1
00:00:00,320 --> 00:00:03,760
Speaker 1: And remember, going into this whole thing, my only question

2
00:00:03,880 --> 00:00:04,360
Speaker 1: was Malice.

3
00:00:04,400 --> 00:00:08,760
Speaker 2: I'm like, look, yes, can we can we please? This

4
00:00:10,400 --> 00:00:12,479
Speaker 2: waste not a single dark, not at all, not at all,

5
00:00:12,520 --> 00:00:13,960
Speaker 2: and we're gonna get into it.

6
00:00:14,480 --> 00:00:19,040
Speaker 3: We're gonna get into a look.

7
00:00:22,400 --> 00:00:26,920
Speaker 1: That hip hop album review Clips Push the T and

8
00:00:27,080 --> 00:00:31,360
Speaker 1: Malice at real Let God sort them out. Look, before

9
00:00:31,360 --> 00:00:35,360
Speaker 1: we get into the review, become a patroon today ranking discographies.

10
00:00:35,400 --> 00:00:36,479
Speaker 2: You guys get to vote on.

11
00:00:36,440 --> 00:00:40,440
Speaker 1: It, get exclusive content, and part of that exclusive.

12
00:00:39,920 --> 00:00:43,320
Speaker 4: Content are exclusive.

13
00:00:42,600 --> 00:00:46,440
Speaker 1: Songs from some of your favorite artists. Also, D three

14
00:00:46,520 --> 00:00:49,320
Speaker 1: sixty five is back and patrons get it first. But

15
00:00:50,120 --> 00:00:57,480
Speaker 1: today is CLIPS Day. Fifteen years man, sixteen sixteen.

16
00:00:57,560 --> 00:01:02,720
Speaker 4: O nine, I think album that's a drop so nine.

17
00:01:02,560 --> 00:01:05,920
Speaker 1: So sixteen years Yeah, that's crazy, it's it's it's been

18
00:01:05,959 --> 00:01:09,679
Speaker 1: a long time. But you know what's interesting, I feel

19
00:01:09,720 --> 00:01:14,639
Speaker 1: like we haven't really been yearning for a CLIPS album

20
00:01:14,680 --> 00:01:17,559
Speaker 1: because Push has been giving us so much great work

21
00:01:17,560 --> 00:01:20,840
Speaker 1: in that time frame, and I think he's elevated himself to,

22
00:01:21,440 --> 00:01:23,960
Speaker 1: you know, one of the best in the game. So

23
00:01:24,000 --> 00:01:26,880
Speaker 1: it kind of put you know, okay, do we really

24
00:01:26,880 --> 00:01:27,840
Speaker 1: need a CLIPS album?

25
00:01:27,959 --> 00:01:29,840
Speaker 5: And plus we knew at that time Malice was kind

26
00:01:29,880 --> 00:01:32,480
Speaker 5: of like quitting rapping, you know, exactly. So with the

27
00:01:32,520 --> 00:01:35,200
Speaker 5: expectations was nowhere because it's like, okay, we think he's done.

28
00:01:35,440 --> 00:01:36,200
Speaker 2: Yeah, what I'm saying.

29
00:01:36,480 --> 00:01:39,920
Speaker 1: And remember, going into this whole thing, my only question

30
00:01:40,080 --> 00:01:40,560
Speaker 1: was malice.

31
00:01:40,600 --> 00:01:45,000
Speaker 4: I'm like, look, yes, can we can we please? This

32
00:01:46,560 --> 00:01:47,560
Speaker 4: waste not a single.

33
00:01:47,319 --> 00:01:49,800
Speaker 2: Part, not at all, not at all. We're gonna get

34
00:01:49,800 --> 00:01:50,160
Speaker 2: into it.

35
00:01:50,200 --> 00:01:55,040
Speaker 5: Be We're getting to this ship now, all right. Look,

36
00:01:56,200 --> 00:01:59,360
Speaker 5: as far as I'm concerned, I do really be heat.

37
00:01:59,520 --> 00:02:03,440
Speaker 5: I opened up my closet with the skeleton key. If

38
00:02:03,440 --> 00:02:05,560
Speaker 5: I lied to myself, I can sell it to me.

39
00:02:06,520 --> 00:02:10,000
Speaker 5: I didn't sung along with rappers. I never believe came

40
00:02:10,080 --> 00:02:11,000
Speaker 5: back for the money.

41
00:02:11,120 --> 00:02:12,200
Speaker 4: That's a devil in me.

42
00:02:12,800 --> 00:02:15,240
Speaker 2: What hid the money from from the church?

43
00:02:15,280 --> 00:02:15,880
Speaker 3: Chur that's.

44
00:02:18,000 --> 00:02:20,680
Speaker 1: I don't even know. I don't even know the lyrics

45
00:02:20,720 --> 00:02:21,800
Speaker 1: like that.

46
00:02:20,960 --> 00:02:23,160
Speaker 4: But this man malic?

47
00:02:24,320 --> 00:02:26,960
Speaker 1: Yes, And that was my only question mark. B And

48
00:02:27,120 --> 00:02:28,359
Speaker 1: from the intro.

49
00:02:28,280 --> 00:02:31,040
Speaker 4: Question mark was for real? That was my question mark.

50
00:02:31,320 --> 00:02:32,440
Speaker 2: So, so how you feel now?

51
00:02:32,840 --> 00:02:36,079
Speaker 5: Vocally I couldn't stand for on this album, Okay, a

52
00:02:36,120 --> 00:02:41,360
Speaker 5: couple of and I didn't like him. But producing though,

53
00:02:41,600 --> 00:02:44,720
Speaker 5: produ was fine, fine, Yeah, okay, it didn't blow my mind.

54
00:02:44,760 --> 00:02:47,320
Speaker 4: It didn't wound me, but it was it did his job.

55
00:02:47,400 --> 00:02:49,400
Speaker 5: I think this is a situation kind of like the

56
00:02:49,440 --> 00:02:52,440
Speaker 5: app so where like the rapping is so fucking good,

57
00:02:52,560 --> 00:02:55,799
Speaker 5: I don't care about the production because like absolute last

58
00:02:55,800 --> 00:02:57,440
Speaker 5: album I remember, I was, I was like, bro, this

59
00:02:57,520 --> 00:02:59,840
Speaker 5: his rapping was so fucking on point. I kind of

60
00:03:00,160 --> 00:03:03,080
Speaker 5: care about the production on this. These dudes sounded so

61
00:03:03,160 --> 00:03:06,799
Speaker 5: focused and so on point. I really didn't care about

62
00:03:06,840 --> 00:03:10,120
Speaker 5: the production because they was fucking rapping and Mallics was

63
00:03:10,320 --> 00:03:13,639
Speaker 5: fucking whooping his little brother's assou this album.

64
00:03:13,360 --> 00:03:16,600
Speaker 2: Bro, he was hot take.

65
00:03:17,200 --> 00:03:18,320
Speaker 4: No, no, I don't think that's a hot take.

66
00:03:18,360 --> 00:03:20,040
Speaker 3: I don't think it is. I'm just surprised.

67
00:03:20,040 --> 00:03:23,560
Speaker 6: Somebody was saying, so you think malice, malice, malice got him?

68
00:03:23,639 --> 00:03:24,360
Speaker 2: Well, I know, I know.

69
00:03:24,680 --> 00:03:28,080
Speaker 1: I want to say push It had tweeted or posted

70
00:03:28,160 --> 00:03:30,799
Speaker 1: or something, people saying I'm oh too. Well when it

71
00:03:30,919 --> 00:03:33,200
Speaker 1: was listening to the singles with two singles and like

72
00:03:33,200 --> 00:03:34,000
Speaker 1: I see people.

73
00:03:33,760 --> 00:03:36,720
Speaker 2: Saying so be it, yeah saying I'm old too.

74
00:03:36,800 --> 00:03:40,680
Speaker 1: On the singles, he really stood out, man, Like I

75
00:03:40,760 --> 00:03:43,640
Speaker 1: was really shocked by what Malice did. Now, I'm not

76
00:03:43,680 --> 00:03:45,960
Speaker 1: saying push it did because Push I was about to

77
00:03:45,960 --> 00:03:47,560
Speaker 1: bring back there. Yes, I was about to bring it.

78
00:03:47,720 --> 00:03:50,480
Speaker 4: I was about to push push it had some bars

79
00:03:50,520 --> 00:03:51,400
Speaker 4: on this album.

80
00:03:51,480 --> 00:03:55,320
Speaker 1: I just think Malice just he was like, he's like

81
00:03:55,320 --> 00:03:56,160
Speaker 1: the underdog and this.

82
00:03:56,920 --> 00:03:59,680
Speaker 5: Like two cursed words maybe album.

83
00:04:00,080 --> 00:04:03,480
Speaker 1: Yeah, yeah, I was listening for that too. I think

84
00:04:03,480 --> 00:04:05,080
Speaker 1: he had a little bit more going for him, like

85
00:04:05,120 --> 00:04:07,840
Speaker 1: as far as exhortations, because I don't know if anybody

86
00:04:07,880 --> 00:04:10,800
Speaker 1: is expecting him to do what he was doing on

87
00:04:10,840 --> 00:04:13,800
Speaker 1: this on this on this tape, I didn't.

88
00:04:13,920 --> 00:04:16,000
Speaker 4: I didn't I expect him to rap well.

89
00:04:16,080 --> 00:04:20,240
Speaker 5: I didn't expect him to shine as bright as he did.

90
00:04:19,960 --> 00:04:20,000
Speaker 2: Go.

91
00:04:20,800 --> 00:04:24,719
Speaker 5: Yes, but previous Clips albums, there's been plenty of times

92
00:04:24,720 --> 00:04:28,240
Speaker 5: where I'm like, oh, Malice, Malice rapped better on previous

93
00:04:28,279 --> 00:04:30,760
Speaker 5: Clips albums. You know, on some songs, then push your teeth.

94
00:04:30,800 --> 00:04:33,560
Speaker 5: So I just wouldn't expect him to his as the

95
00:04:33,600 --> 00:04:36,479
Speaker 5: whole album And how the fun you start the album

96
00:04:36,480 --> 00:04:37,440
Speaker 5: with birds don't.

97
00:04:38,279 --> 00:04:40,600
Speaker 1: So That's why I wanted to start We went all

98
00:04:40,600 --> 00:04:44,560
Speaker 1: over the place, but that but that intro song is

99
00:04:44,680 --> 00:04:47,120
Speaker 1: arguably one of the best intro songs I've ever heard.

100
00:04:47,400 --> 00:04:50,080
Speaker 2: You have pushed and talking about how he lost how

101
00:04:50,080 --> 00:04:52,440
Speaker 2: they lost their mom. But at the same time. They

102
00:04:52,480 --> 00:04:54,600
Speaker 2: lost their dad at the same time. And then Malice

103
00:04:54,640 --> 00:04:56,920
Speaker 2: talked about the bruh like how.

104
00:04:56,760 --> 00:04:59,640
Speaker 1: Do you how do you how do you decide who's

105
00:04:59,640 --> 00:05:04,920
Speaker 1: gonna Yes, as brothers like yeah, y'all seem that the

106
00:05:05,040 --> 00:05:07,160
Speaker 1: Night show whatever they had the pictures of the man

107
00:05:07,480 --> 00:05:08,640
Speaker 1: that it was powerful.

108
00:05:08,800 --> 00:05:10,440
Speaker 4: Yeah, Like, even if you haven't.

109
00:05:10,160 --> 00:05:12,800
Speaker 5: Lost a parent or grandparents, just if you hear that

110
00:05:12,920 --> 00:05:16,200
Speaker 5: song and don't feel nothing, something is fucking wrong with you, bro,

111
00:05:16,360 --> 00:05:19,040
Speaker 5: Like that ship and then John Legend was perfect.

112
00:05:19,080 --> 00:05:21,800
Speaker 4: That was the perfect person that had seen that hook.

113
00:05:22,800 --> 00:05:24,400
Speaker 5: I was like because at first when I saw John,

114
00:05:24,440 --> 00:05:26,280
Speaker 5: like John Lege like huh, I haven't really heard much

115
00:05:26,279 --> 00:05:26,960
Speaker 5: of him in a minute.

116
00:05:27,560 --> 00:05:29,120
Speaker 4: I was a little iffy, But then I was like,

117
00:05:30,000 --> 00:05:30,679
Speaker 4: he brought.

118
00:05:31,040 --> 00:05:39,080
Speaker 6: He had the right amount of pain and yes, yes,

119
00:05:39,400 --> 00:05:41,839
Speaker 6: yes he had the right approach to it to give

120
00:05:41,880 --> 00:05:46,039
Speaker 6: it that that heart felt feeling, that that that that

121
00:05:46,160 --> 00:05:49,600
Speaker 6: song needed, you know, talking about what bird scream or

122
00:05:49,640 --> 00:05:50,720
Speaker 6: screech or something.

123
00:05:50,480 --> 00:05:53,920
Speaker 4: Like yeah, yeah they screeching pain, Yeah, screeching pain.

124
00:05:54,000 --> 00:05:54,120
Speaker 3: Bro.

125
00:05:54,600 --> 00:05:56,880
Speaker 4: So yeah, that ship was. Man, I'm like, why would

126
00:05:56,920 --> 00:05:59,320
Speaker 4: you start? And it didn't go right into whips and chains?

127
00:06:00,360 --> 00:06:01,680
Speaker 2: What are we doing here?

128
00:06:01,920 --> 00:06:03,120
Speaker 4: Why would you do that to me.

129
00:06:03,720 --> 00:06:06,840
Speaker 1: So Ken you said you hadn't heard any of the singles,

130
00:06:07,200 --> 00:06:10,280
Speaker 1: Oh you neither nod and so be It?

131
00:06:10,720 --> 00:06:11,160
Speaker 4: That was it.

132
00:06:11,200 --> 00:06:15,120
Speaker 2: I don't think can't heard anything? Okay, Okay, I didn't.

133
00:06:15,240 --> 00:06:17,719
Speaker 6: Yeah, yeah, no, I didn't hear any of any of

134
00:06:17,720 --> 00:06:18,560
Speaker 6: the songs.

135
00:06:18,600 --> 00:06:19,960
Speaker 3: Actually, so you know.

136
00:06:19,920 --> 00:06:21,880
Speaker 2: What was Which ones were the singles? Yeah?

137
00:06:21,920 --> 00:06:24,160
Speaker 6: Yeah, because it's all people talked about. Oh yeah, I

138
00:06:24,200 --> 00:06:27,000
Speaker 6: knew what the singles were, but go ahead.

139
00:06:27,160 --> 00:06:30,160
Speaker 5: So yeah, that was another one of my gripes of

140
00:06:30,240 --> 00:06:33,000
Speaker 5: this album. I didn't like this version of so be It.

141
00:06:33,120 --> 00:06:35,440
Speaker 1: I like the origin.

142
00:06:37,160 --> 00:06:38,240
Speaker 4: Yeah you didn't hear it?

143
00:06:39,360 --> 00:06:41,240
Speaker 1: That was the thing I had played, remember when I

144
00:06:41,279 --> 00:06:43,599
Speaker 1: was like, I can't believe how they flipped the sample,

145
00:06:44,120 --> 00:06:45,800
Speaker 1: But then they couldn't clear the sample so they had

146
00:06:45,800 --> 00:06:46,800
Speaker 1: to go to a different beat on this.

147
00:06:47,480 --> 00:06:50,880
Speaker 5: But it's weird because on Apple Music, on the clean version,

148
00:06:51,200 --> 00:06:52,880
Speaker 5: they got the O G so be It, but on

149
00:06:53,000 --> 00:06:56,080
Speaker 5: explicit version they got the one that we heard.

150
00:06:56,400 --> 00:06:58,280
Speaker 2: Even I don't even think I picked I picked up

151
00:06:58,279 --> 00:06:59,120
Speaker 2: on it. It was different.

152
00:06:59,800 --> 00:07:01,000
Speaker 4: I yeah, how come you did?

153
00:07:04,120 --> 00:07:04,360
Speaker 3: Yeah?

154
00:07:04,440 --> 00:07:05,919
Speaker 2: I didn't listen to it like that. I think I

155
00:07:05,960 --> 00:07:06,600
Speaker 2: might have heard it.

156
00:07:06,560 --> 00:07:10,560
Speaker 4: One okay, yeah, that was ripe. I was like, okay, I.

157
00:07:10,480 --> 00:07:13,360
Speaker 2: Want to write for me because I wasn't.

158
00:07:13,360 --> 00:07:13,720
Speaker 3: I don't know.

159
00:07:13,720 --> 00:07:15,800
Speaker 1: I didn't you need to play okay, you need to

160
00:07:15,800 --> 00:07:17,720
Speaker 1: play the original one to play the album you go back.

161
00:07:17,800 --> 00:07:20,320
Speaker 2: Yeah, Bro, it's a big difference.

162
00:07:20,400 --> 00:07:21,960
Speaker 3: Yes, it's a big difference. I was.

163
00:07:22,000 --> 00:07:26,240
Speaker 1: I was upset if they played the original one that that's.

164
00:07:25,960 --> 00:07:28,160
Speaker 5: Whatever, that's the video, that's the that's the video, like

165
00:07:28,160 --> 00:07:30,040
Speaker 5: if you see the video, like when they when they

166
00:07:30,240 --> 00:07:31,800
Speaker 5: released the Banes, we was talking.

167
00:07:31,600 --> 00:07:33,000
Speaker 3: About the music video.

168
00:07:33,600 --> 00:07:36,880
Speaker 2: Yeah yeah, bro, yeah, if I listened to go to

169
00:07:36,880 --> 00:07:38,640
Speaker 2: the music videos different.

170
00:07:38,440 --> 00:07:41,520
Speaker 5: From the version, so the beat was I was disappointed.

171
00:07:41,600 --> 00:07:43,520
Speaker 5: I was just pointing that I was disappointed.

172
00:07:43,640 --> 00:07:45,120
Speaker 2: Store God and give me an.

173
00:07:47,640 --> 00:07:49,640
Speaker 5: I was like, man, I was like, man, I don't know.

174
00:07:49,640 --> 00:07:52,560
Speaker 5: I let him only do it. Did you say that, yeah,

175
00:07:53,200 --> 00:07:54,200
Speaker 5: you can see what they do.

176
00:07:54,240 --> 00:07:55,560
Speaker 2: That do you ask me that?

177
00:07:55,600 --> 00:07:57,200
Speaker 5: I was like, bro, I don't know, Bro, I have

178
00:07:57,240 --> 00:08:01,960
Speaker 5: a feeling. And I was right, what a hollow when

179
00:08:02,000 --> 00:08:02,400
Speaker 5: you when you.

180
00:08:02,640 --> 00:08:05,440
Speaker 3: Heard that with.

181
00:08:10,200 --> 00:08:11,680
Speaker 2: I was gonna lead to.

182
00:08:13,840 --> 00:08:15,040
Speaker 3: Where he didn't wrap.

183
00:08:15,200 --> 00:08:17,240
Speaker 6: I don't know why that ship was so funny because

184
00:08:17,280 --> 00:08:20,280
Speaker 6: I felt like, man, it was one of the most

185
00:08:20,480 --> 00:08:25,800
Speaker 6: anticipated feat. Yes it was, and yes, B was like, man,

186
00:08:25,880 --> 00:08:26,880
Speaker 6: if this mother could do.

187
00:08:26,840 --> 00:08:28,520
Speaker 5: It, Man, I think he's gonna do a hook, bro,

188
00:08:29,200 --> 00:08:31,080
Speaker 5: And I feel like that was a missed opportunity.

189
00:08:31,080 --> 00:08:32,480
Speaker 4: I don't know whose decision.

190
00:08:32,120 --> 00:08:34,480
Speaker 5: Was that, but like for people who don't know about

191
00:08:34,480 --> 00:08:36,760
Speaker 5: Stole God, this would have been the perfect moment for

192
00:08:36,880 --> 00:08:40,160
Speaker 5: him to highlight a verse for so people can be like, Yo,

193
00:08:40,240 --> 00:08:41,600
Speaker 5: who the fuck is that stove God?

194
00:08:41,679 --> 00:08:41,959
Speaker 2: Dude?

195
00:08:42,000 --> 00:08:43,680
Speaker 5: Like, I hate he only did a hook, and like

196
00:08:43,720 --> 00:08:45,439
Speaker 5: I said, what made it frustrated is that the hook.

197
00:08:45,360 --> 00:08:47,480
Speaker 4: Was actually dope was all we got.

198
00:08:48,280 --> 00:08:48,600
Speaker 2: Damn.

199
00:08:49,520 --> 00:08:52,400
Speaker 1: We're talking about features obviously, you know we'll get back

200
00:08:52,400 --> 00:08:52,960
Speaker 1: to k dok.

201
00:08:53,040 --> 00:08:56,280
Speaker 2: But Tyler, oh yeah, when he.

202
00:08:56,280 --> 00:08:59,960
Speaker 5: Said he moved, he moved that white like the dirty white,

203
00:09:00,080 --> 00:09:04,280
Speaker 5: like my spit or something like, yeah, Tyler was rapping,

204
00:09:04,360 --> 00:09:09,319
Speaker 5: rapping Kendrick. Though I know y'all talked about it already, but.

205
00:09:09,679 --> 00:09:11,800
Speaker 4: That fucking m ship. How you flipped.

206
00:09:11,440 --> 00:09:16,280
Speaker 5: That Gemini the two sides like Gemini and he just

207
00:09:16,320 --> 00:09:16,800
Speaker 5: started going.

208
00:09:17,520 --> 00:09:20,720
Speaker 4: I was like, God, damn, I had a tweeted. I

209
00:09:20,760 --> 00:09:23,240
Speaker 4: was like, well, all right, damn, Kendrick.

210
00:09:26,120 --> 00:09:29,800
Speaker 1: As ken because you hadn't heard the ship when you

211
00:09:29,880 --> 00:09:33,440
Speaker 1: finally heard these songs, specifically, since we're talking about Kendrick

212
00:09:33,559 --> 00:09:35,200
Speaker 1: right now, how did you like?

213
00:09:35,240 --> 00:09:36,959
Speaker 2: What did you think? Like, like, did it? Did it

214
00:09:37,040 --> 00:09:38,080
Speaker 2: meet your expectations?

215
00:09:38,160 --> 00:09:40,680
Speaker 6: My first time listening to the album, We're head into

216
00:09:40,679 --> 00:09:43,040
Speaker 6: the HBCU Classic Friday, So I said, let me put

217
00:09:43,040 --> 00:09:45,880
Speaker 6: it on, get the audible kind of production part out

218
00:09:45,920 --> 00:09:47,959
Speaker 6: the way, and then later on just kind of locking

219
00:09:48,080 --> 00:09:48,600
Speaker 6: on it.

220
00:09:50,640 --> 00:09:55,960
Speaker 3: And I was like, that's it. That's it. Okay, that's

221
00:09:56,000 --> 00:09:57,360
Speaker 3: the whole album.

222
00:09:57,400 --> 00:10:02,000
Speaker 6: So anyway, then when I replayed it, I was like,

223
00:10:02,040 --> 00:10:04,160
Speaker 6: all right, now, let me kind of see what Kendrick

224
00:10:04,200 --> 00:10:04,679
Speaker 6: talking about.

225
00:10:05,400 --> 00:10:10,720
Speaker 3: And I was like, damn, that's it. Like the Jim

226
00:10:10,800 --> 00:10:14,800
Speaker 3: flip is cool, but I'm like, here's here's here's the issue. People.

227
00:10:15,520 --> 00:10:18,760
Speaker 6: Goddamn lyrics.

228
00:10:18,840 --> 00:10:21,920
Speaker 3: Because I read the lyrics. I've listened to the song.

229
00:10:23,080 --> 00:10:28,959
Speaker 6: I think the height for the verse ruined the verse

230
00:10:29,120 --> 00:10:34,880
Speaker 6: in terms of what by the time and stuff. Yes, yeah, yeah,

231
00:10:34,920 --> 00:10:36,760
Speaker 6: it's just it's just totally killed it because I'm thinking

232
00:10:36,760 --> 00:10:40,560
Speaker 6: it's going to be that's why we're going to hear.

233
00:10:40,440 --> 00:10:43,520
Speaker 3: A monster as it was a good verse.

234
00:10:43,840 --> 00:10:44,360
Speaker 2: That was the thing.

235
00:10:44,760 --> 00:10:46,800
Speaker 4: It was going to be, Like holy you thought wuld

236
00:10:46,800 --> 00:10:48,080
Speaker 4: be like nostalgia type ship.

237
00:10:48,200 --> 00:10:51,600
Speaker 3: Like yes, if I had to rank him, Yeah, nostalgia

238
00:10:51,679 --> 00:10:52,040
Speaker 3: clears it.

239
00:10:52,080 --> 00:10:54,520
Speaker 6: But I thought the verse was good because Kendrick I

240
00:10:54,559 --> 00:10:57,400
Speaker 6: don't know if he could do it at first, So

241
00:10:57,640 --> 00:10:58,320
Speaker 6: that was that was it.

242
00:10:58,360 --> 00:10:59,520
Speaker 3: I was like, Okay, it's a good verse.

243
00:11:00,720 --> 00:11:04,760
Speaker 6: Then the the other thing I thought about, and I

244
00:11:04,800 --> 00:11:06,000
Speaker 6: was this came to me when I was going to

245
00:11:06,040 --> 00:11:09,040
Speaker 6: the movie. I was like, you and you gotta be

246
00:11:09,120 --> 00:11:12,839
Speaker 6: stupid as fucking ship. Bro Yo, y'all gotta be fucking

247
00:11:12,920 --> 00:11:15,120
Speaker 6: And I don't look, I don't give a damn about sales.

248
00:11:15,120 --> 00:11:16,440
Speaker 6: I don't know how it's selling. I don't know inny

249
00:11:16,440 --> 00:11:19,040
Speaker 6: of that ship. But when I heard the verse, this

250
00:11:19,120 --> 00:11:20,480
Speaker 6: is part of why I was like, that's it is

251
00:11:20,480 --> 00:11:27,400
Speaker 6: because I didn't hear anything anything that when we talked

252
00:11:27,440 --> 00:11:30,000
Speaker 6: about it, I was like, I don't hear the issue.

253
00:11:30,760 --> 00:11:32,360
Speaker 3: So all was the trump Card ship.

254
00:11:32,440 --> 00:11:35,240
Speaker 6: And then I saw Pushing clarified and said that the

255
00:11:35,280 --> 00:11:38,400
Speaker 6: trump Card thing was what they were concerned about because they.

256
00:11:38,320 --> 00:11:41,599
Speaker 3: Didn't want to deal with trump Man. I was a

257
00:11:41,640 --> 00:11:42,439
Speaker 3: little disappointed.

258
00:11:42,880 --> 00:11:43,920
Speaker 2: But Push has.

259
00:11:43,840 --> 00:11:47,280
Speaker 1: Also been saying that it was the optics of k

260
00:11:47,440 --> 00:11:51,079
Speaker 1: dot's last two opposers being on the same track, and

261
00:11:51,600 --> 00:11:53,560
Speaker 1: they were like some slight slat book.

262
00:11:53,640 --> 00:11:56,040
Speaker 3: Yeah, run into the fucking business. Bro, all that ship

263
00:11:56,120 --> 00:11:56,760
Speaker 3: don't matter.

264
00:11:57,360 --> 00:11:57,640
Speaker 2: Ken.

265
00:11:57,720 --> 00:12:01,160
Speaker 1: You know, look, we're hip hop fans, so we walked this.

266
00:12:01,520 --> 00:12:02,160
Speaker 2: You know what I'm saying.

267
00:12:02,600 --> 00:12:05,280
Speaker 1: I don't see like this was not in it, Like

268
00:12:05,320 --> 00:12:07,160
Speaker 1: the whole song was not an issue.

269
00:12:07,360 --> 00:12:09,679
Speaker 2: You know what I'm saying at all at all?

270
00:12:09,760 --> 00:12:12,559
Speaker 3: Yeah, I think you even said that. Wait no no, no, no,

271
00:12:12,559 --> 00:12:13,200
Speaker 3: no no no.

272
00:12:13,600 --> 00:12:15,960
Speaker 6: You said in the chat you said you see why

273
00:12:16,040 --> 00:12:17,120
Speaker 6: why they did it.

274
00:12:17,559 --> 00:12:18,480
Speaker 2: I disagree with you.

275
00:12:18,559 --> 00:12:22,320
Speaker 1: No, no, what I mean so I agree with the optics

276
00:12:22,320 --> 00:12:24,960
Speaker 1: of it. I see why, like, oh ship, like you know,

277
00:12:25,000 --> 00:12:28,239
Speaker 1: he's being aggressive. You I'm saying, Okay, that's being aggressive

278
00:12:28,320 --> 00:12:30,640
Speaker 1: or I don't know, like is this going to create

279
00:12:30,720 --> 00:12:32,080
Speaker 1: some type of tension.

280
00:12:32,240 --> 00:12:34,560
Speaker 4: They heard the verse when they made that decision or you.

281
00:12:34,320 --> 00:12:36,160
Speaker 1: Know, I don't think they did. I agree with Pusher,

282
00:12:36,200 --> 00:12:37,559
Speaker 1: I don't. I don't even think they heard it. I

283
00:12:37,600 --> 00:12:40,079
Speaker 1: think that it was the optics of the situation that

284
00:12:40,240 --> 00:12:41,960
Speaker 1: was like, we don't even want to deal with it.

285
00:12:42,040 --> 00:12:43,800
Speaker 4: Kendrick sounded like he was still in battle mode.

286
00:12:46,000 --> 00:12:50,160
Speaker 6: The gentrified line of the gentrification. It was another couple of.

287
00:12:51,000 --> 00:12:52,960
Speaker 2: Set up that whole ship before you started going.

288
00:12:54,080 --> 00:12:56,839
Speaker 1: It was a good verse, like when he said, like, look,

289
00:12:56,880 --> 00:12:59,240
Speaker 1: he said, let's be clear, hip hop died again. Half

290
00:12:59,240 --> 00:13:01,160
Speaker 1: of my profits make the rock and that was how

291
00:13:01,200 --> 00:13:04,720
Speaker 1: many judases that let me down? But fuck it, the

292
00:13:04,760 --> 00:13:07,560
Speaker 1: West is mind right now. He showed me how to

293
00:13:07,600 --> 00:13:10,920
Speaker 1: open up and then oh my love it. It also

294
00:13:10,960 --> 00:13:13,360
Speaker 1: showed me how not to give a the dynamic of

295
00:13:13,400 --> 00:13:17,160
Speaker 1: being a geminot bruh, Right?

296
00:13:17,880 --> 00:13:21,240
Speaker 6: Is that the one where where push It was like, uh,

297
00:13:22,120 --> 00:13:22,880
Speaker 6: I see the change.

298
00:13:23,360 --> 00:13:25,120
Speaker 3: That's like oppression to me. Did he say that on

299
00:13:25,160 --> 00:13:26,040
Speaker 3: that song that was on.

300
00:13:27,679 --> 00:13:30,400
Speaker 5: Which is a great that was Malice said that? Malone

301
00:13:30,400 --> 00:13:33,199
Speaker 5: said that on POV that was Malice. I won't push

302
00:13:33,200 --> 00:13:37,400
Speaker 5: it didn't. They sound similar moments, but.

303
00:13:37,400 --> 00:13:38,559
Speaker 2: I could tell the difference.

304
00:13:38,600 --> 00:13:41,640
Speaker 1: But I can tell the difference about what they were saying.

305
00:13:42,679 --> 00:13:46,640
Speaker 1: The lyric is kind of different, yes, but but vocally

306
00:13:46,679 --> 00:13:48,000
Speaker 1: they sounded very similar.

307
00:13:48,080 --> 00:13:49,280
Speaker 2: On this one, it.

308
00:13:49,360 --> 00:13:52,000
Speaker 1: Sounded like Malice was just clear. It just sounded like

309
00:13:52,120 --> 00:13:55,800
Speaker 1: Malice was just he was in his fucking bag, like

310
00:13:55,880 --> 00:13:58,680
Speaker 1: he was just so clear and concise on his on his.

311
00:13:58,679 --> 00:14:00,880
Speaker 4: Bar, like he did not lose was a single step

312
00:14:01,600 --> 00:14:03,720
Speaker 4: is crazy. It was like riding the bike for him.

313
00:14:03,720 --> 00:14:09,240
Speaker 2: It's like once it got going this yeah, he was preaching,

314
00:14:09,400 --> 00:14:10,400
Speaker 2: like yeah, man, he was.

315
00:14:10,920 --> 00:14:12,800
Speaker 1: He was so on point on this album, but I

316
00:14:12,880 --> 00:14:18,040
Speaker 1: just didn't want to gloss over what push, especially on

317
00:14:18,040 --> 00:14:18,880
Speaker 1: that Wilson change.

318
00:14:18,920 --> 00:14:20,040
Speaker 2: Like like I said, he.

319
00:14:20,040 --> 00:14:22,520
Speaker 1: Was speaking to the soul of because we always heard

320
00:14:22,600 --> 00:14:26,080
Speaker 1: like we always heard like just the the off audio.

321
00:14:26,600 --> 00:14:29,640
Speaker 2: I heard it like in this clearness and it's just

322
00:14:29,800 --> 00:14:33,560
Speaker 2: like yo, it was. It was a spear bro they

323
00:14:33,680 --> 00:14:34,440
Speaker 2: just shot from.

324
00:14:35,920 --> 00:14:39,600
Speaker 1: And you heard every thing along that distance until they

325
00:14:39,680 --> 00:14:40,040
Speaker 1: hit him.

326
00:14:40,240 --> 00:14:42,640
Speaker 3: That really is yes.

327
00:14:42,760 --> 00:14:44,760
Speaker 1: Because remember that's what two years ago, that's when Jim

328
00:14:44,840 --> 00:14:47,040
Speaker 1: Jones responded and we had the whole I think it

329
00:14:47,120 --> 00:14:52,120
Speaker 1: was when we created a rundown that was.

330
00:14:52,000 --> 00:14:52,800
Speaker 4: Over that same beat.

331
00:14:53,240 --> 00:14:58,200
Speaker 1: Okay, I remember, yeah, just that that song was released

332
00:14:58,400 --> 00:15:01,280
Speaker 1: or they debuted it at at the fashion.

333
00:15:01,040 --> 00:15:02,080
Speaker 2: Show in Paris.

334
00:15:02,280 --> 00:15:05,600
Speaker 6: God yeah, God, Now everybody finally heard the whole song.

335
00:15:05,680 --> 00:15:08,800
Speaker 7: Yes, okay, yes, yes, we just got that slippet that

336
00:15:09,080 --> 00:15:12,760
Speaker 7: m T B T T F that ship Hardest where

337
00:15:12,760 --> 00:15:14,960
Speaker 7: they start rapping and the like it be a cappella

338
00:15:15,040 --> 00:15:17,080
Speaker 7: and the beat on in yea that.

339
00:15:17,080 --> 00:15:20,160
Speaker 2: Ship Mike Tyson blow yes the fa.

340
00:15:20,280 --> 00:15:25,960
Speaker 1: Okay, yeah, like brous cold ass.

341
00:15:26,920 --> 00:15:28,240
Speaker 4: That's a cold ass song.

342
00:15:28,560 --> 00:15:31,120
Speaker 5: That run man was that was a crazy three out

343
00:15:31,200 --> 00:15:32,000
Speaker 5: three song run.

344
00:15:34,000 --> 00:15:34,880
Speaker 4: Seven, eight and nine.

345
00:15:35,360 --> 00:15:38,400
Speaker 5: Oh that that with with Stove God the way fucking

346
00:15:38,400 --> 00:15:40,600
Speaker 5: matters was rapping on that ship man like his.

347
00:15:40,640 --> 00:15:45,440
Speaker 4: Rhyme scheme on that was fucking crazy. This motherfucking malice.

348
00:15:45,080 --> 00:15:49,960
Speaker 5: Ass ye don't know, Yeah, yeah, my only grape on that.

349
00:15:51,080 --> 00:15:51,680
Speaker 2: I like that.

350
00:15:52,200 --> 00:15:52,560
Speaker 4: I like that.

351
00:15:52,640 --> 00:15:55,880
Speaker 5: I like not not to beat that knives wrapped over

352
00:15:55,960 --> 00:15:56,320
Speaker 5: I did.

353
00:15:56,600 --> 00:15:58,640
Speaker 4: I like that. I like to beat that clips wrapped over.

354
00:15:58,760 --> 00:16:01,920
Speaker 5: I wish she would have wrapped over that beat.

355
00:16:01,960 --> 00:16:03,200
Speaker 2: It didn't really didn't.

356
00:16:02,960 --> 00:16:03,480
Speaker 4: Really move me.

357
00:16:04,760 --> 00:16:07,960
Speaker 5: But now rapping though, Yeah, everybody, all the rappers that

358
00:16:08,040 --> 00:16:11,360
Speaker 5: rap did they Yeah, now rapping, I mean that's that's

359
00:16:11,440 --> 00:16:13,120
Speaker 5: that's just a crafty.

360
00:16:12,760 --> 00:16:14,040
Speaker 4: Veteran doing his thing.

361
00:16:14,600 --> 00:16:17,480
Speaker 3: Was good. Yeah.

362
00:16:17,560 --> 00:16:19,160
Speaker 4: Yeah, hear DJ.

363
00:16:19,080 --> 00:16:21,160
Speaker 5: Clue because that that's you started. When we start hearing

364
00:16:21,240 --> 00:16:25,800
Speaker 5: DJ Clue a little drops. I wonder what that was about, Yeah,

365
00:16:25,880 --> 00:16:27,280
Speaker 5: I wonder, I wonder. I was that just something they

366
00:16:27,320 --> 00:16:29,760
Speaker 5: just wanted to add nostalgia to.

367
00:16:30,080 --> 00:16:31,920
Speaker 2: Okay, because because I.

368
00:16:31,840 --> 00:16:35,520
Speaker 1: Saw their interview on Joe and Jada's podcast, and Pusher

369
00:16:35,640 --> 00:16:38,600
Speaker 1: was talking about how when you're when you're in the

370
00:16:38,960 --> 00:16:41,480
Speaker 1: when you're in the studio session with Pharrell, you can't

371
00:16:41,480 --> 00:16:44,480
Speaker 1: talk about old Ship too much because he says it's

372
00:16:44,520 --> 00:16:47,560
Speaker 1: gonna go left because he's such a forward future thinker,

373
00:16:47,800 --> 00:16:48,320
Speaker 1: you know what I'm saying.

374
00:16:48,400 --> 00:16:50,240
Speaker 2: So to hear that, I thought it was dope, you

375
00:16:50,240 --> 00:16:51,880
Speaker 2: know what I'm saying. So I was like, Dad, I.

376
00:16:51,840 --> 00:16:54,160
Speaker 1: Wanted more, you know what I'm saying, Like because you

377
00:16:54,240 --> 00:16:54,800
Speaker 1: heard the.

378
00:16:55,280 --> 00:16:59,920
Speaker 2: Hay so that's what we're going with. But it definitely

379
00:17:00,280 --> 00:17:00,720
Speaker 2: the field me.

380
00:17:01,720 --> 00:17:03,960
Speaker 1: I will say this, you know, I know you're kind

381
00:17:03,960 --> 00:17:08,960
Speaker 1: of on the fence about the uh About the production,

382
00:17:09,200 --> 00:17:11,880
Speaker 1: For me, it was two things, two.

383
00:17:11,680 --> 00:17:12,520
Speaker 2: Takeaways I had.

384
00:17:12,640 --> 00:17:15,840
Speaker 1: I felt like, just like almost all of the Clips

385
00:17:15,880 --> 00:17:18,960
Speaker 1: albums for real future proof then you know what I'm saying,

386
00:17:18,960 --> 00:17:21,480
Speaker 1: I feel like it's gonna age gracefully you're saying like

387
00:17:21,520 --> 00:17:25,240
Speaker 1: the other ones have. And then I felt that this

388
00:17:25,800 --> 00:17:28,160
Speaker 1: remember the take that I said about like the Washing Throne,

389
00:17:28,280 --> 00:17:33,800
Speaker 1: I felt like I liked this version of like luxury production,

390
00:17:34,040 --> 00:17:36,679
Speaker 1: like luxury rap. I felt like he set a really

391
00:17:36,720 --> 00:17:40,320
Speaker 1: dope table for the Clips to kind of do something

392
00:17:40,720 --> 00:17:43,200
Speaker 1: not necessarily new, but something a little bit different for

393
00:17:43,280 --> 00:17:45,200
Speaker 1: twenty twenty five, you know what I'm saying, and beyond.

394
00:17:45,440 --> 00:17:48,359
Speaker 2: So I liked it. I do agree with you.

395
00:17:48,400 --> 00:17:51,000
Speaker 1: I don't think it was like I wasn't blown away

396
00:17:51,240 --> 00:17:53,639
Speaker 1: by nothing, but I felt that he set the table

397
00:17:53,720 --> 00:17:55,240
Speaker 1: perfectly for them to do what they have.

398
00:17:55,480 --> 00:17:57,960
Speaker 5: Yeah, yeah, I just think I think maliceon push T

399
00:17:58,200 --> 00:18:01,200
Speaker 5: was just so on point. It just yeah, on the

400
00:18:01,200 --> 00:18:03,000
Speaker 5: spots where I was just kind of like, I mean,

401
00:18:03,280 --> 00:18:05,040
Speaker 5: even though I didn't care for the beat, God damn it,

402
00:18:05,680 --> 00:18:07,920
Speaker 5: I play that ship again because this is just the rapping.

403
00:18:08,160 --> 00:18:09,200
Speaker 5: The rapping on that ship.

404
00:18:09,080 --> 00:18:09,560
Speaker 2: Was on point.

405
00:18:09,680 --> 00:18:10,960
Speaker 6: I thought I was going to be the only one

406
00:18:11,000 --> 00:18:14,280
Speaker 6: of production because that was the issue for me. You know,

407
00:18:14,600 --> 00:18:17,240
Speaker 6: here's the thing. You got Malice rapping his ass off.

408
00:18:17,640 --> 00:18:21,399
Speaker 6: You got Pusher rapping his ass feat the features wrapping

409
00:18:21,440 --> 00:18:24,879
Speaker 6: the ass off. For Rell, I feel like didn't produce

410
00:18:24,960 --> 00:18:28,720
Speaker 6: his ass off. I think that the production is in whack.

411
00:18:28,920 --> 00:18:30,760
Speaker 4: Yeah, the m C would definitely start a show.

412
00:18:30,920 --> 00:18:34,040
Speaker 6: Yeah, when I said when I when it finished, I

413
00:18:34,080 --> 00:18:35,000
Speaker 6: was like, that's it.

414
00:18:35,080 --> 00:18:37,680
Speaker 3: Like, I think Fiko.

415
00:18:37,480 --> 00:18:38,960
Speaker 6: Was the only one where I really had kind of

416
00:18:39,000 --> 00:18:40,640
Speaker 6: like the head knock coming.

417
00:18:42,280 --> 00:18:42,680
Speaker 3: Project.

418
00:18:42,880 --> 00:18:45,240
Speaker 6: And then and then there was another where where the

419
00:18:45,520 --> 00:18:48,320
Speaker 6: where he had a bass drop later on in the.

420
00:18:48,200 --> 00:18:51,359
Speaker 3: Song that was dope, but that changed it up. But

421
00:18:51,440 --> 00:18:53,800
Speaker 3: I'm like so I was thinking. I was like, damn,

422
00:18:53,880 --> 00:18:55,880
Speaker 3: what what happened to for Real? Man? It's for real?

423
00:18:56,520 --> 00:19:00,480
Speaker 4: It didn't I mean, it didn't sound like hell fear.

424
00:19:01,320 --> 00:19:04,720
Speaker 5: It sounded like it was a great marriage between the producer,

425
00:19:05,119 --> 00:19:06,360
Speaker 5: between them and the clips.

426
00:19:06,400 --> 00:19:07,640
Speaker 2: He sounded out of touch.

427
00:19:07,800 --> 00:19:10,000
Speaker 1: Yeah, yeah, that's a good way to put it.

428
00:19:12,240 --> 00:19:13,800
Speaker 4: Yeah, he did.

429
00:19:14,600 --> 00:19:17,320
Speaker 1: Just think about the producers that we know that was like,

430
00:19:17,320 --> 00:19:20,360
Speaker 1: oh man, they get such and such production. Like, imagine

431
00:19:20,400 --> 00:19:24,720
Speaker 1: if these same bars was over Like I know we

432
00:19:24,760 --> 00:19:26,840
Speaker 1: say them all the time, but an alchemist or or

433
00:19:27,080 --> 00:19:28,240
Speaker 1: or or.

434
00:19:30,480 --> 00:19:32,840
Speaker 2: Or conduct conductor or.

435
00:19:33,040 --> 00:19:35,080
Speaker 1: Just something, just somebody else that we know, that that

436
00:19:35,200 --> 00:19:37,000
Speaker 1: break that's been bringing the best out of people.

437
00:19:37,280 --> 00:19:39,000
Speaker 4: You think you think, you think hit Boy could have

438
00:19:39,000 --> 00:19:39,639
Speaker 4: gave him something.

439
00:19:42,400 --> 00:19:42,880
Speaker 2: I think.

440
00:19:44,200 --> 00:19:44,760
Speaker 4: Pretty much the.

441
00:19:44,800 --> 00:19:45,600
Speaker 2: Same thing for Real.

442
00:19:47,320 --> 00:19:48,960
Speaker 3: I think for Real is better.

443
00:19:49,359 --> 00:19:52,879
Speaker 6: I think, yeah, yeah, but that's a good that's a

444
00:19:52,920 --> 00:19:54,400
Speaker 6: good one.

445
00:19:53,640 --> 00:19:57,600
Speaker 2: That is a good one for them because boy becau.

446
00:20:01,280 --> 00:20:01,639
Speaker 3: Locked in.

447
00:20:01,800 --> 00:20:04,359
Speaker 2: Yeah yeah, I get I get.

448
00:20:04,119 --> 00:20:06,960
Speaker 1: The the loyalty to for Real.

449
00:20:07,240 --> 00:20:10,879
Speaker 4: Yeah, so it made sense and that red Yeah, it

450
00:20:10,960 --> 00:20:11,480
Speaker 4: made sense.

451
00:20:11,600 --> 00:20:13,520
Speaker 1: It made sense. It made sense for them to get

452
00:20:13,520 --> 00:20:16,119
Speaker 1: for Real. But I do feel like the beats it.

453
00:20:16,240 --> 00:20:18,080
Speaker 4: Just didn't hit that hard, Like I was planning in

454
00:20:18,080 --> 00:20:18,280
Speaker 4: the car.

455
00:20:18,320 --> 00:20:20,080
Speaker 1: I thought something was going. I thought something's wrong with

456
00:20:20,080 --> 00:20:24,560
Speaker 1: my equals equalizing system. I swear like some ship just

457
00:20:24,640 --> 00:20:25,360
Speaker 1: wasn't here.

458
00:20:25,640 --> 00:20:28,520
Speaker 2: I'm like, where's the base? Like I was just like, yo,

459
00:20:28,600 --> 00:20:29,040
Speaker 2: what the fun?

460
00:20:29,160 --> 00:20:29,439
Speaker 4: This is?

461
00:20:29,440 --> 00:20:29,800
Speaker 2: For real?

462
00:20:29,880 --> 00:20:32,560
Speaker 1: We're talking about I know your nigga, you got resources,

463
00:20:32,640 --> 00:20:38,120
Speaker 1: like the joint with with when you heard clue the yeah,

464
00:20:38,920 --> 00:20:40,639
Speaker 1: but like I like how Gloria's basses.

465
00:20:40,680 --> 00:20:44,480
Speaker 4: I'm sorry, Gloria, that's the joint. It didn'tknock knock, and it.

466
00:20:44,560 --> 00:20:45,840
Speaker 2: Was just like, what is happening?

467
00:20:46,480 --> 00:20:49,080
Speaker 1: So so yeah, man, I will say it's not bad.

468
00:20:49,600 --> 00:20:52,520
Speaker 1: It's still good beats. It's just I was expecting a

469
00:20:52,520 --> 00:20:55,480
Speaker 1: little bit more, especially over this what what they were

470
00:20:55,520 --> 00:20:59,359
Speaker 1: doing on this album, like come on, for real, we

471
00:20:59,440 --> 00:21:02,680
Speaker 1: need you to bring bring your A game as well.

472
00:21:02,800 --> 00:21:04,520
Speaker 2: Not it just just wasn't there.

473
00:21:04,560 --> 00:21:06,640
Speaker 5: Because if for Real would have brought what we known

474
00:21:06,720 --> 00:21:08,439
Speaker 5: for Real to bring, this would have been like A

475
00:21:08,840 --> 00:21:11,200
Speaker 5: this would have been a very high rate, like it

476
00:21:11,200 --> 00:21:13,040
Speaker 5: would have been like A that's the source.

477
00:21:15,680 --> 00:21:18,359
Speaker 1: Because even even if as good as birds don't sing

478
00:21:18,960 --> 00:21:22,840
Speaker 1: is it's just something was off with the beat and

479
00:21:22,880 --> 00:21:25,760
Speaker 1: the rhyming. To me, it didn't like the timing just

480
00:21:25,840 --> 00:21:27,600
Speaker 1: fell off to me on that song.

481
00:21:28,440 --> 00:21:31,440
Speaker 2: It felt off on me, Yeah, it did. It felt off.

482
00:21:31,640 --> 00:21:33,440
Speaker 2: It felt like I wanted something else.

483
00:21:33,480 --> 00:21:35,159
Speaker 1: I feel like it something else should have made it

484
00:21:35,280 --> 00:21:38,320
Speaker 1: jail a little bit better on that song. What they

485
00:21:38,359 --> 00:21:41,800
Speaker 1: did lyrically on that, what they expressed on that was

486
00:21:41,960 --> 00:21:45,320
Speaker 1: a one. The beat was not on that song.

487
00:21:45,680 --> 00:21:46,080
Speaker 2: Okay, so.

488
00:21:49,320 --> 00:21:51,399
Speaker 1: This is so, this is where I'll stand on the island,

489
00:21:51,440 --> 00:21:55,840
Speaker 1: especially in terms of the intro song. For me, I

490
00:21:55,840 --> 00:21:59,400
Speaker 1: felt I liked the space, you know what I'm saying

491
00:21:59,520 --> 00:22:02,240
Speaker 1: for for the rappers there, I like the space too,

492
00:22:02,800 --> 00:22:05,480
Speaker 1: But because he gave him so much space.

493
00:22:05,359 --> 00:22:07,600
Speaker 4: It needed to gel a little bit better, and it

494
00:22:07,720 --> 00:22:08,520
Speaker 4: just didn't for me.

495
00:22:09,480 --> 00:22:12,359
Speaker 2: It didn't for me, like especially it being the intro.

496
00:22:12,880 --> 00:22:14,840
Speaker 2: Like we've heard songs.

497
00:22:14,680 --> 00:22:17,840
Speaker 4: That just let let like the letting the beat breathe.

498
00:22:17,560 --> 00:22:20,520
Speaker 1: And then letting the artists do their thing. It should

499
00:22:20,520 --> 00:22:23,159
Speaker 1: have been something that. It didn't sound like that to me.

500
00:22:23,920 --> 00:22:24,920
Speaker 2: It sound like that.

501
00:22:25,000 --> 00:22:27,840
Speaker 6: Maybe they just wanted to just get that ship out

502
00:22:27,840 --> 00:22:30,280
Speaker 6: the way right, get the little you know, let's just

503
00:22:30,320 --> 00:22:32,760
Speaker 6: go ahead and get the intro song out with this

504
00:22:32,760 --> 00:22:37,320
Speaker 6: this you know letter pin to you know, to their

505
00:22:37,440 --> 00:22:39,680
Speaker 6: parents and we're gonna get into the ship.

506
00:22:39,960 --> 00:22:43,200
Speaker 2: It is an interesting choice. But but but everything.

507
00:22:42,880 --> 00:22:45,240
Speaker 1: They've been doing right now has been interesting, so so

508
00:22:45,280 --> 00:22:45,640
Speaker 1: it didn't.

509
00:22:45,760 --> 00:22:47,800
Speaker 2: I'm like, man, these is really.

510
00:22:49,760 --> 00:22:53,000
Speaker 6: Yeah, so I think I think a takeaway is that

511
00:22:54,280 --> 00:22:57,639
Speaker 6: they do make a great team. They do so, but

512
00:22:57,760 --> 00:23:01,399
Speaker 6: I still think just in it's total reality though. That

513
00:23:01,560 --> 00:23:03,960
Speaker 6: was the thing I was like, even though the production

514
00:23:04,040 --> 00:23:06,320
Speaker 6: didn't meet any.

515
00:23:06,240 --> 00:23:09,080
Speaker 3: Spectator, didn't go there. I think just as a.

516
00:23:09,040 --> 00:23:11,560
Speaker 6: Totality though as a as a group, as a unit,

517
00:23:12,520 --> 00:23:14,800
Speaker 6: it's still worked and Mesh really really well.

518
00:23:15,320 --> 00:23:18,080
Speaker 5: Yeah, I guess it's still yeah, it's crazy it is.

519
00:23:18,160 --> 00:23:20,080
Speaker 5: It's like, yeah, the production is like, yeah, it didn't

520
00:23:20,080 --> 00:23:21,720
Speaker 5: wold me, but this shit still works.

521
00:23:21,760 --> 00:23:24,080
Speaker 3: It was a good complimentary to what was going on.

522
00:23:24,240 --> 00:23:24,920
Speaker 3: Last thing I got.

523
00:23:25,440 --> 00:23:27,520
Speaker 6: Did it because I was thinking about Farrell's production in

524
00:23:27,560 --> 00:23:29,560
Speaker 6: the past. You know, we just did Push Your Teeth

525
00:23:29,560 --> 00:23:31,080
Speaker 6: Discoffee rank and that's on Patreon.

526
00:23:31,119 --> 00:23:32,120
Speaker 3: You guys can check that out.

527
00:23:32,600 --> 00:23:34,639
Speaker 6: And I listened to all the Clips albums and they

528
00:23:34,640 --> 00:23:36,159
Speaker 6: were a little bit brighter and.

529
00:23:37,960 --> 00:23:40,080
Speaker 3: Lighter futuristic.

530
00:23:40,119 --> 00:23:46,919
Speaker 6: As you were talking about, these felt darker, heavier, you know,

531
00:23:47,040 --> 00:23:48,800
Speaker 6: So I don't know if it's matching the times I

532
00:23:48,840 --> 00:23:50,960
Speaker 6: don't know where Pharrell is, you know and e stuff,

533
00:23:51,200 --> 00:23:53,439
Speaker 6: So I don't know, Like the production is definitely a

534
00:23:53,480 --> 00:23:57,119
Speaker 6: departure from what typically I remember from Pharrell.

535
00:23:57,320 --> 00:24:00,000
Speaker 1: Well, you think about the first two songs on this project,

536
00:24:00,200 --> 00:24:03,320
Speaker 1: like it it is, those are dark themes, right, like

537
00:24:03,800 --> 00:24:06,080
Speaker 1: obviously the way k dot is pushing malice went in

538
00:24:06,160 --> 00:24:09,440
Speaker 1: on the second jointe the Wits and change, and then

539
00:24:09,440 --> 00:24:12,240
Speaker 1: the first one obviously talking about their parents. It is

540
00:24:12,359 --> 00:24:14,320
Speaker 1: darker and that kind of set the toll for the

541
00:24:14,320 --> 00:24:15,000
Speaker 1: rest of it though.

542
00:24:15,400 --> 00:24:16,640
Speaker 2: So I don't disagree with.

543
00:24:16,640 --> 00:24:21,480
Speaker 1: You where this It don't sound like other Clips albums sonically,

544
00:24:21,880 --> 00:24:22,240
Speaker 1: it don't.

545
00:24:22,280 --> 00:24:23,200
Speaker 2: It is a departure.

546
00:24:23,320 --> 00:24:25,399
Speaker 4: Well, I still like this album though I love this.

547
00:24:26,680 --> 00:24:31,440
Speaker 5: I still enjoyed the funk out of this album.

548
00:24:31,840 --> 00:24:32,399
Speaker 2: Yeah, it could be.

549
00:24:33,600 --> 00:24:35,640
Speaker 1: Oh that's what we talked about, y'all. Y'all was asking

550
00:24:35,680 --> 00:24:36,920
Speaker 1: do we think it's gonna live up to the height?

551
00:24:36,960 --> 00:24:38,160
Speaker 2: So you to the height?

552
00:24:40,160 --> 00:24:43,399
Speaker 5: Yeah, yeah, I mean rapid wise, yes, Yeah, I was

553
00:24:43,520 --> 00:24:44,200
Speaker 5: very pleased with.

554
00:24:45,960 --> 00:24:47,200
Speaker 2: I was just refreshing.

555
00:24:47,320 --> 00:24:50,159
Speaker 1: Yes, I was especially from like we hear it all

556
00:24:50,160 --> 00:24:52,440
Speaker 1: the time with Yeah, with the artists that we like,

557
00:24:52,520 --> 00:24:55,439
Speaker 1: like the Wrong Streets and the Ransoms. But it was

558
00:24:55,480 --> 00:24:58,600
Speaker 1: refreshing for it to be someone on on on like

559
00:24:58,720 --> 00:25:00,639
Speaker 1: some of the mainstream that has and had been on

560
00:25:00,680 --> 00:25:01,080
Speaker 1: the main.

561
00:25:00,960 --> 00:25:01,720
Speaker 4: Stream very old.

562
00:25:02,200 --> 00:25:04,840
Speaker 5: They roll their album out like that's very It's so

563
00:25:04,880 --> 00:25:07,600
Speaker 5: funny seeing people react to how they roll their album.

564
00:25:07,760 --> 00:25:10,760
Speaker 2: It's like, yeah, that was the standard.

565
00:25:11,480 --> 00:25:13,919
Speaker 4: It just sound like this, but it was a standard

566
00:25:13,920 --> 00:25:16,400
Speaker 4: in the nineties two thousands, Like the way they wrote

567
00:25:16,400 --> 00:25:17,960
Speaker 4: the album out, that's how.

568
00:25:17,760 --> 00:25:18,840
Speaker 2: You roll your album out.

569
00:25:18,960 --> 00:25:23,040
Speaker 6: They definitely catered to.

570
00:25:21,960 --> 00:25:23,680
Speaker 4: Us and not the younger crowd.

571
00:25:23,840 --> 00:25:29,720
Speaker 1: So look, this is your first time here regreading flow, lyrics, production, features, execution,

572
00:25:29,920 --> 00:25:31,800
Speaker 1: replay value overall.

573
00:25:32,440 --> 00:25:33,359
Speaker 2: I'll started off.

574
00:25:33,240 --> 00:25:39,080
Speaker 1: With flow give me a A yeah, Flow for me, Yeah,

575
00:25:39,160 --> 00:25:45,439
Speaker 1: give me flow, give me B plus give me I.

576
00:25:47,440 --> 00:25:50,879
Speaker 4: Was going back and forth between B plus B plus

577
00:25:51,000 --> 00:25:53,360
Speaker 4: on flow, yeah, I'm saying I'm B plus.

578
00:25:53,920 --> 00:25:58,120
Speaker 2: So I was going back and forth to lyrics can

579
00:25:58,480 --> 00:26:01,120
Speaker 2: for lyrics A minus.

580
00:26:01,640 --> 00:26:06,959
Speaker 1: Okay, okay, all right, all right, same thing man, lyrics

581
00:26:07,000 --> 00:26:11,000
Speaker 1: A minus. Wow, I'm out of a Flowing lyrics to

582
00:26:11,040 --> 00:26:14,560
Speaker 1: me was equal plain field production.

583
00:26:15,480 --> 00:26:15,960
Speaker 2: I'm at a B.

584
00:26:18,359 --> 00:26:18,600
Speaker 3: Yeah.

585
00:26:18,760 --> 00:26:20,919
Speaker 1: On production, I'm at a B. I almost gave it

586
00:26:20,960 --> 00:26:25,240
Speaker 1: a B minus. But like I said, I like more

587
00:26:25,280 --> 00:26:27,480
Speaker 1: than half of the beats. I just feel like this

588
00:26:27,480 --> 00:26:30,080
Speaker 1: could have been a perfect album if the beats were

589
00:26:30,119 --> 00:26:31,920
Speaker 1: a little bit better on some of the songs. It's

590
00:26:31,920 --> 00:26:34,760
Speaker 1: about three or four songs that I just feel like

591
00:26:34,800 --> 00:26:37,119
Speaker 1: the beats could have been a little bit better. Person

592
00:26:37,560 --> 00:26:38,679
Speaker 1: So I'm giving a solid B.

593
00:26:39,040 --> 00:26:43,400
Speaker 5: Production C plush So I'm fine. Because the rapping was

594
00:26:43,119 --> 00:26:44,960
Speaker 5: was was crazy.

595
00:26:45,640 --> 00:26:49,040
Speaker 2: I gotta see you gotta ship?

596
00:26:49,160 --> 00:26:50,080
Speaker 3: Can you tougher to me?

597
00:26:50,840 --> 00:26:53,560
Speaker 4: I thought I was being harsh?

598
00:26:53,920 --> 00:26:56,000
Speaker 2: Look can features?

599
00:26:56,720 --> 00:26:57,960
Speaker 3: I'm out of a on features?

600
00:26:58,200 --> 00:27:02,240
Speaker 2: Okay, A we here? Can we here?

601
00:27:02,640 --> 00:27:08,240
Speaker 1: I'm at an A minus. I'm at an at. I'm

602
00:27:08,240 --> 00:27:11,520
Speaker 1: at an A execution too. I feel like what they

603
00:27:11,560 --> 00:27:16,600
Speaker 1: wanted to do they accomplished that. I was at a

604
00:27:16,680 --> 00:27:19,560
Speaker 1: side of as well on execution. But I'm gonna go

605
00:27:19,680 --> 00:27:22,959
Speaker 1: a minus because of the production. I gotta take some

606
00:27:23,000 --> 00:27:24,920
Speaker 1: points off of that. But what they did on here

607
00:27:25,000 --> 00:27:25,600
Speaker 1: was stellar.

608
00:27:25,680 --> 00:27:25,840
Speaker 3: Man.

609
00:27:25,880 --> 00:27:27,600
Speaker 2: I think they did exactly what they wanted to do

610
00:27:27,640 --> 00:27:28,160
Speaker 2: on this thing.

611
00:27:28,760 --> 00:27:30,520
Speaker 1: I just wish, for real that just went up a

612
00:27:30,560 --> 00:27:32,080
Speaker 1: little bit higher to meet them.

613
00:27:32,400 --> 00:27:40,000
Speaker 4: B plus. That's good, it's funny.

614
00:27:40,760 --> 00:27:40,960
Speaker 3: Yeah.

615
00:27:41,480 --> 00:27:48,160
Speaker 1: Replay value replay value B B plus, yep, replay value

616
00:27:48,200 --> 00:27:48,919
Speaker 1: B plus.

617
00:27:48,640 --> 00:27:52,720
Speaker 2: For me to replay value A minus is such.

618
00:27:52,560 --> 00:27:55,880
Speaker 4: An easy school.

619
00:27:56,280 --> 00:27:59,760
Speaker 2: What you a for replay value? A minus overall?

620
00:27:59,800 --> 00:28:05,520
Speaker 1: Okay, okay, I'm going B plus overall, B plus overall you.

621
00:28:05,560 --> 00:28:09,280
Speaker 4: Got come on, come on, can bring it home, baby damn.

622
00:28:09,800 --> 00:28:10,720
Speaker 4: Then you went lower.

623
00:28:11,080 --> 00:28:15,080
Speaker 6: Would be okay, okay, So it didn't live up to

624
00:28:15,119 --> 00:28:18,840
Speaker 6: the hype I did, yes, no, be answer to that all.

625
00:28:18,880 --> 00:28:20,960
Speaker 3: I don't know if it lived up to all the

626
00:28:21,040 --> 00:28:24,320
Speaker 3: hype for me. You know, we got that conversation later.

627
00:28:24,480 --> 00:28:27,280
Speaker 1: Look, you already know the conversation after the conversation is

628
00:28:27,280 --> 00:28:28,000
Speaker 1: in the commons section.

629
00:28:28,080 --> 00:28:30,120
Speaker 2: We'll catch you next time. On another review, Were out

630
00:28:30,200 --> 00:28:30,480
Speaker 2: Peace