WEBVTT - Backrooms

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<v Speaker 1>The frames per Second Podcast. Welcome everyone to a frames

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<v Speaker 1>per Second.

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<v Speaker 2>Podcast.

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<v Speaker 1>This is a review of the movie called The back Rooms.

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<v Speaker 1>It's actually one that we reacted to on a on

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<v Speaker 1>the trailer reactions which are found exclusively on Patreon, Patreon,

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<v Speaker 1>The frames per Second Patreon, patreon dot com slash fps podcast,

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<v Speaker 1>So go check that out if you want to see

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<v Speaker 1>the reactions to trailers. I think people, you guys have

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<v Speaker 1>been asking us to do those, so that's where you

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<v Speaker 1>can find them. We just did the s Men nine

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<v Speaker 1>seven one another action movie that we all were pretty

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<v Speaker 1>hyped about, you know, yeah, Godzilla, so yeah, check out

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<v Speaker 1>it out man. We did about four file trailer reactions.

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<v Speaker 1>So yeah, so, uh, they can be found there. I

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<v Speaker 1>think when we originally watched the review, we were interested

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<v Speaker 1>in The back Rooms. Uh, we didn't know much about it.

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<v Speaker 1>But we have finally seen the movie and that is

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<v Speaker 1>what we are here to discuss. Is directed by King Parsons.

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<v Speaker 1>So did you look him up? I did? I did? Did? Yeah, okay,

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<v Speaker 1>so we have background information on back Rooms and came Parsons.

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<v Speaker 3>Yes, I didn't know none of this before the movie.

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<v Speaker 2>I did not either. I did not either, So but

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<v Speaker 2>I think that.

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<v Speaker 1>That's so basically for those of you listening that may

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<v Speaker 1>not know came, Parsons directed a YouTube series called The

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<v Speaker 1>back Rooms.

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<v Speaker 2>It's almost three hours long.

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<v Speaker 1>He created this sort of fan fiction that started from

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<v Speaker 1>a four chun board, and people started creating different stuff

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<v Speaker 1>around it, and I think his was one of the

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<v Speaker 1>most popular ones.

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<v Speaker 3>The first video had like eighty two million views.

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<v Speaker 1>Yeah this was back in twenty nineteen, is from what

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<v Speaker 1>I saw.

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<v Speaker 4>His age.

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<v Speaker 2>Yeah, he was sixteen when he started.

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<v Speaker 1>Old yeah yeah so right now, damn yeah so so yeah, man,

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<v Speaker 1>very very popular series.

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<v Speaker 2>Did anybody watch any of this stuff on YouTube?

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<v Speaker 4>I don't know about it. I had never heard of it.

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<v Speaker 5>I'd never heard of it until I looked up stuff

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<v Speaker 5>after the movie after this, just to see it, like

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<v Speaker 5>where they got this concept from, And that's when I

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<v Speaker 5>stumbled upon it too.

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<v Speaker 1>I was so confused after the movie that I did

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<v Speaker 1>go after I watched, because I watched it Thursday. We

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<v Speaker 1>were talking about in the chat, and I went and

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<v Speaker 1>and actually watched the series. Right, yeah, I watched forty.

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<v Speaker 4>So I want to hear about that whenever rock comes over.

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<v Speaker 4>I've never heard of forty X until y'all.

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<v Speaker 1>Talk neither did I you did go, Toty, I went,

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<v Speaker 1>I went, but I did not know about it.

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<v Speaker 4>Just tell me, so was it cool?

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<v Speaker 1>It's better for an action movie. I think the experience

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<v Speaker 1>will be way better for a horror movie.

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<v Speaker 5>The four walls, No, that's not it is, huh because

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<v Speaker 5>because it's always what are you talking about?

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<v Speaker 2>What do you mean?

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<v Speaker 6>But there's always four walls, remember, But I didn't want

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<v Speaker 6>to do him like that, like.

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<v Speaker 3>Legal has four x where shows on the three walls?

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<v Speaker 7>I do what you meant?

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<v Speaker 4>I'm laughing at the way it interpreted your question.

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<v Speaker 3>He didn't know what I mean?

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<v Speaker 7>Right right?

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<v Speaker 2>Is showing?

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<v Speaker 4>Is it showing on the other two walls?

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<v Speaker 7>I don't know?

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<v Speaker 2>Me give myself together? Oh my god. But little Rocket

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<v Speaker 2>explained a better that I can. I just saw what

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<v Speaker 2>it does.

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<v Speaker 1>And I was like, all right, fine, I'm gonna go

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<v Speaker 1>because and it was and uh so I went to

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<v Speaker 1>the five pm showing because I was gonna go ten

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<v Speaker 1>am on Friday.

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<v Speaker 2>And when Rod said that, I was like, fuck it,

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<v Speaker 2>I'm just going to go.

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<v Speaker 1>And when I was looking at the tickets, like all

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<v Speaker 1>of the seats were taken and it was only like

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<v Speaker 1>a couple of seats left. So I was like, I'll

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<v Speaker 1>just for each show. So there was no other show

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<v Speaker 1>and I can go to that would have that I

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<v Speaker 1>found that I wanted to go at this at the time,

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<v Speaker 1>that would have been worth it.

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<v Speaker 2>So I was just like, fucking, I'll just go to

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<v Speaker 2>this one.

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<v Speaker 4>And so what I read it was like it was

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<v Speaker 4>it's like sound from all over the place, but it's

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<v Speaker 4>also smells.

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<v Speaker 1>Yes, yeah that so the pool scene in this movie

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<v Speaker 1>they they put yeah, yeah, you can smell it. It's

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<v Speaker 1>an interesting experience, it really is. So, but yeah we

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<v Speaker 1>see jackass like that. Nah, because you something like poking

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<v Speaker 1>in the button. You've seen the trailer for that friend. Hell,

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<v Speaker 1>you gonna be smelling doodoo the whole that's funny.

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<v Speaker 5>Yeah, yeah, it was a crazy My third experience was

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<v Speaker 5>I didn't know how popular this was. That's another thing

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<v Speaker 5>that made me want to look it up after I left.

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<v Speaker 4>It was packed. I was surprised. It was packed, Like

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<v Speaker 4>front roll back.

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<v Speaker 5>And you didn't do forty yet I didn't do I good,

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<v Speaker 5>Like it was back to the point where people come

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<v Speaker 5>in and just like taking seats. These little white boys

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<v Speaker 5>like came in exact same thing like and they tried to. Like,

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<v Speaker 5>so there was two white dudes and it was like, oh,

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<v Speaker 5>we wanted to sit together. A black kid came in

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<v Speaker 5>and he was like, no, it's cool man, we'll just

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<v Speaker 5>shit right here with him and his girlfriend.

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<v Speaker 4>Yeah.

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<v Speaker 5>But then this little girl came in and she wanted

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<v Speaker 5>to sit with her friends, and uh, they were like, well, they're.

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<v Speaker 3>In our seats. We just took their seeds. So you know,

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<v Speaker 3>there's a.

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<v Speaker 4>Seat right there if you want to time for that,

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<v Speaker 4>y'all get the fuck up my mind.

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<v Speaker 5>How Mama came and the black girl Obama came, She said,

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<v Speaker 5>is this seat such? So I don't know what y'all

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<v Speaker 5>need to do? He set right here. She wanted to

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<v Speaker 5>see with her friends. So I thought that was funny.

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<v Speaker 5>And then midway through the movie, like right when it

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<v Speaker 5>was getting tense and like, what the fuck going on?

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<v Speaker 3>This Doe starts snoring like the whole.

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<v Speaker 2>Thing that's happened a couple of times.

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<v Speaker 5>The whole theater, every people was laughing and ship and

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<v Speaker 5>it was like right in front of me in a

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<v Speaker 5>seat over so the dude next to me kicks kicked

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<v Speaker 5>ask you if you did that, you kicked it back.

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<v Speaker 5>So it was it was a crazy movie. Did experience

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<v Speaker 5>I say to say it was jam packed in there?

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<v Speaker 4>That's crazy?

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<v Speaker 2>Was it yours? Mic?

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<v Speaker 4>I don't remember if it was packed. Me and my

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<v Speaker 4>girl went. I don't remember it being a packed theater.

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<v Speaker 4>We went to the theater that's over on Memorial, the

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<v Speaker 4>kind of new Ish one. And the thing is that

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<v Speaker 4>theater fills up super quick because there's not that many seats.

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<v Speaker 4>But I don't remember it being packed.

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<v Speaker 1>Well, Rod and I ended up at the same one.

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<v Speaker 1>Yeah the end.

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<v Speaker 2>Yeah, YEA.

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<v Speaker 7>Thing happened when we were at the Yeah.

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<v Speaker 4>I didn't see he. I was walking out. He goes Mike,

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<v Speaker 4>and I looked.

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<v Speaker 7>I thought it was a fan of the show whatever,

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<v Speaker 7>which which was funny.

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<v Speaker 2>It was a fan of the show there. Yeah, so yeah.

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<v Speaker 4>Maybe a different person.

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<v Speaker 7>I heard Ken mm hmm. You guy came out behind me, right,

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<v Speaker 7>I'm like, what's up, Ken? And then I turned around

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<v Speaker 7>and there was another guy in front of me that

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<v Speaker 7>he's like, oh ship, yeah yeah, so the same place right,

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<v Speaker 7>So but yeah, I had sent it to you guys.

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<v Speaker 2>I didn't know. I hadn't.

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<v Speaker 7>I didn't even know this was the thing. This is

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<v Speaker 7>I think this is the only one in Georgia. And

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<v Speaker 7>are you think the only theater that does it, the

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<v Speaker 7>only theater.

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<v Speaker 2>Yeah, the South Foot, Yeah, the only.

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<v Speaker 4>Interesting they would pick the Morrow Theater to be the

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<v Speaker 4>only one in Georgia.

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<v Speaker 7>Yeah, I don't know why, but I think I think,

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<v Speaker 7>I don't know, because it has everything else. They have Adobe, Cinema, Imax,

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<v Speaker 7>it's never packed. Yeah, I don't know. Maybe just it's

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<v Speaker 7>it's an advanced theater. I guess, you know, I know

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<v Speaker 7>it's in Marrow, but it is.

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<v Speaker 3>Things because it's one of the biggest.

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<v Speaker 7>It's one of the biggest, and they were able to

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<v Speaker 7>convert that one to that. Okay, but but now, yeah,

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<v Speaker 7>it's all the sensories. It's like smell like like like

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<v Speaker 7>just to hear like different type of sounds. Even like

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<v Speaker 7>I said, the seats move like all of that, like

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<v Speaker 7>it's a it's a real experience.

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<v Speaker 2>Like seats moving is kind of nuts.

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<v Speaker 7>Bro man, man, we'll get there. But yeah, it's some

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<v Speaker 7>one telling them now when he when he fell down,

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<v Speaker 7>when you had the rope, all of us are just

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<v Speaker 7>like this like it was, but it added to it.

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<v Speaker 4>It added to the experience. At drink in my hand.

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<v Speaker 2>You don't have to do.

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<v Speaker 1>A dude next to me had a dream and he

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<v Speaker 1>had have to lit on it. So when it first started, saying,

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<v Speaker 1>like in the first part of the kid that guy

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<v Speaker 1>fell down in the opening scene, he had to lift it.

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<v Speaker 1>Now it's just dumb ass fall so he lifted the

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<v Speaker 1>drink up.

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<v Speaker 7>And but it adds to the experience. I'm telling y'all,

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<v Speaker 7>y'all gotta try it.

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<v Speaker 4>I might go with something and not.

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<v Speaker 7>I liked it so much that I took Dom to

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<v Speaker 7>go see Mandalorian Grogu.

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<v Speaker 4>I bet that was fun. Oh my god, for that movie.

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<v Speaker 7>You know when it's snowing, they had snow come in

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<v Speaker 7>like like like, but it like kind of displays before

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<v Speaker 7>it like hits you like a little bit, the rain scenes.

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<v Speaker 4>It's like missed in the theater. It was all of

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<v Speaker 4>this stuff.

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<v Speaker 7>When I went to go see Yeah, do that man,

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<v Speaker 7>go see Go seek Uh. He actually posted about it.

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<v Speaker 7>He's like, oh, man, I just had my first forty

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<v Speaker 7>X experience. But he ain't say what movie it was.

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<v Speaker 7>It was the Mendalorian. I might do that, man. Mandalorian

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<v Speaker 7>would have great.

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<v Speaker 2>Man. When I tell you, it heightens the experience, Go

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<v Speaker 2>see Mandalorian.

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<v Speaker 7>I'm telling y'all, if y'all, if y'all don't do nothing else,

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<v Speaker 7>please go see men Luria.

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<v Speaker 4>I think he Transformers the movie the fortieth anniversary. If

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<v Speaker 4>they do that in forty X, I'm one hundred percent man,

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<v Speaker 4>you'll see you have fun. I don't want to see

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<v Speaker 4>a horror movie like that, because.

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<v Speaker 2>Horror we can. I'm we can.

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<v Speaker 7>It's it's a little like, man, what the hells? But

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<v Speaker 7>but the action ship, the action ship, it really works,

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<v Speaker 7>it really works.

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<v Speaker 1>So uh so, yeah, it was packed in hours, and

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<v Speaker 1>I thought that people were there just to experience forty yets.

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<v Speaker 2>I had no idea. Why seem like you and I

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<v Speaker 2>got there, Spike.

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<v Speaker 1>I was at the top and this lady had her

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<v Speaker 1>ship in my seat, so she had to move all

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<v Speaker 1>that ship.

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<v Speaker 2>I'm like you, you know this, motherfucker, Pat why would

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<v Speaker 2>you even to do that? It's crazy.

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<v Speaker 1>So anyway, but but I thought it was interesting because

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<v Speaker 1>this is the second So what I think is, well,

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<v Speaker 1>I get to that towards the end. But anyway, let's

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<v Speaker 1>jump into the movie because I think we're kind of

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<v Speaker 1>a couple of minutes in we even said really shit

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<v Speaker 1>about the damn movie movie experience.

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<v Speaker 2>Spike, did you like it? Hmmm?

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<v Speaker 5>When I first walked out, I was like, what in

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<v Speaker 5>the fuck was that? But as I thought about it

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<v Speaker 5>more on the way home and over the last days,

0:11:03.000 --> 0:11:05.640
<v Speaker 5>and then even look at the stuff, Yeah, I fuck

0:11:05.679 --> 0:11:05.880
<v Speaker 5>with it.

0:11:05.880 --> 0:11:06.680
<v Speaker 3>I think it was dope.

0:11:07.720 --> 0:11:10.520
<v Speaker 5>It did everything I think you're supposed to get from

0:11:10.520 --> 0:11:12.360
<v Speaker 5>a movie like it. I was intrigued that there was

0:11:12.440 --> 0:11:15.040
<v Speaker 5>never a moment where I was bored. I was always

0:11:15.120 --> 0:11:18.400
<v Speaker 5>wondering what was going on. Even at the end, I

0:11:18.440 --> 0:11:20.400
<v Speaker 5>was like, Okay, what the fuck was that? So it

0:11:20.440 --> 0:11:22.199
<v Speaker 5>made me just want to know more about this space

0:11:22.240 --> 0:11:23.640
<v Speaker 5>and the stuff. So I think it did his job

0:11:23.679 --> 0:11:24.600
<v Speaker 5>as a movie. I liked it.

0:11:25.080 --> 0:11:25.880
<v Speaker 2>What about you, Matt?

0:11:27.880 --> 0:11:30.000
<v Speaker 4>So me and my girl saw it and we both

0:11:30.040 --> 0:11:31.800
<v Speaker 4>walked out, and she I could tell she liked it.

0:11:31.960 --> 0:11:36.880
<v Speaker 4>She was grinning the whole fucking time. I like it

0:11:36.920 --> 0:11:38.840
<v Speaker 4>a lot more now. In the moment, I was like,

0:11:39.000 --> 0:11:41.720
<v Speaker 4>I really liked it until I figured out what it

0:11:41.840 --> 0:11:43.319
<v Speaker 4>was trying to say. Then I was just like, all right,

0:11:43.360 --> 0:11:48.000
<v Speaker 4>I don't know that I care, But I've been trying

0:11:48.000 --> 0:11:50.000
<v Speaker 4>to figure out if my idea of what it's about

0:11:50.080 --> 0:11:53.080
<v Speaker 4>is even right because I've not I don't watch reviews

0:11:53.120 --> 0:11:57.840
<v Speaker 4>except for one channel fish Jelly reviews. These two Yo,

0:11:58.000 --> 0:12:00.679
<v Speaker 4>you watch them, it's just a funny thing, gay couple

0:12:00.679 --> 0:12:03.600
<v Speaker 4>of black guy the white guy. They don't really break

0:12:03.640 --> 0:12:06.040
<v Speaker 4>anything down like that. So it's not like I don't

0:12:06.080 --> 0:12:08.280
<v Speaker 4>watch other reviews that break stuff down because I wanted

0:12:08.320 --> 0:12:11.000
<v Speaker 4>to infiltrate what I might think. They don't really do that.

0:12:11.120 --> 0:12:14.880
<v Speaker 4>I just like listening to them, and they did not

0:12:15.520 --> 0:12:18.120
<v Speaker 4>at all mention what I thought the movie was about.

0:12:18.520 --> 0:12:21.560
<v Speaker 4>So I'm curious see if y'all think this too. But yeah,

0:12:21.760 --> 0:12:25.160
<v Speaker 4>I now, as I've been thinking about the movie over

0:12:25.200 --> 0:12:29.240
<v Speaker 4>and over again, I loved it. I really loved it.

0:12:31.240 --> 0:12:33.680
<v Speaker 2>What about you, rot, I thought it was cool.

0:12:35.640 --> 0:12:38.240
<v Speaker 7>It was definitely I think you saying it like, it

0:12:38.280 --> 0:12:40.319
<v Speaker 7>was intriguing. It kept you on the edge of your seat,

0:12:40.600 --> 0:12:43.240
<v Speaker 7>like trying to like, okay, what is going on? So

0:12:43.280 --> 0:12:45.480
<v Speaker 7>I did a really really good job with that. And

0:12:45.520 --> 0:12:48.520
<v Speaker 7>I typically don't like the twelve years of Slave dude

0:12:48.559 --> 0:12:53.640
<v Speaker 7>like that, damn it, he was. I liked him here.

0:12:54.000 --> 0:12:56.600
<v Speaker 7>I typically don't. I'm not a big huge fan of him,

0:12:56.640 --> 0:13:01.199
<v Speaker 7>but I liked him here. Yeah. Like, so yeah, I

0:13:01.200 --> 0:13:06.200
<v Speaker 7>think ultimately I think it did a pretty decent job yeah.

0:13:06.240 --> 0:13:10.400
<v Speaker 4>Yeah, And I feel like the forty X did heightened experience.

0:13:10.040 --> 0:13:10.640
<v Speaker 2>A little bit too.

0:13:11.440 --> 0:13:13.839
<v Speaker 1>Hm, I think it took away from the experience a

0:13:13.880 --> 0:13:17.600
<v Speaker 1>little bit because I felt like with this, I needed

0:13:17.640 --> 0:13:19.680
<v Speaker 1>to just watch the movie and not be concerned that

0:13:19.720 --> 0:13:20.800
<v Speaker 1>my seat's gonna shake.

0:13:22.360 --> 0:13:24.600
<v Speaker 4>To make a lot of sense with this, Yeah yeah, yeah, yeah.

0:13:24.440 --> 0:13:25.920
<v Speaker 2>Yeah yeah.

0:13:26.320 --> 0:13:29.640
<v Speaker 1>But I've watched it twice because I had to host it,

0:13:31.000 --> 0:13:34.679
<v Speaker 1>so I went back and rewatched it, and I definitely

0:13:34.760 --> 0:13:36.160
<v Speaker 1>enjoyed it on the rewatch.

0:13:37.400 --> 0:13:38.000
<v Speaker 2>Regular version.

0:13:38.040 --> 0:13:41.720
<v Speaker 1>Yeah yeah, especially now that I also had more background information,

0:13:41.760 --> 0:13:45.119
<v Speaker 1>et cetera, et cetera, so that that helped as well, because.

0:13:44.840 --> 0:13:46.080
<v Speaker 2>The first time I watched, I was like, what the

0:13:46.120 --> 0:13:46.679
<v Speaker 2>fuck was that?

0:13:46.800 --> 0:13:49.640
<v Speaker 1>And that's the ending, Like get the fuck off my screen,

0:13:50.240 --> 0:13:53.480
<v Speaker 1>you know, because I think I don't know if we're

0:13:53.480 --> 0:13:55.920
<v Speaker 1>in the same uh, we're in the same wave link

0:13:55.960 --> 0:13:57.959
<v Speaker 1>in terms of what they were trying to say. But

0:13:58.120 --> 0:13:59.520
<v Speaker 1>it was one point I was like, oh that's what

0:13:59.559 --> 0:14:05.320
<v Speaker 1>y'all doing. I was like, all right, okay, cool, but yeah.

0:14:05.320 --> 0:14:07.880
<v Speaker 5>I agree with Mike, Like I watched it and I'm

0:14:07.920 --> 0:14:10.040
<v Speaker 5>walking out. It's just like it's stuck with you, Like

0:14:10.960 --> 0:14:12.960
<v Speaker 5>you couldn't help with the thing. What the fuck. Like,

0:14:13.080 --> 0:14:15.440
<v Speaker 5>my whole way home, I was thinking about that movie.

0:14:15.440 --> 0:14:16.720
<v Speaker 5>So that's why I give it a lot of credit

0:14:16.920 --> 0:14:18.840
<v Speaker 5>actually doing what he needed to do. And it reminded

0:14:18.880 --> 0:14:21.280
<v Speaker 5>me of blair Witch a little bit about who blair Witch.

0:14:21.360 --> 0:14:23.440
<v Speaker 7>Mike found film footage like blair.

0:14:23.360 --> 0:14:25.240
<v Speaker 3>Witch a little bit in the beginning.

0:14:25.720 --> 0:14:27.680
<v Speaker 1>But yeah, and that's kind of how the web series is.

0:14:27.720 --> 0:14:29.600
<v Speaker 1>They do the found footage thing because it's probably easy

0:14:29.640 --> 0:14:31.840
<v Speaker 1>to produce and suffer YouTube ship.

0:14:32.160 --> 0:14:33.920
<v Speaker 4>That was a small gripe. We'll get to that though,

0:14:34.320 --> 0:14:38.640
<v Speaker 4>but we saw it Thursday, and she probably won't get

0:14:38.640 --> 0:14:40.840
<v Speaker 4>mad at me saying that. Damn it, every day she

0:14:40.920 --> 0:14:43.240
<v Speaker 4>comes up. I thought something else when he said this.

0:14:43.600 --> 0:14:48.000
<v Speaker 4>I think it meant this like four hours later, but

0:14:48.160 --> 0:14:49.160
<v Speaker 4>I thought of something else.

0:14:49.800 --> 0:14:54.160
<v Speaker 5>She doesn't do that with movies typically, So yeah, it's

0:14:54.200 --> 0:14:56.640
<v Speaker 5>definitely one of those stays with you day with you.

0:14:56.920 --> 0:14:59.160
<v Speaker 1>Yeah, that was the feeling that I had to spike.

0:14:59.320 --> 0:15:01.800
<v Speaker 1>I immediately somebody's like, you gotta go see this. I

0:15:01.840 --> 0:15:04.000
<v Speaker 1>don't know why, you just gotta go see this.

0:15:04.080 --> 0:15:05.760
<v Speaker 5>And they went to go see it and they was like,

0:15:05.880 --> 0:15:10.360
<v Speaker 5>damn it was fucking amazing, doing like, yeah, they this

0:15:10.600 --> 0:15:11.720
<v Speaker 5>a great piece of film.

0:15:11.800 --> 0:15:12.280
<v Speaker 3>Type shit.

0:15:12.360 --> 0:15:16.920
<v Speaker 1>They loved it, you know, and it's apparently it's doing

0:15:16.960 --> 0:15:20.000
<v Speaker 1>really really well, you know, in terms of the box office.

0:15:20.040 --> 0:15:22.960
<v Speaker 1>So he got a hit on his hands. Who's he

0:15:23.800 --> 0:15:29.160
<v Speaker 1>K Parsons But twenty four. I think it's smart, So

0:15:29.200 --> 0:15:31.680
<v Speaker 1>I said, I think it's smart, and I and you

0:15:31.720 --> 0:15:33.600
<v Speaker 1>guys can tell me if you agree or not. But

0:15:33.640 --> 0:15:38.600
<v Speaker 1>it seems like the Hollywood industry they're trying to find

0:15:38.680 --> 0:15:43.040
<v Speaker 1>new IP and finding something like back rooms and giving

0:15:43.080 --> 0:15:44.720
<v Speaker 1>this guy a chance to make a movie. I'm thinking

0:15:44.760 --> 0:15:47.080
<v Speaker 1>about another video game movie I watched that was Packed

0:15:47.080 --> 0:15:49.200
<v Speaker 1>that I didn't know about. So it's not like these

0:15:49.280 --> 0:15:52.400
<v Speaker 1>hidden pockets of IP and culture that nobody know about.

0:15:52.640 --> 0:15:55.160
<v Speaker 1>Because at some point we're done and they're gonna need

0:15:55.200 --> 0:15:57.160
<v Speaker 1>something to kind of keep this thing going on. And

0:15:57.200 --> 0:16:00.280
<v Speaker 1>finding fan fiction and stuff on the internet that's really

0:16:00.280 --> 0:16:03.080
<v Speaker 1>really popular might be a direction that could work.

0:16:03.440 --> 0:16:07.680
<v Speaker 4>I think they're taking a beat from the talk to

0:16:07.720 --> 0:16:09.080
<v Speaker 4>me folks.

0:16:09.520 --> 0:16:10.440
<v Speaker 2>Was that fan fish too?

0:16:10.800 --> 0:16:14.000
<v Speaker 4>No, it was just they were on YouTube. They made

0:16:14.000 --> 0:16:16.680
<v Speaker 4>a free movie on YouTube. Okay, I can't remember what

0:16:16.680 --> 0:16:20.640
<v Speaker 4>it was called something in Honey that everyone loved, including me.

0:16:20.840 --> 0:16:24.120
<v Speaker 4>So I mean, I think that's I think you're right

0:16:24.160 --> 0:16:28.400
<v Speaker 4>it's looking elsewhere outside of Hollywood. Why wouldn't you go

0:16:28.440 --> 0:16:30.520
<v Speaker 4>to YouTube. If you find somebody that did a YouTube

0:16:30.600 --> 0:16:34.560
<v Speaker 4>video yep, two million views, why not try to give

0:16:34.600 --> 0:16:37.240
<v Speaker 4>him a bigger budget and see if he can replicate it. So,

0:16:37.400 --> 0:16:40.080
<v Speaker 4>and he's fucking twenty Yeah, he's twenty years old.

0:16:40.240 --> 0:16:42.600
<v Speaker 3>It is the youngest filmmaker with a number one debut.

0:16:43.080 --> 0:16:46.000
<v Speaker 4>Wow, good for him? Is dood for him? Has killed it?

0:16:46.160 --> 0:16:46.360
<v Speaker 2>Yeah?

0:16:46.440 --> 0:16:49.560
<v Speaker 1>Yeah, he did so anyway, So it's it's a lot

0:16:50.040 --> 0:16:50.520
<v Speaker 1>twenty four.

0:16:52.200 --> 0:16:53.880
<v Speaker 4>Oh, I know, I left the other one alone, but

0:16:54.000 --> 0:16:55.720
<v Speaker 4>this one, y'all got to eat your words.

0:16:55.840 --> 0:16:56.560
<v Speaker 3>What was the other one?

0:16:56.800 --> 0:17:00.520
<v Speaker 4>Which? Yea, they taste good, don't they buy?

0:17:02.120 --> 0:17:02.240
<v Speaker 3>Right?

0:17:03.360 --> 0:17:07.080
<v Speaker 4>That one they did the Drumma, Yeah, yeah, you know.

0:17:07.200 --> 0:17:08.760
<v Speaker 4>And there was a horror movie we just we did

0:17:08.800 --> 0:17:10.760
<v Speaker 4>recently that was a twenty four. I can't remember what

0:17:10.760 --> 0:17:11.240
<v Speaker 4>it was called, though.

0:17:11.240 --> 0:17:13.359
<v Speaker 1>Hey man, Rod, we put him on notices, bro, you know,

0:17:13.400 --> 0:17:16.000
<v Speaker 1>we put let.

0:17:15.840 --> 0:17:17.399
<v Speaker 4>Me go make sure that Ken and Ron are.

0:17:17.280 --> 0:17:21.880
<v Speaker 2>Just but nah, man.

0:17:22.000 --> 0:17:24.359
<v Speaker 1>So it's it's a lot, but not a lot, you know.

0:17:24.440 --> 0:17:28.600
<v Speaker 1>It's the movie is is basically this guy, just like

0:17:28.720 --> 0:17:32.240
<v Speaker 1>from the trailer, he sees this yellow border of light

0:17:32.800 --> 0:17:36.159
<v Speaker 1>and goes goes in the back, but we open with

0:17:36.720 --> 0:17:41.480
<v Speaker 1>scientists that are stuck there. He was separated from other

0:17:41.520 --> 0:17:43.440
<v Speaker 1>two scientists that he was calling for.

0:17:44.000 --> 0:17:46.159
<v Speaker 2>And uh.

0:17:46.960 --> 0:17:49.280
<v Speaker 1>In the YouTube series they say you're supposed to go

0:17:49.320 --> 0:17:51.880
<v Speaker 1>in three so so.

0:17:52.080 --> 0:17:54.560
<v Speaker 4>Giving stuff away. I ain't seen the YouTube series yet.

0:17:54.960 --> 0:17:56.320
<v Speaker 4>It's not that spoiler.

0:17:56.920 --> 0:17:59.520
<v Speaker 1>It's not a lot to spoil. You can watch. I'm

0:17:59.520 --> 0:18:01.399
<v Speaker 1>surprised you to watch a spike. You can watch a

0:18:01.760 --> 0:18:04.359
<v Speaker 1>thing that's give you the whole timeline and get the

0:18:04.400 --> 0:18:04.840
<v Speaker 1>gist of it.

0:18:04.920 --> 0:18:05.280
<v Speaker 4>Interesting.

0:18:06.080 --> 0:18:09.440
<v Speaker 1>But but yeah, so so yeah, and then you get

0:18:09.440 --> 0:18:11.200
<v Speaker 1>a bird flying in and then you see this little

0:18:11.240 --> 0:18:13.480
<v Speaker 1>weird thing which is this sort of sort of life

0:18:13.520 --> 0:18:15.440
<v Speaker 1>for him, and the motherfucker take off running.

0:18:15.480 --> 0:18:16.359
<v Speaker 2>He's trying to escape.

0:18:16.400 --> 0:18:19.320
<v Speaker 1>He falls down and it's a revealed that the scientists

0:18:19.600 --> 0:18:22.320
<v Speaker 1>of watching or this guy that we come to find

0:18:22.320 --> 0:18:27.840
<v Speaker 1>out his name is, Yeah, Phil was watching this thing.

0:18:28.160 --> 0:18:29.480
<v Speaker 2>The guy's also from.

0:18:29.520 --> 0:18:33.040
<v Speaker 3>Yep, yep, Yeah, from the Morning Show.

0:18:33.000 --> 0:18:36.520
<v Speaker 1>Yep, from the Morning Show. So off rep Did this

0:18:36.720 --> 0:18:39.480
<v Speaker 1>interest you guys that all over the same?

0:18:39.800 --> 0:18:43.080
<v Speaker 5>Yes, I think something will always be intriguing to me

0:18:43.160 --> 0:18:45.240
<v Speaker 5>in films if they do it right. Is the found

0:18:45.280 --> 0:18:48.680
<v Speaker 5>footage and worked in Blair, which it works in Cloverfield,

0:18:49.160 --> 0:18:53.199
<v Speaker 5>like it just works just if you're building intrigue and

0:18:53.240 --> 0:18:55.280
<v Speaker 5>wanting me to know. So I was hooked from the beginning.

0:18:55.760 --> 0:18:59.399
<v Speaker 4>Same. I think it was a really really strong start.

0:19:00.200 --> 0:19:03.600
<v Speaker 4>Uh I'm not always I mean, I like found for

0:19:03.680 --> 0:19:06.919
<v Speaker 4>those films, but it got to be so oversaturated that

0:19:06.920 --> 0:19:10.000
<v Speaker 4>they just started to get bad and then it would

0:19:10.040 --> 0:19:12.720
<v Speaker 4>just become an issue where it's like, Okay, you've got

0:19:12.720 --> 0:19:14.679
<v Speaker 4>to explain why the funk you're running around with a camera,

0:19:14.840 --> 0:19:18.400
<v Speaker 4>because if monsters are chasing me, the last thing I'm

0:19:18.400 --> 0:19:22.800
<v Speaker 4>gonna think document Oh shit, Oh I'm about to die, y'all. No,

0:19:22.880 --> 0:19:25.800
<v Speaker 4>I'm not doing that. So I think starting off with

0:19:25.880 --> 0:19:28.960
<v Speaker 4>this scientist who's clearly recording for some kind of research

0:19:29.040 --> 0:19:31.560
<v Speaker 4>and the cameras in this helmet, I think that made sense.

0:19:32.080 --> 0:19:35.240
<v Speaker 4>But yeah, man, when that fucking whenever that black thing

0:19:35.359 --> 0:19:39.920
<v Speaker 4>got his ass, I was like, okay, all right, you.

0:19:39.880 --> 0:19:42.320
<v Speaker 8>Would love to have more content from Franks per second.

0:19:42.640 --> 0:19:44.960
<v Speaker 8>Become a patron where you can contribute to what we

0:19:45.040 --> 0:19:48.200
<v Speaker 8>review and discuss. Our Patreon gives the listeners the power

0:19:48.280 --> 0:19:51.320
<v Speaker 8>to nominate and vote a monthly discussion in Film Review,

0:19:51.640 --> 0:19:54.720
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<v Speaker 8>That's patreon dot com forward slash frames per second.

0:20:16.800 --> 0:20:21.400
<v Speaker 1>Yeah, we also see that, well, we learned later because

0:20:21.400 --> 0:20:23.360
<v Speaker 1>there's this sign that you see.

0:20:23.680 --> 0:20:26.000
<v Speaker 2>You start to get clues that things are reversed.

0:20:26.600 --> 0:20:29.440
<v Speaker 1>So that sign, because I'm trying to read it and

0:20:29.560 --> 0:20:32.119
<v Speaker 1>reverse is the no credit sign that's in the warehouse.

0:20:33.520 --> 0:20:34.639
<v Speaker 4>No credit, no problem.

0:20:34.720 --> 0:20:35.560
<v Speaker 2>Yeah. Yeah.

0:20:35.960 --> 0:20:39.320
<v Speaker 1>So right after that, we meet Mary. So we have

0:20:39.480 --> 0:20:42.000
<v Speaker 1>two main characters, Mary and Clark. So we meet Mary.

0:20:42.200 --> 0:20:44.280
<v Speaker 1>She's from the ann in the wall and her house

0:20:44.359 --> 0:20:46.800
<v Speaker 1>is being torn down. It's all the other kind of stuff.

0:20:48.320 --> 0:20:51.639
<v Speaker 1>And then afterwards that's when we meet Clark, who owns

0:20:51.680 --> 0:20:59.600
<v Speaker 1>this store and yeah, Captain Clark. Yeah, yeah, the Ottoman Empire,

0:21:00.040 --> 0:21:04.800
<v Speaker 1>you know that's what they call it. I just got it, Ottoman.

0:21:05.800 --> 0:21:08.359
<v Speaker 4>I just got it. I just got you didn't get it,

0:21:08.400 --> 0:21:14.800
<v Speaker 4>shut up. I just got it, y'all, y'all, y'all, y'all,

0:21:15.119 --> 0:21:18.640
<v Speaker 4>I got y'all got it the first time, because before they.

0:21:18.520 --> 0:21:20.679
<v Speaker 3>Went I was like, so he just said atoms or like,

0:21:20.880 --> 0:21:21.360
<v Speaker 3>I didn't.

0:21:21.160 --> 0:21:25.160
<v Speaker 4>Even think about ottoman I just black phons.

0:21:24.960 --> 0:21:26.920
<v Speaker 2>Don't have ottomans.

0:21:27.480 --> 0:21:31.080
<v Speaker 4>Yeah I got one at the wait I have one too,

0:21:31.119 --> 0:21:32.120
<v Speaker 4>But I didn't think most black.

0:21:32.160 --> 0:21:34.640
<v Speaker 7>That's the thing, right, I don't think they just don't

0:21:34.640 --> 0:21:39.560
<v Speaker 7>call them what do we call them food?

0:21:42.960 --> 0:21:45.600
<v Speaker 2>On the longs, I didn't even know they were called ottomists. Yeah. Yeah,

0:21:45.720 --> 0:21:49.080
<v Speaker 2>then it's like, yeah, then they call ottomans. Was like, ottomans?

0:21:49.800 --> 0:21:50.120
<v Speaker 4>Is that?

0:21:50.600 --> 0:21:57.600
<v Speaker 2>Like that's that's what that thing is. Give me that

0:21:57.640 --> 0:21:59.040
<v Speaker 2>piece of that couch, couch.

0:22:01.000 --> 0:22:04.520
<v Speaker 1>But yeah, so they they their connection is that you know,

0:22:04.720 --> 0:22:08.960
<v Speaker 1>he's in therapy and he's talking to her, and so

0:22:09.280 --> 0:22:12.159
<v Speaker 1>we get introduced to basically what type of person he is?

0:22:12.200 --> 0:22:14.639
<v Speaker 1>What did you guys think of? Like the therapy session

0:22:15.240 --> 0:22:17.560
<v Speaker 1>them kind of giving us some idea of what kind

0:22:17.600 --> 0:22:21.840
<v Speaker 1>of personality and character Clark is, and the role playing session.

0:22:22.960 --> 0:22:24.040
<v Speaker 3>The role player was great.

0:22:24.640 --> 0:22:26.640
<v Speaker 5>I don't usually I'm like you, right, I ain't really

0:22:26.720 --> 0:22:29.880
<v Speaker 5>just the biggest man of this dude to a slave dude.

0:22:30.400 --> 0:22:31.800
<v Speaker 3>I won't say I hate him, but he just ain't

0:22:31.800 --> 0:22:34.200
<v Speaker 3>never blew me away. But he did good.

0:22:34.240 --> 0:22:36.760
<v Speaker 5>And this scene right here and the therapist, I think

0:22:36.760 --> 0:22:39.119
<v Speaker 5>both of them there both a good job. It was

0:22:39.160 --> 0:22:41.600
<v Speaker 5>a good setup and it just you say, him as

0:22:41.640 --> 0:22:43.119
<v Speaker 5>a character, it just made me look at him like

0:22:43.160 --> 0:22:46.520
<v Speaker 5>he was kind of he was the problem, you know

0:22:46.560 --> 0:22:48.320
<v Speaker 5>what I'm saying, And he didn't feel like he was,

0:22:48.440 --> 0:22:49.800
<v Speaker 5>like they stated later in the film.

0:22:49.840 --> 0:22:51.560
<v Speaker 1>But yeah, yeah, she was telling him, like you know,

0:22:51.640 --> 0:22:55.800
<v Speaker 1>she was mentioning things like path least resistance, pushing people away, Uh,

0:22:56.080 --> 0:22:59.040
<v Speaker 1>he's stuck right where it started, which is alone, those

0:22:59.080 --> 0:23:01.640
<v Speaker 1>sort of things about his personality.

0:23:02.119 --> 0:23:04.240
<v Speaker 2>And then Robber was learning that you know from this

0:23:04.320 --> 0:23:04.879
<v Speaker 2>whole thing, that.

0:23:04.920 --> 0:23:07.560
<v Speaker 1>He's a he's an alcoholic with a temper, you know,

0:23:07.720 --> 0:23:12.159
<v Speaker 1>and he during this session completely goes off on his

0:23:13.240 --> 0:23:16.399
<v Speaker 1>role playing wife, which is her, you know, And we

0:23:16.560 --> 0:23:18.360
<v Speaker 1>learned about his wife and we never even met a

0:23:18.359 --> 0:23:22.320
<v Speaker 1>professional student, want to have kids, He feels the pressure

0:23:22.359 --> 0:23:25.520
<v Speaker 1>of falling for everything. He has this sort of male

0:23:26.280 --> 0:23:29.000
<v Speaker 1>ego about that's my house and he got kicked out

0:23:29.040 --> 0:23:31.800
<v Speaker 1>of his house, and we learned that he's an architect

0:23:32.000 --> 0:23:34.639
<v Speaker 1>that didn't get a chance to be an architect, and

0:23:34.680 --> 0:23:36.360
<v Speaker 1>then he just completely cusses her out.

0:23:36.440 --> 0:23:39.080
<v Speaker 2>Right. Do you think that she took a personal when

0:23:39.119 --> 0:23:42.080
<v Speaker 2>she was called fat. I don't know if she.

0:23:42.119 --> 0:23:46.320
<v Speaker 7>Think it personal, but she she did feel it the anger, right, Yeah, yeah,

0:23:46.320 --> 0:23:50.959
<v Speaker 7>she could actually feel it or whatever, you know. But nah,

0:23:51.000 --> 0:23:54.439
<v Speaker 7>it was really good role playing, like because even he

0:23:54.480 --> 0:23:56.320
<v Speaker 7>had to snap out. He's like, wait, am I talking

0:23:56.320 --> 0:23:58.640
<v Speaker 7>to you or her or whatever? He had to kind

0:23:58.640 --> 0:24:01.680
<v Speaker 7>of figure out. Nah, I mean she, I mean she

0:24:01.720 --> 0:24:03.919
<v Speaker 7>asked for it, she said, in this role place, he

0:24:03.960 --> 0:24:04.920
<v Speaker 7>gave you what you wanted.

0:24:05.280 --> 0:24:09.120
<v Speaker 4>He gave you what you asked for real. Yeah, yeah, exactly.

0:24:09.119 --> 0:24:10.760
<v Speaker 1>Did it look like to you might like she had

0:24:10.800 --> 0:24:14.480
<v Speaker 1>to remember that that's role playing, is not real.

0:24:15.040 --> 0:24:16.200
<v Speaker 4>No. I didn't take it that way.

0:24:16.280 --> 0:24:17.840
<v Speaker 1>I just did look like it on her face that

0:24:17.920 --> 0:24:20.159
<v Speaker 1>she had to come out of care. She took that

0:24:20.200 --> 0:24:20.680
<v Speaker 1>a little bit.

0:24:21.040 --> 0:24:23.120
<v Speaker 4>I mean, I definitely, I definitely want to watch it again.

0:24:23.200 --> 0:24:25.480
<v Speaker 4>I didn't. I didn't take that from that scene. I

0:24:25.800 --> 0:24:29.720
<v Speaker 4>more so took that she didn't like that he was

0:24:29.720 --> 0:24:33.160
<v Speaker 4>putting all the onus on whoever his wife is. I

0:24:33.240 --> 0:24:36.359
<v Speaker 4>took it because, I mean, therapists aren't supposed to tell

0:24:36.400 --> 0:24:39.320
<v Speaker 4>you that you're a problem. But I took it in

0:24:39.359 --> 0:24:42.320
<v Speaker 4>that moment, She's like, nah, this is this is fucked

0:24:42.400 --> 0:24:43.520
<v Speaker 4>up what you did to your wife?

0:24:43.520 --> 0:24:44.480
<v Speaker 7>No wonder she left.

0:24:44.960 --> 0:24:47.879
<v Speaker 4>Yeah, yeah, I didn't take it that she took it

0:24:47.920 --> 0:24:50.399
<v Speaker 4>personal that he was calling her fact because she's clearly

0:24:50.440 --> 0:24:52.760
<v Speaker 4>some scrawny little white lady, you know.

0:24:53.000 --> 0:24:58.720
<v Speaker 1>So yeah, so more about Clarke. He's filming this commercial

0:24:58.800 --> 0:25:00.159
<v Speaker 1>and then we meet the other two people with the

0:25:00.160 --> 0:25:03.119
<v Speaker 1>assistant manager and I guess her boyfriend, and they feeling

0:25:03.160 --> 0:25:03.440
<v Speaker 1>the thing.

0:25:03.640 --> 0:25:05.240
<v Speaker 2>Spike, how long? How hard did you laugh when he

0:25:05.280 --> 0:25:06.000
<v Speaker 2>fell in the chair.

0:25:09.119 --> 0:25:10.719
<v Speaker 4>He kept teasing it too.

0:25:10.840 --> 0:25:12.600
<v Speaker 5>I just said he gonna fall at some point with

0:25:12.680 --> 0:25:15.760
<v Speaker 5>the pig legs, that he definitely gotta fall. But yeah,

0:25:15.760 --> 0:25:18.719
<v Speaker 5>I think it wasn't much in this scene.

0:25:19.560 --> 0:25:21.359
<v Speaker 1>You don't think so, because I think I think there's

0:25:21.359 --> 0:25:22.640
<v Speaker 1>a sense of humiliation.

0:25:22.840 --> 0:25:24.280
<v Speaker 3>That's what I was about to get bad. I was

0:25:24.320 --> 0:25:25.040
<v Speaker 3>just about to get to that.

0:25:25.520 --> 0:25:27.240
<v Speaker 5>It wasn't much in the scene from what they did,

0:25:27.280 --> 0:25:29.399
<v Speaker 5>but it did show that he was in this like

0:25:29.920 --> 0:25:33.679
<v Speaker 5>desperate ass place and he was just like hoping for

0:25:33.760 --> 0:25:37.640
<v Speaker 5>anything to go right or just be good. And hints

0:25:37.720 --> 0:25:40.040
<v Speaker 5>him filming this commercial, the poirate uniform following on his

0:25:40.119 --> 0:25:42.480
<v Speaker 5>face and the kids looking at him like he's crazy.

0:25:42.480 --> 0:25:44.240
<v Speaker 3>But it felt really desperate.

0:25:44.240 --> 0:25:47.840
<v Speaker 1>Yeah, saying opened the store, and she's like, we already opened.

0:25:48.320 --> 0:25:50.760
<v Speaker 1>I think on a previous scene we saw the bills

0:25:50.840 --> 0:25:52.960
<v Speaker 1>were late, and then that's when.

0:25:52.840 --> 0:25:56.480
<v Speaker 2>We realized that his light bill is going up.

0:25:56.480 --> 0:25:59.600
<v Speaker 1>And that uh, there's an electrician that's going there. And

0:25:59.640 --> 0:26:01.400
<v Speaker 1>he takes him down to the breaker and we see

0:26:01.440 --> 0:26:02.640
<v Speaker 1>the breaker that wasn't there.

0:26:02.680 --> 0:26:04.320
<v Speaker 2>There's a part that's messed up.

0:26:05.000 --> 0:26:09.560
<v Speaker 1>And we also found out that Clark is actually living

0:26:09.560 --> 0:26:13.080
<v Speaker 1>in the warehouse, which made sense because he was kicked out,

0:26:13.119 --> 0:26:16.320
<v Speaker 1>so all of this made sense, and that he's drinking,

0:26:17.000 --> 0:26:20.160
<v Speaker 1>you know, and he's living this sort of this.

0:26:20.240 --> 0:26:21.880
<v Speaker 2>Life of loneliness. It's white.

0:26:21.960 --> 0:26:24.520
<v Speaker 1>The therapist just told him you're alone, and we see

0:26:24.560 --> 0:26:28.240
<v Speaker 1>it and he's frustrated because the lights keep fucking flickering

0:26:28.240 --> 0:26:32.480
<v Speaker 1>and shit, so he gets angry and then he goes

0:26:32.520 --> 0:26:34.959
<v Speaker 1>down and we actually they kind of do a good

0:26:35.000 --> 0:26:37.720
<v Speaker 1>job of, like the first night, kind of teasing and

0:26:37.760 --> 0:26:42.359
<v Speaker 1>showing it him getting frustrated, cutting shit off, we're getting

0:26:42.400 --> 0:26:46.439
<v Speaker 1>pissed off or whatever. And then the second night it

0:26:46.520 --> 0:26:50.120
<v Speaker 1>happens again and he runs downstairs and turns everything off.

0:26:52.880 --> 0:26:55.960
<v Speaker 1>Watching a horror movie, we say these things to ourselves,

0:26:56.280 --> 0:26:58.399
<v Speaker 1>like when we were walking by a wall and we

0:26:58.440 --> 0:27:02.160
<v Speaker 1>see a light. But Mike, if you saw this shit

0:27:02.760 --> 0:27:05.440
<v Speaker 1>in a place that you knew up and down, and

0:27:05.560 --> 0:27:09.359
<v Speaker 1>you saw a light in the wall, would you walk

0:27:09.440 --> 0:27:11.680
<v Speaker 1>through it or be curious as to what's going.

0:27:11.520 --> 0:27:12.080
<v Speaker 2>On over there?

0:27:12.280 --> 0:27:13.960
<v Speaker 4>I would have. I would have done a few things

0:27:14.000 --> 0:27:19.439
<v Speaker 4>before I walked through. First. Okay, I've seen enough movies

0:27:19.480 --> 0:27:21.399
<v Speaker 4>to know that you don't just walk through a portal,

0:27:23.320 --> 0:27:27.919
<v Speaker 4>and black folks should know this before anybody. So I

0:27:28.000 --> 0:27:29.760
<v Speaker 4>was just like, bruh, what are you doing?

0:27:30.440 --> 0:27:31.359
<v Speaker 7>You're just gonna.

0:27:31.080 --> 0:27:34.560
<v Speaker 4>Walk through this? You saw twelve years of slave. You

0:27:34.600 --> 0:27:36.359
<v Speaker 4>don't know what's on the other side of that shit.

0:27:37.680 --> 0:27:39.320
<v Speaker 4>You just gonna right you were in it.

0:27:39.680 --> 0:27:41.639
<v Speaker 7>Just don't learn nigger right.

0:27:42.440 --> 0:27:47.760
<v Speaker 4>You wanted thirteen years? But nah, I would I would definitely, like,

0:27:47.880 --> 0:27:50.879
<v Speaker 4>maybe throw something through it, make sure it you know,

0:27:50.920 --> 0:27:53.480
<v Speaker 4>and then yankee back and make make sure it was okay.

0:27:54.119 --> 0:27:55.760
<v Speaker 4>I don't know if I would just walk through the ship.

0:27:57.119 --> 0:28:00.359
<v Speaker 4>But him, I could see why he did because he

0:28:00.480 --> 0:28:04.560
<v Speaker 4>was so fucking frustrating, and you don't think that there's

0:28:04.600 --> 0:28:06.320
<v Speaker 4>a portal here. You're just like, wait, why is there

0:28:06.359 --> 0:28:09.000
<v Speaker 4>a light right here? Let me go look right?

0:28:09.119 --> 0:28:11.800
<v Speaker 2>Would you have would you have been curious as to

0:28:11.840 --> 0:28:12.600
<v Speaker 2>what was going on?

0:28:14.200 --> 0:28:17.520
<v Speaker 7>No, bro, I'm calling somebody else, Like, Yo, it's this

0:28:17.640 --> 0:28:19.879
<v Speaker 7>fucking light behind my wall. What's going on?

0:28:20.080 --> 0:28:20.720
<v Speaker 2>Like, I don't know.

0:28:20.800 --> 0:28:24.760
<v Speaker 1>I just but it's your It's like, but it's your

0:28:25.119 --> 0:28:26.400
<v Speaker 1>place of business.

0:28:26.800 --> 0:28:28.280
<v Speaker 2>Like he knows this warehouse.

0:28:28.320 --> 0:28:32.280
<v Speaker 1>The bills are going up and there's this weird thing

0:28:32.520 --> 0:28:37.640
<v Speaker 1>that's there. Yeah, there's no curiosity. I'm curious. I mean,

0:28:37.680 --> 0:28:41.840
<v Speaker 1>but I'm not stupid. I'm curious. This is why I'm

0:28:41.880 --> 0:28:45.360
<v Speaker 1>going to call someone. I need a professional. I'm not

0:28:45.400 --> 0:28:47.920
<v Speaker 1>doing that. I don't know what's on the other side

0:28:47.960 --> 0:28:48.440
<v Speaker 1>of that wall.

0:28:49.000 --> 0:28:49.440
<v Speaker 2>Hm hmmm.

0:28:50.080 --> 0:28:54.200
<v Speaker 3>Straight Spike, this movie would have been over ten.

0:28:54.120 --> 0:28:55.880
<v Speaker 4>Years if I was.

0:28:58.680 --> 0:29:03.160
<v Speaker 5>Hell, I don't never There was a couple like when

0:29:03.160 --> 0:29:04.880
<v Speaker 5>he went through the walls like well I never would

0:29:04.920 --> 0:29:07.560
<v Speaker 5>have did that, and then he kept walking for the.

0:29:07.400 --> 0:29:08.920
<v Speaker 3>Hell no, he gonna keep going.

0:29:09.600 --> 0:29:11.880
<v Speaker 7>You gotta be a person, yeah, like you gotta be

0:29:12.000 --> 0:29:14.280
<v Speaker 7>like like a little don't care him.

0:29:14.880 --> 0:29:19.560
<v Speaker 1>I think for him though it was like five, he

0:29:19.720 --> 0:29:24.760
<v Speaker 1>was he's an architect, So for him, this is like

0:29:25.160 --> 0:29:28.680
<v Speaker 1>I get a chance to explore this place that I

0:29:28.720 --> 0:29:29.680
<v Speaker 1>didn't know existed.

0:29:30.160 --> 0:29:31.200
<v Speaker 7>That's a saving grace.

0:29:31.280 --> 0:29:34.880
<v Speaker 3>Okay, because I see it makes a lot of damn

0:29:34.960 --> 0:29:37.160
<v Speaker 3>saving that doesn't make a lot of beau. He's wondering

0:29:37.200 --> 0:29:37.840
<v Speaker 3>about the build.

0:29:37.920 --> 0:29:40.200
<v Speaker 4>Now, I can understand that.

0:29:40.400 --> 0:29:42.960
<v Speaker 3>Later okay, the.

0:29:43.040 --> 0:29:46.320
<v Speaker 4>Official when he rocked his dumb ass in there and

0:29:46.360 --> 0:29:50.840
<v Speaker 4>then kept going nah right later on when he was

0:29:50.920 --> 0:29:53.360
<v Speaker 4>drawing the pictures and all that, I got the architect

0:29:53.360 --> 0:29:56.320
<v Speaker 4>part then, because he's like, how the funk is all

0:29:56.360 --> 0:29:59.080
<v Speaker 4>of this back here? But when he initially went through,

0:29:59.120 --> 0:30:01.800
<v Speaker 4>I'm like, bro, what are you doing? Man? You're a

0:30:01.840 --> 0:30:03.080
<v Speaker 4>black man in the horror movie.

0:30:04.680 --> 0:30:09.840
<v Speaker 1>So to answer my own question, I would have been curious.

0:30:10.440 --> 0:30:13.400
<v Speaker 1>I have all of the thoughts that you guys had.

0:30:14.640 --> 0:30:16.200
<v Speaker 1>Maybe I would have took a piece of furniture and

0:30:16.280 --> 0:30:17.120
<v Speaker 1>kind of stuck it through that.

0:30:17.400 --> 0:30:19.080
<v Speaker 4>Exactly exactly right.

0:30:19.440 --> 0:30:21.960
<v Speaker 1>Maybe I would have walked through and be like, Okay,

0:30:22.120 --> 0:30:24.520
<v Speaker 1>hell no, this shit is weird. I'm taking my ass back.

0:30:25.120 --> 0:30:27.520
<v Speaker 1>I'm with you guys. I would not have explored the area,

0:30:28.400 --> 0:30:31.000
<v Speaker 1>you know, and but he did.

0:30:31.320 --> 0:30:33.240
<v Speaker 4>I wouldn't have gone all the way through the door

0:30:33.360 --> 0:30:36.000
<v Speaker 4>because I would have been paranoid that the door would

0:30:36.080 --> 0:30:36.680
<v Speaker 4>disappear in.

0:30:37.400 --> 0:30:39.080
<v Speaker 2>But you kind of did. When he tried to get out,

0:30:39.120 --> 0:30:41.320
<v Speaker 2>he was like where is the door? Did the door

0:30:41.360 --> 0:30:41.840
<v Speaker 2>move though?

0:30:42.240 --> 0:30:43.680
<v Speaker 4>I think no. I think he just went to the

0:30:43.720 --> 0:30:45.560
<v Speaker 4>wrong park. That's why he had to draw it on

0:30:45.600 --> 0:30:47.400
<v Speaker 4>there later, so he knew exactly where it was.

0:30:47.640 --> 0:30:49.720
<v Speaker 1>Okay, Yeah, because I thought that mother was gonna be

0:30:49.720 --> 0:30:50.560
<v Speaker 1>closed when he came back.

0:30:51.080 --> 0:30:53.680
<v Speaker 7>I kept thinking that too. I kept thinking that too.

0:30:53.680 --> 0:30:55.480
<v Speaker 7>But when they went back and trying to find where

0:30:55.520 --> 0:30:57.240
<v Speaker 7>it was, Okay, it's in a specific spot.

0:30:58.600 --> 0:31:02.240
<v Speaker 1>Yeah, well, what did you guys think about the world

0:31:02.400 --> 0:31:05.000
<v Speaker 1>behind there? So you got this book back, which was

0:31:05.120 --> 0:31:08.800
<v Speaker 1>left from the previous scientists that were there, and he's

0:31:08.920 --> 0:31:13.920
<v Speaker 1>you know, we see floppy dis badges. You know, there's

0:31:14.120 --> 0:31:17.200
<v Speaker 1>kind of chairs and shoes blending into the floor and

0:31:17.240 --> 0:31:18.240
<v Speaker 1>all this other stuff.

0:31:18.400 --> 0:31:20.320
<v Speaker 4>I guess to me has just shown just how long

0:31:20.360 --> 0:31:21.440
<v Speaker 4>this has been going on.

0:31:21.560 --> 0:31:25.920
<v Speaker 7>Whatever this thing is, it's dating back to a time

0:31:26.720 --> 0:31:27.240
<v Speaker 7>or whatnot.

0:31:27.320 --> 0:31:28.240
<v Speaker 2>It reminded me of.

0:31:29.880 --> 0:31:33.640
<v Speaker 4>Jordan Peel's US with everything tethered.

0:31:33.720 --> 0:31:35.120
<v Speaker 2>Oh yeah, so.

0:31:35.640 --> 0:31:37.520
<v Speaker 7>That's what it kind of reminds me of, like this

0:31:37.640 --> 0:31:41.040
<v Speaker 7>upside down world slash Stranger Things, like all of that shit.

0:31:41.080 --> 0:31:44.080
<v Speaker 7>It reminds me of stranger things and us. One of

0:31:44.080 --> 0:31:46.240
<v Speaker 7>the two things I was thinking about, if it sure

0:31:46.280 --> 0:31:50.680
<v Speaker 7>gave me stranger things vibes. That's what I thought. I

0:31:50.720 --> 0:31:53.120
<v Speaker 7>think they did a really good job. It was nothing

0:31:53.160 --> 0:31:55.520
<v Speaker 7>there that was really scary. It was just creepy, and

0:31:55.560 --> 0:31:57.400
<v Speaker 7>I think that's what this movie did, really will Like

0:31:57.440 --> 0:31:59.239
<v Speaker 7>they weren't trying to scare you, just wanted to make

0:31:59.280 --> 0:32:00.000
<v Speaker 7>you uncomfortable.

0:32:00.400 --> 0:32:02.520
<v Speaker 2>Shit, what about when that life for him came that

0:32:02.560 --> 0:32:03.360
<v Speaker 2>thing dropped up?

0:32:03.400 --> 0:32:05.480
<v Speaker 5>Well yeah, I mean, of course that they had moments,

0:32:05.520 --> 0:32:08.360
<v Speaker 5>but I think the majority of the movie movie, like,

0:32:08.400 --> 0:32:10.800
<v Speaker 5>even in my theater, it was so tense in there.

0:32:10.840 --> 0:32:12.600
<v Speaker 5>It was like it's so quiet, like you know, people

0:32:12.760 --> 0:32:15.840
<v Speaker 5>usually like wrestling ship and getting popcorn out. It was

0:32:15.920 --> 0:32:18.760
<v Speaker 5>just extremely quiet and tense, and I think the movie

0:32:18.760 --> 0:32:22.320
<v Speaker 5>did a really good job of that, even a full theater.

0:32:22.880 --> 0:32:25.360
<v Speaker 2>So yeah, we never I don't think we saw at

0:32:25.360 --> 0:32:25.760
<v Speaker 2>that time.

0:32:25.840 --> 0:32:28.320
<v Speaker 1>I think we just saw it tear up that that

0:32:28.320 --> 0:32:31.560
<v Speaker 1>that thing that cut out, And then he did the

0:32:31.560 --> 0:32:35.040
<v Speaker 1>smartest thing, the only smartest thing he ever did the movie.

0:32:35.080 --> 0:32:36.080
<v Speaker 2>He got the fuck up out of there.

0:32:36.120 --> 0:32:37.920
<v Speaker 4>Did y'all have to cut out outside of your theater?

0:32:38.600 --> 0:32:39.040
<v Speaker 3>Cutout?

0:32:39.680 --> 0:32:40.560
<v Speaker 4>Oh?

0:32:41.080 --> 0:32:41.320
<v Speaker 1>Man?

0:32:41.480 --> 0:32:43.840
<v Speaker 7>Yeah, yeah, it was outside of our theater. They had

0:32:43.840 --> 0:32:44.800
<v Speaker 7>the little Man out there.

0:32:44.840 --> 0:32:47.520
<v Speaker 2>Oh that's what it was paying attention to it. Yeah,

0:32:47.560 --> 0:32:49.600
<v Speaker 2>it was the little the little cutout thing. Damn.

0:32:49.640 --> 0:32:51.720
<v Speaker 7>They had it right outside the theater door.

0:32:52.080 --> 0:32:54.080
<v Speaker 1>So we see Phil is watching the tape and then

0:32:55.120 --> 0:32:59.280
<v Speaker 1>he went to tell his whole therapist about everything. Uh,

0:33:01.680 --> 0:33:04.120
<v Speaker 1>this ship sounds crazy, but I think Mike one of

0:33:04.120 --> 0:33:04.760
<v Speaker 1>the smartest things.

0:33:04.760 --> 0:33:06.960
<v Speaker 2>He was asked, have you ever had fifty one to

0:33:07.000 --> 0:33:07.760
<v Speaker 2>fifty somebody?

0:33:08.040 --> 0:33:12.360
<v Speaker 5>Yeah, because I start the conversation right, Yeah, to know

0:33:12.480 --> 0:33:12.840
<v Speaker 5>He's like, I.

0:33:12.880 --> 0:33:14.800
<v Speaker 4>Must be crazy, I must be losing my fucking mind.

0:33:14.960 --> 0:33:15.440
<v Speaker 2>Yeah.

0:33:15.600 --> 0:33:18.640
<v Speaker 1>Yeah, but I thought in this scene he was the

0:33:18.680 --> 0:33:21.720
<v Speaker 1>way he was describing everything, like his excitement with it

0:33:22.280 --> 0:33:25.120
<v Speaker 1>and stuff like that. And even though it's timing, when

0:33:25.120 --> 0:33:26.520
<v Speaker 1>he delivered the line he was like, why you look

0:33:26.560 --> 0:33:28.080
<v Speaker 1>at me like that?

0:33:28.640 --> 0:33:28.880
<v Speaker 2>Yeah?

0:33:28.960 --> 0:33:31.920
<v Speaker 4>That was funny. He was good.

0:33:32.000 --> 0:33:34.720
<v Speaker 3>He was man, he did a great job in this movie.

0:33:35.360 --> 0:33:37.320
<v Speaker 1>Yeah, runing out even even like when he was like,

0:33:37.360 --> 0:33:41.360
<v Speaker 1>it's like describing a dog to someone that's never seen

0:33:41.440 --> 0:33:42.400
<v Speaker 1>that's what this movie's like.

0:33:42.800 --> 0:33:45.520
<v Speaker 3>Yes, like that that was the perfect quote for this movie.

0:33:45.560 --> 0:33:48.880
<v Speaker 5>Is like trying to trying to draw a dog describing

0:33:48.920 --> 0:33:50.920
<v Speaker 5>it by someone who's not seen when this movie was

0:33:50.960 --> 0:33:51.640
<v Speaker 5>exactly that.

0:33:52.080 --> 0:33:52.320
<v Speaker 2>Yeah.

0:33:52.680 --> 0:33:58.040
<v Speaker 1>Yeah, so yeah, so he said, all right, fine, out

0:33:58.080 --> 0:33:59.840
<v Speaker 1>go get your proofd go get the other three people,

0:34:00.080 --> 0:34:02.560
<v Speaker 1>his other assistant manager and stuff like that. I think

0:34:02.600 --> 0:34:04.560
<v Speaker 1>she was one of the smartest persons in the in

0:34:04.600 --> 0:34:07.080
<v Speaker 1>the whole show in terms of telling him not to go.

0:34:07.200 --> 0:34:12.400
<v Speaker 4>But she went just like y'all was bugget all the assistance.

0:34:12.480 --> 0:34:16.399
<v Speaker 7>Yeah, the cats from shrinking shrinking. Yeah, it was good

0:34:16.440 --> 0:34:18.640
<v Speaker 7>to see her and yeah.

0:34:18.680 --> 0:34:19.279
<v Speaker 2>Yeah, Rod.

0:34:19.280 --> 0:34:24.040
<v Speaker 1>Do you think that him finding that place, even though

0:34:24.200 --> 0:34:27.560
<v Speaker 1>it seemed like it was dangerous, he went back, and

0:34:27.640 --> 0:34:30.799
<v Speaker 1>I guess he kept going back doing new drawings and

0:34:30.840 --> 0:34:34.520
<v Speaker 1>didn't really encounter this other theme that's there. Do you

0:34:34.560 --> 0:34:37.560
<v Speaker 1>think or does it feel like he found purpose again?

0:34:37.719 --> 0:34:40.000
<v Speaker 4>That's why I thought you were going with it.

0:34:40.120 --> 0:34:42.920
<v Speaker 7>Yeah, I mean because he actually says it at some

0:34:43.040 --> 0:34:46.879
<v Speaker 7>point that uh, yeah, he like he likes it there.

0:34:47.280 --> 0:34:49.600
<v Speaker 7>You know what I'm saying. He's comfortable there. It's a

0:34:50.440 --> 0:34:53.160
<v Speaker 7>it's a place because I think everywhere else he was.

0:34:53.080 --> 0:34:53.760
<v Speaker 2>He was alone.

0:34:54.000 --> 0:34:56.879
<v Speaker 7>I mean, he didn't have, like you say, purpose, or

0:34:57.560 --> 0:34:59.920
<v Speaker 7>didn't have many friends. He closed off, closed off some

0:35:00.040 --> 0:35:03.200
<v Speaker 7>many people, but here he control it a lot more so.

0:35:03.280 --> 0:35:06.400
<v Speaker 2>Yeah. I think I think he did actually enjoy being there.

0:35:07.440 --> 0:35:12.160
<v Speaker 1>In Discovery, Yeah, the the this whole part we have

0:35:12.600 --> 0:35:16.759
<v Speaker 1>like them exploring them being smartly tying a rope to

0:35:16.840 --> 0:35:20.120
<v Speaker 1>the waist falling down the hill smartly.

0:35:19.760 --> 0:35:22.439
<v Speaker 3>We thought it was. I didn't think that was made

0:35:22.440 --> 0:35:22.960
<v Speaker 3>the most.

0:35:23.280 --> 0:35:24.960
<v Speaker 4>If you're gonna go your eyes down there, at least

0:35:24.960 --> 0:35:26.799
<v Speaker 4>I got a rope to pull you back up. They

0:35:26.840 --> 0:35:27.840
<v Speaker 4>always do that movies.

0:35:28.760 --> 0:35:29.080
<v Speaker 2>It was.

0:35:29.200 --> 0:35:31.239
<v Speaker 1>It just didn't work, but it was smart because he

0:35:31.320 --> 0:35:32.880
<v Speaker 1>left the other part of the rope down there.

0:35:33.719 --> 0:35:37.640
<v Speaker 7>I just feel like, do you have that much manpower

0:35:37.719 --> 0:35:38.719
<v Speaker 7>to get him back up?

0:35:39.480 --> 0:35:40.160
<v Speaker 2>Really? For real?

0:35:40.239 --> 0:35:42.399
<v Speaker 4>It was a little scrawny dude. I think you would

0:35:42.400 --> 0:35:45.839
<v Speaker 4>tell he could have pulled his ass up. I didn't

0:35:45.880 --> 0:35:48.360
<v Speaker 4>see that. I mean, it was a solution, but it

0:35:48.400 --> 0:35:50.520
<v Speaker 4>just didn't seem smart. Like if I went down there,

0:35:50.560 --> 0:35:52.000
<v Speaker 4>you could easily pull me back up.

0:35:52.120 --> 0:35:53.279
<v Speaker 2>Oh no, how much your way.

0:35:53.960 --> 0:35:56.000
<v Speaker 4>You're pretty big dude. You can put me up.

0:35:56.040 --> 0:35:56.759
<v Speaker 2>I probably, but.

0:35:58.680 --> 0:36:01.520
<v Speaker 7>Too though, like I'm going against gravity. Yeah, I could

0:36:01.520 --> 0:36:03.960
<v Speaker 7>probably pick you up. But just you going all the

0:36:04.000 --> 0:36:06.960
<v Speaker 7>way down somewhere and me trying to continuously pick you

0:36:07.239 --> 0:36:07.839
<v Speaker 7>it works.

0:36:07.920 --> 0:36:08.560
<v Speaker 2>They pulled him up.

0:36:08.600 --> 0:36:10.320
<v Speaker 1>The issue was they left the other part of the

0:36:10.400 --> 0:36:13.120
<v Speaker 1>rope and the thing snatched and he couldn't get the

0:36:13.200 --> 0:36:14.040
<v Speaker 1>knot off in time.

0:36:14.560 --> 0:36:15.960
<v Speaker 3>Yeah, he said, dude, what kind of notice?

0:36:19.680 --> 0:36:21.200
<v Speaker 4>I tell you. One thing that got me though, is

0:36:21.320 --> 0:36:23.239
<v Speaker 4>I didn't realize. I don't know how I miss this.

0:36:23.280 --> 0:36:25.359
<v Speaker 4>I didn't realize the timeframe that the movie was in.

0:36:25.960 --> 0:36:27.719
<v Speaker 4>So when it started, I was like, why is this

0:36:27.760 --> 0:36:30.520
<v Speaker 4>fool wearing this fucking crop top? I was like, oh, okay,

0:36:30.560 --> 0:36:33.360
<v Speaker 4>he's gay, got it all right. But then when he

0:36:33.480 --> 0:36:35.520
<v Speaker 4>was like, oh, I know, it's fucked up for me

0:36:35.560 --> 0:36:37.759
<v Speaker 4>to think that, but I did. And then he was like, oh, no,

0:36:38.000 --> 0:36:41.120
<v Speaker 4>they're together, I was like, wait, what what is going

0:36:41.160 --> 0:36:43.920
<v Speaker 4>on here? I didn't even notice anybody else dressed. That

0:36:44.640 --> 0:36:48.680
<v Speaker 4>is true, like it was always noticed by the cars.

0:36:48.920 --> 0:36:50.240
<v Speaker 4>I wasn't paying attention to the cars.

0:36:50.680 --> 0:36:56.080
<v Speaker 1>I knew because of the YouTube series. Yeah no, I

0:36:56.080 --> 0:36:57.160
<v Speaker 1>went back, I went reverse.

0:36:57.600 --> 0:36:59.640
<v Speaker 4>Yeah, yeah, I didn't even know it was a thing.

0:36:59.719 --> 0:37:00.719
<v Speaker 4>I was talking with Bees.

0:37:00.760 --> 0:37:02.640
<v Speaker 2>I needed to know.

0:37:02.120 --> 0:37:03.440
<v Speaker 3>I had to know.

0:37:03.880 --> 0:37:05.360
<v Speaker 7>I was talking to be. Bee was the one that

0:37:05.440 --> 0:37:07.160
<v Speaker 7>told me that it was. It started out on YouTube.

0:37:07.480 --> 0:37:09.760
<v Speaker 7>I was just calling a Bee for something totally different.

0:37:10.160 --> 0:37:11.920
<v Speaker 7>He's like, oh, that's that movie that's on YouTube. I'm like,

0:37:11.920 --> 0:37:12.680
<v Speaker 7>what are you talking about?

0:37:12.719 --> 0:37:14.759
<v Speaker 2>He's like yeah, I think I think they gotta. You know,

0:37:14.760 --> 0:37:15.959
<v Speaker 2>it was created on YouTube first.

0:37:15.960 --> 0:37:19.040
<v Speaker 4>I'm like, really, it was very popular, so I just missed.

0:37:19.960 --> 0:37:24.120
<v Speaker 1>Yeah, Mike did the this whole part where he's being snatched,

0:37:24.320 --> 0:37:27.360
<v Speaker 1>the Pools scene, him walking through the Christmas tree, that

0:37:27.480 --> 0:37:29.160
<v Speaker 1>all this stuff. Did you like this whole scene and

0:37:29.160 --> 0:37:33.480
<v Speaker 1>how this played out to the point where him putting

0:37:33.520 --> 0:37:34.880
<v Speaker 1>the camera down and getting snatched.

0:37:35.640 --> 0:37:37.360
<v Speaker 4>I think Spike has something to say Ken.

0:37:38.960 --> 0:37:43.759
<v Speaker 3>That there was a shirt down that it head and

0:37:44.520 --> 0:37:46.320
<v Speaker 3>apart tid, did somebody else have it on?

0:37:46.480 --> 0:37:50.080
<v Speaker 4>He did? He did the camera guy did see I

0:37:50.120 --> 0:37:51.319
<v Speaker 4>want to I'm gonna get to it because I can

0:37:51.360 --> 0:37:53.960
<v Speaker 4>already tell that y'all didn't pick up what I picked up.

0:37:54.000 --> 0:37:55.839
<v Speaker 4>And I'm still trying to figure out if this is right.

0:37:55.920 --> 0:37:59.399
<v Speaker 4>But going back when he first when he first went

0:37:59.480 --> 0:38:02.560
<v Speaker 4>down there, did y'all see the face in the clothes? Yeah,

0:38:03.360 --> 0:38:04.840
<v Speaker 4>I don't think most people in my theater saw You

0:38:04.840 --> 0:38:12.520
<v Speaker 4>didn't see it, but no, there's a person face in

0:38:12.560 --> 0:38:13.120
<v Speaker 4>the clothes.

0:38:13.280 --> 0:38:16.560
<v Speaker 2>This shit freaked me out. Yeah, that's what freaked him out.

0:38:16.640 --> 0:38:20.360
<v Speaker 4>Right, they didn't see it. They were pointing in the Okay,

0:38:20.680 --> 0:38:22.880
<v Speaker 4>my theory didn't. I don't think any no one reacted.

0:38:23.080 --> 0:38:25.279
<v Speaker 4>No one reacted. But no, when he first goes down there,

0:38:26.000 --> 0:38:27.680
<v Speaker 4>there's a pile of clothes right to the left, and

0:38:27.680 --> 0:38:29.719
<v Speaker 4>then there's then there's like a dark room to the left

0:38:29.719 --> 0:38:32.360
<v Speaker 4>of that. But in the pile of clothes, there is

0:38:32.400 --> 0:38:35.240
<v Speaker 4>a face in the clothes. So there's like a person

0:38:35.320 --> 0:38:36.080
<v Speaker 4>in the clothes.

0:38:38.200 --> 0:38:38.640
<v Speaker 2>Mm hmm.

0:38:39.440 --> 0:38:42.080
<v Speaker 4>It's quick, it's quick. They don't linger on it.

0:38:42.360 --> 0:38:44.200
<v Speaker 2>Because but is that when he said what the fuck?

0:38:45.200 --> 0:38:47.000
<v Speaker 4>Maybe he might have said what the fuck, but it

0:38:47.040 --> 0:38:47.799
<v Speaker 4>wasn't about that.

0:38:48.120 --> 0:38:49.120
<v Speaker 3>Yeah, he didn't see the face.

0:38:49.160 --> 0:38:50.680
<v Speaker 7>He didn't see the face. What did he say what

0:38:50.719 --> 0:38:50.960
<v Speaker 7>the fuck?

0:38:51.040 --> 0:38:51.080
<v Speaker 2>For?

0:38:51.200 --> 0:38:51.319
<v Speaker 7>Man?

0:38:51.560 --> 0:38:53.080
<v Speaker 4>Because he was down there there's a bunch of clothes

0:38:53.120 --> 0:38:54.880
<v Speaker 4>and ship. He was like, there's a bunch of laundry

0:38:54.880 --> 0:38:57.480
<v Speaker 4>down here. But he didn't see the face because he

0:38:57.480 --> 0:39:00.200
<v Speaker 4>would have said something about there's a face down here.

0:39:00.239 --> 0:39:01.560
<v Speaker 2>Are you sure it wasn't the cutout?

0:39:01.680 --> 0:39:02.440
<v Speaker 4>No, I'm positive.

0:39:02.760 --> 0:39:03.839
<v Speaker 2>I don't think it was the cut up.

0:39:03.880 --> 0:39:05.040
<v Speaker 4>Positive it wasn't the cutout.

0:39:05.120 --> 0:39:07.040
<v Speaker 7>And they had a smell here in forty X.

0:39:07.440 --> 0:39:08.920
<v Speaker 4>What was the smell like?

0:39:09.320 --> 0:39:12.160
<v Speaker 7>I couldn't It wouldn't like must, it didn't like stink.

0:39:12.239 --> 0:39:14.400
<v Speaker 2>But it was just a smell. I can't even I

0:39:14.400 --> 0:39:15.600
<v Speaker 2>can't even describe.

0:39:15.320 --> 0:39:17.360
<v Speaker 7>Old room, something like an old It wasn't even like

0:39:17.400 --> 0:39:18.960
<v Speaker 7>that because it wasn't like something that would make you

0:39:18.960 --> 0:39:19.720
<v Speaker 7>six to your stomach.

0:39:19.840 --> 0:39:21.000
<v Speaker 4>It was just like a weird It was just a

0:39:21.000 --> 0:39:25.680
<v Speaker 4>weird smell. Yeah, yeah, no, I fucking loved all of this.

0:39:26.200 --> 0:39:30.320
<v Speaker 4>But this is where I started to figure out, Oh,

0:39:31.320 --> 0:39:33.920
<v Speaker 4>they're making a point, and I'm not sure I care

0:39:33.960 --> 0:39:37.520
<v Speaker 4>about the point. But this part also has my gripe.

0:39:38.239 --> 0:39:42.520
<v Speaker 4>When he put the fucking camera down, well, sorry, when

0:39:42.520 --> 0:39:44.920
<v Speaker 4>he when when the when the dude the dude dies

0:39:45.360 --> 0:39:50.120
<v Speaker 4>and uh Clark grabs the camera and he's running through

0:39:50.160 --> 0:39:52.759
<v Speaker 4>the fucking maze with the camera. I was like, all right, bro,

0:39:52.840 --> 0:39:56.080
<v Speaker 4>that doesn't make any sense too, And I just wish

0:39:56.120 --> 0:39:59.080
<v Speaker 4>movies wouldn't do that. Make it make sense because everything

0:39:59.080 --> 0:40:01.400
<v Speaker 4>else in this movie, even though that was weird, I

0:40:01.520 --> 0:40:06.320
<v Speaker 4>understood it. But whenever you have found footage elements of films,

0:40:06.560 --> 0:40:09.879
<v Speaker 4>they never bothered to explain why the fuck you would

0:40:09.920 --> 0:40:13.399
<v Speaker 4>pick up the camera, Like your dude just died, got

0:40:13.440 --> 0:40:16.600
<v Speaker 4>fucking eating up and sucked to a wall. I'm gonna

0:40:16.600 --> 0:40:19.880
<v Speaker 4>pick up a camera and film while I'm running. Absolutely not,

0:40:20.680 --> 0:40:22.399
<v Speaker 4>I'm gonna just fucking book it out of there.

0:40:22.719 --> 0:40:24.920
<v Speaker 1>I think I gave it a pass because I just

0:40:26.360 --> 0:40:28.879
<v Speaker 1>I just went along with him, just wanted to make

0:40:28.920 --> 0:40:31.400
<v Speaker 1>sure that he didn't lose any other footage and that

0:40:31.480 --> 0:40:34.200
<v Speaker 1>he wanted to continue to document what was down there.

0:40:34.200 --> 0:40:36.520
<v Speaker 4>See that's too loose for me. Well, he wanted proof,

0:40:36.640 --> 0:40:39.120
<v Speaker 4>I know, I get that, but that's just too.

0:40:39.000 --> 0:40:40.799
<v Speaker 2>That's too but if you leave the camera, you don't

0:40:40.800 --> 0:40:41.480
<v Speaker 2>have the proof.

0:40:42.000 --> 0:40:43.680
<v Speaker 4>Does motherfucker just died?

0:40:43.760 --> 0:40:45.560
<v Speaker 5>And I thought he I think he thought, dude with

0:40:45.600 --> 0:40:49.160
<v Speaker 5>insignificant No, I don't think that at all. He I

0:40:49.160 --> 0:40:51.239
<v Speaker 5>think he had become so obsessed to that point of

0:40:51.280 --> 0:40:54.040
<v Speaker 5>wanting to like make sure that he had documentation.

0:40:54.920 --> 0:40:59.520
<v Speaker 1>Dude, is like, if he thought that, then he would

0:40:59.520 --> 0:41:01.120
<v Speaker 1>have just left. If he didn't he want to try

0:41:01.160 --> 0:41:02.279
<v Speaker 1>to go save any of them.

0:41:02.360 --> 0:41:03.960
<v Speaker 4>Yeah, he wouldn't try to say the girl too. He

0:41:03.960 --> 0:41:05.600
<v Speaker 4>would have just booked it out of there. Nah, I

0:41:05.600 --> 0:41:07.680
<v Speaker 4>don't think. I don't know, And it's not a huge

0:41:07.719 --> 0:41:09.640
<v Speaker 4>grip because I still loved the movie. I was just like,

0:41:09.680 --> 0:41:10.920
<v Speaker 4>that doesn't Actually.

0:41:12.840 --> 0:41:15.120
<v Speaker 1>They got knocked down there because the thing pulled the

0:41:15.160 --> 0:41:16.640
<v Speaker 1>bed and pushed him down there.

0:41:16.680 --> 0:41:18.160
<v Speaker 2>But still I think I still think he would have

0:41:18.239 --> 0:41:20.120
<v Speaker 2>left if he didn't care about him like that.

0:41:20.719 --> 0:41:23.000
<v Speaker 4>Then he picked up a camera. But I think that

0:41:23.080 --> 0:41:25.840
<v Speaker 4>they just did that to add on to the point

0:41:25.880 --> 0:41:30.680
<v Speaker 4>they're making. So y'all didn't take any real life references

0:41:31.400 --> 0:41:31.640
<v Speaker 4>to this.

0:41:34.000 --> 0:41:34.200
<v Speaker 8>Huh?

0:41:34.800 --> 0:41:38.279
<v Speaker 1>I got something that now it sounded like it may

0:41:38.280 --> 0:41:40.600
<v Speaker 1>be different later on in the movie. What did you

0:41:40.640 --> 0:41:45.720
<v Speaker 1>get when they were having a conversation with the therapist.

0:41:46.040 --> 0:41:48.560
<v Speaker 4>Okay, so when when me and my girl walked out,

0:41:48.600 --> 0:41:51.040
<v Speaker 4>both of us got that this was a reference to AI.

0:41:52.000 --> 0:41:54.640
<v Speaker 4>Oh no, I had a thing that happens in this

0:41:55.360 --> 0:41:58.080
<v Speaker 4>is a think about it. What do people always say

0:41:58.080 --> 0:42:01.799
<v Speaker 4>about AI. It's like trying to blain to someone what

0:42:01.880 --> 0:42:03.960
<v Speaker 4>a dog looks like and then telling it to draw

0:42:04.000 --> 0:42:08.360
<v Speaker 4>the dog. That's what people describe as AI is always

0:42:08.520 --> 0:42:12.080
<v Speaker 4>drawing shit or creating images, and there'll be something that's off.

0:42:12.800 --> 0:42:15.799
<v Speaker 4>If you watch the movie through that lens, everything is

0:42:15.920 --> 0:42:19.319
<v Speaker 4>like that. So when you have you have the part

0:42:19.360 --> 0:42:21.040
<v Speaker 4>where he's running down there with the camera, because first

0:42:21.040 --> 0:42:22.759
<v Speaker 4>of all, you can go back to the sign that

0:42:22.800 --> 0:42:28.480
<v Speaker 4>says no credit, no problem. How it's backwards. That's some

0:42:28.560 --> 0:42:31.040
<v Speaker 4>AI shit. How all of the fucking chairs and the

0:42:31.040 --> 0:42:32.920
<v Speaker 4>furniture are like stuck on the floor. They're just not

0:42:33.120 --> 0:42:38.080
<v Speaker 4>arranged properly. That's AI shit. So yeah, when he put

0:42:38.120 --> 0:42:40.320
<v Speaker 4>the camera down and then something picks up the camera

0:42:40.360 --> 0:42:44.520
<v Speaker 4>and starts filming, I was like, Oh, this is AI

0:42:44.680 --> 0:42:48.120
<v Speaker 4>trying to mimic what he's doing. Now. Later on, of course,

0:42:48.120 --> 0:42:51.560
<v Speaker 4>when we get that the creature is a version of him,

0:42:51.600 --> 0:42:53.000
<v Speaker 4>which we'll get to that later, I was like, Oh,

0:42:53.080 --> 0:42:56.520
<v Speaker 4>I'm definitely that's definitely what this is. But I didn't.

0:42:57.880 --> 0:43:00.319
<v Speaker 4>I was trying to figure out this part, and he

0:43:00.480 --> 0:43:04.919
<v Speaker 4>was like, you're you're seeing a window. I don't see

0:43:04.920 --> 0:43:09.000
<v Speaker 4>the window, so I can't get to you. Yeah, that

0:43:09.040 --> 0:43:10.440
<v Speaker 4>part was fucking tense.

0:43:11.800 --> 0:43:13.319
<v Speaker 3>Yeah, said look out behind you.

0:43:14.280 --> 0:43:16.359
<v Speaker 4>Like she could see him but he couldn't see her.

0:43:17.480 --> 0:43:20.759
<v Speaker 2>Mm hmm. Yeah, all this worked for me.

0:43:21.000 --> 0:43:25.799
<v Speaker 1>Yeah, yeah, Spike, Right when that lady ran out from

0:43:25.800 --> 0:43:27.080
<v Speaker 1>behind that Christmas tree.

0:43:26.960 --> 0:43:31.200
<v Speaker 7>Bro, when the motherfucker clicked that light on that ship

0:43:31.280 --> 0:43:35.640
<v Speaker 7>freaked me out, you remember, Yeah, because I didn't think

0:43:35.640 --> 0:43:37.880
<v Speaker 7>he was gonna move the mother You can see it

0:43:37.880 --> 0:43:39.560
<v Speaker 7>in the shadows, and I was like, oh, that fucking

0:43:39.640 --> 0:43:41.080
<v Speaker 7>smooth Like people were saying.

0:43:40.840 --> 0:43:43.200
<v Speaker 2>That in the theater, saying that ship.

0:43:43.560 --> 0:43:47.520
<v Speaker 6>Yeah, yeah, she ran out like this, Oh my god,

0:43:47.800 --> 0:43:52.160
<v Speaker 6>get away from me. He was all it ass uh

0:43:52.440 --> 0:43:55.200
<v Speaker 6>but then he got snatched up and uh but nah,

0:43:55.239 --> 0:43:56.279
<v Speaker 6>all this was really good.

0:43:56.480 --> 0:43:57.840
<v Speaker 2>Yeah, all this it was intense.

0:43:58.239 --> 0:43:59.759
<v Speaker 5>Well, you're gonna say, I was just gonna say to Mike,

0:44:00.040 --> 0:44:02.640
<v Speaker 5>I didn't get AI. I just got like real world,

0:44:02.719 --> 0:44:05.160
<v Speaker 5>Like he was trying to avoid the real world. This

0:44:05.280 --> 0:44:07.960
<v Speaker 5>world was so bad, Like he became obsessed with this

0:44:08.040 --> 0:44:12.200
<v Speaker 5>place it's not even real, and the escape ended up

0:44:12.280 --> 0:44:12.759
<v Speaker 5>killing him.

0:44:13.520 --> 0:44:13.759
<v Speaker 2>Yeah.

0:44:13.960 --> 0:44:16.200
<v Speaker 4>AI, But why AI?

0:44:16.239 --> 0:44:17.760
<v Speaker 2>It don't seem like we were in that time.

0:44:18.080 --> 0:44:20.640
<v Speaker 4>We weren't. That's why the nineties part kind of threw

0:44:20.680 --> 0:44:23.040
<v Speaker 4>me off. But it could just be that they're trying

0:44:23.080 --> 0:44:26.360
<v Speaker 4>to make a commentary on this is the evolving, Like

0:44:26.440 --> 0:44:28.160
<v Speaker 4>we're now at a place where AI can do all

0:44:28.200 --> 0:44:31.160
<v Speaker 4>this stuff. But remember when we when people first started

0:44:31.160 --> 0:44:33.880
<v Speaker 4>doing AI, it was spitting back images with like twelve

0:44:33.880 --> 0:44:34.840
<v Speaker 4>eyes and shit.

0:44:34.600 --> 0:44:36.520
<v Speaker 2>And it was hallucinating all those stuff.

0:44:37.120 --> 0:44:39.399
<v Speaker 4>Yeah, you look at the people that it created, they

0:44:39.440 --> 0:44:41.760
<v Speaker 4>look like what AI was creating when it was first

0:44:42.440 --> 0:44:45.960
<v Speaker 4>starting to do this stuff. So, I mean, can I

0:44:45.960 --> 0:44:48.000
<v Speaker 4>can explain more when it gets to the end when

0:44:48.000 --> 0:44:51.440
<v Speaker 4>we talked to Phil, But again, I haven't seen anybody

0:44:51.440 --> 0:44:53.239
<v Speaker 4>else say this. I don't know if I'm right, but

0:44:53.320 --> 0:44:55.920
<v Speaker 4>I'm pretty sure the fact that me and my girlfriend

0:44:55.920 --> 0:44:58.160
<v Speaker 4>both got the exact same thing, I think that that's

0:44:58.160 --> 0:44:58.839
<v Speaker 4>what's going on.

0:44:59.320 --> 0:45:01.279
<v Speaker 1>I thought there's other part was interesting. I want to

0:45:01.280 --> 0:45:04.720
<v Speaker 1>get you all you guys thoughts about this. Marrying her mom.

0:45:05.239 --> 0:45:08.759
<v Speaker 1>First of all, with her background, she shouldn't be a

0:45:08.760 --> 0:45:11.239
<v Speaker 1>therapist for anybody. I think that's why she wanted to

0:45:11.239 --> 0:45:11.600
<v Speaker 1>be one.

0:45:11.680 --> 0:45:14.759
<v Speaker 5>Yeah, that's not true, because she had she's seen her mom.

0:45:15.760 --> 0:45:16.440
<v Speaker 2>No damn therapist.

0:45:17.239 --> 0:45:19.719
<v Speaker 1>She seemed like she was a lot of help. I

0:45:19.800 --> 0:45:21.880
<v Speaker 1>don't know, Bro, she got her own problems, Spike.

0:45:23.280 --> 0:45:24.840
<v Speaker 2>I'm just saying she had a couple.

0:45:24.680 --> 0:45:26.680
<v Speaker 7>Of bars here and there for him. But yeah, I

0:45:27.160 --> 0:45:29.799
<v Speaker 7>feel you. But now they say people that go through

0:45:29.800 --> 0:45:31.760
<v Speaker 7>the trauma and overcome it.

0:45:31.760 --> 0:45:34.400
<v Speaker 2>It's like that's the preacher say. I'd have been.

0:45:36.000 --> 0:45:37.960
<v Speaker 4>Read him precisely.

0:45:38.440 --> 0:45:41.400
<v Speaker 3>They gave her experience, and Dylan, her mama gave her experience.

0:45:41.920 --> 0:45:45.640
<v Speaker 1>Mom was crazy, right, and with you know, she's living

0:45:45.719 --> 0:45:48.280
<v Speaker 1>like she We see that she's she has a traumatic

0:45:48.360 --> 0:45:51.680
<v Speaker 1>childhood walls, paper on the walls.

0:45:51.360 --> 0:45:51.840
<v Speaker 2>And ship like that.

0:45:51.880 --> 0:45:53.799
<v Speaker 1>Her mom's talking about they out there, they're gonna get

0:45:53.800 --> 0:45:54.759
<v Speaker 1>her the question I have.

0:45:54.880 --> 0:45:56.439
<v Speaker 2>We had car crash and stuff like that.

0:45:57.400 --> 0:46:01.640
<v Speaker 1>Do y'all think that her mom back then we're seeing

0:46:01.680 --> 0:46:02.960
<v Speaker 1>these things experience.

0:46:03.000 --> 0:46:05.680
<v Speaker 3>That's what I wondered with her mom experiencing the same thing.

0:46:05.640 --> 0:46:08.040
<v Speaker 1>And they thought she was crazy, and that's why they

0:46:08.040 --> 0:46:09.560
<v Speaker 1>locked her as up because.

0:46:09.239 --> 0:46:11.399
<v Speaker 5>When he went and told her, it wasn't the look

0:46:11.440 --> 0:46:15.040
<v Speaker 5>of totals just like you're crazy. She was familiar. It

0:46:15.080 --> 0:46:17.200
<v Speaker 5>seemed like with what he was saying, like she had

0:46:17.239 --> 0:46:20.160
<v Speaker 5>heard that before. So I think the mom experienced the

0:46:20.200 --> 0:46:23.480
<v Speaker 5>same thing. That's what I got from because.

0:46:23.680 --> 0:46:25.319
<v Speaker 4>I didn't get that. I just got that she was

0:46:25.480 --> 0:46:28.160
<v Speaker 4>she was looking at him like, oh no, you're you're

0:46:28.200 --> 0:46:32.319
<v Speaker 4>you're losing it. I didn't get that she picked up

0:46:32.360 --> 0:46:36.719
<v Speaker 4>that her mother had seen these same beings because it

0:46:36.760 --> 0:46:38.640
<v Speaker 4>was why would her mother have been at that store?

0:46:39.960 --> 0:46:41.839
<v Speaker 1>Because out at the store, I think the world just

0:46:41.880 --> 0:46:45.760
<v Speaker 1>started just became so expansive, or it just had.

0:46:46.800 --> 0:46:49.000
<v Speaker 3>The scientists well even then, is that the only access

0:46:49.000 --> 0:46:49.520
<v Speaker 3>point where.

0:46:49.920 --> 0:46:52.640
<v Speaker 4>That the scientist kind of kind of implied that because

0:46:52.680 --> 0:46:55.440
<v Speaker 4>it was they were only at the store and they

0:46:55.440 --> 0:46:57.520
<v Speaker 4>were pulling I mean, maybe I misread this part, but

0:46:57.560 --> 0:46:59.239
<v Speaker 4>he holds up the sign he's like, is this where

0:46:59.239 --> 0:47:02.480
<v Speaker 4>you in? But how would he even know the address?

0:47:02.800 --> 0:47:04.600
<v Speaker 1>It was on the news and yeah he had saw

0:47:04.800 --> 0:47:06.360
<v Speaker 1>he had saw him on the tape and then he

0:47:06.440 --> 0:47:10.440
<v Speaker 1>saw him. I think this later on he was making popcorn.

0:47:10.480 --> 0:47:12.640
<v Speaker 1>He saw him on the commercial and it was.

0:47:12.600 --> 0:47:16.760
<v Speaker 2>Like, oh shit, like, oh.

0:47:15.960 --> 0:47:19.800
<v Speaker 1>This is where there's another assets point that we didn't

0:47:19.800 --> 0:47:22.040
<v Speaker 1>know about, which is how they got there.

0:47:22.120 --> 0:47:26.680
<v Speaker 4>So but I took it like that. So when we

0:47:26.719 --> 0:47:30.960
<v Speaker 4>start the movie, the place that the first scientist was in,

0:47:31.120 --> 0:47:34.319
<v Speaker 4>it looked like that room. It was, yeah, but that

0:47:34.440 --> 0:47:37.200
<v Speaker 4>room was based yeah yeah, no, no, no, no, yeah, it

0:47:37.280 --> 0:47:41.040
<v Speaker 4>was definitely that same room because they had the no credit,

0:47:41.080 --> 0:47:42.560
<v Speaker 4>no problems. It was right.

0:47:43.440 --> 0:47:45.640
<v Speaker 3>But what was the significance than of them tearing the

0:47:45.640 --> 0:47:46.120
<v Speaker 3>house down?

0:47:46.160 --> 0:47:49.919
<v Speaker 4>Like because real world memories kept her from buying into

0:47:49.960 --> 0:47:52.880
<v Speaker 4>all that ship. So remember when when we're skipping ahead.

0:47:52.880 --> 0:47:54.880
<v Speaker 4>But the only reason she was able to even beat

0:47:55.440 --> 0:47:58.040
<v Speaker 4>the in my opinion, the AI version of Clark was

0:47:58.080 --> 0:48:01.040
<v Speaker 4>she had that real life, tangible memory of her as

0:48:01.040 --> 0:48:05.000
<v Speaker 4>a kid, and they kept referencing back like your childhood

0:48:05.120 --> 0:48:07.880
<v Speaker 4>and these things from your childhood, you know, saving you

0:48:07.920 --> 0:48:10.799
<v Speaker 4>to a degree. So I think that's why, But I

0:48:10.800 --> 0:48:12.879
<v Speaker 4>don't I never got the impression. And again I only

0:48:12.960 --> 0:48:14.920
<v Speaker 4>saw it once. I never got the impression that her

0:48:14.920 --> 0:48:16.120
<v Speaker 4>mother was seeing those things.

0:48:16.239 --> 0:48:18.720
<v Speaker 1>Yeah, I was just I was I was just wondering

0:48:19.040 --> 0:48:20.880
<v Speaker 1>what it was. She was like, they're out there and

0:48:20.920 --> 0:48:23.040
<v Speaker 1>they're gonna get us or something like that. I thought

0:48:23.080 --> 0:48:28.320
<v Speaker 1>that was really odd. But she was much much younger.

0:48:28.880 --> 0:48:31.759
<v Speaker 1>We don't know how well. I have an idea because

0:48:31.760 --> 0:48:33.799
<v Speaker 1>I saw the web series, but we don't know in

0:48:33.840 --> 0:48:37.120
<v Speaker 1>this movie how long these things has been occurring, and

0:48:37.160 --> 0:48:41.080
<v Speaker 1>it's been around, and while she was so paranoid, so

0:48:41.800 --> 0:48:43.959
<v Speaker 1>I'm unsure. I was just wondering if you guys thought

0:48:44.000 --> 0:48:47.319
<v Speaker 1>the same thing. But Clark gave her a call and

0:48:47.400 --> 0:48:50.800
<v Speaker 1>left the message on her machine that he's not coming back.

0:48:51.200 --> 0:48:52.800
<v Speaker 1>Says he opened the window and that he won't be

0:48:52.840 --> 0:48:55.600
<v Speaker 1>coming back. And then, of course, as I mentioned, we

0:48:55.640 --> 0:48:58.320
<v Speaker 1>get a cut away of Acinc. Which is the firm

0:48:58.840 --> 0:49:03.080
<v Speaker 1>research when a grant for some MRI hardware, which eventually,

0:49:03.120 --> 0:49:04.919
<v Speaker 1>as he said at the end of the movie, that's

0:49:04.920 --> 0:49:08.120
<v Speaker 1>what they started out of, started out of ass and

0:49:08.160 --> 0:49:11.279
<v Speaker 1>it became much bigger. But Mary took her ass to

0:49:11.320 --> 0:49:16.440
<v Speaker 1>the store Rod and she she was actually the smartest

0:49:16.480 --> 0:49:20.439
<v Speaker 1>parts for a little bit, well, she kind of put

0:49:20.440 --> 0:49:22.279
<v Speaker 1>a finger in there, but when she saw the damn

0:49:22.280 --> 0:49:23.960
<v Speaker 1>fly wing in, she she was anywhere.

0:49:24.080 --> 0:49:25.279
<v Speaker 2>So she walks in.

0:49:25.360 --> 0:49:28.839
<v Speaker 1>She does her exploring, and then Clark peaches ass around

0:49:28.880 --> 0:49:32.160
<v Speaker 1>the corner, puts her in the choke hold. Strangers her

0:49:32.239 --> 0:49:36.000
<v Speaker 1>says it's for her life because there's this big loud

0:49:36.080 --> 0:49:41.080
<v Speaker 1>rumbling thing that they heard. We also, you're skipping ahead.

0:49:41.120 --> 0:49:46.440
<v Speaker 1>That's not what he said. Remember what he said to her.

0:49:46.040 --> 0:49:47.359
<v Speaker 2>I'm doing this for the way.

0:49:47.520 --> 0:49:51.880
<v Speaker 1>Uh oh wait wait wait wait, wait, hold on, I

0:49:51.880 --> 0:49:52.640
<v Speaker 1>didn't write it down.

0:49:52.719 --> 0:49:55.560
<v Speaker 4>Right before he chokes her, he says, don't worry, it's

0:49:55.760 --> 0:49:56.120
<v Speaker 4>just me.

0:49:56.360 --> 0:49:58.600
<v Speaker 2>Yes, yes, yes, yes, yes, yes, yes, yes.

0:49:58.560 --> 0:50:01.040
<v Speaker 4>Yes, telling y'all man, I'm I'm pretty sure I'm not

0:50:01.080 --> 0:50:05.719
<v Speaker 4>crazy here. It was an AI version of him. It

0:50:05.800 --> 0:50:08.719
<v Speaker 4>was just fucked up. Yeah, because it draws back when

0:50:08.920 --> 0:50:11.200
<v Speaker 4>they're in the therapy session. He's saying to her, the

0:50:11.239 --> 0:50:14.360
<v Speaker 4>devil's in the details. You think something as a dog,

0:50:14.440 --> 0:50:17.160
<v Speaker 4>and then you look closely at it and something's.

0:50:16.719 --> 0:50:19.719
<v Speaker 1>Off and on the wall there's the life form that

0:50:19.760 --> 0:50:22.280
<v Speaker 1>they're seeing down there. Why I think, in terms of magic,

0:50:22.360 --> 0:50:25.320
<v Speaker 1>be realistic here and now it's the two way street

0:50:26.239 --> 0:50:29.640
<v Speaker 1>tables don't bleed, just all kinds of weird shit. Look

0:50:29.719 --> 0:50:33.480
<v Speaker 1>like Clark was walling off parts of it, and yeah,

0:50:33.560 --> 0:50:34.920
<v Speaker 1>there's a note right there.

0:50:35.800 --> 0:50:37.719
<v Speaker 2>Yep, yep. Yeah. He then tells it to stay calm,

0:50:37.719 --> 0:50:40.160
<v Speaker 2>and that's only him that's walking up. Yeah yeah, right.

0:50:41.360 --> 0:50:43.920
<v Speaker 1>Did y'all think, going back to the message, he was

0:50:43.960 --> 0:50:45.279
<v Speaker 1>trying to lure her down there?

0:50:47.680 --> 0:50:49.520
<v Speaker 4>I don't think that that's what he was doing, because

0:50:49.520 --> 0:50:51.879
<v Speaker 4>why would he think that his therapist, of all people,

0:50:51.920 --> 0:50:55.160
<v Speaker 4>would care enough about him to be like, I'm gonna

0:50:55.200 --> 0:50:57.000
<v Speaker 4>go check it out. Because that's what I was thinking.

0:50:57.000 --> 0:50:58.319
<v Speaker 4>I was like, a therapist isn't gonna do.

0:50:58.280 --> 0:51:02.400
<v Speaker 5>This unless I'm unless her mom was going through it.

0:51:02.920 --> 0:51:04.840
<v Speaker 5>That's the only reason I gave that. I was like,

0:51:04.880 --> 0:51:06.719
<v Speaker 5>she's familiar with this in some kind of way.

0:51:06.800 --> 0:51:08.480
<v Speaker 4>She didn't seem like she was familiar when she got

0:51:08.480 --> 0:51:11.080
<v Speaker 4>her ass down, right, She didn't when he said don't worry,

0:51:11.080 --> 0:51:13.279
<v Speaker 4>it's just me. She didn't say, oh, okay, cool, my

0:51:13.360 --> 0:51:14.120
<v Speaker 4>mom saw this shit.

0:51:14.200 --> 0:51:15.040
<v Speaker 7>She was like, what the fun?

0:51:15.880 --> 0:51:17.080
<v Speaker 4>Wait? Why are you chicking me?

0:51:17.280 --> 0:51:20.000
<v Speaker 2>But she never saw what her mom saw because of

0:51:20.239 --> 0:51:20.880
<v Speaker 2>her letter.

0:51:21.800 --> 0:51:23.640
<v Speaker 4>Right, But that's why it wouldn't make any sense for

0:51:23.680 --> 0:51:25.359
<v Speaker 4>her to be like, oh, well, my mom' saw these

0:51:25.360 --> 0:51:26.759
<v Speaker 4>same things, so I'm gonna go check it out. How

0:51:26.760 --> 0:51:28.680
<v Speaker 4>would she even know her mom's all those same things.

0:51:30.640 --> 0:51:31.120
<v Speaker 2>I don't know.

0:51:31.239 --> 0:51:34.839
<v Speaker 1>I don't know so well either way, he choked her out,

0:51:34.880 --> 0:51:39.080
<v Speaker 1>and then we see her mom was committed, yes, and

0:51:39.120 --> 0:51:42.000
<v Speaker 1>that she actually went back to her house.

0:51:42.000 --> 0:51:42.560
<v Speaker 2>It seemed like.

0:51:47.920 --> 0:51:49.600
<v Speaker 1>But anyway, so now we get a little bit more

0:51:49.640 --> 0:51:54.760
<v Speaker 1>about this place. He said that this place builds the people.

0:51:54.840 --> 0:51:57.520
<v Speaker 1>So she wakes up and there's this guy who has

0:51:57.600 --> 0:52:03.200
<v Speaker 1>like six highs, the guy with in a wheelchair from

0:52:03.200 --> 0:52:07.719
<v Speaker 1>the Christmas tree, you have the lady that's in the

0:52:07.760 --> 0:52:11.280
<v Speaker 1>red dress. And he tells us that this place bills

0:52:11.360 --> 0:52:16.960
<v Speaker 1>them and that over time it misremembers them. He also

0:52:17.000 --> 0:52:19.480
<v Speaker 1>tells us that they can't feel pain, and he shows

0:52:19.560 --> 0:52:22.360
<v Speaker 1>us and that you can eat them. And then he

0:52:22.480 --> 0:52:26.520
<v Speaker 1>says he asked how good it must feel to not

0:52:26.680 --> 0:52:31.600
<v Speaker 1>feel pain, ego thoughts, or fear, to just exist like furniture.

0:52:32.640 --> 0:52:35.600
<v Speaker 1>So this is where I thought the movie was about

0:52:35.760 --> 0:52:40.480
<v Speaker 1>more about just him and just giving you know, his

0:52:40.600 --> 0:52:45.040
<v Speaker 1>trouble pass, their trouble pass. Like this was just about

0:52:45.480 --> 0:52:48.400
<v Speaker 1>how the insides of us can be dark and twisted

0:52:48.440 --> 0:52:52.200
<v Speaker 1>and fucked up, and that we try to push aside

0:52:52.360 --> 0:52:56.799
<v Speaker 1>or bury the dark things that happened to us but there,

0:52:57.200 --> 0:52:59.840
<v Speaker 1>but because of that, we don't really address them. I

0:53:00.040 --> 0:53:02.600
<v Speaker 1>thought it was more about mental health. They seen the

0:53:02.640 --> 0:53:04.560
<v Speaker 1>Love Maker movies about that nowadays.

0:53:05.000 --> 0:53:08.800
<v Speaker 4>I didn't get that when I saw when I saw

0:53:08.880 --> 0:53:12.319
<v Speaker 4>the twelve eyes on the dude, I was like, okay, yeah,

0:53:12.400 --> 0:53:16.319
<v Speaker 4>I'm not nuts. And then when he said this thing

0:53:16.480 --> 0:53:20.760
<v Speaker 4>builds people, actually it remembers them, but when it does,

0:53:20.840 --> 0:53:23.759
<v Speaker 4>it remembers them slightly wrong. And then when he was

0:53:23.760 --> 0:53:25.759
<v Speaker 4>talking about the guy in the striped shirt, he said, yeah,

0:53:25.760 --> 0:53:29.280
<v Speaker 4>out there, there's probably a guy in a striped shirt,

0:53:29.320 --> 0:53:33.120
<v Speaker 4>but in here he's slightly off. All of that says

0:53:33.200 --> 0:53:36.359
<v Speaker 4>Ai to me. Now, the whole edible thing, I have

0:53:36.480 --> 0:53:38.759
<v Speaker 4>no fucking clue. I have no idea what that means.

0:53:38.800 --> 0:53:42.640
<v Speaker 1>Well, I thought that it was just symbolic of like

0:53:43.000 --> 0:53:48.000
<v Speaker 1>eating away, of eating at pain, you know, And that

0:53:48.160 --> 0:53:51.680
<v Speaker 1>was just that's what I got, attaching it to him

0:53:51.840 --> 0:53:54.160
<v Speaker 1>just not even wanting to deal with all of the

0:53:54.160 --> 0:53:56.239
<v Speaker 1>shit that's been going on in his life. Remember that's

0:53:56.239 --> 0:53:57.759
<v Speaker 1>what she was telling And she even told him in

0:53:57.800 --> 0:53:59.759
<v Speaker 1>the scene. She was like, all this shit is your fault.

0:53:59.760 --> 0:54:02.759
<v Speaker 1>You don't want to set responsibilities, and she just kind

0:54:02.760 --> 0:54:06.160
<v Speaker 1>of laid it out to him and and that was it.

0:54:06.200 --> 0:54:07.880
<v Speaker 2>So they had this whole session. So that's what I

0:54:07.920 --> 0:54:09.120
<v Speaker 2>was thinking it was about.

0:54:09.200 --> 0:54:11.560
<v Speaker 4>But this is also right after the part he says

0:54:11.640 --> 0:54:14.880
<v Speaker 4>to the woman that's behind him, who also has the

0:54:14.960 --> 0:54:18.600
<v Speaker 4>multiple faces, which is something AI used to do. He

0:54:18.640 --> 0:54:21.759
<v Speaker 4>says to her, go turn the light out, and the

0:54:21.800 --> 0:54:24.440
<v Speaker 4>thing doesn't do anything, and he says it multiple times

0:54:24.440 --> 0:54:27.719
<v Speaker 4>and it doesn't listen. We always go through this, and

0:54:27.760 --> 0:54:29.719
<v Speaker 4>then he says, well, I'll just go do it. This

0:54:29.840 --> 0:54:34.680
<v Speaker 4>is still my house. This to me was a person

0:54:34.760 --> 0:54:37.520
<v Speaker 4>giving AI a prompt and the prompt not working.

0:54:38.440 --> 0:54:42.200
<v Speaker 2>Do you think that house was a replica of his house?

0:54:43.440 --> 0:54:45.160
<v Speaker 4>I yeah, the house that he was in I think

0:54:45.280 --> 0:54:48.480
<v Speaker 4>was a replica of his house. Wondering because he was

0:54:48.520 --> 0:54:52.480
<v Speaker 4>talking about memories and you know, I again, I think

0:54:52.520 --> 0:54:55.360
<v Speaker 4>that that has to do with you feed AI what

0:54:55.480 --> 0:54:57.719
<v Speaker 4>you want to feed it, and then it just takes

0:54:57.760 --> 0:55:00.200
<v Speaker 4>what you're giving it and it fucking spits something out

0:55:00.320 --> 0:55:02.120
<v Speaker 4>and half the time what it spits out is just

0:55:02.239 --> 0:55:03.000
<v Speaker 4>half way wrong.

0:55:04.560 --> 0:55:09.880
<v Speaker 2>Mm hmm. It's not sold on the AI thing yet.

0:55:10.200 --> 0:55:12.000
<v Speaker 4>I'm not all the way sold on it, but I'm

0:55:12.080 --> 0:55:16.720
<v Speaker 4>like nine, it makes this was a commentary on AI.

0:55:17.000 --> 0:55:18.560
<v Speaker 7>It makes sense, But I don't know.

0:55:18.840 --> 0:55:19.439
<v Speaker 2>What are you thinking?

0:55:19.520 --> 0:55:19.719
<v Speaker 4>Right?

0:55:20.560 --> 0:55:21.320
<v Speaker 2>You got any.

0:55:22.719 --> 0:55:25.320
<v Speaker 7>Right now? Like I said, just a just an altered

0:55:26.280 --> 0:55:29.560
<v Speaker 7>kind of universe and like like like like I said,

0:55:29.719 --> 0:55:34.680
<v Speaker 7>like the like the Stranger Things and like the like us, uh,

0:55:34.719 --> 0:55:38.920
<v Speaker 7>we're we're tied to this altered.

0:55:40.080 --> 0:55:42.799
<v Speaker 4>Universe of our of what reality is.

0:55:42.840 --> 0:55:47.719
<v Speaker 7>So it's like a distorted reality away from our normal reality.

0:55:48.800 --> 0:55:51.080
<v Speaker 7>I feel like they had the commentary in it, but again,

0:55:51.160 --> 0:55:52.840
<v Speaker 7>like I like y'all saying here, I would have to

0:55:52.840 --> 0:55:55.640
<v Speaker 7>see it, you know again, you know what I'm saying

0:55:55.640 --> 0:55:59.359
<v Speaker 7>to kind of get the dialogue here, because I'm sure

0:55:59.360 --> 0:56:02.680
<v Speaker 7>it says it in the dialogue at some point, especially

0:56:02.920 --> 0:56:04.880
<v Speaker 7>between therapists, because they say something about looking through the

0:56:04.880 --> 0:56:10.439
<v Speaker 7>window and things like that and obviously just being closed off,

0:56:10.480 --> 0:56:12.160
<v Speaker 7>like where you where are you throwing?

0:56:12.280 --> 0:56:14.359
<v Speaker 4>Where are these things going? You know what I'm saying.

0:56:14.400 --> 0:56:16.920
<v Speaker 7>I heard that reversing a lot, like like yeah, when

0:56:16.960 --> 0:56:18.839
<v Speaker 7>you shut off different people and.

0:56:19.520 --> 0:56:25.160
<v Speaker 1>Well, yeah, you know he cut the lady's wig off.

0:56:25.200 --> 0:56:26.759
<v Speaker 1>I don't know if y'all like that ship and put

0:56:26.760 --> 0:56:27.359
<v Speaker 1>it on her head.

0:56:28.000 --> 0:56:30.600
<v Speaker 4>Yeah, because he wanted it to look like he wanted

0:56:30.640 --> 0:56:32.719
<v Speaker 4>he wanted the therapist that he was arguing with to

0:56:32.800 --> 0:56:36.799
<v Speaker 4>look more like his wife. Which that was still another thing,

0:56:36.840 --> 0:56:39.840
<v Speaker 4>because it's like people talk to AI like it's, you know,

0:56:40.000 --> 0:56:42.239
<v Speaker 4>a relationship, but it doesn't look exactly how you want

0:56:42.280 --> 0:56:44.640
<v Speaker 4>it to, so you force it to look like.

0:56:45.040 --> 0:56:46.759
<v Speaker 2>Don't get me wrong, their lines up, it's just the

0:56:46.880 --> 0:56:48.359
<v Speaker 2>timing justice some.

0:56:48.320 --> 0:56:50.200
<v Speaker 1>Of the other dialogue ride when they were going through

0:56:50.200 --> 0:56:53.640
<v Speaker 1>this whole because now he's initiating the role playing session

0:56:54.239 --> 0:56:58.759
<v Speaker 1>and so a couple of things she explodes on him.

0:56:58.800 --> 0:57:00.480
<v Speaker 1>She just lets him have it. That's why I told y'all,

0:57:00.520 --> 0:57:05.640
<v Speaker 1>she chid, uh he needed like this, Yeah, because she

0:57:05.719 --> 0:57:07.920
<v Speaker 1>said is the perfect Okay, so you think she was

0:57:08.000 --> 0:57:11.319
<v Speaker 1>right Spike that he winds and doesn't accept responsibility for

0:57:11.400 --> 0:57:12.600
<v Speaker 1>ship's everything.

0:57:12.680 --> 0:57:19.080
<v Speaker 7>A therapist probably want to say to you, Yeah, that's

0:57:19.120 --> 0:57:21.320
<v Speaker 7>what I'm saying. So it's just like, I don't know, man,

0:57:21.320 --> 0:57:23.600
<v Speaker 7>it's like this alternate thing down there.

0:57:24.200 --> 0:57:26.640
<v Speaker 1>And then Clark even walk with Mike he had he

0:57:26.720 --> 0:57:29.120
<v Speaker 1>admits that he likes it there. He said he feels

0:57:29.160 --> 0:57:32.080
<v Speaker 1>like this is right where he's supposed to be, and

0:57:32.120 --> 0:57:34.200
<v Speaker 1>it's almost like he's hiding away from the rest of

0:57:34.240 --> 0:57:36.600
<v Speaker 1>the world, and the way she exploded to him. He

0:57:36.640 --> 0:57:38.600
<v Speaker 1>was like, damn shit, you're fucking right. And then that's

0:57:38.600 --> 0:57:41.040
<v Speaker 1>when he kind of agreed to let her go. But

0:57:41.240 --> 0:57:43.760
<v Speaker 1>and I'm trying, I'm trying to remember what she said

0:57:43.760 --> 0:57:47.000
<v Speaker 1>because I wonder if this was also her unpacking her

0:57:47.080 --> 0:57:50.680
<v Speaker 1>issues on him, and the role playing sort of switched

0:57:51.360 --> 0:57:53.600
<v Speaker 1>because she had the mama issues because she had dreamed

0:57:53.600 --> 0:57:55.160
<v Speaker 1>about a mama right before she walked up.

0:57:55.880 --> 0:57:57.880
<v Speaker 4>I don't remember anything. I don't remember her saying anything

0:57:57.920 --> 0:58:01.120
<v Speaker 4>that related to her child. I remember her just going

0:58:01.120 --> 0:58:04.400
<v Speaker 4>off on him, saying that he's always blaming his issues

0:58:04.400 --> 0:58:06.880
<v Speaker 4>for something else. If it's this, you're gonna say it's this.

0:58:07.040 --> 0:58:08.600
<v Speaker 4>If it's you know, if this happens to you're going

0:58:08.680 --> 0:58:11.480
<v Speaker 4>to say it's this other thing. And then she's like, oh,

0:58:11.520 --> 0:58:14.600
<v Speaker 4>and if you if this happens, you say it's your brain.

0:58:14.640 --> 0:58:16.720
<v Speaker 4>But you are your brain, you fucking dip shit. I

0:58:16.760 --> 0:58:19.120
<v Speaker 4>remember all that. I don't remember that that was it.

0:58:19.160 --> 0:58:22.479
<v Speaker 1>I think that was at her mom because I didn't

0:58:22.520 --> 0:58:23.520
<v Speaker 1>understand the brain thing.

0:58:23.600 --> 0:58:26.040
<v Speaker 2>Did he say the brain thing? Does it seemed to

0:58:26.040 --> 0:58:26.760
<v Speaker 2>come out of nowhere?

0:58:26.880 --> 0:58:29.160
<v Speaker 4>I don't know if he said that or not, I don't.

0:58:29.280 --> 0:58:31.680
<v Speaker 4>I didn't again, I gotta see it again. I wasn't.

0:58:31.720 --> 0:58:34.240
<v Speaker 4>I wasn't taking anything she said as a reference to

0:58:34.280 --> 0:58:34.720
<v Speaker 4>her mother.

0:58:36.000 --> 0:58:38.480
<v Speaker 1>That line threw me off because I was like, when

0:58:38.480 --> 0:58:39.800
<v Speaker 1>did he say something about the brain?

0:58:39.880 --> 0:58:41.520
<v Speaker 2>You are your fucking brain, you dip shit.

0:58:42.920 --> 0:58:44.920
<v Speaker 4>Well I think it's I think she was just commenting

0:58:44.960 --> 0:58:47.480
<v Speaker 4>on the fact that every time something is happening, you're

0:58:47.480 --> 0:58:50.520
<v Speaker 4>blaming it on something else, and you're constantly acting like

0:58:50.600 --> 0:58:54.439
<v Speaker 4>everybody else is the problem, when in reality, maybe you're

0:58:54.560 --> 0:58:57.440
<v Speaker 4>the issue. But that is something that a I would

0:58:57.440 --> 0:59:00.320
<v Speaker 4>not tell you. AI was gonna tell you what you know.

0:59:00.800 --> 0:59:03.960
<v Speaker 4>It's only going to base its responses on on what

0:59:04.040 --> 0:59:06.720
<v Speaker 4>you feed it. So he was trying to get the

0:59:06.800 --> 0:59:09.680
<v Speaker 4>answer that he wanted. So that's how I took that

0:59:09.760 --> 0:59:14.160
<v Speaker 4>whole scene, especially when we get to the to the

0:59:14.240 --> 0:59:15.240
<v Speaker 4>to the eating.

0:59:14.960 --> 0:59:20.560
<v Speaker 1>Party again walks in, Yeah, the darker version of Clark

0:59:20.560 --> 0:59:22.640
<v Speaker 1>because at this and this is why I'm kind of

0:59:22.640 --> 0:59:25.840
<v Speaker 1>wondering if it was there's this darker version of him.

0:59:26.240 --> 0:59:29.000
<v Speaker 1>And when he finally was like, damn, you know what,

0:59:29.000 --> 0:59:33.760
<v Speaker 1>You're right, the darker version, it was like, ah, shit, shit, well,

0:59:33.840 --> 0:59:37.080
<v Speaker 1>I gotta get rid of you, because this darker, twisted

0:59:37.240 --> 0:59:40.960
<v Speaker 1>side of me is killing everything. Here's another thing I

0:59:41.000 --> 0:59:46.800
<v Speaker 1>was wondering, y'all, is that I wonder if we see

0:59:47.440 --> 0:59:49.200
<v Speaker 1>not to jump ahead, but we see their other verse.

0:59:49.320 --> 0:59:51.480
<v Speaker 1>We know there are other versions of them in there.

0:59:52.320 --> 0:59:54.520
<v Speaker 1>So I wondered if the white guy was killed by

0:59:54.560 --> 0:59:59.960
<v Speaker 1>another version of him. And I guess Clark killed the

1:00:00.000 --> 1:00:02.760
<v Speaker 1>assistant manager. I think he said that the one that

1:00:02.800 --> 1:00:05.480
<v Speaker 1>was in the refrigerator. But I was wondering if the

1:00:05.480 --> 1:00:07.520
<v Speaker 1>white guy because remember there was a white shirt end

1:00:07.520 --> 1:00:11.760
<v Speaker 1>of Apartho, So I'm wondering if his version killed him

1:00:12.120 --> 1:00:14.480
<v Speaker 1>the way that Clark version was killing everybody else.

1:00:14.560 --> 1:00:16.800
<v Speaker 7>I thought you were going to explain that part, I thought,

1:00:17.800 --> 1:00:21.120
<v Speaker 7>because you brought that up. We notice the head that

1:00:21.240 --> 1:00:24.920
<v Speaker 7>was down there. What were you implying as far as

1:00:24.920 --> 1:00:27.000
<v Speaker 7>the guy was concerned, because it's.

1:00:27.000 --> 1:00:28.480
<v Speaker 4>I don't know that it was I was implying anything

1:00:28.520 --> 1:00:31.440
<v Speaker 4>specifically about the guy. I think that that was AI

1:00:31.640 --> 1:00:36.680
<v Speaker 4>trying to create. So everything that AI created, or everything

1:00:36.720 --> 1:00:41.600
<v Speaker 4>the back rooms created, was slightly off. So I don't

1:00:41.640 --> 1:00:44.400
<v Speaker 4>know if that was a person within the clothes or

1:00:44.480 --> 1:00:46.760
<v Speaker 4>if that person was connected to the clothes. All I

1:00:46.840 --> 1:00:49.720
<v Speaker 4>know is there was a face inside the clothes. And

1:00:49.760 --> 1:00:52.400
<v Speaker 4>again this trace is back to how people described how

1:00:52.400 --> 1:00:55.800
<v Speaker 4>AI was in its infancy. You would tell it, create

1:00:55.880 --> 1:00:58.760
<v Speaker 4>me a building, and it would create a building, but

1:00:58.800 --> 1:01:01.640
<v Speaker 4>then there'd be like a random ass fucking window that

1:01:01.680 --> 1:01:04.240
<v Speaker 4>makes no sense, or you know, you see, even now

1:01:04.280 --> 1:01:06.760
<v Speaker 4>it says, well, create give me a give me an

1:01:06.800 --> 1:01:08.720
<v Speaker 4>AI picture of Donald Trump, and Donald Trump will have

1:01:08.760 --> 1:01:12.200
<v Speaker 4>seven fingers because AI is quote unquote learning, but it

1:01:12.240 --> 1:01:16.360
<v Speaker 4>hasn't perfected this kind of ship yet, but it mimics,

1:01:16.760 --> 1:01:18.560
<v Speaker 4>that's the thing. So that's why I think that whole

1:01:18.560 --> 1:01:22.400
<v Speaker 4>part meant like when he when Clark is eating the

1:01:23.560 --> 1:01:30.280
<v Speaker 4>weird back rooms people, Captain Clark, no, just regular Clark, right,

1:01:31.400 --> 1:01:35.000
<v Speaker 4>and then Captain Clark comes in picks him up and

1:01:35.000 --> 1:01:38.160
<v Speaker 4>bites him. I think that that was supposed to reference,

1:01:38.240 --> 1:01:41.720
<v Speaker 4>like AI learning, AI mimicking people, because it was like,

1:01:41.720 --> 1:01:44.200
<v Speaker 4>why would he bite him? Why wouldn't he just fucking

1:01:44.200 --> 1:01:44.800
<v Speaker 4>break his neck?

1:01:45.400 --> 1:01:48.040
<v Speaker 2>Because because I was thinking that it was like.

1:01:50.240 --> 1:01:53.960
<v Speaker 1>That he was willing to change and he accept the responsibility,

1:01:54.480 --> 1:01:57.320
<v Speaker 1>and that version of him in that world wants to

1:01:57.360 --> 1:02:01.000
<v Speaker 1>be in that world, right, And so again I think

1:02:01.000 --> 1:02:02.840
<v Speaker 1>I also think it was kind of symbolic of eating

1:02:02.840 --> 1:02:04.360
<v Speaker 1>where at the pain or whatever, because he was like,

1:02:04.600 --> 1:02:08.600
<v Speaker 1>it's okay, she says, we don't have to change exactly. Yeah,

1:02:08.920 --> 1:02:12.840
<v Speaker 1>So that's what I was thinking, you know. But all

1:02:12.880 --> 1:02:15.400
<v Speaker 1>I know is that the other lady didn't wait to

1:02:15.440 --> 1:02:25.120
<v Speaker 1>stand around and find out that motherfucker was out bro.

1:02:25.640 --> 1:02:28.920
<v Speaker 1>She already knew what something and the other thing I

1:02:28.920 --> 1:02:32.800
<v Speaker 1>can't figure out if because because I think the scientists

1:02:32.800 --> 1:02:35.640
<v Speaker 1>may have been killed by a version of him, and

1:02:35.680 --> 1:02:40.000
<v Speaker 1>I think Clark's version was running around killing them, but

1:02:40.000 --> 1:02:41.600
<v Speaker 1>then Clark's version attacked her.

1:02:42.440 --> 1:02:45.000
<v Speaker 2>But I think because she convinced him to change that

1:02:45.120 --> 1:02:46.440
<v Speaker 2>she was a threat.

1:02:46.880 --> 1:02:49.800
<v Speaker 4>He never bought into it. That's why she didn't have

1:02:50.400 --> 1:02:53.080
<v Speaker 4>I don't think he had a version in there, not

1:02:53.240 --> 1:02:57.200
<v Speaker 4>at that time. We get to her version later, yes,

1:02:57.440 --> 1:03:00.840
<v Speaker 4>but it wasn't created in that time like it was created, Okay.

1:03:00.880 --> 1:03:04.440
<v Speaker 4>So I think that there was a version of the

1:03:04.440 --> 1:03:09.120
<v Speaker 4>The End of Apartheid guy and probably the assistant because

1:03:09.120 --> 1:03:12.680
<v Speaker 4>they've been going into that store, so the store had

1:03:12.760 --> 1:03:15.560
<v Speaker 4>seen them, so it would it would have created another

1:03:15.640 --> 1:03:17.320
<v Speaker 4>version of them. I can see that, but I don't

1:03:17.320 --> 1:03:19.160
<v Speaker 4>think it would have created another version of the doctor

1:03:19.200 --> 1:03:20.080
<v Speaker 4>because she never been there.

1:03:20.080 --> 1:03:21.160
<v Speaker 2>She hadn't been there enough.

1:03:21.280 --> 1:03:24.080
<v Speaker 1>Yeah, yeah, well anyway, this last scene is just her

1:03:24.120 --> 1:03:25.440
<v Speaker 1>being chased by Captain Clark.

1:03:26.080 --> 1:03:29.280
<v Speaker 2>What did you guys think about all of this that

1:03:29.360 --> 1:03:29.800
<v Speaker 2>was happening.

1:03:29.880 --> 1:03:31.360
<v Speaker 1>I will say that when she was jumping on the

1:03:31.360 --> 1:03:33.480
<v Speaker 1>front of this lady for whatever reason beside me Rod,

1:03:33.720 --> 1:03:35.920
<v Speaker 1>when she fell and Mester Bretney.

1:03:35.760 --> 1:03:38.880
<v Speaker 4>She jumped my theater, did I say somebody might who

1:03:39.640 --> 1:03:40.960
<v Speaker 4>really big deal?

1:03:41.240 --> 1:03:42.280
<v Speaker 7>They were doing anything else too?

1:03:44.120 --> 1:03:47.120
<v Speaker 4>I was like, what it was like, what's the big deal?

1:03:47.160 --> 1:03:47.880
<v Speaker 7>She just tripped?

1:03:48.240 --> 1:03:50.520
<v Speaker 2>Okay, well, okay, I guess that's start folks.

1:03:50.680 --> 1:03:52.200
<v Speaker 4>I guess so that was weird.

1:03:52.800 --> 1:03:57.760
<v Speaker 1>But uh, despite what you think, what you'all think about this? Anybody,

1:03:57.760 --> 1:03:59.520
<v Speaker 1>what y'all think about this final chase scene of a

1:03:59.520 --> 1:04:01.320
<v Speaker 1>white woman and chased by a large black man.

1:04:01.920 --> 1:04:03.800
<v Speaker 4>I thought I thought they executed it well.

1:04:06.040 --> 1:04:09.280
<v Speaker 7>I thought they did it well, Like especially like the

1:04:09.320 --> 1:04:10.160
<v Speaker 7>slow chase.

1:04:11.000 --> 1:04:12.400
<v Speaker 3>Yeah, he not moving faster.

1:04:12.640 --> 1:04:14.840
<v Speaker 7>You think he's not moving fast enough, but he's right there.

1:04:14.840 --> 1:04:17.440
<v Speaker 7>And just the way he was looking just looked crazy

1:04:18.440 --> 1:04:21.400
<v Speaker 7>so like and just the way the cameras, you know,

1:04:21.440 --> 1:04:23.800
<v Speaker 7>you kind of see him getting closer, like even when

1:04:23.800 --> 1:04:26.800
<v Speaker 7>he's it's like, I don't.

1:04:26.560 --> 1:04:27.360
<v Speaker 4>Know, man, I don't know.

1:04:27.400 --> 1:04:29.440
<v Speaker 7>It was just something intriguing about it, just like how

1:04:29.440 --> 1:04:31.400
<v Speaker 7>the rest of the movie was in the back rooms

1:04:31.400 --> 1:04:33.520
<v Speaker 7>when you go through them. They did the same thing

1:04:33.600 --> 1:04:36.720
<v Speaker 7>with the chase. They did the same thing with the chase,

1:04:36.720 --> 1:04:38.640
<v Speaker 7>and they executed it really, really well.

1:04:39.040 --> 1:04:39.560
<v Speaker 4>Yeah, I agree.

1:04:39.600 --> 1:04:42.200
<v Speaker 5>I think that the chase was great because in the

1:04:42.240 --> 1:04:44.240
<v Speaker 5>back room, like you never knew what was gonna pop up,

1:04:44.760 --> 1:04:47.280
<v Speaker 5>Like in a normal chase, you know, the one stretch

1:04:47.320 --> 1:04:49.080
<v Speaker 5>they get away or they go through this door, they

1:04:49.120 --> 1:04:50.080
<v Speaker 5>maybe can get away here.

1:04:50.120 --> 1:04:51.560
<v Speaker 3>You never know what you're running in.

1:04:51.720 --> 1:04:53.000
<v Speaker 2>Trying to constantly watch it.

1:04:53.320 --> 1:04:56.480
<v Speaker 7>At some points it's like, oh, he's right there, like

1:04:56.920 --> 1:04:58.680
<v Speaker 7>going there, you don't know what's in there.

1:04:58.720 --> 1:05:01.000
<v Speaker 4>So it was good and they good shot.

1:05:01.640 --> 1:05:03.360
<v Speaker 7>They did a good job because how did he ended up?

1:05:03.440 --> 1:05:08.800
<v Speaker 2>She uh fall? He had up falling smart?

1:05:09.320 --> 1:05:10.840
<v Speaker 7>Yeah, I did that.

1:05:10.840 --> 1:05:11.520
<v Speaker 3>That's what I was thinking.

1:05:11.560 --> 1:05:15.280
<v Speaker 5>They donna catch me in there, right, he would have

1:05:15.280 --> 1:05:17.280
<v Speaker 5>caught your ass, BI, we probably would have.

1:05:17.880 --> 1:05:18.960
<v Speaker 4>You went out of places to go.

1:05:19.200 --> 1:05:19.880
<v Speaker 2>Well, they had to.

1:05:19.800 --> 1:05:21.760
<v Speaker 1>Weaken her so they you know, have heard her legs

1:05:21.840 --> 1:05:24.480
<v Speaker 1>make her wound Doug, So yeah, it made to make

1:05:24.520 --> 1:05:25.320
<v Speaker 1>it make more sense.

1:05:25.360 --> 1:05:29.360
<v Speaker 5>The door ship was crazy walk and then you go

1:05:29.440 --> 1:05:30.840
<v Speaker 5>and all of them were broke off.

1:05:31.880 --> 1:05:33.960
<v Speaker 2>I don't know if I could have, I guess I

1:05:33.960 --> 1:05:34.880
<v Speaker 2>would have had no choice.

1:05:34.880 --> 1:05:38.160
<v Speaker 3>I'm too clumps, I would I would have filled off

1:05:38.160 --> 1:05:39.840
<v Speaker 3>the steps ship.

1:05:40.880 --> 1:05:45.360
<v Speaker 1>Oh that was like yeah, But she makes her way

1:05:45.680 --> 1:05:48.000
<v Speaker 1>all the way back out and now they're a container

1:05:48.080 --> 1:05:51.760
<v Speaker 1>set up. So Phil found the location and went up

1:05:51.760 --> 1:05:54.240
<v Speaker 1>and set everything to make sure that nothing gets out,

1:05:54.560 --> 1:05:58.480
<v Speaker 1>and she trips over the cutout and sets gas off

1:05:58.520 --> 1:05:59.320
<v Speaker 1>in the whole motherfucker.

1:05:59.360 --> 1:06:00.720
<v Speaker 2>So she gassed fuck herself.

1:06:02.720 --> 1:06:08.200
<v Speaker 1>And because she fail, she's crawling on the ground, which

1:06:08.400 --> 1:06:12.560
<v Speaker 1>enabled the thing Captain Clark to grab her. So, Mike,

1:06:12.600 --> 1:06:16.840
<v Speaker 1>you were saying earlier that she was killing this thing with.

1:06:18.680 --> 1:06:21.520
<v Speaker 4>She killed it with the impression of her house. Why

1:06:21.560 --> 1:06:23.000
<v Speaker 4>is she walking around with that ship anyway?

1:06:23.640 --> 1:06:25.240
<v Speaker 7>Who knows it was sentimental?

1:06:25.280 --> 1:06:25.600
<v Speaker 2>I think?

1:06:25.800 --> 1:06:27.400
<v Speaker 4>But yeah, but why was she caring because it was

1:06:27.400 --> 1:06:28.120
<v Speaker 4>at her house before?

1:06:28.320 --> 1:06:33.280
<v Speaker 7>Why did she even I felt like it was like

1:06:33.280 --> 1:06:37.880
<v Speaker 7>a security thing. Yeah, okay, I.

1:06:37.840 --> 1:06:40.840
<v Speaker 4>Think it's probably that, and it served to make the

1:06:40.880 --> 1:06:44.680
<v Speaker 4>point of you know, she had a tangible thing from

1:06:44.680 --> 1:06:48.120
<v Speaker 4>her memories and that's what stopped the AI Clark. She

1:06:48.280 --> 1:06:52.680
<v Speaker 4>never gave in to accepting that this is a real place.

1:06:53.320 --> 1:06:54.840
<v Speaker 4>She was just like this is fucked up and I

1:06:54.840 --> 1:06:56.480
<v Speaker 4>want to get out of here. I don't want to

1:06:56.480 --> 1:06:58.960
<v Speaker 4>be here, you know. And the same with the assistant.

1:06:58.960 --> 1:07:02.000
<v Speaker 4>The assistant never wanted to stay there, that's true, Yeah,

1:07:02.200 --> 1:07:05.680
<v Speaker 4>killed her. Same thing with the apartheid guy. He was like,

1:07:05.680 --> 1:07:07.360
<v Speaker 4>I don't want to be here, and it killed him.

1:07:07.680 --> 1:07:11.400
<v Speaker 4>But when it captured Clark, Clark eventually was just like, Okay, well,

1:07:11.440 --> 1:07:13.240
<v Speaker 4>I guess this place is all right. I'm gonna stick around.

1:07:13.440 --> 1:07:16.320
<v Speaker 1>No, the part I got he he was excited about

1:07:16.320 --> 1:07:19.440
<v Speaker 1>being there. I think just the first yeah, it was

1:07:19.480 --> 1:07:21.840
<v Speaker 1>like I'm out. Yeah, But you're right about the assistant manager,

1:07:21.840 --> 1:07:23.560
<v Speaker 1>because Clark even said he was like, yeah, I tried

1:07:23.560 --> 1:07:26.160
<v Speaker 1>to get on board. Machine want to listen. I mean,

1:07:26.280 --> 1:07:27.400
<v Speaker 1>you know, you see where she at.

1:07:28.640 --> 1:07:29.520
<v Speaker 2>So yeah, it.

1:07:29.640 --> 1:07:32.040
<v Speaker 4>Sounds I mean, I know, y'all not all the way

1:07:32.080 --> 1:07:35.080
<v Speaker 4>on board, but that sounds again to me like someone

1:07:35.120 --> 1:07:37.360
<v Speaker 4>trying to push the whole AI on somebody. If you

1:07:37.440 --> 1:07:39.840
<v Speaker 4>don't accept it, you're gonna get left behind. And he

1:07:39.880 --> 1:07:41.560
<v Speaker 4>even said it when he stabbed the dude in the head,

1:07:41.560 --> 1:07:44.080
<v Speaker 4>he was like, they don't feel pain. They're like furniture.

1:07:44.640 --> 1:07:47.919
<v Speaker 4>They're not real they're they're not based in reality, They're

1:07:47.960 --> 1:07:50.560
<v Speaker 4>just based on what I have fed them. Like the

1:07:50.640 --> 1:07:52.919
<v Speaker 4>idea is that I that have been fed to this thing.

1:07:54.160 --> 1:07:56.560
<v Speaker 4>But now the end sequence was was was really good,

1:07:56.960 --> 1:07:59.480
<v Speaker 4>really good. I bought that she couldn't get away from

1:07:59.480 --> 1:07:59.960
<v Speaker 4>that fucking thing.

1:08:01.800 --> 1:08:04.600
<v Speaker 1>Yeah, and they made it all make sense, Like came

1:08:04.800 --> 1:08:07.480
<v Speaker 1>really do the job of making everything that happened to

1:08:07.480 --> 1:08:10.840
<v Speaker 1>her made sense, even her getting blasted when she walked

1:08:10.840 --> 1:08:14.760
<v Speaker 1>through that hole and then fucking science scientists, he flasted the.

1:08:14.720 --> 1:08:15.200
<v Speaker 2>Funk out of it.

1:08:15.240 --> 1:08:17.800
<v Speaker 4>I want to do the found what you want? Was like,

1:08:17.840 --> 1:08:20.040
<v Speaker 4>what the fuck is that?

1:08:23.080 --> 1:08:25.120
<v Speaker 2>He lit her ass up with that damn cad.

1:08:25.840 --> 1:08:27.519
<v Speaker 1>And then we get the end of the movie where

1:08:27.600 --> 1:08:30.839
<v Speaker 1>Phil is just basically trying to interview her about the experience,

1:08:30.880 --> 1:08:33.240
<v Speaker 1>but we find out he goes there every day and

1:08:33.280 --> 1:08:35.720
<v Speaker 1>he wants to know about and he says he wants

1:08:35.760 --> 1:08:38.320
<v Speaker 1>to know about the doors. He said, doors are opening everywhere,

1:08:38.800 --> 1:08:40.360
<v Speaker 1>And this is why I was starting to think that

1:08:40.520 --> 1:08:43.519
<v Speaker 1>these doors have been out there. Her mom probably was

1:08:43.560 --> 1:08:45.519
<v Speaker 1>in one of those zones way back in the day.

1:08:46.200 --> 1:08:49.080
<v Speaker 1>And then I think she starts to kind of zone out,

1:08:49.120 --> 1:08:52.240
<v Speaker 1>and she's remembering her mom's old house which was bought

1:08:52.240 --> 1:08:55.360
<v Speaker 1>by something called crest Ridge Towers. And then we started

1:08:55.360 --> 1:08:58.519
<v Speaker 1>to see just different scenes of like the neighborhood turning

1:08:58.560 --> 1:09:04.040
<v Speaker 1>inside and out. So Mike's thinking, AI, what did you

1:09:04.040 --> 1:09:05.440
<v Speaker 1>guys think about the interrogation?

1:09:07.080 --> 1:09:07.439
<v Speaker 2>Huh?

1:09:07.479 --> 1:09:09.040
<v Speaker 4>What was the very last scene?

1:09:09.520 --> 1:09:11.439
<v Speaker 2>Oh? And then of course her being in there all

1:09:11.520 --> 1:09:11.840
<v Speaker 2>like this.

1:09:12.160 --> 1:09:14.800
<v Speaker 4>Did you notice that it wasn't her? It was it

1:09:14.800 --> 1:09:18.000
<v Speaker 4>was an AI? I think AI, but it was the

1:09:18.320 --> 1:09:20.640
<v Speaker 4>face was fucked up. It was like multiple versions of

1:09:20.640 --> 1:09:21.200
<v Speaker 4>the eyes.

1:09:21.000 --> 1:09:22.040
<v Speaker 2>And was a version of her?

1:09:22.400 --> 1:09:24.960
<v Speaker 4>Yeah yeah, yeah, But this was right after they went

1:09:25.000 --> 1:09:27.800
<v Speaker 4>through all of her memories, so I think this was

1:09:27.880 --> 1:09:32.720
<v Speaker 4>her memory, you know, remembering what she went through as

1:09:32.720 --> 1:09:35.680
<v Speaker 4>a kid or whatever. The fuck this thing taking those

1:09:35.720 --> 1:09:37.559
<v Speaker 4>memories trying to spit it back, and it spit back

1:09:37.560 --> 1:09:39.280
<v Speaker 4>a fucked up version of her. I don't think that

1:09:39.360 --> 1:09:42.240
<v Speaker 4>was actually her.

1:09:41.479 --> 1:09:43.479
<v Speaker 1>It was just it was it was her version of

1:09:43.520 --> 1:09:45.640
<v Speaker 1>Captain Clark exactly.

1:09:46.200 --> 1:09:46.720
<v Speaker 2>Yeah.

1:09:46.720 --> 1:09:47.680
<v Speaker 3>So you think they let her go.

1:09:48.560 --> 1:09:50.400
<v Speaker 4>I don't know if they let her go not because

1:09:50.439 --> 1:09:53.200
<v Speaker 4>the dude said, because she says, you know, I get away,

1:09:53.240 --> 1:09:54.120
<v Speaker 4>and he was like, well it's not.

1:09:54.320 --> 1:09:56.200
<v Speaker 2>It ain't up to me, because remember he looked at

1:09:56.200 --> 1:09:57.120
<v Speaker 2>somebody in that window.

1:09:57.680 --> 1:10:02.840
<v Speaker 4>The dude said, Phil, he's as uh, in all of

1:10:03.000 --> 1:10:06.000
<v Speaker 4>recorded history, this is the most important thing we have

1:10:06.200 --> 1:10:08.800
<v Speaker 4>ever come across. But he's like, but I can't even

1:10:08.920 --> 1:10:11.679
<v Speaker 4>explain it. And then they go back to the whole

1:10:11.680 --> 1:10:15.120
<v Speaker 4>thing about describing a dog and having and telling somebody

1:10:15.160 --> 1:10:18.160
<v Speaker 4>to draw. Yeah, I mean that's yeah.

1:10:18.400 --> 1:10:21.200
<v Speaker 2>I thought that this was.

1:10:21.160 --> 1:10:26.600
<v Speaker 1>Her remembering the ship about her mom and coming to

1:10:26.880 --> 1:10:31.439
<v Speaker 1>peace within herself that her mom probably wasn't crazy after all.

1:10:32.439 --> 1:10:34.080
<v Speaker 1>And and remember there was a tape that they were

1:10:34.080 --> 1:10:36.080
<v Speaker 1>listening to called The Window with Then, and it was

1:10:36.080 --> 1:10:38.400
<v Speaker 1>Auto would take Clark would listen to that ship, and

1:10:38.439 --> 1:10:44.840
<v Speaker 1>I think she saw a commercial of it too.

1:10:46.520 --> 1:10:47.400
<v Speaker 4>Clark was quoting.

1:10:47.840 --> 1:10:50.639
<v Speaker 5>Clark was quoting her to herself when they would eating,

1:10:51.280 --> 1:10:53.200
<v Speaker 5>when they were sitting at the table, and when.

1:10:53.040 --> 1:10:56.240
<v Speaker 4>She first got back, Remember he wasn't quoting her, he

1:10:56.320 --> 1:10:59.920
<v Speaker 4>wasn't say it right because he'd been in. In my opinion,

1:11:00.120 --> 1:11:02.960
<v Speaker 4>the AI play too long, so when you're retiting, when

1:11:03.000 --> 1:11:05.200
<v Speaker 4>you're reciting something back, it's always off.

1:11:05.880 --> 1:11:08.240
<v Speaker 1>I so the winner with Then, I thought that that's

1:11:08.280 --> 1:11:11.559
<v Speaker 1>why I think it was just about like internalized issues.

1:11:12.080 --> 1:11:14.840
<v Speaker 5>Maybe I thought it was about escapeism. I don't, but

1:11:14.840 --> 1:11:17.320
<v Speaker 5>I don't know how that ties in with the therapist

1:11:17.400 --> 1:11:19.000
<v Speaker 5>at the end, though, I just thought that Clark was

1:11:19.040 --> 1:11:21.280
<v Speaker 5>trying to escape the real world and found this place

1:11:22.000 --> 1:11:25.240
<v Speaker 5>that he thought he could not feel pain and just

1:11:25.320 --> 1:11:30.400
<v Speaker 5>got stuck there. But the AI think makes a lot

1:11:30.439 --> 1:11:32.960
<v Speaker 5>of sense to especially with what Phil said at the

1:11:33.040 --> 1:11:35.960
<v Speaker 5>end about the most important thing that ever happened. I

1:11:35.960 --> 1:11:38.280
<v Speaker 5>feel like people would try to sell AI like that

1:11:38.400 --> 1:11:39.600
<v Speaker 5>in the nineties.

1:11:39.640 --> 1:11:41.360
<v Speaker 4>And I don't know why he would think he couldn't

1:11:41.360 --> 1:11:43.519
<v Speaker 4>feel pain in there. If he saw his funking assistant

1:11:43.520 --> 1:11:45.800
<v Speaker 4>get their head chopped off, and if he just saw

1:11:45.840 --> 1:11:49.400
<v Speaker 4>the dude get fucking killed, I would he assume he's

1:11:49.400 --> 1:11:51.040
<v Speaker 4>not gonna feel pain in there.

1:11:50.760 --> 1:11:52.240
<v Speaker 7>They felt pain for real.

1:11:52.720 --> 1:11:57.000
<v Speaker 1>Yeah, So overall, I think because of the success, I

1:11:57.040 --> 1:11:58.400
<v Speaker 1>think they got something here.

1:11:58.439 --> 1:11:59.559
<v Speaker 2>He just got to build on it.

1:11:59.640 --> 1:12:03.680
<v Speaker 1>This he being Kane Parsons, because there's so much that

1:12:03.720 --> 1:12:08.040
<v Speaker 1>we don't know, oh you talk about. I think that

1:12:08.120 --> 1:12:09.719
<v Speaker 1>he can get a couple of movies out of this ship.

1:12:12.400 --> 1:12:16.160
<v Speaker 1>I think you should do this one. I don't think

1:12:16.240 --> 1:12:18.120
<v Speaker 1>we have any reason to return to this world. I

1:12:18.439 --> 1:12:22.519
<v Speaker 1>think that sequels end up cheapening the brilliance of the

1:12:22.560 --> 1:12:23.000
<v Speaker 1>first one.

1:12:23.120 --> 1:12:25.599
<v Speaker 4>It's like leave it alone. You made a great movie.

1:12:25.960 --> 1:12:27.840
<v Speaker 2>Only because I saw the web series.

1:12:27.880 --> 1:12:31.120
<v Speaker 1>I think they can squeeze one more out, more stories,

1:12:31.200 --> 1:12:33.680
<v Speaker 1>huh yeah. And there's because I don't know if you're

1:12:33.720 --> 1:12:35.280
<v Speaker 1>gonna watch it, so I'm not gonna say anything.

1:12:35.479 --> 1:12:36.679
<v Speaker 2>So that's why I'm not gonna say.

1:12:36.560 --> 1:12:40.200
<v Speaker 1>Anything about like how they got to all this thing,

1:12:40.640 --> 1:12:43.000
<v Speaker 1>the thing with the company and stuff like that. I

1:12:43.040 --> 1:12:44.960
<v Speaker 1>think there's I think they could squeeze out one more.

1:12:45.080 --> 1:12:46.240
<v Speaker 2>So that's what I was gonna say.

1:12:46.280 --> 1:12:51.600
<v Speaker 7>I think there's still room to explain who these scientists

1:12:51.680 --> 1:12:55.559
<v Speaker 7>are and what this company is, right, because like I said,

1:12:55.600 --> 1:12:58.680
<v Speaker 7>I'm still not completely sold on the AI thing. I

1:12:58.720 --> 1:13:03.040
<v Speaker 7>think it's something that whoever these scientists in this company is,

1:13:03.120 --> 1:13:05.759
<v Speaker 7>they created it, and it's created it, and it's starting

1:13:05.840 --> 1:13:08.760
<v Speaker 7>to create this I don't think so. I think it's

1:13:08.760 --> 1:13:12.640
<v Speaker 7>starting to create this uh not like multiverse, but like

1:13:12.720 --> 1:13:17.120
<v Speaker 7>this alternate reality. That's what it seems like to me.

1:13:17.400 --> 1:13:21.800
<v Speaker 4>They were they built so that company built MRI machines,

1:13:23.320 --> 1:13:26.280
<v Speaker 4>So I don't see how they would have created this

1:13:26.280 --> 1:13:31.000
<v Speaker 4>this because unless Phil's lying. Phil was like we kind

1:13:31.000 --> 1:13:32.720
<v Speaker 4>of stumbled upon it. And now I come here every

1:13:32.760 --> 1:13:34.960
<v Speaker 4>day just trying to learn about it. That would be

1:13:35.000 --> 1:13:36.920
<v Speaker 4>weird if it was like, well, we created.

1:13:36.520 --> 1:13:38.960
<v Speaker 2>It, so how would they just stumble upon this thing

1:13:39.880 --> 1:13:40.240
<v Speaker 2>upon it?

1:13:41.040 --> 1:13:44.960
<v Speaker 1>No, I think that the whatever because remember they were

1:13:45.080 --> 1:13:47.839
<v Speaker 1>an MRI company when they built this machine. So something

1:13:48.040 --> 1:13:52.360
<v Speaker 1>happened where ship got out of whack, and now it's

1:13:52.439 --> 1:13:54.000
<v Speaker 1>kind of what roder' is saying, they're creating it.

1:13:54.080 --> 1:13:57.559
<v Speaker 4>About what Phil said, though, I don't think Phil said that.

1:13:57.920 --> 1:13:59.200
<v Speaker 2>Phil is the one. He didn't.

1:13:59.240 --> 1:14:01.920
<v Speaker 4>He didn't go into she just ain't going to and

1:14:01.920 --> 1:14:02.720
<v Speaker 4>everybody's but he.

1:14:02.840 --> 1:14:04.680
<v Speaker 7>But he said stuff like it's not up to me,

1:14:05.479 --> 1:14:07.240
<v Speaker 7>stuff like that, So it makes me feel like it's

1:14:07.320 --> 1:14:11.720
<v Speaker 7>somebody else that's not feel like somebody else over this

1:14:11.840 --> 1:14:14.479
<v Speaker 7>thing that's gotten out of hand. We see this in

1:14:14.520 --> 1:14:18.640
<v Speaker 7>movies all the time, like this, like this quantum lea

1:14:18.880 --> 1:14:20.920
<v Speaker 7>type of situation or something like.

1:14:21.080 --> 1:14:22.120
<v Speaker 2>Kind of like Wanda Vision.

1:14:22.680 --> 1:14:28.160
<v Speaker 4>No. Yeah, I took from what Phil was saying that

1:14:28.439 --> 1:14:30.800
<v Speaker 4>it's not up to me whether or not you can

1:14:30.920 --> 1:14:34.080
<v Speaker 4>leave here. I have bosses, sure, but I didn't take

1:14:34.120 --> 1:14:36.760
<v Speaker 4>that as we created this and we just can't handle it,

1:14:36.880 --> 1:14:39.240
<v Speaker 4>because he doesn't say anything like that. What he's saying

1:14:39.280 --> 1:14:40.400
<v Speaker 4>applies the opposite.

1:14:40.880 --> 1:14:42.680
<v Speaker 2>Well, I do think they're exploring it.

1:14:42.720 --> 1:14:45.599
<v Speaker 1>So now there's this sort of scientific curiosity about whatever

1:14:45.640 --> 1:14:49.320
<v Speaker 1>happened about with the machine about because I think they

1:14:49.479 --> 1:14:51.760
<v Speaker 1>whatever this anomaly is or whatever's going on, they don't

1:14:51.800 --> 1:14:54.000
<v Speaker 1>know why it's doing what it's doing, and they're trying

1:14:54.040 --> 1:14:56.280
<v Speaker 1>to get as much research as possible. I think him

1:14:56.360 --> 1:14:58.240
<v Speaker 1>saying that it's not up to me about whether you

1:14:58.320 --> 1:15:01.880
<v Speaker 1>leave is that if she leaves, she's a threat to

1:15:01.960 --> 1:15:05.000
<v Speaker 1>reveal whateverever it's happened to everybody else. And I think

1:15:05.040 --> 1:15:09.479
<v Speaker 1>that this company probably bought that area because that area

1:15:09.600 --> 1:15:11.840
<v Speaker 1>is an access point and they needed to shut it down.

1:15:12.080 --> 1:15:14.320
<v Speaker 4>I agree with all of that, just not the part

1:15:14.400 --> 1:15:17.080
<v Speaker 4>that they created it. That wouldn't make a lot of

1:15:17.120 --> 1:15:18.280
<v Speaker 4>sense to me. I think they.

1:15:18.520 --> 1:15:22.040
<v Speaker 7>Oh, that's the reason why I don't think that is

1:15:22.080 --> 1:15:24.760
<v Speaker 7>because he would ask He was asking those questions like

1:15:24.760 --> 1:15:26.720
<v Speaker 7>how did you get inside of here? Like how did

1:15:26.760 --> 1:15:27.400
<v Speaker 7>you get there?

1:15:27.840 --> 1:15:29.360
<v Speaker 3>I think because they still gathering dat on.

1:15:29.439 --> 1:15:31.000
<v Speaker 5>I think the reason I think that they found it

1:15:31.040 --> 1:15:32.840
<v Speaker 5>is because the has made suits and the things that

1:15:32.880 --> 1:15:34.760
<v Speaker 5>they had on even in the beginning, like they were

1:15:35.240 --> 1:15:37.559
<v Speaker 5>like exploring trying to see what it was versus created.

1:15:37.840 --> 1:15:41.639
<v Speaker 7>Sure, they probably found it, but they're probably wondering how

1:15:41.680 --> 1:15:43.360
<v Speaker 7>people are getting inside of it.

1:15:43.439 --> 1:15:47.240
<v Speaker 4>Yeah, altered, we got that part, Like, that's the access

1:15:47.280 --> 1:15:51.400
<v Speaker 4>points they're wondering. They're wondering how how many access points

1:15:51.439 --> 1:15:53.559
<v Speaker 4>there are, and they're figuring out that there's access points

1:15:53.600 --> 1:15:55.960
<v Speaker 4>popping up all over the place. I'm with y'all on

1:15:56.000 --> 1:15:58.519
<v Speaker 4>all of that. I'm just not with y'all on they

1:15:58.560 --> 1:16:00.400
<v Speaker 4>created it and it got out of hand, because that's

1:16:00.439 --> 1:16:01.960
<v Speaker 4>not the impression that Phil gave at all.

1:16:03.720 --> 1:16:03.920
<v Speaker 2>Yeah.

1:16:04.160 --> 1:16:07.599
<v Speaker 7>I feel like it started as something like they what

1:16:07.600 --> 1:16:09.519
<v Speaker 7>do they call it? I guess it's just like Stranger Things.

1:16:09.520 --> 1:16:13.400
<v Speaker 7>To me, it's like this rip like of alternate universe.

1:16:13.560 --> 1:16:15.000
<v Speaker 7>That's what it feels like to me. It feels like

1:16:15.000 --> 1:16:15.599
<v Speaker 7>Stranger Things.

1:16:15.640 --> 1:16:17.679
<v Speaker 4>It did feel like Stranger Things. It was a fucking

1:16:17.720 --> 1:16:19.479
<v Speaker 4>version of the upside Down because even at the beginning

1:16:19.479 --> 1:16:21.200
<v Speaker 4>when the camera is going through the floors, which was

1:16:21.240 --> 1:16:25.599
<v Speaker 4>a dope thing, it was just like the version of

1:16:25.600 --> 1:16:28.519
<v Speaker 4>that room just got weirder and weirder and more off

1:16:28.640 --> 1:16:32.680
<v Speaker 4>the further down it went. But yeah, I mean, I

1:16:32.680 --> 1:16:34.840
<v Speaker 4>think that the fact that they didn't even use like

1:16:34.880 --> 1:16:38.120
<v Speaker 4>a bunch of CGI for this. They specifically used practical

1:16:38.160 --> 1:16:42.120
<v Speaker 4>effects on almost everything here. I just feel like that's

1:16:42.120 --> 1:16:46.439
<v Speaker 4>the point they were making. And now after today, I

1:16:46.560 --> 1:16:48.519
<v Speaker 4>would definitely go watch a whole bunch of reviews to

1:16:48.520 --> 1:16:49.479
<v Speaker 4>see if anybody else.

1:16:49.360 --> 1:16:49.760
<v Speaker 2>Is saying it.

1:16:49.920 --> 1:16:51.880
<v Speaker 1>So it killed it bro in terms of real quick

1:16:51.960 --> 1:16:55.720
<v Speaker 1>rod ten mil budget nice eighteen.

1:16:55.680 --> 1:16:57.720
<v Speaker 4>N I didn't see the budget part.

1:16:57.760 --> 1:17:00.160
<v Speaker 3>I saw how much it aid good for him do

1:17:00.240 --> 1:17:01.639
<v Speaker 3>whatever you want on his next.

1:17:01.400 --> 1:17:03.479
<v Speaker 2>For real, for real, I wouldn't even make another movie.

1:17:06.000 --> 1:17:07.679
<v Speaker 7>I was just about to say, like, I'm really starting

1:17:07.720 --> 1:17:09.680
<v Speaker 7>to think about the Stranger Things and.

1:17:11.439 --> 1:17:12.519
<v Speaker 4>How that was a group of.

1:17:12.479 --> 1:17:17.600
<v Speaker 7>Scientists right that discovered this thing or whatever. It's a

1:17:17.680 --> 1:17:20.720
<v Speaker 7>thing that was kind of there, but why Because they

1:17:20.720 --> 1:17:22.479
<v Speaker 7>were fucking around they discovered it.

1:17:22.520 --> 1:17:24.439
<v Speaker 4>So maybe they just didn't necessarily create it.

1:17:24.479 --> 1:17:27.000
<v Speaker 7>They just discovered it, right, and it was this thing

1:17:27.040 --> 1:17:31.160
<v Speaker 7>that's already and they're trying to figure out, Okay, how

1:17:31.200 --> 1:17:32.160
<v Speaker 7>does this thing work?

1:17:32.479 --> 1:17:34.680
<v Speaker 4>That's what we said. I'm just what I'm saying, be

1:17:34.680 --> 1:17:37.880
<v Speaker 4>ignoring the ship out of us.

1:17:40.320 --> 1:17:43.160
<v Speaker 3>Does this web series date back further than Stranger Things?

1:17:44.240 --> 1:17:44.720
<v Speaker 2>I don't know.

1:17:45.040 --> 1:17:48.240
<v Speaker 4>No it doesn't, because Stranger Things went five seasons, six seasons,

1:17:48.680 --> 1:17:50.640
<v Speaker 4>and I think the web series only started like a

1:17:50.680 --> 1:17:52.040
<v Speaker 4>couple of years ago, but.

1:17:52.120 --> 1:17:54.120
<v Speaker 7>Strange things before the pandemic or after.

1:17:54.200 --> 1:17:56.240
<v Speaker 1>Yeah, I think the web series was twenty nineteen. I

1:17:56.280 --> 1:17:57.360
<v Speaker 1>think is when it started.

1:17:57.400 --> 1:17:58.559
<v Speaker 2>Yeah, that's twenty nineteen.

1:17:58.640 --> 1:18:02.000
<v Speaker 4>So when it hey, what the web series was started

1:18:02.000 --> 1:18:04.360
<v Speaker 4>in twenty nineteen, he'd been in for a minute.

1:18:04.760 --> 1:18:08.640
<v Speaker 2>Yeah, I think that's when. Yeah, I think so, Yeah.

1:18:08.560 --> 1:18:11.519
<v Speaker 4>I thought this dude, Okay, so if he's only twenty, yeah,

1:18:11.520 --> 1:18:12.880
<v Speaker 4>he was one of that's a team. So he started

1:18:12.880 --> 1:18:17.519
<v Speaker 4>this when he was fourteen, making these when he was fourteen. Man, damn, bro,

1:18:17.800 --> 1:18:18.400
<v Speaker 4>that's crazy.

1:18:19.200 --> 1:18:20.599
<v Speaker 2>No, I said twenty twenty two.

1:18:21.160 --> 1:18:21.800
<v Speaker 4>That's what I thought.

1:18:21.800 --> 1:18:22.880
<v Speaker 2>It was a couple of years. Yeah.

1:18:22.880 --> 1:18:26.639
<v Speaker 1>After uploading the web series in January twenty twenty two.

1:18:26.120 --> 1:18:29.479
<v Speaker 4>A lot of me I was wrong. I read. I

1:18:29.479 --> 1:18:31.559
<v Speaker 4>guess it was the would you say, I.

1:18:31.560 --> 1:18:33.280
<v Speaker 2>Don't know where I got twenty nineteen from?

1:18:33.400 --> 1:18:34.080
<v Speaker 3>What do YouTube?

1:18:34.720 --> 1:18:35.080
<v Speaker 2>Anyway?

1:18:37.160 --> 1:18:38.160
<v Speaker 3>F chan? F chan?

1:18:38.320 --> 1:18:41.800
<v Speaker 1>Yeah, four chan, Fortune four chan. I like that one

1:18:41.880 --> 1:18:44.800
<v Speaker 1>of them changed anyway. That's it, man, that's back rooms. Man.

1:18:44.840 --> 1:18:47.360
<v Speaker 1>I'm really curious to hear what you guys theories are

1:18:47.520 --> 1:18:48.320
<v Speaker 1>as well.

1:18:50.479 --> 1:18:51.639
<v Speaker 4>Yeah, let me know if I'm tripping.

1:18:51.800 --> 1:18:55.360
<v Speaker 1>Yeah, and you know, because I don't think, because I

1:18:55.360 --> 1:18:58.599
<v Speaker 1>don't think the web series. It gives information, but it's

1:18:58.600 --> 1:19:01.800
<v Speaker 1>also really kind of an open to and it's you know,

1:19:01.920 --> 1:19:03.800
<v Speaker 1>so it's still a lot of things that we don't

1:19:03.840 --> 1:19:05.160
<v Speaker 1>people don't know what is, what's happening.

1:19:05.200 --> 1:19:06.679
<v Speaker 2>It's kind of like, it's really kind of cool.

1:19:06.720 --> 1:19:09.439
<v Speaker 1>It's like this opening the world that people just started

1:19:09.520 --> 1:19:10.920
<v Speaker 1>creating their own versions of it.

1:19:11.120 --> 1:19:12.960
<v Speaker 4>I'm gonna watch it, man, I'm definitely gonna I'm definitely

1:19:13.000 --> 1:19:13.599
<v Speaker 4>gonna watch it.

1:19:13.640 --> 1:19:15.599
<v Speaker 2>I think his was the one that got the most popular.

1:19:16.160 --> 1:19:18.400
<v Speaker 4>Oh there's other ones, Yeah, I think there are other Yeah.

1:19:18.479 --> 1:19:20.439
<v Speaker 1>Yeah, it's all kind of sort of fan fiction about

1:19:20.439 --> 1:19:22.080
<v Speaker 1>back rooms from fortune.

1:19:21.720 --> 1:19:24.160
<v Speaker 2>But his was the one that got Oh I see,

1:19:24.520 --> 1:19:25.360
<v Speaker 2>it's crazy, bro.

1:19:25.560 --> 1:19:28.400
<v Speaker 4>So he didn't create the idea of back rooms. He

1:19:28.640 --> 1:19:29.599
<v Speaker 4>found ice.

1:19:30.000 --> 1:19:34.880
<v Speaker 2>Yeah, he watched things and now it's really dope.

1:19:34.920 --> 1:19:38.080
<v Speaker 4>Man, it's yeah, kudos to this kid many years old.

1:19:38.080 --> 1:19:39.040
<v Speaker 4>That's fucking amazing.

1:19:39.800 --> 1:19:41.840
<v Speaker 1>All Right, Well, let us know what you guys think

1:19:42.880 --> 1:19:43.920
<v Speaker 1>and we'll cut you guys next time.

1:19:43.920 --> 1:19:44.439
<v Speaker 2>We got piece