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Speaker 1: That and hip hop album review. We're talking about Mob

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Speaker 1: Deep the Infinite album that they just dropped. Part of

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Speaker 1: the mass appeal roll out that they've made.

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Speaker 2: That's what it's called. Legend has it.

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Speaker 3: Legend has it?

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Speaker 2: Yeah, that's what that's the whole.

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Speaker 3: Oh, that's the whole.

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Speaker 2: Yeah, like the slicker, that's what it's called. The rollouts,

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Speaker 2: like Legend has It.

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Speaker 1: I did not know that, man, that's what it's called. Okay,

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Speaker 1: that is that's that's good inforable and I like that.

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Speaker 1: I like that that that's that's kind of it's kind

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Speaker 1: of good that they're doing that. But yeah, man, we

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Speaker 1: appreciate you guys tuning in for the review of VFO

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Speaker 1: was unable to make it for this one, but we're here.

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Speaker 3: Man holding it down as we always grow the three negro.

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Speaker 1: Yeah, yeah for sure. But make sure you guys going

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Speaker 1: to hit that thumbs up button. Man, hit that light button.

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Speaker 1: Let everybody know. Uh tweeted out man, share it Man

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Speaker 1: with with the old g's and the legends are doing. Man,

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Speaker 1: that that's that's happening right now. So let's get into

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Speaker 1: the album. Man, My Deep Infinite.

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Speaker 4: Uh.

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Speaker 2: I like this.

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Speaker 3: I love this ship, bro, love this.

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Speaker 2: I think, and I tweeted it when I tweeted this

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Speaker 2: out when I first when I got through my first

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Speaker 2: listen when it first came out, because like I said before,

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Speaker 2: you know, I saw on the text three. I listened

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Speaker 2: to it once. But after I listened to it, I

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Speaker 2: was like, man, if it's if it's two people I

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Speaker 2: can trust with Prodigies verse after he passed away, is

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Speaker 2: Havoc and the Alchemist. They did such a great job

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Speaker 2: because I'm always iffy on posthumous posthumus album from from

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Speaker 2: artists or whatever. This ship felt like Prodigy was still

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Speaker 2: with us, like the way they the way we're probably

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Speaker 2: was talking about like all this stuff he was saying,

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Speaker 2: it didn't sound dated, especially that first track. I mean, nah,

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Speaker 2: they didn't. He kind of put on strings a little

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Speaker 2: bit how he was saying, like, yeah, thanks people, good

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Speaker 2: looking I have you know his niggas sit on the

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Speaker 2: other side. Like that ship was fucking wild. I'm pretty

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Speaker 2: sure that was kind of tough for Havoc to for them,

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Speaker 2: you know, him and Nas and Alchemists when they was

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Speaker 2: making that project for that particular verse. But this ship

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Speaker 2: sounded like prodience. It's not like he never passed away, bro.

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Speaker 2: This he signed it fresh, Like I mentioned before, he

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Speaker 2: didn't sound it dated, like you can tell the rhymes

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Speaker 2: and like he said some ship, like oh yeah that

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Speaker 2: was you know that was fifteen years ago whatever. Like

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Speaker 2: he sounded it was like he signed and rejuvenated. But

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Speaker 2: we know that's impossible because he passed away.

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Speaker 3: But man, Bart was ai.

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Speaker 4: I was like, did these niggas useu AI something like that?

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Speaker 2: Or I saw an interview with Havoc did it? I

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Speaker 2: saw a couple of interviews. What happened? He did one

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Speaker 2: with Knaves with Hell, and he did another one. I

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Speaker 2: can't remember who he was with. I'm so sorry, but

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Speaker 2: he was just mentioning how he had permission from Prodigy's

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Speaker 2: family to take and they had like a plethora of

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Speaker 2: verses and he was like, I was just picking the

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Speaker 2: hardest ones. Like every time I heard the verses, I

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Speaker 2: was like, yeah, that ship was his hardest. Like he

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Speaker 2: Havoc making sure he picked the best verses for this album, bro.

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Speaker 3: And I was like, so these were like verses that

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Speaker 3: were that are recorded. Yeah, but because now I'm.

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Speaker 1: Like, okay, so they just record verses with no album

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Speaker 1: or project in mind, Like over a beat or like

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Speaker 1: how does it work?

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Speaker 2: I mean, you know how artists just be having just.

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Speaker 1: Or maybe it was for another song and they.

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Speaker 3: Maybe maybe maybe.

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Speaker 2: I mean I don't remember him specifying that, but I

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Speaker 2: just remember he's saying, you know, because I think he

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Speaker 2: got it from the family, So whatever verses that the

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Speaker 2: family had, he was like, Okay, let me listen to him.

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Speaker 2: It was like this ship and he probably cracked. I

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Speaker 2: wouldn't be surprised if they crafted some beats around some

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Speaker 2: of these rhymes.

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Speaker 3: Noah for sure, Yeah yeah, yeah, yeah yeah.

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Speaker 2: And then it's crazy the ones that Alchemy produced, like

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Speaker 2: you can hear Project shot out Alchemists, like this shit

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Speaker 2: felt like Prodigy was with us. Man, this ship was.

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Speaker 2: This ship was really good, and I like the fact

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Speaker 2: that have it. He didn't try to like he didn't

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Speaker 2: try to sound nineties like. He still sounded like having,

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Speaker 2: but he sounded like twenty twenty five trying to like

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Speaker 2: trying to sound like I'm keeping up with the trends

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Speaker 2: or anything like that. It sounded like a mob deep album.

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Speaker 4: And he would just kind of match what what uh

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Speaker 4: what prod.

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Speaker 5: Was whatever the feature artists whatever, especially with like the

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Speaker 5: hooks and stuff like you could tell like yes, like

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Speaker 5: probably you would say something you could tell habit just

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Speaker 5: tried to match it. I even like, just like to man,

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Speaker 5: just it be simple ship with me, Like how you

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Speaker 5: still put them in the front of the album, like

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Speaker 5: like like you know, it just felt like like you said,

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Speaker 5: you're right.

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Speaker 3: It felt like a mob.

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Speaker 2: It felt like if probably was still live this album,

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Speaker 2: this same album would be made right now like that.

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Speaker 2: They don't even sound like, oh yeah there's some bush

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Speaker 2: and they just put together. No, this ship sounded like

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Speaker 2: they really crazy and ship.

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Speaker 3: I loved it.

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Speaker 2: I was like, man, this is crazy to two of

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Speaker 2: OG's you know, two you know veterans in the game

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Speaker 2: that's dropped some of the best albums this year with

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Speaker 2: the clips and and and Mob Deep and the clips.

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Speaker 2: I mean, let's talk about their damn push your t

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Speaker 2: He came out around with you rather round with your

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Speaker 2: spirit than these other niggas. I was like, like he said,

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Speaker 2: like a s murder line like something I got my

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Speaker 2: brother and.

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Speaker 3: I yead said murder. Okay, it sounded like.

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Speaker 2: I think it was push your tea but yeah, yeah,

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Speaker 2: and you know.

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Speaker 3: Like because it's like the mother niggas.

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Speaker 2: Yes, I was like, man, and you know, push your

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Speaker 2: Tea has said plenty of times. I think he's he's

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Speaker 2: put Mob deepest like his favorite, like dual, like hip hop,

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Speaker 2: like he's always been like Mob Deep Mob Push your

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Speaker 2: Tea is always bagged him up. So to see clips

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Speaker 2: on this out like it makes perfect sense, makes perfect sense.

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Speaker 2: It was dope to see to hear Bignoy around with.

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Speaker 3: Him because you know, Big Noy.

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Speaker 2: But I just didn't like that hook. That was my

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Speaker 2: only That hook was spot.

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Speaker 4: I was going to say, because you're talking about it highly,

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Speaker 4: but that was definitely a sore spot for me.

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Speaker 3: On the album.

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Speaker 4: And another thing too, and I want to let you

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Speaker 4: cook interject a little bit, but but yeah, I thought

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Speaker 4: it sounded like a Mob Deep album, almost to the

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Speaker 4: point where it sounded didn't sound twenty twenty five, because

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Speaker 4: it almost sound like they was there was back in

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Speaker 4: the essence of because I want to say, they have

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Speaker 4: a song.

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Speaker 3: Like like I'm from the era or whatever he was

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Speaker 3: called my era Yeah.

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Speaker 2: Alchemists, yep, yeah, all this he was, he was, he

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Speaker 2: was big up to five all that ship.

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Speaker 3: Yeah so nah so yeah too.

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Speaker 4: I mean it was so close to what they would

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Speaker 4: have probably put out that it actually sound like something

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Speaker 4: they probably would have put out like a couple of

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Speaker 4: years ago whatever.

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Speaker 3: But I feel it still had a fresh sound. Yes

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Speaker 3: it did, Bro, they really did.

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Speaker 2: I trust them. If it was anyone I trust with

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Speaker 2: to Mob yes, it's them too. Them to with that

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Speaker 2: sound like Yeah, I mean Alchemists is pretty much damned

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Speaker 2: like an extended memory of Mob deep throughout the year.

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Speaker 2: So yeah, yeah, Bro, Like this ship was perfect and

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Speaker 2: the perfect person to ePAT to produce this was that

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Speaker 2: could produce this. I was doing it with Massive Peal.

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Speaker 1: Now.

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Speaker 2: I's been in the trenches with Bob Deep way since

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Speaker 2: way and before they got on so like this ship,

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Speaker 2: it just it all makes sense. Ghosts and Ray was

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Speaker 2: on the on the infatus like the fact that they

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Speaker 2: were on this ship again, everything about this album. I

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Speaker 2: was like, I can't believe I was listening to ship,

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Speaker 2: like I really really. I remember you had asked me

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Speaker 2: we was doing live. I didn't want to give too

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Speaker 2: much like yeah I heard it.

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Speaker 1: Yeah, I know, I can tell that, just like I

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Speaker 1: didn't know what I didn't but I didn't know what

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Speaker 1: that meant.

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Speaker 2: I didn't because I didn't know if he was going

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Speaker 2: to review it or not, so if we did, I

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Speaker 2: didn't want people to be like, oh, you know, I

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Speaker 2: know what we think of it. But yeah, man, I

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Speaker 2: was like, man that first listen, I was like, I man, I.

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Speaker 3: Was see I wasn't on first listen. On the first

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Speaker 3: listen he was, I was not. I was not.

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Speaker 1: It took some time. It took definitely, yeah, And I'm

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Speaker 1: glad because they running didn't even that ship here.

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Speaker 3: Can I feel you though? But I'm like that too now.

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Speaker 1: The first listen, B I was like, oh, I think

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Speaker 1: I think I think this is the first miss Wow.

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Speaker 3: Yeah, I think it was the production. I think it

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Speaker 3: was a production.

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Speaker 1: I think some some some of the verses from Prodigy,

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Speaker 1: I think that they I needed some time to warm

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Speaker 1: up to them.

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Speaker 2: I disagree with you on the product. I'm like the

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Speaker 2: Clips out not like I feel like this, this is

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Speaker 2: this is what I know what me and Rod was

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Speaker 2: kind of gripe about on the Clips album. As far

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Speaker 2: as the production, this felt this was this was the

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Speaker 2: perfect marriage and the fact that he did it with

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Speaker 2: one that passed away in twenty seventeen, I feel fucking phenomenon.

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Speaker 2: I think what having did with this and Alchemist, it's

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Speaker 2: fucking crazy. So the production, yeah, I disagree with.

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Speaker 3: You on now.

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Speaker 1: Yeah, so I gave it a few more spins, you know,

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Speaker 1: because because the ones that like first listened like that,

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Speaker 1: that that joint with look at Me with with U

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Speaker 1: the clips. Man, hey, now here's the interesting thing. I

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Speaker 1: was like, Man, you know what Pharrell could have really

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Speaker 1: with the type of production that for Real is making now,

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Speaker 1: I think it's it would fit great with Bob Deep. Yeah, yeah, yeah,

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Speaker 1: I think it. I think I think it would. Yeah,

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Speaker 1: for whatever reason, I think it would work. But that joint,

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Speaker 1: that joint was nice. I like that joint. I'm with

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Speaker 1: you on the joint with Big Noise. It was good

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Speaker 1: seeing him bad, it was good.

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Speaker 2: But that kind of it kind of tanged the song

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Speaker 2: for me.

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Speaker 3: Yeah, joints that ship was that was really interesting.

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Speaker 1: Man.

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Speaker 2: I love what he did with the word play how

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Speaker 2: he begun because even though it was a call back

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Speaker 2: to what he did on Murder Music, I need to

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Speaker 2: give it. And he talked about holly Berry blew the

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Speaker 2: kiss that Holly Berry at the concert and holly Beard

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Speaker 2: confirmed that ship too, which is crazy. I like what

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Speaker 2: he did because you know, the first one got jury

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Speaker 2: George George Smith and the remix got her. So how

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Speaker 2: he said, I blew a kiss a Georgia Smith after her,

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Speaker 2: and he did.

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Speaker 1: Yeah.

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Speaker 3: I was like, man this first time, like, why are

226
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Speaker 3: you recycling that ship?

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Speaker 2: I was like, oh no no, because ahead said because yeah,

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Speaker 2: who speatured on it?

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Speaker 3: Yeah, yeah, who was on it? And then I thought

230
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Speaker 3: he recycled it.

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Speaker 4: I'm like because he met her on the first one

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Speaker 4: and they were married.

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Speaker 3: On the John he said they all got the all

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Speaker 3: they got the Jones.

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Speaker 2: Yes, was like because on the first verse he was

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Speaker 2: talking like, yeah, they clown on me because you know,

237
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Speaker 2: you're my audition, like like Ricky, Bobby, Mike, you my audition.

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Speaker 2: And then in the remix like I tied to not

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Speaker 2: like I was, oh ship, Yeah, it's so funny clever.

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Speaker 4: But I love that he's like tapping in on all

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Speaker 4: these projects to like, yes, you know what I'm saying on.

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Speaker 3: Every one, I think everyone. He has been a feature

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Speaker 3: on the on the Drops and on the.

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Speaker 2: Big Al joint. Yeah, Big Air coming in Halloween, and

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Speaker 2: he got he got a joint with Big L.

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Speaker 3: Special Right now.

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Speaker 2: That's what I'm saying I tweeted that, like, bro, like,

248
00:10:51,040 --> 00:10:54,559
Speaker 2: no one except for us, nobody else is talking about

249
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Speaker 2: what NICs is doing with this mass of ship slick

250
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Speaker 2: rick ship. Yeah, I mean, like this ship is crazy,

251
00:11:01,000 --> 00:11:03,520
Speaker 2: so I think we need to celebrate this a lot more.

252
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Speaker 3: Man.

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00:11:03,920 --> 00:11:07,200
Speaker 1: When I was doing yeah, that Porter joint, Claire Black Knights,

254
00:11:07,240 --> 00:11:09,360
Speaker 1: you already talked about that. You already talked about the

255
00:11:09,720 --> 00:11:12,800
Speaker 1: part two squad.

256
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Speaker 2: My God Alchemists ship Alchemists. That's an alchemist joint.

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Speaker 3: He did. He did joint the second time, the second

258
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Speaker 3: time out.

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00:11:21,120 --> 00:11:26,160
Speaker 2: Please tell me did you like mahall? Did you tell

260
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Speaker 2: me you like that one?

261
00:11:27,040 --> 00:11:31,000
Speaker 3: Bro? I don't remember it like that, but the one

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00:11:31,080 --> 00:11:38,080
Speaker 3: I do like, come on, can what It's all right?

263
00:11:40,440 --> 00:11:43,080
Speaker 3: You were this this ship. This was one of the

264
00:11:43,120 --> 00:11:45,680
Speaker 3: best tracks on you. I like that mister Magic joint

265
00:11:45,720 --> 00:11:46,400
Speaker 3: and mister Magic.

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00:11:47,720 --> 00:11:50,480
Speaker 2: I love Proby hooks on that ship easy bro. Yeah, Bro,

267
00:11:50,559 --> 00:11:51,120
Speaker 2: that shi it was.

268
00:11:51,400 --> 00:11:53,160
Speaker 3: Mister Magic is one of those ones where you could

269
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Speaker 3: tell probably.

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00:11:54,200 --> 00:11:56,920
Speaker 4: Made the hook on it and then and then having

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Speaker 4: kind of try to match it or whatever.

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00:12:00,080 --> 00:12:02,400
Speaker 3: Yeah, man, score points. I didn't. I didn't really come

273
00:12:02,440 --> 00:12:04,280
Speaker 3: onto that one until like the last.

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Speaker 2: That one was My goodness, mister, I mean that whole run.

275
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Speaker 2: I mean, I mean after the after the big Noise joint,

276
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Speaker 2: the end, the O to B to B you got

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Speaker 2: down for you with the NAS joint, you got mister

278
00:12:17,000 --> 00:12:20,360
Speaker 2: magic score points. My eerror part of Henny that was

279
00:12:20,440 --> 00:12:22,000
Speaker 2: I think that was a dope. Tribute that now, I

280
00:12:22,040 --> 00:12:25,240
Speaker 2: said to how you finished his verse with tribute to

281
00:12:25,240 --> 00:12:27,200
Speaker 2: project that poor some Henny for you, my nigga, I missed,

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00:12:27,360 --> 00:12:29,720
Speaker 2: like I thought that was that was dope. Man, Come on,

283
00:12:29,840 --> 00:12:33,880
Speaker 2: we got three Knives versa on this, Like I was

284
00:12:33,920 --> 00:12:36,320
Speaker 2: loving that ship. I'm like, man, what what better motherfucker

285
00:12:36,320 --> 00:12:38,640
Speaker 2: to have three verses on her? The Nis you know

286
00:12:38,640 --> 00:12:40,640
Speaker 2: what I'm saying. He always claver with them, And yeah,

287
00:12:40,640 --> 00:12:44,160
Speaker 2: the Clear Black Knights Bro, Like Discontinue was fucking dope

288
00:12:44,160 --> 00:12:44,560
Speaker 2: as fuck.

289
00:12:45,040 --> 00:12:46,000
Speaker 3: This was a good album.

290
00:12:46,160 --> 00:12:47,480
Speaker 2: This is a really good album.

291
00:12:47,520 --> 00:12:47,640
Speaker 3: Bro.

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00:12:48,080 --> 00:12:51,120
Speaker 4: I was like, damn this, you know, it went from

293
00:12:51,920 --> 00:12:55,680
Speaker 4: all right to good.

294
00:12:56,040 --> 00:12:58,120
Speaker 1: I think I think I think I'm close to good.

295
00:12:58,800 --> 00:13:00,680
Speaker 1: I think I'm close to good. I think you know,

296
00:13:00,800 --> 00:13:02,160
Speaker 1: I think you know what it is. It is like

297
00:13:02,200 --> 00:13:05,680
Speaker 1: the strength of the NAS tracks, they just to me,

298
00:13:05,840 --> 00:13:07,840
Speaker 1: is so much better than some of the other joints.

299
00:13:08,280 --> 00:13:10,400
Speaker 1: But then I started to get into some of the

300
00:13:10,440 --> 00:13:13,600
Speaker 1: other joints like that. Mister Magic was the first one.

301
00:13:13,600 --> 00:13:16,080
Speaker 1: I'm like, all right, we were good with that.

302
00:13:16,280 --> 00:13:19,120
Speaker 2: To mister Magic, yeah yeah, yeah.

303
00:13:19,160 --> 00:13:21,680
Speaker 3: The NO joints stood out like a sap.

304
00:13:22,000 --> 00:13:25,200
Speaker 1: But then but but on that first listen, the nos

305
00:13:25,240 --> 00:13:28,320
Speaker 1: joints stood out, uh, and mister Magic stood out, and

306
00:13:28,360 --> 00:13:31,480
Speaker 1: then the clips and the clips joint yeah yeah, yeah yeah.

307
00:13:31,600 --> 00:13:36,880
Speaker 2: Damn, You're like, come fine, this was damn near unskippable.

308
00:13:37,000 --> 00:13:39,120
Speaker 3: Like I mean, it was just like it was an

309
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Speaker 3: easy listen.

310
00:13:40,280 --> 00:13:42,560
Speaker 2: Definitely was very very easy listen.

311
00:13:42,600 --> 00:13:45,319
Speaker 3: Bro. I'm like, man, it's still here with us.

312
00:13:45,960 --> 00:13:49,240
Speaker 4: It's crazy sound like that, bro, Yeah, it did sound

313
00:13:49,360 --> 00:13:51,400
Speaker 4: like that. He had a few bars. What I can say,

314
00:13:51,920 --> 00:13:54,679
Speaker 4: it might it might be that because he said something about.

315
00:13:55,520 --> 00:13:57,439
Speaker 3: What did he say, My nigga ain't doing that?

316
00:13:57,600 --> 00:13:58,000
Speaker 2: It more.

317
00:13:58,240 --> 00:14:00,320
Speaker 3: I meant to work down that bar, but I was like,

318
00:14:00,559 --> 00:14:01,920
Speaker 3: but I ain't want to. I ain't want to point

319
00:14:01,920 --> 00:14:04,439
Speaker 3: it out, like yeah, you know a few bar as well.

320
00:14:04,559 --> 00:14:06,319
Speaker 3: I was like, okay, yeah, I can see you probably

321
00:14:06,400 --> 00:14:06,720
Speaker 3: need that.

322
00:14:06,760 --> 00:14:08,800
Speaker 2: Bad happened this day. It was some older verses, but

323
00:14:08,840 --> 00:14:12,360
Speaker 2: he doesn't specify right, you know what I'm saying, so, yeah,

324
00:14:12,440 --> 00:14:15,640
Speaker 2: that's I was like, bro, this is this ship is wild?

325
00:14:15,640 --> 00:14:17,480
Speaker 2: I was, yeah, I like I like the features. Like

326
00:14:17,480 --> 00:14:20,240
Speaker 2: I said, my only my nickpick really is that the

327
00:14:20,440 --> 00:14:23,360
Speaker 2: m the older beach. I hated it that she was cringe.

328
00:14:23,400 --> 00:14:24,520
Speaker 2: It was so fucking cringe.

329
00:14:24,560 --> 00:14:25,880
Speaker 3: I was like, oh my god.

330
00:14:26,120 --> 00:14:29,880
Speaker 2: Other than that many I enjoyed the funku he did.

331
00:14:30,040 --> 00:14:32,560
Speaker 2: I mean, he's I mean, that's a long another long time.

332
00:14:32,400 --> 00:14:33,320
Speaker 3: Collaborator with her.

333
00:14:33,440 --> 00:14:35,920
Speaker 2: That's that's another person that's like kind of like an

334
00:14:35,960 --> 00:14:37,920
Speaker 2: extension of mob deep you know what I'm saying throughout

335
00:14:37,960 --> 00:14:41,240
Speaker 2: the years, especially in the nineties. So the features everything

336
00:14:41,320 --> 00:14:42,720
Speaker 2: and on this album made sense.

337
00:14:42,920 --> 00:14:43,520
Speaker 3: It was perfect.

338
00:14:43,800 --> 00:14:45,880
Speaker 4: And when I heard Georgia Smith going down for you,

339
00:14:45,960 --> 00:14:47,520
Speaker 4: I was like, damn man, people don't utilize her.

340
00:14:48,560 --> 00:14:51,840
Speaker 3: They don't. You lost her. She got a voice for him, she.

341
00:14:51,920 --> 00:14:55,200
Speaker 2: Does and her her too, she does as well.

342
00:14:55,320 --> 00:14:57,320
Speaker 3: But like this day and age, like Nikki Jean like

343
00:14:57,360 --> 00:14:58,040
Speaker 3: how she used to be.

344
00:14:58,120 --> 00:15:00,960
Speaker 4: Yes, that's how I feel about Georgia Smith.

345
00:15:01,040 --> 00:15:04,200
Speaker 2: Yes, that was that was a great, great call for

346
00:15:04,240 --> 00:15:06,280
Speaker 2: having whoever made that call to get hurt that that

347
00:15:06,400 --> 00:15:06,800
Speaker 2: was dope.

348
00:15:07,200 --> 00:15:09,320
Speaker 3: Yeah, and her we already know her going what I'm.

349
00:15:09,240 --> 00:15:11,360
Speaker 2: Saying yeah, I'm like, oh, man, shes a remix.

350
00:15:11,760 --> 00:15:14,760
Speaker 4: Yeah, but at this point, man, everything that's coming out

351
00:15:14,800 --> 00:15:17,359
Speaker 4: of it, out of that Masterpiel ship, I'm not surprised.

352
00:15:17,400 --> 00:15:19,320
Speaker 3: Like at this point, I'm like, oh, like, we.

353
00:15:19,280 --> 00:15:21,600
Speaker 2: Haven't got nothing wild, like, we haven't gotten nothing where

354
00:15:21,600 --> 00:15:22,000
Speaker 2: we was just like.

355
00:15:22,120 --> 00:15:25,840
Speaker 3: Yeah, no, no, no, we haven't got anything. Don't stop that.

356
00:15:25,760 --> 00:15:29,920
Speaker 2: Ship right right right, Like I'm really curious what he's gonna.

357
00:15:29,680 --> 00:15:31,920
Speaker 3: Do with Big L. So, yeah, this is good hope

358
00:15:31,920 --> 00:15:34,520
Speaker 3: for Big L. Yeah, has they announced the producers on

359
00:15:34,560 --> 00:15:38,520
Speaker 3: that hope? Wow? That Big L guy, that's that's.

360
00:15:38,840 --> 00:15:42,160
Speaker 2: If he nails, because he's he's passed away for it's

361
00:15:42,160 --> 00:15:43,880
Speaker 2: been there's been twenty twenty six years.

362
00:15:43,880 --> 00:15:48,040
Speaker 1: That means if they feel comfortable dropping that Big L,

363
00:15:48,160 --> 00:15:52,200
Speaker 1: that means they they must they gotta know something.

364
00:15:52,280 --> 00:15:56,480
Speaker 3: It got it, bro It's risky. That is risk because.

365
00:15:56,400 --> 00:15:57,840
Speaker 2: Someone that's been passed away for something.

366
00:15:58,320 --> 00:16:02,520
Speaker 1: Yeah, yeah, like how do you find the verses and

367
00:16:02,600 --> 00:16:04,880
Speaker 1: then put them with the beats?

368
00:16:05,800 --> 00:16:08,840
Speaker 3: Do all that the sequence and the timing? To man,

369
00:16:09,040 --> 00:16:11,040
Speaker 3: that that's gonna be interesting.

370
00:16:11,080 --> 00:16:14,280
Speaker 2: And then then we got Daylight Soul in November and

371
00:16:14,320 --> 00:16:17,520
Speaker 2: then him in Primo finished nine December but David, they

372
00:16:17,560 --> 00:16:21,160
Speaker 2: collab album, so that'll be the seven seven albums. I

373
00:16:21,320 --> 00:16:24,560
Speaker 2: kind of albums legend has it, so I'm looking forward

374
00:16:24,560 --> 00:16:24,760
Speaker 2: to it.

375
00:16:24,800 --> 00:16:28,760
Speaker 3: Bro, who's gonna start to sit up? That started off

376
00:16:29,880 --> 00:16:30,240
Speaker 3: all right?

377
00:16:30,400 --> 00:16:35,640
Speaker 2: So okay for those nothing for those who watched the

378
00:16:35,680 --> 00:16:40,240
Speaker 2: first time, we do flow lyrics, production features, execution sequences

379
00:16:40,280 --> 00:16:43,320
Speaker 2: and replay value, and then we do overall so flow,

380
00:16:43,320 --> 00:16:43,840
Speaker 2: I'm gonna go.

381
00:16:43,800 --> 00:16:50,280
Speaker 3: Be uh yeah, I'll go be yep, I'm right there.

382
00:16:50,320 --> 00:16:50,720
Speaker 3: What you be?

383
00:16:50,800 --> 00:16:53,160
Speaker 2: I'm at a B Where you at with lyrics?

384
00:16:53,600 --> 00:16:53,960
Speaker 3: Lyrics?

385
00:16:53,960 --> 00:16:56,400
Speaker 4: I'm at a B as well. Like I said, I like,

386
00:16:57,360 --> 00:17:01,360
Speaker 4: I like, I like what he was doing. I really

387
00:17:01,480 --> 00:17:04,560
Speaker 4: liked what he was doing. If anything, it probably dropped

388
00:17:04,560 --> 00:17:07,919
Speaker 4: the grade because I have it. But but yeah, if

389
00:17:07,960 --> 00:17:10,160
Speaker 4: it was just probably it probably been a little bit higher,

390
00:17:10,200 --> 00:17:11,560
Speaker 4: like a B plus A minus.

391
00:17:11,560 --> 00:17:14,000
Speaker 3: But I gotta take into account have it too, So

392
00:17:14,040 --> 00:17:18,080
Speaker 3: that's why it's be What about you can uh for lyrics?

393
00:17:18,480 --> 00:17:21,600
Speaker 3: Uh can be minus?

394
00:17:21,720 --> 00:17:24,119
Speaker 2: Okay? Yeah right, I'm at a B as well to

395
00:17:24,200 --> 00:17:26,400
Speaker 2: I agree with you on that one production. I'm at

396
00:17:26,400 --> 00:17:34,600
Speaker 2: a B plus. Can what C minus? C plus?

397
00:17:34,640 --> 00:17:37,720
Speaker 3: I'm thinking C plus? Okay? What about you?

398
00:17:37,800 --> 00:17:39,640
Speaker 2: I'm actually at an a minus.

399
00:17:40,440 --> 00:17:43,800
Speaker 5: I was thinking almost almost with yeah, Bro, I'm like,

400
00:17:44,280 --> 00:17:45,680
Speaker 5: I feel bad for not going.

401
00:17:47,400 --> 00:17:50,240
Speaker 4: Was so good, so good beats was so good that

402
00:17:50,240 --> 00:17:52,560
Speaker 4: that that is one thing that they did really well

403
00:17:52,600 --> 00:17:52,960
Speaker 4: on here.

404
00:17:53,080 --> 00:17:57,600
Speaker 2: Yes really will yes.

405
00:17:54,680 --> 00:17:59,760
Speaker 4: Bro, Havoc and Alchemists brought some good ass beats Yes

406
00:17:59,800 --> 00:18:00,439
Speaker 4: to is.

407
00:18:00,960 --> 00:18:03,800
Speaker 2: For the features everyone. It was great what they did

408
00:18:03,800 --> 00:18:08,120
Speaker 2: with Prodigy first. This this ain't easy to do. Yeah,

409
00:18:08,359 --> 00:18:10,520
Speaker 2: that's what I was thinking.

410
00:18:10,600 --> 00:18:12,960
Speaker 3: This is this is a god that's not here no more,

411
00:18:13,280 --> 00:18:13,640
Speaker 3: I know.

412
00:18:14,000 --> 00:18:18,439
Speaker 2: And to to produce something around that and make it

413
00:18:18,480 --> 00:18:20,240
Speaker 2: sound like he's still here is man.

414
00:18:20,280 --> 00:18:22,560
Speaker 3: That's a that's a different type of talent. Yeah, that's

415
00:18:22,560 --> 00:18:23,480
Speaker 3: a different type of talent.

416
00:18:23,680 --> 00:18:25,760
Speaker 4: Where you at with features features, I'm gonna go with

417
00:18:25,800 --> 00:18:29,320
Speaker 4: solid b Okay cam.

418
00:18:29,080 --> 00:18:35,080
Speaker 1: Uh features plus, I'm at at a minus.

419
00:18:35,640 --> 00:18:36,679
Speaker 3: I had a minus.

420
00:18:36,680 --> 00:18:38,760
Speaker 2: I met a mins with features because I feel like

421
00:18:38,800 --> 00:18:42,560
Speaker 2: everybody nice goes ray, Like I said, even Bignoy, even

422
00:18:42,640 --> 00:18:43,360
Speaker 2: though he did his thing.

423
00:18:43,359 --> 00:18:44,840
Speaker 3: I just like the hook, you know what.

424
00:18:44,880 --> 00:18:46,960
Speaker 1: I think I penalized it because I think I got

425
00:18:47,040 --> 00:18:51,639
Speaker 1: the big NOI and the hook go. I feel that

426
00:18:52,080 --> 00:18:54,040
Speaker 1: I think that's what I did. That's why I dropped,

427
00:18:54,040 --> 00:18:56,639
Speaker 1: because I had a minus initially, and then I was

428
00:18:56,640 --> 00:18:58,800
Speaker 1: thinking about that song. I think I'm going to go

429
00:18:59,000 --> 00:19:02,280
Speaker 1: back to my Yeah, yeah, yeah, I think I penalized

430
00:19:03,160 --> 00:19:05,080
Speaker 1: big Noy was the one that brought it down.

431
00:19:04,960 --> 00:19:05,639
Speaker 3: To a B plus.

432
00:19:05,720 --> 00:19:07,760
Speaker 1: He was he was good, he was good, and I

433
00:19:07,760 --> 00:19:10,399
Speaker 1: think I think I got the I got.

434
00:19:10,240 --> 00:19:12,600
Speaker 3: The hook missed up with this first. So yeah, I'm

435
00:19:12,600 --> 00:19:13,160
Speaker 3: gonna go back.

436
00:19:13,040 --> 00:19:18,399
Speaker 2: To Yeah for for myself, execution and sequence, and I

437
00:19:18,480 --> 00:19:19,720
Speaker 2: give it a.

438
00:19:20,800 --> 00:19:27,520
Speaker 1: This is where I rewarded them for his album. So

439
00:19:27,680 --> 00:19:30,639
Speaker 1: let me say my grade as. This is where I

440
00:19:30,720 --> 00:19:33,520
Speaker 1: rewarded what you were talking about with what they did

441
00:19:33,600 --> 00:19:36,000
Speaker 1: with Prodigy and the production.

442
00:19:37,080 --> 00:19:38,800
Speaker 3: Yeah, yeah, this is where.

443
00:19:40,119 --> 00:19:41,760
Speaker 2: I felt like they nailed it.

444
00:19:41,800 --> 00:19:44,639
Speaker 1: Yeap, yeah, taking taking what he's doing and putting it

445
00:19:44,720 --> 00:19:48,920
Speaker 1: on the production. I think he knelt that I got you.

446
00:19:48,960 --> 00:19:50,680
Speaker 3: What about you be plus?

447
00:19:50,840 --> 00:19:53,160
Speaker 2: Explic about replay value?

448
00:19:53,680 --> 00:19:54,520
Speaker 3: Replay value?

449
00:19:54,800 --> 00:19:57,760
Speaker 4: Although I like it, I just don't see myself playing

450
00:19:57,880 --> 00:20:00,320
Speaker 4: it as much. I'll play some of the other stuff

451
00:20:00,359 --> 00:20:03,200
Speaker 4: that I like. So I'm at a C plus replay value.

452
00:20:03,440 --> 00:20:05,560
Speaker 3: How about you can't replay value?

453
00:20:05,640 --> 00:20:08,440
Speaker 1: I'm to be I'm to be I think because you

454
00:20:08,480 --> 00:20:11,680
Speaker 1: know what, because the more I listen to it, the

455
00:20:11,720 --> 00:20:15,919
Speaker 1: more it grows on me, you know so, and I

456
00:20:15,920 --> 00:20:17,920
Speaker 1: think it's I think it's one of those albums where

457
00:20:17,920 --> 00:20:19,359
Speaker 1: I need to give it a couple of more spins

458
00:20:19,359 --> 00:20:23,960
Speaker 1: because it's it's it's fifty something minutes, so damn.

459
00:20:25,920 --> 00:20:26,920
Speaker 3: You have to put in some work.

460
00:20:26,920 --> 00:20:28,639
Speaker 1: We were just talking to Mick jenks Is about that,

461
00:20:30,000 --> 00:20:32,080
Speaker 1: So actually I might need to bump that down to it.

462
00:20:32,119 --> 00:20:32,679
Speaker 3: Be honest, I.

463
00:20:32,680 --> 00:20:36,280
Speaker 1: Think it'd be harder to play it more to get

464
00:20:36,320 --> 00:20:40,400
Speaker 1: to where I need to get to because it is

465
00:20:40,760 --> 00:20:46,760
Speaker 1: fifty plus minutes long. But I think with more plays,

466
00:20:46,840 --> 00:20:49,640
Speaker 1: I think I would definitely love it a lot more.

467
00:20:49,680 --> 00:20:51,440
Speaker 1: I'll probably be where you are, but I'm not there

468
00:20:51,480 --> 00:20:51,800
Speaker 1: right now.

469
00:20:51,880 --> 00:20:55,040
Speaker 2: Yeah. My replay is that's dope.

470
00:20:55,119 --> 00:20:58,640
Speaker 4: Yeah, man, my replay is it sounds like that many

471
00:20:58,760 --> 00:21:01,080
Speaker 4: that that's what it sounds like everything.

472
00:21:02,240 --> 00:21:06,240
Speaker 2: I mean, it exceeded my expectations actually, so yeah, yeah,

473
00:21:06,480 --> 00:21:10,600
Speaker 2: I'm playing this. I am playing this and my overalls

474
00:21:10,600 --> 00:21:13,040
Speaker 2: are a minus.

475
00:21:12,720 --> 00:21:16,399
Speaker 3: That's a high ass grade. Really, No, no, no, I'm not

476
00:21:16,440 --> 00:21:17,280
Speaker 3: saying that it's bad.

477
00:21:17,280 --> 00:21:19,520
Speaker 4: I'm just saying that, like you normally don't pass out

478
00:21:20,240 --> 00:21:23,040
Speaker 4: a like remember last time you gave somebody?

479
00:21:24,320 --> 00:21:25,240
Speaker 3: Had you given anybody?

480
00:21:25,680 --> 00:21:25,880
Speaker 2: Yeah?

481
00:21:25,920 --> 00:21:29,440
Speaker 3: I think I gave. I have to look go look, man,

482
00:21:29,520 --> 00:21:32,440
Speaker 3: I don't remember you giving out a damn.

483
00:21:32,560 --> 00:21:38,240
Speaker 2: That's that's probably just been some bullshit, that's what Maybe

484
00:21:38,240 --> 00:21:38,640
Speaker 2: that's why.

485
00:21:38,880 --> 00:21:40,879
Speaker 3: Uh, I'm got to be honest.

486
00:21:42,320 --> 00:21:45,760
Speaker 4: Yeah, and I'm at overall b okay overall b Yeah,

487
00:21:45,760 --> 00:21:46,880
Speaker 4: I have to look back and see.

488
00:21:47,480 --> 00:21:50,240
Speaker 3: Yeah, I'm glad you enjoyed it like that.

489
00:21:51,240 --> 00:21:54,960
Speaker 2: Man, they captured it. I was like, man, they did it.

490
00:21:55,080 --> 00:21:59,160
Speaker 2: They really did this ship that's crazy.

491
00:21:58,080 --> 00:22:00,440
Speaker 1: Be be playing court and ship on the line right

492
00:22:00,520 --> 00:22:04,360
Speaker 1: right anyway, Man, let us know what you guys think

493
00:22:04,359 --> 00:22:07,440
Speaker 1: about the Mob Deep Infinite album, Like, are you guys

494
00:22:07,440 --> 00:22:11,560
Speaker 1: with be Rod me like, which which one is it?

495
00:22:12,600 --> 00:22:16,239
Speaker 1: Or you with yourself? Which is just fine too. Did

496
00:22:16,320 --> 00:22:19,080
Speaker 1: they capture it? Did they ascut this thing really really well?

497
00:22:19,280 --> 00:22:19,560
Speaker 3: Give it?

498
00:22:19,640 --> 00:22:21,520
Speaker 1: Leave your grace in the comment session. We always love

499
00:22:21,560 --> 00:22:23,480
Speaker 1: seeing those and we'll get you guys next time. Were

500
00:22:23,480 --> 00:22:25,000
Speaker 1: at peace, Peace,