WEBVTT - Highest 2 Lowest

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<v Speaker 1>Welcome everybody to a new episode of the France per

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<v Speaker 1>Second Podcast.

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<v Speaker 2>My name is Kenneth ban Is joining on the show,

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<v Speaker 2>Rod Spike and Mike what else. Uh.

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<v Speaker 3>Today we are reviewing highest to Lowest, a new Spike one,

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<v Speaker 3>A Spike Spike one, Spike Lee.

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<v Speaker 2>And Dinzel Washington.

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<v Speaker 3>Now, apparently, uh, are you gonna call I have been,

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<v Speaker 3>I have been calling him somebody, everybody.

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<v Speaker 2>Gonna call him, calling that man Denzel because party he's bullshit.

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<v Speaker 2>I believe the store. It doesn't make any sense though

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<v Speaker 2>that he's a junior and oh that part sure, But like,

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<v Speaker 2>why now? Why now?

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<v Speaker 4>Because I just watched him do an inner you with

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<v Speaker 4>Spike Lee and Asap Rocky and he was talking about,

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<v Speaker 4>you know, Denzel's a great name and name great name

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<v Speaker 4>and name your child out there all laughing.

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<v Speaker 2>You didn't say Denzel. You said Denzel because he'll always

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<v Speaker 2>been Denzel, right, So I don't know. It just seems weird.

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<v Speaker 3>It is really weird, Like apparently, wife, he's he's mentioned

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<v Speaker 3>this before, So why didn't just make it seem like

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<v Speaker 3>it was this revelation, like, well, this thing he just revealed.

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<v Speaker 2>I thought it was a big reveal until she said that.

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<v Speaker 1>I was like, okay, but it probably just gotten lost

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<v Speaker 1>over the years that nobody just ever knew. Possibly for

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<v Speaker 1>the most part, he is Denzel, yes, you know if

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<v Speaker 1>you really think about, Like the story for those that

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<v Speaker 1>are listening is that he's a junior and whenever his

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<v Speaker 1>mom would call Denzel, both would show up, and that's

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<v Speaker 1>why she just was like, Okay, you're Denzel meaning the dad,

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<v Speaker 1>and no, you're Denzel meaning the dad and the junior

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<v Speaker 1>Denzel is I'm gonna call you Denzel.

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<v Speaker 3>Oh so okay, So it's mama called him. His mama

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<v Speaker 3>called him, his mama call himel right, yeah, so it's

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<v Speaker 3>not like in other words. So when I heard that,

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<v Speaker 3>I was like, oh, so we haven't been getting it wrong. No, no,

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<v Speaker 3>you know that is his names.

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<v Speaker 2>So yeah, what the mother fucking name of Denzel? So

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<v Speaker 2>I thought that was interesting. But okay, so now that

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<v Speaker 2>makes more sense. It made a lot of sense. That

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<v Speaker 2>makes more Okay, it's mama name of class. I'm gonna

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<v Speaker 2>call him class right, right, right? Right? What's that? Come on? Man?

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<v Speaker 2>He knew That's why he knew what I was saying.

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<v Speaker 3>Just now okay, but but yeah, man, so you know

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<v Speaker 3>they partnered up.

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<v Speaker 2>I think this is their fifth movie together, yep, to

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<v Speaker 2>do the movie that was put out in joint couple

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<v Speaker 2>of collaboration with A twenty four and Apple TV. I

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<v Speaker 2>did not know this.

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<v Speaker 3>Yeah, I didn't know that either until I started watching it.

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<v Speaker 3>So they like the kind was made A twenty four

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<v Speaker 3>ish in my opinion, where I just thought it looked

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<v Speaker 3>like it the way that made I just started looks simple.

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<v Speaker 2>The four stuff that I seen they have mass mass releases,

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<v Speaker 2>well just just a the look. It looked like, what's

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<v Speaker 2>the one with.

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<v Speaker 3>They did what the world was ending and they was

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<v Speaker 3>doing the military stuff quarters.

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<v Speaker 2>In the Civil War that it looked like they had

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<v Speaker 2>the same look to me. And did they do the

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<v Speaker 2>one with? Adam said, yeah, you looked like that too,

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<v Speaker 2>mm hmm. But you know they don't technically do the film,

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<v Speaker 2>They just just yeah.

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<v Speaker 3>Anyway, uh nah, I saw Spike Lee all through this movie, right.

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<v Speaker 2>Yeah, okay, Okay, that's that's why I question. I was like, nah,

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<v Speaker 2>it's is that all.

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<v Speaker 1>Spike Lee's normal shit, isn't it? But anyway, so let's

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<v Speaker 1>talk about the movie. Man, Spike, what did you think

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<v Speaker 1>about the movie? You said, sing Spike Lee all in

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<v Speaker 1>this I loved the story.

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<v Speaker 3>I thought it was a good story, but watching it,

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<v Speaker 3>it made me wonder with Spike Lee's style of telling

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<v Speaker 3>the story to dated, like one of the really one

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<v Speaker 3>of the most annoying things in this movie to me

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<v Speaker 3>was that music. And I know it's traditionally his style,

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<v Speaker 3>him playing music in the back.

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<v Speaker 2>Of like scenes.

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<v Speaker 3>I just irritated it never let me get fully engaged

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<v Speaker 3>in the movie because I'm like, why are you playing

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<v Speaker 3>that dumb ass music in the background. But with that

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<v Speaker 3>being said, I think Jeffery Wright did a good job.

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<v Speaker 3>I think Denzel did a good job. I liked the

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<v Speaker 3>casting r Wife. I think the story was great. What

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<v Speaker 3>didn't work for me was just a Spike Lee style

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<v Speaker 3>of telling the story. And I know it's always been

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<v Speaker 3>like it, but I'm just not sure it can be

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<v Speaker 3>like that in twenty twenty five.

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<v Speaker 2>The wife was awful to me. She plays well.

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<v Speaker 3>I guess I've gotten used to it because she plays

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<v Speaker 3>the exact same role in Godfather Harlem. I mean, like

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<v Speaker 3>he probably seen that TV show. I was like, Oh,

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<v Speaker 3>come do that over here, because she plays the exact

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<v Speaker 3>same role. Like she she Bumpy Johnson's wife and she

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<v Speaker 3>acts just like that. She's got the same privileges married

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<v Speaker 3>to a rich dude, like she she feel like she

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<v Speaker 3>got those privileges in Hollywood and look at but yeah,

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<v Speaker 3>she acted just like she acted in Godfather Harlem.

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<v Speaker 2>So but overall it was it was okay. I just

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<v Speaker 2>wish if the story had been told. But right, what.

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<v Speaker 3>The black films like this, Mike, you can need them

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<v Speaker 3>all day. I ain't gotta watch no more of them.

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<v Speaker 3>This was terrible.

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<v Speaker 2>This was man. I love Spike Lee and I.

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<v Speaker 4>Will never disrespect, but he needs to stop remaking movies,

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<v Speaker 4>especially ones that are already highly acclaimed classic films.

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<v Speaker 2>Stop. This was awful.

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<v Speaker 3>Off full having to watch it, I didn't notice was

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<v Speaker 3>a remake.

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<v Speaker 4>Yes, it's a remake of a great movie, just like

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<v Speaker 4>he did with Old Boy.

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<v Speaker 2>I don't know why he keeps telling this. I really don't.

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<v Speaker 4>And I'm not even necessarily all the way against remaking films,

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<v Speaker 4>but I think Spike needs to do a better job

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<v Speaker 4>of which.

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<v Speaker 2>Films he's gonna remake.

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<v Speaker 4>Remake ones that are bad, not bad, but like pick

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<v Speaker 4>the worst film in somebody's you know, career, and be like, Okay,

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<v Speaker 4>I'm gonna improve on that nothing about this film.

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<v Speaker 2>Improved up on the original. It was terrible.

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<v Speaker 4>The acting was not great, the dialogue was was was choppy,

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<v Speaker 4>the just it was just bad.

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<v Speaker 2>Y'all. I'm sorry. It's bad. It's bad. And Spike Lee

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<v Speaker 2>can do better than this. So you think Spike Lee

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<v Speaker 2>can do better than this? I feel like you can't. Yeah,

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<v Speaker 2>I mean, what was the last Spike joint? Oh? Boy,

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<v Speaker 2>wasn't it?

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<v Speaker 1>No?

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<v Speaker 2>It was the Brothers movie? That was that? His five whatever,

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<v Speaker 2>the warr movie.

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<v Speaker 3>It was pretty good. It was on Netflix. We liked

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<v Speaker 3>it because it had because what was that his movie?

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<v Speaker 2>I don't know. Okay, well take that back. Did you

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<v Speaker 2>like this one? No? I did not?

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<v Speaker 3>Okay, no, no, no, No, five Bloods the horror movie?

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<v Speaker 2>Was that his movie? Yeah? Okay, no, we're saying that

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<v Speaker 2>it was. It was pretty good. We liked the performances

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<v Speaker 2>in it because it had what I.

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<v Speaker 4>Thought when said it was a horror movie. I was

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<v Speaker 4>trying to think it went last time, Spike Lee's a

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<v Speaker 4>horror movie.

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<v Speaker 2>This one. I was watch man, I was, I was.

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<v Speaker 3>I was really disappointed by this and and and and

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<v Speaker 3>like I had an idea because I did see like

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<v Speaker 3>part of a preview or something.

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<v Speaker 2>I was like, I don't know about that one, and

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<v Speaker 2>yeah I was. I was right. No, this wasn't it. Bro.

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<v Speaker 3>It was just so many things that was like bad

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<v Speaker 3>about this. It's the wife man single handedly this. Oh

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<v Speaker 3>my god, I didn't think she was.

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<v Speaker 2>That she was bad. I mean, I don't just got kicknapped.

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<v Speaker 2>She's like, I didn't see one tear. Your son just

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<v Speaker 2>got kidnapped? Yeah, bro, man this man?

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<v Speaker 3>Yeah, it almost it almost made denzil and and and

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<v Speaker 3>Jeffrey Right looked bad.

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<v Speaker 2>Oh, it made Jeffrey Right look terrible. No, really, bro.

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<v Speaker 4>Every time they cursed and they spoke black, and it

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<v Speaker 4>sounded like some one hamphistically wrote black dialogue for a

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<v Speaker 4>white person.

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<v Speaker 3>I asked my wife after this, I said, was this

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<v Speaker 3>too too black?

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<v Speaker 2>And it just it was it just and she's saying something.

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<v Speaker 1>About just forgot what she word she used with something

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<v Speaker 1>about culture forward. So you know, but it did feel

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<v Speaker 1>like I'm like, oh man, this is like you really

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<v Speaker 1>just kind of forcing this this down.

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<v Speaker 2>You know, It's just like it was my wife dead.

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<v Speaker 2>What it was a lot. It was a lot, and

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<v Speaker 2>Spike is always black with his movies.

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<v Speaker 3>But it was just like, I don't know, this is

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<v Speaker 3>one just felt weird. It was it was an off

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<v Speaker 3>putting feeling too. It was like like it was really

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<v Speaker 3>wrong stretches. It was just like, bro, what what is happening?

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<v Speaker 3>And why? I was like, is this supposed to be

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<v Speaker 3>a dream sequence? Why is he doing that? That was

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<v Speaker 3>so classing my eye? Get that? Only what is this?

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<v Speaker 2>Oh my god man? This was depressed.

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<v Speaker 3>So it's the same story, basically, it's the same story.

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<v Speaker 2>So here's the thing.

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<v Speaker 4>The story is very basic, yes, but it's Curisala's.

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<v Speaker 3>Like film style that made it interesting. Like I don't

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<v Speaker 3>know if you would like it?

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<v Speaker 2>Do you do? You not do subtitle movies either? Really,

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<v Speaker 2>then you probably wouldn't dig it.

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<v Speaker 4>But it's it's a very stylistic film, and I don't

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<v Speaker 4>want to compare it all the way, but like, I'll

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<v Speaker 4>just get this one piece out.

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<v Speaker 2>The first hour of the og.

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<v Speaker 4>Is in the dude's living room when they're finding out

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<v Speaker 4>that his son was kidnapped and what's happening, And the

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<v Speaker 4>whole time you're fascinated because Curis Have you has anybody

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<v Speaker 4>seen any Curisy films?

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<v Speaker 3>I know you haven't because he's it's all subtitled obviously. Well,

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<v Speaker 3>I've watched some like Motorcycle Diaries and stuff like that.

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<v Speaker 3>I've seen, like, it's not like I'm just.

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<v Speaker 4>Anti well at any rate, he has this incredible way

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<v Speaker 4>of filming. And if you watch, even if you just

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<v Speaker 4>watch the first thirty minutes of the original, you'll see

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<v Speaker 4>him talking about like he will have people that are

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<v Speaker 4>talking and saying really important things, but they'll be in

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<v Speaker 4>the back right hand, and there'll be other people that

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<v Speaker 4>are just not doing anything in the foreground. So it

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<v Speaker 4>keeps you being like, Okay, what's going on, and it

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<v Speaker 4>keeps you your eyes moving.

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<v Speaker 2>But it's a really interesting way that he does this.

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<v Speaker 2>What's his problem movies? Really quickly?

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<v Speaker 4>What's He's mostly known for samurai films, so ten Samurai

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<v Speaker 4>Something Forrest, which is the one that inspired Star Wars.

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<v Speaker 4>I think it's called Hidden Forest. But he's mostly known

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<v Speaker 4>for samurai films. This was like a crime drama that

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<v Speaker 4>he did, which is why I thought it was weird

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<v Speaker 4>that Spike Lee was going to remake this. But if

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<v Speaker 4>you look at his last two remakes, they've been asked.

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<v Speaker 2>He redid Old Boy.

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<v Speaker 4>For no fucking reason, and it was trash. He redid

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<v Speaker 4>Ganja and hass As the Sweet Blood of Jesus, and

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<v Speaker 4>it was asked stop remaking films. He's such an amazing filmmaker.

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<v Speaker 4>Why are you tackling classic it? He's better with original

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<v Speaker 4>ideas this. I think he could have done this so

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<v Speaker 4>much better because the idea of taking this story and

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<v Speaker 4>making it black in New York was so interesting.

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<v Speaker 2>But the movie was not. Who was too New York too?

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<v Speaker 2>Like the subway ship was? That was terrible. Oh, I

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<v Speaker 2>fucked with the subway shit heavy. That was the best

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<v Speaker 2>part of the whole fucking movie. Huh. They were chanting?

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<v Speaker 2>That was you know that. She was amazing. I thought,

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<v Speaker 2>who is the guy? Who was? What? Guy?

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<v Speaker 3>The main guy that was like chanting, He's like the

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<v Speaker 3>leader of the chant He seemed familiar.

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<v Speaker 2>Well, you're talking about the one that was playing the music.

0:12:50.160 --> 0:12:57.880
<v Speaker 2>Guy that was like whatever, Yeah, I've seen him somewhere else, Anthony.

0:12:59.000 --> 0:13:03.560
<v Speaker 3>No, it was a white dude, white guy. You've probably

0:13:03.559 --> 0:13:05.840
<v Speaker 3>seen him as a Yankees fan. If I'm not mistake

0:13:06.160 --> 0:13:09.240
<v Speaker 3>that guy. He on the he's thank you for being

0:13:09.280 --> 0:13:12.800
<v Speaker 3>a fan. Okay, Yeah, I know I've seen him before.

0:13:14.160 --> 0:13:19.640
<v Speaker 1>Yeah, yeah, yeah, yeah, I watched it with the missus

0:13:19.640 --> 0:13:21.840
<v Speaker 1>and she didn't like twenty minutes and she was like yeah,

0:13:22.600 --> 0:13:24.760
<v Speaker 1>she told me after We was always like yeah, like

0:13:24.800 --> 0:13:26.200
<v Speaker 1>when it was all like what the fuck did I

0:13:26.280 --> 0:13:26.720
<v Speaker 1>just watch?

0:13:27.080 --> 0:13:29.240
<v Speaker 2>Like what is name? You just feel like that? Yeah,

0:13:29.240 --> 0:13:29.480
<v Speaker 2>it was.

0:13:29.559 --> 0:13:32.440
<v Speaker 1>It was really weird and it almost felt like there

0:13:32.480 --> 0:13:35.760
<v Speaker 1>were like he was trying to have two comers, two coms.

0:13:35.800 --> 0:13:37.920
<v Speaker 1>It was almost like it was about generations to a

0:13:37.920 --> 0:13:42.440
<v Speaker 1>certain degree. You know, this whole AI thing was in

0:13:42.520 --> 0:13:46.000
<v Speaker 1>it heavy. Uh, phones were in it heavy in the

0:13:46.000 --> 0:13:48.280
<v Speaker 1>beginning of the movies having a conversation with this Entrey

0:13:48.920 --> 0:13:51.840
<v Speaker 1>about phones and putting the phone down and you're always

0:13:51.840 --> 0:13:54.319
<v Speaker 1>in your phone and blah blah blah blah blah. And

0:13:54.360 --> 0:13:56.440
<v Speaker 1>then he said, put your phone down. I'm serious and

0:13:56.480 --> 0:13:59.040
<v Speaker 1>then he's by the hand of David or something whatever

0:13:59.200 --> 0:14:00.760
<v Speaker 1>that was strike down on the.

0:14:03.800 --> 0:14:07.599
<v Speaker 2>Trying to biblical this movie really m M.

0:14:08.000 --> 0:14:11.280
<v Speaker 3>And he was having a conversation too about I felt

0:14:11.280 --> 0:14:14.240
<v Speaker 3>like like more affluent black people to Jeffrey Wright's character

0:14:14.559 --> 0:14:17.360
<v Speaker 3>because we asked him, you had the money when it

0:14:17.400 --> 0:14:19.120
<v Speaker 3>was your child, but it's my child, you ain't got

0:14:19.120 --> 0:14:22.880
<v Speaker 3>the money. Yeah, Yeah, that could have been a really

0:14:22.920 --> 0:14:26.360
<v Speaker 3>interesting down They didn't that's.

0:14:26.240 --> 0:14:29.680
<v Speaker 2>How they really dug deep into that idea.

0:14:29.720 --> 0:14:31.760
<v Speaker 3>That was the main I feel like could have been

0:14:31.800 --> 0:14:34.640
<v Speaker 3>the main Like that's what I thought it was going

0:14:34.720 --> 0:14:37.640
<v Speaker 3>to be, because you know, Rick Fox was in he

0:14:37.760 --> 0:14:39.040
<v Speaker 3>was playing himself apparently.

0:14:40.600 --> 0:14:42.840
<v Speaker 1>So we get introduced to all of them, Trade Cole,

0:14:44.800 --> 0:14:49.240
<v Speaker 1>Rick Fox, the coach, the wife, David King, he's selling

0:14:49.280 --> 0:14:53.200
<v Speaker 1>his business, stacking his records, and he drops his kid off.

0:14:53.280 --> 0:14:55.960
<v Speaker 1>Then we meet Jeffrey Wright who's driving the car, who's

0:14:56.360 --> 0:15:01.800
<v Speaker 1>was in jail apparently for something. And we meet Patrick,

0:15:02.360 --> 0:15:04.640
<v Speaker 1>who was his business partner with stacking his records.

0:15:04.680 --> 0:15:06.680
<v Speaker 2>And then he said to Patrick.

0:15:06.840 --> 0:15:10.560
<v Speaker 3>That he wants to buy his controlling interests by his

0:15:10.640 --> 0:15:14.480
<v Speaker 3>shares so he can just assume control of the label

0:15:14.520 --> 0:15:17.480
<v Speaker 3>and not stell sell to straight out records or something.

0:15:17.280 --> 0:15:21.240
<v Speaker 2>Like that, and and all that happens.

0:15:21.240 --> 0:15:23.360
<v Speaker 3>Then he goes talks to the wife and tells her

0:15:23.520 --> 0:15:25.680
<v Speaker 3>and blah blah blah blah blah. Uh.

0:15:25.880 --> 0:15:27.840
<v Speaker 2>So all that's in the beginning of the movie.

0:15:28.040 --> 0:15:31.160
<v Speaker 1>Anything in particular about the way they set this up

0:15:31.520 --> 0:15:36.760
<v Speaker 1>were just kind of Patrick, Hm, did you all reckonize Patrick?

0:15:38.200 --> 0:15:40.080
<v Speaker 1>The voice sounded familiar, but dude.

0:15:39.840 --> 0:15:46.120
<v Speaker 3>He was his part brother moves.

0:15:46.080 --> 0:15:50.240
<v Speaker 4>You can spot him by his nose. Nobody got of knows,

0:15:50.280 --> 0:15:57.040
<v Speaker 4>Like he was like, yes he can spell coff.

0:15:58.720 --> 0:16:06.520
<v Speaker 3>Yes, just what But this goes to Spike Lee because

0:16:06.520 --> 0:16:10.120
<v Speaker 3>Spike Lee's directing the that's the part that's surprising.

0:16:10.200 --> 0:16:10.760
<v Speaker 2>But I wasn't.

0:16:11.560 --> 0:16:13.440
<v Speaker 3>I was just saying I feel like Denzel probably was

0:16:13.440 --> 0:16:15.760
<v Speaker 3>adding some shit he had he had to it.

0:16:15.920 --> 0:16:17.680
<v Speaker 2>I don't think they had a solid script.

0:16:18.000 --> 0:16:20.400
<v Speaker 3>You think he directed, like do that ship with the

0:16:20.800 --> 0:16:22.200
<v Speaker 3>My thing is, even if he didn't direct him to

0:16:22.240 --> 0:16:24.120
<v Speaker 3>do that as a director, wouldn't you be like, nah,

0:16:24.200 --> 0:16:24.920
<v Speaker 3>I doesn't look right.

0:16:25.000 --> 0:16:26.040
<v Speaker 2>Don't do it again.

0:16:25.960 --> 0:16:29.520
<v Speaker 4>Without again without that, it was just bad. But no,

0:16:29.520 --> 0:16:32.480
<v Speaker 4>I didn't take ship from the beginning, okay, except that

0:16:32.480 --> 0:16:34.440
<v Speaker 4>he's a family man. And I was like, okay, they're

0:16:34.440 --> 0:16:36.320
<v Speaker 4>making this real black cool, let's see where it goes.

0:16:36.560 --> 0:16:38.240
<v Speaker 2>Yeah, I love you, love you more things?

0:16:38.720 --> 0:16:42.920
<v Speaker 1>Uh we we We learned that through the conversation with

0:16:42.960 --> 0:16:46.680
<v Speaker 1>the wife. Is that And I think there's another conversation

0:16:46.760 --> 0:16:50.440
<v Speaker 1>in the movie is about like the music business. Yeah,

0:16:50.720 --> 0:16:53.680
<v Speaker 1>and she's saying that he complains about the music business,

0:16:53.720 --> 0:16:54.720
<v Speaker 1>that he doesn't.

0:16:54.440 --> 0:16:55.920
<v Speaker 2>Love it the way he used to.

0:16:57.520 --> 0:16:59.760
<v Speaker 1>So she had that that whole conversation about how the

0:17:00.040 --> 0:17:05.280
<v Speaker 1>music as soulless and it's about tech. But I was wondering,

0:17:05.320 --> 0:17:08.840
<v Speaker 1>I think, to a certain degree, music as when it

0:17:08.880 --> 0:17:11.320
<v Speaker 1>comes to the business, I've always been soulless.

0:17:11.880 --> 0:17:15.280
<v Speaker 2>Well not, I think that's hard work, very I.

0:17:15.200 --> 0:17:17.080
<v Speaker 4>Mean, if he's supposed to be a very Gordy type

0:17:17.200 --> 0:17:23.600
<v Speaker 4>or or or Quincy Jones type. I could see the

0:17:23.720 --> 0:17:27.240
<v Speaker 4>discussion when it comes to tech and being soulless. But

0:17:27.960 --> 0:17:29.760
<v Speaker 4>at no point did I even get the impression that

0:17:29.800 --> 0:17:31.240
<v Speaker 4>he gave a funk about music.

0:17:33.080 --> 0:17:37.320
<v Speaker 3>Us that No, Yeah, yeah, the best ears in the business.

0:17:37.000 --> 0:17:38.520
<v Speaker 2>Show us that. I mean, I know that plays into

0:17:38.560 --> 0:17:39.280
<v Speaker 2>the plot later on.

0:17:39.440 --> 0:17:43.520
<v Speaker 4>Yeah, show me him being enamored by music, show me

0:17:43.600 --> 0:17:45.000
<v Speaker 4>him being in love with music.

0:17:45.040 --> 0:17:46.120
<v Speaker 2>I didn't get that at all.

0:17:46.440 --> 0:17:49.720
<v Speaker 1>We should we we learned, but I think that's part

0:17:49.840 --> 0:17:52.000
<v Speaker 1>of the movie as we move on.

0:17:52.119 --> 0:17:53.560
<v Speaker 2>But we saw that it was the opposite.

0:17:53.600 --> 0:17:57.280
<v Speaker 1>Like his son kept asking him listen to Sula, which

0:17:57.320 --> 0:18:00.680
<v Speaker 1>comes back around you know, hes supposed to have this playlist,

0:18:00.960 --> 0:18:04.120
<v Speaker 1>and you know, I think there was somebody outside performance,

0:18:04.160 --> 0:18:06.439
<v Speaker 1>so there were all these things music related that he

0:18:06.640 --> 0:18:09.640
<v Speaker 1>kept kind of casting aside exactly.

0:18:10.160 --> 0:18:12.080
<v Speaker 4>You know, Yeah, if you want to do that, then

0:18:12.080 --> 0:18:14.640
<v Speaker 4>show me, show me him like we saw Bill Cosby,

0:18:14.720 --> 0:18:17.800
<v Speaker 4>Show me he has a basement of jazz records, show

0:18:17.840 --> 0:18:19.600
<v Speaker 4>me him down there. Just I mean, we got the

0:18:19.640 --> 0:18:21.680
<v Speaker 4>hohld him talking to the fucking pictures on the wall,

0:18:21.720 --> 0:18:24.960
<v Speaker 4>which was corny as because show me him caring about music.

0:18:25.000 --> 0:18:25.840
<v Speaker 2>I didn't get that.

0:18:26.680 --> 0:18:29.080
<v Speaker 3>It was almost like he didn't care about music from

0:18:29.080 --> 0:18:31.760
<v Speaker 3>all the examples that they gave us until closer to

0:18:31.760 --> 0:18:34.000
<v Speaker 3>the end, because he when he walked to the building

0:18:34.040 --> 0:18:36.520
<v Speaker 3>and the lady that you said, did he walk off with?

0:18:36.800 --> 0:18:39.800
<v Speaker 2>Yeah, he walked off. The girl was playing the guitar. Yeah.

0:18:39.840 --> 0:18:42.800
<v Speaker 3>And the editing was so we couldn't tell if he

0:18:42.840 --> 0:18:44.679
<v Speaker 3>walked off or like, because she turned around and he

0:18:44.760 --> 0:18:45.040
<v Speaker 3>was girl.

0:18:45.080 --> 0:18:46.800
<v Speaker 2>I was like, well right, and then she went by

0:18:47.240 --> 0:18:51.520
<v Speaker 2>somewhere else. It was like, bloke out. I don't get it.

0:18:51.520 --> 0:18:53.240
<v Speaker 2>That was transport.

0:18:53.320 --> 0:18:55.600
<v Speaker 3>She went somewhere in his mind, and like, I just

0:18:55.600 --> 0:18:58.480
<v Speaker 3>didn't get there because he like he wanted to listen

0:18:58.560 --> 0:19:00.440
<v Speaker 3>to ye and the just.

0:19:00.640 --> 0:19:01.800
<v Speaker 2>I mean, I don't want to listen to it.

0:19:01.800 --> 0:19:03.639
<v Speaker 3>It seemed like his love was his legacy though in

0:19:03.760 --> 0:19:06.480
<v Speaker 3>business that was at the forefront, because I feel like

0:19:06.480 --> 0:19:10.640
<v Speaker 3>he put that put forward everything, even his friend's son

0:19:10.840 --> 0:19:13.720
<v Speaker 3>at that point, like his legacy and having that business.

0:19:13.720 --> 0:19:17.280
<v Speaker 2>That was his passion. It wasn't music. Like his wife said, Okay,

0:19:17.359 --> 0:19:20.400
<v Speaker 2>maybe I thought they were supposed to. I don't know. Okay,

0:19:20.640 --> 0:19:24.000
<v Speaker 2>you're probably right. Yeah they told us his love with

0:19:24.040 --> 0:19:29.000
<v Speaker 2>the music, but they showed us show yes, yeah, okay, yeah.

0:19:29.119 --> 0:19:32.040
<v Speaker 1>But so this happens and she's like, well, you know,

0:19:32.080 --> 0:19:34.040
<v Speaker 1>if you want to really buy it, like you're not

0:19:34.080 --> 0:19:36.360
<v Speaker 1>in love with the music anymore, why are you doing this?

0:19:37.240 --> 0:19:39.280
<v Speaker 1>Which I think she was right the question, But then

0:19:39.320 --> 0:19:41.879
<v Speaker 1>she gets called that he was kiddingapped, her son was

0:19:41.920 --> 0:19:43.040
<v Speaker 1>getting up, trade was getting up.

0:19:43.200 --> 0:19:44.920
<v Speaker 2>I did like that point. I thought he got the call.

0:19:45.119 --> 0:19:46.800
<v Speaker 2>Yeah he got Yeah, I'm sorry.

0:19:46.800 --> 0:19:49.360
<v Speaker 3>They were on the balcony and you know, they had

0:19:49.400 --> 0:19:51.640
<v Speaker 3>a moment and then she left. He got the call

0:19:52.320 --> 0:19:55.480
<v Speaker 3>and it didn't say anything, but you assume like, okay,

0:19:55.520 --> 0:19:56.479
<v Speaker 3>what the hell is going on?

0:19:56.600 --> 0:19:58.359
<v Speaker 2>And he came in and said what he said. I

0:19:58.400 --> 0:20:02.560
<v Speaker 2>did like that excuse okay, we're going somewhere. But yeah,

0:20:02.560 --> 0:20:04.919
<v Speaker 2>he said they got trade. They like, wasn't mean they

0:20:05.000 --> 0:20:05.440
<v Speaker 2>got trade?

0:20:05.600 --> 0:20:08.080
<v Speaker 4>Talking about I was with her, I say, did they

0:20:08.080 --> 0:20:11.280
<v Speaker 4>shoot him? I mean got it was like he had warrant, Like,

0:20:11.320 --> 0:20:14.919
<v Speaker 4>what happened? They kidnapped him, They got him, they kidnapped him.

0:20:15.840 --> 0:20:18.600
<v Speaker 2>Can you imagine kidnapped as a seventeen year old.

0:20:20.200 --> 0:20:23.679
<v Speaker 3>Kidnapped by asap Rocky? That it was what I was

0:20:23.760 --> 0:20:27.440
<v Speaker 3>leading to. I ain't never seen nobody on a Rocky team.

0:20:27.720 --> 0:20:29.560
<v Speaker 3>They could have kidnapped me at seventeen years old.

0:20:29.560 --> 0:20:31.080
<v Speaker 2>I don't know about that. You ain't seen his team

0:20:31.160 --> 0:20:32.520
<v Speaker 2>he got I'm talking about the ones in the movie.

0:20:32.560 --> 0:20:36.240
<v Speaker 3>I'm sorry, sorry, sorry, I'm talking about the ones he

0:20:36.280 --> 0:20:38.480
<v Speaker 3>had in the movies Got Still the Bad. Yeah, no,

0:20:38.520 --> 0:20:40.679
<v Speaker 3>I'm sucking all them. I'm like, Bro, Ain's Rocky not

0:20:40.760 --> 0:20:44.520
<v Speaker 3>kidnapping me. Bro, Like, no, that's not happening. Really, It's

0:20:44.560 --> 0:20:44.840
<v Speaker 3>like he.

0:20:44.840 --> 0:20:50.920
<v Speaker 2>Was like a king pin. You're a rapper, a struggling rapper. Yeah,

0:20:51.080 --> 0:20:53.480
<v Speaker 2>he didn't even have a job. This, this part could

0:20:53.520 --> 0:20:54.040
<v Speaker 2>have been cool.

0:20:55.400 --> 0:20:57.280
<v Speaker 4>And again, this is one of those things where I

0:20:57.280 --> 0:20:59.280
<v Speaker 4>wish it wouldn't have been called Highest the Lowest. I

0:20:59.280 --> 0:21:01.160
<v Speaker 4>wish he had just made a movie. And then later

0:21:01.200 --> 0:21:03.640
<v Speaker 4>on said he was inspired by High and Low.

0:21:05.000 --> 0:21:06.960
<v Speaker 2>Yes, yes, because.

0:21:06.680 --> 0:21:09.120
<v Speaker 4>I'm walking into this film knowing what happens in the original,

0:21:09.200 --> 0:21:13.520
<v Speaker 4>knowing how amazingly that is laid out and done, and

0:21:13.520 --> 0:21:17.520
<v Speaker 4>then I get this and it's like, well, the wife's

0:21:17.560 --> 0:21:22.760
<v Speaker 4>response was so poorly executed that it took me out

0:21:22.760 --> 0:21:25.480
<v Speaker 4>of the film. I was like, Oh, she's involved. I'm

0:21:25.520 --> 0:21:27.239
<v Speaker 4>thinking Spike Lely changed the whole story. I was like, oh,

0:21:27.280 --> 0:21:29.160
<v Speaker 4>she she kidnapped the sun.

0:21:29.400 --> 0:21:30.040
<v Speaker 2>I don't know why.

0:21:30.080 --> 0:21:31.920
<v Speaker 4>Maybe it's because she wants to keep all of Denzel's

0:21:31.960 --> 0:21:33.800
<v Speaker 4>money and doesn't want Denzel to buy this.

0:21:34.200 --> 0:21:36.960
<v Speaker 2>I don't know, but she's involved. I thought it was

0:21:36.960 --> 0:21:38.040
<v Speaker 2>a Jeffrey Rice's character.

0:21:40.320 --> 0:21:42.439
<v Speaker 3>Yeah, talking about the wife's performance. The dude from the

0:21:42.480 --> 0:21:48.840
<v Speaker 3>fucking insurance commercials, Oh yeah, the one that plays his mayhem.

0:21:50.640 --> 0:21:51.760
<v Speaker 2>I thought I've seen him before.

0:21:51.840 --> 0:21:56.360
<v Speaker 3>He wasn't bad commercials something like that, right, Yeah, definitely.

0:21:56.640 --> 0:22:01.680
<v Speaker 2>He's better than those it every time. Yeah. The racist

0:22:01.680 --> 0:22:04.919
<v Speaker 2>cop that's not racist. I couldn't figure it out. Was

0:22:04.920 --> 0:22:06.200
<v Speaker 2>he supposed to be racist?

0:22:06.440 --> 0:22:08.280
<v Speaker 3>That's what I thought, because the black guy was more

0:22:08.280 --> 0:22:09.400
<v Speaker 3>of addict than anybody.

0:22:10.440 --> 0:22:13.159
<v Speaker 2>Oh my god. B Yeah, the cops were awful. They

0:22:13.200 --> 0:22:14.520
<v Speaker 2>were terrible, all right.

0:22:14.520 --> 0:22:16.320
<v Speaker 3>And then the one lady that came in, she didn't

0:22:16.320 --> 0:22:19.000
<v Speaker 3>even seem like the head detective, the one that she

0:22:19.040 --> 0:22:19.760
<v Speaker 3>was the head detective.

0:22:19.840 --> 0:22:21.440
<v Speaker 2>She was supposed to be the head detective. I thought

0:22:21.480 --> 0:22:21.960
<v Speaker 2>it was the guy.

0:22:24.080 --> 0:22:27.760
<v Speaker 3>It's like they forgot me and movie that she wasn't infective.

0:22:27.880 --> 0:22:29.600
<v Speaker 2>Oh god, bro, she came in.

0:22:29.680 --> 0:22:31.720
<v Speaker 3>She's just like a regular officer. She had the had

0:22:31.760 --> 0:22:34.720
<v Speaker 3>on She's like, yeah, lead detective. I'm like, but we

0:22:34.920 --> 0:22:35.960
<v Speaker 3>never even saw.

0:22:35.760 --> 0:22:37.640
<v Speaker 2>Her leading any lead anything.

0:22:38.640 --> 0:22:44.080
<v Speaker 3>It was just man only week when she made the

0:22:44.160 --> 0:22:47.400
<v Speaker 3>thing like that to your point when she said why

0:22:47.480 --> 0:22:51.160
<v Speaker 3>he wanted rubles instead of dollars And it wasn't even

0:22:51.200 --> 0:22:51.960
<v Speaker 3>her though.

0:22:52.000 --> 0:22:54.520
<v Speaker 2>That wasn't her. It wasn't even her. I thought it

0:22:54.560 --> 0:22:55.720
<v Speaker 2>was her that figured that part out.

0:22:55.880 --> 0:22:57.879
<v Speaker 3>It was her that figured it out. But she's not

0:22:57.920 --> 0:23:00.199
<v Speaker 3>even the one that says she's the lead detective. It

0:23:00.280 --> 0:23:03.280
<v Speaker 3>was it was some regular officer that said they were

0:23:03.280 --> 0:23:04.280
<v Speaker 3>the lead detective.

0:23:04.560 --> 0:23:06.679
<v Speaker 2>Wait what Wait the one knocked on the door. The

0:23:06.720 --> 0:23:07.600
<v Speaker 2>one that knocked on the door.

0:23:07.640 --> 0:23:10.160
<v Speaker 4>Wait, there was a different female copy it was there.

0:23:10.160 --> 0:23:11.440
<v Speaker 4>One had a ball cap on one.

0:23:12.400 --> 0:23:14.399
<v Speaker 2>You sure wasn't the same black woman? No, it was

0:23:14.440 --> 0:23:16.640
<v Speaker 2>not she. The one woman had on a suit. This

0:23:16.680 --> 0:23:19.720
<v Speaker 2>woman had on police uh uniform.

0:23:19.359 --> 0:23:22.160
<v Speaker 1>Because she came came in, looked around, and then went

0:23:22.200 --> 0:23:23.240
<v Speaker 1>back and brought everybody else.

0:23:23.440 --> 0:23:25.399
<v Speaker 2>Okay, y'all can come in. She was supposed to be

0:23:25.400 --> 0:23:27.320
<v Speaker 2>the lead detect and then she just left. We didn't.

0:23:27.320 --> 0:23:29.840
<v Speaker 3>We saw her off on the side doing some ship.

0:23:30.640 --> 0:23:32.160
<v Speaker 3>It was the weirdest ship bro.

0:23:32.280 --> 0:23:33.480
<v Speaker 2>Oh my god, dude.

0:23:33.520 --> 0:23:35.480
<v Speaker 3>But then these other two come over to the lady

0:23:35.480 --> 0:23:37.320
<v Speaker 3>were talking about and the black guy.

0:23:37.760 --> 0:23:40.879
<v Speaker 2>They seemed like the detectives of the ship, right. No,

0:23:41.080 --> 0:23:42.640
<v Speaker 2>they were saying that the other lady was the lead.

0:23:43.320 --> 0:23:44.400
<v Speaker 2>Why would you even do that?

0:23:44.560 --> 0:23:47.760
<v Speaker 3>I have man, it made no sense when she figured

0:23:47.800 --> 0:23:49.679
<v Speaker 3>that out, and he was like, what school you go to?

0:23:50.480 --> 0:23:53.800
<v Speaker 2>Yeah, but didn't she say something like black Girl? She

0:23:53.840 --> 0:23:55.480
<v Speaker 2>said she went to Spell Blair.

0:23:56.240 --> 0:23:58.400
<v Speaker 4>She said something about black Girl magic And all right, bro,

0:23:58.520 --> 0:24:01.959
<v Speaker 4>y'all trying too hard, y'all really trying to be lighter,

0:24:02.040 --> 0:24:02.680
<v Speaker 4>you know what I'm saying.

0:24:02.920 --> 0:24:05.439
<v Speaker 2>That was interesting. That was really that was That was

0:24:05.440 --> 0:24:06.800
<v Speaker 2>one of the most interesting right now.

0:24:06.880 --> 0:24:09.680
<v Speaker 3>But it felt forced though. It did like it felt forced,

0:24:09.920 --> 0:24:14.040
<v Speaker 3>like I don't know, it's just the execution of these scenes. Yeah,

0:24:14.240 --> 0:24:16.520
<v Speaker 3>and I'm which the music didn't help, like, like it

0:24:16.600 --> 0:24:19.040
<v Speaker 3>just seemed like a whole different movie. I know Spike

0:24:19.119 --> 0:24:21.479
<v Speaker 3>Lee has done it, but it's just done it better.

0:24:21.960 --> 0:24:24.400
<v Speaker 2>Than other movies. It just wasn't done well.

0:24:24.480 --> 0:24:28.199
<v Speaker 3>He he didn't, like you said, the performance of it

0:24:28.240 --> 0:24:30.159
<v Speaker 3>didn't take away from it, but like you here.

0:24:30.080 --> 0:24:38.359
<v Speaker 2>It's just like, bro, why is this plain? Well?

0:24:38.359 --> 0:24:42.119
<v Speaker 1>Anyway, we found out that they kidnapped the wrong son,

0:24:43.440 --> 0:24:47.480
<v Speaker 1>and they because of the head band, the Green head Bands,

0:24:47.520 --> 0:24:49.800
<v Speaker 1>and Trey was returned and Kyle was the one that

0:24:49.920 --> 0:24:56.240
<v Speaker 1>was actually kidnapped, and aceaps still on it to seventeen five,

0:24:57.040 --> 0:25:01.200
<v Speaker 1>and then it became all about whether or not Paul

0:25:01.320 --> 0:25:03.920
<v Speaker 1>was gonna or not Paul, but David was gonna pay

0:25:04.080 --> 0:25:04.600
<v Speaker 1>the ransom.

0:25:04.640 --> 0:25:07.760
<v Speaker 4>What a SAP was killing me? I didn't even I

0:25:07.800 --> 0:25:10.000
<v Speaker 4>didn't look at the credits. The second I heard his voice,

0:25:10.000 --> 0:25:10.800
<v Speaker 4>I was like, oh that's a sap.

0:25:10.880 --> 0:25:13.000
<v Speaker 2>Rocky. I'm sorry.

0:25:13.040 --> 0:25:15.520
<v Speaker 4>I love you Asap, but you can't act for ship,

0:25:15.880 --> 0:25:18.000
<v Speaker 4>even if you're just on a phone call, you can't.

0:25:18.320 --> 0:25:23.000
<v Speaker 4>I love your music all that you're whatever, but oh

0:25:23.080 --> 0:25:25.720
<v Speaker 4>my god, anything he said, I was like, Bro, this

0:25:25.800 --> 0:25:28.520
<v Speaker 4>sounds like a Toob.

0:25:29.000 --> 0:25:32.120
<v Speaker 2>Movie, Like what the fuck are by watching was presenting?

0:25:32.160 --> 0:25:34.480
<v Speaker 2>Is to be real? Is you ain't? You ain't the

0:25:34.560 --> 0:25:39.840
<v Speaker 2>king Nigga? I'm the King Nikkele. Fuck that Nickel.

0:25:40.119 --> 0:25:42.800
<v Speaker 3>I was like, oh my god, bro, even when he

0:25:42.880 --> 0:25:45.119
<v Speaker 3>returned the sun, I didn't like how they did that

0:25:45.440 --> 0:25:49.000
<v Speaker 3>when he was like, no, I was I'm talking about

0:25:49.000 --> 0:25:50.680
<v Speaker 3>when they returned in me the figure they had the

0:25:50.760 --> 0:25:57.280
<v Speaker 3>room the first at the beginning, yeah, before Yeah, it

0:25:57.359 --> 0:26:04.560
<v Speaker 3>an't take long. Turned quickly ba oh that's right in

0:26:04.600 --> 0:26:07.960
<v Speaker 3>the basement whatever the parking girl y Yeah, yeah.

0:26:07.800 --> 0:26:08.359
<v Speaker 2>It was weird.

0:26:08.600 --> 0:26:13.600
<v Speaker 3>Yeah, that was like, yeah, you'll explain what's going on?

0:26:14.040 --> 0:26:16.760
<v Speaker 3>How did how did they mistakenly had It was just weird?

0:26:17.040 --> 0:26:19.359
<v Speaker 3>How are they acting like this with Jeffrey Wright? Were

0:26:19.359 --> 0:26:24.080
<v Speaker 3>supposed to just ride with it? And how Yeah, like, bro,

0:26:24.160 --> 0:26:27.760
<v Speaker 3>hold on, where is he just said, man, what is

0:26:27.800 --> 0:26:28.560
<v Speaker 3>what is happening?

0:26:29.000 --> 0:26:29.040
<v Speaker 2>What?

0:26:29.119 --> 0:26:35.479
<v Speaker 3>Didn't even explain it? It was the way the cops

0:26:35.480 --> 0:26:39.040
<v Speaker 3>were acting. It's like Spike Lee was going way overboard

0:26:39.040 --> 0:26:41.919
<v Speaker 3>with showing how awful cops. It was like, Bro, this

0:26:41.960 --> 0:26:42.600
<v Speaker 3>doesn't even.

0:26:42.400 --> 0:26:45.880
<v Speaker 2>Seem normal natural. Nothing about this makes sense.

0:26:46.040 --> 0:26:50.600
<v Speaker 3>And and and Jeffrey Wright is honestly an amazing actor.

0:26:51.119 --> 0:26:53.119
<v Speaker 2>How did y'all make him so bad? It's crazy?

0:26:53.720 --> 0:26:57.080
<v Speaker 4>It's gonna work out in sa And then God, let

0:26:57.160 --> 0:27:01.520
<v Speaker 4>us ask go to punch that dude.

0:27:01.280 --> 0:27:04.920
<v Speaker 2>This whole film? Why are you doing this to him.

0:27:05.520 --> 0:27:09.480
<v Speaker 3>Because that was what the That's what it felt like

0:27:09.480 --> 0:27:12.560
<v Speaker 3>they were trying to that they looked at differently, even

0:27:12.560 --> 0:27:16.080
<v Speaker 3>though I you know, Mayhem was looking at him look differently,

0:27:16.160 --> 0:27:17.479
<v Speaker 3>like do I know you?

0:27:18.760 --> 0:27:20.560
<v Speaker 2>Do you? They look familiar?

0:27:20.560 --> 0:27:24.560
<v Speaker 3>You remember that even the black guy was looking at

0:27:24.640 --> 0:27:25.520
<v Speaker 3>him a little weird.

0:27:25.320 --> 0:27:30.280
<v Speaker 2>To rest this dick. It didn't even sound natural. Jeffright

0:27:30.400 --> 0:27:36.640
<v Speaker 2>is so good? Why being changed? It's like, oh my god.

0:27:38.160 --> 0:27:42.200
<v Speaker 3>They wouldn't let him go make the movie make some

0:27:42.280 --> 0:27:46.320
<v Speaker 3>kind of sense. Spike Lee, why are the cops not

0:27:46.440 --> 0:27:49.400
<v Speaker 3>letting him walk up with Denzel if you.

0:27:49.440 --> 0:27:52.680
<v Speaker 2>Know his own Like what fuck man?

0:27:53.640 --> 0:27:55.960
<v Speaker 4>This didn't seem like a Spike Lee film, did not? Yea,

0:27:56.400 --> 0:27:58.600
<v Speaker 4>this is so subpar for Spike Lee.

0:27:58.640 --> 0:27:59.440
<v Speaker 2>I don't understand.

0:27:59.520 --> 0:28:01.480
<v Speaker 3>I feel like he needed to kind of expand the

0:28:01.520 --> 0:28:04.639
<v Speaker 3>team and get some younger writers that people didn't know.

0:28:05.280 --> 0:28:07.520
<v Speaker 2>It just seemed like he was an old man making

0:28:07.560 --> 0:28:11.600
<v Speaker 2>this movie. That's exactly what period Jason to me, like

0:28:11.760 --> 0:28:14.960
<v Speaker 2>it felt Tyler period. Jason. Yes, I had a feeling.

0:28:15.240 --> 0:28:16.840
<v Speaker 2>I'm like, what the fuck is going on?

0:28:17.200 --> 0:28:19.600
<v Speaker 4>I thought, is that what he's going for? This felt

0:28:19.680 --> 0:28:22.040
<v Speaker 4>like Straw was like, is that what he's trying to

0:28:22.080 --> 0:28:24.520
<v Speaker 4>go for because Straw had such a big buzzer.

0:28:25.840 --> 0:28:28.320
<v Speaker 3>It was like, I'm too far in my bag and

0:28:28.359 --> 0:28:30.560
<v Speaker 3>Tyler period, like he says, I make movies for certain

0:28:30.560 --> 0:28:31.040
<v Speaker 3>type of people.

0:28:31.440 --> 0:28:33.960
<v Speaker 2>We usually gonna do that. Like even though he has.

0:28:33.800 --> 0:28:36.320
<v Speaker 3>A style and he got a certain bag, it's still

0:28:36.520 --> 0:28:39.479
<v Speaker 3>more palatable than this is. It's like, are you just

0:28:39.560 --> 0:28:41.840
<v Speaker 3>doing like you just spiked me and just wanted to

0:28:41.840 --> 0:28:42.160
<v Speaker 3>do this.

0:28:43.080 --> 0:28:47.080
<v Speaker 2>It's crazy. This was depressing. It was what you gotta

0:28:47.080 --> 0:28:47.440
<v Speaker 2>think about.

0:28:47.440 --> 0:28:51.600
<v Speaker 1>The overall conversation about paying the ransom versus not paying

0:28:51.640 --> 0:28:52.920
<v Speaker 1>the ransom.

0:28:52.960 --> 0:28:55.880
<v Speaker 4>That was yeah, because that was like a really big

0:28:55.920 --> 0:28:59.239
<v Speaker 4>dilemma in the first film. Then the original it's this

0:28:59.280 --> 0:29:02.440
<v Speaker 4>whole dilemma, Okay, do I pay the money even though

0:29:02.480 --> 0:29:05.440
<v Speaker 4>it's not my son? You know, how are the public

0:29:05.520 --> 0:29:07.920
<v Speaker 4>going to treat me? I thought that they were going

0:29:08.000 --> 0:29:11.280
<v Speaker 4>to go further with it, and I was excited. I

0:29:11.320 --> 0:29:13.800
<v Speaker 4>got excited about the movie at that point. I was said, Oh, no,

0:29:13.920 --> 0:29:19.000
<v Speaker 4>that's interesting because on one hand, you do it and

0:29:19.080 --> 0:29:22.040
<v Speaker 4>you get the reception that you have. But like I mentioned,

0:29:22.720 --> 0:29:24.680
<v Speaker 4>I thought the film showed it. He was very concerned

0:29:24.720 --> 0:29:27.520
<v Speaker 4>about his legacy and now I got the money to

0:29:27.720 --> 0:29:30.360
<v Speaker 4>apply this to the legacy like he wanted to. But

0:29:31.480 --> 0:29:33.160
<v Speaker 4>people ain't gonna look at me the same like I

0:29:33.200 --> 0:29:35.040
<v Speaker 4>want them to if I use the money like I want.

0:29:35.400 --> 0:29:38.160
<v Speaker 4>So I thought that was a really interesting conversation. I

0:29:38.200 --> 0:29:41.360
<v Speaker 4>thought his decision making or thought process of it was interesting.

0:29:41.400 --> 0:29:43.240
<v Speaker 4>I just don't think it was executed.

0:29:42.760 --> 0:29:47.680
<v Speaker 1>Well, even though wife was on board or questioning whether

0:29:47.760 --> 0:29:49.560
<v Speaker 1>or not they should do it, which surprised me.

0:29:49.880 --> 0:29:52.400
<v Speaker 4>I would question it too, though you have to question

0:29:52.480 --> 0:29:56.520
<v Speaker 4>it's sure, okay, yes, definitely, and you got to question it.

0:29:56.560 --> 0:29:58.520
<v Speaker 3>And like he said, this is my whole she was like,

0:29:58.520 --> 0:30:00.680
<v Speaker 3>that's all the money we got, right, It's like damn,

0:30:01.000 --> 0:30:05.240
<v Speaker 3>which she was like, I don't know, yeah, you know,

0:30:05.400 --> 0:30:08.120
<v Speaker 3>but the sound was like, you know, it is our fault.

0:30:09.040 --> 0:30:11.840
<v Speaker 3>You know, he's telling paying the money and all that.

0:30:11.880 --> 0:30:13.400
<v Speaker 2>And he looked at him like that was a good

0:30:13.440 --> 0:30:19.680
<v Speaker 2>thing that was on the one of the few killed

0:30:19.720 --> 0:30:26.760
<v Speaker 2>that he had even undred Yeah, man, I've done that,

0:30:27.080 --> 0:30:36.760
<v Speaker 2>like put my heads like yeah, you got you gotta

0:30:36.840 --> 0:30:43.000
<v Speaker 2>run upon him, bro, Yeah, I'm not gonna put my

0:30:43.000 --> 0:30:47.360
<v Speaker 2>hands on make him think you got on exact And

0:30:47.400 --> 0:30:51.320
<v Speaker 2>I gotta learn bigger than right now. You know, I'm

0:30:54.440 --> 0:30:58.800
<v Speaker 2>like ten years. I'm a second right now, right now,

0:30:59.200 --> 0:31:04.080
<v Speaker 2>you might feel like you big. This was like the

0:31:04.080 --> 0:31:08.640
<v Speaker 2>way the scene ended. Oh yeah, yeah, my dad got

0:31:08.680 --> 0:31:10.240
<v Speaker 2>the best is in the business.

0:31:11.240 --> 0:31:17.120
<v Speaker 5>Dramatic, dramatic party fast.

0:31:17.840 --> 0:31:18.360
<v Speaker 2>You're right.

0:31:18.840 --> 0:31:25.840
<v Speaker 6>It was a long Yeah, it was like what what okay, okay,

0:31:26.000 --> 0:31:31.840
<v Speaker 6>I forget yeah right the coldest hot people.

0:31:31.680 --> 0:31:35.040
<v Speaker 3>Laughed out loud about they laughed out. I know y'all

0:31:35.080 --> 0:31:36.600
<v Speaker 3>saw it on Apple, but I went to the theater.

0:31:36.720 --> 0:31:39.360
<v Speaker 4>Man, they laughed out loud when he said that he

0:31:39.400 --> 0:31:41.040
<v Speaker 4>should have came back in there and beat your ass.

0:31:41.120 --> 0:31:44.800
<v Speaker 4>That corny, but he fixing his chart.

0:31:45.960 --> 0:31:49.480
<v Speaker 2>I gotta fix this door. I got door. What what's

0:31:49.520 --> 0:31:52.480
<v Speaker 2>wrong with the door? It was creaking? That was it?

0:31:53.000 --> 0:31:56.040
<v Speaker 2>Get the improvised It couldn't have been he couldn't.

0:31:56.840 --> 0:32:00.040
<v Speaker 3>They wrote that, yeah, because otherwise while they make the

0:32:00.040 --> 0:32:02.160
<v Speaker 3>door creaky.

0:32:01.360 --> 0:32:03.640
<v Speaker 2>They wrote that. I think they wrote him acting and

0:32:03.760 --> 0:32:11.840
<v Speaker 2>heard it like yeah, I think it's just because you're

0:32:11.880 --> 0:32:14.320
<v Speaker 2>not gonna own this scene. I don't get the last

0:32:14.320 --> 0:32:22.400
<v Speaker 2>word funk that. I'm densil what y'all pay the money? Though, Yeah,

0:32:23.640 --> 0:32:25.320
<v Speaker 2>I was really thinking about this, bro.

0:32:25.960 --> 0:32:28.320
<v Speaker 3>I was like, I was like, man, I don't know

0:32:28.360 --> 0:32:31.360
<v Speaker 3>what it would have guys seventeen nine millions, man, like

0:32:31.400 --> 0:32:34.080
<v Speaker 3>I ain't doing I'm sorry, but no guarantee you're going

0:32:34.120 --> 0:32:37.000
<v Speaker 3>to get that, especially you already know the cops know

0:32:37.040 --> 0:32:39.760
<v Speaker 3>they can't. They ain't competent that I came in every man,

0:32:39.840 --> 0:32:41.800
<v Speaker 3>So what let's just say you're gonna intend to get

0:32:41.840 --> 0:32:44.280
<v Speaker 3>the money.

0:32:43.800 --> 0:32:47.080
<v Speaker 5>And then Jeffrey Wright was like, you know, I'm good

0:32:47.280 --> 0:32:53.719
<v Speaker 5>Like I like the response, right, talking about I'm not

0:32:53.720 --> 0:32:56.760
<v Speaker 5>gonna get this back, talking about so you can't even

0:32:56.840 --> 0:33:01.480
<v Speaker 5>count that he got less than million something we couldn't

0:33:01.480 --> 0:33:05.400
<v Speaker 5>call it's.

0:33:03.600 --> 0:33:07.760
<v Speaker 3>Crazy to think in wider terms about it. You risking

0:33:08.120 --> 0:33:12.920
<v Speaker 3>your family, stability, your whole life's work for somebody else's child,

0:33:13.000 --> 0:33:15.560
<v Speaker 3>grown ass, damn their child. I don't know if I

0:33:15.600 --> 0:33:16.840
<v Speaker 3>could have brought myself to do that.

0:33:17.080 --> 0:33:19.200
<v Speaker 2>Yeah, if I had, I just gotta look at me crazy.

0:33:19.240 --> 0:33:22.200
<v Speaker 2>If I had thirty four million, h I had a

0:33:22.240 --> 0:33:23.720
<v Speaker 2>little bit more, I could do it.

0:33:23.800 --> 0:33:26.720
<v Speaker 3>But that being I thought that was that was cool

0:33:26.720 --> 0:33:29.080
<v Speaker 3>that they put the emphasis on like it's basically all

0:33:29.080 --> 0:33:30.920
<v Speaker 3>of his money if he did it.

0:33:31.000 --> 0:33:31.840
<v Speaker 2>So that's the part.

0:33:32.000 --> 0:33:34.400
<v Speaker 4>But yeah, you had to look at it like this though,

0:33:34.600 --> 0:33:38.280
<v Speaker 4>like it was his godson. Yeah, it wasn't just like

0:33:38.320 --> 0:33:42.920
<v Speaker 4>it was your son's buddy. It was like, that's your godsons,

0:33:42.920 --> 0:33:46.160
<v Speaker 4>that's basically your kid. Because because they put the exhibition

0:33:46.280 --> 0:33:48.800
<v Speaker 4>somewhere in the movie where they said something like you

0:33:48.880 --> 0:33:51.000
<v Speaker 4>got some great kids and he's like, yeah, two of

0:33:51.080 --> 0:33:52.720
<v Speaker 4>them regular son and.

0:33:52.680 --> 0:33:56.360
<v Speaker 2>God son, And I was like, who says that? Right now?

0:33:56.360 --> 0:33:59.280
<v Speaker 2>We see why they put that because they were going to.

0:33:59.320 --> 0:34:01.840
<v Speaker 4>Go back to it. So I thought that that dilemma

0:34:01.960 --> 0:34:04.040
<v Speaker 4>was actually really interesting. That was something that was different

0:34:04.040 --> 0:34:05.920
<v Speaker 4>from the original, which I'm not going to give men

0:34:05.960 --> 0:34:09.280
<v Speaker 4>spoilers obviously, but there it wasn't a god's son situation.

0:34:09.320 --> 0:34:11.600
<v Speaker 2>It was just my driver's kid.

0:34:11.920 --> 0:34:14.440
<v Speaker 4>So I thought them adding that gave it more of

0:34:14.480 --> 0:34:18.080
<v Speaker 4>an element of well, I see why you're struggling with

0:34:18.120 --> 0:34:19.080
<v Speaker 4>whether or not you should do this.

0:34:20.960 --> 0:34:23.760
<v Speaker 3>Just answer your question like if it was like my

0:34:23.760 --> 0:34:29.160
<v Speaker 3>my my best friend's uh daughter or whatever, like yeah.

0:34:28.960 --> 0:34:31.279
<v Speaker 2>I can't, I can't. I can't live with that, like

0:34:31.440 --> 0:34:32.279
<v Speaker 2>knowing I got the.

0:34:32.320 --> 0:34:35.800
<v Speaker 3>Money to have her release, and even if it was

0:34:35.840 --> 0:34:39.239
<v Speaker 3>all your money, I think so, I think so if

0:34:39.280 --> 0:34:40.799
<v Speaker 3>I'm able to do it for my son, I got

0:34:40.840 --> 0:34:43.520
<v Speaker 3>to be able to do it for for her, he said,

0:34:43.719 --> 0:34:46.239
<v Speaker 3>he said, you know, he's talking to Patrick said, I mean,

0:34:46.320 --> 0:34:48.960
<v Speaker 3>you know how his words nowadays, they'll be going up,

0:34:48.960 --> 0:34:50.439
<v Speaker 3>they'll be talking about something else in the week.

0:34:51.360 --> 0:34:52.160
<v Speaker 2>It was kind of right.

0:34:52.320 --> 0:34:55.319
<v Speaker 4>That was they did a real good job of making

0:34:55.320 --> 0:34:56.680
<v Speaker 4>Denzel look like a piece of ship.

0:34:57.680 --> 0:34:59.840
<v Speaker 2>That's what I was like, Oh, back, he's really in

0:35:00.160 --> 0:35:01.200
<v Speaker 2>a piece of ship.

0:35:01.920 --> 0:35:05.319
<v Speaker 3>He's really trash. Yeah, he ain't even like he didn't

0:35:05.320 --> 0:35:07.640
<v Speaker 3>even care. Bro, Like he was just like nah, he

0:35:07.719 --> 0:35:10.200
<v Speaker 3>said no, he said, ain't even my son. He said

0:35:10.200 --> 0:35:11.000
<v Speaker 3>they made a mistake.

0:35:11.280 --> 0:35:14.440
<v Speaker 2>Was like, all right. It was like, damn, what I

0:35:14.440 --> 0:35:19.120
<v Speaker 2>do is Spike was a tough call to mate. Bro.

0:35:20.800 --> 0:35:23.760
<v Speaker 2>That was don I was about to say that because

0:35:23.760 --> 0:35:28.840
<v Speaker 2>it is that was no way.

0:35:31.719 --> 0:35:35.279
<v Speaker 3>At you said the choir part, We're gonna get out

0:35:35.320 --> 0:35:37.719
<v Speaker 3>bitted by Moto, that's the thing, Like she's going.

0:35:39.280 --> 0:35:48.319
<v Speaker 2>Paid. Immediately came up like hot, that's what he told

0:35:48.320 --> 0:35:48.560
<v Speaker 2>the cop.

0:35:48.600 --> 0:35:57.600
<v Speaker 3>He said, keep negotiating, right, dirty negotiating what my son? Bro.

0:35:59.160 --> 0:36:02.800
<v Speaker 3>I felt then was foul for David King was fouled

0:36:02.880 --> 0:36:04.000
<v Speaker 3>for not doing it.

0:36:04.280 --> 0:36:07.000
<v Speaker 2>So so you would do it? Yeah, you almost have to.

0:36:07.400 --> 0:36:14.680
<v Speaker 3>Okay, I was watching I was like, really, not even

0:36:14.680 --> 0:36:15.279
<v Speaker 3>gonna do this?

0:36:15.400 --> 0:36:18.719
<v Speaker 2>Yeah, that's crazy. I was like that. He was like

0:36:18.880 --> 0:36:19.359
<v Speaker 2>fit sing.

0:36:19.920 --> 0:36:23.040
<v Speaker 1>So when he agreed to do it, I was surprised,

0:36:23.080 --> 0:36:23.800
<v Speaker 1>were you guys?

0:36:24.360 --> 0:36:25.520
<v Speaker 2>See I missed something.

0:36:25.640 --> 0:36:28.080
<v Speaker 3>So when he went in the room and was talking

0:36:28.120 --> 0:36:31.439
<v Speaker 3>to Jimmy Hendricks James, which was one of the worst

0:36:31.560 --> 0:36:32.000
<v Speaker 3>I've ever seen.

0:36:33.239 --> 0:36:37.520
<v Speaker 2>That was what do I do? James? What about you?

0:36:39.120 --> 0:36:39.640
<v Speaker 2>What about?

0:36:41.960 --> 0:36:43.320
<v Speaker 3>What the fuck is this?

0:36:43.920 --> 0:36:45.120
<v Speaker 2>I was playing for him the talk back.

0:36:45.160 --> 0:36:47.360
<v Speaker 3>That's why I think, you oh man, because he thinks

0:36:47.400 --> 0:36:50.279
<v Speaker 3>of when if he was talking to the pictures on

0:36:50.320 --> 0:36:52.960
<v Speaker 3>the wall, famous people. Yeah, and then he brought his

0:36:53.040 --> 0:36:55.600
<v Speaker 3>pictures down and had them talking to each other.

0:36:56.000 --> 0:36:59.120
<v Speaker 2>I'm like, what is happening? And he was almost crying

0:36:59.160 --> 0:37:01.080
<v Speaker 2>at the table or at the little dak or whatever

0:37:01.440 --> 0:37:04.880
<v Speaker 2>he was he was. He didn't sell that. No, no, no,

0:37:04.960 --> 0:37:07.000
<v Speaker 2>I thought he was. I thought he was play crying.

0:37:07.080 --> 0:37:08.799
<v Speaker 2>I did. I was like, why is he doing that

0:37:09.719 --> 0:37:11.440
<v Speaker 2>to be a comedic scene? Yeah, I didn't know he

0:37:11.520 --> 0:37:14.440
<v Speaker 2>was real to the cop walk supposed to be real?

0:37:15.040 --> 0:37:15.239
<v Speaker 2>I was.

0:37:16.000 --> 0:37:19.399
<v Speaker 4>But see when the cops said, just say you're gonna

0:37:19.400 --> 0:37:23.080
<v Speaker 4>do it, I thought he was doing yes, me too,

0:37:23.480 --> 0:37:25.600
<v Speaker 4>me too. I didn't think he was going to mean

0:37:25.719 --> 0:37:26.839
<v Speaker 4>to do it, So.

0:37:26.840 --> 0:37:27.960
<v Speaker 2>I was confused.

0:37:29.080 --> 0:37:31.319
<v Speaker 3>He said say, they say that you're going to do it,

0:37:31.360 --> 0:37:34.279
<v Speaker 3>so they to give us more time. Yes, But then

0:37:34.480 --> 0:37:37.239
<v Speaker 3>they went to him withdrawing the money, right, and I

0:37:37.280 --> 0:37:37.640
<v Speaker 3>was like.

0:37:37.520 --> 0:37:38.920
<v Speaker 2>What this here? Nothing?

0:37:39.840 --> 0:37:42.320
<v Speaker 1>It just said, yeah, well we'll do it. It's go

0:37:42.360 --> 0:37:45.040
<v Speaker 1>ahead and tell him trey. Trey said, we'll pay the money.

0:37:45.360 --> 0:37:47.160
<v Speaker 1>That's when Jeffery.

0:37:46.920 --> 0:37:49.279
<v Speaker 2>Right here on the get on his knees so they

0:37:49.320 --> 0:37:53.560
<v Speaker 2>could plan the sting operation. Hm. Maybe it was so

0:37:53.560 --> 0:37:55.799
<v Speaker 2>they could play the sting operation. Tell him you do it.

0:37:55.800 --> 0:37:57.960
<v Speaker 2>We're playing the sting operation. But that still got it.

0:37:57.960 --> 0:38:00.759
<v Speaker 3>But he's still got the money, US police money to

0:38:00.800 --> 0:38:02.120
<v Speaker 3>do it, right, I want to catch you.

0:38:03.160 --> 0:38:04.959
<v Speaker 2>I thought that's what they did.

0:38:05.719 --> 0:38:08.120
<v Speaker 4>I thought in situations like that, I thought they wouldn't

0:38:08.160 --> 0:38:10.320
<v Speaker 4>use police mark bills.

0:38:10.520 --> 0:38:11.799
<v Speaker 2>I give them mark bills to do.

0:38:11.880 --> 0:38:15.200
<v Speaker 3>That's what every movie that I've seen, right, And it

0:38:15.239 --> 0:38:18.160
<v Speaker 3>ain't a big ass tracker in it. It's like, oh,

0:38:18.239 --> 0:38:21.360
<v Speaker 3>here's the track, like put a small little fucking bug

0:38:21.400 --> 0:38:24.399
<v Speaker 3>in and something like like like you can clearly see

0:38:24.400 --> 0:38:26.760
<v Speaker 3>ther fucking trackers in there. Like this ship was stupid.

0:38:27.120 --> 0:38:27.920
<v Speaker 3>It was real stupid.

0:38:28.040 --> 0:38:33.920
<v Speaker 2>They just the standard spightly shot.

0:38:34.239 --> 0:38:35.840
<v Speaker 1>He was like, okay, so I was gonna go and

0:38:35.880 --> 0:38:37.120
<v Speaker 1>then he did all breakdown.

0:38:37.800 --> 0:38:40.399
<v Speaker 3>It was cool to see that because you're waiting, you're

0:38:40.400 --> 0:38:40.920
<v Speaker 3>waiting for this.

0:38:42.080 --> 0:38:44.239
<v Speaker 2>But they did it to the wrong person. They did

0:38:44.239 --> 0:38:46.680
<v Speaker 2>it to the fucking black cop. Yeah. I'm like, no,

0:38:46.840 --> 0:38:48.799
<v Speaker 2>we don't need to float scene for the black cop.

0:38:48.800 --> 0:38:49.879
<v Speaker 2>We even care about him.

0:38:51.719 --> 0:38:53.600
<v Speaker 3>We don't even like him, we like him at all

0:38:54.800 --> 0:38:56.719
<v Speaker 3>because at least the brother moves on when he came

0:38:56.719 --> 0:38:56.960
<v Speaker 3>in the.

0:38:56.920 --> 0:39:00.839
<v Speaker 2>Room or something. Yeah, yeah, I had some interesting Yeah,

0:39:00.880 --> 0:39:03.600
<v Speaker 2>he would have delivered it better. Yep. Absolutely, because he's

0:39:03.600 --> 0:39:05.799
<v Speaker 2>actually a good actor. Yeah, yeah I did. I don't

0:39:05.800 --> 0:39:06.799
<v Speaker 2>think he was bad, you know.

0:39:07.280 --> 0:39:10.120
<v Speaker 3>Yeah, what did you have to think about?

0:39:10.440 --> 0:39:12.680
<v Speaker 2>The plan?

0:39:13.239 --> 0:39:15.560
<v Speaker 3>They had to actually get the money because one of

0:39:15.600 --> 0:39:17.320
<v Speaker 3>the things that they were saying was they were like

0:39:17.320 --> 0:39:18.680
<v Speaker 3>because I was thinking the same thing too.

0:39:18.680 --> 0:39:21.120
<v Speaker 1>It was like, this guy really can't be that stupid. Yeah,

0:39:21.440 --> 0:39:23.239
<v Speaker 1>like to say, just bring the money here and it

0:39:23.239 --> 0:39:25.600
<v Speaker 1>will do this change, Like, you have to have some

0:39:25.840 --> 0:39:26.319
<v Speaker 1>type of plan.

0:39:26.360 --> 0:39:28.880
<v Speaker 3>I thought playing it actually was smart to hit the

0:39:28.920 --> 0:39:32.320
<v Speaker 3>subway break, make them full and stumble and then asap

0:39:32.400 --> 0:39:34.640
<v Speaker 3>plan was Yeah, I thought it was pretty smart.

0:39:34.719 --> 0:39:37.279
<v Speaker 2>But the dropping another bag off of braids, would y'all

0:39:37.320 --> 0:39:39.239
<v Speaker 2>drop that bag like that? He no thig.

0:39:39.400 --> 0:39:42.320
<v Speaker 3>That bag would have been on my body like that

0:39:42.480 --> 0:39:44.359
<v Speaker 3>seventeen million wouldn't have left and know.

0:39:44.320 --> 0:39:46.680
<v Speaker 2>Oh I dropped it. Nah, that's the point. I would

0:39:46.680 --> 0:39:47.760
<v Speaker 2>have tied it to my wrist.

0:39:48.040 --> 0:39:51.440
<v Speaker 4>Like the plan itself was dope. It was such an

0:39:51.480 --> 0:39:53.920
<v Speaker 4>interesting plan until you stop and think about it. If

0:39:53.960 --> 0:39:56.319
<v Speaker 4>a motherfucker had a backpack for a seventeen mili, he's

0:39:56.320 --> 0:39:57.680
<v Speaker 4>not holding it by one strip.

0:39:58.800 --> 0:40:08.640
<v Speaker 2>That's crazy, I would feel for real before I would

0:40:08.680 --> 0:40:11.279
<v Speaker 2>have been the Andrew Spider Man. And then No Way

0:40:11.320 --> 0:40:12.800
<v Speaker 2>Home ship. I'd have dove.

0:40:12.600 --> 0:40:16.040
<v Speaker 3>Off that bit like this ain't no fucking way, I'm

0:40:16.040 --> 0:40:17.680
<v Speaker 3>just dropping a bag of seventeen bill.

0:40:17.920 --> 0:40:19.120
<v Speaker 2>That ship made no sense.

0:40:19.200 --> 0:40:23.000
<v Speaker 4>But watching it, I thought it was super dope, super dope,

0:40:23.040 --> 0:40:26.400
<v Speaker 4>the way they did that whole scene, especially with I mean,

0:40:26.440 --> 0:40:29.880
<v Speaker 4>we didn't need Rosie. Oh no, Rosie o'donald Rosie Perez

0:40:30.080 --> 0:40:32.759
<v Speaker 4>and Andrew Relmos kind of ham fisted it, but it

0:40:32.840 --> 0:40:35.279
<v Speaker 4>was fine. But when they went from that to the

0:40:35.360 --> 0:40:38.960
<v Speaker 4>train and then the music, the Puerto Rican music, and

0:40:38.960 --> 0:40:42.120
<v Speaker 4>then the dude's chanting, I thought, now that Spike Lee.

0:40:42.760 --> 0:40:47.000
<v Speaker 4>That is fucking prime Spike Lee. That whole scene, the

0:40:47.000 --> 0:40:48.080
<v Speaker 4>way it was done.

0:40:47.880 --> 0:40:49.960
<v Speaker 2>Was amazing, amazing.

0:40:50.320 --> 0:40:52.160
<v Speaker 4>But when he dropped the money and the dude caught

0:40:52.160 --> 0:41:00.520
<v Speaker 4>it and then threw it over the thing, I was like.

0:40:57.239 --> 0:41:01.000
<v Speaker 2>That was really dope. But Denzel didn't seem that concerned.

0:41:01.400 --> 0:41:04.200
<v Speaker 2>He isn't concerned enough for me. If you just dropped

0:41:04.239 --> 0:41:09.960
<v Speaker 2>your life savings, I need a I need that. But

0:41:10.000 --> 0:41:13.160
<v Speaker 2>he was just like, you give my money? Who got

0:41:13.160 --> 0:41:16.960
<v Speaker 2>to get my money back? What? This is your king?

0:41:17.000 --> 0:41:19.080
<v Speaker 2>It's like y'all talk about his best accurate what.

0:41:19.920 --> 0:41:24.680
<v Speaker 3>So they took the tracker and threw it out the bag, assuming, yeah,

0:41:24.719 --> 0:41:28.719
<v Speaker 3>but the tracker is still I was like, the track.

0:41:28.480 --> 0:41:29.120
<v Speaker 2>Is still in the bag.

0:41:29.120 --> 0:41:30.840
<v Speaker 3>They must have took the big ass tracker out of

0:41:30.840 --> 0:41:32.640
<v Speaker 3>the back and then the tracker just disappeared.

0:41:32.760 --> 0:41:34.719
<v Speaker 4>I think that's why he specifically said, put it in

0:41:34.719 --> 0:41:35.479
<v Speaker 4>a Jordan bag.

0:41:36.480 --> 0:41:37.600
<v Speaker 2>Now he didn't say what color.

0:41:37.920 --> 0:41:39.920
<v Speaker 4>I don't think, but I think that's why he specifically

0:41:39.920 --> 0:41:42.640
<v Speaker 4>said have it in a Jordan bag, because they can

0:41:42.719 --> 0:41:46.280
<v Speaker 4>already have a Jordan bag ready for the swap.

0:41:46.680 --> 0:41:48.880
<v Speaker 3>And then once they swapped, they take the tracker out

0:41:48.960 --> 0:41:50.680
<v Speaker 3>and put it in the other bag. That's what they

0:41:51.080 --> 0:41:54.560
<v Speaker 3>I don't think that, yes, we didn't see that happen

0:41:55.719 --> 0:41:58.440
<v Speaker 3>the words and the signal was lost, Like, why was

0:41:58.480 --> 0:42:00.400
<v Speaker 3>the signal? That's why I thought they took the tracker

0:42:00.400 --> 0:42:02.319
<v Speaker 3>out the back. Even if you take the track out

0:42:02.320 --> 0:42:03.560
<v Speaker 3>of the bag, while was the signals?

0:42:03.560 --> 0:42:04.680
<v Speaker 2>When was the signal loss?

0:42:05.320 --> 0:42:07.640
<v Speaker 3>He was when Mayhem was trying to find it, Hm,

0:42:07.920 --> 0:42:10.480
<v Speaker 3>it was said, no signal on the tracker.

0:42:10.480 --> 0:42:12.239
<v Speaker 2>You said, yeah, I lost the signal on the on

0:42:12.280 --> 0:42:12.760
<v Speaker 2>the tracker.

0:42:12.960 --> 0:42:15.080
<v Speaker 4>Maybe they turned it off while they were putting it

0:42:15.080 --> 0:42:17.120
<v Speaker 4>in another bag and then turned it back on to

0:42:17.320 --> 0:42:18.279
<v Speaker 4>throw the cent off.

0:42:18.360 --> 0:42:20.120
<v Speaker 2>I don't know, or it's just.

0:42:20.080 --> 0:42:25.120
<v Speaker 3>Bad because I'm because I'm like, he's gonna catch them, Like,

0:42:25.480 --> 0:42:27.520
<v Speaker 3>you know, I thought the more pad stuff, whatever they

0:42:27.600 --> 0:42:30.399
<v Speaker 3>had was was good. And I thought that I thought

0:42:30.480 --> 0:42:33.359
<v Speaker 3>Mayhem was going to shoot that cop shooting after God,

0:42:33.360 --> 0:42:35.799
<v Speaker 3>shoot that black shoot that guy he found the on

0:42:35.880 --> 0:42:36.440
<v Speaker 3>the mopad.

0:42:37.239 --> 0:42:38.799
<v Speaker 2>Yeah, it was kind of leading up to that. That

0:42:38.880 --> 0:42:40.799
<v Speaker 2>might have made it more interesting, but yeah.

0:42:40.600 --> 0:42:42.360
<v Speaker 3>And then they wouldn't find a way to get Coyle,

0:42:42.560 --> 0:42:43.920
<v Speaker 3>and blah blah blah was like, oh, you're going to

0:42:43.960 --> 0:42:46.160
<v Speaker 3>shoot the only person they have and none of that

0:42:46.200 --> 0:42:49.120
<v Speaker 3>happened because again the vibes he was giving up anyway.

0:42:49.440 --> 0:42:51.520
<v Speaker 2>Yeah, so they got it. They got cole back, We

0:42:51.600 --> 0:42:54.200
<v Speaker 2>got surprises. They let him go. I was I thought

0:42:54.239 --> 0:42:56.440
<v Speaker 2>he was going to kill him. I didn't think they

0:42:56.480 --> 0:42:57.839
<v Speaker 2>were going to kill him because at this point I

0:42:57.880 --> 0:43:01.879
<v Speaker 2>was like, oh, these aren't real. I think I thought

0:43:01.960 --> 0:43:02.920
<v Speaker 2>they were going to let him go.

0:43:03.080 --> 0:43:05.760
<v Speaker 3>And he was just trying to prove a point because dude,

0:43:06.080 --> 0:43:10.840
<v Speaker 3>we Denzel's character. He had ran into him earlier obviously,

0:43:10.920 --> 0:43:12.360
<v Speaker 3>and he was just trying to tup a point and

0:43:12.440 --> 0:43:14.040
<v Speaker 3>make him suffer like he was suffering.

0:43:15.400 --> 0:43:18.759
<v Speaker 2>Yeah, but you know, yeah what Yeah, I was. I was.

0:43:18.920 --> 0:43:20.279
<v Speaker 1>It was good to see him let go and he

0:43:20.360 --> 0:43:24.279
<v Speaker 1>got back reunited and stuff like that. The ransom was

0:43:24.280 --> 0:43:27.919
<v Speaker 1>a good thing for the business, but also a bad

0:43:27.920 --> 0:43:32.239
<v Speaker 1>thing for the business because business is business. And he

0:43:32.360 --> 0:43:36.440
<v Speaker 1>used that money that he got to finance buying his

0:43:36.920 --> 0:43:41.120
<v Speaker 1>state for something else, and the financing company was like

0:43:41.560 --> 0:43:43.520
<v Speaker 1>that shit's good, but we want our money.

0:43:44.360 --> 0:43:47.920
<v Speaker 3>And what's happening. How did it come up so quickly?

0:43:48.040 --> 0:43:50.400
<v Speaker 3>Is it because the amount was in the news.

0:43:50.719 --> 0:43:54.200
<v Speaker 1>Yeah, everything was in The finance company responded, saying, well,

0:43:54.200 --> 0:43:56.040
<v Speaker 1>that was supposed to be our money. Yeah, and that's

0:43:56.080 --> 0:44:00.760
<v Speaker 1>why they accused him of fraud, which legally it probably was. Huh,

0:44:01.160 --> 0:44:04.440
<v Speaker 1>And David was like, no, not David, but uh, they guy.

0:44:04.320 --> 0:44:07.920
<v Speaker 4>From the Wires on I don't remember his name in

0:44:08.000 --> 0:44:10.120
<v Speaker 4>this the guy from the Wire, guy from the Wire betides.

0:44:11.600 --> 0:44:16.439
<v Speaker 2>Oh I forgot. I forgot he was yea they did.

0:44:20.040 --> 0:44:22.520
<v Speaker 4>I didn't need that at all. I didn't need that.

0:44:22.680 --> 0:44:24.359
<v Speaker 4>Who the fuck still does that?

0:44:25.360 --> 0:44:26.200
<v Speaker 2>People still doing?

0:44:27.000 --> 0:44:32.960
<v Speaker 3>Yeah, still run into somebody, but yeah, I was like, what.

0:44:32.760 --> 0:44:35.880
<v Speaker 2>In the world? That was one thing too? Did you

0:44:36.040 --> 0:44:39.399
<v Speaker 2>think Denzel was acting like too young? Yeah? I thought

0:44:39.400 --> 0:44:41.239
<v Speaker 2>he was little.

0:44:41.320 --> 0:44:45.040
<v Speaker 3>Yeah, I'm wondering if that was because he was still

0:44:45.080 --> 0:44:47.080
<v Speaker 3>in the music is I think that's what That's what

0:44:47.120 --> 0:44:49.640
<v Speaker 3>I thought, though, like it was given Russell Simmons.

0:44:50.040 --> 0:44:53.280
<v Speaker 2>That's what Simmons don't be like doing all the extra ship.

0:44:53.360 --> 0:44:55.719
<v Speaker 4>I can see, I can see. I could absolutely see

0:44:55.719 --> 0:44:57.240
<v Speaker 4>when he was still alive. I could see Quincy Jones

0:44:57.239 --> 0:45:00.560
<v Speaker 4>doing that really yeah, because Quincy Jones was cool, but

0:45:00.600 --> 0:45:02.520
<v Speaker 4>I could see him being kind of corny at times.

0:45:02.520 --> 0:45:05.359
<v Speaker 1>And this guy was grew up with Elson with hip

0:45:05.360 --> 0:45:08.200
<v Speaker 1>hop too, so some of that stuff is just kind

0:45:08.200 --> 0:45:10.560
<v Speaker 1>of just who he is. So that's why you said

0:45:10.600 --> 0:45:14.560
<v Speaker 1>Russell Simmons, I think that's that's that's great comparison.

0:45:15.280 --> 0:45:18.040
<v Speaker 2>But I do feel you because there was like seventy something.

0:45:18.040 --> 0:45:22.279
<v Speaker 3>Russell Simmons quiet, but like he can he give off

0:45:22.400 --> 0:45:25.000
<v Speaker 3>nigga two sometimes, like you could tell that, you know

0:45:25.040 --> 0:45:27.600
<v Speaker 3>what I'm saying, He don't really just modify his behavior

0:45:27.719 --> 0:45:29.880
<v Speaker 3>just because he in big boardrooms and stuff like that,

0:45:30.600 --> 0:45:33.440
<v Speaker 3>And I feel like this character was the same way.

0:45:33.520 --> 0:45:33.719
<v Speaker 2>Yeah.

0:45:33.800 --> 0:45:37.879
<v Speaker 3>So Patrick comes in, uh, moves on, and then some

0:45:37.920 --> 0:45:41.160
<v Speaker 3>white guy stand or whatever his name was, and they

0:45:41.200 --> 0:45:43.960
<v Speaker 3>basically Denzel was like, hey, you know, deal's back on.

0:45:44.040 --> 0:45:47.160
<v Speaker 1>We can do the deal. And Patrick's like, nah, we good.

0:45:47.360 --> 0:45:49.920
<v Speaker 1>Business is good because of what you did. So we're straight.

0:45:49.960 --> 0:45:52.680
<v Speaker 1>We don't need to do the deal anymore. So we're

0:45:52.719 --> 0:45:55.080
<v Speaker 1>back on top. Which this was kind of confusing to

0:45:55.120 --> 0:46:02.240
<v Speaker 1>me because didn't he buy hit Patrick Steak in the company?

0:46:02.239 --> 0:46:06.319
<v Speaker 3>Did he not sign the paperwork, because if he did,

0:46:06.400 --> 0:46:08.719
<v Speaker 3>he owns controlling interest in the company, So how was

0:46:08.760 --> 0:46:11.520
<v Speaker 3>he unable or unaware of what was going on with.

0:46:12.600 --> 0:46:14.320
<v Speaker 2>I just assume he didn't do it yet or something.

0:46:14.360 --> 0:46:17.160
<v Speaker 2>I don't know. I don't know. You have to make

0:46:17.160 --> 0:46:18.880
<v Speaker 2>a lot of assumptions for this movie, Yes you do.

0:46:20.360 --> 0:46:22.040
<v Speaker 2>There was This was a big pitch movie.

0:46:22.080 --> 0:46:24.239
<v Speaker 3>Not a lot of details that like, I don't think

0:46:24.280 --> 0:46:27.800
<v Speaker 3>Spike Lee worked on the details overall premise.

0:46:28.040 --> 0:46:32.880
<v Speaker 2>No, he didn't. Didn't. But if well, and I had

0:46:32.920 --> 0:46:33.880
<v Speaker 2>to talk myself into it.

0:46:33.880 --> 0:46:35.480
<v Speaker 1>I was like, well, if you're still own the company

0:46:35.520 --> 0:46:37.760
<v Speaker 1>and sales and stuff was good, then why are you tripping?

0:46:38.239 --> 0:46:41.279
<v Speaker 2>But he needed the money as to pay it back?

0:46:41.880 --> 0:46:44.759
<v Speaker 2>Uh so damn. So that's that's why.

0:46:44.920 --> 0:46:47.840
<v Speaker 3>That's because I was like, okay, well I did he

0:46:47.880 --> 0:46:57.319
<v Speaker 3>needed things got rocky. I was like, fun, business is good,

0:46:57.480 --> 0:46:59.439
<v Speaker 3>but he needed the seventeen to five to pay back

0:47:00.640 --> 0:47:05.840
<v Speaker 3>in two weeks, so he needed it right away.

0:47:06.400 --> 0:47:08.560
<v Speaker 2>So anyway, so all this going on, blah blah blah

0:47:08.560 --> 0:47:09.040
<v Speaker 2>blah blah.

0:47:09.160 --> 0:47:13.520
<v Speaker 3>Then the best music ears, the best ears in music

0:47:13.600 --> 0:47:19.400
<v Speaker 3>rise listening to his song Yes that they asked Cayle about, He's.

0:47:19.239 --> 0:47:21.480
<v Speaker 2>Like, he kept playing this one song over and over again.

0:47:22.160 --> 0:47:24.799
<v Speaker 2>You know, it turns out it was this song. It

0:47:24.840 --> 0:47:32.160
<v Speaker 2>clearly sounds like the caller dude, very fucking unique voice,

0:47:33.560 --> 0:47:34.960
<v Speaker 2>like he's just cracked the case.

0:47:35.080 --> 0:47:40.719
<v Speaker 3>Like cle But once again, I'm not gonna forget my

0:47:42.160 --> 0:47:43.640
<v Speaker 3>why were the cops.

0:47:43.520 --> 0:47:47.160
<v Speaker 2>Acting like that? He came he came in and was like,

0:47:47.239 --> 0:47:49.400
<v Speaker 2>I figured out the song. They're like, we don't need that.

0:47:49.560 --> 0:47:54.520
<v Speaker 2>Just leave. What what do you mean it's protocol? How

0:47:54.640 --> 0:47:57.680
<v Speaker 2>is it protocol? Listen to the fucking song? At least?

0:47:58.040 --> 0:48:00.319
<v Speaker 3>And when the black cop was being such a dick,

0:48:00.719 --> 0:48:03.520
<v Speaker 3>I was like, I don't understand what's started thinking, Okay,

0:48:03.560 --> 0:48:06.760
<v Speaker 3>maybe they really changed the whole story and these guys

0:48:06.800 --> 0:48:10.960
<v Speaker 3>aren't actually cops. I was like, maybe these guys are

0:48:11.000 --> 0:48:13.000
<v Speaker 3>part of a SAPs team and they did.

0:48:12.880 --> 0:48:15.239
<v Speaker 2>It because did have tim. I don't know if.

0:48:17.719 --> 0:48:21.680
<v Speaker 3>His tongue kind of pulled. He was New York under Couplespike.

0:48:22.040 --> 0:48:28.120
<v Speaker 3>He was, he was, he was Torres throwing nuts. Dude,

0:48:28.239 --> 0:48:30.200
<v Speaker 3>I know that man ain't in his life.

0:48:30.239 --> 0:48:36.160
<v Speaker 2>I think he has that man, where's he from?

0:48:36.200 --> 0:48:39.640
<v Speaker 3>Is he from New York? Everybody from yours? That's so

0:48:39.800 --> 0:48:41.400
<v Speaker 3>PASSI even cops.

0:48:44.560 --> 0:48:47.360
<v Speaker 1>So yeah, So the cops were being assholes for whatever reason.

0:48:47.640 --> 0:48:50.200
<v Speaker 1>This didn't make any sense to me that I was confused.

0:48:51.520 --> 0:48:54.200
<v Speaker 1>This on the nose name of the rapper, Young Felon.

0:48:55.239 --> 0:48:58.200
<v Speaker 1>I want to throw my phone against the I was.

0:48:58.160 --> 0:49:02.160
<v Speaker 2>Like, are you all serious? Man? Are you serious? I

0:49:02.280 --> 0:49:05.040
<v Speaker 2>just I was like, no way, you're doing this, bro?

0:49:05.719 --> 0:49:08.959
<v Speaker 2>You really named him Young Felon? Like, come on, man,

0:49:09.280 --> 0:49:10.000
<v Speaker 2>he comes.

0:49:09.760 --> 0:49:11.560
<v Speaker 3>Back in with the song. I think this is the

0:49:11.560 --> 0:49:13.520
<v Speaker 3>guy is this is a song? So it's like yeah,

0:49:14.480 --> 0:49:15.320
<v Speaker 3>and it's a rapper.

0:49:15.120 --> 0:49:17.000
<v Speaker 2>Named Young Felon from New York.

0:49:17.239 --> 0:49:20.520
<v Speaker 3>See he's war teams. He's sixty one years old. It

0:49:20.640 --> 0:49:23.320
<v Speaker 3>was good for six years a white guy. But yeah,

0:49:23.440 --> 0:49:25.239
<v Speaker 3>this this ship was really aggravating.

0:49:25.320 --> 0:49:29.359
<v Speaker 2>So did you like the song? You don't like the song?

0:49:29.400 --> 0:49:31.320
<v Speaker 2>I liked it. When they played it later in the moment,

0:49:31.440 --> 0:49:33.560
<v Speaker 2>I was like, this is trash. That's when I was asking.

0:49:33.880 --> 0:49:35.480
<v Speaker 1>I think I was gonna text you and ask you

0:49:35.520 --> 0:49:37.239
<v Speaker 1>if you heard it because I listened to the single

0:49:37.280 --> 0:49:38.240
<v Speaker 1>before the movie game.

0:49:38.680 --> 0:49:40.880
<v Speaker 2>It was released as a single. Yeah, this is nice.

0:49:40.920 --> 0:49:44.480
<v Speaker 2>I like this. It was a big rock fandom. That's crazy.

0:49:45.920 --> 0:49:49.480
<v Speaker 2>It's not like it being but still that's not I

0:49:49.560 --> 0:49:50.960
<v Speaker 2>like the song. This song sounds good.

0:49:51.560 --> 0:49:55.160
<v Speaker 3>It's like everything else do not. Really it was a

0:49:55.160 --> 0:49:57.759
<v Speaker 3>little different. I'm surried you don't like him. He's very

0:49:57.840 --> 0:49:59.799
<v Speaker 3>Southern sounded, so I'm surprised you didn't mess with him.

0:49:59.840 --> 0:50:02.400
<v Speaker 2>But I was surprised. The song wasn't bad.

0:50:02.200 --> 0:50:05.560
<v Speaker 4>But it was like it just it just aggravated me

0:50:05.600 --> 0:50:08.000
<v Speaker 4>because it's like, bro, so y'all were playing your own music.

0:50:08.400 --> 0:50:11.040
<v Speaker 2>Around the dude. That was when I said go ahead.

0:50:11.239 --> 0:50:14.200
<v Speaker 3>So we are under the ass that they kidnapped him

0:50:14.239 --> 0:50:16.719
<v Speaker 3>and had him in the studio while they were recording.

0:50:17.440 --> 0:50:17.600
<v Speaker 2>Is that?

0:50:17.680 --> 0:50:20.879
<v Speaker 3>What was Either that or they were just playing the

0:50:20.880 --> 0:50:22.600
<v Speaker 3>song at the stash house.

0:50:22.719 --> 0:50:25.279
<v Speaker 4>I don't know, but either way, it's like, Bro, this

0:50:25.360 --> 0:50:27.520
<v Speaker 4>is this is just getting ridiculous.

0:50:29.360 --> 0:50:32.239
<v Speaker 2>Okay, you thought that was ridiculous.

0:50:33.360 --> 0:50:39.920
<v Speaker 1>Oh how ridiculous was it for a convicted felon and

0:50:40.000 --> 0:50:44.560
<v Speaker 1>a music mogul to go get their own money back?

0:50:46.080 --> 0:50:49.120
<v Speaker 2>I was so done at this. I was like, are

0:50:49.200 --> 0:50:55.719
<v Speaker 2>y'all serious? The streets way? I was like, what what?

0:50:55.960 --> 0:51:02.320
<v Speaker 2>The streets seventeen much the studio to record some songs?

0:51:03.280 --> 0:51:06.640
<v Speaker 4>Seventeen When Jeffrey Wright was texting, who's this nigga?

0:51:06.680 --> 0:51:08.440
<v Speaker 2>I was like, you don't say nigga like that? I

0:51:08.480 --> 0:51:09.640
<v Speaker 2>know you don't.

0:51:09.680 --> 0:51:12.000
<v Speaker 4>This just felt weird. You don't type nigga like that.

0:51:12.800 --> 0:51:14.120
<v Speaker 4>You said, who is this young man?

0:51:14.800 --> 0:51:18.839
<v Speaker 2>That's what you type? Jeffrey, Right, there's no way they're

0:51:18.840 --> 0:51:19.720
<v Speaker 2>going to get the money.

0:51:19.760 --> 0:51:22.080
<v Speaker 3>And they roll up on the apartment, and the apartment

0:51:22.440 --> 0:51:25.239
<v Speaker 3>you saw the number they were living in.

0:51:26.320 --> 0:51:27.800
<v Speaker 2>You're lying, no, it wasn't.

0:51:28.080 --> 0:51:40.719
<v Speaker 7>Probably twenty four brom Like, I was so fucking.

0:51:43.840 --> 0:51:49.359
<v Speaker 3>When I saw this, Are y'all fucking status bro twenty four?

0:51:49.480 --> 0:51:52.239
<v Speaker 3>This movie's asked, Yeah, I thought that was card to

0:51:52.239 --> 0:51:52.960
<v Speaker 3>b For a second.

0:51:53.239 --> 0:51:59.640
<v Speaker 2>That didn't look like she's so cute, but she's not rapping.

0:52:00.440 --> 0:52:06.279
<v Speaker 2>I was like, she looked there and had closing right. Yeah,

0:52:08.239 --> 0:52:11.560
<v Speaker 2>she just looked very calm and meek. And I was like, oh, I,

0:52:11.719 --> 0:52:12.880
<v Speaker 2>Spice is so shoe.

0:52:12.920 --> 0:52:15.719
<v Speaker 3>You got to see her in her new video Horny

0:52:16.320 --> 0:52:17.040
<v Speaker 3>to see that ship.

0:52:17.360 --> 0:52:23.840
<v Speaker 2>I've killing me with that ship. I'm telling you that

0:52:23.920 --> 0:52:34.880
<v Speaker 2>one on what's a video with her? No mommy? Yeah? Absolutely?

0:52:34.920 --> 0:52:38.360
<v Speaker 2>Yeah is the mom in the video? No?

0:52:39.080 --> 0:52:42.200
<v Speaker 1>But anyway, So I had the whole conversation with the girl.

0:52:42.200 --> 0:52:46.920
<v Speaker 1>We understand the relationship between David and and young fella

0:52:47.320 --> 0:52:52.520
<v Speaker 1>who named his kid David. She has the cardio bra

0:52:52.680 --> 0:52:56.080
<v Speaker 1>slid on and stuff like that, and all this other

0:52:56.120 --> 0:52:56.960
<v Speaker 1>stuff that was so.

0:52:59.000 --> 0:53:03.520
<v Speaker 2>And then they go to the uh to the studio.

0:53:04.280 --> 0:53:06.920
<v Speaker 2>She told everything and then a dog almost got Denzel.

0:53:07.360 --> 0:53:10.319
<v Speaker 2>Why was this in the movie? Why was this in

0:53:10.360 --> 0:53:21.920
<v Speaker 2>the movie? What are you doing? What are y'all doing?

0:53:22.880 --> 0:53:27.560
<v Speaker 2>Even like a vicious dog dog like he wanted to play.

0:53:29.040 --> 0:53:31.960
<v Speaker 3>Was not even part and aggressive he did, and his

0:53:32.040 --> 0:53:34.760
<v Speaker 3>face didn't even look mean, like not like a regular people.

0:53:35.000 --> 0:53:37.680
<v Speaker 2>He looked like, oh my god, bro, this ship was

0:53:37.719 --> 0:53:38.280
<v Speaker 2>so stupid.

0:53:38.400 --> 0:53:50.879
<v Speaker 3>Yeah, and uh so anyway, so yeah, so ace happened

0:53:51.080 --> 0:53:53.920
<v Speaker 3>in uh Denzel Denzel have.

0:53:53.800 --> 0:53:56.520
<v Speaker 2>A conversation and it's a lot of preaching. Is the

0:53:56.560 --> 0:53:59.880
<v Speaker 2>conversation was the rap battle and a rap battle, like

0:54:00.600 --> 0:54:04.279
<v Speaker 2>I'm like this, it's a little it went long, but

0:54:04.320 --> 0:54:06.719
<v Speaker 2>it was. It wasn't bad, but it went a little long.

0:54:06.760 --> 0:54:07.560
<v Speaker 2>It did go a little long.

0:54:07.600 --> 0:54:09.720
<v Speaker 3>I was just like, damn, y'all, y'all, y'all really milked

0:54:09.719 --> 0:54:12.120
<v Speaker 3>this one. Y'all really milked this one because it could

0:54:12.120 --> 0:54:13.320
<v Speaker 3>have been a really good scene.

0:54:13.440 --> 0:54:17.399
<v Speaker 4>Like but yeah, y'all, look it went a little long

0:54:17.440 --> 0:54:21.160
<v Speaker 4>and y'all milked it. But no, yeah, I agree with percent.

0:54:21.280 --> 0:54:23.600
<v Speaker 4>Yeah it went a bit too long. I was just like,

0:54:23.640 --> 0:54:26.040
<v Speaker 4>all right, bro, I'm really supposed to believe Denzel's up

0:54:26.040 --> 0:54:27.560
<v Speaker 4>here rapping like this right right?

0:54:27.719 --> 0:54:30.160
<v Speaker 2>This is this is a little I like the acknowledgement

0:54:30.200 --> 0:54:31.720
<v Speaker 2>in it. It was like, what are we having a battle?

0:54:31.760 --> 0:54:34.279
<v Speaker 3>Now? You waited too long to say that because I

0:54:34.480 --> 0:54:35.680
<v Speaker 3>said that right when he started raping?

0:54:36.600 --> 0:54:38.000
<v Speaker 2>What are we doing? Right? Now right.

0:54:38.400 --> 0:54:41.240
<v Speaker 3>Yeah, yeah, so yeah, he was like, oh you hollow,

0:54:41.360 --> 0:54:42.320
<v Speaker 3>lonely quiet.

0:54:42.480 --> 0:54:45.040
<v Speaker 1>That's what I want to hear about, not the outside.

0:54:45.040 --> 0:54:46.680
<v Speaker 1>I want it was inside outside.

0:54:47.320 --> 0:54:52.040
<v Speaker 3>You know, he's did the whole father line and.

0:54:50.880 --> 0:54:52.840
<v Speaker 2>He's like, yeah, should add like the hook, like you

0:54:52.880 --> 0:55:03.680
<v Speaker 2>know where my fucking money like that? Ol. That sounds

0:55:03.680 --> 0:55:06.319
<v Speaker 2>like some ship can't just say to his tongue, make

0:55:06.360 --> 0:55:10.239
<v Speaker 2>the hook? Wisheal got damn back? Like I said, some

0:55:10.320 --> 0:55:13.400
<v Speaker 2>bar right, because second I thought it was gonna give

0:55:13.560 --> 0:55:16.800
<v Speaker 2>some really fight I did. I really did YO know

0:55:17.080 --> 0:55:19.040
<v Speaker 2>that ship like yo.

0:55:19.680 --> 0:55:23.680
<v Speaker 4>I was paused when like the sucking the buddy left

0:55:24.520 --> 0:55:27.560
<v Speaker 4>the guy that was recording. I paused for a minute.

0:55:27.560 --> 0:55:29.960
<v Speaker 4>I rounded back because I must have missed something. The

0:55:30.040 --> 0:55:32.560
<v Speaker 4>dude left and never came in the door.

0:55:32.920 --> 0:55:37.680
<v Speaker 2>Yeah you know you're not calling nobody. You ain't got back.

0:55:38.560 --> 0:55:40.719
<v Speaker 2>We had a cold conversation about the hood bro. So

0:55:40.800 --> 0:55:43.919
<v Speaker 2>he was like, I'm not gonna go snitch. I'm going

0:55:43.960 --> 0:55:45.560
<v Speaker 2>to get in the halmies. I don't.

0:55:45.560 --> 0:55:47.840
<v Speaker 3>I think he probably was just an engineer. Maybe he

0:55:47.920 --> 0:55:48.920
<v Speaker 3>was a part of the team.

0:55:49.360 --> 0:55:51.680
<v Speaker 2>Yeah, but we see, okay, okay.

0:55:51.960 --> 0:55:54.640
<v Speaker 3>Just trying to make because I was I was like, bro,

0:55:54.680 --> 0:55:56.240
<v Speaker 3>why are you just gonna yeah, I don't.

0:55:56.040 --> 0:55:59.080
<v Speaker 2>Know that makes sense because yeah, but yeah.

0:56:00.480 --> 0:56:03.480
<v Speaker 3>Right, m yeah that would happened to our boy facts

0:56:03.760 --> 0:56:08.280
<v Speaker 3>that would We're not gonna s awfoy. That wouldn't have happened.

0:56:08.760 --> 0:56:12.160
<v Speaker 3>Keep it right there, bro hurting the door knocks, hurt

0:56:15.160 --> 0:56:22.080
<v Speaker 3>talking about most of Yeah, most of them. They don't play.

0:56:22.640 --> 0:56:25.399
<v Speaker 3>They put it right there just in case you thought

0:56:25.440 --> 0:56:26.839
<v Speaker 3>something was going I do.

0:56:26.840 --> 0:56:27.520
<v Speaker 2>More than mixed.

0:56:27.760 --> 0:56:30.080
<v Speaker 3>I killed my fucking play with me if you want

0:56:30.080 --> 0:56:31.399
<v Speaker 3>to specific equipment in there.

0:56:31.680 --> 0:56:31.879
<v Speaker 2>Yeah.

0:56:32.160 --> 0:56:34.640
<v Speaker 1>So it seemed like, you know, I don't know, it's weird,

0:56:34.719 --> 0:56:36.280
<v Speaker 1>this whole conversation they were having.

0:56:36.400 --> 0:56:38.960
<v Speaker 3>I was like, is he gonna convince him to.

0:56:38.520 --> 0:56:41.520
<v Speaker 1>Change his life or whatever? I don't know, but you know,

0:56:41.880 --> 0:56:45.520
<v Speaker 1>I was like, nah, to shut at him. And then

0:56:45.560 --> 0:56:46.320
<v Speaker 1>there's this whole.

0:56:46.280 --> 0:56:48.720
<v Speaker 3>Chasing this when I got mad, go ahead, go ahead,

0:56:48.920 --> 0:56:56.200
<v Speaker 3>got old As chasing his young ass man like he

0:56:56.320 --> 0:56:56.880
<v Speaker 3>got them.

0:56:57.200 --> 0:57:02.920
<v Speaker 2>Like mission mission impossible. God, I'm like, and that was

0:57:03.360 --> 0:57:05.080
<v Speaker 2>I said, there's no way you're gonna catch this kid.

0:57:06.040 --> 0:57:08.520
<v Speaker 3>Why that's not a good idea, Like that's just not

0:57:08.600 --> 0:57:11.680
<v Speaker 3>a good idea writing it, directing it, like even the

0:57:11.760 --> 0:57:12.440
<v Speaker 3>actor should be.

0:57:13.040 --> 0:57:14.600
<v Speaker 2>And that's after he shot the old boy.

0:57:15.120 --> 0:57:17.360
<v Speaker 3>He shot at the window, and then because I thought

0:57:17.400 --> 0:57:19.560
<v Speaker 3>I was remember that, he said, let me get that

0:57:20.200 --> 0:57:23.080
<v Speaker 3>four hours and then he said Jeffery Wright pulled.

0:57:22.840 --> 0:57:24.440
<v Speaker 2>Out a bigger game. Was like, what is that? He

0:57:24.520 --> 0:57:25.720
<v Speaker 2>was like, what is Mayhem? Right here?

0:57:25.760 --> 0:57:28.880
<v Speaker 3>He said Jake from State Form That one was funny, Yeah,

0:57:29.120 --> 0:57:31.320
<v Speaker 3>and then he said Mayhem man.

0:57:31.640 --> 0:57:32.240
<v Speaker 2>I didn't like it.

0:57:32.840 --> 0:57:35.000
<v Speaker 4>Oh you like this Jake Froul State Farm, like the

0:57:35.000 --> 0:57:37.840
<v Speaker 4>Mayhem part of referencing the dude that's in the movie.

0:57:37.880 --> 0:57:39.240
<v Speaker 3>I didn't know that was him in the movie, so

0:57:39.280 --> 0:57:41.240
<v Speaker 3>I thought it was I thought it was a funny line.

0:57:41.840 --> 0:57:45.479
<v Speaker 2>So corny man. But he ain't ship Jeffrey right. Yeah,

0:57:45.640 --> 0:57:48.560
<v Speaker 2>he didn't know. He didn't. Yeah.

0:57:48.600 --> 0:57:50.920
<v Speaker 4>I just looked up and he shot the glass and

0:57:50.960 --> 0:57:53.720
<v Speaker 4>the glass flew in his eye. I didn't want it

0:57:53.760 --> 0:57:55.439
<v Speaker 4>back to because the movie did not make it clear

0:57:55.520 --> 0:57:56.800
<v Speaker 4>until he started yelling about his eyes.

0:57:56.920 --> 0:57:59.400
<v Speaker 2>Yeah, I thought he actually legit shot him.

0:57:59.680 --> 0:58:02.960
<v Speaker 3>I thought they got him because I was like, why

0:58:02.960 --> 0:58:05.000
<v Speaker 3>did you open the car door and just fall out

0:58:05.080 --> 0:58:05.920
<v Speaker 3>the car like that?

0:58:06.280 --> 0:58:09.280
<v Speaker 2>If you get somebody shooting at you and the door

0:58:09.480 --> 0:58:11.200
<v Speaker 2>and my thing is like you made him look hard.

0:58:11.360 --> 0:58:14.720
<v Speaker 3>The whole movie like tall, big ship the whole Max,

0:58:15.000 --> 0:58:17.160
<v Speaker 3>I'm gonna suck this kid up, and I ain't gonna

0:58:17.200 --> 0:58:18.960
<v Speaker 3>lie to you'aup.

0:58:18.320 --> 0:58:20.800
<v Speaker 2>You even make it to the point you just put

0:58:20.840 --> 0:58:23.680
<v Speaker 2>hands on nobody in his He put hands on his eye,

0:58:23.960 --> 0:58:26.920
<v Speaker 2>was on his eye. End up in the in the

0:58:26.960 --> 0:58:29.240
<v Speaker 2>hospital bed with a patch on. They shot me in

0:58:29.240 --> 0:58:32.560
<v Speaker 2>the eye. All the class in my eye. Get that motherfucker.

0:58:32.600 --> 0:58:34.440
<v Speaker 2>Then he repeat it this class in my eye? Who

0:58:34.440 --> 0:58:37.360
<v Speaker 2>are you talking to? Who are you talking to? Then

0:58:37.400 --> 0:58:41.640
<v Speaker 2>El's gone, yeah, yeah, God damn, Spike, what did you do?

0:58:42.000 --> 0:58:46.280
<v Speaker 3>So they end up on the subway and forever reason

0:58:46.440 --> 0:58:48.440
<v Speaker 3>Asap ended up on top of the subway.

0:58:48.960 --> 0:58:53.800
<v Speaker 2>What fig surfa, Well he's swags surfing on the fucking train.

0:58:54.280 --> 0:58:55.680
<v Speaker 2>Spider man, now bro.

0:58:56.320 --> 0:58:58.520
<v Speaker 3>Then he jumped down on this zeil and they fight

0:58:58.720 --> 0:59:02.160
<v Speaker 3>between the cars and whoop his ass and then on

0:59:02.320 --> 0:59:02.960
<v Speaker 3>top of they was.

0:59:02.880 --> 0:59:05.240
<v Speaker 2>Like, let me go, let me go. I want to

0:59:05.520 --> 0:59:08.360
<v Speaker 2>I don't want to live. I'm like, where did this

0:59:08.440 --> 0:59:11.720
<v Speaker 2>come from? Even the same dude, that little nigga too,

0:59:12.320 --> 0:59:15.600
<v Speaker 2>you need your money. He still had money, and then

0:59:15.640 --> 0:59:16.920
<v Speaker 2>he just he whooped his ass.

0:59:17.480 --> 0:59:21.720
<v Speaker 4>I'm so fucking sorry, Denzel not beating asap Rocky's ass.

0:59:22.240 --> 0:59:22.800
<v Speaker 2>I don't funk.

0:59:22.880 --> 0:59:25.439
<v Speaker 4>How cool y'all think, Denzel is, this was the most

0:59:25.520 --> 0:59:28.360
<v Speaker 4>unrealistic ship I have seen in the movie, says Nigga

0:59:28.400 --> 0:59:29.080
<v Speaker 4>Bird beat the Hulk.

0:59:29.160 --> 0:59:30.880
<v Speaker 2>They were just you know, Mike when he was in

0:59:30.880 --> 0:59:31.200
<v Speaker 2>the car.

0:59:31.520 --> 0:59:35.560
<v Speaker 6>Yeah, oh that's not You don't touss the old hand

0:59:35.600 --> 0:59:37.760
<v Speaker 6>when in the car, like you don't funk.

0:59:37.600 --> 0:59:41.000
<v Speaker 2>With the old But the fact that you beat him,

0:59:41.000 --> 0:59:42.560
<v Speaker 2>that that easy.

0:59:43.040 --> 0:59:45.840
<v Speaker 4>No, dude, And he kicked him into all types of

0:59:45.920 --> 0:59:50.720
<v Speaker 4>ship man. And the music was all triumphant, dunt dun dune.

0:59:51.680 --> 0:59:54.520
<v Speaker 3>Oh my god, this was one of the worst scores

0:59:54.560 --> 0:59:55.919
<v Speaker 3>I've ever heard in my life.

0:59:55.960 --> 0:59:57.520
<v Speaker 2>You keep hating the music. I didn't think the music

0:59:57.560 --> 0:59:59.960
<v Speaker 2>was that bad. I thought it took away. It was awkward.

1:00:00.120 --> 1:00:03.680
<v Speaker 2>It made the movie like it was. Yeah, it was it.

1:00:03.800 --> 1:00:06.040
<v Speaker 2>Probably the movie actually probably could have been a little

1:00:06.040 --> 1:00:09.480
<v Speaker 2>bit better. Better, the score was better. Yeah, I'm with

1:00:09.600 --> 1:00:13.760
<v Speaker 2>you on that. Interesting. So anyway, Yeah, so we get

1:00:13.760 --> 1:00:14.400
<v Speaker 2>the money back.

1:00:14.880 --> 1:00:17.520
<v Speaker 1>Boys in the in there with his eye messed up,

1:00:17.720 --> 1:00:19.400
<v Speaker 1>he declined the job.

1:00:20.480 --> 1:00:21.840
<v Speaker 2>He said, I'm gonna do something else.

1:00:22.920 --> 1:00:25.440
<v Speaker 4>You're not gonna make a joke about my fucking fucked

1:00:25.480 --> 1:00:28.440
<v Speaker 4>up eye. Right after it happened. I'm fucking you up, dude, he.

1:00:28.480 --> 1:00:29.840
<v Speaker 2>Called him dog.

1:00:29.960 --> 1:00:33.640
<v Speaker 3>He made like four jokes after what you just did

1:00:33.680 --> 1:00:35.080
<v Speaker 3>about I don't really want to pay the money to

1:00:35.120 --> 1:00:37.640
<v Speaker 3>get your son back, and then you got jokes about

1:00:37.640 --> 1:00:38.360
<v Speaker 3>me getting glass.

1:00:38.440 --> 1:00:42.560
<v Speaker 2>I'm beating your asses, Zell, I'm beating your ass. I'm

1:00:42.560 --> 1:00:49.560
<v Speaker 2>beating your ass. I love it. Yeah, come on, man, Yeah,

1:00:50.040 --> 1:00:51.600
<v Speaker 2>some time with my son Kyle.

1:00:51.680 --> 1:00:55.240
<v Speaker 3>And finally they got around to uh, you know, oh no,

1:00:55.440 --> 1:00:59.640
<v Speaker 3>then after this he went to see uh, a young

1:00:59.680 --> 1:01:03.600
<v Speaker 3>fella in jail. Oh yeah, this this movie should have ended. Yes,

1:01:04.080 --> 1:01:06.480
<v Speaker 3>it sounded like this felt like a director. I like

1:01:06.560 --> 1:01:07.280
<v Speaker 3>the singing part.

1:01:08.000 --> 1:01:10.680
<v Speaker 1>So I'm talking about the conversation that comes like, yeah,

1:01:10.920 --> 1:01:11.920
<v Speaker 1>I want to point this.

1:01:13.080 --> 1:01:16.040
<v Speaker 3>Yeah, we just had this conversation in the booth. Y'all

1:01:16.040 --> 1:01:18.760
<v Speaker 3>literally just did this, Like I literally just.

1:01:18.680 --> 1:01:21.160
<v Speaker 4>Like, y'all got to cut this out because that's how

1:01:21.240 --> 1:01:26.080
<v Speaker 4>the the OG ends, with them having a conversation like that.

1:01:26.080 --> 1:01:29.240
<v Speaker 4>That's not spoiler, but that's how it. But in the OG,

1:01:29.440 --> 1:01:34.320
<v Speaker 4>the conversation is so much more interesting. It's it's it's

1:01:34.320 --> 1:01:38.200
<v Speaker 4>an amazingly done scene and the way it ends seals

1:01:38.360 --> 1:01:39.240
<v Speaker 4>the movie being great.

1:01:39.520 --> 1:01:42.680
<v Speaker 2>That's what Spike was going for it was just bad.

1:01:43.000 --> 1:01:44.560
<v Speaker 2>It would have been all right if we didn't just

1:01:44.640 --> 1:01:45.000
<v Speaker 2>see it.

1:01:45.360 --> 1:01:47.960
<v Speaker 3>Yes, we just saw that, and you know, you know

1:01:48.000 --> 1:01:49.600
<v Speaker 3>what if that if that's how it is in an og,

1:01:50.320 --> 1:01:51.400
<v Speaker 3>you should just cut this so now.

1:01:51.400 --> 1:01:54.720
<v Speaker 2>And that made the booth that scene. It's like you

1:01:55.000 --> 1:01:57.479
<v Speaker 2>did it twice. Why. It's like, it's like you pick one.

1:01:57.680 --> 1:01:58.480
<v Speaker 2>I agree, you.

1:01:58.440 --> 1:02:00.560
<v Speaker 3>Want to do the booth glass, you want to do

1:02:00.600 --> 1:02:03.440
<v Speaker 3>this jail. So it's like, why did you do it?

1:02:03.880 --> 1:02:05.080
<v Speaker 3>Like it just didn't make sense.

1:02:05.120 --> 1:02:07.360
<v Speaker 4>I guess Spike Lee thought that, like this is a

1:02:07.400 --> 1:02:10.480
<v Speaker 4>different conversation because he's actually trying to sell himself to

1:02:10.600 --> 1:02:13.000
<v Speaker 4>Denzel at this point, and he's successful at this point.

1:02:13.600 --> 1:02:17.000
<v Speaker 2>Yeah. Yeah, he's in jail, but ironically successful.

1:02:16.520 --> 1:02:18.640
<v Speaker 4>And it's making a commentary on how that hip hop

1:02:18.720 --> 1:02:21.000
<v Speaker 4>is like that the more of a fella you are,

1:02:21.040 --> 1:02:22.600
<v Speaker 4>the more of a bad guy you are, the more

1:02:22.640 --> 1:02:23.480
<v Speaker 4>popular you are.

1:02:24.000 --> 1:02:26.880
<v Speaker 2>So I did like the idea. It was it was

1:02:26.920 --> 1:02:31.520
<v Speaker 2>just bad here. Yeah yeah, yeah, it just didn't go nowhere.

1:02:31.520 --> 1:02:33.760
<v Speaker 2>And I'm surprised you like that music video. He probably

1:02:33.840 --> 1:02:36.040
<v Speaker 2>like the ass flipping around in the back. I didn't

1:02:36.160 --> 1:02:36.760
<v Speaker 2>see no music.

1:02:37.520 --> 1:02:40.200
<v Speaker 1>I'm talking about the lady was saying, oh this this

1:02:40.360 --> 1:02:42.520
<v Speaker 1>So after the there we get to Sula.

1:02:43.080 --> 1:02:45.439
<v Speaker 3>Oh wait wait wait, but we're skipping over a very

1:02:45.440 --> 1:02:49.640
<v Speaker 3>confusing part. So you before they got to the jail

1:02:50.840 --> 1:02:53.440
<v Speaker 3>is doing a music video and it made no sense

1:02:53.960 --> 1:02:56.880
<v Speaker 3>and he's in his felling out you missed all this ass, Spiker.

1:02:57.520 --> 1:03:00.400
<v Speaker 2>It was about three women, he said about three because

1:03:00.400 --> 1:03:02.800
<v Speaker 2>you couldn't. It was just so much ass Spike twelve,

1:03:03.320 --> 1:03:04.840
<v Speaker 2>but it was about.

1:03:04.520 --> 1:03:13.280
<v Speaker 3>Three Yeah, about to go wind and that's crazy was doing. Yeah,

1:03:13.840 --> 1:03:15.520
<v Speaker 3>that's why I'm like, why are you skipping this?

1:03:15.720 --> 1:03:17.560
<v Speaker 2>Because this was so confusing.

1:03:18.560 --> 1:03:23.040
<v Speaker 3>He was dancing and then just skipped to the jail scene.

1:03:23.080 --> 1:03:24.240
<v Speaker 3>It was like, what just happened?

1:03:24.280 --> 1:03:26.520
<v Speaker 1>Yeah, because I thought I was like, oh ship Denzel

1:03:26.640 --> 1:03:30.320
<v Speaker 1>signed dude to stacking his and he's making money off

1:03:30.360 --> 1:03:30.640
<v Speaker 1>of it.

1:03:30.720 --> 1:03:34.080
<v Speaker 2>But this part happened before the conversation. Yeah, that's why I.

1:03:34.040 --> 1:03:35.880
<v Speaker 4>Didn't make any I was like, oh okay, and I

1:03:35.880 --> 1:03:37.680
<v Speaker 4>thought they were going back in time to see how

1:03:37.720 --> 1:03:38.240
<v Speaker 4>this happened.

1:03:38.320 --> 1:03:41.000
<v Speaker 3>Yeah, that's what I was thinking. No, no, no, that's

1:03:41.000 --> 1:03:44.960
<v Speaker 3>not what I was thinking. I was thinking that that. Yeah,

1:03:45.160 --> 1:03:46.600
<v Speaker 3>I was thinking when he was going to talk to him,

1:03:46.600 --> 1:03:50.560
<v Speaker 3>were going to talk about the success of the record. Yeah, yeah,

1:03:50.560 --> 1:03:52.280
<v Speaker 3>it was like, oh his music video, this song that

1:03:52.320 --> 1:03:54.000
<v Speaker 3>blew up because remember he was walking in JA was.

1:03:54.000 --> 1:03:56.400
<v Speaker 2>Like, I ain't doing on minute in a minute and free,

1:03:56.440 --> 1:03:57.520
<v Speaker 2>young fella. Free.

1:03:57.680 --> 1:04:00.680
<v Speaker 1>You already talked about that, and then uh, the song

1:04:00.760 --> 1:04:03.080
<v Speaker 1>comes out and there's a big hit, which you know,

1:04:03.160 --> 1:04:06.000
<v Speaker 1>of course as reference what you just said, and then

1:04:06.000 --> 1:04:08.920
<v Speaker 1>they're gonna talk about how successful the record is on

1:04:09.000 --> 1:04:11.480
<v Speaker 1>top and when you ran out, because remember he was like,

1:04:11.600 --> 1:04:13.360
<v Speaker 1>how many years are gonna get he said twenty five.

1:04:13.400 --> 1:04:16.240
<v Speaker 1>He was like, he did say, that's not long enough.

1:04:16.360 --> 1:04:19.040
<v Speaker 3>But I thought they worked out some deals where he

1:04:19.080 --> 1:04:22.160
<v Speaker 3>would get out sooner and so he can make money off.

1:04:22.280 --> 1:04:26.120
<v Speaker 3>So I'm confused the music video happened. Is that that's

1:04:26.160 --> 1:04:27.840
<v Speaker 3>why did I don't know what you'a were talking about.

1:04:27.880 --> 1:04:29.760
<v Speaker 3>I thought y'all was seeing a real video. I remember this.

1:04:29.960 --> 1:04:31.960
<v Speaker 3>I thought that this was him dreaming of some ship.

1:04:32.240 --> 1:04:34.800
<v Speaker 2>Right. I'm still I'm still not sure. I don't know

1:04:34.920 --> 1:04:38.400
<v Speaker 2>he actual because he was in his jailhouse outfit. Yeah,

1:04:38.440 --> 1:04:41.360
<v Speaker 2>so god, yeah, I don't know. I don't know how

1:04:41.400 --> 1:04:43.240
<v Speaker 2>you would get people in there to record this video.

1:04:43.240 --> 1:04:46.479
<v Speaker 2>I don't know was in jail the video. Not in jail.

1:04:46.920 --> 1:04:50.920
<v Speaker 4>He is like a or something. He has his jail, sir,

1:04:51.240 --> 1:04:55.120
<v Speaker 4>he got sense. Man, stupid, I don't get this part.

1:04:55.200 --> 1:04:56.439
<v Speaker 4>This was stupid as fuck.

1:04:56.520 --> 1:04:57.919
<v Speaker 2>Man, I didn't get this part.

1:04:57.960 --> 1:05:01.120
<v Speaker 3>I didn't get the random clips of them three on

1:05:01.120 --> 1:05:05.160
<v Speaker 3>the bench or whatever, the Denzel, his wife and the sun.

1:05:05.240 --> 1:05:07.520
<v Speaker 3>They were just on the bench and kept putting that

1:05:07.600 --> 1:05:10.000
<v Speaker 3>in Like I missed that.

1:05:10.240 --> 1:05:11.520
<v Speaker 2>Oh it was yeah, it was just.

1:05:11.480 --> 1:05:14.520
<v Speaker 3>Like like like a a montage, like a montage that

1:05:14.560 --> 1:05:16.480
<v Speaker 3>they would do, like they did it like three times

1:05:16.520 --> 1:05:16.959
<v Speaker 3>in the movie.

1:05:17.920 --> 1:05:21.560
<v Speaker 2>Yeah, they were just sitting like this what you I

1:05:21.560 --> 1:05:25.160
<v Speaker 2>didn't see this ship saw it. I was probably not

1:05:25.160 --> 1:05:26.920
<v Speaker 2>paying attention after a while, But no, I don't know.

1:05:27.000 --> 1:05:28.520
<v Speaker 3>Oh yeah, it was just like like it was like

1:05:28.640 --> 1:05:30.720
<v Speaker 3>you know how sometime they did like the old film. Look,

1:05:31.200 --> 1:05:33.080
<v Speaker 3>yeah they did that like three or four times, or

1:05:33.120 --> 1:05:35.080
<v Speaker 3>just them three on the bench. You remember this ship

1:05:35.320 --> 1:05:37.560
<v Speaker 3>where was the bench? It was just we don't know,

1:05:38.560 --> 1:05:40.960
<v Speaker 3>it was just random. I don't know why they did that.

1:05:41.880 --> 1:05:45.160
<v Speaker 3>It was just a bunch of random artsy ship. Yeah,

1:05:45.200 --> 1:05:47.240
<v Speaker 3>maybe that's what it was. He knew A twenty four

1:05:47.280 --> 1:05:48.680
<v Speaker 3>had the interest, so he was trying to make it

1:05:48.680 --> 1:05:49.480
<v Speaker 3>more artsy.

1:05:49.560 --> 1:05:53.120
<v Speaker 1>Yeah, yeah, I was trying to figure out women the

1:05:53.200 --> 1:05:54.960
<v Speaker 1>shooler personally gonna come back around.

1:05:55.080 --> 1:05:56.960
<v Speaker 2>And then when he decided.

1:05:56.600 --> 1:05:58.400
<v Speaker 3>To go on his own and be back in love

1:05:58.400 --> 1:06:02.120
<v Speaker 3>with the music, she was gonna be the love love

1:06:02.240 --> 1:06:03.760
<v Speaker 3>him for him.

1:06:04.040 --> 1:06:07.400
<v Speaker 2>And you know what you say, what does the C

1:06:07.560 --> 1:06:13.560
<v Speaker 2>stand for? Can you know? That's cool? You gotta be good?

1:06:14.480 --> 1:06:22.280
<v Speaker 2>You can't. I can't see anybody like this. I did, definitely, Yeah,

1:06:23.160 --> 1:06:25.439
<v Speaker 2>I like the music. I didn't like the zip.

1:06:26.240 --> 1:06:29.600
<v Speaker 3>Yeah, I was come on, like nobody, come on, come on,

1:06:29.720 --> 1:06:32.480
<v Speaker 3>come on, come on, come on.

1:06:34.600 --> 1:06:37.360
<v Speaker 2>And then they say the name of the movie.

1:06:38.000 --> 1:06:44.120
<v Speaker 3>Yeah, the songs called hold to lois Man, that's cool,

1:06:44.560 --> 1:06:45.040
<v Speaker 3>that's cool.

1:06:45.160 --> 1:06:51.880
<v Speaker 2>People know in No, they didn't, you know they they

1:06:51.960 --> 1:06:54.960
<v Speaker 2>can't be the fuck up out of here bro. I

1:06:54.960 --> 1:06:56.520
<v Speaker 2>would have been so mad if I went to see

1:06:56.520 --> 1:07:01.880
<v Speaker 2>that in Bro pissed somebody. Yeah, it was so you

1:07:01.920 --> 1:07:02.840
<v Speaker 2>know so yeah.

1:07:02.920 --> 1:07:06.920
<v Speaker 1>So then so there's she and then again another black

1:07:07.240 --> 1:07:10.640
<v Speaker 1>or cultural reference when Tony Morrison, how'd you get the name?

1:07:10.720 --> 1:07:14.040
<v Speaker 2>Oh you're you're a family of readers? I see? She

1:07:14.120 --> 1:07:16.800
<v Speaker 2>was like, nah, I don't read. Why was that necessary?

1:07:16.880 --> 1:07:19.320
<v Speaker 2>I don't know. So I was trying to figure that out.

1:07:19.360 --> 1:07:22.080
<v Speaker 3>But I'm trying to but this generation there are this

1:07:22.160 --> 1:07:24.040
<v Speaker 3>generation does read.

1:07:24.680 --> 1:07:26.720
<v Speaker 1>But it almost felt like, you know, you have the phones.

1:07:26.800 --> 1:07:28.800
<v Speaker 1>Then it got David's not on the phone. You have

1:07:29.240 --> 1:07:32.760
<v Speaker 1>her names after Tony Morrison, and there's a reading generation,

1:07:32.880 --> 1:07:35.520
<v Speaker 1>but this generation, I guess, don't read. You have the

1:07:35.760 --> 1:07:37.880
<v Speaker 1>music where it's all about the music and the soul,

1:07:37.960 --> 1:07:41.120
<v Speaker 1>and then you have AI and attention is the currency.

1:07:41.640 --> 1:07:44.040
<v Speaker 1>And it felt like there was like, then you have

1:07:44.120 --> 1:07:46.440
<v Speaker 1>the old man chasing down a young man beating him up.

1:07:46.480 --> 1:07:49.080
<v Speaker 1>So it's almost like this tale of two generations kind

1:07:49.080 --> 1:07:52.840
<v Speaker 1>of clashy. But again I don't know why she said,

1:07:52.840 --> 1:07:54.200
<v Speaker 1>Oh yeah, I don't read, like.

1:07:54.520 --> 1:07:58.480
<v Speaker 4>I feel like only an old, detached man would write this.

1:07:59.000 --> 1:07:59.720
<v Speaker 2>That's how I feel.

1:07:59.760 --> 1:08:03.800
<v Speaker 3>Thought whole movie felt like Spike Lee out of touch

1:08:03.960 --> 1:08:06.320
<v Speaker 3>and this was his commentary on how I see the

1:08:06.320 --> 1:08:09.760
<v Speaker 3>world today and how kids fucking everything up, using the

1:08:10.240 --> 1:08:15.800
<v Speaker 3>o G as a vehicle to tell this story. Yeah,

1:08:15.800 --> 1:08:18.640
<v Speaker 3>because I didn't know anything about the original movie. This

1:08:18.720 --> 1:08:20.320
<v Speaker 3>is my first you're talking about it now, it's my

1:08:20.320 --> 1:08:22.200
<v Speaker 3>first time hearing about it, so I didn't.

1:08:22.000 --> 1:08:24.040
<v Speaker 2>Know it was a remake at all.

1:08:24.280 --> 1:08:26.880
<v Speaker 4>I don't I mean, I assume people maybe they don't,

1:08:27.040 --> 1:08:30.320
<v Speaker 4>but I wouldn't even I don't even know if this would.

1:08:30.160 --> 1:08:32.920
<v Speaker 2>Be any of y'all's thing. If it was an American film, maybe,

1:08:32.960 --> 1:08:36.439
<v Speaker 2>but it was just so disappointing. It's based off a

1:08:36.439 --> 1:08:37.640
<v Speaker 2>book to kings.

1:08:38.160 --> 1:08:40.479
<v Speaker 4>Yeah, the movie itself was from I understand was based

1:08:40.479 --> 1:08:43.400
<v Speaker 4>on a book. But again, it's not so much the story.

1:08:43.479 --> 1:08:47.280
<v Speaker 4>It was just the way Kirassauer filmed it and edited

1:08:47.320 --> 1:08:49.479
<v Speaker 4>it and directed it that just made it like, God,

1:08:49.560 --> 1:08:52.720
<v Speaker 4>this is like who wants to watch an hour of

1:08:53.160 --> 1:08:55.880
<v Speaker 4>legit to a living room?

1:08:56.240 --> 1:08:57.519
<v Speaker 2>But when you watch the film.

1:08:57.320 --> 1:09:00.000
<v Speaker 4>You're like, this is incredible, this, this story is fast.

1:09:00.000 --> 1:09:03.599
<v Speaker 4>Fain never got there with this, not one single time.

1:09:03.920 --> 1:09:05.960
<v Speaker 4>And you don't have to copy the original, dude to

1:09:06.080 --> 1:09:08.680
<v Speaker 4>your own thing. Do something creative, but at least do

1:09:08.760 --> 1:09:11.280
<v Speaker 4>something interesting and good. Like as much as I hated

1:09:11.280 --> 1:09:14.920
<v Speaker 4>the Suspirior remake, at least they did something different this.

1:09:15.920 --> 1:09:17.960
<v Speaker 2>Oh, we're just gonna put black people in it and just.

1:09:17.920 --> 1:09:21.960
<v Speaker 4>Have a nowhere asked story. No, bro, the way this

1:09:22.000 --> 1:09:22.800
<v Speaker 4>just ends.

1:09:22.640 --> 1:09:27.439
<v Speaker 2>Yeah, let's do this. Oh what Tray said were my cut?

1:09:27.640 --> 1:09:28.240
<v Speaker 2>Was my cut?

1:09:28.320 --> 1:09:30.479
<v Speaker 1>And then the mom says she's gonna be part of

1:09:30.520 --> 1:09:33.040
<v Speaker 1>it too, So we just a family business, which is

1:09:33.120 --> 1:09:35.559
<v Speaker 1>kind of a reference to him being referred to as

1:09:35.560 --> 1:09:38.800
<v Speaker 1>a NEPO baby when he got kidnapped. And he was

1:09:38.840 --> 1:09:42.479
<v Speaker 1>also making the commentary about, oh well, dad, I can't

1:09:42.520 --> 1:09:45.760
<v Speaker 1>ignore it's everywhere. It's everywhere, you know, the social media

1:09:45.760 --> 1:09:47.760
<v Speaker 1>and stuff like that. So that was that commentary going

1:09:47.760 --> 1:09:48.120
<v Speaker 1>on too.

1:09:48.240 --> 1:09:50.479
<v Speaker 4>Did y'all know that was Jeffrey Rights. I'm pretty sure

1:09:50.520 --> 1:09:54.280
<v Speaker 4>it was Jeffrey Wright's actual son. I did not know

1:09:54.360 --> 1:09:57.240
<v Speaker 4>that unless it's just another Right, which would be random.

1:09:57.320 --> 1:09:59.559
<v Speaker 4>But his last name was right in the credit, so

1:09:59.600 --> 1:10:03.360
<v Speaker 4>I was like, oh, neat, hm mm hmm.

1:10:03.800 --> 1:10:08.840
<v Speaker 2>This was whack whack. I think just losing this fast

1:10:09.240 --> 1:10:11.519
<v Speaker 2>Wait what this is? Why wasn't the national I think

1:10:11.560 --> 1:10:12.320
<v Speaker 2>people looked at this.

1:10:12.320 --> 1:10:14.680
<v Speaker 4>One like yeah, I think so too, because a lot

1:10:14.680 --> 1:10:16.400
<v Speaker 4>of people were confused before it came out. They're like,

1:10:16.439 --> 1:10:20.240
<v Speaker 4>how is a Spike Lee Denzel film in limited showings?

1:10:20.800 --> 1:10:24.280
<v Speaker 2>Because it's bad? Because it's bad, dude, that's why.

1:10:24.200 --> 1:10:28.760
<v Speaker 3>He's losing his fastball. Yeah, you have to equalize it,

1:10:28.840 --> 1:10:29.800
<v Speaker 3>equalizing straight.

1:10:30.520 --> 1:10:32.760
<v Speaker 2>But he called himself something that y'all catch that.

1:10:33.200 --> 1:10:38.240
<v Speaker 3>He didn't call himself to equalize, he called him Yeah,

1:10:38.520 --> 1:10:41.320
<v Speaker 3>I don't think losing his I think Spike, I think,

1:10:41.320 --> 1:10:43.479
<v Speaker 3>you know, I don't think his acting was great in here,

1:10:43.640 --> 1:10:47.080
<v Speaker 3>but I don't either, you know. I think he's you

1:10:47.200 --> 1:10:49.400
<v Speaker 3>brought up earlier. I think him and Tyler Perry is

1:10:49.479 --> 1:10:52.160
<v Speaker 3>suffering from this Tyler period don't care. But I think

1:10:52.200 --> 1:10:54.360
<v Speaker 3>this zel does care more about his legacy when he

1:10:54.400 --> 1:10:58.040
<v Speaker 3>needs to involve younger people in his process, like Tyler

1:10:58.080 --> 1:10:59.960
<v Speaker 3>Perry has his process. It's fine, you do it over,

1:11:00.200 --> 1:11:02.080
<v Speaker 3>you make this type of move for these type of people.

1:11:02.479 --> 1:11:05.760
<v Speaker 3>But again, Spike Lee, the name that that holds in

1:11:05.840 --> 1:11:09.040
<v Speaker 3>the movie business. For black people to see this is

1:11:09.720 --> 1:11:12.559
<v Speaker 3>very disappointing because it's just like, Oh, I'm gonna keep

1:11:12.560 --> 1:11:14.680
<v Speaker 3>doing it my way how I always been doing it

1:11:14.720 --> 1:11:15.760
<v Speaker 3>and it should work.

1:11:15.920 --> 1:11:18.040
<v Speaker 2>Like nah, some of this stuff need to change. Yeah,

1:11:18.080 --> 1:11:18.759
<v Speaker 2>But I'm looking.

1:11:18.560 --> 1:11:22.519
<v Speaker 4>At his filmography, and his last actual film was The

1:11:22.640 --> 1:11:27.799
<v Speaker 4>Five Bloods. Before that, his actual last film was Black Clansmen.

1:11:27.880 --> 1:11:29.200
<v Speaker 2>I didn't like Black Clansmen.

1:11:29.880 --> 1:11:31.920
<v Speaker 4>I really liked The Five Bloods, and I feel like

1:11:32.000 --> 1:11:35.080
<v Speaker 4>both of those movies were regarded as really good. I

1:11:38.720 --> 1:11:42.320
<v Speaker 4>think it's mixed reviews. It's from what I'm seeing. Because

1:11:42.320 --> 1:11:44.920
<v Speaker 4>I was so confused, I had to go look. But yeah,

1:11:44.960 --> 1:11:46.800
<v Speaker 4>some people are really loving it. Some people are thinking

1:11:46.800 --> 1:11:47.280
<v Speaker 4>it's whack.

1:11:47.680 --> 1:11:50.040
<v Speaker 2>Maybe I'm thinking about it because I saw the reason.

1:11:53.120 --> 1:11:55.040
<v Speaker 1>Maybe I don't just remember the bad ones then, because

1:11:55.040 --> 1:11:57.559
<v Speaker 1>if I do, Five Bloods was a bounce back. I

1:11:57.600 --> 1:12:00.639
<v Speaker 1>think I do think people I do recall people lik

1:12:00.680 --> 1:12:02.000
<v Speaker 1>him black class, but I didn't.

1:12:01.760 --> 1:12:05.719
<v Speaker 2>Have loved it. I didn't like it. I didn't like it, but.

1:12:05.600 --> 1:12:07.760
<v Speaker 1>I think I remember you guys not liking it that much.

1:12:08.280 --> 1:12:11.360
<v Speaker 1>But so, yeah, so I don't know.

1:12:12.120 --> 1:12:14.000
<v Speaker 4>Oh, yeah, I missed this movie. He has a movie

1:12:14.000 --> 1:12:17.759
<v Speaker 4>called Passover there I never even saw. That's rated decently high.

1:12:17.800 --> 1:12:19.000
<v Speaker 4>So maybe I need to go watch this.

1:12:19.840 --> 1:12:22.519
<v Speaker 2>Yeah, but yeah, I don't know why he got this

1:12:22.720 --> 1:12:27.760
<v Speaker 2>so wrong. Man, Like you had the right elements. I

1:12:27.800 --> 1:12:30.679
<v Speaker 2>think the potential was definitely there.

1:12:31.280 --> 1:12:33.280
<v Speaker 4>I think that he should not have gone off the

1:12:33.280 --> 1:12:34.679
<v Speaker 4>fact that I'm remaking a movie.

1:12:34.720 --> 1:12:35.559
<v Speaker 2>He shouldn't have done that.

1:12:35.600 --> 1:12:37.800
<v Speaker 4>He should have just been like, this is inspired, I'm

1:12:37.800 --> 1:12:39.559
<v Speaker 4>gonna make my own story. But I feel like he

1:12:39.640 --> 1:12:42.599
<v Speaker 4>thought he had to stick to the story and then

1:12:42.760 --> 1:12:44.519
<v Speaker 4>but just make it black, Like you can't just make

1:12:44.600 --> 1:12:46.120
<v Speaker 4>some shit black sund like a trumper.

1:12:46.520 --> 1:12:47.800
<v Speaker 2>You can't just make me shit black.

1:12:47.840 --> 1:12:51.000
<v Speaker 4>And be like, well, that's good enough. And that's what

1:12:51.000 --> 1:12:52.519
<v Speaker 4>it felt like Spike Lee did here. It's like I'm

1:12:52.520 --> 1:12:54.120
<v Speaker 4>just gonna make black people involved in this.

1:12:54.240 --> 1:12:56.960
<v Speaker 2>That's gonna be good enough. We still want good.

1:12:56.880 --> 1:13:05.559
<v Speaker 3>Stories, yes, yeah, yeah, treating us like come on man anyway,

1:13:05.960 --> 1:13:07.559
<v Speaker 3>but that's it, man, Let us know what you guys

1:13:07.600 --> 1:13:11.840
<v Speaker 3>think about spikes Uh, Spike Lee's.

1:13:13.360 --> 1:13:14.120
<v Speaker 2>Yeah, what's the.

1:13:14.040 --> 1:13:16.240
<v Speaker 3>Little transition thing they had with the woman with the

1:13:16.760 --> 1:13:22.200
<v Speaker 3>locks going across the screen, Like, yeah, it's like it

1:13:22.280 --> 1:13:24.760
<v Speaker 3>was like a transition. It was like like corny Star

1:13:24.800 --> 1:13:29.200
<v Speaker 3>Wars transitions. It was like a woman with dreads going across.

1:13:29.240 --> 1:13:31.040
<v Speaker 3>It was like a logo Jeffrey right hand.

1:13:31.040 --> 1:13:31.320
<v Speaker 2>What.

1:13:31.800 --> 1:13:34.960
<v Speaker 3>Yes, it was in the movie. Yes, it was in

1:13:35.000 --> 1:13:36.920
<v Speaker 3>the movie. They did it like two or three times.

1:13:38.520 --> 1:13:39.320
<v Speaker 2>I didn't see that.

1:13:39.600 --> 1:13:42.519
<v Speaker 3>Yeah, And they did the Star Wars one one time too,

1:13:42.560 --> 1:13:46.320
<v Speaker 3>with the circle. I saw that one did not look good, right,

1:13:46.360 --> 1:13:47.240
<v Speaker 3>that one didn't look good.

1:13:47.240 --> 1:13:48.280
<v Speaker 2>You know, I missed.

1:13:47.960 --> 1:13:50.760
<v Speaker 3>The the transition with the with the it's like a

1:13:50.800 --> 1:13:54.880
<v Speaker 3>woman's head with I'm assuming its locks and I'm assuming

1:13:54.880 --> 1:13:56.360
<v Speaker 3>it was like branding purposes.

1:13:57.800 --> 1:13:58.439
<v Speaker 2>And then did.

1:13:58.360 --> 1:14:01.240
<v Speaker 3>Y'all get the Rick Fox and the Cops when he

1:14:01.360 --> 1:14:03.840
<v Speaker 3>was shorter than that. I understand what's going on there.

1:14:04.040 --> 1:14:05.800
<v Speaker 3>I thought he was sitting down. I thought it was

1:14:05.800 --> 1:14:09.559
<v Speaker 3>probably like just author to the tative perspective.

1:14:09.720 --> 1:14:12.040
<v Speaker 2>So they didn't nail that home because it looked weird

1:14:12.040 --> 1:14:12.559
<v Speaker 2>as hell.

1:14:12.920 --> 1:14:16.160
<v Speaker 4>The cops weren't even really like being assholes, like the

1:14:16.200 --> 1:14:17.920
<v Speaker 4>one guy asked when autograph and every guy was like, no,

1:14:18.000 --> 1:14:19.400
<v Speaker 4>I'm good, And.

1:14:19.240 --> 1:14:22.160
<v Speaker 1>It was only because he's a selfish man, not because

1:14:22.160 --> 1:14:22.959
<v Speaker 1>he was racing.

1:14:22.880 --> 1:14:25.920
<v Speaker 2>Right, So yeah, that didn't really What are we supposed

1:14:25.920 --> 1:14:26.519
<v Speaker 2>to pull from that?

1:14:26.840 --> 1:14:30.040
<v Speaker 3>I guess because Rick Fox is tall, and he's clearly

1:14:30.120 --> 1:14:32.880
<v Speaker 3>taller than the cops, So I thought like he was

1:14:32.880 --> 1:14:37.560
<v Speaker 3>trying to trying to show some sort of like inferior

1:14:37.680 --> 1:14:41.360
<v Speaker 3>type of situation to the you know, up against cops.

1:14:42.000 --> 1:14:43.840
<v Speaker 2>You could have done that with I mean, just get

1:14:43.840 --> 1:14:44.519
<v Speaker 2>this shit out of here.

1:14:44.680 --> 1:14:46.560
<v Speaker 3>Yeah, I feel like he was trying to do a

1:14:46.560 --> 1:14:48.080
<v Speaker 3>little shit like that's I think he was trying to

1:14:48.080 --> 1:14:50.160
<v Speaker 3>be artsy in some moments and it just didn't work.

1:14:50.200 --> 1:14:53.120
<v Speaker 2>It didn't work. He's done artsy. He did artsy so

1:14:53.200 --> 1:14:57.960
<v Speaker 2>much better in like school days. Yeah, bamboozled or school days,

1:14:58.000 --> 1:14:59.960
<v Speaker 2>he did artsy. It's like, what are you doing? Here,

1:15:01.320 --> 1:15:02.920
<v Speaker 2>come off, Spike. You can do better than this, bro.

1:15:04.720 --> 1:15:06.280
<v Speaker 1>All right, Well, we'll leave it there man. We'll catch

1:15:06.280 --> 1:15:08.120
<v Speaker 1>you guys next time. We got peace.