1 00:00:04,400 --> 00:00:09,840 Speaker 1: Then in Hip Hop Conversations mail Bag episode, because we 2 00:00:09,880 --> 00:00:12,520 Speaker 1: get too many dang super TETs and we always say 3 00:00:12,520 --> 00:00:15,079 Speaker 1: we're gonna make some content and sometimes we don't and 4 00:00:15,160 --> 00:00:19,280 Speaker 1: sometimes we do. But here we are making the content because, 5 00:00:19,360 --> 00:00:21,880 Speaker 1: like I said, we get too many. BZ four thirty 6 00:00:22,480 --> 00:00:25,200 Speaker 1: wasn't able to be here, so we got a replacement today. 7 00:00:25,200 --> 00:00:25,400 Speaker 2: Man. 8 00:00:25,640 --> 00:00:29,840 Speaker 1: Shout out to on Deck TV podcast ab Animal Brown 9 00:00:30,240 --> 00:00:32,080 Speaker 1: in the House replacing BZ for the day. 10 00:00:32,479 --> 00:00:33,200 Speaker 3: You know what I'm saying. 11 00:00:34,000 --> 00:00:36,040 Speaker 1: Make sure you like common subscribe, go check out on 12 00:00:36,120 --> 00:00:38,479 Speaker 1: Deck TV podcasts Dope Brothers. 13 00:00:38,520 --> 00:00:39,000 Speaker 3: You know what I'm saying. 14 00:00:39,040 --> 00:00:41,120 Speaker 1: You already know Spike Blue because he's all over there 15 00:00:41,159 --> 00:00:43,559 Speaker 1: in everything that is important than it is than that. 16 00:00:43,760 --> 00:00:48,200 Speaker 1: But today we got four joints, four questions that came in. 17 00:00:48,479 --> 00:00:51,600 Speaker 2: So just like in live fashion, can got them. 18 00:00:51,720 --> 00:00:54,000 Speaker 3: All right, we do. 19 00:00:54,040 --> 00:00:56,640 Speaker 4: We want to start, man, let's start with music videos. 20 00:00:56,680 --> 00:00:58,160 Speaker 4: Let's go ahead and get that one out the way. 21 00:00:58,760 --> 00:01:01,480 Speaker 4: I think we're gonna rank them now and then we're 22 00:01:01,480 --> 00:01:05,479 Speaker 4: gonna do shocking rappers we listen to, and we're gonna 23 00:01:05,480 --> 00:01:09,319 Speaker 4: close out with overrated rappers from the nineties. This is 24 00:01:09,360 --> 00:01:14,720 Speaker 4: from Zach stopa shout out to zach stopa appreciated favorite 25 00:01:14,920 --> 00:01:20,160 Speaker 4: and best rap music videos in your opinion, Childnge Gambino, 26 00:01:21,200 --> 00:01:34,840 Speaker 4: This is America. That's a damn yeah, This is America. 27 00:01:34,880 --> 00:01:37,920 Speaker 4: And I'm not a rap music video guy, music video 28 00:01:37,959 --> 00:01:42,479 Speaker 4: guy just in general, but I remember that one. That's 29 00:01:42,600 --> 00:01:48,080 Speaker 4: very impactful. Man was trending all day and still kind 30 00:01:48,080 --> 00:01:50,680 Speaker 4: of applies, you know, with some of the contents on 31 00:01:50,720 --> 00:01:52,200 Speaker 4: my ton in the present day. 32 00:01:52,600 --> 00:01:55,600 Speaker 1: So yeah, started off as a as a drake this 33 00:01:55,880 --> 00:01:58,480 Speaker 1: But in terms of it being a music video, can 34 00:01:58,640 --> 00:02:01,040 Speaker 1: I think that it doesn't get a enough praise because 35 00:02:01,200 --> 00:02:02,040 Speaker 1: it's one shot. 36 00:02:02,680 --> 00:02:04,720 Speaker 2: You can't mess up, you know what I'm saying. 37 00:02:05,000 --> 00:02:08,160 Speaker 1: So everybody that was a part of that had to 38 00:02:08,240 --> 00:02:10,520 Speaker 1: be on point, and I think it you know, we 39 00:02:10,560 --> 00:02:15,360 Speaker 1: talked about it one of Childish's projects real recently on 40 00:02:15,440 --> 00:02:18,600 Speaker 1: D three sixty five. The greatness of the artist that 41 00:02:18,800 --> 00:02:22,960 Speaker 1: is Childish Gambino Donald Glover really showed itself in that 42 00:02:23,080 --> 00:02:25,640 Speaker 1: music video because you saw how great he was of 43 00:02:25,680 --> 00:02:29,560 Speaker 1: an actor, because if you just watch the facial expressions alone, 44 00:02:29,760 --> 00:02:33,480 Speaker 1: how he transitioned, it's like like there is no stop, 45 00:02:33,520 --> 00:02:36,200 Speaker 1: there is no cut. Oh chop, let's read no, like 46 00:02:36,280 --> 00:02:39,040 Speaker 1: you had to go and knock it out in one go. 47 00:02:39,880 --> 00:02:42,320 Speaker 5: Very talented and he's got some dope videos to outside 48 00:02:42,320 --> 00:02:44,320 Speaker 5: of that one. But I think that's funny real quick 49 00:02:44,360 --> 00:02:47,480 Speaker 5: that people like that video more than I like the song. Yeah, really, yeah, 50 00:02:47,520 --> 00:02:48,880 Speaker 5: people don't really like that song, Like. 51 00:02:48,880 --> 00:02:54,480 Speaker 4: Yeah, the video super super sharing. That is interesting that 52 00:02:54,560 --> 00:02:57,560 Speaker 4: you you have to get it or appreciate it. 53 00:02:57,600 --> 00:02:58,440 Speaker 3: You have to watch the video. 54 00:02:58,560 --> 00:03:00,359 Speaker 5: Yeah, I problemise if you heard that song for she'd 55 00:03:00,360 --> 00:03:00,880 Speaker 5: probably be. 56 00:03:00,800 --> 00:03:08,919 Speaker 6: Like far side drop mm, Like, I think that's one 57 00:03:08,960 --> 00:03:11,040 Speaker 6: of the best videos of all time. 58 00:03:11,080 --> 00:03:12,400 Speaker 3: They shot it in reverse. 59 00:03:13,120 --> 00:03:16,280 Speaker 1: Let Obsolete is the punk that talked More to the 60 00:03:16,280 --> 00:03:19,680 Speaker 1: several sales Je Propel latter rate the complicate the state 61 00:03:19,840 --> 00:03:21,760 Speaker 1: as they actually. 62 00:03:21,440 --> 00:03:25,760 Speaker 7: Had to learn the lyrics like backwards in order to 63 00:03:25,800 --> 00:03:28,240 Speaker 7: so they had like a diction coach come through and 64 00:03:28,280 --> 00:03:31,880 Speaker 7: they had to basically recreate. They had like a college perfection, 65 00:03:32,120 --> 00:03:34,520 Speaker 7: like recreate the words so they can say it. And 66 00:03:34,560 --> 00:03:38,520 Speaker 7: the actually learned the song backwards just so they can 67 00:03:38,600 --> 00:03:42,840 Speaker 7: lip sync it while they're doing the video and reverse 68 00:03:42,880 --> 00:03:46,600 Speaker 7: and like, yeah, man, that to do that so long ago, 69 00:03:47,040 --> 00:03:50,080 Speaker 7: like it was like the eighties or something like that. Man, 70 00:03:50,480 --> 00:03:54,120 Speaker 7: that ship was dropped? Is that one for me? That 71 00:03:54,520 --> 00:03:56,880 Speaker 7: it was super creative and the song. 72 00:03:56,800 --> 00:04:01,840 Speaker 1: Is though to me, it's not necessarily super creative or dope, 73 00:04:02,680 --> 00:04:08,600 Speaker 1: but it's just a representation of black being black in America. 74 00:04:08,640 --> 00:04:12,200 Speaker 2: Was Kendrick Alright, we're gonna be all right, Nigga, we 75 00:04:12,440 --> 00:04:14,200 Speaker 2: gonna be all right. Do you hear me? Do you 76 00:04:14,960 --> 00:04:15,600 Speaker 2: be all right? 77 00:04:16,080 --> 00:04:18,320 Speaker 5: And when I wake up, I recognize you're looking at 78 00:04:18,360 --> 00:04:19,200 Speaker 5: me for the pay cut. 79 00:04:19,320 --> 00:04:21,480 Speaker 1: To me, it was it's powerful, you know what I'm saying, 80 00:04:21,520 --> 00:04:23,440 Speaker 1: especially at the time that when it dropped, and it 81 00:04:23,520 --> 00:04:27,440 Speaker 1: still resonates today, especially now. But yeah, no, I feel 82 00:04:27,440 --> 00:04:31,159 Speaker 1: like that music video is powerful, you know, just riding 83 00:04:31,200 --> 00:04:32,960 Speaker 1: around like you see different parts of the hood. 84 00:04:33,000 --> 00:04:36,039 Speaker 2: You know what I'm saying. It's just it feels like us, 85 00:04:36,600 --> 00:04:37,160 Speaker 2: you know what I'm saying. 86 00:04:37,160 --> 00:04:38,560 Speaker 3: They not like us, but it feels like. 87 00:04:40,000 --> 00:04:42,479 Speaker 2: I'm going with a comment and Mary J that come close. 88 00:04:44,880 --> 00:04:49,320 Speaker 2: We lived in a dream world. Still green girl. 89 00:04:50,240 --> 00:04:53,920 Speaker 5: I know you're sick inside of argument, but you can't 90 00:04:54,000 --> 00:04:57,040 Speaker 5: keep a bottle there where he was talking to Shorty 91 00:04:57,160 --> 00:05:00,920 Speaker 5: outside when signs and he turns she was dead or whatever. 92 00:05:01,000 --> 00:05:01,960 Speaker 2: I was like, oh, that was kind of. 93 00:05:01,880 --> 00:05:04,240 Speaker 3: Fire on front. Super dope song. 94 00:05:04,720 --> 00:05:08,800 Speaker 5: It's just a clever, real cute way of you know, 95 00:05:09,960 --> 00:05:11,360 Speaker 5: professing your love for someone. 96 00:05:11,680 --> 00:05:14,200 Speaker 3: You know that people need love to you know. 97 00:05:17,160 --> 00:05:20,479 Speaker 1: He was talking about a B the Child's Gambino video 98 00:05:20,640 --> 00:05:23,279 Speaker 1: bringing that song to life. That video blocks that to 99 00:05:23,360 --> 00:05:25,800 Speaker 1: life because it was like, Okay, it's cool, right, Well 100 00:05:25,800 --> 00:05:29,839 Speaker 1: you see the video. It's like, oh way, different appreciation, way, different. 101 00:05:29,560 --> 00:05:30,400 Speaker 3: Appreciation for it. 102 00:05:30,520 --> 00:05:34,159 Speaker 1: We're going to another roundkay I an another one. 103 00:05:34,800 --> 00:05:35,320 Speaker 3: I got through. 104 00:05:35,400 --> 00:05:39,039 Speaker 4: I got one more. It's from my old schools here 105 00:05:39,200 --> 00:05:41,480 Speaker 4: and watch it. Nothing but a G. 106 00:05:41,560 --> 00:05:48,960 Speaker 7: Thing one two bringing Snoop Doggy dog Get Doctor drinking 107 00:05:49,040 --> 00:05:49,719 Speaker 7: that jump. 108 00:05:53,520 --> 00:05:58,880 Speaker 4: I can still see the video, which is crazy. 109 00:05:59,480 --> 00:06:02,320 Speaker 3: And man, back then, like music. 110 00:06:02,120 --> 00:06:05,960 Speaker 4: Videos were like really a part of like listening to 111 00:06:06,000 --> 00:06:08,159 Speaker 4: the music and hip hop and you go to school 112 00:06:08,279 --> 00:06:10,320 Speaker 4: and you get your friends and you're talking about it 113 00:06:10,360 --> 00:06:13,760 Speaker 4: and stuff like that. And yeah, another but of G thing. 114 00:06:14,120 --> 00:06:18,120 Speaker 4: Yeah that that was a classic one. Yeah, man for sure. 115 00:06:18,000 --> 00:06:21,040 Speaker 5: I'll go next to man U. I'm gonna go back. 116 00:06:21,160 --> 00:06:22,880 Speaker 5: I'm gonna go Jay big pimping. 117 00:06:27,480 --> 00:06:28,000 Speaker 3: You know why. 118 00:06:30,040 --> 00:06:34,719 Speaker 1: But I don't trust your need love that video, Yes, sir, 119 00:06:35,080 --> 00:06:36,200 Speaker 1: got the big ass yacht. 120 00:06:37,240 --> 00:06:40,279 Speaker 5: They are kicking it and one of the funniest stories 121 00:06:40,320 --> 00:06:43,680 Speaker 5: man that bum be told about pimp when he because 122 00:06:43,720 --> 00:06:46,320 Speaker 5: he had the fur coat on and Jay asked him, 123 00:06:46,320 --> 00:06:49,760 Speaker 5: like they're in Miami as hot as ship and he's like, bro, 124 00:06:49,920 --> 00:06:52,960 Speaker 5: you're wearing a first code is ninety five degrees, said 125 00:06:53,160 --> 00:06:55,279 Speaker 5: the TV ain't got no temperature and walked off. 126 00:06:56,600 --> 00:06:58,240 Speaker 2: I was like, damn, that was cold. 127 00:06:59,560 --> 00:07:01,840 Speaker 5: So yeah, that's a fire video. That's classic joint. I 128 00:07:02,320 --> 00:07:04,520 Speaker 5: even found that fat farm sure that Dame had. 129 00:07:04,560 --> 00:07:05,120 Speaker 3: I had to have it. 130 00:07:06,640 --> 00:07:10,640 Speaker 1: I'm calling a slight audible I'll cast a sleepy brown. 131 00:07:10,680 --> 00:07:23,560 Speaker 1: The way you move, I was gonna say, hey, y'all, 132 00:07:24,360 --> 00:07:26,280 Speaker 1: but more impactful for me. 133 00:07:33,120 --> 00:07:36,720 Speaker 7: Go hey, hey, youngest, youngest, Look y'all, don't even look 134 00:07:36,760 --> 00:07:38,200 Speaker 7: at music videos like go. 135 00:07:38,080 --> 00:07:40,160 Speaker 2: Back and go watch that one right there, boy, And 136 00:07:40,200 --> 00:07:42,880 Speaker 2: the way you move, Oh my god. 137 00:07:44,080 --> 00:07:46,640 Speaker 1: Man, Like, hey, look, it's a it's a bad rating. 138 00:07:47,400 --> 00:07:49,200 Speaker 1: I ain't gonna get into the detail, but then go 139 00:07:49,240 --> 00:07:50,720 Speaker 1: watch that. But not but I think they did it 140 00:07:50,920 --> 00:07:53,760 Speaker 1: very tastefully, you know what I'm saying, Like, because it 141 00:07:53,800 --> 00:07:54,520 Speaker 1: wasn't tip drill. 142 00:07:54,760 --> 00:08:00,160 Speaker 7: Yeah, drill is exactly another one though that's explicit, but 143 00:08:00,280 --> 00:08:00,760 Speaker 7: this was. 144 00:08:01,040 --> 00:08:04,320 Speaker 1: I love how our cast takes everything that is pop 145 00:08:04,360 --> 00:08:07,720 Speaker 1: culture Southern fries it but does it in a very 146 00:08:07,720 --> 00:08:10,920 Speaker 1: classy way, because hey, y'all, to me, was very classiest way, 147 00:08:11,000 --> 00:08:12,320 Speaker 1: the recreation of the seventies. 148 00:08:12,320 --> 00:08:15,560 Speaker 2: But nah, the way you move that, that's one of. 149 00:08:15,480 --> 00:08:16,520 Speaker 3: My favorite y'all. 150 00:08:16,600 --> 00:08:17,760 Speaker 2: Y'all labors are classes. 151 00:08:17,840 --> 00:08:20,240 Speaker 7: Man, Like, I'm trying to go like the goddamn creative 152 00:08:20,680 --> 00:08:22,200 Speaker 7: quirky rod and ship and. 153 00:08:22,120 --> 00:08:25,480 Speaker 2: I'm gonna still do it with Kanye West. 154 00:08:25,520 --> 00:08:28,640 Speaker 7: Can't tell me nothing love that. 155 00:08:28,840 --> 00:08:29,000 Speaker 2: Man. 156 00:08:35,880 --> 00:08:39,839 Speaker 7: It's super simple right where it appears like it's super simple, Nigga, 157 00:08:40,080 --> 00:08:44,400 Speaker 7: It's just him, a Lamborghini, kuntar and a woman dancing 158 00:08:44,920 --> 00:08:47,000 Speaker 7: in sequence of some ship in the middle of a 159 00:08:47,040 --> 00:08:50,640 Speaker 7: fucking desert with some smoke and some light. But what 160 00:08:50,720 --> 00:08:54,000 Speaker 7: makes the video, but what makes the video so fucking 161 00:08:54,120 --> 00:08:56,319 Speaker 7: dope is that he did the whole thing in slow motion, 162 00:08:56,920 --> 00:08:58,720 Speaker 7: and he was able to lift sinking in slow motion, 163 00:08:58,800 --> 00:09:01,520 Speaker 7: so that means he had to speed up the track 164 00:09:01,960 --> 00:09:02,319 Speaker 7: to be. 165 00:09:02,280 --> 00:09:04,679 Speaker 2: Able to wrap it and perform in fast. 166 00:09:05,320 --> 00:09:07,640 Speaker 7: So the fact that so when he slows it down, 167 00:09:08,080 --> 00:09:10,120 Speaker 7: it's synked up, and I was just like God, and 168 00:09:10,200 --> 00:09:12,560 Speaker 7: so he just like act more stupidly and it's like, 169 00:09:12,600 --> 00:09:13,360 Speaker 7: what the fuck? 170 00:09:13,679 --> 00:09:16,120 Speaker 2: So when you see it It's like, wait a minute, 171 00:09:16,120 --> 00:09:17,200 Speaker 2: how the fuck is he doing that? 172 00:09:17,440 --> 00:09:19,440 Speaker 7: It's like, so he had to speed the song up 173 00:09:19,760 --> 00:09:22,360 Speaker 7: in order to slow it down and and. 174 00:09:22,280 --> 00:09:24,199 Speaker 2: For it to look like that, So that had to 175 00:09:24,240 --> 00:09:24,640 Speaker 2: happen there. 176 00:09:24,720 --> 00:09:26,200 Speaker 7: Yeah, he had the map. Yeah, he had the time, 177 00:09:26,520 --> 00:09:28,600 Speaker 7: like he had to. He had the time it speed 178 00:09:28,600 --> 00:09:30,559 Speaker 7: it up and then slowed it down. So yeah, man, 179 00:09:31,120 --> 00:09:34,960 Speaker 7: that takes some skill right there to accomplish. He didn't 180 00:09:34,960 --> 00:09:38,360 Speaker 7: do that on Oldest too, and did it on Oldest Yep, yep, 181 00:09:39,080 --> 00:09:40,439 Speaker 7: they did it on Oldest. 182 00:09:40,800 --> 00:09:44,240 Speaker 4: Up nets we have roddy Rod. He said, he's not 183 00:09:44,280 --> 00:09:45,800 Speaker 4: gonna ask us to do it. One gotta go, but 184 00:09:45,920 --> 00:09:50,920 Speaker 4: rank these albums. So we have Illmatic, Ready to Die, 185 00:09:51,960 --> 00:09:55,880 Speaker 4: Chronic in thirty six, Chamber. 186 00:09:55,640 --> 00:10:01,959 Speaker 2: A Classics be here, I'm going Chronic. 187 00:10:03,240 --> 00:10:04,000 Speaker 3: Ready to Die. 188 00:10:04,120 --> 00:10:07,880 Speaker 7: This is one to how many is it for Chronic 189 00:10:08,679 --> 00:10:12,640 Speaker 7: Ready to Die, Illmatic and thirty six Change. 190 00:10:12,679 --> 00:10:15,360 Speaker 1: That's my list, Tom, that's my list too. 191 00:10:15,559 --> 00:10:19,880 Speaker 5: I'm going one Ready to Die, two, Chronic, three, Illmatic 192 00:10:20,480 --> 00:10:25,280 Speaker 5: and in a distant fourth way down. 193 00:10:27,840 --> 00:10:29,560 Speaker 2: Yeah. 194 00:10:30,600 --> 00:10:35,880 Speaker 4: Way wow, bro, that's it. 195 00:10:36,080 --> 00:10:38,520 Speaker 2: That's so. Have you been back to that album? 196 00:10:38,600 --> 00:10:39,880 Speaker 3: I'm not I'm not a Wu Tang guy. 197 00:10:40,120 --> 00:10:40,920 Speaker 2: It's not my taste. 198 00:10:41,240 --> 00:10:43,920 Speaker 7: It wasn't always my taste, but I just my my 199 00:10:44,080 --> 00:10:46,600 Speaker 7: palate has changed over the years. And but you put 200 00:10:46,600 --> 00:10:48,839 Speaker 7: it fourth, I mean, but then, I mean you had 201 00:10:48,880 --> 00:10:51,200 Speaker 7: to go somewhere I don't like, like I think Being 202 00:10:51,240 --> 00:10:52,400 Speaker 7: would have put it forth. 203 00:10:52,360 --> 00:10:55,200 Speaker 2: Because it would so I don't know if you don't know, 204 00:10:55,920 --> 00:10:58,360 Speaker 2: be not putting it over ill Matic, I don't. He 205 00:10:58,440 --> 00:11:00,360 Speaker 2: may put it over Ready to Die, but I Dowdy 206 00:11:00,400 --> 00:11:01,439 Speaker 2: puts it over Chronic. 207 00:11:01,320 --> 00:11:04,120 Speaker 7: But wu tang is this ship I feel you, but 208 00:11:04,800 --> 00:11:09,080 Speaker 7: not over Ellmatic is top two for me? Chronic I 209 00:11:09,080 --> 00:11:11,760 Speaker 7: think it's top two for me. Ready to Die is 210 00:11:11,760 --> 00:11:12,559 Speaker 7: the one that's like. 211 00:11:12,520 --> 00:11:16,080 Speaker 4: Okay, no, I think Chronic may be the one. I'm 212 00:11:16,120 --> 00:11:21,880 Speaker 4: going with Illmatic number one. You trying to number one Chronic? Okay, 213 00:11:22,360 --> 00:11:24,599 Speaker 4: Ready to Die in thirty. 214 00:11:24,800 --> 00:11:28,200 Speaker 2: Thirty six list, Bro, that's not. 215 00:11:29,800 --> 00:11:35,200 Speaker 7: Because that's that's like these are. 216 00:11:35,120 --> 00:11:35,960 Speaker 3: All classic joys. 217 00:11:35,960 --> 00:11:38,080 Speaker 2: But it is fourth, like, no, it's four. 218 00:11:38,240 --> 00:11:41,800 Speaker 7: Yeah, it's not being a Chronic like Chronic created the 219 00:11:41,840 --> 00:11:42,720 Speaker 7: West sound. 220 00:11:43,440 --> 00:11:46,079 Speaker 2: It can't beat Chronic. It can't be the Allmatic. 221 00:11:46,000 --> 00:11:49,440 Speaker 3: Stranding on little Death bro Bro like Chronic Chronic ship. 222 00:11:49,600 --> 00:11:52,959 Speaker 2: Yeah, I think it won. It won the fucking thing. Yeah, 223 00:11:53,040 --> 00:11:56,640 Speaker 2: the best albums. Yeah, Chronic could be number one for me. 224 00:11:56,920 --> 00:11:57,520 Speaker 3: I thought it was. 225 00:11:57,600 --> 00:12:00,840 Speaker 2: I was surprised you put over Chronic. I was surprised. 226 00:12:01,160 --> 00:12:09,800 Speaker 3: So everybody rankings in the chat yeah, said that. 227 00:12:13,480 --> 00:12:15,240 Speaker 4: This is gonna be interesting. I'm kind of curious to 228 00:12:15,320 --> 00:12:19,600 Speaker 4: hear some of the answers uh rappers from this generation 229 00:12:20,720 --> 00:12:24,280 Speaker 4: that people will be shocked. You listen to right, I'm 230 00:12:24,280 --> 00:12:24,920 Speaker 4: gonna start with you. 231 00:12:25,559 --> 00:12:27,360 Speaker 2: You Aldy got that little sad. 232 00:12:29,880 --> 00:12:32,559 Speaker 7: If you watch enough day hip hop, you know that 233 00:12:32,720 --> 00:12:35,079 Speaker 7: I fuck with this genre of music. This ship is 234 00:12:35,160 --> 00:12:36,920 Speaker 7: just hyped with me, man, I love it. I told 235 00:12:37,040 --> 00:12:39,240 Speaker 7: Marv Nigga, you need to do an album like this. 236 00:12:40,080 --> 00:12:43,400 Speaker 7: But uh, bf be the pac Man, b f be 237 00:12:43,559 --> 00:12:44,880 Speaker 7: the pac Man. I don't know who you thought I 238 00:12:44,960 --> 00:12:47,559 Speaker 7: was gonna say, but bs be the bf be the 239 00:12:47,640 --> 00:12:50,840 Speaker 7: pac Man. Bro, Like that ship is just funny to me. Bro, 240 00:12:51,000 --> 00:12:54,800 Speaker 7: it's funny. It's like a vibe like I don't know, man, 241 00:12:54,840 --> 00:12:58,760 Speaker 7: it's just a fun listen. It's just a fun listen. So, yeah, 242 00:12:58,840 --> 00:13:02,480 Speaker 7: who you thought I was gonna say? No, I can't 243 00:13:02,520 --> 00:13:07,040 Speaker 7: go boss Man right now. Like, like, if I had 244 00:13:07,080 --> 00:13:09,520 Speaker 7: to pick one right now, it would be BFB the 245 00:13:09,600 --> 00:13:10,040 Speaker 7: pac Man. 246 00:13:10,120 --> 00:13:14,640 Speaker 1: I got one more like like like uh little honorable mission. Look, 247 00:13:14,720 --> 00:13:17,160 Speaker 1: we just did this person on D three sixty five 248 00:13:17,200 --> 00:13:22,240 Speaker 1: as well. I said, you probably won't catch me really 249 00:13:22,360 --> 00:13:26,080 Speaker 1: bumping his music, but there are joints in his last project, 250 00:13:27,720 --> 00:13:28,479 Speaker 1: Got bumping. 251 00:13:28,280 --> 00:13:34,839 Speaker 2: With music man, Bro Bro like, I fuck with you. 252 00:13:35,200 --> 00:13:37,720 Speaker 2: I can't say like I like him, but I funk 253 00:13:37,800 --> 00:13:38,079 Speaker 2: with him. 254 00:13:38,120 --> 00:13:38,720 Speaker 3: You know what I'm saying. 255 00:13:39,400 --> 00:13:41,439 Speaker 1: We just played a couple of joints live and like 256 00:13:41,520 --> 00:13:44,320 Speaker 1: off his last project. I like local, I like I'm 257 00:13:44,400 --> 00:13:48,000 Speaker 1: yea bro like brain bumping the whip dog like it 258 00:13:48,200 --> 00:13:51,760 Speaker 1: just it just does dog so yea. 259 00:13:51,800 --> 00:13:54,760 Speaker 5: Man, I'm going one as an eighties baby elder millennial 260 00:13:55,080 --> 00:13:57,400 Speaker 5: and I exclusively only listen to US hip hop. But 261 00:13:57,480 --> 00:14:01,319 Speaker 5: it's one cat from overseas. I fuck with Centralcity. I'm 262 00:14:01,320 --> 00:14:05,040 Speaker 5: not even gonna lie good. I think he I think 263 00:14:05,080 --> 00:14:08,439 Speaker 5: he's nice and like using an accent. It's kind of 264 00:14:08,440 --> 00:14:10,240 Speaker 5: like a fresh listen because he says the same words 265 00:14:10,280 --> 00:14:13,160 Speaker 5: we do, but he says he sounds them phonetically different, 266 00:14:13,200 --> 00:14:15,319 Speaker 5: so he's able to rhyme them with other things, and 267 00:14:15,400 --> 00:14:16,880 Speaker 5: so it kind of gives a fresh and what I 268 00:14:16,920 --> 00:14:18,800 Speaker 5: think he's about to say, he says something different because 269 00:14:18,800 --> 00:14:19,720 Speaker 5: of the way he pronounces it. 270 00:14:20,200 --> 00:14:22,000 Speaker 2: So I love rock rock. 271 00:14:22,040 --> 00:14:24,120 Speaker 5: With the album Heavy, I can't rush greatness, I walked 272 00:14:24,200 --> 00:14:26,840 Speaker 5: the theme of it. I'm surprised that I'm a fan 273 00:14:26,920 --> 00:14:28,720 Speaker 5: of his, like I am his ship fire because. 274 00:14:28,480 --> 00:14:31,280 Speaker 7: I can't do UK ship. I see them live. He 275 00:14:31,560 --> 00:14:35,080 Speaker 7: actually performed live, like like, got a good live performance too. 276 00:14:35,240 --> 00:14:38,640 Speaker 7: He reminds me of like like pop smoke, that whole 277 00:14:38,760 --> 00:14:42,040 Speaker 7: that sound got you or whatever. But he's UK right, 278 00:14:42,200 --> 00:14:44,080 Speaker 7: But I feel you though, like he does have a 279 00:14:44,280 --> 00:14:48,480 Speaker 7: have a have a cool, cool sound, like that freestyle 280 00:14:48,600 --> 00:14:50,680 Speaker 7: on Power one on five when he did this slang. 281 00:14:51,000 --> 00:14:52,480 Speaker 3: Okay, I will say. 282 00:14:52,600 --> 00:14:56,440 Speaker 4: On one of the last live people accused me of 283 00:14:57,080 --> 00:14:59,440 Speaker 4: messing with Yeeked and I was like, I don't know 284 00:14:59,520 --> 00:15:02,160 Speaker 4: if I'm even though this album was in my top ten, 285 00:15:02,800 --> 00:15:06,320 Speaker 4: but I do mess with it has been confirmed now 286 00:15:06,400 --> 00:15:08,600 Speaker 4: that I do mess with you. That's not That's not 287 00:15:08,760 --> 00:15:11,080 Speaker 4: my answer, but I just wanted to at least go 288 00:15:11,160 --> 00:15:12,560 Speaker 4: on record just to kind of let people know. 289 00:15:13,400 --> 00:15:18,480 Speaker 3: But the one man you got and I don't know why, 290 00:15:21,640 --> 00:15:22,880 Speaker 3: but sexy red bro. 291 00:15:32,760 --> 00:15:36,000 Speaker 2: I knew you. He got joy. 292 00:15:39,560 --> 00:15:40,000 Speaker 3: Carefree. 293 00:15:41,440 --> 00:15:44,000 Speaker 7: She real and we am not saying she's gainst the 294 00:15:44,040 --> 00:15:46,840 Speaker 7: boot all I'm saying, is that gangst the boots against 295 00:15:46,840 --> 00:15:49,480 Speaker 7: the boo, like that you knew that was her. It's 296 00:15:49,600 --> 00:15:52,720 Speaker 7: kind of like sexy Red. She is authentically her and 297 00:15:52,840 --> 00:15:53,840 Speaker 7: you gotta respect it, you. 298 00:15:53,880 --> 00:15:54,360 Speaker 3: Know what I'm saying. 299 00:15:55,480 --> 00:15:59,600 Speaker 2: She can't wrap to say the light but the joint 300 00:15:59,600 --> 00:16:03,840 Speaker 2: I put them chat listening, she's back then. 301 00:16:05,360 --> 00:16:12,640 Speaker 3: Back about to me. Yea red bro, Yeah, female Gucci. 302 00:16:14,400 --> 00:16:17,120 Speaker 3: That's that's that's really good, bro, that's really good. 303 00:16:17,600 --> 00:16:19,920 Speaker 2: Longevity is yeah, that's a good that's question. 304 00:16:20,480 --> 00:16:22,200 Speaker 3: You want to give your honamental or you want to. 305 00:16:22,440 --> 00:16:23,640 Speaker 2: I don't even know if I want to. 306 00:16:24,200 --> 00:16:26,160 Speaker 3: We can go to the desk water. I could put 307 00:16:26,160 --> 00:16:29,080 Speaker 3: it out there just like the chat know this person. 308 00:16:29,320 --> 00:16:32,320 Speaker 7: But it's like when these new these new rappers, like 309 00:16:32,600 --> 00:16:35,120 Speaker 7: but this ship, this ship be hitting man. Like her 310 00:16:35,200 --> 00:16:39,560 Speaker 7: name is Monague. Yeah, she had a song called like 311 00:16:39,760 --> 00:16:43,200 Speaker 7: Ranchero and some other ship. It's like this new kid 312 00:16:43,520 --> 00:16:45,360 Speaker 7: like I don't want to say she's a kid, but 313 00:16:45,440 --> 00:16:48,160 Speaker 7: they got this trap sound. It's kind of like boss 314 00:16:48,320 --> 00:16:49,520 Speaker 7: man dialo ish or whatever. 315 00:16:49,680 --> 00:16:50,240 Speaker 3: She using. 316 00:16:50,480 --> 00:16:53,200 Speaker 2: Man, she's hard bro like like she actually. 317 00:16:59,080 --> 00:17:01,960 Speaker 4: My text didn't need a past. My niggas pull up 318 00:17:02,000 --> 00:17:03,800 Speaker 4: in hood smelling like creep they move. 319 00:17:03,840 --> 00:17:09,040 Speaker 2: Just like, Okay, I didn't even realize that. Oh ship, yeah, 320 00:17:09,160 --> 00:17:15,159 Speaker 2: dog bro, she's super like for real, like yeah you might, 321 00:17:17,080 --> 00:17:17,280 Speaker 2: you might. 322 00:17:17,800 --> 00:17:19,280 Speaker 7: I just wanted to throw it out there to see 323 00:17:19,560 --> 00:17:21,960 Speaker 7: anybody else. But now she actually I guess she she 324 00:17:22,440 --> 00:17:25,959 Speaker 7: people know about her, like because the numbers up on her. 325 00:17:26,119 --> 00:17:28,560 Speaker 1: I was just like, damn, I got another one can 326 00:17:28,640 --> 00:17:32,879 Speaker 1: and we reviewed her on D three sixty five and 327 00:17:33,160 --> 00:17:35,920 Speaker 1: it was just random. I liked the album cover and 328 00:17:36,040 --> 00:17:38,760 Speaker 1: I thought the name was interesting. But her name is 329 00:17:38,840 --> 00:17:44,960 Speaker 1: Ken the Man. Oh yeah, yeah, that's she's the same 330 00:17:45,000 --> 00:17:45,520 Speaker 1: type of rapper. 331 00:17:45,560 --> 00:17:47,600 Speaker 7: I think I like her more than Ken the Man. 332 00:17:47,840 --> 00:17:49,600 Speaker 7: I thought that was a dude this whole time. Me too, 333 00:17:49,640 --> 00:17:52,840 Speaker 7: but no trying to nail him. Yeah yeah, no, it's chick. 334 00:17:53,160 --> 00:17:55,840 Speaker 2: When I listened to it, I was like, I think 335 00:17:55,920 --> 00:17:56,440 Speaker 2: I liked it. 336 00:17:58,119 --> 00:18:00,440 Speaker 1: What like, let me play it around the wife, you 337 00:18:00,480 --> 00:18:02,680 Speaker 1: know what I'm saying, to see what The first time 338 00:18:02,680 --> 00:18:04,840 Speaker 1: I played I turned this office too, Rochi, this, that, 339 00:18:04,920 --> 00:18:05,280 Speaker 1: and the third. 340 00:18:05,359 --> 00:18:07,240 Speaker 2: But then I played it again when we was in 341 00:18:07,280 --> 00:18:08,679 Speaker 2: the car, She's like, who that because she. 342 00:18:08,800 --> 00:18:12,440 Speaker 7: Loved Lorilla, So yeahs in the same exactly same, So 343 00:18:13,119 --> 00:18:14,160 Speaker 7: in a different vibe. 344 00:18:14,200 --> 00:18:17,399 Speaker 2: She was like who this. I like this, it happened, 345 00:18:18,400 --> 00:18:21,800 Speaker 2: but yeah talking that to Yeah, if y'all like her, 346 00:18:21,960 --> 00:18:24,360 Speaker 2: y'all like Mona Lisa, Okay, but I mean Mono Leo. 347 00:18:24,720 --> 00:18:25,840 Speaker 3: I did have an honorable mention too. 348 00:18:25,880 --> 00:18:27,240 Speaker 5: Even though he's no longer with it, he's still a 349 00:18:27,320 --> 00:18:31,280 Speaker 5: young boy and I really really messed with xtentation. 350 00:18:32,040 --> 00:18:32,480 Speaker 3: Musically. 351 00:18:32,920 --> 00:18:36,120 Speaker 5: I thought he was doing things that nobody in hip hop. 352 00:18:37,080 --> 00:18:38,760 Speaker 5: It was kind of mixing, like the alternative of like 353 00:18:38,920 --> 00:18:40,280 Speaker 5: nineties that I kind of grew up on. 354 00:18:40,480 --> 00:18:42,000 Speaker 3: I'm shocked by that answer. 355 00:18:44,600 --> 00:18:49,120 Speaker 2: I thought he was like his way he was, Yeah, 356 00:18:49,119 --> 00:18:50,480 Speaker 2: I mean he was super popular. 357 00:18:50,960 --> 00:18:52,720 Speaker 3: But when Drake still your ship? 358 00:18:52,800 --> 00:18:52,879 Speaker 4: Bro? 359 00:18:53,040 --> 00:18:54,720 Speaker 3: Yeah, I mean you on the way? Yeah, facts, I 360 00:18:54,800 --> 00:18:57,880 Speaker 3: mean you are mixing all right, man, I'm this the one. 361 00:18:57,920 --> 00:19:01,240 Speaker 4: I'm curious to hear this from out of the Nandez 362 00:19:01,320 --> 00:19:05,240 Speaker 4: who are the most overrated rappers of the nineties. 363 00:19:06,480 --> 00:19:08,640 Speaker 3: First one, I'm gonna say, too short. 364 00:19:11,720 --> 00:19:14,440 Speaker 7: Hot, Hey, the wholeness is scorching. 365 00:19:15,040 --> 00:19:19,280 Speaker 2: It's your hair getting it as that ship though, Yes, 366 00:19:19,480 --> 00:19:20,520 Speaker 2: this is that ship album. 367 00:19:21,080 --> 00:19:21,199 Speaker 7: Bro. 368 00:19:22,000 --> 00:19:25,840 Speaker 2: He's had moments, but I think he's a little overrated. 369 00:19:25,920 --> 00:19:32,440 Speaker 2: Bro going the word bitch, that's my favorite word. 370 00:19:33,320 --> 00:19:37,240 Speaker 3: Lord of Whistle like man over. 371 00:19:38,760 --> 00:19:42,080 Speaker 2: Too short, but you know, overrated Okay, I mean I've 372 00:19:42,119 --> 00:19:46,639 Speaker 2: said it before. Man like Mace. I've never been a 373 00:19:46,720 --> 00:19:48,080 Speaker 2: Mace wow. 374 00:19:48,520 --> 00:19:48,680 Speaker 4: Never. 375 00:19:49,800 --> 00:19:55,359 Speaker 2: I feel like you're super overrated, super over But was. 376 00:19:55,359 --> 00:19:56,600 Speaker 7: He really the nineties? 377 00:19:57,119 --> 00:19:57,359 Speaker 3: Yeah? 378 00:19:57,800 --> 00:20:02,760 Speaker 4: Absolutely, yeah, absolutely, murder Mace was was better than that 379 00:20:02,960 --> 00:20:03,560 Speaker 4: version of Mas. 380 00:20:03,600 --> 00:20:05,600 Speaker 3: That's the who's the murder mad? 381 00:20:05,680 --> 00:20:12,080 Speaker 2: That's that's like when he has a life, he says 382 00:20:12,640 --> 00:20:13,240 Speaker 2: I was murdered. 383 00:20:13,280 --> 00:20:15,880 Speaker 3: He did? He made me pretty? Isn't for the money? 384 00:20:15,960 --> 00:20:16,040 Speaker 6: Now? 385 00:20:16,119 --> 00:20:19,280 Speaker 2: Can you get with me? Like people is all on 386 00:20:19,320 --> 00:20:19,680 Speaker 2: that ship. 387 00:20:19,720 --> 00:20:21,080 Speaker 3: I was like, I'm good. 388 00:20:24,119 --> 00:20:25,680 Speaker 5: Double he got he got one of the worst follow 389 00:20:25,720 --> 00:20:30,720 Speaker 5: about man bro double ever bro Oh my god, overrated. 390 00:20:30,840 --> 00:20:38,320 Speaker 5: I got a group, oh man mob deep brock them up. 391 00:20:42,160 --> 00:20:45,320 Speaker 2: Somebody getting fire had a heart attack. It's good that 392 00:20:45,440 --> 00:20:46,960 Speaker 2: you're not here, Broy. 393 00:20:47,320 --> 00:20:48,000 Speaker 3: I can't believe. 394 00:20:50,040 --> 00:20:50,440 Speaker 2: I can't. 395 00:20:50,520 --> 00:20:50,760 Speaker 3: I'm not. 396 00:20:51,800 --> 00:20:54,399 Speaker 5: I'm not gonna say that they're crash because I actually 397 00:20:54,480 --> 00:20:58,160 Speaker 5: do like Prodigy, but as a group they get way 398 00:20:58,440 --> 00:21:04,320 Speaker 5: too much proper. He give me Habits rating and give 399 00:21:04,400 --> 00:21:07,560 Speaker 5: me Prodigy, give me Prodigy spin, but don't give me 400 00:21:08,040 --> 00:21:08,560 Speaker 5: the whole thing. 401 00:21:09,320 --> 00:21:09,879 Speaker 3: I don't even know. 402 00:21:10,200 --> 00:21:12,399 Speaker 5: Somebody would have to tell me the Havoc bar on 403 00:21:12,520 --> 00:21:14,200 Speaker 5: the song to go to the Havoc will spin because 404 00:21:14,200 --> 00:21:15,720 Speaker 5: I've never heard of fire Habit burst. 405 00:21:18,040 --> 00:21:21,160 Speaker 2: He got the beat though, he got the best, though 406 00:21:22,920 --> 00:21:24,159 Speaker 2: he ain't saying nothing. 407 00:21:24,280 --> 00:21:26,240 Speaker 3: Mob deepest over rated. 408 00:21:26,400 --> 00:21:28,360 Speaker 5: They get so much gas because they're in New York 409 00:21:28,920 --> 00:21:31,639 Speaker 5: and that's the medium mecca. That's how they get pumped 410 00:21:31,680 --> 00:21:33,600 Speaker 5: out and they get put on lists higher than other 411 00:21:33,600 --> 00:21:35,600 Speaker 5: people that they shouldn't be over man. 412 00:21:35,480 --> 00:21:36,120 Speaker 3: They got. 413 00:21:40,720 --> 00:21:43,400 Speaker 2: I think he would be definitely have swung on anybody. 414 00:21:44,119 --> 00:21:47,600 Speaker 7: I think you would have walked. He actually would have 415 00:21:47,640 --> 00:21:50,199 Speaker 7: swung on. We would have sawt the Detroit come out 416 00:21:50,240 --> 00:22:01,400 Speaker 7: of guys Man Records. That the essence of hip hop. 417 00:22:01,520 --> 00:22:01,680 Speaker 3: Like you. 418 00:22:01,880 --> 00:22:05,040 Speaker 2: They played the song and it's like, that's fucking. 419 00:22:04,840 --> 00:22:07,520 Speaker 5: Hip hop they do. They got about two or three joints. 420 00:22:11,240 --> 00:22:15,639 Speaker 5: Wire Storm is fire, Oh Storm is fired? 421 00:22:16,240 --> 00:22:16,359 Speaker 2: Man. 422 00:22:16,400 --> 00:22:18,000 Speaker 5: We played it in the tunnel when the tunnel with 423 00:22:18,200 --> 00:22:22,560 Speaker 5: all that mythology. Everybody in New York be boosting up. Bro, 424 00:22:24,200 --> 00:22:26,920 Speaker 5: No timberlings, do you but I was born in New York. 425 00:22:27,240 --> 00:22:31,240 Speaker 5: Oh that's worse. So I just go ahead, go ahead, 426 00:22:31,680 --> 00:22:33,280 Speaker 5: b They're about to shut. 427 00:22:33,160 --> 00:22:34,040 Speaker 2: This ship down, man. 428 00:22:34,560 --> 00:22:39,920 Speaker 4: So my overrated rapper started in the late nineties with 429 00:22:40,119 --> 00:22:49,920 Speaker 4: DJ Clue. What's he don't say fabulous sport bell is overrated? 430 00:22:50,040 --> 00:22:51,560 Speaker 3: Bro, I don't. 431 00:22:52,880 --> 00:22:58,960 Speaker 4: He just because he knows how to spell his name? No, bro, cold, 432 00:22:59,400 --> 00:23:04,440 Speaker 4: that's what they're everybody's tape. That's that's that's what say. 433 00:23:04,560 --> 00:23:05,280 Speaker 3: Mixtape table. 434 00:23:05,440 --> 00:23:08,399 Speaker 2: Yes, if it was just the albums, I would be 435 00:23:08,520 --> 00:23:09,159 Speaker 2: right there with you. 436 00:23:09,480 --> 00:23:13,960 Speaker 3: But the soul tapes are hard bro, all of them. Yeah, fine, 437 00:23:14,720 --> 00:23:17,879 Speaker 3: they fine, but fav bro people and that's all. 438 00:23:18,040 --> 00:23:19,920 Speaker 4: Like people talk about this dude like he is a 439 00:23:20,000 --> 00:23:20,600 Speaker 4: wrap god. 440 00:23:21,080 --> 00:23:21,199 Speaker 2: Bro. 441 00:23:21,320 --> 00:23:22,560 Speaker 3: People love family. 442 00:23:22,680 --> 00:23:26,320 Speaker 2: He doesn't have the albums to match that hype. He 443 00:23:26,560 --> 00:23:28,120 Speaker 2: cold though cold? 444 00:23:28,400 --> 00:23:32,440 Speaker 3: Yeah, okay, all right, I'll say so that's that's that's 445 00:23:32,520 --> 00:23:33,359 Speaker 3: the one. I got. 446 00:23:35,040 --> 00:23:36,200 Speaker 2: Tablers though I didn't. 447 00:23:36,240 --> 00:23:41,399 Speaker 3: I have one of the one albums good good. 448 00:23:41,600 --> 00:23:43,840 Speaker 4: The one was super Thug on whatever, not super Thug 449 00:23:43,880 --> 00:23:48,400 Speaker 4: but super super with little More on Yeah, super Woman, yeah, Superwoman. 450 00:23:48,640 --> 00:23:50,600 Speaker 3: Yeah. I bought that album, but nah, just. 451 00:23:50,680 --> 00:23:54,640 Speaker 2: That it was good and the tapes and that saves 452 00:23:54,920 --> 00:23:58,320 Speaker 2: And he gotta he got a DJ drama. There's no competition. 453 00:24:03,240 --> 00:24:07,720 Speaker 3: Or he's no competition for them. You got another one? 454 00:24:08,160 --> 00:24:13,280 Speaker 5: Oh, absolutely, absolutely very quick. The Dungeon Dragon Bust, the rhymes. 455 00:24:13,359 --> 00:24:17,320 Speaker 5: Oh man, get him out of here. But his later 456 00:24:17,480 --> 00:24:18,840 Speaker 5: career really fucked him up. 457 00:24:19,080 --> 00:24:19,760 Speaker 3: It doesn't matter. 458 00:24:21,119 --> 00:24:23,800 Speaker 2: He wasn't overrated in the nine, he wasn't overrated. 459 00:24:24,840 --> 00:24:30,440 Speaker 3: The coming up, the one after that, the one with 460 00:24:30,560 --> 00:24:31,399 Speaker 3: the the. 461 00:24:32,920 --> 00:24:38,560 Speaker 5: Music video, Yeah not roll we talssing that what frisbee 462 00:24:38,600 --> 00:24:38,760 Speaker 5: and that. 463 00:24:39,680 --> 00:24:40,680 Speaker 3: I could never get it. 464 00:24:40,800 --> 00:24:43,760 Speaker 5: I've tried my ass off to listen to bus of 465 00:24:43,840 --> 00:24:46,520 Speaker 5: Rhymes thoroughly. I cannot get into it. I can't put 466 00:24:46,560 --> 00:24:48,520 Speaker 5: him into a category. I don't really know much about 467 00:24:48,600 --> 00:24:50,919 Speaker 5: him through the music. I can never get into him 468 00:24:51,680 --> 00:24:54,359 Speaker 5: like I just and then every time, like. 469 00:24:54,600 --> 00:25:01,560 Speaker 2: You're pronouncing sounds that ship is not skimful, that is not. 470 00:25:01,640 --> 00:25:04,560 Speaker 3: I don't want to know what else on that list. 471 00:25:04,760 --> 00:25:10,159 Speaker 4: You got another ride because I mean them, I mean. 472 00:25:10,840 --> 00:25:13,720 Speaker 7: Diddy, Diddy did he And I said it on the 473 00:25:13,800 --> 00:25:16,680 Speaker 7: levels of wrap like Diddy was overrated to me. I 474 00:25:16,760 --> 00:25:19,160 Speaker 7: think I think he could make hit songs and all 475 00:25:19,200 --> 00:25:21,560 Speaker 7: that ship. But the same way I didn't like Mace, 476 00:25:21,640 --> 00:25:27,879 Speaker 7: I also did not like Diddy. So yeah, no, I was, 477 00:25:28,160 --> 00:25:32,760 Speaker 7: I was, I was. Yeah, I got the joints on that. 478 00:25:32,840 --> 00:25:39,080 Speaker 2: But yeah, that's not because of Diddy, though probably not. 479 00:25:40,440 --> 00:25:43,280 Speaker 1: It was because of so one of them that I 480 00:25:43,359 --> 00:25:46,119 Speaker 1: have on the list. I'm gonna stay to the West 481 00:25:46,520 --> 00:25:47,200 Speaker 1: Ice team. 482 00:25:49,440 --> 00:25:50,200 Speaker 2: Give me colors. 483 00:25:50,400 --> 00:25:51,239 Speaker 3: I'm not big on icy. 484 00:25:51,760 --> 00:25:53,840 Speaker 7: Give me colors in the morning. Give me color, Give 485 00:25:53,880 --> 00:26:04,760 Speaker 7: me six. That's Nigga's no Ice team for being a 486 00:26:04,920 --> 00:26:06,399 Speaker 7: cop more than his music. 487 00:26:06,480 --> 00:26:09,399 Speaker 3: That that's not true. That is true, that. 488 00:26:10,880 --> 00:26:16,480 Speaker 2: I never around round. That's my faulty. 489 00:26:17,720 --> 00:26:22,159 Speaker 7: I got Jamaine du Prix, I got too short, and 490 00:26:22,320 --> 00:26:23,960 Speaker 7: I got Doctor D as a rapper. 491 00:26:24,520 --> 00:26:28,600 Speaker 3: Let's go. Who do you guys think is overcome to 492 00:26:28,640 --> 00:26:32,320 Speaker 3: Atlanta world? Every time you get. 493 00:26:36,040 --> 00:26:39,040 Speaker 7: Now but that Nigga said, my deep though, that's the 494 00:26:39,160 --> 00:26:42,479 Speaker 7: hottest joint. That's the hottest joint today. 495 00:26:42,640 --> 00:26:46,560 Speaker 5: Leader Leader go to having bar on the comments, y'all, anybody, 496 00:26:46,920 --> 00:26:47,440 Speaker 5: anybody