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Speaker 1: Right, all right, what's good everybody, It's good, it's good.

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Speaker 1: Sorry for the.

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Speaker 2: Slightly delay, but we are here.

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Speaker 3: Just say right at a job, we be acceptable on time.

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Speaker 3: Say that one time, if we was at a job

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Speaker 3: and we clocked in right down, it'd be acceptable. We

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Speaker 3: won't get rid of up for it.

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Speaker 4: Really, it was one good reasons though I did.

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Speaker 5: I did tell them that we were, you know, just

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Speaker 5: finish up the podcast episode. I think we're on episode seven,

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Speaker 5: which would be on debt in hip hop Patreon, and

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Speaker 5: it's full of its entirety. You guys get it undered,

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Speaker 5: it unchopped up so that hip hop patreonicount, Patreon, dot com,

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Speaker 5: slash den and hip hop it's where you guys can

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Speaker 5: can check it out.

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Speaker 2: Yeah, yeah, for sure, man, I just talked to Ken.

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Speaker 1: We will have that podcast up and running on podcasts fees.

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Speaker 2: I'm not kind of been saying that for whatever reason.

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Speaker 1: I thought they were already released as a podcast episodes

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Speaker 1: where you get your podcast. But we will be backdating

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Speaker 1: all the podcasts that we've been recording, so be on

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Speaker 1: the lookout for that. Man. We got some really really

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Speaker 1: good content. I really like the podcast idea. I think

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Speaker 1: it's been all time coming. It's just an hour plus

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Speaker 1: of us just you know, talking about hip hop, shit highlights,

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Speaker 1: all kinds of things, man, the really really.

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Speaker 2: Good conversations there. So definitely be on the lookout for that.

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Speaker 1: We get to keep you guys posted when that start,

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Speaker 1: when that feed starts hitting.

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Speaker 2: But now, like Ken.

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Speaker 1: Said, you can catch him on the YouTube page, you

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Speaker 1: can't catch it definitely on Patreon before at least anywhere.

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Speaker 1: So thanks you become a Patreon supporter at patreon dot com.

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Speaker 1: Forward slash Dead and hip Hop Appreciate the guy. Appreciate

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Speaker 1: y'all that who are already in there and anybody that is,

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Speaker 1: you know, looking to become one and shout out to

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Speaker 1: the members. I don't give you guys enough shout out,

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Speaker 1: So thank you guys for your membership on the channel.

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Speaker 1: But today we are here, Ken boy back at it man.

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Speaker 1: Your boy has made it back on bedding hip hop.

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Speaker 2: It is crazy. He is back at it man.

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Speaker 1: Jack Hollow says he got blacker and if you know,

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Speaker 1: you know, I mean, yeah, man, this is crazy. I

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Speaker 1: can't I can't wait to get into this conversation to

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Speaker 1: see what you guys got to say about it.

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Speaker 2: But before we get into that.

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Speaker 4: Man.

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Speaker 2: As I say, always definitely sitting you super chats. This

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Speaker 2: is a super chat show.

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Speaker 1: If it's the first time here, we do accept super

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Speaker 1: chests that we go over towards the tail end of

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Speaker 1: the show. So send those in now. We give you

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Speaker 1: about twenty minutes to get those super chats in. So

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Speaker 1: right now, we came in at nine on five, so

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Speaker 1: we'll give you guys to about nine twenty five before

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Speaker 1: we shut them off, just so we'll have you know,

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Speaker 1: the ability to get to all you guys super chats.

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Speaker 1: So yeah, definitely get those in now. Greatly appreciate it.

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Speaker 1: I'm your host Rod if you didn't know. Also on

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Speaker 1: the podcast we got Free twenty four to seven was

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Speaker 1: good bro?

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Speaker 2: What do and the one and only can it be

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Speaker 2: in or something? Man?

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Speaker 4: Oh lo? Yeah?

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Speaker 2: Man, So yeah, man, we are the crew, you know

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Speaker 2: what I'm saying.

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Speaker 1: You know, we were a little little thinner crew, but

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Speaker 1: nonetheless is this the crew, you know what I'm saying.

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Speaker 1: But you know, we got got some ideas on the way,

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Speaker 1: different guest hosts and things like that that makes you

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Speaker 1: tapped in a.

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Speaker 2: Tune in to when when we got things going on.

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Speaker 1: But yeah, man, I'm not gonna waste any time.

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Speaker 2: Were you guys aware that Jack Hallow was dropping a

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Speaker 2: new album I.

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Speaker 3: Started the.

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Speaker 4: Yeah, I think there were.

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Speaker 5: Rumors, speculations, you know, they you'll see stuff floading around

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Speaker 5: on Twitter about upcoming albums and stuff like that, so huh.

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Speaker 4: Yeah there were. Yeah, I knew one was on the way.

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Speaker 1: Yeah, yeah, I knew one was on the way as well.

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Speaker 1: I saw because I saw people talking about the title.

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Speaker 1: They were saying it was called Monica, and I saw

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Speaker 1: people also saying that Monica can be a cold word

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Speaker 1: for my nigga or whatever. So that's that's that's what

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Speaker 1: I thought.

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Speaker 2: Yeah, yeah, people were.

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Speaker 1: Saying that, you know, Monica could be a cold like

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Speaker 1: almost like I guess, like a white coal word for

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Speaker 1: my nigga or whatever.

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Speaker 2: So I did see that.

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Speaker 1: Floating around before the album even dropped, So it was

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Speaker 1: already being criticized before it even dropped.

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Speaker 5: I don't know if that's you know, like unlike somebody

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Speaker 5: else that we talked about on the podcast.

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Speaker 2: Oh my god, Yeah, what's his name?

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Speaker 4: What's his name Forgato?

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Speaker 1: Oh yeah, I don't know if y'all seen that, but

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Speaker 1: I don't want to mess up y'all day or whatever.

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Speaker 1: So I ain't even gonna promote promote that. But but yeah, man,

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Speaker 1: so so yeah, man, he dropped this album and I

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Speaker 1: and I and I was.

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Speaker 2: I was in our text message thread and I told Ken.

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Speaker 1: Like, you see you see your boy dropped the album

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Speaker 1: right now that at the time didn't even know what

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Speaker 1: type of album this was. And so I went and

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Speaker 1: I saw people talking about I'm like, wait, what's going on?

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Speaker 1: Like why why are people saying this? And this man

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Speaker 1: dropped the R and B Neo soul album.

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Speaker 2: What you say when you say? What you say? Kid?

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Speaker 5: When you saw it, I just ain't no fucking way, bro,

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Speaker 5: I just don't understand.

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Speaker 4: You gotta be there's no way he really did this.

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Speaker 4: I just couldn't believe it. I just cant believe. I

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Speaker 4: thought you were with me.

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Speaker 2: Did you.

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Speaker 3: Did you listen?

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Speaker 4: Let let this man, let this man talk. I want

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Speaker 4: to know.

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Speaker 3: I want to know for the people that.

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Speaker 1: That was gonna be my next question. So so yeah,

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Speaker 1: so so that's my next question. Man, Have y'all listen

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Speaker 1: to this album before I.

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Speaker 2: Started with you?

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Speaker 4: I have.

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Speaker 3: Not necessarily in debt, like my first go around is

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Speaker 3: never in depth? Is just how does it make me feel,

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Speaker 3: regardless of the artists. You know, and obviously we are humans,

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Speaker 3: so sometimes we do have bias. But I try to

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Speaker 3: keep the bias out of it. In that first one

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Speaker 3: or two listens, I've only listened to it once. I

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Speaker 3: wasn't mad at the vibe. I can't. I can't even

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Speaker 3: for I don't. I don't. I don't think it was horrible.

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Speaker 3: Are you serious? I did say it was good. I

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Speaker 3: just said I don't think it was horrible. Hey, I

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Speaker 3: like him in this bag more than I do the

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Speaker 3: rapping bag. I'll tell you that you should.

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Speaker 4: Be any bag.

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Speaker 3: Better. What what what is your issue with white people?

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Speaker 4: Well that's the escalation.

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Speaker 1: You know, white people that haven't said bron.

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Speaker 4: Damn. What's your issue? What's your issue? I don't. I

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Speaker 4: don't think this is the show for that. Okay, but

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Speaker 4: you've known me.

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Speaker 5: For fifteen plus years twenty years or so, so come on,

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Speaker 5: and you.

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Speaker 4: Knew where I grew up.

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Speaker 5: The ship is rooted, okay, But and it's not all

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Speaker 5: white people, by the way you said everybody.

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Speaker 4: However, I do have an issue with.

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Speaker 5: Stilling our culture, not giving credit, trying to be part

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Speaker 5: of something that you're not using black culture and music

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Speaker 5: for their own personal gains as leverage to propel them

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Speaker 5: and then leave it behind.

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Speaker 3: Calls right there, because I knew that this is what,

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Speaker 3: like you said, I've known you for twenty years and

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Speaker 3: this is your argument with post malone, so I wanted

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Speaker 3: to see really where you wanted to go here.

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Speaker 4: It's not true.

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Speaker 3: Well, here's the thing. In terms of Jack Carlo, it's

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Speaker 3: not necessarily because he hasn't left the black culture. He

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Speaker 3: said that he gives props.

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Speaker 4: No, he got back, he said he got blacker.

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Speaker 3: Hey, hey, hey, look you say you got blacker.

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Speaker 1: Bro?

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Speaker 5: This ight as he is, he's pro goddamn Kentucky, what

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Speaker 5: curly hair?

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Speaker 4: Whatever the fuck is the man?

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Speaker 3: Can I'll give you. I'll give you the aspect of

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Speaker 3: there was something that's what can I'll give you. I'll

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Speaker 3: give you this just like the Larrussell conversation that we had.

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Speaker 3: Go check out the podcast where they're like, you didn't

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Speaker 3: need to say that. He didn't have to say that.

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Speaker 3: And that's the one thing in this whole ship can

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Speaker 3: see see and this is this is this is why

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Speaker 3: I'm glad that we're talking about this, because yeah, he

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Speaker 3: didn't have to say that, and that was very extremely cringe.

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Speaker 3: It's like, bro, like, do you not have a mirrord? Like, like,

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Speaker 3: do you not have people that you just talked to

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Speaker 3: for them to kind of set your path? You know

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Speaker 3: what I'm saying, your moral compass just a little bit

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Speaker 3: straighter because that, to me, that was very insensitive to

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Speaker 3: say that. Being said that, that's why I said, That's

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Speaker 3: why I told people go check out the podcast. Can, however,

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Speaker 3: that being said, can I know that you have an

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Speaker 3: issue with people not of the culture jumping into the culture,

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Speaker 3: garnering a fan base and then bouncing right Like I

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Speaker 3: can't argue that with post Malone as much as I

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Speaker 3: fuck with post Malone, I can't argue that right. But

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Speaker 3: in this instance, he's given credit to people the culture

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Speaker 3: ahead of him. You know what I'm saying. He says

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Speaker 3: he's influenced by it and he just wants to add

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Speaker 3: to it. And again, I don't think that, and I'm

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Speaker 3: not breaking it down. I don't think that this album

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Speaker 3: was horrible. I think I'd rather have him here than

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Speaker 3: him trying to rap.

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Speaker 4: Personally, this ship is fucking awful. Bro.

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Speaker 5: It may have one song on here that's listenable. Everything

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Speaker 5: else is listenable fucking awful, like listen render Wow Yeah,

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Speaker 5: and I think it's the first track. Everything else is

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Speaker 5: his interpretations of what black music should sound like. He

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Speaker 5: doesn't heard it because he heard it done elsewhere. You

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Speaker 5: don't just get in there and stream together some stuff,

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Speaker 5: put a couple of chorus together, do some harmonies or whatever.

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Speaker 5: Ji ji j I Jack Jack Harlow is turning into

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Speaker 5: a living version of fucking AI. That's what the fuck

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Speaker 5: he is without the fucking algorithm. That's what this shit

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Speaker 5: fucking sounds like. It's unseasoned, it's unsold. It's it's it's

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Speaker 5: offensive to every single white person that actually has legit

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Speaker 5: sold and care about the culture and studied it and

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Speaker 5: really understand and grew up listening to it in a

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Speaker 5: way that they can actually sing and reproduce it in

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Speaker 5: a way that's not stealing from it, but in their

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Speaker 5: own way. We can go down the fucking list hauling

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Speaker 5: fucking oats. Uh goddamn ship. Uh. Now, Robin Thick, Robin

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Speaker 5: Thick actually makes black muse it that actually hits fucking good.

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Speaker 5: You know, Well, how about we start fucking their raph

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Speaker 5: and how we start fucking there, you know, And and

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Speaker 5: that is the thing that he has, like here, here's

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Speaker 5: the issue. And see, it always comes a time where

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Speaker 5: I'll say some shit, I'll get backlash and criticized, and

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Speaker 5: then a couple of years later the shit fucking happens.

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Speaker 4: And the thing that I've been saying about Jack Harlow

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Speaker 4: is that this guy.

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Speaker 5: Comes in and he takes all of these elements of

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Speaker 5: blackness and he puts them together and packages it and

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Speaker 5: sells it. And white people look it up because hey,

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Speaker 5: it's a white guy doing it, and it looks cool,

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Speaker 5: and they want to be a part of it, and

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Speaker 5: here's one of their alls. So they accept it. And

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Speaker 5: then black some black people give this ship the past

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Speaker 5: because oh man, Jack Hallow is fine. There's nothing wrong

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Speaker 5: with Jack Hollow and he never really gets fucking checked.

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Speaker 5: And then what he does he goes out and talk about,

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Speaker 5: oh I got blacker whether And the reason why he

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Speaker 5: felt like he could say that is because he has

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Speaker 5: been giving a pass up to this point. There is

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Speaker 5: a certain level of acceptance and he doesn't appreciate it.

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Speaker 5: He just does it because nobody pushes back on it.

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Speaker 5: Anytime somebody criticized Jack Harlow for any goddamn thing.

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Speaker 4: It's always like, oh, can you a hater all this,

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Speaker 4: that and the other?

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Speaker 5: Get the fuck out of here? What the fuck is

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Speaker 5: gonna do that? I bet you asked be offended? If

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Speaker 5: you walk around doing goddamn sauca and Hispanic music, I

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Speaker 5: bet you asked, went like that fucking shit, doing around

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Speaker 5: doing all that shit?

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Speaker 3: If it sounded good, can.

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Speaker 5: Around like a fucking damn appropriate gas bad white bunny, yo,

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Speaker 5: white fucking easter bunny, your hats like that, ship the

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Speaker 5: out of it.

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Speaker 3: And here's the thing. Music.

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Speaker 1: We are here for the music. But that's the part

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Speaker 1: of it because because because because you can't, we can't

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Speaker 1: give cultural appropriation a past. So like say, for instance,

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Speaker 1: if you have like like a salsal mariingue artists that

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Speaker 1: you know that it's that deserves the accolade, But then

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Speaker 1: you have someone that's as popular as Jack Harlow come

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Speaker 1: and doing the same ship and he just surpasses that.

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Speaker 1: That person that you think has earned it, has has

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Speaker 1: like put himself entrusted in the culture and all of

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Speaker 1: that because of his whiteness and in his in his uh,

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Speaker 1: in his access, he's able to create something that sounds

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Speaker 1: decent that's not cool, bro, Like, we can't we can't allow.

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Speaker 2: That to happen.

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Speaker 1: That's the that's the epitome of cultural appropriation, you know

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Speaker 1: what I'm saying. It's so many different R and B

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Speaker 1: neo soul artists that deserves the same shine that this

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Speaker 1: man is gonna get for the music, the album that

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Speaker 1: he's just created.

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Speaker 4: Same thing.

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Speaker 2: While AI is gonna be a problem.

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Speaker 1: AI is gonna be a problem because it's just a

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Speaker 1: system that that knows what everybody likes, is going to

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Speaker 1: create this sound and then now it's shooting up the

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Speaker 1: charts because oh yeah, you know, it has like a

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Speaker 1: cheat code to it.

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Speaker 2: So that's what makes this problematic.

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Speaker 3: But my thing is this though, right like, at the

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Speaker 3: end of the day, what accolades or who has Jack

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Speaker 3: Carlow stolen from that has suppressed anybody else because us

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Speaker 3: as hip hop heads, like we just take it as

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Speaker 3: what it is, you know what I'm saying, And it's

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Speaker 3: not like his whole album charted. It's not like he

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Speaker 3: is now the face of hip hop right Like, in

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Speaker 3: my opinion, again, I don't like him as a rapper.

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Speaker 3: I think it's very very basic. I don't think he

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Speaker 3: does anything that you know, wows me as a listener.

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Speaker 3: It's just like, okay, cool, you want to rap. And

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Speaker 3: now when I hear this, it's like, okay, cool, you

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Speaker 3: want to make like a neo so R and B album.

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Speaker 3: There's forty albums off the top of my head, current joints,

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Speaker 3: not even like nineties two thousand joints that I can

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Speaker 3: give you that's way better than this. But at the

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Speaker 3: end of the dad way okay. But at the end

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Speaker 3: of the day, what he did with this is like, Okay,

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Speaker 3: well it ain't horrible.

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Speaker 1: You're missing the point. You're missing the point. Yes, we

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Speaker 1: could listen to it and say like, yeah, it's very

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Speaker 1: bland or whatever, but but it can get the accolades

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Speaker 1: that song. Because I want to say he won an

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Speaker 1: award or whatever. He was apologetic, kind of similar to

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Speaker 1: the Malcalmorees of the world. Right, everybody's thinking Kendrick should

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Speaker 1: have rightfully won that award, included mackilmore himself, but because

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Speaker 1: of his access to because and because of the act,

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Speaker 1: because the backing that he can get, he won the award.

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Speaker 1: So so I think Sonny Asaiah just said it like

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Speaker 1: imagine this dude getting the super Bowl look over Bad

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Speaker 1: Bunny because people liked his Merengue album or whatever, like

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Speaker 1: or his Hispanic album because he likes Hispanic music.

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Speaker 2: Oh, I love the music. I love how it sounds,

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Speaker 2: so I wanted to create it.

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Speaker 1: That's cultural appropriation, bro, Like you like, it's not your

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Speaker 1: fucking music. You know what I'm saying, A less that

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Speaker 1: you are entrenched in it unless like like you, I

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Speaker 1: don't know you you you have some other tie to

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Speaker 1: it than the other than the fact that.

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Speaker 3: You just like it to me, to me that like

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Speaker 3: to a degree, that's a wild statement, because then it's

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Speaker 3: saying that like nobody can so so like little Wayne

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Speaker 3: should have never did rock music, you know what I'm saying,

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Speaker 3: Like like he should have, Like like artists shouldn't go

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Speaker 3: and tap of outside of the box.

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Speaker 1: Yeah, because it is and you didn't like it. You

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Speaker 1: have you had a lot of rock people, which is

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Speaker 1: why it wasn't successful. And rightfully it.

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Speaker 3: Wasn't successful because it wasn't good. The same way the

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Speaker 3: same way that Jack Carlow doesn't get like what awards

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Speaker 3: has he gotten? What type of recognition does he get?

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Speaker 3: Did you get the ward for his rap, for his

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Speaker 3: rap stuff. He was getting war what did he get?

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Speaker 1: Hold on? I'm gonna show you because his acceptance speech

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Speaker 1: was like he know he didn't deserve it. Hold on well.

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Speaker 5: And and yeah, I thank you Rob for kind of

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Speaker 5: pointing out that, yeah, rock music was also stolen as well.

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Speaker 5: But what what happened, what starts to happen, FIFO, is

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Speaker 5: that these guys, because right now they are the majority,

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Speaker 5: they start leap frogging other people that are that are

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Speaker 5: more deserving. And Rod brought it up Maclamore. The reason

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Speaker 5: why people were so upset is because because he earned

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Speaker 5: something over Kendrin Lamar, who was way more deserving of it,

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Speaker 5: probably because he was white, you know.

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Speaker 4: And that's what happened.

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Speaker 5: You saw post malone blow up and then he leaves,

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Speaker 5: and then he and then he says the ship that

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Speaker 5: he says, Jack Carlo hasn't left.

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Speaker 3: And that's one of your biggest things. Jack Carlo hasn't left.

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Speaker 3: And number two in terms of uh, why can't think

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Speaker 3: of Buddy's name? Why can't think who did we just

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Speaker 3: mention that one over Kadok Macklmore, Maclamore, Maclamore In the

351
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Speaker 3: long run, right, who's won more, who's gotten? Right, Who's

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Speaker 3: who's gotten I'm just saying can at the.

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Speaker 2: End of the culture got involved.

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Speaker 1: The culture got involved in every and then and then

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Speaker 1: and then Maclimore actually fell back, so he hadn't to

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Speaker 1: bounce back since then. But if Macilmore would have cat

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Speaker 1: kept on the same getting black ship possibly.

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Speaker 3: Because because because here's the thing, this is the reason

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Speaker 3: why I'm saying, like with Jack Carlow, like the Blacker ship,

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Speaker 3: I think that's gonna hurt him, you know what I'm saying.

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Speaker 3: But at the end of the day, quality is always

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Speaker 3: going to outlast what's hot in the moment. It always is.

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Speaker 3: We we saw it with Maclamore and Kado. And yes,

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Speaker 3: the culture should get involved ride that's part of the

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Speaker 3: culture doing and supporting what they feel exactly. But at

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Speaker 3: the end of the day, right like we're.

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Speaker 2: Just pushing the culture is involved. Right now, I'm.

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Speaker 3: Putting back on the quality of the music. I'm talking

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Speaker 3: about out the music. I said already that him saying

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Speaker 3: being blacker, that's a big issue. Like you like, if

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Speaker 3: you are not melanated, you should not talk about being

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Speaker 3: something that you are not at all?

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Speaker 1: Well, why are you talking about the quality of the

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Speaker 1: music when you yourself said you can name fifty R

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Speaker 1: and B artists or whatever that that that blows this out.

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Speaker 2: Of the water.

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Speaker 1: So why are we talking about quality of the music.

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Speaker 1: It's not there if you name fifty other people that

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Speaker 1: that that's observing.

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Speaker 3: Because I don't, because I don't. I don't think it's horrible,

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Speaker 3: and I think that Jack hallowed my opinion. I've been

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Speaker 3: on record and saying that I don't think he makes

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Speaker 3: that good of music, and I don't think that this

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Speaker 3: is bad.

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Speaker 2: It's not about it being horrible.

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Speaker 1: It's about being like like how we said about uh

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Speaker 1: and I know it's on the podcast. I won't even

388
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Speaker 1: say it because we talked about Russell. It's not necessary.

389
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Speaker 1: It's not necessary. It's just simply not necessary. You're playing,

390
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Speaker 1: and if you're playing, you're playing with a giant. You're

391
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Speaker 1: not about to make two, three more R and B

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Speaker 1: neo soul albums.

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Speaker 3: How do you know that?

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Speaker 5: Well, he's definitely not making anymore after this shit. This

395
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Speaker 5: has been the worst thing that could have ever happened

396
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Speaker 5: to Jack Harlow. The way that everybody is clowning this,

397
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Speaker 5: the ratings that he's got the public ridicule that he's

398
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Speaker 5: receiving outside of maybe a couple of institutions that maybe

399
00:21:22,960 --> 00:21:24,920
Speaker 5: support him because they got to look out after one

400
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Speaker 5: of their own, you know. Regardless of whether kencher Lamar

401
00:21:27,359 --> 00:21:30,960
Speaker 5: won all those awards after Maclamar, I think it's besides

402
00:21:31,000 --> 00:21:33,520
Speaker 5: the point, because we could make a case that some

403
00:21:33,560 --> 00:21:35,679
Speaker 5: of those awards they gave him because they fucked up

404
00:21:35,680 --> 00:21:38,040
Speaker 5: the first time, So they are just trying to make

405
00:21:38,280 --> 00:21:40,320
Speaker 5: up for the mistake.

406
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Speaker 4: That they made in the very beginning.

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Speaker 5: The thing about Jack Harlowe is that, first of all,

408
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Speaker 5: he's been very problem I wouldn't say very problematic, but

409
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Speaker 5: he has had problematic moments.

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Speaker 4: Let's not forget that he had a bunch.

411
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Speaker 5: Of black people carry him across mud because he didn't

412
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Speaker 5: want to get his shoes with Let's not forget that

413
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Speaker 5: Jack Harlow I thought that was part of the cool

414
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Speaker 5: end crowd.

415
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Speaker 4: It happened a couple of years ago.

416
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Speaker 2: Dirty he was at a kentuckting dirty Yeah yeah too black.

417
00:22:09,080 --> 00:22:11,720
Speaker 1: He was spotted with two black men walking home because

418
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Speaker 1: it was mud, so he didn't want to get his

419
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Speaker 1: shoes muddy.

420
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Speaker 4: Yeah.

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00:22:16,200 --> 00:22:19,280
Speaker 5: Yeah, So there's that, Like there weren't other white people there,

422
00:22:19,359 --> 00:22:22,639
Speaker 5: but okay, and people started to kind of there was

423
00:22:22,680 --> 00:22:25,080
Speaker 5: some criticism for it, but people kind of but people

424
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Speaker 5: kind of let that go.

425
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Speaker 4: All you guys are reaching this, that and the other.

426
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Speaker 5: And here he is making this, this, this soulless, tasteless

427
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Speaker 5: album with.

428
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Speaker 4: The nerve to say that he got blacker.

429
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Speaker 5: I'm sorry, I'm just not gonna let the comments I

430
00:22:37,960 --> 00:22:41,119
Speaker 5: got blacker go because I think that is indicative of

431
00:22:41,200 --> 00:22:44,760
Speaker 5: the problem, because he thinks that he can say that,

432
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Speaker 5: and I think that's the issue.

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Speaker 4: Yeah, you can go.

434
00:22:47,920 --> 00:22:51,120
Speaker 5: Out and make whatever fucking music you want, but there's

435
00:22:51,160 --> 00:22:56,080
Speaker 5: a sense of entitlement and arrogance and and that that

436
00:22:56,320 --> 00:22:59,159
Speaker 5: comes with that. He thought he could do this and

437
00:22:59,280 --> 00:23:02,360
Speaker 5: say what he did it because people that have been

438
00:23:02,480 --> 00:23:07,159
Speaker 5: giving him passes for the things that he's done. Very

439
00:23:07,240 --> 00:23:10,280
Speaker 5: few people even checked them for the having black people

440
00:23:10,359 --> 00:23:13,439
Speaker 5: carry him across fucking mud at the fucking Kentucky Derby.

441
00:23:13,840 --> 00:23:15,680
Speaker 4: You know, we talked about it on is the Master Long.

442
00:23:15,920 --> 00:23:16,639
Speaker 3: So yeah, he's.

443
00:23:16,520 --> 00:23:18,119
Speaker 5: Gonna go out here and try to do this and

444
00:23:18,400 --> 00:23:24,760
Speaker 5: and and thank god the the memes and Twitter and everybody,

445
00:23:24,800 --> 00:23:27,920
Speaker 5: even though it has very little weight, but I think

446
00:23:28,000 --> 00:23:31,360
Speaker 5: there is this sort of social I'm not gonna even

447
00:23:31,359 --> 00:23:34,600
Speaker 5: say that. I think what's happening on Twitter is coming

448
00:23:34,720 --> 00:23:36,680
Speaker 5: off of Twitter and it's spanning it to the real

449
00:23:36,680 --> 00:23:38,320
Speaker 5: world from people that are not on Twitter.

450
00:23:38,520 --> 00:23:41,240
Speaker 4: My dad wife was showing me shit and she don't

451
00:23:41,240 --> 00:23:42,080
Speaker 4: even follow that shit.

452
00:23:42,240 --> 00:23:46,679
Speaker 5: So the pushback against Jack Harlow is expanding beyond that,

453
00:23:46,880 --> 00:23:49,560
Speaker 5: as it should, and he needs to come out. He

454
00:23:49,600 --> 00:23:51,479
Speaker 5: needs to fucking apologize. That's what he needs to do.

455
00:23:51,480 --> 00:23:53,800
Speaker 5: Mone He needs to apologize for making music. He needs

456
00:23:53,800 --> 00:23:55,960
Speaker 5: to apologize for being a rapper. He needs to apologize

457
00:23:56,000 --> 00:23:57,520
Speaker 5: for trying to be a singer, and he needs to

458
00:23:57,560 --> 00:24:00,680
Speaker 5: apologize for doing this damn uh. He needs to for

459
00:24:00,800 --> 00:24:04,880
Speaker 5: having white black people carrying across across that mud. And

460
00:24:04,880 --> 00:24:07,520
Speaker 5: he also needs to apologize for the comments that he

461
00:24:07,560 --> 00:24:08,040
Speaker 5: needs to say.

462
00:24:08,080 --> 00:24:10,359
Speaker 4: And he needs to retire. He needs to let the

463
00:24:10,400 --> 00:24:10,800
Speaker 4: ship go.

464
00:24:11,400 --> 00:24:14,400
Speaker 5: You're not gonna beat John b or anybody else that's

465
00:24:14,440 --> 00:24:18,920
Speaker 5: that's out there. Bro, It's just not gonna happen. It's

466
00:24:18,960 --> 00:24:21,159
Speaker 5: not it's not it's not hate. You want to call

467
00:24:21,200 --> 00:24:24,720
Speaker 5: it hate, I accept it. You know what, food fine,

468
00:24:26,280 --> 00:24:28,640
Speaker 5: and you know what I ever and I've been right

469
00:24:28,720 --> 00:24:32,960
Speaker 5: to hate from the very beginning because I is gonna happen,

470
00:24:35,640 --> 00:24:39,040
Speaker 5: and the right and now proved to be right when

471
00:24:39,040 --> 00:24:42,040
Speaker 5: he had all those black people in the fucking videos

472
00:24:42,040 --> 00:24:44,480
Speaker 5: and stuff. We talked about that ship over here. Get

473
00:24:44,520 --> 00:24:48,240
Speaker 5: the funk out of here, bro, want to be black,

474
00:24:48,359 --> 00:24:52,000
Speaker 5: Jack Harlowe, Get the funk out of here. This ship

475
00:24:52,080 --> 00:24:53,000
Speaker 5: is insane.

476
00:24:53,119 --> 00:25:00,000
Speaker 3: Bro on business can be the best headed is out there?

477
00:25:00,119 --> 00:25:04,359
Speaker 3: Or my buddy, that's all people say I do. Man, No,

478
00:25:04,800 --> 00:25:07,240
Speaker 3: that's not all you do. Nah, that's not all you do.

479
00:25:07,520 --> 00:25:10,080
Speaker 2: He didn't new mac Miller. He didn't know mac millan.

480
00:25:10,200 --> 00:25:12,520
Speaker 3: Hell no, no, Mac got bars.

481
00:25:13,920 --> 00:25:15,960
Speaker 1: And see what Mac, It's not even just the bars

482
00:25:16,000 --> 00:25:19,920
Speaker 1: man Mackett. Mack was, like I said, entrusting the culture.

483
00:25:20,040 --> 00:25:22,919
Speaker 1: Like I mean, you got other black people that were saying,

484
00:25:23,040 --> 00:25:25,960
Speaker 1: like you know how impactful he was and all of

485
00:25:26,000 --> 00:25:29,040
Speaker 1: these things, like you don't have that with Jack Harlowe.

486
00:25:29,080 --> 00:25:29,280
Speaker 2: Bro.

487
00:25:29,880 --> 00:25:32,200
Speaker 1: Like if he had that, maybe maybe he would get

488
00:25:32,200 --> 00:25:34,800
Speaker 1: it past like the Eminem's of the world or or

489
00:25:34,920 --> 00:25:37,000
Speaker 1: or or like I said, the mac Miller's in the world.

490
00:25:36,880 --> 00:25:41,000
Speaker 3: But he's he wouldn't get a pass here. You wouldn't

491
00:25:41,040 --> 00:25:43,040
Speaker 3: get passed here with the number one hater. You know

492
00:25:43,080 --> 00:25:44,760
Speaker 3: what I'm saying. Look at the end of the day.

493
00:25:45,000 --> 00:25:47,800
Speaker 3: Look again, I don't I don't. I don't disagree that.

494
00:25:48,119 --> 00:25:51,240
Speaker 3: I do think he's a little bit delusional in thinking

495
00:25:51,400 --> 00:25:55,959
Speaker 3: that he is making excellent or even good quote unquote

496
00:25:56,000 --> 00:25:59,480
Speaker 3: black music, right Like, I think he's delusional when it

497
00:25:59,520 --> 00:26:01,480
Speaker 3: comes to that, you know. But at the end of

498
00:26:01,480 --> 00:26:03,800
Speaker 3: the day, I think that this is some of his

499
00:26:03,960 --> 00:26:06,679
Speaker 3: best work. But again, I think I never thought he

500
00:26:06,800 --> 00:26:10,040
Speaker 3: was good. So I'm not saying that this is I'm

501
00:26:10,080 --> 00:26:12,520
Speaker 3: not I'm saying this is good for Jack Harlowe. I'm

502
00:26:12,520 --> 00:26:16,840
Speaker 3: not saying that this is good. You understand, because y'all

503
00:26:16,840 --> 00:26:18,680
Speaker 3: could go back in the history book and just look

504
00:26:18,720 --> 00:26:20,480
Speaker 3: at everything out and said about this man. He still

505
00:26:20,520 --> 00:26:23,640
Speaker 3: stands today. But at the end of the day, all

506
00:26:23,640 --> 00:26:25,920
Speaker 3: I'm saying for you, man, is just it's just standing.

507
00:26:25,600 --> 00:26:29,920
Speaker 2: On it, bron. He just he's just cosplaying and mimicking.

508
00:26:30,040 --> 00:26:30,200
Speaker 4: Bro.

509
00:26:30,880 --> 00:26:34,920
Speaker 1: That's all he's doing here, man, That's all he's doing here.

510
00:26:35,920 --> 00:26:37,800
Speaker 5: And I really now really want to know what the

511
00:26:37,840 --> 00:26:40,040
Speaker 5: fu monica means because.

512
00:26:39,800 --> 00:26:44,199
Speaker 4: They might be right about that ship and passed him

513
00:26:44,200 --> 00:26:44,680
Speaker 4: at this point.

514
00:26:44,840 --> 00:26:45,000
Speaker 2: Yo.

515
00:26:45,359 --> 00:26:47,680
Speaker 1: They asked him in that interview, They asked him what

516
00:26:47,680 --> 00:26:50,280
Speaker 1: what what? Why did he name it Monica, and he

517
00:26:50,440 --> 00:26:53,840
Speaker 1: was just like, I don't know what. I just like

518
00:26:53,920 --> 00:26:58,640
Speaker 1: the word. I just I just like the word. Yes, bro, yes,

519
00:26:59,000 --> 00:27:00,560
Speaker 1: he's just saying he's like, I like it, like I

520
00:27:00,680 --> 00:27:01,520
Speaker 1: like Adrian.

521
00:27:02,440 --> 00:27:03,679
Speaker 2: That's what he said in the interview.

522
00:27:03,720 --> 00:27:05,240
Speaker 1: He said, yeah, I like the I like the name

523
00:27:05,320 --> 00:27:08,600
Speaker 1: Adrian too. He had no rhyme or reason why he

524
00:27:08,680 --> 00:27:09,439
Speaker 1: named it Monica.

525
00:27:09,480 --> 00:27:11,120
Speaker 2: Bro, you just said.

526
00:27:12,600 --> 00:27:15,080
Speaker 5: I think they're right fucking I love I love a

527
00:27:15,119 --> 00:27:19,080
Speaker 5: good conspiracy, but I want to stick to because to

528
00:27:19,080 --> 00:27:22,000
Speaker 5: answer your question, I did listen to it because the

529
00:27:22,000 --> 00:27:23,760
Speaker 5: one thing I didn't want to do is come on

530
00:27:23,800 --> 00:27:27,399
Speaker 5: this podcast and talk about this, even though I could,

531
00:27:27,560 --> 00:27:28,080
Speaker 5: I have.

532
00:27:27,960 --> 00:27:29,919
Speaker 4: To listen to it to have this conversation.

533
00:27:30,880 --> 00:27:34,680
Speaker 5: But I definitely wanted to see I said, maybe, just maybe, somehow,

534
00:27:34,720 --> 00:27:39,680
Speaker 5: some way he managed to pull this shit off. I

535
00:27:39,760 --> 00:27:42,040
Speaker 5: knew it wasn't the case because I saw everybody talking

536
00:27:42,040 --> 00:27:45,560
Speaker 5: about it, and trust me, I ain't no way this

537
00:27:45,640 --> 00:27:48,240
Speaker 5: Many black people will clown him if this ship was

538
00:27:48,359 --> 00:27:52,200
Speaker 5: even close to being good. This is not even close

539
00:27:52,240 --> 00:27:54,320
Speaker 5: to being his best work at all.

540
00:27:55,359 --> 00:27:55,560
Speaker 4: You know.

541
00:27:56,920 --> 00:28:01,480
Speaker 5: No, this ship traded places may have been the only one,

542
00:28:01,480 --> 00:28:03,280
Speaker 5: and it's really not. Because of the singing and I'm

543
00:28:03,280 --> 00:28:06,680
Speaker 5: gonna go through the tracks right and and and that

544
00:28:06,840 --> 00:28:11,160
Speaker 5: sounded like some uh uh shit he stole that from somebody.

545
00:28:11,160 --> 00:28:12,680
Speaker 4: I can't remember who he sounded like right off the

546
00:28:12,720 --> 00:28:13,320
Speaker 4: top of my head.

547
00:28:13,680 --> 00:28:17,600
Speaker 5: But after that, bro lonesome with this little fake as acoustic,

548
00:28:17,680 --> 00:28:19,879
Speaker 5: little whatever shit he got going, that's not accused, the

549
00:28:19,960 --> 00:28:22,359
Speaker 5: got some stuff in there. What the fuck is that?

550
00:28:22,359 --> 00:28:27,439
Speaker 5: That shit is terrible? Number three pray prog or whatever.

551
00:28:27,600 --> 00:28:31,080
Speaker 5: What then the entire ship is that my winner? Yeah,

552
00:28:31,119 --> 00:28:33,399
Speaker 5: Winter White, because that's what it is, and that's what

553
00:28:33,440 --> 00:28:38,240
Speaker 5: this album sounds like. I want to be White album shit.

554
00:28:38,320 --> 00:28:40,520
Speaker 5: That shit is fucking awful. And then it just actually

555
00:28:40,520 --> 00:28:42,880
Speaker 5: it actually gets fucking worse from there.

556
00:28:43,040 --> 00:28:44,560
Speaker 4: I move along.

557
00:28:44,760 --> 00:28:46,880
Speaker 5: Yeah, that's exactly what I wanted to do. Let's get

558
00:28:46,920 --> 00:28:49,720
Speaker 5: out of this ship, all my friends. Yeah, you need

559
00:28:49,760 --> 00:28:51,600
Speaker 5: real friends to tell you not to do this shit.

560
00:28:53,080 --> 00:28:55,360
Speaker 5: Don't do this ship at all, Jack Harlow, where your

561
00:28:55,360 --> 00:28:55,920
Speaker 5: friends at?

562
00:28:56,160 --> 00:28:57,560
Speaker 4: Living alone? Yeah?

563
00:28:57,680 --> 00:29:00,400
Speaker 1: Yeah, he ain't have an engineer, kid, Hengine be like, yo,

564
00:29:00,480 --> 00:29:01,120
Speaker 1: don't put that out.

565
00:29:01,440 --> 00:29:05,880
Speaker 5: He needed some engineering against the grain. Yeah that's about

566
00:29:05,920 --> 00:29:06,840
Speaker 5: right against the grain.

567
00:29:07,280 --> 00:29:07,480
Speaker 4: Yep.

568
00:29:07,600 --> 00:29:11,560
Speaker 5: You need to leave that shit along and say hello, nah,

569
00:29:11,640 --> 00:29:13,880
Speaker 5: good bye, that's what we needed to do. We need

570
00:29:13,880 --> 00:29:16,440
Speaker 5: to say goodbye to fucking Jack Arlow and all the

571
00:29:16,480 --> 00:29:17,320
Speaker 5: ship that he's doing.

572
00:29:17,840 --> 00:29:19,840
Speaker 4: But and then on top of that, the fucking shit

573
00:29:19,920 --> 00:29:22,200
Speaker 4: didn't even fucking sell. You wanted to why this sell?

574
00:29:22,560 --> 00:29:25,400
Speaker 5: Maybe because his white fans didn't want him to make

575
00:29:26,080 --> 00:29:29,240
Speaker 5: black fucking music. I said, she's not even barely get

576
00:29:29,240 --> 00:29:32,760
Speaker 5: over twenty five thousand, damn actual sales.

577
00:29:32,960 --> 00:29:35,720
Speaker 4: This shit ain't even fucking well it may chart because

578
00:29:35,760 --> 00:29:37,600
Speaker 4: you know what, they don't want this ship.

579
00:29:37,920 --> 00:29:42,760
Speaker 5: They want a white kid rapping, doing white sound and

580
00:29:42,840 --> 00:29:43,480
Speaker 5: fucking music.

581
00:29:46,560 --> 00:29:50,720
Speaker 4: Fuck out of here. Broh word, are you serious?

582
00:29:51,160 --> 00:29:52,240
Speaker 1: Broh shit?

583
00:29:54,320 --> 00:29:59,400
Speaker 2: Before did you close the super chats already? Kid?

584
00:30:00,600 --> 00:30:02,720
Speaker 6: What I was gonna say is I wanted to give

585
00:30:02,760 --> 00:30:06,080
Speaker 6: everybody one minute of that to send in their favorite

586
00:30:07,320 --> 00:30:11,240
Speaker 6: memes that they saw, uh so, because man, there were.

587
00:30:11,200 --> 00:30:14,000
Speaker 2: So many memes out there, like so many.

588
00:30:13,760 --> 00:30:18,680
Speaker 1: Different words for the album, the album name, all that.

589
00:30:18,800 --> 00:30:21,600
Speaker 1: So you know, I'll give y'all like sixty seconds to

590
00:30:21,640 --> 00:30:24,040
Speaker 1: get that in if y'all want to or whatever. But

591
00:30:25,080 --> 00:30:26,840
Speaker 1: I was gonna go through some of these just to

592
00:30:26,920 --> 00:30:30,280
Speaker 1: kind of say, man, they I mean they man, hey man,

593
00:30:30,120 --> 00:30:34,200
Speaker 1: that the internet did not did not disappoint bro. But

594
00:30:34,240 --> 00:30:38,120
Speaker 1: they had this man like, yeah, they are really undefeated.

595
00:30:38,160 --> 00:30:40,160
Speaker 1: But they had this man on the on the on

596
00:30:40,200 --> 00:30:45,000
Speaker 1: the Lauryn Hill cover, on the D'Angelo cover, on the

597
00:30:46,160 --> 00:30:48,920
Speaker 1: on the Usher's Confessions. I saw something. It said confessions,

598
00:30:48,920 --> 00:30:50,920
Speaker 1: but it said suppressions on.

599
00:30:51,000 --> 00:30:57,640
Speaker 3: What where instead of damn? It said darn.

600
00:30:58,920 --> 00:31:02,200
Speaker 2: Yeah. They had one with the It was called Milk

601
00:31:02,280 --> 00:31:02,760
Speaker 2: the Shaker.

602
00:31:02,880 --> 00:31:03,080
Speaker 1: Bro.

603
00:31:03,200 --> 00:31:04,920
Speaker 2: It was like it was like the charges to the

604
00:31:04,960 --> 00:31:05,760
Speaker 2: game cover.

605
00:31:05,960 --> 00:31:06,560
Speaker 4: And it was.

606
00:31:09,400 --> 00:31:12,360
Speaker 1: And it's got white privilege on the car. I mean

607
00:31:12,400 --> 00:31:14,360
Speaker 1: they I mean they was tearing this dude a new

608
00:31:14,400 --> 00:31:18,920
Speaker 1: one and they got they did the the most death joint.

609
00:31:18,920 --> 00:31:21,600
Speaker 1: They said white on both sides. But it's the most

610
00:31:21,680 --> 00:31:30,080
Speaker 1: depth cover. Bro. They called him Knife Wonderbread Shaka Connor Bro.

611
00:31:30,320 --> 00:31:35,160
Speaker 1: I mean they was most definitely not January sifted sixth

612
00:31:35,160 --> 00:31:35,880
Speaker 1: and Park.

613
00:31:39,160 --> 00:31:41,840
Speaker 2: They called him. They called him r S one Bro.

614
00:31:47,200 --> 00:31:54,520
Speaker 1: It's a music roth child, old dirty about Alabaster Charlie

615
00:31:54,600 --> 00:32:04,960
Speaker 1: Kirk Franklin dis in genuine proud boys to me, Oh

616
00:32:05,000 --> 00:32:11,720
Speaker 1: my god, that's DoD. I mean the internet just went crazy.

617
00:32:11,160 --> 00:32:15,880
Speaker 2: On this, Broy.

618
00:32:16,520 --> 00:32:16,760
Speaker 4: Yeah.

619
00:32:17,080 --> 00:32:20,680
Speaker 5: I will say, man, I think that the reaction to this,

620
00:32:21,400 --> 00:32:25,960
Speaker 5: you know, it definitely made me me proud to see

621
00:32:26,000 --> 00:32:28,960
Speaker 5: that they're just not gonna stand for it, because you know,

622
00:32:29,040 --> 00:32:32,720
Speaker 5: I think to a certain degree, you know what he

623
00:32:32,760 --> 00:32:36,400
Speaker 5: was doing. Before it was like I fine, whatever, you know,

624
00:32:36,920 --> 00:32:41,000
Speaker 5: but now it's like now it's almost like you're making

625
00:32:41,040 --> 00:32:44,000
Speaker 5: it obvious what your intentions are, or you just think

626
00:32:44,040 --> 00:32:46,080
Speaker 5: you're just that white boy that got a pass and

627
00:32:46,120 --> 00:32:47,880
Speaker 5: that you think you can get away with it because

628
00:32:47,880 --> 00:32:48,360
Speaker 5: they're abody to.

629
00:32:48,360 --> 00:32:50,560
Speaker 4: School with you. Either way one or the other.

630
00:32:50,680 --> 00:32:52,680
Speaker 5: Either both of them are fucked up to me, you know,

631
00:32:53,720 --> 00:32:55,840
Speaker 5: like know your place and we hused to tell us

632
00:32:55,920 --> 00:32:59,080
Speaker 5: Roight know your fucking place, and he didn't know his

633
00:32:59,200 --> 00:33:01,640
Speaker 5: place and he stepped outside of it and.

634
00:33:01,640 --> 00:33:02,680
Speaker 4: People let him have it.

635
00:33:02,960 --> 00:33:05,840
Speaker 5: I think the reviews have been you know, from from

636
00:33:05,840 --> 00:33:09,200
Speaker 5: what I've seen, reaction to the reviews hasn't been really

637
00:33:09,240 --> 00:33:11,120
Speaker 5: really good. And the fact of the matter is, you

638
00:33:11,200 --> 00:33:13,560
Speaker 5: wat it three fucking years to put out this piece

639
00:33:13,560 --> 00:33:13,920
Speaker 5: of ship?

640
00:33:14,600 --> 00:33:16,400
Speaker 4: Are you serious? Like?

641
00:33:16,840 --> 00:33:19,680
Speaker 5: And and I should write Apple and say y'all need

642
00:33:19,760 --> 00:33:22,160
Speaker 5: to remove this from the R and B slash soul category.

643
00:33:22,200 --> 00:33:25,160
Speaker 5: It does not belong you know, and wanted to make

644
00:33:26,240 --> 00:33:29,320
Speaker 5: where do you put it? Neo soul music? Put it

645
00:33:29,360 --> 00:33:30,880
Speaker 5: in the fucking trash feed.

646
00:33:31,120 --> 00:33:33,040
Speaker 4: That's where you need to put it. You need to

647
00:33:33,080 --> 00:33:35,000
Speaker 4: take the ship off the fucking nets. That's where it

648
00:33:35,040 --> 00:33:38,440
Speaker 4: needs to go. Like I've just just.

649
00:33:39,960 --> 00:33:41,760
Speaker 2: I mean, he could have at least at the very

650
00:33:41,880 --> 00:33:45,760
Speaker 2: least reached out to some neo soul r and b

651
00:33:45,920 --> 00:33:48,880
Speaker 2: artists to feature on this thing. He could have at.

652
00:33:48,840 --> 00:33:54,280
Speaker 1: Least god like the backing of some of the greats

653
00:33:54,400 --> 00:33:57,280
Speaker 1: or whatever or like old like, he could have at

654
00:33:57,360 --> 00:34:00,040
Speaker 1: least did that. It's almost like, yo, you got you

655
00:34:00,080 --> 00:34:03,200
Speaker 1: gotta check in before you start reasing like this, you

656
00:34:03,240 --> 00:34:06,000
Speaker 1: know what I'm saying, Like you you gotta yeah, man,

657
00:34:06,000 --> 00:34:08,600
Speaker 1: you gotta you gotta check in, bro, like like before

658
00:34:08,640 --> 00:34:12,280
Speaker 1: you you you start making these type of decisions like

659
00:34:12,280 --> 00:34:16,719
Speaker 1: like what are we doing like not one check.

660
00:34:16,880 --> 00:34:18,800
Speaker 3: I don't think it's because I want to make music.

661
00:34:18,960 --> 00:34:21,480
Speaker 3: That's wow.

662
00:34:20,280 --> 00:34:24,200
Speaker 4: That's that's no. It's not wild. It's not wild. It's

663
00:34:24,239 --> 00:34:26,000
Speaker 4: not wild. I listened to.

664
00:34:28,200 --> 00:34:28,239
Speaker 1: You.

665
00:34:29,200 --> 00:34:33,399
Speaker 2: It is it's it sounds respect for the culture. Since

666
00:34:33,400 --> 00:34:36,160
Speaker 2: you got all this respect for the culture, that's all

667
00:34:36,200 --> 00:34:37,359
Speaker 2: it is. It's all it is.

668
00:34:37,360 --> 00:34:37,600
Speaker 4: Now.

669
00:34:37,800 --> 00:34:41,719
Speaker 1: The way I'm saying check in obviously is a hype

670
00:34:41,880 --> 00:34:45,960
Speaker 1: tech take like talk or whatever. But that's not what

671
00:34:46,040 --> 00:34:47,920
Speaker 1: I'm literally when I'm literally saying what I'm when I'm

672
00:34:47,920 --> 00:34:49,120
Speaker 1: when I'm not what I'm literally saying.

673
00:34:49,160 --> 00:34:51,239
Speaker 2: But what I what I'm basically saying is like, yo,

674
00:34:51,520 --> 00:34:53,080
Speaker 2: just just check it.

675
00:34:53,400 --> 00:34:56,839
Speaker 1: Just just go, like, consult with the people that make

676
00:34:56,880 --> 00:35:01,800
Speaker 1: this music, Bro, consult with the people that makes this music.

677
00:35:02,800 --> 00:35:04,480
Speaker 2: Feature the people that make this music.

678
00:35:08,719 --> 00:35:09,480
Speaker 4: Yeah.

679
00:35:09,560 --> 00:35:14,800
Speaker 5: Yeah, I'm trying to see Rod if he and I'm

680
00:35:14,840 --> 00:35:17,759
Speaker 5: just doing a quick google, uh, to see if he

681
00:35:17,920 --> 00:35:20,600
Speaker 5: even worked with anybody.

682
00:35:20,680 --> 00:35:25,040
Speaker 4: And I, you know, I can't find anything. So if

683
00:35:25,040 --> 00:35:27,319
Speaker 4: something comes out, maybe, but what.

684
00:35:28,880 --> 00:35:31,920
Speaker 5: And and if they did, then he should go get

685
00:35:31,920 --> 00:35:34,720
Speaker 5: his money back because they did him fucking dirty. And

686
00:35:34,600 --> 00:35:37,600
Speaker 5: and it tells me that and I way up to

687
00:35:37,600 --> 00:35:40,000
Speaker 5: look at them and ask them why did they do it?

688
00:35:40,480 --> 00:35:43,760
Speaker 5: Maybe because Jack Harlow was still acceptable to.

689
00:35:43,320 --> 00:35:44,560
Speaker 4: To some But.

690
00:35:46,239 --> 00:35:48,280
Speaker 5: You know what I'm saying, Somebody say Raven or Robert

691
00:35:48,280 --> 00:35:52,719
Speaker 5: glasspert on it, you know, and Raven's nice, Raven's nice.

692
00:35:52,760 --> 00:35:57,080
Speaker 5: But uh yeah, I think that they may have been

693
00:35:57,239 --> 00:35:59,480
Speaker 5: and I agree with Thumper.

694
00:35:59,680 --> 00:36:02,359
Speaker 4: They may been misled or they may have just took

695
00:36:02,360 --> 00:36:02,800
Speaker 4: the money.

696
00:36:03,200 --> 00:36:04,839
Speaker 5: They were like all right, we'll give you some shit,

697
00:36:05,280 --> 00:36:08,120
Speaker 5: you know, but we ain't gonna really kind of show

698
00:36:08,160 --> 00:36:10,759
Speaker 5: you how to really fucking do it, you know. But

699
00:36:10,800 --> 00:36:12,920
Speaker 5: my thing to them would be why even fucking do

700
00:36:13,000 --> 00:36:13,600
Speaker 5: it at all?

701
00:36:14,160 --> 00:36:16,520
Speaker 4: You know? But my thing is is.

702
00:36:17,400 --> 00:36:21,640
Speaker 5: When you talk about like how crazy that made sounds,

703
00:36:22,040 --> 00:36:24,440
Speaker 5: And it's not because I listen to a lot of

704
00:36:24,880 --> 00:36:32,520
Speaker 5: interviews with with actually white people, honestly white singers, rock

705
00:36:32,840 --> 00:36:36,640
Speaker 5: rock artists, engineers and stuff like that.

706
00:36:36,680 --> 00:36:40,319
Speaker 4: Like you can, like when I listen to them, and.

707
00:36:40,239 --> 00:36:45,600
Speaker 5: How they talk about like the black artists and what

708
00:36:45,640 --> 00:36:48,680
Speaker 5: they were doing and how they learned from them, there's

709
00:36:48,680 --> 00:36:54,960
Speaker 5: a certain appreciation that comes from it, like where they

710
00:36:54,960 --> 00:36:57,640
Speaker 5: don't they don't necessarily want to mimic what they're doing,

711
00:36:58,040 --> 00:37:01,520
Speaker 5: but they love certain elements that they're doing. And some

712
00:37:01,560 --> 00:37:04,719
Speaker 5: of them do actually go get some of those artists

713
00:37:04,800 --> 00:37:08,120
Speaker 5: and okay, great, he got Robert glasper On here, which

714
00:37:08,160 --> 00:37:11,480
Speaker 5: is which is cool, But you know, they go get

715
00:37:11,520 --> 00:37:14,600
Speaker 5: black musicians to come in and work on the music

716
00:37:14,680 --> 00:37:16,560
Speaker 5: and make the music. I don't know what the fuck

717
00:37:16,960 --> 00:37:19,520
Speaker 5: uh Robert Glasson did on here?

718
00:37:20,719 --> 00:37:23,960
Speaker 1: Hell, And it don't even look like it's like a

719
00:37:25,200 --> 00:37:29,160
Speaker 1: real production credit or something like that. It says glassper

720
00:37:29,200 --> 00:37:31,319
Speaker 1: And that's the only only place I see his name

721
00:37:31,440 --> 00:37:34,359
Speaker 1: is on say Hello. That's the only place I see

722
00:37:34,360 --> 00:37:34,719
Speaker 1: his name.

723
00:37:36,960 --> 00:37:41,399
Speaker 4: Yeah. Well, either way go it's not as crazy as

724
00:37:41,440 --> 00:37:42,520
Speaker 4: it sounds, I think.

725
00:37:43,080 --> 00:37:47,319
Speaker 5: But nevertheless, many I have fucking and rhythm talking about

726
00:37:47,320 --> 00:37:53,240
Speaker 5: this ship. Fuck out of here, Jack Carlow, Jesus Christ.

727
00:37:55,120 --> 00:37:58,879
Speaker 5: I just stay gone another a couple of years, bro.

728
00:37:59,680 --> 00:37:59,879
Speaker 3: Talk.

729
00:38:00,200 --> 00:38:03,719
Speaker 1: Yeah, somebody said the piano on that song, that's it.

730
00:38:05,719 --> 00:38:07,719
Speaker 1: He thought that was enough. He thought that was enough. No,

731
00:38:07,880 --> 00:38:11,840
Speaker 1: that's not enough, bro, That's not enough to get somebody

732
00:38:11,920 --> 00:38:14,440
Speaker 1: do Robert Glass do piano in one song?

733
00:38:14,680 --> 00:38:14,879
Speaker 4: Nah?

734
00:38:14,960 --> 00:38:19,000
Speaker 2: Bro? Anyway, man, Yeah, you need to get this out

735
00:38:19,000 --> 00:38:19,279
Speaker 2: of here.

736
00:38:20,719 --> 00:38:21,520
Speaker 1: Get this out of here.

737
00:38:22,080 --> 00:38:22,319
Speaker 3: People.

738
00:38:22,400 --> 00:38:23,839
Speaker 2: I'm glad you like it. You know what I'm saying.

739
00:38:23,840 --> 00:38:24,920
Speaker 2: I hope you continue.

740
00:38:24,560 --> 00:38:25,040
Speaker 4: Bumping it.

741
00:38:26,640 --> 00:38:28,440
Speaker 3: And don't put words in my mouth. I said, this

742
00:38:28,480 --> 00:38:31,320
Speaker 3: is his best work. I said, it ain't bad.

743
00:38:30,120 --> 00:38:31,919
Speaker 2: You know what I'm saying.

744
00:38:31,920 --> 00:38:36,560
Speaker 1: I know you said the web and everything, sir, you

745
00:38:36,600 --> 00:38:40,040
Speaker 1: are not the You are not about to white place

746
00:38:40,200 --> 00:38:41,560
Speaker 1: me that.

747
00:38:42,719 --> 00:38:45,520
Speaker 5: I'm listening to it now. Roight, Yeah, that that does

748
00:38:45,600 --> 00:38:47,480
Speaker 5: sound like some Robert Glass.

749
00:38:48,320 --> 00:38:50,719
Speaker 2: That's the only one, bro, that's the only one. You

750
00:38:50,719 --> 00:38:52,160
Speaker 2: got to play piano, and that's it.

751
00:38:52,440 --> 00:38:57,800
Speaker 4: Jack Olo just fus it up? What do you oh say? Hello?

752
00:38:58,120 --> 00:39:04,480
Speaker 1: Oh, I can't believe you playing with a kid.

753
00:39:04,760 --> 00:39:06,520
Speaker 2: I really shocked play on it, but.

754
00:39:06,880 --> 00:39:12,560
Speaker 5: Like, man, I had to broed. I need my hate.

755
00:39:12,960 --> 00:39:16,280
Speaker 4: It needed to be pure. It needed to be pure,

756
00:39:16,840 --> 00:39:17,560
Speaker 4: like I.

757
00:39:17,960 --> 00:39:21,239
Speaker 5: Just because I really wanted to, Like, I just had

758
00:39:21,280 --> 00:39:25,399
Speaker 5: to hear it. Like the Blacker comments were bad enough.

759
00:39:25,440 --> 00:39:28,319
Speaker 5: But I'm like, how badly did he fail at this?

760
00:39:29,680 --> 00:39:33,000
Speaker 5: Because he may have surprised me, right, and I look,

761
00:39:33,600 --> 00:39:37,359
Speaker 5: I say all the time, it's about the music. He

762
00:39:37,440 --> 00:39:40,000
Speaker 5: may have surprised the funk out of me, so I

763
00:39:40,040 --> 00:39:43,120
Speaker 5: at least wanted to listen just to see, and then

764
00:39:43,160 --> 00:39:44,840
Speaker 5: I would have known that while I would have had

765
00:39:44,880 --> 00:39:47,880
Speaker 5: my issues with the comments, you know, I would have

766
00:39:47,960 --> 00:39:50,160
Speaker 5: known that we just having a moment on Twitter and

767
00:39:50,200 --> 00:39:52,920
Speaker 5: it's a comments we're offensive or whatever. But he actually

768
00:39:52,920 --> 00:39:58,279
Speaker 5: managed to pull it off. Surprisingly, he didn't let me down.

769
00:39:59,000 --> 00:40:00,799
Speaker 5: He did exactly what I thought he was gonna do.

770
00:40:01,480 --> 00:40:04,680
Speaker 5: But I just needed to confirm it. And yeah, I

771
00:40:04,719 --> 00:40:08,400
Speaker 5: think Jack Carlow is definitely not that guy. You know,

772
00:40:08,440 --> 00:40:11,200
Speaker 5: we got plenty of guys that do a Robin's think.

773
00:40:11,320 --> 00:40:16,720
Speaker 5: Lisa Stansfield, Michael McDonald, bro Darryl Hall from The halling

774
00:40:16,760 --> 00:40:18,960
Speaker 5: Oaks already named them. Bobby Callwell, we didn't even know

775
00:40:19,000 --> 00:40:21,880
Speaker 5: he was got damn White Rod.

776
00:40:21,920 --> 00:40:26,680
Speaker 4: Everybody found out. God year, George Michael Bro come on, man.

777
00:40:26,640 --> 00:40:34,600
Speaker 1: Like, no, he's not those guys, No, not at all.

778
00:40:35,280 --> 00:40:36,520
Speaker 1: Those guys were inducted.

779
00:40:38,640 --> 00:40:41,560
Speaker 5: Yes, yep, we go out and we get you and

780
00:40:41,600 --> 00:40:45,080
Speaker 5: we bring you into the fold. You know that's exactly

781
00:40:45,120 --> 00:40:49,239
Speaker 5: how it goes down. Yeah, yeah, because uh but yeah no,

782
00:40:49,520 --> 00:40:52,960
Speaker 5: funk out of here. Bro.

783
00:40:53,400 --> 00:40:55,279
Speaker 2: That's enough of that. Man, I did not know how

784
00:40:55,320 --> 00:40:57,440
Speaker 2: this how this portion of the show is gonna go.

785
00:40:57,560 --> 00:40:59,560
Speaker 2: This is this has been quite hilarious.

786
00:40:59,640 --> 00:41:04,400
Speaker 1: But uh, nonetheless, man, thank you guys for sending in

787
00:41:04,440 --> 00:41:06,799
Speaker 1: your super chats. I saw them come in. I saw

788
00:41:06,880 --> 00:41:10,400
Speaker 1: also seeing your comments and everything. So again, thank you

789
00:41:10,400 --> 00:41:14,160
Speaker 1: for always tuning into our lives here. But at this

790
00:41:14,200 --> 00:41:16,279
Speaker 1: portion of the show, this is where I handed over

791
00:41:16,360 --> 00:41:18,440
Speaker 1: to Ken. Even though Ken has taken the floor, he's

792
00:41:18,480 --> 00:41:20,839
Speaker 1: going to continue to take the floor and go through

793
00:41:20,880 --> 00:41:23,800
Speaker 1: you guys super chats.

794
00:41:25,280 --> 00:41:25,400
Speaker 5: Uh.

795
00:41:26,320 --> 00:41:33,359
Speaker 4: Speaking of what's so called appropriation is stealing Rod. They

796
00:41:33,400 --> 00:41:36,239
Speaker 4: say he's a professional thief man.

797
00:41:36,480 --> 00:41:39,480
Speaker 2: He one of the he is the master at it.

798
00:41:40,520 --> 00:41:45,920
Speaker 4: At least he's good at it though, right he sees

799
00:41:45,960 --> 00:41:49,200
Speaker 4: his ASDs of But Ken, did you end up liking

800
00:41:49,239 --> 00:41:52,359
Speaker 4: Bruno's new album. I've listened to it twice. There are

801
00:41:53,360 --> 00:41:55,359
Speaker 4: songs that I do like on it.

802
00:41:55,480 --> 00:41:59,920
Speaker 5: I really, for whatever reason, thought I was gonna, I expect,

803
00:42:00,040 --> 00:42:02,960
Speaker 5: did a little bit more because I liked the single

804
00:42:03,000 --> 00:42:03,720
Speaker 5: that he dropped.

805
00:42:04,920 --> 00:42:08,400
Speaker 4: But I need to listen to it some more. But

806
00:42:08,880 --> 00:42:10,160
Speaker 4: if it feels.

807
00:42:09,760 --> 00:42:15,000
Speaker 5: Like I didn't get the soul I thought he was

808
00:42:15,040 --> 00:42:19,080
Speaker 5: gonna do with the album. But I'll probably put together

809
00:42:19,120 --> 00:42:25,160
Speaker 5: an official review for it for you guys. Uh yeah,

810
00:42:25,200 --> 00:42:27,719
Speaker 5: at some point, maybe on Patreon or you know. I

811
00:42:27,800 --> 00:42:30,120
Speaker 5: put stuff up with my channel too, so maybe I'll

812
00:42:30,120 --> 00:42:32,640
Speaker 5: do something there. But yeah, it was something missing and

813
00:42:32,680 --> 00:42:34,200
Speaker 5: I need to spend some more time to it. And maybe

814
00:42:34,200 --> 00:42:35,600
Speaker 5: I was thinking more sonic shit.

815
00:42:36,200 --> 00:42:38,920
Speaker 4: I don't know. But nevertheless, he got some joints on there.

816
00:42:39,000 --> 00:42:43,480
Speaker 4: I like aerial Smoke.

817
00:42:43,560 --> 00:42:48,799
Speaker 5: My credit card went on the opening seconds of My NICKI.

818
00:42:50,200 --> 00:42:52,520
Speaker 1: Then his credit SCRD went up on the opening score.

819
00:42:54,600 --> 00:42:55,480
Speaker 1: That's hilarious.

820
00:42:56,960 --> 00:43:00,479
Speaker 5: Yeah, that is funny. Remember for the third two months,

821
00:43:00,480 --> 00:43:01,080
Speaker 5: appreciate it.

822
00:43:02,040 --> 00:43:04,719
Speaker 4: I don't know. That's you and the the the abby.

823
00:43:05,680 --> 00:43:07,680
Speaker 5: As is Ken did you get around to Tam and

824
00:43:07,719 --> 00:43:10,720
Speaker 5: I'm sorry, this is Don Tolliver. Yet his new album

825
00:43:10,800 --> 00:43:13,319
Speaker 5: is maintaining high numbers and has staying power so far

826
00:43:13,400 --> 00:43:14,200
Speaker 5: after two months.

827
00:43:15,320 --> 00:43:17,040
Speaker 4: Hold on, man, I think it's this.

828
00:43:17,160 --> 00:43:19,759
Speaker 5: You're a patron too, man, I got you, man, hold on,

829
00:43:20,320 --> 00:43:22,200
Speaker 5: let me go ahead, and and I think I have

830
00:43:22,360 --> 00:43:27,919
Speaker 5: it in my first quarter new music playlist. I think

831
00:43:27,920 --> 00:43:29,719
Speaker 5: I just haven't gotten to it yet. I have a

832
00:43:29,719 --> 00:43:33,600
Speaker 5: playlist where I put everything new and that dropping that year,

833
00:43:33,840 --> 00:43:35,000
Speaker 5: and it should be in there.

834
00:43:35,040 --> 00:43:35,719
Speaker 4: But I'm gonna go ahead.

835
00:43:35,719 --> 00:43:38,239
Speaker 5: And I was telling Rod earlier on the podcast that

836
00:43:39,160 --> 00:43:42,880
Speaker 5: I did this with the Jay Electronica J album, So

837
00:43:42,960 --> 00:43:44,840
Speaker 5: all right, the press play. So now it's going to

838
00:43:44,880 --> 00:43:48,840
Speaker 5: be in my recently played so I'll have a visual reminder.

839
00:43:50,880 --> 00:43:52,279
Speaker 5: So yeah, we'll get I'll get to it.

840
00:43:52,320 --> 00:43:54,680
Speaker 4: Who fell off more, eminem, Little Wayne or Kanye?

841
00:43:57,719 --> 00:44:01,520
Speaker 2: This is question, actually, well full off more.

842
00:44:05,640 --> 00:44:11,520
Speaker 1: Kanye apparently still can can sell bro like he drunk.

843
00:44:11,560 --> 00:44:14,440
Speaker 2: He said he had a tour and that ship like it.

844
00:44:15,080 --> 00:44:16,560
Speaker 2: I mean, damn, there's so loud.

845
00:44:16,600 --> 00:44:20,840
Speaker 1: So Kanye still hasn't has has maintained a cult following,

846
00:44:22,280 --> 00:44:23,840
Speaker 1: so I don't think it's him.

847
00:44:24,680 --> 00:44:27,440
Speaker 3: But hold on, But but a counterpoint to that is

848
00:44:28,000 --> 00:44:31,839
Speaker 3: Kanye could have been the biggest best hip hop artist ever.

849
00:44:31,960 --> 00:44:36,200
Speaker 1: And he's not that, but he still.

850
00:44:35,920 --> 00:44:38,880
Speaker 2: Is maintaining his his core fan base.

851
00:44:39,520 --> 00:44:43,319
Speaker 3: True, but out of these three people, Kanye had the

852
00:44:43,360 --> 00:44:47,520
Speaker 3: most endeavors outside of music and a lot of those

853
00:44:47,760 --> 00:44:49,520
Speaker 3: you know, I don't know, I don't know.

854
00:44:50,920 --> 00:44:51,840
Speaker 2: I think Lil Wayne.

855
00:44:52,640 --> 00:44:55,200
Speaker 3: Yeah, I was. I was gonna say all of the

856
00:44:55,239 --> 00:44:56,960
Speaker 3: kind of points that that that was just that was

857
00:44:57,040 --> 00:45:00,000
Speaker 3: just conversation. But no, I definitely think Lil Wayne too,

858
00:45:00,200 --> 00:45:04,600
Speaker 3: and not only because, like Eminem still has glimpses of

859
00:45:04,680 --> 00:45:06,920
Speaker 3: him being, you know, the rap guy that he is,

860
00:45:07,040 --> 00:45:08,560
Speaker 3: you know what I'm saying, Like he still gives us

861
00:45:08,600 --> 00:45:11,880
Speaker 3: those moments Kanye does. I'm not saying Lil Wayne doesn't.

862
00:45:12,040 --> 00:45:15,000
Speaker 3: But I think Lil Wayne has lost more than all

863
00:45:15,040 --> 00:45:17,840
Speaker 3: three of those guys, especially when you've seen like I

864
00:45:17,880 --> 00:45:21,120
Speaker 3: don't know if y'all saw it was like I don't

865
00:45:21,160 --> 00:45:22,799
Speaker 3: remember where it was, but it was a little Wayne

866
00:45:22,840 --> 00:45:25,759
Speaker 3: concert that it got sold out and he ain't do

867
00:45:25,880 --> 00:45:27,320
Speaker 3: no rap. All he did was rock and it was

868
00:45:27,320 --> 00:45:29,120
Speaker 3: a hell of black people there and it was like, yo,

869
00:45:29,160 --> 00:45:31,200
Speaker 3: like what like this is not what we wanted so

870
00:45:31,440 --> 00:45:34,399
Speaker 3: to me, Wayne is the one that fell off the artist.

871
00:45:35,040 --> 00:45:41,680
Speaker 5: Mmm, well, it's definitely a race between Lil Wayne and

872
00:45:41,760 --> 00:45:43,840
Speaker 5: Kanye Eminem people.

873
00:45:43,920 --> 00:45:45,040
Speaker 4: You make a good point.

874
00:45:44,840 --> 00:45:49,000
Speaker 5: About Uh, it's not the fact that he can't rap,

875
00:45:49,560 --> 00:45:52,440
Speaker 5: it's the fact that he doesn't rap well when he

876
00:45:53,200 --> 00:45:57,000
Speaker 5: all the time, its weird shit, right, and he comes

877
00:45:57,040 --> 00:45:59,480
Speaker 5: back and show you that. Nah, I'm still that guy.

878
00:46:00,480 --> 00:46:04,120
Speaker 5: Lo Wayne and Kanye have not done that. But Roder

879
00:46:04,160 --> 00:46:11,799
Speaker 5: his white right, Damn I'm saying white. Uh, Kanye still

880
00:46:11,800 --> 00:46:14,440
Speaker 5: has his coat following. Wayne still has a large following,

881
00:46:14,520 --> 00:46:17,160
Speaker 5: but it's mostly for the old stuff. For whatever reason,

882
00:46:17,280 --> 00:46:19,600
Speaker 5: Kanye's fans still like all the new bullshit that he

883
00:46:19,640 --> 00:46:23,400
Speaker 5: put out. Yeah, and Kanye was another one. I was

884
00:46:23,440 --> 00:46:25,560
Speaker 5: trying to tell us about you know what it is.

885
00:46:26,120 --> 00:46:28,719
Speaker 5: I did get some of the mother song chats. Hey,

886
00:46:28,719 --> 00:46:34,080
Speaker 5: I'm just saying, bro, I'm prophetic. So yeah, I think

887
00:46:34,080 --> 00:46:41,480
Speaker 5: I'm with y'all Onla Wayne, but uh, as is actually

888
00:46:41,800 --> 00:46:47,160
Speaker 5: I take that back. I'm going Kanye. I'm going Kanye.

889
00:46:47,239 --> 00:46:50,080
Speaker 5: I know he's still selling selling out or whatever, but

890
00:46:50,160 --> 00:46:53,600
Speaker 5: it's probably all fucking maga and racist Kanye.

891
00:46:54,719 --> 00:46:56,040
Speaker 4: He lost his fucking.

892
00:46:55,800 --> 00:47:01,440
Speaker 5: Mind, bro, Like Kanye was not was he making bad music,

893
00:47:02,360 --> 00:47:07,960
Speaker 5: but he started making bad choices. So yeah, so and

894
00:47:08,000 --> 00:47:09,520
Speaker 5: now he's trying to come back. He's trying to do

895
00:47:09,560 --> 00:47:12,320
Speaker 5: the same ship. He's trying to do a little redemption

896
00:47:12,440 --> 00:47:16,360
Speaker 5: tour and I saw I Think B tweeted as Luayne

897
00:47:16,719 --> 00:47:20,040
Speaker 5: is actually going on tour and he's not even going

898
00:47:20,080 --> 00:47:20,759
Speaker 5: to Louisiana.

899
00:47:21,600 --> 00:47:23,560
Speaker 3: Mm hm.

900
00:47:23,600 --> 00:47:27,360
Speaker 5: Anyway, Meanwhile, a real white R and B artist just

901
00:47:27,480 --> 00:47:30,799
Speaker 5: dropped shout out to James Blake. James Blake is dope,

902
00:47:31,400 --> 00:47:33,319
Speaker 5: and he doesn't proclaim himself to.

903
00:47:33,280 --> 00:47:37,000
Speaker 4: Be R and B. He just makes music that's really really.

904
00:47:36,760 --> 00:47:41,319
Speaker 5: Good that has some elements in it that resonate with

905
00:47:41,520 --> 00:47:42,560
Speaker 5: black folks.

906
00:47:43,160 --> 00:47:46,239
Speaker 2: Right, so he got and he got soul in his

907
00:47:46,360 --> 00:47:46,919
Speaker 2: voice too.

908
00:47:47,600 --> 00:47:54,360
Speaker 5: Mm hmm, yep, yep. Jack Carlos sounds like he's doing demos.

909
00:47:54,920 --> 00:47:59,759
Speaker 5: Uh flying into go best collap album song that never

910
00:48:00,239 --> 00:48:07,480
Speaker 5: came out. It gotta be uh Yeah.

911
00:48:07,560 --> 00:48:10,360
Speaker 1: I would say that in the Country Cousins thing. Country

912
00:48:10,400 --> 00:48:11,200
Speaker 1: Cousins would.

913
00:48:10,960 --> 00:48:11,560
Speaker 4: Have been dope.

914
00:48:12,120 --> 00:48:15,400
Speaker 3: Yes, they created what's her name yellow?

915
00:48:16,080 --> 00:48:19,440
Speaker 1: Mm hmm. And then Ki and I think uh it

916
00:48:19,560 --> 00:48:22,120
Speaker 1: was there was rumors of kiw rock Mansie supposed to

917
00:48:22,160 --> 00:48:25,000
Speaker 1: drop something at one point that would have been dope too.

918
00:48:27,000 --> 00:48:29,400
Speaker 5: Yeah, yeah, that's a good one. That was a good

919
00:48:29,960 --> 00:48:32,720
Speaker 5: uh portagals, Hey, all things for the content. Who's winning

920
00:48:32,760 --> 00:48:36,360
Speaker 5: in a fight? Timothy Challa may or Jack carlow.

921
00:48:38,040 --> 00:48:38,320
Speaker 4: Rod.

922
00:48:38,800 --> 00:48:44,240
Speaker 5: You know what's interesting is I just read an article

923
00:48:45,840 --> 00:48:51,160
Speaker 5: yesterday of the day before about people not really fucking

924
00:48:51,200 --> 00:48:52,480
Speaker 5: with Timothy Charla may Bro.

925
00:48:53,480 --> 00:48:55,279
Speaker 3: Oh yeah, I don't even know who that is.

926
00:48:55,520 --> 00:48:57,560
Speaker 2: Who is that? That's the dude from Doom. That's the

927
00:48:57,680 --> 00:48:58,839
Speaker 2: that's the actor from Doom.

928
00:48:59,680 --> 00:49:02,960
Speaker 7: I didn't know. Bro got a little bit of it

929
00:49:04,840 --> 00:49:08,560
Speaker 7: the movie Doom. You're familiar with that movie. He also

930
00:49:08,600 --> 00:49:14,680
Speaker 7: has a new movie called Marty Supreme. You've seen that, damn.

931
00:49:15,840 --> 00:49:16,479
Speaker 4: Oh yeah.

932
00:49:16,560 --> 00:49:19,000
Speaker 2: But but basically what happened Ken was he made some.

933
00:49:18,880 --> 00:49:23,800
Speaker 1: Comments about ballet and opera, saying that they they aren't

934
00:49:23,840 --> 00:49:26,520
Speaker 1: they aren't respected or something like that and that and

935
00:49:26,560 --> 00:49:32,440
Speaker 1: that basically like it just ruined them.

936
00:49:33,960 --> 00:49:35,040
Speaker 3: Like what is he talking about?

937
00:49:36,200 --> 00:49:38,920
Speaker 1: Yeah, he was just yeah, he was just yeah. It

938
00:49:38,960 --> 00:49:42,120
Speaker 1: was just dumb. It was it was very it's very

939
00:49:42,239 --> 00:49:42,720
Speaker 1: the Russell.

940
00:49:48,520 --> 00:49:51,680
Speaker 4: Yeah, yep, that's exactly what I was.

941
00:49:51,719 --> 00:49:55,640
Speaker 5: Like, Yo, what people Yeah, apparently put his foot in

942
00:49:55,640 --> 00:49:58,440
Speaker 5: his mouth and they said that that cost him.

943
00:49:58,520 --> 00:50:01,359
Speaker 4: Like these oscars and stuff like like that. I was like, damn, bro,

944
00:50:01,400 --> 00:50:04,080
Speaker 4: they don't turn it on on Timothy Shallow.

945
00:50:04,120 --> 00:50:07,600
Speaker 1: Man, I think I'm gonna take I'm gonna take Charla

946
00:50:07,680 --> 00:50:10,960
Speaker 1: May because in that doing movie, it seemed like you

947
00:50:11,000 --> 00:50:12,680
Speaker 1: had to learn some moves. So it's I feel like

948
00:50:12,760 --> 00:50:14,920
Speaker 1: you got some some moves.

949
00:50:17,640 --> 00:50:21,360
Speaker 5: I'm gonna take charaw Man because Jack Harlow, they probably

950
00:50:21,360 --> 00:50:21,719
Speaker 5: trying to.

951
00:50:21,680 --> 00:50:23,360
Speaker 4: Fight him like a white black person.

952
00:50:24,080 --> 00:50:25,799
Speaker 8: You probably do all the ship that he thinks black

953
00:50:25,840 --> 00:50:59,560
Speaker 8: people do when they fight, right, Like, uh.

954
00:50:46,120 --> 00:50:49,600
Speaker 4: What artists had the best, worst run of album names.

955
00:50:52,040 --> 00:50:55,480
Speaker 1: Best running album names? This is a hard one and

956
00:50:55,560 --> 00:51:01,520
Speaker 1: the best running. Yeah, don't know.

957
00:51:02,560 --> 00:51:04,840
Speaker 3: Yeah, I gotta think about that. I gotta go in

958
00:51:04,880 --> 00:51:05,480
Speaker 3: the library.

959
00:51:06,400 --> 00:51:08,720
Speaker 2: Yeah, that's a that's a tough question. Off top.

960
00:51:10,960 --> 00:51:12,560
Speaker 4: Master peak comes to mind, but.

961
00:51:14,680 --> 00:51:15,000
Speaker 2: I don't.

962
00:51:16,000 --> 00:51:18,440
Speaker 4: But I don't know. I don't know what classified that's

963
00:51:18,520 --> 00:51:20,840
Speaker 4: the word to bad.

964
00:51:20,960 --> 00:51:23,319
Speaker 5: I think after he did, uh, I don't know why

965
00:51:23,680 --> 00:51:27,000
Speaker 5: it started with ghetto posted, like maybe just ghetto posted

966
00:51:27,040 --> 00:51:28,600
Speaker 5: after that he have really good ones.

967
00:51:29,440 --> 00:51:31,960
Speaker 2: But ice cream Man was a good one. Ice cream

968
00:51:32,000 --> 00:51:33,880
Speaker 2: Man was a good ghetto dope was good.

969
00:51:35,400 --> 00:51:37,400
Speaker 1: Yeah, because if you know, you know, you know what

970
00:51:37,440 --> 00:51:41,359
Speaker 1: I'm saying like, yeah, those were good.

971
00:51:41,520 --> 00:51:42,000
Speaker 2: I don't know.

972
00:51:44,000 --> 00:51:48,520
Speaker 1: Maybe the album covers you know what I'm saying, But yeah,

973
00:51:48,560 --> 00:51:48,960
Speaker 1: I don't know.

974
00:51:50,560 --> 00:51:50,920
Speaker 4: Hm hmm.

975
00:51:51,480 --> 00:51:53,960
Speaker 5: Yeah, I don't have thought about yeah, because I never

976
00:51:54,000 --> 00:51:54,920
Speaker 5: really thought about.

977
00:51:54,800 --> 00:51:56,640
Speaker 4: Albums having bad names.

978
00:51:57,520 --> 00:51:57,920
Speaker 2: Mm hmm.

979
00:52:00,160 --> 00:52:01,879
Speaker 4: What constitutes a bad name too?

980
00:52:02,719 --> 00:52:08,480
Speaker 2: Yeah? So interesting, Yeah, I never thought about that. I

981
00:52:08,560 --> 00:52:10,080
Speaker 2: wasn't crazy about four four four.

982
00:52:10,080 --> 00:52:17,000
Speaker 3: I'll say that, Yeah, that wasn't a good name. He

983
00:52:17,080 --> 00:52:19,120
Speaker 3: made it work, but it was.

984
00:52:19,280 --> 00:52:21,120
Speaker 2: It worked, but I wasn't crazy by it. I still

985
00:52:21,160 --> 00:52:22,560
Speaker 2: even when I when I look.

986
00:52:22,520 --> 00:52:28,840
Speaker 3: At the album, like, damn good album though, yeah.

987
00:52:28,719 --> 00:52:32,560
Speaker 1: Damn good album as it is.

988
00:52:32,719 --> 00:52:36,160
Speaker 5: Jack's album sounded like two thousand and four Ruben without seasoning.

989
00:52:37,560 --> 00:52:39,319
Speaker 5: You're giving him way too much credit. Bro, if you're

990
00:52:39,320 --> 00:52:47,800
Speaker 5: talking about Ruben started Donald Van be honest. For whatever reason,

991
00:52:47,840 --> 00:52:50,160
Speaker 5: when was the last time you used another culture to

992
00:52:50,239 --> 00:52:50,920
Speaker 5: your advantage?

993
00:52:51,400 --> 00:52:53,479
Speaker 4: Example, voice switched to get a bank loan.

994
00:52:57,280 --> 00:53:01,000
Speaker 3: Shit, I gotta use it almost every Yeah. You know,

995
00:53:01,080 --> 00:53:04,959
Speaker 3: when I work, bro, I'm in sales, I can't talk

996
00:53:05,000 --> 00:53:07,319
Speaker 3: to the people i'm selling to the way I talk

997
00:53:07,360 --> 00:53:10,040
Speaker 3: to y'all. You know what I'm saying, like, yes, how

998
00:53:10,080 --> 00:53:10,720
Speaker 3: you doing today?

999
00:53:10,840 --> 00:53:11,040
Speaker 2: You know?

1000
00:53:11,520 --> 00:53:13,600
Speaker 3: Yeah, I gotta cod switch a little bit, so it

1001
00:53:13,719 --> 00:53:16,520
Speaker 3: is what it is. But I wouldn't say I'm using

1002
00:53:16,560 --> 00:53:21,960
Speaker 3: another culture, like I'm not trying to sound black, white, Hispanic.

1003
00:53:22,480 --> 00:53:25,479
Speaker 3: I'm just trying to sound professional, you know what I'm saying.

1004
00:53:26,120 --> 00:53:28,960
Speaker 3: So people trust me. So you know, I wouldn't say

1005
00:53:29,000 --> 00:53:31,880
Speaker 3: that that's a culture. But I definitely cod switch in

1006
00:53:32,040 --> 00:53:32,840
Speaker 3: my job daily.

1007
00:53:35,960 --> 00:53:36,160
Speaker 2: Yeah.

1008
00:53:36,200 --> 00:53:38,200
Speaker 1: I can't remember the last time I did something like.

1009
00:53:38,160 --> 00:53:43,360
Speaker 5: That me either, right, Like, Nah, I think a long

1010
00:53:43,480 --> 00:53:45,160
Speaker 5: time ago I gave up on that ship.

1011
00:53:45,200 --> 00:53:45,319
Speaker 4: Bro.

1012
00:53:46,280 --> 00:53:51,320
Speaker 5: Yeah, I think if any The one thing I would

1013
00:53:51,360 --> 00:53:53,839
Speaker 5: say that I do but it's still me, is go

1014
00:53:53,880 --> 00:54:01,040
Speaker 5: full of Karen and start telling and.

1015
00:53:59,320 --> 00:54:01,000
Speaker 3: Can you you beitching out here?

1016
00:54:01,080 --> 00:54:04,759
Speaker 5: K Hey, Bro, Look, if some ship is bad and

1017
00:54:04,840 --> 00:54:06,520
Speaker 5: I pay for it, I'm gonna let you know the

1018
00:54:06,560 --> 00:54:08,840
Speaker 5: ship is bad because I paid for it and we

1019
00:54:08,920 --> 00:54:12,360
Speaker 5: need to get this ship fixed. So yes, absolutely, and

1020
00:54:12,400 --> 00:54:14,399
Speaker 5: it helps him improve the product, and you get free

1021
00:54:14,400 --> 00:54:15,040
Speaker 5: ship too.

1022
00:54:15,160 --> 00:54:19,640
Speaker 4: They'll send you all, bro. Call it, y'all. Don't do this.

1023
00:54:20,840 --> 00:54:23,320
Speaker 5: But if you ever call and say you order the

1024
00:54:23,360 --> 00:54:25,760
Speaker 5: pizza and the ship was bad and they did something wrong,

1025
00:54:26,120 --> 00:54:27,560
Speaker 5: They're gonna send you some free ship.

1026
00:54:27,600 --> 00:54:27,759
Speaker 2: Bro.

1027
00:54:29,160 --> 00:54:34,240
Speaker 3: They'll send you for a free pizzaf Hey whatever address?

1028
00:54:34,560 --> 00:54:37,040
Speaker 3: Can this be? H be using y'all watching? Don't don't

1029
00:54:37,040 --> 00:54:37,920
Speaker 3: send that man nothing?

1030
00:54:40,760 --> 00:54:48,640
Speaker 4: Hey? Uh Teddy Perkins best vers on Kanye Appalled. We

1031
00:54:48,760 --> 00:54:50,279
Speaker 4: still got Kanye fans in it?

1032
00:54:50,640 --> 00:54:53,920
Speaker 3: Uh ship? Who's all on that song?

1033
00:54:54,520 --> 00:54:58,920
Speaker 1: Oh? sEH big Sean.

1034
00:54:59,080 --> 00:55:02,840
Speaker 2: I think it's on that one. Jay's on that one.

1035
00:55:03,239 --> 00:55:04,640
Speaker 4: Definitely Big Shine.

1036
00:55:07,920 --> 00:55:14,279
Speaker 5: Hm, push your Ta pushes on that is on that Yeah,

1037
00:55:14,320 --> 00:55:15,920
Speaker 5: but I don't know if he had a first though.

1038
00:55:16,280 --> 00:55:19,200
Speaker 2: Yeah, he was just like ridiculous at the Yeah, that's right,

1039
00:55:19,239 --> 00:55:20,399
Speaker 2: that's right, that's right, that's right.

1040
00:55:22,440 --> 00:55:25,359
Speaker 4: Yeah, I don't know. If I had an iPod, I'll

1041
00:55:25,400 --> 00:55:26,279
Speaker 4: be on his playlist.

1042
00:55:29,000 --> 00:55:31,000
Speaker 5: Yeah that ship was nice Swiss beats, but he was

1043
00:55:31,080 --> 00:55:37,960
Speaker 5: just talking so he didn't really. Yeah, it's really between Kanye,

1044
00:55:38,480 --> 00:55:45,000
Speaker 5: jay Z, Pusha, and Saha sah see.

1045
00:55:45,000 --> 00:55:50,200
Speaker 1: I like, I like, I like bars from all of them,

1046
00:55:50,239 --> 00:55:53,160
Speaker 1: Like all of them had decent, decent moments on it,

1047
00:55:53,360 --> 00:55:55,720
Speaker 1: and I'm trying to think who had the standout moment.

1048
00:55:58,280 --> 00:56:03,759
Speaker 2: It's probably push Over Sha know. I haven't listened to

1049
00:56:03,760 --> 00:56:04,120
Speaker 2: that song.

1050
00:56:04,160 --> 00:56:04,799
Speaker 1: It's so long.

1051
00:56:07,760 --> 00:56:11,799
Speaker 4: I really did like Jay's boys, James verse Bro.

1052
00:56:13,719 --> 00:56:14,279
Speaker 2: I actually like.

1053
00:56:16,880 --> 00:56:21,880
Speaker 3: Every everybody, Yeah, every everybody did good on that joint.

1054
00:56:22,360 --> 00:56:24,640
Speaker 3: I'm gonna go side hide, I'm gonna go down theer dog.

1055
00:56:27,440 --> 00:56:27,960
Speaker 4: Mm hmmm.

1056
00:56:29,120 --> 00:56:33,360
Speaker 1: I did like, Oh yeah, I did like j joint

1057
00:56:33,400 --> 00:56:36,359
Speaker 1: to everybody did everybody stepped up on that. Man.

1058
00:56:36,960 --> 00:56:41,440
Speaker 2: It wasn't no lack on that one. So that's what

1059
00:56:41,600 --> 00:56:42,440
Speaker 2: that's a good question.

1060
00:56:43,640 --> 00:56:46,000
Speaker 4: Yeah, it is just push your verse.

1061
00:56:47,440 --> 00:56:47,960
Speaker 2: I'm telling you.

1062
00:56:48,040 --> 00:56:51,760
Speaker 1: Jay had a really good verse too, from what I remember,

1063
00:56:53,200 --> 00:56:55,400
Speaker 1: because that's why all of y'all concept the box in

1064
00:56:55,480 --> 00:56:58,160
Speaker 1: my draw like that, like Mike stay saying.

1065
00:57:01,120 --> 00:57:02,879
Speaker 2: But I do like Kanye's verse though.

1066
00:57:05,600 --> 00:57:08,799
Speaker 1: I do like Kanye's verse, the side verse.

1067
00:57:08,840 --> 00:57:13,560
Speaker 2: Bro, Yes, I probably got it though.

1068
00:57:15,080 --> 00:57:19,320
Speaker 4: It's crazy. Damn.

1069
00:57:19,640 --> 00:57:25,880
Speaker 5: Give us the album, bro, I may go shi Jay

1070
00:57:26,080 --> 00:57:29,040
Speaker 5: then push, you know, man, just push. Got some lines

1071
00:57:29,080 --> 00:57:31,200
Speaker 5: on here too. Yeah, that's that's a good that's a

1072
00:57:31,200 --> 00:57:31,600
Speaker 5: good question.

1073
00:57:31,600 --> 00:57:33,160
Speaker 1: I'm gonna have to listen to it again before I

1074
00:57:33,240 --> 00:57:34,680
Speaker 1: make a solid answer.

1075
00:57:35,280 --> 00:57:37,080
Speaker 5: Yeah, I want to listen to it. I want to

1076
00:57:37,120 --> 00:57:39,080
Speaker 5: listen to it, and you know what we'll do. Let

1077
00:57:39,120 --> 00:57:41,720
Speaker 5: me write this down. I'm gonna put it on my podcast.

1078
00:57:41,760 --> 00:57:44,360
Speaker 5: We're gonna listen to it, and we're gonna come back

1079
00:57:44,920 --> 00:57:46,760
Speaker 5: play it. And you know what, I might play it

1080
00:57:46,840 --> 00:57:48,800
Speaker 5: on the podcast, because on the podcast, I can put it,

1081
00:57:49,160 --> 00:57:54,360
Speaker 5: put it on uh on Patreon without having to worry

1082
00:57:54,360 --> 00:57:55,040
Speaker 5: about the music.

1083
00:57:55,800 --> 00:57:57,280
Speaker 4: Appalled follow up?

1084
00:57:59,520 --> 00:58:02,120
Speaker 3: All right, right, write his name down to Teddy Perkins,

1085
00:58:02,160 --> 00:58:08,640
Speaker 3: so we know not.

1086
00:58:07,120 --> 00:58:11,960
Speaker 2: It said, so I probably wrote y verse. Probably they

1087
00:58:12,040 --> 00:58:13,120
Speaker 2: said is good.

1088
00:58:15,440 --> 00:58:17,480
Speaker 4: I can't hear it when I'm When I was reading it,

1089
00:58:17,560 --> 00:58:18,560
Speaker 4: I couldn't hear it.

1090
00:58:19,120 --> 00:58:21,880
Speaker 5: I can hear Jays, I can hear pushes, and I

1091
00:58:21,920 --> 00:58:25,440
Speaker 5: couldn't hear I couldn't hear Kanye's. For whatever reason, Kanye

1092
00:58:25,480 --> 00:58:26,360
Speaker 5: had that lines.

1093
00:58:26,160 --> 00:58:28,600
Speaker 1: Like just one time, let it be a bad bitch sweeping.

1094
00:58:29,920 --> 00:58:32,000
Speaker 1: He was talking about the Maids.

1095
00:58:35,880 --> 00:58:38,520
Speaker 4: Sneaker though. Kim otis and full of fact.

1096
00:58:38,600 --> 00:58:41,000
Speaker 5: I need Jackman black Man to drop every quarter so

1097
00:58:41,040 --> 00:58:43,360
Speaker 5: we get this version of Kim more often. Kim baiton

1098
00:58:43,520 --> 00:58:50,920
Speaker 5: twenty four to seven, y'all, y'all funny. Yeah, I'm getting

1099
00:58:50,920 --> 00:58:53,960
Speaker 5: too old. Follow this, y'all. Black Rods. Have y'all followed

1100
00:58:54,000 --> 00:58:57,080
Speaker 5: this Afroman death bro? This ship ro have you seen

1101
00:58:57,080 --> 00:58:57,560
Speaker 5: this ship?

1102
00:58:58,040 --> 00:58:58,200
Speaker 2: Bro?

1103
00:58:59,760 --> 00:59:01,120
Speaker 1: Bring get up in the podcast.

1104
00:59:02,960 --> 00:59:05,400
Speaker 5: This is a wild ship and I'm not getting too old.

1105
00:59:06,240 --> 00:59:13,160
Speaker 5: I love this, uh, but yes, this ship is crazy.

1106
00:59:13,320 --> 00:59:16,520
Speaker 5: I started watching it and I'm like, no, no, no, no,

1107
00:59:16,640 --> 00:59:19,200
Speaker 5: I need to sit down him making a video of

1108
00:59:19,240 --> 00:59:22,520
Speaker 5: the cop Bro and the cop chasing him and Bro,

1109
00:59:23,040 --> 00:59:24,120
Speaker 5: yes black Rods.

1110
00:59:24,160 --> 00:59:28,920
Speaker 4: I just started following it today on Twitter. This on Twitter, Bro,

1111
00:59:29,320 --> 00:59:32,560
Speaker 4: and this ship looks entertaining as fun. I can't wait

1112
00:59:32,560 --> 00:59:33,320
Speaker 4: to get into it.

1113
00:59:34,280 --> 00:59:35,320
Speaker 2: Yeah.

1114
00:59:36,200 --> 00:59:37,919
Speaker 1: I almost brought it up, but I didn't have enough

1115
00:59:37,920 --> 00:59:38,840
Speaker 1: information on it.

1116
00:59:40,120 --> 00:59:42,600
Speaker 5: Yeah, maybe we'll talk about it. Is the mycealone, Bro,

1117
00:59:42,680 --> 00:59:44,160
Speaker 5: because this ship is insane.

1118
00:59:44,320 --> 00:59:47,439
Speaker 3: Yeah, I just saw that, but like what, like what

1119
00:59:47,680 --> 00:59:50,000
Speaker 3: is like what what's happening? Like I don't even have

1120
00:59:50,080 --> 00:59:51,560
Speaker 3: a gist, like what's going.

1121
00:59:51,320 --> 00:59:57,600
Speaker 5: On apparent So and that's the thing I don't fully

1122
00:59:57,680 --> 01:00:03,600
Speaker 5: really know, but yeah, it's yeah, I honestly don't really know.

1123
01:00:03,720 --> 01:00:07,320
Speaker 5: I just saw him in this pink or whatever color

1124
01:00:07,360 --> 01:00:11,280
Speaker 5: you want to in court, in this colorful outfit, and

1125
01:00:11,600 --> 01:00:16,880
Speaker 5: I'm just seeing clips and apparently something happened and uh

1126
01:00:17,160 --> 01:00:18,800
Speaker 5: and I think he may have ended up winning the

1127
01:00:18,840 --> 01:00:21,880
Speaker 5: case or something like that, but I don't know. I

1128
01:00:21,920 --> 01:00:23,840
Speaker 5: got That's what I'm saying. Like I didn't want to

1129
01:00:24,080 --> 01:00:27,800
Speaker 5: click on too many videos because I knew I would

1130
01:00:27,840 --> 01:00:30,400
Speaker 5: get caught up and I wanted to prepare for today

1131
01:00:31,080 --> 01:00:36,080
Speaker 5: but but you best believed by Sunday, I'll know because

1132
01:00:36,800 --> 01:00:39,680
Speaker 5: this ship, this is the type of shit I'd be

1133
01:00:39,720 --> 01:00:44,280
Speaker 5: liking right up by the alley. So I'm gonna going

1134
01:00:44,360 --> 01:00:46,480
Speaker 5: to tell Spike. Hey, bro, we gotta talk about this ship.

1135
01:00:46,840 --> 01:00:48,640
Speaker 5: Make sure you follow this the mice solon if you

1136
01:00:48,640 --> 01:00:51,880
Speaker 5: don't Patreon. Apologies for the late delay. We got the

1137
01:00:51,920 --> 01:00:54,200
Speaker 5: audio out late, but the episode is up on Patreon

1138
01:00:54,320 --> 01:00:54,720
Speaker 5: right now.

1139
01:00:54,880 --> 01:00:57,080
Speaker 4: For everybody else, it would be out tomorrow.

1140
01:00:57,160 --> 01:00:58,840
Speaker 5: We got to make sure the Patriots get it first

1141
01:00:59,520 --> 01:01:03,360
Speaker 5: as all way, So uh anyway, but yeah, we'll definitely

1142
01:01:03,400 --> 01:01:04,040
Speaker 5: talk about.

1143
01:01:03,800 --> 01:01:05,080
Speaker 4: That on is the miight song.

1144
01:01:06,400 --> 01:01:07,720
Speaker 2: Public? You said?

1145
01:01:07,840 --> 01:01:08,560
Speaker 4: Something said?

1146
01:01:08,920 --> 01:01:12,720
Speaker 1: The A three point thirty said the police raided his

1147
01:01:12,800 --> 01:01:15,400
Speaker 1: house illegally, and he started making songs about all the

1148
01:01:15,440 --> 01:01:18,320
Speaker 1: officers involved, and they tried to suit him for defamation.

1149
01:01:18,520 --> 01:01:20,920
Speaker 2: He beat them in court for it.

1150
01:01:20,960 --> 01:01:21,320
Speaker 4: Today.

1151
01:01:22,280 --> 01:01:28,440
Speaker 3: Oh that's fucking dope. That's fucking dope. That's fucking dope.

1152
01:01:28,960 --> 01:01:32,680
Speaker 4: But oh yeah, yeah, look into it. But it seems

1153
01:01:32,720 --> 01:01:33,520
Speaker 4: like the story is.

1154
01:01:33,760 --> 01:01:35,920
Speaker 5: How he did it and how he went about it,

1155
01:01:36,280 --> 01:01:39,520
Speaker 5: because bro, it seemed like he was just black.

1156
01:01:41,120 --> 01:01:44,480
Speaker 4: I don't know, man, it seem like it's gonna be hilarious.

1157
01:01:45,200 --> 01:01:53,560
Speaker 5: Oh yeah, right, yes, and apparently he's still making music

1158
01:01:53,720 --> 01:01:55,120
Speaker 5: and apparently music is good.

1159
01:01:55,760 --> 01:01:57,200
Speaker 4: He's still dropping ship bro.

1160
01:01:59,040 --> 01:02:02,400
Speaker 5: Anyway sneaker on uh block O' Bunny Sausa album and

1161
01:02:02,480 --> 01:02:11,240
Speaker 5: coming from Jack Carlo would never do this ship yeah, bro,

1162
01:02:11,480 --> 01:02:12,440
Speaker 5: I swear to God if he.

1163
01:02:12,480 --> 01:02:14,320
Speaker 4: Does it, he really is tone deaf.

1164
01:02:16,280 --> 01:02:19,240
Speaker 5: Yeah, we already know he's tone deaf if you listen

1165
01:02:19,280 --> 01:02:23,640
Speaker 5: to the album Jabari Franklin five six too. Jack Carlo

1166
01:02:23,680 --> 01:02:26,520
Speaker 5: putting out this ship rebular. They needs more shine.

1167
01:02:26,800 --> 01:02:29,000
Speaker 2: And she's good, Yes, she is.

1168
01:02:29,320 --> 01:02:30,600
Speaker 4: She is really good.

1169
01:02:30,760 --> 01:02:31,640
Speaker 2: I did.

1170
01:02:31,760 --> 01:02:33,000
Speaker 4: Maybe she's cool with him.

1171
01:02:33,560 --> 01:02:35,000
Speaker 2: I've been up on that for I've been up on

1172
01:02:35,000 --> 01:02:36,000
Speaker 2: her for a long time.

1173
01:02:36,800 --> 01:02:38,320
Speaker 4: Me too, man, Hey she is?

1174
01:02:38,560 --> 01:02:46,840
Speaker 5: Yeah, yep, she gives me a Janet Jackson Bobs. Yeah,

1175
01:02:48,400 --> 01:02:53,120
Speaker 5: let's see what else we got? Uh Ken versus Hollow

1176
01:02:53,160 --> 01:02:54,760
Speaker 5: and Drake in the ring set it up.

1177
01:03:00,240 --> 01:03:05,280
Speaker 3: I paid you fifty for that.

1178
01:03:05,440 --> 01:03:09,720
Speaker 5: It's funny, Rod. Where were we having a conversation about

1179
01:03:09,840 --> 01:03:11,120
Speaker 5: Drake being corny?

1180
01:03:12,000 --> 01:03:12,880
Speaker 4: Was it is the Maie.

1181
01:03:12,680 --> 01:03:15,600
Speaker 2: Salon about him being corny?

1182
01:03:15,640 --> 01:03:19,160
Speaker 1: I feel like we had that conversation everywhere, but it

1183
01:03:19,200 --> 01:03:19,840
Speaker 1: was about.

1184
01:03:19,560 --> 01:03:24,640
Speaker 4: The early it was about so far gone, and it

1185
01:03:24,720 --> 01:03:25,160
Speaker 4: was it was.

1186
01:03:25,320 --> 01:03:27,200
Speaker 5: We were talking to Jalen about it, and I was like,

1187
01:03:27,920 --> 01:03:30,720
Speaker 5: because I remember because we were talking about him falling down,

1188
01:03:30,840 --> 01:03:32,080
Speaker 5: and I was like, he's doing all this ship.

1189
01:03:32,120 --> 01:03:34,160
Speaker 4: He's doing all this corny, goofy stupid ship.

1190
01:03:34,560 --> 01:03:37,240
Speaker 5: He needs to sit down because he's gonna mess things

1191
01:03:37,280 --> 01:03:38,000
Speaker 5: up for himself.

1192
01:03:38,680 --> 01:03:40,760
Speaker 4: And I remember I was telling people I remember him

1193
01:03:40,840 --> 01:03:42,360
Speaker 4: doing all that corny.

1194
01:03:42,040 --> 01:03:47,600
Speaker 5: Goofy stuff I saw on was it hip Hop d

1195
01:03:47,720 --> 01:03:52,439
Speaker 5: ets Today that Drake early on in the beginning wasn't

1196
01:03:52,480 --> 01:03:56,720
Speaker 5: allowed on Low Wayne's tour bus because he was because

1197
01:03:56,720 --> 01:04:02,840
Speaker 5: he was too corny. And Lane is what this so again?

1198
01:04:03,200 --> 01:04:04,760
Speaker 5: And I was like, see that's what I'm saying. I'd

1199
01:04:04,800 --> 01:04:06,440
Speaker 5: be saying this ship and I was like, I know,

1200
01:04:06,520 --> 01:04:08,680
Speaker 5: I remember this ship. And now they came out and

1201
01:04:08,720 --> 01:04:11,600
Speaker 5: confronted it. They said they didn't start really fucking with him,

1202
01:04:11,880 --> 01:04:15,240
Speaker 5: and this in the article until until he started selling

1203
01:04:15,280 --> 01:04:18,200
Speaker 5: millers of records, so until he was a benefit to him.

1204
01:04:18,400 --> 01:04:20,000
Speaker 5: But yeah, because they were saying that the people around

1205
01:04:20,080 --> 01:04:23,520
Speaker 5: Lowayne at that time there was like some some real dudes, bro,

1206
01:04:23,960 --> 01:04:32,680
Speaker 5: and they hit him this goofy ass motherfucker coming around Broll.

1207
01:04:30,120 --> 01:04:30,840
Speaker 2: Like we don't know this.

1208
01:04:31,080 --> 01:04:36,360
Speaker 4: He gonna tell yeah. So I thought that was interesting.

1209
01:04:36,400 --> 01:04:38,120
Speaker 5: I was like, damn, we were just talking about that ship,

1210
01:04:39,240 --> 01:04:44,000
Speaker 5: Uh Jabbari Franklin, m LP, Uncle Lele, mac Miller, Jack

1211
01:04:44,040 --> 01:04:48,200
Speaker 5: don't fit Nope, And most of the guys that make music,

1212
01:04:48,320 --> 01:04:51,680
Speaker 5: like like Jack Harlow, they do not stay around.

1213
01:04:51,760 --> 01:04:52,880
Speaker 4: The real will stay around.

1214
01:04:53,320 --> 01:04:55,040
Speaker 5: And the think about mac Miller we were talking about

1215
01:04:55,040 --> 01:04:57,720
Speaker 5: Matt Miller is that he came out just making white music.

1216
01:04:58,480 --> 01:05:00,600
Speaker 5: He never really tried to be any thing other than

1217
01:05:00,600 --> 01:05:03,240
Speaker 5: what he was Blue Slide Park, all the other stuff

1218
01:05:03,240 --> 01:05:05,640
Speaker 5: he was doing before that. The other guy that did

1219
01:05:05,720 --> 01:05:10,360
Speaker 5: uh Sleeping the Bread bread out as a roth, he's.

1220
01:05:10,240 --> 01:05:12,360
Speaker 4: Just making the music that he makes. He never tried

1221
01:05:12,360 --> 01:05:13,680
Speaker 4: to be anything other than what he was.

1222
01:05:13,880 --> 01:05:17,160
Speaker 5: So anyway, Alan Press Starr, y'all going to the jay

1223
01:05:17,240 --> 01:05:18,600
Speaker 5: Z concert in New York.

1224
01:05:20,680 --> 01:05:23,360
Speaker 3: You know what my budget set up? The dance is

1225
01:05:23,360 --> 01:05:23,919
Speaker 3: gonna be lope.

1226
01:05:25,880 --> 01:05:28,640
Speaker 1: I would like to obviously. I know Spike was talking

1227
01:05:28,640 --> 01:05:34,080
Speaker 1: about this on Is the Mice the Long but kem

1228
01:05:34,120 --> 01:05:37,400
Speaker 1: would just said he just announced being at the the

1229
01:05:37,480 --> 01:05:38,600
Speaker 1: Roots picnic.

1230
01:05:39,200 --> 01:05:45,560
Speaker 4: Yep yep, yep, so tickets too fitty something like that.

1231
01:05:46,400 --> 01:05:48,520
Speaker 2: According to the Roots of New York Concert.

1232
01:05:49,320 --> 01:05:51,160
Speaker 4: Oh, No, I didn't look at that one. Uh.

1233
01:05:51,440 --> 01:05:54,200
Speaker 5: I was just telling the ticket prices for the Roots picnic.

1234
01:05:56,960 --> 01:05:59,640
Speaker 5: So yeah, no, I'm not going damp House. Jim Crow

1235
01:05:59,680 --> 01:06:00,680
Speaker 5: Records was nuts.

1236
01:06:02,000 --> 01:06:07,600
Speaker 1: Bro brou.

1237
01:06:10,720 --> 01:06:12,440
Speaker 4: Hey, you know what, this is.

1238
01:06:12,400 --> 01:06:17,480
Speaker 5: The perfect skit for RDC World. And what's the other

1239
01:06:17,520 --> 01:06:18,560
Speaker 5: black guy? What's the black guy?

1240
01:06:18,640 --> 01:06:20,080
Speaker 4: Druski?

1241
01:06:20,800 --> 01:06:21,000
Speaker 2: Bro.

1242
01:06:21,360 --> 01:06:23,800
Speaker 4: If they ain't up on this, ARTC World gotta be

1243
01:06:23,880 --> 01:06:26,880
Speaker 4: up on this, Bro. They missing out. Bro, this is

1244
01:06:26,920 --> 01:06:27,400
Speaker 4: right up there.

1245
01:06:27,440 --> 01:06:32,560
Speaker 5: Alley Jonathan and nandez Ya announced a one night only

1246
01:06:32,640 --> 01:06:35,760
Speaker 5: concert at so Far the Q got so busy at

1247
01:06:35,760 --> 01:06:36,760
Speaker 5: one point it was.

1248
01:06:36,720 --> 01:06:39,000
Speaker 4: Said to have had one million people.

1249
01:06:39,960 --> 01:06:43,080
Speaker 5: Another show was added for the Wednesday before thoughts Yay

1250
01:06:43,200 --> 01:06:43,960
Speaker 5: still got it.

1251
01:06:44,440 --> 01:06:46,920
Speaker 1: That's what I was saying. That's what I was saying

1252
01:06:47,000 --> 01:06:48,840
Speaker 1: when we were talking about who fell off the most.

1253
01:06:48,880 --> 01:06:50,000
Speaker 1: I saw that headline.

1254
01:06:50,080 --> 01:06:51,440
Speaker 2: I'm like, godlive man, this.

1255
01:06:51,600 --> 01:06:56,720
Speaker 1: Dude, dude, you can't lose like you still got.

1256
01:06:56,480 --> 01:06:59,040
Speaker 4: This cult follower too big to fail?

1257
01:07:00,440 --> 01:07:02,880
Speaker 2: He is he basically too big to fail.

1258
01:07:04,160 --> 01:07:08,920
Speaker 5: He's been canceled and not canceled, which is crazy.

1259
01:07:09,200 --> 01:07:11,320
Speaker 4: Yeah, people don't care.

1260
01:07:11,360 --> 01:07:15,200
Speaker 5: And the thing about Yay is that, you know, maybe

1261
01:07:15,200 --> 01:07:17,960
Speaker 5: that was a misreading of everything that was happening, but

1262
01:07:18,720 --> 01:07:19,280
Speaker 5: I don't think so.

1263
01:07:19,960 --> 01:07:21,720
Speaker 4: It's following never left.

1264
01:07:21,920 --> 01:07:23,840
Speaker 2: That was the thing, you know, And you know what

1265
01:07:24,040 --> 01:07:26,640
Speaker 2: Kanye is really good at. He's really good at apologizing.

1266
01:07:27,920 --> 01:07:30,400
Speaker 1: He'll he'll apologize, and he'll come back out into some

1267
01:07:30,440 --> 01:07:32,520
Speaker 1: other dumb shit and the apologize for that and they

1268
01:07:32,560 --> 01:07:34,000
Speaker 1: come back out and do some other dumb shit.

1269
01:07:34,120 --> 01:07:36,760
Speaker 2: So it's just like he keeps pulling people back in.

1270
01:07:38,840 --> 01:07:44,480
Speaker 5: Yep, acknowledge, apologize, act, overreact.

1271
01:07:45,360 --> 01:07:46,400
Speaker 4: I heard that on.

1272
01:07:48,240 --> 01:07:50,720
Speaker 5: The Best One Yet, which is a finance podcast, The

1273
01:07:50,840 --> 01:07:53,240
Speaker 5: Really really Dope t Boy. Yeah, but they said that

1274
01:07:53,240 --> 01:07:58,320
Speaker 5: that's how you handle controversy, Larussell, Jack Carlow. You acknowledge it,

1275
01:07:59,240 --> 01:08:03,880
Speaker 5: you apolog jobs, and then you act. And then they

1276
01:08:03,920 --> 01:08:07,680
Speaker 5: said you go a four step? Is you over act?

1277
01:08:07,960 --> 01:08:08,200
Speaker 4: You know?

1278
01:08:09,280 --> 01:08:13,280
Speaker 5: And yeah, you're right, he fuck up, he apologized. Yeah,

1279
01:08:13,280 --> 01:08:18,120
Speaker 5: I think that is the psycho ride. But yeah, like

1280
01:08:18,320 --> 01:08:20,400
Speaker 5: black people got fed up and pissed off with him.

1281
01:08:20,400 --> 01:08:22,479
Speaker 5: There were a lot of thing pieces and articles and

1282
01:08:22,520 --> 01:08:26,479
Speaker 5: conversations had about him, but it's fan base them. They

1283
01:08:26,640 --> 01:08:31,719
Speaker 5: never fucking left. They really didn't care. So it's interesting.

1284
01:08:32,280 --> 01:08:39,240
Speaker 5: It's really interesting. Johnna than Hernandez Top three spit Horrific

1285
01:08:39,439 --> 01:08:40,840
Speaker 5: rappers ranked.

1286
01:08:42,560 --> 01:08:45,439
Speaker 4: Hmmm, save that.

1287
01:08:45,560 --> 01:08:47,719
Speaker 3: Okay, I think this content.

1288
01:08:48,960 --> 01:08:53,160
Speaker 5: Let me put it on the hold on pod top three. Yeah,

1289
01:08:59,000 --> 01:09:02,240
Speaker 5: maybe I should just create, uh share a note that

1290
01:09:02,439 --> 01:09:03,840
Speaker 5: we can just drop stuff in there.

1291
01:09:03,920 --> 01:09:06,800
Speaker 4: Okay, all right, we got you.

1292
01:09:10,040 --> 01:09:12,719
Speaker 5: Ken Fifa wasn't a right when I said too Slimy

1293
01:09:12,840 --> 01:09:16,760
Speaker 5: makes Uzzi's sound like nas. He was on Playboy Matt

1294
01:09:16,880 --> 01:09:19,200
Speaker 5: Song Wars Show and the judges game is zero for

1295
01:09:19,360 --> 01:09:22,799
Speaker 5: his music. He left the competition before his final versic.

1296
01:09:23,439 --> 01:09:26,600
Speaker 5: Mm hmm, so yes, you were right. We do have

1297
01:09:26,640 --> 01:09:29,880
Speaker 5: a reaction to that that should be coming out soon.

1298
01:09:32,160 --> 01:09:34,479
Speaker 4: But if you guys saw and it is, I think

1299
01:09:34,479 --> 01:09:34,880
Speaker 4: you may.

1300
01:09:34,720 --> 01:09:42,080
Speaker 5: Have solved the our reaction on the on Patreon, yeah

1301
01:09:42,200 --> 01:09:45,040
Speaker 5: it was. He's not good.

1302
01:09:45,160 --> 01:09:47,479
Speaker 4: Rob you you you got lucky?

1303
01:09:51,160 --> 01:09:54,559
Speaker 5: Yeah, underground Cipher and and again I'm saying that guys

1304
01:09:54,680 --> 01:09:57,120
Speaker 5: like that, and I said it on that on that

1305
01:09:57,120 --> 01:09:59,080
Speaker 5: that video that live that we did that night.

1306
01:10:01,920 --> 01:10:05,920
Speaker 4: Hip hop media publications like that are a problem for

1307
01:10:06,120 --> 01:10:06,960
Speaker 4: the industry.

1308
01:10:08,120 --> 01:10:11,160
Speaker 5: They're a problem for the culture because they just let

1309
01:10:11,200 --> 01:10:15,559
Speaker 5: anybody come over there, probably for a check, that are

1310
01:10:15,600 --> 01:10:18,800
Speaker 5: not even really serious about it. The most concerning thing

1311
01:10:18,840 --> 01:10:21,320
Speaker 5: I have about this play this guy too Slim is

1312
01:10:21,360 --> 01:10:23,559
Speaker 5: that he actually thinks the music sounds good. So to

1313
01:10:23,640 --> 01:10:26,200
Speaker 5: the point where he left he was offended that he

1314
01:10:26,280 --> 01:10:30,160
Speaker 5: got a zero. He's like, like, Bro, you got to

1315
01:10:30,240 --> 01:10:34,280
Speaker 5: know your ship is not good. But again, like when

1316
01:10:34,320 --> 01:10:36,240
Speaker 5: I was getting cussed out and yelled at by everybody,

1317
01:10:36,200 --> 01:10:38,280
Speaker 5: and I was like, we lower the standards then we

1318
01:10:38,360 --> 01:10:41,160
Speaker 5: got anybody coming in making anything, and we have to

1319
01:10:41,200 --> 01:10:43,240
Speaker 5: make sure that we keep this shit up to a

1320
01:10:43,240 --> 01:10:48,120
Speaker 5: certain par And here we are, here we are.

1321
01:10:48,640 --> 01:10:49,439
Speaker 4: But what do I know?

1322
01:10:50,439 --> 01:10:52,920
Speaker 5: But yeah, I'm telling y'all those guys like that that

1323
01:10:53,080 --> 01:10:58,439
Speaker 5: underground soul no jumper, and there's some other ones out

1324
01:10:58,479 --> 01:11:01,000
Speaker 5: there that are not in it or the purent for

1325
01:11:01,120 --> 01:11:01,639
Speaker 5: the culture.

1326
01:11:02,080 --> 01:11:07,720
Speaker 4: They're a problem. Y'all. Think Jack Harlow is heaven sent Rob,

1327
01:11:07,760 --> 01:11:08,680
Speaker 4: You're hilarious.

1328
01:11:09,680 --> 01:11:09,840
Speaker 1: Uh.

1329
01:11:10,720 --> 01:11:15,920
Speaker 5: Larrussell definitely does. Larussell would defend him too. He would

1330
01:11:16,000 --> 01:11:16,840
Speaker 5: do some shit like that.

1331
01:11:17,240 --> 01:11:17,360
Speaker 1: Bro.

1332
01:11:17,520 --> 01:11:19,160
Speaker 4: Don't let it come out that l Russell been a

1333
01:11:19,200 --> 01:11:23,080
Speaker 4: fake this whole time. Mm hmm. I'm not saying that

1334
01:11:23,120 --> 01:11:24,479
Speaker 4: he is because I've seen it.

1335
01:11:24,680 --> 01:11:27,640
Speaker 3: Stop paying all the Russell man stop paying.

1336
01:11:28,040 --> 01:11:35,800
Speaker 4: Hey, that's another one Rod problem, all the Russell bro.

1337
01:11:36,280 --> 01:11:41,200
Speaker 4: Somebody likes it for his music. Bro, They like him

1338
01:11:41,240 --> 01:11:45,920
Speaker 4: for what they think he can do for them. That's it.

1339
01:11:47,160 --> 01:11:51,360
Speaker 5: I'm telling you, that's what it is. He's a benefit

1340
01:11:51,720 --> 01:11:52,160
Speaker 5: to them.

1341
01:11:52,200 --> 01:11:55,360
Speaker 1: But anyway, shout out to Rob for being a member

1342
01:11:55,400 --> 01:11:56,599
Speaker 1: of forty four months.

1343
01:11:56,760 --> 01:11:58,200
Speaker 3: I know that's crazy.

1344
01:11:58,520 --> 01:12:00,599
Speaker 4: Yeah, we appreciate that, real for real.

1345
01:12:01,400 --> 01:12:04,000
Speaker 5: Why forever mac Miller and Paul Wall the only right

1346
01:12:04,080 --> 01:12:06,719
Speaker 5: rappers to never have a hate train on them anyone else?

1347
01:12:12,280 --> 01:12:12,479
Speaker 1: Yeah?

1348
01:12:14,040 --> 01:12:15,240
Speaker 3: Do you think he had a hate train?

1349
01:12:16,280 --> 01:12:17,000
Speaker 1: He hadn't.

1350
01:12:17,640 --> 01:12:21,760
Speaker 3: No, you never have Okay, I didn't see that nothing.

1351
01:12:22,680 --> 01:12:24,599
Speaker 4: I think help has been pretty safe.

1352
01:12:26,000 --> 01:12:29,400
Speaker 3: I think Alchemists, I think nobody ever had the Alchemists.

1353
01:12:30,120 --> 01:12:31,080
Speaker 2: Alchemist is good.

1354
01:12:31,080 --> 01:12:33,639
Speaker 4: Alchemist is a good one. Alchemis is a really good one. Bro.

1355
01:12:35,040 --> 01:12:36,559
Speaker 3: Oh, he never been hated all.

1356
01:12:38,479 --> 01:12:42,799
Speaker 4: Asap rock, that's rock. I think he hasn't.

1357
01:12:44,200 --> 01:12:45,040
Speaker 1: He's been in the clear.

1358
01:12:47,600 --> 01:12:50,840
Speaker 4: Ashton Bronson had some hate throwing on him he did.

1359
01:12:51,600 --> 01:12:55,000
Speaker 3: What was it because because of his race though, or

1360
01:12:55,000 --> 01:12:57,360
Speaker 3: because it was once.

1361
01:12:57,200 --> 01:12:59,960
Speaker 1: Method man finally spoke up about it, man, like you said,

1362
01:13:00,240 --> 01:13:02,920
Speaker 1: my cadence and all that, Like yeah, yeah, like that

1363
01:13:02,920 --> 01:13:03,919
Speaker 1: that's when it happened.

1364
01:13:04,800 --> 01:13:09,120
Speaker 4: I don't think your old Drew was hated, but there.

1365
01:13:09,040 --> 01:13:12,719
Speaker 5: Was definitely a a thing with him for a minute,

1366
01:13:13,160 --> 01:13:14,160
Speaker 5: with the whole nods thing.

1367
01:13:15,200 --> 01:13:16,760
Speaker 2: Evidence is a good one. I don't know if y'all

1368
01:13:16,760 --> 01:13:17,640
Speaker 2: said that already.

1369
01:13:18,600 --> 01:13:24,080
Speaker 4: M M yeah, yeah, uh all right.

1370
01:13:24,200 --> 01:13:26,519
Speaker 5: And the last one because I think I got all

1371
01:13:26,560 --> 01:13:29,160
Speaker 5: the ones I missed shout out to damn it.

1372
01:13:29,240 --> 01:13:32,120
Speaker 4: Somebody told me that in the in the chat and

1373
01:13:32,160 --> 01:13:32,800
Speaker 4: I went back in.

1374
01:13:32,760 --> 01:13:34,679
Speaker 1: T' about the ones that was there before we started.

1375
01:13:35,760 --> 01:13:36,680
Speaker 4: Yeah, I forgot it.

1376
01:13:36,720 --> 01:13:40,080
Speaker 5: Does that when we go live, it kind of resets them,

1377
01:13:40,200 --> 01:13:41,920
Speaker 5: unstars them and push them up.

1378
01:13:42,840 --> 01:13:47,719
Speaker 4: They get they'll get missed. Why forever are there songs

1379
01:13:47,720 --> 01:13:51,960
Speaker 4: that y'all hated then? But love now for me? Jay

1380
01:13:52,000 --> 01:13:54,519
Speaker 4: and Drake's off that and Yay's on site.

1381
01:13:55,320 --> 01:13:56,320
Speaker 2: We did a video on that.

1382
01:13:57,880 --> 01:14:01,840
Speaker 1: We did, Yeah, that we might the stuff we misunderstood,

1383
01:14:01,920 --> 01:14:05,920
Speaker 1: like music that we misunderstood. We recently did that at

1384
01:14:05,920 --> 01:14:14,760
Speaker 1: the studio. Hold On, that's his title, hold On let

1385
01:14:14,760 --> 01:14:15,160
Speaker 1: me see.

1386
01:14:18,479 --> 01:14:20,160
Speaker 5: I feel like I got one and I think it

1387
01:14:20,720 --> 01:14:21,920
Speaker 5: might be from watching the Throne.

1388
01:14:24,120 --> 01:14:26,840
Speaker 1: Yeah, rappers, we misunderstood part one because we said we

1389
01:14:26,880 --> 01:14:29,519
Speaker 1: were gonna do another one. It was five months ago.

1390
01:14:32,280 --> 01:14:35,360
Speaker 1: Mm hmm, yeah rappers. Yeah, it was a is a

1391
01:14:35,640 --> 01:14:37,160
Speaker 1: is a hip that a hip hop conversation.

1392
01:14:38,080 --> 01:14:40,840
Speaker 3: Well, you know what, forever, I think it's time for

1393
01:14:40,920 --> 01:14:41,320
Speaker 3: part two.

1394
01:14:41,320 --> 01:14:45,000
Speaker 5: Appreciate you, hm and I think as Rocky had a

1395
01:14:45,080 --> 01:14:48,639
Speaker 5: joint that I didn't like, uh that I came around

1396
01:14:48,720 --> 01:14:53,439
Speaker 5: on too. He's actually coming to Atlanta June eleven, uh

1397
01:14:55,439 --> 01:14:58,439
Speaker 5: State Farm Marena. I was trying to find a song

1398
01:14:59,360 --> 01:15:03,200
Speaker 5: but I cannot. But yeah, I think there's a song

1399
01:15:03,240 --> 01:15:06,680
Speaker 5: gonna Watch the Throne that I didn't like, but I

1400
01:15:06,800 --> 01:15:19,880
Speaker 5: like now oh yeah, yeah, I can't think hold on,

1401
01:15:20,040 --> 01:15:21,559
Speaker 5: let me see, but that that was the last one.

1402
01:15:21,600 --> 01:15:22,919
Speaker 5: I'm gonna say. If I can find.

1403
01:15:22,720 --> 01:15:25,000
Speaker 1: It, it's gonna be like it's gonna be that when

1404
01:15:25,000 --> 01:15:26,880
Speaker 1: you would listen to that J Elect J and.

1405
01:15:26,920 --> 01:15:28,479
Speaker 2: Elect album again.

1406
01:15:33,200 --> 01:15:39,320
Speaker 1: Yeah, but all right, man, look we're That was the

1407
01:15:39,400 --> 01:15:41,000
Speaker 1: end of the super Chest. I think Ken is still

1408
01:15:41,000 --> 01:15:42,080
Speaker 1: thinking about something.

1409
01:15:42,160 --> 01:15:46,880
Speaker 5: So that song but I can find it got you.

1410
01:15:47,240 --> 01:15:49,479
Speaker 1: I did see somebody saying the chat like, yo, where's

1411
01:15:49,520 --> 01:15:52,880
Speaker 1: the hundred albums of the of the.

1412
01:15:54,080 --> 01:15:56,639
Speaker 2: Of All Times video? Like I said, we're still working

1413
01:15:56,640 --> 01:15:56,880
Speaker 2: on that.

1414
01:15:56,960 --> 01:15:59,400
Speaker 1: It's just you know, kind of coordinating schedules with b

1415
01:15:59,800 --> 01:16:03,240
Speaker 1: And and Mike so we can kind of close that out.

1416
01:16:03,680 --> 01:16:06,000
Speaker 1: We pretty much got all the albums that's gonna go

1417
01:16:06,080 --> 01:16:08,200
Speaker 1: into it, and right right now we're in the ordering

1418
01:16:08,320 --> 01:16:14,040
Speaker 1: process of those albums, so and now we're looking to

1419
01:16:14,040 --> 01:16:17,520
Speaker 1: have that out by midyear is what I think Ken

1420
01:16:18,040 --> 01:16:21,040
Speaker 1: has kind of discussed as a timeline to try to

1421
01:16:21,080 --> 01:16:21,559
Speaker 1: get that out.

1422
01:16:21,600 --> 01:16:23,920
Speaker 2: So definitely be looking at that for around that time.

1423
01:16:24,800 --> 01:16:26,879
Speaker 1: As we said, yeah, we we do have the footage

1424
01:16:26,880 --> 01:16:28,800
Speaker 1: that will be released, but obviously it's gonna go to

1425
01:16:28,800 --> 01:16:31,839
Speaker 1: the Patreons first, so make sure you become a Patreon

1426
01:16:31,920 --> 01:16:35,360
Speaker 1: supporter from when that form when that content is released.

1427
01:16:36,439 --> 01:16:38,240
Speaker 2: But yeah, man, it's definitely still in the way.

1428
01:16:39,920 --> 01:16:43,120
Speaker 1: Anything else that we got going on. As I said

1429
01:16:43,120 --> 01:16:44,599
Speaker 1: at the top of the show, you don't look out

1430
01:16:44,600 --> 01:16:47,800
Speaker 1: for the podcast episodes that we do. Those an hour

1431
01:16:47,880 --> 01:16:50,720
Speaker 1: plus long podcast. It's talking about hip hop, different type

1432
01:16:50,720 --> 01:16:53,800
Speaker 1: of hip hop. Ship. Like I said, we discussed the

1433
01:16:53,880 --> 01:16:56,679
Speaker 1: Russell situation and some other things on there.

1434
01:16:58,200 --> 01:16:59,559
Speaker 2: So yeah, you don't look out for that.

1435
01:17:00,160 --> 01:17:02,240
Speaker 1: And am I missing anything.

1436
01:17:02,000 --> 01:17:02,560
Speaker 4: Y'all.

1437
01:17:05,320 --> 01:17:08,160
Speaker 5: Nothing, I know it, but it's not. I'm the illest

1438
01:17:08,280 --> 01:17:13,479
Speaker 5: mL or alive. That's not the one we Yeah, so

1439
01:17:15,040 --> 01:17:20,960
Speaker 5: what is Rob talking about? But but yeah, we should do.

1440
01:17:23,320 --> 01:17:24,920
Speaker 4: Well. I ain't gonna say I don't hear somebody might

1441
01:17:24,960 --> 01:17:25,200
Speaker 4: take that.

1442
01:17:25,240 --> 01:17:30,160
Speaker 5: Okay, all right, taking that stuff bro.

1443
01:17:30,520 --> 01:17:33,519
Speaker 1: Cool cool, But anyway, man, thank y'all as always for

1444
01:17:33,600 --> 01:17:38,000
Speaker 1: tuning in to these lives every Wednesday night pm easton

1445
01:17:38,080 --> 01:17:40,400
Speaker 1: stead of the time. As I say, if you want

1446
01:17:40,439 --> 01:17:42,360
Speaker 1: your voice to be heard on the show, definitely make

1447
01:17:42,360 --> 01:17:43,880
Speaker 1: sure you're there on time so you can.

1448
01:17:43,720 --> 01:17:47,360
Speaker 2: Get your super chat in. Uh so we can make

1449
01:17:47,400 --> 01:17:48,320
Speaker 2: your voice be heard.

1450
01:17:48,479 --> 01:17:52,640
Speaker 1: But to everybody that's you know, members, Patreon, supporters and

1451
01:17:52,840 --> 01:17:56,519
Speaker 1: just tuning in to us consistently, man, thank y'all for

1452
01:17:56,600 --> 01:17:59,439
Speaker 1: youall loyalty and your dedication to Denny hip Hop after

1453
01:17:59,520 --> 01:18:03,400
Speaker 1: all of these years. It's greatly appreciated. We will not

1454
01:18:03,560 --> 01:18:05,280
Speaker 1: stop go keep the stay going.

1455
01:18:05,120 --> 01:18:06,160
Speaker 2: One way or another, man.

1456
01:18:06,320 --> 01:18:08,360
Speaker 1: So so we see you guys next time.

1457
01:18:08,520 --> 01:18:08,840
Speaker 2: Peace.

1458
01:18:09,840 --> 01:18:10,120
Speaker 4: Peace,