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Speaker 1: Oh yeah, yo, what's good everybody? Welcome to another dead

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Speaker 1: end Hip hop Live. I'm your host ride here with

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Speaker 1: Kenneth b N's What's good man all and also Spike

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Speaker 1: lou or the own Deck TV podcast and many others.

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Speaker 1: That's as uh man, yeah, is on the way. We

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Speaker 1: just want to get We just wanted to start on time,

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Speaker 1: so y'all won't be talking talking a lot of crap

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Speaker 1: about it's like y'all normally do so, yeah, man, as

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Speaker 1: I always start off saying, this is a super chat show,

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Speaker 1: so definitely sending your super chats. We will address those

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Speaker 1: towards the end of the show. You can send those

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Speaker 1: in right now. Believe they are turned on. That is

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Speaker 1: where we answer your questions towards the like I said,

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Speaker 1: towards the end of the show, and uh that could

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Speaker 1: be super stickers, super thanks all that man, Like it

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Speaker 1: could contain to the topic or contain to anything that

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Speaker 1: you want to ask us.

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Speaker 2: What's bike?

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Speaker 1: What you you.

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Speaker 3: Laughing laughing at the check? I'm laughing at the check.

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Speaker 1: Already saying I ain't even got in there yet. I

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Speaker 1: want to see what they're saying. But yeah, man, I

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Speaker 1: just want to give fee for some time to get

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Speaker 1: up in here, man. But yeah, man, tonight we were

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Speaker 1: talking about did J Cole make a statement with this

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Speaker 1: new mixtape? Birthday Blizzard twenty six. Cole is continuing in

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Speaker 1: to go on his uh his rollout for the Fallout Falloffs.

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Speaker 1: So we recently had a conversation about it, Spike. I

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Speaker 1: don't know if y'all talked about it on deck yet, but.

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Speaker 3: It dropped while we recording.

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Speaker 1: Oh wow, so y'all hadn't talked about it yet, y'all

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Speaker 1: to be talking about it? Are you going to talk

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Speaker 1: about it at a Yeah?

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Speaker 3: When it comes up this week?

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Speaker 2: Okay?

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Speaker 3: We Wednesday?

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Speaker 1: So next Wednesday? Next week's okay? Cool, y'all wander if

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Speaker 1: he's he's here, probably done something else by then, you

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Speaker 1: know what I'm saying. So yeah, keep your eyes peeled

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Speaker 1: for that. But yeah, we just talked about it ourselves

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Speaker 1: because we here have released all the promo stuff, and

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Speaker 1: then he released that single and yeah, I don't know

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Speaker 1: if you saw the comments can but yeah, man, they

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Speaker 1: they found a way, bro, they found a way to.

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Speaker 4: Bruh.

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Speaker 5: I went back and watched that video and I'm like.

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Speaker 1: How how did y'all pull that from like, dude, we

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Speaker 1: were praising everything about this rollout, everything about the song,

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Speaker 1: and they still found a way to find or the

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Speaker 1: silver lining of a betting hip hop hate. Like, I

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Speaker 1: don't understand how they did that.

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Speaker 3: They said, y'all hated co bro man.

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Speaker 1: They said, Yo, they was like, oh, he didn't fall

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Speaker 1: alof And I'm like, bro, Like, when I said he

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Speaker 1: fell off, I meant it in a sense like it's

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Speaker 1: it's kind of like a fall off, because I mean

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Speaker 1: he technically did.

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Speaker 3: He didn't.

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Speaker 1: He stopped his rollout, he deleted a mixtape, he did

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Speaker 1: all of these things.

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Speaker 5: But I wasn't even focusing on that, spike.

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Speaker 1: I was more so focusing on the fact that I

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Speaker 1: like where it's going, I like what he's doing.

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Speaker 5: I like what he just put out.

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Speaker 1: Like I'm I'm literally praising for an eye, were literally

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Speaker 1: praising what he just did. But somehow cold, yeah, yeah,

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Speaker 1: okay cool, somehow found a way to say we were

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Speaker 1: hating because all we said was was that that that

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Speaker 1: he that he fell off, And I was just like, yo, like,

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Speaker 1: how is this possible? Like I forgot, I just forgot

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Speaker 1: how unbearable fans Cole fans can be sometimes I'm like, oh, no, no,

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Speaker 1: I don't know what that's to say, but but yeah,

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Speaker 1: I know you're just coming on Welcome to the show, brother.

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Speaker 1: But yeah, before I got into it, I was saying,

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Speaker 1: people know about the super chests, and as a matter

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Speaker 1: of fact, y'all have until nine to twenty twenty five

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Speaker 1: to get your super chests in, so yeah, make sure

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Speaker 1: you send those in now so your voice can be

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Speaker 1: heard on this show.

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Speaker 5: But yeah, I was just going through the last thing.

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Speaker 1: We did about Cold and then like the comments or whatever,

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Speaker 1: like how they found a way that we were hating

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Speaker 1: on Cold somehow.

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Speaker 2: Bruh.

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Speaker 4: It was crazy, even crazy, like you know. And the

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Speaker 4: thing was Rod is absolutely right like me and me

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Speaker 4: and Rod especially praising Ken mess is messing with it.

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Speaker 4: And we said that he fell off and not that

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Speaker 4: like he fell off completely, like oh he like like

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Speaker 4: he has to find it completely, like you know, he

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Speaker 4: went into the abyss.

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Speaker 2: No, he took a shot. It happened.

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Speaker 4: It was a half step to the side or backwards

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Speaker 4: or whichever direction you want to say, minus being forward.

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Speaker 4: It's okay, That's what I'm taking as a fall off

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Speaker 4: for j Cole. You know what I'm saying like like

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Speaker 4: like I'm just let's be honest. He didn't come out

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Speaker 4: of this thing looking the best wherever you land on. Oh,

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Speaker 4: you know, I feel like he shouldn't have did it.

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Speaker 4: He should have win at him or you know our

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Speaker 4: focal code for you know, not choosing to go on

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Speaker 4: that route wherever you land bro, he took a half step.

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Speaker 4: That's just what it is.

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Speaker 5: Yeah, And that's that's all it was.

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Speaker 1: That that that's literally all the way and and and

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Speaker 1: just to kind of get into this conversation. He addresses

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Speaker 1: it here. He addresses it here. He literally said I

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Speaker 1: lost passion, like how you lose passion when you was

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Speaker 1: on when he was making making a project. He said,

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Speaker 1: I had my chance and I dropped it. He said

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Speaker 1: that here. He also said I thought I was finished

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Speaker 1: he said these things on this and so so that

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Speaker 1: I just want to start there. You know what I'm saying,

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Speaker 1: like like he acknowledged the fact that this was like

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Speaker 1: you said it was, it was. It was a mist

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Speaker 1: that he was not able to roll out the way

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Speaker 1: he initially wanted to. And that's that's all I was saying,

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Speaker 1: you know what I'm saying, That's it, you know, I

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Speaker 1: don't know how you feel about this spake. I see

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Speaker 1: you looking up to the to the right, to the left.

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Speaker 1: What's your what's yours? Before we get into this particular project.

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Speaker 3: The word I'm having a problem with. I think his

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Speaker 3: fall off wording.

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Speaker 6: If I was a cold fan and I know how

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Speaker 6: they are, like you are saying, like I know how

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Speaker 6: they are, so them seeing fall off, they're gonna get

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Speaker 6: defensive with that being said. Side step, took a break,

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Speaker 6: took a step back, all of that, all of that,

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Speaker 6: all of that made work. But fall off I think

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Speaker 6: is kind of heavy handed. And I know how cold

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Speaker 6: fans get because I know when Extra used to be

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Speaker 6: on on deck, very huge cold fan. And if I

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Speaker 6: said Cole fell off during that, he would be in

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Speaker 6: the group chat all day saying giving me reasons as

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Speaker 6: to why he didn't.

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Speaker 4: So the Cold name did that right, I'm just using

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Speaker 4: what and gave him.

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Speaker 3: That's a really good point.

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Speaker 6: It speaks to the marketing that this man has been

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Speaker 6: doing since twenty fourteen. Like he he made it okay

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Speaker 6: for you guys to use that and and not be crazy.

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Speaker 6: That plays into his album Rollout. Like you said, Rod,

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Speaker 6: he said, this is this is brilliant marketing. I don't

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Speaker 6: know if he tried to do it or not, but

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Speaker 6: calling it the fall off and having that event happen,

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Speaker 6: and then having people like us being here to come

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Speaker 6: and talk about it, and being able to freely say

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Speaker 6: that someone who we considered one of the top three rappers, oh,

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Speaker 6: we know, he's not number one anymore, so he fell off.

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Speaker 6: He didn't drop any further than three. A lot of

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Speaker 6: people were killed for that, So I see what they're saying.

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Speaker 6: But I also credit J Cole to frameing the conversation

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Speaker 6: that way too.

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Speaker 1: That's exactly what I was saying. It was in what

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Speaker 1: Fifo said. The only reason I even used the term

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Speaker 1: fall off because that's what he named his album, Like

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Speaker 1: I probably wouldn't even use that term I just because

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Speaker 1: I think it's brilliant.

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Speaker 5: I think it's just something that played it to his his.

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Speaker 1: Favor, like I was saying it as a good thing,

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Speaker 1: Like I wasn't saying, like, oh man, this fell off,

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Speaker 1: like he trashed. I would never say that about Cole, Like,

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Speaker 1: that's not what I was saying. I think it was

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Speaker 1: misinterpreted what I was trying to say. I was saying

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Speaker 1: that it's good marketing, like claim to fall off, claim it,

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Speaker 1: like I would absolutely claim it if I was him,

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Speaker 1: to just show people like, look, this is this is

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Speaker 1: this is how you how you fall and pick yourself

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Speaker 1: back up.

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Speaker 4: Yeah, And that's why it's so brilliant because it's like

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Speaker 4: he's building himself and out right, but he doesn't need

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Speaker 4: it because we know he's one of the best. We

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Speaker 4: know that if you lost your passion and now you're reinvigorated,

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Speaker 4: and this is your fall off, nigga, your fall off

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Speaker 4: is better than ninety nine percent ninety nine rappers best

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Speaker 4: you know. So like, so that's the reason why this

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Speaker 4: is brilliant. And and I was given praise to the

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Speaker 4: same to the same idea of the roll out of

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Speaker 4: being the fall off, and that's why I called it

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Speaker 4: the fall off. This is his his quote unquote fall off.

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Speaker 4: He ain't that right, right, come on, but but it's

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Speaker 4: brilliant though, I think, how everything.

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Speaker 7: You know, everything I got you can go ahead, Okay,

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Speaker 7: I got you can go ahead.

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Speaker 5: I wanted to get you get your last point out,

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Speaker 5: go ahead.

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Speaker 2: That was it. I wanted to.

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Speaker 1: Yeah, yeah, yeah, go ahead, move on, okay, all right, cool,

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Speaker 1: Well yeah, man, we're not here to talk about that.

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Speaker 5: Go back and watch the video, you know whatever.

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Speaker 1: Like we are, it's been done, it's been said.

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Speaker 2: Uh.

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Speaker 1: But today, like I said, we are here to talk

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Speaker 1: about what he just released, which is the Birthday Blizzard

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Speaker 1: twenty six with DJ Clue. We just experienced something like

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Speaker 1: this with I DK. I don't know if y'all seen

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Speaker 1: that review that we did, so if you haven't seen that,

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Speaker 1: go back and watch the ID carry view. But I

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Speaker 1: d K used who Kid as a host, which brought

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Speaker 1: back a certain nostalgia. I feel like col did the

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Speaker 1: same thing here with nostalgia of having DJ Clue. So

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Speaker 1: I just want to go around the room and just

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Speaker 1: seeing how y'all overall felt about this project that he dropped. Man,

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Speaker 1: I'll start with you kids, since you haven't really said

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Speaker 1: much so far away, I'll start with you, bro.

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Speaker 2: I love it. Man.

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Speaker 7: You know, we're having a conversation about statements and did

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Speaker 7: he make a statement with this, and you know, I'm wondering,

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Speaker 7: and I think this is being part of the rollout,

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Speaker 7: you know, I think he's getting to the point where

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Speaker 7: he's trying to declare himself or crawl back into that conversation.

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Speaker 7: You know, for a lot of his fans, he never

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Speaker 7: really you know, fell out of that conversation and we

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Speaker 7: will get into individual songs, I'm sure, But as you mentioned,

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Speaker 7: I think it's notable listening to what he's saying about

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Speaker 7: his own experience and taking that into account because that's

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Speaker 7: his words.

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Speaker 2: It's no longer speculation, right.

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Speaker 7: But I love it from the sense that it's throwback

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Speaker 7: bro like, it's it's appealing to I would imagine like

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Speaker 7: his fans that are new and old. And we had

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Speaker 7: the conversation about I d K and I forgot whoever

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Speaker 7: who else it was that, Oh, when Tyler did it,

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Speaker 7: when they're going back to get these DJs, the gainst

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Speaker 7: the grill shit, and when they're going to in these

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Speaker 7: DJs and they're bringing back that old cultural feeling of

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Speaker 7: mixtapes with the host screaming over the music, like we

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Speaker 7: grew up listening to that, and that was a thing

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Speaker 7: for a good for a good minute. The other part

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Speaker 7: I liked about what he did with this is that

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Speaker 7: he took it even further Rod Spike.

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Speaker 4: He wrapping over beats classics.

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Speaker 7: That's a very classic throwback move where you go back

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Speaker 7: to the two thousands and that whole period.

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Speaker 2: Bro, that's what mixtapes sounded like.

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Speaker 7: You know, they had that feeling where I'm gonna take

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Speaker 7: the hottest beat out there, lil way we already know,

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Speaker 7: and I'm going to rap over it and I'm gonna

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Speaker 7: murder it. And on top of that, Cole did this

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Speaker 7: when he first came out. This is also a throwback

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Speaker 7: to Cole's the beginning of his career.

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Speaker 4: Bro.

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Speaker 2: I think it's so far man, he's doing a really

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Speaker 2: good job. I can't knock it.

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Speaker 5: Yes, I agree, Spike what you're thinking.

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Speaker 6: Man, continuously brilliant marketing to your point, having DJ clue

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Speaker 6: on that instantly, I go back to remembering fab coming

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Speaker 6: on a verse that you never heard before, Joe Budden

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Speaker 6: or Lloyd Banks, like all of these different people and

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Speaker 6: Klue yelling over it like it just gave you that feeling.

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Speaker 6: That's the advantage that Cole has when you're talking about

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Speaker 6: Big Three and people trying to dismiss him because he

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Speaker 6: got bowed out of that battle. He has the advantage

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Speaker 6: of Drake really wasn't outside in the mix of this,

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Speaker 6: like Cole is in New York at Saint John University,

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Speaker 6: when this shit was happening, he know how to do this.

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Speaker 6: Kendrick was in La, it was a different culture. He

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Speaker 6: really ain't on this because La niggas don't really hop

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Speaker 6: on other beats like that.

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Speaker 4: But he didn't thought Kate I got a whole mistake

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Speaker 4: that he just like Lil Wayne. No he has, he has.

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Speaker 3: Look, he won't do it today.

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Speaker 6: And that's what made this special about what Jane Cole did.

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Speaker 6: Jake Cole is looking at it like, all right, y'all

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Speaker 6: trying to have this conversation about me not being in

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Speaker 6: the top three because I bowed out of his battle.

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Speaker 6: You know what I'm gonna do. I'm gonna check all

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Speaker 6: the blocks. I'm gonna go kill these classic beats. Also,

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Speaker 6: what I'm gonna do every other number one rapper in

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Speaker 6: the genre has done this. I'm gonna make this a

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Speaker 6: double album.

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Speaker 3: I don't know.

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Speaker 6: No, Kendrick Drake got a double album, of course, but

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Speaker 6: Kendrick don't have a double album. I think Jay Cole

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Speaker 6: is doing a brilliant job at checking all the boxes.

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Speaker 6: And now when the conversation is being had, not today,

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Speaker 6: but five to ten years later, and you talk about, well,

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Speaker 6: who was the best rapper.

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Speaker 5: From that generation.

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Speaker 6: If he can come through on't fall off, you're gonna

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Speaker 6: have to consider him being one and you ain't you.

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Speaker 6: There's not gonna be any talk about, oh, what he

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Speaker 6: didn't do in the beef. The talk is gonna be

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Speaker 6: about man. That last album was a classic. He had

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Speaker 6: that classic mixtape wrapping over the beats, and his advantage

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Speaker 6: to that was he was outside during the time when

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Speaker 6: it had that feeling.

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Speaker 5: He know how to restore it.

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Speaker 6: I don't think the other two people that we consider

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Speaker 6: the top three know how to do that, and he's

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Speaker 6: playing into that.

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Speaker 1: I think it was brilliant, real quick, mister Marl Rowland.

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Speaker 1: The Big Steps was a double album. This suit was yeah,

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Speaker 1: But I mean I get your point though, I mean, yeah.

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Speaker 4: All the great My thing is this right, and this

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Speaker 4: is what makes in my opinion, next to the nineties rappers,

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Speaker 4: the blog era rappers are the next greatest because they're

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Speaker 4: bridging at least in j cole sense, he's bridging the

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Speaker 4: gap twice. Right when they came out, they gave us

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Speaker 4: the nostalgia of the nineties and then yester year with

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Speaker 4: the prominence of what it could be. Right when they

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Speaker 4: first broke into the scene, and that was bridging a gap, right,

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Speaker 4: because we had a gap at hip hop where shit

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Speaker 4: was trash and it birthed that a hip hop, it

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Speaker 4: birthed to no politics, nobs. And now he's rebridging the gap.

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Speaker 4: Obviously nostalgia for us, but the young kids that came

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Speaker 4: on later that didn't necessarily get the mixtape J Cole,

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Speaker 4: now they're getting this mixtape J Cole, and this is

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Speaker 4: brand new for them. And that's why I'm saying, like

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Speaker 4: the blog era rappers have a distinct advantage of bridging

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Speaker 4: the gap multiple times now, and J Cole has taking

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Speaker 4: advantage of that. He's sugging on our heartstrings and putting

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Speaker 4: the youngins that came along the way on game. This

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Speaker 4: is dope, bro, This is dope.

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Speaker 1: Got you, got you. I wanted to address some of

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Speaker 1: the stuff, like, do y'all have any standout freestyles on here?

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Speaker 1: So it's it's a total of four. I believe this

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Speaker 1: Bronze Super Freestyle, Golden Goose Freestyle, Winter Storing Freestyle at

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Speaker 1: ninety nine, Bill Freestyle, go ahead.

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Speaker 3: Over the money power respect.

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Speaker 4: Yeah, that's the hardest one, insane.

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Speaker 6: Yeah, he was in his bag, right, there and to

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Speaker 6: your point what you were just saying to Rod, we

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Speaker 6: spoke about this on own deck when we talked about

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Speaker 6: him doing the rollout or whatever it may be. This

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Speaker 6: is going to have to be a collection of moments,

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Speaker 6: and he's doing a really good job of making moments

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Speaker 6: for this album.

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Speaker 1: Yeah, so nah for sure.

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Speaker 7: Real quick, Spike, you said that that that episode is.

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Speaker 2: Out or is dropping it.

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Speaker 3: Yeah, it's the one that we did.

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Speaker 2: Y'all go out now, so go check it out. Ye

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Speaker 2: go go check it out.

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Speaker 7: Listen to that along with a b is his partner

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Speaker 7: as well, and other things that they covered on the

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Speaker 7: show is out.

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Speaker 2: You can go to YouTube on that tv uh on

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Speaker 2: YouTube for sure.

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Speaker 1: For you, Ken, did anyone stick out to you? Any

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Speaker 1: particular freestyle that he did the Bronx ninety nine Bronzoo bro?

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Speaker 4: Which beat was that I know him by?

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Speaker 2: The beat? Which beat was?

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Speaker 1: That one was the first one he rapped?

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Speaker 2: I think? Okay, that was victory? That was yeah? Yeah, yeah,

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Speaker 2: yeah that.

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Speaker 4: Was hard too.

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Speaker 2: Yeah.

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Speaker 6: I seen some people standing. Lloyd Banks got the best

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Speaker 6: verse on it beat. He can't overcome that Lloyd Banks,

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Speaker 6: which I understand, but I think Cold did his name

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Speaker 6: on there too.

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Speaker 7: Yeah, I do, but I mostly like like what he's saying,

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Speaker 7: bro like it. It's just I just got you know,

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Speaker 7: he's he's really like. I felt like he really set

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Speaker 7: the tone with with that one. And you know we

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Speaker 7: mentioned what he said at the end, and then you

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Speaker 7: know he was talking about like people gossiping and stuff

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Speaker 7: like that. I thought that that was that was crazy

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Speaker 7: as well. Yeah, grown man pedal and gossip of all things.

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Speaker 7: I remember when it was rapping and ball playing. Now

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Speaker 7: the bread and butter is yapping and parlaying. Amen, your

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Speaker 7: name's a big conversation mester dive for Luka Donca lobna aten.

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Speaker 7: Now nowadays you can make a grip commentating you if

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Speaker 7: you master two skills, either dick riding or hating bro.

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Speaker 7: Like that goes all the way back to everything that

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Speaker 7: happened at two years and then so that was the

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Speaker 7: set up how we got to the end, and there's

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Speaker 7: other shit in the middle of that.

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Speaker 2: That's crazy too.

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Speaker 7: But then when he came on and he was like,

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Speaker 7: apology dropped me way out of the top three, No problem.

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Speaker 7: I probably my best. When they doubt me, watch me,

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Speaker 7: watch me, watch me. It's a proc thevation, So now

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Speaker 7: he set it up from from that and then everything

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Speaker 7: else is just him. The other ones is just him

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Speaker 7: doing his thing, just rapping really well. But this is

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Speaker 7: he's said in the tone, and he's he's now it's

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Speaker 7: just like now we got to watch the.

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Speaker 2: Narrative play out.

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Speaker 7: Ye, like we are going to be watching now because

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Speaker 7: you're asking us to watch you again. So I think

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Speaker 7: he's coming out and he's really trying to make a

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Speaker 7: statement about what he's trying to do with with this

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Speaker 7: fall Off project that he had to shelve because of

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Speaker 7: everything that went down. He stumbled until like he had

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Speaker 7: already named it the fall Off before all the other

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Speaker 7: stuff went off went off. You know, it just people

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Speaker 7: just played on the name when the beef kind of

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Speaker 7: kicked off and everything went down with him.

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Speaker 2: But yeah, man, that was the one for me. Bro

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Speaker 2: got you.

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Speaker 1: Yeah, he came out to Gatehard what about you for

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Speaker 1: he wone stood out to you.

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Speaker 4: Yeah, the two that Spike and Can't mentioned Victory and

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Speaker 4: at Monty Pye respect like those are the two. I

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Speaker 4: was like, yeah, okay, like he's not he's not playing

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Speaker 4: by the same bruise. And then it goes back to

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Speaker 4: you know with the joint he had the one with

400
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Speaker 4: the fire that had Cameron with with the crazy beat.

401
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Speaker 4: Like I love when when when Jake Cole goes back

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Speaker 4: and gives us nostalgia, bro, because he's he's that level

403
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Speaker 4: of rapper. He's that type of rapper. So I don't

404
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Speaker 4: know if that's what we're gonna get on the project.

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Speaker 4: But can I agree with you? Like I think he's

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Speaker 4: set in the tone and he's setting he's controlling the narrative.

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Speaker 4: Now you know what I'm saying, And he's gonna see

408
00:19:34,200 --> 00:19:38,080
Speaker 4: who is who? Who's gonna be who He's calling out

409
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Speaker 4: right now? You know what I'm saying, Who's gonna dick ride?

410
00:19:41,359 --> 00:19:43,800
Speaker 4: You know what I'm saying, Who's gonna hate? Let's see.

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Speaker 2: So I'm with it, man, I'm here for it.

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Speaker 1: Got you speaking of hate? I saw Q gott on

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Speaker 1: Rings and the chat he said that the tracks were weak.

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Speaker 1: Ah man, but H I do want to know if

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Speaker 1: you if you can say it in the comments, Q,

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00:20:03,600 --> 00:20:05,359
Speaker 1: I'm curious that as to why you thought the tracks

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00:20:05,359 --> 00:20:07,119
Speaker 1: A week I didn't think they were weak, man, I

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Speaker 1: thought j Cole did his thing here. I don't know, Q,

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Speaker 1: I don't get that man his props, man, But I

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Speaker 1: am curious to see what you what you think, like

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Speaker 1: like if you want to leave that in the chat?

422
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Speaker 1: So yeah, I'm trying to see what else? So I

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Speaker 1: guess going beyond this, like what else do you guys?

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00:20:29,160 --> 00:20:31,320
Speaker 1: Like what else can he do before this album come out?

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Speaker 3: Like this?

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Speaker 1: These two things have been good, Like like what you

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Speaker 1: think is what else is in his bag? Like what

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Speaker 1: what would be like? Yo, this is dope from j Cole.

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Speaker 6: There's rumors of a mixtape to drop another one, yeah,

430
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Speaker 6: like the Sun or something like that. I think I

431
00:20:47,119 --> 00:20:48,919
Speaker 6: don't know if it's old. When I saying it in

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Speaker 6: the studio Sunday, Jayleen said it was old, but it's

433
00:20:51,920 --> 00:20:55,680
Speaker 6: a picture of the album drops and he got going

434
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Speaker 6: all the way back to kod as far as how

435
00:20:58,600 --> 00:21:00,920
Speaker 6: you want to release, schedule to work, and the fall

436
00:21:00,960 --> 00:21:02,800
Speaker 6: Off was the last one. But right before the fall

437
00:21:02,840 --> 00:21:05,200
Speaker 6: Off there was a listing I think it was called

438
00:21:05,200 --> 00:21:08,520
Speaker 6: The Son or the Father some different title as far

439
00:21:08,560 --> 00:21:10,399
Speaker 6: as what he was going to release a week before

440
00:21:10,440 --> 00:21:12,399
Speaker 6: he dropped the album. But I don't know if this

441
00:21:12,520 --> 00:21:16,080
Speaker 6: replaced that because that was old artwork that I've seen.

442
00:21:16,720 --> 00:21:20,240
Speaker 6: But he's done he's doing the right things, like he

443
00:21:20,440 --> 00:21:23,280
Speaker 6: knows how to build the roll up to an album

444
00:21:23,320 --> 00:21:26,920
Speaker 6: out from playing basketball in Africa to the twenty fourteen

445
00:21:26,960 --> 00:21:29,359
Speaker 6: shit when he bought his old house, even with the

446
00:21:29,480 --> 00:21:32,400
Speaker 6: chains Closed album of Full Close, like, He's always had

447
00:21:32,400 --> 00:21:36,680
Speaker 6: a good rollout, so this is to be expected of him,

448
00:21:37,080 --> 00:21:41,200
Speaker 6: to be honest, I'm more interested Rod in the album

449
00:21:41,280 --> 00:21:42,959
Speaker 6: that I am the rollout because I know he can

450
00:21:43,040 --> 00:21:45,640
Speaker 6: do these good But I also feel like he has

451
00:21:45,760 --> 00:21:50,880
Speaker 6: a more lackluster catalog than people that are as talented

452
00:21:50,880 --> 00:21:54,040
Speaker 6: as him, Like since twenty fourteen, I feel like those

453
00:21:54,080 --> 00:21:56,719
Speaker 6: projects are good, but they ain't ain't like what Ja

454
00:21:56,800 --> 00:21:59,879
Speaker 6: Cole should be putting out. There's a lot of expectation

455
00:22:00,040 --> 00:22:03,520
Speaker 6: on Miam for this album to be like, oh, ship Nigga,

456
00:22:03,880 --> 00:22:06,560
Speaker 6: that's how you go out, Like that's the last box

457
00:22:06,640 --> 00:22:08,840
Speaker 6: I expect him to check as far as being a

458
00:22:08,880 --> 00:22:11,960
Speaker 6: great rapper that goes out on a damn near or

459
00:22:12,119 --> 00:22:13,600
Speaker 6: classic album.

460
00:22:14,000 --> 00:22:16,840
Speaker 2: Mm hmm, you know what.

461
00:22:18,119 --> 00:22:24,480
Speaker 7: Well, So it's interesting because what happened on what he did,

462
00:22:25,560 --> 00:22:28,359
Speaker 7: and it was his decision, he owned it and he's

463
00:22:28,720 --> 00:22:32,159
Speaker 7: clearly comfortable in it. You have to get people's attention

464
00:22:33,440 --> 00:22:37,160
Speaker 7: and and the way he's first of all, this this.

465
00:22:37,080 --> 00:22:40,080
Speaker 2: Sort of comeback story for him.

466
00:22:40,320 --> 00:22:47,840
Speaker 7: Uh is uh is uh. It's interesting because he did

467
00:22:47,920 --> 00:22:52,879
Speaker 7: the whole sort of the podcast thing and then he

468
00:22:52,960 --> 00:22:56,320
Speaker 7: dropped this and then it's pay what you want for it.

469
00:22:56,840 --> 00:22:58,800
Speaker 2: And you can get it on the on the the

470
00:22:58,920 --> 00:22:59,960
Speaker 2: because he probably really.

471
00:22:59,800 --> 00:23:02,120
Speaker 7: Can sell it, sell it like for real, for real,

472
00:23:02,760 --> 00:23:05,600
Speaker 7: but it's just put it on his website. So he's

473
00:23:05,640 --> 00:23:09,360
Speaker 7: building up this momentum and then he puts it out.

474
00:23:09,440 --> 00:23:12,600
Speaker 7: He picks incredibly dope beats that a majority of us

475
00:23:12,640 --> 00:23:15,639
Speaker 7: are familiar with. If his fans are not familiar with,

476
00:23:16,040 --> 00:23:18,720
Speaker 7: they probably go look it up and get familiar, right,

477
00:23:18,840 --> 00:23:22,600
Speaker 7: So there's an education process that may be taking place

478
00:23:23,040 --> 00:23:25,760
Speaker 7: that's going on with it, and he's building momentum. You

479
00:23:25,880 --> 00:23:29,280
Speaker 7: have to capture people's attention, and the one way to

480
00:23:29,359 --> 00:23:32,640
Speaker 7: do it is with music, and you have to rap

481
00:23:32,720 --> 00:23:36,520
Speaker 7: incredibly well. So I know, I don't know if Rob

482
00:23:36,560 --> 00:23:39,240
Speaker 7: You're gonna get to this, but I know people are

483
00:23:39,280 --> 00:23:44,840
Speaker 7: having issues with just the bravado that he's displaying on here.

484
00:23:45,320 --> 00:23:49,160
Speaker 1: You're right, it's gonna be my next thing. Yeah, yeah,

485
00:23:49,400 --> 00:23:51,040
Speaker 1: how are y'all feeling about that?

486
00:23:51,080 --> 00:23:53,080
Speaker 5: Because like I think I kind.

487
00:23:52,920 --> 00:23:56,240
Speaker 1: Of said that should maybe he should drop being the

488
00:23:56,280 --> 00:24:01,080
Speaker 1: top rapper or whatever or the three and all this

489
00:24:01,320 --> 00:24:05,359
Speaker 1: just just just be a great rapper, Like do you

490
00:24:05,480 --> 00:24:08,000
Speaker 1: really need that title or just let or just let

491
00:24:08,080 --> 00:24:10,160
Speaker 1: it speak for just let it speak for itself.

492
00:24:10,280 --> 00:24:12,840
Speaker 5: Do you have to take that approach?

493
00:24:13,480 --> 00:24:13,919
Speaker 2: You have to.

494
00:24:14,400 --> 00:24:17,720
Speaker 4: You have to, and and the and the reason why

495
00:24:17,840 --> 00:24:20,720
Speaker 4: I said this in our sports chat, like like about

496
00:24:20,720 --> 00:24:22,800
Speaker 4: a week ago, there was a chick that was on

497
00:24:22,880 --> 00:24:25,360
Speaker 4: there that she was saying, oh, she could be Anthony

498
00:24:25,480 --> 00:24:27,359
Speaker 4: Edwards and this that and the third, and I said, look,

499
00:24:27,400 --> 00:24:32,120
Speaker 4: first and foremost, you gotta some people stop gotta being delusional. However,

500
00:24:32,880 --> 00:24:35,359
Speaker 4: if you're gonna be great at something, you have to

501
00:24:35,400 --> 00:24:39,080
Speaker 4: be delusionally confident. You have to, like you know it

502
00:24:39,160 --> 00:24:41,800
Speaker 4: playing playing sports. Bro, there might be a nigga that's

503
00:24:41,840 --> 00:24:44,399
Speaker 4: six seven, but you have to have your mindset like

504
00:24:44,800 --> 00:24:48,760
Speaker 4: you can't check me, Bro, I'm about to get I'm

505
00:24:48,760 --> 00:24:52,400
Speaker 4: about to get. I'm about to give you some buckets,

506
00:24:52,400 --> 00:24:54,159
Speaker 4: you know what I'm saying. And you have to be

507
00:24:55,040 --> 00:24:58,480
Speaker 4: a certain level of delusion, right, like the delusion of grandeur,

508
00:24:58,560 --> 00:25:01,600
Speaker 4: like you have to like Obi in nineteen shooting airballs

509
00:25:01,640 --> 00:25:04,800
Speaker 4: in the playoffs, but he believed deep down and essentially

510
00:25:05,000 --> 00:25:07,600
Speaker 4: he became that guy. So I think that for Cale

511
00:25:08,119 --> 00:25:11,760
Speaker 4: to win back and be it authentic to himself, right

512
00:25:11,880 --> 00:25:15,520
Speaker 4: because this is essentially what he's displaying and what he's

513
00:25:15,560 --> 00:25:18,040
Speaker 4: trying to convey the people. I'm just being who I am.

514
00:25:18,320 --> 00:25:21,679
Speaker 4: He's always been that. So do it on a great album.

515
00:25:21,960 --> 00:25:24,440
Speaker 4: Don't give us no mediocre. You know what I'm saying,

516
00:25:24,520 --> 00:25:27,240
Speaker 4: Give us a great album. But I'm cool with the bravado,

517
00:25:27,320 --> 00:25:30,040
Speaker 4: but you gotta back it up. Then you gotta back

518
00:25:30,040 --> 00:25:32,560
Speaker 4: it up. And if somebody says something.

519
00:25:32,640 --> 00:25:35,040
Speaker 2: Yo, well you know this my brother, man, I can't.

520
00:25:34,960 --> 00:25:39,000
Speaker 4: Bro saying do it subliminally like you just can't let

521
00:25:39,040 --> 00:25:39,880
Speaker 4: it slide, bro.

522
00:25:40,440 --> 00:25:41,800
Speaker 5: But they were genuinely friends.

523
00:25:41,840 --> 00:25:46,120
Speaker 2: Bro. No no, no, no, I the Big Three.

524
00:25:46,480 --> 00:25:48,639
Speaker 4: You ain't gotta mention that my name that I'm saying

525
00:25:48,640 --> 00:25:54,000
Speaker 4: somebody else that is it is what it is. You

526
00:25:54,080 --> 00:25:56,800
Speaker 4: ain't got man, Okay, I know Drake, No nothing I'm

527
00:25:56,800 --> 00:25:59,639
Speaker 4: talking about, Like the aside, Rocky's the futures of the

528
00:25:59,640 --> 00:26:00,720
Speaker 4: Worldbody say something.

529
00:26:00,760 --> 00:26:03,400
Speaker 1: They're not the number ones though, That's the thing. They're

530
00:26:03,440 --> 00:26:05,680
Speaker 1: not the number ones like so that that's where that's

531
00:26:05,680 --> 00:26:08,159
Speaker 1: where the issue comes into place. Like I agree. I

532
00:26:08,200 --> 00:26:10,320
Speaker 1: think he has the rap to the best of this

533
00:26:10,359 --> 00:26:13,240
Speaker 1: building and he knows that. He absolutely knows that. I

534
00:26:13,240 --> 00:26:16,280
Speaker 1: guess what I'm questioning, do you have like you say,

535
00:26:16,320 --> 00:26:18,000
Speaker 1: the greatest of the world. Do they do they do?

536
00:26:18,080 --> 00:26:20,239
Speaker 1: They all just be like I'm the greatest and all

537
00:26:20,320 --> 00:26:23,480
Speaker 1: that like was was Michael Like was Michael Jordan's saying that,

538
00:26:23,560 --> 00:26:27,000
Speaker 1: what's Kobe saying like? Or were people saying are taking

539
00:26:27,040 --> 00:26:28,359
Speaker 1: that claim for them?

540
00:26:28,880 --> 00:26:31,040
Speaker 3: No, j Cole has been saying that.

541
00:26:31,080 --> 00:26:33,400
Speaker 5: I know so does what I'm saying?

542
00:26:33,400 --> 00:26:33,920
Speaker 1: Does he does?

543
00:26:33,920 --> 00:26:34,000
Speaker 2: He?

544
00:26:34,160 --> 00:26:36,320
Speaker 1: Does he back off of that or does he continue? No?

545
00:26:36,600 --> 00:26:37,600
Speaker 3: You can't, you can't.

546
00:26:38,680 --> 00:26:41,159
Speaker 6: It's like when you go hoop when when all of

547
00:26:41,200 --> 00:26:43,679
Speaker 6: us play basketball, for like, I may not be as

548
00:26:43,760 --> 00:26:46,040
Speaker 6: good as the nigga on the other side, but I

549
00:26:46,040 --> 00:26:48,119
Speaker 6: ain't saying that. I ain't gonna be like, no, I

550
00:26:48,119 --> 00:26:50,639
Speaker 6: can't go ahead him, bro, like, you're not gonna do that,

551
00:26:50,960 --> 00:26:52,600
Speaker 6: Like you're gonna go out there you can compete to

552
00:26:52,640 --> 00:26:54,680
Speaker 6: the best of your abilities. And with Rap, I feel

553
00:26:54,720 --> 00:26:57,200
Speaker 6: like that's fine. It's fine for him to still have

554
00:26:57,240 --> 00:27:00,200
Speaker 6: that bravado. He can't let people take that from him

555
00:27:00,080 --> 00:27:02,800
Speaker 6: him because he bowed out of this battle and to

556
00:27:02,840 --> 00:27:05,560
Speaker 6: display it on his mixtape. I think that was smart.

557
00:27:05,800 --> 00:27:08,080
Speaker 6: But when this album come out, I don't want to

558
00:27:08,080 --> 00:27:10,480
Speaker 6: hear none of it, Like it better be a classic album.

559
00:27:10,480 --> 00:27:11,639
Speaker 6: I don't want to hear none of that I'm the

560
00:27:11,640 --> 00:27:14,280
Speaker 6: best rapper shit like that shit is for this mixtape,

561
00:27:14,320 --> 00:27:16,560
Speaker 6: and it's good, good that you did that, but this

562
00:27:16,720 --> 00:27:19,919
Speaker 6: album better be fucking impeccable, because that's what he's pointing

563
00:27:20,000 --> 00:27:22,679
Speaker 6: us towards. He's like, yeah, I can do everything that

564
00:27:22,760 --> 00:27:25,520
Speaker 6: the best rapper can do. I'm gonna check all the boxes,

565
00:27:25,560 --> 00:27:28,240
Speaker 6: as I said before, So the last box to check

566
00:27:28,320 --> 00:27:30,520
Speaker 6: is going out with a classic album. So it's fine

567
00:27:30,800 --> 00:27:33,640
Speaker 6: to have the bravado on these freestyles to talk that shit.

568
00:27:34,080 --> 00:27:36,400
Speaker 6: I can listen and I can have my doubts, but

569
00:27:36,520 --> 00:27:39,119
Speaker 6: the final nail in the coffin is going to be

570
00:27:39,400 --> 00:27:42,240
Speaker 6: what does this album sound like? To your point, too, roight,

571
00:27:42,280 --> 00:27:44,360
Speaker 6: he can't go on this album talking about, Oh, I'm

572
00:27:44,400 --> 00:27:46,040
Speaker 6: the best rapp in the world. It can't be twenty

573
00:27:46,080 --> 00:27:48,480
Speaker 6: tracks of that. It has to be real in depth,

574
00:27:48,520 --> 00:27:51,560
Speaker 6: like classic album life after death type shit.

575
00:27:52,320 --> 00:27:54,480
Speaker 1: Yeah, no's And That's where I'm at with you, Like,

576
00:27:54,920 --> 00:27:56,919
Speaker 1: I don't care to hear that I'm the best rapper

577
00:27:56,920 --> 00:28:00,000
Speaker 1: alive this then and the third. Just let the lyrics

578
00:28:00,119 --> 00:28:02,120
Speaker 1: and the bars and the and the and the construction

579
00:28:02,160 --> 00:28:04,960
Speaker 1: of these songs prove that you ain't got it, like

580
00:28:04,960 --> 00:28:06,639
Speaker 1: like you don't have to say that, Like you know

581
00:28:06,680 --> 00:28:07,160
Speaker 1: what I'm saying.

582
00:28:08,320 --> 00:28:10,240
Speaker 4: But you know what though, right, I think I think

583
00:28:10,240 --> 00:28:12,000
Speaker 4: it's very Telly right, Like we got to mixed that.

584
00:28:12,160 --> 00:28:14,880
Speaker 4: We got the first single off the double album, right,

585
00:28:15,400 --> 00:28:17,960
Speaker 4: and that first single, what did he do? Like he

586
00:28:17,960 --> 00:28:21,399
Speaker 4: he mentioned it, He mentioned it a little bit, but

587
00:28:21,600 --> 00:28:26,040
Speaker 4: he allowed the song itself to just live as greatness, right,

588
00:28:26,160 --> 00:28:29,280
Speaker 4: doing the spinning a story backwards again and old to

589
00:28:29,280 --> 00:28:31,359
Speaker 4: to to one of the people he looked up to

590
00:28:31,480 --> 00:28:33,680
Speaker 4: in Knots. You know what I'm saying, Like, like, that's

591
00:28:33,720 --> 00:28:36,680
Speaker 4: what Spike is talking about, Like give us that. That's

592
00:28:36,760 --> 00:28:40,400
Speaker 4: classic material. That is stuff that's like yo, like like

593
00:28:40,440 --> 00:28:42,480
Speaker 4: did you hear that? Like I gotta listen to it

594
00:28:42,480 --> 00:28:44,760
Speaker 4: a couple of times? Like that's what we need from Cold.

595
00:28:45,240 --> 00:28:48,440
Speaker 4: You know, if you mention it here and there, that's cool,

596
00:28:49,040 --> 00:28:51,160
Speaker 4: like like because you're just being true to self. I'm

597
00:28:51,320 --> 00:28:54,000
Speaker 4: cool with that. But but like Spike said too, it

598
00:28:54,080 --> 00:28:56,920
Speaker 4: can't be every song like that can't be the basis

599
00:28:56,920 --> 00:28:59,480
Speaker 4: of it, and so far from the one single we got,

600
00:28:59,560 --> 00:29:02,480
Speaker 4: it's not it's on the right trajectory. I think he's

601
00:29:02,480 --> 00:29:06,280
Speaker 4: made every right move since the fall off. You know

602
00:29:06,280 --> 00:29:08,000
Speaker 4: what I'm saying, I'm gonna keep it there because that's

603
00:29:08,000 --> 00:29:11,640
Speaker 4: what he named it. Ever since that situation, I think

604
00:29:11,720 --> 00:29:16,000
Speaker 4: everything he's done, I think port Antonio was like really Nigga.

605
00:29:16,320 --> 00:29:18,720
Speaker 4: By outside of that, we thought the rapper was dope,

606
00:29:18,840 --> 00:29:20,640
Speaker 4: you know what I'm saying. By outside of that, I

607
00:29:20,680 --> 00:29:23,400
Speaker 4: think everything he's been a one on, you know. I

608
00:29:23,400 --> 00:29:25,920
Speaker 4: think he's hitting the mark on everything. So that's why

609
00:29:25,960 --> 00:29:29,440
Speaker 4: the expectation is there. Like I'm with Spike, bro, hey,

610
00:29:29,480 --> 00:29:32,440
Speaker 4: this better be, if not your best, your second best

611
00:29:32,480 --> 00:29:33,040
Speaker 4: album ever.

612
00:29:34,600 --> 00:29:38,000
Speaker 1: Can closing thoughts man close closing thoughts on this whole thing.

613
00:29:40,120 --> 00:29:46,240
Speaker 7: I do understand people struggling with the tough talk with

614
00:29:46,360 --> 00:29:51,720
Speaker 7: the bravado, with taking the serious given the outcome of

615
00:29:52,120 --> 00:29:52,800
Speaker 7: what happened.

616
00:29:54,440 --> 00:29:55,080
Speaker 2: I think that.

617
00:29:57,600 --> 00:30:00,480
Speaker 7: He's he's definitely shown a level of comfort in his

618
00:30:00,560 --> 00:30:05,120
Speaker 7: skin and acceptability that that that is gonna happen. But

619
00:30:05,160 --> 00:30:08,520
Speaker 7: his fans haven't left him, you know, and they're still

620
00:30:08,800 --> 00:30:09,520
Speaker 7: rocking with him.

621
00:30:09,520 --> 00:30:13,000
Speaker 2: It's just other people that may not have been real.

622
00:30:13,120 --> 00:30:16,840
Speaker 7: J cole fans are just outside observers and they may

623
00:30:16,880 --> 00:30:22,400
Speaker 7: struggle with with taking them serious. So I understand it's difficult.

624
00:30:22,560 --> 00:30:25,200
Speaker 7: But you know, Jaco, even on some of these he said,

625
00:30:25,200 --> 00:30:28,040
Speaker 7: he's comfortable in his skin and with who he is,

626
00:30:28,120 --> 00:30:33,200
Speaker 7: and he moves how he moves, and you know, I

627
00:30:33,240 --> 00:30:36,920
Speaker 7: think with what Spike is saying is that this may

628
00:30:36,960 --> 00:30:39,120
Speaker 7: have been just let me just go ahead and just

629
00:30:39,280 --> 00:30:44,640
Speaker 7: remind everybody about what I can do, and you know,

630
00:30:45,760 --> 00:30:48,160
Speaker 7: getting to the point where now let me get the

631
00:30:48,320 --> 00:30:52,880
Speaker 7: album and the album really is I'm with Spike, it's

632
00:30:52,960 --> 00:30:55,880
Speaker 7: going to have to hit not for J cole fans,

633
00:30:56,440 --> 00:31:01,360
Speaker 7: but for everybody else that's questioning and wondering about what

634
00:31:01,400 --> 00:31:06,120
Speaker 7: he's going to do. It won't probably slow him down

635
00:31:06,160 --> 00:31:11,320
Speaker 7: and make him feel any less, you know, but in

636
00:31:11,440 --> 00:31:15,920
Speaker 7: terms of his legacy outside of J cole fans, it's

637
00:31:15,920 --> 00:31:18,320
Speaker 7: going to be interesting to see where things go if

638
00:31:18,480 --> 00:31:25,160
Speaker 7: if this album isn't great because we only heard rewind.

639
00:31:25,400 --> 00:31:29,560
Speaker 7: This is like people said on heart Strings, you know,

640
00:31:29,840 --> 00:31:32,760
Speaker 7: this is him rapping really really well over really really

641
00:31:32,800 --> 00:31:33,520
Speaker 7: dope beats.

642
00:31:34,120 --> 00:31:35,600
Speaker 2: So now, what are you going to do with this

643
00:31:35,760 --> 00:31:37,280
Speaker 2: album conceptually?

644
00:31:37,360 --> 00:31:39,240
Speaker 7: Because with the title like that it has to be

645
00:31:39,280 --> 00:31:42,120
Speaker 7: something conceptual, so I would imagine.

646
00:31:42,480 --> 00:31:44,400
Speaker 2: But but so far.

647
00:31:44,440 --> 00:31:47,480
Speaker 7: He's doing a good job. He just has to I mean, shit,

648
00:31:47,560 --> 00:31:57,240
Speaker 7: we what a week or so away? It's next week, right, yeahs.

649
00:31:55,520 --> 00:32:02,160
Speaker 1: Bro, oh it is next week man, yeah, yeah, it's man,

650
00:32:02,520 --> 00:32:06,760
Speaker 1: precious on. This is right before super Bowl too, mm hmm,

651
00:32:07,520 --> 00:32:11,160
Speaker 1: right before super Bowl, so yeah man yeah, man, Like like,

652
00:32:11,240 --> 00:32:14,440
Speaker 1: I think you gotta gotta gotta pretty steep hill to

653
00:32:14,440 --> 00:32:18,400
Speaker 1: climb because I saw people like like Fat Joe not

654
00:32:18,560 --> 00:32:22,000
Speaker 1: buying it, like like he just like, nah, he's a

655
00:32:22,040 --> 00:32:24,480
Speaker 1: wrapping my book, you know. I think Jada was kind

656
00:32:24,480 --> 00:32:28,440
Speaker 1: of uh combatting him on that, just like looking at

657
00:32:28,520 --> 00:32:30,680
Speaker 1: him as just as an artist or whatever.

658
00:32:31,320 --> 00:32:33,800
Speaker 6: I think that was a perfect example of an MC

659
00:32:34,040 --> 00:32:37,640
Speaker 6: talking to a trend chaser to not know what he's did.

660
00:32:38,360 --> 00:32:40,560
Speaker 6: In fact, Joe is talking to like he he's famous

661
00:32:40,560 --> 00:32:42,520
Speaker 6: for like number one hits, and all the way back,

662
00:32:42,840 --> 00:32:45,280
Speaker 6: Lady Kiss is telling him like, nah, bro, I've heard

663
00:32:45,520 --> 00:32:47,680
Speaker 6: this is before we heard it. Jady Kiss was telling

664
00:32:47,720 --> 00:32:50,239
Speaker 6: him like, no, bro, I heard the freestyles. I know

665
00:32:50,360 --> 00:32:52,920
Speaker 6: what he asked to rap on, what he asked clearance

666
00:32:52,960 --> 00:32:55,040
Speaker 6: for from the locks, and I heard what he did

667
00:32:55,080 --> 00:32:55,280
Speaker 6: on it.

668
00:32:55,320 --> 00:32:57,240
Speaker 3: All this ship you talking about don't matter now.

669
00:32:57,680 --> 00:33:00,000
Speaker 6: What matters now is what this album finna sound like,

670
00:33:00,160 --> 00:33:02,480
Speaker 6: because he in his bag, and I think Fat Joe

671
00:33:02,520 --> 00:33:06,000
Speaker 6: is really just leaning into the social media content creator

672
00:33:06,040 --> 00:33:08,520
Speaker 6: bag and he knew this it clipped and make it.

673
00:33:08,600 --> 00:33:10,360
Speaker 6: But once Ja Cole put this album out and if

674
00:33:10,400 --> 00:33:12,920
Speaker 6: they do what he expects it to do, or we

675
00:33:12,960 --> 00:33:14,920
Speaker 6: receive it how he thinks we will receive it, Fat

676
00:33:14,960 --> 00:33:16,120
Speaker 6: Joe gonna walk this ship back.

677
00:33:17,080 --> 00:33:17,880
Speaker 2: Yep ye.

678
00:33:18,560 --> 00:33:20,560
Speaker 4: Jada not gonna let him. Jada not gonna let him

679
00:33:20,560 --> 00:33:21,800
Speaker 4: talk though, smart m.

680
00:33:21,920 --> 00:33:23,400
Speaker 3: H because Jada m C.

681
00:33:23,640 --> 00:33:25,720
Speaker 5: Jada know what this is, right right?

682
00:33:26,800 --> 00:33:34,240
Speaker 2: What's that Joe? He's a podcast he said, He's not

683
00:33:35,040 --> 00:33:35,800
Speaker 2: spot Jada.

684
00:33:36,960 --> 00:33:40,320
Speaker 6: Jay still got MC credentials, He still got his He

685
00:33:40,320 --> 00:33:42,280
Speaker 6: can still pull his card out and smack it down

686
00:33:42,280 --> 00:33:45,680
Speaker 6: on the tape. And Joe walking like I see you're right,

687
00:33:45,720 --> 00:33:49,840
Speaker 6: d sir, trying to walk into MC club like we

688
00:33:49,920 --> 00:33:51,560
Speaker 6: thought you was podcasting now.

689
00:33:51,480 --> 00:33:56,000
Speaker 1: Bro oh Man, Yeah, yeah, But I do, unfortunately, think

690
00:33:56,000 --> 00:33:58,440
Speaker 1: it's some people out there like Fat Joe that just

691
00:33:58,520 --> 00:34:03,000
Speaker 1: can't overlook like all the controversy and you know, him

692
00:34:03,000 --> 00:34:08,640
Speaker 1: saying this and that and not just focusing on the material, right, like,

693
00:34:08,840 --> 00:34:12,120
Speaker 1: that's all. That's all that matters, bro, that's all that matters.

694
00:34:12,320 --> 00:34:14,000
Speaker 1: Man got knocked down, or y'all don't want to call

695
00:34:14,040 --> 00:34:16,000
Speaker 1: him the floor a fall off. We can we can

696
00:34:16,120 --> 00:34:21,480
Speaker 1: escape that and just say, look, we got knocked out. Yo.

697
00:34:21,560 --> 00:34:23,799
Speaker 1: He had to brush he had to brush his shirt off.

698
00:34:23,960 --> 00:34:24,080
Speaker 2: Yo.

699
00:34:24,160 --> 00:34:26,080
Speaker 1: He had he had to brush your shirt off a

700
00:34:26,120 --> 00:34:27,960
Speaker 1: little bit. I don't care what y'all say. This man

701
00:34:28,040 --> 00:34:31,120
Speaker 1: had to brush your shirt off. Take a sabbatical. He

702
00:34:31,239 --> 00:34:33,200
Speaker 1: had to do that. So stop, just stop it.

703
00:34:33,200 --> 00:34:33,800
Speaker 5: It's okay.

704
00:34:33,880 --> 00:34:37,360
Speaker 1: We all, we all, we all go through things, you

705
00:34:37,360 --> 00:34:39,960
Speaker 1: know what I'm saying. It's all about how you recover.

706
00:34:40,120 --> 00:34:43,120
Speaker 1: And I like the what he's doing right now. I

707
00:34:43,680 --> 00:34:48,000
Speaker 1: like the trajectory that is on of of getting past

708
00:34:48,400 --> 00:34:52,920
Speaker 1: this beef stuff. Man. So I'm definitely absolutely looking forward

709
00:34:52,960 --> 00:34:54,840
Speaker 1: to this. I was not because I wasn't at first.

710
00:34:55,400 --> 00:34:57,640
Speaker 1: I could care less at first, but nah, he's proving

711
00:34:57,680 --> 00:34:59,839
Speaker 1: me wrong. I'm like, oh wait, I am curious again.

712
00:34:59,880 --> 00:35:03,320
Speaker 1: I I'm interested to see what's gonna happen on this tape.

713
00:35:03,360 --> 00:35:05,800
Speaker 1: So I think what he's doing, what he's doing is

714
00:35:05,840 --> 00:35:08,960
Speaker 1: amazing right now. I'm like, man, yeah, I want to

715
00:35:09,000 --> 00:35:11,799
Speaker 1: see what this sounds like. I absolutely do.

716
00:35:12,320 --> 00:35:15,440
Speaker 3: I went I'm not interested to like, okay, what.

717
00:35:17,520 --> 00:35:21,160
Speaker 4: I'm also interested to or I think it's another good

718
00:35:21,200 --> 00:35:23,800
Speaker 4: strategic move that he's getting out in front of Iceman.

719
00:35:24,800 --> 00:35:26,520
Speaker 1: I said that too in the last if you remember,

720
00:35:26,680 --> 00:35:28,840
Speaker 1: I made that point as well in the last video.

721
00:35:29,360 --> 00:35:31,880
Speaker 1: Yeah that now and then to that point for you folk.

722
00:35:32,000 --> 00:35:34,439
Speaker 1: I like the way he's ringing in the new year,

723
00:35:34,760 --> 00:35:38,560
Speaker 1: like he he he's ushering in or setting it setting

724
00:35:38,680 --> 00:35:41,080
Speaker 1: setting like what this year should be like, you know

725
00:35:41,120 --> 00:35:43,799
Speaker 1: what I'm saying, Like we're already excited about hip hop

726
00:35:43,880 --> 00:35:46,920
Speaker 1: music from because of j Call right now. I mean,

727
00:35:46,920 --> 00:35:49,440
Speaker 1: there's been some other artists that drop, you know, but

728
00:35:49,960 --> 00:35:53,359
Speaker 1: this is making it exciting I think coming out the gate.

729
00:35:55,360 --> 00:35:56,520
Speaker 3: Agree. I agree with that.

730
00:35:57,120 --> 00:36:00,880
Speaker 1: Yeah, So anybody else have any final test on the

731
00:36:01,000 --> 00:36:04,200
Speaker 1: mixtape or anything before we get into the super chats.

732
00:36:05,800 --> 00:36:10,400
Speaker 1: Anybody all right? Cool? All right? Man, look, man, appreciate you.

733
00:36:10,440 --> 00:36:13,800
Speaker 1: We appreciate you all for sending the super chests. Uh

734
00:36:13,840 --> 00:36:17,200
Speaker 1: definitely help support this show. Help us keep going, man,

735
00:36:17,880 --> 00:36:20,440
Speaker 1: keep going, like and he's trying time to trying to

736
00:36:20,440 --> 00:36:23,080
Speaker 1: figure out you know, the next the next step. Subject

737
00:36:23,280 --> 00:36:26,799
Speaker 1: of deady hip hop they say, we fall enough to kid.

738
00:36:26,880 --> 00:36:28,880
Speaker 1: You know what I'm saying, Look, we gotta take it.

739
00:36:28,960 --> 00:36:31,759
Speaker 1: Like look, we gotta take that. We got to take that,

740
00:36:31,960 --> 00:36:33,080
Speaker 1: and it is what it is.

741
00:36:33,120 --> 00:36:33,640
Speaker 5: You know what I'm saying.

742
00:36:33,719 --> 00:36:35,800
Speaker 1: We got to reinvent. We gotta do things, and we

743
00:36:35,920 --> 00:36:38,399
Speaker 1: got some things coming out, uh that we that we're

744
00:36:38,400 --> 00:36:41,160
Speaker 1: curious to get your guys opinion on as we're going

745
00:36:41,239 --> 00:36:44,040
Speaker 1: as we come out this year man with the changes.

746
00:36:44,120 --> 00:36:46,880
Speaker 1: So you know, like I said, it's all about recovering

747
00:36:46,920 --> 00:36:50,440
Speaker 1: and figuring out how we can reinvent and you know,

748
00:36:50,480 --> 00:36:54,200
Speaker 1: still bring that that great content. So but again, thank

749
00:36:54,280 --> 00:36:56,040
Speaker 1: you for the super chests, Thank you for continuing to

750
00:36:56,040 --> 00:36:58,400
Speaker 1: support us, even though you get mad at us sometimes.

751
00:36:59,480 --> 00:37:02,719
Speaker 1: Thank you for constantly supporting. But at this point of

752
00:37:02,760 --> 00:37:04,279
Speaker 1: the show, I like to turn it over to Ken

753
00:37:04,360 --> 00:37:06,680
Speaker 1: to go through your super chat that you so kindly

754
00:37:06,800 --> 00:37:07,120
Speaker 1: sent in.

755
00:37:09,520 --> 00:37:13,800
Speaker 2: All right, Josh Rose, what up? Bro? Uh kim my

756
00:37:13,920 --> 00:37:18,560
Speaker 2: guy Don Tolliver dropping on Friday? How excited are you?

757
00:37:18,719 --> 00:37:19,399
Speaker 2: Out of ten?

758
00:37:20,120 --> 00:37:25,680
Speaker 7: And surely he gets a Main Channel debut. I did

759
00:37:25,719 --> 00:37:31,680
Speaker 7: not know he was dropping on Friday. Uh so main Channel, Dave, you,

760
00:37:34,120 --> 00:37:36,360
Speaker 7: I don't know. We'll see, we'll see. We got a

761
00:37:36,360 --> 00:37:37,719
Speaker 7: lot of things in the work, but I did like

762
00:37:37,760 --> 00:37:41,719
Speaker 7: that heartstone psycho joint if I remember correctly. So I

763
00:37:42,320 --> 00:37:45,160
Speaker 7: got some joints. Yeah, we'll see, we'll see if he

764
00:37:45,200 --> 00:37:49,200
Speaker 7: can follow it up. You messed with Don Tolliver' spike.

765
00:37:49,520 --> 00:37:54,280
Speaker 7: You kind of all right, uh.

766
00:37:54,040 --> 00:37:55,200
Speaker 2: Oh, you're muted.

767
00:37:56,520 --> 00:37:57,319
Speaker 3: He wanted those people.

768
00:37:57,360 --> 00:38:00,520
Speaker 6: I hear his name a lot, and I go check

769
00:38:00,560 --> 00:38:03,360
Speaker 6: out the stuff and it ain't what they told me.

770
00:38:03,400 --> 00:38:03,879
Speaker 2: It was.

771
00:38:05,520 --> 00:38:09,200
Speaker 3: While you're talking about this dude like this, But I mean,

772
00:38:10,360 --> 00:38:11,080
Speaker 3: my bad, Don, I.

773
00:38:11,040 --> 00:38:12,719
Speaker 2: Ain't mean to put you. I ain't mean to do

774
00:38:12,760 --> 00:38:13,120
Speaker 2: that to you.

775
00:38:13,160 --> 00:38:13,279
Speaker 4: Bro.

776
00:38:14,080 --> 00:38:20,960
Speaker 2: A is Billboard not counting YouTube views anymore for sales thoughts?

777
00:38:21,640 --> 00:38:27,080
Speaker 3: Well, they were doing that, you know it was it

778
00:38:27,120 --> 00:38:27,640
Speaker 3: was a change.

779
00:38:28,080 --> 00:38:31,080
Speaker 2: Yeah, they never should have been counting it.

780
00:38:31,120 --> 00:38:32,360
Speaker 1: That's kind of that's crazy.

781
00:38:32,719 --> 00:38:33,239
Speaker 3: Yeah, that is.

782
00:38:34,280 --> 00:38:35,040
Speaker 2: Yeah. That goes to.

783
00:38:36,640 --> 00:38:39,560
Speaker 6: People challenging YouTube now, like Netflix for the podcast, Like

784
00:38:39,600 --> 00:38:42,879
Speaker 6: people are like pushing back against the conglomerate that YouTube this.

785
00:38:43,719 --> 00:38:46,000
Speaker 2: Bro, you're not going to take down YouTube. Bro, it's

786
00:38:46,040 --> 00:38:47,880
Speaker 2: just not gonna.

787
00:38:47,800 --> 00:38:49,920
Speaker 3: You me And you were talking about you said it

788
00:38:49,960 --> 00:38:52,799
Speaker 3: to me like, Bro, it's free, you can't beat it.

789
00:38:52,800 --> 00:38:53,320
Speaker 3: It's free.

790
00:38:54,239 --> 00:38:57,920
Speaker 4: Yeah, it's that is kind of crazy though, that they

791
00:38:57,920 --> 00:39:03,400
Speaker 4: were counting it towards sales. Yeah, because because YouTube is

792
00:39:03,440 --> 00:39:08,520
Speaker 4: its own income stream. So I don't know why you would,

793
00:39:08,920 --> 00:39:09,640
Speaker 4: Well I at.

794
00:39:10,160 --> 00:39:13,359
Speaker 7: This, Yeah, and I'm sure it's on the music dot

795
00:39:13,440 --> 00:39:16,399
Speaker 7: YouTube dot com, which I do listen to music on there,

796
00:39:16,440 --> 00:39:20,600
Speaker 7: So maybe they're maybe on their they're including that in

797
00:39:20,680 --> 00:39:25,400
Speaker 7: the streaming bucket, and they're deciding to not include that

798
00:39:25,480 --> 00:39:28,800
Speaker 7: in their calculation, so with the Spotify's and the Apple

799
00:39:28,880 --> 00:39:31,839
Speaker 7: Music of the world, not probably on YouTube dot Com,

800
00:39:31,840 --> 00:39:33,840
Speaker 7: which I think they're still there. But I think the

801
00:39:33,880 --> 00:39:35,719
Speaker 7: way it may be coding on the back end is

802
00:39:35,760 --> 00:39:39,279
Speaker 7: even if you listen to an album labeled as an

803
00:39:39,280 --> 00:39:43,040
Speaker 7: album categorized as an album on YouTube, it's probably still

804
00:39:45,480 --> 00:39:50,760
Speaker 7: attached to the music site so they can track it properly.

805
00:39:51,840 --> 00:39:55,080
Speaker 2: So why they decided to not do that if.

806
00:39:54,840 --> 00:39:56,840
Speaker 7: They were including it in the streaming bucket with the

807
00:39:56,840 --> 00:40:00,319
Speaker 7: Spotify's et cetera, et cetera, you know, I have to

808
00:40:00,360 --> 00:40:01,759
Speaker 7: look into Yeah, I.

809
00:40:01,760 --> 00:40:03,320
Speaker 3: Did not know that.

810
00:40:03,320 --> 00:40:04,200
Speaker 5: That's crazy to say.

811
00:40:04,880 --> 00:40:08,680
Speaker 1: Yeah, YouTube officially withdrew it's music streaming data from Billboard

812
00:40:08,719 --> 00:40:11,600
Speaker 1: and in their partnership that began at twenty thirteen.

813
00:40:12,280 --> 00:40:15,400
Speaker 6: And the reason that the reason as to why I

814
00:40:15,480 --> 00:40:18,200
Speaker 6: can what you asked is there's a dispute between Billboard

815
00:40:18,239 --> 00:40:22,680
Speaker 6: and YouTube over the streaming data weight. Previously, YouTube's data

816
00:40:22,880 --> 00:40:26,000
Speaker 6: was included, but the platform withdrew its data due to

817
00:40:26,160 --> 00:40:31,280
Speaker 6: Billboard's weighing system that heavily favors paid subscription streams over

818
00:40:31,400 --> 00:40:35,759
Speaker 6: ad support it. So that's the reason they parted ways.

819
00:40:36,239 --> 00:40:39,959
Speaker 7: Okay, so just business politics nothing.

820
00:40:42,600 --> 00:40:44,759
Speaker 2: That is. Yeah, there's a podcast.

821
00:40:48,760 --> 00:40:51,399
Speaker 7: It shouldn't I mean in terms of like final cell

822
00:40:51,520 --> 00:40:54,840
Speaker 7: number that's reported out. Yeah, yeah, but it's going to

823
00:40:54,920 --> 00:40:59,759
Speaker 7: impact their revenue. It's just gonna like a rocket no loss.

824
00:41:00,160 --> 00:41:00,759
Speaker 2: No, no, no, no.

825
00:41:01,160 --> 00:41:03,640
Speaker 4: I don't see it impacting their revenue, but it does

826
00:41:03,800 --> 00:41:09,200
Speaker 4: impact their overall selves. But I wonder what percentage of

827
00:41:09,880 --> 00:41:13,399
Speaker 4: you know, streams were being counted from YouTube because gain

828
00:41:13,440 --> 00:41:15,640
Speaker 4: YouTube is the second largest search engine on the planet.

829
00:41:16,680 --> 00:41:20,160
Speaker 4: So if you're losing that count on the back end,

830
00:41:20,280 --> 00:41:21,680
Speaker 4: that that should be.

831
00:41:23,520 --> 00:41:24,879
Speaker 2: Fifteen ten percent at.

832
00:41:24,840 --> 00:41:27,799
Speaker 1: Least, right, you should be really significant.

833
00:41:28,200 --> 00:41:32,560
Speaker 4: Yeah, you should be able to see that, all right.

834
00:41:32,719 --> 00:41:33,120
Speaker 1: Uh.

835
00:41:33,280 --> 00:41:40,320
Speaker 7: The linguisher rank them based on vocabulary Doom, doom, eminem thought,

836
00:41:40,920 --> 00:41:41,680
Speaker 7: and ti.

837
00:41:43,480 --> 00:41:44,160
Speaker 2: On vocal.

838
00:41:49,160 --> 00:41:52,680
Speaker 1: I think black thought, doom.

839
00:41:53,120 --> 00:41:56,960
Speaker 6: You're gonna put my boy les you already spot. I

840
00:41:57,000 --> 00:41:59,440
Speaker 6: don't even know why t l y ci in this conversation.

841
00:41:59,440 --> 00:42:02,400
Speaker 1: I don't like because the expedition, and that's.

842
00:42:02,239 --> 00:42:06,200
Speaker 6: My man's like, come on, like he not when he's rapping.

843
00:42:06,239 --> 00:42:09,680
Speaker 6: When he talking, he used a wide base of vocabulary

844
00:42:09,760 --> 00:42:13,400
Speaker 6: now when he rapping, even though that's my favorite rapper.

845
00:42:13,400 --> 00:42:16,960
Speaker 6: If I'm putting gr last, I'm going I ain't too

846
00:42:16,960 --> 00:42:20,080
Speaker 6: familiar with Doom, but I'm assuming since it's Mike's favorite

847
00:42:20,120 --> 00:42:24,440
Speaker 6: rapper that he's pretty like lingual lingual.

848
00:42:24,880 --> 00:42:26,799
Speaker 3: And then from the ones that I've heard, I would

849
00:42:26,800 --> 00:42:28,600
Speaker 3: go M second and thought first.

850
00:42:29,200 --> 00:42:32,760
Speaker 4: Yeah, I'm going black thought first, M second, Doom thirty

851
00:42:32,920 --> 00:42:34,560
Speaker 4: y'all lives, Yeah, same for me.

852
00:42:36,160 --> 00:42:41,719
Speaker 2: All right, that's sound about right, that's not about right? Yeah,

853
00:42:42,239 --> 00:42:46,799
Speaker 2: m hmm yeah, yep, I can roll with that. Uh,

854
00:42:46,880 --> 00:42:49,319
Speaker 2: Tradino Hope.

855
00:42:51,280 --> 00:42:56,520
Speaker 3: What hope Chad best Chad person? Oh hope you know, Hope?

856
00:42:56,520 --> 00:42:58,040
Speaker 3: You know is what this is?

857
00:42:59,120 --> 00:43:04,640
Speaker 4: Bruh, god man, the grades you see you you speak,

858
00:43:04,719 --> 00:43:06,799
Speaker 4: young person, I know what that was.

859
00:43:07,080 --> 00:43:11,480
Speaker 1: I just say, uncle, that ain't even a young person.

860
00:43:11,480 --> 00:43:12,200
Speaker 1: That's something else.

861
00:43:12,880 --> 00:43:13,560
Speaker 2: Yeah what you saying?

862
00:43:15,000 --> 00:43:17,520
Speaker 3: No, that's that's young people ship. That's how they do people.

863
00:43:18,320 --> 00:43:20,560
Speaker 3: That's some ship I get from my little cousin and

864
00:43:20,760 --> 00:43:21,680
Speaker 3: my little nieces, and.

865
00:43:22,520 --> 00:43:25,560
Speaker 7: I got too many, too many grades for this. Uh

866
00:43:26,719 --> 00:43:30,680
Speaker 7: when you said his first name, I thought Chads. I

867
00:43:30,680 --> 00:43:31,920
Speaker 7: thought uncle was his first name.

868
00:43:32,400 --> 00:43:34,759
Speaker 1: Was me too? Me too?

869
00:43:39,840 --> 00:43:41,920
Speaker 2: The Asian right, ain't no spike.

870
00:43:45,719 --> 00:43:48,879
Speaker 3: Even then, I would just put a U space in. Oh,

871
00:43:49,560 --> 00:43:51,840
Speaker 3: what a cad. I don't understand what the cave for.

872
00:43:52,480 --> 00:43:54,880
Speaker 7: But yeah, I hope Pharrell. I hope he gets his

873
00:43:54,960 --> 00:43:58,319
Speaker 7: deserved coin. Pharrell is such a snake, esmate. Yeah, we

874
00:43:58,320 --> 00:44:01,719
Speaker 7: actually had a conversation about this on a new show

875
00:44:01,760 --> 00:44:03,439
Speaker 7: we're working on, which would be out later.

876
00:44:03,520 --> 00:44:04,480
Speaker 2: We hope you guys enjoyed.

877
00:44:04,480 --> 00:44:08,160
Speaker 7: But yeah, we actually talked about this, so yeah, but yeah,

878
00:44:08,440 --> 00:44:13,040
Speaker 7: that's what he's doing. But I think they'll get it fixed. Uh,

879
00:44:13,280 --> 00:44:17,560
Speaker 7: Tamino again. Georgia, Louisiana, Texas, Florida, Tennessee. Get rid of

880
00:44:17,600 --> 00:44:20,440
Speaker 7: one state and all this influence and hip hop. You

881
00:44:20,480 --> 00:44:23,040
Speaker 7: can also try to keep one because why not.

882
00:44:24,400 --> 00:44:27,360
Speaker 2: Mhm man, that's tough.

883
00:44:28,560 --> 00:44:30,480
Speaker 6: I think you can get You can't get rid of

884
00:44:30,520 --> 00:44:31,440
Speaker 6: either one of those.

885
00:44:32,440 --> 00:44:35,640
Speaker 7: You gotta keep Georgia. You have to keep Louisiana. That's Ooh,

886
00:44:35,719 --> 00:44:36,759
Speaker 7: you gotta keep Texas too.

887
00:44:36,800 --> 00:44:38,799
Speaker 6: You gotta keep Texas, and then you gotta go to

888
00:44:38,840 --> 00:44:41,200
Speaker 6: Florida with the Luke and the early stuff, like you

889
00:44:41,320 --> 00:44:45,760
Speaker 6: gotta keep that. And then the heavy, the heavy influence

890
00:44:45,800 --> 00:44:48,440
Speaker 6: that Memphis has right now on the game with the

891
00:44:48,560 --> 00:44:49,760
Speaker 6: people sampling.

892
00:44:49,760 --> 00:44:53,040
Speaker 3: The old Juicy J and three six beats that that's

893
00:44:53,080 --> 00:44:54,440
Speaker 3: an impossible question.

894
00:44:54,239 --> 00:45:00,640
Speaker 1: As so, so if we're talking just influence, which one

895
00:45:00,760 --> 00:45:01,240
Speaker 1: is least?

896
00:45:01,320 --> 00:45:11,880
Speaker 8: Listen Louisiana, Florida, Florida, Florida. Yeah, they hang rock a.

897
00:45:12,160 --> 00:45:16,320
Speaker 7: Ball and g Bro, Triple cis Mafia.

898
00:45:16,400 --> 00:45:17,839
Speaker 2: You're not getting like.

899
00:45:17,840 --> 00:45:24,920
Speaker 6: They still Juicy J and DJ Paul Ship today. I said, Louisiana,

900
00:45:26,239 --> 00:45:28,960
Speaker 6: you got they have a big artist right now in

901
00:45:28,960 --> 00:45:31,800
Speaker 6: wrong for New Orleans and cash money, what are you

902
00:45:31,920 --> 00:45:32,600
Speaker 6: talking about?

903
00:45:32,719 --> 00:45:35,719
Speaker 1: And that Roal NBA Young Boy is from Louisiana.

904
00:45:37,040 --> 00:45:38,320
Speaker 2: They said, we got to get rid of it.

905
00:45:38,520 --> 00:45:41,000
Speaker 7: If Bro, you not, you can't get rid of a

906
00:45:41,040 --> 00:45:44,640
Speaker 7: p and that's outcasting Georgia and.

907
00:45:44,640 --> 00:45:46,480
Speaker 4: We would have had no boy shaken if if it

908
00:45:46,520 --> 00:45:47,200
Speaker 4: wasn't for Florida.

909
00:45:47,239 --> 00:45:50,880
Speaker 1: Bro, Yeah, I feel like I feel like Georgia was

910
00:45:50,960 --> 00:45:54,600
Speaker 1: kind of influenced by Florida, though they were early Georgia music.

911
00:45:54,760 --> 00:45:55,479
Speaker 3: They said that, they.

912
00:45:56,680 --> 00:46:00,640
Speaker 2: Said, you can't get rid of Florida. Bro, Yeah yeah,

913
00:46:00,640 --> 00:46:02,400
Speaker 2: but we still have okay, but.

914
00:46:02,560 --> 00:46:06,160
Speaker 4: There's no there's no sexy read without Florida. Bro, there's

915
00:46:06,200 --> 00:46:07,440
Speaker 4: no without Florida.

916
00:46:07,480 --> 00:46:09,399
Speaker 2: You like that's a big issue, thy god?

917
00:46:10,560 --> 00:46:13,040
Speaker 4: Well no, the point I make Bro, there's no ga

918
00:46:14,160 --> 00:46:17,760
Speaker 4: like like like like that the strip club music started

919
00:46:17,840 --> 00:46:18,400
Speaker 4: in Florida.

920
00:46:20,960 --> 00:46:23,480
Speaker 1: Yeah, you can't get Florida got affluence, man, I think it.

921
00:46:24,000 --> 00:46:25,160
Speaker 1: I think it might be Georgia.

922
00:46:28,239 --> 00:46:31,239
Speaker 6: That's even crazier. Any one of these is crazy. You

923
00:46:31,280 --> 00:46:33,759
Speaker 6: can't take none of those off is.

924
00:46:33,680 --> 00:46:38,000
Speaker 4: The least though, Like because you can't get rid of Memphis,

925
00:46:38,400 --> 00:46:40,400
Speaker 4: can't get rid of Florida, couldn't give rid of Florida.

926
00:46:40,440 --> 00:46:41,320
Speaker 2: There was no Georgia.

927
00:46:42,000 --> 00:46:45,240
Speaker 4: Louisiana didn't influence the other sounds.

928
00:46:45,239 --> 00:46:48,360
Speaker 2: They had their own, but who was copying.

929
00:46:47,920 --> 00:46:48,759
Speaker 4: Them but.

930
00:46:51,520 --> 00:46:54,840
Speaker 6: Money and No Limit and now even NBA, Young Boy

931
00:46:54,920 --> 00:46:58,279
Speaker 6: and Boozy, Like it's a thing, that's a style, Like

932
00:46:58,320 --> 00:47:00,960
Speaker 6: people were trying to duplicate what can Money was doing,

933
00:47:01,600 --> 00:47:03,880
Speaker 6: what No Limit was doing, and.

934
00:47:03,960 --> 00:47:08,319
Speaker 1: Yeah, yeah Louisiana made it to Florida, Bro, like like yeah,

935
00:47:08,920 --> 00:47:11,600
Speaker 1: it had a big influence, Like but but your statement

936
00:47:11,640 --> 00:47:14,520
Speaker 1: itself is why I said Georgia. You said it wouldn't

937
00:47:14,719 --> 00:47:18,480
Speaker 1: be some sort of some of the Georgia sound without Florida.

938
00:47:18,760 --> 00:47:21,480
Speaker 1: So how could they be more influential?

939
00:47:21,520 --> 00:47:25,640
Speaker 4: And it's because because once Georgia took it, they were

940
00:47:25,719 --> 00:47:26,239
Speaker 4: number one.

941
00:47:26,960 --> 00:47:28,719
Speaker 1: But but we talking about influence. As I said, we're

942
00:47:28,719 --> 00:47:30,680
Speaker 1: going straight strictly based off influence.

943
00:47:32,040 --> 00:47:35,080
Speaker 4: But but but Georgia has had the most influence out

944
00:47:35,120 --> 00:47:36,399
Speaker 4: of all of these states.

945
00:47:36,960 --> 00:47:39,000
Speaker 1: Okay, they did take the baton and run with it.

946
00:47:39,040 --> 00:47:39,680
Speaker 1: I will give you that.

947
00:47:39,840 --> 00:47:41,480
Speaker 5: You took the baton and wrung with it because.

948
00:47:41,280 --> 00:47:43,280
Speaker 1: You had New York cast trying to sound like Georgia.

949
00:47:44,000 --> 00:47:46,000
Speaker 1: So I will get that. That's why this is very difficult.

950
00:47:46,280 --> 00:47:49,480
Speaker 6: It might be Texas. It might be Texas because they

951
00:47:49,480 --> 00:47:52,320
Speaker 6: had their own sound. It worked there. They got screwed.

952
00:47:52,760 --> 00:47:55,680
Speaker 6: They might like it ain't popping no mold, but they

953
00:47:55,719 --> 00:47:56,320
Speaker 6: still can get it.

954
00:47:56,400 --> 00:47:57,359
Speaker 3: Like some thug is.

955
00:47:57,280 --> 00:47:58,480
Speaker 5: Popular in Texas.

956
00:47:58,680 --> 00:48:01,000
Speaker 6: Everywhere else would consider him like a seedless rapper, But

957
00:48:01,080 --> 00:48:02,759
Speaker 6: in Texas he may be the man.

958
00:48:03,040 --> 00:48:05,600
Speaker 1: It might might be Texas, It might be Texas.

959
00:48:05,640 --> 00:48:11,799
Speaker 4: He might be no ug, Texas exclusive, no scarface.

960
00:48:13,560 --> 00:48:16,399
Speaker 6: But okay, how many people have scarfaces as great as

961
00:48:16,400 --> 00:48:18,520
Speaker 6: he was, like, it's one scarface.

962
00:48:18,520 --> 00:48:18,879
Speaker 1: That's it.

963
00:48:19,880 --> 00:48:23,640
Speaker 6: There ain't nonother one. It ain't no another ugk, It

964
00:48:23,680 --> 00:48:26,600
Speaker 6: ain't no nother big moment. It ain't no nother DJ screw.

965
00:48:27,280 --> 00:48:29,759
Speaker 4: They have they have the least amount of influence.

966
00:48:29,880 --> 00:48:30,320
Speaker 2: Influence.

967
00:48:30,400 --> 00:48:32,560
Speaker 3: Yeah, so if we talking about influence, it gotta be Texas.

968
00:48:32,920 --> 00:48:37,319
Speaker 4: Okay, So look, I'm a car person who because I

969
00:48:37,360 --> 00:48:41,640
Speaker 4: know Florida got the dunks and Texas got the slab

970
00:48:42,880 --> 00:48:44,359
Speaker 4: Damn what's one? I don't know?

971
00:48:44,400 --> 00:48:44,560
Speaker 1: Bro?

972
00:48:45,320 --> 00:48:49,040
Speaker 7: Yeah, yeah that was That was actually a lot tougher

973
00:48:49,040 --> 00:48:51,839
Speaker 7: than I thought it would be. Maybe I can go

974
00:48:51,880 --> 00:48:55,240
Speaker 7: with Texas. I think you make a good case. Damn

975
00:48:56,320 --> 00:48:58,480
Speaker 7: uh Donald Van. I know he's Canadian, but due to

976
00:48:58,560 --> 00:49:01,759
Speaker 7: the current circumstances, Iceman is probably not the best name

977
00:49:01,800 --> 00:49:02,240
Speaker 7: for Drakes.

978
00:49:02,280 --> 00:49:02,919
Speaker 2: I'm coming out.

979
00:49:07,600 --> 00:49:09,640
Speaker 6: Do you think that's a real conversation being had in

980
00:49:09,680 --> 00:49:15,160
Speaker 6: this camp? No, not at all, because I've seen at

981
00:49:15,200 --> 00:49:17,680
Speaker 6: all other places too. I've seen this other places too.

982
00:49:18,280 --> 00:49:20,000
Speaker 6: It's not the first person to say that.

983
00:49:22,480 --> 00:49:23,600
Speaker 1: It's not the best. Look.

984
00:49:24,400 --> 00:49:26,000
Speaker 2: It ain't. It's not.

985
00:49:26,239 --> 00:49:30,080
Speaker 4: But you know, he's never he's never been about politics.

986
00:49:30,120 --> 00:49:33,280
Speaker 4: So even though it's it's bad timing.

987
00:49:35,760 --> 00:49:36,680
Speaker 5: Super bad time.

988
00:49:38,640 --> 00:49:42,840
Speaker 6: It may not be a serious conversation, but it's look

989
00:49:42,680 --> 00:49:45,640
Speaker 6: think about the means.

990
00:49:46,280 --> 00:49:47,480
Speaker 3: I don't know if he can change it.

991
00:49:47,560 --> 00:49:51,120
Speaker 6: Can he can't because like he doesn't, he can't change it.

992
00:49:51,560 --> 00:49:54,120
Speaker 6: I have done the Iceman rollout like it's awful with.

993
00:49:57,360 --> 00:49:59,239
Speaker 2: Man he can't win.

994
00:50:00,560 --> 00:50:08,200
Speaker 7: Yeah, man, damn Brohan danger. Can you mentioned not knowing

995
00:50:08,280 --> 00:50:12,880
Speaker 7: Larrussell's influence. Uh it's mac dre. Y'all should have someone

996
00:50:12,920 --> 00:50:15,840
Speaker 7: on to talk mac Dre. Check out the album Rapper

997
00:50:15,960 --> 00:50:16,520
Speaker 7: Gone Bag.

998
00:50:16,840 --> 00:50:18,200
Speaker 2: I'm familiar with mac dray.

999
00:50:18,360 --> 00:50:22,960
Speaker 7: Yeah, but I'm down to talk mat Drey though yeah

1000
00:50:23,160 --> 00:50:26,520
Speaker 7: you know, you know, I don't think he is really discussing,

1001
00:50:26,600 --> 00:50:28,360
Speaker 7: not discussed.

1002
00:50:27,920 --> 00:50:29,759
Speaker 2: Enough, but I'm down to bring somebody on the top.

1003
00:50:30,080 --> 00:50:30,560
Speaker 2: Mac Drey.

1004
00:50:31,000 --> 00:50:36,160
Speaker 6: Is that you pitching yourself? Larussell doing something at the

1005
00:50:36,160 --> 00:50:39,880
Speaker 6: super Bowl? He that like from my back from my

1006
00:50:39,920 --> 00:50:43,360
Speaker 6: backyard to super Bowl shows and with shouting now jay Z.

1007
00:50:43,520 --> 00:50:43,880
Speaker 3: So I don't know.

1008
00:50:44,000 --> 00:50:46,200
Speaker 6: I know it's not the main halftime so of course,

1009
00:50:46,239 --> 00:50:48,920
Speaker 6: but I think opening super Bowl show or some of

1010
00:50:48,960 --> 00:50:51,120
Speaker 6: the super Bowl festivities he's gonna be performing at. So

1011
00:50:51,840 --> 00:50:54,960
Speaker 6: shout out to Larrussell. Man, he's any independently.

1012
00:50:54,880 --> 00:50:57,759
Speaker 2: Mm hmm business whise he's doing his thing.

1013
00:50:58,239 --> 00:50:58,920
Speaker 3: Oh my god.

1014
00:51:03,280 --> 00:51:10,879
Speaker 7: So yeah, as is zero percentage chance of Cole will

1015
00:51:10,920 --> 00:51:14,000
Speaker 7: stay retired after the album percentage chance Cold will stay

1016
00:51:14,000 --> 00:51:14,839
Speaker 7: retired after the album.

1017
00:51:17,680 --> 00:51:18,919
Speaker 3: We talked about this on the Dick.

1018
00:51:18,960 --> 00:51:21,160
Speaker 6: I said, like j Cole is strikes me as the

1019
00:51:21,160 --> 00:51:23,960
Speaker 6: type that we never hear from again. See him like

1020
00:51:24,040 --> 00:51:27,680
Speaker 6: he'll go buy land in Utah and raise sheep and

1021
00:51:27,760 --> 00:51:30,960
Speaker 6: have kids, and like we'll never see him again. If anybody,

1022
00:51:30,960 --> 00:51:32,879
Speaker 6: if there has ever been a rapper other than Joe

1023
00:51:32,920 --> 00:51:36,160
Speaker 6: Budden for sure retired and you never heard him again,

1024
00:51:36,480 --> 00:51:37,360
Speaker 6: it's gonna be Jaco.

1025
00:51:38,840 --> 00:51:39,279
Speaker 2: I don't know.

1026
00:51:40,040 --> 00:51:42,600
Speaker 4: I think J Cole has a competitive spirit. I'm not

1027
00:51:42,640 --> 00:51:44,600
Speaker 4: saying that he's gonna be out here making full length

1028
00:51:44,640 --> 00:51:47,359
Speaker 4: albums or mixtapes or even EPs, but I think he'll

1029
00:51:47,360 --> 00:51:49,000
Speaker 4: make the occasional feature here and.

1030
00:51:48,960 --> 00:51:56,839
Speaker 7: There ninety chance, which is chance he's I think he's done.

1031
00:51:57,400 --> 00:51:59,560
Speaker 7: I don't think he's gonna full a jay z or logic.

1032
00:52:00,360 --> 00:52:04,200
Speaker 3: He don't like this stuff. He's just good at it.

1033
00:52:05,080 --> 00:52:07,320
Speaker 1: Like it's like that he don't like.

1034
00:52:07,480 --> 00:52:08,360
Speaker 2: He don't like to do.

1035
00:52:08,560 --> 00:52:09,480
Speaker 3: Everything to come with it.

1036
00:52:09,840 --> 00:52:16,560
Speaker 1: Yeah, all right, comment real quick. I saw somebody Cole

1037
00:52:16,600 --> 00:52:18,640
Speaker 1: want to be like Andre three K and be loved

1038
00:52:18,640 --> 00:52:21,520
Speaker 1: from the people. I could definitely see that from from

1039
00:52:21,600 --> 00:52:23,640
Speaker 1: J Cole, like I can see like him being like

1040
00:52:23,719 --> 00:52:25,000
Speaker 1: an Andre three Stacks.

1041
00:52:25,280 --> 00:52:26,880
Speaker 2: I can see that. You know.

1042
00:52:26,920 --> 00:52:29,359
Speaker 4: What the difference is there, though, is that there's still

1043
00:52:29,360 --> 00:52:31,320
Speaker 4: a mystique around Andre three Stacks.

1044
00:52:31,719 --> 00:52:33,080
Speaker 2: Jay Call don't have that same mistek.

1045
00:52:35,120 --> 00:52:38,680
Speaker 6: He wonted though, and I think him and I think

1046
00:52:38,719 --> 00:52:42,040
Speaker 6: him disappearing and it like I would have been surprised

1047
00:52:42,239 --> 00:52:43,800
Speaker 6: and J Cole playing the flute in ten.

1048
00:52:43,719 --> 00:52:46,839
Speaker 4: Years so so so, so I think that's what would

1049
00:52:46,880 --> 00:52:49,479
Speaker 4: have to happen, Like he would have to go away

1050
00:52:49,520 --> 00:52:51,360
Speaker 4: and stay away, and then that would add to the

1051
00:52:51,440 --> 00:52:52,920
Speaker 4: mystique and people will love him and.

1052
00:52:52,880 --> 00:52:53,959
Speaker 2: Be oh you remember when.

1053
00:52:54,640 --> 00:52:56,640
Speaker 4: But I don't know, I don't know. I don't know

1054
00:52:56,640 --> 00:53:00,400
Speaker 4: if he stays too completely staying a way.

1055
00:53:02,320 --> 00:53:06,080
Speaker 2: Better as a duo J Cole m F. Drake and

1056
00:53:06,200 --> 00:53:08,480
Speaker 2: Rizza now one of that?

1057
00:53:08,520 --> 00:53:11,800
Speaker 3: What why does that make sense in any way? Like

1058
00:53:11,800 --> 00:53:19,120
Speaker 3: I don't understand. I mean, Rizz is a great producer,

1059
00:53:19,239 --> 00:53:20,719
Speaker 3: Drake's a great rapper, So I would go with that.

1060
00:53:22,040 --> 00:53:25,240
Speaker 4: Nah, I just asked me because I saw this article

1061
00:53:25,280 --> 00:53:27,799
Speaker 4: that they were talking about. Uh, there's one Wu Tang

1062
00:53:27,880 --> 00:53:30,080
Speaker 4: member was saying that the reason why they fell off

1063
00:53:30,160 --> 00:53:32,839
Speaker 4: was because of the beats. B said, he agreed. So

1064
00:53:33,280 --> 00:53:35,640
Speaker 4: I'm not taking Drake and Rizza. I'm taking j Cole.

1065
00:53:36,040 --> 00:53:37,399
Speaker 2: Dun, dun.

1066
00:53:37,640 --> 00:53:39,920
Speaker 4: You know, honestly, he got a couple of vibe joints.

1067
00:53:39,960 --> 00:53:44,280
Speaker 4: You know what I'm saying, disconjoined way that he'd be rapping.

1068
00:53:44,320 --> 00:53:46,680
Speaker 4: He got some vibe ship. So I think him and

1069
00:53:46,760 --> 00:53:48,359
Speaker 4: J Cole would be a better duo.

1070
00:53:49,920 --> 00:53:52,960
Speaker 1: I think Rizza could pull some stuff for Drake personally,

1071
00:53:53,760 --> 00:53:56,000
Speaker 1: like you me and that Wu Tang forever right. It

1072
00:53:56,120 --> 00:54:00,160
Speaker 1: was influenced by It wasn't produced by Rizza, but it

1073
00:54:00,200 --> 00:54:00,839
Speaker 1: was a good track.

1074
00:54:01,480 --> 00:54:03,400
Speaker 4: But but and you know, they did a remix and

1075
00:54:03,520 --> 00:54:07,960
Speaker 4: Drake never put it out because I got was on

1076
00:54:08,040 --> 00:54:10,160
Speaker 4: it to somebody else stations talking, you will say that

1077
00:54:10,520 --> 00:54:13,640
Speaker 4: it was too hard for Drake, so he never released it.

1078
00:54:14,360 --> 00:54:16,560
Speaker 2: Yeah. Yeah, I don't know.

1079
00:54:16,840 --> 00:54:17,200
Speaker 4: I don't know.

1080
00:54:17,760 --> 00:54:20,160
Speaker 1: I think could do something though.

1081
00:54:20,920 --> 00:54:22,279
Speaker 6: Method man said he didn't want to be on it

1082
00:54:22,280 --> 00:54:23,439
Speaker 6: because he thought it didn't make sense.

1083
00:54:24,160 --> 00:54:27,319
Speaker 1: Yeah, yeah, I saw that too. I saw that too.

1084
00:54:27,360 --> 00:54:30,439
Speaker 7: That's a real political way of saying he thought Drake

1085
00:54:30,600 --> 00:54:37,480
Speaker 7: was wat uh, Colon. I'll go with colondoone. Is it

1086
00:54:37,560 --> 00:54:40,040
Speaker 7: safe to say the mixtape era is coming back?

1087
00:54:41,120 --> 00:54:43,760
Speaker 2: So too lazy?

1088
00:54:44,239 --> 00:54:46,000
Speaker 6: Where's it gonna be it? Where you're gonna put the

1089
00:54:46,040 --> 00:54:48,160
Speaker 6: mixtape on streaming?

1090
00:54:49,080 --> 00:54:52,480
Speaker 2: You too? I think? You know what?

1091
00:54:54,560 --> 00:54:56,400
Speaker 6: I think Colon is going above and beyond to do

1092
00:54:56,520 --> 00:54:58,759
Speaker 6: this because we know how important this album and this

1093
00:54:58,920 --> 00:55:01,680
Speaker 6: rollout is for him. So he can put up coldworld

1094
00:55:01,760 --> 00:55:04,600
Speaker 6: dot com and put a mixtape out and expect people

1095
00:55:04,600 --> 00:55:04,879
Speaker 6: to go.

1096
00:55:04,880 --> 00:55:06,040
Speaker 3: There and pay what they want for it.

1097
00:55:06,360 --> 00:55:11,680
Speaker 6: Ain't no other artists like that's seen some success willing

1098
00:55:11,760 --> 00:55:12,560
Speaker 6: to work there hard.

1099
00:55:13,160 --> 00:55:15,239
Speaker 4: But they are because because a lot of a lot

1100
00:55:15,280 --> 00:55:17,000
Speaker 4: of the artists, a lot of the artists that will

1101
00:55:17,040 --> 00:55:19,520
Speaker 4: take a pay a page from this playbook are gonna

1102
00:55:19,560 --> 00:55:21,840
Speaker 4: be independent artists. And that's the way to get the

1103
00:55:22,280 --> 00:55:25,640
Speaker 4: most engagement number one. Number two, the way to get

1104
00:55:25,680 --> 00:55:29,040
Speaker 4: the dollars from the people that are true supporters. Right

1105
00:55:29,080 --> 00:55:31,200
Speaker 4: when we just had Mick Jenkinson, he was talking about

1106
00:55:31,200 --> 00:55:33,800
Speaker 4: how he was doing a listening session.

1107
00:55:34,040 --> 00:55:34,560
Speaker 2: You know what I'm saying.

1108
00:55:34,600 --> 00:55:36,200
Speaker 4: He was charging his fans to come through to the

1109
00:55:36,200 --> 00:55:39,920
Speaker 4: listening session. Artists like this, right, Like I think j

1110
00:55:40,120 --> 00:55:44,880
Speaker 4: Cole is the biggest non underground representative of the underground

1111
00:55:44,960 --> 00:55:47,920
Speaker 4: artists we have in this era. And I think that

1112
00:55:47,920 --> 00:55:51,759
Speaker 4: that model of putting it behind your own website and

1113
00:55:51,800 --> 00:55:54,359
Speaker 4: stuff like that, your core fans are gonna are gonna

1114
00:55:54,360 --> 00:55:55,640
Speaker 4: buy it, bro, They're gonna eat it up.

1115
00:55:55,840 --> 00:55:58,360
Speaker 2: And I think that is a perfect way for.

1116
00:55:59,000 --> 00:56:02,799
Speaker 4: The non big artists to get that engagement spight. I

1117
00:56:02,840 --> 00:56:04,040
Speaker 4: think completely opposite.

1118
00:56:04,760 --> 00:56:06,799
Speaker 7: I don't I don't know if it's safe to say

1119
00:56:06,800 --> 00:56:09,320
Speaker 7: the miss Tape era is coming back, but it feels

1120
00:56:09,360 --> 00:56:11,200
Speaker 7: like the Miss Tape era is coming back, and I

1121
00:56:11,200 --> 00:56:15,400
Speaker 7: think the place to release that would be YouTube. Like

1122
00:56:15,440 --> 00:56:20,160
Speaker 7: I saw people talking earlier about how Martin man Flyer

1123
00:56:20,200 --> 00:56:24,440
Speaker 7: was like, yeah, the uh he has YouTube because the

1124
00:56:24,440 --> 00:56:26,680
Speaker 7: mis tape, mistape, the old Minx tapes are on there.

1125
00:56:26,880 --> 00:56:29,399
Speaker 2: They already on there. It's like one of the few

1126
00:56:29,400 --> 00:56:30,799
Speaker 2: places you can you can have them.

1127
00:56:30,880 --> 00:56:33,879
Speaker 7: So so yeah, if I want to listen to old

1128
00:56:33,920 --> 00:56:35,839
Speaker 7: miss tape because what that Pith is gone?

1129
00:56:36,000 --> 00:56:36,719
Speaker 2: Which one is gone?

1130
00:56:40,640 --> 00:56:40,799
Speaker 1: Yeah?

1131
00:56:41,120 --> 00:56:41,319
Speaker 3: Yeah?

1132
00:56:42,120 --> 00:56:44,719
Speaker 4: Yeah, mixtape? All that ship gone?

1133
00:56:44,760 --> 00:56:46,279
Speaker 2: Bro. Yeah.

1134
00:56:46,520 --> 00:56:51,160
Speaker 7: Art Crystal mentioned YouTube music is their main platform, so yeah,

1135
00:56:51,239 --> 00:56:51,920
Speaker 7: I think that.

1136
00:56:51,880 --> 00:56:53,520
Speaker 2: Would be a good place to put it if people

1137
00:56:53,520 --> 00:56:57,359
Speaker 2: did it. So yeah, we'll see we have a whole

1138
00:56:57,400 --> 00:56:58,359
Speaker 2: year to see how to play off.

1139
00:57:02,120 --> 00:57:07,000
Speaker 7: Uh, Josh Oh, Hey, what up Josh Vern Harris. I

1140
00:57:07,040 --> 00:57:10,040
Speaker 7: think the issue I'm having with this whole cold situation

1141
00:57:10,200 --> 00:57:12,319
Speaker 7: is the audacity of a certain kind of hip hop

1142
00:57:12,320 --> 00:57:17,520
Speaker 7: fan claiming that Cole can't participate in the general bragg

1143
00:57:17,560 --> 00:57:21,760
Speaker 7: of the Oshio Well whatever that is, uh aspect of yeah,

1144
00:57:22,160 --> 00:57:23,000
Speaker 7: of being an MC.

1145
00:57:26,200 --> 00:57:29,080
Speaker 2: If y'all check out Josh Vern. You know he's been

1146
00:57:29,080 --> 00:57:30,600
Speaker 2: on the show before. Uh.

1147
00:57:30,720 --> 00:57:33,320
Speaker 7: You know he puts out music. Uh, so he's speaking

1148
00:57:33,360 --> 00:57:35,720
Speaker 7: from an artist's perspective.

1149
00:57:37,680 --> 00:57:41,240
Speaker 2: Nah, I mean I get that. Yeah, you know, I

1150
00:57:41,280 --> 00:57:44,760
Speaker 2: think that when you're MC, that is just part of

1151
00:57:44,880 --> 00:57:49,840
Speaker 2: what you do. So I understand it.

1152
00:57:50,920 --> 00:57:54,080
Speaker 3: Yeah, I get it. Okay, shut away from.

1153
00:57:53,920 --> 00:57:57,640
Speaker 7: That, right Uh snowbody simp Do y'all think it's better

1154
00:57:57,640 --> 00:57:59,800
Speaker 7: for artists to drop on a personal site like coal

1155
00:58:00,520 --> 00:58:02,160
Speaker 7: rather than streaming services?

1156
00:58:03,000 --> 00:58:04,760
Speaker 2: Both just do it?

1157
00:58:04,960 --> 00:58:07,800
Speaker 4: You know, you gotta stagger it, you know, because I

1158
00:58:08,000 --> 00:58:09,800
Speaker 4: think at the end of the day, you still got

1159
00:58:09,920 --> 00:58:12,200
Speaker 4: you still want to be able to be accessible to

1160
00:58:12,240 --> 00:58:14,000
Speaker 4: as many people, so you gotta put it on streaming.

1161
00:58:14,360 --> 00:58:17,040
Speaker 4: But I definitely think dropping it early, dropping in an

1162
00:58:17,080 --> 00:58:21,640
Speaker 4: exclusive you know, on personal sites or even what's the

1163
00:58:21,720 --> 00:58:24,280
Speaker 4: joint that be always uses where you be finding on

1164
00:58:24,680 --> 00:58:29,080
Speaker 4: camp band camp, you know what I'm saying, Places like that,

1165
00:58:29,160 --> 00:58:31,680
Speaker 4: I think that's dope. But I think at some point

1166
00:58:31,720 --> 00:58:33,840
Speaker 4: you gotta put your music on streaming, like you just

1167
00:58:34,120 --> 00:58:36,720
Speaker 4: it has to. You want everybody to be able.

1168
00:58:36,520 --> 00:58:37,080
Speaker 3: To listen to it.

1169
00:58:37,160 --> 00:58:41,880
Speaker 4: So I don't think you got to put everything there,

1170
00:58:42,560 --> 00:58:44,080
Speaker 4: you know what I'm saying. And that's why I was saying,

1171
00:58:44,080 --> 00:58:47,120
Speaker 4: like exclusives, you can put exclusives behind paywalls and stuff

1172
00:58:47,160 --> 00:58:49,320
Speaker 4: like that, and you know, service your core fans that

1173
00:58:49,360 --> 00:58:52,560
Speaker 4: are truly going to support you. But I think, like

1174
00:58:52,760 --> 00:58:56,080
Speaker 4: you know, your album for the most part, you know

1175
00:58:56,840 --> 00:58:57,920
Speaker 4: it should be on streaming.

1176
00:58:58,080 --> 00:59:01,640
Speaker 1: You don't have to, but yeah, I think for what

1177
00:59:01,720 --> 00:59:04,760
Speaker 1: Cole is doing, yeah, put it on streaming. You're trying

1178
00:59:04,760 --> 00:59:06,880
Speaker 1: to get this into many ears as you possibly can

1179
00:59:06,920 --> 00:59:10,000
Speaker 1: because you're trying to prove a point, right, So for him, yeah,

1180
00:59:10,080 --> 00:59:11,919
Speaker 1: you have to put this on streaming. But I think

1181
00:59:12,480 --> 00:59:14,800
Speaker 1: if you're like an artist like Nick Jenckens or any

1182
00:59:14,800 --> 00:59:18,200
Speaker 1: of these other artists that you know, they they survive, Yeah,

1183
00:59:18,240 --> 00:59:21,000
Speaker 1: they survive off of that type of funding. Yeah, the

1184
00:59:21,520 --> 00:59:24,480
Speaker 1: personal site is absolutely the way to go, you know,

1185
00:59:24,640 --> 00:59:27,120
Speaker 1: make people pay for your music. You know what I'm saying.

1186
00:59:27,200 --> 00:59:29,240
Speaker 1: It is what it is. It's going to be a hard,

1187
00:59:29,440 --> 00:59:33,200
Speaker 1: hard reality for a lot of people. But it's fair

1188
00:59:33,240 --> 00:59:36,040
Speaker 1: to the artists. They put all this time into making it,

1189
00:59:36,280 --> 00:59:38,800
Speaker 1: like pay these pay them. They're not getting paid for streaming.

1190
00:59:39,560 --> 00:59:41,520
Speaker 1: It's cool that you're listening to it, but they're not

1191
00:59:41,560 --> 00:59:42,120
Speaker 1: getting paid.

1192
00:59:45,840 --> 00:59:50,480
Speaker 7: Window It is probably the best way to go about

1193
00:59:50,520 --> 00:59:53,840
Speaker 7: doing it, you know, I do think it depends on

1194
00:59:53,920 --> 00:59:56,439
Speaker 7: the size of the artists and the scale of their reach.

1195
00:59:57,160 --> 01:00:00,000
Speaker 2: So but I'm all for dropping it on a personal.

1196
00:59:59,760 --> 01:00:02,360
Speaker 7: Se all right, and then waiting a while and then

1197
01:00:02,400 --> 01:00:05,360
Speaker 7: putting on streaming. And I think it all depends on

1198
01:00:05,400 --> 01:00:08,840
Speaker 7: the data that you have, right, So you should have

1199
01:00:09,240 --> 01:00:14,920
Speaker 7: something telling you the percentage of your fan base that

1200
01:00:14,960 --> 01:00:18,120
Speaker 7: are your core fans, and then you should also have

1201
01:00:18,240 --> 01:00:20,320
Speaker 7: data that or be able to do some form of

1202
01:00:20,360 --> 01:00:24,720
Speaker 7: data analysis that'll tell you the percentage that rocks with

1203
01:00:24,800 --> 01:00:27,640
Speaker 7: you but won't buy your music. And then at that

1204
01:00:27,760 --> 01:00:30,480
Speaker 7: point then the stuff that goes on streaming will be

1205
01:00:30,560 --> 01:00:34,120
Speaker 7: for them, and then you'll get passive income from that

1206
01:00:34,200 --> 01:00:35,080
Speaker 7: streaming service.

1207
01:00:35,960 --> 01:00:37,680
Speaker 2: You know, it ain't gonna be the.

1208
01:00:37,560 --> 01:00:42,520
Speaker 7: Value of you know, the full value but it's still

1209
01:00:42,560 --> 01:00:44,960
Speaker 7: going to be something that they have.

1210
01:00:45,240 --> 01:00:47,640
Speaker 2: So it just depends on what their business model is.

1211
01:00:48,480 --> 01:00:50,320
Speaker 1: And what you care about. If you care about charting

1212
01:00:50,320 --> 01:00:52,640
Speaker 1: and stuff, Yeah, that's going to be impact.

1213
01:00:52,400 --> 01:00:56,240
Speaker 7: Here, As is Yay's apology. Is it genuine or enough

1214
01:00:56,240 --> 01:01:00,360
Speaker 7: for y'all? This is another conversation we had early. You're

1215
01:01:00,400 --> 01:01:03,919
Speaker 7: on a uh new show that we have coming out,

1216
01:01:05,200 --> 01:01:07,720
Speaker 7: but fifo any thoughts on Yay's apology.

1217
01:01:08,840 --> 01:01:14,520
Speaker 2: I don't give a damn no more.

1218
01:01:16,080 --> 01:01:21,360
Speaker 7: It might be a genuine attempt to sell Bully or

1219
01:01:21,360 --> 01:01:24,760
Speaker 7: get Bully covered, but I'll just stop there be on

1220
01:01:24,840 --> 01:01:29,160
Speaker 7: the lookout for that conversation and others with uh Rod

1221
01:01:29,280 --> 01:01:36,200
Speaker 7: Spike in Moving on Teddy Perkins, what new upcoming artists

1222
01:01:36,240 --> 01:01:40,560
Speaker 7: has the raw talent with the best potential for super stardom?

1223
01:01:41,840 --> 01:01:45,880
Speaker 1: Damn? Who from starting?

1224
01:01:46,760 --> 01:01:52,280
Speaker 2: Yeat? He's not he's not more?

1225
01:01:52,440 --> 01:01:57,360
Speaker 1: Okay, all right, don't she still know? Don't she still new?

1226
01:01:58,280 --> 01:01:59,520
Speaker 1: She knew? She still knew? Bro.

1227
01:02:02,440 --> 01:02:03,480
Speaker 2: Yeah, I'll give you that.

1228
01:02:07,160 --> 01:02:09,920
Speaker 5: Yeah, I think she still has a chance with a superstar.

1229
01:02:12,040 --> 01:02:12,520
Speaker 2: I agree.

1230
01:02:12,880 --> 01:02:15,640
Speaker 1: I heard you heard King supposed to be dropping.

1231
01:02:16,400 --> 01:02:20,440
Speaker 2: Oh man, come on, why do you hate can.

1232
01:02:25,520 --> 01:02:26,720
Speaker 1: Ty? We tried it?

1233
01:02:29,720 --> 01:02:34,400
Speaker 3: I would go Hey, the's not a lot to pick from.

1234
01:02:34,760 --> 01:02:36,640
Speaker 3: I go to the girls, I'm gonna say Gorilla.

1235
01:02:38,440 --> 01:02:40,040
Speaker 5: I don't know she's new at this point though.

1236
01:02:40,800 --> 01:02:44,320
Speaker 3: Yeah, she's not talent with the best potential for superstar

1237
01:02:44,880 --> 01:02:47,080
Speaker 3: if you're going new it and is she not is

1238
01:02:47,080 --> 01:02:48,080
Speaker 3: she not a superstar?

1239
01:02:48,240 --> 01:02:49,520
Speaker 1: I think she is at this point.

1240
01:02:49,560 --> 01:02:52,280
Speaker 3: I think I think she has. I think she has

1241
01:02:52,280 --> 01:02:55,160
Speaker 3: a step above that she can go to where she's

1242
01:02:55,160 --> 01:02:55,600
Speaker 3: at now.

1243
01:02:56,000 --> 01:02:59,760
Speaker 5: I think it's one more step she can take interesting.

1244
01:03:01,480 --> 01:03:02,160
Speaker 1: Yeah, I don't know.

1245
01:03:02,400 --> 01:03:04,600
Speaker 2: You're talking like movies, commercials.

1246
01:03:04,680 --> 01:03:08,760
Speaker 6: Yeah, yeah, I got people seeing her in more places.

1247
01:03:08,760 --> 01:03:11,160
Speaker 4: Because she because because I agree I agree with Spike

1248
01:03:11,240 --> 01:03:14,680
Speaker 4: rob because like, Glorilla is big musically, but she's not

1249
01:03:15,120 --> 01:03:18,160
Speaker 4: like you don't see her, you don't see her face cards,

1250
01:03:18,160 --> 01:03:21,240
Speaker 4: she's not in commercial she's not like her music isn't

1251
01:03:21,280 --> 01:03:25,280
Speaker 4: really in commercials yet like that. So she does have

1252
01:03:25,320 --> 01:03:26,440
Speaker 4: another level she could get to.

1253
01:03:27,560 --> 01:03:32,680
Speaker 1: Yeah, I don't know, bro, Yeah it is.

1254
01:03:33,880 --> 01:03:34,600
Speaker 4: That's why I don't.

1255
01:03:34,640 --> 01:03:36,040
Speaker 2: I don't. I don't know if.

1256
01:03:36,000 --> 01:03:38,800
Speaker 1: They're I don't see real I don't see Gloriala being

1257
01:03:38,880 --> 01:03:41,160
Speaker 1: like an actress or anything like that. But I can

1258
01:03:41,200 --> 01:03:44,560
Speaker 1: see that with has a lot of personality adultie does.

1259
01:03:45,640 --> 01:03:47,600
Speaker 1: She has a lot of personality. She can go a

1260
01:03:47,600 --> 01:03:52,600
Speaker 1: lot of different routes before a start of commercials, movies, the.

1261
01:03:52,760 --> 01:03:55,440
Speaker 2: Music she has commercials.

1262
01:03:55,880 --> 01:04:01,280
Speaker 3: Somebody Selial is in the two B movie.

1263
01:04:00,680 --> 01:04:01,120
Speaker 2: There You Go.

1264
01:04:03,080 --> 01:04:04,000
Speaker 5: Put that tracks.

1265
01:04:04,720 --> 01:04:05,760
Speaker 2: Yeah, just a lot.

1266
01:04:12,400 --> 01:04:15,520
Speaker 6: She got the Checkers thing, she got a Checkers meal

1267
01:04:15,840 --> 01:04:19,160
Speaker 6: I think or whatever. So she got some type of endorsements.

1268
01:04:20,640 --> 01:04:28,840
Speaker 2: Yuh huh my pick, I'm with you all right? Cool?

1269
01:04:30,560 --> 01:04:32,360
Speaker 2: Uh should be No.

1270
01:04:32,480 --> 01:04:35,120
Speaker 7: I currently want to go further on my southern bag

1271
01:04:35,120 --> 01:04:38,160
Speaker 7: in the hip hop music journey. So from any of y'all,

1272
01:04:38,160 --> 01:04:41,320
Speaker 7: do you have any deep cup underground midstape projects that

1273
01:04:41,360 --> 01:04:49,320
Speaker 7: you highly recommend? Thanks guys, Oh, where you want me

1274
01:04:49,360 --> 01:04:54,560
Speaker 7: to start it? Because I want to I want to

1275
01:04:54,560 --> 01:04:59,400
Speaker 7: put because but I do want to put like like

1276
01:04:59,520 --> 01:05:03,680
Speaker 7: something to together that's much bigger than this question.

1277
01:05:03,800 --> 01:05:06,120
Speaker 2: Okay, hook him up, give them, Give them to Spike.

1278
01:05:07,080 --> 01:05:12,000
Speaker 6: The one that I would say, Starlito. He's been active lately.

1279
01:05:12,000 --> 01:05:14,280
Speaker 6: He has gotten back into it for he stopped for

1280
01:05:14,400 --> 01:05:17,480
Speaker 6: a minute. But that step Brother's Full Life and his

1281
01:05:17,720 --> 01:05:20,480
Speaker 6: album I think I don't remember the name of his

1282
01:05:20,520 --> 01:05:22,400
Speaker 6: album that came out last year, but those were two

1283
01:05:22,440 --> 01:05:25,000
Speaker 6: really good projects from a Southern artist. And I said

1284
01:05:25,000 --> 01:05:27,720
Speaker 6: this on one of our other shows, Eddie from Memphis,

1285
01:05:27,720 --> 01:05:32,080
Speaker 6: Orange Mouth. If you're familiar with a bottle MJG. Like, yeah,

1286
01:05:32,280 --> 01:05:35,080
Speaker 6: that's the same Vein, just a new generation of it.

1287
01:05:35,200 --> 01:05:38,520
Speaker 6: So Starlito, Eddie Velero and don trup.

1288
01:05:40,880 --> 01:05:42,040
Speaker 2: Gez Prime Minister.

1289
01:05:42,600 --> 01:05:47,479
Speaker 4: It's a It's an old mixtape that still bangs. Get

1290
01:05:47,520 --> 01:05:49,040
Speaker 4: you know what I'm saying, Hey, look, make sure your

1291
01:05:49,080 --> 01:05:51,920
Speaker 4: speakers is okay, dog, because and bitch is my pop.

1292
01:05:52,880 --> 01:05:58,240
Speaker 4: I'm just I'm just saying it's one of those ones, Southern,

1293
01:05:58,480 --> 01:06:02,840
Speaker 4: another Southern. I don't know care. That's the only one

1294
01:06:02,880 --> 01:06:04,360
Speaker 4: I got. That's the first one that came to mind.

1295
01:06:06,720 --> 01:06:08,400
Speaker 1: I don't know why you gave it. I mean, I'm

1296
01:06:08,400 --> 01:06:10,680
Speaker 1: not gonna I'm not gonna say that, but I think

1297
01:06:11,680 --> 01:06:16,800
Speaker 1: the correct Jesus mixtape is Trapper Die if you're gonna.

1298
01:06:16,640 --> 01:06:19,400
Speaker 3: Give me they don't know about that? Yeah?

1299
01:06:19,440 --> 01:06:19,640
Speaker 2: Yeah?

1300
01:06:21,440 --> 01:06:21,640
Speaker 3: That?

1301
01:06:21,920 --> 01:06:25,400
Speaker 4: And and then this play that I didn't I didn't

1302
01:06:25,400 --> 01:06:29,000
Speaker 4: want to give him like the obvious.

1303
01:06:27,800 --> 01:06:30,080
Speaker 5: You know what.

1304
01:06:31,800 --> 01:06:33,640
Speaker 2: He said, do we have any deep cut?

1305
01:06:34,840 --> 01:06:35,800
Speaker 4: There's a deep cut?

1306
01:06:36,360 --> 01:06:36,600
Speaker 2: Rod.

1307
01:06:36,640 --> 01:06:41,000
Speaker 6: Do you remember that first Plaize mixtape? No, you don't

1308
01:06:41,000 --> 01:06:41,919
Speaker 6: remember the first one.

1309
01:06:43,320 --> 01:06:44,240
Speaker 1: You can find that.

1310
01:06:45,720 --> 01:06:47,840
Speaker 3: Gino whatever whatever the name is.

1311
01:06:47,840 --> 01:06:51,160
Speaker 6: Say right there, if you can find that first Plize mixtape,

1312
01:06:51,280 --> 01:06:54,040
Speaker 6: that's that right there too, is right there with Trafford

1313
01:06:55,480 --> 01:06:56,000
Speaker 6: mm hmm.

1314
01:06:59,680 --> 01:07:06,720
Speaker 2: Uh. I will say check out the Pimp and the Gangster.

1315
01:07:09,600 --> 01:07:14,920
Speaker 7: By the rap group Dirty from two thousand Alabama Dirty,

1316
01:07:14,920 --> 01:07:16,640
Speaker 7: I remember you talked.

1317
01:07:16,680 --> 01:07:19,080
Speaker 2: That's that's the ones that had hit the flow Hit

1318
01:07:19,160 --> 01:07:19,880
Speaker 2: the flow. Bro.

1319
01:07:20,400 --> 01:07:23,120
Speaker 4: Oh my god, that was that ship though, that ship

1320
01:07:23,200 --> 01:07:23,920
Speaker 4: bumping the whip.

1321
01:07:24,880 --> 01:07:28,880
Speaker 7: Go listen to that, Go listen to that. That's a

1322
01:07:28,920 --> 01:07:29,400
Speaker 7: deep cut.

1323
01:07:30,200 --> 01:07:32,920
Speaker 2: That that's what he was. That's what he was looking for.

1324
01:07:35,800 --> 01:07:40,040
Speaker 3: Somebody my boy Belly gang Belly, gang cushingson too.

1325
01:07:40,440 --> 01:07:43,240
Speaker 2: Yeah, definitely that's not.

1326
01:07:44,440 --> 01:07:46,840
Speaker 1: Somebody in the chat said that They reminded me that

1327
01:07:46,880 --> 01:07:47,480
Speaker 1: I should.

1328
01:07:47,200 --> 01:07:48,040
Speaker 2: Have said that I got you.

1329
01:07:48,600 --> 01:07:51,680
Speaker 7: As is, besides the rage scene, which is slowly dying,

1330
01:07:51,720 --> 01:07:54,400
Speaker 7: we haven't had any new genre based movements and hip hop.

1331
01:07:55,640 --> 01:07:59,000
Speaker 7: Why hasn't the sound progressing hip hop? Are we losing creativity?

1332
01:07:59,120 --> 01:08:00,320
Speaker 7: Are we losing in avation?

1333
01:08:01,920 --> 01:08:04,920
Speaker 4: I think people are still finding themselves, like, well, like

1334
01:08:05,160 --> 01:08:07,680
Speaker 4: the next what's the next thing. I think we're in

1335
01:08:07,760 --> 01:08:10,960
Speaker 4: the midst of it, you know, I think we're hearing

1336
01:08:11,000 --> 01:08:15,920
Speaker 4: a lot of genre bending music. But I don't think

1337
01:08:15,960 --> 01:08:18,280
Speaker 4: that there is a quote unquote sound just yet.

1338
01:08:19,920 --> 01:08:21,479
Speaker 2: I should agree with you. I think we're in the

1339
01:08:21,520 --> 01:08:22,719
Speaker 2: midst of this.

1340
01:08:22,640 --> 01:08:28,760
Speaker 7: Whole sort of singing, songy, viby, space sounding sort of

1341
01:08:29,120 --> 01:08:34,000
Speaker 7: music with all these these what lonely danger whatever these

1342
01:08:34,000 --> 01:08:38,960
Speaker 7: guys are that's out there, the Yeats, the Playboy Cardies.

1343
01:08:41,360 --> 01:08:45,800
Speaker 2: Yeah, yeah, doing this weird sort of shit, you know.

1344
01:08:47,360 --> 01:08:50,680
Speaker 2: I think it is that progression.

1345
01:08:50,800 --> 01:08:54,799
Speaker 7: I don't know, but I think they're trying to innovate

1346
01:08:55,000 --> 01:08:56,880
Speaker 7: as best they can, and this is what they got.

1347
01:08:57,520 --> 01:09:00,720
Speaker 3: I think drill music was an innovation. We're at that

1348
01:09:00,920 --> 01:09:03,879
Speaker 3: right now, like as far as I think it's evolution.

1349
01:09:05,200 --> 01:09:09,120
Speaker 6: Yeah, but true, there's a different versions of it now too,

1350
01:09:09,200 --> 01:09:10,520
Speaker 6: Like you got Chicago.

1351
01:09:10,160 --> 01:09:12,120
Speaker 2: Drill, Atlanta drill New York, New York.

1352
01:09:16,439 --> 01:09:22,160
Speaker 7: Apparently it's destroyed lonely but you know, but uh, well yeah,

1353
01:09:22,160 --> 01:09:25,200
Speaker 7: and I think, well, no, they say that's part of

1354
01:09:25,200 --> 01:09:25,479
Speaker 7: the race.

1355
01:09:25,600 --> 01:09:26,360
Speaker 2: I don't know, y'all.

1356
01:09:26,400 --> 01:09:30,639
Speaker 7: Ship I kind of go talk to some young folks

1357
01:09:30,800 --> 01:09:32,520
Speaker 7: if that's part of the raige scene.

1358
01:09:32,880 --> 01:09:36,040
Speaker 2: You know. But to your question, or we lose creativity

1359
01:09:36,120 --> 01:09:36,600
Speaker 2: or we lose the.

1360
01:09:36,600 --> 01:09:45,800
Speaker 6: Innovation, Yes, yes, I don't think that it it ain't

1361
01:09:45,800 --> 01:09:49,280
Speaker 6: conducive to artists in these days unless they're really fucking

1362
01:09:49,320 --> 01:09:55,640
Speaker 6: good to be creative, because what social media and the

1363
01:09:55,680 --> 01:09:58,320
Speaker 6: things that will make them popular tells them is do

1364
01:09:58,479 --> 01:10:01,519
Speaker 6: what the algorithm says, and that's what everybody else is

1365
01:10:01,520 --> 01:10:03,600
Speaker 6: doing it so you can pop. So I think that

1366
01:10:03,640 --> 01:10:06,040
Speaker 6: it is stripping some of the innovation from hip hop

1367
01:10:06,160 --> 01:10:09,160
Speaker 6: because they're using social media to be popular. Its the

1368
01:10:09,200 --> 01:10:13,360
Speaker 6: realms that we knew before magazines, just mixtapes, word of mouth.

1369
01:10:13,640 --> 01:10:16,040
Speaker 6: It's more so get in the algorithm. So they're doing

1370
01:10:16,080 --> 01:10:18,520
Speaker 6: the same shit that everybody else is in the algorithm

1371
01:10:18,560 --> 01:10:20,680
Speaker 6: is doing to get in the algorithm.

1372
01:10:21,200 --> 01:10:23,280
Speaker 4: Yeah, I think there is a faction of that spike,

1373
01:10:23,320 --> 01:10:25,960
Speaker 4: but I think that the bigger faction is that we're

1374
01:10:26,040 --> 01:10:31,160
Speaker 4: seeing people take sounds and really just completely measurem and

1375
01:10:31,160 --> 01:10:33,840
Speaker 4: do things that we haven't We've never seen before, you

1376
01:10:33,880 --> 01:10:35,879
Speaker 4: know what I'm saying. And I think a prime example

1377
01:10:36,080 --> 01:10:39,280
Speaker 4: is not necessarily one hundred percent of hip hop but

1378
01:10:39,680 --> 01:10:41,760
Speaker 4: urban but like Bad Bunny, Like what Bad Bunny is

1379
01:10:41,760 --> 01:10:45,920
Speaker 4: doing in music is complete genre bending. What Drake has

1380
01:10:45,960 --> 01:10:49,160
Speaker 4: done in music is complete genre bending. That is innovation.

1381
01:10:49,520 --> 01:10:52,160
Speaker 4: So I think we're in a very good innovative spot.

1382
01:10:52,400 --> 01:10:54,280
Speaker 4: But I do think there is a faction of what

1383
01:10:54,280 --> 01:10:58,080
Speaker 4: you're talking about that is formulaic. I think there's always

1384
01:10:58,160 --> 01:11:01,400
Speaker 4: going to be some formula to be popular. You know,

1385
01:11:01,439 --> 01:11:05,680
Speaker 4: that's just what music and art has been that gets commercialized.

1386
01:11:05,920 --> 01:11:06,880
Speaker 2: You know, it's formulated.

1387
01:11:07,040 --> 01:11:10,160
Speaker 4: I think there is that. Don't disagree, but I think

1388
01:11:10,200 --> 01:11:12,519
Speaker 4: that we have a big faction of people that's just

1389
01:11:13,640 --> 01:11:16,519
Speaker 4: outside outside the box what.

1390
01:11:16,560 --> 01:11:18,920
Speaker 1: You got, right, I was just gonna say, I think

1391
01:11:18,920 --> 01:11:20,679
Speaker 1: it's I think it's just what you're whatever you're paying

1392
01:11:20,680 --> 01:11:23,240
Speaker 1: attention to. I think on the mainstream level, Yeah, I

1393
01:11:23,240 --> 01:11:26,479
Speaker 1: don't know if it's like creative on that platform, but

1394
01:11:26,520 --> 01:11:29,280
Speaker 1: I think we still got a lot of creative artists

1395
01:11:29,360 --> 01:11:32,640
Speaker 1: out there that are doing things that people may not

1396
01:11:32,760 --> 01:11:35,880
Speaker 1: just be paying attention to. Like like the one we

1397
01:11:35,920 --> 01:11:39,479
Speaker 1: had on the show, I was I wasn't able to

1398
01:11:39,520 --> 01:11:43,240
Speaker 1: make it what's his name? No?

1399
01:11:43,320 --> 01:11:47,240
Speaker 9: No, Like we can kind of compare to Bruise of Wolf,

1400
01:11:47,360 --> 01:11:51,400
Speaker 9: like like people like bruises mm hmm yeah yeah yeah,

1401
01:11:51,439 --> 01:11:54,519
Speaker 9: Like like it's it's plenty of people making very creative music.

1402
01:11:54,680 --> 01:11:56,880
Speaker 5: I mean, I mean one could say Mick Jickens makes

1403
01:11:56,920 --> 01:11:57,599
Speaker 5: creative music.

1404
01:11:57,680 --> 01:12:00,000
Speaker 1: Jiz still makes creative music, Like I think it's just

1405
01:12:00,120 --> 01:12:03,080
Speaker 1: whoever you're what you're paying attention to now. Like I said,

1406
01:12:03,560 --> 01:12:07,719
Speaker 1: mainstream is in a place where they're trying to figure

1407
01:12:07,720 --> 01:12:11,080
Speaker 1: out what they're going to do next, And I think

1408
01:12:11,479 --> 01:12:13,439
Speaker 1: if you're paying attention to that, it doesn't look like

1409
01:12:13,479 --> 01:12:17,719
Speaker 1: there's any creativity or innovation happening except AI.

1410
01:12:20,479 --> 01:12:23,000
Speaker 7: If people want to say it's different because Cole apologized

1411
01:12:23,000 --> 01:12:24,920
Speaker 7: and deleted it, I get it. But plenty of people

1412
01:12:24,960 --> 01:12:28,439
Speaker 7: have J above NOAs even though j loss Baling isn't

1413
01:12:28,479 --> 01:12:31,080
Speaker 7: the number wack criteria for who's best that is from

1414
01:12:31,160 --> 01:12:32,280
Speaker 7: Josh Bros.

1415
01:12:33,200 --> 01:12:38,320
Speaker 2: That's that's that's that's pretty insightful bro. Yeah.

1416
01:12:38,360 --> 01:12:40,599
Speaker 4: But but but but but it's not fair because we're

1417
01:12:40,640 --> 01:12:46,760
Speaker 4: talking about like the best, like Marketer, businessman, you know,

1418
01:12:46,840 --> 01:12:49,320
Speaker 4: want of them to do it. So like it was

1419
01:12:49,360 --> 01:12:51,360
Speaker 4: never about the music. Like you look at like the

1420
01:12:51,439 --> 01:12:55,719
Speaker 4: history of j like he was never the hottest rapper

1421
01:12:56,120 --> 01:12:58,840
Speaker 4: you said, there was always people his peers are contemporaries

1422
01:12:58,880 --> 01:13:01,320
Speaker 4: that did that wand up the you know what I'm saying.

1423
01:13:01,360 --> 01:13:06,760
Speaker 2: So Jay's not the right not the right comp here man. Two.

1424
01:13:09,000 --> 01:13:11,320
Speaker 6: To this point, what a lot of people don't look

1425
01:13:11,320 --> 01:13:15,160
Speaker 6: at is the Blueprint Too song like Jay didn't stop

1426
01:13:16,080 --> 01:13:20,000
Speaker 6: the Blueprint two song captives Beef, Yes nas won and

1427
01:13:20,080 --> 01:13:24,439
Speaker 6: yes Ether was a bigger song. But there's an out

1428
01:13:24,520 --> 01:13:26,800
Speaker 6: for Jay if you go listen to that Blueprint two song.

1429
01:13:26,840 --> 01:13:29,439
Speaker 3: As to where the people that know, they're.

1430
01:13:29,280 --> 01:13:31,960
Speaker 6: Like, nah, he was on nas ass like you wear

1431
01:13:32,000 --> 01:13:33,920
Speaker 6: coofye niggas think that you bright like he was on

1432
01:13:34,080 --> 01:13:36,040
Speaker 6: nas ass on that Blueprint two song.

1433
01:13:36,840 --> 01:13:38,040
Speaker 3: And the people that know that.

1434
01:13:37,880 --> 01:13:40,920
Speaker 6: That they accept that he got beat, but he didn't.

1435
01:13:40,960 --> 01:13:43,840
Speaker 6: He didn't delete the song off an album. He actually

1436
01:13:43,920 --> 01:13:46,360
Speaker 6: doubled down and said, oh, you put out Ether, I'm

1437
01:13:46,360 --> 01:13:49,559
Speaker 6: gonna put out Blueprint too, and then I'm through it, so.

1438
01:13:51,520 --> 01:13:56,880
Speaker 2: All right? Uh?

1439
01:13:57,120 --> 01:14:00,320
Speaker 6: Then he and then he then then he saw working

1440
01:14:00,360 --> 01:14:02,520
Speaker 6: for day Uh.

1441
01:14:02,880 --> 01:14:04,280
Speaker 2: Part two of the genre question.

1442
01:14:04,439 --> 01:14:08,400
Speaker 7: Actually, there's a movement of rappers combining hyper pop with rap,

1443
01:14:08,920 --> 01:14:10,760
Speaker 7: but there's no name for it.

1444
01:14:11,760 --> 01:14:11,880
Speaker 1: Uh.

1445
01:14:11,920 --> 01:14:16,400
Speaker 7: Some artists are too Hollis, Lucy bed Rokee or Rogue,

1446
01:14:17,040 --> 01:14:19,479
Speaker 7: Jane Remover. I feel like I've heard of Jane Remover,

1447
01:14:19,720 --> 01:14:22,880
Speaker 7: et cetera. Okay, I'll check.

1448
01:14:22,760 --> 01:14:25,960
Speaker 4: It out, all right, what's hyper pop?

1449
01:14:26,479 --> 01:14:28,200
Speaker 2: I've never heard that, never heard of it.

1450
01:14:29,600 --> 01:14:33,320
Speaker 7: I don't know if it's combined with Korean k pop,

1451
01:14:33,439 --> 01:14:37,280
Speaker 7: but I think it would have said that, so, uh

1452
01:14:38,240 --> 01:14:40,640
Speaker 7: don't sound like anything we may like though, but I'm

1453
01:14:40,640 --> 01:14:41,280
Speaker 7: gonna listen to it.

1454
01:14:41,320 --> 01:14:43,439
Speaker 2: I'm curious now appreciate it.

1455
01:14:43,479 --> 01:14:50,080
Speaker 7: As is uh afro futurism, seven minute Drill and the

1456
01:14:50,120 --> 01:14:53,599
Speaker 7: apology are all a part of the fallout, the fall

1457
01:14:53,600 --> 01:14:55,280
Speaker 7: off rollout, This was all planned.

1458
01:14:57,120 --> 01:14:58,200
Speaker 2: I would claim it is.

1459
01:14:59,880 --> 01:15:06,240
Speaker 3: Was what's seven MD and what's seven m D? Okay?

1460
01:15:06,280 --> 01:15:07,519
Speaker 3: The song he deleted Okay gotcha?

1461
01:15:10,080 --> 01:15:12,160
Speaker 6: J Cole would be one of the most smartest motherfuckers

1462
01:15:12,200 --> 01:15:13,160
Speaker 6: alive and felt true.

1463
01:15:13,800 --> 01:15:15,080
Speaker 3: I think it all fell in the place.

1464
01:15:16,600 --> 01:15:26,080
Speaker 7: Yeah, yeah, yeah, keeping with the falling thing, yeah he did.

1465
01:15:26,720 --> 01:15:29,160
Speaker 7: What do you think about him using the director consumer

1466
01:15:29,200 --> 01:15:31,479
Speaker 7: method during this rollout? No songs are streaming so far.

1467
01:15:31,600 --> 01:15:33,439
Speaker 7: Do you think he'll do the album the same way?

1468
01:15:33,760 --> 01:15:36,519
Speaker 7: So we've we've answered the version of this question about

1469
01:15:36,560 --> 01:15:37,679
Speaker 7: the album the same way.

1470
01:15:38,160 --> 01:15:38,960
Speaker 2: I definitely do.

1471
01:15:39,040 --> 01:15:42,640
Speaker 7: Like when you go by the mixtape from the website,

1472
01:15:42,720 --> 01:15:48,120
Speaker 7: he's selling the album on the website, so and it's

1473
01:15:48,160 --> 01:15:53,160
Speaker 7: like fourteen ninety nine, which is so, but I think

1474
01:15:53,200 --> 01:15:56,480
Speaker 7: it may be available everywhere though when he first released.

1475
01:15:56,720 --> 01:15:58,320
Speaker 6: I like that he does the roll out this way.

1476
01:15:58,680 --> 01:16:00,679
Speaker 6: Rod spoke to it earlier one of the other shows

1477
01:16:00,720 --> 01:16:02,160
Speaker 6: that we did. Make sure y'all check that out. So

1478
01:16:02,200 --> 01:16:05,760
Speaker 6: I like the fact that he did that. But at

1479
01:16:05,840 --> 01:16:07,720
Speaker 6: twelve o'clock on the release state it needs to be

1480
01:16:07,760 --> 01:16:10,680
Speaker 6: on streaming. Don't play no games as to where you

1481
01:16:10,680 --> 01:16:14,400
Speaker 6: had to have some exclusive membership and some subscription like,

1482
01:16:14,439 --> 01:16:16,840
Speaker 6: don't do that. Just put it out and let people

1483
01:16:16,840 --> 01:16:18,840
Speaker 6: consume it because it should be that good.

1484
01:16:20,600 --> 01:16:24,240
Speaker 2: And that's this is what they're saying, is people.

1485
01:16:25,600 --> 01:16:27,840
Speaker 3: That say, oh God, no.

1486
01:16:33,120 --> 01:16:37,639
Speaker 2: Album that would be interesting, big fish theory.

1487
01:16:38,520 --> 01:16:43,040
Speaker 3: M that ain't got no.

1488
01:16:45,160 --> 01:16:47,240
Speaker 6: I was just gonna say that big fit theory to me,

1489
01:16:47,840 --> 01:16:51,080
Speaker 6: I understand it, but it don't compare to like Ramona

1490
01:16:51,120 --> 01:16:54,840
Speaker 6: Park broke My Heart, and that's the better version of

1491
01:16:54,880 --> 01:16:55,479
Speaker 6: events to me.

1492
01:16:55,840 --> 01:17:01,400
Speaker 2: Yeah, okay, hey, y'all things for the content.

1493
01:17:01,479 --> 01:17:04,040
Speaker 7: Early and Mike are are artists I messed with but

1494
01:17:04,120 --> 01:17:06,880
Speaker 7: not a huge fan of the collapse they have. Do

1495
01:17:07,040 --> 01:17:10,320
Speaker 7: y'all have favorite artists that got joints together that you're

1496
01:17:10,320 --> 01:17:11,400
Speaker 7: not a fan of.

1497
01:17:13,160 --> 01:17:15,840
Speaker 1: I like Earl and Mike joints j.

1498
01:17:18,920 --> 01:17:21,760
Speaker 7: Oh two artists that we like that don't make good

1499
01:17:21,840 --> 01:17:22,519
Speaker 7: music together.

1500
01:17:23,080 --> 01:17:25,800
Speaker 3: Jay and I don't think they got a good song together.

1501
01:17:26,000 --> 01:17:27,160
Speaker 2: Black Republicans.

1502
01:17:27,360 --> 01:17:28,200
Speaker 3: I don't like black.

1503
01:17:30,240 --> 01:17:30,439
Speaker 2: Man.

1504
01:17:31,080 --> 01:17:33,479
Speaker 3: I don't like that. I don't like what they I

1505
01:17:33,479 --> 01:17:34,320
Speaker 3: don't like none of that.

1506
01:17:35,439 --> 01:17:40,920
Speaker 4: Yeah, right wing blue, it's called black Republicans.

1507
01:17:41,200 --> 01:17:47,600
Speaker 6: I'm supposed to like, you know, you don't.

1508
01:17:47,680 --> 01:17:50,160
Speaker 3: I think it could have been better. I don't like

1509
01:17:50,200 --> 01:17:54,280
Speaker 3: nothing that they've done together. To be honest with you, yeah,

1510
01:17:56,680 --> 01:17:57,080
Speaker 3: mm hmm.

1511
01:17:58,400 --> 01:18:05,280
Speaker 1: Y'a don't know. Dang two artists uh u g.

1512
01:18:05,400 --> 01:18:07,760
Speaker 3: K and A Ball and m j G. Whenever they've

1513
01:18:07,760 --> 01:18:13,480
Speaker 3: worked together, I ain't liked it. Whom ug K and

1514
01:18:13,600 --> 01:18:16,559
Speaker 3: m j G. Anytime they've been featured together, I didn't

1515
01:18:16,600 --> 01:18:16,760
Speaker 3: like it.

1516
01:18:17,320 --> 01:18:17,680
Speaker 1: Mm hmm.

1517
01:18:20,080 --> 01:18:22,000
Speaker 3: It's only been twice. I think, though I'm.

1518
01:18:21,880 --> 01:18:25,839
Speaker 1: Trying to think like art is that I didn't like together?

1519
01:18:28,760 --> 01:18:31,360
Speaker 1: I really, I really can't think of any I didn't like.

1520
01:18:31,479 --> 01:18:34,040
Speaker 1: I didn't like Jay and Jay and Wayne.

1521
01:18:35,640 --> 01:18:38,040
Speaker 3: That's another good one. That's a really good one.

1522
01:18:38,040 --> 01:18:41,360
Speaker 1: Actually, I don't like Hello Brooklyn is good.

1523
01:18:42,680 --> 01:18:44,479
Speaker 5: Yeah, but that's.

1524
01:18:44,680 --> 01:18:47,040
Speaker 3: From doctor Carter, Doctor Carter.

1525
01:18:48,720 --> 01:18:50,280
Speaker 5: Yeah, but it ain't.

1526
01:18:50,120 --> 01:18:52,360
Speaker 1: Because it ain't like them together, like it ain't like.

1527
01:18:52,520 --> 01:18:53,799
Speaker 2: I don't know, it's not magic.

1528
01:18:53,920 --> 01:18:55,600
Speaker 4: I feel you, I feel it's not magic.

1529
01:18:56,040 --> 01:18:59,720
Speaker 1: Yeah, magic, and I would expect the two carters to

1530
01:18:59,760 --> 01:19:02,360
Speaker 1: make I don't know. I thought whenever they got together,

1531
01:19:02,400 --> 01:19:05,200
Speaker 1: it was gonna be like Yo, But I didn't have.

1532
01:19:06,160 --> 01:19:13,960
Speaker 3: I didn't you brother? Yeah mm hmm.

1533
01:19:14,840 --> 01:19:16,320
Speaker 1: Somebody said Kendrick and j Cole.

1534
01:19:19,720 --> 01:19:25,160
Speaker 3: I can't what what did they own together? I remember

1535
01:19:25,200 --> 01:19:26,479
Speaker 3: the old DJ Cally collab.

1536
01:19:27,040 --> 01:19:30,400
Speaker 4: Yeah, but now that remember it was that one shoot.

1537
01:19:30,400 --> 01:19:31,680
Speaker 2: I wasn't there. I had talked about it.

1538
01:19:31,680 --> 01:19:36,759
Speaker 1: I can't remember Black Friday, and then they were supposed

1539
01:19:36,760 --> 01:19:38,240
Speaker 1: to be doing the album together. It was rumors that

1540
01:19:38,280 --> 01:19:39,920
Speaker 1: they were going to do an album together after that.

1541
01:19:40,920 --> 01:19:42,800
Speaker 3: Didn't Jeez have a song with both of them on there?

1542
01:19:43,840 --> 01:19:45,720
Speaker 3: You remember he did?

1543
01:19:46,120 --> 01:19:48,320
Speaker 6: But one of them is just singing on there like

1544
01:19:48,400 --> 01:19:50,599
Speaker 6: Ja Coley. One of them didn't give a full verse

1545
01:19:50,640 --> 01:19:52,559
Speaker 6: in the other one rapped. It was Kendrick and J Cole.

1546
01:19:56,120 --> 01:19:56,479
Speaker 2: Mm hmm.

1547
01:19:57,840 --> 01:20:01,200
Speaker 7: Okay, I have to think about this one, Green Baners.

1548
01:20:01,200 --> 01:20:02,840
Speaker 7: I would really like to know how y'all. A and

1549
01:20:02,880 --> 01:20:06,000
Speaker 7: BZ four thirty two, Kanye's apology. When you listened to

1550
01:20:06,040 --> 01:20:13,479
Speaker 7: a new album, I probably won't. It won't be high

1551
01:20:13,439 --> 01:20:18,120
Speaker 7: on my list. Listen to the new album, but because

1552
01:20:18,120 --> 01:20:21,520
Speaker 7: I don't even think I listened to the.

1553
01:20:20,840 --> 01:20:21,759
Speaker 2: Donda too.

1554
01:20:23,479 --> 01:20:24,479
Speaker 5: Vultures or something like that.

1555
01:20:25,439 --> 01:20:30,240
Speaker 4: Vultures Now, we didn't we review Vultures didn't.

1556
01:20:30,240 --> 01:20:33,479
Speaker 7: It was something he dropped that I missed and I

1557
01:20:33,560 --> 01:20:35,640
Speaker 7: wasn't keen on interesting listening to.

1558
01:20:35,680 --> 01:20:37,280
Speaker 2: But people said it was good.

1559
01:20:38,240 --> 01:20:42,520
Speaker 6: But but he didn't put it on no streaming sites.

1560
01:20:42,320 --> 01:20:45,960
Speaker 7: Right, maybe that was it, but I didn't listen to it.

1561
01:20:45,960 --> 01:20:47,839
Speaker 7: I wasn't even heard to listen to it. I honestly

1562
01:20:47,880 --> 01:20:53,320
Speaker 7: don't have any interest to listen to it. Now we

1563
01:20:53,360 --> 01:20:54,400
Speaker 7: have a whole numbers.

1564
01:20:55,120 --> 01:20:58,160
Speaker 3: Cold jez and Kendrick was on American Dream Jezu so

1565
01:21:01,400 --> 01:21:04,000
Speaker 3: but it didn't work. But to Kanye, no, no.

1566
01:21:05,520 --> 01:21:05,800
Speaker 2: Again.

1567
01:21:05,840 --> 01:21:07,360
Speaker 3: I said this on the other show that we did.

1568
01:21:07,479 --> 01:21:08,519
Speaker 3: If somebody sends it.

1569
01:21:08,400 --> 01:21:09,920
Speaker 6: To me and say it's amazing and you have to

1570
01:21:09,960 --> 01:21:12,439
Speaker 6: listen to it, then I will. Other than that, I'm

1571
01:21:12,479 --> 01:21:13,960
Speaker 6: not going out of my way to hear.

1572
01:21:19,320 --> 01:21:21,840
Speaker 2: Yeah, I don't. Yeah, yeah, maybe the same for me,

1573
01:21:21,920 --> 01:21:25,320
Speaker 2: but we'll see. I don't know.

1574
01:21:24,720 --> 01:21:29,000
Speaker 7: I'm not boycotting the album though. To be clear, I'm

1575
01:21:29,040 --> 01:21:31,760
Speaker 7: not taking that sort of stand on it. It's just

1576
01:21:31,800 --> 01:21:33,959
Speaker 7: I'm not I won't be rushing to listen to the album,

1577
01:21:34,120 --> 01:21:40,640
Speaker 7: you know, Regardless of the apology. So yeah, anyway, and

1578
01:21:40,760 --> 01:21:42,200
Speaker 7: that's a note for you, Rod.

1579
01:21:42,840 --> 01:21:47,280
Speaker 1: Yeah, I'm just I'm all Kanye out, gotcha?

1580
01:21:48,120 --> 01:21:50,280
Speaker 2: Just a couple more here Offley eighty one. I wish

1581
01:21:50,280 --> 01:21:50,920
Speaker 2: call the best.

1582
01:21:50,960 --> 01:21:52,880
Speaker 7: This can be an example of how to get back

1583
01:21:53,000 --> 01:21:54,400
Speaker 7: up after getting knocked down.

1584
01:21:54,400 --> 01:22:01,800
Speaker 2: I see what you did that, my brother. Yeah, yep, okay, yep.

1585
01:22:02,720 --> 01:22:03,759
Speaker 2: Good positive thoughts?

1586
01:22:03,840 --> 01:22:06,040
Speaker 7: Is this how confident are y'all in y'all's top one

1587
01:22:06,120 --> 01:22:08,920
Speaker 7: hundred list that is dropping soon. Hope y'all will get

1588
01:22:08,960 --> 01:22:12,280
Speaker 7: roasted like Pitchfork or Billboard. It's not going to happen.

1589
01:22:13,160 --> 01:22:14,000
Speaker 7: It's gonna be the.

1590
01:22:13,880 --> 01:22:17,200
Speaker 2: Best top one hundred hip hop lists of all time.

1591
01:22:20,840 --> 01:22:22,680
Speaker 2: I think it's gonna be one of the best one

1592
01:22:22,760 --> 01:22:23,320
Speaker 2: hundred lists.

1593
01:22:23,320 --> 01:22:27,200
Speaker 4: But I don't agree with everything which makes it a

1594
01:22:27,280 --> 01:22:28,080
Speaker 4: great list.

1595
01:22:29,439 --> 01:22:33,439
Speaker 3: You already coppingduces. I can't do that, man. List ain't

1596
01:22:33,600 --> 01:22:36,040
Speaker 3: came out shit already.

1597
01:22:37,240 --> 01:22:39,240
Speaker 4: But look, they're gonna see it though, Like they're gonna

1598
01:22:39,240 --> 01:22:40,320
Speaker 4: see all the behind the scenes.

1599
01:22:40,320 --> 01:22:40,920
Speaker 2: They're gonna see it.

1600
01:22:41,160 --> 01:22:43,240
Speaker 4: I'm just letting them know. I'm just I'm warming them up.

1601
01:22:43,800 --> 01:22:44,800
Speaker 3: I'm excited to see it.

1602
01:22:48,479 --> 01:22:49,439
Speaker 2: Yeah, I'm confident.

1603
01:22:51,439 --> 01:22:56,080
Speaker 1: Yeah, I'm pretty confident too. Yeah, I'm pretty confident too,

1604
01:22:56,160 --> 01:22:58,200
Speaker 1: Like like, I think we still got some things to

1605
01:22:58,280 --> 01:23:02,320
Speaker 1: flesh out, for sure, but I think after we flushed

1606
01:23:02,360 --> 01:23:06,799
Speaker 1: those things out, fine tune it. I think, yeah, it's

1607
01:23:06,840 --> 01:23:07,880
Speaker 1: gonna be pretty solid.

1608
01:23:08,600 --> 01:23:14,360
Speaker 2: Yeah. Special last one, what do y'all think of that? Bozo?

1609
01:23:14,479 --> 01:23:19,360
Speaker 2: Jim Jones? What happened?

1610
01:23:20,040 --> 01:23:21,160
Speaker 3: Bozos are funny.

1611
01:23:22,320 --> 01:23:24,479
Speaker 6: I'm not sure if they're referring to the power being

1612
01:23:24,479 --> 01:23:28,479
Speaker 6: out and it's recording studios, I'm not sure they're referring

1613
01:23:28,479 --> 01:23:30,400
Speaker 6: to the freestyle. But I mean, he's just been going

1614
01:23:30,439 --> 01:23:33,880
Speaker 6: back and forth with everybody. Fifty cent Cam Dame, like

1615
01:23:34,000 --> 01:23:38,960
Speaker 6: Jim Jones is leaning into the all publicity is good publicity,

1616
01:23:39,040 --> 01:23:42,759
Speaker 6: So he's anytime somebody says something about him, he's hopping online,

1617
01:23:42,800 --> 01:23:43,760
Speaker 6: he's responding to him.

1618
01:23:43,800 --> 01:23:44,880
Speaker 3: He's doing different stuff.

1619
01:23:45,080 --> 01:23:47,479
Speaker 6: But the latest thing that I've seen was they were

1620
01:23:47,520 --> 01:23:51,759
Speaker 6: doing a photo shoot at his new content creation building

1621
01:23:52,200 --> 01:23:55,200
Speaker 6: and there were apparently was no heat in the building,

1622
01:23:55,680 --> 01:23:58,200
Speaker 6: so they're doing a press one. People are in there

1623
01:23:58,240 --> 01:24:01,240
Speaker 6: taking pictures and you can see the breathing. You can

1624
01:24:01,280 --> 01:24:04,000
Speaker 6: see like a football game, you can see their breath

1625
01:24:04,040 --> 01:24:05,160
Speaker 6: coming out when they talk.

1626
01:24:06,280 --> 01:24:10,160
Speaker 3: And this cause Cam, I mean, you know.

1627
01:24:10,960 --> 01:24:13,080
Speaker 6: Like those of the worst enemies that have like two

1628
01:24:13,120 --> 01:24:15,960
Speaker 6: of them at the same time went against you, so

1629
01:24:16,880 --> 01:24:21,519
Speaker 6: damn fifty like I mean, but Jim didn't back away.

1630
01:24:21,600 --> 01:24:24,240
Speaker 6: I mean he after they made fun of him, made songs,

1631
01:24:24,240 --> 01:24:26,760
Speaker 6: he went there and said what was going on with.

1632
01:24:26,720 --> 01:24:28,080
Speaker 1: The space or whatever it may be?

1633
01:24:28,160 --> 01:24:32,040
Speaker 6: So Jim leading into whenever they say my name pop

1634
01:24:32,080 --> 01:24:34,040
Speaker 6: on the algorithm too and let y'all know this ain't true.

1635
01:24:36,800 --> 01:24:42,320
Speaker 7: That's hilarious, all right, And uh that was the last

1636
01:24:42,360 --> 01:24:44,280
Speaker 7: one real quick. I didn't want to. I saw this,

1637
01:24:44,320 --> 01:24:47,639
Speaker 7: and I think this might be a good idea. Can

1638
01:24:47,640 --> 01:24:50,439
Speaker 7: we get a dead hip hop? Cole revising of his

1639
01:24:50,520 --> 01:24:53,320
Speaker 7: albums throughout the week leading up to the fall off?

1640
01:24:54,960 --> 01:24:57,639
Speaker 1: So provising of his albums throughout the week.

1641
01:24:58,360 --> 01:24:58,680
Speaker 2: I don't know.

1642
01:24:58,840 --> 01:25:03,400
Speaker 4: I think Franking, I think he. I think he met revisiting.

1643
01:25:04,600 --> 01:25:05,080
Speaker 2: Mm hmmm.

1644
01:25:05,920 --> 01:25:14,200
Speaker 3: I forgot the team. Very underwhelming catalog. H listen.

1645
01:25:14,840 --> 01:25:16,880
Speaker 5: I don't I don't care.

1646
01:25:17,080 --> 01:25:19,880
Speaker 1: I personally don't care to man the way j Cole

1647
01:25:19,960 --> 01:25:23,559
Speaker 1: fans man. I just I just seemed like an appetite

1648
01:25:23,600 --> 01:25:25,680
Speaker 1: for destruction. It just seems like.

1649
01:25:29,280 --> 01:25:35,880
Speaker 3: And then it's like everything else is like, okay, what

1650
01:25:36,080 --> 01:25:36,559
Speaker 3: that was it?

1651
01:25:37,160 --> 01:25:39,960
Speaker 2: We're done all right, cool man.

1652
01:25:39,960 --> 01:25:42,559
Speaker 1: Well, thank y'all once again for tuning into a dead

1653
01:25:42,600 --> 01:25:43,679
Speaker 1: and hip hop live.

1654
01:25:43,880 --> 01:25:44,120
Speaker 2: Man.

1655
01:25:44,800 --> 01:25:47,719
Speaker 1: We we're trying to we're trying to keep these consistence

1656
01:25:47,760 --> 01:25:49,400
Speaker 1: for y'all, like I said, Man, being a lookout for

1657
01:25:49,439 --> 01:25:53,240
Speaker 1: some new content that we are testing out and creating,

1658
01:25:53,840 --> 01:25:56,880
Speaker 1: like Kid's been saying, we hope you all enjoyed. You'll

1659
01:25:56,920 --> 01:25:59,400
Speaker 1: see it when it pops up. And also being a

1660
01:25:59,439 --> 01:26:04,320
Speaker 1: lookout for the one hundred list that uh was copping

1661
01:26:04,320 --> 01:26:07,719
Speaker 1: out of, you know by saying that any errors fault.

1662
01:26:08,479 --> 01:26:11,639
Speaker 1: Uh So, But nah, man, I think it's say that.

1663
01:26:12,360 --> 01:26:15,160
Speaker 1: I think it's gonna be a really good list. Like

1664
01:26:15,200 --> 01:26:17,240
Speaker 1: I said, I think we still have some things that

1665
01:26:17,280 --> 01:26:19,400
Speaker 1: we're fine tuning and working out, but I think once

1666
01:26:19,400 --> 01:26:21,360
Speaker 1: we get there, it's gonna be a really good list.

1667
01:26:21,760 --> 01:26:25,320
Speaker 1: So be on the lookout for that. And yeah, man,

1668
01:26:25,360 --> 01:26:27,320
Speaker 1: be on the lookout for to see more faces here,

1669
01:26:27,360 --> 01:26:30,320
Speaker 1: you know what I'm saying. Obviously we're we're we know

1670
01:26:30,520 --> 01:26:32,559
Speaker 1: our staff is changing, so you're gonna see a lot

1671
01:26:32,600 --> 01:26:34,839
Speaker 1: more Spike, gonna see a lot more of his cohort

1672
01:26:35,280 --> 01:26:38,360
Speaker 1: a B. You know, y'all love him, and you know

1673
01:26:38,400 --> 01:26:40,200
Speaker 1: we might have some other people on too, man. So

1674
01:26:40,360 --> 01:26:43,080
Speaker 1: just be make sure you subscribe to the channel, and

1675
01:26:43,120 --> 01:26:47,080
Speaker 1: just be on the lookout for what we have coming up. Again,

1676
01:26:47,160 --> 01:26:48,880
Speaker 1: thank you guys for tuning in, Thank you guys for

1677
01:26:48,920 --> 01:26:52,040
Speaker 1: sending in your super chats, and then too the next

1678
01:26:52,200 --> 01:26:53,679
Speaker 1: line man, We'll see you guys.

1679
01:26:53,920 --> 01:26:55,559
Speaker 2: Peace, Peace,