1
00:00:09,680 --> 00:00:11,840
Speaker 1: Welcome everybody to a new episode of the France per

2
00:00:11,920 --> 00:00:12,520
Speaker 1: Second Podcast.

3
00:00:12,560 --> 00:00:14,120
Speaker 2: My name is Kenneth ban Is joining on the show,

4
00:00:14,440 --> 00:00:17,720
Speaker 2: Rod Spike and Mike what else. Uh.

5
00:00:17,840 --> 00:00:25,840
Speaker 3: Today we are reviewing highest to Lowest, a new Spike one,

6
00:00:26,239 --> 00:00:33,600
Speaker 3: A Spike Spike one, Spike Lee.

7
00:00:33,600 --> 00:00:35,640
Speaker 2: And Dinzel Washington.

8
00:00:36,680 --> 00:00:41,080
Speaker 3: Now, apparently, uh, are you gonna call I have been,

9
00:00:41,440 --> 00:00:43,360
Speaker 3: I have been calling him somebody, everybody.

10
00:00:43,080 --> 00:00:47,680
Speaker 2: Gonna call him, calling that man Denzel because party he's bullshit.

11
00:00:48,360 --> 00:00:51,240
Speaker 2: I believe the store. It doesn't make any sense though

12
00:00:51,640 --> 00:00:56,920
Speaker 2: that he's a junior and oh that part sure, But like,

13
00:00:57,000 --> 00:00:58,440
Speaker 2: why now? Why now?

14
00:00:58,520 --> 00:01:00,400
Speaker 4: Because I just watched him do an inner you with

15
00:01:00,440 --> 00:01:04,280
Speaker 4: Spike Lee and Asap Rocky and he was talking about,

16
00:01:04,319 --> 00:01:06,679
Speaker 4: you know, Denzel's a great name and name great name

17
00:01:06,720 --> 00:01:08,280
Speaker 4: and name your child out there all laughing.

18
00:01:08,319 --> 00:01:11,920
Speaker 2: You didn't say Denzel. You said Denzel because he'll always

19
00:01:11,920 --> 00:01:15,759
Speaker 2: been Denzel, right, So I don't know. It just seems weird.

20
00:01:15,959 --> 00:01:20,360
Speaker 3: It is really weird, Like apparently, wife, he's he's mentioned

21
00:01:20,360 --> 00:01:22,520
Speaker 3: this before, So why didn't just make it seem like

22
00:01:22,520 --> 00:01:26,000
Speaker 3: it was this revelation, like, well, this thing he just revealed.

23
00:01:26,520 --> 00:01:28,959
Speaker 2: I thought it was a big reveal until she said that.

24
00:01:29,000 --> 00:01:31,720
Speaker 1: I was like, okay, but it probably just gotten lost

25
00:01:31,760 --> 00:01:35,200
Speaker 1: over the years that nobody just ever knew. Possibly for

26
00:01:35,240 --> 00:01:37,880
Speaker 1: the most part, he is Denzel, yes, you know if

27
00:01:37,880 --> 00:01:40,840
Speaker 1: you really think about, Like the story for those that

28
00:01:40,880 --> 00:01:45,520
Speaker 1: are listening is that he's a junior and whenever his

29
00:01:45,720 --> 00:01:50,440
Speaker 1: mom would call Denzel, both would show up, and that's

30
00:01:50,480 --> 00:01:55,360
Speaker 1: why she just was like, Okay, you're Denzel meaning the dad,

31
00:01:55,960 --> 00:01:59,800
Speaker 1: and no, you're Denzel meaning the dad and the junior

32
00:02:00,600 --> 00:02:02,720
Speaker 1: Denzel is I'm gonna call you Denzel.

33
00:02:03,000 --> 00:02:05,680
Speaker 3: Oh so okay, So it's mama called him. His mama

34
00:02:05,720 --> 00:02:11,440
Speaker 3: called him, his mama call himel right, yeah, so it's

35
00:02:11,480 --> 00:02:13,359
Speaker 3: not like in other words. So when I heard that,

36
00:02:13,440 --> 00:02:16,200
Speaker 3: I was like, oh, so we haven't been getting it wrong. No, no,

37
00:02:16,360 --> 00:02:18,160
Speaker 3: you know that is his names.

38
00:02:19,000 --> 00:02:22,120
Speaker 2: So yeah, what the mother fucking name of Denzel? So

39
00:02:22,440 --> 00:02:25,040
Speaker 2: I thought that was interesting. But okay, so now that

40
00:02:25,160 --> 00:02:27,280
Speaker 2: makes more sense. It made a lot of sense. That

41
00:02:27,400 --> 00:02:30,519
Speaker 2: makes more Okay, it's mama name of class. I'm gonna

42
00:02:30,560 --> 00:02:34,880
Speaker 2: call him class right, right, right? Right? What's that? Come on? Man?

43
00:02:35,040 --> 00:02:36,880
Speaker 2: He knew That's why he knew what I was saying.

44
00:02:36,960 --> 00:02:43,400
Speaker 3: Just now okay, but but yeah, man, so you know

45
00:02:43,520 --> 00:02:44,680
Speaker 3: they partnered up.

46
00:02:44,760 --> 00:02:49,200
Speaker 2: I think this is their fifth movie together, yep, to

47
00:02:49,320 --> 00:02:54,960
Speaker 2: do the movie that was put out in joint couple

48
00:02:54,960 --> 00:02:59,200
Speaker 2: of collaboration with A twenty four and Apple TV. I

49
00:02:59,200 --> 00:02:59,760
Speaker 2: did not know this.

50
00:03:01,720 --> 00:03:03,920
Speaker 3: Yeah, I didn't know that either until I started watching it.

51
00:03:04,000 --> 00:03:07,000
Speaker 3: So they like the kind was made A twenty four

52
00:03:07,080 --> 00:03:10,440
Speaker 3: ish in my opinion, where I just thought it looked

53
00:03:10,480 --> 00:03:13,880
Speaker 3: like it the way that made I just started looks simple.

54
00:03:14,040 --> 00:03:18,280
Speaker 2: The four stuff that I seen they have mass mass releases,

55
00:03:18,840 --> 00:03:22,639
Speaker 2: well just just a the look. It looked like, what's

56
00:03:22,680 --> 00:03:23,120
Speaker 2: the one with.

57
00:03:24,960 --> 00:03:27,720
Speaker 3: They did what the world was ending and they was

58
00:03:27,840 --> 00:03:30,880
Speaker 3: doing the military stuff quarters.

59
00:03:30,440 --> 00:03:33,359
Speaker 2: In the Civil War that it looked like they had

60
00:03:33,360 --> 00:03:36,720
Speaker 2: the same look to me. And did they do the

61
00:03:36,760 --> 00:03:40,080
Speaker 2: one with? Adam said, yeah, you looked like that too,

62
00:03:40,480 --> 00:03:44,400
Speaker 2: mm hmm. But you know they don't technically do the film,

63
00:03:44,800 --> 00:03:46,800
Speaker 2: They just just yeah.

64
00:03:48,280 --> 00:03:52,800
Speaker 3: Anyway, uh nah, I saw Spike Lee all through this movie, right.

65
00:03:53,240 --> 00:03:56,320
Speaker 2: Yeah, okay, Okay, that's that's why I question. I was like, nah,

66
00:03:56,360 --> 00:03:58,480
Speaker 2: it's is that all.

67
00:03:58,360 --> 00:04:03,640
Speaker 1: Spike Lee's normal shit, isn't it? But anyway, so let's

68
00:04:03,640 --> 00:04:06,600
Speaker 1: talk about the movie. Man, Spike, what did you think

69
00:04:06,600 --> 00:04:09,760
Speaker 1: about the movie? You said, sing Spike Lee all in

70
00:04:09,800 --> 00:04:14,000
Speaker 1: this I loved the story.

71
00:04:14,080 --> 00:04:18,160
Speaker 3: I thought it was a good story, but watching it,

72
00:04:18,160 --> 00:04:21,360
Speaker 3: it made me wonder with Spike Lee's style of telling

73
00:04:21,400 --> 00:04:24,760
Speaker 3: the story to dated, like one of the really one

74
00:04:24,760 --> 00:04:27,120
Speaker 3: of the most annoying things in this movie to me

75
00:04:27,320 --> 00:04:31,159
Speaker 3: was that music. And I know it's traditionally his style,

76
00:04:32,040 --> 00:04:33,800
Speaker 3: him playing music in the back.

77
00:04:33,600 --> 00:04:34,640
Speaker 2: Of like scenes.

78
00:04:35,680 --> 00:04:40,320
Speaker 3: I just irritated it never let me get fully engaged

79
00:04:40,360 --> 00:04:41,800
Speaker 3: in the movie because I'm like, why are you playing

80
00:04:41,839 --> 00:04:45,480
Speaker 3: that dumb ass music in the background. But with that

81
00:04:45,520 --> 00:04:47,479
Speaker 3: being said, I think Jeffery Wright did a good job.

82
00:04:47,600 --> 00:04:49,760
Speaker 3: I think Denzel did a good job. I liked the

83
00:04:49,800 --> 00:04:52,520
Speaker 3: casting r Wife. I think the story was great. What

84
00:04:53,680 --> 00:04:57,039
Speaker 3: didn't work for me was just a Spike Lee style

85
00:04:57,120 --> 00:04:58,920
Speaker 3: of telling the story. And I know it's always been

86
00:04:58,960 --> 00:05:00,440
Speaker 3: like it, but I'm just not sure it can be

87
00:05:00,560 --> 00:05:01,800
Speaker 3: like that in twenty twenty five.

88
00:05:03,000 --> 00:05:05,440
Speaker 2: The wife was awful to me. She plays well.

89
00:05:05,480 --> 00:05:07,640
Speaker 3: I guess I've gotten used to it because she plays

90
00:05:08,240 --> 00:05:13,159
Speaker 3: the exact same role in Godfather Harlem. I mean, like

91
00:05:13,720 --> 00:05:16,000
Speaker 3: he probably seen that TV show. I was like, Oh,

92
00:05:16,000 --> 00:05:18,240
Speaker 3: come do that over here, because she plays the exact

93
00:05:18,320 --> 00:05:23,080
Speaker 3: same role. Like she she Bumpy Johnson's wife and she

94
00:05:23,160 --> 00:05:26,080
Speaker 3: acts just like that. She's got the same privileges married

95
00:05:26,120 --> 00:05:27,880
Speaker 3: to a rich dude, like she she feel like she

96
00:05:27,960 --> 00:05:33,120
Speaker 3: got those privileges in Hollywood and look at but yeah,

97
00:05:33,160 --> 00:05:35,520
Speaker 3: she acted just like she acted in Godfather Harlem.

98
00:05:35,600 --> 00:05:37,640
Speaker 2: So but overall it was it was okay. I just

99
00:05:37,720 --> 00:05:44,200
Speaker 2: wish if the story had been told. But right, what.

100
00:05:48,839 --> 00:05:51,520
Speaker 3: The black films like this, Mike, you can need them

101
00:05:51,560 --> 00:05:53,240
Speaker 3: all day. I ain't gotta watch no more of them.

102
00:05:53,440 --> 00:05:54,239
Speaker 3: This was terrible.

103
00:05:55,560 --> 00:05:58,560
Speaker 2: This was man. I love Spike Lee and I.

104
00:05:58,520 --> 00:06:02,760
Speaker 4: Will never disrespect, but he needs to stop remaking movies,

105
00:06:02,920 --> 00:06:07,599
Speaker 4: especially ones that are already highly acclaimed classic films.

106
00:06:08,080 --> 00:06:10,359
Speaker 2: Stop. This was awful.

107
00:06:11,279 --> 00:06:19,240
Speaker 3: Off full having to watch it, I didn't notice was

108
00:06:19,240 --> 00:06:19,760
Speaker 3: a remake.

109
00:06:20,480 --> 00:06:25,320
Speaker 4: Yes, it's a remake of a great movie, just like

110
00:06:25,400 --> 00:06:26,520
Speaker 4: he did with Old Boy.

111
00:06:26,880 --> 00:06:29,640
Speaker 2: I don't know why he keeps telling this. I really don't.

112
00:06:29,760 --> 00:06:32,560
Speaker 4: And I'm not even necessarily all the way against remaking films,

113
00:06:32,560 --> 00:06:34,920
Speaker 4: but I think Spike needs to do a better job

114
00:06:34,960 --> 00:06:35,360
Speaker 4: of which.

115
00:06:35,200 --> 00:06:36,159
Speaker 2: Films he's gonna remake.

116
00:06:36,560 --> 00:06:39,640
Speaker 4: Remake ones that are bad, not bad, but like pick

117
00:06:39,720 --> 00:06:44,840
Speaker 4: the worst film in somebody's you know, career, and be like, Okay,

118
00:06:44,880 --> 00:06:48,000
Speaker 4: I'm gonna improve on that nothing about this film.

119
00:06:47,839 --> 00:06:50,680
Speaker 2: Improved up on the original. It was terrible.

120
00:06:51,400 --> 00:06:57,640
Speaker 4: The acting was not great, the dialogue was was was choppy,

121
00:06:57,680 --> 00:06:59,240
Speaker 4: the just it was just bad.

122
00:06:59,320 --> 00:07:02,480
Speaker 2: Y'all. I'm sorry. It's bad. It's bad. And Spike Lee

123
00:07:02,480 --> 00:07:05,800
Speaker 2: can do better than this. So you think Spike Lee

124
00:07:05,800 --> 00:07:11,800
Speaker 2: can do better than this? I feel like you can't. Yeah,

125
00:07:12,200 --> 00:07:15,840
Speaker 2: I mean, what was the last Spike joint? Oh? Boy,

126
00:07:16,320 --> 00:07:16,640
Speaker 2: wasn't it?

127
00:07:16,680 --> 00:07:16,760
Speaker 1: No?

128
00:07:16,840 --> 00:07:23,800
Speaker 2: It was the Brothers movie? That was that? His five whatever,

129
00:07:24,080 --> 00:07:24,800
Speaker 2: the warr movie.

130
00:07:25,520 --> 00:07:27,960
Speaker 3: It was pretty good. It was on Netflix. We liked

131
00:07:27,960 --> 00:07:29,920
Speaker 3: it because it had because what was that his movie?

132
00:07:29,920 --> 00:07:33,240
Speaker 2: I don't know. Okay, well take that back. Did you

133
00:07:33,320 --> 00:07:34,520
Speaker 2: like this one? No? I did not?

134
00:07:34,720 --> 00:07:42,280
Speaker 3: Okay, no, no, no, No, five Bloods the horror movie?

135
00:07:42,720 --> 00:07:46,200
Speaker 2: Was that his movie? Yeah? Okay, no, we're saying that

136
00:07:46,240 --> 00:07:48,160
Speaker 2: it was. It was pretty good. We liked the performances

137
00:07:48,200 --> 00:07:50,240
Speaker 2: in it because it had what I.

138
00:07:50,160 --> 00:07:51,520
Speaker 4: Thought when said it was a horror movie. I was

139
00:07:51,520 --> 00:07:52,920
Speaker 4: trying to think it went last time, Spike Lee's a

140
00:07:52,920 --> 00:07:53,480
Speaker 4: horror movie.

141
00:07:54,640 --> 00:08:01,400
Speaker 2: This one. I was watch man, I was, I was.

142
00:08:01,480 --> 00:08:04,120
Speaker 3: I was really disappointed by this and and and and

143
00:08:04,440 --> 00:08:06,440
Speaker 3: like I had an idea because I did see like

144
00:08:06,520 --> 00:08:07,680
Speaker 3: part of a preview or something.

145
00:08:07,680 --> 00:08:10,920
Speaker 2: I was like, I don't know about that one, and

146
00:08:11,040 --> 00:08:13,840
Speaker 2: yeah I was. I was right. No, this wasn't it. Bro.

147
00:08:14,120 --> 00:08:16,320
Speaker 3: It was just so many things that was like bad

148
00:08:16,320 --> 00:08:21,960
Speaker 3: about this. It's the wife man single handedly this. Oh

149
00:08:22,040 --> 00:08:23,520
Speaker 3: my god, I didn't think she was.

150
00:08:23,480 --> 00:08:29,080
Speaker 2: That she was bad. I mean, I don't just got kicknapped.

151
00:08:29,120 --> 00:08:34,520
Speaker 2: She's like, I didn't see one tear. Your son just

152
00:08:34,559 --> 00:08:39,000
Speaker 2: got kidnapped? Yeah, bro, man this man?

153
00:08:40,400 --> 00:08:43,840
Speaker 3: Yeah, it almost it almost made denzil and and and

154
00:08:44,240 --> 00:08:45,199
Speaker 3: Jeffrey Right looked bad.

155
00:08:45,240 --> 00:08:55,040
Speaker 2: Oh, it made Jeffrey Right look terrible. No, really, bro.

156
00:08:55,360 --> 00:08:58,280
Speaker 4: Every time they cursed and they spoke black, and it

157
00:08:58,400 --> 00:09:03,000
Speaker 4: sounded like some one hamphistically wrote black dialogue for a

158
00:09:03,000 --> 00:09:03,440
Speaker 4: white person.

159
00:09:03,480 --> 00:09:05,880
Speaker 3: I asked my wife after this, I said, was this

160
00:09:06,000 --> 00:09:06,960
Speaker 3: too too black?

161
00:09:08,400 --> 00:09:11,880
Speaker 2: And it just it was it just and she's saying something.

162
00:09:11,640 --> 00:09:15,920
Speaker 1: About just forgot what she word she used with something

163
00:09:15,920 --> 00:09:20,079
Speaker 1: about culture forward. So you know, but it did feel

164
00:09:20,080 --> 00:09:22,680
Speaker 1: like I'm like, oh man, this is like you really

165
00:09:22,720 --> 00:09:25,720
Speaker 1: just kind of forcing this this down.

166
00:09:26,160 --> 00:09:28,640
Speaker 2: You know, It's just like it was my wife dead.

167
00:09:28,679 --> 00:09:31,480
Speaker 2: What it was a lot. It was a lot, and

168
00:09:31,559 --> 00:09:33,720
Speaker 2: Spike is always black with his movies.

169
00:09:33,840 --> 00:09:35,520
Speaker 3: But it was just like, I don't know, this is

170
00:09:35,520 --> 00:09:39,080
Speaker 3: one just felt weird. It was it was an off

171
00:09:39,120 --> 00:09:42,240
Speaker 3: putting feeling too. It was like like it was really

172
00:09:42,320 --> 00:09:45,319
Speaker 3: wrong stretches. It was just like, bro, what what is happening?

173
00:09:46,000 --> 00:09:48,640
Speaker 3: And why? I was like, is this supposed to be

174
00:09:48,679 --> 00:09:51,880
Speaker 3: a dream sequence? Why is he doing that? That was

175
00:09:51,920 --> 00:10:00,400
Speaker 3: so classing my eye? Get that? Only what is this?

176
00:10:02,400 --> 00:10:04,920
Speaker 2: Oh my god man? This was depressed.

177
00:10:04,920 --> 00:10:09,160
Speaker 3: So it's the same story, basically, it's the same story.

178
00:10:09,160 --> 00:10:09,760
Speaker 2: So here's the thing.

179
00:10:09,760 --> 00:10:15,360
Speaker 4: The story is very basic, yes, but it's Curisala's.

180
00:10:14,320 --> 00:10:18,200
Speaker 3: Like film style that made it interesting. Like I don't

181
00:10:18,240 --> 00:10:18,960
Speaker 3: know if you would like it?

182
00:10:19,320 --> 00:10:22,080
Speaker 2: Do you do? You not do subtitle movies either? Really,

183
00:10:22,120 --> 00:10:23,319
Speaker 2: then you probably wouldn't dig it.

184
00:10:23,559 --> 00:10:27,280
Speaker 4: But it's it's a very stylistic film, and I don't

185
00:10:27,280 --> 00:10:29,320
Speaker 4: want to compare it all the way, but like, I'll

186
00:10:29,360 --> 00:10:30,920
Speaker 4: just get this one piece out.

187
00:10:31,600 --> 00:10:33,600
Speaker 2: The first hour of the og.

188
00:10:33,800 --> 00:10:36,320
Speaker 4: Is in the dude's living room when they're finding out

189
00:10:36,400 --> 00:10:39,240
Speaker 4: that his son was kidnapped and what's happening, And the

190
00:10:39,320 --> 00:10:43,400
Speaker 4: whole time you're fascinated because Curis Have you has anybody

191
00:10:43,400 --> 00:10:45,200
Speaker 4: seen any Curisy films?

192
00:10:44,600 --> 00:10:48,920
Speaker 3: I know you haven't because he's it's all subtitled obviously. Well,

193
00:10:49,160 --> 00:10:52,800
Speaker 3: I've watched some like Motorcycle Diaries and stuff like that.

194
00:10:52,840 --> 00:10:54,880
Speaker 3: I've seen, like, it's not like I'm just.

195
00:10:55,120 --> 00:11:02,480
Speaker 4: Anti well at any rate, he has this incredible way

196
00:11:02,559 --> 00:11:04,520
Speaker 4: of filming. And if you watch, even if you just

197
00:11:04,520 --> 00:11:06,880
Speaker 4: watch the first thirty minutes of the original, you'll see

198
00:11:06,960 --> 00:11:10,600
Speaker 4: him talking about like he will have people that are

199
00:11:11,679 --> 00:11:14,560
Speaker 4: talking and saying really important things, but they'll be in

200
00:11:14,600 --> 00:11:18,560
Speaker 4: the back right hand, and there'll be other people that

201
00:11:18,600 --> 00:11:21,160
Speaker 4: are just not doing anything in the foreground. So it

202
00:11:21,280 --> 00:11:23,320
Speaker 4: keeps you being like, Okay, what's going on, and it

203
00:11:23,400 --> 00:11:24,800
Speaker 4: keeps you your eyes moving.

204
00:11:25,120 --> 00:11:27,480
Speaker 2: But it's a really interesting way that he does this.

205
00:11:27,840 --> 00:11:29,559
Speaker 2: What's his problem movies? Really quickly?

206
00:11:29,600 --> 00:11:33,440
Speaker 4: What's He's mostly known for samurai films, so ten Samurai

207
00:11:35,360 --> 00:11:38,520
Speaker 4: Something Forrest, which is the one that inspired Star Wars.

208
00:11:38,559 --> 00:11:41,679
Speaker 4: I think it's called Hidden Forest. But he's mostly known

209
00:11:41,720 --> 00:11:44,960
Speaker 4: for samurai films. This was like a crime drama that

210
00:11:45,000 --> 00:11:46,600
Speaker 4: he did, which is why I thought it was weird

211
00:11:47,040 --> 00:11:50,040
Speaker 4: that Spike Lee was going to remake this. But if

212
00:11:50,040 --> 00:11:53,800
Speaker 4: you look at his last two remakes, they've been asked.

213
00:11:54,600 --> 00:11:55,960
Speaker 2: He redid Old Boy.

214
00:11:56,160 --> 00:11:59,160
Speaker 4: For no fucking reason, and it was trash. He redid

215
00:12:00,400 --> 00:12:02,760
Speaker 4: Ganja and hass As the Sweet Blood of Jesus, and

216
00:12:02,800 --> 00:12:07,760
Speaker 4: it was asked stop remaking films. He's such an amazing filmmaker.

217
00:12:07,760 --> 00:12:13,480
Speaker 4: Why are you tackling classic it? He's better with original

218
00:12:13,520 --> 00:12:16,520
Speaker 4: ideas this. I think he could have done this so

219
00:12:16,640 --> 00:12:18,680
Speaker 4: much better because the idea of taking this story and

220
00:12:18,720 --> 00:12:22,400
Speaker 4: making it black in New York was so interesting.

221
00:12:22,600 --> 00:12:24,600
Speaker 2: But the movie was not. Who was too New York too?

222
00:12:24,760 --> 00:12:27,480
Speaker 2: Like the subway ship was? That was terrible. Oh, I

223
00:12:27,840 --> 00:12:30,760
Speaker 2: fucked with the subway shit heavy. That was the best

224
00:12:30,760 --> 00:12:34,520
Speaker 2: part of the whole fucking movie. Huh. They were chanting?

225
00:12:35,400 --> 00:12:38,839
Speaker 2: That was you know that. She was amazing. I thought,

226
00:12:39,120 --> 00:12:41,080
Speaker 2: who is the guy? Who was? What? Guy?

227
00:12:41,360 --> 00:12:43,120
Speaker 3: The main guy that was like chanting, He's like the

228
00:12:43,200 --> 00:12:45,040
Speaker 3: leader of the chant He seemed familiar.

229
00:12:46,040 --> 00:12:48,920
Speaker 2: Well, you're talking about the one that was playing the music.

230
00:12:50,160 --> 00:12:57,880
Speaker 2: Guy that was like whatever, Yeah, I've seen him somewhere else, Anthony.

231
00:12:59,000 --> 00:13:03,560
Speaker 3: No, it was a white dude, white guy. You've probably

232
00:13:03,559 --> 00:13:05,840
Speaker 3: seen him as a Yankees fan. If I'm not mistake

233
00:13:06,160 --> 00:13:09,240
Speaker 3: that guy. He on the he's thank you for being

234
00:13:09,280 --> 00:13:12,800
Speaker 3: a fan. Okay, Yeah, I know I've seen him before.

235
00:13:14,160 --> 00:13:19,640
Speaker 1: Yeah, yeah, yeah, yeah, I watched it with the missus

236
00:13:19,640 --> 00:13:21,840
Speaker 1: and she didn't like twenty minutes and she was like yeah,

237
00:13:22,600 --> 00:13:24,760
Speaker 1: she told me after We was always like yeah, like

238
00:13:24,800 --> 00:13:26,200
Speaker 1: when it was all like what the fuck did I

239
00:13:26,280 --> 00:13:26,720
Speaker 1: just watch?

240
00:13:27,080 --> 00:13:29,240
Speaker 2: Like what is name? You just feel like that? Yeah,

241
00:13:29,240 --> 00:13:29,480
Speaker 2: it was.

242
00:13:29,559 --> 00:13:32,440
Speaker 1: It was really weird and it almost felt like there

243
00:13:32,480 --> 00:13:35,760
Speaker 1: were like he was trying to have two comers, two coms.

244
00:13:35,800 --> 00:13:37,920
Speaker 1: It was almost like it was about generations to a

245
00:13:37,920 --> 00:13:42,440
Speaker 1: certain degree. You know, this whole AI thing was in

246
00:13:42,520 --> 00:13:46,000
Speaker 1: it heavy. Uh, phones were in it heavy in the

247
00:13:46,000 --> 00:13:48,280
Speaker 1: beginning of the movies having a conversation with this Entrey

248
00:13:48,920 --> 00:13:51,840
Speaker 1: about phones and putting the phone down and you're always

249
00:13:51,840 --> 00:13:54,319
Speaker 1: in your phone and blah blah blah blah blah. And

250
00:13:54,360 --> 00:13:56,440
Speaker 1: then he said, put your phone down. I'm serious and

251
00:13:56,480 --> 00:13:59,040
Speaker 1: then he's by the hand of David or something whatever

252
00:13:59,200 --> 00:14:00,760
Speaker 1: that was strike down on the.

253
00:14:03,800 --> 00:14:07,599
Speaker 2: Trying to biblical this movie really m M.

254
00:14:08,000 --> 00:14:11,280
Speaker 3: And he was having a conversation too about I felt

255
00:14:11,280 --> 00:14:14,240
Speaker 3: like like more affluent black people to Jeffrey Wright's character

256
00:14:14,559 --> 00:14:17,360
Speaker 3: because we asked him, you had the money when it

257
00:14:17,400 --> 00:14:19,120
Speaker 3: was your child, but it's my child, you ain't got

258
00:14:19,120 --> 00:14:22,880
Speaker 3: the money. Yeah, Yeah, that could have been a really

259
00:14:22,920 --> 00:14:26,360
Speaker 3: interesting down They didn't that's.

260
00:14:26,240 --> 00:14:29,680
Speaker 2: How they really dug deep into that idea.

261
00:14:29,720 --> 00:14:31,760
Speaker 3: That was the main I feel like could have been

262
00:14:31,800 --> 00:14:34,640
Speaker 3: the main Like that's what I thought it was going

263
00:14:34,720 --> 00:14:37,640
Speaker 3: to be, because you know, Rick Fox was in he

264
00:14:37,760 --> 00:14:39,040
Speaker 3: was playing himself apparently.

265
00:14:40,600 --> 00:14:42,840
Speaker 1: So we get introduced to all of them, Trade Cole,

266
00:14:44,800 --> 00:14:49,240
Speaker 1: Rick Fox, the coach, the wife, David King, he's selling

267
00:14:49,280 --> 00:14:53,200
Speaker 1: his business, stacking his records, and he drops his kid off.

268
00:14:53,280 --> 00:14:55,960
Speaker 1: Then we meet Jeffrey Wright who's driving the car, who's

269
00:14:56,360 --> 00:15:01,800
Speaker 1: was in jail apparently for something. And we meet Patrick,

270
00:15:02,360 --> 00:15:04,640
Speaker 1: who was his business partner with stacking his records.

271
00:15:04,680 --> 00:15:06,680
Speaker 2: And then he said to Patrick.

272
00:15:06,840 --> 00:15:10,560
Speaker 3: That he wants to buy his controlling interests by his

273
00:15:10,640 --> 00:15:14,480
Speaker 3: shares so he can just assume control of the label

274
00:15:14,520 --> 00:15:17,480
Speaker 3: and not stell sell to straight out records or something.

275
00:15:17,280 --> 00:15:21,240
Speaker 2: Like that, and and all that happens.

276
00:15:21,240 --> 00:15:23,360
Speaker 3: Then he goes talks to the wife and tells her

277
00:15:23,520 --> 00:15:25,680
Speaker 3: and blah blah blah blah blah. Uh.

278
00:15:25,880 --> 00:15:27,840
Speaker 2: So all that's in the beginning of the movie.

279
00:15:28,040 --> 00:15:31,160
Speaker 1: Anything in particular about the way they set this up

280
00:15:31,520 --> 00:15:36,760
Speaker 1: were just kind of Patrick, Hm, did you all reckonize Patrick?

281
00:15:38,200 --> 00:15:40,080
Speaker 1: The voice sounded familiar, but dude.

282
00:15:39,840 --> 00:15:46,120
Speaker 3: He was his part brother moves.

283
00:15:46,080 --> 00:15:50,240
Speaker 4: You can spot him by his nose. Nobody got of knows,

284
00:15:50,280 --> 00:15:57,040
Speaker 4: Like he was like, yes he can spell coff.

285
00:15:58,720 --> 00:16:06,520
Speaker 3: Yes, just what But this goes to Spike Lee because

286
00:16:06,520 --> 00:16:10,120
Speaker 3: Spike Lee's directing the that's the part that's surprising.

287
00:16:10,200 --> 00:16:10,760
Speaker 2: But I wasn't.

288
00:16:11,560 --> 00:16:13,440
Speaker 3: I was just saying I feel like Denzel probably was

289
00:16:13,440 --> 00:16:15,760
Speaker 3: adding some shit he had he had to it.

290
00:16:15,920 --> 00:16:17,680
Speaker 2: I don't think they had a solid script.

291
00:16:18,000 --> 00:16:20,400
Speaker 3: You think he directed, like do that ship with the

292
00:16:20,800 --> 00:16:22,200
Speaker 3: My thing is, even if he didn't direct him to

293
00:16:22,240 --> 00:16:24,120
Speaker 3: do that as a director, wouldn't you be like, nah,

294
00:16:24,200 --> 00:16:24,920
Speaker 3: I doesn't look right.

295
00:16:25,000 --> 00:16:26,040
Speaker 2: Don't do it again.

296
00:16:25,960 --> 00:16:29,520
Speaker 4: Without again without that, it was just bad. But no,

297
00:16:29,520 --> 00:16:32,480
Speaker 4: I didn't take ship from the beginning, okay, except that

298
00:16:32,480 --> 00:16:34,440
Speaker 4: he's a family man. And I was like, okay, they're

299
00:16:34,440 --> 00:16:36,320
Speaker 4: making this real black cool, let's see where it goes.

300
00:16:36,560 --> 00:16:38,240
Speaker 2: Yeah, I love you, love you more things?

301
00:16:38,720 --> 00:16:42,920
Speaker 1: Uh we we We learned that through the conversation with

302
00:16:42,960 --> 00:16:46,680
Speaker 1: the wife. Is that And I think there's another conversation

303
00:16:46,760 --> 00:16:50,440
Speaker 1: in the movie is about like the music business. Yeah,

304
00:16:50,720 --> 00:16:53,680
Speaker 1: and she's saying that he complains about the music business,

305
00:16:53,720 --> 00:16:54,720
Speaker 1: that he doesn't.

306
00:16:54,440 --> 00:16:55,920
Speaker 2: Love it the way he used to.

307
00:16:57,520 --> 00:16:59,760
Speaker 1: So she had that that whole conversation about how the

308
00:17:00,040 --> 00:17:05,280
Speaker 1: music as soulless and it's about tech. But I was wondering,

309
00:17:05,320 --> 00:17:08,840
Speaker 1: I think, to a certain degree, music as when it

310
00:17:08,880 --> 00:17:11,320
Speaker 1: comes to the business, I've always been soulless.

311
00:17:11,880 --> 00:17:15,280
Speaker 2: Well not, I think that's hard work, very I.

312
00:17:15,200 --> 00:17:17,080
Speaker 4: Mean, if he's supposed to be a very Gordy type

313
00:17:17,200 --> 00:17:23,600
Speaker 4: or or or Quincy Jones type. I could see the

314
00:17:23,720 --> 00:17:27,240
Speaker 4: discussion when it comes to tech and being soulless. But

315
00:17:27,960 --> 00:17:29,760
Speaker 4: at no point did I even get the impression that

316
00:17:29,800 --> 00:17:31,240
Speaker 4: he gave a funk about music.

317
00:17:33,080 --> 00:17:37,320
Speaker 3: Us that No, Yeah, yeah, the best ears in the business.

318
00:17:37,000 --> 00:17:38,520
Speaker 2: Show us that. I mean, I know that plays into

319
00:17:38,560 --> 00:17:39,280
Speaker 2: the plot later on.

320
00:17:39,440 --> 00:17:43,520
Speaker 4: Yeah, show me him being enamored by music, show me

321
00:17:43,600 --> 00:17:45,000
Speaker 4: him being in love with music.

322
00:17:45,040 --> 00:17:46,120
Speaker 2: I didn't get that at all.

323
00:17:46,440 --> 00:17:49,720
Speaker 1: We should we we learned, but I think that's part

324
00:17:49,840 --> 00:17:52,000
Speaker 1: of the movie as we move on.

325
00:17:52,119 --> 00:17:53,560
Speaker 2: But we saw that it was the opposite.

326
00:17:53,600 --> 00:17:57,280
Speaker 1: Like his son kept asking him listen to Sula, which

327
00:17:57,320 --> 00:18:00,680
Speaker 1: comes back around you know, hes supposed to have this playlist,

328
00:18:00,960 --> 00:18:04,120
Speaker 1: and you know, I think there was somebody outside performance,

329
00:18:04,160 --> 00:18:06,439
Speaker 1: so there were all these things music related that he

330
00:18:06,640 --> 00:18:09,640
Speaker 1: kept kind of casting aside exactly.

331
00:18:10,160 --> 00:18:12,080
Speaker 4: You know, Yeah, if you want to do that, then

332
00:18:12,080 --> 00:18:14,640
Speaker 4: show me, show me him like we saw Bill Cosby,

333
00:18:14,720 --> 00:18:17,800
Speaker 4: Show me he has a basement of jazz records, show

334
00:18:17,840 --> 00:18:19,600
Speaker 4: me him down there. Just I mean, we got the

335
00:18:19,640 --> 00:18:21,680
Speaker 4: hohld him talking to the fucking pictures on the wall,

336
00:18:21,720 --> 00:18:24,960
Speaker 4: which was corny as because show me him caring about music.

337
00:18:25,000 --> 00:18:25,840
Speaker 2: I didn't get that.

338
00:18:26,680 --> 00:18:29,080
Speaker 3: It was almost like he didn't care about music from

339
00:18:29,080 --> 00:18:31,760
Speaker 3: all the examples that they gave us until closer to

340
00:18:31,760 --> 00:18:34,000
Speaker 3: the end, because he when he walked to the building

341
00:18:34,040 --> 00:18:36,520
Speaker 3: and the lady that you said, did he walk off with?

342
00:18:36,800 --> 00:18:39,800
Speaker 2: Yeah, he walked off. The girl was playing the guitar. Yeah.

343
00:18:39,840 --> 00:18:42,800
Speaker 3: And the editing was so we couldn't tell if he

344
00:18:42,840 --> 00:18:44,679
Speaker 3: walked off or like, because she turned around and he

345
00:18:44,760 --> 00:18:45,040
Speaker 3: was girl.

346
00:18:45,080 --> 00:18:46,800
Speaker 2: I was like, well right, and then she went by

347
00:18:47,240 --> 00:18:51,520
Speaker 2: somewhere else. It was like, bloke out. I don't get it.

348
00:18:51,520 --> 00:18:53,240
Speaker 2: That was transport.

349
00:18:53,320 --> 00:18:55,600
Speaker 3: She went somewhere in his mind, and like, I just

350
00:18:55,600 --> 00:18:58,480
Speaker 3: didn't get there because he like he wanted to listen

351
00:18:58,560 --> 00:19:00,440
Speaker 3: to ye and the just.

352
00:19:00,640 --> 00:19:01,800
Speaker 2: I mean, I don't want to listen to it.

353
00:19:01,800 --> 00:19:03,639
Speaker 3: It seemed like his love was his legacy though in

354
00:19:03,760 --> 00:19:06,480
Speaker 3: business that was at the forefront, because I feel like

355
00:19:06,480 --> 00:19:10,640
Speaker 3: he put that put forward everything, even his friend's son

356
00:19:10,840 --> 00:19:13,720
Speaker 3: at that point, like his legacy and having that business.

357
00:19:13,720 --> 00:19:17,280
Speaker 2: That was his passion. It wasn't music. Like his wife said, Okay,

358
00:19:17,359 --> 00:19:20,400
Speaker 2: maybe I thought they were supposed to. I don't know. Okay,

359
00:19:20,640 --> 00:19:24,000
Speaker 2: you're probably right. Yeah they told us his love with

360
00:19:24,040 --> 00:19:29,000
Speaker 2: the music, but they showed us show yes, yeah, okay, yeah.

361
00:19:29,119 --> 00:19:32,040
Speaker 1: But so this happens and she's like, well, you know,

362
00:19:32,080 --> 00:19:34,040
Speaker 1: if you want to really buy it, like you're not

363
00:19:34,080 --> 00:19:36,360
Speaker 1: in love with the music anymore, why are you doing this?

364
00:19:37,240 --> 00:19:39,280
Speaker 1: Which I think she was right the question, But then

365
00:19:39,320 --> 00:19:41,879
Speaker 1: she gets called that he was kiddingapped, her son was

366
00:19:41,920 --> 00:19:43,040
Speaker 1: getting up, trade was getting up.

367
00:19:43,200 --> 00:19:44,920
Speaker 2: I did like that point. I thought he got the call.

368
00:19:45,119 --> 00:19:46,800
Speaker 2: Yeah he got Yeah, I'm sorry.

369
00:19:46,800 --> 00:19:49,360
Speaker 3: They were on the balcony and you know, they had

370
00:19:49,400 --> 00:19:51,640
Speaker 3: a moment and then she left. He got the call

371
00:19:52,320 --> 00:19:55,480
Speaker 3: and it didn't say anything, but you assume like, okay,

372
00:19:55,520 --> 00:19:56,479
Speaker 3: what the hell is going on?

373
00:19:56,600 --> 00:19:58,359
Speaker 2: And he came in and said what he said. I

374
00:19:58,400 --> 00:20:02,560
Speaker 2: did like that excuse okay, we're going somewhere. But yeah,

375
00:20:02,560 --> 00:20:04,919
Speaker 2: he said they got trade. They like, wasn't mean they

376
00:20:05,000 --> 00:20:05,440
Speaker 2: got trade?

377
00:20:05,600 --> 00:20:08,080
Speaker 4: Talking about I was with her, I say, did they

378
00:20:08,080 --> 00:20:11,280
Speaker 4: shoot him? I mean got it was like he had warrant, Like,

379
00:20:11,320 --> 00:20:14,919
Speaker 4: what happened? They kidnapped him, They got him, they kidnapped him.

380
00:20:15,840 --> 00:20:18,600
Speaker 2: Can you imagine kidnapped as a seventeen year old.

381
00:20:20,200 --> 00:20:23,679
Speaker 3: Kidnapped by asap Rocky? That it was what I was

382
00:20:23,760 --> 00:20:27,440
Speaker 3: leading to. I ain't never seen nobody on a Rocky team.

383
00:20:27,720 --> 00:20:29,560
Speaker 3: They could have kidnapped me at seventeen years old.

384
00:20:29,560 --> 00:20:31,080
Speaker 2: I don't know about that. You ain't seen his team

385
00:20:31,160 --> 00:20:32,520
Speaker 2: he got I'm talking about the ones in the movie.

386
00:20:32,560 --> 00:20:36,240
Speaker 3: I'm sorry, sorry, sorry, I'm talking about the ones he

387
00:20:36,280 --> 00:20:38,480
Speaker 3: had in the movies Got Still the Bad. Yeah, no,

388
00:20:38,520 --> 00:20:40,679
Speaker 3: I'm sucking all them. I'm like, Bro, Ain's Rocky not

389
00:20:40,760 --> 00:20:44,520
Speaker 3: kidnapping me. Bro, Like, no, that's not happening. Really, It's

390
00:20:44,560 --> 00:20:44,840
Speaker 3: like he.

391
00:20:44,840 --> 00:20:50,920
Speaker 2: Was like a king pin. You're a rapper, a struggling rapper. Yeah,

392
00:20:51,080 --> 00:20:53,480
Speaker 2: he didn't even have a job. This, this part could

393
00:20:53,520 --> 00:20:54,040
Speaker 2: have been cool.

394
00:20:55,400 --> 00:20:57,280
Speaker 4: And again, this is one of those things where I

395
00:20:57,280 --> 00:20:59,280
Speaker 4: wish it wouldn't have been called Highest the Lowest. I

396
00:20:59,280 --> 00:21:01,160
Speaker 4: wish he had just made a movie. And then later

397
00:21:01,200 --> 00:21:03,640
Speaker 4: on said he was inspired by High and Low.

398
00:21:05,000 --> 00:21:06,960
Speaker 2: Yes, yes, because.

399
00:21:06,680 --> 00:21:09,120
Speaker 4: I'm walking into this film knowing what happens in the original,

400
00:21:09,200 --> 00:21:13,520
Speaker 4: knowing how amazingly that is laid out and done, and

401
00:21:13,520 --> 00:21:17,520
Speaker 4: then I get this and it's like, well, the wife's

402
00:21:17,560 --> 00:21:22,760
Speaker 4: response was so poorly executed that it took me out

403
00:21:22,760 --> 00:21:25,480
Speaker 4: of the film. I was like, Oh, she's involved. I'm

404
00:21:25,520 --> 00:21:27,239
Speaker 4: thinking Spike Lely changed the whole story. I was like, oh,

405
00:21:27,280 --> 00:21:29,160
Speaker 4: she she kidnapped the sun.

406
00:21:29,400 --> 00:21:30,040
Speaker 2: I don't know why.

407
00:21:30,080 --> 00:21:31,920
Speaker 4: Maybe it's because she wants to keep all of Denzel's

408
00:21:31,960 --> 00:21:33,800
Speaker 4: money and doesn't want Denzel to buy this.

409
00:21:34,200 --> 00:21:36,960
Speaker 2: I don't know, but she's involved. I thought it was

410
00:21:36,960 --> 00:21:38,040
Speaker 2: a Jeffrey Rice's character.

411
00:21:40,320 --> 00:21:42,439
Speaker 3: Yeah, talking about the wife's performance. The dude from the

412
00:21:42,480 --> 00:21:48,840
Speaker 3: fucking insurance commercials, Oh yeah, the one that plays his mayhem.

413
00:21:50,640 --> 00:21:51,760
Speaker 2: I thought I've seen him before.

414
00:21:51,840 --> 00:21:56,360
Speaker 3: He wasn't bad commercials something like that, right, Yeah, definitely.

415
00:21:56,640 --> 00:22:01,680
Speaker 2: He's better than those it every time. Yeah. The racist

416
00:22:01,680 --> 00:22:04,919
Speaker 2: cop that's not racist. I couldn't figure it out. Was

417
00:22:04,920 --> 00:22:06,200
Speaker 2: he supposed to be racist?

418
00:22:06,440 --> 00:22:08,280
Speaker 3: That's what I thought, because the black guy was more

419
00:22:08,280 --> 00:22:09,400
Speaker 3: of addict than anybody.

420
00:22:10,440 --> 00:22:13,159
Speaker 2: Oh my god. B Yeah, the cops were awful. They

421
00:22:13,200 --> 00:22:14,520
Speaker 2: were terrible, all right.

422
00:22:14,520 --> 00:22:16,320
Speaker 3: And then the one lady that came in, she didn't

423
00:22:16,320 --> 00:22:19,000
Speaker 3: even seem like the head detective, the one that she

424
00:22:19,040 --> 00:22:19,760
Speaker 3: was the head detective.

425
00:22:19,840 --> 00:22:21,440
Speaker 2: She was supposed to be the head detective. I thought

426
00:22:21,480 --> 00:22:21,960
Speaker 2: it was the guy.

427
00:22:24,080 --> 00:22:27,760
Speaker 3: It's like they forgot me and movie that she wasn't infective.

428
00:22:27,880 --> 00:22:29,600
Speaker 2: Oh god, bro, she came in.

429
00:22:29,680 --> 00:22:31,720
Speaker 3: She's just like a regular officer. She had the had

430
00:22:31,760 --> 00:22:34,720
Speaker 3: on She's like, yeah, lead detective. I'm like, but we

431
00:22:34,920 --> 00:22:35,960
Speaker 3: never even saw.

432
00:22:35,760 --> 00:22:37,640
Speaker 2: Her leading any lead anything.

433
00:22:38,640 --> 00:22:44,080
Speaker 3: It was just man only week when she made the

434
00:22:44,160 --> 00:22:47,400
Speaker 3: thing like that to your point when she said why

435
00:22:47,480 --> 00:22:51,160
Speaker 3: he wanted rubles instead of dollars And it wasn't even

436
00:22:51,200 --> 00:22:51,960
Speaker 3: her though.

437
00:22:52,000 --> 00:22:54,520
Speaker 2: That wasn't her. It wasn't even her. I thought it

438
00:22:54,560 --> 00:22:55,720
Speaker 2: was her that figured that part out.

439
00:22:55,880 --> 00:22:57,879
Speaker 3: It was her that figured it out. But she's not

440
00:22:57,920 --> 00:23:00,199
Speaker 3: even the one that says she's the lead detective. It

441
00:23:00,280 --> 00:23:03,280
Speaker 3: was it was some regular officer that said they were

442
00:23:03,280 --> 00:23:04,280
Speaker 3: the lead detective.

443
00:23:04,560 --> 00:23:06,679
Speaker 2: Wait what Wait the one knocked on the door. The

444
00:23:06,720 --> 00:23:07,600
Speaker 2: one that knocked on the door.

445
00:23:07,640 --> 00:23:10,160
Speaker 4: Wait, there was a different female copy it was there.

446
00:23:10,160 --> 00:23:11,440
Speaker 4: One had a ball cap on one.

447
00:23:12,400 --> 00:23:14,399
Speaker 2: You sure wasn't the same black woman? No, it was

448
00:23:14,440 --> 00:23:16,640
Speaker 2: not she. The one woman had on a suit. This

449
00:23:16,680 --> 00:23:19,720
Speaker 2: woman had on police uh uniform.

450
00:23:19,359 --> 00:23:22,160
Speaker 1: Because she came came in, looked around, and then went

451
00:23:22,200 --> 00:23:23,240
Speaker 1: back and brought everybody else.

452
00:23:23,440 --> 00:23:25,399
Speaker 2: Okay, y'all can come in. She was supposed to be

453
00:23:25,400 --> 00:23:27,320
Speaker 2: the lead detect and then she just left. We didn't.

454
00:23:27,320 --> 00:23:29,840
Speaker 3: We saw her off on the side doing some ship.

455
00:23:30,640 --> 00:23:32,160
Speaker 3: It was the weirdest ship bro.

456
00:23:32,280 --> 00:23:33,480
Speaker 2: Oh my god, dude.

457
00:23:33,520 --> 00:23:35,480
Speaker 3: But then these other two come over to the lady

458
00:23:35,480 --> 00:23:37,320
Speaker 3: were talking about and the black guy.

459
00:23:37,760 --> 00:23:40,879
Speaker 2: They seemed like the detectives of the ship, right. No,

460
00:23:41,080 --> 00:23:42,640
Speaker 2: they were saying that the other lady was the lead.

461
00:23:43,320 --> 00:23:44,400
Speaker 2: Why would you even do that?

462
00:23:44,560 --> 00:23:47,760
Speaker 3: I have man, it made no sense when she figured

463
00:23:47,800 --> 00:23:49,679
Speaker 3: that out, and he was like, what school you go to?

464
00:23:50,480 --> 00:23:53,800
Speaker 2: Yeah, but didn't she say something like black Girl? She

465
00:23:53,840 --> 00:23:55,480
Speaker 2: said she went to Spell Blair.

466
00:23:56,240 --> 00:23:58,400
Speaker 4: She said something about black Girl magic And all right, bro,

467
00:23:58,520 --> 00:24:01,959
Speaker 4: y'all trying too hard, y'all really trying to be lighter,

468
00:24:02,040 --> 00:24:02,680
Speaker 4: you know what I'm saying.

469
00:24:02,920 --> 00:24:05,439
Speaker 2: That was interesting. That was really that was That was

470
00:24:05,440 --> 00:24:06,800
Speaker 2: one of the most interesting right now.

471
00:24:06,880 --> 00:24:09,680
Speaker 3: But it felt forced though. It did like it felt forced,

472
00:24:09,920 --> 00:24:14,040
Speaker 3: like I don't know, it's just the execution of these scenes. Yeah,

473
00:24:14,240 --> 00:24:16,520
Speaker 3: and I'm which the music didn't help, like, like it

474
00:24:16,600 --> 00:24:19,040
Speaker 3: just seemed like a whole different movie. I know Spike

475
00:24:19,119 --> 00:24:21,479
Speaker 3: Lee has done it, but it's just done it better.

476
00:24:21,960 --> 00:24:24,400
Speaker 2: Than other movies. It just wasn't done well.

477
00:24:24,480 --> 00:24:28,199
Speaker 3: He he didn't, like you said, the performance of it

478
00:24:28,240 --> 00:24:30,159
Speaker 3: didn't take away from it, but like you here.

479
00:24:30,080 --> 00:24:38,359
Speaker 2: It's just like, bro, why is this plain? Well?

480
00:24:38,359 --> 00:24:42,119
Speaker 1: Anyway, we found out that they kidnapped the wrong son,

481
00:24:43,440 --> 00:24:47,480
Speaker 1: and they because of the head band, the Green head Bands,

482
00:24:47,520 --> 00:24:49,800
Speaker 1: and Trey was returned and Kyle was the one that

483
00:24:49,920 --> 00:24:56,240
Speaker 1: was actually kidnapped, and aceaps still on it to seventeen five,

484
00:24:57,040 --> 00:25:01,200
Speaker 1: and then it became all about whether or not Paul

485
00:25:01,320 --> 00:25:03,920
Speaker 1: was gonna or not Paul, but David was gonna pay

486
00:25:04,080 --> 00:25:04,600
Speaker 1: the ransom.

487
00:25:04,640 --> 00:25:07,760
Speaker 4: What a SAP was killing me? I didn't even I

488
00:25:07,800 --> 00:25:10,000
Speaker 4: didn't look at the credits. The second I heard his voice,

489
00:25:10,000 --> 00:25:10,800
Speaker 4: I was like, oh that's a sap.

490
00:25:10,880 --> 00:25:13,000
Speaker 2: Rocky. I'm sorry.

491
00:25:13,040 --> 00:25:15,520
Speaker 4: I love you Asap, but you can't act for ship,

492
00:25:15,880 --> 00:25:18,000
Speaker 4: even if you're just on a phone call, you can't.

493
00:25:18,320 --> 00:25:23,000
Speaker 4: I love your music all that you're whatever, but oh

494
00:25:23,080 --> 00:25:25,720
Speaker 4: my god, anything he said, I was like, Bro, this

495
00:25:25,800 --> 00:25:28,520
Speaker 4: sounds like a Toob.

496
00:25:29,000 --> 00:25:32,120
Speaker 2: Movie, Like what the fuck are by watching was presenting?

497
00:25:32,160 --> 00:25:34,480
Speaker 2: Is to be real? Is you ain't? You ain't the

498
00:25:34,560 --> 00:25:39,840
Speaker 2: king Nigga? I'm the King Nikkele. Fuck that Nickel.

499
00:25:40,119 --> 00:25:42,800
Speaker 3: I was like, oh my god, bro, even when he

500
00:25:42,880 --> 00:25:45,119
Speaker 3: returned the sun, I didn't like how they did that

501
00:25:45,440 --> 00:25:49,000
Speaker 3: when he was like, no, I was I'm talking about

502
00:25:49,000 --> 00:25:50,680
Speaker 3: when they returned in me the figure they had the

503
00:25:50,760 --> 00:25:57,280
Speaker 3: room the first at the beginning, yeah, before Yeah, it

504
00:25:57,359 --> 00:26:04,560
Speaker 3: an't take long. Turned quickly ba oh that's right in

505
00:26:04,600 --> 00:26:07,960
Speaker 3: the basement whatever the parking girl y Yeah, yeah.

506
00:26:07,800 --> 00:26:08,359
Speaker 2: It was weird.

507
00:26:08,600 --> 00:26:13,600
Speaker 3: Yeah, that was like, yeah, you'll explain what's going on?

508
00:26:14,040 --> 00:26:16,760
Speaker 3: How did how did they mistakenly had It was just weird?

509
00:26:17,040 --> 00:26:19,359
Speaker 3: How are they acting like this with Jeffrey Wright? Were

510
00:26:19,359 --> 00:26:24,080
Speaker 3: supposed to just ride with it? And how Yeah, like, bro,

511
00:26:24,160 --> 00:26:27,760
Speaker 3: hold on, where is he just said, man, what is

512
00:26:27,800 --> 00:26:28,560
Speaker 3: what is happening?

513
00:26:29,000 --> 00:26:29,040
Speaker 2: What?

514
00:26:29,119 --> 00:26:35,479
Speaker 3: Didn't even explain it? It was the way the cops

515
00:26:35,480 --> 00:26:39,040
Speaker 3: were acting. It's like Spike Lee was going way overboard

516
00:26:39,040 --> 00:26:41,919
Speaker 3: with showing how awful cops. It was like, Bro, this

517
00:26:41,960 --> 00:26:42,600
Speaker 3: doesn't even.

518
00:26:42,400 --> 00:26:45,880
Speaker 2: Seem normal natural. Nothing about this makes sense.

519
00:26:46,040 --> 00:26:50,600
Speaker 3: And and and Jeffrey Wright is honestly an amazing actor.

520
00:26:51,119 --> 00:26:53,119
Speaker 2: How did y'all make him so bad? It's crazy?

521
00:26:53,720 --> 00:26:57,080
Speaker 4: It's gonna work out in sa And then God, let

522
00:26:57,160 --> 00:27:01,520
Speaker 4: us ask go to punch that dude.

523
00:27:01,280 --> 00:27:04,920
Speaker 2: This whole film? Why are you doing this to him.

524
00:27:05,520 --> 00:27:09,480
Speaker 3: Because that was what the That's what it felt like

525
00:27:09,480 --> 00:27:12,560
Speaker 3: they were trying to that they looked at differently, even

526
00:27:12,560 --> 00:27:16,080
Speaker 3: though I you know, Mayhem was looking at him look differently,

527
00:27:16,160 --> 00:27:17,479
Speaker 3: like do I know you?

528
00:27:18,760 --> 00:27:20,560
Speaker 2: Do you? They look familiar?

529
00:27:20,560 --> 00:27:24,560
Speaker 3: You remember that even the black guy was looking at

530
00:27:24,640 --> 00:27:25,520
Speaker 3: him a little weird.

531
00:27:25,320 --> 00:27:30,280
Speaker 2: To rest this dick. It didn't even sound natural. Jeffright

532
00:27:30,400 --> 00:27:36,640
Speaker 2: is so good? Why being changed? It's like, oh my god.

533
00:27:38,160 --> 00:27:42,200
Speaker 3: They wouldn't let him go make the movie make some

534
00:27:42,280 --> 00:27:46,320
Speaker 3: kind of sense. Spike Lee, why are the cops not

535
00:27:46,440 --> 00:27:49,400
Speaker 3: letting him walk up with Denzel if you.

536
00:27:49,440 --> 00:27:52,680
Speaker 2: Know his own Like what fuck man?

537
00:27:53,640 --> 00:27:55,960
Speaker 4: This didn't seem like a Spike Lee film, did not? Yea,

538
00:27:56,400 --> 00:27:58,600
Speaker 4: this is so subpar for Spike Lee.

539
00:27:58,640 --> 00:27:59,440
Speaker 2: I don't understand.

540
00:27:59,520 --> 00:28:01,480
Speaker 3: I feel like he needed to kind of expand the

541
00:28:01,520 --> 00:28:04,639
Speaker 3: team and get some younger writers that people didn't know.

542
00:28:05,280 --> 00:28:07,520
Speaker 2: It just seemed like he was an old man making

543
00:28:07,560 --> 00:28:11,600
Speaker 2: this movie. That's exactly what period Jason to me, like

544
00:28:11,760 --> 00:28:14,960
Speaker 2: it felt Tyler period. Jason. Yes, I had a feeling.

545
00:28:15,240 --> 00:28:16,840
Speaker 2: I'm like, what the fuck is going on?

546
00:28:17,200 --> 00:28:19,600
Speaker 4: I thought, is that what he's going for? This felt

547
00:28:19,680 --> 00:28:22,040
Speaker 4: like Straw was like, is that what he's trying to

548
00:28:22,080 --> 00:28:24,520
Speaker 4: go for because Straw had such a big buzzer.

549
00:28:25,840 --> 00:28:28,320
Speaker 3: It was like, I'm too far in my bag and

550
00:28:28,359 --> 00:28:30,560
Speaker 3: Tyler period, like he says, I make movies for certain

551
00:28:30,560 --> 00:28:31,040
Speaker 3: type of people.

552
00:28:31,440 --> 00:28:33,960
Speaker 2: We usually gonna do that. Like even though he has.

553
00:28:33,800 --> 00:28:36,320
Speaker 3: A style and he got a certain bag, it's still

554
00:28:36,520 --> 00:28:39,479
Speaker 3: more palatable than this is. It's like, are you just

555
00:28:39,560 --> 00:28:41,840
Speaker 3: doing like you just spiked me and just wanted to

556
00:28:41,840 --> 00:28:42,160
Speaker 3: do this.

557
00:28:43,080 --> 00:28:47,080
Speaker 2: It's crazy. This was depressing. It was what you gotta

558
00:28:47,080 --> 00:28:47,440
Speaker 2: think about.

559
00:28:47,440 --> 00:28:51,600
Speaker 1: The overall conversation about paying the ransom versus not paying

560
00:28:51,640 --> 00:28:52,920
Speaker 1: the ransom.

561
00:28:52,960 --> 00:28:55,880
Speaker 4: That was yeah, because that was like a really big

562
00:28:55,920 --> 00:28:59,239
Speaker 4: dilemma in the first film. Then the original it's this

563
00:28:59,280 --> 00:29:02,440
Speaker 4: whole dilemma, Okay, do I pay the money even though

564
00:29:02,480 --> 00:29:05,440
Speaker 4: it's not my son? You know, how are the public

565
00:29:05,520 --> 00:29:07,920
Speaker 4: going to treat me? I thought that they were going

566
00:29:08,000 --> 00:29:11,280
Speaker 4: to go further with it, and I was excited. I

567
00:29:11,320 --> 00:29:13,800
Speaker 4: got excited about the movie at that point. I was said, Oh, no,

568
00:29:13,920 --> 00:29:19,000
Speaker 4: that's interesting because on one hand, you do it and

569
00:29:19,080 --> 00:29:22,040
Speaker 4: you get the reception that you have. But like I mentioned,

570
00:29:22,720 --> 00:29:24,680
Speaker 4: I thought the film showed it. He was very concerned

571
00:29:24,720 --> 00:29:27,520
Speaker 4: about his legacy and now I got the money to

572
00:29:27,720 --> 00:29:30,360
Speaker 4: apply this to the legacy like he wanted to. But

573
00:29:31,480 --> 00:29:33,160
Speaker 4: people ain't gonna look at me the same like I

574
00:29:33,200 --> 00:29:35,040
Speaker 4: want them to if I use the money like I want.

575
00:29:35,400 --> 00:29:38,160
Speaker 4: So I thought that was a really interesting conversation. I

576
00:29:38,200 --> 00:29:41,360
Speaker 4: thought his decision making or thought process of it was interesting.

577
00:29:41,400 --> 00:29:43,240
Speaker 4: I just don't think it was executed.

578
00:29:42,760 --> 00:29:47,680
Speaker 1: Well, even though wife was on board or questioning whether

579
00:29:47,760 --> 00:29:49,560
Speaker 1: or not they should do it, which surprised me.

580
00:29:49,880 --> 00:29:52,400
Speaker 4: I would question it too, though you have to question

581
00:29:52,480 --> 00:29:56,520
Speaker 4: it's sure, okay, yes, definitely, and you got to question it.

582
00:29:56,560 --> 00:29:58,520
Speaker 3: And like he said, this is my whole she was like,

583
00:29:58,520 --> 00:30:00,680
Speaker 3: that's all the money we got, right, It's like damn,

584
00:30:01,000 --> 00:30:05,240
Speaker 3: which she was like, I don't know, yeah, you know,

585
00:30:05,400 --> 00:30:08,120
Speaker 3: but the sound was like, you know, it is our fault.

586
00:30:09,040 --> 00:30:11,840
Speaker 3: You know, he's telling paying the money and all that.

587
00:30:11,880 --> 00:30:13,400
Speaker 2: And he looked at him like that was a good

588
00:30:13,440 --> 00:30:19,680
Speaker 2: thing that was on the one of the few killed

589
00:30:19,720 --> 00:30:26,760
Speaker 2: that he had even undred Yeah, man, I've done that,

590
00:30:27,080 --> 00:30:36,760
Speaker 2: like put my heads like yeah, you got you gotta

591
00:30:36,840 --> 00:30:43,000
Speaker 2: run upon him, bro, Yeah, I'm not gonna put my

592
00:30:43,000 --> 00:30:47,360
Speaker 2: hands on make him think you got on exact And

593
00:30:47,400 --> 00:30:51,320
Speaker 2: I gotta learn bigger than right now. You know, I'm

594
00:30:54,440 --> 00:30:58,800
Speaker 2: like ten years. I'm a second right now, right now,

595
00:30:59,200 --> 00:31:04,080
Speaker 2: you might feel like you big. This was like the

596
00:31:04,080 --> 00:31:08,640
Speaker 2: way the scene ended. Oh yeah, yeah, my dad got

597
00:31:08,680 --> 00:31:10,240
Speaker 2: the best is in the business.

598
00:31:11,240 --> 00:31:17,120
Speaker 5: Dramatic, dramatic party fast.

599
00:31:17,840 --> 00:31:18,360
Speaker 2: You're right.

600
00:31:18,840 --> 00:31:25,840
Speaker 6: It was a long Yeah, it was like what what okay, okay,

601
00:31:26,000 --> 00:31:31,840
Speaker 6: I forget yeah right the coldest hot people.

602
00:31:31,680 --> 00:31:35,040
Speaker 3: Laughed out loud about they laughed out. I know y'all

603
00:31:35,080 --> 00:31:36,600
Speaker 3: saw it on Apple, but I went to the theater.

604
00:31:36,720 --> 00:31:39,360
Speaker 4: Man, they laughed out loud when he said that he

605
00:31:39,400 --> 00:31:41,040
Speaker 4: should have came back in there and beat your ass.

606
00:31:41,120 --> 00:31:44,800
Speaker 4: That corny, but he fixing his chart.

607
00:31:45,960 --> 00:31:49,480
Speaker 2: I gotta fix this door. I got door. What what's

608
00:31:49,520 --> 00:31:52,480
Speaker 2: wrong with the door? It was creaking? That was it?

609
00:31:53,000 --> 00:31:56,040
Speaker 2: Get the improvised It couldn't have been he couldn't.

610
00:31:56,840 --> 00:32:00,040
Speaker 3: They wrote that, yeah, because otherwise while they make the

611
00:32:00,040 --> 00:32:02,160
Speaker 3: door creaky.

612
00:32:01,360 --> 00:32:03,640
Speaker 2: They wrote that. I think they wrote him acting and

613
00:32:03,760 --> 00:32:11,840
Speaker 2: heard it like yeah, I think it's just because you're

614
00:32:11,880 --> 00:32:14,320
Speaker 2: not gonna own this scene. I don't get the last

615
00:32:14,320 --> 00:32:22,400
Speaker 2: word funk that. I'm densil what y'all pay the money? Though, Yeah,

616
00:32:23,640 --> 00:32:25,320
Speaker 2: I was really thinking about this, bro.

617
00:32:25,960 --> 00:32:28,320
Speaker 3: I was like, I was like, man, I don't know

618
00:32:28,360 --> 00:32:31,360
Speaker 3: what it would have guys seventeen nine millions, man, like

619
00:32:31,400 --> 00:32:34,080
Speaker 3: I ain't doing I'm sorry, but no guarantee you're going

620
00:32:34,120 --> 00:32:37,000
Speaker 3: to get that, especially you already know the cops know

621
00:32:37,040 --> 00:32:39,760
Speaker 3: they can't. They ain't competent that I came in every man,

622
00:32:39,840 --> 00:32:41,800
Speaker 3: So what let's just say you're gonna intend to get

623
00:32:41,840 --> 00:32:44,280
Speaker 3: the money.

624
00:32:43,800 --> 00:32:47,080
Speaker 5: And then Jeffrey Wright was like, you know, I'm good

625
00:32:47,280 --> 00:32:53,719
Speaker 5: Like I like the response, right, talking about I'm not

626
00:32:53,720 --> 00:32:56,760
Speaker 5: gonna get this back, talking about so you can't even

627
00:32:56,840 --> 00:33:01,480
Speaker 5: count that he got less than million something we couldn't

628
00:33:01,480 --> 00:33:05,400
Speaker 5: call it's.

629
00:33:03,600 --> 00:33:07,760
Speaker 3: Crazy to think in wider terms about it. You risking

630
00:33:08,120 --> 00:33:12,920
Speaker 3: your family, stability, your whole life's work for somebody else's child,

631
00:33:13,000 --> 00:33:15,560
Speaker 3: grown ass, damn their child. I don't know if I

632
00:33:15,600 --> 00:33:16,840
Speaker 3: could have brought myself to do that.

633
00:33:17,080 --> 00:33:19,200
Speaker 2: Yeah, if I had, I just gotta look at me crazy.

634
00:33:19,240 --> 00:33:22,200
Speaker 2: If I had thirty four million, h I had a

635
00:33:22,240 --> 00:33:23,720
Speaker 2: little bit more, I could do it.

636
00:33:23,800 --> 00:33:26,720
Speaker 3: But that being I thought that was that was cool

637
00:33:26,720 --> 00:33:29,080
Speaker 3: that they put the emphasis on like it's basically all

638
00:33:29,080 --> 00:33:30,920
Speaker 3: of his money if he did it.

639
00:33:31,000 --> 00:33:31,840
Speaker 2: So that's the part.

640
00:33:32,000 --> 00:33:34,400
Speaker 4: But yeah, you had to look at it like this though,

641
00:33:34,600 --> 00:33:38,280
Speaker 4: like it was his godson. Yeah, it wasn't just like

642
00:33:38,320 --> 00:33:42,920
Speaker 4: it was your son's buddy. It was like, that's your godsons,

643
00:33:42,920 --> 00:33:46,160
Speaker 4: that's basically your kid. Because because they put the exhibition

644
00:33:46,280 --> 00:33:48,800
Speaker 4: somewhere in the movie where they said something like you

645
00:33:48,880 --> 00:33:51,000
Speaker 4: got some great kids and he's like, yeah, two of

646
00:33:51,080 --> 00:33:52,720
Speaker 4: them regular son and.

647
00:33:52,680 --> 00:33:56,360
Speaker 2: God son, And I was like, who says that? Right now?

648
00:33:56,360 --> 00:33:59,280
Speaker 2: We see why they put that because they were going to.

649
00:33:59,320 --> 00:34:01,840
Speaker 4: Go back to it. So I thought that that dilemma

650
00:34:01,960 --> 00:34:04,040
Speaker 4: was actually really interesting. That was something that was different

651
00:34:04,040 --> 00:34:05,920
Speaker 4: from the original, which I'm not going to give men

652
00:34:05,960 --> 00:34:09,280
Speaker 4: spoilers obviously, but there it wasn't a god's son situation.

653
00:34:09,320 --> 00:34:11,600
Speaker 2: It was just my driver's kid.

654
00:34:11,920 --> 00:34:14,440
Speaker 4: So I thought them adding that gave it more of

655
00:34:14,480 --> 00:34:18,080
Speaker 4: an element of well, I see why you're struggling with

656
00:34:18,120 --> 00:34:19,080
Speaker 4: whether or not you should do this.

657
00:34:20,960 --> 00:34:23,760
Speaker 3: Just answer your question like if it was like my

658
00:34:23,760 --> 00:34:29,160
Speaker 3: my my best friend's uh daughter or whatever, like yeah.

659
00:34:28,960 --> 00:34:31,279
Speaker 2: I can't, I can't. I can't live with that, like

660
00:34:31,440 --> 00:34:32,279
Speaker 2: knowing I got the.

661
00:34:32,320 --> 00:34:35,800
Speaker 3: Money to have her release, and even if it was

662
00:34:35,840 --> 00:34:39,239
Speaker 3: all your money, I think so, I think so if

663
00:34:39,280 --> 00:34:40,799
Speaker 3: I'm able to do it for my son, I got

664
00:34:40,840 --> 00:34:43,520
Speaker 3: to be able to do it for for her, he said,

665
00:34:43,719 --> 00:34:46,239
Speaker 3: he said, you know, he's talking to Patrick said, I mean,

666
00:34:46,320 --> 00:34:48,960
Speaker 3: you know how his words nowadays, they'll be going up,

667
00:34:48,960 --> 00:34:50,439
Speaker 3: they'll be talking about something else in the week.

668
00:34:51,360 --> 00:34:52,160
Speaker 2: It was kind of right.

669
00:34:52,320 --> 00:34:55,319
Speaker 4: That was they did a real good job of making

670
00:34:55,320 --> 00:34:56,680
Speaker 4: Denzel look like a piece of ship.

671
00:34:57,680 --> 00:34:59,840
Speaker 2: That's what I was like, Oh, back, he's really in

672
00:35:00,160 --> 00:35:01,200
Speaker 2: a piece of ship.

673
00:35:01,920 --> 00:35:05,319
Speaker 3: He's really trash. Yeah, he ain't even like he didn't

674
00:35:05,320 --> 00:35:07,640
Speaker 3: even care. Bro, Like he was just like nah, he

675
00:35:07,719 --> 00:35:10,200
Speaker 3: said no, he said, ain't even my son. He said

676
00:35:10,200 --> 00:35:11,000
Speaker 3: they made a mistake.

677
00:35:11,280 --> 00:35:14,440
Speaker 2: Was like, all right. It was like, damn, what I

678
00:35:14,440 --> 00:35:19,120
Speaker 2: do is Spike was a tough call to mate. Bro.

679
00:35:20,800 --> 00:35:23,760
Speaker 2: That was don I was about to say that because

680
00:35:23,760 --> 00:35:28,840
Speaker 2: it is that was no way.

681
00:35:31,719 --> 00:35:35,279
Speaker 3: At you said the choir part, We're gonna get out

682
00:35:35,320 --> 00:35:37,719
Speaker 3: bitted by Moto, that's the thing, Like she's going.

683
00:35:39,280 --> 00:35:48,319
Speaker 2: Paid. Immediately came up like hot, that's what he told

684
00:35:48,320 --> 00:35:48,560
Speaker 2: the cop.

685
00:35:48,600 --> 00:35:57,600
Speaker 3: He said, keep negotiating, right, dirty negotiating what my son? Bro.

686
00:35:59,160 --> 00:36:02,800
Speaker 3: I felt then was foul for David King was fouled

687
00:36:02,880 --> 00:36:04,000
Speaker 3: for not doing it.

688
00:36:04,280 --> 00:36:07,000
Speaker 2: So so you would do it? Yeah, you almost have to.

689
00:36:07,400 --> 00:36:14,680
Speaker 3: Okay, I was watching I was like, really, not even

690
00:36:14,680 --> 00:36:15,279
Speaker 3: gonna do this?

691
00:36:15,400 --> 00:36:18,719
Speaker 2: Yeah, that's crazy. I was like that. He was like

692
00:36:18,880 --> 00:36:19,359
Speaker 2: fit sing.

693
00:36:19,920 --> 00:36:23,040
Speaker 1: So when he agreed to do it, I was surprised,

694
00:36:23,080 --> 00:36:23,800
Speaker 1: were you guys?

695
00:36:24,360 --> 00:36:25,520
Speaker 2: See I missed something.

696
00:36:25,640 --> 00:36:28,080
Speaker 3: So when he went in the room and was talking

697
00:36:28,120 --> 00:36:31,439
Speaker 3: to Jimmy Hendricks James, which was one of the worst

698
00:36:31,560 --> 00:36:32,000
Speaker 3: I've ever seen.

699
00:36:33,239 --> 00:36:37,520
Speaker 2: That was what do I do? James? What about you?

700
00:36:39,120 --> 00:36:39,640
Speaker 2: What about?

701
00:36:41,960 --> 00:36:43,320
Speaker 3: What the fuck is this?

702
00:36:43,920 --> 00:36:45,120
Speaker 2: I was playing for him the talk back.

703
00:36:45,160 --> 00:36:47,360
Speaker 3: That's why I think, you oh man, because he thinks

704
00:36:47,400 --> 00:36:50,279
Speaker 3: of when if he was talking to the pictures on

705
00:36:50,320 --> 00:36:52,960
Speaker 3: the wall, famous people. Yeah, and then he brought his

706
00:36:53,040 --> 00:36:55,600
Speaker 3: pictures down and had them talking to each other.

707
00:36:56,000 --> 00:36:59,120
Speaker 2: I'm like, what is happening? And he was almost crying

708
00:36:59,160 --> 00:37:01,080
Speaker 2: at the table or at the little dak or whatever

709
00:37:01,440 --> 00:37:04,880
Speaker 2: he was he was. He didn't sell that. No, no, no,

710
00:37:04,960 --> 00:37:07,000
Speaker 2: I thought he was. I thought he was play crying.

711
00:37:07,080 --> 00:37:08,799
Speaker 2: I did. I was like, why is he doing that

712
00:37:09,719 --> 00:37:11,440
Speaker 2: to be a comedic scene? Yeah, I didn't know he

713
00:37:11,520 --> 00:37:14,440
Speaker 2: was real to the cop walk supposed to be real?

714
00:37:15,040 --> 00:37:15,239
Speaker 2: I was.

715
00:37:16,000 --> 00:37:19,399
Speaker 4: But see when the cops said, just say you're gonna

716
00:37:19,400 --> 00:37:23,080
Speaker 4: do it, I thought he was doing yes, me too,

717
00:37:23,480 --> 00:37:25,600
Speaker 4: me too. I didn't think he was going to mean

718
00:37:25,719 --> 00:37:26,839
Speaker 4: to do it, So.

719
00:37:26,840 --> 00:37:27,960
Speaker 2: I was confused.

720
00:37:29,080 --> 00:37:31,319
Speaker 3: He said say, they say that you're going to do it,

721
00:37:31,360 --> 00:37:34,279
Speaker 3: so they to give us more time. Yes, But then

722
00:37:34,480 --> 00:37:37,239
Speaker 3: they went to him withdrawing the money, right, and I

723
00:37:37,280 --> 00:37:37,640
Speaker 3: was like.

724
00:37:37,520 --> 00:37:38,920
Speaker 2: What this here? Nothing?

725
00:37:39,840 --> 00:37:42,320
Speaker 1: It just said, yeah, well we'll do it. It's go

726
00:37:42,360 --> 00:37:45,040
Speaker 1: ahead and tell him trey. Trey said, we'll pay the money.

727
00:37:45,360 --> 00:37:47,160
Speaker 1: That's when Jeffery.

728
00:37:46,920 --> 00:37:49,279
Speaker 2: Right here on the get on his knees so they

729
00:37:49,320 --> 00:37:53,560
Speaker 2: could plan the sting operation. Hm. Maybe it was so

730
00:37:53,560 --> 00:37:55,799
Speaker 2: they could play the sting operation. Tell him you do it.

731
00:37:55,800 --> 00:37:57,960
Speaker 2: We're playing the sting operation. But that still got it.

732
00:37:57,960 --> 00:38:00,759
Speaker 3: But he's still got the money, US police money to

733
00:38:00,800 --> 00:38:02,120
Speaker 3: do it, right, I want to catch you.

734
00:38:03,160 --> 00:38:04,959
Speaker 2: I thought that's what they did.

735
00:38:05,719 --> 00:38:08,120
Speaker 4: I thought in situations like that, I thought they wouldn't

736
00:38:08,160 --> 00:38:10,320
Speaker 4: use police mark bills.

737
00:38:10,520 --> 00:38:11,799
Speaker 2: I give them mark bills to do.

738
00:38:11,880 --> 00:38:15,200
Speaker 3: That's what every movie that I've seen, right, And it

739
00:38:15,239 --> 00:38:18,160
Speaker 3: ain't a big ass tracker in it. It's like, oh,

740
00:38:18,239 --> 00:38:21,360
Speaker 3: here's the track, like put a small little fucking bug

741
00:38:21,400 --> 00:38:24,399
Speaker 3: in and something like like like you can clearly see

742
00:38:24,400 --> 00:38:26,760
Speaker 3: ther fucking trackers in there. Like this ship was stupid.

743
00:38:27,120 --> 00:38:27,920
Speaker 3: It was real stupid.

744
00:38:28,040 --> 00:38:33,920
Speaker 2: They just the standard spightly shot.

745
00:38:34,239 --> 00:38:35,840
Speaker 1: He was like, okay, so I was gonna go and

746
00:38:35,880 --> 00:38:37,120
Speaker 1: then he did all breakdown.

747
00:38:37,800 --> 00:38:40,399
Speaker 3: It was cool to see that because you're waiting, you're

748
00:38:40,400 --> 00:38:40,920
Speaker 3: waiting for this.

749
00:38:42,080 --> 00:38:44,239
Speaker 2: But they did it to the wrong person. They did

750
00:38:44,239 --> 00:38:46,680
Speaker 2: it to the fucking black cop. Yeah. I'm like, no,

751
00:38:46,840 --> 00:38:48,799
Speaker 2: we don't need to float scene for the black cop.

752
00:38:48,800 --> 00:38:49,879
Speaker 2: We even care about him.

753
00:38:51,719 --> 00:38:53,600
Speaker 3: We don't even like him, we like him at all

754
00:38:54,800 --> 00:38:56,719
Speaker 3: because at least the brother moves on when he came

755
00:38:56,719 --> 00:38:56,960
Speaker 3: in the.

756
00:38:56,920 --> 00:39:00,839
Speaker 2: Room or something. Yeah, yeah, I had some interesting Yeah,

757
00:39:00,880 --> 00:39:03,600
Speaker 2: he would have delivered it better. Yep. Absolutely, because he's

758
00:39:03,600 --> 00:39:05,799
Speaker 2: actually a good actor. Yeah, yeah I did. I don't

759
00:39:05,800 --> 00:39:06,799
Speaker 2: think he was bad, you know.

760
00:39:07,280 --> 00:39:10,120
Speaker 3: Yeah, what did you have to think about?

761
00:39:10,440 --> 00:39:12,680
Speaker 2: The plan?

762
00:39:13,239 --> 00:39:15,560
Speaker 3: They had to actually get the money because one of

763
00:39:15,600 --> 00:39:17,320
Speaker 3: the things that they were saying was they were like

764
00:39:17,320 --> 00:39:18,680
Speaker 3: because I was thinking the same thing too.

765
00:39:18,680 --> 00:39:21,120
Speaker 1: It was like, this guy really can't be that stupid. Yeah,

766
00:39:21,440 --> 00:39:23,239
Speaker 1: like to say, just bring the money here and it

767
00:39:23,239 --> 00:39:25,600
Speaker 1: will do this change, Like, you have to have some

768
00:39:25,840 --> 00:39:26,319
Speaker 1: type of plan.

769
00:39:26,360 --> 00:39:28,880
Speaker 3: I thought playing it actually was smart to hit the

770
00:39:28,920 --> 00:39:32,320
Speaker 3: subway break, make them full and stumble and then asap

771
00:39:32,400 --> 00:39:34,640
Speaker 3: plan was Yeah, I thought it was pretty smart.

772
00:39:34,719 --> 00:39:37,279
Speaker 2: But the dropping another bag off of braids, would y'all

773
00:39:37,320 --> 00:39:39,239
Speaker 2: drop that bag like that? He no thig.

774
00:39:39,400 --> 00:39:42,320
Speaker 3: That bag would have been on my body like that

775
00:39:42,480 --> 00:39:44,359
Speaker 3: seventeen million wouldn't have left and know.

776
00:39:44,320 --> 00:39:46,680
Speaker 2: Oh I dropped it. Nah, that's the point. I would

777
00:39:46,680 --> 00:39:47,760
Speaker 2: have tied it to my wrist.

778
00:39:48,040 --> 00:39:51,440
Speaker 4: Like the plan itself was dope. It was such an

779
00:39:51,480 --> 00:39:53,920
Speaker 4: interesting plan until you stop and think about it. If

780
00:39:53,960 --> 00:39:56,319
Speaker 4: a motherfucker had a backpack for a seventeen mili, he's

781
00:39:56,320 --> 00:39:57,680
Speaker 4: not holding it by one strip.

782
00:39:58,800 --> 00:40:08,640
Speaker 2: That's crazy, I would feel for real before I would

783
00:40:08,680 --> 00:40:11,279
Speaker 2: have been the Andrew Spider Man. And then No Way

784
00:40:11,320 --> 00:40:12,800
Speaker 2: Home ship. I'd have dove.

785
00:40:12,600 --> 00:40:16,040
Speaker 3: Off that bit like this ain't no fucking way, I'm

786
00:40:16,040 --> 00:40:17,680
Speaker 3: just dropping a bag of seventeen bill.

787
00:40:17,920 --> 00:40:19,120
Speaker 2: That ship made no sense.

788
00:40:19,200 --> 00:40:23,000
Speaker 4: But watching it, I thought it was super dope, super dope,

789
00:40:23,040 --> 00:40:26,400
Speaker 4: the way they did that whole scene, especially with I mean,

790
00:40:26,440 --> 00:40:29,880
Speaker 4: we didn't need Rosie. Oh no, Rosie o'donald Rosie Perez

791
00:40:30,080 --> 00:40:32,759
Speaker 4: and Andrew Relmos kind of ham fisted it, but it

792
00:40:32,840 --> 00:40:35,279
Speaker 4: was fine. But when they went from that to the

793
00:40:35,360 --> 00:40:38,960
Speaker 4: train and then the music, the Puerto Rican music, and

794
00:40:38,960 --> 00:40:42,120
Speaker 4: then the dude's chanting, I thought, now that Spike Lee.

795
00:40:42,760 --> 00:40:47,000
Speaker 4: That is fucking prime Spike Lee. That whole scene, the

796
00:40:47,000 --> 00:40:48,080
Speaker 4: way it was done.

797
00:40:47,880 --> 00:40:49,960
Speaker 2: Was amazing, amazing.

798
00:40:50,320 --> 00:40:52,160
Speaker 4: But when he dropped the money and the dude caught

799
00:40:52,160 --> 00:41:00,520
Speaker 4: it and then threw it over the thing, I was like.

800
00:40:57,239 --> 00:41:01,000
Speaker 2: That was really dope. But Denzel didn't seem that concerned.

801
00:41:01,400 --> 00:41:04,200
Speaker 2: He isn't concerned enough for me. If you just dropped

802
00:41:04,239 --> 00:41:09,960
Speaker 2: your life savings, I need a I need that. But

803
00:41:10,000 --> 00:41:13,160
Speaker 2: he was just like, you give my money? Who got

804
00:41:13,160 --> 00:41:16,960
Speaker 2: to get my money back? What? This is your king?

805
00:41:17,000 --> 00:41:19,080
Speaker 2: It's like y'all talk about his best accurate what.

806
00:41:19,920 --> 00:41:24,680
Speaker 3: So they took the tracker and threw it out the bag, assuming, yeah,

807
00:41:24,719 --> 00:41:28,719
Speaker 3: but the tracker is still I was like, the track.

808
00:41:28,480 --> 00:41:29,120
Speaker 2: Is still in the bag.

809
00:41:29,120 --> 00:41:30,840
Speaker 3: They must have took the big ass tracker out of

810
00:41:30,840 --> 00:41:32,640
Speaker 3: the back and then the tracker just disappeared.

811
00:41:32,760 --> 00:41:34,719
Speaker 4: I think that's why he specifically said, put it in

812
00:41:34,719 --> 00:41:35,479
Speaker 4: a Jordan bag.

813
00:41:36,480 --> 00:41:37,600
Speaker 2: Now he didn't say what color.

814
00:41:37,920 --> 00:41:39,920
Speaker 4: I don't think, but I think that's why he specifically

815
00:41:39,920 --> 00:41:42,640
Speaker 4: said have it in a Jordan bag, because they can

816
00:41:42,719 --> 00:41:46,280
Speaker 4: already have a Jordan bag ready for the swap.

817
00:41:46,680 --> 00:41:48,880
Speaker 3: And then once they swapped, they take the tracker out

818
00:41:48,960 --> 00:41:50,680
Speaker 3: and put it in the other bag. That's what they

819
00:41:51,080 --> 00:41:54,560
Speaker 3: I don't think that, yes, we didn't see that happen

820
00:41:55,719 --> 00:41:58,440
Speaker 3: the words and the signal was lost, Like, why was

821
00:41:58,480 --> 00:42:00,400
Speaker 3: the signal? That's why I thought they took the tracker

822
00:42:00,400 --> 00:42:02,319
Speaker 3: out the back. Even if you take the track out

823
00:42:02,320 --> 00:42:03,560
Speaker 3: of the bag, while was the signals?

824
00:42:03,560 --> 00:42:04,680
Speaker 2: When was the signal loss?

825
00:42:05,320 --> 00:42:07,640
Speaker 3: He was when Mayhem was trying to find it, Hm,

826
00:42:07,920 --> 00:42:10,480
Speaker 3: it was said, no signal on the tracker.

827
00:42:10,480 --> 00:42:12,239
Speaker 2: You said, yeah, I lost the signal on the on

828
00:42:12,280 --> 00:42:12,760
Speaker 2: the tracker.

829
00:42:12,960 --> 00:42:15,080
Speaker 4: Maybe they turned it off while they were putting it

830
00:42:15,080 --> 00:42:17,120
Speaker 4: in another bag and then turned it back on to

831
00:42:17,320 --> 00:42:18,279
Speaker 4: throw the cent off.

832
00:42:18,360 --> 00:42:20,120
Speaker 2: I don't know, or it's just.

833
00:42:20,080 --> 00:42:25,120
Speaker 3: Bad because I'm because I'm like, he's gonna catch them, Like,

834
00:42:25,480 --> 00:42:27,520
Speaker 3: you know, I thought the more pad stuff, whatever they

835
00:42:27,600 --> 00:42:30,399
Speaker 3: had was was good. And I thought that I thought

836
00:42:30,480 --> 00:42:33,359
Speaker 3: Mayhem was going to shoot that cop shooting after God,

837
00:42:33,360 --> 00:42:35,799
Speaker 3: shoot that black shoot that guy he found the on

838
00:42:35,880 --> 00:42:36,440
Speaker 3: the mopad.

839
00:42:37,239 --> 00:42:38,799
Speaker 2: Yeah, it was kind of leading up to that. That

840
00:42:38,880 --> 00:42:40,799
Speaker 2: might have made it more interesting, but yeah.

841
00:42:40,600 --> 00:42:42,360
Speaker 3: And then they wouldn't find a way to get Coyle,

842
00:42:42,560 --> 00:42:43,920
Speaker 3: and blah blah blah was like, oh, you're going to

843
00:42:43,960 --> 00:42:46,160
Speaker 3: shoot the only person they have and none of that

844
00:42:46,200 --> 00:42:49,120
Speaker 3: happened because again the vibes he was giving up anyway.

845
00:42:49,440 --> 00:42:51,520
Speaker 2: Yeah, so they got it. They got cole back, We

846
00:42:51,600 --> 00:42:54,200
Speaker 2: got surprises. They let him go. I was I thought

847
00:42:54,239 --> 00:42:56,440
Speaker 2: he was going to kill him. I didn't think they

848
00:42:56,480 --> 00:42:57,839
Speaker 2: were going to kill him because at this point I

849
00:42:57,880 --> 00:43:01,879
Speaker 2: was like, oh, these aren't real. I think I thought

850
00:43:01,960 --> 00:43:02,920
Speaker 2: they were going to let him go.

851
00:43:03,080 --> 00:43:05,760
Speaker 3: And he was just trying to prove a point because dude,

852
00:43:06,080 --> 00:43:10,840
Speaker 3: we Denzel's character. He had ran into him earlier obviously,

853
00:43:10,920 --> 00:43:12,360
Speaker 3: and he was just trying to tup a point and

854
00:43:12,440 --> 00:43:14,040
Speaker 3: make him suffer like he was suffering.

855
00:43:15,400 --> 00:43:18,759
Speaker 2: Yeah, but you know, yeah what Yeah, I was. I was.

856
00:43:18,920 --> 00:43:20,279
Speaker 1: It was good to see him let go and he

857
00:43:20,360 --> 00:43:24,279
Speaker 1: got back reunited and stuff like that. The ransom was

858
00:43:24,280 --> 00:43:27,919
Speaker 1: a good thing for the business, but also a bad

859
00:43:27,920 --> 00:43:32,239
Speaker 1: thing for the business because business is business. And he

860
00:43:32,360 --> 00:43:36,440
Speaker 1: used that money that he got to finance buying his

861
00:43:36,920 --> 00:43:41,120
Speaker 1: state for something else, and the financing company was like

862
00:43:41,560 --> 00:43:43,520
Speaker 1: that shit's good, but we want our money.

863
00:43:44,360 --> 00:43:47,920
Speaker 3: And what's happening. How did it come up so quickly?

864
00:43:48,040 --> 00:43:50,400
Speaker 3: Is it because the amount was in the news.

865
00:43:50,719 --> 00:43:54,200
Speaker 1: Yeah, everything was in The finance company responded, saying, well,

866
00:43:54,200 --> 00:43:56,040
Speaker 1: that was supposed to be our money. Yeah, and that's

867
00:43:56,080 --> 00:44:00,760
Speaker 1: why they accused him of fraud, which legally it probably was. Huh,

868
00:44:01,160 --> 00:44:04,440
Speaker 1: And David was like, no, not David, but uh, they guy.

869
00:44:04,320 --> 00:44:07,920
Speaker 4: From the Wires on I don't remember his name in

870
00:44:08,000 --> 00:44:10,120
Speaker 4: this the guy from the Wire, guy from the Wire betides.

871
00:44:11,600 --> 00:44:16,439
Speaker 2: Oh I forgot. I forgot he was yea they did.

872
00:44:20,040 --> 00:44:22,520
Speaker 4: I didn't need that at all. I didn't need that.

873
00:44:22,680 --> 00:44:24,359
Speaker 4: Who the fuck still does that?

874
00:44:25,360 --> 00:44:26,200
Speaker 2: People still doing?

875
00:44:27,000 --> 00:44:32,960
Speaker 3: Yeah, still run into somebody, but yeah, I was like, what.

876
00:44:32,760 --> 00:44:35,880
Speaker 2: In the world? That was one thing too? Did you

877
00:44:36,040 --> 00:44:39,399
Speaker 2: think Denzel was acting like too young? Yeah? I thought

878
00:44:39,400 --> 00:44:41,239
Speaker 2: he was little.

879
00:44:41,320 --> 00:44:45,040
Speaker 3: Yeah, I'm wondering if that was because he was still

880
00:44:45,080 --> 00:44:47,080
Speaker 3: in the music is I think that's what That's what

881
00:44:47,120 --> 00:44:49,640
Speaker 3: I thought, though, like it was given Russell Simmons.

882
00:44:50,040 --> 00:44:53,280
Speaker 2: That's what Simmons don't be like doing all the extra ship.

883
00:44:53,360 --> 00:44:55,719
Speaker 4: I can see, I can see. I could absolutely see

884
00:44:55,719 --> 00:44:57,240
Speaker 4: when he was still alive. I could see Quincy Jones

885
00:44:57,239 --> 00:45:00,560
Speaker 4: doing that really yeah, because Quincy Jones was cool, but

886
00:45:00,600 --> 00:45:02,520
Speaker 4: I could see him being kind of corny at times.

887
00:45:02,520 --> 00:45:05,359
Speaker 1: And this guy was grew up with Elson with hip

888
00:45:05,360 --> 00:45:08,200
Speaker 1: hop too, so some of that stuff is just kind

889
00:45:08,200 --> 00:45:10,560
Speaker 1: of just who he is. So that's why you said

890
00:45:10,600 --> 00:45:14,560
Speaker 1: Russell Simmons, I think that's that's that's great comparison.

891
00:45:15,280 --> 00:45:18,040
Speaker 2: But I do feel you because there was like seventy something.

892
00:45:18,040 --> 00:45:22,279
Speaker 3: Russell Simmons quiet, but like he can he give off

893
00:45:22,400 --> 00:45:25,000
Speaker 3: nigga two sometimes, like you could tell that, you know

894
00:45:25,040 --> 00:45:27,600
Speaker 3: what I'm saying, He don't really just modify his behavior

895
00:45:27,719 --> 00:45:29,880
Speaker 3: just because he in big boardrooms and stuff like that,

896
00:45:30,600 --> 00:45:33,440
Speaker 3: And I feel like this character was the same way.

897
00:45:33,520 --> 00:45:33,719
Speaker 2: Yeah.

898
00:45:33,800 --> 00:45:37,879
Speaker 3: So Patrick comes in, uh, moves on, and then some

899
00:45:37,920 --> 00:45:41,160
Speaker 3: white guy stand or whatever his name was, and they

900
00:45:41,200 --> 00:45:43,960
Speaker 3: basically Denzel was like, hey, you know, deal's back on.

901
00:45:44,040 --> 00:45:47,160
Speaker 1: We can do the deal. And Patrick's like, nah, we good.

902
00:45:47,360 --> 00:45:49,920
Speaker 1: Business is good because of what you did. So we're straight.

903
00:45:49,960 --> 00:45:52,680
Speaker 1: We don't need to do the deal anymore. So we're

904
00:45:52,719 --> 00:45:55,080
Speaker 1: back on top. Which this was kind of confusing to

905
00:45:55,120 --> 00:46:02,240
Speaker 1: me because didn't he buy hit Patrick Steak in the company?

906
00:46:02,239 --> 00:46:06,319
Speaker 3: Did he not sign the paperwork, because if he did,

907
00:46:06,400 --> 00:46:08,719
Speaker 3: he owns controlling interest in the company, So how was

908
00:46:08,760 --> 00:46:11,520
Speaker 3: he unable or unaware of what was going on with.

909
00:46:12,600 --> 00:46:14,320
Speaker 2: I just assume he didn't do it yet or something.

910
00:46:14,360 --> 00:46:17,160
Speaker 2: I don't know. I don't know. You have to make

911
00:46:17,160 --> 00:46:18,880
Speaker 2: a lot of assumptions for this movie, Yes you do.

912
00:46:20,360 --> 00:46:22,040
Speaker 2: There was This was a big pitch movie.

913
00:46:22,080 --> 00:46:24,239
Speaker 3: Not a lot of details that like, I don't think

914
00:46:24,280 --> 00:46:27,800
Speaker 3: Spike Lee worked on the details overall premise.

915
00:46:28,040 --> 00:46:32,880
Speaker 2: No, he didn't. Didn't. But if well, and I had

916
00:46:32,920 --> 00:46:33,880
Speaker 2: to talk myself into it.

917
00:46:33,880 --> 00:46:35,480
Speaker 1: I was like, well, if you're still own the company

918
00:46:35,520 --> 00:46:37,760
Speaker 1: and sales and stuff was good, then why are you tripping?

919
00:46:38,239 --> 00:46:41,279
Speaker 2: But he needed the money as to pay it back?

920
00:46:41,880 --> 00:46:44,759
Speaker 2: Uh so damn. So that's that's why.

921
00:46:44,920 --> 00:46:47,840
Speaker 3: That's because I was like, okay, well I did he

922
00:46:47,880 --> 00:46:57,319
Speaker 3: needed things got rocky. I was like, fun, business is good,

923
00:46:57,480 --> 00:46:59,439
Speaker 3: but he needed the seventeen to five to pay back

924
00:47:00,640 --> 00:47:05,840
Speaker 3: in two weeks, so he needed it right away.

925
00:47:06,400 --> 00:47:08,560
Speaker 2: So anyway, so all this going on, blah blah blah

926
00:47:08,560 --> 00:47:09,040
Speaker 2: blah blah.

927
00:47:09,160 --> 00:47:13,520
Speaker 3: Then the best music ears, the best ears in music

928
00:47:13,600 --> 00:47:19,400
Speaker 3: rise listening to his song Yes that they asked Cayle about, He's.

929
00:47:19,239 --> 00:47:21,480
Speaker 2: Like, he kept playing this one song over and over again.

930
00:47:22,160 --> 00:47:24,799
Speaker 2: You know, it turns out it was this song. It

931
00:47:24,840 --> 00:47:32,160
Speaker 2: clearly sounds like the caller dude, very fucking unique voice,

932
00:47:33,560 --> 00:47:34,960
Speaker 2: like he's just cracked the case.

933
00:47:35,080 --> 00:47:40,719
Speaker 3: Like cle But once again, I'm not gonna forget my

934
00:47:42,160 --> 00:47:43,640
Speaker 3: why were the cops.

935
00:47:43,520 --> 00:47:47,160
Speaker 2: Acting like that? He came he came in and was like,

936
00:47:47,239 --> 00:47:49,400
Speaker 2: I figured out the song. They're like, we don't need that.

937
00:47:49,560 --> 00:47:54,520
Speaker 2: Just leave. What what do you mean it's protocol? How

938
00:47:54,640 --> 00:47:57,680
Speaker 2: is it protocol? Listen to the fucking song? At least?

939
00:47:58,040 --> 00:48:00,319
Speaker 3: And when the black cop was being such a dick,

940
00:48:00,719 --> 00:48:03,520
Speaker 3: I was like, I don't understand what's started thinking, Okay,

941
00:48:03,560 --> 00:48:06,760
Speaker 3: maybe they really changed the whole story and these guys

942
00:48:06,800 --> 00:48:10,960
Speaker 3: aren't actually cops. I was like, maybe these guys are

943
00:48:11,000 --> 00:48:13,000
Speaker 3: part of a SAPs team and they did.

944
00:48:12,880 --> 00:48:15,239
Speaker 2: It because did have tim. I don't know if.

945
00:48:17,719 --> 00:48:21,680
Speaker 3: His tongue kind of pulled. He was New York under Couplespike.

946
00:48:22,040 --> 00:48:28,120
Speaker 3: He was, he was, he was Torres throwing nuts. Dude,

947
00:48:28,239 --> 00:48:30,200
Speaker 3: I know that man ain't in his life.

948
00:48:30,239 --> 00:48:36,160
Speaker 2: I think he has that man, where's he from?

949
00:48:36,200 --> 00:48:39,640
Speaker 3: Is he from New York? Everybody from yours? That's so

950
00:48:39,800 --> 00:48:41,400
Speaker 3: PASSI even cops.

951
00:48:44,560 --> 00:48:47,360
Speaker 1: So yeah, So the cops were being assholes for whatever reason.

952
00:48:47,640 --> 00:48:50,200
Speaker 1: This didn't make any sense to me that I was confused.

953
00:48:51,520 --> 00:48:54,200
Speaker 1: This on the nose name of the rapper, Young Felon.

954
00:48:55,239 --> 00:48:58,200
Speaker 1: I want to throw my phone against the I was.

955
00:48:58,160 --> 00:49:02,160
Speaker 2: Like, are you all serious? Man? Are you serious? I

956
00:49:02,280 --> 00:49:05,040
Speaker 2: just I was like, no way, you're doing this, bro?

957
00:49:05,719 --> 00:49:08,959
Speaker 2: You really named him Young Felon? Like, come on, man,

958
00:49:09,280 --> 00:49:10,000
Speaker 2: he comes.

959
00:49:09,760 --> 00:49:11,560
Speaker 3: Back in with the song. I think this is the

960
00:49:11,560 --> 00:49:13,520
Speaker 3: guy is this is a song? So it's like yeah,

961
00:49:14,480 --> 00:49:15,320
Speaker 3: and it's a rapper.

962
00:49:15,120 --> 00:49:17,000
Speaker 2: Named Young Felon from New York.

963
00:49:17,239 --> 00:49:20,520
Speaker 3: See he's war teams. He's sixty one years old. It

964
00:49:20,640 --> 00:49:23,320
Speaker 3: was good for six years a white guy. But yeah,

965
00:49:23,440 --> 00:49:25,239
Speaker 3: this this ship was really aggravating.

966
00:49:25,320 --> 00:49:29,359
Speaker 2: So did you like the song? You don't like the song?

967
00:49:29,400 --> 00:49:31,320
Speaker 2: I liked it. When they played it later in the moment,

968
00:49:31,440 --> 00:49:33,560
Speaker 2: I was like, this is trash. That's when I was asking.

969
00:49:33,880 --> 00:49:35,480
Speaker 1: I think I was gonna text you and ask you

970
00:49:35,520 --> 00:49:37,239
Speaker 1: if you heard it because I listened to the single

971
00:49:37,280 --> 00:49:38,240
Speaker 1: before the movie game.

972
00:49:38,680 --> 00:49:40,880
Speaker 2: It was released as a single. Yeah, this is nice.

973
00:49:40,920 --> 00:49:44,480
Speaker 2: I like this. It was a big rock fandom. That's crazy.

974
00:49:45,920 --> 00:49:49,480
Speaker 2: It's not like it being but still that's not I

975
00:49:49,560 --> 00:49:50,960
Speaker 2: like the song. This song sounds good.

976
00:49:51,560 --> 00:49:55,160
Speaker 3: It's like everything else do not. Really it was a

977
00:49:55,160 --> 00:49:57,759
Speaker 3: little different. I'm surried you don't like him. He's very

978
00:49:57,840 --> 00:49:59,799
Speaker 3: Southern sounded, so I'm surprised you didn't mess with him.

979
00:49:59,840 --> 00:50:02,400
Speaker 2: But I was surprised. The song wasn't bad.

980
00:50:02,200 --> 00:50:05,560
Speaker 4: But it was like it just it just aggravated me

981
00:50:05,600 --> 00:50:08,000
Speaker 4: because it's like, bro, so y'all were playing your own music.

982
00:50:08,400 --> 00:50:11,040
Speaker 2: Around the dude. That was when I said go ahead.

983
00:50:11,239 --> 00:50:14,200
Speaker 3: So we are under the ass that they kidnapped him

984
00:50:14,239 --> 00:50:16,719
Speaker 3: and had him in the studio while they were recording.

985
00:50:17,440 --> 00:50:17,600
Speaker 2: Is that?

986
00:50:17,680 --> 00:50:20,879
Speaker 3: What was Either that or they were just playing the

987
00:50:20,880 --> 00:50:22,600
Speaker 3: song at the stash house.

988
00:50:22,719 --> 00:50:25,279
Speaker 4: I don't know, but either way, it's like, Bro, this

989
00:50:25,360 --> 00:50:27,520
Speaker 4: is this is just getting ridiculous.

990
00:50:29,360 --> 00:50:32,239
Speaker 2: Okay, you thought that was ridiculous.

991
00:50:33,360 --> 00:50:39,920
Speaker 1: Oh how ridiculous was it for a convicted felon and

992
00:50:40,000 --> 00:50:44,560
Speaker 1: a music mogul to go get their own money back?

993
00:50:46,080 --> 00:50:49,120
Speaker 2: I was so done at this. I was like, are

994
00:50:49,200 --> 00:50:55,719
Speaker 2: y'all serious? The streets way? I was like, what what?

995
00:50:55,960 --> 00:51:02,320
Speaker 2: The streets seventeen much the studio to record some songs?

996
00:51:03,280 --> 00:51:06,640
Speaker 4: Seventeen When Jeffrey Wright was texting, who's this nigga?

997
00:51:06,680 --> 00:51:08,440
Speaker 2: I was like, you don't say nigga like that? I

998
00:51:08,480 --> 00:51:09,640
Speaker 2: know you don't.

999
00:51:09,680 --> 00:51:12,000
Speaker 4: This just felt weird. You don't type nigga like that.

1000
00:51:12,800 --> 00:51:14,120
Speaker 4: You said, who is this young man?

1001
00:51:14,800 --> 00:51:18,839
Speaker 2: That's what you type? Jeffrey, Right, there's no way they're

1002
00:51:18,840 --> 00:51:19,720
Speaker 2: going to get the money.

1003
00:51:19,760 --> 00:51:22,080
Speaker 3: And they roll up on the apartment, and the apartment

1004
00:51:22,440 --> 00:51:25,239
Speaker 3: you saw the number they were living in.

1005
00:51:26,320 --> 00:51:27,800
Speaker 2: You're lying, no, it wasn't.

1006
00:51:28,080 --> 00:51:40,719
Speaker 7: Probably twenty four brom Like, I was so fucking.

1007
00:51:43,840 --> 00:51:49,359
Speaker 3: When I saw this, Are y'all fucking status bro twenty four?

1008
00:51:49,480 --> 00:51:52,239
Speaker 3: This movie's asked, Yeah, I thought that was card to

1009
00:51:52,239 --> 00:51:52,960
Speaker 3: b For a second.

1010
00:51:53,239 --> 00:51:59,640
Speaker 2: That didn't look like she's so cute, but she's not rapping.

1011
00:52:00,440 --> 00:52:06,279
Speaker 2: I was like, she looked there and had closing right. Yeah,

1012
00:52:08,239 --> 00:52:11,560
Speaker 2: she just looked very calm and meek. And I was like, oh, I,

1013
00:52:11,719 --> 00:52:12,880
Speaker 2: Spice is so shoe.

1014
00:52:12,920 --> 00:52:15,719
Speaker 3: You got to see her in her new video Horny

1015
00:52:16,320 --> 00:52:17,040
Speaker 3: to see that ship.

1016
00:52:17,360 --> 00:52:23,840
Speaker 2: I've killing me with that ship. I'm telling you that

1017
00:52:23,920 --> 00:52:34,880
Speaker 2: one on what's a video with her? No mommy? Yeah? Absolutely?

1018
00:52:34,920 --> 00:52:38,360
Speaker 2: Yeah is the mom in the video? No?

1019
00:52:39,080 --> 00:52:42,200
Speaker 1: But anyway, So I had the whole conversation with the girl.

1020
00:52:42,200 --> 00:52:46,920
Speaker 1: We understand the relationship between David and and young fella

1021
00:52:47,320 --> 00:52:52,520
Speaker 1: who named his kid David. She has the cardio bra

1022
00:52:52,680 --> 00:52:56,080
Speaker 1: slid on and stuff like that, and all this other

1023
00:52:56,120 --> 00:52:56,960
Speaker 1: stuff that was so.

1024
00:52:59,000 --> 00:53:03,520
Speaker 2: And then they go to the uh to the studio.

1025
00:53:04,280 --> 00:53:06,920
Speaker 2: She told everything and then a dog almost got Denzel.

1026
00:53:07,360 --> 00:53:10,319
Speaker 2: Why was this in the movie? Why was this in

1027
00:53:10,360 --> 00:53:21,920
Speaker 2: the movie? What are you doing? What are y'all doing?

1028
00:53:22,880 --> 00:53:27,560
Speaker 2: Even like a vicious dog dog like he wanted to play.

1029
00:53:29,040 --> 00:53:31,960
Speaker 3: Was not even part and aggressive he did, and his

1030
00:53:32,040 --> 00:53:34,760
Speaker 3: face didn't even look mean, like not like a regular people.

1031
00:53:35,000 --> 00:53:37,680
Speaker 2: He looked like, oh my god, bro, this ship was

1032
00:53:37,719 --> 00:53:38,280
Speaker 2: so stupid.

1033
00:53:38,400 --> 00:53:50,879
Speaker 3: Yeah, and uh so anyway, so yeah, so ace happened

1034
00:53:51,080 --> 00:53:53,920
Speaker 3: in uh Denzel Denzel have.

1035
00:53:53,800 --> 00:53:56,520
Speaker 2: A conversation and it's a lot of preaching. Is the

1036
00:53:56,560 --> 00:53:59,880
Speaker 2: conversation was the rap battle and a rap battle, like

1037
00:54:00,600 --> 00:54:04,279
Speaker 2: I'm like this, it's a little it went long, but

1038
00:54:04,320 --> 00:54:06,719
Speaker 2: it was. It wasn't bad, but it went a little long.

1039
00:54:06,760 --> 00:54:07,560
Speaker 2: It did go a little long.

1040
00:54:07,600 --> 00:54:09,720
Speaker 3: I was just like, damn, y'all, y'all, y'all really milked

1041
00:54:09,719 --> 00:54:12,120
Speaker 3: this one. Y'all really milked this one because it could

1042
00:54:12,120 --> 00:54:13,320
Speaker 3: have been a really good scene.

1043
00:54:13,440 --> 00:54:17,399
Speaker 4: Like but yeah, y'all, look it went a little long

1044
00:54:17,440 --> 00:54:21,160
Speaker 4: and y'all milked it. But no, yeah, I agree with percent.

1045
00:54:21,280 --> 00:54:23,600
Speaker 4: Yeah it went a bit too long. I was just like,

1046
00:54:23,640 --> 00:54:26,040
Speaker 4: all right, bro, I'm really supposed to believe Denzel's up

1047
00:54:26,040 --> 00:54:27,560
Speaker 4: here rapping like this right right?

1048
00:54:27,719 --> 00:54:30,160
Speaker 2: This is this is a little I like the acknowledgement

1049
00:54:30,200 --> 00:54:31,720
Speaker 2: in it. It was like, what are we having a battle?

1050
00:54:31,760 --> 00:54:34,279
Speaker 3: Now? You waited too long to say that because I

1051
00:54:34,480 --> 00:54:35,680
Speaker 3: said that right when he started raping?

1052
00:54:36,600 --> 00:54:38,000
Speaker 2: What are we doing? Right? Now right.

1053
00:54:38,400 --> 00:54:41,240
Speaker 3: Yeah, yeah, so yeah, he was like, oh you hollow,

1054
00:54:41,360 --> 00:54:42,320
Speaker 3: lonely quiet.

1055
00:54:42,480 --> 00:54:45,040
Speaker 1: That's what I want to hear about, not the outside.

1056
00:54:45,040 --> 00:54:46,680
Speaker 1: I want it was inside outside.

1057
00:54:47,320 --> 00:54:52,040
Speaker 3: You know, he's did the whole father line and.

1058
00:54:50,880 --> 00:54:52,840
Speaker 2: He's like, yeah, should add like the hook, like you

1059
00:54:52,880 --> 00:55:03,680
Speaker 2: know where my fucking money like that? Ol. That sounds

1060
00:55:03,680 --> 00:55:06,319
Speaker 2: like some ship can't just say to his tongue, make

1061
00:55:06,360 --> 00:55:10,239
Speaker 2: the hook? Wisheal got damn back? Like I said, some

1062
00:55:10,320 --> 00:55:13,400
Speaker 2: bar right, because second I thought it was gonna give

1063
00:55:13,560 --> 00:55:16,800
Speaker 2: some really fight I did. I really did YO know

1064
00:55:17,080 --> 00:55:19,040
Speaker 2: that ship like yo.

1065
00:55:19,680 --> 00:55:23,680
Speaker 4: I was paused when like the sucking the buddy left

1066
00:55:24,520 --> 00:55:27,560
Speaker 4: the guy that was recording. I paused for a minute.

1067
00:55:27,560 --> 00:55:29,960
Speaker 4: I rounded back because I must have missed something. The

1068
00:55:30,040 --> 00:55:32,560
Speaker 4: dude left and never came in the door.

1069
00:55:32,920 --> 00:55:37,680
Speaker 2: Yeah you know you're not calling nobody. You ain't got back.

1070
00:55:38,560 --> 00:55:40,719
Speaker 2: We had a cold conversation about the hood bro. So

1071
00:55:40,800 --> 00:55:43,919
Speaker 2: he was like, I'm not gonna go snitch. I'm going

1072
00:55:43,960 --> 00:55:45,560
Speaker 2: to get in the halmies. I don't.

1073
00:55:45,560 --> 00:55:47,840
Speaker 3: I think he probably was just an engineer. Maybe he

1074
00:55:47,920 --> 00:55:48,920
Speaker 3: was a part of the team.

1075
00:55:49,360 --> 00:55:51,680
Speaker 2: Yeah, but we see, okay, okay.

1076
00:55:51,960 --> 00:55:54,640
Speaker 3: Just trying to make because I was I was like, bro,

1077
00:55:54,680 --> 00:55:56,240
Speaker 3: why are you just gonna yeah, I don't.

1078
00:55:56,040 --> 00:55:59,080
Speaker 2: Know that makes sense because yeah, but yeah.

1079
00:56:00,480 --> 00:56:03,480
Speaker 3: Right, m yeah that would happened to our boy facts

1080
00:56:03,760 --> 00:56:08,280
Speaker 3: that would We're not gonna s awfoy. That wouldn't have happened.

1081
00:56:08,760 --> 00:56:12,160
Speaker 3: Keep it right there, bro hurting the door knocks, hurt

1082
00:56:15,160 --> 00:56:22,080
Speaker 3: talking about most of Yeah, most of them. They don't play.

1083
00:56:22,640 --> 00:56:25,399
Speaker 3: They put it right there just in case you thought

1084
00:56:25,440 --> 00:56:26,839
Speaker 3: something was going I do.

1085
00:56:26,840 --> 00:56:27,520
Speaker 2: More than mixed.

1086
00:56:27,760 --> 00:56:30,080
Speaker 3: I killed my fucking play with me if you want

1087
00:56:30,080 --> 00:56:31,399
Speaker 3: to specific equipment in there.

1088
00:56:31,680 --> 00:56:31,879
Speaker 2: Yeah.

1089
00:56:32,160 --> 00:56:34,640
Speaker 1: So it seemed like, you know, I don't know, it's weird,

1090
00:56:34,719 --> 00:56:36,280
Speaker 1: this whole conversation they were having.

1091
00:56:36,400 --> 00:56:38,960
Speaker 3: I was like, is he gonna convince him to.

1092
00:56:38,520 --> 00:56:41,520
Speaker 1: Change his life or whatever? I don't know, but you know,

1093
00:56:41,880 --> 00:56:45,520
Speaker 1: I was like, nah, to shut at him. And then

1094
00:56:45,560 --> 00:56:46,320
Speaker 1: there's this whole.

1095
00:56:46,280 --> 00:56:48,720
Speaker 3: Chasing this when I got mad, go ahead, go ahead,

1096
00:56:48,920 --> 00:56:56,200
Speaker 3: got old As chasing his young ass man like he

1097
00:56:56,320 --> 00:56:56,880
Speaker 3: got them.

1098
00:56:57,200 --> 00:57:02,920
Speaker 2: Like mission mission impossible. God, I'm like, and that was

1099
00:57:03,360 --> 00:57:05,080
Speaker 2: I said, there's no way you're gonna catch this kid.

1100
00:57:06,040 --> 00:57:08,520
Speaker 3: Why that's not a good idea, Like that's just not

1101
00:57:08,600 --> 00:57:11,680
Speaker 3: a good idea writing it, directing it, like even the

1102
00:57:11,760 --> 00:57:12,440
Speaker 3: actor should be.

1103
00:57:13,040 --> 00:57:14,600
Speaker 2: And that's after he shot the old boy.

1104
00:57:15,120 --> 00:57:17,360
Speaker 3: He shot at the window, and then because I thought

1105
00:57:17,400 --> 00:57:19,560
Speaker 3: I was remember that, he said, let me get that

1106
00:57:20,200 --> 00:57:23,080
Speaker 3: four hours and then he said Jeffery Wright pulled.

1107
00:57:22,840 --> 00:57:24,440
Speaker 2: Out a bigger game. Was like, what is that? He

1108
00:57:24,520 --> 00:57:25,720
Speaker 2: was like, what is Mayhem? Right here?

1109
00:57:25,760 --> 00:57:28,880
Speaker 3: He said Jake from State Form That one was funny, Yeah,

1110
00:57:29,120 --> 00:57:31,320
Speaker 3: and then he said Mayhem man.

1111
00:57:31,640 --> 00:57:32,240
Speaker 2: I didn't like it.

1112
00:57:32,840 --> 00:57:35,000
Speaker 4: Oh you like this Jake Froul State Farm, like the

1113
00:57:35,000 --> 00:57:37,840
Speaker 4: Mayhem part of referencing the dude that's in the movie.

1114
00:57:37,880 --> 00:57:39,240
Speaker 3: I didn't know that was him in the movie, so

1115
00:57:39,280 --> 00:57:41,240
Speaker 3: I thought it was I thought it was a funny line.

1116
00:57:41,840 --> 00:57:45,479
Speaker 2: So corny man. But he ain't ship Jeffrey right. Yeah,

1117
00:57:45,640 --> 00:57:48,560
Speaker 2: he didn't know. He didn't. Yeah.

1118
00:57:48,600 --> 00:57:50,920
Speaker 4: I just looked up and he shot the glass and

1119
00:57:50,960 --> 00:57:53,720
Speaker 4: the glass flew in his eye. I didn't want it

1120
00:57:53,760 --> 00:57:55,439
Speaker 4: back to because the movie did not make it clear

1121
00:57:55,520 --> 00:57:56,800
Speaker 4: until he started yelling about his eyes.

1122
00:57:56,920 --> 00:57:59,400
Speaker 2: Yeah, I thought he actually legit shot him.

1123
00:57:59,680 --> 00:58:02,960
Speaker 3: I thought they got him because I was like, why

1124
00:58:02,960 --> 00:58:05,000
Speaker 3: did you open the car door and just fall out

1125
00:58:05,080 --> 00:58:05,920
Speaker 3: the car like that?

1126
00:58:06,280 --> 00:58:09,280
Speaker 2: If you get somebody shooting at you and the door

1127
00:58:09,480 --> 00:58:11,200
Speaker 2: and my thing is like you made him look hard.

1128
00:58:11,360 --> 00:58:14,720
Speaker 3: The whole movie like tall, big ship the whole Max,

1129
00:58:15,000 --> 00:58:17,160
Speaker 3: I'm gonna suck this kid up, and I ain't gonna

1130
00:58:17,200 --> 00:58:18,960
Speaker 3: lie to you'aup.

1131
00:58:18,320 --> 00:58:20,800
Speaker 2: You even make it to the point you just put

1132
00:58:20,840 --> 00:58:23,680
Speaker 2: hands on nobody in his He put hands on his eye,

1133
00:58:23,960 --> 00:58:26,920
Speaker 2: was on his eye. End up in the in the

1134
00:58:26,960 --> 00:58:29,240
Speaker 2: hospital bed with a patch on. They shot me in

1135
00:58:29,240 --> 00:58:32,560
Speaker 2: the eye. All the class in my eye. Get that motherfucker.

1136
00:58:32,600 --> 00:58:34,440
Speaker 2: Then he repeat it this class in my eye? Who

1137
00:58:34,440 --> 00:58:37,360
Speaker 2: are you talking to? Who are you talking to? Then

1138
00:58:37,400 --> 00:58:41,640
Speaker 2: El's gone, yeah, yeah, God damn, Spike, what did you do?

1139
00:58:42,000 --> 00:58:46,280
Speaker 3: So they end up on the subway and forever reason

1140
00:58:46,440 --> 00:58:48,440
Speaker 3: Asap ended up on top of the subway.

1141
00:58:48,960 --> 00:58:53,800
Speaker 2: What fig surfa, Well he's swags surfing on the fucking train.

1142
00:58:54,280 --> 00:58:55,680
Speaker 2: Spider man, now bro.

1143
00:58:56,320 --> 00:58:58,520
Speaker 3: Then he jumped down on this zeil and they fight

1144
00:58:58,720 --> 00:59:02,160
Speaker 3: between the cars and whoop his ass and then on

1145
00:59:02,320 --> 00:59:02,960
Speaker 3: top of they was.

1146
00:59:02,880 --> 00:59:05,240
Speaker 2: Like, let me go, let me go. I want to

1147
00:59:05,520 --> 00:59:08,360
Speaker 2: I don't want to live. I'm like, where did this

1148
00:59:08,440 --> 00:59:11,720
Speaker 2: come from? Even the same dude, that little nigga too,

1149
00:59:12,320 --> 00:59:15,600
Speaker 2: you need your money. He still had money, and then

1150
00:59:15,640 --> 00:59:16,920
Speaker 2: he just he whooped his ass.

1151
00:59:17,480 --> 00:59:21,720
Speaker 4: I'm so fucking sorry, Denzel not beating asap Rocky's ass.

1152
00:59:22,240 --> 00:59:22,800
Speaker 2: I don't funk.

1153
00:59:22,880 --> 00:59:25,439
Speaker 4: How cool y'all think, Denzel is, this was the most

1154
00:59:25,520 --> 00:59:28,360
Speaker 4: unrealistic ship I have seen in the movie, says Nigga

1155
00:59:28,400 --> 00:59:29,080
Speaker 4: Bird beat the Hulk.

1156
00:59:29,160 --> 00:59:30,880
Speaker 2: They were just you know, Mike when he was in

1157
00:59:30,880 --> 00:59:31,200
Speaker 2: the car.

1158
00:59:31,520 --> 00:59:35,560
Speaker 6: Yeah, oh that's not You don't touss the old hand

1159
00:59:35,600 --> 00:59:37,760
Speaker 6: when in the car, like you don't funk.

1160
00:59:37,600 --> 00:59:41,000
Speaker 2: With the old But the fact that you beat him,

1161
00:59:41,000 --> 00:59:42,560
Speaker 2: that that easy.

1162
00:59:43,040 --> 00:59:45,840
Speaker 4: No, dude, And he kicked him into all types of

1163
00:59:45,920 --> 00:59:50,720
Speaker 4: ship man. And the music was all triumphant, dunt dun dune.

1164
00:59:51,680 --> 00:59:54,520
Speaker 3: Oh my god, this was one of the worst scores

1165
00:59:54,560 --> 00:59:55,919
Speaker 3: I've ever heard in my life.

1166
00:59:55,960 --> 00:59:57,520
Speaker 2: You keep hating the music. I didn't think the music

1167
00:59:57,560 --> 00:59:59,960
Speaker 2: was that bad. I thought it took away. It was awkward.

1168
01:00:00,120 --> 01:00:03,680
Speaker 2: It made the movie like it was. Yeah, it was it.

1169
01:00:03,800 --> 01:00:06,040
Speaker 2: Probably the movie actually probably could have been a little

1170
01:00:06,040 --> 01:00:09,480
Speaker 2: bit better. Better, the score was better. Yeah, I'm with

1171
01:00:09,600 --> 01:00:13,760
Speaker 2: you on that. Interesting. So anyway, Yeah, so we get

1172
01:00:13,760 --> 01:00:14,400
Speaker 2: the money back.

1173
01:00:14,880 --> 01:00:17,520
Speaker 1: Boys in the in there with his eye messed up,

1174
01:00:17,720 --> 01:00:19,400
Speaker 1: he declined the job.

1175
01:00:20,480 --> 01:00:21,840
Speaker 2: He said, I'm gonna do something else.

1176
01:00:22,920 --> 01:00:25,440
Speaker 4: You're not gonna make a joke about my fucking fucked

1177
01:00:25,480 --> 01:00:28,440
Speaker 4: up eye. Right after it happened. I'm fucking you up, dude, he.

1178
01:00:28,480 --> 01:00:29,840
Speaker 2: Called him dog.

1179
01:00:29,960 --> 01:00:33,640
Speaker 3: He made like four jokes after what you just did

1180
01:00:33,680 --> 01:00:35,080
Speaker 3: about I don't really want to pay the money to

1181
01:00:35,120 --> 01:00:37,640
Speaker 3: get your son back, and then you got jokes about

1182
01:00:37,640 --> 01:00:38,360
Speaker 3: me getting glass.

1183
01:00:38,440 --> 01:00:42,560
Speaker 2: I'm beating your asses, Zell, I'm beating your ass. I'm

1184
01:00:42,560 --> 01:00:49,560
Speaker 2: beating your ass. I love it. Yeah, come on, man, Yeah,

1185
01:00:50,040 --> 01:00:51,600
Speaker 2: some time with my son Kyle.

1186
01:00:51,680 --> 01:00:55,240
Speaker 3: And finally they got around to uh, you know, oh no,

1187
01:00:55,440 --> 01:00:59,640
Speaker 3: then after this he went to see uh, a young

1188
01:00:59,680 --> 01:01:03,600
Speaker 3: fella in jail. Oh yeah, this this movie should have ended. Yes,

1189
01:01:04,080 --> 01:01:06,480
Speaker 3: it sounded like this felt like a director. I like

1190
01:01:06,560 --> 01:01:07,280
Speaker 3: the singing part.

1191
01:01:08,000 --> 01:01:10,680
Speaker 1: So I'm talking about the conversation that comes like, yeah,

1192
01:01:10,920 --> 01:01:11,920
Speaker 1: I want to point this.

1193
01:01:13,080 --> 01:01:16,040
Speaker 3: Yeah, we just had this conversation in the booth. Y'all

1194
01:01:16,040 --> 01:01:18,760
Speaker 3: literally just did this, Like I literally just.

1195
01:01:18,680 --> 01:01:21,160
Speaker 4: Like, y'all got to cut this out because that's how

1196
01:01:21,240 --> 01:01:26,080
Speaker 4: the the OG ends, with them having a conversation like that.

1197
01:01:26,080 --> 01:01:29,240
Speaker 4: That's not spoiler, but that's how it. But in the OG,

1198
01:01:29,440 --> 01:01:34,320
Speaker 4: the conversation is so much more interesting. It's it's it's

1199
01:01:34,320 --> 01:01:38,200
Speaker 4: an amazingly done scene and the way it ends seals

1200
01:01:38,360 --> 01:01:39,240
Speaker 4: the movie being great.

1201
01:01:39,520 --> 01:01:42,680
Speaker 2: That's what Spike was going for it was just bad.

1202
01:01:43,000 --> 01:01:44,560
Speaker 2: It would have been all right if we didn't just

1203
01:01:44,640 --> 01:01:45,000
Speaker 2: see it.

1204
01:01:45,360 --> 01:01:47,960
Speaker 3: Yes, we just saw that, and you know, you know

1205
01:01:48,000 --> 01:01:49,600
Speaker 3: what if that if that's how it is in an og,

1206
01:01:50,320 --> 01:01:51,400
Speaker 3: you should just cut this so now.

1207
01:01:51,400 --> 01:01:54,720
Speaker 2: And that made the booth that scene. It's like you

1208
01:01:55,000 --> 01:01:57,479
Speaker 2: did it twice. Why. It's like, it's like you pick one.

1209
01:01:57,680 --> 01:01:58,480
Speaker 2: I agree, you.

1210
01:01:58,440 --> 01:02:00,560
Speaker 3: Want to do the booth glass, you want to do

1211
01:02:00,600 --> 01:02:03,440
Speaker 3: this jail. So it's like, why did you do it?

1212
01:02:03,880 --> 01:02:05,080
Speaker 3: Like it just didn't make sense.

1213
01:02:05,120 --> 01:02:07,360
Speaker 4: I guess Spike Lee thought that, like this is a

1214
01:02:07,400 --> 01:02:10,480
Speaker 4: different conversation because he's actually trying to sell himself to

1215
01:02:10,600 --> 01:02:13,000
Speaker 4: Denzel at this point, and he's successful at this point.

1216
01:02:13,600 --> 01:02:17,000
Speaker 2: Yeah. Yeah, he's in jail, but ironically successful.

1217
01:02:16,520 --> 01:02:18,640
Speaker 4: And it's making a commentary on how that hip hop

1218
01:02:18,720 --> 01:02:21,000
Speaker 4: is like that the more of a fella you are,

1219
01:02:21,040 --> 01:02:22,600
Speaker 4: the more of a bad guy you are, the more

1220
01:02:22,640 --> 01:02:23,480
Speaker 4: popular you are.

1221
01:02:24,000 --> 01:02:26,880
Speaker 2: So I did like the idea. It was it was

1222
01:02:26,920 --> 01:02:31,520
Speaker 2: just bad here. Yeah yeah, yeah, it just didn't go nowhere.

1223
01:02:31,520 --> 01:02:33,760
Speaker 2: And I'm surprised you like that music video. He probably

1224
01:02:33,840 --> 01:02:36,040
Speaker 2: like the ass flipping around in the back. I didn't

1225
01:02:36,160 --> 01:02:36,760
Speaker 2: see no music.

1226
01:02:37,520 --> 01:02:40,200
Speaker 1: I'm talking about the lady was saying, oh this this

1227
01:02:40,360 --> 01:02:42,520
Speaker 1: So after the there we get to Sula.

1228
01:02:43,080 --> 01:02:45,439
Speaker 3: Oh wait wait wait, but we're skipping over a very

1229
01:02:45,440 --> 01:02:49,640
Speaker 3: confusing part. So you before they got to the jail

1230
01:02:50,840 --> 01:02:53,440
Speaker 3: is doing a music video and it made no sense

1231
01:02:53,960 --> 01:02:56,880
Speaker 3: and he's in his felling out you missed all this ass, Spiker.

1232
01:02:57,520 --> 01:03:00,400
Speaker 2: It was about three women, he said about three because

1233
01:03:00,400 --> 01:03:02,800
Speaker 2: you couldn't. It was just so much ass Spike twelve,

1234
01:03:03,320 --> 01:03:04,840
Speaker 2: but it was about.

1235
01:03:04,520 --> 01:03:13,280
Speaker 3: Three Yeah, about to go wind and that's crazy was doing. Yeah,

1236
01:03:13,840 --> 01:03:15,520
Speaker 3: that's why I'm like, why are you skipping this?

1237
01:03:15,720 --> 01:03:17,560
Speaker 2: Because this was so confusing.

1238
01:03:18,560 --> 01:03:23,040
Speaker 3: He was dancing and then just skipped to the jail scene.

1239
01:03:23,080 --> 01:03:24,240
Speaker 3: It was like, what just happened?

1240
01:03:24,280 --> 01:03:26,520
Speaker 1: Yeah, because I thought I was like, oh ship Denzel

1241
01:03:26,640 --> 01:03:30,320
Speaker 1: signed dude to stacking his and he's making money off

1242
01:03:30,360 --> 01:03:30,640
Speaker 1: of it.

1243
01:03:30,720 --> 01:03:34,080
Speaker 2: But this part happened before the conversation. Yeah, that's why I.

1244
01:03:34,040 --> 01:03:35,880
Speaker 4: Didn't make any I was like, oh okay, and I

1245
01:03:35,880 --> 01:03:37,680
Speaker 4: thought they were going back in time to see how

1246
01:03:37,720 --> 01:03:38,240
Speaker 4: this happened.

1247
01:03:38,320 --> 01:03:41,000
Speaker 3: Yeah, that's what I was thinking. No, no, no, that's

1248
01:03:41,000 --> 01:03:44,960
Speaker 3: not what I was thinking. I was thinking that that. Yeah,

1249
01:03:45,160 --> 01:03:46,600
Speaker 3: I was thinking when he was going to talk to him,

1250
01:03:46,600 --> 01:03:50,560
Speaker 3: were going to talk about the success of the record. Yeah, yeah,

1251
01:03:50,560 --> 01:03:52,280
Speaker 3: it was like, oh his music video, this song that

1252
01:03:52,320 --> 01:03:54,000
Speaker 3: blew up because remember he was walking in JA was.

1253
01:03:54,000 --> 01:03:56,400
Speaker 2: Like, I ain't doing on minute in a minute and free,

1254
01:03:56,440 --> 01:03:57,520
Speaker 2: young fella. Free.

1255
01:03:57,680 --> 01:04:00,680
Speaker 1: You already talked about that, and then uh, the song

1256
01:04:00,760 --> 01:04:03,080
Speaker 1: comes out and there's a big hit, which you know,

1257
01:04:03,160 --> 01:04:06,000
Speaker 1: of course as reference what you just said, and then

1258
01:04:06,000 --> 01:04:08,920
Speaker 1: they're gonna talk about how successful the record is on

1259
01:04:09,000 --> 01:04:11,480
Speaker 1: top and when you ran out, because remember he was like,

1260
01:04:11,600 --> 01:04:13,360
Speaker 1: how many years are gonna get he said twenty five.

1261
01:04:13,400 --> 01:04:16,240
Speaker 1: He was like, he did say, that's not long enough.

1262
01:04:16,360 --> 01:04:19,040
Speaker 3: But I thought they worked out some deals where he

1263
01:04:19,080 --> 01:04:22,160
Speaker 3: would get out sooner and so he can make money off.

1264
01:04:22,280 --> 01:04:26,120
Speaker 3: So I'm confused the music video happened. Is that that's

1265
01:04:26,160 --> 01:04:27,840
Speaker 3: why did I don't know what you'a were talking about.

1266
01:04:27,880 --> 01:04:29,760
Speaker 3: I thought y'all was seeing a real video. I remember this.

1267
01:04:29,960 --> 01:04:31,960
Speaker 3: I thought that this was him dreaming of some ship.

1268
01:04:32,240 --> 01:04:34,800
Speaker 2: Right. I'm still I'm still not sure. I don't know

1269
01:04:34,920 --> 01:04:38,400
Speaker 2: he actual because he was in his jailhouse outfit. Yeah,

1270
01:04:38,440 --> 01:04:41,360
Speaker 2: so god, yeah, I don't know. I don't know how

1271
01:04:41,400 --> 01:04:43,240
Speaker 2: you would get people in there to record this video.

1272
01:04:43,240 --> 01:04:46,479
Speaker 2: I don't know was in jail the video. Not in jail.

1273
01:04:46,920 --> 01:04:50,920
Speaker 4: He is like a or something. He has his jail, sir,

1274
01:04:51,240 --> 01:04:55,120
Speaker 4: he got sense. Man, stupid, I don't get this part.

1275
01:04:55,200 --> 01:04:56,439
Speaker 4: This was stupid as fuck.

1276
01:04:56,520 --> 01:04:57,919
Speaker 2: Man, I didn't get this part.

1277
01:04:57,960 --> 01:05:01,120
Speaker 3: I didn't get the random clips of them three on

1278
01:05:01,120 --> 01:05:05,160
Speaker 3: the bench or whatever, the Denzel, his wife and the sun.

1279
01:05:05,240 --> 01:05:07,520
Speaker 3: They were just on the bench and kept putting that

1280
01:05:07,600 --> 01:05:10,000
Speaker 3: in Like I missed that.

1281
01:05:10,240 --> 01:05:11,520
Speaker 2: Oh it was yeah, it was just.

1282
01:05:11,480 --> 01:05:14,520
Speaker 3: Like like like a a montage, like a montage that

1283
01:05:14,560 --> 01:05:16,480
Speaker 3: they would do, like they did it like three times

1284
01:05:16,520 --> 01:05:16,959
Speaker 3: in the movie.

1285
01:05:17,920 --> 01:05:21,560
Speaker 2: Yeah, they were just sitting like this what you I

1286
01:05:21,560 --> 01:05:25,160
Speaker 2: didn't see this ship saw it. I was probably not

1287
01:05:25,160 --> 01:05:26,920
Speaker 2: paying attention after a while, But no, I don't know.

1288
01:05:27,000 --> 01:05:28,520
Speaker 3: Oh yeah, it was just like like it was like

1289
01:05:28,640 --> 01:05:30,720
Speaker 3: you know how sometime they did like the old film. Look,

1290
01:05:31,200 --> 01:05:33,080
Speaker 3: yeah they did that like three or four times, or

1291
01:05:33,120 --> 01:05:35,080
Speaker 3: just them three on the bench. You remember this ship

1292
01:05:35,320 --> 01:05:37,560
Speaker 3: where was the bench? It was just we don't know,

1293
01:05:38,560 --> 01:05:40,960
Speaker 3: it was just random. I don't know why they did that.

1294
01:05:41,880 --> 01:05:45,160
Speaker 3: It was just a bunch of random artsy ship. Yeah,

1295
01:05:45,200 --> 01:05:47,240
Speaker 3: maybe that's what it was. He knew A twenty four

1296
01:05:47,280 --> 01:05:48,680
Speaker 3: had the interest, so he was trying to make it

1297
01:05:48,680 --> 01:05:49,480
Speaker 3: more artsy.

1298
01:05:49,560 --> 01:05:53,120
Speaker 1: Yeah, yeah, I was trying to figure out women the

1299
01:05:53,200 --> 01:05:54,960
Speaker 1: shooler personally gonna come back around.

1300
01:05:55,080 --> 01:05:56,960
Speaker 2: And then when he decided.

1301
01:05:56,600 --> 01:05:58,400
Speaker 3: To go on his own and be back in love

1302
01:05:58,400 --> 01:06:02,120
Speaker 3: with the music, she was gonna be the love love

1303
01:06:02,240 --> 01:06:03,760
Speaker 3: him for him.

1304
01:06:04,040 --> 01:06:07,400
Speaker 2: And you know what you say, what does the C

1305
01:06:07,560 --> 01:06:13,560
Speaker 2: stand for? Can you know? That's cool? You gotta be good?

1306
01:06:14,480 --> 01:06:22,280
Speaker 2: You can't. I can't see anybody like this. I did, definitely, Yeah,

1307
01:06:23,160 --> 01:06:25,439
Speaker 2: I like the music. I didn't like the zip.

1308
01:06:26,240 --> 01:06:29,600
Speaker 3: Yeah, I was come on, like nobody, come on, come on,

1309
01:06:29,720 --> 01:06:32,480
Speaker 3: come on, come on, come on.

1310
01:06:34,600 --> 01:06:37,360
Speaker 2: And then they say the name of the movie.

1311
01:06:38,000 --> 01:06:44,120
Speaker 3: Yeah, the songs called hold to lois Man, that's cool,

1312
01:06:44,560 --> 01:06:45,040
Speaker 3: that's cool.

1313
01:06:45,160 --> 01:06:51,880
Speaker 2: People know in No, they didn't, you know they they

1314
01:06:51,960 --> 01:06:54,960
Speaker 2: can't be the fuck up out of here bro. I

1315
01:06:54,960 --> 01:06:56,520
Speaker 2: would have been so mad if I went to see

1316
01:06:56,520 --> 01:07:01,880
Speaker 2: that in Bro pissed somebody. Yeah, it was so you

1317
01:07:01,920 --> 01:07:02,840
Speaker 2: know so yeah.

1318
01:07:02,920 --> 01:07:06,920
Speaker 1: So then so there's she and then again another black

1319
01:07:07,240 --> 01:07:10,640
Speaker 1: or cultural reference when Tony Morrison, how'd you get the name?

1320
01:07:10,720 --> 01:07:14,040
Speaker 2: Oh you're you're a family of readers? I see? She

1321
01:07:14,120 --> 01:07:16,800
Speaker 2: was like, nah, I don't read. Why was that necessary?

1322
01:07:16,880 --> 01:07:19,320
Speaker 2: I don't know. So I was trying to figure that out.

1323
01:07:19,360 --> 01:07:22,080
Speaker 3: But I'm trying to but this generation there are this

1324
01:07:22,160 --> 01:07:24,040
Speaker 3: generation does read.

1325
01:07:24,680 --> 01:07:26,720
Speaker 1: But it almost felt like, you know, you have the phones.

1326
01:07:26,800 --> 01:07:28,800
Speaker 1: Then it got David's not on the phone. You have

1327
01:07:29,240 --> 01:07:32,760
Speaker 1: her names after Tony Morrison, and there's a reading generation,

1328
01:07:32,880 --> 01:07:35,520
Speaker 1: but this generation, I guess, don't read. You have the

1329
01:07:35,760 --> 01:07:37,880
Speaker 1: music where it's all about the music and the soul,

1330
01:07:37,960 --> 01:07:41,120
Speaker 1: and then you have AI and attention is the currency.

1331
01:07:41,640 --> 01:07:44,040
Speaker 1: And it felt like there was like, then you have

1332
01:07:44,120 --> 01:07:46,440
Speaker 1: the old man chasing down a young man beating him up.

1333
01:07:46,480 --> 01:07:49,080
Speaker 1: So it's almost like this tale of two generations kind

1334
01:07:49,080 --> 01:07:52,840
Speaker 1: of clashy. But again I don't know why she said,

1335
01:07:52,840 --> 01:07:54,200
Speaker 1: Oh yeah, I don't read, like.

1336
01:07:54,520 --> 01:07:58,480
Speaker 4: I feel like only an old, detached man would write this.

1337
01:07:59,000 --> 01:07:59,720
Speaker 2: That's how I feel.

1338
01:07:59,760 --> 01:08:03,800
Speaker 3: Thought whole movie felt like Spike Lee out of touch

1339
01:08:03,960 --> 01:08:06,320
Speaker 3: and this was his commentary on how I see the

1340
01:08:06,320 --> 01:08:09,760
Speaker 3: world today and how kids fucking everything up, using the

1341
01:08:10,240 --> 01:08:15,800
Speaker 3: o G as a vehicle to tell this story. Yeah,

1342
01:08:15,800 --> 01:08:18,640
Speaker 3: because I didn't know anything about the original movie. This

1343
01:08:18,720 --> 01:08:20,320
Speaker 3: is my first you're talking about it now, it's my

1344
01:08:20,320 --> 01:08:22,200
Speaker 3: first time hearing about it, so I didn't.

1345
01:08:22,000 --> 01:08:24,040
Speaker 2: Know it was a remake at all.

1346
01:08:24,280 --> 01:08:26,880
Speaker 4: I don't I mean, I assume people maybe they don't,

1347
01:08:27,040 --> 01:08:30,320
Speaker 4: but I wouldn't even I don't even know if this would.

1348
01:08:30,160 --> 01:08:32,920
Speaker 2: Be any of y'all's thing. If it was an American film, maybe,

1349
01:08:32,960 --> 01:08:36,439
Speaker 2: but it was just so disappointing. It's based off a

1350
01:08:36,439 --> 01:08:37,640
Speaker 2: book to kings.

1351
01:08:38,160 --> 01:08:40,479
Speaker 4: Yeah, the movie itself was from I understand was based

1352
01:08:40,479 --> 01:08:43,400
Speaker 4: on a book. But again, it's not so much the story.

1353
01:08:43,479 --> 01:08:47,280
Speaker 4: It was just the way Kirassauer filmed it and edited

1354
01:08:47,320 --> 01:08:49,479
Speaker 4: it and directed it that just made it like, God,

1355
01:08:49,560 --> 01:08:52,720
Speaker 4: this is like who wants to watch an hour of

1356
01:08:53,160 --> 01:08:55,880
Speaker 4: legit to a living room?

1357
01:08:56,240 --> 01:08:57,519
Speaker 2: But when you watch the film.

1358
01:08:57,320 --> 01:09:00,000
Speaker 4: You're like, this is incredible, this, this story is fast.

1359
01:09:00,000 --> 01:09:03,599
Speaker 4: Fain never got there with this, not one single time.

1360
01:09:03,920 --> 01:09:05,960
Speaker 4: And you don't have to copy the original, dude to

1361
01:09:06,080 --> 01:09:08,680
Speaker 4: your own thing. Do something creative, but at least do

1362
01:09:08,760 --> 01:09:11,280
Speaker 4: something interesting and good. Like as much as I hated

1363
01:09:11,280 --> 01:09:14,920
Speaker 4: the Suspirior remake, at least they did something different this.

1364
01:09:15,920 --> 01:09:17,960
Speaker 2: Oh, we're just gonna put black people in it and just.

1365
01:09:17,920 --> 01:09:21,960
Speaker 4: Have a nowhere asked story. No, bro, the way this

1366
01:09:22,000 --> 01:09:22,800
Speaker 4: just ends.

1367
01:09:22,640 --> 01:09:27,439
Speaker 2: Yeah, let's do this. Oh what Tray said were my cut?

1368
01:09:27,640 --> 01:09:28,240
Speaker 2: Was my cut?

1369
01:09:28,320 --> 01:09:30,479
Speaker 1: And then the mom says she's gonna be part of

1370
01:09:30,520 --> 01:09:33,040
Speaker 1: it too, So we just a family business, which is

1371
01:09:33,120 --> 01:09:35,559
Speaker 1: kind of a reference to him being referred to as

1372
01:09:35,560 --> 01:09:38,800
Speaker 1: a NEPO baby when he got kidnapped. And he was

1373
01:09:38,840 --> 01:09:42,479
Speaker 1: also making the commentary about, oh well, dad, I can't

1374
01:09:42,520 --> 01:09:45,760
Speaker 1: ignore it's everywhere. It's everywhere, you know, the social media

1375
01:09:45,760 --> 01:09:47,760
Speaker 1: and stuff like that. So that was that commentary going

1376
01:09:47,760 --> 01:09:48,120
Speaker 1: on too.

1377
01:09:48,240 --> 01:09:50,479
Speaker 4: Did y'all know that was Jeffrey Rights. I'm pretty sure

1378
01:09:50,520 --> 01:09:54,280
Speaker 4: it was Jeffrey Wright's actual son. I did not know

1379
01:09:54,360 --> 01:09:57,240
Speaker 4: that unless it's just another Right, which would be random.

1380
01:09:57,320 --> 01:09:59,559
Speaker 4: But his last name was right in the credit, so

1381
01:09:59,600 --> 01:10:03,360
Speaker 4: I was like, oh, neat, hm mm hmm.

1382
01:10:03,800 --> 01:10:08,840
Speaker 2: This was whack whack. I think just losing this fast

1383
01:10:09,240 --> 01:10:11,519
Speaker 2: Wait what this is? Why wasn't the national I think

1384
01:10:11,560 --> 01:10:12,320
Speaker 2: people looked at this.

1385
01:10:12,320 --> 01:10:14,680
Speaker 4: One like yeah, I think so too, because a lot

1386
01:10:14,680 --> 01:10:16,400
Speaker 4: of people were confused before it came out. They're like,

1387
01:10:16,439 --> 01:10:20,240
Speaker 4: how is a Spike Lee Denzel film in limited showings?

1388
01:10:20,800 --> 01:10:24,280
Speaker 2: Because it's bad? Because it's bad, dude, that's why.

1389
01:10:24,200 --> 01:10:28,760
Speaker 3: He's losing his fastball. Yeah, you have to equalize it,

1390
01:10:28,840 --> 01:10:29,800
Speaker 3: equalizing straight.

1391
01:10:30,520 --> 01:10:32,760
Speaker 2: But he called himself something that y'all catch that.

1392
01:10:33,200 --> 01:10:38,240
Speaker 3: He didn't call himself to equalize, he called him Yeah,

1393
01:10:38,520 --> 01:10:41,320
Speaker 3: I don't think losing his I think Spike, I think,

1394
01:10:41,320 --> 01:10:43,479
Speaker 3: you know, I don't think his acting was great in here,

1395
01:10:43,640 --> 01:10:47,080
Speaker 3: but I don't either, you know. I think he's you

1396
01:10:47,200 --> 01:10:49,400
Speaker 3: brought up earlier. I think him and Tyler Perry is

1397
01:10:49,479 --> 01:10:52,160
Speaker 3: suffering from this Tyler period don't care. But I think

1398
01:10:52,200 --> 01:10:54,360
Speaker 3: this zel does care more about his legacy when he

1399
01:10:54,400 --> 01:10:58,040
Speaker 3: needs to involve younger people in his process, like Tyler

1400
01:10:58,080 --> 01:10:59,960
Speaker 3: Perry has his process. It's fine, you do it over,

1401
01:11:00,200 --> 01:11:02,080
Speaker 3: you make this type of move for these type of people.

1402
01:11:02,479 --> 01:11:05,760
Speaker 3: But again, Spike Lee, the name that that holds in

1403
01:11:05,840 --> 01:11:09,040
Speaker 3: the movie business. For black people to see this is

1404
01:11:09,720 --> 01:11:12,559
Speaker 3: very disappointing because it's just like, Oh, I'm gonna keep

1405
01:11:12,560 --> 01:11:14,680
Speaker 3: doing it my way how I always been doing it

1406
01:11:14,720 --> 01:11:15,760
Speaker 3: and it should work.

1407
01:11:15,920 --> 01:11:18,040
Speaker 2: Like nah, some of this stuff need to change. Yeah,

1408
01:11:18,080 --> 01:11:18,759
Speaker 2: But I'm looking.

1409
01:11:18,560 --> 01:11:22,519
Speaker 4: At his filmography, and his last actual film was The

1410
01:11:22,640 --> 01:11:27,799
Speaker 4: Five Bloods. Before that, his actual last film was Black Clansmen.

1411
01:11:27,880 --> 01:11:29,200
Speaker 2: I didn't like Black Clansmen.

1412
01:11:29,880 --> 01:11:31,920
Speaker 4: I really liked The Five Bloods, and I feel like

1413
01:11:32,000 --> 01:11:35,080
Speaker 4: both of those movies were regarded as really good. I

1414
01:11:38,720 --> 01:11:42,320
Speaker 4: think it's mixed reviews. It's from what I'm seeing. Because

1415
01:11:42,320 --> 01:11:44,920
Speaker 4: I was so confused, I had to go look. But yeah,

1416
01:11:44,960 --> 01:11:46,800
Speaker 4: some people are really loving it. Some people are thinking

1417
01:11:46,800 --> 01:11:47,280
Speaker 4: it's whack.

1418
01:11:47,680 --> 01:11:50,040
Speaker 2: Maybe I'm thinking about it because I saw the reason.

1419
01:11:53,120 --> 01:11:55,040
Speaker 1: Maybe I don't just remember the bad ones then, because

1420
01:11:55,040 --> 01:11:57,559
Speaker 1: if I do, Five Bloods was a bounce back. I

1421
01:11:57,600 --> 01:12:00,639
Speaker 1: think I do think people I do recall people lik

1422
01:12:00,680 --> 01:12:02,000
Speaker 1: him black class, but I didn't.

1423
01:12:01,760 --> 01:12:05,719
Speaker 2: Have loved it. I didn't like it. I didn't like it, but.

1424
01:12:05,600 --> 01:12:07,760
Speaker 1: I think I remember you guys not liking it that much.

1425
01:12:08,280 --> 01:12:11,360
Speaker 1: But so, yeah, so I don't know.

1426
01:12:12,120 --> 01:12:14,000
Speaker 4: Oh, yeah, I missed this movie. He has a movie

1427
01:12:14,000 --> 01:12:17,759
Speaker 4: called Passover there I never even saw. That's rated decently high.

1428
01:12:17,800 --> 01:12:19,000
Speaker 4: So maybe I need to go watch this.

1429
01:12:19,840 --> 01:12:22,519
Speaker 2: Yeah, but yeah, I don't know why he got this

1430
01:12:22,720 --> 01:12:27,760
Speaker 2: so wrong. Man, Like you had the right elements. I

1431
01:12:27,800 --> 01:12:30,679
Speaker 2: think the potential was definitely there.

1432
01:12:31,280 --> 01:12:33,280
Speaker 4: I think that he should not have gone off the

1433
01:12:33,280 --> 01:12:34,679
Speaker 4: fact that I'm remaking a movie.

1434
01:12:34,720 --> 01:12:35,559
Speaker 2: He shouldn't have done that.

1435
01:12:35,600 --> 01:12:37,800
Speaker 4: He should have just been like, this is inspired, I'm

1436
01:12:37,800 --> 01:12:39,559
Speaker 4: gonna make my own story. But I feel like he

1437
01:12:39,640 --> 01:12:42,599
Speaker 4: thought he had to stick to the story and then

1438
01:12:42,760 --> 01:12:44,519
Speaker 4: but just make it black, Like you can't just make

1439
01:12:44,600 --> 01:12:46,120
Speaker 4: some shit black sund like a trumper.

1440
01:12:46,520 --> 01:12:47,800
Speaker 2: You can't just make me shit black.

1441
01:12:47,840 --> 01:12:51,000
Speaker 4: And be like, well, that's good enough. And that's what

1442
01:12:51,000 --> 01:12:52,519
Speaker 4: it felt like Spike Lee did here. It's like I'm

1443
01:12:52,520 --> 01:12:54,120
Speaker 4: just gonna make black people involved in this.

1444
01:12:54,240 --> 01:12:56,960
Speaker 2: That's gonna be good enough. We still want good.

1445
01:12:56,880 --> 01:13:05,559
Speaker 3: Stories, yes, yeah, yeah, treating us like come on man anyway,

1446
01:13:05,960 --> 01:13:07,559
Speaker 3: but that's it, man, Let us know what you guys

1447
01:13:07,600 --> 01:13:11,840
Speaker 3: think about spikes Uh, Spike Lee's.

1448
01:13:13,360 --> 01:13:14,120
Speaker 2: Yeah, what's the.

1449
01:13:14,040 --> 01:13:16,240
Speaker 3: Little transition thing they had with the woman with the

1450
01:13:16,760 --> 01:13:22,200
Speaker 3: locks going across the screen, Like, yeah, it's like it

1451
01:13:22,280 --> 01:13:24,760
Speaker 3: was like a transition. It was like like corny Star

1452
01:13:24,800 --> 01:13:29,200
Speaker 3: Wars transitions. It was like a woman with dreads going across.

1453
01:13:29,240 --> 01:13:31,040
Speaker 3: It was like a logo Jeffrey right hand.

1454
01:13:31,040 --> 01:13:31,320
Speaker 2: What.

1455
01:13:31,800 --> 01:13:34,960
Speaker 3: Yes, it was in the movie. Yes, it was in

1456
01:13:35,000 --> 01:13:36,920
Speaker 3: the movie. They did it like two or three times.

1457
01:13:38,520 --> 01:13:39,320
Speaker 2: I didn't see that.

1458
01:13:39,600 --> 01:13:42,519
Speaker 3: Yeah, And they did the Star Wars one one time too,

1459
01:13:42,560 --> 01:13:46,320
Speaker 3: with the circle. I saw that one did not look good, right,

1460
01:13:46,360 --> 01:13:47,240
Speaker 3: that one didn't look good.

1461
01:13:47,240 --> 01:13:48,280
Speaker 2: You know, I missed.

1462
01:13:47,960 --> 01:13:50,760
Speaker 3: The the transition with the with the it's like a

1463
01:13:50,800 --> 01:13:54,880
Speaker 3: woman's head with I'm assuming its locks and I'm assuming

1464
01:13:54,880 --> 01:13:56,360
Speaker 3: it was like branding purposes.

1465
01:13:57,800 --> 01:13:58,439
Speaker 2: And then did.

1466
01:13:58,360 --> 01:14:01,240
Speaker 3: Y'all get the Rick Fox and the Cops when he

1467
01:14:01,360 --> 01:14:03,840
Speaker 3: was shorter than that. I understand what's going on there.

1468
01:14:04,040 --> 01:14:05,800
Speaker 3: I thought he was sitting down. I thought it was

1469
01:14:05,800 --> 01:14:09,559
Speaker 3: probably like just author to the tative perspective.

1470
01:14:09,720 --> 01:14:12,040
Speaker 2: So they didn't nail that home because it looked weird

1471
01:14:12,040 --> 01:14:12,559
Speaker 2: as hell.

1472
01:14:12,920 --> 01:14:16,160
Speaker 4: The cops weren't even really like being assholes, like the

1473
01:14:16,200 --> 01:14:17,920
Speaker 4: one guy asked when autograph and every guy was like, no,

1474
01:14:18,000 --> 01:14:19,400
Speaker 4: I'm good, And.

1475
01:14:19,240 --> 01:14:22,160
Speaker 1: It was only because he's a selfish man, not because

1476
01:14:22,160 --> 01:14:22,959
Speaker 1: he was racing.

1477
01:14:22,880 --> 01:14:25,920
Speaker 2: Right, So yeah, that didn't really What are we supposed

1478
01:14:25,920 --> 01:14:26,519
Speaker 2: to pull from that?

1479
01:14:26,840 --> 01:14:30,040
Speaker 3: I guess because Rick Fox is tall, and he's clearly

1480
01:14:30,120 --> 01:14:32,880
Speaker 3: taller than the cops, So I thought like he was

1481
01:14:32,880 --> 01:14:37,560
Speaker 3: trying to trying to show some sort of like inferior

1482
01:14:37,680 --> 01:14:41,360
Speaker 3: type of situation to the you know, up against cops.

1483
01:14:42,000 --> 01:14:43,840
Speaker 2: You could have done that with I mean, just get

1484
01:14:43,840 --> 01:14:44,519
Speaker 2: this shit out of here.

1485
01:14:44,680 --> 01:14:46,560
Speaker 3: Yeah, I feel like he was trying to do a

1486
01:14:46,560 --> 01:14:48,080
Speaker 3: little shit like that's I think he was trying to

1487
01:14:48,080 --> 01:14:50,160
Speaker 3: be artsy in some moments and it just didn't work.

1488
01:14:50,200 --> 01:14:53,120
Speaker 2: It didn't work. He's done artsy. He did artsy so

1489
01:14:53,200 --> 01:14:57,960
Speaker 2: much better in like school days. Yeah, bamboozled or school days,

1490
01:14:58,000 --> 01:14:59,960
Speaker 2: he did artsy. It's like, what are you doing? Here,

1491
01:15:01,320 --> 01:15:02,920
Speaker 2: come off, Spike. You can do better than this, bro.

1492
01:15:04,720 --> 01:15:06,280
Speaker 1: All right, Well, we'll leave it there man. We'll catch

1493
01:15:06,280 --> 01:15:08,120
Speaker 1: you guys next time. We got peace.