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Speaker 1: Hey, appreciate everybody.

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Speaker 2: You already know what it is, man, It's a live

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Speaker 2: on a Wednesday with Dead and hip hop, but it's

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Speaker 2: a little bit different, you know what I'm saying. We

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Speaker 2: are doing the listening and if you follow our social

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Speaker 2: media you would have known that we've done that.

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Speaker 1: We're going to do Bruiserwolf. It's a little bit about Bruisewolf.

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Speaker 2: He is part of Danny Brown's collective and label Bruis

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Speaker 2: of Brigade, which includes Brown Chips, Dopeet, Triple Black, z Loopers,

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Speaker 2: Just Fat Ray, along with in house producer Skywalker and Raffie,

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Speaker 2: amongst others. He released his debut album, Dope Game Stupid

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Speaker 2: on Mars twenty nine, twenty one. The album was produced

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Speaker 2: primarily by Bruis of Brigade in house producer Raffi an

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Speaker 2: additional production credits to give it to dream Beach. He

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Speaker 2: was featured on a verse on the song yp from

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Speaker 2: Danny Brown on twenty twenty three Coronta, which we did

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Speaker 2: the reviews. If you haven't watched that, go back and look.

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Speaker 1: Man.

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Speaker 2: He is relatively new to the game, but it's Detroit

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Speaker 2: versus everybody man. No other than Rouge Wolf himself, man,

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Speaker 2: God Man Detroit versus everybody.

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Speaker 3: It's always hey, histories, you got stories, man, his stories

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Speaker 3: got stories.

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Speaker 4: Bro, he told y'all, he's told you all.

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Speaker 1: Motherfuckers.

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Speaker 2: Man got you Detroit catches is Detroit everybody, which I

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Speaker 2: love you know.

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Speaker 5: Yeah, you know, Lady be kept us on program for years.

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Speaker 1: First matter, BZ, you gave me a.

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Speaker 6: B on one of the motherfuckers.

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Speaker 3: Dope baby, you know man, whatever I ever had, Man.

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Speaker 6: For real, I appreciate your boys.

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Speaker 1: No, man, appreciate you. Look, I want to I want

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Speaker 1: to say this.

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Speaker 2: I want to say what made you go with the

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Speaker 2: style that you have and when did you feel that

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Speaker 2: you've perfected it or do you feel that you're still

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Speaker 2: in the process of perfecting your style.

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Speaker 7: This style really happened because I had a block I

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Speaker 7: was doing and I was bullshitting on the block in

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Speaker 7: the studio time, but I had got sick, kind of

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Speaker 7: like my throat was sore and shit, and it was

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Speaker 7: certain reflections I couldn't hit in the studio, So I

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Speaker 7: was rapping like that just bullshit, and I kind of

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Speaker 7: listened to the song it was kind of dope, you

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Speaker 7: know what I'm saying, But that was shit, like twoenty

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Speaker 7: and fifteen shit. Honestly, I perfected it once I got

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Speaker 7: with Danny, and I perfected it like a room right

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Speaker 7: before Dope Game Stupid when I did a song called

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Speaker 7: dog Food like and I really kind of perfected it

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Speaker 7: before then. But I'm talking about like performing. Yeah, I

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Speaker 7: ain't on stage, y'all fucking high pitch and.

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Speaker 6: It's me, It's naturally me, you know.

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Speaker 7: That's when I feel like I perfected it, Like the

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Speaker 7: expressions and you know it's predab player ship, I'm angry.

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Speaker 3: Have.

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Speaker 6: Fun.

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Speaker 7: You know, I can go anyway with that voice. So

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Speaker 7: I just had to chill and just.

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Speaker 6: Be me with it. You know.

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Speaker 2: Personally, I didn't say this in the review, but but

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Speaker 2: I feel like on this particular project right which is

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Speaker 2: I didn't I didn't hear the one that you released

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Speaker 2: earlier in the year.

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Speaker 1: This is the one I heard this year.

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Speaker 4: I was telling you, Yeah, I was telling him.

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Speaker 1: He was telling me, So I'm gonna go back and listen.

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Speaker 1: I'm gonna go back and listen.

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Speaker 2: However, I feel personally right like, as a person that

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Speaker 2: listens to a lot of music, the difference in this

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Speaker 2: for you versus everything else that I've heard from you

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Speaker 2: is the depth of lyricism was way deeper here, bro,

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Speaker 2: Like the tip the double and triple on Tandra is

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Speaker 2: the way that you kept ski he was going throughout

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Speaker 2: the verse like it was just like yo, like what

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Speaker 2: like what is happening here? You know what I'm saying? Like,

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Speaker 2: like the lyricism was was so immense that it was

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Speaker 2: just like it no matter how you're doing it, what

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Speaker 2: you're doing not everybody can do. And that that that's

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Speaker 2: what I was like, Okay, yeah, no, this album this

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Speaker 2: ship is because you know, I was sitting down thinking

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Speaker 2: about the the.

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Speaker 1: The grades and I'm like, ship, Like, can I tell

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Speaker 1: this thing about.

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Speaker 2: Like he's on his ship, He's on his Preacher man ship,

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Speaker 2: He's on his Triple O G ship. It was like,

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Speaker 2: I feel like there was no checkbox that that you've

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Speaker 2: missed with this last project. And I do think that

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Speaker 2: being with one producer with Harry Frog giving you that

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Speaker 2: that feel throughout too, man was just amazing, amazing, Like

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Speaker 2: I really do think that this is one of the

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Speaker 2: best put together pieces of work topped the bottom all

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Speaker 2: year that I've heard.

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Speaker 6: You know, I I was watching y'all and I was

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Speaker 6: like I think it was.

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Speaker 7: Can't say, you know, I don't know if people get

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Speaker 7: tired of it to get better, but we know. And

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Speaker 7: this one thing I respect about your y'all older, so

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Speaker 7: we seemed a lot of shit, you know. So what

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Speaker 7: I want to say is we all know repetition we

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Speaker 7: get better, like y'all.

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Speaker 6: First episode wasn't fucking with y'all. Last episode, I don't know,

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Speaker 6: you know. So You're right. I take pride on it,

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Speaker 6: and I'm kind of humble, like I want to.

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Speaker 7: I don't think I'm near until I've had Grammys or

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Speaker 7: mainstream hits or whatever the goals is. I don't want to,

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Speaker 7: you know, I want to be the fucking best bro.

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Speaker 7: So I feel like my repetition is going to always

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Speaker 7: get better. And maybe that's what you're hearing. Like when

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Speaker 7: I did Dog Game Stupid, I felt like I was

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Speaker 7: made by dope. Uh. You know, I'm just trying to

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Speaker 7: give you bar for bar and intelligent and make it,

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Speaker 7: you know.

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Speaker 6: Like it's really from the streets.

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Speaker 7: It's really street slang and ship man, uh, and just

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Speaker 7: do it better than I can last time, you know

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Speaker 7: what I'm saying, and not last time. Just it's just

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Speaker 7: getting better, bro, Like you know, it's really like the wordplayer.

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Speaker 7: I can't say shit I said before, I can't play

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Speaker 7: on I can't keep playing on White Girl, you know

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Speaker 7: I can't. Uh So I get off until I heard

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Speaker 7: you say this nigga gave us some lifetime gyms and

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Speaker 7: shit like, Yeah, I want to wrap about my struggles.

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Speaker 6: It ain't perfect, you know what I'm saying. Right A

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Speaker 6: month of my I need that bag.

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Speaker 7: This is the when we all went through that ship

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Speaker 7: steps and ship, so it only can get better, you know.

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Speaker 6: And then you know, even when I do.

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Speaker 7: Get get the bag like I want it, ship, I'm

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Speaker 7: gonna have to rap about how I'm gonna keep that motherfucker.

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Speaker 6: Niggas we run into some niggas. You know.

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Speaker 7: I'm just saying, like, it's life learning ship, and I'm

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Speaker 7: glad I can connect with y'all.

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Speaker 6: I really felt that review, bro, for real?

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Speaker 4: What made you, you know, listen to your debut album.

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Speaker 3: I was usually I'm kind of up on the Trip Producers,

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Speaker 3: but I was definitely new to RAFFI. So when I

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Speaker 3: heard him and you and him together like in the end, Yeah,

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Speaker 3: and I think he did some joint with knowledge as

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Speaker 3: well on on that on that debut album. But yeah, man,

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Speaker 3: I was like bro, I thought I was up on

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Speaker 3: all of the producers. But yeah, Raffie, he he gave

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Speaker 3: you some ship like that was dope to hear.

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Speaker 7: Danny had them that Nigga had somewhere and uh and

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Speaker 7: he really he did all that he did. Every song

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Speaker 7: except for Mama was a dophint. That was knowledge. And

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Speaker 7: that's my partner. He right here right now. Nigga terrible

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Speaker 7: to rolling the blunts he makes him eat, but a mystique.

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Speaker 7: He he, he stayed low.

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Speaker 6: He do a lot.

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Speaker 7: They do so much for the bruiser and stuff. And

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Speaker 7: he got his own unique sound, you know. And uh

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Speaker 7: you know actually him and Harry working on something, were

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Speaker 7: working on something together.

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Speaker 3: So okay, okay, how you link up with a Fat

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Speaker 3: Ray and Danny Brown like that?

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Speaker 4: It was that just a relationship you already had before

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Speaker 4: music or it was just.

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Speaker 8: Uh no, I ran to to fab Ray Fat Ray.

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Speaker 8: We always do future respect Ray Spinner. So we was

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Speaker 8: at a showcase and me and Ray was rocking that bitch.

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Speaker 8: So Ray was rocking that bitch, sweaty his hell, I

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Speaker 8: was rocking that bitch. Sweaty as hell with about thirty

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Speaker 8: people in the crop.

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Speaker 7: And he like, man, He's like, we need to link

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Speaker 7: up and go to the studio, you know, come to

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Speaker 7: the studio. And I got to the studio. It was

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Speaker 7: Bruiser Brigade, Bruiser House Studio, and we do a song

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Speaker 7: called Old Faithful uh. And then Danny heard it like

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Speaker 7: who the fuck is dude? Like, you know, Rady tripping,

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Speaker 7: Like who the fuck? So we we bring it right back.

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Speaker 7: I do dog food and you know it's up from there.

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Speaker 7: We're doing Bruiser Thanksgiving and we just created a relationship.

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Speaker 7: And then it was COVID and Danny wasn't then he was,

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Speaker 7: you know, chilling, so Genes he is. He like, let's work.

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Speaker 7: We got a whole studio. We had a baby mansion

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Speaker 7: over here, so we all just cutting records, bro, and

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Speaker 7: we got dope game, stupid TV sixty two. You know,

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Speaker 7: we have Santa Barbara, We got God Go Jay uh.

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Speaker 7: You know, we got kids com Mind of God. But

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Speaker 7: you know, we just.

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Speaker 6: Going, man.

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Speaker 7: You know, we're still doing our thing and ship, you know,

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Speaker 7: and Rafie is still cooking up. We just dropped some

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Speaker 7: ship with j Us Treasures and ship. I'm on there,

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Speaker 7: Danny on there. You know, we're working, man, and we're

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Speaker 7: trying to build it bigger. But we're doing our thing.

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Speaker 7: We all grown, man, it's a collective. We all homies,

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Speaker 7: you know, yeah yeah, but it's growing from there, man,

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Speaker 7: cruiser for life.

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Speaker 2: So look before before we get into the first all,

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Speaker 2: I got another question in regards to your musical affiliations

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Speaker 2: because I feel like you, before I peeped you as

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Speaker 2: an individual artist, you were featured on a lot of

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Speaker 2: people I fucked with heavy, So like, how how did

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Speaker 2: those situations come about?

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Speaker 1: Right? Because like you've been on you know, a.

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Speaker 2: Wave of Griselda Ship, you've been work with you know,

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Speaker 2: like like just a whole bunch of dope boldie, Like,

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Speaker 2: how did those relationships come about?

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Speaker 7: Shout out to the people I'm working with their next records,

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Speaker 7: John my Man. John made a lot of stuff happen

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Speaker 7: for Benny. But really, man, honestly, Harry Fraud. You know

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Speaker 7: what I'm saying, Harry Fraud. I have a song I'm

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Speaker 7: doing and somebody hear me here, get the feature from me.

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Speaker 7: You know, Harry is special, man, Like you know, not

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Speaker 7: saying this and shit because we you know, it's my

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Speaker 7: first time working with the success, but I really watch

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Speaker 7: what he do and not to you know, put nothing

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Speaker 7: on other producers.

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Speaker 6: It's just what it is. You know.

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Speaker 7: Uh, Harry put ship together. He make puzzles happen. He

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Speaker 7: figures it out, bro Like. I could be rapping on

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Speaker 7: some ship and now that I don't go with that.

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Speaker 7: He had put a whole another beat on it, or

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Speaker 7: take some verses that I had take three bars from

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Speaker 7: one pit it here because I'm going better.

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Speaker 6: He just do it. He really the you know what

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Speaker 6: I'm saying, really do a lot.

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Speaker 7: Uh you know exactly what Pocketing picture and like Boss

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Speaker 7: Up and Heartbroke wasn't he was done. I went to

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Speaker 7: New York to do on the radar in Chinatown sound

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Speaker 7: bro like, and I'm like, fuck it, We're in the

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Speaker 7: studio for five I do five new songs or whatever.

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Speaker 7: I was so I felt so good, man, his chemistry

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Speaker 7: is so good. When I get to the studio, bro

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Speaker 7: the liquor, the food, chilling with getting it in and

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Speaker 7: I just felt so good doing a Billy Wood show. Yeah,

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Speaker 7: he was. He was there. The Heartbroken, Boss Up and

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Speaker 7: that Ship made the album. It was a week before

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Speaker 7: the album you feel Me Up.

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Speaker 1: I felt like y'all didn't hear me when I said

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Speaker 1: that on the review.

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Speaker 4: It was very low key with it though. Man, you

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Speaker 4: like Snook and Steady. You you didn't say it with

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Speaker 4: your chance.

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Speaker 6: Can you know what I'm saying? That boss up, my

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Speaker 6: boss up, like you know bro from Detroit.

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Speaker 7: When any say that boss up shit like get the

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Speaker 7: materializing shit right?

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Speaker 4: Yeah? Yeah for me, man.

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Speaker 7: Right now, boss up is from the spirit, like praying

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Speaker 7: and standing on it, being a father or getting out.

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Speaker 6: The mother really struggling, like you really gotta make it happen.

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Speaker 7: You can't, fucking man, being broken an optional, nigga, that's optional?

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Speaker 6: You feel me like, uh.

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Speaker 7: You know, so that's my boss up for people to

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Speaker 7: be strong, fighting shit kind of you know.

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Speaker 1: That's what's up.

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Speaker 2: So the old song that you sent us is called

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Speaker 2: Dopest in the building. Why did you set that joint?

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Speaker 6: Shout out to my nigga Gully her producer.

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Speaker 7: I just feel like when I did that song, I

254
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Speaker 7: know I don't know certain artists on here. If you're listening,

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Speaker 7: when you know when you do one, you do one,

256
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Speaker 7: you can feel it. You want to wake up and

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Speaker 7: hear that motherfucker every day. I know what I felt

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Speaker 7: like when I made it. It wasn't written, it was

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Speaker 7: straight from the heart. I be feeling good after search

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Speaker 7: and I think it was dope. Game Stupid had just ended.

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Speaker 7: I really wanted to work so much. I was getting

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Speaker 7: so much love. And then we did TV sixty two

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Speaker 7: and that was the first song on TV sixty two.

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Speaker 6: And I'm just.

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Speaker 7: Walking up and down the stairs and the bruiser just freestyling.

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Speaker 6: You know what I'm saying, The dopest in the building.

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Speaker 2: You tell you the first one meet killing you sell

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Speaker 2: that your breadt isn't like it.

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Speaker 6: Was just I was just going dog. I was just

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Speaker 6: going to nigga this niggas tripp and record that did.

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Speaker 7: I always got my bars on that because that's all

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Speaker 7: I'm doing. It was all, Hey, my hat is what

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Speaker 7: I hang my bar.

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Speaker 6: You know what I mean. That's what I had on

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Speaker 6: my bar. You know what I'm saying, that's the bar.

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Speaker 2: But yeah, man, all right, bet so we won't get

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Speaker 2: into that one.

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Speaker 1: We're gonna let the chat listen in there.

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Speaker 9: We go.

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Speaker 1: Play on this chewing right here.

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Speaker 9: Bill, you tell you the first way you say you

282
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Speaker 9: came a long way from drug yelling. I came a

283
00:14:09,800 --> 00:14:16,280
Speaker 9: long way from drug telling. But the dopest in the

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Speaker 9: building in the.

285
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Speaker 10: Building, hey man, man, oh man, b yeah, I love

286
00:14:34,280 --> 00:14:38,000
Speaker 10: you saying because the voice is it's one of the

287
00:14:38,080 --> 00:14:41,440
Speaker 10: niggas bro that's in the hood that never streams, never

288
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Speaker 10: raises his voice.

289
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Speaker 2: But brouh, you know that nigga is serious. But you

290
00:14:45,360 --> 00:14:47,480
Speaker 2: better you better move the fun about the way when

291
00:14:47,480 --> 00:14:52,960
Speaker 2: he tell you to oh man, it's that that's so dope, bro, Like,

292
00:14:53,080 --> 00:14:57,360
Speaker 2: that's that's so dope that you can encapsulate that. It's

293
00:14:57,600 --> 00:15:02,080
Speaker 2: it's such a like black exploitation, but not black exploitation

294
00:15:02,800 --> 00:15:06,000
Speaker 2: that situation, man, Like, it's.

295
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Speaker 1: Just so dope.

296
00:15:06,440 --> 00:15:08,840
Speaker 2: Like you're an enigma, And I think that's part of

297
00:15:08,840 --> 00:15:11,920
Speaker 2: the reason why people you stay on people's brains like

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Speaker 2: once they hear your music, because it's there's literally there's

299
00:15:15,040 --> 00:15:18,240
Speaker 2: not a cop bro, Like, there's not another person like

300
00:15:18,680 --> 00:15:20,880
Speaker 2: and if there is, then there copying. You know what

301
00:15:20,880 --> 00:15:23,080
Speaker 2: I'm saying, Like you are extremely unique to hip hop.

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Speaker 6: I appreciate that, Bro, I really agree.

303
00:15:25,960 --> 00:15:27,160
Speaker 1: Yeah, and I think it's dope man.

304
00:15:27,280 --> 00:15:30,960
Speaker 5: Like, you know when we do our weekly lives, you

305
00:15:31,000 --> 00:15:33,680
Speaker 5: know we'll get questions, you know, from people or the

306
00:15:33,760 --> 00:15:36,880
Speaker 5: chat just be going. And you know a lot of

307
00:15:36,880 --> 00:15:39,520
Speaker 5: people out here mess with you heavy bro, They like

308
00:15:39,720 --> 00:15:43,200
Speaker 5: always talking about like stuff you got, like my stories,

309
00:15:43,200 --> 00:15:46,040
Speaker 5: got stories Like I used to see people who talk

310
00:15:46,040 --> 00:15:49,600
Speaker 5: about that album all the time in the chat, you know,

311
00:15:51,200 --> 00:15:53,560
Speaker 5: and that shit's crazy. I think that that.

312
00:15:55,200 --> 00:15:58,040
Speaker 1: What was that joint? I think it may have been

313
00:15:58,040 --> 00:16:05,560
Speaker 1: off your first bom uh with a propos? Is that

314
00:16:05,560 --> 00:16:06,120
Speaker 1: how you said?

315
00:16:06,560 --> 00:16:07,840
Speaker 6: Uh? Thank god?

316
00:16:08,240 --> 00:16:08,640
Speaker 1: Yeah?

317
00:16:08,680 --> 00:16:08,880
Speaker 7: Man?

318
00:16:10,080 --> 00:16:13,840
Speaker 5: Yeah, it was the last the last one yep, yeah,

319
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Speaker 5: the last track on that album.

320
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Speaker 7: Bro.

321
00:16:16,240 --> 00:16:16,800
Speaker 6: I used to.

322
00:16:19,600 --> 00:16:23,960
Speaker 5: Man, bro that ship, that ship is so fucking dope.

323
00:16:24,000 --> 00:16:25,440
Speaker 5: And he laced that ship too.

324
00:16:26,280 --> 00:16:29,760
Speaker 7: Yeah, man, man knowledge working on something as well.

325
00:16:29,960 --> 00:16:32,320
Speaker 6: We got some ship in we did on pot Luck

326
00:16:32,360 --> 00:16:32,760
Speaker 6: as well.

327
00:16:33,640 --> 00:16:36,840
Speaker 4: That's my guy, Yeah, because I love pop.

328
00:16:36,920 --> 00:16:38,840
Speaker 3: Look because he was working with so many different producers

329
00:16:38,840 --> 00:16:43,040
Speaker 3: on that, including Harry fraud on there is I like Potuck.

330
00:16:42,720 --> 00:16:44,200
Speaker 7: Was like what we all bring it to the table.

331
00:16:44,280 --> 00:16:47,840
Speaker 7: So it's like every producer that you've seen on the album,

332
00:16:47,920 --> 00:16:49,960
Speaker 7: I'm going to do an album with or maybe a

333
00:16:50,000 --> 00:16:54,480
Speaker 7: one producer album with, Like Okay, that's what I'm on.

334
00:16:54,600 --> 00:16:57,280
Speaker 7: You know what I'm saying. Trying to make no fun

335
00:16:57,320 --> 00:16:57,920
Speaker 7: bro real.

336
00:16:58,160 --> 00:16:59,160
Speaker 1: Yeah, you know that's what.

337
00:17:01,920 --> 00:17:04,240
Speaker 3: Is Anybody from the city that you that you haven't

338
00:17:04,240 --> 00:17:05,680
Speaker 3: collaborated with that you want to work with.

339
00:17:07,880 --> 00:17:10,359
Speaker 7: I want to work with baby Face Ray for sure,

340
00:17:10,880 --> 00:17:14,080
Speaker 7: but I have I have collaborated with Payroll g T

341
00:17:14,359 --> 00:17:21,119
Speaker 7: started baby Yeah, Man, Payroll got one boy so hard,

342
00:17:21,640 --> 00:17:24,920
Speaker 7: uh g T Man slid got this on the next

343
00:17:24,920 --> 00:17:27,480
Speaker 7: album that I'm coming with and I'm releasing. I'll give

344
00:17:27,560 --> 00:17:29,840
Speaker 7: you all a new song. Y'all want of the new unreleased?

345
00:17:29,840 --> 00:17:32,200
Speaker 7: Boy said, y'all, but I ain't seen y'all one of

346
00:17:32,240 --> 00:17:32,880
Speaker 7: them joints.

347
00:17:32,880 --> 00:17:33,640
Speaker 6: But I will.

348
00:17:34,480 --> 00:17:39,960
Speaker 7: I see y'all everything now, y'all. Man, Yeah, I really

349
00:17:40,040 --> 00:17:47,080
Speaker 7: want to work with baby Face Ray after show ship Man,

350
00:17:47,200 --> 00:17:52,879
Speaker 7: come on man, Eminem uh Royce the five nine.

351
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Speaker 3: Mm hmm prayers, the worst man, prayers, hope you get

352
00:17:57,080 --> 00:17:59,399
Speaker 3: better and pray shot the Royce.

353
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Speaker 6: One of the l s m c's ever to walk

354
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Speaker 6: in Detroit.

355
00:18:04,760 --> 00:18:13,960
Speaker 7: Brother too, that's my man too, the Eminem man and uh.

356
00:18:12,560 --> 00:18:14,760
Speaker 3: No, you do it with Eminem That would be so

357
00:18:15,040 --> 00:18:17,000
Speaker 3: people would not see that ship coming.

358
00:18:17,640 --> 00:18:23,800
Speaker 6: Yep. Uh who else vis veso everybody? You know.

359
00:18:24,440 --> 00:18:26,679
Speaker 7: I really love how they held it down and the

360
00:18:26,720 --> 00:18:31,879
Speaker 7: city is flourishing. Yeah, and I remember them working folk real,

361
00:18:32,040 --> 00:18:34,560
Speaker 7: working so hard for what they got, you know, mm hmm.

362
00:18:35,480 --> 00:18:37,400
Speaker 2: So what about it would be that's the reason why

363
00:18:37,400 --> 00:18:38,840
Speaker 2: I let you go because I knew exactly where you

364
00:18:38,840 --> 00:18:41,080
Speaker 2: were gonna go. But how about people outside of the city, Like,

365
00:18:41,119 --> 00:18:43,000
Speaker 2: what are some people that you haven't collabor with that

366
00:18:43,080 --> 00:18:44,920
Speaker 2: you definitely have your eye on.

367
00:18:48,320 --> 00:18:55,000
Speaker 7: I like lorusso Uh, I like Jada Kiss Uh.

368
00:18:55,520 --> 00:18:57,000
Speaker 1: That would be crazy.

369
00:18:59,680 --> 00:19:02,560
Speaker 6: West Gun Stove God, of.

370
00:19:02,480 --> 00:19:04,399
Speaker 4: Course, Stove God.

371
00:19:05,960 --> 00:19:07,120
Speaker 1: Who's doing the who?

372
00:19:07,960 --> 00:19:08,240
Speaker 6: Hey?

373
00:19:08,760 --> 00:19:09,399
Speaker 1: Is it a collab?

374
00:19:09,680 --> 00:19:10,879
Speaker 6: Who do if you.

375
00:19:12,760 --> 00:19:15,320
Speaker 7: If we go back and forth for something I don't know,

376
00:19:16,560 --> 00:19:20,439
Speaker 7: but whatever, I'm definitely willing to do that for se

377
00:19:20,800 --> 00:19:23,359
Speaker 7: nas Ship see what green?

378
00:19:24,560 --> 00:19:25,520
Speaker 1: That would be hard?

379
00:19:26,240 --> 00:19:28,640
Speaker 6: See a little bit dope? Yeah, I want to work

380
00:19:28,680 --> 00:19:34,280
Speaker 6: with sugar Free forty. You know sugar Free forty. I

381
00:19:34,480 --> 00:19:42,160
Speaker 6: do with Joe button Ship. Uh. Listen, some killers out

382
00:19:42,160 --> 00:19:42,560
Speaker 6: there that.

383
00:19:44,040 --> 00:19:46,879
Speaker 7: I picked a couple of market just like when some

384
00:19:46,960 --> 00:19:48,600
Speaker 7: of my I was like black thought.

385
00:19:49,000 --> 00:19:52,320
Speaker 4: Uh, it's a great idol to have right there.

386
00:19:52,520 --> 00:19:57,120
Speaker 6: You say, I've just met him and I've been looking

387
00:19:57,160 --> 00:20:00,480
Speaker 6: up to him my whole life. Man, he.

388
00:20:02,160 --> 00:20:05,120
Speaker 7: A big influence. I never say him, bro, I don't

389
00:20:05,160 --> 00:20:10,400
Speaker 7: know why the fuck I don't, but Scarface right now,

390
00:20:10,640 --> 00:20:13,360
Speaker 7: you know what I'm saying, that's my man. I met

391
00:20:13,480 --> 00:20:17,600
Speaker 7: him in backstage at the Short concert and he knew

392
00:20:17,600 --> 00:20:19,680
Speaker 7: me because my man poked the DJ be playing this

393
00:20:19,720 --> 00:20:21,159
Speaker 7: ship on tour, playing my music.

394
00:20:21,200 --> 00:20:24,600
Speaker 6: And he's like, he's like, bro, keep doing what you're doing.

395
00:20:24,640 --> 00:20:26,640
Speaker 6: I'm fucking with the whole style of hat.

396
00:20:27,520 --> 00:20:31,680
Speaker 3: You know, keeps He's cool as hell.

397
00:20:31,960 --> 00:20:36,480
Speaker 6: Yeah, man, I'm like, I asked him, like, scar right,

398
00:20:37,880 --> 00:20:38,760
Speaker 6: that is crazy?

399
00:20:39,000 --> 00:20:41,000
Speaker 4: Like the Scarface Bro, that's that's right.

400
00:20:41,440 --> 00:20:42,320
Speaker 6: Man. Fucked me up.

401
00:20:43,040 --> 00:20:45,080
Speaker 7: Yep, and shout out the two Short I do one

402
00:20:45,080 --> 00:20:46,800
Speaker 7: with Short, I'm big one.

403
00:20:47,000 --> 00:20:50,240
Speaker 2: That would be crazy. That would be crazy. Yeah, it

404
00:20:50,359 --> 00:20:54,119
Speaker 2: definitely fucked you up. When people that you that you

405
00:20:54,200 --> 00:20:55,639
Speaker 2: look up to. You know what I'm saying that our

406
00:20:55,720 --> 00:20:57,879
Speaker 2: legends of the game, they fuck with you and you

407
00:20:57,880 --> 00:20:59,359
Speaker 2: didn't even know that they knew you. You know what

408
00:20:59,400 --> 00:21:01,840
Speaker 2: I'm saying, Like we had that moment some years ago

409
00:21:01,920 --> 00:21:04,399
Speaker 2: down with Alchemists, you know what I'm saying, Like, you know,

410
00:21:04,440 --> 00:21:06,600
Speaker 2: he gave us one of the dopest interviews on the internet,

411
00:21:07,640 --> 00:21:10,320
Speaker 2: one of the dopest Alchemist interviews on the internet, and

412
00:21:10,359 --> 00:21:12,639
Speaker 2: you know, just the gems he gave us after. I

413
00:21:12,800 --> 00:21:15,360
Speaker 2: was like, I hold that in my heart to the day.

414
00:21:15,440 --> 00:21:16,560
Speaker 2: You know what I'm saying, A lot of the ship

415
00:21:16,640 --> 00:21:18,960
Speaker 2: that he told us, man, But yeah, not like when

416
00:21:19,000 --> 00:21:21,720
Speaker 2: when people like that like really mess with you, it

417
00:21:21,720 --> 00:21:24,760
Speaker 2: it messages your your your your your perspective of just

418
00:21:24,800 --> 00:21:27,840
Speaker 2: a little bit like I'm not that far but you

419
00:21:27,960 --> 00:21:30,040
Speaker 2: know you like there's a lot of work to do,

420
00:21:30,480 --> 00:21:33,200
Speaker 2: you know what I'm saying. But it's one of those

421
00:21:33,240 --> 00:21:37,159
Speaker 2: things that that it's it keeps you going, you know

422
00:21:37,200 --> 00:21:40,040
Speaker 2: what I'm saying, Like, it definitely keeps you going.

423
00:21:40,160 --> 00:21:41,520
Speaker 1: So now that's super dope.

424
00:21:41,720 --> 00:21:43,960
Speaker 2: And a lot of them people that you that you mentioned,

425
00:21:44,880 --> 00:21:47,200
Speaker 2: I know ninety five percent of those people, they're gonna

426
00:21:47,240 --> 00:21:50,280
Speaker 2: fuck with you cause, bro, like you're just that dope.

427
00:21:50,320 --> 00:21:52,919
Speaker 2: And I know that you're gonna you're gonna get those collabs. Bro,

428
00:21:53,000 --> 00:21:55,680
Speaker 2: You're gonna get those collabs. So I can't wait to

429
00:21:55,680 --> 00:21:56,960
Speaker 2: hear that son of baby shit.

430
00:21:58,920 --> 00:22:03,040
Speaker 5: Some of the other other Detroit rappers your name, because I, yeah,

431
00:22:03,040 --> 00:22:03,920
Speaker 5: I messed with someone.

432
00:22:04,280 --> 00:22:07,400
Speaker 7: That you it's called toxic. I gotta sat on there.

433
00:22:07,440 --> 00:22:10,040
Speaker 7: We're talking about these broad toxic.

434
00:22:10,200 --> 00:22:10,400
Speaker 6: Man.

435
00:22:10,520 --> 00:22:15,080
Speaker 7: You know, we got a girl on there like fuck

436
00:22:15,160 --> 00:22:17,360
Speaker 7: you nigga, We like fuck you bitch.

437
00:22:20,680 --> 00:22:20,880
Speaker 11: Man.

438
00:22:20,920 --> 00:22:23,159
Speaker 7: He taken and boy he ran with it, you know,

439
00:22:23,280 --> 00:22:26,360
Speaker 7: straight up lup off the glass to school man for real,

440
00:22:27,160 --> 00:22:28,680
Speaker 7: I really blessing.

441
00:22:29,560 --> 00:22:33,000
Speaker 2: So that leads us into the current song that you picked,

442
00:22:33,119 --> 00:22:34,160
Speaker 2: and it's called Heartbroke.

443
00:22:35,000 --> 00:22:37,000
Speaker 1: Why did you pick? Why did you pick that joint?

444
00:22:37,600 --> 00:22:40,560
Speaker 6: Heartbroke? I felt it when I did it.

445
00:22:40,560 --> 00:22:43,679
Speaker 7: It's like with Heartbroke and what I'm doing, it's like

446
00:22:44,080 --> 00:22:46,119
Speaker 7: I ain't got really too much doing no broad of

447
00:22:46,240 --> 00:22:49,960
Speaker 7: being in love ish. It's me learning to be unselfish,

448
00:22:50,960 --> 00:22:53,800
Speaker 7: learning me to be not learning. I'm so sorry, bro

449
00:22:54,200 --> 00:22:57,359
Speaker 7: me learning to be selfish because I'm too unselfish. You

450
00:22:57,400 --> 00:23:03,800
Speaker 7: feel me so like relationships or the problems come when

451
00:23:03,800 --> 00:23:06,399
Speaker 7: you become selfish or you put yourself first, you know,

452
00:23:07,359 --> 00:23:09,840
Speaker 7: like she comes second to my money now she heartbroke.

453
00:23:09,880 --> 00:23:10,600
Speaker 6: You know what I'm saying.

454
00:23:11,040 --> 00:23:15,359
Speaker 7: People love money, they don't heartbroke like they don't like broke,

455
00:23:15,400 --> 00:23:16,000
Speaker 7: you know what I'm saying.

456
00:23:16,119 --> 00:23:19,640
Speaker 6: Uh, it just it just feel that shit so.

457
00:23:19,680 --> 00:23:22,560
Speaker 7: Much right now, what I'm going through because you know,

458
00:23:22,680 --> 00:23:24,960
Speaker 7: with fame, people thank you, rich or.

459
00:23:26,480 --> 00:23:32,840
Speaker 6: Just people somehow generate hate. Man, something I'm freezing dog nigga,

460
00:23:32,880 --> 00:23:33,960
Speaker 6: thank you all that.

461
00:23:34,320 --> 00:23:39,840
Speaker 7: Oh yes, I ain't getting it out like it just

462
00:23:39,840 --> 00:23:42,600
Speaker 7: be unnecessary shit. But I understand it's a way of

463
00:23:42,600 --> 00:23:44,439
Speaker 7: life too. So I'm understanding. I'm starting to learn to

464
00:23:44,440 --> 00:23:47,800
Speaker 7: deal with people better as well. But it's about Heartbroke

465
00:23:47,880 --> 00:23:50,080
Speaker 7: is basically me dealing with Hey man, you got to

466
00:23:50,080 --> 00:23:52,200
Speaker 7: be selfish, and I ain't talking about with money, just

467
00:23:52,240 --> 00:23:53,080
Speaker 7: talking about what yourself.

468
00:23:53,119 --> 00:23:57,640
Speaker 6: Put yourself first sometimes, you know, Yeah, yeah, full up.

469
00:23:58,520 --> 00:24:01,879
Speaker 6: And it's bars too that.

470
00:24:02,280 --> 00:24:03,960
Speaker 4: I know it's bars. I know the bar is gonna

471
00:24:03,960 --> 00:24:07,960
Speaker 4: be there, Yes, sir.

472
00:24:11,560 --> 00:24:26,080
Speaker 11: Keep it. People have money, they don't heart broke. She

473
00:24:26,160 --> 00:24:27,240
Speaker 11: comes second to my money.

474
00:24:27,560 --> 00:24:28,400
Speaker 6: Now she heartbroke.

475
00:24:29,240 --> 00:24:32,960
Speaker 1: Let me. Hey, that ship is so real though I

476
00:24:33,040 --> 00:24:34,720
Speaker 1: live lay by play.

477
00:24:34,880 --> 00:24:42,000
Speaker 3: Yeah, that's not a bar, right there, bro If that's

478
00:24:42,040 --> 00:24:42,680
Speaker 3: not a bar.

479
00:24:44,800 --> 00:24:47,080
Speaker 2: Like that, yeah, I think I think that's the reason

480
00:24:47,119 --> 00:24:51,080
Speaker 2: why your music pierces uh through a lot of bs,

481
00:24:51,200 --> 00:24:53,680
Speaker 2: especially for the older cats man, for the older generation,

482
00:24:53,840 --> 00:24:59,240
Speaker 2: it's like you're not trying to wow me with you know, gimmick,

483
00:24:59,720 --> 00:25:03,919
Speaker 2: so niggas, it cuts straight through like it's it's like

484
00:25:03,960 --> 00:25:06,359
Speaker 2: you're talking to you, like like you're talking to me.

485
00:25:06,760 --> 00:25:09,040
Speaker 2: You know what I'm saying like like a homie, like yeah, bro,

486
00:25:09,119 --> 00:25:12,640
Speaker 2: it's it's different, man, It's it's it's like you open

487
00:25:12,720 --> 00:25:14,840
Speaker 2: up a whole nother ear channel when I listen to you,

488
00:25:14,840 --> 00:25:17,439
Speaker 2: you know what I'm saying, Like it filters through a

489
00:25:17,440 --> 00:25:18,040
Speaker 2: different way.

490
00:25:18,240 --> 00:25:19,840
Speaker 1: Like it's it's just different.

491
00:25:19,800 --> 00:25:23,000
Speaker 6: You know, because some people have vulnerability. Bro, you know

492
00:25:23,040 --> 00:25:23,600
Speaker 6: what I'm saying.

493
00:25:23,840 --> 00:25:25,439
Speaker 7: And I ain't trying to be blowed telling you, but

494
00:25:26,320 --> 00:25:28,520
Speaker 7: my nigga Danny told me, like you gotta sometimes you

495
00:25:28,640 --> 00:25:32,240
Speaker 7: gotta be vulnerable in your music too, because what the

496
00:25:32,240 --> 00:25:34,080
Speaker 7: fuck is you had and why this ship is so

497
00:25:35,000 --> 00:25:38,439
Speaker 7: you know, so w you these niggas Jesus Christ, the.

498
00:25:38,520 --> 00:25:41,640
Speaker 4: Niggas mind exactly, you.

499
00:25:41,640 --> 00:25:44,920
Speaker 6: Know, like it's so good.

500
00:25:45,880 --> 00:25:48,320
Speaker 7: Like motherfuckers don't get on Facebook and say how tight

501
00:25:48,359 --> 00:25:51,280
Speaker 7: it is for they get on that motherfucker on.

502
00:25:51,400 --> 00:25:53,679
Speaker 6: Instagram and say how good is going?

503
00:25:55,400 --> 00:25:55,680
Speaker 7: Man?

504
00:25:57,040 --> 00:25:59,520
Speaker 6: I got some real nigga story now, I never forget

505
00:25:59,520 --> 00:26:00,000
Speaker 6: in my life.

506
00:26:00,080 --> 00:26:01,920
Speaker 7: Man, I was getting money hustling, not to take you

507
00:26:01,960 --> 00:26:03,360
Speaker 7: off such and we're gonna get back to it.

508
00:26:03,960 --> 00:26:05,480
Speaker 6: I was on motherfucking.

509
00:26:05,040 --> 00:26:08,639
Speaker 7: Facebook and I put up some childish shit this When

510
00:26:08,680 --> 00:26:10,880
Speaker 7: I was to grow up, I put up some bread

511
00:26:10,920 --> 00:26:16,320
Speaker 7: at like nine, eight thousand dollars and a week later, Nigga,

512
00:26:16,359 --> 00:26:19,560
Speaker 7: my mama dad, she had no insurance, Nigga, and I

513
00:26:19,560 --> 00:26:23,320
Speaker 7: had to ask for money to bury my motherfucking mama.

514
00:26:24,920 --> 00:26:26,120
Speaker 6: Like, no, Nigga, you got it.

515
00:26:26,680 --> 00:26:29,879
Speaker 7: Yeah, we just seen you, Nigga. So you know, like,

516
00:26:31,080 --> 00:26:33,479
Speaker 7: nobody gonna say that, you know what I'm saying. Nobody

517
00:26:33,600 --> 00:26:36,679
Speaker 7: gonna say what type of relationship they had with their mama.

518
00:26:36,760 --> 00:26:40,159
Speaker 6: You know what they thought her? Like, I'm coming with that.

519
00:26:40,359 --> 00:26:43,040
Speaker 6: What else is we gonna talk about? You feel me?

520
00:26:43,160 --> 00:26:47,320
Speaker 7: Like, talk about them niggas talking about getting money. That's

521
00:26:47,359 --> 00:26:52,120
Speaker 7: what we're talking about. The bad bitches. That's like it

522
00:26:52,160 --> 00:26:55,160
Speaker 7: was a struggle with bitches. You know what I'm saying.

523
00:26:56,000 --> 00:26:59,960
Speaker 7: Comedy relationship, Like why Nigga's not talking about that?

524
00:27:00,640 --> 00:27:02,440
Speaker 4: Yeah, it's real.

525
00:27:04,280 --> 00:27:06,520
Speaker 7: It's just so many ways and levels and layers you

526
00:27:06,560 --> 00:27:08,879
Speaker 7: can be, you know, and that's what I want to be.

527
00:27:08,920 --> 00:27:10,880
Speaker 6: I won't have no top on me, no boxing.

528
00:27:12,320 --> 00:27:14,840
Speaker 3: Because because everybody life ain't all peaches and cream and

529
00:27:14,880 --> 00:27:17,520
Speaker 3: ship all the time. You know what I'm saying, It's

530
00:27:17,520 --> 00:27:19,840
Speaker 3: gonna be some It's gonna be some rain before you

531
00:27:19,840 --> 00:27:22,360
Speaker 3: get to that sunshine, bro, Like, for real.

532
00:27:22,600 --> 00:27:27,800
Speaker 6: You gotta rolls, gotta go through the mud to grow, yep, yep,

533
00:27:28,400 --> 00:27:30,359
Speaker 6: uh it's ship.

534
00:27:31,480 --> 00:27:33,560
Speaker 5: I'm like, I thought it was such a really good

535
00:27:33,560 --> 00:27:39,680
Speaker 5: way to end the album too, you know, real thought

536
00:27:39,680 --> 00:27:43,800
Speaker 5: provoking ship as well. You know, when I was real

537
00:27:43,880 --> 00:27:45,639
Speaker 5: listening to it and looking at it again, I was like, Yo,

538
00:27:45,720 --> 00:27:48,800
Speaker 5: that was actually a good, good closer for that, for

539
00:27:48,840 --> 00:27:49,960
Speaker 5: the for that joint too.

540
00:27:50,119 --> 00:27:54,160
Speaker 6: It happened two weeks before the album drop. Harry Harry

541
00:27:54,240 --> 00:27:54,840
Speaker 6: knew exactly.

542
00:27:54,840 --> 00:27:57,880
Speaker 5: And that's the crazy thing, like the diversity and production.

543
00:27:58,040 --> 00:27:59,879
Speaker 5: Harry really did this thing on that, but the product,

544
00:28:00,080 --> 00:28:04,000
Speaker 5: the diversity in production, and you know, it was crazy

545
00:28:04,040 --> 00:28:05,920
Speaker 5: to go from all the other stuff that's on there

546
00:28:06,880 --> 00:28:08,800
Speaker 5: to that track as a closer.

547
00:28:09,720 --> 00:28:13,240
Speaker 7: Like he's spelled, I did a whole nother song. It's

548
00:28:13,240 --> 00:28:17,119
Speaker 7: called Demon Time. Six thirty six six six six thirty

549
00:28:17,160 --> 00:28:20,840
Speaker 7: six seconds is Demon Time. Uh, I did a whole

550
00:28:20,920 --> 00:28:23,840
Speaker 7: nother verse. He took the Lamar Jackson part from that,

551
00:28:24,160 --> 00:28:28,760
Speaker 7: from that ship and pitted on the heartbroken ship, and

552
00:28:28,840 --> 00:28:31,399
Speaker 7: I couldn't. I don't play that ship. So I was like,

553
00:28:31,680 --> 00:28:34,720
Speaker 7: that ship sound too good. Let should sound too good.

554
00:28:34,760 --> 00:28:36,960
Speaker 6: To say anything to that nigga about that.

555
00:28:40,680 --> 00:28:47,360
Speaker 7: G is that but uh yeah, he here g Doug

556
00:28:47,440 --> 00:28:48,760
Speaker 7: for real, man, I love.

557
00:28:48,640 --> 00:28:49,680
Speaker 6: Working with Nah.

558
00:28:49,880 --> 00:28:53,480
Speaker 2: I definitely get that, get that excitement and ship. The

559
00:28:53,520 --> 00:28:57,520
Speaker 2: finished product is definitely there, definitely there.

560
00:28:57,880 --> 00:28:59,760
Speaker 1: So I'm glad that you know we're gonna get some

561
00:28:59,800 --> 00:29:03,480
Speaker 1: more Harry Fraud work. What would you.

562
00:29:03,440 --> 00:29:07,080
Speaker 2: Say is it's been the biggest disappointment so far in

563
00:29:07,120 --> 00:29:09,600
Speaker 2: your career. It's something that you thought was gonna happen,

564
00:29:09,600 --> 00:29:11,480
Speaker 2: and it's just like, fuck, it didn't happen that way.

565
00:29:11,840 --> 00:29:12,840
Speaker 4: That's a good question, FIFA.

566
00:29:13,320 --> 00:29:14,440
Speaker 1: Damn appreciate the basic.

567
00:29:14,760 --> 00:29:17,160
Speaker 7: I gotta give you the best answer where I'm at

568
00:29:17,240 --> 00:29:20,680
Speaker 7: in life right now, because I've been I ain't trying

569
00:29:20,680 --> 00:29:22,280
Speaker 7: to get spiritually, but I prayed.

570
00:29:23,320 --> 00:29:26,120
Speaker 6: I prayed to get here where I'm at right now,

571
00:29:27,120 --> 00:29:28,800
Speaker 6: so that must have to happen.

572
00:29:29,440 --> 00:29:36,320
Speaker 7: You feel me, And I have no regrets I hate.

573
00:29:37,000 --> 00:29:39,560
Speaker 7: The only thing I hate is the time I spent

574
00:29:40,640 --> 00:29:43,400
Speaker 7: on so much music I missed with my father.

575
00:29:44,720 --> 00:29:44,960
Speaker 6: You know.

576
00:29:45,320 --> 00:29:49,880
Speaker 7: I was so tunnel vision and worried about music. His

577
00:29:50,000 --> 00:29:52,920
Speaker 7: health was declining, you know, and I tried to come back.

578
00:29:52,760 --> 00:29:53,760
Speaker 6: And say and he passed.

579
00:29:54,040 --> 00:29:57,160
Speaker 7: I was trying to say that's about it, bro, But

580
00:29:57,280 --> 00:29:58,640
Speaker 7: everything I went through.

581
00:30:00,000 --> 00:30:01,640
Speaker 6: I believe, and I had to go through it to

582
00:30:01,640 --> 00:30:02,000
Speaker 6: get here.

583
00:30:03,080 --> 00:30:05,640
Speaker 5: Yeah, no regrets, not to give you no smarter as

584
00:30:05,800 --> 00:30:12,600
Speaker 5: nigga answer, but you know.

585
00:30:10,480 --> 00:30:11,640
Speaker 6: But no, that's just for real.

586
00:30:11,640 --> 00:30:14,000
Speaker 7: They're like, you know, for for for real, like stuff

587
00:30:14,040 --> 00:30:15,320
Speaker 7: happened for a reason.

588
00:30:16,240 --> 00:30:20,000
Speaker 1: Mm hmmm. No, I feel that. I feel that there

589
00:30:20,080 --> 00:30:20,640
Speaker 1: was a couple.

590
00:30:20,480 --> 00:30:26,280
Speaker 6: Of bitches I shouldn't have talked. No, I'm justless.

591
00:30:26,680 --> 00:30:28,840
Speaker 1: No, alright.

592
00:30:29,120 --> 00:30:32,200
Speaker 2: So the unreleased joint that you sent us bruiser, and

593
00:30:32,320 --> 00:30:35,120
Speaker 2: when I saw who was featured, I said, well, damn.

594
00:30:35,240 --> 00:30:37,280
Speaker 7: Niggas niggas been asked you what, I had to give

595
00:30:37,280 --> 00:30:40,040
Speaker 7: it to my niggas first boy.

596
00:30:40,440 --> 00:30:43,360
Speaker 2: So look, look, this is the whole reason. Can man, hey,

597
00:30:43,360 --> 00:30:46,080
Speaker 2: look man, sound person, Bro. We need we need a button, bro,

598
00:30:46,120 --> 00:30:46,600
Speaker 2: we need to.

599
00:30:49,840 --> 00:30:50,760
Speaker 6: That is hip hop.

600
00:30:53,280 --> 00:30:53,360
Speaker 9: Like.

601
00:30:53,480 --> 00:30:58,000
Speaker 2: We need that because look, man, look they are our audience.

602
00:30:58,160 --> 00:31:01,240
Speaker 2: Fucks with you heavy, and I fuck with the artists

603
00:31:01,280 --> 00:31:05,000
Speaker 2: that you have featured on this heavy. So the name

604
00:31:05,000 --> 00:31:08,560
Speaker 2: of the joint is called Common Goal, it's unreleased and

605
00:31:08,560 --> 00:31:11,200
Speaker 2: it features a chem Ali.

606
00:31:12,840 --> 00:31:13,200
Speaker 1: Heavy.

607
00:31:15,800 --> 00:31:18,440
Speaker 2: Out of all of the unreleased joints, why did you

608
00:31:18,480 --> 00:31:21,240
Speaker 2: pick this one? And which project is this going to

609
00:31:21,320 --> 00:31:21,560
Speaker 2: be on?

610
00:31:22,200 --> 00:31:24,520
Speaker 7: This on the next project coming we're trying to me

611
00:31:24,600 --> 00:31:28,360
Speaker 7: and sheefy McFly were about to drop that in March,

612
00:31:28,640 --> 00:31:32,280
Speaker 7: but I chose this for y'all because y'all kept saying this.

613
00:31:32,280 --> 00:31:34,880
Speaker 6: Nigga want some real player ship this.

614
00:31:34,920 --> 00:31:38,160
Speaker 7: Nigga, and I just that's the vaal, Like if I

615
00:31:38,280 --> 00:31:40,479
Speaker 7: went into a school and these my new niggas. Right,

616
00:31:40,520 --> 00:31:43,840
Speaker 7: I'm listening to what y'all like and ship, and I'm like, damn,

617
00:31:43,840 --> 00:31:44,680
Speaker 7: they fuck with that.

618
00:31:45,120 --> 00:31:46,640
Speaker 6: We really had a real big like.

619
00:31:46,560 --> 00:31:48,520
Speaker 7: What you're gonna choose? I said, now, y'all, you ain't

620
00:31:48,560 --> 00:31:54,960
Speaker 7: choosing shit. I'm gonna choose one for so and it's

621
00:31:55,040 --> 00:31:58,280
Speaker 7: just the perspective environment and what what what I would

622
00:31:58,280 --> 00:32:00,280
Speaker 7: want to say, It's just I don't know, man. I

623
00:32:00,360 --> 00:32:02,720
Speaker 7: just thought it was real fun. And it's him man,

624
00:32:02,760 --> 00:32:05,520
Speaker 7: he he go crazy though. You know it's a great feature,

625
00:32:06,520 --> 00:32:09,240
Speaker 7: you know, good being as our focks wen man, good

626
00:32:09,280 --> 00:32:10,680
Speaker 7: good lyrics to ship.

627
00:32:11,080 --> 00:32:14,200
Speaker 1: He is. He is underrated and I talked about enough.

628
00:32:14,600 --> 00:32:15,480
Speaker 6: I agree.

629
00:32:18,320 --> 00:32:24,560
Speaker 4: Mhm huh hm.

630
00:32:31,000 --> 00:32:32,160
Speaker 6: We all got a common goal.

631
00:32:34,080 --> 00:32:37,200
Speaker 7: Get pitching a lot of holes, a couple of dollars,

632
00:32:37,200 --> 00:32:38,160
Speaker 7: make the color goal.

633
00:32:38,840 --> 00:32:43,320
Speaker 1: You're fifteen up. Now it's time to go.

634
00:32:43,840 --> 00:32:46,479
Speaker 2: I already know y'all was rolling in that studio. Bro

635
00:32:47,040 --> 00:32:48,840
Speaker 2: alright already.

636
00:32:49,840 --> 00:32:55,920
Speaker 4: Man, appreciate, appreciate that exclusive man, oh my.

637
00:32:55,920 --> 00:32:59,320
Speaker 6: God, man, they won't hear that.

638
00:33:04,480 --> 00:33:06,840
Speaker 7: Under ship man with that busy that. I'm definitely gonna

639
00:33:06,840 --> 00:33:08,600
Speaker 7: see that Detroit ship that g T.

640
00:33:10,120 --> 00:33:14,200
Speaker 1: Yeah, man, b.

641
00:33:20,000 --> 00:33:25,240
Speaker 7: It's gonna get a better baby.

642
00:33:23,400 --> 00:33:27,120
Speaker 1: Can't the girl in the and we only.

643
00:33:26,920 --> 00:33:31,720
Speaker 6: Want we want like we want real niggas.

644
00:33:32,280 --> 00:33:37,120
Speaker 5: Hey, yeah, yeah, I can't kill that ship too. Didn't

645
00:33:37,160 --> 00:33:40,040
Speaker 5: kill that ship, but that that that feel that that

646
00:33:40,120 --> 00:33:43,480
Speaker 5: football scheme was crazy.

647
00:33:44,640 --> 00:33:47,040
Speaker 1: I mean he walked that bitch all the way down

648
00:33:47,960 --> 00:33:48,880
Speaker 1: the soccer.

649
00:33:50,200 --> 00:33:54,160
Speaker 7: Ship was crazy to kick it like field though, yeah

650
00:33:54,760 --> 00:33:59,880
Speaker 7: it's three was common goals.

651
00:34:01,320 --> 00:34:06,120
Speaker 2: And what he said, uh, you're doing ship for like

652
00:34:06,120 --> 00:34:09,400
Speaker 2: like g T A four points, like like your g

653
00:34:09,520 --> 00:34:09,800
Speaker 2: p A.

654
00:34:10,000 --> 00:34:11,719
Speaker 1: I'm like, yo, okay he.

655
00:34:12,320 --> 00:34:13,719
Speaker 6: And he was flowing, he was round.

656
00:34:13,760 --> 00:34:18,440
Speaker 1: He didn't yeah all right, yeah yeah he.

657
00:34:18,680 --> 00:34:21,920
Speaker 2: One of the people in the chat was like, damn,

658
00:34:21,960 --> 00:34:23,120
Speaker 2: where you get this from?

659
00:34:23,239 --> 00:34:23,520
Speaker 1: Son?

660
00:34:23,960 --> 00:34:31,440
Speaker 2: Like hard that's edition is hard bro a bruiser. I

661
00:34:31,480 --> 00:34:34,640
Speaker 2: appreciate you picking that one. Uh that ship bumping the

662
00:34:34,719 --> 00:34:37,720
Speaker 2: whip one hundred one million, that's.

663
00:34:37,360 --> 00:34:37,799
Speaker 1: One of them.

664
00:34:38,239 --> 00:34:41,160
Speaker 4: Got the got you got.

665
00:34:42,160 --> 00:34:44,439
Speaker 1: That bit bumped by that is bump.

666
00:34:44,880 --> 00:34:47,759
Speaker 2: I'm excited, bro, Like, I'm really excited to see like

667
00:34:47,800 --> 00:34:51,120
Speaker 2: where your career takes off from here, because it's I.

668
00:34:51,040 --> 00:34:53,439
Speaker 1: Don't see it on the way up. I really do.

669
00:34:53,719 --> 00:34:58,280
Speaker 2: Like I think I think your your peer group fucks

670
00:34:58,320 --> 00:35:00,640
Speaker 2: with you. You know what I'm saying, heavy, and I

671
00:35:00,640 --> 00:35:03,160
Speaker 2: think that that's only gonna lead to, you know, an

672
00:35:03,239 --> 00:35:06,560
Speaker 2: expanded career and better music and dope collaborations.

673
00:35:06,560 --> 00:35:06,759
Speaker 6: Man.

674
00:35:06,880 --> 00:35:09,120
Speaker 2: So you know, I pray for you all, all of

675
00:35:09,160 --> 00:35:11,239
Speaker 2: the blesses and everything that you want to come true

676
00:35:11,280 --> 00:35:15,239
Speaker 2: comes true. So yeah, man, I appreciate you taking your

677
00:35:15,239 --> 00:35:18,560
Speaker 2: time with us on the listening. But before we get

678
00:35:18,600 --> 00:35:23,719
Speaker 2: out of here, we got some questions from our patrons.

679
00:35:24,200 --> 00:35:25,520
Speaker 2: You know what I'm saying. These are the people that

680
00:35:25,560 --> 00:35:28,640
Speaker 2: fuck with us. They keep us afloat. So we all

681
00:35:28,640 --> 00:35:32,640
Speaker 2: about twelve questions that they sent them specifically for y'all,

682
00:35:32,640 --> 00:35:34,640
Speaker 2: and then I'm gonna finish it with one question. Typically

683
00:35:34,680 --> 00:35:37,440
Speaker 2: Modest asked this question, but since he's not here, I'm

684
00:35:37,440 --> 00:35:38,200
Speaker 2: gonna take it over.

685
00:35:39,080 --> 00:35:41,640
Speaker 1: But BZ, yeah, the Patrens man.

686
00:35:41,640 --> 00:35:44,160
Speaker 4: All right, first questions from Keilo Beats.

687
00:35:44,200 --> 00:35:46,120
Speaker 3: He said, just saw so I don't know if I

688
00:35:46,320 --> 00:35:49,440
Speaker 3: make the cut or not, but was Eve forty influenced

689
00:35:49,440 --> 00:35:51,759
Speaker 3: to you? I can see a lot of slimmit similarities

690
00:35:51,760 --> 00:35:53,680
Speaker 3: between y'all, which would love to see y'all get a

691
00:35:53,719 --> 00:35:54,600
Speaker 3: record into.

692
00:35:57,320 --> 00:36:00,560
Speaker 7: And now Yeah, like before, just it's a lot of

693
00:36:00,960 --> 00:36:03,200
Speaker 7: a lot of New York rap, a lot of jay Z,

694
00:36:03,320 --> 00:36:09,520
Speaker 7: a lot of Jady Kiss, a lot of knives. Mm

695
00:36:09,600 --> 00:36:10,319
Speaker 7: hmmm

696
00:36:21,400 --> 00:36:25,880
Speaker 3: Mm hmmmm