49,920 Speaker 2: I feel like they did that for. 325 00:17:49,920 --> 00:17:57,040 Speaker 4: Me, Like, yeah, I ain't think about with no shirt 326 00:17:57,119 --> 00:18:02,840 Speaker 4: and stuff like shirt the girl songs. Yeah yeah, man, like. 327 00:18:02,800 --> 00:18:04,359 Speaker 3: I used to love I Need Little, I had to 328 00:18:04,720 --> 00:18:07,400 Speaker 3: like I wouldn't listen to I Need Love from any 329 00:18:07,400 --> 00:18:08,320 Speaker 3: other rapper. 330 00:18:08,200 --> 00:18:08,360 Speaker 4: But. 331 00:18:09,840 --> 00:18:12,080 Speaker 2: Like he the only person to get that off. Bro. 332 00:18:12,520 --> 00:18:16,760 Speaker 2: Yeah yeah, that's that's that's real. That's really I love 333 00:18:16,840 --> 00:18:18,240 Speaker 2: that song man. Yeah. 334 00:18:18,359 --> 00:18:22,120 Speaker 1: Yeah, I never considered it until he brought it up 335 00:18:22,119 --> 00:18:24,600 Speaker 1: and we had the discussion. And the funny thing is 336 00:18:24,680 --> 00:18:27,000 Speaker 1: we're talking about the two rappers that were in that video. 337 00:18:27,640 --> 00:18:30,879 Speaker 2: I was rock him and cool J. That was the debate, 338 00:18:31,400 --> 00:18:31,679 Speaker 2: you know. 339 00:18:31,880 --> 00:18:34,280 Speaker 1: But yeah, I think in terms of like you know 340 00:18:34,680 --> 00:18:38,000 Speaker 1: personality and that, Yeah, you have to look at him 341 00:18:38,040 --> 00:18:40,639 Speaker 1: as being the guy. And that's how we got to 342 00:18:40,680 --> 00:18:46,720 Speaker 1: where we are today. If you guys had to pick 343 00:18:46,760 --> 00:18:50,040 Speaker 1: what a rap star would look like, any any ideas 344 00:18:50,240 --> 00:18:52,280 Speaker 1: of what that would be L L. 345 00:18:52,960 --> 00:18:56,360 Speaker 4: Young with the shirt off and the cano in the boom. 346 00:18:56,080 --> 00:18:59,040 Speaker 3: Box and the Adida's track pain, Yeah, that that that 347 00:18:59,080 --> 00:19:00,680 Speaker 3: would be okay. 348 00:19:00,960 --> 00:19:08,320 Speaker 2: So Drake, Drake was the rap star. I don't know 349 00:19:08,320 --> 00:19:08,959 Speaker 2: if he ideal. 350 00:19:09,160 --> 00:19:12,400 Speaker 3: I think t I liked more of your ideal rap persona, 351 00:19:14,040 --> 00:19:15,960 Speaker 3: Like he had everything that she was looking for, Like 352 00:19:15,960 --> 00:19:18,040 Speaker 3: that's another branch off the L three T. 353 00:19:18,119 --> 00:19:21,080 Speaker 1: I gotcha, gotcha, of course you are. 354 00:19:21,200 --> 00:19:23,399 Speaker 4: So you're saying somebody that that would be like a 355 00:19:24,440 --> 00:19:26,200 Speaker 4: ll today you're asking. 356 00:19:26,280 --> 00:19:28,760 Speaker 2: Yeah, like who would be a rap star? 357 00:19:29,000 --> 00:19:31,880 Speaker 1: Like a big personality that everybody's just. 358 00:19:31,960 --> 00:19:35,720 Speaker 3: Going to I think there are women now, if we're 359 00:19:35,760 --> 00:19:39,879 Speaker 3: being honest, Cardi, Nikki, meg Glow, Lotto. 360 00:19:40,400 --> 00:19:43,000 Speaker 4: That's a good take all of them. 361 00:19:42,840 --> 00:19:45,159 Speaker 2: That they took that and they ran with him. 362 00:19:45,160 --> 00:19:49,160 Speaker 3: Because sex sales, we're more inclined to see what women 363 00:19:49,240 --> 00:19:52,240 Speaker 3: doing versus a man. Next, I think it's all of 364 00:19:52,280 --> 00:19:52,959 Speaker 3: those ladies. 365 00:19:53,640 --> 00:19:56,600 Speaker 4: That's a good perspective. Actually, because we are thinking just men. 366 00:19:56,720 --> 00:19:58,800 Speaker 4: But yeah, the ladies have come in and like heave 367 00:19:58,920 --> 00:20:01,720 Speaker 4: the crazy way that's still going, I think I remember 368 00:20:01,720 --> 00:20:04,000 Speaker 4: at one point, I think even Joe Budden was thought 369 00:20:04,040 --> 00:20:06,760 Speaker 4: that it was locked, the rain was over, but it's not. 370 00:20:07,520 --> 00:20:14,119 Speaker 4: They're sticking around, like taking around. Yeah it's expanding now, yeah, yeah, yeah, yeah, okay, 371 00:20:14,200 --> 00:20:15,679 Speaker 4: which I think is dope. 372 00:20:15,880 --> 00:20:17,200 Speaker 2: Yep, yep, no I agree. 373 00:20:18,800 --> 00:20:25,600 Speaker 4: Mm hmmmmmm mm hmmm mmm mm hmmmmmmm