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Speaker 1: Yeah, yo, yo yo, what to do? What to do?

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Speaker 1: Two minutes early? Oh we two minutes early? Yeah?

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Speaker 2: Okay, so we know which is yeah, I see time.

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Speaker 2: We're extremely on time.

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Speaker 1: We make it up of the time we were like

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Speaker 1: ten minutes late.

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Speaker 3: Right right man.

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Speaker 2: But look, as y'all see, the title of today's live

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Speaker 2: is Tyler the Creator's Joint. Don't tap the glass. Look,

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Speaker 2: we're not gonna get into it yet. We'll let people

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Speaker 2: matriculate in, but we do have a request from y'all

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Speaker 2: please keep the supertats to the project, and we're gonna

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Speaker 2: give you to nine fifteen to get those joints in.

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Speaker 1: All right, So superchats will.

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Speaker 2: Close at nine fifteen PM, so get them in, and

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Speaker 2: only the album supertats are the ones that we are

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Speaker 2: going to be responding to.

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Speaker 4: But if they do have a topic suggestion, y'all can

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Speaker 4: send those in for us to.

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Speaker 1: Do a video a later. Yes, so, but.

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Speaker 2: No questions of you know, what do we think of

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Speaker 2: Drake saying UK rappers are better than America?

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Speaker 1: That yeah, he did.

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Speaker 2: But we're not We're not gonna answer that type of

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Speaker 2: stuff today. It's not a regular live, it's not a rundown.

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Speaker 3: It is an album review, you know what I'm saying, So.

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Speaker 2: Tyler the Creator, don't tap the glass, shout out D

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Speaker 2: three sixty five. It's coming back officially August first. You know,

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Speaker 2: Patreons get it first, so if you're a Patren, you're

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Speaker 2: gonna get all of the inventory that me and Can't

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Speaker 2: have been stockpiling. Also, every Monday around six o'clockish, you know,

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Speaker 2: we are doing a live review on Twitch and we're

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Speaker 2: playing two of our favorite songs from that project.

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Speaker 3: So definitely tap in because D three sixty Vibe is

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Speaker 3: back with a vengeance.

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Speaker 2: Also, the request line we just did slum Village Detroit,

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Speaker 2: Deli shut out Busy Foux thirty Detroit versus everybody. He

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Speaker 2: played us an intro that's not on streaming or even iTunes.

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Speaker 2: You had to get the physical copy, you know, back

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Speaker 2: in the day, that's the only way you can listen

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Speaker 2: to music. But he just played us the intro, which

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Speaker 2: was crazy, but Patreon exclusive, you know what I'm saying.

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Speaker 2: So if you are at the nomination level, you can

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Speaker 2: nominate any album and the rest of the Patreons get

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Speaker 2: to vote on it and then we will review that

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Speaker 2: for you. Now, if you are one of those people,

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Speaker 2: or you decide to sign up for Patreon and become

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Speaker 2: one of those people at the nomination level, and you nominate.

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Speaker 3: A project, let us know why you picked it.

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Speaker 1: You know what I'm saying.

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Speaker 2: We're going to read out your comment inside of that review.

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Speaker 2: So again, we appreciate everybody.

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Speaker 1: And man, look let's.

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Speaker 3: Jump right into it. Man, Tyler the Creator, don't tap

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Speaker 3: the glass now.

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Speaker 1: Dropped it on a Monday.

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Speaker 3: Dropped it on Monday. Yeah, you know what I'm saying,

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Speaker 3: off schedule. You know, he said, I'll do what the

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Speaker 3: funk I want to do.

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Speaker 1: And he's always he's always had that energy.

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Speaker 3: Yeah, yeah, he's always had the energy that was loaded.

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Speaker 1: Always.

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Speaker 3: Let me let me ask y'all.

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Speaker 2: But did you expect a Tyler project so soon after

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Speaker 2: the last one he just dropped Chromo Coopia?

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Speaker 1: I didn't. I didn't expect that.

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Speaker 5: And I heard he heard if I heard that he

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Speaker 5: did this while he was on tour or something like that, correctly, Yeah,

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Speaker 5: I saw somebody saying that he created this album while

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Speaker 5: on tour, but no, I didn't. I mean, I'm not

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Speaker 5: mad at I like tylerand creator and I like what

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Speaker 5: he's been doing. Creatively lately because I was high on

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Speaker 5: Chrome Chromocopia, yeah or whatnot.

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Speaker 1: But I think we were. I think, yeah, it.

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Speaker 3: Was my top Yeah, and I put it ahead of gn.

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Speaker 5: X, yeah, I mean, but I mean technically, technically, I mean,

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Speaker 5: he dropped the new project this year, like it's he's

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Speaker 5: done it in less than a year's time. Yeah, But

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Speaker 5: Chromokope was twenty twenty four, so so I mean it's

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Speaker 5: a twenty twenty five album. I mean, yeah, we a

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Speaker 5: little bit past mid year at this point, right, yeah, yeah.

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Speaker 3: But typically he takes longer than a year. Typically he

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Speaker 3: took some time off.

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Speaker 4: Yeah, but he's motivated though, Yeah, yeah, that's what it

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Speaker 4: sounds like.

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Speaker 5: You're motivated. He's motivated right now. And that's what this

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Speaker 5: project sound like. It sounds like he was motivated and

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Speaker 5: like it sounds like he was like on tour he

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Speaker 5: got because it sounded like a like a tour type

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Speaker 5: of album.

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Speaker 4: Yeah, he's he got inspired. That's why you got it.

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Speaker 4: Got an album earlier than usual because of his source

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Speaker 4: of inspiration.

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Speaker 2: Yeah, so I want to I want to go back

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Speaker 2: into what you were saying, and it sounded like a

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Speaker 2: tour album, Like for me, it just it had a

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Speaker 2: different level of energy right, Like this felt very fun.

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Speaker 3: It didn't feel.

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Speaker 2: As direct or concise like Chromocopia Like that felt like

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Speaker 2: a direction that felt like I'm being artistic, like yeah,

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Speaker 2: like this has.

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Speaker 3: To be perfect.

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Speaker 2: Like this just felt like, Nigga, this is how I

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Speaker 2: feel right now.

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Speaker 5: That's absolutely what he did on Chromo Kobe. I don't

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Speaker 5: know if you saw like the behind the scenes for that,

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Speaker 5: No I didn't. Oh man, Yeah he was like he

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Speaker 5: was changing stuff here. He had little drums and sounds

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Speaker 5: very yeah, very attention. With this one, it just feels

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Speaker 5: like he just it is hyped. Yeah, turned to beat,

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Speaker 5: like turn the beat up.

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Speaker 1: I want this.

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Speaker 6: I for this thing, like had the little symphy sound

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Speaker 6: to it.

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Speaker 1: He produced it all. Oh really yeah yeah wow yeah yeah.

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Speaker 2: His producer bag and credit is.

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Speaker 1: Just going up. You know what I'm saying, Like because

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Speaker 1: I know he did a did he do all of

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Speaker 1: Chromo Kobia too? Yeah? Pretty much.

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Speaker 6: I think he had elements from Hell.

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Speaker 1: He over everything. Remember I.

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Speaker 2: Said that that album felt like a lot like My

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Speaker 2: Beautiful Dark Tess The Fantasy because of what Kanye.

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Speaker 1: Did with that.

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Speaker 2: But this man, like this, when I turned to know,

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Speaker 2: I was like, did I need this Tyler project? No? Am,

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Speaker 2: I glad that I got this Tyler project. I'm cool

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Speaker 2: with it, you know what I'm saying, because Ken, like

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Speaker 2: you said, I do feel he does sound like he's motivated.

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Speaker 2: I feel like at this point, Tyler feels like he

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Speaker 2: is one of those pioneer is not the right word,

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Speaker 2: but he is one of those guys that you know

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Speaker 2: sets a sets a level of expectation for hip hop

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Speaker 2: in general, you know what I'm saying.

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Speaker 3: Like he's elevated to that level now. So I feel

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Speaker 3: like that's.

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Speaker 2: The source inspiration to be Like, bro, I could do

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Speaker 2: whatever I want, and I do it at a higher

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Speaker 2: level than ninety five percent of everybody that's doing it

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Speaker 2: and like it. To me, this is just like a

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Speaker 2: big fuck you to everybody. You know what I'm saying, Like,

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Speaker 2: y'all niggas think you nice, Now I'm nicer than you.

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Speaker 2: I could make the hype shit that you know, the

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Speaker 2: young'ins want to party and vibe to.

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Speaker 3: I can make you.

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Speaker 2: Know, the chromocopius for older cats like us that you

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Speaker 2: know dive been to the music and appreciate the nuance.

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Speaker 3: So I feel like Tyler is just really just expanding

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Speaker 3: his bag as an artist, overall, producer, rapper, everything, and

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Speaker 3: this was just it was a fun listen. Bro.

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Speaker 6: Yeah, yeah, I think everything. I think Igor changed everything.

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Speaker 5: Like I think after that he just was just free,

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Speaker 5: like just free to do just play with more sounds

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Speaker 5: because our future had a sound. Right, it was different

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Speaker 5: because he said he's because I think he said on

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Speaker 5: this ap He's like, I've always been weird with hell

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Speaker 5: you're talking about, like, and I agree with that.

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Speaker 1: He always been just kind of out there and weird.

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Speaker 5: But it's still but our future days did have a sound.

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Speaker 5: Now he's exploring with all types of things or whatever.

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Speaker 5: Like like the one thing I'm noticing just throughout now

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Speaker 5: is like he likes fucking trying to sing. Yeah, that's

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Speaker 5: like his thing now.

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Speaker 6: Like at first when I first when he first started

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Speaker 6: doing I was like.

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Speaker 1: Oh man, why are you doing that? Because I want

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Speaker 1: to hear I want to hear Tyler rap rap rap

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Speaker 1: rap rap.

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Speaker 5: But I like that he that he just kind of

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Speaker 5: explores and just tries to sing and have melodies hearing

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Speaker 5: there or whatever.

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Speaker 1: I liked it on Igor. I liked it on Sorry.

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Speaker 1: Uh if you get lost? Is it like fly Boy

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Speaker 1: fly Boy.

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Speaker 5: Yeah, yeah, but I feel like he really went there

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Speaker 5: with igor really or whatever. Yeah, yeah, he really went

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Speaker 5: there with Ego with the singing stuff or whatever. But

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Speaker 5: because it was mainly that honestly or whatever and the

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Speaker 5: sounds and everything, So yes, something to say, okay, but

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Speaker 5: now so yeah, I like that he just sounds very

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Speaker 5: like creatively free.

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Speaker 1: Like you said, he don't really.

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Speaker 5: Care like and and like you either hate it or

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Speaker 5: you love it or somewhere in the middle. But at

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Speaker 5: the end of the day, you can't say that he's

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Speaker 5: just not what he's not doing, what he just wants

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Speaker 5: to do creatively without anybody.

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Speaker 3: Can't box the men.

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Speaker 1: Can't box the men. One thing I did.

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Speaker 5: Notice on here was that he must have been listening

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Speaker 5: to some boss Man d lo because he kept saying

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Speaker 5: that ship.

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Speaker 1: Boss Man d low Man.

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Speaker 5: He said that like every track, so he definitely been

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Speaker 5: listening to some hype boss Man Dealo.

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Speaker 1: Shit. He had to be had had to be real quick.

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Speaker 3: Y'all got eight minutes.

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Speaker 1: Uh.

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Speaker 2: Super chats will be closed at nine fifteen. Please keep

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Speaker 2: the super chats to the album, this particular album, or

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Speaker 2: or super chats for future videos that we could do

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Speaker 2: conversations on or shorts or other type of content, but

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Speaker 2: please try to keep it to this particular project.

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Speaker 5: Yeah, thirty, I like it real quick. I like what

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Speaker 5: on Big Poe. I like how you used for Real

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Speaker 5: on that. I like howh Rell sounded ye, how Guy's

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Speaker 5: inflections were on the rhyme in or what on that Like.

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Speaker 5: I don't know, I just liked how you sound on that.

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Speaker 5: I've never heard him sound like that. Oh no, no,

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Speaker 5: I'm lying.

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Speaker 1: What's that? What's the one song?

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Speaker 5: It comes to me?

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Speaker 1: But it's a song that he kind of sounded like.

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Speaker 7: That before, you said, because I know you mentioned about

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Speaker 7: like something about for Real's beats being Oh, so that's

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Speaker 7: I was curious with.

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Speaker 1: Saying that like man were Real should have so uh they.

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Speaker 5: Said, right, like for Rell again, y'all y'all, wow, I

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Speaker 5: love I was gonna say something, but I'm glad the

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Speaker 5: chat got me.

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Speaker 4: It was it was definitely like, I like that the

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Speaker 4: way for Real sound I was like, it did sound

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Speaker 4: like it before. So just a little back round on this,

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Speaker 4: uh from for Real for re ship Tyler himself. He

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Speaker 4: posted this on Twitter first. He said that on Twitter

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Speaker 4: as well. He said, if you like it.

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Speaker 1: You like it.

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Speaker 4: If you don't, you don't, it's fine, which I thought

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Speaker 4: was funny. I sent y'all that he didn't say some.

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Speaker 6: Stuff about it for really he caught up something.

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Speaker 1: He caught up.

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Speaker 4: Yeah, yeah, yeah, you know, yeah, yeah, that's that's that's

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Speaker 4: where I got that statement front. It was like, man,

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Speaker 4: y'all always do this ship. He said, you like it,

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Speaker 4: you like it? He don't, It's fine, uh, he said.

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Speaker 1: He asked him.

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Speaker 3: I'm not gonna read all of this, but he said.

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Speaker 4: He asked some friends while they don't dance in public,

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Speaker 4: and some said because of the fear of being filmed.

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Speaker 4: I thought, damn, a natural form of expression and a

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Speaker 4: certain connection they have with music is now a ghost.

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Speaker 4: And then maybe wonder how much of our human spirit

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Speaker 4: got killed because of the fear of being a mean

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Speaker 4: all for having a good time. So that was kind

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Speaker 4: of like the inspiration, since exactly he wanted people to

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Speaker 4: get back and dance again, and which helped out a

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Speaker 4: lot seeing this because I didn't really know much about

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Speaker 4: the background on it. All I saw was I think Isaiah,

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Speaker 4: one of you guys put in the chat that new

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Speaker 4: Tyler got one the way I said, all right, bet

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Speaker 4: cool new Tyler.

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Speaker 1: I didn't know it was going to be like this.

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Speaker 4: And the first thing, the first song I heard off

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Speaker 4: of here was stopped playing with me.

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Speaker 1: I like that joint he was the video. Yeah, that

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Speaker 1: was watching the video on Twitter, which is funny.

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Speaker 4: We were just talking videos on Twitter playing hero he

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Speaker 4: got lebron.

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Speaker 8: Why know him and pushing you know, certain shots remind

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Speaker 8: me and not like us, Like the way he was

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Speaker 8: like it was certain shots where he was just standing

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Speaker 8: there and they just like a boombox or something like

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Speaker 8: that kind of.

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Speaker 1: Remind me of Kendrick Lamark, not not like us.

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Speaker 8: Scrabble. I can see some similarity, yeah, because it was

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Speaker 8: like one room room like yeah, yeah, that kind of

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Speaker 8: moving on dope.

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Speaker 1: Yeah, yeah the video. The video is dope. I'm not

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Speaker 1: a big video guy, but video has been stuck in

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Speaker 1: my head.

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Speaker 5: Bro and that and that the energy in that matches

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Speaker 5: what you just said, just kind of just being just

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Speaker 5: wild and free with the dancing and stuff, which I

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Speaker 5: thought was interesting that he says that because I feel like,

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Speaker 5: not like us got motherfucker's dance. Yeah, I feel like

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Speaker 5: a lot of people's dancing. I know it's a certain

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Speaker 5: type of dance that people are doing.

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Speaker 1: People are still doing it, but but they're doing it.

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Speaker 1: They are dancing.

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Speaker 5: But but this will do This will give a different

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Speaker 5: type of dance like he's talking about like back in

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Speaker 5: the Yeah, which is why it has that that kind

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Speaker 5: of stifty sound.

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Speaker 1: You got that Vice City, Miami Vice City sound. That

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Speaker 1: makes sense, my Vice City mixed with La Suburbian.

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Speaker 4: Yeah, a little eighties fusion in twenty twenty five.

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Speaker 1: You know, even the way he's dressed, you know on

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Speaker 1: the cover hip Hop? Yeah, yeah, you know what I'm saying.

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Speaker 6: Yeah, why you laughing, Sonny?

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Speaker 4: Uh yeah, so but but nah, that video I don't

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Speaker 4: even But the way he was danced, I'm like, bro,

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Speaker 4: I was about to get down, Get down, noah, bro, No,

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Speaker 4: No that's hard.

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Speaker 1: He was. He was man titles getting off.

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Speaker 4: You've seen it, yeah, oh yeah you just yeah, yeah,

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Speaker 4: he was going. But it's just been stuck in my head.

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Speaker 4: That's that's probably my favorite song on here. Yeah, but

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Speaker 4: it really helped because it's like, what the hell is

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Speaker 4: gonna So when I saw that and then I listened

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Speaker 4: to it, I was like, Okay, this album has just

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Speaker 4: been stuck.

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Speaker 1: In my head since I heard it like he has

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Speaker 1: a certain vibe.

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Speaker 3: Yeah, man, this is so.

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Speaker 4: When we were talking about for Real's production. We're talking

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Speaker 4: about production. When I was listening to this, I was like,

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Speaker 4: it's kind of like some outwardly kind of weird ship

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Speaker 4: that I would have thought that a guy like him

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Speaker 4: would have would have done. Now with that fit what

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Speaker 4: the clips were doing. No, that's a whole separate conversation.

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Speaker 4: But and not to rehash that whole conversation for y'all anyway,

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Speaker 4: I don't want to give y'all red beat or whatever.

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Speaker 4: But I made the comment in a video we just recorded,

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Speaker 4: and this is what I was talking about, Like, it's wild,

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Speaker 4: it's energetic, it's frenetic.

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Speaker 1: It sounds sort of futuristic, baby yep.

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Speaker 4: I thought about that being when I was listening to it.

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Speaker 4: I was like, that's why it sounds like because he

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Speaker 4: said that too. And then I thought Forrel was on

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Speaker 4: the album. I was like, oh, okay, it makes perfect sense.

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Speaker 4: But nah, man, so I man, I really rock with

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Speaker 4: this joint bro and that Ring Ring Ring can Bro.

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Speaker 1: Yeah, vibe like that one. Yeah, that one really stands.

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Speaker 6: I don't know, you say stopped playing with me, but

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Speaker 6: Ring Ring ring right after.

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Speaker 1: That was really nice and.

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Speaker 5: I like, don't don't tap the glass slash tweaking too

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Speaker 5: like the tweaking Yeah yeah, yeah that Mayby.

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Speaker 1: King was on his album where really yeah he's still around?

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Speaker 6: Was he like like yeah, I don't know, was he

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Speaker 6: like he was on here?

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Speaker 1: But sur like one of two words?

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Speaker 9: Yeah, from what I read, that's not about right By.

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Speaker 10: But from what I read it, it's kind of like

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Speaker 10: some of the kind of how I guess you could say, yeah,

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Speaker 10: you know, the coat being on all different artists come

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Speaker 10: in to do through albums. I think it's kind of

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Speaker 10: like literally like he literally had like one or two

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Speaker 10: things and that's okay.

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Speaker 1: Yeah, yeah, mama and I wish mama. That was a

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Speaker 1: little bit longer. No, Yeah, that was.

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Speaker 5: Cool, yeah, because it didn't really it wasn't like a beat.

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Speaker 5: It was just like kind of like a like a

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Speaker 5: minimal very thing that he was doing.

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Speaker 1: Some long or whatever.

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Speaker 8: What's that joint? It was a joint where he was

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Speaker 8: sampling crime that was I take care of you, I'll

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Speaker 8: take care of you. Yeah, yeah, yeah, that was cool

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Speaker 8: that yeah, But what she was I.

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Speaker 1: Feel you've seen her. I feel like I've seen her.

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Speaker 6: She's had some solo stuff that's really really good.

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Speaker 8: I thought I thought she was on some of Tyler's

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Speaker 8: older older and stuff with Robert Class.

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Speaker 1: Okay, yeah, I was like, damn, it's familiar.

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Speaker 5: When I saw her name, I was like, damn, I

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Speaker 5: don't know why more people don't use Yeah, Like she's

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Speaker 5: so dope, man.

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Speaker 1: So yeah, I really liked her.

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Speaker 6: I'm glad you talked about her because I really liked

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Speaker 6: what song was that?

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Speaker 1: Yeah? Yeah, I really like her on that so uhh, yeah,

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Speaker 1: I'll take care of you, supo. Yeah she was good.

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Speaker 1: She was. She was like one of my standouts on here.

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Speaker 4: Because yeah, I like that song too, Yeah that was

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Speaker 4: That's that's a good one too.

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Speaker 1: Man.

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Speaker 4: You know it's it's it's it's chaotic, it's franatic is

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Speaker 4: all over the freaking place at times.

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Speaker 1: But I think he found a way to kind of

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Speaker 1: make it work. So why don't you like it be

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Speaker 1: trying to disappear in you know?

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Speaker 8: I mean this was I think for for what he

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Speaker 8: wanted to accomplish. I think he got it done and

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Speaker 8: he wanted to make the album that he wanted to make.

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Speaker 8: Laugh again, bullshit, I'm just giving my opinion, that's all. Yeah,

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Speaker 8: I just yeah, I do feel like, yeah, I'm like, okay,

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Speaker 8: so this is where he where he what he wanted

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Speaker 8: to make.

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Speaker 1: You know, I'm straight on it, you know, I.

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Speaker 6: You know, no, I'm just saying.

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Speaker 8: I mean, I catch him on the next one. This stuff,

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Speaker 8: this has to make me a less of a Tyler fan.

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Speaker 1: Or nothing like that.

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Speaker 8: Yeah, it's just I mean, I appreciate him being creative.

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Speaker 8: I appreciate him, like you mentioned right, having the freedom

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Speaker 8: to do whatever what.

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Speaker 1: Can I can't get my opinions.

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Speaker 8: Come on, not that I know y'all have artists where

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Speaker 8: they made so much stuff. He'd be like, I catch

390
00:18:30,440 --> 00:18:34,200
Speaker 8: you know what I'm saying, But you're still the music.

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Speaker 1: I still timer. I feel like this too.

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Speaker 6: Though you said you'll catch him over the next I said, what,

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Speaker 6: because you ain't.

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Speaker 1: Really like do you like?

395
00:18:40,440 --> 00:18:42,199
Speaker 6: I can't remember, did you like Chromo Kobe?

396
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Speaker 5: Like you said that, I catch you on the next one,

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Speaker 5: the next one.

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Speaker 3: I mean, this was a beat I can't remember.

399
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Speaker 1: I'm gonna have to look at him. I can't remember.

400
00:18:50,760 --> 00:18:52,479
Speaker 1: I mean, hit me up when he started just wrapping,

401
00:18:53,760 --> 00:18:56,000
Speaker 1: I mean the Tyler. When I'm in the Tyler mood.

402
00:18:56,119 --> 00:18:58,520
Speaker 1: I played flower Boy. That's the one I play all

403
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Speaker 1: the time. Tyler Creative move it. Yeah, and Igor kind

404
00:19:02,160 --> 00:19:02,919
Speaker 1: of grew on me a little bit.

405
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Speaker 8: I remember not liking that that much when it first

406
00:19:04,880 --> 00:19:07,600
Speaker 8: came out, but that one grow on me a little bit, definitely.

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00:19:08,040 --> 00:19:09,960
Speaker 1: Yeah. Actually, I think me and you didn't. I think

408
00:19:10,000 --> 00:19:11,920
Speaker 1: me and you didn't like it that much. Not because

409
00:19:11,920 --> 00:19:12,960
Speaker 1: I was rapping.

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00:19:13,359 --> 00:19:15,119
Speaker 5: Like when I hear Tyler's name, I want to hear

411
00:19:15,640 --> 00:19:17,840
Speaker 5: but no, man, I really really set.

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Speaker 8: And I can appreciate him not doing that, like I

413
00:19:20,240 --> 00:19:21,639
Speaker 8: can appreciate him going out.

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00:19:21,600 --> 00:19:23,359
Speaker 1: Stepping out and like, look, I want to make a

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Speaker 1: dance album. Yeah that ship.

416
00:19:25,040 --> 00:19:30,399
Speaker 8: I was just thinking just Vice City, Suburbian West Coast sound,

417
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Speaker 8: and he executed he executed that part.

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Speaker 1: Well, it's just not for me. Yeah you don't. It's fine.

419
00:19:41,240 --> 00:19:42,160
Speaker 1: It's really not that deep.

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Speaker 8: Like I mean, like you said, if I if I

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00:19:44,720 --> 00:19:47,040
Speaker 8: enjoyed this album, I would love it. It's probably like

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00:19:47,040 --> 00:19:48,520
Speaker 8: maybe two or three tracks on her that I like.

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Speaker 2: But but but but is it more like a viby

424
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Speaker 2: thing where like if it's playing in the background, let.

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Speaker 6: Me tell you this, I can play this.

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Speaker 8: I can play this album like if I'm working out,

427
00:19:56,400 --> 00:19:58,919
Speaker 8: or like if i'm like energy, if I'm doing something

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Speaker 8: like if I'm not okay, I'm gona play while I'm

429
00:20:01,000 --> 00:20:02,440
Speaker 8: working out to you know, just to have something.

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Speaker 2: Or let's say like are you cleaning the house or

431
00:20:07,040 --> 00:20:08,320
Speaker 2: there's other things that you would.

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00:20:12,040 --> 00:20:15,960
Speaker 8: Not necessarily cleaning for working out or something like or

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00:20:16,040 --> 00:20:19,640
Speaker 8: you know, like a party, like a cookout or something.

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00:20:19,800 --> 00:20:21,920
Speaker 8: If it's playing the background, I'm not gonna say turn

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00:20:21,960 --> 00:20:24,760
Speaker 8: it off like that. So yeah, it's it's not bad

436
00:20:24,880 --> 00:20:27,000
Speaker 8: like that. I'm just I'm straight on it.

437
00:20:27,160 --> 00:20:29,919
Speaker 2: Yeah, it's just not it's not like replay value I

438
00:20:29,920 --> 00:20:32,560
Speaker 2: gotta dissect or it's just playing.

439
00:20:32,640 --> 00:20:35,840
Speaker 8: But I appreciate that about I mean, like this, you

440
00:20:35,840 --> 00:20:38,480
Speaker 8: know what I'm saying. So I appreciate that from him

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00:20:38,520 --> 00:20:40,000
Speaker 8: and him producing this whole thing.

442
00:20:40,600 --> 00:20:43,640
Speaker 1: That's it's fucking, it's fucking. It's talented, it's great, but

443
00:20:44,080 --> 00:20:45,520
Speaker 1: this is not for me. It's not for me.

444
00:20:46,280 --> 00:20:52,240
Speaker 4: Tyler's like his his his rise to Superstart.

445
00:20:53,480 --> 00:20:56,480
Speaker 1: It's really interesting given where he came from.

446
00:20:56,760 --> 00:21:00,480
Speaker 4: It's like he's almost like a villain that people grew

447
00:21:00,520 --> 00:21:03,639
Speaker 4: to like if you really think about it, if you

448
00:21:03,720 --> 00:21:06,960
Speaker 4: think about his history with all the controversies and everything,

449
00:21:07,640 --> 00:21:10,879
Speaker 4: and now like this is where he's at, and I

450
00:21:10,920 --> 00:21:17,359
Speaker 4: think that's why he is taking these freedoms and liberties

451
00:21:17,400 --> 00:21:19,120
Speaker 4: to just create this project.

452
00:21:19,920 --> 00:21:23,960
Speaker 1: This is it's everything be said. He's like, this is

453
00:21:24,000 --> 00:21:26,159
Speaker 1: what I want to do. I'm gonna do it.

454
00:21:26,200 --> 00:21:29,520
Speaker 4: I'm gonna put it out and I'll catch you guys

455
00:21:29,520 --> 00:21:32,280
Speaker 4: on the nest, you know, and and that's it.

456
00:21:32,359 --> 00:21:33,800
Speaker 1: I just want to make a dance album.

457
00:21:33,880 --> 00:21:36,680
Speaker 4: And cool when I think that piece is there's a

458
00:21:36,800 --> 00:21:41,560
Speaker 4: level of creativity and talent which starting out with you know,

459
00:21:41,600 --> 00:21:41,920
Speaker 4: you can.

460
00:21:41,840 --> 00:21:44,640
Speaker 1: See glimpses of it back in the day. You There's

461
00:21:44,680 --> 00:21:46,159
Speaker 1: no way I could have predicted he would be all

462
00:21:46,200 --> 00:21:46,640
Speaker 1: over here.

463
00:21:48,080 --> 00:21:51,399
Speaker 8: I feel like from a maybe not from a rapids standpoint,

464
00:21:51,440 --> 00:21:54,760
Speaker 8: but from a production standpoint. I really started to see

465
00:21:54,760 --> 00:21:58,480
Speaker 8: the change when Cherrybomb came out. That's when it was like, Okay,

466
00:21:58,960 --> 00:22:01,040
Speaker 8: he's really starting to tap in on.

467
00:22:01,040 --> 00:22:01,720
Speaker 1: The producer sound.

468
00:22:01,760 --> 00:22:04,040
Speaker 8: Talking about just on the producer side, he really starting

469
00:22:04,040 --> 00:22:07,560
Speaker 8: to tap in with different sounds and different land soundscapes

470
00:22:07,600 --> 00:22:08,680
Speaker 8: and everything in his production.

471
00:22:09,080 --> 00:22:12,040
Speaker 1: Cherrybom for me was the start of like, Okay, his

472
00:22:12,040 --> 00:22:13,600
Speaker 1: his production ship is really about.

473
00:22:13,400 --> 00:22:15,000
Speaker 8: To start doing some other ship and it went to

474
00:22:15,040 --> 00:22:20,640
Speaker 8: flower Boy like yeah, I mean igor like yeah. From

475
00:22:20,680 --> 00:22:23,760
Speaker 8: a producers stand standpoint, I love the way Tyler.

476
00:22:25,440 --> 00:22:28,400
Speaker 1: I love his evolution as a producer. I love it. Yeah,

477
00:22:28,400 --> 00:22:30,720
Speaker 1: I mean he can he can make whatever he wants

478
00:22:30,760 --> 00:22:34,040
Speaker 1: to make now, and it is what it is. You know,

479
00:22:34,600 --> 00:22:35,720
Speaker 1: he's not boxed in.

480
00:22:35,880 --> 00:22:39,160
Speaker 4: I think he has grown into like one of the

481
00:22:39,160 --> 00:22:43,200
Speaker 4: truest definitions of an artist, you know, and uh, he's

482
00:22:43,280 --> 00:22:46,720
Speaker 4: been granted space and freedom to do that.

483
00:22:46,880 --> 00:22:48,840
Speaker 1: There's not a lot of artists that can do.

484
00:22:48,800 --> 00:22:52,359
Speaker 4: That when you think about it, and that requires a

485
00:22:52,400 --> 00:22:57,320
Speaker 4: certain level of bravery, right and you know, and just

486
00:22:57,440 --> 00:22:59,320
Speaker 4: living in the moment of who you are at the time.

487
00:23:00,040 --> 00:23:03,399
Speaker 4: So I think it's dope. And and I think to

488
00:23:03,440 --> 00:23:05,560
Speaker 4: put out something like this that people were like, and

489
00:23:05,640 --> 00:23:08,320
Speaker 4: then to turn around and make something that, you know

490
00:23:08,440 --> 00:23:11,440
Speaker 4: when when uh, he come around the corner and pick

491
00:23:11,520 --> 00:23:15,160
Speaker 4: me back up, you know, and I think, I think

492
00:23:15,200 --> 00:23:15,840
Speaker 4: that'll be dope.

493
00:23:15,880 --> 00:23:17,800
Speaker 1: But I think, I really, I don't know.

494
00:23:17,880 --> 00:23:20,320
Speaker 4: It's just something about this album that kind of lives

495
00:23:20,320 --> 00:23:22,399
Speaker 4: in my head. And I think I'm really glad that

496
00:23:22,560 --> 00:23:26,240
Speaker 4: I didn't go into it expecting like a pure hip

497
00:23:26,280 --> 00:23:27,040
Speaker 4: hop album.

498
00:23:27,280 --> 00:23:30,160
Speaker 8: Yeah, I mean, I didn't mean Tyler and he's he's

499
00:23:30,200 --> 00:23:33,480
Speaker 8: so crazy. I didn't know what to expect when is that.

500
00:23:33,640 --> 00:23:35,600
Speaker 8: When I saw this was dropping, I'm like, Okay, here

501
00:23:35,600 --> 00:23:38,359
Speaker 8: we go, another Tile album. So but I wouldn't say like, oh,

502
00:23:38,440 --> 00:23:40,720
Speaker 8: he better do this or I hope he's doing this.

503
00:23:40,880 --> 00:23:42,760
Speaker 8: It's just like I want to see what what he

504
00:23:42,800 --> 00:23:44,560
Speaker 8: comes up with this this time, you know.

505
00:23:44,600 --> 00:23:45,440
Speaker 1: And I think that's why.

506
00:23:45,480 --> 00:23:48,680
Speaker 4: It's also like he dropped it on Monday because it's

507
00:23:48,720 --> 00:23:49,400
Speaker 4: outside of.

508
00:23:49,359 --> 00:23:52,920
Speaker 1: The regular release. Yeah. Yeah, it's like my own rules.

509
00:23:52,960 --> 00:23:55,040
Speaker 4: I'm gonna just put it out there because maybe it's

510
00:23:55,080 --> 00:23:58,600
Speaker 4: not even intended to be like the album. You know

511
00:23:58,720 --> 00:24:01,440
Speaker 4: that he was supposed to that kind of what was

512
00:24:01,440 --> 00:24:03,800
Speaker 4: gonna talking about earlier. This is probably not supposed to

513
00:24:03,840 --> 00:24:06,040
Speaker 4: be like the album following Chia.

514
00:24:06,520 --> 00:24:07,240
Speaker 1: It was like this.

515
00:24:07,359 --> 00:24:11,119
Speaker 5: Got inspired to do something like this while on tour,

516
00:24:11,560 --> 00:24:13,280
Speaker 5: Yeah whatever, And I can see that, like because I

517
00:24:13,280 --> 00:24:15,840
Speaker 5: mean the way these crowds are going right now, these tours,

518
00:24:15,880 --> 00:24:19,000
Speaker 5: like they going crazy. The mash is the especially on

519
00:24:19,000 --> 00:24:22,320
Speaker 5: the Kindred tours, Like like you see them crowds, so

520
00:24:22,320 --> 00:24:24,600
Speaker 5: you probably want to tap into that, like you probably

521
00:24:24,640 --> 00:24:26,399
Speaker 5: got inspired by that, Like you know what I'm having

522
00:24:26,440 --> 00:24:27,280
Speaker 5: motherfuckers dancing.

523
00:24:27,920 --> 00:24:28,480
Speaker 1: You know what I'm saying.

524
00:24:28,480 --> 00:24:30,919
Speaker 5: That's what the money is anyway at these shows. So

525
00:24:31,680 --> 00:24:38,080
Speaker 5: to be able to find bring off loud, want.

526
00:24:37,960 --> 00:24:38,639
Speaker 6: To stop playing?

527
00:24:39,240 --> 00:24:41,399
Speaker 1: See what you did that you should have said.

528
00:24:43,400 --> 00:24:45,200
Speaker 8: Speaking of Yeah, I know, I said it was only

529
00:24:45,160 --> 00:24:47,239
Speaker 8: a few joints, like ring Ring Ring was one of them.

530
00:24:47,840 --> 00:24:49,800
Speaker 8: Sugar on my tongue was my joint to and then

531
00:24:49,840 --> 00:24:53,120
Speaker 8: I take care of You. Those are the joints. Those

532
00:24:53,119 --> 00:24:55,560
Speaker 8: are the joints that, like, I really enjoyed the most

533
00:24:55,560 --> 00:24:57,000
Speaker 8: on his album.

534
00:24:56,680 --> 00:25:00,600
Speaker 1: That's Acker Frei though, Bro, I like that joint too. Yeah,

535
00:25:00,600 --> 00:25:01,640
Speaker 1: he got.

536
00:25:01,480 --> 00:25:04,840
Speaker 5: Into some some old school sound and I was just like,

537
00:25:05,000 --> 00:25:08,240
Speaker 5: damn he really he really recaptured something and kind of

538
00:25:08,240 --> 00:25:11,440
Speaker 5: made it his own type of thing, like some type

539
00:25:11,480 --> 00:25:15,120
Speaker 5: of like weird fusion. Like it's just like, yeah, Manyler

540
00:25:15,240 --> 00:25:18,080
Speaker 5: Tyler is something else, man. He is really something else

541
00:25:18,119 --> 00:25:20,680
Speaker 5: when it comes to like just creating, bro. Like he's

542
00:25:21,000 --> 00:25:24,359
Speaker 5: he's really like fluid, Like he's really fluid when it

543
00:25:24,400 --> 00:25:25,280
Speaker 5: comes to creativity.

544
00:25:25,320 --> 00:25:25,480
Speaker 1: Man.

545
00:25:25,520 --> 00:25:27,439
Speaker 5: So he's he's and it be doing it like on

546
00:25:27,480 --> 00:25:31,280
Speaker 5: a semi mainstream level. But I was just saying, but

547
00:25:31,359 --> 00:25:34,120
Speaker 5: because I don't know if he's on the radio, like that.

548
00:25:34,119 --> 00:25:36,480
Speaker 1: That's why I say.

549
00:25:36,200 --> 00:25:39,119
Speaker 5: Maybe originally he might be maybe I don't even know

550
00:25:39,160 --> 00:25:41,040
Speaker 5: if he owned regionally like that. But I don't hear

551
00:25:41,160 --> 00:25:44,240
Speaker 5: Tyler on the radio like that. But everybody knows who

552
00:25:44,280 --> 00:25:46,720
Speaker 5: Tyler is. It's weird, right, It's some weird places in

553
00:25:46,960 --> 00:25:50,480
Speaker 5: like everybody knows that this man is one Grammys or

554
00:25:50,560 --> 00:25:52,119
Speaker 5: running Grammy or whatever.

555
00:25:52,160 --> 00:25:53,840
Speaker 6: But he's not on the radio like that, you know

556
00:25:53,880 --> 00:25:54,320
Speaker 6: what I'm saying.

557
00:25:54,359 --> 00:25:57,840
Speaker 4: So yeah, I don't like Lebron's like, bro, you got

558
00:25:57,920 --> 00:26:02,280
Speaker 4: Lebron and maver Card. I think, like, bro, like you

559
00:26:02,440 --> 00:26:06,280
Speaker 4: just don't go get Lebron, like you know Lebron doing yeh, Lebron.

560
00:26:06,000 --> 00:26:10,639
Speaker 2: Is just you know, yeah, he's not doing it for

561
00:26:10,640 --> 00:26:11,040
Speaker 2: a check.

562
00:26:11,720 --> 00:26:16,720
Speaker 4: Yeah, So so yeah, but nah, it's it's it's it's interesting,

563
00:26:16,800 --> 00:26:18,480
Speaker 4: not it's interesting.

564
00:26:20,560 --> 00:26:23,359
Speaker 10: So just going back and the pigmy back off of

565
00:26:23,560 --> 00:26:25,960
Speaker 10: can Mission. You know him dropping this on on Monday,

566
00:26:26,240 --> 00:26:28,320
Speaker 10: if y'all remember he did something similar. I think he

567
00:26:28,359 --> 00:26:30,560
Speaker 10: did the same thing with Chromacopia correctly, like the top

568
00:26:30,600 --> 00:26:31,879
Speaker 10: of the week. I think it was like Monday or

569
00:26:31,880 --> 00:26:34,320
Speaker 10: Tuesday or something he dropped it. It was I don't

570
00:26:34,320 --> 00:26:35,280
Speaker 10: think it was on Friday.

571
00:26:35,520 --> 00:26:37,280
Speaker 1: So yeah, yeah, I think we I think we mentioned that.

572
00:26:37,440 --> 00:26:39,040
Speaker 6: I think we did. He did it like a similar

573
00:26:39,119 --> 00:26:39,679
Speaker 6: role out with that.

574
00:26:39,960 --> 00:26:42,359
Speaker 10: Right, I guess so that So my question was, like,

575
00:26:42,400 --> 00:26:44,840
Speaker 10: do y'all think that Tyler's going to start like in

576
00:26:45,040 --> 00:26:48,040
Speaker 10: like inspiring more artists to kind of like move away

577
00:26:48,160 --> 00:26:51,199
Speaker 10: from the everybody drops on Friday twelve am, you know,

578
00:26:51,240 --> 00:26:53,640
Speaker 10: twelve am type thing, because I think no I did

579
00:26:54,119 --> 00:26:56,119
Speaker 10: the same thing their project this year too. They dropped

580
00:26:56,119 --> 00:26:57,640
Speaker 10: the top of the week like Monday, Tuesdays.

581
00:26:57,800 --> 00:27:00,000
Speaker 1: I don't know if he'll be able to move people

582
00:27:00,240 --> 00:27:02,840
Speaker 1: to do that because people are so big on like

583
00:27:03,000 --> 00:27:05,280
Speaker 1: trying to get number one record of the week and

584
00:27:06,240 --> 00:27:09,280
Speaker 1: stuff like like weak sales, and I think they do

585
00:27:09,359 --> 00:27:12,680
Speaker 1: that Friday release to get ahead of it over the week.

586
00:27:12,840 --> 00:27:15,000
Speaker 1: I want to say we talked about that on a video.

587
00:27:15,119 --> 00:27:16,320
Speaker 1: They tell it didn't care about that.

588
00:27:16,320 --> 00:27:18,919
Speaker 5: They use the weekend to get that number by the

589
00:27:19,000 --> 00:27:21,640
Speaker 5: end of the week. And hit by him dropping that Monday,

590
00:27:22,640 --> 00:27:25,240
Speaker 5: you know, he kind of puts himself behind the eight ball.

591
00:27:25,280 --> 00:27:26,439
Speaker 1: I think by doing that.

592
00:27:26,520 --> 00:27:30,000
Speaker 5: But again, I don't think you go back to Tuesdays

593
00:27:30,000 --> 00:27:31,359
Speaker 5: brou It.

594
00:27:31,280 --> 00:27:34,600
Speaker 2: All depends on who you're trying to serve. Because Russ

595
00:27:34,800 --> 00:27:37,800
Speaker 2: just did an interview in regards to this. You know

596
00:27:37,800 --> 00:27:40,040
Speaker 2: what I'm saying, Like he and you know, he's like

597
00:27:40,080 --> 00:27:42,800
Speaker 2: mister independent. He tells people just drop whatever the fuck

598
00:27:42,840 --> 00:27:45,119
Speaker 2: you want to Jop. Don't worry about those type of

599
00:27:45,160 --> 00:27:48,040
Speaker 2: numbers because if you're serving your audience, which you know,

600
00:27:48,119 --> 00:27:51,000
Speaker 2: the weird space that you're talking about Tyler being like

601
00:27:51,080 --> 00:27:56,160
Speaker 2: commercial but not commercial, is he's still serving his audience,

602
00:27:56,520 --> 00:27:58,960
Speaker 2: Like this is serving his audience, you know what I'm saying,

603
00:27:59,520 --> 00:28:01,080
Speaker 2: And I think a subset of the audience.

604
00:28:01,080 --> 00:28:02,840
Speaker 3: I don't think the full entire audience.

605
00:28:03,000 --> 00:28:04,080
Speaker 2: But at the end of the day, I think I

606
00:28:04,119 --> 00:28:07,000
Speaker 2: saw like a comment on there saying something about sticky

607
00:28:07,320 --> 00:28:10,679
Speaker 2: You're saying like like he took that sticky energy and

608
00:28:10,680 --> 00:28:12,720
Speaker 2: made a whole project on it, you know what I'm saying.

609
00:28:12,760 --> 00:28:14,720
Speaker 2: So people are going to fuck with because that was

610
00:28:14,720 --> 00:28:17,440
Speaker 2: one of my favorite songs on Chromo Kopia and now

611
00:28:17,480 --> 00:28:18,440
Speaker 2: he just made a whole project.

612
00:28:18,480 --> 00:28:20,760
Speaker 3: People go fuck with it. And then, like everybody said,

613
00:28:21,040 --> 00:28:24,200
Speaker 3: when he goes on tour like he's brother, the crowd

614
00:28:24,280 --> 00:28:25,200
Speaker 3: is gonna go crazy.

615
00:28:25,280 --> 00:28:29,280
Speaker 2: So it's just a smart business move overall. Now to

616
00:28:29,320 --> 00:28:31,200
Speaker 2: answer your question, is he gonna.

617
00:28:30,880 --> 00:28:32,280
Speaker 3: Move people to do.

618
00:28:32,200 --> 00:28:33,879
Speaker 1: It, I don't.

619
00:28:35,000 --> 00:28:38,320
Speaker 2: I think that a lot of rappers look at the

620
00:28:38,440 --> 00:28:41,160
Speaker 2: numbers and going number one and first week sales and

621
00:28:41,160 --> 00:28:43,040
Speaker 2: all of that type of stuff, and if that's what

622
00:28:43,240 --> 00:28:46,480
Speaker 2: is the motivation, they're gonna stick to Friday. But if

623
00:28:46,520 --> 00:28:50,680
Speaker 2: they are independent artists, yeah, they just do what the

624
00:28:50,680 --> 00:28:52,160
Speaker 2: fuck you want to do, no matter.

625
00:28:52,280 --> 00:28:52,440
Speaker 3: Yeah.

626
00:28:52,480 --> 00:28:55,080
Speaker 10: So those I'm also talking about, those are so obviously

627
00:28:55,080 --> 00:28:57,240
Speaker 10: nothing the mainstream people, the people who are like the

628
00:28:57,280 --> 00:29:00,440
Speaker 10: futures and stuff like that, they're sticking to what that whatever,

629
00:29:00,480 --> 00:29:02,600
Speaker 10: the industry and stuff. But you know, the tactic is

630
00:29:03,040 --> 00:29:06,200
Speaker 10: I think that, or at least I hope as just

631
00:29:06,240 --> 00:29:08,960
Speaker 10: a fan of music, that this does push some of

632
00:29:08,960 --> 00:29:12,360
Speaker 10: those other artists to just like he sayd Russ mentioned,

633
00:29:12,360 --> 00:29:15,360
Speaker 10: stop trying to compete and match up with these other people.

634
00:29:15,400 --> 00:29:19,120
Speaker 10: Because I think Ken put up a chat just earlier

635
00:29:19,200 --> 00:29:21,560
Speaker 10: on Drew too. That was a really good point, he said.

636
00:29:21,560 --> 00:29:23,240
Speaker 10: Tyler said it in an interview. I didn't know this,

637
00:29:23,280 --> 00:29:25,520
Speaker 10: but he was saying. He's is like, dropping it on

638
00:29:25,600 --> 00:29:28,400
Speaker 10: Friday is not the best way to consume newer music.

639
00:29:28,480 --> 00:29:32,640
Speaker 10: And I think that's that's that on because it's so much,

640
00:29:32,760 --> 00:29:36,280
Speaker 10: it's so much, it's very, very like polluted. So you like,

641
00:29:36,320 --> 00:29:37,640
Speaker 10: when you think about it, by the time you do

642
00:29:37,720 --> 00:29:39,440
Speaker 10: listen to one or two albums, you're either sticking with

643
00:29:39,480 --> 00:29:41,680
Speaker 10: those two albums or you're already kind of fatigued by

644
00:29:41,720 --> 00:29:44,200
Speaker 10: the time you get to you know, get to that

645
00:29:44,360 --> 00:29:44,960
Speaker 10: other album.

646
00:29:45,280 --> 00:29:46,160
Speaker 3: So I think like.

647
00:29:46,320 --> 00:29:48,520
Speaker 10: Smaller artists are just artists who just want to actually

648
00:29:48,520 --> 00:29:50,720
Speaker 10: more so focused on I want people to consume to

649
00:29:50,760 --> 00:29:52,640
Speaker 10: hear my music, not just I want to get numbers.

650
00:29:53,160 --> 00:29:55,360
Speaker 10: I will hope that this will actually kind of like inspire.

651
00:29:55,120 --> 00:29:55,600
Speaker 7: Them to do that.

652
00:29:56,640 --> 00:30:01,040
Speaker 1: Yeah, yeah, I don't disagree. I don't disagree get into.

653
00:30:01,520 --> 00:30:04,400
Speaker 3: These grades, you know what I'm saying.

654
00:30:04,480 --> 00:30:06,200
Speaker 2: And the last time we did the grades, man, y'all

655
00:30:06,240 --> 00:30:09,800
Speaker 2: motherfuckers went crazy but crazy so and so we had

656
00:30:09,840 --> 00:30:11,840
Speaker 2: to make another video that's dropping Friday.

657
00:30:12,480 --> 00:30:17,000
Speaker 3: We are talking about the clips production because.

658
00:30:16,760 --> 00:30:17,520
Speaker 1: Y'all called this out.

659
00:30:17,560 --> 00:30:21,400
Speaker 2: We almost had a thousand comments on that particular video,

660
00:30:21,960 --> 00:30:24,400
Speaker 2: and ninety percent of them was all about the production.

661
00:30:24,520 --> 00:30:26,560
Speaker 2: So we said, fuck it, We're gonna talk to y'all

662
00:30:26,600 --> 00:30:29,320
Speaker 2: niggas directly. You see, I'm talking directly.

663
00:30:29,000 --> 00:30:31,080
Speaker 1: To the camera. Were talking to y'all, you know what

664
00:30:31,120 --> 00:30:31,560
Speaker 1: I'm saying.

665
00:30:32,200 --> 00:30:34,680
Speaker 2: But we appreciate y'all, because what do I always say

666
00:30:34,680 --> 00:30:38,040
Speaker 2: in the reviews man, the conversation after the conversation is

667
00:30:38,080 --> 00:30:43,560
Speaker 2: in the comments section, and you guys definitely y'all commented,

668
00:30:43,800 --> 00:30:46,040
Speaker 2: so we appreciate it and so on, so that we

669
00:30:46,080 --> 00:30:46,760
Speaker 2: had to make a video.

670
00:30:46,800 --> 00:30:48,160
Speaker 3: So stay tuned till Friday.

671
00:30:48,240 --> 00:30:51,560
Speaker 2: We are adjussing the clips, production and our takes, and

672
00:30:51,640 --> 00:30:53,280
Speaker 2: also we're reading out some of the comments.

673
00:30:53,720 --> 00:30:55,840
Speaker 3: Members are first always that.

674
00:30:55,880 --> 00:30:59,720
Speaker 2: Being said, this is your first time, which if you're here,

675
00:31:00,080 --> 00:31:04,200
Speaker 2: probably not. But we're grading the flow, the lyrics, the production,

676
00:31:04,400 --> 00:31:08,760
Speaker 2: the features, the execution, the replay value in the overall.

677
00:31:09,160 --> 00:31:10,920
Speaker 2: I will start it off with the flow.

678
00:31:11,360 --> 00:31:16,560
Speaker 5: Give me B plus, give me uh okay, give me

679
00:31:16,640 --> 00:31:20,480
Speaker 5: be on flow, give me be minus.

680
00:31:21,200 --> 00:31:23,240
Speaker 4: That's what I gotta be. I gotta be minus. I

681
00:31:23,280 --> 00:31:28,120
Speaker 4: gotta be lyrics can lyrics haven't been minus on lyrics?

682
00:31:28,920 --> 00:31:29,760
Speaker 1: Be minus?

683
00:31:31,760 --> 00:31:33,720
Speaker 6: Yeah, I'm gonna go be minus on lyrics. I don't

684
00:31:33,760 --> 00:31:37,560
Speaker 6: think the lyrics would. Yeah yeah, yeah, I want to

685
00:31:37,600 --> 00:31:38,360
Speaker 6: say he said that.

686
00:31:38,440 --> 00:31:41,600
Speaker 5: It said that on the intro something like that he

687
00:31:41,800 --> 00:31:43,200
Speaker 5: ain't wanted to be like heavy.

688
00:31:42,920 --> 00:31:46,200
Speaker 1: Like yeah, yeah, yeah, that's all comment. Yeah yeah, I

689
00:31:46,360 --> 00:31:47,640
Speaker 1: think he said on the album too.

690
00:31:48,120 --> 00:31:50,080
Speaker 5: Yeah, I like the comments, the comments and putting their

691
00:31:50,120 --> 00:32:02,440
Speaker 5: grades top yeah, y'all put y'all, we you know grades.

692
00:32:03,320 --> 00:32:05,200
Speaker 5: This ain't the first time he's done a live, so like,

693
00:32:05,240 --> 00:32:09,440
Speaker 5: we ain't had the grades when we did a livefore U.

694
00:32:12,080 --> 00:32:18,680
Speaker 8: Stupid bro, Like, I didn't think about that.

695
00:32:18,720 --> 00:32:20,440
Speaker 6: I didn't think the fact that they can put their

696
00:32:20,480 --> 00:32:21,240
Speaker 6: lives grad.

697
00:32:21,080 --> 00:32:23,280
Speaker 9: To It's like just like a proud man.

698
00:32:23,800 --> 00:32:28,280
Speaker 1: I'm just starting. Look at.

699
00:32:30,640 --> 00:32:32,760
Speaker 3: The lyric you're referring to is in the first one

700
00:32:32,760 --> 00:32:34,120
Speaker 3: where he was basically.

701
00:32:33,720 --> 00:32:36,440
Speaker 2: Talking about how he's by and that he likes girls

702
00:32:36,480 --> 00:32:38,160
Speaker 2: and boys, and he says if he didn't like that lyric,

703
00:32:38,160 --> 00:32:40,640
Speaker 2: I don't give a He said that in the first

704
00:32:40,640 --> 00:32:41,600
Speaker 2: in the first joint.

705
00:32:41,760 --> 00:32:43,880
Speaker 1: Because he said he was gonna sleep with somebody. Uh

706
00:32:44,360 --> 00:32:47,080
Speaker 1: man woman like that.

707
00:32:47,160 --> 00:32:50,239
Speaker 2: Last time, I don't give said nothing nothing safe for me,

708
00:32:50,760 --> 00:33:01,520
Speaker 2: Stop stop playing with me. So so so lyrics, lyrics.

709
00:33:01,920 --> 00:33:05,840
Speaker 2: I saw people say, no lyrics are for me? Oh

710
00:33:05,960 --> 00:33:08,600
Speaker 2: you come back, Yeah, I'm coming back. I didn't give

711
00:33:08,640 --> 00:33:11,200
Speaker 2: my lyrics. I got my lyrics are a B for me.

712
00:33:11,720 --> 00:33:17,280
Speaker 2: Production is a B for me. Yeah, I'm going solid

713
00:33:17,320 --> 00:33:21,800
Speaker 2: B on production. I almost changed it based on them

714
00:33:22,960 --> 00:33:25,280
Speaker 2: mostly B. I almost gave it a high grade. But

715
00:33:26,000 --> 00:33:28,080
Speaker 2: I think I'm still staying to be I think it's

716
00:33:28,080 --> 00:33:31,240
Speaker 2: a solid B. On the contrary, people don't think that

717
00:33:31,720 --> 00:33:32,640
Speaker 2: bes a solid.

718
00:33:34,240 --> 00:33:38,840
Speaker 1: Apparently, I'm going to be plus Okay, production, that's what

719
00:33:38,880 --> 00:33:39,240
Speaker 1: I feel.

720
00:33:39,360 --> 00:33:44,800
Speaker 5: Yeah, that's what I'm.

721
00:33:42,600 --> 00:33:43,560
Speaker 1: To be plus on production.

722
00:33:44,520 --> 00:33:51,240
Speaker 6: Okay, somebody said on production, giving anybody, I like, bro.

723
00:33:52,800 --> 00:33:53,240
Speaker 1: Anybody?

724
00:33:53,480 --> 00:33:59,000
Speaker 3: Damn. There are no features technically no features.

725
00:33:59,360 --> 00:34:06,320
Speaker 2: Oh yeah, yeah, I'm tripping.

726
00:34:07,800 --> 00:34:09,839
Speaker 3: And here's the thing I had the greatest I know

727
00:34:09,880 --> 00:34:14,919
Speaker 3: why the I'm tripping. Features can be minest.

728
00:34:16,440 --> 00:34:20,080
Speaker 6: C plus mm hmm mm hmm. I'm going to be

729
00:34:20,160 --> 00:34:21,000
Speaker 6: plus on features.

730
00:34:21,000 --> 00:34:23,520
Speaker 5: Man, I really like the yebber features and what he

731
00:34:23,600 --> 00:34:27,279
Speaker 5: did for with for real and oh the other girl

732
00:34:27,320 --> 00:34:30,560
Speaker 5: on what's her name, just say it anyway her?

733
00:34:31,760 --> 00:34:33,319
Speaker 1: But yeah, I like, I like what I like the

734
00:34:33,320 --> 00:34:36,160
Speaker 1: features skateboard, That's what I said. I like what he did.

735
00:34:36,600 --> 00:34:39,040
Speaker 1: I like, I like what he did with him features.

736
00:34:39,080 --> 00:34:41,319
Speaker 2: I'm at a solid B, so I'm kind of higher

737
00:34:41,360 --> 00:34:43,799
Speaker 2: than y'all, but lower than you. But yeah, I thought

738
00:34:43,800 --> 00:34:44,520
Speaker 2: it was I thought.

739
00:34:44,320 --> 00:34:45,600
Speaker 1: It was solid execution.

740
00:34:45,840 --> 00:34:48,359
Speaker 2: I'm at a B plus because I felt what he

741
00:34:48,480 --> 00:34:52,120
Speaker 2: wanted to like execute, like the the the intent of.

742
00:34:52,400 --> 00:34:55,160
Speaker 3: This particular project. I think he did a really good job.

743
00:34:55,239 --> 00:34:57,640
Speaker 2: Like it wasn't about the lyrics, it wasn't about diving deep,

744
00:34:58,480 --> 00:35:01,240
Speaker 2: it wasn't about being nuanced, it wasn't about being perfect.

745
00:35:01,280 --> 00:35:03,920
Speaker 2: It was like, just throw that Shia, let's just have

746
00:35:03,960 --> 00:35:06,000
Speaker 2: a good time. And I felt like that is what

747
00:35:06,040 --> 00:35:08,400
Speaker 2: this album gives off. And I think he executed that

748
00:35:08,600 --> 00:35:09,040
Speaker 2: very well.

749
00:35:10,760 --> 00:35:12,080
Speaker 1: Cool that was execution.

750
00:35:12,880 --> 00:35:16,320
Speaker 5: For that same reason, I gave him a minus because

751
00:35:16,960 --> 00:35:19,520
Speaker 5: I felt like he went for exactly what he was

752
00:35:19,560 --> 00:35:22,239
Speaker 5: going for. He got what exactly he was going for.

753
00:35:23,239 --> 00:35:26,359
Speaker 5: So and and that's just basically just me saying that.

754
00:35:26,520 --> 00:35:29,000
Speaker 1: Yo. Like I said, he executed the album.

755
00:35:28,719 --> 00:35:31,080
Speaker 5: Well from start to finish in my opinion, like like,

756
00:35:31,120 --> 00:35:32,520
Speaker 5: so I'm going eight minus on that.

757
00:35:32,840 --> 00:35:35,400
Speaker 1: Yeah, I agree with y'all. Went I went with a Soliday.

758
00:35:35,520 --> 00:35:37,839
Speaker 8: I feel like I feel like what he wanted to do,

759
00:35:38,480 --> 00:35:42,120
Speaker 8: he did it, and and there was sound everything.

760
00:35:42,400 --> 00:35:46,320
Speaker 1: So I give it. I give his execution an eight minus.

761
00:35:48,440 --> 00:35:54,240
Speaker 6: You clear, and it.

762
00:35:54,080 --> 00:35:55,239
Speaker 1: Was really clear what he was.

763
00:35:55,880 --> 00:35:59,000
Speaker 3: This is what he absolutely even even if I you.

764
00:35:58,920 --> 00:36:01,440
Speaker 1: Know, like I said careful like here, it's like, oh

765
00:36:01,560 --> 00:36:03,719
Speaker 1: this is he did.

766
00:36:04,120 --> 00:36:08,560
Speaker 5: Yeah, we're just bringing that song, but that's what that's.

767
00:36:10,880 --> 00:36:14,759
Speaker 4: What about replay value for you can replay value is

768
00:36:14,800 --> 00:36:17,080
Speaker 4: a be for me, Like I said, since I heard it,

769
00:36:17,080 --> 00:36:19,960
Speaker 4: it's just like the sounds, the songs just been kind

770
00:36:20,000 --> 00:36:22,200
Speaker 4: of stuck in my head, so.

771
00:36:22,040 --> 00:36:27,680
Speaker 1: It's it's it's weird. It's weird. Yeah, I'm doing minuses

772
00:36:27,719 --> 00:36:29,879
Speaker 1: out of respect for Tyler. I would have went lower,

773
00:36:30,000 --> 00:36:32,919
Speaker 1: but I won't listen to this again. Yeah, yeah, that's fair,

774
00:36:34,239 --> 00:36:35,880
Speaker 1: fair respected artists.

775
00:36:36,280 --> 00:36:39,600
Speaker 5: Yeah, I feel that, I feel that I'm gonna go

776
00:36:39,640 --> 00:36:41,760
Speaker 5: a little higher than that with a C plus.

777
00:36:41,960 --> 00:36:44,560
Speaker 6: I don't know if I'm playing it as much I do.

778
00:36:44,520 --> 00:36:46,400
Speaker 5: Like from a Kope better, and I know he hates

779
00:36:46,440 --> 00:36:48,880
Speaker 5: that people are comparing it to that, but I can't

780
00:36:48,880 --> 00:36:50,040
Speaker 5: help it, you know.

781
00:36:50,520 --> 00:36:52,560
Speaker 1: I mean, I listen to music like that's just just

782
00:36:52,560 --> 00:36:53,080
Speaker 1: what it is.

783
00:36:53,200 --> 00:36:56,279
Speaker 5: I preferred that sound and that Tyler a little bit

784
00:36:56,320 --> 00:36:58,799
Speaker 5: more than this. But it does have some things I'll

785
00:36:58,840 --> 00:37:02,680
Speaker 5: go back to, but just not as whole project plus, And.

786
00:37:02,680 --> 00:37:05,520
Speaker 2: For that reason, I'm giving it a B minus because

787
00:37:05,840 --> 00:37:10,520
Speaker 2: I don't really see myself like actively wanting to go back.

788
00:37:10,560 --> 00:37:15,560
Speaker 2: But I can play it in situations, so it has

789
00:37:15,600 --> 00:37:18,680
Speaker 2: replay value for me, but I will I still listen.

790
00:37:18,480 --> 00:37:20,480
Speaker 1: To chromocopyk it's one of his best albums.

791
00:37:20,480 --> 00:37:23,640
Speaker 2: But and I'm not comparing it because this is clearly different.

792
00:37:24,200 --> 00:37:27,080
Speaker 2: But I like that style of hip hop more than this.

793
00:37:27,640 --> 00:37:30,320
Speaker 2: But again, if I have people over or I'm cleaning

794
00:37:30,320 --> 00:37:33,040
Speaker 2: the house, working out, doing something like that, this is

795
00:37:33,080 --> 00:37:34,120
Speaker 2: something I would throw on.

796
00:37:35,080 --> 00:37:38,080
Speaker 1: Want to say. Jonathan McKay gave it an F minus.

797
00:37:38,080 --> 00:37:44,600
Speaker 1: Bro that's and it.

798
00:37:44,760 --> 00:37:47,200
Speaker 2: Overall for me, it's a B project, you know what

799
00:37:47,239 --> 00:37:50,000
Speaker 2: I'm saying. I feel like it's it's solid through and through.

800
00:37:50,160 --> 00:37:51,200
Speaker 3: It is what it is.

801
00:37:51,680 --> 00:37:54,000
Speaker 2: And like you said earlier, ro you're gonna like it,

802
00:37:54,960 --> 00:37:57,680
Speaker 2: you're gonna hate it, and there's not much in between,

803
00:37:57,960 --> 00:38:01,040
Speaker 2: you know what I'm saying. It just it's a dance

804
00:38:01,120 --> 00:38:04,680
Speaker 2: party project. If you funk with it, cool, If you don't,

805
00:38:05,239 --> 00:38:06,960
Speaker 2: I get it. There's Chromocopia for you.

806
00:38:07,760 --> 00:38:08,080
Speaker 1: Got you.

807
00:38:08,280 --> 00:38:12,600
Speaker 6: Overall, I'm gonna go be minus B minus on overall.

808
00:38:12,320 --> 00:38:16,279
Speaker 5: Like it's it's I feel like it's right there at

809
00:38:16,320 --> 00:38:17,480
Speaker 5: a C plus album.

810
00:38:17,520 --> 00:38:20,239
Speaker 1: But but I don't know. I think it's more of

811
00:38:20,280 --> 00:38:24,839
Speaker 1: a B minus album in my opinion, because I like

812
00:38:24,880 --> 00:38:25,400
Speaker 1: I like that.

813
00:38:25,440 --> 00:38:28,799
Speaker 5: I really like that he's he's just creatively free on it,

814
00:38:29,520 --> 00:38:31,120
Speaker 5: you know, And I give him a lot of points

815
00:38:31,120 --> 00:38:33,239
Speaker 5: for that. I give him a lot of points for that. So, yeah,

816
00:38:33,239 --> 00:38:37,640
Speaker 5: I'm gonna go be minus on this. I feel I'm

817
00:38:37,680 --> 00:38:38,680
Speaker 5: going c plus.

818
00:38:39,320 --> 00:38:47,479
Speaker 1: Mm hmm. Sorry, I mean you know that's what it is. Man.

819
00:38:48,320 --> 00:38:49,719
Speaker 1: I don't think plus is bad.

820
00:38:50,840 --> 00:38:53,400
Speaker 9: It was.

821
00:38:55,160 --> 00:38:57,880
Speaker 3: You said again it was cinema.

822
00:38:57,960 --> 00:39:01,960
Speaker 1: He was like plus. I'm sorry, yeah, man, just.

823
00:39:04,239 --> 00:39:04,759
Speaker 3: It's all right.

824
00:39:06,760 --> 00:39:12,080
Speaker 1: Uh be for me overall? Yeah, for me overall?

825
00:39:12,680 --> 00:39:17,680
Speaker 4: Uh one thing so that they wanted us to bring back.

826
00:39:17,880 --> 00:39:21,320
Speaker 4: We just talked about it. Favorite songs. I want to

827
00:39:21,360 --> 00:39:25,439
Speaker 4: do that live. We can do like three.

828
00:39:25,560 --> 00:39:27,840
Speaker 1: I say it again. I say it again for the

829
00:39:27,840 --> 00:39:28,960
Speaker 1: people who missed it.

830
00:39:29,040 --> 00:39:32,600
Speaker 8: So my my three are sugar on my tongue, Ring

831
00:39:32,680 --> 00:39:34,560
Speaker 8: Ring Ring, and I'll take care of you.

832
00:39:38,239 --> 00:39:44,120
Speaker 4: Okay, I'll go next, give me sucker free, stop playing

833
00:39:44,160 --> 00:39:51,160
Speaker 4: with me, and uh oh ship.

834
00:39:53,040 --> 00:39:55,839
Speaker 1: Sugar on my tongue. It was between that and ring

835
00:39:55,920 --> 00:39:56,560
Speaker 1: Ring Ring.

836
00:39:58,840 --> 00:40:02,000
Speaker 5: Mina all in a row mm hmm. Five through seven,

837
00:40:02,320 --> 00:40:05,360
Speaker 5: stop playing with me, ring Ring Ring, don't tap the

838
00:40:05,400 --> 00:40:09,760
Speaker 5: glass last weeking Like I think that section there section

839
00:40:09,800 --> 00:40:11,799
Speaker 5: there's tough for me.

840
00:40:12,000 --> 00:40:16,560
Speaker 2: Give me big post, sucker free, and don't tap the

841
00:40:16,560 --> 00:40:17,520
Speaker 2: glass last weekend.

842
00:40:18,000 --> 00:40:18,759
Speaker 1: Those are my three.

843
00:40:19,360 --> 00:40:22,400
Speaker 3: But look typically when we record these joints.

844
00:40:22,400 --> 00:40:24,560
Speaker 2: This is where I would say the conversation after the

845
00:40:24,600 --> 00:40:26,160
Speaker 2: conversations in the convers section.

846
00:40:26,400 --> 00:40:28,959
Speaker 3: We live, Baby, We lie so.

847
00:40:31,680 --> 00:40:31,879
Speaker 4: Live.

848
00:40:32,000 --> 00:40:35,160
Speaker 3: So appreciate you guys doing the grades with us.

849
00:40:35,960 --> 00:40:38,880
Speaker 2: I think that this is something that's really dope, and

850
00:40:39,000 --> 00:40:41,520
Speaker 2: maybe we will do it more so in the future,

851
00:40:41,920 --> 00:40:45,400
Speaker 2: doing live reviews because I really like this aspect of

852
00:40:45,680 --> 00:40:50,040
Speaker 2: the interactivity. And now we get to the super chats.

853
00:40:50,120 --> 00:40:53,600
Speaker 2: So appreciate everybody sending those super chats. Look, only the

854
00:40:53,600 --> 00:40:56,279
Speaker 2: ones that are gonna get read are the ones that

855
00:40:56,360 --> 00:41:00,879
Speaker 2: are about this album or future content. Ideas the rest

856
00:41:00,880 --> 00:41:04,760
Speaker 2: of you guys, we appreciate it, but on the reviews,

857
00:41:04,800 --> 00:41:06,520
Speaker 2: it's only for the review and future content.

858
00:41:06,640 --> 00:41:07,640
Speaker 1: But it's not that.

859
00:41:09,920 --> 00:41:11,640
Speaker 3: I don't know how they it might be.

860
00:41:11,840 --> 00:41:14,719
Speaker 1: It might be a getd can how many?

861
00:41:14,760 --> 00:41:16,040
Speaker 3: How many of these joys we got made?

862
00:41:16,840 --> 00:41:18,520
Speaker 1: Yeah? That bad?

863
00:41:19,160 --> 00:41:21,640
Speaker 3: Yeah, we've had way more.

864
00:41:21,960 --> 00:41:25,759
Speaker 1: Yeah, I've been your whole conversation. I was, I was

865
00:41:25,760 --> 00:41:26,320
Speaker 1: in the channel.

866
00:41:26,280 --> 00:41:27,960
Speaker 5: I'm just saying some of them won't get rid if

867
00:41:27,960 --> 00:41:31,000
Speaker 5: it's not related to the album, or we should from

868
00:41:31,000 --> 00:41:31,520
Speaker 5: the get go though.

869
00:41:31,640 --> 00:41:36,440
Speaker 1: Future Yeah, for the future or the future future. But

870
00:41:36,520 --> 00:41:40,600
Speaker 1: I think at this point, like yeah, I'll go through it.

871
00:41:42,760 --> 00:41:44,960
Speaker 4: I think this is a lie, but damn, I can't

872
00:41:44,960 --> 00:41:46,440
Speaker 4: believe at the end of Fantastic for MF.

873
00:41:46,520 --> 00:41:50,560
Speaker 1: Doom steals mister Fantastic Girl. That's from disease right there.

874
00:41:51,160 --> 00:41:56,400
Speaker 4: I didn't sorry related to that. Yeah, but you know

875
00:41:56,800 --> 00:41:59,239
Speaker 4: it was just there wasn't just me and it's not

876
00:41:59,360 --> 00:42:03,640
Speaker 4: like I did really fat but now it was.

877
00:42:03,719 --> 00:42:03,919
Speaker 1: Damn.

878
00:42:03,960 --> 00:42:06,200
Speaker 4: I can't believe at the end. It's irrelevant, really, but

879
00:42:06,320 --> 00:42:08,680
Speaker 4: I can't believe at the end of Fantastic for m F.

880
00:42:08,760 --> 00:42:13,359
Speaker 4: Doom stills mister Fantastics Girl. Oh yeah, that's it. I

881
00:42:13,360 --> 00:42:15,799
Speaker 4: want to grab these other two from MC tip because

882
00:42:15,800 --> 00:42:17,400
Speaker 4: he dropped me in early.

883
00:42:19,080 --> 00:42:21,000
Speaker 1: Oh yeah, he mentioned that too, he said, he said his.

884
00:42:21,040 --> 00:42:25,640
Speaker 4: Early ring ring ring is mad Nostalgiica to both Saturday

885
00:42:25,640 --> 00:42:28,200
Speaker 4: Love and Off the Wall, even though I wish it

886
00:42:28,280 --> 00:42:30,840
Speaker 4: was vocally stronger, still a top favor of mine.

887
00:42:31,400 --> 00:42:35,879
Speaker 1: Hey, but be ship he he ain't touching. Michael saw

888
00:42:35,920 --> 00:42:38,280
Speaker 1: that video, I said, Bro, he ain't got Michael moves

889
00:42:40,280 --> 00:42:46,319
Speaker 1: my wall. Bro. Michael was floating. He was uh as

890
00:42:46,480 --> 00:42:47,520
Speaker 1: his overall, I think the.

891
00:42:47,480 --> 00:42:51,920
Speaker 4: Album is fun, but forgettable felt like his royalty.

892
00:42:52,120 --> 00:42:54,400
Speaker 1: He dropped what he felt in the moment, go ahead.

893
00:42:55,719 --> 00:42:58,160
Speaker 3: Ship and even that child's got beatle. Probably I fucked

894
00:42:58,200 --> 00:43:01,600
Speaker 3: the royalty. I'm the only one too, m you know

895
00:43:01,640 --> 00:43:03,520
Speaker 3: it happens that way.

896
00:43:04,560 --> 00:43:05,160
Speaker 1: Uh.

897
00:43:06,080 --> 00:43:09,960
Speaker 4: Pretty fun topic from recommendation for Jonathan and Ndez with

898
00:43:10,120 --> 00:43:12,799
Speaker 4: fantastic work coming out this weekend, what rappers would you

899
00:43:12,840 --> 00:43:16,200
Speaker 4: a similar beat the fantastic for? So we can circle

900
00:43:16,239 --> 00:43:18,160
Speaker 4: back around like that like that?

901
00:43:18,320 --> 00:43:20,600
Speaker 5: Like that, I mean, are we are we saying like

902
00:43:20,840 --> 00:43:24,279
Speaker 5: it's for Yeah? I don't know, but I don't know

903
00:43:24,320 --> 00:43:26,360
Speaker 5: if they was trying to be like literal with it,

904
00:43:26,360 --> 00:43:28,719
Speaker 5: but I always I always get in my head about

905
00:43:28,719 --> 00:43:29,439
Speaker 5: this type of question.

906
00:43:29,520 --> 00:43:31,800
Speaker 3: So you're saying, like, who would be a mister fantastic?

907
00:43:31,800 --> 00:43:32,640
Speaker 3: Who would be Johnny?

908
00:43:34,719 --> 00:43:36,360
Speaker 4: I wasn't thinking about it in that way, but I

909
00:43:36,719 --> 00:43:38,120
Speaker 4: see where you're coming from that.

910
00:43:39,520 --> 00:43:40,080
Speaker 1: Ray Rads.

911
00:43:40,200 --> 00:43:43,359
Speaker 4: I love that Tyler did the fun at libs talking

912
00:43:43,400 --> 00:43:45,799
Speaker 4: ship on the intro and outro. In my opinion, that

913
00:43:45,840 --> 00:43:48,080
Speaker 4: felt like a more fun version of what Eminem was

914
00:43:48,120 --> 00:43:52,680
Speaker 4: doing on the Slim Shady l P plus simply knock.

915
00:43:52,719 --> 00:43:54,640
Speaker 4: If you buck into a love song, is it same?

916
00:43:54,719 --> 00:43:57,239
Speaker 1: Yeah? That's crazy. I take care of you, I take

917
00:43:57,280 --> 00:43:57,480
Speaker 1: care of you.

918
00:43:57,800 --> 00:44:02,040
Speaker 4: That was yeah, shot up, Tyler tapped in man shout

919
00:44:02,040 --> 00:44:06,880
Speaker 4: out the knuck if you buck Uh, Tyler Farrell dropped

920
00:44:06,920 --> 00:44:08,919
Speaker 4: the whole album before dropping.

921
00:44:08,560 --> 00:44:11,080
Speaker 1: The sticky music video. I don't know if I should

922
00:44:11,080 --> 00:44:15,239
Speaker 1: be happy or not, LAMEO. That is interesting we.

923
00:44:16,000 --> 00:44:18,600
Speaker 2: Dropping a whole project before that video because I definitely

924
00:44:18,640 --> 00:44:19,880
Speaker 2: thought it would have been a video.

925
00:44:21,800 --> 00:44:24,799
Speaker 1: Bit. Yeah, yeah, that's one of my favorite songs on

926
00:44:26,040 --> 00:44:26,360
Speaker 1: h T.

927
00:44:26,800 --> 00:44:29,560
Speaker 4: Just not too late to recant your grades for the

928
00:44:29,600 --> 00:44:33,560
Speaker 4: production on Let God for God sorts y'all out.

929
00:44:34,520 --> 00:44:40,239
Speaker 2: There's a whole video dropping this Friday. Sort me out,

930
00:44:42,520 --> 00:44:44,640
Speaker 2: you blessed Holly favorite h you be damn right?

931
00:44:45,719 --> 00:44:49,080
Speaker 1: Kyote Uh what's up y'all? And miss y'all would would

932
00:44:49,160 --> 00:44:49,800
Speaker 1: you agree?

933
00:44:49,920 --> 00:44:53,520
Speaker 4: Don't tap the glasses to g n X as Chromacopia

934
00:44:53,760 --> 00:44:57,120
Speaker 4: is to mister Morale, especially in terms of vibe and message.

935
00:44:57,440 --> 00:44:59,320
Speaker 6: I feel that I saw somebody put that in the

936
00:44:59,480 --> 00:45:00,839
Speaker 6: in the chat earlier, and I was like, oh.

937
00:45:00,840 --> 00:45:03,080
Speaker 5: Y'all can see that, because that's what we thought so

938
00:45:03,160 --> 00:45:06,760
Speaker 5: much so that that gn X wasn't a real project,

939
00:45:07,360 --> 00:45:10,160
Speaker 5: because that's how like free he was on that, you know.

940
00:45:11,120 --> 00:45:16,000
Speaker 2: So I feel like Chromocopia wasn't as deep as mister Morale.

941
00:45:16,440 --> 00:45:18,359
Speaker 3: I think he touched on certain subjects matter.

942
00:45:19,120 --> 00:45:21,359
Speaker 6: I think he was saying as far as like yeah, yeah,

943
00:45:21,400 --> 00:45:22,320
Speaker 6: yeah yeah.

944
00:45:22,800 --> 00:45:25,520
Speaker 2: And and and I agree there but but like if

945
00:45:25,520 --> 00:45:28,239
Speaker 2: we're one to one comparison, like how you were kind

946
00:45:28,239 --> 00:45:30,480
Speaker 2: of doing with the Fantastic for you know what I'm saying,

947
00:45:30,600 --> 00:45:33,120
Speaker 2: like no, but in general yet.

948
00:45:33,040 --> 00:45:38,359
Speaker 1: Yeah yeah yeah I feel that all right.

949
00:45:38,719 --> 00:45:42,800
Speaker 4: Uh, I can read this one. The new Jordan Lucas

950
00:45:42,800 --> 00:45:43,680
Speaker 4: album is really good.

951
00:45:43,680 --> 00:45:47,480
Speaker 1: I hope you guys heard it. I have not talking

952
00:45:47,520 --> 00:45:51,680
Speaker 1: about Yeah, glad somebody has it. Might be on D

953
00:45:51,760 --> 00:45:58,080
Speaker 1: through sixty five, might be and him and Skeptic. Damn,

954
00:46:00,680 --> 00:46:02,120
Speaker 1: nobody care about them songs?

955
00:46:03,320 --> 00:46:07,279
Speaker 3: What I ain't gonna serious. Just came in with what

956
00:46:07,280 --> 00:46:08,000
Speaker 3: are we doing here?

957
00:46:08,200 --> 00:46:16,279
Speaker 1: Like they really cared? Hey man, you can't be.

958
00:46:17,120 --> 00:46:19,839
Speaker 8: I'm just I'm just talking about all of them, asked

959
00:46:20,040 --> 00:46:21,960
Speaker 8: you can't Are we caring about these songs?

960
00:46:22,520 --> 00:46:23,440
Speaker 3: Look, I'm gonna say this.

961
00:46:23,520 --> 00:46:26,600
Speaker 9: Everybody trying to talk smack about the Joey Badass and Ravon.

962
00:46:27,640 --> 00:46:30,200
Speaker 1: This is this is what. That's the one that you

963
00:46:30,200 --> 00:46:30,560
Speaker 1: don't care.

964
00:46:30,680 --> 00:46:32,000
Speaker 9: That's the one you don't really care about.

965
00:46:32,040 --> 00:46:37,719
Speaker 1: Come on, I can't give though they beeing you're not

966
00:46:37,760 --> 00:46:41,799
Speaker 1: missing nobody the chat because nobody care.

967
00:46:44,360 --> 00:46:46,520
Speaker 9: Somebody saying teas and biscuits versus a.

968
00:46:49,120 --> 00:46:55,279
Speaker 1: Trash versus rubbish. That's crazy. Yeah, that's the same t J.

969
00:46:55,400 --> 00:46:57,719
Speaker 4: Thomas step nine released his most personal album and I

970
00:46:57,719 --> 00:46:58,080
Speaker 4: loved it.

971
00:46:58,160 --> 00:47:00,920
Speaker 1: I think it's getting slept on really. I hope you

972
00:47:00,960 --> 00:47:02,000
Speaker 1: don't have thirty tracks on it.

973
00:47:03,719 --> 00:47:05,440
Speaker 2: It does have a lot hold on because I looked

974
00:47:05,440 --> 00:47:08,920
Speaker 2: at that man, and that's partly I guess brand.

975
00:47:09,160 --> 00:47:15,799
Speaker 1: I guess that's his brand. Yeah yeah, uh, Dean, did

976
00:47:15,840 --> 00:47:20,640
Speaker 1: you choose It's our? It's our? Uh, while you could

977
00:47:20,680 --> 00:47:21,960
Speaker 1: choose any of his other albums.

978
00:47:22,000 --> 00:47:25,880
Speaker 4: I do think at the main standpoint, D T T

979
00:47:26,040 --> 00:47:29,720
Speaker 4: G is a fantastic showcase for Tyler's production capabilities.

980
00:47:30,080 --> 00:47:33,640
Speaker 1: Don't have the glass mm hmm that that is actually

981
00:47:33,680 --> 00:47:34,440
Speaker 1: a really good point.

982
00:47:34,680 --> 00:47:38,480
Speaker 4: Yeah, yeah, it's production on here is like for him

983
00:47:38,520 --> 00:47:41,200
Speaker 4: to do the whole album like jeezus, man, he's come

984
00:47:41,280 --> 00:47:48,960
Speaker 4: a long way. Yeah, it's evolution crazy. Yeah, Yeah, for sure, left.

985
00:47:48,719 --> 00:47:50,640
Speaker 1: Brand still produce. I don't know.

986
00:47:51,560 --> 00:47:54,520
Speaker 4: Yeah, he's still well. I guess that's about asking. He

987
00:47:54,600 --> 00:47:58,360
Speaker 4: still produces green beans. A couple of songs were cool overall,

988
00:47:58,440 --> 00:48:01,600
Speaker 4: not for me, I know. Rand listen to bust Down

989
00:48:01,680 --> 00:48:06,160
Speaker 4: Nasty Bitch Today. Lyrics were it's saying my many. Hey,

990
00:48:06,280 --> 00:48:08,680
Speaker 4: that's what I'm talking about. You tapped there, Broy. That's

991
00:48:09,040 --> 00:48:12,319
Speaker 4: the old school ship. That's like hip hop blues. That's

992
00:48:12,320 --> 00:48:13,280
Speaker 4: that nasty ship.

993
00:48:13,320 --> 00:48:21,200
Speaker 1: Bro. You have you ever heard that ship? Bro? He

994
00:48:22,040 --> 00:48:23,080
Speaker 1: nasty bitch.

995
00:48:25,360 --> 00:48:29,000
Speaker 4: They're gonna take our video down, man, Bro, Hey, bro,

996
00:48:30,120 --> 00:48:31,120
Speaker 4: he just gonna listen to it.

997
00:48:31,160 --> 00:48:37,520
Speaker 1: Bro, he does let's bring Okay? Yeah? Why did you

998
00:48:37,520 --> 00:48:41,000
Speaker 1: hell you listen to the bust Down? Never mind? Uh?

999
00:48:42,000 --> 00:48:42,200
Speaker 3: Hey?

1000
00:48:42,320 --> 00:48:44,680
Speaker 4: Ron j back with another update. I'm probably to announce

1001
00:48:44,680 --> 00:48:46,600
Speaker 4: that my album will be dropping August eighth.

1002
00:48:46,880 --> 00:48:49,600
Speaker 1: It will be called t I A like. We know

1003
00:48:49,680 --> 00:48:54,440
Speaker 1: what that is. Damn, it's an acronym. We don't know

1004
00:48:54,440 --> 00:49:00,920
Speaker 1: what the acronym means like, but he said, back with

1005
00:49:00,960 --> 00:49:03,640
Speaker 1: another update. Did he tell us remember this? It's just

1006
00:49:03,640 --> 00:49:04,440
Speaker 1: to keep your mindset?

1007
00:49:04,480 --> 00:49:09,520
Speaker 5: Guy, Damn, I I don't remember.

1008
00:49:09,520 --> 00:49:13,240
Speaker 8: I'm sorry, Bro, I remember we listened to so much stuff.

1009
00:49:13,400 --> 00:49:14,719
Speaker 8: Rob Costas stupid.

1010
00:49:14,960 --> 00:49:24,600
Speaker 1: Oh okay, okay, Rob crazy crazy? Ain't Bro? That is

1011
00:49:24,640 --> 00:49:37,600
Speaker 1: funny that Jello? No, I don't know why you put that.

1012
00:49:37,640 --> 00:49:41,439
Speaker 4: Donald Man easy if he called the album, don't tap that, hey,

1013
00:49:41,480 --> 00:49:42,000
Speaker 4: I bet.

1014
00:49:41,800 --> 00:49:46,280
Speaker 1: You would have liked it more. Okay, that's all right.

1015
00:49:48,360 --> 00:49:53,480
Speaker 11: Appretiate the five bones baby, you know what I'm saying,

1016
00:49:56,280 --> 00:49:59,160
Speaker 11: Josh Rose, I hate saying this, but I really don't

1017
00:49:59,280 --> 00:50:00,960
Speaker 11: like the album was all over the place, but it

1018
00:50:01,000 --> 00:50:03,520
Speaker 11: may grow on me when the disappointment of him not

1019
00:50:03,600 --> 00:50:04,920
Speaker 11: wrapping passes.

1020
00:50:05,040 --> 00:50:08,040
Speaker 1: Over the place. I don't think it's all over the place.

1021
00:50:08,360 --> 00:50:09,040
Speaker 1: I think it's.

1022
00:50:09,040 --> 00:50:11,080
Speaker 3: Very very yes, in one box.

1023
00:50:11,200 --> 00:50:15,279
Speaker 2: Yeah, yeah, it's a very loud box.

1024
00:50:15,719 --> 00:50:16,760
Speaker 3: The top is wide open.

1025
00:50:20,440 --> 00:50:24,600
Speaker 4: Yeah, but I do hear like the all over the

1026
00:50:24,640 --> 00:50:28,319
Speaker 4: place ness of it that he probably hears, But I

1027
00:50:28,320 --> 00:50:31,160
Speaker 4: do think it is still contained within the box stuff.

1028
00:50:31,239 --> 00:50:33,439
Speaker 1: So I'm more in linement with what you guys are saying.

1029
00:50:36,800 --> 00:50:37,880
Speaker 1: He did wrap on the album.

1030
00:50:37,960 --> 00:50:40,319
Speaker 5: Somebody asked way he didn't wrap on the album, so

1031
00:50:40,400 --> 00:50:41,759
Speaker 5: that's not entirely true.

1032
00:50:41,800 --> 00:50:44,359
Speaker 1: He did do some rapping on it. Yeah, yeah, yeah.

1033
00:50:44,400 --> 00:50:45,080
Speaker 1: The Lewis.

1034
00:50:46,600 --> 00:50:50,040
Speaker 4: Topic, you guys probably already saw the Fantano Vays Eclipse

1035
00:50:50,120 --> 00:50:55,959
Speaker 4: album at ten with the last uh hh hip hop

1036
00:50:56,000 --> 00:50:59,719
Speaker 4: being kids, he goes and to a butterfly? What are

1037
00:50:59,719 --> 00:51:02,360
Speaker 4: some I was since you started that about would you

1038
00:51:02,360 --> 00:51:02,879
Speaker 4: give a ten?

1039
00:51:03,040 --> 00:51:06,480
Speaker 1: Personally? We're talking about for us all as we kind

1040
00:51:06,480 --> 00:51:10,040
Speaker 1: of well, yeah, okay, as I got you, I.

1041
00:51:10,000 --> 00:51:15,840
Speaker 8: Got you this, y'all better not bullshit?

1042
00:51:16,040 --> 00:51:18,000
Speaker 6: No, no, no, yeah, who would we give.

1043
00:51:17,840 --> 00:51:21,319
Speaker 3: A perfect album screenshot this?

1044
00:51:21,400 --> 00:51:25,560
Speaker 10: So my question are we specifically ongoing, like does it

1045
00:51:25,640 --> 00:51:27,240
Speaker 10: have to be albums on review?

1046
00:51:27,480 --> 00:51:28,480
Speaker 3: Like like what? Yeah?

1047
00:51:28,560 --> 00:51:31,759
Speaker 5: I'm thinking like probably just over time, Like what would

1048
00:51:31,760 --> 00:51:33,080
Speaker 5: we give to do it?

1049
00:51:34,840 --> 00:51:34,960
Speaker 3: Now?

1050
00:51:35,520 --> 00:51:38,120
Speaker 2: I think we should definitely include some of our personal

1051
00:51:38,200 --> 00:51:39,360
Speaker 2: favorites that we didn't review.

1052
00:51:39,480 --> 00:51:40,680
Speaker 1: No, I'm not saying we shouldn't.

1053
00:51:40,680 --> 00:51:44,080
Speaker 3: I'm just saying that because then that'll give patreons and

1054
00:51:44,160 --> 00:51:47,520
Speaker 3: members the ability to nominate that on the request line

1055
00:51:47,760 --> 00:51:50,919
Speaker 3: if we haven't reviewed it, because you know what I'm saying,

1056
00:51:51,000 --> 00:51:52,640
Speaker 3: we love it, then.

1057
00:51:52,560 --> 00:51:54,520
Speaker 4: All right, well we can figure out the logistics of

1058
00:51:54,560 --> 00:51:58,359
Speaker 4: how to work I got it cool? Uh, Dean, I'm

1059
00:51:58,400 --> 00:52:01,000
Speaker 4: personally glad there were no major features on this album

1060
00:52:01,000 --> 00:52:03,759
Speaker 4: would have ruined the listening purpose of it and have

1061
00:52:03,920 --> 00:52:05,480
Speaker 4: Tyler outshined.

1062
00:52:06,360 --> 00:52:12,000
Speaker 1: Yeah, yeah, yeah, the best speecher. Yeah. I don't saying

1063
00:52:12,040 --> 00:52:13,560
Speaker 1: somebody's outshine Tyler.

1064
00:52:14,560 --> 00:52:14,960
Speaker 3: I don't know.

1065
00:52:15,000 --> 00:52:18,520
Speaker 1: I don't know if I agree with that tape. I'm

1066
00:52:18,560 --> 00:52:19,960
Speaker 1: thinking about it, Tyler.

1067
00:52:21,719 --> 00:52:24,040
Speaker 10: I don't think it's a case of that's nobody that

1068
00:52:24,239 --> 00:52:25,400
Speaker 10: can't out wrap Tyler.

1069
00:52:25,440 --> 00:52:27,840
Speaker 9: But I feel like Tyler's like presence and everything.

1070
00:52:27,840 --> 00:52:29,879
Speaker 10: I don't I don't think i've ever heard the track

1071
00:52:29,880 --> 00:52:31,600
Speaker 10: where I can say Tyler got outshined.

1072
00:52:31,680 --> 00:52:34,120
Speaker 9: In most cases, I'm saying Tyler is standing out the most.

1073
00:52:36,000 --> 00:52:38,520
Speaker 2: Yeah, I just you know, like like if he would

1074
00:52:38,520 --> 00:52:40,359
Speaker 2: have put Yeat on something, or.

1075
00:52:42,120 --> 00:52:44,640
Speaker 3: Who's the one that Kate was featured on that we

1076
00:52:44,680 --> 00:52:48,319
Speaker 3: was like held out to young nigga Cardi. People put

1077
00:52:48,520 --> 00:52:51,000
Speaker 3: Cardi on here, like like this is that style?

1078
00:52:51,120 --> 00:52:52,640
Speaker 2: Like I would have been okay with that, Like I

1079
00:52:52,719 --> 00:52:55,040
Speaker 2: don't think it would have taken away from the project.

1080
00:52:55,440 --> 00:53:01,400
Speaker 4: And Roger sent an update. Uh he said, uh, t

1081
00:53:01,520 --> 00:53:03,880
Speaker 4: I is this is.

1082
00:53:05,280 --> 00:53:09,520
Speaker 1: He is funny? What this is? Ass?

1083
00:53:09,880 --> 00:53:11,640
Speaker 4: This is I've been trying to you know, because the

1084
00:53:11,719 --> 00:53:12,759
Speaker 4: ass and ship I be trying.

1085
00:53:13,480 --> 00:53:16,120
Speaker 6: I feel he said this is ass like it's funny.

1086
00:53:16,120 --> 00:53:19,560
Speaker 1: Not gonna lie that's the title of the album. That's

1087
00:53:19,560 --> 00:53:23,479
Speaker 1: not the title of the album. It's not what he said.

1088
00:53:23,480 --> 00:53:25,800
Speaker 1: He said you'll find out about when the album drops.

1089
00:53:25,800 --> 00:53:29,440
Speaker 4: The academ is somebody said that was what it stood for,

1090
00:53:29,520 --> 00:53:30,600
Speaker 4: and he's coming into that.

1091
00:53:30,960 --> 00:53:33,560
Speaker 6: You're just saying that it's funny not gonna lie, is

1092
00:53:33,600 --> 00:53:34,320
Speaker 6: what he was saying.

1093
00:53:35,040 --> 00:53:38,840
Speaker 1: That's not the actual title of that. No, no, no,

1094
00:53:39,520 --> 00:53:40,080
Speaker 1: I thought.

1095
00:53:41,560 --> 00:53:43,239
Speaker 4: That would have been a while as title This is

1096
00:53:43,280 --> 00:53:45,960
Speaker 4: ass I thought, I.

1097
00:53:47,120 --> 00:53:48,360
Speaker 1: Thought he album this is.

1098
00:53:52,200 --> 00:53:54,640
Speaker 4: I was, hey, man, look I don't know how your

1099
00:53:54,920 --> 00:53:57,960
Speaker 4: young old is, but you know these these man.

1100
00:53:58,080 --> 00:54:01,239
Speaker 1: I was like, man, go for it. We don't we

1101
00:54:01,280 --> 00:54:02,919
Speaker 1: don't shame around.

1102
00:54:02,560 --> 00:54:06,080
Speaker 9: Here, we don't judge.

1103
00:54:06,320 --> 00:54:15,600
Speaker 1: Yep. Ship Uh.

1104
00:54:15,840 --> 00:54:19,320
Speaker 4: Potential video idea analyzing the goats if the nineties in

1105
00:54:19,400 --> 00:54:22,880
Speaker 4: two thousand, uh and how they're catalogs.

1106
00:54:22,400 --> 00:54:25,040
Speaker 1: Of age and where they're at today.

1107
00:54:25,800 --> 00:54:26,000
Speaker 3: Hmm.

1108
00:54:26,480 --> 00:54:31,600
Speaker 4: I do like the agent, Yeah, because what makes that

1109
00:54:31,719 --> 00:54:36,520
Speaker 4: interesting is because guys right now not missing, whereas back

1110
00:54:36,560 --> 00:54:39,360
Speaker 4: in the nineties and two thousand missed a lot misses.

1111
00:54:39,880 --> 00:54:41,919
Speaker 1: So I like that.

1112
00:54:42,200 --> 00:54:45,680
Speaker 4: And and Martin bet fly we are gonna get We

1113
00:54:45,719 --> 00:54:46,840
Speaker 4: are gonna do the other combo.

1114
00:54:46,880 --> 00:54:48,080
Speaker 1: By the way, I saw it, I saw you.

1115
00:54:48,120 --> 00:54:52,040
Speaker 4: Coming in the chat. Uh, he said, he just said,

1116
00:54:52,040 --> 00:54:53,680
Speaker 4: we're never gonna get that combo.

1117
00:54:55,800 --> 00:54:57,560
Speaker 1: Being sunny. They got it. Man, They're gonna make.

1118
00:54:57,520 --> 00:55:01,239
Speaker 4: Sure we're gonna point if y'all fourteenth today in this era,

1119
00:55:01,360 --> 00:55:03,320
Speaker 4: who's the artist you think you'll be influenced?

1120
00:55:03,320 --> 00:55:05,760
Speaker 1: By the most. Kendrick.

1121
00:55:05,920 --> 00:55:08,479
Speaker 5: If y'all were fourteenth to day in this era, who's

1122
00:55:08,520 --> 00:55:12,360
Speaker 5: the artist you think you'll be influenced by the most.

1123
00:55:12,960 --> 00:55:18,840
Speaker 1: It's a good question. Fourteen is what? Uh ninth grade?

1124
00:55:19,000 --> 00:55:27,920
Speaker 1: Ninth grade? Yeah, mm hmm. You said Kendrick. Can I

1125
00:55:27,920 --> 00:55:30,960
Speaker 1: think Kendrew will be the one? Yeah, I don't know.

1126
00:55:31,000 --> 00:55:33,640
Speaker 1: I don't know if I would be on k I

1127
00:55:33,719 --> 00:55:36,720
Speaker 1: say Jid for me. I was about to say Jed too.

1128
00:55:37,800 --> 00:55:41,640
Speaker 6: I wasn't about to say but, but I wasn't sure though.

1129
00:55:41,640 --> 00:55:42,959
Speaker 1: That's what I'm saying. I wasn't sure.

1130
00:55:43,080 --> 00:55:45,799
Speaker 4: Yeah, definitely Kendrick because I would because that Kendrick drake

1131
00:55:45,840 --> 00:55:49,520
Speaker 4: Be probably would have been the one that maybe, Yeah,

1132
00:55:49,520 --> 00:55:51,160
Speaker 4: because I probably would already been listening to.

1133
00:55:51,280 --> 00:55:55,080
Speaker 6: Maybe maybe Since you said Jim, I'm gonna go Mick Jenkins.

1134
00:55:55,360 --> 00:55:59,840
Speaker 3: M Yeah, I'll probably be on key Block Little Babies.

1135
00:56:01,640 --> 00:56:03,600
Speaker 2: I'm just thinking about, like, you know, because that that

1136
00:56:03,719 --> 00:56:05,080
Speaker 2: was my bumping the whip era, bro.

1137
00:56:05,239 --> 00:56:08,160
Speaker 3: Like that's when I was listening to master P. I

1138
00:56:08,280 --> 00:56:11,640
Speaker 3: listened to a lot of ignorant ship. Oh yeah, dude,

1139
00:56:11,760 --> 00:56:16,000
Speaker 3: dues on dudes, I'd be on Isaiah.

1140
00:56:17,800 --> 00:56:22,080
Speaker 1: Yeah, I'd been dropping music. But I feel yeah, Ray Raggs.

1141
00:56:22,120 --> 00:56:23,880
Speaker 4: I know it's after the time, but I was laughing

1142
00:56:23,880 --> 00:56:32,440
Speaker 4: at for real doing that Swiss Beats impersonation. I don't know,

1143
00:56:32,719 --> 00:56:35,640
Speaker 4: but Swiss Beasts is the one that actually I don't

1144
00:56:35,680 --> 00:56:38,480
Speaker 4: know if you guys saw this, but Swiss Beats came

1145
00:56:38,520 --> 00:56:43,239
Speaker 4: to the Rescue for the sample clearance for that.

1146
00:56:45,160 --> 00:56:49,040
Speaker 1: Yeah, yeah, for it. Oh really thought that was dope.

1147
00:56:49,080 --> 00:56:51,640
Speaker 4: Yeah, because he had connections over there and he was

1148
00:56:51,680 --> 00:56:54,920
Speaker 4: actually going over to Saudi Arabia. Yeah, so he was

1149
00:56:54,960 --> 00:56:57,719
Speaker 4: actually going over there and he he talked to them

1150
00:56:58,440 --> 00:57:00,680
Speaker 4: and made a call and and got it cleared.

1151
00:57:00,719 --> 00:57:01,439
Speaker 1: I thought that was dope.

1152
00:57:01,800 --> 00:57:03,799
Speaker 5: You hit the old one though, I still hit the

1153
00:57:03,840 --> 00:57:05,560
Speaker 5: old one on on on Apple.

1154
00:57:05,960 --> 00:57:08,440
Speaker 2: Did you add it and like download it because you

1155
00:57:08,680 --> 00:57:10,200
Speaker 2: have to remove it and then.

1156
00:57:10,400 --> 00:57:16,880
Speaker 1: Again and just stream it. I was good, good, still

1157
00:57:16,880 --> 00:57:19,920
Speaker 1: on the clean version is one. I mean, like I'm sorry.

1158
00:57:20,080 --> 00:57:23,640
Speaker 10: Again saying I was saying fos right because with Afthmun specifically,

1159
00:57:23,680 --> 00:57:26,640
Speaker 10: like if you saved the single before the actual album

1160
00:57:26,680 --> 00:57:28,480
Speaker 10: drops and then like because they you know, they do

1161
00:57:28,520 --> 00:57:30,040
Speaker 10: their whole thing with kind of when people drop, come

1162
00:57:30,040 --> 00:57:31,920
Speaker 10: back and drop the luxes. Now they just update the

1163
00:57:31,960 --> 00:57:34,640
Speaker 10: already album. It'd be the same thing. So sometimes, like

1164
00:57:34,680 --> 00:57:36,960
Speaker 10: I've caught myself and having albums, I'll have like two

1165
00:57:36,960 --> 00:57:38,560
Speaker 10: of the same track in there because they will have

1166
00:57:38,600 --> 00:57:41,040
Speaker 10: the single saved and then still the album version.

1167
00:57:41,120 --> 00:57:43,760
Speaker 3: Yeah, just like remember with Jako might delete later when he.

1168
00:57:43,960 --> 00:57:47,240
Speaker 2: Removed that that that song, I still have it because

1169
00:57:47,280 --> 00:57:48,560
Speaker 2: I downloaded.

1170
00:57:49,120 --> 00:57:49,760
Speaker 3: You know what I'm saying.

1171
00:57:50,080 --> 00:57:52,760
Speaker 2: Here's the thing so on my phone, Rod, I removed

1172
00:57:52,800 --> 00:57:54,640
Speaker 2: it and added it and it's still the old one.

1173
00:57:54,640 --> 00:57:57,080
Speaker 2: But I streamed it in my house and then played

1174
00:57:57,120 --> 00:57:58,240
Speaker 2: the original.

1175
00:57:57,760 --> 00:58:00,320
Speaker 1: Beat, even explicit one. Yeah, even the express the one.

1176
00:58:00,440 --> 00:58:01,439
Speaker 1: It was the original beat.

1177
00:58:01,440 --> 00:58:05,520
Speaker 4: So I don't know, all right, just three more here

1178
00:58:05,520 --> 00:58:09,040
Speaker 4: the two from m C to Tip before we went live. Uh,

1179
00:58:09,200 --> 00:58:11,240
Speaker 4: Dwayne Pierce totally off top. I just want to know

1180
00:58:11,280 --> 00:58:17,640
Speaker 4: if y'all heard that stove God, don't call me I'm cooking, don't.

1181
00:58:17,440 --> 00:58:18,360
Speaker 3: Call me cooking.

1182
00:58:21,000 --> 00:58:22,800
Speaker 1: If these stove the kitchen.

1183
00:58:23,920 --> 00:58:24,560
Speaker 3: That's the last one.

1184
00:58:25,320 --> 00:58:28,479
Speaker 9: Yeah, I got the link, man, send it to a brother.

1185
00:58:34,440 --> 00:58:36,840
Speaker 1: M Yeah.

1186
00:58:37,000 --> 00:58:39,200
Speaker 4: I don't think I was listening to some stove guy

1187
00:58:39,400 --> 00:58:41,040
Speaker 4: earlier to today.

1188
00:58:42,080 --> 00:58:44,760
Speaker 1: What was what I'm saying? But I think I may

1189
00:58:44,760 --> 00:58:48,280
Speaker 1: have been listening y'all talking about listen to stove got

1190
00:58:48,320 --> 00:58:53,120
Speaker 1: in mark, reasonable drop, reasonable drop. It was still something

1191
00:58:53,160 --> 00:58:54,320
Speaker 1: that all off stream.

1192
00:58:54,440 --> 00:58:58,680
Speaker 4: Okay, let me see he got you yeah uh but

1193
00:58:58,800 --> 00:59:01,320
Speaker 4: yeah yeah hook a brother up. Shout out to delinquisher

1194
00:59:01,600 --> 00:59:03,920
Speaker 4: y l G for the supersticker. Appreciate it.

1195
00:59:09,560 --> 00:59:13,040
Speaker 1: The delinguisher wo wow yeah.

1196
00:59:13,920 --> 00:59:16,000
Speaker 4: Yep, yeah, I hope you enjoyed that review we did

1197
00:59:16,120 --> 00:59:20,400
Speaker 4: for you. I know you keep trying to mm hmmm

1198
00:59:21,200 --> 00:59:22,960
Speaker 4: and we got We got D three since five. That

1199
00:59:22,960 --> 00:59:23,960
Speaker 4: can help us on that too.

1200
00:59:24,440 --> 00:59:24,800
Speaker 1: What's up?

1201
00:59:24,840 --> 00:59:28,840
Speaker 4: Brother's random question? Best black sitcom theme song? Keep on streaming,

1202
00:59:28,880 --> 00:59:31,760
Speaker 4: FFO and B thanks for replying on discord.

1203
00:59:32,440 --> 00:59:39,120
Speaker 8: Oh yeah, you know what I'm saying, sam Son, your

1204
00:59:39,160 --> 00:59:41,760
Speaker 8: favorite is Jones.

1205
00:59:45,160 --> 00:59:52,480
Speaker 1: I like moving on up on there f Yeah yeah.

1206
00:59:53,120 --> 00:59:56,200
Speaker 6: I like a different world?

1207
00:59:56,480 --> 00:59:59,880
Speaker 1: Which one with Patty happen?

1208
00:59:59,920 --> 01:00:03,880
Speaker 5: I one, the one when to read the I like

1209
01:00:03,960 --> 01:00:04,240
Speaker 5: that one?

1210
01:00:04,320 --> 01:00:18,320
Speaker 1: Yeah yeah yeah. She killed that ship? Yeah chance, but

1211
01:00:26,320 --> 01:00:28,840
Speaker 1: that she did? She did, She was killed that ship.

1212
01:00:28,880 --> 01:00:33,240
Speaker 1: She was singing all right, mc tic last one?

1213
01:00:33,360 --> 01:00:36,200
Speaker 4: What up again? Has anyone listened to Ray's new project?

1214
01:00:36,720 --> 01:00:38,400
Speaker 4: Maybe a D three six fire review?

1215
01:00:38,800 --> 01:00:42,520
Speaker 1: No, man, that's a daddy hip hop review. Go ahead.

1216
01:00:43,040 --> 01:00:45,200
Speaker 4: The person to really enjoy that can't wait for Supreme

1217
01:00:45,360 --> 01:00:49,040
Speaker 4: clientele too and r ip Malcolm Jamal Warner.

1218
01:00:50,200 --> 01:00:51,840
Speaker 1: We didn't say that first. I can't believe we didn't

1219
01:00:51,840 --> 01:00:54,000
Speaker 1: say that first. Damn, Oh my god, it'll be It'll

1220
01:00:54,040 --> 01:00:58,439
Speaker 1: be in the rundown. Man. That was crazy. Yeah, wife,

1221
01:00:58,480 --> 01:00:58,960
Speaker 1: he told me.

1222
01:00:59,000 --> 01:01:02,160
Speaker 4: I was like, huh out did I go? We we

1223
01:01:02,240 --> 01:01:05,880
Speaker 4: did already great Tyler's album. But you can go back

1224
01:01:05,920 --> 01:01:08,640
Speaker 4: and kind of rewind it. Yeah, rewind and watch it

1225
01:01:08,760 --> 01:01:10,280
Speaker 4: or just yeah it's.

1226
01:01:10,160 --> 01:01:12,320
Speaker 3: Live and put your grade in the commons section.

1227
01:01:13,520 --> 01:01:14,320
Speaker 1: Appreciate that.

1228
01:01:14,600 --> 01:01:18,680
Speaker 2: Look, man, we love these interactive sessions that we have

1229
01:01:18,960 --> 01:01:22,120
Speaker 2: on the lives and I feel, you know, the vibe.

1230
01:01:22,240 --> 01:01:24,520
Speaker 3: Everybody is like, oh ship, I think we might be

1231
01:01:24,560 --> 01:01:25,720
Speaker 3: doing some more reviews.

1232
01:01:26,240 --> 01:01:29,840
Speaker 2: That's unofficial, that's just in the moment. But people want

1233
01:01:29,840 --> 01:01:32,480
Speaker 2: to chance that they want them okay, and we typically

1234
01:01:32,560 --> 01:01:34,240
Speaker 2: hear the people what they want, you know what I'm

1235
01:01:34,240 --> 01:01:37,680
Speaker 2: saying that, That's that's how we operate our Businessmure.

1236
01:01:38,320 --> 01:01:41,160
Speaker 1: It was it was more and they said they wanted

1237
01:01:41,160 --> 01:01:42,480
Speaker 1: it more. They wanted more.

1238
01:01:43,040 --> 01:01:45,360
Speaker 2: I bet so, So we'll definitely do that. We'll tap

1239
01:01:45,440 --> 01:01:47,160
Speaker 2: in because that's what you guys want, you know what

1240
01:01:47,160 --> 01:01:49,320
Speaker 2: I'm saying. We are The people were all rap fans.

1241
01:01:49,160 --> 01:01:52,360
Speaker 5: I remember that time we did it with Fantano uh

1242
01:01:52,800 --> 01:01:55,040
Speaker 5: Alfredo joint that was live during the pandemic.

1243
01:01:55,040 --> 01:01:58,640
Speaker 1: Okay, yeah that was dope.

1244
01:01:59,320 --> 01:02:03,120
Speaker 9: I was going to add, are we doing the Freddy

1245
01:02:03,240 --> 01:02:03,800
Speaker 9: Review live?

1246
01:02:05,240 --> 01:02:05,600
Speaker 3: What?

1247
01:02:05,720 --> 01:02:06,080
Speaker 1: Okay?

1248
01:02:06,120 --> 01:02:08,680
Speaker 3: So look real quick, how many people still live here?

1249
01:02:08,760 --> 01:02:11,160
Speaker 1: Can let's go ahead?

1250
01:02:12,720 --> 01:02:17,760
Speaker 3: Look let me see the feet for flexing emoji. Y'all

1251
01:02:17,920 --> 01:02:20,760
Speaker 3: want old you know what I'm saying. Hey, hey, if

1252
01:02:20,800 --> 01:02:22,720
Speaker 3: you know you don't, let me see the fIF for

1253
01:02:22,800 --> 01:02:25,479
Speaker 3: flexing emoji before we get off the live.

1254
01:02:26,000 --> 01:02:26,720
Speaker 1: You know what I'm saying.

1255
01:02:26,840 --> 01:02:30,440
Speaker 3: And we will do off fraid Of Live to next Wednesday.

1256
01:02:30,080 --> 01:02:35,200
Speaker 5: Maybe more than likely if if the response, yeah, possibly,

1257
01:02:35,280 --> 01:02:38,640
Speaker 5: but that would be cool to get Fantano back on

1258
01:02:38,680 --> 01:02:39,800
Speaker 5: it since he did the first one with.

1259
01:02:40,000 --> 01:02:41,520
Speaker 3: Yeah, we'll see. We'll reach out.

1260
01:02:41,800 --> 01:02:44,280
Speaker 2: It's short notice, you know what I'm saying, But we'll

1261
01:02:44,280 --> 01:02:47,160
Speaker 2: see if we can make it work.

1262
01:02:49,560 --> 01:02:50,120
Speaker 1: There we go.

1263
01:02:51,080 --> 01:02:54,440
Speaker 3: I see the flexing emojis coming through. We're doing Offreido

1264
01:02:54,520 --> 01:02:56,400
Speaker 3: to live like ten people.

1265
01:02:58,320 --> 01:03:00,520
Speaker 1: I just suspect I'm.

1266
01:03:00,320 --> 01:03:03,720
Speaker 3: Counting per like each one. I'm not just counting the person.

1267
01:03:03,840 --> 01:03:08,880
Speaker 2: They put them in there, They put them in there. Yeah,

1268
01:03:11,040 --> 01:03:15,920
Speaker 2: I can't control that. Yeah, I can't control that moderators

1269
01:03:15,920 --> 01:03:18,800
Speaker 2: can't do it. I wish, I wish we couldn't. But nah,

1270
01:03:20,240 --> 01:03:24,280
Speaker 2: look man, everybody that is tapping in outside of the live,

1271
01:03:24,800 --> 01:03:29,360
Speaker 2: go ahead and post your grades for Tyler's don't tap

1272
01:03:29,400 --> 01:03:31,200
Speaker 2: the glass in the common section.

1273
01:03:31,520 --> 01:03:35,920
Speaker 1: Favorite your favorite songs as well, and more than likely,

1274
01:03:36,520 --> 01:03:36,760
Speaker 1: you know what.

1275
01:03:36,760 --> 01:03:39,320
Speaker 2: I'm saying, so a very good percentage. We'll do Alfredo

1276
01:03:39,400 --> 01:03:41,760
Speaker 2: too lives next Wednesday.

1277
01:03:41,840 --> 01:03:43,080
Speaker 1: Favorite songs were back.

1278
01:03:44,440 --> 01:03:48,760
Speaker 2: Like that ship, and we'll try to get Fantano. So

1279
01:03:48,800 --> 01:03:51,280
Speaker 2: that's that'll be up in the air. No guarantee, but

1280
01:03:52,320 --> 01:03:53,120
Speaker 2: obviously you'll know.

1281
01:03:53,120 --> 01:03:55,960
Speaker 1: If we do. It's afraid good.

1282
01:03:57,160 --> 01:04:00,880
Speaker 3: Hey, hey, did anybody catch the the short?

1283
01:04:01,200 --> 01:04:01,240
Speaker 1: No?

1284
01:04:01,560 --> 01:04:06,760
Speaker 2: Hell no, did you catch a short movie?

1285
01:04:07,000 --> 01:04:07,080
Speaker 3: No?

1286
01:04:07,240 --> 01:04:07,800
Speaker 1: What movie?

1287
01:04:08,520 --> 01:04:09,640
Speaker 3: There's a whole movie.

1288
01:04:10,120 --> 01:04:10,360
Speaker 1: This one.

1289
01:04:10,400 --> 01:04:13,160
Speaker 3: I put it. Yeah, watching that ship?

1290
01:04:13,520 --> 01:04:14,200
Speaker 1: How long is it?

1291
01:04:14,200 --> 01:04:15,240
Speaker 3: It's only like fifteen minutes.

1292
01:04:16,560 --> 01:04:19,200
Speaker 1: Oh my god, I hadn't watched it yet.

1293
01:04:19,280 --> 01:04:20,520
Speaker 3: Okay, watch it?

1294
01:04:21,600 --> 01:04:24,360
Speaker 1: I mean is it getting Away of music? Nah? Okay,

1295
01:04:24,600 --> 01:04:25,120
Speaker 1: Now it's.

1296
01:04:25,000 --> 01:04:27,280
Speaker 3: Kind of like the comic book to the first one.

1297
01:04:27,480 --> 01:04:28,920
Speaker 1: Yeah, but just check it out.

1298
01:04:28,960 --> 01:04:32,440
Speaker 2: Yeah you're saying, No, it's this nigga fraid to get bros.

1299
01:04:32,600 --> 01:04:36,120
Speaker 2: He's gonna get a breakthrough role in acting at.

1300
01:04:35,960 --> 01:04:38,439
Speaker 1: Some point like he was he was acting in the show.

1301
01:04:38,600 --> 01:04:40,240
Speaker 3: I'm not saying I got the farm.

1302
01:04:40,640 --> 01:04:42,720
Speaker 1: Yeah, I was all messed up. You gotta kick it off?

1303
01:04:42,840 --> 01:04:45,200
Speaker 3: Can Did you hear power? That was?

1304
01:04:45,440 --> 01:04:48,520
Speaker 1: That was power? Right? Yeah? Yeah, I did you.

1305
01:04:48,480 --> 01:04:49,280
Speaker 3: Hear what I said?

1306
01:04:49,320 --> 01:04:51,960
Speaker 2: He's going to get a breakthrough role at some point

1307
01:04:52,000 --> 01:04:55,720
Speaker 2: in time. Breakthrough meaning like he's gonna be full blown actor,

1308
01:04:55,800 --> 01:04:58,600
Speaker 2: kind of like most Death and some of these other cats.

1309
01:04:59,280 --> 01:05:01,880
Speaker 1: The Rock I really see it.

1310
01:05:02,480 --> 01:05:05,640
Speaker 3: But look, catch us live next Wednesday.

1311
01:05:06,360 --> 01:05:10,120
Speaker 2: We're afraid of too maybe review with you guys, So

1312
01:05:10,240 --> 01:05:12,439
Speaker 2: get your grades ready, we're out.

1313
01:05:12,840 --> 01:05:14,760
Speaker 6: They said, y'all see the covers ram in this time.

1314
01:05:14,800 --> 01:05:15,400
Speaker 1: I didn't realize.

1315
01:05:15,440 --> 01:05:22,960
Speaker 2: Yeah. So so the short movie, it's they're dealing with

1316
01:05:23,080 --> 01:05:23,760
Speaker 2: Asian cats.

1317
01:05:25,200 --> 01:05:25,880
Speaker 1: It was my fault.

1318
01:05:27,040 --> 01:05:28,920
Speaker 3: I'm sorry they're dealing with Asian cats.

1319
01:05:29,320 --> 01:05:31,840
Speaker 1: You set yourself up, okay, Yeah, yeah, we did it

1320
01:05:31,840 --> 01:05:35,440
Speaker 1: to yourself. Watch the short movie. You did it to yourself.

1321
01:05:35,680 --> 01:05:38,680
Speaker 3: Don't watch a short movie. Don't watch the short to

1322
01:05:38,720 --> 01:05:39,120
Speaker 3: say that.

1323
01:05:39,840 --> 01:05:40,680
Speaker 1: Yeah, p