1 00:00:00,120 --> 00:00:02,160 Speaker 1: You know, while the Jim Jones going on and people 2 00:00:02,200 --> 00:00:04,680 Speaker 1: talking like, you know, I don't want people to think 3 00:00:05,600 --> 00:00:06,920 Speaker 1: because yeah, the way he was. 4 00:00:06,920 --> 00:00:07,440 Speaker 2: Robbing it. 5 00:00:09,720 --> 00:00:15,960 Speaker 3: Was, but he changed it because he didn't want people 6 00:00:16,000 --> 00:00:18,239 Speaker 3: to think that he was going to Jim Jones. 7 00:00:18,200 --> 00:00:20,880 Speaker 4: He didn't want to take attention to got to hear it, Yeah, 8 00:00:20,920 --> 00:00:23,080 Speaker 4: you gotta hear it because when you listen to it, 9 00:00:23,680 --> 00:00:25,880 Speaker 4: Jesus Jesus. 10 00:00:26,480 --> 00:00:30,680 Speaker 5: Yeah, he kept somewhere because that's that that helps you 11 00:00:30,720 --> 00:00:32,400 Speaker 5: gotta listen to that. 12 00:00:32,600 --> 00:00:35,320 Speaker 6: But I also feel not wanting to overshadow the more. 13 00:00:35,760 --> 00:00:39,279 Speaker 5: Yeah, he didn't want to the album but buzz though, 14 00:00:39,320 --> 00:00:41,360 Speaker 5: and I think it still is getting buzzed, and people 15 00:00:41,400 --> 00:00:43,600 Speaker 5: still do think he's going at Jim Jones. 16 00:00:43,280 --> 00:00:43,800 Speaker 2: On the feature. 17 00:00:44,040 --> 00:00:47,280 Speaker 7: Well, look, they could drop a the Love extra nons 18 00:00:47,320 --> 00:00:53,840 Speaker 7: verse or changing verse this out there. But then in 19 00:00:53,960 --> 00:00:59,120 Speaker 7: hip hop album review, Ray Kwan The Emperor's New Clothes, 20 00:00:59,120 --> 00:01:01,560 Speaker 7: look before we get into the review. D three sixty 21 00:01:01,560 --> 00:01:05,040 Speaker 7: five is officially back. Look Me and Ken every Monday 22 00:01:05,080 --> 00:01:08,240 Speaker 7: around sixty sometimes a little bit earlier, sometimes a little 23 00:01:08,240 --> 00:01:10,360 Speaker 7: bit later. We've been doing live reviews, so make sure 24 00:01:10,400 --> 00:01:11,960 Speaker 7: you follow us on Twitch. 25 00:01:12,319 --> 00:01:15,360 Speaker 5: Make sure you follow us everywhere you get a podcast 26 00:01:15,520 --> 00:01:18,160 Speaker 5: because Patreons get it first. 27 00:01:18,160 --> 00:01:20,320 Speaker 6: However, Friday, August first. 28 00:01:21,000 --> 00:01:24,720 Speaker 7: We unleashing the inventory. Bro we've been stockpiling the inventory. 29 00:01:25,080 --> 00:01:27,320 Speaker 7: Shout out to the patrons. We knocked out a whole 30 00:01:27,319 --> 00:01:29,200 Speaker 7: bunch of the ones that they requested. So if you 31 00:01:29,240 --> 00:01:31,840 Speaker 7: want to request something on d E three sixty five, 32 00:01:31,920 --> 00:01:33,880 Speaker 7: go over there. And not only do we have D 33 00:01:34,000 --> 00:01:39,520 Speaker 7: three sixty five, we have a special review in regards 34 00:01:39,600 --> 00:01:43,039 Speaker 7: to overcast and we have a special guest on that that'll 35 00:01:42,680 --> 00:01:46,400 Speaker 7: be dropping and if it's already out, go make sure 36 00:01:46,400 --> 00:01:49,840 Speaker 7: you go watch that. Also, we got the request line. 37 00:01:49,880 --> 00:01:52,880 Speaker 7: You know, we just did Detroit Deli and we don't 38 00:01:52,880 --> 00:01:55,400 Speaker 7: pick that. And also you guys here on YouTube don't 39 00:01:55,440 --> 00:01:58,040 Speaker 7: get that. That is exclusive to Patreon only people at 40 00:01:58,040 --> 00:02:00,880 Speaker 7: the nomination level. You guys nominated, let us know why. 41 00:02:01,440 --> 00:02:03,080 Speaker 7: You know what I'm saying. You pick it and then 42 00:02:03,120 --> 00:02:04,840 Speaker 7: the rest of the patrons get the vote and then 43 00:02:04,840 --> 00:02:07,000 Speaker 7: we review it. So once a month, you guys get 44 00:02:07,000 --> 00:02:07,640 Speaker 7: the request line. 45 00:02:07,680 --> 00:02:11,200 Speaker 1: But today, hey, nigga, I gotta request so for three 46 00:02:11,280 --> 00:02:11,880 Speaker 1: sixty five. 47 00:02:12,360 --> 00:02:15,440 Speaker 8: Once y'all do m c A we come strapped, Okay, 48 00:02:15,800 --> 00:02:16,760 Speaker 8: he said. 49 00:02:16,560 --> 00:02:25,000 Speaker 6: Hey, hey, nigga, take me back you want to be 50 00:02:25,040 --> 00:02:27,040 Speaker 6: on it. You want to be on it, be on it. 51 00:02:27,720 --> 00:02:28,120 Speaker 6: The people. 52 00:02:28,120 --> 00:02:37,560 Speaker 7: The people love when we just requested, request you listen to. 53 00:02:37,440 --> 00:02:39,680 Speaker 8: Some dope ship man all right, m c A. We 54 00:02:39,720 --> 00:02:40,600 Speaker 8: come strapped, but. 55 00:02:40,720 --> 00:02:41,600 Speaker 6: We put it in the chamber. 56 00:02:41,720 --> 00:02:42,440 Speaker 2: It's in the chamber. 57 00:02:43,800 --> 00:02:48,360 Speaker 3: But look, you gonna come up dressing all West Coast, hey, 58 00:02:48,520 --> 00:02:49,359 Speaker 3: right man? 59 00:02:50,120 --> 00:02:51,919 Speaker 2: Man for real? 60 00:02:52,320 --> 00:02:59,079 Speaker 5: Hey, talk about that ship. Yeah, today we're talking Ray 61 00:02:59,200 --> 00:03:03,320 Speaker 5: kuans the new clothes. Look, this is part of the 62 00:03:03,400 --> 00:03:06,440 Speaker 5: mass appeal rollout of what is it? Seven projects and 63 00:03:06,520 --> 00:03:08,840 Speaker 5: project you know they already did we me and Kenny 64 00:03:08,840 --> 00:03:12,280 Speaker 5: did click Rick on D three sixty five go check 65 00:03:12,320 --> 00:03:12,720 Speaker 5: that out. 66 00:03:12,639 --> 00:03:14,840 Speaker 8: And got Supreme clientele to drop the next month. 67 00:03:15,639 --> 00:03:18,280 Speaker 6: Yep, God damn he doing it. 68 00:03:18,400 --> 00:03:19,640 Speaker 8: Yes, yes he is. 69 00:03:19,840 --> 00:03:22,200 Speaker 7: I feel like he's breathing new life into a lot 70 00:03:22,240 --> 00:03:25,320 Speaker 7: of the superhero rap characters that we. 71 00:03:25,400 --> 00:03:28,919 Speaker 6: Had growing up, you know, for for our age group. 72 00:03:28,919 --> 00:03:31,120 Speaker 7: Because all of these guys they're they're like a decade 73 00:03:31,240 --> 00:03:32,560 Speaker 7: or a little bit older than us. 74 00:03:32,800 --> 00:03:34,880 Speaker 6: So obviously we came up listening to these guys. 75 00:03:34,960 --> 00:03:37,920 Speaker 7: And Ray Kwan has been on features here and there 76 00:03:37,920 --> 00:03:41,200 Speaker 7: and this, that and the third and I'm always happy 77 00:03:41,240 --> 00:03:42,720 Speaker 7: when I see him, but that. 78 00:03:42,880 --> 00:03:44,040 Speaker 8: I will say this. Huh. 79 00:03:44,040 --> 00:03:47,839 Speaker 1: This is the first time I wasn't nervous less to rah, 80 00:03:48,120 --> 00:03:51,720 Speaker 1: let me tell you something. The Wild and Fly International 81 00:03:52,160 --> 00:03:54,280 Speaker 1: Luxurious Art I think I was telling kid Is. 82 00:03:54,280 --> 00:03:55,800 Speaker 8: I'm like, man, I'm scared. 83 00:03:55,960 --> 00:03:58,040 Speaker 1: Like every time when I saw the track list and 84 00:03:58,160 --> 00:04:00,920 Speaker 1: still I was like, oh my god, what's happening here? 85 00:04:01,720 --> 00:04:04,320 Speaker 1: But for some reason, just just the way this was 86 00:04:04,440 --> 00:04:07,400 Speaker 1: rolled out and who was behind it, like, I'm like, okay, 87 00:04:07,600 --> 00:04:09,760 Speaker 1: I have I have somewhat of a good feeling about this. 88 00:04:10,040 --> 00:04:12,800 Speaker 8: I think he might be in for something pretty pretty 89 00:04:12,840 --> 00:04:13,480 Speaker 8: pretty solid. 90 00:04:13,520 --> 00:04:15,360 Speaker 7: That's why I was going like the features that I 91 00:04:15,400 --> 00:04:18,320 Speaker 7: heard from ray Kwana was like, I don't know if 92 00:04:18,360 --> 00:04:20,400 Speaker 7: this is what we need because I haven't heard him 93 00:04:20,400 --> 00:04:23,599 Speaker 7: feel as inspired as method Man on some features and 94 00:04:23,640 --> 00:04:25,840 Speaker 7: some of the older ghosts cat like rock Kim and 95 00:04:25,880 --> 00:04:27,920 Speaker 7: stuff that you know we reviewed, and I'm like, yo, 96 00:04:28,040 --> 00:04:29,960 Speaker 7: like these niggas, they sound like they still got it. 97 00:04:30,200 --> 00:04:32,560 Speaker 7: Ray Kwan was always shaky for me, you know what 98 00:04:32,600 --> 00:04:35,280 Speaker 7: I'm saying, in the later years, But going. 99 00:04:35,080 --> 00:04:38,440 Speaker 6: Through this, I was like, oh, this he feels I. 100 00:04:38,360 --> 00:04:40,159 Speaker 5: Don't know what the fuck mass appeal got in the 101 00:04:40,200 --> 00:04:42,640 Speaker 5: water over there in the office, bruh or the studio 102 00:04:42,800 --> 00:04:44,479 Speaker 5: or wherever the hell they doing business. 103 00:04:44,920 --> 00:04:48,039 Speaker 7: But all of the mass appeal joints have hit the 104 00:04:48,080 --> 00:04:49,160 Speaker 7: way that they were supposed to. 105 00:04:49,440 --> 00:04:49,960 Speaker 2: Just told them to. 106 00:04:49,960 --> 00:04:52,719 Speaker 1: Lock in, man, I mean, I really think just Nives 107 00:04:52,760 --> 00:04:55,360 Speaker 1: was just like lock in, Let's show these this's been 108 00:04:55,440 --> 00:04:58,240 Speaker 1: thirty fucking years. Let's just show these motherfuckers what. Yeah, man, 109 00:04:58,320 --> 00:04:59,480 Speaker 1: how this shit is supposed to be done? 110 00:04:59,560 --> 00:04:59,720 Speaker 2: Man? 111 00:05:00,120 --> 00:05:03,000 Speaker 6: They did yeah, so damn what's it on the rundown? 112 00:05:03,000 --> 00:05:04,080 Speaker 7: I don't know if we did it in front of 113 00:05:04,080 --> 00:05:06,320 Speaker 7: the camera, was off camera, but you were talking about, 114 00:05:06,320 --> 00:05:07,680 Speaker 7: like you know, who was on the track list and 115 00:05:07,720 --> 00:05:11,160 Speaker 7: stuff like that. And when I saw Griselda obviously nas 116 00:05:11,400 --> 00:05:13,520 Speaker 7: he has three, three or four joints with ghost face, 117 00:05:13,560 --> 00:05:16,320 Speaker 7: I said, okay, like you said, locked in, Like this 118 00:05:16,360 --> 00:05:18,600 Speaker 7: is what it's supposed to be for ray quantity of 119 00:05:18,720 --> 00:05:19,200 Speaker 7: ghost face. 120 00:05:19,320 --> 00:05:20,360 Speaker 8: He sounded great. 121 00:05:20,360 --> 00:05:23,880 Speaker 6: Great. I'm like, I need a massive peal ghost face 122 00:05:23,920 --> 00:05:25,960 Speaker 6: joint now it's coming. Supreme Client tells you. 123 00:05:26,640 --> 00:05:27,279 Speaker 8: That's why I was. 124 00:05:27,360 --> 00:05:29,279 Speaker 1: That's why I was paying attention a lot of course, 125 00:05:29,279 --> 00:05:31,479 Speaker 1: besides requiring on this Alam's ghost face. When I saw 126 00:05:31,800 --> 00:05:33,320 Speaker 1: he was on three of these, I said, okay, let me, 127 00:05:33,400 --> 00:05:36,200 Speaker 1: let me, let me hear how I locked in and 128 00:05:36,200 --> 00:05:38,520 Speaker 1: I was like, oh my god, they joint with him 129 00:05:38,520 --> 00:05:38,960 Speaker 1: and Methan. 130 00:05:39,080 --> 00:05:42,520 Speaker 7: Oh god, you know, you know the beautiful thing about 131 00:05:43,200 --> 00:05:49,880 Speaker 7: talking about Methan needs a mass appeal joint too, he do? 132 00:05:50,080 --> 00:05:50,400 Speaker 2: Why not? 133 00:05:50,800 --> 00:05:52,400 Speaker 6: But what is going on with him? 134 00:05:52,600 --> 00:05:56,000 Speaker 7: I don't know, but he's so in a rat bag 135 00:05:56,040 --> 00:05:58,960 Speaker 7: at the moment. He don't make no damn senses. But 136 00:05:59,040 --> 00:06:01,560 Speaker 7: Ray Kuan and you know, I talked about it with 137 00:06:01,920 --> 00:06:05,800 Speaker 7: malice and push up, like when you have a certain chemistry, Bro, they. 138 00:06:05,680 --> 00:06:09,040 Speaker 5: Don't go nowhere and you heard it here them niggas. 139 00:06:09,120 --> 00:06:12,280 Speaker 5: It's like magic and kareem dog like them niggas. They 140 00:06:12,400 --> 00:06:16,280 Speaker 5: just they sound so perfect together rapping. But now I'm an. 141 00:06:16,200 --> 00:06:17,440 Speaker 6: Over bro like this. 142 00:06:17,760 --> 00:06:21,720 Speaker 5: I was surprised again only because when I hear, when 143 00:06:21,720 --> 00:06:25,400 Speaker 5: I've heard Raid in the later years, it just wasn't hitting. 144 00:06:25,760 --> 00:06:28,600 Speaker 7: But Bro, from beginning to even the intro, I love 145 00:06:28,680 --> 00:06:30,839 Speaker 7: the intro. How he's kind of like the tone of 146 00:06:31,240 --> 00:06:33,000 Speaker 7: and you know, like this nigga he'd been out the game. 147 00:06:33,000 --> 00:06:33,920 Speaker 6: He doesn't change his name. 148 00:06:34,040 --> 00:06:37,839 Speaker 1: You find it was kind of throwback to only Bill Hearing, 149 00:06:37,839 --> 00:06:41,320 Speaker 1: a little like Skits, and it was kind of like 150 00:06:41,360 --> 00:06:42,760 Speaker 1: an old country like it was like kind of like 151 00:06:42,760 --> 00:06:43,279 Speaker 1: a hold. 152 00:06:43,120 --> 00:06:44,520 Speaker 8: To that a little bit, like you kind of threw 153 00:06:44,560 --> 00:06:46,200 Speaker 8: that in there. I was like, then they went right 154 00:06:46,200 --> 00:06:46,760 Speaker 8: into Bear Hill. 155 00:06:46,800 --> 00:06:48,200 Speaker 6: I was like, oh, so. 156 00:06:48,160 --> 00:06:50,120 Speaker 1: When that shit came out, I was like, okay. And 157 00:06:50,520 --> 00:06:52,280 Speaker 1: I like the fact it was some producer here I 158 00:06:52,400 --> 00:06:53,040 Speaker 1: never heard of before. 159 00:06:53,040 --> 00:06:56,440 Speaker 5: I was just like, oh, ship, Like yeah. 160 00:06:57,000 --> 00:06:59,679 Speaker 8: Like the Benny Conway and west Side snipe beats. 161 00:06:59,680 --> 00:07:01,760 Speaker 1: I never heard him before. I was like that that 162 00:07:01,839 --> 00:07:03,840 Speaker 1: fucking was fucking wild as hell. I was like, that 163 00:07:03,880 --> 00:07:07,320 Speaker 1: ship was dope as fun. Even a joint when expected deck, Yeah, 164 00:07:09,360 --> 00:07:11,120 Speaker 1: even the joint when expected deck and called the fist. 165 00:07:11,160 --> 00:07:12,680 Speaker 2: I was like, oh, it called the fist. I haven't 166 00:07:12,720 --> 00:07:15,400 Speaker 2: heard him since he sounded crib bro. 167 00:07:15,840 --> 00:07:18,800 Speaker 8: I was like, man, that ship was crazy. 168 00:07:18,880 --> 00:07:20,600 Speaker 1: I mean, come on, I think I already told y'all 169 00:07:21,080 --> 00:07:22,960 Speaker 1: when I shared the NAS joint, I said, this, this 170 00:07:23,360 --> 00:07:24,080 Speaker 1: is my fucking. 171 00:07:23,920 --> 00:07:26,880 Speaker 8: Here, man, Jesus christ Man, what what what the fuck 172 00:07:27,040 --> 00:07:29,560 Speaker 8: is going on here? Now? It's like over nots not 173 00:07:29,640 --> 00:07:32,800 Speaker 8: to produce that joint shout the nots. Yeah, yeah, I 174 00:07:32,840 --> 00:07:34,320 Speaker 8: was not proud that slept on. 175 00:07:35,600 --> 00:07:39,880 Speaker 1: Yeah, that ship was something amazing, man, God, Like you 176 00:07:39,960 --> 00:07:42,520 Speaker 1: said all the real niggas what you said that man? 177 00:07:43,080 --> 00:07:44,800 Speaker 6: He said that was ship bro. 178 00:07:44,920 --> 00:07:47,880 Speaker 8: That was like God damn he closed that bitch out 179 00:07:47,920 --> 00:07:48,120 Speaker 8: like that. 180 00:07:49,000 --> 00:07:51,000 Speaker 5: If it wasn't for like certain bars, I don't even 181 00:07:51,040 --> 00:07:54,160 Speaker 5: know this was today's nods Like he sounded like, yeah he. 182 00:07:54,240 --> 00:07:54,840 Speaker 8: Did, he did. 183 00:07:54,960 --> 00:07:58,600 Speaker 6: He did like ninety six. It felt like they all did. 184 00:07:58,920 --> 00:07:59,080 Speaker 8: Yea. 185 00:07:59,480 --> 00:08:01,360 Speaker 6: They all felt like it was time. 186 00:08:01,520 --> 00:08:03,840 Speaker 1: Yeah, because you gotta think thirty years ago we heard 187 00:08:03,920 --> 00:08:06,600 Speaker 1: Robert in the course with with him red face. 188 00:08:06,840 --> 00:08:09,120 Speaker 2: No. I thought it was an old NOS verse one, 189 00:08:09,520 --> 00:08:12,120 Speaker 2: like somebody sending it in the shop. I'm like, this 190 00:08:12,160 --> 00:08:12,800 Speaker 2: is the old. Yeah. 191 00:08:12,880 --> 00:08:14,680 Speaker 5: Yeah, I was like, it's the old. I'm like, no, 192 00:08:14,800 --> 00:08:17,160 Speaker 5: this is today. I love that ship was a I 193 00:08:17,240 --> 00:08:18,720 Speaker 5: b he's stupid. 194 00:08:18,760 --> 00:08:20,440 Speaker 1: Did you did y'all see the ship? I said where 195 00:08:20,440 --> 00:08:21,560 Speaker 1: he re recorded the verse? 196 00:08:22,080 --> 00:08:26,320 Speaker 5: No, I saw that kid posed out. 197 00:08:26,640 --> 00:08:27,320 Speaker 8: Y'all hear the not? 198 00:08:27,640 --> 00:08:28,880 Speaker 2: I never, I never. I didn't hear it. 199 00:08:30,240 --> 00:08:32,320 Speaker 6: No, I heard it. He was going he was gonna 200 00:08:32,320 --> 00:08:32,840 Speaker 6: share that gym. 201 00:08:33,240 --> 00:08:34,240 Speaker 8: He said he wasn't. 202 00:08:36,320 --> 00:08:38,280 Speaker 1: Quand said he was, and he approached him like, yo, 203 00:08:38,280 --> 00:08:39,120 Speaker 1: it's about to be some ship. 204 00:08:39,200 --> 00:08:40,200 Speaker 8: Let me change the verse up. 205 00:08:40,400 --> 00:08:43,559 Speaker 1: But the fact that Niles rewrote that ship that we. 206 00:08:43,520 --> 00:08:44,680 Speaker 6: Heard that the second one. 207 00:08:44,800 --> 00:08:47,760 Speaker 5: Yeah, like it is confirmed that that first one is 208 00:08:47,840 --> 00:08:48,640 Speaker 5: going that Jim Joe. 209 00:08:48,800 --> 00:08:50,559 Speaker 6: The second one is it's not denying. 210 00:08:50,640 --> 00:08:51,960 Speaker 2: So he did not even that one. 211 00:08:52,120 --> 00:08:54,560 Speaker 6: I believe, I believe he. 212 00:08:56,280 --> 00:08:56,360 Speaker 8: Was. 213 00:08:56,640 --> 00:08:57,920 Speaker 2: He was changed it. 214 00:08:57,920 --> 00:09:00,000 Speaker 1: I don't understand, you know, all the Jim Jones ship 215 00:09:00,120 --> 00:09:02,560 Speaker 1: going on and people talking like, you know, I don't 216 00:09:02,559 --> 00:09:06,199 Speaker 1: want people to think because yeah, the way he was robbing. 217 00:09:06,040 --> 00:09:14,320 Speaker 3: It was, but he changed it because he didn't want 218 00:09:14,320 --> 00:09:16,920 Speaker 3: people to think that he was going to Jim Jones. 219 00:09:17,240 --> 00:09:18,040 Speaker 6: Didn't want to take attention. 220 00:09:18,559 --> 00:09:20,959 Speaker 4: Got to hear Yeah, you gotta hear it because when 221 00:09:20,960 --> 00:09:25,000 Speaker 4: you listen to it, like Jesus Jesus. 222 00:09:25,120 --> 00:09:29,240 Speaker 2: Yeah, he kept somewhere because that's that that ship helps. 223 00:09:29,280 --> 00:09:32,040 Speaker 7: You gotta listen to that ship, right, But I also 224 00:09:32,080 --> 00:09:34,880 Speaker 7: feel not wanting to overshadow the mo Yeah, he didn't 225 00:09:34,880 --> 00:09:35,199 Speaker 7: want to. 226 00:09:36,440 --> 00:09:38,760 Speaker 5: Get an album but buzz though, and I think it 227 00:09:38,800 --> 00:09:41,000 Speaker 5: still is getting bus and people still do think he's 228 00:09:41,000 --> 00:09:42,480 Speaker 5: going a Jim Jones on the feature. 229 00:09:42,720 --> 00:09:45,920 Speaker 6: Well, look, they could drop a deluxe, an extra nons 230 00:09:46,000 --> 00:09:46,800 Speaker 6: verse or changing. 231 00:09:46,920 --> 00:09:49,760 Speaker 3: Verse this out there, but I really believe, like I 232 00:09:49,880 --> 00:09:52,160 Speaker 3: listened to Ray Kuan, like, I don't think he would 233 00:09:52,160 --> 00:09:57,240 Speaker 3: be bullshit, like you hear what he says, and it 234 00:09:57,440 --> 00:10:01,080 Speaker 3: really added context to the story because it's not like, nah, 235 00:10:01,080 --> 00:10:03,319 Speaker 3: it's the larger point. I think it was like, look, man, 236 00:10:03,360 --> 00:10:05,520 Speaker 3: this dude out here running business, is getting money. He 237 00:10:05,520 --> 00:10:07,760 Speaker 3: ain't got time to be on that that old school 238 00:10:07,840 --> 00:10:08,840 Speaker 3: young rap ship. 239 00:10:09,120 --> 00:10:09,880 Speaker 2: That we used to do bad. 240 00:10:09,880 --> 00:10:12,080 Speaker 3: We're fucking adults now all the other ship, he said, 241 00:10:12,080 --> 00:10:14,680 Speaker 3: he ain't even he barely paying attention to the ship 242 00:10:14,720 --> 00:10:15,360 Speaker 3: that's going on. 243 00:10:15,440 --> 00:10:18,240 Speaker 6: But he knew, he knows, you know, how the streets 244 00:10:18,320 --> 00:10:18,800 Speaker 6: was gonna go. 245 00:10:19,080 --> 00:10:21,600 Speaker 3: He said, he wrote that verse because that's how the 246 00:10:21,600 --> 00:10:25,120 Speaker 3: beat made him feel. And my god, out if he 247 00:10:25,280 --> 00:10:27,959 Speaker 3: wrote now, if he did one, if he had one 248 00:10:28,000 --> 00:10:29,360 Speaker 3: specifically for Jim. 249 00:10:29,200 --> 00:10:32,240 Speaker 8: Jones, man like it up. 250 00:10:32,440 --> 00:10:34,400 Speaker 6: Yes, that's just how the beat made him feel. Like 251 00:10:35,640 --> 00:10:37,520 Speaker 6: that wasn't even anybody. 252 00:10:37,440 --> 00:10:41,680 Speaker 8: Pack it up. What did y'all think about having Justice 253 00:10:41,800 --> 00:10:42,400 Speaker 8: League reduction? 254 00:10:42,559 --> 00:10:43,480 Speaker 2: Which one was there? 255 00:10:43,880 --> 00:10:44,400 Speaker 8: One Life? 256 00:10:45,040 --> 00:10:47,600 Speaker 5: Oh man, One Life was so good. That was like 257 00:10:47,600 --> 00:10:50,320 Speaker 5: one of my standouts. That's what Justice had a nice 258 00:10:50,360 --> 00:10:54,240 Speaker 5: sound with the horns and there bro and I really 259 00:10:54,280 --> 00:10:55,240 Speaker 5: liked what Stacey was doing. 260 00:10:55,840 --> 00:10:56,959 Speaker 6: Yeah really good. 261 00:10:57,679 --> 00:10:59,280 Speaker 2: Yeah it sounded really good, man. 262 00:10:59,280 --> 00:11:02,720 Speaker 5: Now that was one of mosts because I like what 263 00:11:02,800 --> 00:11:04,600 Speaker 5: I was gonna say, because I hadn't really really spoke 264 00:11:04,640 --> 00:11:04,920 Speaker 5: on him. 265 00:11:04,920 --> 00:11:05,840 Speaker 2: Sorry, it's hard. 266 00:11:06,040 --> 00:11:10,319 Speaker 5: It's really hard not to compare and the Purple tate 267 00:11:10,440 --> 00:11:12,880 Speaker 5: to now like like like I have to, I have 268 00:11:12,960 --> 00:11:16,320 Speaker 5: to set my mind to like that's not what they're 269 00:11:16,320 --> 00:11:19,320 Speaker 5: gonna do or he's gonna do or whatever. So so 270 00:11:19,400 --> 00:11:21,760 Speaker 5: once I once I get out of that, I'm good 271 00:11:22,000 --> 00:11:23,920 Speaker 5: and whatever. And then once I'm out of that, I'm like, oh, 272 00:11:23,960 --> 00:11:26,840 Speaker 5: this is a really good blend because the rhymes were there. 273 00:11:27,120 --> 00:11:29,360 Speaker 5: The rhymes was there with with with a nice blend 274 00:11:29,440 --> 00:11:33,280 Speaker 5: of like newer a sound and beats. I actually wasn't 275 00:11:33,320 --> 00:11:35,480 Speaker 5: too crazy about Barrel Hill. I was a little concerned. 276 00:11:35,480 --> 00:11:39,280 Speaker 5: Actually when it I didn't really like I didn't really 277 00:11:39,320 --> 00:11:41,560 Speaker 5: like that sound with Ray Kwan was just like this. 278 00:11:41,600 --> 00:11:43,280 Speaker 2: It wasn't that the beat was bad. I just didn't 279 00:11:43,360 --> 00:11:44,240 Speaker 2: like ral over. 280 00:11:44,360 --> 00:11:45,000 Speaker 8: Okay, I got you. 281 00:11:45,240 --> 00:11:48,240 Speaker 5: But but when we got to Pomegranate with cross and fist, Okay, 282 00:11:48,240 --> 00:11:50,160 Speaker 5: here we go, this is what I was more so 283 00:11:50,320 --> 00:11:51,720 Speaker 5: expecting or whatever. 284 00:11:51,760 --> 00:11:54,240 Speaker 8: And like I said, then it went to the Griselda Joint. 285 00:11:54,559 --> 00:11:58,760 Speaker 2: But again with the grisel House, I wanted something a 286 00:11:58,760 --> 00:12:01,400 Speaker 2: little awkward. I want to a little. 287 00:12:03,200 --> 00:12:07,720 Speaker 5: It had Benny in my mind again, y'all Again, when 288 00:12:07,720 --> 00:12:13,040 Speaker 5: I hear Griselda on a with Ray Kwan, that's not 289 00:12:13,080 --> 00:12:15,079 Speaker 5: what I that's not what That's not what I hear. 290 00:12:15,200 --> 00:12:17,400 Speaker 3: See the beauty of because I hear what you're saying 291 00:12:17,440 --> 00:12:20,520 Speaker 3: about darker, because I think that's like we're used to 292 00:12:20,600 --> 00:12:23,040 Speaker 3: hearing Griselda over dark. I think they really trying to 293 00:12:23,040 --> 00:12:25,120 Speaker 3: get away from that. I wanted to hear it on 294 00:12:25,160 --> 00:12:28,160 Speaker 3: that particular. I love the fact that it was like 295 00:12:28,360 --> 00:12:31,280 Speaker 3: now to me, it was like Griselda could do some 296 00:12:31,360 --> 00:12:32,359 Speaker 3: ship outside. 297 00:12:34,160 --> 00:12:37,000 Speaker 2: Oh my god, you can do some ship outside of the. 298 00:12:37,440 --> 00:12:40,040 Speaker 6: Dark ship Like hearing west Side west. 299 00:12:39,840 --> 00:12:45,480 Speaker 5: Side remind me of to push the ship. Reminded me 300 00:12:45,480 --> 00:12:47,160 Speaker 5: of to push the ship that I had an issue with. 301 00:12:47,520 --> 00:12:49,680 Speaker 5: I just it's like I wanted. I'm not saying that 302 00:12:49,720 --> 00:12:53,000 Speaker 5: it's bad, just that I personally wanted something else I 303 00:12:53,160 --> 00:12:54,520 Speaker 5: was or whatever. 304 00:12:54,679 --> 00:12:55,400 Speaker 2: Glad y'all like it. 305 00:12:55,480 --> 00:12:59,040 Speaker 7: I just for me, the snipe beats the fun out 306 00:12:59,040 --> 00:13:02,360 Speaker 7: that ship because because it was a nostalgic hip hop 307 00:13:02,360 --> 00:13:05,800 Speaker 7: to me, right like nostalgic boom back. I don't disagree 308 00:13:05,960 --> 00:13:10,360 Speaker 7: Rod where it's kind of the idea of Griselda with Rake. 309 00:13:10,760 --> 00:13:12,480 Speaker 6: You want something, you want to. 310 00:13:12,360 --> 00:13:16,520 Speaker 5: Purple tap sound, but this album didn't know. This album 311 00:13:16,559 --> 00:13:18,680 Speaker 5: didn't go that direction, so it caught me off guard. 312 00:13:18,840 --> 00:13:20,679 Speaker 5: So because it didn't go that direction, I get it, 313 00:13:20,679 --> 00:13:23,480 Speaker 5: but it called me off guard. I was expecting something else. 314 00:13:23,840 --> 00:13:25,600 Speaker 5: That's not what I was expecting when I when I 315 00:13:25,640 --> 00:13:30,600 Speaker 5: saw Riselda featured on a Rakekwon song. Let me ask 316 00:13:30,679 --> 00:13:34,559 Speaker 5: this right, like, have you tapped into like the newer 317 00:13:35,040 --> 00:13:36,800 Speaker 5: like Benny and what? 318 00:13:37,840 --> 00:13:39,760 Speaker 2: Yeah? I have, But y'all know, I don't like you 319 00:13:39,800 --> 00:13:40,040 Speaker 2: know what? 320 00:13:40,120 --> 00:13:41,880 Speaker 6: I like the what's the one? 321 00:13:42,400 --> 00:13:42,959 Speaker 2: Sometimes? 322 00:13:47,880 --> 00:13:48,080 Speaker 3: Yeah? 323 00:13:49,800 --> 00:13:54,240 Speaker 2: It's nice life, it's nice, it's nice. He found a 324 00:13:54,240 --> 00:13:55,000 Speaker 2: really good pocket. 325 00:13:55,000 --> 00:13:57,480 Speaker 7: Okay sixty five. 326 00:13:58,840 --> 00:14:01,839 Speaker 5: I have seen y'all where he found a night nice pocket. 327 00:14:02,000 --> 00:14:05,760 Speaker 5: It wasn't like the one he the last. It wasn't 328 00:14:05,760 --> 00:14:08,319 Speaker 5: like the album. It's like he found a nice pocket 329 00:14:08,360 --> 00:14:11,560 Speaker 5: that marriage the album with being like it was like, 330 00:14:11,559 --> 00:14:13,040 Speaker 5: oh ship, he found something here. 331 00:14:13,240 --> 00:14:16,920 Speaker 7: So after hearing that and hearing that song, was like, 332 00:14:17,760 --> 00:14:19,520 Speaker 7: that's that's that's like where they are. 333 00:14:19,640 --> 00:14:20,920 Speaker 6: That's like the new Griselda. 334 00:14:24,040 --> 00:14:25,480 Speaker 2: Look, I don't want to I don't want to keep 335 00:14:25,520 --> 00:14:26,360 Speaker 2: them in a box. 336 00:14:26,520 --> 00:14:28,840 Speaker 5: Like don't don't get me wrong, all I'm saying is 337 00:14:28,880 --> 00:14:32,400 Speaker 5: that my mind didn't connect when I saw you. 338 00:14:32,640 --> 00:14:35,440 Speaker 2: That's all I'm saying. I think it's dope. I think 339 00:14:35,440 --> 00:14:35,920 Speaker 2: it's dope. 340 00:14:35,920 --> 00:14:38,320 Speaker 5: They sounded dope and everything, but it just it just 341 00:14:38,320 --> 00:14:41,400 Speaker 5: didn't connect for me, and and and it takes a 342 00:14:41,440 --> 00:14:43,880 Speaker 5: couple more listeners before I'm like, Okay, I'm settled into it. 343 00:14:43,960 --> 00:14:47,200 Speaker 8: But you think of six hundred school Man again. 344 00:14:46,960 --> 00:14:50,120 Speaker 6: He believed production bro Swist did that. 345 00:14:50,280 --> 00:14:53,520 Speaker 2: Yeah, yeah in his bag. 346 00:14:53,760 --> 00:14:55,280 Speaker 8: I'm glad he wasn't talking about that ship. 347 00:14:55,440 --> 00:14:59,080 Speaker 3: Yeahs out here putting that work. 348 00:15:00,080 --> 00:15:02,160 Speaker 2: Yeah, we'll get to that later, but I like to 349 00:15:02,200 --> 00:15:03,280 Speaker 2: be don't open doors too. 350 00:15:03,480 --> 00:15:06,160 Speaker 1: Yeah, yeah, dope to yeah man, that sh was dopest 351 00:15:06,160 --> 00:15:07,200 Speaker 1: for I think that was another one. 352 00:15:07,520 --> 00:15:09,760 Speaker 8: Yeah, it's another producer, Road Rhodes Art. I never heard 353 00:15:09,840 --> 00:15:10,240 Speaker 8: him before. 354 00:15:10,640 --> 00:15:14,920 Speaker 1: Shot some of these producers making making the name on it? 355 00:15:16,120 --> 00:15:17,120 Speaker 6: Who produced Mac. 356 00:15:17,000 --> 00:15:19,840 Speaker 8: And Lobster, Frank G, Frank G and Rose Art. 357 00:15:20,080 --> 00:15:23,000 Speaker 7: Okay, I really liked that one too, you know, saying, 358 00:15:23,080 --> 00:15:27,440 Speaker 7: very cinematic, very you thinking about Martian. 359 00:15:27,160 --> 00:15:30,960 Speaker 2: Brosche Man on that night one. 360 00:15:31,240 --> 00:15:34,480 Speaker 3: Finally she was it sounded like Marsha. I don't know 361 00:15:34,520 --> 00:15:36,280 Speaker 3: what she was doing on these hip hop tracks. 362 00:15:36,800 --> 00:15:37,160 Speaker 2: Features. 363 00:15:37,480 --> 00:15:40,960 Speaker 3: Yeah you yeah, this was this was this was good. 364 00:15:41,560 --> 00:15:42,760 Speaker 2: It was good to hear her on here. 365 00:15:42,880 --> 00:15:44,440 Speaker 1: For the most part, most of the features on here 366 00:15:44,480 --> 00:15:48,160 Speaker 1: worked like everyone kind of came and they they did 367 00:15:48,200 --> 00:15:50,880 Speaker 1: their job. Like no one was really underwhelming or anything 368 00:15:50,920 --> 00:15:52,280 Speaker 1: like that. I think everybody kind of came and. 369 00:15:52,280 --> 00:15:52,760 Speaker 2: Did their job. 370 00:15:52,800 --> 00:15:54,760 Speaker 5: I like the Heavies too. Had a big date. It 371 00:15:54,840 --> 00:15:57,120 Speaker 5: had Ronnie of a jay Z beat. I can't remember 372 00:15:57,200 --> 00:15:59,000 Speaker 5: what song it was though I meant to look it up. 373 00:15:59,360 --> 00:15:59,600 Speaker 3: I was. 374 00:15:59,640 --> 00:16:03,880 Speaker 5: I was surprised. Man, Yeah, I haven't been listening to 375 00:16:03,960 --> 00:16:04,400 Speaker 5: ray stuff. 376 00:16:04,480 --> 00:16:08,520 Speaker 8: Yea. Man, bro it's been it's been been challenge, it's 377 00:16:08,520 --> 00:16:11,000 Speaker 8: been a while. Brot he got he got a song 378 00:16:11,960 --> 00:16:16,320 Speaker 8: brou Yeah. His last two albums before this was tough. 379 00:16:16,360 --> 00:16:19,600 Speaker 1: Bro. But no, like I said I had, I was 380 00:16:19,680 --> 00:16:21,960 Speaker 1: trying my best not to put my explanation super high, 381 00:16:21,960 --> 00:16:23,800 Speaker 1: but I was like, Okay, I think I think with 382 00:16:23,880 --> 00:16:26,360 Speaker 1: this master Peal thing, I think I think they're gonna 383 00:16:26,400 --> 00:16:29,040 Speaker 1: I think Nias is set to release some quality with 384 00:16:29,080 --> 00:16:29,960 Speaker 1: these seven albums. 385 00:16:29,960 --> 00:16:30,080 Speaker 2: Man. 386 00:16:30,280 --> 00:16:32,640 Speaker 8: He already did with Slick Ricking now with this. 387 00:16:32,560 --> 00:16:35,640 Speaker 3: One, so yeah, you know, kind of listen to you 388 00:16:35,640 --> 00:16:43,080 Speaker 3: guys talk. I think that NAS looking back, I think 389 00:16:43,200 --> 00:16:46,280 Speaker 3: NAS really really like got a lot of insight with this. 390 00:16:46,280 --> 00:16:47,080 Speaker 2: Run with hip Boy. 391 00:16:48,360 --> 00:16:48,440 Speaker 8: Like. 392 00:16:48,800 --> 00:16:54,400 Speaker 3: I think it was just the feeling that there's something 393 00:16:54,560 --> 00:16:57,600 Speaker 3: happened out of those conversations and that six album run 394 00:16:58,240 --> 00:17:01,200 Speaker 3: that he was. It's like he he figured out a 395 00:17:01,240 --> 00:17:09,119 Speaker 3: formula to sound relevant in present day without sacrificing who 396 00:17:09,200 --> 00:17:09,480 Speaker 3: he is. 397 00:17:09,680 --> 00:17:12,640 Speaker 8: I mean, look, it's making him finally do an album 398 00:17:12,640 --> 00:17:13,119 Speaker 8: with Premiere. 399 00:17:13,760 --> 00:17:18,720 Speaker 3: Yeah, he's he's he's taking that the ingredients of whatever 400 00:17:18,720 --> 00:17:21,560 Speaker 3: it was that everybody loved, and he's bringing that applying 401 00:17:21,600 --> 00:17:23,000 Speaker 3: to other people to the O G s too. 402 00:17:23,119 --> 00:17:24,440 Speaker 2: Yes, you know what I'm saying. 403 00:17:26,480 --> 00:17:30,000 Speaker 8: You know what I'm saying, Like, yeah, slick Rick, that's 404 00:17:30,119 --> 00:17:31,080 Speaker 8: just crazy. Yeah. 405 00:17:31,240 --> 00:17:33,640 Speaker 3: By the time we're done with this seven album run, 406 00:17:34,400 --> 00:17:36,359 Speaker 3: when we look back on it, and I think we 407 00:17:36,400 --> 00:17:38,119 Speaker 3: should rank all of them. When we're done, I think, 408 00:17:39,480 --> 00:17:41,840 Speaker 3: you know, I think we'll get the answer. I feel 409 00:17:42,000 --> 00:17:44,000 Speaker 3: once I hear all seven, I'll be like, nah, it 410 00:17:44,119 --> 00:17:47,320 Speaker 3: was something that happened in those sessions where I think 411 00:17:47,400 --> 00:17:50,280 Speaker 3: Hippo was just giving him a vice from a producer standpoint, 412 00:17:50,440 --> 00:17:53,480 Speaker 3: that non stoppitude is like, Okay, let's forge way to 413 00:17:53,520 --> 00:17:54,480 Speaker 3: do it with his other stuff. 414 00:17:54,480 --> 00:17:55,800 Speaker 2: Because I wasn't worried. 415 00:17:56,160 --> 00:17:56,880 Speaker 6: I don't know why. 416 00:17:56,880 --> 00:18:00,600 Speaker 8: I mean, I wasn't either, just because of who's back 417 00:18:00,600 --> 00:18:02,959 Speaker 8: at it. Yeah, if this is just a regular you know, 418 00:18:03,320 --> 00:18:05,800 Speaker 8: don't know ship, I'm scared. I want to listen to it, 419 00:18:06,000 --> 00:18:06,800 Speaker 8: But no, I wasn't. 420 00:18:06,880 --> 00:18:08,639 Speaker 1: Yeah, I was like, you know what, I'm about to 421 00:18:08,640 --> 00:18:11,240 Speaker 1: finally play this on the first day, Like I'm not scared. 422 00:18:11,600 --> 00:18:14,080 Speaker 2: Yeah, I'm right, Yeah, you know what I'm saying. 423 00:18:14,560 --> 00:18:16,240 Speaker 3: I think and I think we need to have a 424 00:18:16,240 --> 00:18:21,800 Speaker 3: conversation about MASSI appeal bro label. Yeah yeah, yeah, they're 425 00:18:21,880 --> 00:18:26,120 Speaker 3: killing it. Yeah, they're one of the top labels out 426 00:18:26,160 --> 00:18:29,040 Speaker 3: there right now putting out good quality and stuff. 427 00:18:29,440 --> 00:18:33,920 Speaker 5: It was American Gangster, the sweet song. Yeah sure, sure, 428 00:18:35,080 --> 00:18:37,520 Speaker 5: sure do sound like yeah, that's what it was, semple 429 00:18:38,200 --> 00:18:40,400 Speaker 5: It sounds like that, but it was bigger than that something. 430 00:18:40,520 --> 00:18:44,480 Speaker 5: Yeah yeah, it's the same kind of like tempo and stuff. 431 00:18:44,480 --> 00:18:46,840 Speaker 2: But yeah, that's what it was, sweet on American Gangster. 432 00:18:46,960 --> 00:18:49,000 Speaker 6: So look, if this is your first time here, we're 433 00:18:49,000 --> 00:18:50,560 Speaker 6: grading flow lyrics. 434 00:18:50,240 --> 00:18:54,359 Speaker 7: Production features, execution, replay value, and overall I'm going to 435 00:18:54,400 --> 00:18:57,360 Speaker 7: shut off with the flow a B plus day. 436 00:18:57,560 --> 00:19:07,960 Speaker 5: These grades got niggas hot, right that all they that 437 00:19:08,119 --> 00:19:12,960 Speaker 5: was Bro lost it. I'm going a minus flow. Ray 438 00:19:13,119 --> 00:19:14,560 Speaker 5: still got the flow. 439 00:19:14,680 --> 00:19:16,600 Speaker 8: Bro that man. 440 00:19:16,800 --> 00:19:17,840 Speaker 2: Ray floats. 441 00:19:19,000 --> 00:19:26,359 Speaker 5: A minus minus minus to like, damn god, they tapped 442 00:19:26,359 --> 00:19:26,920 Speaker 5: into something. 443 00:19:27,160 --> 00:19:28,520 Speaker 6: I'm gonna be plus on flow. 444 00:19:28,359 --> 00:19:30,280 Speaker 2: That's the same, that's right there. 445 00:19:30,520 --> 00:19:35,520 Speaker 5: Yeah, what about lyrics can be plus B plus B 446 00:19:35,640 --> 00:19:36,960 Speaker 5: plus on lyrics, that's crazy. 447 00:19:37,520 --> 00:19:43,159 Speaker 6: Matter be plus as well. Board production, I matter be plus. 448 00:19:44,760 --> 00:19:46,520 Speaker 2: I'm at a solid B on production. 449 00:19:46,800 --> 00:19:49,040 Speaker 8: Okay, me too, I'm at a solid be. 450 00:19:51,920 --> 00:19:55,560 Speaker 3: Okay, ship minus. 451 00:19:58,440 --> 00:20:03,160 Speaker 1: I think everyone came every everybody came in and they 452 00:20:03,160 --> 00:20:05,959 Speaker 1: did their job. That's all you can ask for, you 453 00:20:06,000 --> 00:20:10,440 Speaker 1: know what I'm saying minus across the board. 454 00:20:11,520 --> 00:20:15,280 Speaker 7: I agree they didn't necessarily steal the show, but but. 455 00:20:15,200 --> 00:20:18,200 Speaker 6: They did the job, do Bro. They did the job. 456 00:20:18,320 --> 00:20:19,359 Speaker 6: They didn't take away. 457 00:20:19,440 --> 00:20:20,920 Speaker 8: Yes, they didn't take away. 458 00:20:20,960 --> 00:20:22,240 Speaker 6: They didn't take away from nothing. 459 00:20:22,320 --> 00:20:26,400 Speaker 7: So executions next, I mat I'm matter be plus, but honestly, 460 00:20:26,480 --> 00:20:27,360 Speaker 7: I'm gonna change it real. 461 00:20:27,480 --> 00:20:29,320 Speaker 6: I'm at at a minus execution. 462 00:20:28,960 --> 00:20:34,520 Speaker 2: Wise execution, I'm sticking at the bat plus. I thought 463 00:20:34,520 --> 00:20:35,560 Speaker 2: the execution was great. 464 00:20:35,760 --> 00:20:37,320 Speaker 8: Yeah, I got to be plus plus. 465 00:20:37,400 --> 00:20:38,480 Speaker 2: Yeah. 466 00:20:39,800 --> 00:20:42,879 Speaker 6: Replay value for you can, I've got to be on 467 00:20:42,960 --> 00:20:43,560 Speaker 6: replay value. 468 00:20:44,800 --> 00:20:46,440 Speaker 8: What is what's happening here. 469 00:20:47,000 --> 00:20:48,240 Speaker 2: I may have been too. 470 00:20:49,000 --> 00:20:50,280 Speaker 8: Damn, this is funny crazy. 471 00:20:50,359 --> 00:20:52,360 Speaker 2: I'm slightly slightly off on y'all. 472 00:20:52,480 --> 00:20:56,000 Speaker 5: This be minus Okay, okay, I matter be plus on 473 00:20:56,040 --> 00:20:58,400 Speaker 5: replay value, you had to be minus. Yeah, yeah, yeah, 474 00:20:58,440 --> 00:21:02,200 Speaker 5: I matter be minus. Like I said, I'm still it's 475 00:21:02,200 --> 00:21:03,639 Speaker 5: still settling, you know. 476 00:21:03,640 --> 00:21:04,040 Speaker 8: What I mean. 477 00:21:07,280 --> 00:21:10,320 Speaker 6: And overall I'm at a B plus on this project. 478 00:21:10,880 --> 00:21:13,639 Speaker 5: Overall, mellis straight B. I don't think my grades matched that, 479 00:21:14,359 --> 00:21:15,560 Speaker 5: but I think overall I'm. 480 00:21:15,400 --> 00:21:21,639 Speaker 2: At a bay B plus. Damn, I'm with you, but 481 00:21:21,680 --> 00:21:24,159 Speaker 2: I do think it should be a B plus like Bees. 482 00:21:24,800 --> 00:21:28,000 Speaker 5: But for whatever reason, I still feel like overall it's 483 00:21:28,000 --> 00:21:31,160 Speaker 5: a BEE, but it should be a B plus based 484 00:21:31,200 --> 00:21:35,600 Speaker 5: on based on the grades, still should be Yeah. Yeah, Well, 485 00:21:35,640 --> 00:21:38,520 Speaker 5: I think this is one of the few albums we 486 00:21:38,520 --> 00:21:41,040 Speaker 5: were pretty consistent across the board. 487 00:21:41,280 --> 00:21:44,480 Speaker 6: One of the rare ones that didn't earn a c R. Yeah. 488 00:21:44,800 --> 00:21:47,800 Speaker 1: Yeah, it was a pretty consistent album. Like, it was 489 00:21:47,800 --> 00:21:51,399 Speaker 1: pretty consistent. It was ray Quin flows was great, like 490 00:21:51,680 --> 00:21:53,160 Speaker 1: he signed, definitely rejuvenated. 491 00:21:53,640 --> 00:21:56,400 Speaker 6: It wasn't a task to listen to, No, not at all. 492 00:21:57,040 --> 00:21:58,320 Speaker 2: It was just like man put it on. 493 00:21:58,440 --> 00:22:02,360 Speaker 8: I didn't mind playing this one, playing this one back. 494 00:22:02,440 --> 00:22:03,560 Speaker 8: I'm like, hell, yeah, you. 495 00:22:03,520 --> 00:22:06,960 Speaker 7: Already know what it is. Man, Drop your grades. We're 496 00:22:06,960 --> 00:22:08,800 Speaker 7: gonna drop you. You know what I'm saying. 497 00:22:09,119 --> 00:22:11,680 Speaker 6: Drop your grades in the common second, drop. 498 00:22:11,520 --> 00:22:17,000 Speaker 8: You damn me. 499 00:22:17,880 --> 00:22:20,520 Speaker 5: He said something like that on the on the clipsta 500 00:22:20,840 --> 00:22:23,680 Speaker 5: he did. There was something about Ken gonna come see 501 00:22:23,720 --> 00:22:33,199 Speaker 5: you or something threaten serious, bro, like I know. 502 00:22:33,320 --> 00:22:35,360 Speaker 2: But some people, as you can see the comments, someone 503 00:22:35,400 --> 00:22:36,720 Speaker 2: can take that ship serious. 504 00:22:36,560 --> 00:22:40,720 Speaker 6: And that that's fine. That's fine. It's it's it's it's 505 00:22:40,760 --> 00:22:41,600 Speaker 6: all entertainment. 506 00:22:42,040 --> 00:22:42,440 Speaker 2: I'm saying. 507 00:22:42,440 --> 00:22:44,760 Speaker 5: That's that's what we're here for, is to provide entertainment value. 508 00:22:44,880 --> 00:22:52,320 Speaker 5: But look the conversation after the conversations in the common section, 509 00:22:52,640 --> 00:22:54,600 Speaker 5: drop your grades, let us know how you feel about 510 00:22:54,600 --> 00:22:56,760 Speaker 5: the album, and we'll catch you on the next one 511 00:22:56,880 --> 00:22:57,560 Speaker 5: out Peace. 512 00:23:00,400 --> 00:23:00,680 Speaker 6: Wound. 513 00:23:00,760 --> 00:23:01,000 Speaker 8: Wow. 514 00:23:06,920 --> 00:23:09,280 Speaker 2: Yeah all right man, let's talk about this black ship 515 00:23:09,960 --> 00:23:10,280 Speaker 2: all right? 516 00:23:11,440 --> 00:23:16,000 Speaker 8: You said you said, you said, what did you say? 517 00:23:16,240 --> 00:23:21,200 Speaker 2: I think he said, wack ship. I think you said 518 00:23:21,280 --> 00:23:21,320 Speaker 2: that