1 00:00:00,160 --> 00:00:04,160 Speaker 1: To write the Book of Love? Do you have faith 2 00:00:04,200 --> 00:00:05,119 Speaker 1: in God? 3 00:00:05,200 --> 00:00:08,320 Speaker 2: So this is a big thing you brought into the studio. 4 00:00:08,840 --> 00:00:12,520 Speaker 1: Yes, it is a rather large antique item. I have 5 00:00:12,640 --> 00:00:16,400 Speaker 1: brought in my Victor five phonograph. This was a fairly 6 00:00:16,480 --> 00:00:20,400 Speaker 1: expensive item in its day. It sold for sixty dollars, 7 00:00:20,440 --> 00:00:22,880 Speaker 1: which is the equivalent to about I think it was 8 00:00:23,079 --> 00:00:28,120 Speaker 1: sixteen hundred dollars. So, yeah, we're the the rate of inflation. Yeah, adjusted, 9 00:00:28,440 --> 00:00:31,400 Speaker 1: and this item is worth between twenty to twenty five 10 00:00:31,480 --> 00:00:36,840 Speaker 1: hundred dollars retail. The Victor fives are very desirable among collectors, 11 00:00:36,960 --> 00:00:40,360 Speaker 1: especially this lovely oak wooden horn that's known as the 12 00:00:40,440 --> 00:00:43,560 Speaker 1: Victor spear point horn. This is a relic that's about 13 00:00:43,560 --> 00:00:47,000 Speaker 1: one hundred and fifteen years old. It was first manufactured 14 00:00:47,360 --> 00:00:51,519 Speaker 1: in nineteen ten and it continued to be manufactured up 15 00:00:51,600 --> 00:00:55,040 Speaker 1: until about the round the mid nineteen twenties, when more 16 00:00:55,080 --> 00:01:00,160 Speaker 1: advanced machines were being introduced, including the Victor Orthophonic, which 17 00:01:00,280 --> 00:01:03,880 Speaker 1: had its one hundredth anniversary this weekend. It was introduced 18 00:01:04,240 --> 00:01:08,800 Speaker 1: fall of nineteen twenty five, November two, and so we 19 00:01:08,880 --> 00:01:12,479 Speaker 1: have had one hundred years of orthophonic sound, and that 20 00:01:12,640 --> 00:01:16,760 Speaker 1: is the pinnacle of mechanical sound reproduction. What I find 21 00:01:16,800 --> 00:01:20,040 Speaker 1: so fascinating about these devices is that they can be 22 00:01:20,160 --> 00:01:25,880 Speaker 1: played without means of electricity, and they sound amazing. Right now, 23 00:01:25,920 --> 00:01:29,160 Speaker 1: I have one of my favorite demonstration discs on there, 24 00:01:29,440 --> 00:01:31,760 Speaker 1: and I like it so much because everybody knows this 25 00:01:31,840 --> 00:01:40,920 Speaker 1: tune instantly when they hear it. Whoops, not that one. 26 00:01:41,760 --> 00:01:42,520 Speaker 1: Let me turn it over. 27 00:01:42,600 --> 00:01:46,640 Speaker 2: We're scratching the record. Are needles difficult to replace? 28 00:01:46,720 --> 00:01:49,080 Speaker 1: The needles are not difficult to replace. In fact, you 29 00:01:49,120 --> 00:01:51,920 Speaker 1: are supposed to replace them every time you play. 30 00:01:51,800 --> 00:01:59,920 Speaker 2: Now this, Yeah, where did you purchase? 31 00:02:03,400 --> 00:02:07,600 Speaker 1: I purchased this one in Hastings, Michigan at the Stanton's 32 00:02:07,680 --> 00:02:10,720 Speaker 1: Phonograph Auction. They have it once or I'm sorry, twice 33 00:02:10,720 --> 00:02:13,040 Speaker 1: a year, usually once in the spring and once in 34 00:02:13,080 --> 00:02:17,079 Speaker 1: the fall. A lot of older collectors, you know, passing 35 00:02:17,120 --> 00:02:22,440 Speaker 1: away liquidating their collections. Not every child is interested inheriting 36 00:02:22,520 --> 00:02:25,600 Speaker 1: these items, but I think that they're just so fascinating 37 00:02:26,000 --> 00:02:30,600 Speaker 1: the idea of mechanical sound reproduction. And there's something that's 38 00:02:30,919 --> 00:02:35,000 Speaker 1: charming and appealing about this this old time device. 39 00:02:35,560 --> 00:02:37,120 Speaker 2: What got you into collecting? 40 00:02:37,800 --> 00:02:42,360 Speaker 1: My grandparents were very very much into, especially my grandfather, 41 00:02:42,480 --> 00:02:46,080 Speaker 1: collecting antiques. They were not record collectors. I started that 42 00:02:46,240 --> 00:02:50,000 Speaker 1: in twenty eighteen, I believe, when I went to an 43 00:02:50,200 --> 00:02:54,560 Speaker 1: estate auction in northern Indiana and I had spotted an 44 00:02:54,680 --> 00:02:58,720 Speaker 1: Edison ambarolla player, which I had mistakenly because I didn't 45 00:02:58,720 --> 00:03:01,000 Speaker 1: know as much at the time, fied as a tin 46 00:03:01,280 --> 00:03:05,280 Speaker 1: cylinder playing machine, but of course it plays blue amberrol cylinders, 47 00:03:05,320 --> 00:03:08,160 Speaker 1: which is made out of celluloid and came late, significantly 48 00:03:08,240 --> 00:03:10,600 Speaker 1: later than the Edison tin players. But that was my 49 00:03:10,800 --> 00:03:14,120 Speaker 1: introduction into the collecting hobby of phonographs, and I just 50 00:03:14,120 --> 00:03:16,720 Speaker 1: think that they're so They're so cool, and they stuck 51 00:03:16,760 --> 00:03:19,440 Speaker 1: around for a long time because they were continuing to 52 00:03:19,480 --> 00:03:24,400 Speaker 1: press seventy eight rpm records into up until about nineteen sixty. 53 00:03:24,440 --> 00:03:27,000 Speaker 1: I think they stopped in nineteen fifty nine. So from 54 00:03:27,160 --> 00:03:31,000 Speaker 1: eighteen ninety to nineteen fifty nine you were able to 55 00:03:31,120 --> 00:03:34,280 Speaker 1: purchase and play records on devices that were dozens of 56 00:03:34,360 --> 00:03:34,840 Speaker 1: years old. 57 00:03:35,120 --> 00:03:37,720 Speaker 2: So you crank this thing once and it's good to go, 58 00:03:37,840 --> 00:03:40,400 Speaker 2: or do you have to like continually. 59 00:03:39,880 --> 00:03:43,400 Speaker 1: Well, eventually you will have to crank it to refresh it. 60 00:03:43,480 --> 00:03:46,440 Speaker 1: But the Victor five was expensive because it had a 61 00:03:46,480 --> 00:03:48,960 Speaker 1: three spring motor. So if you gave it one good 62 00:03:49,040 --> 00:03:51,800 Speaker 1: crank and then cranked through all three of the springs. 63 00:03:52,120 --> 00:03:54,680 Speaker 1: Then you could play multiple multiple records. 64 00:03:54,880 --> 00:03:56,320 Speaker 2: How do you maintain these. 65 00:03:57,680 --> 00:03:58,240 Speaker 1: Very carefully? 66 00:03:58,360 --> 00:03:59,000 Speaker 2: I have to. 67 00:04:00,120 --> 00:04:04,280 Speaker 1: I have to dust them, oil them. Usually if I 68 00:04:04,320 --> 00:04:07,320 Speaker 1: buy a new one, I have to get the reproducer rebuild. 69 00:04:07,400 --> 00:04:09,600 Speaker 1: But that's part of the charm. I view myself as 70 00:04:09,680 --> 00:04:13,720 Speaker 1: a steward of these machines because when properly cared for, 71 00:04:13,920 --> 00:04:15,160 Speaker 1: they're going to outlive us all. 72 00:04:15,240 --> 00:04:18,599 Speaker 2: You probably have a museum worthy collection at home, don't you. 73 00:04:18,839 --> 00:04:20,880 Speaker 1: At this point, it's something that's getting there. I have 74 00:04:20,960 --> 00:04:25,080 Speaker 1: about fifty different phonographs of all different shapes and sizes, 75 00:04:25,160 --> 00:04:27,320 Speaker 1: and I have a lot of other antiques too. And 76 00:04:27,520 --> 00:04:30,159 Speaker 1: Terry Stacey has been giving me a cool opportunity on 77 00:04:30,200 --> 00:04:33,000 Speaker 1: the first day show, yeah, to do antique show and tell, 78 00:04:33,080 --> 00:04:35,200 Speaker 1: and we have that about once every other week where 79 00:04:35,200 --> 00:04:38,360 Speaker 1: I take something cool from my collection and tell the 80 00:04:38,400 --> 00:04:40,200 Speaker 1: audience a little bit more about it and some of 81 00:04:40,200 --> 00:04:40,680 Speaker 1: the history. 82 00:04:40,760 --> 00:04:43,120 Speaker 2: Yeah, keeping track of history. Well, Ethan, thank you very 83 00:04:43,200 --> 00:04:45,880 Speaker 2: much for joining me today. Thank you, Kevin, thank you, 84 00:04:46,240 --> 00:04:48,960 Speaker 2: and thank you for listening. This has been the Kendall 85 00:04:49,000 --> 00:04:52,720 Speaker 2: and Casey Show. It's ninety three WIBC and Ethan's going 86 00:04:52,760 --> 00:05:06,400 Speaker 2: to take us out with some music. A spell on 87 00:05:06,440 --> 00:05:29,360 Speaker 2: you because of my stout the things you to look out. 88 00:05:38,720 --> 00:05:43,760 Speaker 2: I can't say we'll run it around. 89 00:05:46,120 --> 00:05:50,400 Speaker 1: I can't say. 90 00:05:50,560 --> 00:05:56,640 Speaker 2: Witting me down A spell on you 91 00:06:01,600 --> 00:06:03,480 Speaker 1: Because he had him