1 00:00:01,680 --> 00:00:10,319 Speaker 1: The France Per Second Podcast. Welcome to the Frans per 2 00:00:10,400 --> 00:00:15,680 Speaker 1: second Podcast. Anniversary of Usual Suspects. Uh, today I have 3 00:00:15,800 --> 00:00:21,000 Speaker 1: with me Kennethy, Inch, Mike and Ron. It's good. What 4 00:00:21,120 --> 00:00:25,639 Speaker 1: what anniversary year are we on for this? That's a 5 00:00:25,720 --> 00:00:26,640 Speaker 1: really good question. 6 00:00:26,760 --> 00:00:30,280 Speaker 2: Thy god, dang, nineteen y five. I think it's. 7 00:00:30,400 --> 00:00:36,879 Speaker 1: Holy moldy, man, that's crazy. I saw Riding Dirty came 8 00:00:36,920 --> 00:00:40,160 Speaker 1: out thirty years ago. I was like, oh no, really, yes, 9 00:00:40,440 --> 00:00:44,040 Speaker 1: that was yeah, twenty seven years. I haven't made him 10 00:00:44,040 --> 00:00:46,600 Speaker 1: to bring have a conversation about all that on his mice. 11 00:00:46,720 --> 00:00:48,519 Speaker 1: Long shit, I got it in my notes. 12 00:00:48,840 --> 00:00:49,080 Speaker 2: Man. 13 00:00:49,120 --> 00:00:51,760 Speaker 1: But after well, today we're gonna have a conversation about 14 00:00:51,800 --> 00:00:52,960 Speaker 1: the usual Suspects. 15 00:00:53,080 --> 00:00:54,480 Speaker 2: Mike, was this your first time seeing this? 16 00:00:56,280 --> 00:00:58,320 Speaker 1: And I thought you said that because it was something 17 00:00:58,320 --> 00:01:02,960 Speaker 1: we was talking about you with him? What I thought 18 00:01:02,960 --> 00:01:04,680 Speaker 1: we were talking about something and we was like, don't 19 00:01:04,720 --> 00:01:07,119 Speaker 1: ruin the ending. I thought we avoided. You was talking 20 00:01:07,160 --> 00:01:08,880 Speaker 1: about the ending. I might have said that, but not 21 00:01:08,959 --> 00:01:10,440 Speaker 1: for myself, just for other people. 22 00:01:10,520 --> 00:01:13,160 Speaker 2: Got you. But no, I've definitely seen this movie. Okay, 23 00:01:13,160 --> 00:01:16,640 Speaker 2: how was it revisited? It was fine. 24 00:01:16,840 --> 00:01:18,720 Speaker 3: This is one of those movies that I don't have 25 00:01:18,760 --> 00:01:21,560 Speaker 3: a desire to rewatch because once. 26 00:01:21,360 --> 00:01:23,039 Speaker 2: You know the twist, it's like, I don't care about 27 00:01:23,040 --> 00:01:23,480 Speaker 2: the rest of this. 28 00:01:23,800 --> 00:01:26,640 Speaker 3: Yes, I do think it's an incredible film, but it's 29 00:01:26,640 --> 00:01:28,920 Speaker 3: only an incredible film the first time you watch it, yes, 30 00:01:29,040 --> 00:01:31,480 Speaker 3: or maybe the second time, because then you can go back, 31 00:01:31,720 --> 00:01:33,319 Speaker 3: like you can look yeah yeah. 32 00:01:33,360 --> 00:01:38,440 Speaker 1: But third time I was like, all right, cool, Rob, 33 00:01:38,440 --> 00:01:40,560 Speaker 1: I will say you same man. It's definitely one of 34 00:01:40,600 --> 00:01:43,759 Speaker 1: them films that shoots itself in the foot, like because 35 00:01:43,800 --> 00:01:47,720 Speaker 1: once you've seen it, you can't unsee it, you know, 36 00:01:48,200 --> 00:01:50,520 Speaker 1: and you just keep thinking about, oh man, this motherfucker 37 00:01:50,560 --> 00:01:52,640 Speaker 1: playing them the whole time, and it's like damn, it 38 00:01:52,720 --> 00:01:53,560 Speaker 1: kind of ruins the. 39 00:01:53,560 --> 00:01:54,960 Speaker 2: Movie for you. 40 00:01:55,160 --> 00:01:58,200 Speaker 1: And like even after all these years and I haven't 41 00:01:58,240 --> 00:02:00,760 Speaker 1: been I haven't went back and watched it, I still 42 00:02:00,800 --> 00:02:03,160 Speaker 1: it's still was like just I couldn't get it out 43 00:02:03,160 --> 00:02:05,280 Speaker 1: of my head. I keep I kept on the end, 44 00:02:06,240 --> 00:02:09,239 Speaker 1: like and that and that the movie is that that's. 45 00:02:09,120 --> 00:02:11,320 Speaker 2: The allure of the movie, Like it's the end. 46 00:02:12,120 --> 00:02:16,240 Speaker 1: So it was hard to kind of rewatch this and 47 00:02:16,480 --> 00:02:17,000 Speaker 1: enjoy it. 48 00:02:17,080 --> 00:02:18,360 Speaker 2: Honestly, I could not. 49 00:02:18,480 --> 00:02:20,239 Speaker 1: And I just could not get into it because I 50 00:02:20,240 --> 00:02:22,000 Speaker 1: already knew what what was gonna happen. 51 00:02:22,600 --> 00:02:26,760 Speaker 2: Did you have a similar experience, Well, we all look alike, 52 00:02:27,280 --> 00:02:28,639 Speaker 2: Oh it was him, it was. 53 00:02:30,200 --> 00:02:36,440 Speaker 1: Oh that's what it was. That's what it was. 54 00:02:36,880 --> 00:02:46,320 Speaker 2: A quiet say nothing. He's been around his friend too long, 55 00:02:48,200 --> 00:02:53,840 Speaker 2: That's what it is. Christ So I found this. 56 00:02:54,040 --> 00:02:58,760 Speaker 1: Really interesting is that in the tracker that I used 57 00:02:58,760 --> 00:03:01,840 Speaker 1: to watch, the Trap stuff I watched there was a 58 00:03:01,880 --> 00:03:06,839 Speaker 1: play for this in twenty twenty one, but I did 59 00:03:06,919 --> 00:03:08,120 Speaker 1: not remember. 60 00:03:08,639 --> 00:03:12,680 Speaker 2: I still still was like watching it for the first time. So, but. 61 00:03:14,560 --> 00:03:17,040 Speaker 1: I do agree with what they're saying because when I'm 62 00:03:17,080 --> 00:03:22,160 Speaker 1: when I'm watching it, I'm like, this is the movie 63 00:03:22,160 --> 00:03:25,600 Speaker 1: everybody like like, like what just white people want to 64 00:03:25,600 --> 00:03:27,800 Speaker 1: steal some shit and and all this other shit Like 65 00:03:27,840 --> 00:03:28,680 Speaker 1: I don't, I don't. 66 00:03:28,880 --> 00:03:29,520 Speaker 2: I don't get it. 67 00:03:29,560 --> 00:03:32,120 Speaker 1: And I knew there was a twist, so you know, 68 00:03:32,160 --> 00:03:34,800 Speaker 1: you're kind of watching it, but after a while you'll 69 00:03:34,800 --> 00:03:35,080 Speaker 1: be like. 70 00:03:35,040 --> 00:03:36,760 Speaker 2: Okay, I think I see what's going on. 71 00:03:36,880 --> 00:03:39,120 Speaker 1: You know, So I really wish I didn't kind of 72 00:03:39,400 --> 00:03:42,080 Speaker 1: because y'all are y'all already kind of said that there 73 00:03:42,120 --> 00:03:42,600 Speaker 1: was a twist. 74 00:03:42,680 --> 00:03:45,080 Speaker 2: Yeah, but yeah, how would you still know that though? Right? 75 00:03:45,280 --> 00:03:48,680 Speaker 1: Because he's did you guess there's a couple of things 76 00:03:48,720 --> 00:03:54,280 Speaker 1: that that allowed me to do some clues. One there's 77 00:03:54,320 --> 00:03:57,600 Speaker 1: a rapper that goes by the name Verbal Kent, and 78 00:03:57,640 --> 00:03:59,680 Speaker 1: I'm like, why would you pick the name Verbal Kent 79 00:04:00,160 --> 00:04:00,760 Speaker 1: the rappers? 80 00:04:01,600 --> 00:04:02,960 Speaker 2: You know, why would he pick that name? 81 00:04:04,040 --> 00:04:06,560 Speaker 1: And then you guys said that there's a twist in 82 00:04:06,600 --> 00:04:10,119 Speaker 1: the movie that when we did it, so I've heard 83 00:04:10,120 --> 00:04:15,440 Speaker 1: the name for you're too smart. That's why I'll be 84 00:04:15,560 --> 00:04:17,880 Speaker 1: like watch trailers and ship because I feel like, if 85 00:04:17,960 --> 00:04:21,280 Speaker 1: I see the game, yeah, if I if I would 86 00:04:21,279 --> 00:04:23,360 Speaker 1: have had the same experience watching the first time, like y'all, 87 00:04:23,640 --> 00:04:26,800 Speaker 1: you know, I seriously I would have would have done that. 88 00:04:26,920 --> 00:04:31,039 Speaker 2: Yeah, but you were kind of indirectly spoiled. Yeah, yeah, yeah, 89 00:04:31,040 --> 00:04:33,440 Speaker 2: because you know, yeah, you know it's a twist. And 90 00:04:33,560 --> 00:04:34,680 Speaker 2: somebody said verbal can't. 91 00:04:34,720 --> 00:04:36,840 Speaker 3: Like, even if I watched that movie and someone said, oh, 92 00:04:36,880 --> 00:04:38,760 Speaker 3: but there's a twist at the end, I don't think 93 00:04:38,800 --> 00:04:40,760 Speaker 3: I would have ever guessed that it's verbal can't. I 94 00:04:40,800 --> 00:04:44,400 Speaker 3: would have thought it was the retired cop guy, which 95 00:04:44,480 --> 00:04:47,160 Speaker 3: is what they tried to lean too and they switched again. 96 00:04:47,800 --> 00:04:48,880 Speaker 3: But I would have believed that it. 97 00:04:48,920 --> 00:04:49,320 Speaker 2: Was the cop. 98 00:04:49,400 --> 00:04:51,680 Speaker 3: I never I never would have thought that he wasn't 99 00:04:51,720 --> 00:04:55,720 Speaker 3: actually disabled. The first time I watched me that fucked me? 100 00:04:57,560 --> 00:04:58,480 Speaker 3: Is he walking directly? 101 00:04:59,000 --> 00:05:01,080 Speaker 1: I remember the first I'm watching it, and then the 102 00:05:01,240 --> 00:05:03,880 Speaker 1: slow like walk and then he continued like he starts 103 00:05:04,400 --> 00:05:08,520 Speaker 1: right up. I'm like, oh crazy, Mine, absolutely blown. But 104 00:05:09,600 --> 00:05:12,360 Speaker 1: I agree with you too. Once you watch it once 105 00:05:12,480 --> 00:05:14,440 Speaker 1: or twice, it's like I don't really have to. It's 106 00:05:14,480 --> 00:05:16,760 Speaker 1: like the sixth sense. The only movie that has a 107 00:05:16,839 --> 00:05:19,400 Speaker 1: major twist that I could watch like that is Gone Girl, 108 00:05:19,760 --> 00:05:22,680 Speaker 1: Gone Girl, Like it works every time, Like I didn't 109 00:05:22,720 --> 00:05:23,360 Speaker 1: know that she did it. 110 00:05:23,760 --> 00:05:26,559 Speaker 2: It's just that good of a movie. I'm just playing, 111 00:05:30,600 --> 00:05:31,960 Speaker 2: So let's get into it. 112 00:05:32,120 --> 00:05:35,560 Speaker 1: The movie opens up being narrated by verbok Uh, do 113 00:05:35,680 --> 00:05:39,240 Speaker 1: you guys think that we gained that trust for him 114 00:05:39,279 --> 00:05:42,320 Speaker 1: as a storyteller? That's why I was so surprising, as like, 115 00:05:42,520 --> 00:05:46,960 Speaker 1: as a narrator, since he was telling the story, did 116 00:05:47,000 --> 00:05:47,520 Speaker 1: that work for you? 117 00:05:48,480 --> 00:05:49,800 Speaker 2: What I kept thinking about is Mike. 118 00:05:50,080 --> 00:05:53,280 Speaker 1: How Mike said, you can't believe the narrator because it's 119 00:05:53,279 --> 00:05:54,280 Speaker 1: just from their perspective. 120 00:05:54,400 --> 00:05:56,640 Speaker 2: So I was like, oh shit, I was gonna ask 121 00:05:56,680 --> 00:05:59,440 Speaker 2: you that's where you got this from. No, there's plenty 122 00:05:59,480 --> 00:05:59,839 Speaker 2: of movies. 123 00:06:00,160 --> 00:06:02,720 Speaker 3: The unreliable narrator thing that was when we were talking 124 00:06:02,760 --> 00:06:04,680 Speaker 3: about No Country frold men. 125 00:06:04,800 --> 00:06:06,360 Speaker 2: Yeah, I know that's what I'm saying. Yeah, that's what 126 00:06:06,480 --> 00:06:08,280 Speaker 2: it was. But I thought, that's why you said that 127 00:06:09,240 --> 00:06:10,680 Speaker 2: because of this movie. Because of this movie. 128 00:06:11,920 --> 00:06:14,160 Speaker 3: No, I think, of course, now that I'm on the spot, 129 00:06:14,200 --> 00:06:16,080 Speaker 3: I can't think of another one. But there are a 130 00:06:16,160 --> 00:06:19,080 Speaker 3: lot of films that are like that, where you have 131 00:06:19,440 --> 00:06:21,640 Speaker 3: the story through the eyes of a certain person. By 132 00:06:21,680 --> 00:06:23,360 Speaker 3: the end, you're like, wait, none of that was true. 133 00:06:23,920 --> 00:06:25,000 Speaker 3: I can't like Memento. 134 00:06:26,240 --> 00:06:27,920 Speaker 2: I hadn't seen Momento in a minute, and I want 135 00:06:27,960 --> 00:06:29,760 Speaker 2: to go back and watch. Yeah, I just rewatched. 136 00:06:29,800 --> 00:06:31,839 Speaker 1: That's when they do it on the House of Dragon, 137 00:06:32,320 --> 00:06:35,360 Speaker 1: Like their perspective is being told. It's not being told 138 00:06:35,360 --> 00:06:37,840 Speaker 1: from the tiger Arians. It's being told from like the 139 00:06:38,920 --> 00:06:40,800 Speaker 1: people that keep the house and all of that stuff. 140 00:06:41,320 --> 00:06:42,520 Speaker 1: So if you think you if you think of House 141 00:06:42,520 --> 00:06:47,279 Speaker 1: of Dragon's, it's another unreliable narrator store. So first scene 142 00:06:47,320 --> 00:06:49,840 Speaker 1: opens up, No, No, I was I was gonna say 143 00:06:49,880 --> 00:06:53,240 Speaker 1: something totally unrelated, and I'm like, I wasn't gonna say. 144 00:06:53,240 --> 00:06:56,720 Speaker 1: Momento popped up right after just watching this movie. Why 145 00:06:57,400 --> 00:06:59,680 Speaker 1: that's why I watched it. I was all right, I'm 146 00:06:59,720 --> 00:07:01,800 Speaker 1: gonna working and I always wanted to go back and 147 00:07:01,839 --> 00:07:02,360 Speaker 1: watch that one. 148 00:07:02,400 --> 00:07:05,960 Speaker 2: It's so good, man, it still works. That's why I said, 149 00:07:05,960 --> 00:07:07,400 Speaker 2: don't even tell me, because I don't even remember. 150 00:07:08,320 --> 00:07:12,400 Speaker 1: So it opens up on the ship and in the 151 00:07:12,480 --> 00:07:15,880 Speaker 1: ship there's devastated by flames. You get Dean Keaton being 152 00:07:15,960 --> 00:07:20,000 Speaker 1: shot by a shadowy figure, uh some of Kaja Sauce's handiwork, 153 00:07:20,160 --> 00:07:24,480 Speaker 1: and then verbal Kent it's severely burned and he survives 154 00:07:24,480 --> 00:07:29,640 Speaker 1: as a carnage. What you guys think about that opening scene, ken, No, 155 00:07:29,800 --> 00:07:32,440 Speaker 1: I thought, in terms of like setting up this like 156 00:07:32,880 --> 00:07:37,360 Speaker 1: sort of crime drama or whatever I thought it was, 157 00:07:37,520 --> 00:07:41,880 Speaker 1: it was really good. Like you established that something happened, 158 00:07:42,040 --> 00:07:45,360 Speaker 1: you know. Uh, there was a betrayal, you know, appearance 159 00:07:45,400 --> 00:07:48,040 Speaker 1: on the betrayal where they went on this this whole thing. 160 00:07:48,120 --> 00:07:49,880 Speaker 1: So I thought it was a good opening scene because 161 00:07:49,880 --> 00:07:52,360 Speaker 1: you're just wondering, like, how do we get to where. 162 00:07:52,480 --> 00:07:56,520 Speaker 2: We opened, you know anything jump out about to open. 163 00:07:56,360 --> 00:08:00,240 Speaker 3: To you the opening Yeah, No, I thought that was 164 00:08:00,280 --> 00:08:03,320 Speaker 3: pretty standard. I mean, as insulting as this might sounds, 165 00:08:03,480 --> 00:08:07,040 Speaker 3: I think this movie really does just hinge. 166 00:08:06,840 --> 00:08:08,760 Speaker 1: On the fact that there's a twist. Yeah, the rest 167 00:08:08,760 --> 00:08:10,720 Speaker 1: of the movie, it's like Okay, it's a it's a 168 00:08:11,320 --> 00:08:12,760 Speaker 1: decent movie with a great ending. 169 00:08:12,920 --> 00:08:17,600 Speaker 2: Yeah, exactly, a perfect way. Yeah you know, yeah, yeah, 170 00:08:17,840 --> 00:08:19,240 Speaker 2: write anything about the opening scene. 171 00:08:20,600 --> 00:08:22,960 Speaker 1: Nothing, just that you noticed that, you know, they weren't 172 00:08:23,000 --> 00:08:27,600 Speaker 1: trying to show the person that committed the crime basically, 173 00:08:27,880 --> 00:08:30,120 Speaker 1: or that shot him or whatnot. So I was like, okay, 174 00:08:30,720 --> 00:08:32,120 Speaker 1: Like I said, it was hard to kind of put 175 00:08:32,160 --> 00:08:35,120 Speaker 1: my put my mind back into like the original state 176 00:08:35,280 --> 00:08:38,720 Speaker 1: when I first watched it. So yeah, So we learned 177 00:08:38,720 --> 00:08:43,400 Speaker 1: about what happened on the ship from verbal being uh 178 00:08:43,840 --> 00:08:49,880 Speaker 1: interrogated by US Customs agent Dave ku Kuwan. He goes 179 00:08:49,960 --> 00:08:52,640 Speaker 1: to a series of flashbacks to tell the story of 180 00:08:52,840 --> 00:08:57,199 Speaker 1: what happened. Any clues anything that I know we kind 181 00:08:57,240 --> 00:08:59,360 Speaker 1: of talked about a little bit, But was there anything 182 00:09:00,880 --> 00:09:04,199 Speaker 1: Looking back at it the second time, they could have 183 00:09:04,280 --> 00:09:06,760 Speaker 1: tipped you off or tipped us off the first time around. 184 00:09:07,880 --> 00:09:10,439 Speaker 3: I remember watching it the second time because I was like, 185 00:09:10,720 --> 00:09:12,559 Speaker 3: after watching the first time, I was like, wait, what 186 00:09:13,320 --> 00:09:16,080 Speaker 3: huh that doesn't make any sense. But when I watched 187 00:09:16,080 --> 00:09:18,240 Speaker 3: it the second time, I just walked away being like, 188 00:09:18,800 --> 00:09:20,319 Speaker 3: every single thing in this movie is a lie. 189 00:09:21,400 --> 00:09:24,640 Speaker 2: So every I don't know if there was interrogated all way. 190 00:09:24,640 --> 00:09:26,760 Speaker 3: Oh yeah, I don't think he was telling the truth 191 00:09:26,800 --> 00:09:30,360 Speaker 3: about anything. I don't know that he was actually even 192 00:09:30,400 --> 00:09:32,800 Speaker 3: in the lineup. I don't know if he was actually 193 00:09:32,880 --> 00:09:35,839 Speaker 3: ever at any of these robberies. At this point, he 194 00:09:36,040 --> 00:09:39,480 Speaker 3: is such an unreliable narrator. I don't believe anything he says. 195 00:09:39,800 --> 00:09:41,480 Speaker 3: And that's partly why I don't really give a fuck 196 00:09:41,520 --> 00:09:43,679 Speaker 3: about the movie anymore, because it's just like, well, if 197 00:09:43,720 --> 00:09:45,600 Speaker 3: everything's a lie, then what do I care to watch 198 00:09:45,640 --> 00:09:45,960 Speaker 3: it again? 199 00:09:46,280 --> 00:09:48,240 Speaker 2: And I also don't even know if he's really kiss 200 00:09:48,960 --> 00:09:52,720 Speaker 2: that's interesting. I don't know. That is a really interesting point. Now. 201 00:09:52,760 --> 00:09:53,640 Speaker 2: I'm with Mike though. 202 00:09:53,720 --> 00:09:56,280 Speaker 1: Man, that's what made it so hard to watch, because 203 00:09:56,640 --> 00:09:58,400 Speaker 1: they like said they revealed that at the end, like 204 00:09:58,520 --> 00:10:00,319 Speaker 1: how he was just using shit he was seeing on 205 00:10:00,360 --> 00:10:04,160 Speaker 1: the walls, seeing on fucking cups, Like like, wait, none 206 00:10:04,160 --> 00:10:06,280 Speaker 1: of this shit is like real, like the Red the 207 00:10:06,400 --> 00:10:09,120 Speaker 1: Red Hood or some shit like that wasn't even a 208 00:10:09,400 --> 00:10:13,079 Speaker 1: real person. So when you're showing the flashbacks, it's like, 209 00:10:13,200 --> 00:10:16,079 Speaker 1: did these situations actually happen or he just made. 210 00:10:16,080 --> 00:10:17,040 Speaker 2: All of this ship up? 211 00:10:17,320 --> 00:10:17,400 Speaker 3: Right? 212 00:10:18,200 --> 00:10:19,880 Speaker 2: That's interesting? Can you think the same? 213 00:10:21,000 --> 00:10:23,080 Speaker 1: I think watching it knowing that he made it up 214 00:10:23,160 --> 00:10:26,599 Speaker 1: could be actually a dope way. I don't disagree with 215 00:10:26,600 --> 00:10:31,439 Speaker 1: what they're saying, you know, but you know, knowing what 216 00:10:31,640 --> 00:10:33,719 Speaker 1: you know and then watching it, but like, damn man, 217 00:10:33,840 --> 00:10:36,240 Speaker 1: at this point he lying about this whole shit and 218 00:10:36,360 --> 00:10:38,439 Speaker 1: he's just making this up in his head. It's kind 219 00:10:38,440 --> 00:10:40,160 Speaker 1: of like when I watched The Dark Night, I'm like, bro, 220 00:10:40,320 --> 00:10:43,280 Speaker 1: he planned all this shit out, Like every single. 221 00:10:43,320 --> 00:10:46,720 Speaker 2: Point that everything's being has happened, he pre planned out. 222 00:10:46,800 --> 00:10:50,400 Speaker 1: So for me, it led to the genius of the Joker, 223 00:10:50,960 --> 00:10:53,520 Speaker 1: and this particularness is like, Yo, this is crazy that 224 00:10:53,600 --> 00:10:56,600 Speaker 1: he's actually thinking of this ship in real fucking time 225 00:10:57,080 --> 00:10:58,920 Speaker 1: if that's what's happening and just making. 226 00:10:58,800 --> 00:11:01,920 Speaker 2: All this shit up. Do Yeah, I agree with one 227 00:11:01,960 --> 00:11:02,360 Speaker 2: hundred percent. 228 00:11:02,400 --> 00:11:04,200 Speaker 1: I think it's insane and it's hard to look at 229 00:11:04,320 --> 00:11:07,960 Speaker 1: again once you know that he's making everything up. Similar 230 00:11:08,040 --> 00:11:09,920 Speaker 1: I keep comparing it to the sixth Sense, Like once 231 00:11:09,960 --> 00:11:11,640 Speaker 1: you see it and you know he did, it's like 232 00:11:11,800 --> 00:11:15,160 Speaker 1: so painfully obvious that the movie not good anymore. Like 233 00:11:15,280 --> 00:11:17,160 Speaker 1: you see six Cents for the third time, you're like, 234 00:11:17,679 --> 00:11:19,280 Speaker 1: why did they get me? Yeah? 235 00:11:19,400 --> 00:11:22,200 Speaker 2: So it was just crazy. 236 00:11:22,360 --> 00:11:25,640 Speaker 1: So same thing with this, You're like, okay, gotcha, all right? 237 00:11:25,720 --> 00:11:28,000 Speaker 1: So we see how the lineups, or we see how 238 00:11:28,040 --> 00:11:31,280 Speaker 1: the crew is put together. Six weeks ago, five criminals 239 00:11:31,360 --> 00:11:33,520 Speaker 1: they were in the lineup together, and they start planning 240 00:11:33,559 --> 00:11:35,680 Speaker 1: for a heist or so they say to your point, 241 00:11:36,480 --> 00:11:39,679 Speaker 1: like Kevin Spacey said, Uh, did you guys, despite the 242 00:11:39,800 --> 00:11:42,240 Speaker 1: tension that they had, did y'all think that the plan 243 00:11:42,400 --> 00:11:43,840 Speaker 1: was gonna work? Did it sound like a good plan? 244 00:11:43,960 --> 00:11:45,800 Speaker 1: Any thoughts about the plan that they were putting together? 245 00:11:47,360 --> 00:11:50,920 Speaker 2: Nothing? I don't even remember the exact plan the plan 246 00:11:51,000 --> 00:11:54,960 Speaker 2: of robbers boat. Let's when they put the plan together. 247 00:11:55,600 --> 00:11:59,439 Speaker 2: About the final plan yeap yo, I mean, yeah, it 248 00:11:59,520 --> 00:12:02,559 Speaker 2: was fine. I guess it's gonna be hard. 249 00:12:02,640 --> 00:12:04,439 Speaker 1: Moved a review because, like I said, that's what I 250 00:12:04,559 --> 00:12:06,439 Speaker 1: was thinking when as I was watching it. I'm like, 251 00:12:06,520 --> 00:12:09,240 Speaker 1: it's gonna be hard to talk about this. There really 252 00:12:09,360 --> 00:12:12,319 Speaker 1: is nothing there but the end. Everything else is just 253 00:12:12,440 --> 00:12:15,640 Speaker 1: him telling a fake story. Well, I can't remember like 254 00:12:15,720 --> 00:12:18,040 Speaker 1: the details of the plant because because then they do 255 00:12:18,160 --> 00:12:20,080 Speaker 1: something before them, because all of. 256 00:12:20,080 --> 00:12:22,560 Speaker 2: Them were they were all least line up. They were 257 00:12:22,559 --> 00:12:23,200 Speaker 2: all criminals. 258 00:12:23,679 --> 00:12:27,559 Speaker 1: Yeah, but they they were all round up for a 259 00:12:27,679 --> 00:12:33,480 Speaker 1: lineup for a lineup? What but why like something somebody 260 00:12:33,600 --> 00:12:37,760 Speaker 1: robbed something like why them. Did ka set all that up? 261 00:12:38,200 --> 00:12:41,679 Speaker 1: I thought they just paid people for Yeah, but was 262 00:12:41,760 --> 00:12:44,319 Speaker 1: this whole this whole so the thing I was asking like, 263 00:12:44,480 --> 00:12:48,559 Speaker 1: was this a whole elaborate ruse to get these specific individuals, 264 00:12:49,520 --> 00:12:51,960 Speaker 1: you know, to do this? Like did he pay somebody 265 00:12:52,320 --> 00:12:57,920 Speaker 1: in the police department to go target the four of 266 00:12:58,280 --> 00:13:02,679 Speaker 1: them and in order to trick them into doing the 267 00:13:02,800 --> 00:13:03,640 Speaker 1: boat robbery? 268 00:13:03,800 --> 00:13:06,520 Speaker 2: Later? So did Kevin Spacey's character? 269 00:13:06,679 --> 00:13:09,439 Speaker 1: Did Kevin Spacey set this whole thing up way in 270 00:13:09,559 --> 00:13:13,760 Speaker 1: the beginning because they all had a connection to Kaisa. 271 00:13:13,960 --> 00:13:17,319 Speaker 2: Which he revealed later, right, right, how so? 272 00:13:17,679 --> 00:13:19,480 Speaker 1: But again, we don't know if this story is true 273 00:13:19,600 --> 00:13:22,599 Speaker 1: in the movie. That's the problem happenstance. But we do 274 00:13:22,840 --> 00:13:25,400 Speaker 1: know they all were on the boat. We don't know 275 00:13:25,480 --> 00:13:28,640 Speaker 1: because everybody was burned up, right, that's right. Yeah, they 276 00:13:28,679 --> 00:13:29,440 Speaker 1: all were burnt up. 277 00:13:30,040 --> 00:13:33,560 Speaker 2: That's right. Yeah they were. 278 00:13:33,600 --> 00:13:35,640 Speaker 3: The burnt up guy said that though, Yeah, on the boat, 279 00:13:35,880 --> 00:13:38,200 Speaker 3: that's right, the burnt up guy that could still talk. 280 00:13:38,800 --> 00:13:39,880 Speaker 2: He said, all their names. 281 00:13:40,040 --> 00:13:41,360 Speaker 3: I don't know if he's in all their names, but 282 00:13:41,559 --> 00:13:44,920 Speaker 3: he kind of implied that at least the final part happened. 283 00:13:45,480 --> 00:13:48,880 Speaker 1: Is everything before that, Yeah, everything in the middle is 284 00:13:49,920 --> 00:13:53,199 Speaker 1: where like yeah, you be your ah or whatever his 285 00:13:53,360 --> 00:13:56,040 Speaker 1: name is. All that ship like when they rolled up 286 00:13:56,080 --> 00:13:58,760 Speaker 1: on the cops and because what was that mission when 287 00:13:58,760 --> 00:13:59,480 Speaker 1: they they. 288 00:13:59,440 --> 00:14:02,320 Speaker 2: Would rupt cops in a taxi scam job. So they 289 00:14:02,360 --> 00:14:08,600 Speaker 2: were robbing corrupt talking man, yeah, talking kid. 290 00:14:08,679 --> 00:14:11,760 Speaker 1: It's crazy because like they short at the end, he 291 00:14:11,920 --> 00:14:15,880 Speaker 1: was just making up this ship as he went, yeah, 292 00:14:16,200 --> 00:14:17,880 Speaker 1: do y'all think, dude that they jump into the end 293 00:14:17,880 --> 00:14:19,920 Speaker 1: little but y'all think he figured it out the detective. 294 00:14:20,520 --> 00:14:22,120 Speaker 2: Yeah, yeah, he figured out at the end, he was like, 295 00:14:22,200 --> 00:14:24,440 Speaker 2: this is mock. Just played me. He did say that, 296 00:14:24,920 --> 00:14:28,560 Speaker 2: remember me dropped and then we saw something else in 297 00:14:28,600 --> 00:14:32,600 Speaker 2: the coffee cup that he made up. Okay, So so 298 00:14:32,760 --> 00:14:36,960 Speaker 2: the taxi scam that ship was was bro He made 299 00:14:37,000 --> 00:14:37,600 Speaker 2: that ship up too. 300 00:14:37,640 --> 00:14:42,520 Speaker 1: I remember the taxi went robbing the corrupt cops. They 301 00:14:42,560 --> 00:14:45,080 Speaker 1: were robbing corrupt cops in the taxi scam. They putting 302 00:14:45,080 --> 00:14:47,880 Speaker 1: it to set the ship on fire. Yeah, why don't I. 303 00:14:47,920 --> 00:14:48,600 Speaker 2: Remember that part? 304 00:14:49,240 --> 00:14:51,200 Speaker 1: Because then there was the van in front of him 305 00:14:51,640 --> 00:14:53,800 Speaker 1: and then I think Kevin Spacey one of them were 306 00:14:53,840 --> 00:14:56,160 Speaker 1: in the in the in the in the masks and. 307 00:14:56,200 --> 00:14:58,280 Speaker 2: They but okay, I remember that they had to shoot 308 00:14:58,280 --> 00:15:00,520 Speaker 2: the guy because Yeah, no, not that's different. That's a 309 00:15:00,560 --> 00:15:04,640 Speaker 2: different one. That was a jewelry heist. Yeah, that was different. Yeah, 310 00:15:04,640 --> 00:15:04,800 Speaker 2: it was. 311 00:15:04,880 --> 00:15:06,880 Speaker 1: It was a cop so they had they basically had 312 00:15:06,920 --> 00:15:11,800 Speaker 1: the barricade barricaded in like they had a cornered and 313 00:15:11,840 --> 00:15:14,120 Speaker 1: they couldn't get out. And then they just basically uh, 314 00:15:14,480 --> 00:15:16,240 Speaker 1: he was like, oh, you're gonna You're gonna regret this, 315 00:15:16,400 --> 00:15:18,440 Speaker 1: you know what I'm doing on him and they poured 316 00:15:18,480 --> 00:15:20,680 Speaker 1: all the stuff on the on the cop hers that 317 00:15:20,760 --> 00:15:22,360 Speaker 1: bitch on fire and they just got a car. It 318 00:15:22,480 --> 00:15:24,960 Speaker 1: wasn't even harm it was just on the ground, yep. 319 00:15:25,000 --> 00:15:26,960 Speaker 1: Because it was somebody in the end. Because he was like, 320 00:15:27,400 --> 00:15:29,520 Speaker 1: would this get me to Staten Island where he was going. 321 00:15:29,560 --> 00:15:31,520 Speaker 1: He was like, man, let's get you do whatever he said, 322 00:15:32,200 --> 00:15:35,880 Speaker 1: and they robbed the taxi scam. But they all working together, right, yes, 323 00:15:36,720 --> 00:15:40,000 Speaker 1: according to him him, and then they decided to do 324 00:15:40,160 --> 00:15:43,240 Speaker 1: the taxi scam. So I guess after so we said, 325 00:15:43,320 --> 00:15:46,840 Speaker 1: like after the lineup, they decided to partner together. 326 00:15:46,640 --> 00:15:50,160 Speaker 2: To rob a little networking uh crime network. 327 00:15:50,040 --> 00:15:53,240 Speaker 1: According to verbal Camp, and that's how they all ended 328 00:15:53,320 --> 00:15:55,680 Speaker 1: up working together. And they were just committing these sets 329 00:15:55,720 --> 00:15:58,520 Speaker 1: of robberies throughout this old thing. And then from there, 330 00:15:58,760 --> 00:16:02,520 Speaker 1: Calbashi delivered envelopes to the ordering them. 331 00:16:02,640 --> 00:16:06,040 Speaker 2: What's his name is that, right, Kyobashi? Kobashi? Uh. He 332 00:16:06,160 --> 00:16:10,080 Speaker 2: delivers the envelopes, ordered them to work for the shadowy. Kayja. 333 00:16:10,160 --> 00:16:13,040 Speaker 1: So say, did y'all pep that the envelopes are delivered 334 00:16:13,080 --> 00:16:14,680 Speaker 1: in the same order that the suspects die. 335 00:16:16,400 --> 00:16:18,720 Speaker 2: I did the same order that they died, and they 336 00:16:18,800 --> 00:16:22,600 Speaker 2: delivered the envelopes. That's that's yeah. So even then le 337 00:16:23,120 --> 00:16:27,000 Speaker 2: play into right, that was gonna at it. 338 00:16:27,160 --> 00:16:29,880 Speaker 1: Yeah, so, and and the lawyer just made this guy 339 00:16:29,960 --> 00:16:32,440 Speaker 1: is completely made up, you know. So he went and 340 00:16:32,640 --> 00:16:36,280 Speaker 1: he went in okay, yeah, but this is when when 341 00:16:36,320 --> 00:16:40,280 Speaker 1: they rounded all of them up right at this point, yeah, 342 00:16:40,600 --> 00:16:41,960 Speaker 1: to work for ka. 343 00:16:43,880 --> 00:16:45,400 Speaker 2: Right, that's when he was rounding them up and passing 344 00:16:45,440 --> 00:16:46,840 Speaker 2: out the envelope getting them on the boat. But he 345 00:16:46,920 --> 00:16:50,040 Speaker 2: asked them to do the Was this the jury heightst? No, 346 00:16:50,240 --> 00:16:52,240 Speaker 2: this was the boat what you're talking about when he 347 00:16:52,280 --> 00:16:53,400 Speaker 2: gave out the envelopes. 348 00:16:53,520 --> 00:16:56,000 Speaker 1: Now remember, okay, so remember there was another heightst that 349 00:16:56,160 --> 00:16:58,440 Speaker 1: they did together. I remember they ended up. 350 00:16:58,400 --> 00:17:00,400 Speaker 2: Shooting everybody because that was what your heights. 351 00:17:01,360 --> 00:17:03,160 Speaker 1: No, there were two heights. Then there were two things. 352 00:17:03,800 --> 00:17:07,920 Speaker 1: Are those connected? Remember the cop car right when he 353 00:17:07,960 --> 00:17:08,640 Speaker 1: set it on fire. 354 00:17:08,760 --> 00:17:12,200 Speaker 2: And then there was the garage scene, right. 355 00:17:13,720 --> 00:17:16,359 Speaker 1: Remember I do remember, and there was a guy they 356 00:17:16,480 --> 00:17:18,840 Speaker 1: shot they because remember they were struggle. 357 00:17:18,840 --> 00:17:20,280 Speaker 2: They were wrestling with one of the guys and he 358 00:17:20,320 --> 00:17:22,800 Speaker 2: had the two guns, and that was that was part 359 00:17:22,840 --> 00:17:25,119 Speaker 2: of the heist, right right? Oh, all that was connected. 360 00:17:25,160 --> 00:17:29,200 Speaker 2: I thought that was. It's described in this call it 361 00:17:29,280 --> 00:17:30,160 Speaker 2: it's part of the heist. 362 00:17:30,480 --> 00:17:32,760 Speaker 3: That's why I thought also that this was all bullshit 363 00:17:33,560 --> 00:17:35,359 Speaker 3: because I was like, this was the only part that 364 00:17:35,520 --> 00:17:38,480 Speaker 3: was so unrealistic, Like. 365 00:17:40,080 --> 00:17:43,159 Speaker 2: I was like, oh, he's lying, this didn't happen, like 366 00:17:45,720 --> 00:17:48,879 Speaker 2: trick shots. Get out of here. But I thought this 367 00:17:49,200 --> 00:17:52,959 Speaker 2: was what put them on the radar of Kaiso Sosa, 368 00:17:53,880 --> 00:17:54,440 Speaker 2: I think it was. 369 00:17:54,520 --> 00:17:57,160 Speaker 1: And then he passed out the letters to them according 370 00:17:57,240 --> 00:18:00,919 Speaker 1: to again the Unreliable Nerror, so maybe they didn't even 371 00:18:00,920 --> 00:18:04,760 Speaker 1: even happen. But then from the Jerry Heights they get 372 00:18:04,760 --> 00:18:07,840 Speaker 1: the letters in the order of their death. From there 373 00:18:07,840 --> 00:18:10,600 Speaker 1: they get on the boat, they got their final mission ownership. 374 00:18:11,080 --> 00:18:13,760 Speaker 1: Chaos ensued as far as them going through the whole thing, 375 00:18:13,920 --> 00:18:16,840 Speaker 1: and we see them die one by one and wonder 376 00:18:16,880 --> 00:18:17,280 Speaker 1: who did it? 377 00:18:17,280 --> 00:18:21,560 Speaker 2: And you hear him telling the story and yeah, what 378 00:18:21,680 --> 00:18:23,880 Speaker 2: y'all think about that? About the whole time on the boat, 379 00:18:24,960 --> 00:18:26,240 Speaker 2: this was anticlimactic to me. 380 00:18:26,560 --> 00:18:29,879 Speaker 1: It was it's a hard watch now and reviewing it, like, 381 00:18:29,960 --> 00:18:31,399 Speaker 1: I was worried the whole time. I was like, what 382 00:18:31,440 --> 00:18:35,520 Speaker 1: we're gonna talk about about this move? Because it's the ending. 383 00:18:35,600 --> 00:18:37,120 Speaker 1: It's just the ending. 384 00:18:37,359 --> 00:18:40,159 Speaker 3: It was more so because they The only one that 385 00:18:40,280 --> 00:18:41,960 Speaker 3: I think went out in kind of a cool way 386 00:18:42,840 --> 00:18:45,560 Speaker 3: was the dude I can't remember his name, but he 387 00:18:45,680 --> 00:18:47,960 Speaker 3: was the dude that was looking over the money and 388 00:18:48,000 --> 00:18:49,320 Speaker 3: then all of a sudden, you just see a shot 389 00:18:49,400 --> 00:18:52,880 Speaker 3: pop off. That was actually a cool death, but everybody 390 00:18:52,920 --> 00:18:55,960 Speaker 3: else is kind of just died, And I was like, well, 391 00:18:56,119 --> 00:18:58,440 Speaker 3: that's really kind of weak. 392 00:18:58,720 --> 00:19:00,960 Speaker 1: It kind of speaks to your point him being so vague. 393 00:19:01,240 --> 00:19:03,680 Speaker 1: They probably may have died a different way, but he 394 00:19:03,760 --> 00:19:07,119 Speaker 1: was so vaguaby because he maybe didn't know or or 395 00:19:07,880 --> 00:19:09,080 Speaker 1: uh this. 396 00:19:09,320 --> 00:19:13,360 Speaker 2: Was actually verbal Kent killing all of them one by one. 397 00:19:14,080 --> 00:19:16,359 Speaker 2: Well that's that's what it seems like. But it was 398 00:19:16,440 --> 00:19:21,520 Speaker 2: just boring deaths, like random, like there's ninety. 399 00:19:21,320 --> 00:19:24,080 Speaker 3: Five but yeah, and then like Buddy comes out and 400 00:19:24,160 --> 00:19:25,879 Speaker 3: he's like stabbed in the neck and it's like. 401 00:19:26,000 --> 00:19:27,480 Speaker 2: Wait, huh. 402 00:19:27,960 --> 00:19:30,560 Speaker 1: But looking at it from from the less of like, uh, 403 00:19:30,920 --> 00:19:34,280 Speaker 1: the I think it was the one guy that was 404 00:19:34,359 --> 00:19:36,520 Speaker 1: always cussing people out, the one that didn't give a fuck. 405 00:19:36,560 --> 00:19:39,000 Speaker 2: I guess he said, like we was looking over the money. 406 00:19:39,000 --> 00:19:41,760 Speaker 2: He got shot from behind and then he turned around. 407 00:19:41,920 --> 00:19:42,920 Speaker 2: That's the one I thought was cool. 408 00:19:43,119 --> 00:19:45,480 Speaker 1: Yeah, and then the look on his face was like, 409 00:19:45,520 --> 00:19:49,600 Speaker 1: oh shit, is you? And then he did? And then uh, 410 00:19:51,320 --> 00:19:54,800 Speaker 1: who's after that? The one that had the assault rifle 411 00:19:54,840 --> 00:19:56,720 Speaker 1: on the roof the sniper? 412 00:19:57,480 --> 00:20:01,160 Speaker 2: How did he die? Did? I want to say, somebody 413 00:20:01,240 --> 00:20:03,359 Speaker 2: walked up behind him? I don't remember. You're talking about 414 00:20:03,440 --> 00:20:08,040 Speaker 2: Benicio Delto's character. I guess so not. Oh so the 415 00:20:08,440 --> 00:20:12,600 Speaker 2: big the that's the one that was missing, the one 416 00:20:12,640 --> 00:20:16,920 Speaker 2: that nobody could understand. Benicio. I don't remember how he died. 417 00:20:16,920 --> 00:20:17,840 Speaker 2: I don't remember how he died. 418 00:20:17,840 --> 00:20:20,240 Speaker 1: I think he was so when Kaiser was trying to 419 00:20:20,280 --> 00:20:22,240 Speaker 1: make them do the mission, he was the one that 420 00:20:22,400 --> 00:20:24,520 Speaker 1: was like hell Na, So he left, but they went 421 00:20:24,560 --> 00:20:26,440 Speaker 1: and hunted him down and killed him. That was the 422 00:20:26,480 --> 00:20:28,760 Speaker 1: one that they buried on the beach in the water, 423 00:20:28,840 --> 00:20:30,240 Speaker 1: and they were like, oh, they're going to be able 424 00:20:30,240 --> 00:20:33,800 Speaker 1: to smell that Oh that was that, I think so right. Oh, 425 00:20:34,520 --> 00:20:37,280 Speaker 1: he was the only one that was missing, so they 426 00:20:37,400 --> 00:20:40,760 Speaker 1: killed him off, y'all. I can't remember how he died, 427 00:20:41,600 --> 00:20:46,879 Speaker 1: and remember how Keaton died, because remember he said, what 428 00:20:47,000 --> 00:20:50,280 Speaker 1: time is it? It's twelve thirty and then he killed him. 429 00:20:50,520 --> 00:20:52,119 Speaker 1: I didn't know the significance of that because that was 430 00:20:52,119 --> 00:20:53,120 Speaker 1: at the beginning of the movie. 431 00:20:55,720 --> 00:20:56,680 Speaker 2: I don't know. I don't know. 432 00:20:57,080 --> 00:21:00,520 Speaker 3: It's a shame because rewatching this, I I can tell 433 00:21:00,560 --> 00:21:03,200 Speaker 3: you honestly that I was not paying as close attention 434 00:21:03,240 --> 00:21:05,200 Speaker 3: as I should because I was like, well, I already 435 00:21:05,240 --> 00:21:06,679 Speaker 3: know the story, so I don't really care that much. 436 00:21:06,800 --> 00:21:08,240 Speaker 2: I was like fucking around on line while I was 437 00:21:08,240 --> 00:21:08,600 Speaker 2: watching it. 438 00:21:09,080 --> 00:21:10,680 Speaker 1: Yeah, it is one of the things with this movie 439 00:21:10,720 --> 00:21:14,160 Speaker 1: because like, there's nothing really captivating about again. 440 00:21:14,119 --> 00:21:17,480 Speaker 2: The he said what. 441 00:21:21,400 --> 00:21:24,160 Speaker 1: It would have been worse than this, absolutely, so let's 442 00:21:24,240 --> 00:21:25,720 Speaker 1: let's let's let's let's take. 443 00:21:25,560 --> 00:21:26,600 Speaker 2: It from this perspective. 444 00:21:26,640 --> 00:21:39,200 Speaker 1: Then this movie is is looked at us like, I 445 00:21:39,240 --> 00:21:40,879 Speaker 1: don't want to say one of the ones, but that's 446 00:21:40,960 --> 00:21:43,840 Speaker 1: one of the almost like a classic, right it is 447 00:21:44,640 --> 00:21:46,760 Speaker 1: still even though we have as a class, even though 448 00:21:46,800 --> 00:21:48,840 Speaker 1: we have a hard time talking about it. I think 449 00:21:49,200 --> 00:21:52,159 Speaker 1: it doesn't take away from from what the impact the 450 00:21:52,280 --> 00:21:54,920 Speaker 1: impact it has. Yeah, yeah, it's just that it's it's 451 00:21:54,960 --> 00:21:55,960 Speaker 1: a hard rewatch. 452 00:21:56,040 --> 00:21:56,960 Speaker 2: That's that's all it is. 453 00:21:57,119 --> 00:21:59,400 Speaker 1: And to have a conversation about, because it's not much 454 00:21:59,600 --> 00:22:02,800 Speaker 1: to like other than like you speaking to its classic 455 00:22:03,000 --> 00:22:06,440 Speaker 1: place in history, like the story just isn't great. 456 00:22:06,560 --> 00:22:11,480 Speaker 2: It's just oh wow, that happened. People love this movie. 457 00:22:11,560 --> 00:22:12,879 Speaker 2: This is this is a movie that. 458 00:22:15,080 --> 00:22:18,080 Speaker 1: Since six million dollar budget, it comes up a lot 459 00:22:18,280 --> 00:22:21,119 Speaker 1: in conversations, like you know, over. 460 00:22:21,119 --> 00:22:24,639 Speaker 2: Over the over the years, you know, and it was 461 00:22:24,720 --> 00:22:27,600 Speaker 2: almost like if if you're like me, like if you 462 00:22:27,680 --> 00:22:29,920 Speaker 2: ain't seen this movie, then you've just been missing out. 463 00:22:30,480 --> 00:22:33,119 Speaker 2: Y'all think that's the case. Yeah, I think this is 464 00:22:33,160 --> 00:22:33,600 Speaker 2: a mussy. 465 00:22:33,920 --> 00:22:39,280 Speaker 1: It is people that enjoy movies in films well, and 466 00:22:39,680 --> 00:22:42,840 Speaker 1: I think Kevin's basically one best supporting actor when Oscar 467 00:22:43,680 --> 00:22:47,040 Speaker 1: so I do think it stands in that place. But again, 468 00:22:47,520 --> 00:22:49,440 Speaker 1: you put it in the category with like a sixth 469 00:22:49,480 --> 00:22:52,280 Speaker 1: sense and movies where it's like, well I know what's 470 00:22:52,440 --> 00:22:55,040 Speaker 1: gonna happen and everything else and it ain't great. 471 00:22:55,400 --> 00:22:57,159 Speaker 2: See even like No Country for Old. 472 00:22:57,080 --> 00:23:00,760 Speaker 3: Men, you know the ending, but go back again and 473 00:23:00,880 --> 00:23:03,560 Speaker 3: just watch how it breaks down over and over this. 474 00:23:04,600 --> 00:23:07,840 Speaker 3: Outside of there being a twist, it's really not that 475 00:23:08,119 --> 00:23:10,680 Speaker 3: interesting of a movie. The most interesting thing I found 476 00:23:10,800 --> 00:23:13,480 Speaker 3: was the fact that one Carlo looked more like he 477 00:23:13,560 --> 00:23:14,080 Speaker 3: was a black man. 478 00:23:14,119 --> 00:23:17,639 Speaker 2: Back when bro that ship, I was like, who was it? 479 00:23:18,359 --> 00:23:19,159 Speaker 2: I was like, who was that? 480 00:23:20,440 --> 00:23:20,480 Speaker 1: Like? 481 00:23:20,720 --> 00:23:24,400 Speaker 2: He looks so young, he did look and black. Yeah, 482 00:23:24,560 --> 00:23:24,960 Speaker 2: black is. 483 00:23:25,080 --> 00:23:27,800 Speaker 3: Now it looks black in something else. But back then 484 00:23:28,359 --> 00:23:30,960 Speaker 3: you could tell me that motherfucker was just regular as 485 00:23:31,119 --> 00:23:32,080 Speaker 3: black born in Chicago. 486 00:23:32,280 --> 00:23:35,159 Speaker 2: I'm not the same thing. When he was in the 487 00:23:35,920 --> 00:23:40,480 Speaker 2: right thing and uh, school days, right, I thought he 488 00:23:40,560 --> 00:23:43,320 Speaker 2: was school days. Let me ask you all, this is 489 00:23:43,400 --> 00:23:48,960 Speaker 2: this one of the greatest movies ever made. It's on 490 00:23:49,080 --> 00:23:50,960 Speaker 2: the list, on the list it should be. 491 00:23:51,200 --> 00:23:54,240 Speaker 1: I feel like that's that's I feel like people put 492 00:23:54,280 --> 00:23:56,440 Speaker 1: it in that Buck carries it. 493 00:23:56,600 --> 00:24:00,680 Speaker 2: That's like that. It's that's not a knot, though, is it? Yeah? 494 00:24:00,760 --> 00:24:03,040 Speaker 1: If you can't, I feel like, if you can't consistently 495 00:24:03,160 --> 00:24:06,800 Speaker 1: rewatch the movie and it's not great like I could, 496 00:24:06,840 --> 00:24:10,000 Speaker 1: I don't know, Like, what's a great movie that you 497 00:24:10,080 --> 00:24:11,520 Speaker 1: can't rewatch again? 498 00:24:12,880 --> 00:24:15,639 Speaker 2: I can't think of any like any I feel like 499 00:24:15,760 --> 00:24:19,640 Speaker 2: any great movie watch I'm the I'm the worst person 500 00:24:19,680 --> 00:24:21,840 Speaker 2: to ask, because I don't really like watching movies like that. 501 00:24:22,000 --> 00:24:23,800 Speaker 2: I love to rewatch movies, but I can't think of 502 00:24:23,840 --> 00:24:25,639 Speaker 2: a single one where I was like, God, that was amazing. 503 00:24:25,760 --> 00:24:28,119 Speaker 1: I'm never watching it again, you know what I'm saying. Like, 504 00:24:29,400 --> 00:24:32,240 Speaker 1: I can think of a good movie, like Fruvel Station 505 00:24:32,440 --> 00:24:34,520 Speaker 1: was a good movie, but I've never watched it. In fact, 506 00:24:35,359 --> 00:24:37,760 Speaker 1: I'll never and that's just because of how it makes 507 00:24:37,800 --> 00:24:40,600 Speaker 1: you feel, in the sense of, yeah, it's way too 508 00:24:40,640 --> 00:24:42,359 Speaker 1: heavy to like watch consistently. 509 00:24:44,880 --> 00:24:48,360 Speaker 2: Ship I can watch the dialogue is just too good 510 00:24:48,400 --> 00:24:51,119 Speaker 2: for me. Not I've wanted to watch it again, but. 511 00:24:51,160 --> 00:24:52,960 Speaker 1: I just the way it made me, the way it 512 00:24:53,040 --> 00:24:54,880 Speaker 1: made me feel like, I want to rewatch it too, 513 00:24:55,400 --> 00:24:56,920 Speaker 1: but I just I just hated how. 514 00:24:56,840 --> 00:25:00,640 Speaker 2: It made me feel. It's very heavy. It's very heavy. 515 00:25:00,680 --> 00:25:02,800 Speaker 2: I watched it. Yeah, yeah, put it on your list. 516 00:25:02,840 --> 00:25:03,600 Speaker 2: It's really good. 517 00:25:03,960 --> 00:25:05,800 Speaker 1: I think, like all the great movies, like I think, 518 00:25:05,920 --> 00:25:07,960 Speaker 1: I feel like Sean shank Redemption is a great movie. 519 00:25:08,600 --> 00:25:12,640 Speaker 2: I watched it anytime. You wouldn't watch it again? Really, yeah, 520 00:25:12,680 --> 00:25:14,239 Speaker 2: I've seen it. I've seen it enough. I don't ever 521 00:25:14,280 --> 00:25:16,720 Speaker 2: need to see that movie again. But it is good. 522 00:25:16,960 --> 00:25:19,840 Speaker 3: It's different than this because that movie again, it has 523 00:25:20,000 --> 00:25:23,440 Speaker 3: such great dialogue and there's other things outside of the 524 00:25:23,520 --> 00:25:26,000 Speaker 3: twel Okay, I think I said the relationship between him 525 00:25:26,000 --> 00:25:28,680 Speaker 3: and Morgan Freeman, and there's just all of these, like 526 00:25:30,440 --> 00:25:35,000 Speaker 3: all this commentary on jail, on morality, So that's different. 527 00:25:35,200 --> 00:25:37,040 Speaker 2: This I don't get all. I think I see what 528 00:25:37,119 --> 00:25:41,520 Speaker 2: you guys. So so the kind of what you said earlier, 529 00:25:41,560 --> 00:25:47,639 Speaker 2: there's there's some some sort of depth missing. It's very 530 00:25:48,080 --> 00:25:48,960 Speaker 2: parts of the movie. 531 00:25:49,480 --> 00:25:52,399 Speaker 1: It's because like once once it's revealed that it's all 532 00:25:52,480 --> 00:25:54,560 Speaker 1: made up, because I'm reading right here because I wanted 533 00:25:54,600 --> 00:25:57,560 Speaker 1: to read it, like uh, the detective basically realizes that 534 00:25:57,720 --> 00:26:01,440 Speaker 1: verbal fabricated his entire STU improvise it on the spot 535 00:26:01,520 --> 00:26:04,040 Speaker 1: by piecing together details from the random items in his 536 00:26:04,240 --> 00:26:07,680 Speaker 1: office clutter his cluttered office. So it's like on the 537 00:26:07,840 --> 00:26:11,480 Speaker 1: spot he came up with this whole story based off 538 00:26:11,640 --> 00:26:14,560 Speaker 1: these different because even the man he said it was 539 00:26:14,640 --> 00:26:17,000 Speaker 1: like a big black woman on the He even made 540 00:26:17,040 --> 00:26:17,720 Speaker 1: that ship up. 541 00:26:19,680 --> 00:26:19,879 Speaker 3: Like that. 542 00:26:21,880 --> 00:26:24,640 Speaker 2: But I'm just using it as like it's in the movie. 543 00:26:25,080 --> 00:26:25,720 Speaker 2: It's in the movie. 544 00:26:25,760 --> 00:26:28,399 Speaker 1: Yeah, So it's like he made all that ship up, 545 00:26:28,480 --> 00:26:31,800 Speaker 1: and it's like I want you know that it's hard 546 00:26:31,880 --> 00:26:33,000 Speaker 1: to rewatch. 547 00:26:32,600 --> 00:26:35,880 Speaker 3: It because the story he made up wasn't that cool. Really, 548 00:26:36,040 --> 00:26:37,800 Speaker 3: wasn't that cool of a story that he made up. 549 00:26:38,080 --> 00:26:39,680 Speaker 3: It's just wild that he made it up. 550 00:26:39,920 --> 00:26:43,600 Speaker 2: On the spot. On the spot. Yeah, and the crazy 551 00:26:43,680 --> 00:26:45,359 Speaker 2: part is detective like, I'm smarter than you. 552 00:26:46,920 --> 00:26:48,879 Speaker 3: Yes, I'm glad you brought that up, because that was 553 00:26:49,560 --> 00:26:52,480 Speaker 3: one of the only interesting aspects of the film to me, 554 00:26:52,920 --> 00:26:55,520 Speaker 3: was the reason we look at him as like, oh, 555 00:26:55,560 --> 00:26:58,879 Speaker 3: we can't do it is because he's handicapped, and because 556 00:26:58,960 --> 00:27:02,760 Speaker 3: they think he's but because he's handicapped. So I think 557 00:27:02,960 --> 00:27:09,040 Speaker 3: that was an actual interesting commentary on underestimating people impressions 558 00:27:09,320 --> 00:27:11,200 Speaker 3: or disabilities or whatever. 559 00:27:11,320 --> 00:27:12,359 Speaker 2: So that was kind of cool. 560 00:27:12,840 --> 00:27:14,960 Speaker 1: But outside of that, it's just like, all right, this 561 00:27:15,119 --> 00:27:18,000 Speaker 1: is just a movie out brow. 562 00:27:18,720 --> 00:27:20,200 Speaker 2: When he ran outside, he was good. 563 00:27:20,280 --> 00:27:23,960 Speaker 1: Yeah, I loved it. Was there anything that stood out 564 00:27:24,560 --> 00:27:27,920 Speaker 1: to y'all like he should have caught that from the perspective? 565 00:27:28,119 --> 00:27:30,920 Speaker 3: No, I mean they they they did catch multiple times 566 00:27:30,960 --> 00:27:32,840 Speaker 3: that he was getting his story fucked up. 567 00:27:33,680 --> 00:27:35,720 Speaker 1: But I think that that's audio point. You just made 568 00:27:35,760 --> 00:27:38,600 Speaker 1: that credit in him because he was stupid, That's why. 569 00:27:39,160 --> 00:27:40,880 Speaker 3: But now when you watch it back a second time, 570 00:27:41,520 --> 00:27:43,800 Speaker 3: you're like, oh no, he's fucking the story up because 571 00:27:43,800 --> 00:27:45,119 Speaker 3: he's making it up on the spot. 572 00:27:45,880 --> 00:27:48,440 Speaker 2: And then he made the detective make it seem like 573 00:27:48,480 --> 00:27:51,600 Speaker 2: he figured it out and ship and he was my 574 00:27:51,760 --> 00:27:55,119 Speaker 2: friend and yeah it was good man. I was like, 575 00:27:55,520 --> 00:28:02,960 Speaker 2: damn fucking cops that put he's seal. He's how do 576 00:28:03,040 --> 00:28:05,600 Speaker 2: you shoot the devil in the back with the hand 577 00:28:05,760 --> 00:28:10,680 Speaker 2: like this? And he to fix I watched the video 578 00:28:10,760 --> 00:28:12,920 Speaker 2: he did that. I wasn't making fun of hed and 579 00:28:12,960 --> 00:28:14,560 Speaker 2: then he had to like fix it or some ship, 580 00:28:15,080 --> 00:28:18,320 Speaker 2: haven't YEH been stuck like that for so long. The 581 00:28:18,400 --> 00:28:23,840 Speaker 2: greatest trick is devil devils there right there. Talk to 582 00:28:23,960 --> 00:28:25,080 Speaker 2: him and see part of me. 583 00:28:25,320 --> 00:28:27,760 Speaker 3: That's why part of me thinks that he's still lying 584 00:28:27,920 --> 00:28:29,520 Speaker 3: and that he's not actually kinder. 585 00:28:29,600 --> 00:28:32,480 Speaker 2: So what's his face? 586 00:28:32,560 --> 00:28:34,560 Speaker 3: The other guy, the guy that was supposed to be 587 00:28:34,680 --> 00:28:37,920 Speaker 3: like the guy I kind of think that he might 588 00:28:38,040 --> 00:28:40,080 Speaker 3: actually be kind of so say because it's like, wait 589 00:28:40,120 --> 00:28:43,920 Speaker 3: a minute, like Kevin space doesn't seemed that old, but 590 00:28:44,080 --> 00:28:47,040 Speaker 3: this story seems to be old right over. 591 00:28:47,200 --> 00:28:50,480 Speaker 2: Yeah, of him killing his own family because he will. 592 00:28:50,920 --> 00:28:53,160 Speaker 3: I would get that more from that other dude than 593 00:28:53,320 --> 00:28:55,760 Speaker 3: Kevin Spacey's part. But I mean, that's not a big deal. 594 00:28:55,800 --> 00:28:57,960 Speaker 3: I mean, if he is supposed to be him, and it's. 595 00:28:57,840 --> 00:29:00,320 Speaker 1: Fine, and that goes to the unreliable narrative and what 596 00:29:00,400 --> 00:29:03,480 Speaker 1: we've seen him do in the interrogation room. It may 597 00:29:03,520 --> 00:29:04,920 Speaker 1: be a story the dude told. 598 00:29:04,760 --> 00:29:08,280 Speaker 3: Him and he just relayed like yeah, or he may 599 00:29:08,320 --> 00:29:10,040 Speaker 3: have yeah, he may have just been like, this is 600 00:29:10,080 --> 00:29:12,000 Speaker 3: what you have to do if you get caught, because 601 00:29:12,000 --> 00:29:13,480 Speaker 3: you're not going to give me up because. 602 00:29:13,280 --> 00:29:15,080 Speaker 2: I'll kill you and all of the people. 603 00:29:16,120 --> 00:29:20,480 Speaker 1: Because they showed him lighting the lighter, gave him that, 604 00:29:21,440 --> 00:29:23,400 Speaker 1: but why would they show that he still had that 605 00:29:23,600 --> 00:29:26,200 Speaker 1: lighter and he was the one that showed like killed 606 00:29:26,240 --> 00:29:29,320 Speaker 1: him in the beginning. The reason I think I started 607 00:29:29,320 --> 00:29:32,560 Speaker 1: thinking this is because when you watch it, that doesn't 608 00:29:32,600 --> 00:29:33,760 Speaker 1: look like him at the beginning. 609 00:29:34,000 --> 00:29:34,240 Speaker 2: You do. 610 00:29:34,840 --> 00:29:36,880 Speaker 3: So even if he's telling the story, we're supposed to 611 00:29:36,920 --> 00:29:41,400 Speaker 3: be viewing this, I guess from his storyline perspective or. 612 00:29:41,360 --> 00:29:43,320 Speaker 1: Whatever, but he's not telling it at that point. That 613 00:29:43,800 --> 00:29:47,200 Speaker 1: was a real look into what happened earlier on and 614 00:29:47,280 --> 00:29:48,200 Speaker 1: it doesn't look like him. 615 00:29:49,560 --> 00:29:50,440 Speaker 2: What do you mean exactly? 616 00:29:50,760 --> 00:29:53,960 Speaker 3: So if you watch it again, the guy that's Kaiser 617 00:29:54,080 --> 00:29:59,560 Speaker 3: so said that is shooting buddy's name Keaton, and you 618 00:29:59,680 --> 00:30:02,880 Speaker 3: look at Kais are so say, it looks nothing like 619 00:30:03,160 --> 00:30:03,920 Speaker 3: Kevin Spacey. 620 00:30:04,320 --> 00:30:05,960 Speaker 2: It looks like it could be. 621 00:30:06,120 --> 00:30:09,000 Speaker 3: It's like a taller guy with a much thinner I 622 00:30:09,040 --> 00:30:11,960 Speaker 3: thought it was the lawyer guy that's that's yeah, yeah, 623 00:30:11,960 --> 00:30:13,360 Speaker 3: I know, I know that's what I thought it was. 624 00:30:13,800 --> 00:30:16,200 Speaker 2: I still think it might have been him. Is that 625 00:30:16,280 --> 00:30:23,080 Speaker 2: I'm telling you now, Kaiser, he was terrified that guy 626 00:30:23,200 --> 00:30:26,400 Speaker 2: that showed up. It was like relaying. I think. 627 00:30:27,960 --> 00:30:30,600 Speaker 1: Question, is there a famous line from this movie? It's 628 00:30:30,640 --> 00:30:35,800 Speaker 1: the Double One. I think that's not where it came from, 629 00:30:35,960 --> 00:30:36,120 Speaker 1: is it. 630 00:30:36,280 --> 00:30:37,400 Speaker 2: I always thought it was in the Bible, but I 631 00:30:37,440 --> 00:30:39,000 Speaker 2: don't think it is. I thought it was in the 632 00:30:39,040 --> 00:30:41,400 Speaker 2: Bible too, or maybe it is in the Bible. In 633 00:30:41,480 --> 00:30:46,240 Speaker 2: the Bible, Damn, that'd be crazy if it came from 634 00:30:46,280 --> 00:30:50,960 Speaker 2: this movie. Brought that? Yeah, okay, all right, well you 635 00:30:51,160 --> 00:30:52,840 Speaker 2: got anything else? But it has it sounds like it's 636 00:30:52,840 --> 00:30:54,680 Speaker 2: from the Bible. Though it does sound like it's from 637 00:30:54,720 --> 00:30:59,040 Speaker 2: the Bible. Let's see. Nope, it's from this movie. You 638 00:30:59,280 --> 00:31:02,960 Speaker 2: know that f who originally said it's in the Usual Suspects. 639 00:31:03,000 --> 00:31:04,560 Speaker 2: I guess it was. Damn. 640 00:31:04,680 --> 00:31:07,520 Speaker 1: It's a famous quote often attributed to the French poet 641 00:31:07,720 --> 00:31:12,960 Speaker 1: Charles I'm wrong, Charles boudellor b a U. D. 642 00:31:14,200 --> 00:31:16,400 Speaker 2: Boudelaire. Yeah, it sounded like he was quoting it from 643 00:31:16,440 --> 00:31:19,360 Speaker 2: somebody else too. It has the sentiment for dates Baudelaire. 644 00:31:19,760 --> 00:31:23,360 Speaker 2: So he was so yeah, wow, but I don't think 645 00:31:23,520 --> 00:31:24,000 Speaker 2: I don't take it. 646 00:31:24,840 --> 00:31:26,640 Speaker 1: He was around when that lady was up in the 647 00:31:27,240 --> 00:31:32,880 Speaker 1: uh what's the name Bowser on the bicla when she 648 00:31:34,440 --> 00:31:40,000 Speaker 1: was helping Free in the Civil Wars Bike eighteen sixty four. Bro, anyway, 649 00:31:40,080 --> 00:31:42,120 Speaker 1: now I don't have anything else. I don't have anything 650 00:31:42,160 --> 00:31:45,840 Speaker 1: else watching it now, you know I'm with you, guys. 651 00:31:45,880 --> 00:31:48,920 Speaker 1: I'm like, okay, I do think you know. The ending 652 00:31:49,080 --> 00:31:54,280 Speaker 1: is crazy. I get the sentiment about it, but yeah, 653 00:31:54,480 --> 00:31:56,080 Speaker 1: when I was watching, I was like, bro, what is 654 00:31:56,160 --> 00:31:58,680 Speaker 1: the fucking hype for this movie? And it really just 655 00:31:58,880 --> 00:31:59,880 Speaker 1: is then, but. 656 00:32:00,200 --> 00:32:00,560 Speaker 2: I get it. 657 00:32:00,640 --> 00:32:02,360 Speaker 1: I can only imagine when it was like watching this 658 00:32:02,440 --> 00:32:04,200 Speaker 1: in nineteen ninety five and that shit happened. 659 00:32:04,240 --> 00:32:07,479 Speaker 2: He was like, what, right from a movie going experience 660 00:32:07,520 --> 00:32:10,360 Speaker 2: in ninety five? Old ship? I like, I remember like 661 00:32:10,440 --> 00:32:12,840 Speaker 2: buying a DVD it is a must have, and telling 662 00:32:12,840 --> 00:32:15,280 Speaker 2: people about it. You got the dvd I had it. 663 00:32:15,360 --> 00:32:15,720 Speaker 2: I don't know what. 664 00:32:16,440 --> 00:32:19,240 Speaker 1: Yeah, definitely about it about the DVD when it came out, 665 00:32:19,720 --> 00:32:21,880 Speaker 1: so we used to go use browsing for DVDs. 666 00:32:22,040 --> 00:32:29,600 Speaker 2: Like, you don't think it's a muscle own movie? Mm hmm, nah, damn, 667 00:32:29,680 --> 00:32:31,400 Speaker 2: you don't think just in your collection, Like would you 668 00:32:31,440 --> 00:32:33,520 Speaker 2: show this to your your boys kids like this? They 669 00:32:33,560 --> 00:32:35,520 Speaker 2: wanted to see this ship, bro, they need to watch 670 00:32:35,560 --> 00:32:42,440 Speaker 2: the Dark Knight watch that ship. Anything else in this movie? Nah? Nah. 671 00:32:42,680 --> 00:32:45,080 Speaker 2: It's definitely a classic. It's an amazing film. It's just 672 00:32:45,160 --> 00:32:47,520 Speaker 2: not a good not a good rewatch, right, what about you? 673 00:32:47,880 --> 00:32:51,640 Speaker 1: Same Sentiment's definitely a classic, just one of the best 674 00:32:51,680 --> 00:32:59,200 Speaker 1: plots twists in cinema, but just not a good rewatch yep, 675 00:32:59,240 --> 00:33:01,320 Speaker 1: I think I have the same sentiment as you, guys. 676 00:33:01,880 --> 00:33:05,840 Speaker 1: Classic film, great performance by Kevin Spacey, but just not 677 00:33:06,120 --> 00:33:08,600 Speaker 1: a great rewatch. Once the trick is out of the bag, 678 00:33:09,000 --> 00:33:10,720 Speaker 1: it's kind of like a one trick pony film. But 679 00:33:12,000 --> 00:33:13,520 Speaker 1: other than that, man, if you haven't seen it, go 680 00:33:13,640 --> 00:33:21,880 Speaker 1: see it. Go check out the usual suspects. Don't don't 681 00:33:21,880 --> 00:33:25,160 Speaker 1: believe you see when you watch this right exactly? The 682 00:33:25,240 --> 00:33:27,360 Speaker 1: whole thing is a lot. But yeah, this has been 683 00:33:27,400 --> 00:33:30,600 Speaker 1: the frames per second podcast anniversary episode for the Usual 684 00:33:30,640 --> 00:33:32,320 Speaker 1: Suspects and we are out Piece