1 00:00:08,039 --> 00:00:11,880 Speaker 1: Yo, what they do, man, Danny hip hop, the listening. 2 00:00:11,920 --> 00:00:14,440 Speaker 1: Appreciate everybody that's here. You know what I'm saying. On 3 00:00:14,640 --> 00:00:17,200 Speaker 1: time we live. You know, we got i DK in 4 00:00:17,200 --> 00:00:19,919 Speaker 1: the background. Man, he's in the backstage, he's here. He 5 00:00:20,079 --> 00:00:22,440 Speaker 1: just says some joints. You know, I'm saying some fire stuff. 6 00:00:22,520 --> 00:00:24,760 Speaker 1: Now here's the thing. We don't listen to him, but 7 00:00:24,800 --> 00:00:28,400 Speaker 1: it's i DK. So we it's guaranteed fire, guarantee fire. 8 00:00:28,680 --> 00:00:32,640 Speaker 1: You know what I'm saying. Look, I saw this thing. 9 00:00:32,680 --> 00:00:34,400 Speaker 1: I said that. The kN ain't say nothing. So this 10 00:00:34,440 --> 00:00:35,640 Speaker 1: is what we're gonna do. You know, I'm saying a 11 00:00:35,640 --> 00:00:38,360 Speaker 1: little quick. You know what I'm saying, just just real quick. 12 00:00:39,560 --> 00:00:43,239 Speaker 1: Benny the butcher or Conway the machine? Who's better? I'm 13 00:00:43,240 --> 00:00:51,239 Speaker 1: gonna coup the three? Just say who you think is better? One? Two, three? Benny? 14 00:00:51,920 --> 00:00:52,920 Speaker 2: Are you talking to us? 15 00:00:53,440 --> 00:00:54,640 Speaker 1: Yeah, I'm talking to y'all. 16 00:00:54,960 --> 00:00:56,720 Speaker 3: Ain't know what you don't know what you do. 17 00:00:57,400 --> 00:00:57,960 Speaker 2: But you know. 18 00:01:02,520 --> 00:01:12,880 Speaker 1: Benny's you know, Conways my guy. Everybody don't know that though, Benny, Bennie, 19 00:01:13,480 --> 00:01:17,080 Speaker 1: that's what's Conway is my guy. That's what's up. But look, 20 00:01:18,440 --> 00:01:20,840 Speaker 1: I mentioned Benny and Conway because I d K has 21 00:01:20,880 --> 00:01:23,800 Speaker 1: a feature with Benny the Butcher, and that's why I 22 00:01:23,840 --> 00:01:27,520 Speaker 1: want to start this intro. Everybody that's here on time 23 00:01:29,200 --> 00:01:34,119 Speaker 1: I d K has a ridiculous feature run either who 24 00:01:34,240 --> 00:01:37,280 Speaker 1: he's featured on or who has featured with him. So 25 00:01:37,360 --> 00:01:40,160 Speaker 1: these are just some of the names. Push Your T 26 00:01:40,640 --> 00:01:47,760 Speaker 1: d m X, Jin Tyler The Creator, Burner Boy, Young Thug, Offset, Westside, 27 00:01:47,760 --> 00:01:53,520 Speaker 1: Gun MF Doom Jay, Electronica, Lucky Day, Sir T Payne, Neptune, Sway, Lee, Rico, 28 00:01:53,680 --> 00:01:58,440 Speaker 1: Nasty Slick, Rick Seventh, Streeter Music, Soul Child, Rich the Kids, 29 00:01:58,480 --> 00:02:02,840 Speaker 1: Snoop Dogg, Fat Trail, Anie Chopper, Juicy Fruit, Saucy Santana, 30 00:02:03,480 --> 00:02:08,600 Speaker 1: Benny the Butcher that is wild and the man that 31 00:02:08,720 --> 00:02:12,359 Speaker 1: has all of those crazy features is none other than IDK. 32 00:02:14,240 --> 00:02:15,799 Speaker 2: Hey, what's up? What's up? 33 00:02:16,240 --> 00:02:16,880 Speaker 1: Whatever else? 34 00:02:18,280 --> 00:02:20,960 Speaker 2: As well? Man, I didn't even realize it was that 35 00:02:21,000 --> 00:02:21,600 Speaker 2: crazy shit? 36 00:02:23,400 --> 00:02:26,640 Speaker 1: How do you not realize that? Oh my god. 37 00:02:27,320 --> 00:02:30,000 Speaker 4: I don't be thinking about it that way. Like sometimes 38 00:02:30,000 --> 00:02:32,520 Speaker 4: when I make this stuff, you know, I just hear 39 00:02:32,840 --> 00:02:37,440 Speaker 4: abstract ideas. And I always love having people that may 40 00:02:37,560 --> 00:02:40,880 Speaker 4: not actually ever be on an album together on projects 41 00:02:40,919 --> 00:02:42,799 Speaker 4: that I have, So love that. 42 00:02:43,680 --> 00:02:48,560 Speaker 1: Yeah, I love that hot. But like how like, because 43 00:02:48,600 --> 00:02:51,080 Speaker 1: it's it's not like you know, most artists, I feel 44 00:02:51,080 --> 00:02:53,360 Speaker 1: like typically have to like grow their profile before they 45 00:02:53,360 --> 00:02:56,040 Speaker 1: start collabing. And it feels like you was collabing from 46 00:02:56,080 --> 00:02:59,799 Speaker 1: get go my hot, Like how sway, how did how 47 00:02:59,800 --> 00:03:01,240 Speaker 1: did you make that happen? 48 00:03:02,560 --> 00:03:05,280 Speaker 4: It depends. I mean, I wouldn't safe from get go, man. 49 00:03:05,440 --> 00:03:10,720 Speaker 4: I remember extremely hard to get anything from anybody. I 50 00:03:10,720 --> 00:03:14,160 Speaker 4: remember one time I almost got scammed for school war Q. 51 00:03:14,880 --> 00:03:17,239 Speaker 4: This is when this is when I thought the best 52 00:03:17,280 --> 00:03:19,160 Speaker 4: way to get a future was to pay for it 53 00:03:19,240 --> 00:03:22,679 Speaker 4: and I didn't know any better, and they were like, yeah, 54 00:03:22,680 --> 00:03:24,959 Speaker 4: school Boy Q one thousand dollars and I'm like, well, 55 00:03:25,080 --> 00:03:27,440 Speaker 4: thousand dollars to me at that time was a lot 56 00:03:27,480 --> 00:03:31,000 Speaker 4: of money. So it made sense at the time, but 57 00:03:31,080 --> 00:03:33,840 Speaker 4: it was obviously not something that made sense at all 58 00:03:33,880 --> 00:03:37,360 Speaker 4: in the height of his career when his first album 59 00:03:37,400 --> 00:03:40,920 Speaker 4: had just come out, you know. But I remember I 60 00:03:40,920 --> 00:03:43,760 Speaker 4: almost got scammed for that and it didn't end up happening, 61 00:03:43,880 --> 00:03:48,480 Speaker 4: thank god. It was impossible up until probably when I 62 00:03:48,520 --> 00:03:53,680 Speaker 4: got to I was very bad that project. 63 00:03:54,160 --> 00:03:56,040 Speaker 2: You know. It was interesting because who do I have? 64 00:03:56,080 --> 00:03:58,280 Speaker 2: I had Chief Keith, so Chief Keith. 65 00:03:58,760 --> 00:04:01,120 Speaker 4: How I was able to that have and was because 66 00:04:01,200 --> 00:04:06,800 Speaker 4: when I first started making music, you know, back in 67 00:04:06,840 --> 00:04:09,920 Speaker 4: the day when everybody had their booking manager's number in 68 00:04:10,000 --> 00:04:12,920 Speaker 4: the in their descript their bio. I do remember that, 69 00:04:14,360 --> 00:04:17,680 Speaker 4: like Keith all right, Bet and I had you used 70 00:04:17,720 --> 00:04:21,719 Speaker 4: to be able to mass text everybody in your phone 71 00:04:21,760 --> 00:04:24,159 Speaker 4: in your context on I message, so I had like 72 00:04:24,160 --> 00:04:26,719 Speaker 4: two hundred people, and I'd be like, I'd be like, 73 00:04:26,760 --> 00:04:29,600 Speaker 4: don't respond because it'll freeze up the phone if everybody's responding. 74 00:04:29,680 --> 00:04:31,000 Speaker 2: So I'll be like, but look at my news, check 75 00:04:31,000 --> 00:04:32,479 Speaker 2: out my new song. And he was. 76 00:04:32,800 --> 00:04:34,599 Speaker 4: He was in there, and I remember one time he 77 00:04:34,760 --> 00:04:38,120 Speaker 4: was like, Yo, this is fire and it just said 78 00:04:38,200 --> 00:04:42,640 Speaker 4: Chief Keith Management, and I remember that, and and then 79 00:04:42,680 --> 00:04:44,599 Speaker 4: he I would always you know, he followed me on 80 00:04:44,640 --> 00:04:47,520 Speaker 4: Instagram and you see me grow whatever the case may be. 81 00:04:48,240 --> 00:04:51,159 Speaker 4: And then when it came down to it, one time, 82 00:04:51,279 --> 00:04:53,200 Speaker 4: I remember I was like, man, I really hear Chief 83 00:04:53,279 --> 00:04:56,320 Speaker 4: Keith on this song. He's like, I mean, he don't 84 00:04:56,640 --> 00:05:00,359 Speaker 4: do too much these days, but let me see, and 85 00:05:00,400 --> 00:05:03,360 Speaker 4: he sent them the song. And it was a similar 86 00:05:03,560 --> 00:05:06,760 Speaker 4: situation to a lot of the ones that happened earlier before. 87 00:05:06,800 --> 00:05:09,520 Speaker 4: I had a lot of the relationships directly with artists. 88 00:05:09,680 --> 00:05:13,280 Speaker 4: It was just like, okay, he actually fucks with it. 89 00:05:13,040 --> 00:05:15,960 Speaker 4: He said he'll do the verse, and then it took 90 00:05:16,040 --> 00:05:18,240 Speaker 4: like mad long and I had to follow up and 91 00:05:18,320 --> 00:05:20,000 Speaker 4: just you know, and it was like it's coming tomorrow 92 00:05:20,000 --> 00:05:22,200 Speaker 4: and they don't come, and then you know, and then 93 00:05:22,240 --> 00:05:24,480 Speaker 4: eventually he came back with one of a lot of 94 00:05:24,520 --> 00:05:26,600 Speaker 4: people say one of his best verses, you could tell you. 95 00:05:26,720 --> 00:05:29,120 Speaker 2: I remember they said he did it. He did. 96 00:05:29,160 --> 00:05:31,520 Speaker 4: He said he did it the first time and he 97 00:05:31,600 --> 00:05:35,279 Speaker 4: didn't didn't like it, so then he did it again 98 00:05:35,440 --> 00:05:38,880 Speaker 4: and it was really good, you know. So that was 99 00:05:39,000 --> 00:05:41,799 Speaker 4: that was like kind of how that happened. I remember 100 00:05:41,839 --> 00:05:44,440 Speaker 4: that one. And then like later on it just became 101 00:05:45,160 --> 00:05:48,599 Speaker 4: I just be around. I see certain people, I link 102 00:05:48,640 --> 00:05:51,520 Speaker 4: up with certain people, I see certain people out and 103 00:05:51,640 --> 00:05:53,560 Speaker 4: then it got to a point where people start coming 104 00:05:53,600 --> 00:05:56,400 Speaker 4: to me. I think a lot of artists also refer 105 00:05:56,520 --> 00:05:59,200 Speaker 4: to me as an artist's favorite artist kind of person 106 00:05:59,320 --> 00:06:04,120 Speaker 4: where they may not they may be but from numbers, 107 00:06:04,279 --> 00:06:07,400 Speaker 4: you know, bigger than me, but when it comes down 108 00:06:07,440 --> 00:06:11,320 Speaker 4: to how they view my art, you know, this is 109 00:06:11,440 --> 00:06:13,960 Speaker 4: just like there's a saying in prison that's like man 110 00:06:14,000 --> 00:06:17,520 Speaker 4: respect man. If you carry yourself like a man. I mean, 111 00:06:18,040 --> 00:06:21,119 Speaker 4: most likely you'll be all right, Like stuff still could happen, 112 00:06:21,160 --> 00:06:24,560 Speaker 4: but for the most part, manage. It's when you're trying 113 00:06:24,560 --> 00:06:26,080 Speaker 4: to do all the other stuff is when you get 114 00:06:26,120 --> 00:06:28,599 Speaker 4: into stuff right. I think the same applies to music 115 00:06:28,760 --> 00:06:32,240 Speaker 4: art respect art, Like it could be an artist that 116 00:06:32,279 --> 00:06:35,440 Speaker 4: has two thousand followers if I'm inspired by their music 117 00:06:35,520 --> 00:06:37,159 Speaker 4: to the point where I wish I made that shit, 118 00:06:37,200 --> 00:06:39,279 Speaker 4: and I'm like, I know at some point they gonna 119 00:06:39,440 --> 00:06:40,640 Speaker 4: it's gonna happen for them. 120 00:06:41,080 --> 00:06:41,680 Speaker 2: I'm a fan. 121 00:06:41,960 --> 00:06:43,800 Speaker 4: I don't look at it what I got and what 122 00:06:43,960 --> 00:06:46,320 Speaker 4: they got, and it's like, I want to make music. 123 00:06:46,360 --> 00:06:48,560 Speaker 4: Am I worthy enough to make music with you? Because 124 00:06:48,560 --> 00:06:51,320 Speaker 4: the level of the music you make is something that 125 00:06:51,360 --> 00:06:54,240 Speaker 4: I aspire to make, and that vice versa. They might 126 00:06:54,279 --> 00:06:56,520 Speaker 4: feel the same way about you, and they won't know. 127 00:06:56,800 --> 00:07:00,800 Speaker 4: I remember this happened with Ref one time studio right 128 00:07:01,160 --> 00:07:03,680 Speaker 4: and he played I think it was floor seats and 129 00:07:03,720 --> 00:07:04,320 Speaker 4: he's in my house. 130 00:07:04,360 --> 00:07:06,440 Speaker 2: No, he came up to the crib and he played 131 00:07:06,560 --> 00:07:10,400 Speaker 2: like banger after banger real. 132 00:07:10,960 --> 00:07:13,400 Speaker 4: And I remember hearing his shit like damn, I wish 133 00:07:13,440 --> 00:07:16,480 Speaker 4: I made that, And then he was like Nigga, I 134 00:07:16,520 --> 00:07:20,440 Speaker 4: wish I made that. So we my each other based 135 00:07:20,480 --> 00:07:22,960 Speaker 4: off of the art. So to me, I'm like, damn, 136 00:07:23,000 --> 00:07:24,960 Speaker 4: I'm not on this nigga level when it comes to that, 137 00:07:25,040 --> 00:07:27,560 Speaker 4: and then he's looking at it the same way. But right, 138 00:07:28,360 --> 00:07:30,080 Speaker 4: So that's what I mean by art respect art, and 139 00:07:30,080 --> 00:07:32,520 Speaker 4: I think a lot of my features that's just that's 140 00:07:32,560 --> 00:07:34,560 Speaker 4: just what it be like, people respect what I do. 141 00:07:35,600 --> 00:07:38,280 Speaker 1: Yeah, that's beautiful, bro, Like you know, I feel you 142 00:07:38,320 --> 00:07:40,440 Speaker 1: know a lot of your story is very organic, you 143 00:07:40,440 --> 00:07:42,160 Speaker 1: know what I'm saying, Like you put in the leg whek, 144 00:07:42,240 --> 00:07:45,320 Speaker 1: You've reached out, You've done a lot. But with all 145 00:07:45,320 --> 00:07:48,360 Speaker 1: of these features, like how many of them happened in studio? 146 00:07:48,400 --> 00:07:51,560 Speaker 1: Do you have any like in crazy in studio? You 147 00:07:51,600 --> 00:07:52,280 Speaker 1: know what I'm saying. 148 00:07:52,960 --> 00:07:56,960 Speaker 4: Story, I think the person I have ironically the most 149 00:07:57,040 --> 00:07:58,040 Speaker 4: chemistry with. 150 00:07:59,600 --> 00:08:00,360 Speaker 2: Two people. 151 00:08:00,440 --> 00:08:02,880 Speaker 4: It's either Denzel, me and Denzel Curry or me and 152 00:08:02,920 --> 00:08:07,640 Speaker 4: Trippy Red. I think like five or six songs. Seven 153 00:08:08,320 --> 00:08:13,040 Speaker 4: only came out. But since I did a freestyle so 154 00:08:13,080 --> 00:08:16,800 Speaker 4: the double XL, I was up and running for the 155 00:08:17,240 --> 00:08:20,200 Speaker 4: double XCEL and they and I and I thought I 156 00:08:20,240 --> 00:08:22,360 Speaker 4: would have gotten it and they ain't give it to me. 157 00:08:22,720 --> 00:08:26,640 Speaker 4: And I heard through the Grapevine that Trippy red did 158 00:08:26,680 --> 00:08:30,120 Speaker 4: the double XL cover with the with the Freshman, but 159 00:08:30,160 --> 00:08:33,080 Speaker 4: he didn't do the freestyle, and I'm like, that's blasphemy. 160 00:08:33,559 --> 00:08:35,839 Speaker 4: You mean you have that opportunity and you blow off 161 00:08:35,840 --> 00:08:38,160 Speaker 4: the freestyle. He might have been the first or ever 162 00:08:38,240 --> 00:08:41,160 Speaker 4: to do that. So I was like, I know that's happening. 163 00:08:41,840 --> 00:08:43,880 Speaker 4: I'm gonna make Trippy Reds freestyle and I'm gonna drop 164 00:08:43,920 --> 00:08:48,000 Speaker 4: as soon as the XOL I'm gonna drop my freestyle 165 00:08:48,280 --> 00:08:49,520 Speaker 4: like I should have been there. 166 00:08:50,080 --> 00:08:55,360 Speaker 2: And that's how we got cool because it grew up. 167 00:08:55,480 --> 00:08:56,200 Speaker 2: It was crazy. 168 00:08:56,240 --> 00:08:58,760 Speaker 4: It was like on World Style, everybody like this nigga 169 00:08:58,840 --> 00:09:02,040 Speaker 4: literally the like Burnt the double excelf bag is Eat 170 00:09:02,120 --> 00:09:03,560 Speaker 4: and the whole ship and all that shit. 171 00:09:04,920 --> 00:09:07,760 Speaker 2: I remember the game hit me like yo, that freestyle hard? 172 00:09:07,920 --> 00:09:11,160 Speaker 2: Like what it just literally be. 173 00:09:11,160 --> 00:09:14,320 Speaker 4: Like I I've done so much that almost everybody in 174 00:09:14,400 --> 00:09:17,839 Speaker 4: rap has come across me to some degree at least once. 175 00:09:18,200 --> 00:09:20,120 Speaker 4: So like by the time I hit niggas and it's 176 00:09:20,200 --> 00:09:23,280 Speaker 4: usually positive, Like I can I can say every time 177 00:09:23,280 --> 00:09:25,559 Speaker 4: I've ever gone virals for something good. You know what 178 00:09:25,559 --> 00:09:28,160 Speaker 4: I'm saying that I like some controversy and then that 179 00:09:28,240 --> 00:09:31,800 Speaker 4: knock on wood. But because of that, I think people 180 00:09:31,880 --> 00:09:35,600 Speaker 4: just respect high moved. But yeah, that that's a long 181 00:09:35,640 --> 00:09:36,480 Speaker 4: winded answer, like. 182 00:09:36,440 --> 00:09:43,200 Speaker 1: You said, so, so the old joint you sent them. 183 00:09:43,360 --> 00:09:45,320 Speaker 1: Oh and by the way, everybody watching, man, look, if 184 00:09:45,400 --> 00:09:47,720 Speaker 1: y'all want to ask I DK a question, go ahead 185 00:09:47,720 --> 00:09:49,520 Speaker 1: and send in your super chat. Get them in now 186 00:09:49,960 --> 00:09:53,200 Speaker 1: you know what I'm saying, and we'll answer them once 187 00:09:53,200 --> 00:09:55,480 Speaker 1: we get through with the music. But the old joint 188 00:09:55,520 --> 00:09:59,240 Speaker 1: you sent there was no shoes on the rug. Why 189 00:09:59,240 --> 00:09:59,880 Speaker 1: did you pick that? 190 00:10:02,480 --> 00:10:06,960 Speaker 4: Well specifically for this, uh you know, doing me doing 191 00:10:07,000 --> 00:10:09,160 Speaker 4: this with you guys. I remember that was like the 192 00:10:09,440 --> 00:10:13,200 Speaker 4: first thing that either y'all reacted to or said something 193 00:10:13,240 --> 00:10:16,560 Speaker 4: about at some point. And man, I was watching. I 194 00:10:16,640 --> 00:10:20,240 Speaker 4: used to watch all y'all stuff like dream to me 195 00:10:20,480 --> 00:10:23,160 Speaker 4: like to be able to even just damn these guys 196 00:10:23,200 --> 00:10:26,480 Speaker 4: talk about my ship like like you know, so I 197 00:10:26,520 --> 00:10:29,520 Speaker 4: was like, man, I wanted to kind of bring something 198 00:10:29,559 --> 00:10:33,079 Speaker 4: from that into the mix. And also it connects with 199 00:10:33,120 --> 00:10:36,079 Speaker 4: this new project because that was one of the first 200 00:10:36,120 --> 00:10:39,600 Speaker 4: times I really talked about how it felt behind bars 201 00:10:40,120 --> 00:10:43,760 Speaker 4: and how I you know, I discovered that my mom, 202 00:10:44,400 --> 00:10:47,400 Speaker 4: who I thought hated me, which I was just crazy 203 00:10:47,840 --> 00:10:51,439 Speaker 4: really loved me because I remember when when when she 204 00:10:51,440 --> 00:10:53,520 Speaker 4: she would always say, like all the stuff you're doing, 205 00:10:53,640 --> 00:10:55,199 Speaker 4: if you go to jail, I'm never gonna come and 206 00:10:55,280 --> 00:10:58,679 Speaker 4: visit you on a disown. You have parents and stuff. 207 00:10:58,720 --> 00:11:03,120 Speaker 4: So I remember when that happened. Man, she was actually 208 00:11:03,120 --> 00:11:05,000 Speaker 4: the only one that did come visit me. You know 209 00:11:05,000 --> 00:11:07,480 Speaker 4: what I'm saying. She was the only one that did 210 00:11:07,480 --> 00:11:09,720 Speaker 4: have my back. You know, I was seventeen in adult 211 00:11:09,800 --> 00:11:14,080 Speaker 4: prison and as her son, she couldn't bear to see that, 212 00:11:14,200 --> 00:11:17,120 Speaker 4: no matter what she actually said. And I realized you 213 00:11:17,240 --> 00:11:20,800 Speaker 4: meaning of love, especially tough love. So that's that's what 214 00:11:20,880 --> 00:11:21,880 Speaker 4: that song means to me. 215 00:11:22,640 --> 00:11:25,600 Speaker 2: Yeah, that's something I was very bad. Yeah that was 216 00:11:25,679 --> 00:11:26,439 Speaker 2: that was my intro. 217 00:11:26,600 --> 00:11:28,319 Speaker 3: Yeah, that was absolutely my intro. 218 00:11:29,040 --> 00:11:35,800 Speaker 5: Yeah all right already yeah man, run it all right? 219 00:11:37,360 --> 00:11:38,400 Speaker 2: Remaining on this call? 220 00:11:39,520 --> 00:11:44,200 Speaker 1: Yeah no, no, no, yo. 221 00:11:45,400 --> 00:11:45,760 Speaker 5: Pause. 222 00:11:49,920 --> 00:11:51,800 Speaker 2: Do you understand what I was trying to say? 223 00:11:52,360 --> 00:11:54,400 Speaker 4: Oh, now you understand what I was trying to say. 224 00:11:54,520 --> 00:11:56,640 Speaker 6: Man, But even though you make me mad and never 225 00:11:56,720 --> 00:11:58,959 Speaker 6: listen you my baby, and I'm still growing up. 226 00:11:58,960 --> 00:12:04,679 Speaker 2: This call has ended. Goodbye. 227 00:12:05,920 --> 00:12:08,640 Speaker 1: Look like you know, you keep calling your music art 228 00:12:08,800 --> 00:12:11,360 Speaker 1: and you're one of the few in my opinion that 229 00:12:11,480 --> 00:12:14,120 Speaker 1: like I would definitely, I wouldn't even call you a rapper, 230 00:12:14,280 --> 00:12:16,400 Speaker 1: like you're literally an artist. And I feel like you've 231 00:12:16,400 --> 00:12:20,480 Speaker 1: been able to master like like broad stroke like detail 232 00:12:21,120 --> 00:12:24,199 Speaker 1: like like even in that song, like inflections in your voice, 233 00:12:24,280 --> 00:12:27,079 Speaker 1: you know what I'm saying, Like that conveys so much emotion, 234 00:12:27,480 --> 00:12:29,560 Speaker 1: Like you'll be like technical rapping, then you'll get into 235 00:12:29,559 --> 00:12:32,559 Speaker 1: some melodic shit like it's just like, bro, like that 236 00:12:32,760 --> 00:12:36,240 Speaker 1: is what art is is Like you're you're you transcended rap, 237 00:12:36,320 --> 00:12:38,880 Speaker 1: like it's not just one thing that you do, bro. 238 00:12:39,120 --> 00:12:41,880 Speaker 1: And I think that's the reason why, Like we've always 239 00:12:41,920 --> 00:12:44,400 Speaker 1: been just like so high on you, and I know 240 00:12:44,440 --> 00:12:46,680 Speaker 1: on the last review, I was like damn, Like you 241 00:12:46,679 --> 00:12:48,120 Speaker 1: know when people always ask us, like, you know, who 242 00:12:48,120 --> 00:12:48,920 Speaker 1: should I be checking out? 243 00:12:48,960 --> 00:12:49,040 Speaker 3: This? 244 00:12:49,080 --> 00:12:51,320 Speaker 1: Then the third and I think you're You're one of 245 00:12:51,320 --> 00:12:54,600 Speaker 1: those artists that should always get more love. But I 246 00:12:54,760 --> 00:12:56,760 Speaker 1: need to you know what I'm saying, consciously be telling 247 00:12:56,760 --> 00:12:58,360 Speaker 1: people like when they ask a bro, who should I 248 00:12:58,440 --> 00:13:00,920 Speaker 1: check out? IDK, you're like, you know I said that 249 00:13:00,920 --> 00:13:05,560 Speaker 1: about Denzel Curry. Couple like Denzel cur like, man, if. 250 00:13:05,400 --> 00:13:07,880 Speaker 5: You may want to add the at the at the 251 00:13:08,080 --> 00:13:10,520 Speaker 5: rapper part, because they're gonna be like what you know, 252 00:13:12,200 --> 00:13:12,439 Speaker 5: you know. 253 00:13:13,760 --> 00:13:18,600 Speaker 1: He's an artist you check out, all right, man. 254 00:13:19,760 --> 00:13:26,560 Speaker 5: I was, but no, I think it very descriptive. I know, 255 00:13:26,600 --> 00:13:28,120 Speaker 5: I know this project is getting a lot of love 256 00:13:28,160 --> 00:13:31,320 Speaker 5: as it as it should, as as all your projects 257 00:13:31,600 --> 00:13:35,520 Speaker 5: I've visited them all should so I'm loving the response 258 00:13:35,520 --> 00:13:36,320 Speaker 5: I've seen so far. 259 00:13:37,320 --> 00:13:38,559 Speaker 2: But just descriptive. Man. 260 00:13:38,600 --> 00:13:41,560 Speaker 5: I think the way you can the way you're right, 261 00:13:41,720 --> 00:13:45,240 Speaker 5: the way you can relate like your stories your songs 262 00:13:46,360 --> 00:13:49,200 Speaker 5: is really impactful, I think, and chest even on that 263 00:13:49,200 --> 00:13:52,160 Speaker 5: one when you're talking about you know who's running this place, 264 00:13:52,600 --> 00:13:55,920 Speaker 5: I'm a caller, Like that's a mama thing that that 265 00:13:55,960 --> 00:13:59,720 Speaker 5: I happened, Like I need to get on the phone, 266 00:14:00,080 --> 00:14:07,720 Speaker 5: you know, yeah, yeah, And what I was thinking about, 267 00:14:08,520 --> 00:14:10,840 Speaker 5: you know, since the review, I've I've been listening to 268 00:14:10,920 --> 00:14:16,560 Speaker 5: it and and I was just recently listening to it 269 00:14:16,640 --> 00:14:19,520 Speaker 5: and the thing that I I was walking away with 270 00:14:19,680 --> 00:14:22,320 Speaker 5: and I really haven't found the words, but I think 271 00:14:22,960 --> 00:14:29,360 Speaker 5: you have a really really really good talent for writing 272 00:14:29,400 --> 00:14:34,160 Speaker 5: and crafting songs, and and in such a way where 273 00:14:34,320 --> 00:14:36,440 Speaker 5: like Fifo said, you have the technical stuff and then 274 00:14:36,440 --> 00:14:39,640 Speaker 5: you have the melodic stuff, like it's you're really versatile 275 00:14:39,680 --> 00:14:42,080 Speaker 5: and it almost like it knows no bounds. When I'm 276 00:14:42,120 --> 00:14:46,640 Speaker 5: listening to structure choruses the way you could add us. 277 00:14:47,360 --> 00:14:49,040 Speaker 2: They call these tricks. I heard it from. 278 00:14:49,040 --> 00:14:49,680 Speaker 1: I forgot who was. 279 00:14:49,720 --> 00:14:52,680 Speaker 5: I think it was somebody uh uh that said they 280 00:14:52,680 --> 00:14:55,640 Speaker 5: talk about jay Z and jay Z's really adding tricks 281 00:14:55,680 --> 00:14:58,240 Speaker 5: to songs. And the way they describe the tricks was 282 00:14:58,240 --> 00:15:01,640 Speaker 5: that it's a part of a song that people w remember. 283 00:15:01,880 --> 00:15:05,440 Speaker 5: I always remember and and Yeah, when I'm listening to 284 00:15:05,480 --> 00:15:07,480 Speaker 5: these joints, I'm like, man, the way he can crap 285 00:15:08,080 --> 00:15:11,440 Speaker 5: the songs, the hooks, instructure them in a way and 286 00:15:11,480 --> 00:15:13,960 Speaker 5: then pick the beats and everything. It's just like it 287 00:15:14,080 --> 00:15:16,360 Speaker 5: really is very artistic. Not a lot of people can 288 00:15:16,440 --> 00:15:19,640 Speaker 5: really do that. It's it's really incredible. 289 00:15:20,440 --> 00:15:20,680 Speaker 2: Man. 290 00:15:21,680 --> 00:15:25,360 Speaker 4: What man, it feels so good to hear this, man, 291 00:15:25,440 --> 00:15:28,520 Speaker 4: because be real with you, man, Like when I made this, 292 00:15:28,640 --> 00:15:31,480 Speaker 4: he real it was reviewed, had got a lot of 293 00:15:31,520 --> 00:15:34,960 Speaker 4: mixed reviews, and I was so shocked at it because 294 00:15:36,120 --> 00:15:39,800 Speaker 4: I realized I put my foot in that joint so 295 00:15:40,120 --> 00:15:43,840 Speaker 4: much that people prior didn't even catch. Like some people 296 00:15:43,840 --> 00:15:48,480 Speaker 4: were saying things like, man, he's talking about religion, but 297 00:15:48,560 --> 00:15:51,200 Speaker 4: he never lands on what religion If he believes in 298 00:15:51,280 --> 00:15:53,960 Speaker 4: religion or not. And I'm like, that was the point 299 00:15:54,640 --> 00:15:59,160 Speaker 4: I have just to post thoughts that I'm telling you 300 00:15:59,200 --> 00:16:02,360 Speaker 4: to think on your own what you see it as 301 00:16:02,560 --> 00:16:04,000 Speaker 4: I leave you with a cliffhanger. 302 00:16:04,040 --> 00:16:05,720 Speaker 2: I love movies that have cliffhangers. 303 00:16:05,760 --> 00:16:07,840 Speaker 4: I love movies that don't that in in a way 304 00:16:07,880 --> 00:16:09,840 Speaker 4: where you wish there was a sequel, but there's no sequel. 305 00:16:10,400 --> 00:16:12,880 Speaker 4: So in my mind, I thought I accomplished the highest 306 00:16:12,880 --> 00:16:15,840 Speaker 4: thing that I could at the time, and I realized 307 00:16:15,880 --> 00:16:19,080 Speaker 4: people didn't pay enough attention to it, and you know, 308 00:16:19,200 --> 00:16:21,400 Speaker 4: and it mess with me because I'm like, maybe I'm 309 00:16:21,400 --> 00:16:24,240 Speaker 4: doing too much. Maybe I just need to focus on making, 310 00:16:24,400 --> 00:16:26,520 Speaker 4: you know, catch enough hooks and da da da da. 311 00:16:26,560 --> 00:16:28,680 Speaker 4: And so the next record it was a lot more 312 00:16:28,720 --> 00:16:32,520 Speaker 4: commercially acceptable in terms of like I had my first 313 00:16:32,640 --> 00:16:37,520 Speaker 4: radio real radio single, like all this stuff, and I 314 00:16:37,600 --> 00:16:40,040 Speaker 4: was like, maybe I'll just I'll you know, I probably 315 00:16:40,080 --> 00:16:42,280 Speaker 4: go four layers into what I create. 316 00:16:42,320 --> 00:16:44,520 Speaker 2: But I'll maybe just do two. Two is good enough. 317 00:16:45,280 --> 00:16:48,480 Speaker 4: And I let I let people not really seeing certain 318 00:16:48,520 --> 00:16:53,000 Speaker 4: things make me put less detail into certain things and 319 00:16:53,040 --> 00:16:56,200 Speaker 4: focus on other things. But you saying that, and even 320 00:16:56,240 --> 00:16:58,800 Speaker 4: the praise that this one is getting right now. It 321 00:16:58,880 --> 00:17:00,720 Speaker 4: lets me know, Nah, you just got to. 322 00:17:00,720 --> 00:17:01,880 Speaker 2: Stick to it. Man. 323 00:17:02,040 --> 00:17:06,200 Speaker 4: Eventually people understand it, and especially if because another thing 324 00:17:06,240 --> 00:17:08,720 Speaker 4: I think I made a mistake with is he real on. 325 00:17:09,560 --> 00:17:11,800 Speaker 4: And this is for any artist that's doing this. Man, 326 00:17:12,240 --> 00:17:15,119 Speaker 4: I love like people like Frank Ocean and all these people. 327 00:17:15,119 --> 00:17:16,520 Speaker 2: That's super mysterious. 328 00:17:17,000 --> 00:17:18,880 Speaker 4: I'm not gonna plain, and I'm gonna let the fans 329 00:17:18,960 --> 00:17:22,160 Speaker 4: da da da da da man listen. Bro, I look 330 00:17:22,200 --> 00:17:24,640 Speaker 4: at anyone who listens to my music. I don't care 331 00:17:24,680 --> 00:17:27,360 Speaker 4: how big I get. It's a privilege that people will 332 00:17:27,400 --> 00:17:30,560 Speaker 4: spend their time out of their day to check out 333 00:17:30,560 --> 00:17:31,240 Speaker 4: my art. 334 00:17:31,280 --> 00:17:33,000 Speaker 2: When there's less other music. 335 00:17:33,440 --> 00:17:35,480 Speaker 4: So the least I could do is if I have 336 00:17:35,560 --> 00:17:37,960 Speaker 4: a point that I want to get across, especially as 337 00:17:38,000 --> 00:17:41,239 Speaker 4: a black man who has majority of my fans are 338 00:17:41,280 --> 00:17:44,320 Speaker 4: not black, and I can't necessarily relate to all of 339 00:17:44,359 --> 00:17:47,040 Speaker 4: my what I've been through, the least I could do 340 00:17:47,160 --> 00:17:49,399 Speaker 4: is just tell you this is what I meant here you. 341 00:17:50,119 --> 00:17:53,320 Speaker 4: This is my interview. So that's that's it. Just I'm 342 00:17:53,359 --> 00:17:55,920 Speaker 4: just saying that to say I'm really excited to hear 343 00:17:56,040 --> 00:17:59,439 Speaker 4: that you guys peep that. And to that point, the 344 00:17:59,480 --> 00:18:01,560 Speaker 4: tricks that you said about jay Z because I didn't 345 00:18:01,560 --> 00:18:03,640 Speaker 4: know exactly where you're going with until you explained it. 346 00:18:04,359 --> 00:18:07,720 Speaker 4: You know, the greatest example of someone who's really fucking 347 00:18:07,760 --> 00:18:12,040 Speaker 4: good at doing that, probably the best is Kendrick Lamar. 348 00:18:12,480 --> 00:18:15,400 Speaker 4: This nigga, this niggall do a control verse and say 349 00:18:15,480 --> 00:18:16,920 Speaker 4: I don't sell clap, motherfucker. 350 00:18:17,200 --> 00:18:20,680 Speaker 2: You know what I mean? Like that's a hook, even 351 00:18:20,720 --> 00:18:22,160 Speaker 2: though it's not supposed to have a hook. 352 00:18:22,200 --> 00:18:25,680 Speaker 4: It's like he showed me, and I'm sure I knew 353 00:18:26,080 --> 00:18:29,480 Speaker 4: a lot of my generation the artists. Okay, you could 354 00:18:29,480 --> 00:18:32,040 Speaker 4: still be lyrical, but still say that thing that everyone's 355 00:18:32,080 --> 00:18:34,680 Speaker 4: going to say. You know, the first time I really 356 00:18:34,720 --> 00:18:36,760 Speaker 4: heard him do it was on the fucking Problem song 357 00:18:36,760 --> 00:18:38,720 Speaker 4: and he's like, girl, I know you want this dick 358 00:18:39,080 --> 00:18:40,120 Speaker 4: Like it. 359 00:18:40,240 --> 00:18:42,680 Speaker 2: Was like, oh, I know what you did. 360 00:18:42,680 --> 00:18:44,960 Speaker 4: And then right after that he goes from Kendrick Lamar 361 00:18:45,000 --> 00:18:47,080 Speaker 4: because he knew the mainstream ain't knowing him like that, 362 00:18:47,680 --> 00:18:50,159 Speaker 4: so we can go that line. Then he reminds you 363 00:18:50,200 --> 00:18:53,080 Speaker 4: of who he is and then finishes the verse that 364 00:18:53,320 --> 00:18:57,840 Speaker 4: let me understand the balance between technical, being technically skilled 365 00:18:58,080 --> 00:19:01,960 Speaker 4: and also being catchy. So it's good that you caught 366 00:19:02,000 --> 00:19:05,520 Speaker 4: that because that's a conscious thing. That I it's so 367 00:19:05,680 --> 00:19:09,280 Speaker 4: conscious that now it's in my subconscious because I free right, 368 00:19:09,680 --> 00:19:12,080 Speaker 4: I just go in, I say ship, I put it 369 00:19:12,080 --> 00:19:13,680 Speaker 4: together and it just comes out that way. 370 00:19:14,160 --> 00:19:16,680 Speaker 2: So you know, yeah, so you. 371 00:19:16,600 --> 00:19:19,480 Speaker 1: Grew into that or like you was always like that? 372 00:19:19,640 --> 00:19:21,439 Speaker 1: Or like did you write initially? 373 00:19:21,840 --> 00:19:25,120 Speaker 4: I wrote initially and then this nigga, fucking Denzel bro 374 00:19:25,440 --> 00:19:28,520 Speaker 4: were in the studio and this nigga like, all right, you're. 375 00:19:28,359 --> 00:19:29,200 Speaker 2: Gonna like. 376 00:19:32,960 --> 00:19:36,920 Speaker 4: The time freestyle. That's my biggest song on Spotify. It's 377 00:19:36,960 --> 00:19:38,879 Speaker 4: like a hundred million streams and it was just a 378 00:19:38,920 --> 00:19:42,080 Speaker 4: freestyle me. This nigga say his thing. I'm like, ah no, 379 00:19:42,200 --> 00:19:43,640 Speaker 4: I'm not about to write my ship. If you ain't 380 00:19:43,680 --> 00:19:46,560 Speaker 4: about to write your ship, nigga, I'm not going to 381 00:19:46,600 --> 00:19:49,000 Speaker 4: be here in forty five minutes trying to get my 382 00:19:49,080 --> 00:19:54,360 Speaker 4: hoose together. Ever since that exercise, I started adopting what 383 00:19:54,400 --> 00:19:58,640 Speaker 4: people in Atlanta would do, but now like lyric lyrics 384 00:19:58,640 --> 00:20:01,360 Speaker 4: into it and storytelling it to it to where it's 385 00:20:01,680 --> 00:20:05,160 Speaker 4: a little bit like on a different like we're adding 386 00:20:05,240 --> 00:20:07,879 Speaker 4: layers to the thing that just is a feeling. Because 387 00:20:08,160 --> 00:20:11,120 Speaker 4: that's why a lot of trap me to feel so good, 388 00:20:11,160 --> 00:20:13,480 Speaker 4: because it's just feeling and going off feeling and they 389 00:20:13,520 --> 00:20:16,840 Speaker 4: just say what it is. I realize freestyling allows me 390 00:20:16,880 --> 00:20:20,440 Speaker 4: to have that feeling and not and and almost sometimes 391 00:20:20,480 --> 00:20:23,200 Speaker 4: when I rap, I do this thing like almost similar 392 00:20:23,240 --> 00:20:28,960 Speaker 4: to like MF Doom a little bit where it's kind 393 00:20:28,960 --> 00:20:31,480 Speaker 4: of drunken or it's kind of like offbeat. It's kind 394 00:20:31,480 --> 00:20:34,480 Speaker 4: of like I'm just fucking around, like I'm not trying 395 00:20:34,480 --> 00:20:37,000 Speaker 4: to be sharp with it, right, because when you when 396 00:20:37,000 --> 00:20:39,080 Speaker 4: you right, you just be trying to get everything. 397 00:20:39,880 --> 00:20:41,720 Speaker 2: And I like to do that when it's time to 398 00:20:41,800 --> 00:20:42,160 Speaker 2: do that. 399 00:20:42,600 --> 00:20:45,600 Speaker 4: But I also love like things just being floaty and 400 00:20:45,960 --> 00:20:48,280 Speaker 4: freestyling allows me to go with the feeling. 401 00:20:48,359 --> 00:20:49,920 Speaker 2: Because if you think about like a J. 402 00:20:50,119 --> 00:20:52,120 Speaker 4: Diller beat for instance, right or even a Kate Trian 403 00:20:52,160 --> 00:20:54,880 Speaker 4: not to beat, the high hat might be doing one thing, 404 00:20:55,119 --> 00:20:57,000 Speaker 4: but the kicks doing something else and the snare is 405 00:20:57,040 --> 00:20:59,960 Speaker 4: doing something else. And I'm when I'm when I'm freestyling, 406 00:21:00,080 --> 00:21:02,119 Speaker 4: I get to pick where I want to ride. So 407 00:21:02,600 --> 00:21:04,800 Speaker 4: it might it might fuck somebody up if they're listening 408 00:21:04,800 --> 00:21:06,120 Speaker 4: to it, like wait, hold. 409 00:21:05,920 --> 00:21:07,800 Speaker 2: On, what where is he going? 410 00:21:07,880 --> 00:21:11,160 Speaker 4: But I'm paying attention to everything, but I'm playing everything. 411 00:21:11,400 --> 00:21:12,080 Speaker 2: You see what I'm. 412 00:21:11,920 --> 00:21:16,240 Speaker 4: Saying that is to me somebody. I have the most 413 00:21:16,280 --> 00:21:17,440 Speaker 4: fun when I'm able to do that. 414 00:21:17,880 --> 00:21:18,160 Speaker 2: MF. 415 00:21:18,240 --> 00:21:20,720 Speaker 4: Doom in his own right and not the exact same 416 00:21:20,720 --> 00:21:22,840 Speaker 4: way I do it. He has his way of doing 417 00:21:22,880 --> 00:21:25,440 Speaker 4: certain things, and I love that about him, where he'll 418 00:21:25,480 --> 00:21:27,960 Speaker 4: just he'll like say something you think is about the 419 00:21:28,000 --> 00:21:30,199 Speaker 4: rhyme with something, he'll just say something else, And I 420 00:21:30,240 --> 00:21:30,720 Speaker 4: love that. 421 00:21:30,800 --> 00:21:31,320 Speaker 2: You know what I mean? 422 00:21:31,880 --> 00:21:33,840 Speaker 4: This is you know this is this is the beauty 423 00:21:33,840 --> 00:21:36,439 Speaker 4: of rap, and there's no real one way to do it. 424 00:21:36,520 --> 00:21:39,040 Speaker 4: You think about od B people like that, like Bro, 425 00:21:39,160 --> 00:21:40,760 Speaker 4: he's one of the greatest of all time. 426 00:21:41,880 --> 00:21:42,880 Speaker 2: You know. 427 00:21:43,000 --> 00:21:44,679 Speaker 4: I made this tweet one time and I was like, 428 00:21:45,640 --> 00:21:49,800 Speaker 4: I said, ray Kwan not ray Kwon. I said, ghost 429 00:21:49,880 --> 00:21:54,399 Speaker 4: Face is the first mumble rapper, and everybody was so mad. 430 00:21:55,680 --> 00:21:57,800 Speaker 2: You know what I meant by that. All I meant 431 00:21:57,800 --> 00:21:58,520 Speaker 2: by that is. 432 00:22:00,119 --> 00:22:03,119 Speaker 4: If you if you're saying mumble rapp is because you know, 433 00:22:03,160 --> 00:22:07,840 Speaker 4: it became it started off like mumbling, literally mumbling, but 434 00:22:08,040 --> 00:22:11,760 Speaker 4: I think they started classifying anybody who wasn't saying anything that. 435 00:22:11,760 --> 00:22:15,160 Speaker 2: Was a story like that was connected to mumble rap. 436 00:22:15,400 --> 00:22:18,639 Speaker 4: And I was like, yo, if you this nigga is 437 00:22:18,680 --> 00:22:22,160 Speaker 4: a genius and and and he's amazing at what he does. 438 00:22:22,440 --> 00:22:26,199 Speaker 4: Everything don't be connecting the way that like, So if 439 00:22:26,200 --> 00:22:27,879 Speaker 4: you're going to say that, then that's what we're saying. 440 00:22:28,000 --> 00:22:30,280 Speaker 4: But obviously I think it got taken out of context 441 00:22:30,280 --> 00:22:32,959 Speaker 4: in that time. Luckily I wasn't big enough for that 442 00:22:33,040 --> 00:22:33,360 Speaker 4: to be. 443 00:22:35,160 --> 00:22:37,400 Speaker 2: Problem. 444 00:22:37,920 --> 00:22:39,760 Speaker 4: I take you back now, I do not mean that, 445 00:22:39,920 --> 00:22:43,040 Speaker 4: by the way, that's that's what I mean. 446 00:22:43,240 --> 00:22:45,720 Speaker 2: Like, but I love that about it. 447 00:22:46,160 --> 00:22:48,960 Speaker 1: Go ahead, so so K real quick, Like, you know 448 00:22:49,040 --> 00:22:52,239 Speaker 1: I listed and it wasn't even everybody that you've worked with, right, 449 00:22:52,280 --> 00:22:56,040 Speaker 1: and K t knowledge another one? Who who have you 450 00:22:56,320 --> 00:22:58,680 Speaker 1: not had the opportunity to work with that You're like, yeah, 451 00:22:58,760 --> 00:23:00,960 Speaker 1: like this person's on my less he's on my radar. 452 00:23:01,000 --> 00:23:02,879 Speaker 1: I'm I'm gonna get this person. I'm gonna get that 453 00:23:02,920 --> 00:23:05,560 Speaker 1: girl like who? Like who are some of those names? 454 00:23:06,600 --> 00:23:06,879 Speaker 2: Well? 455 00:23:07,560 --> 00:23:10,280 Speaker 4: One was as it almost happened, and then I just 456 00:23:11,520 --> 00:23:14,280 Speaker 4: I got I kicked myself in. I want to punch 457 00:23:14,280 --> 00:23:15,959 Speaker 4: myself in the face every time I think about it. 458 00:23:16,000 --> 00:23:19,240 Speaker 4: One hundred thix thousand, and the reason why it didn't happen, 459 00:23:19,320 --> 00:23:20,520 Speaker 4: I got a little too cocky. 460 00:23:20,600 --> 00:23:22,800 Speaker 2: Bro Now cocky that's not the right word, because it 461 00:23:22,840 --> 00:23:23,280 Speaker 2: wasn't that. 462 00:23:23,640 --> 00:23:26,919 Speaker 4: I just like I remember like I met him, but 463 00:23:27,040 --> 00:23:29,239 Speaker 4: this was like I met him before that, you know, 464 00:23:29,280 --> 00:23:31,159 Speaker 4: you just see him out a lot of people just came, 465 00:23:32,560 --> 00:23:34,480 Speaker 4: you know, this was the real deal this time. 466 00:23:34,560 --> 00:23:36,720 Speaker 2: This time, it was like yo, what's up? 467 00:23:37,320 --> 00:23:40,720 Speaker 4: And then and then he's like yeah, man, I know you. 468 00:23:40,800 --> 00:23:42,800 Speaker 4: I got my ear to the streets and I'm like, 469 00:23:42,840 --> 00:23:45,199 Speaker 4: oh shit, man. So I'm like kind of nervous, you know, 470 00:23:45,760 --> 00:23:47,240 Speaker 4: like it's like I don't know what to say next. 471 00:23:47,240 --> 00:23:50,160 Speaker 4: I'm like, oh, ship, yeah, man, yeah, I appreciate that. 472 00:23:50,200 --> 00:23:50,400 Speaker 2: Man. 473 00:23:50,440 --> 00:23:53,640 Speaker 4: He's like yeah. And I was like something just told me. 474 00:23:54,640 --> 00:23:58,080 Speaker 4: Just asked for his numbers. So it's like, yo, what's 475 00:23:58,119 --> 00:24:00,359 Speaker 4: your number? And then I caught mysel. I was like, 476 00:24:01,000 --> 00:24:01,679 Speaker 4: hundred three. 477 00:24:01,840 --> 00:24:05,800 Speaker 2: Does I have a phone? Like a couple phone? 478 00:24:06,720 --> 00:24:08,480 Speaker 4: And then he's like oh yeah, yeah, yeah, and it 479 00:24:08,560 --> 00:24:11,199 Speaker 4: takes my phone and he puts his number on my 480 00:24:11,320 --> 00:24:14,680 Speaker 4: phone and he looks and realizes the last couple of 481 00:24:14,720 --> 00:24:17,320 Speaker 4: numbers is wrong, so then he backs up out of it. 482 00:24:17,680 --> 00:24:19,760 Speaker 2: And this is happening in a slow motion to me. 483 00:24:19,840 --> 00:24:20,280 Speaker 2: I'm like. 484 00:24:22,760 --> 00:24:25,800 Speaker 4: The number and backs up, realize is wrong, puts it 485 00:24:25,840 --> 00:24:28,159 Speaker 4: back in, and he's like here you go. And then 486 00:24:28,200 --> 00:24:30,720 Speaker 4: I get his number right, and I'm like boom, all right, bet, 487 00:24:30,760 --> 00:24:32,439 Speaker 4: And every time I get somebodys number, I say, all 488 00:24:32,480 --> 00:24:35,240 Speaker 4: R s id K locked me in. Then I'm talking 489 00:24:35,280 --> 00:24:38,440 Speaker 4: about like I'm leaving the joint. I see hundred three thousand, gotcha. 490 00:24:39,200 --> 00:24:43,960 Speaker 4: Then it goes hundred three thousand again. Yo, I like 491 00:24:44,000 --> 00:24:47,439 Speaker 4: to get in the studio whenever you have time next 492 00:24:47,680 --> 00:24:52,560 Speaker 4: And I'm like, bet, and then he's like, I'm being 493 00:24:52,640 --> 00:24:54,600 Speaker 4: I said when I'm being a shot. He's like, oh, shoot, 494 00:24:54,600 --> 00:24:56,320 Speaker 4: I probably can't make that, but can you send me 495 00:24:56,359 --> 00:24:59,560 Speaker 4: a link so I could listen to something. So at 496 00:24:59,600 --> 00:25:02,120 Speaker 4: this point, this nigga didn't texted me five six times. 497 00:25:02,119 --> 00:25:04,440 Speaker 4: We having a conversation. I'm like, I got we good, 498 00:25:05,000 --> 00:25:06,520 Speaker 4: be good. So I'm like, I'm gonna send him the 499 00:25:06,520 --> 00:25:10,879 Speaker 4: ship tomorrow. This is like two days of Texan nigga. 500 00:25:11,440 --> 00:25:13,760 Speaker 4: I send his nigga to this ship. The next day, 501 00:25:13,800 --> 00:25:18,600 Speaker 4: I ain't heard from him since. No, to be fair, 502 00:25:19,200 --> 00:25:21,639 Speaker 4: he didn't listen to me because he's a song. I 503 00:25:21,640 --> 00:25:22,080 Speaker 4: could see. 504 00:25:22,440 --> 00:25:24,160 Speaker 2: It wasn't that he listened to it. It never heard. 505 00:25:26,800 --> 00:25:28,879 Speaker 4: It just was he was just on what he was 506 00:25:28,960 --> 00:25:33,280 Speaker 4: on the moment. Oh yeah, and we good. That's my 507 00:25:33,480 --> 00:25:34,120 Speaker 4: that's my man. 508 00:25:34,240 --> 00:25:39,399 Speaker 2: Like I can hear I'll be seeing him. 509 00:25:39,560 --> 00:25:41,200 Speaker 4: I see him all the time though, so we still 510 00:25:41,400 --> 00:25:43,120 Speaker 4: but you know, he'd be on the flute down ship. 511 00:25:43,240 --> 00:25:45,639 Speaker 4: So it's like, if I get lucky. 512 00:25:46,960 --> 00:25:48,960 Speaker 3: That's a wild story. I want to say. He said 513 00:25:49,000 --> 00:25:51,920 Speaker 3: something some of who was that, uh Nick Grant? 514 00:25:51,960 --> 00:25:54,359 Speaker 7: We had Nick Grant on he said some kind of 515 00:25:54,400 --> 00:25:56,200 Speaker 7: similar story about Andre. 516 00:25:56,280 --> 00:25:58,480 Speaker 3: He's like, I know who you are, Like he really 517 00:25:58,520 --> 00:26:00,920 Speaker 3: be having here to the street for real. 518 00:26:01,600 --> 00:26:04,879 Speaker 7: Like, man, that's that's that's wild. 519 00:26:05,840 --> 00:26:08,720 Speaker 4: I already work with Jay Electronica, but I want to 520 00:26:08,760 --> 00:26:12,120 Speaker 4: work with him again because that was one of them 521 00:26:12,160 --> 00:26:16,800 Speaker 4: songs where me being extremely lyrical was not necessarily what 522 00:26:16,840 --> 00:26:18,800 Speaker 4: I wanted. I want to just make a bot like 523 00:26:18,960 --> 00:26:21,159 Speaker 4: for people to like sing along to. It's kind of 524 00:26:21,160 --> 00:26:24,480 Speaker 4: funny or whatever. But I really want to exercise my 525 00:26:24,600 --> 00:26:29,479 Speaker 4: pen with him again. And even how that happened was crazy. 526 00:26:29,560 --> 00:26:30,480 Speaker 2: He was very like. 527 00:26:30,920 --> 00:26:33,399 Speaker 4: I posted it on Twitter just recently, just because I 528 00:26:33,440 --> 00:26:35,720 Speaker 4: think people be thinking like I'm a part of the 529 00:26:35,760 --> 00:26:38,560 Speaker 4: illuminati and I just be giving million dollars to get 530 00:26:38,640 --> 00:26:42,200 Speaker 4: him on the phone. You hit me you like, yo, 531 00:26:42,400 --> 00:26:45,480 Speaker 4: I love your taste. I respect what you're doing. I'm 532 00:26:45,600 --> 00:26:48,160 Speaker 4: very picky about what I do. But this was the one. 533 00:26:48,640 --> 00:26:50,240 Speaker 4: That's what he said to me. You know what I'm saying, 534 00:26:50,320 --> 00:26:52,560 Speaker 4: and and and I want to be able to do 535 00:26:52,600 --> 00:26:55,639 Speaker 4: something with him. I hit him the other day. I 536 00:26:55,680 --> 00:26:58,000 Speaker 4: had a random dream about Faara Con and I was 537 00:26:58,040 --> 00:27:02,600 Speaker 4: just like, I had a dream about and he was like, 538 00:27:02,880 --> 00:27:03,240 Speaker 4: call me. 539 00:27:08,119 --> 00:27:08,639 Speaker 2: I really know. 540 00:27:08,960 --> 00:27:10,960 Speaker 4: I don't like, I don't know why I dream about, 541 00:27:11,080 --> 00:27:15,680 Speaker 4: but I just did that. 542 00:27:15,680 --> 00:27:17,520 Speaker 7: That's why I remember when I heard that's like this thing, 543 00:27:17,520 --> 00:27:19,600 Speaker 7: you got jail. Because I don't think Jay was on 544 00:27:19,720 --> 00:27:20,560 Speaker 7: anybody things. 545 00:27:21,520 --> 00:27:22,920 Speaker 3: He was on yours. I was like, how the hell 546 00:27:22,960 --> 00:27:23,439 Speaker 3: does think. 547 00:27:23,320 --> 00:27:23,880 Speaker 1: I get jail? 548 00:27:24,800 --> 00:27:29,080 Speaker 2: I don't even know, man, I didn't. But you know, 549 00:27:29,119 --> 00:27:30,720 Speaker 2: by that time, the doom shit it happened. 550 00:27:30,760 --> 00:27:33,119 Speaker 4: So I'm like the Andre had like you know what 551 00:27:33,119 --> 00:27:36,320 Speaker 4: I'm saying all that, so I already kind of I 552 00:27:36,440 --> 00:27:38,520 Speaker 4: just it was just limitless to me at that point. Now, 553 00:27:38,640 --> 00:27:40,280 Speaker 4: like you know what I'm saying, Like, at. 554 00:27:40,119 --> 00:27:42,320 Speaker 2: This point, if you see me pull up with Michael 555 00:27:42,400 --> 00:27:47,600 Speaker 2: Jackson on a record, just it could really happen, Like 556 00:27:49,440 --> 00:27:52,880 Speaker 2: oh how it just could? Nah? 557 00:27:52,880 --> 00:27:56,600 Speaker 4: But yeah, by that time, he took like seven months 558 00:27:56,600 --> 00:27:59,119 Speaker 4: on that one. Though he took a little time because 559 00:28:00,240 --> 00:28:03,280 Speaker 4: and pass a bunch of other things that happened by 560 00:28:03,320 --> 00:28:06,199 Speaker 4: the time he did it, So you know, that was 561 00:28:06,280 --> 00:28:07,119 Speaker 4: that was fun. 562 00:28:07,480 --> 00:28:09,480 Speaker 1: So so all right, So so d K. The next 563 00:28:09,520 --> 00:28:12,600 Speaker 1: joint you picked was off of this current project Devil. 564 00:28:13,080 --> 00:28:14,240 Speaker 1: Why'd you pick that joint? 565 00:28:15,600 --> 00:28:16,200 Speaker 2: I picked that. 566 00:28:16,240 --> 00:28:19,240 Speaker 4: Joint for the sake of that I would say was 567 00:28:19,280 --> 00:28:23,720 Speaker 4: the first song that really shaped my position and for 568 00:28:24,280 --> 00:28:26,680 Speaker 4: even even the Double Smiles, it was like one of 569 00:28:26,720 --> 00:28:29,800 Speaker 4: the first ones I recorded, and that was the that 570 00:28:29,880 --> 00:28:33,680 Speaker 4: was the height of like me feeling like not anger, 571 00:28:33,760 --> 00:28:37,800 Speaker 4: but frustration with certain people in the music industry thinking 572 00:28:37,800 --> 00:28:41,400 Speaker 4: they could just you know, move a certain way and 573 00:28:41,480 --> 00:28:44,480 Speaker 4: not not understand that, like I don't even like most 574 00:28:44,520 --> 00:28:47,680 Speaker 4: of these people. If we don't connect properly in a 575 00:28:47,720 --> 00:28:49,760 Speaker 4: certain way and I don't get to spend real time 576 00:28:49,800 --> 00:28:52,560 Speaker 4: with you, like I don't even know that we would 577 00:28:52,600 --> 00:28:53,960 Speaker 4: be friends. Most of these people. 578 00:28:54,000 --> 00:28:55,600 Speaker 2: Some of these people just move. 579 00:28:55,560 --> 00:28:58,200 Speaker 4: In a way where I'm like, y'all not the kind 580 00:28:58,240 --> 00:29:01,560 Speaker 4: of people that I would in my time with, you know, 581 00:29:01,720 --> 00:29:05,040 Speaker 4: but you act like you you're so cool and and 582 00:29:05,080 --> 00:29:06,880 Speaker 4: a lot of times it's the suits and the people 583 00:29:07,040 --> 00:29:09,480 Speaker 4: on on the industry side, because they may have this 584 00:29:09,640 --> 00:29:11,440 Speaker 4: artist right now, so they feel like they're on top 585 00:29:11,440 --> 00:29:13,520 Speaker 4: of the world, but then they treat people like they 586 00:29:13,560 --> 00:29:17,400 Speaker 4: the artists. So that song for me shape this whole project, 587 00:29:17,480 --> 00:29:21,400 Speaker 4: and that's where the peak of my aggression and and 588 00:29:21,400 --> 00:29:23,640 Speaker 4: and feelings that way, it comes from that song. 589 00:29:26,840 --> 00:29:28,240 Speaker 5: All right, here we go. 590 00:29:29,040 --> 00:29:32,400 Speaker 6: Yo o kid, it's time, okay, engine in the boy 591 00:29:32,560 --> 00:29:35,000 Speaker 6: room to put the seat back and people switching up. 592 00:29:34,880 --> 00:29:36,600 Speaker 2: Back and I got that heat pack. 593 00:29:36,800 --> 00:29:38,680 Speaker 6: You ain't got no bread for the beat. I need 594 00:29:38,680 --> 00:29:41,400 Speaker 6: to beat back flow, so sup so dope I called 595 00:29:41,400 --> 00:29:55,520 Speaker 6: the relaxad. 596 00:29:50,480 --> 00:29:51,680 Speaker 2: Ain't got no money. 597 00:29:51,360 --> 00:30:01,520 Speaker 5: Come in, yes, sir, right after Halo too Crazy place. 598 00:30:01,560 --> 00:30:07,920 Speaker 1: But yeah, so idik like number one, what made you 599 00:30:08,040 --> 00:30:11,520 Speaker 1: want to go with a mixtape? And then what was 600 00:30:11,560 --> 00:30:14,280 Speaker 1: the thought process? Like let me go get who kid? Like, 601 00:30:14,800 --> 00:30:17,880 Speaker 1: why did that come about? Because I loved the nostalgia 602 00:30:17,920 --> 00:30:19,400 Speaker 1: that I feel like a lot of artists I bring 603 00:30:19,440 --> 00:30:21,480 Speaker 1: it back to, especially like a mixape. You know what 604 00:30:21,520 --> 00:30:24,600 Speaker 1: I'm saying. I love mixtapes, and this felt like a 605 00:30:24,880 --> 00:30:28,040 Speaker 1: very like it's close to it's a fucking album, But 606 00:30:28,080 --> 00:30:30,480 Speaker 1: it definitely had a mixtape, you know what I'm saying. 607 00:30:30,560 --> 00:30:33,000 Speaker 1: Vibe and feel like, what was the thought process as 608 00:30:33,040 --> 00:30:35,320 Speaker 1: to why to do the mixtape and getting who Kid 609 00:30:35,360 --> 00:30:36,000 Speaker 1: to host it. 610 00:30:36,640 --> 00:30:36,920 Speaker 2: Yeah. 611 00:30:36,960 --> 00:30:40,760 Speaker 4: So initially when I first put this out and well 612 00:30:40,800 --> 00:30:45,080 Speaker 4: presented it to the world, it was at the Mocha Museum. 613 00:30:45,440 --> 00:30:49,040 Speaker 4: And the reason why I chose to do this project 614 00:30:49,160 --> 00:30:52,360 Speaker 4: specifically there was based off of the fact that I 615 00:30:52,400 --> 00:30:56,040 Speaker 4: felt like, I'll go back to prison for a little bit. 616 00:30:56,080 --> 00:30:58,800 Speaker 4: In prison, one thing that people were really good at 617 00:30:58,840 --> 00:31:02,240 Speaker 4: doing was taking the resources around them and turning things 618 00:31:02,280 --> 00:31:06,000 Speaker 4: into the craziest inventions, like they can make a tattoo 619 00:31:06,040 --> 00:31:09,880 Speaker 4: gun out of a CD player, motor and guitar string, right, 620 00:31:10,560 --> 00:31:13,680 Speaker 4: and a pair of batteries and all kinds of different things. 621 00:31:14,080 --> 00:31:17,840 Speaker 4: And I thought that it was beautiful because essentially hip 622 00:31:17,840 --> 00:31:22,280 Speaker 4: hop and rap music started off of the mixtape that 623 00:31:22,400 --> 00:31:25,320 Speaker 4: was recorded during certain parties because that was the only 624 00:31:25,360 --> 00:31:27,280 Speaker 4: way to get you. You had to be there to 625 00:31:27,360 --> 00:31:30,640 Speaker 4: listen to rap music and hip hop. And the fact 626 00:31:30,720 --> 00:31:33,600 Speaker 4: that you know, people figured out how to innovate the 627 00:31:33,680 --> 00:31:39,480 Speaker 4: turntables into an instrument to be able to rhyme over 628 00:31:40,160 --> 00:31:42,880 Speaker 4: or MC over, and it was like, Yo, we ain't 629 00:31:42,920 --> 00:31:45,360 Speaker 4: got the bread to really have a whole band. 630 00:31:45,120 --> 00:31:46,000 Speaker 2: And create our music. 631 00:31:46,040 --> 00:31:48,960 Speaker 4: But there's this whole band in this part of the record, 632 00:31:49,080 --> 00:31:51,360 Speaker 4: and if we keep looping it on time. 633 00:31:51,440 --> 00:31:53,920 Speaker 2: Now we got a bed to create music over. 634 00:31:54,440 --> 00:31:58,920 Speaker 4: I think that the mixtape is way more significant than 635 00:31:59,200 --> 00:32:02,840 Speaker 4: the main extream industry kind of made it feel in 636 00:32:02,920 --> 00:32:05,400 Speaker 4: terms of being an innovative. 637 00:32:04,960 --> 00:32:07,000 Speaker 2: Form of distribution for rap music. 638 00:32:07,280 --> 00:32:10,320 Speaker 4: A lot of people look at the mixtape as a 639 00:32:10,360 --> 00:32:13,239 Speaker 4: disregarded art form, like where it's like, we ain't got 640 00:32:13,280 --> 00:32:16,120 Speaker 4: the money like that, let's make a mixtape. But that 641 00:32:16,240 --> 00:32:20,000 Speaker 4: was based off of resources. Rappers was creating so much 642 00:32:20,080 --> 00:32:22,920 Speaker 4: that the labels couldn't figure out how to put that out. 643 00:32:22,760 --> 00:32:24,920 Speaker 2: Properly and distribute it so, you know, properly. 644 00:32:24,960 --> 00:32:27,680 Speaker 4: So but rappers had to feed the streets or so 645 00:32:27,720 --> 00:32:30,160 Speaker 4: and so might have said something about you and you're like, man, 646 00:32:30,160 --> 00:32:32,080 Speaker 4: I'm not waiting till my album coming out. Man, I'm 647 00:32:32,120 --> 00:32:34,480 Speaker 4: trying to come back on DJ clue. You know what 648 00:32:34,520 --> 00:32:39,520 Speaker 4: I'm saying. Like I remember hearing the Ti Ludacris distract. 649 00:32:39,520 --> 00:32:42,000 Speaker 4: They own the same song, This is each other on 650 00:32:42,080 --> 00:32:45,040 Speaker 4: the same song, bro, Like that was. 651 00:32:45,080 --> 00:32:49,720 Speaker 2: Crazy to be me getting beat down as Ludacris. 652 00:32:49,080 --> 00:32:54,840 Speaker 4: Like to me, it was like, yes it's an event, 653 00:32:54,960 --> 00:32:57,560 Speaker 4: Yes it's nostalgia, but also I want to show people 654 00:32:57,560 --> 00:33:00,800 Speaker 4: that hip hop in its purest form can presented in 655 00:33:00,840 --> 00:33:05,120 Speaker 4: these places because the way people innovated from the resources 656 00:33:05,120 --> 00:33:07,920 Speaker 4: that they had deserves to be in a Mocha museum, 657 00:33:07,960 --> 00:33:11,440 Speaker 4: deserves to be at the Smithsonian, deserves to be at 658 00:33:11,560 --> 00:33:15,719 Speaker 4: moment like, And that's what my ambition originally was. It's like, 659 00:33:15,800 --> 00:33:19,120 Speaker 4: what's the best way I can present a mixtape for 660 00:33:19,160 --> 00:33:21,880 Speaker 4: the sake of hip hop? And that's why I decided 661 00:33:21,920 --> 00:33:24,040 Speaker 4: to call it a mixtape, Like I want people to 662 00:33:24,040 --> 00:33:26,240 Speaker 4: look at mixtapes like they look at albums, because bro, 663 00:33:26,600 --> 00:33:28,360 Speaker 4: let's be real, it's a mixtape that's. 664 00:33:28,160 --> 00:33:29,080 Speaker 2: Better than albums. 665 00:33:29,360 --> 00:33:34,120 Speaker 4: Yeah, Like Chance a rapper, Like my favorite Kendrick project 666 00:33:34,480 --> 00:33:37,040 Speaker 4: was Section eighty that was technically a mixtape when it 667 00:33:37,080 --> 00:33:40,160 Speaker 4: came out, you know what I'm saying. And not to 668 00:33:40,200 --> 00:33:42,440 Speaker 4: say I don't like other shit, but like Section eighty 669 00:33:42,560 --> 00:33:48,000 Speaker 4: was like so different, like so that only he could 670 00:33:48,040 --> 00:33:49,040 Speaker 4: do that thing, you know. 671 00:33:49,040 --> 00:33:49,400 Speaker 2: What I mean. 672 00:33:50,320 --> 00:33:52,520 Speaker 4: So, so I say that to say, like, I think 673 00:33:52,600 --> 00:33:55,280 Speaker 4: I just wanted to show people when you say the 674 00:33:55,280 --> 00:33:57,520 Speaker 4: word mixtape, put some respect on that shit. 675 00:33:57,640 --> 00:34:05,200 Speaker 1: Man's yeah. Yeah, you know, like because you don't go ahead, 676 00:34:05,200 --> 00:34:05,880 Speaker 1: go ahead, right. 677 00:34:05,880 --> 00:34:07,680 Speaker 3: You know I'm saying, No, I like that that's that's 678 00:34:07,720 --> 00:34:08,360 Speaker 3: all I was saying. 679 00:34:08,520 --> 00:34:11,080 Speaker 1: Okay, yeah, because you know, like we we started a 680 00:34:11,239 --> 00:34:13,120 Speaker 1: hip hop back in twenty eleven, so we was like 681 00:34:13,200 --> 00:34:16,960 Speaker 1: kind of in the midst of the blog era mixtape wave. 682 00:34:17,600 --> 00:34:20,919 Speaker 1: So for me, mixtapes not only like I agree with you, 683 00:34:20,960 --> 00:34:23,200 Speaker 1: like I should have say sentiment, not only as a 684 00:34:23,239 --> 00:34:25,719 Speaker 1: nostalgic like there are a hell of mixtapes that are 685 00:34:25,719 --> 00:34:28,160 Speaker 1: better than albums. And I've been on record saying and 686 00:34:28,200 --> 00:34:31,720 Speaker 1: sometimes artists don't like it, but hey, you know, our models, 687 00:34:31,719 --> 00:34:33,319 Speaker 1: no politics, don't be as this is how I feel. 688 00:34:33,320 --> 00:34:35,000 Speaker 1: That's what I'm gonna say. You know what I'm saying, 689 00:34:35,040 --> 00:34:38,040 Speaker 1: And I'm with you. You know, people definitely got to 690 00:34:38,080 --> 00:34:41,560 Speaker 1: put more respect on mixtapes. You know what I'm saying. 691 00:34:41,600 --> 00:34:44,120 Speaker 1: I'm glad that that's the reason why you did it, 692 00:34:44,160 --> 00:34:47,400 Speaker 1: because you can't do nothing but respect the pen in 693 00:34:47,480 --> 00:34:50,960 Speaker 1: the beats and the features and the craziness that happens 694 00:34:51,040 --> 00:34:53,120 Speaker 1: on the project, you know what I'm saying. And then 695 00:34:53,200 --> 00:34:55,840 Speaker 1: for you, you know, to just kind of curate that 696 00:34:55,920 --> 00:34:58,520 Speaker 1: whole thing. But you said a word that made me think. 697 00:34:59,120 --> 00:35:01,000 Speaker 1: You know, you said you want your art to be 698 00:35:01,080 --> 00:35:03,480 Speaker 1: presented in these type of venues. 699 00:35:04,120 --> 00:35:06,759 Speaker 2: But as an art form to be. 700 00:35:07,000 --> 00:35:07,319 Speaker 6: Just as a. 701 00:35:09,520 --> 00:35:11,560 Speaker 1: But what made you come up? Because I thought this 702 00:35:11,760 --> 00:35:14,279 Speaker 1: was also a great play on nostalgia as well the 703 00:35:14,320 --> 00:35:17,680 Speaker 1: way you branded it. But like the CD player with 704 00:35:18,040 --> 00:35:22,359 Speaker 1: music that's like bro and you know, like it. It's 705 00:35:22,400 --> 00:35:25,839 Speaker 1: something that's simple and I feel it's technically low hanging 706 00:35:25,840 --> 00:35:28,600 Speaker 1: through but nobody's done it, and I think it was masterful, 707 00:35:28,920 --> 00:35:31,560 Speaker 1: especially because it's a mixtape too, like it just like 708 00:35:31,600 --> 00:35:32,759 Speaker 1: you doubled down on that. 709 00:35:34,120 --> 00:35:34,400 Speaker 5: Yeah. 710 00:35:34,560 --> 00:35:38,000 Speaker 4: Man, it all started from when I was coming up 711 00:35:38,000 --> 00:35:41,040 Speaker 4: with the creative for this, and I remember in your 712 00:35:41,080 --> 00:35:44,239 Speaker 4: review you were like, how you don't think you could 713 00:35:44,239 --> 00:35:46,239 Speaker 4: have waited if you had this level of features. Well, 714 00:35:46,280 --> 00:35:48,480 Speaker 4: I'm telling you when you got to make Vinyl, when 715 00:35:48,480 --> 00:35:51,480 Speaker 4: you got to make creatives, I mean, you got to 716 00:35:51,520 --> 00:35:53,839 Speaker 4: create when we have to create when you don't got 717 00:35:53,840 --> 00:35:56,120 Speaker 4: a major label behind you, and you got to really 718 00:35:56,239 --> 00:35:59,799 Speaker 4: really pick one day to shoot everything because that's what 719 00:35:59,840 --> 00:36:05,240 Speaker 4: you your budget. You wait, you wait, I have best impact. 720 00:36:05,480 --> 00:36:06,880 Speaker 4: You know what I'm saying, Like you don't want to 721 00:36:06,920 --> 00:36:09,120 Speaker 4: do that fourth quarter and all that. So I was 722 00:36:09,200 --> 00:36:12,279 Speaker 4: just like kind of like I was just like I 723 00:36:12,320 --> 00:36:14,880 Speaker 4: had to basically sit down and I said, Okay, what 724 00:36:15,000 --> 00:36:18,000 Speaker 4: story do I want to tell? Visually, it's the mixtape Error, 725 00:36:18,239 --> 00:36:20,320 Speaker 4: and it's about my and a lot of it is 726 00:36:20,360 --> 00:36:23,279 Speaker 4: about me being in All of it is about what 727 00:36:23,360 --> 00:36:25,520 Speaker 4: I've learned from being in prison and being in prison. 728 00:36:25,640 --> 00:36:29,760 Speaker 4: So I remember that, Yo, we had CD players in prison. 729 00:36:29,880 --> 00:36:31,879 Speaker 4: That's how I learned how to make mute. Like that's 730 00:36:31,880 --> 00:36:33,560 Speaker 4: how I learned to rap. I used to have my 731 00:36:33,680 --> 00:36:35,960 Speaker 4: little radio at first, and I used to have to 732 00:36:36,000 --> 00:36:38,200 Speaker 4: go out on the yard and listen to what's on 733 00:36:38,239 --> 00:36:41,480 Speaker 4: the radio and memorize the beat and come back and 734 00:36:41,719 --> 00:36:43,160 Speaker 4: rap right raps. 735 00:36:42,880 --> 00:36:45,000 Speaker 2: To the memory of the beat from the radio. 736 00:36:45,600 --> 00:36:49,160 Speaker 4: Then my boy who was in there, he's been there 737 00:36:49,200 --> 00:36:51,400 Speaker 4: for twenty two years, but at that time it was 738 00:36:51,440 --> 00:36:54,560 Speaker 4: like eight years in. He's like, man, you see how 739 00:36:54,640 --> 00:36:56,840 Speaker 4: much I love music, how much I'm writing. And he 740 00:36:56,960 --> 00:36:59,520 Speaker 4: just gave me a CD player and he gave me 741 00:36:59,520 --> 00:37:01,399 Speaker 4: the chronic I listened to the Chronicle for the first 742 00:37:01,400 --> 00:37:04,400 Speaker 4: time in prison. I got to listen to it though 743 00:37:04,520 --> 00:37:07,600 Speaker 4: my g like, I got to understand, like what's going on? 744 00:37:07,760 --> 00:37:10,080 Speaker 2: Not other things distracted me. You know. 745 00:37:10,239 --> 00:37:12,160 Speaker 4: He gave me washed the throne, he gave me all 746 00:37:12,160 --> 00:37:14,800 Speaker 4: these take care of Drake all that, and I listened 747 00:37:15,280 --> 00:37:19,400 Speaker 4: and and and and it was on that transparent CD player. 748 00:37:19,760 --> 00:37:22,080 Speaker 4: And the reason why it's transparent is because in prison, 749 00:37:22,080 --> 00:37:24,080 Speaker 4: they don't want you to hide contraband because you get 750 00:37:24,880 --> 00:37:27,359 Speaker 4: the CD, break it down and put some weed in there, 751 00:37:27,400 --> 00:37:29,840 Speaker 4: put some K two in there, whatever. You know, some 752 00:37:29,880 --> 00:37:33,399 Speaker 4: people do heroin all that shit, pills whatever. So that's 753 00:37:33,600 --> 00:37:37,440 Speaker 4: everything is transparent. My idea was taking back that power 754 00:37:37,760 --> 00:37:40,000 Speaker 4: because that was they used that to take away power. 755 00:37:40,000 --> 00:37:43,719 Speaker 4: So I'm like, nah, that's cool. That looks cool, mind me. 756 00:37:43,760 --> 00:37:45,200 Speaker 4: And when I used to have my little game boy 757 00:37:45,200 --> 00:37:49,239 Speaker 4: and it was purple clear and all that. So I'm like, 758 00:37:49,520 --> 00:37:52,600 Speaker 4: I'm gonna make a CD player to sell the mixtape, 759 00:37:53,040 --> 00:37:55,600 Speaker 4: but it's gonna be a prison CD player because that's me. 760 00:37:55,920 --> 00:37:58,960 Speaker 4: That's my story, and that's when I put it together. 761 00:37:59,000 --> 00:37:59,640 Speaker 2: I'm gonna be real. 762 00:37:59,719 --> 00:38:01,600 Speaker 4: I did know it was gonna blow up like it 763 00:38:01,640 --> 00:38:04,960 Speaker 4: did because I'm thinking about my fans. I'm like, all right, 764 00:38:04,960 --> 00:38:07,080 Speaker 4: how do I share a piece of me with my fans? 765 00:38:07,520 --> 00:38:09,480 Speaker 4: And I'm and I'm charging out the ass for the 766 00:38:09,560 --> 00:38:14,520 Speaker 4: joint man. Hopefully somebody buy this. You know, I put 767 00:38:14,560 --> 00:38:17,640 Speaker 4: it out. It's funny because it was out at first, 768 00:38:17,960 --> 00:38:20,520 Speaker 4: but I never told the story about what it was, 769 00:38:20,560 --> 00:38:22,880 Speaker 4: so people just saw an expensive ad CD player, like 770 00:38:22,960 --> 00:38:26,279 Speaker 4: all right, the moment I wrote what it was and 771 00:38:26,320 --> 00:38:30,520 Speaker 4: what it meant, that's when everybody start buying right away. 772 00:38:31,040 --> 00:38:34,759 Speaker 4: And then everybody started posting about it, like how I'm 773 00:38:34,880 --> 00:38:38,800 Speaker 4: basically selling my mixtape as a CD playable CD player 774 00:38:39,280 --> 00:38:42,600 Speaker 4: And everyone loved the idea and then even people did 775 00:38:42,640 --> 00:38:43,719 Speaker 4: it copy it right after. 776 00:38:43,880 --> 00:38:44,880 Speaker 2: You know what I'm saying, So. 777 00:38:46,320 --> 00:38:52,400 Speaker 7: Your center brow, your artists, your artists, like your artist, 778 00:38:53,280 --> 00:38:54,120 Speaker 7: your artist. 779 00:38:54,000 --> 00:38:54,480 Speaker 5: What that is? 780 00:38:54,560 --> 00:38:56,759 Speaker 7: And when you say, like the price of art, like yeah, 781 00:38:57,440 --> 00:39:01,280 Speaker 7: making five hundred like like people people will pay for arts, 782 00:39:01,320 --> 00:39:01,840 Speaker 7: That's how I go. 783 00:39:02,760 --> 00:39:04,400 Speaker 2: Yeah, No, I love that, bro. 784 00:39:04,840 --> 00:39:07,200 Speaker 7: I love that, man, And I love how you just 785 00:39:07,320 --> 00:39:09,080 Speaker 7: like sticking to your You know, you're doing what you 786 00:39:09,160 --> 00:39:10,239 Speaker 7: want to do the same way you say it with 787 00:39:10,320 --> 00:39:13,440 Speaker 7: the music, right you just likeget I'm gonna put out 788 00:39:13,440 --> 00:39:15,920 Speaker 7: a CD player, this is what I'm a charge for it, like, 789 00:39:16,520 --> 00:39:18,520 Speaker 7: and you're either gonna accept it or not. 790 00:39:19,120 --> 00:39:20,799 Speaker 3: It's the same way you explain the music. 791 00:39:20,960 --> 00:39:23,600 Speaker 7: So yeah, man, just keep doing that, bro, Like a 792 00:39:23,640 --> 00:39:26,239 Speaker 7: lot a lot of people need to start doing that honestly, man, 793 00:39:26,360 --> 00:39:29,440 Speaker 7: Like I think we're in that era where you just 794 00:39:29,480 --> 00:39:31,239 Speaker 7: got to kind of just do you and then people 795 00:39:31,320 --> 00:39:34,359 Speaker 7: are people are grass to it at some point mm hmm. 796 00:39:35,000 --> 00:39:39,320 Speaker 2: Yeah that's it, and and continue to love what you do. 797 00:39:39,480 --> 00:39:42,080 Speaker 2: But yeah, it's still crazy. 798 00:39:42,160 --> 00:39:45,359 Speaker 5: So when whenever I hear like on the tape, yeah, 799 00:39:45,360 --> 00:39:47,239 Speaker 5: I would have got out in twenty twenty five, that 800 00:39:47,360 --> 00:39:50,680 Speaker 5: ship every time ship, Like yo. 801 00:39:52,160 --> 00:39:54,440 Speaker 2: I didn't even realize until I made it, I was 802 00:39:54,560 --> 00:39:55,000 Speaker 2: making it. 803 00:39:56,440 --> 00:40:01,880 Speaker 4: Wait, hold up, that's like yo, am I Oh shit, 804 00:40:02,680 --> 00:40:04,919 Speaker 4: I did get sentenced in twenty ten, So I would 805 00:40:04,920 --> 00:40:08,359 Speaker 4: have been coming out right this year. And it made 806 00:40:08,360 --> 00:40:11,839 Speaker 4: me feel even more like the frustration that I had. 807 00:40:12,320 --> 00:40:14,400 Speaker 4: I'm kind of just like bro, y'all can't talk to me, 808 00:40:14,600 --> 00:40:16,719 Speaker 4: y'all can't play me. Bro, y'all can't play with me. 809 00:40:16,880 --> 00:40:19,760 Speaker 4: Bro because at the day, Bro, I ain't even supposed 810 00:40:19,760 --> 00:40:21,840 Speaker 4: to be here for real. Like I was able to 811 00:40:21,920 --> 00:40:25,239 Speaker 4: figure out a situation that allowed me to live, go 812 00:40:25,600 --> 00:40:29,160 Speaker 4: to prison for just long enough to learn a serious lesson. 813 00:40:29,080 --> 00:40:31,520 Speaker 2: But not ruin my life. My man is still in 814 00:40:31,640 --> 00:40:33,680 Speaker 2: there right now, like you know what I'm saying, Like 815 00:40:33,800 --> 00:40:36,080 Speaker 2: I see I talked to him. He called me today. 816 00:40:36,520 --> 00:40:39,520 Speaker 2: It's like that's real. So I've been through too much. 817 00:40:40,120 --> 00:40:43,120 Speaker 4: I've been through really real shit in my mind to 818 00:40:43,239 --> 00:40:46,279 Speaker 4: where this music industry shit like I can't let this 819 00:40:46,360 --> 00:40:48,960 Speaker 4: shit like you know what I'm saying, like control how 820 00:40:49,000 --> 00:40:51,640 Speaker 4: I feel and all that. Man, these people move how 821 00:40:51,680 --> 00:40:53,960 Speaker 4: they move, and that's what it is, and I understand that. 822 00:40:54,120 --> 00:40:57,560 Speaker 4: But I really had to survive some stuff, man, like 823 00:40:58,600 --> 00:41:00,840 Speaker 4: I smoke K two and I've said it in the 824 00:41:00,960 --> 00:41:03,319 Speaker 4: song like I tried K two on my B day, bro, 825 00:41:03,480 --> 00:41:06,160 Speaker 4: Like I didn't know what it was the way you 826 00:41:06,280 --> 00:41:09,120 Speaker 4: know K two today, that's not how it wasn't in prison. 827 00:41:09,200 --> 00:41:11,440 Speaker 4: That was my first time hearing about it. It was like, oh, 828 00:41:11,680 --> 00:41:13,719 Speaker 4: basically like we you know, you spoke it out of 829 00:41:13,920 --> 00:41:20,320 Speaker 4: I smoked that shit, worst worst thing ever weed, no 830 00:41:20,440 --> 00:41:24,560 Speaker 4: more that shit, Like I've never had a regular weed high. 831 00:41:24,480 --> 00:41:27,840 Speaker 2: Since I smoked that shit. Bro, that's why weed. But 832 00:41:28,000 --> 00:41:29,120 Speaker 2: that really was my life. 833 00:41:29,200 --> 00:41:29,279 Speaker 3: Bro. 834 00:41:29,480 --> 00:41:33,640 Speaker 4: I was with Arian brothers with swatsas on and thunderbolts 835 00:41:33,680 --> 00:41:36,560 Speaker 4: on them. Bro Like I was around that ship niggas. 836 00:41:36,600 --> 00:41:39,120 Speaker 4: I really had to like politic with certain shit to 837 00:41:39,239 --> 00:41:43,680 Speaker 4: make sure that today me seventeen, nineteen twenty years old, 838 00:41:44,520 --> 00:41:47,560 Speaker 4: I'm good like I'm not, you know, I don't you 839 00:41:47,640 --> 00:41:50,760 Speaker 4: know I survived that, so yeah, yeah. 840 00:41:50,760 --> 00:41:50,840 Speaker 5: So. 841 00:41:52,320 --> 00:41:55,720 Speaker 1: That's what's up. So the last joint that you picked, 842 00:41:55,920 --> 00:41:57,560 Speaker 1: and this is the reason why everybody here right like, 843 00:41:57,640 --> 00:42:00,560 Speaker 1: this is the exclusive that it hip. This is why 844 00:42:00,600 --> 00:42:02,400 Speaker 1: you come to the listening because you can't get it 845 00:42:02,480 --> 00:42:04,480 Speaker 1: nowhere else. You know what I'm saying. We got an 846 00:42:05,280 --> 00:42:09,000 Speaker 1: joint now. It is something that you may be familiar with. 847 00:42:09,440 --> 00:42:13,640 Speaker 1: It's misogynistic off of his latest mixtape. But it's an 848 00:42:13,760 --> 00:42:17,239 Speaker 1: unreleased verse. So what's the story behind the unreleased verse? 849 00:42:17,320 --> 00:42:17,440 Speaker 3: Why? 850 00:42:17,560 --> 00:42:18,640 Speaker 2: Why is it unreleased? 851 00:42:19,480 --> 00:42:23,000 Speaker 4: So I was just talking about this earlier when I 852 00:42:23,040 --> 00:42:27,040 Speaker 4: say I freestyle, bro, I'll be freestyle in life. I'll 853 00:42:27,080 --> 00:42:29,879 Speaker 4: make a verse and then make another verse for verse one, 854 00:42:30,080 --> 00:42:32,480 Speaker 4: and I'll do a verse and I'll do for verse too. 855 00:42:33,200 --> 00:42:35,640 Speaker 4: That's how I go, That's how I get down. I 856 00:42:35,719 --> 00:42:38,040 Speaker 4: don't mind, Like I've been listen to the first verse 857 00:42:38,160 --> 00:42:40,799 Speaker 4: like it's cool, but I don't like the story I'm telling. 858 00:42:40,920 --> 00:42:43,200 Speaker 4: What story do I really want to tell on this song? 859 00:42:44,120 --> 00:42:46,600 Speaker 4: Let's start it over again. And then usually I forget 860 00:42:46,640 --> 00:42:48,480 Speaker 4: that I ever made the first verse, but this one, 861 00:42:48,520 --> 00:42:50,040 Speaker 4: I was like, let me go back to a really 862 00:42:50,120 --> 00:42:52,880 Speaker 4: old version, let me look and see and I was like, 863 00:42:52,960 --> 00:42:55,160 Speaker 4: oh yeah, so that was the original. This is the 864 00:42:55,280 --> 00:42:59,640 Speaker 4: original free style of this song before there was really 865 00:42:59,719 --> 00:43:03,040 Speaker 4: a story format and I probably did that in ten. 866 00:43:02,960 --> 00:43:07,080 Speaker 2: Minutes, like no joke, I didn't each. 867 00:43:08,080 --> 00:43:11,359 Speaker 1: So so look, hey, before before you press play, can 868 00:43:12,320 --> 00:43:15,160 Speaker 1: everybody watching live bro it's the only place you can 869 00:43:15,239 --> 00:43:17,439 Speaker 1: get it now. You ain't gonna get it nowhere else 870 00:43:17,640 --> 00:43:20,920 Speaker 1: that of hip hop exclusivestical. 871 00:43:21,560 --> 00:43:23,719 Speaker 7: It should be like an alternative tape like just with 872 00:43:23,880 --> 00:43:27,040 Speaker 7: the with like proud versions and that'll be crazy. 873 00:43:29,640 --> 00:43:32,880 Speaker 2: It's physical only if something man that could be Yeah, that'd. 874 00:43:32,680 --> 00:43:34,919 Speaker 1: Be that dope. 875 00:43:35,000 --> 00:43:36,880 Speaker 3: That'll be dope as hell. If you did like an 876 00:43:36,920 --> 00:43:38,440 Speaker 3: alternative version like yo, this was. 877 00:43:39,200 --> 00:43:43,279 Speaker 7: Oh man to be crazy limited to keep limited like 878 00:43:43,840 --> 00:43:46,880 Speaker 7: you gotta get in here quick idea. 879 00:43:50,719 --> 00:43:53,239 Speaker 1: Look, we don't get it. We're gonna get into the 880 00:43:53,280 --> 00:43:54,279 Speaker 1: other released verse that. 881 00:43:54,400 --> 00:43:56,480 Speaker 3: They saying it is about it they saying in the 882 00:43:56,600 --> 00:43:57,279 Speaker 3: chat about that. 883 00:43:57,440 --> 00:44:03,279 Speaker 1: There you go right there, confirmation Look agnistical unreleased verse. 884 00:44:03,320 --> 00:44:04,680 Speaker 1: The only place you heard it is on that of 885 00:44:04,760 --> 00:44:07,759 Speaker 1: hip hop. I don't think we can handle a style 886 00:44:07,920 --> 00:44:10,920 Speaker 1: for rampant coud like matter the old giant. 887 00:44:10,760 --> 00:44:25,759 Speaker 8: Sandy professing on that face and truth, professing on that 888 00:44:25,880 --> 00:44:27,719 Speaker 8: list and truth before I give you the book, give 889 00:44:27,760 --> 00:44:29,839 Speaker 8: you the tennants, give you the doctor mark tends, give 890 00:44:29,840 --> 00:44:30,360 Speaker 8: you the spice. 891 00:44:30,440 --> 00:44:32,080 Speaker 2: That's the why n Hell where. 892 00:44:31,920 --> 00:44:32,960 Speaker 5: I empt you? 893 00:44:33,560 --> 00:44:36,360 Speaker 2: I know have it is a thing name and you 894 00:44:36,480 --> 00:44:37,400 Speaker 2: didn't let you give him? 895 00:44:37,440 --> 00:44:39,960 Speaker 3: Matter of hell or the shame or why? N and hell? 896 00:44:40,000 --> 00:44:43,000 Speaker 2: Where I am be you? Why and the hell where 897 00:44:43,040 --> 00:44:44,120 Speaker 2: I am be you. 898 00:44:46,719 --> 00:44:49,480 Speaker 4: I'm laughing because I'm hearing this. I think I sent 899 00:44:49,560 --> 00:44:51,320 Speaker 4: it to y'all, but I didn't really listen. I just 900 00:44:51,800 --> 00:44:54,239 Speaker 4: I'm laughing because I'm like, that's what I was. I 901 00:44:54,440 --> 00:44:57,480 Speaker 4: was doing that ship, bro, and it was like it 902 00:44:57,600 --> 00:45:02,560 Speaker 4: was a lot of clever like word. So I'm laughing 903 00:45:02,600 --> 00:45:05,239 Speaker 4: because it's new to me and I'm listening to it 904 00:45:05,360 --> 00:45:05,799 Speaker 4: with y'all. 905 00:45:06,400 --> 00:45:11,400 Speaker 7: Yeah, man, that's amazing, bro. You got man, that's amazing. 906 00:45:11,480 --> 00:45:13,120 Speaker 7: It's like, oh man, it's like demo. 907 00:45:13,360 --> 00:45:14,160 Speaker 5: You know what was it? 908 00:45:14,239 --> 00:45:15,480 Speaker 3: Who was a pop? Pop? 909 00:45:15,520 --> 00:45:19,799 Speaker 7: Got some like demo stuff out there, like the Drunken Floor. 910 00:45:19,800 --> 00:45:21,520 Speaker 7: You ever heard that old pop stuff. It's like a 911 00:45:21,600 --> 00:45:22,279 Speaker 7: drunken flow. 912 00:45:22,360 --> 00:45:24,759 Speaker 3: I can't. I found it one day and I meant 913 00:45:24,800 --> 00:45:26,239 Speaker 3: to send it to them because they had never heard 914 00:45:26,280 --> 00:45:26,560 Speaker 3: it either. 915 00:45:26,640 --> 00:45:28,400 Speaker 7: But you used to hear like that would be like 916 00:45:28,480 --> 00:45:30,360 Speaker 7: those tapes that you would get like in college and 917 00:45:30,400 --> 00:45:32,840 Speaker 7: stuff you can only get on like campus grounds on. 918 00:45:33,520 --> 00:45:34,919 Speaker 2: It's an exclusion right here. 919 00:45:36,080 --> 00:45:41,040 Speaker 9: An Indy that the Prince Georgia's County Jail to Act zero. 920 00:45:42,640 --> 00:45:45,440 Speaker 9: This call is from a correction facility and it's subject 921 00:45:45,480 --> 00:45:46,960 Speaker 9: to monitoring and recording. 922 00:45:47,880 --> 00:45:51,000 Speaker 2: Thank you for using global killing, Yo. D. 923 00:45:53,440 --> 00:45:56,520 Speaker 4: Hey, so you happen to be live on dead end 924 00:45:56,640 --> 00:45:59,360 Speaker 4: hip hop right now? You're just having to about you 925 00:45:59,760 --> 00:46:01,279 Speaker 4: and just having a call right now? 926 00:46:03,719 --> 00:46:04,799 Speaker 2: What's up to d? Y'all? 927 00:46:09,080 --> 00:46:11,640 Speaker 3: Like wow, the check going crazy, Like like, hey, y, 928 00:46:11,840 --> 00:46:12,480 Speaker 3: that's crazy. 929 00:46:12,960 --> 00:46:15,200 Speaker 4: Yeah, so you know you're kind of kind of famous 930 00:46:15,280 --> 00:46:19,040 Speaker 4: right now. Manybody on a on a on a you know, 931 00:46:19,120 --> 00:46:21,720 Speaker 4: on a project, on a mixtape. So so in the beginning, 932 00:46:22,200 --> 00:46:23,920 Speaker 4: how you on there and on the end and stuff. 933 00:46:24,000 --> 00:46:26,920 Speaker 4: So we literally been talking about the whole mixtape and 934 00:46:27,000 --> 00:46:28,120 Speaker 4: then you happen to call me. 935 00:46:28,200 --> 00:46:33,080 Speaker 3: Now that's crazy man, crazy work man. 936 00:46:33,200 --> 00:46:34,320 Speaker 1: But you already know how we do it. 937 00:46:34,360 --> 00:46:37,719 Speaker 2: Brother. Yeah, we're good. We're good. We're good. You know, 938 00:46:37,880 --> 00:46:38,880 Speaker 2: we're just over here. 939 00:46:38,880 --> 00:46:41,080 Speaker 4: I'm gonna leave it on so you can hear what 940 00:46:41,160 --> 00:46:43,080 Speaker 4: we're talking about and everything and if you want to 941 00:46:43,160 --> 00:46:45,320 Speaker 4: chime in on anything, or if y'all have any questions 942 00:46:45,400 --> 00:46:45,760 Speaker 4: or whatever. 943 00:46:46,239 --> 00:46:47,600 Speaker 2: You know, you know it's cool. 944 00:46:50,560 --> 00:46:53,759 Speaker 3: I'm gonna pick going on, my. 945 00:46:53,880 --> 00:46:59,800 Speaker 1: Man, that's what's up. Uh, let's let's get to the Supertest. 946 00:46:59,880 --> 00:47:02,360 Speaker 1: I think we got a couple of them joints we do. 947 00:47:02,520 --> 00:47:07,160 Speaker 5: But I got a question, bro, because okay, well, because 948 00:47:07,200 --> 00:47:13,719 Speaker 5: it's on the Superwoman joint from six five, Bro, I 949 00:47:13,800 --> 00:47:15,520 Speaker 5: gotta I gotta know the story. That's one of my 950 00:47:15,600 --> 00:47:18,400 Speaker 5: favorite Stevie Wonder songs. And Donnie Afterway got a Virgin 951 00:47:19,239 --> 00:47:23,160 Speaker 5: Live too. But I mention your music, soul Child, when 952 00:47:23,200 --> 00:47:26,360 Speaker 5: I listened to it, I like the version that you 953 00:47:26,480 --> 00:47:29,200 Speaker 5: guys did, and I'm kind of really harsh when it 954 00:47:29,280 --> 00:47:30,000 Speaker 5: comes to R and. 955 00:47:30,040 --> 00:47:34,480 Speaker 2: B music, so especially Stevie. Come on, man, right, right, 956 00:47:34,640 --> 00:47:35,040 Speaker 2: right right. 957 00:47:35,400 --> 00:47:39,080 Speaker 4: I just performed with Stevie at Blue Note with Robert 958 00:47:39,160 --> 00:47:44,000 Speaker 4: glasper uh not too long ago. And it's funny because 959 00:47:44,040 --> 00:47:46,719 Speaker 4: you know, anytime you do a Stevie song cover, he 960 00:47:46,880 --> 00:47:48,600 Speaker 4: has to clear it. You can't curage none of that 961 00:47:48,680 --> 00:47:52,759 Speaker 4: he don't like, and so obviously he heard that. The 962 00:47:52,880 --> 00:47:54,920 Speaker 4: reason why I had the courage it the day I 963 00:47:55,000 --> 00:47:56,560 Speaker 4: did that song was the first time I ever heard it, 964 00:47:56,960 --> 00:47:59,680 Speaker 4: I heard happen to hear it play after something on 965 00:47:59,760 --> 00:48:02,520 Speaker 4: a music and I was like, this is crazy. This 966 00:48:02,640 --> 00:48:05,760 Speaker 4: song is the two parts to this song is so crazy. 967 00:48:06,239 --> 00:48:07,719 Speaker 4: And I was like, I'm gonna just try it just 968 00:48:07,840 --> 00:48:09,480 Speaker 4: to just to just to see, you know. 969 00:48:09,800 --> 00:48:10,440 Speaker 2: And I did it. 970 00:48:10,880 --> 00:48:13,480 Speaker 4: And then I was in the studio with music so child, 971 00:48:13,800 --> 00:48:16,360 Speaker 4: and I was like, man, I was so embarrassed to 972 00:48:16,400 --> 00:48:18,439 Speaker 4: try to play it for him because this music so child. 973 00:48:18,719 --> 00:48:20,440 Speaker 4: But I was like, y'all, I want one place. I 974 00:48:20,520 --> 00:48:22,920 Speaker 4: just want to see what you think. And he literally 975 00:48:23,120 --> 00:48:26,120 Speaker 4: was like, bro, I didn't know you could do that. 976 00:48:26,360 --> 00:48:29,320 Speaker 4: And he was like, I want to get on it 977 00:48:29,400 --> 00:48:31,360 Speaker 4: too with me, and he was like I would be 978 00:48:31,520 --> 00:48:33,680 Speaker 4: honored to do that. So then he did his part 979 00:48:34,400 --> 00:48:37,560 Speaker 4: and then and then we just get We ended up 980 00:48:38,160 --> 00:48:41,279 Speaker 4: sending it to Stevie to get the clearance on it, 981 00:48:41,400 --> 00:48:43,400 Speaker 4: and man, he cleared it. 982 00:48:43,520 --> 00:48:49,399 Speaker 2: Man, he let he let me use it. So that's yeah, Wow, Yeah, 983 00:48:49,520 --> 00:48:52,680 Speaker 2: that is dope. That is dope. That is dope. Shout 984 00:48:52,719 --> 00:48:54,520 Speaker 2: out to Yeah for real. 985 00:48:54,600 --> 00:48:56,680 Speaker 5: The fact that he cleared that's that's that's. 986 00:48:59,400 --> 00:49:00,200 Speaker 2: Stevie. Don't like. 987 00:49:02,920 --> 00:49:04,799 Speaker 4: He's not that you're gonna be joking around. He really 988 00:49:05,320 --> 00:49:10,520 Speaker 4: likes music and good news, not just whatever he's like. Man, 989 00:49:10,560 --> 00:49:12,920 Speaker 4: he's the goat man all right. 990 00:49:13,000 --> 00:49:16,240 Speaker 5: Let me get to these questions, man, so we won't 991 00:49:16,520 --> 00:49:17,520 Speaker 5: hold you too much longer. 992 00:49:18,040 --> 00:49:19,640 Speaker 2: Uh uh. 993 00:49:20,000 --> 00:49:22,320 Speaker 5: John Redcote is their projector song you really wish you 994 00:49:22,360 --> 00:49:25,680 Speaker 5: could redo today with their current skill and production skill. 995 00:49:27,280 --> 00:49:28,240 Speaker 2: M m mmm. 996 00:49:29,320 --> 00:49:31,839 Speaker 4: I think I see if I say this now, you're 997 00:49:31,920 --> 00:49:36,440 Speaker 4: gonna be looking for it right. Al So, when Jay 998 00:49:36,440 --> 00:49:40,840 Speaker 4: Electronic h