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Speaker 1: The Frames per Second Podcast.

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Speaker 2: Welcome everybody to a new episode of the French per

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Speaker 2: Second Podcast.

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Speaker 1: When it was going to be Ane joined them on

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Speaker 1: the show. I got Mike Rod and.

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Speaker 2: Spike Yo, we're here man to discuss The Running Man,

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Speaker 2: which is a remake of the nineteen eighty seven classic

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Speaker 2: that originally starred Arnold Schwarzenegger, which is based off of

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Speaker 2: a novel of the same title. I believe this one

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Speaker 2: is directed by Ecker Wright, who did Baby Driver, Scott

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Speaker 2: Pilgrim and Last Night in soho.

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Speaker 3: Yeah it makes sense.

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Speaker 4: That makes sense what last Night and Saw It was

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Speaker 4: good Pacer.

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Speaker 2: Stephen King wrote the original one, which was in nineteen

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Speaker 2: eighty two.

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Speaker 1: Yeah, so uh.

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Speaker 2: Glenn Powell stars Ben Richards, Josh Brolin is Evan mccoone,

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Speaker 2: Coman Domingo. Wait, that got it? Oh no, this is wrong.

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Speaker 2: I got this wrong.

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Speaker 1: My bad.

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Speaker 2: Yeah, but yeah, Coman Domingo was he wasn't Dan Keillyan.

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Speaker 2: That was Josh Brolin.

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Speaker 1: Yep, Josh Broland is Dan Kellyan.

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Speaker 5: It's right in front of you, like, look towards me.

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Speaker 4: It's like it's it's on a web.

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Speaker 2: Oh yeah, all right, all right, so uh yeah, we

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Speaker 2: have Glen Powell playing Ben Richards. Josh Brolin is Dan Kelly,

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Speaker 2: which is the show's producer. Copen Domingo is Bobby t

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Speaker 2: who was the host of the show The Running Man Show,

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Speaker 2: and some other notable names as well.

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Speaker 1: Michael's Sarah Michael Sarah Sarah was in it.

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Speaker 2: I can't wait for him to show up. Because I

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Speaker 2: saw the name on it. I was like, Oh, he's

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Speaker 2: gonna show up. I thought he was the wolf guy.

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Speaker 2: Uh but yeah, man, so that is what we have

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Speaker 2: in terms of who's doing what. So yeah, let's let's

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Speaker 2: get into it. Man, Ron, what you think of this movie?

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Speaker 6: I did not want to see this when I saw it,

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Speaker 6: because I did see the preview, I forgot what movie

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Speaker 6: I was in.

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Speaker 2: I was like, man, what man? Man?

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Speaker 7: Mm hmmm.

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Speaker 6: It was an okay effort, but nah, man, I could

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Speaker 6: have went the rest of my life without seeing this movie.

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Speaker 4: I did not.

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Speaker 6: No, I just just give me run, Just give me

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Speaker 6: on the Swarzer Nagga Running Man. That's that's all. That's

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Speaker 6: all I need. I don't need this. I don't need this.

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Speaker 3: Have you seen the original version?

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Speaker 4: Have I seen the original run?

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Speaker 8: We're not like you, I know it was he's original.

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Speaker 8: It's crazy Allo Swords Nigga, y Codo, I think just

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Speaker 8: the body.

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Speaker 7: Jim Brown Brown, No, No, it's more campy.

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Speaker 5: But it's good.

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Speaker 2: Yeah, it's it's good.

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Speaker 4: Yeah.

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Speaker 2: Yeah, yes, and puns, a lot of puns.

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Speaker 4: Yeah. Yeah.

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Speaker 6: It just felt more authentic than this. This This felt

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Speaker 6: very forced, like like I don't know, man, and I

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Speaker 6: don't know if it's just ruined. I would like to

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Speaker 6: get your take on it. I don't like, I don't

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Speaker 6: know if it's ruined because I like the old one

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Speaker 6: so much.

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Speaker 2: That did this.

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Speaker 6: This just didn't hold hold up what they say called

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Speaker 6: the candle flame to it or something like that.

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Speaker 1: It just didn't.

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Speaker 6: Man, it's just the whole movie. I'm just thinking, it's

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Speaker 6: not this. It's not that Coleman did a.

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Speaker 2: Good job as a as the host, but yeah, this guy,

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Speaker 2: he's not.

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Speaker 4: Yeah, he's not the guy.

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Speaker 5: Like I don't even know his name.

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Speaker 4: I don't even know his name.

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Speaker 6: We knew on a Sworts Nigga's name, like he was

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Speaker 6: an action star hero, Like who is this guy?

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Speaker 2: And that?

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Speaker 6: And I think that was part of the problem. And

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Speaker 6: he is the he's supposed to be the.

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Speaker 2: Movie Glenn Powell got there. He's next. They're trying, they're

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Speaker 2: trying to push. I don't know. I think he's I

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Speaker 2: think I think he got a shot.

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Speaker 4: Really yeah, yeah, I don't know generous. I've never seen

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Speaker 4: at good and anything.

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Speaker 2: But you don't have to be like super good and

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Speaker 2: like Actually he wasn't like great yeh, yeah, he wasn't.

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Speaker 6: But he had he was. He he was type cast.

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Speaker 6: He had a certain thing just like the Jian Klins

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Speaker 6: of the world. The Chuck Norris is of the word

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Speaker 6: like like the SEEDESSI salans like, he's not those guys.

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Speaker 2: But the difference is Arnold Schwarzenegger was already an established star.

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Speaker 2: Glen Powell isn't an established star yet. So I think

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Speaker 2: that's what it is. But it turnally acting, you know,

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Speaker 2: I think did a better job than Schwartzengga did Ship Twisters,

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Speaker 2: That's what I sa Yeah, yeah, yeah, yeah, he's in Twister.

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Speaker 2: So's he's gonna be the blockbuster guy that they're trying

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Speaker 2: to build up as next because they don't really have anybody.

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Speaker 1: It ain't him, So.

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Speaker 2: To me, it ain't him, I would yeah, it ain't him.

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Speaker 4: If if it's anybody, can't I would say, uh, Pascal Pedro,

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Speaker 4: I would say Pedro.

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Speaker 2: Not for a blockbuster, run of the mill, regular type

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Speaker 2: of movie. Do you say this guy over Pedro? I

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Speaker 2: think for just the mainstream plane whatever movie. Yeah. I

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Speaker 2: think they. I think they're working on him to be

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Speaker 2: that guy. He's not him man, So he.

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Speaker 6: Seems too soft, all the muscles.

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Speaker 2: That's what they love about him.

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Speaker 4: It's like he's a he's a he's gonna he's artificial soft,

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Speaker 4: like artificial.

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Speaker 1: They they they they being.

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Speaker 2: Yeah, when it comes to taking the shirt off, He's

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Speaker 2: gonna take a shirt off in every movie because that

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Speaker 2: is a thing for him. He don't seem to he's

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Speaker 2: not ruggled enough. Oh that's no. They love that rugged

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Speaker 2: look like him and Twister. They love that look on him. Yeah,

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Speaker 2: they love that look, the rugged man, America white coup.

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Speaker 2: I'm telling you that's what he is. That I thought

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Speaker 2: he was dead in this No, I'm just saying, like

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Speaker 2: the perception of him and what they're selling to the America,

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Speaker 2: White America, he is good. That's the I may be

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Speaker 2: misreading it, but that I think they're building him.

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Speaker 1: Up to be that guy, which is why they put

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Speaker 1: him in this movie.

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Speaker 4: I think you're giving him a little bit more credit

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Speaker 4: than he deserves. I think, and I'm would Rod in

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Speaker 4: the sense that he doesn't have it like he it's

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Speaker 4: overly something. It just don't trying to be mean. And

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Speaker 4: it's not like he was trying to be mean in

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Speaker 4: the beginning of the movie, just like his face was.

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Speaker 2: Frowning, like he was frowning. He looked like man like,

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Speaker 2: like he could funk me.

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Speaker 4: Up when he hit the glass, like it was just

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Speaker 4: just like, bro, it's I don't believe. I don't believe

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Speaker 4: you know, I don't believe you.

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Speaker 7: Like, is your hand okay?

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Speaker 3: Right?

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Speaker 4: You look you look like you hurt. It looked tough

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Speaker 4: to me. You look hurt, right. But I haven't seen

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Speaker 4: the original, didn't really didn't know about it. I shared

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Speaker 4: the same sentiment as well, it's just never really quite

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Speaker 4: And I watched the preview and I'm thinking this could

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Speaker 4: be again, not knowing that there was an original, I'm like.

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Speaker 2: Damn, it's an interesting story.

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Speaker 4: Somebody on the run from everybody in the world for

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Speaker 4: America whatever, trying to catch him. It's like Hunger Games game.

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Speaker 2: It's like it's the same sort of concept.

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Speaker 4: I thought that would be cool. I thought the concept

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Speaker 4: was cool, but as I was sitting there watching and

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Speaker 4: I was like, this bad. It's not just like Speed

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Speaker 4: three or some ship like that, you know what I'm saying,

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Speaker 4: Like you could tell that there was good material there

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Speaker 4: at one point, but now it's just like, y'all just

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Speaker 4: being honky with this, Bro, this is just that's racist, hokey, hokey,

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Speaker 4: that's wow.

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Speaker 2: Jesus, I know you don't like Glenn Powell.

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Speaker 4: God, y'all, y'all just being hokey with this. But I

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Speaker 4: do also agree. Collin Themingo did an amazing y'all. Did

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Speaker 4: he bodied this? And he was the only person that

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Speaker 4: was believable in the hole camera? Yeah, he was killing shit.

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Speaker 2: Bro.

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Speaker 4: I was like, Bro, he saved this movie, damn near

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Speaker 4: just from an entertaining standpoint when he's on there, like

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Speaker 4: this little comebacks from breaking all that ship, all of

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Speaker 4: that was great. And the guy in the original he

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Speaker 4: was good like that. That was the only part of

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Speaker 4: this that I enjoyed. Yeah, and uh, when your boy

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Speaker 4: came Michael seeing he killed his part.

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Speaker 2: Michael Sarah Sarah White dude with the mom from the

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Speaker 2: dude from Oh Yeah, Super Bad yeah you know, oh yeah, yeah, yeah, yeah,

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Speaker 2: I like him a lot.

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Speaker 3: He killed it, you like him?

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Speaker 7: Yeah, I'm with them, y'all keep this now. The interesting

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Speaker 7: thing is that this is supposedly more like the book

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Speaker 7: than the original Running Man is the problem with this

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Speaker 7: movie is I think it's an amazing concept. I'm with

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Speaker 7: them one hundred percent. That dude is not the guy.

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Speaker 7: There was nothing about him that made me think, oh,

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Speaker 7: you're tough, like nothing. And then they didn't even explain

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Speaker 7: like is he a fighter? Like what's this damn job?

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Speaker 2: Why was he able to?

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Speaker 4: Yeah, they tried to. They tried to intertwe it in

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Speaker 4: there with the little flashbacks because they showed he did

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Speaker 4: it at his job when he saved. No, he's not

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Speaker 4: a fighter, though, but he just got so he didn't

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Speaker 4: he did.

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Speaker 7: He was whopping out like he was he was fighting people,

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Speaker 7: and it was like, that's not normal fighting like he's

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Speaker 7: a trained fighter.

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Speaker 2: Just didn't.

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Speaker 5: It wasn't believable.

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Speaker 4: And we're trying to say since he had so many

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Speaker 4: different jobs, that he had gained all of these different

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Speaker 4: experiences and that's what's gonna help him. That's when this thing.

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Speaker 4: But I agree with you was with yeah. I was

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Speaker 4: just like, this is what the is happening right now?

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Speaker 4: I hope this dude, because he's not.

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Speaker 7: Not for action movies, he'll probably be finding a drama.

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Speaker 2: He's not. He not The next time Cruise, he was.

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Speaker 3: Better than Twisters, and that was a bad.

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Speaker 2: He was better.

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Speaker 4: I believe that version of him more than I did

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Speaker 4: this one. And then he married to my girl from

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Speaker 4: Sinners too, who from Sinners black chick, that's the preacher

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Speaker 4: boy had a crush.

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Speaker 3: On her in Sinners.

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Speaker 2: Oh really wait what?

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Speaker 3: Yeah?

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Speaker 7: Oh I thought you were saying in real life?

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Speaker 5: Oh yeah, that's Taylor even that's Taylor Page.

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Speaker 4: That's not Taylor.

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Speaker 2: It wasn't no from Sinners.

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Speaker 7: I could have sworn the credit said Taylor Page was.

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Speaker 2: A girl from Preaching to you got way mixed up.

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Speaker 7: You about to be like, oh, yeah, no, she's in

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Speaker 7: she's in dairy. That's what I'm thinking. She is welcome

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Speaker 7: to Daary.

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Speaker 2: She's beautiful though she was.

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Speaker 3: It was a singer from Sinners.

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Speaker 2: Oh yeah, yeah, yeah, that's right.

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Speaker 7: I could believe that they were married, but they had

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Speaker 7: no they had no chemistry. But I mean, looks wise,

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Speaker 7: I could see it, but they had zero chemistry, so

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Speaker 7: that is not your baby.

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Speaker 2: You know. I think for the purpose of the move

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Speaker 2: to service motivation for him, I don't know if they

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Speaker 2: needed a lot of chemistry because they want on ain't

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Speaker 2: a lot anyway.

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Speaker 7: It was Yeah, I feel you on that.

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Speaker 1: But I understand what you're saying.

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Speaker 7: Yeah, I have to believe that he's sacrificing himself for

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Speaker 7: these people exactly. And at no point that I believe

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Speaker 7: I felt that at any point like, oh man, I

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Speaker 7: really hope he gets this this so he can get

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Speaker 7: his baby.

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Speaker 6: I never felt like he did. He didn't care about

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Speaker 6: that black baby, right, Yeah.

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Speaker 2: I mean they they went out of their way early

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Speaker 2: to basically say he's just the angry white man, you know,

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Speaker 2: with the baby, and he bringing a baby just so

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Speaker 2: he wouldn't fight the guy and stuff like that. The

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Speaker 2: guy from uh Detster, he was from Dexster, right, which

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Speaker 2: hit the boss in the beginning. Oh that was Angel yeah, yeah, yeah, yeah.

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Speaker 2: You know, so they were trying to go out and

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Speaker 2: just establish he's just the angry white white man or

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Speaker 2: angry man that's fighting for the regular person, that's going

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Speaker 2: out of his way, and because of that, you know,

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Speaker 2: he ends up losing his job, fighting against the system.

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Speaker 4: Boom off rip.

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Speaker 2: This is who this guy is at the detriment of

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Speaker 2: his of his family, you know, his baby is, you know, sick,

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Speaker 2: got the fluid whatever, And of course the corporate establishment

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Speaker 2: or corporate America doesn't care about that. So that was

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Speaker 2: pretty much the whole premise. I'm with you, guys. I

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Speaker 2: don't think nor did I ever feel like him fighting

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Speaker 2: for us. I'm not a big I'm gonna do this

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Speaker 2: for my family sort of guy in movies.

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Speaker 1: You know, it's just like it's a.

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Speaker 2: It works. It's supposed to be an emotional hook, you know,

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Speaker 2: for people and service motivation throughout the movie. You don't

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Speaker 2: like the.

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Speaker 3: Lieson, Yeah, that's exactly what.

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Speaker 1: I just you know, it's just I like what he's

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Speaker 1: doing and taking.

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Speaker 2: But but that's the motivation though, Yeah, I mean it

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Speaker 2: serves as a motivation. But I'm with you, guys, I

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Speaker 2: don't it just never felt like like that was like

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Speaker 2: really driving him to be this I'm gonna survive at

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Speaker 2: all costs.

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Speaker 1: See.

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Speaker 2: I think that's the fault of the movie though in

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Speaker 2: the acting.

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Speaker 6: I don't mind that motivation and Leans Nilsen is a

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Speaker 6: good example of that, Like it seemed like like he

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Speaker 6: really was like, oh man, even the scenes where they

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Speaker 6: kill his family or whatever, it's like, oh shit, he's

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Speaker 6: fucking mad. I never got that from this guy.

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Speaker 2: Oh I got I got mad. I felt like it

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Speaker 2: was it made I think the criticism of that time

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Speaker 2: it seemed like it was way maybe way over the top,

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Speaker 2: like he was trying to present too much of an

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Speaker 2: angry person to sell that to the watchers. So overall though.

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Speaker 6: And they had a commitic, a comedic element to it

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Speaker 6: because when they were trying to go through all the

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Speaker 6: things that he was saying like oh yeah, I'm.

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Speaker 2: Like, yeah, this isn't helping. Yeah. Overall, I didn't think

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Speaker 2: it was that bad, though I thought it was gonna

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Speaker 2: be awful. I really I didn't think it was that bad.

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Speaker 1: I think.

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Speaker 2: Reflecting back on it, there were like big gaps that

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Speaker 2: you know, I felt like I could have ded without.

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Speaker 2: There were moments where I was asking, so, how are

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Speaker 2: you going to get because you're supposed to do thirty

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Speaker 2: something days of not being captured, So I'm like, how

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Speaker 2: are you going.

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Speaker 1: To do this? In day one? They found you, like, so.

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Speaker 2: How the hell are you going to go through his

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Speaker 2: ould movie for thirty Days. Found that was. Yeah, it

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Speaker 2: was like, and you don't have any real set of

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Speaker 2: skills lin this he and Liam had some skills, particular

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Speaker 2: particular set of skills, you know, in this one he didn't.

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Speaker 2: But I love the messaging in it. It was very

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Speaker 2: overtp you know at times. But you know, I think

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Speaker 2: going in it, I felt like I didn't know that

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Speaker 2: Mike that it was. It was closer to the book

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Speaker 2: because in the original that he thought basically super super Rise,

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Speaker 2: you know. So I understand the remake and taking it

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Speaker 2: in a different direction, which is more appropriate for the

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Speaker 2: times that we're in right now. You know, I get

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Speaker 2: all that. It's just the motivation, I don't know, because

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Speaker 2: she already had the money Your baby fine, bro, six

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Speaker 2: hundred he got in the beginning, Yeah, your baby fine. Yeah.

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Speaker 4: He was supposed to win a billion though, right, that

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Speaker 4: was I get that motivation.

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Speaker 2: Yeah, but he went on the game show to get

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Speaker 2: money because he didn't want his wife going down there,

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Speaker 2: you know, stripping on.

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Speaker 4: A pole or whatever she was watering.

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Speaker 1: Yeah.

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Speaker 3: Wait, I don't know. The motivation was fine.

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Speaker 4: I just didn't feel like there weren't enough interesting stops

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Speaker 4: along the way. I feel like for a movie like

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Speaker 4: this to work, like you had Michael Sarah's character and

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Speaker 4: he ran it to the lady at the end, who

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Speaker 4: was like the I guess gen Zier or whatever she

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Speaker 4: was supposed to be with the Gucci scarf. Like, since

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Speaker 4: dude isn't good at all, there should have been a

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Speaker 4: lot of interesting stops on the way, like him running

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Speaker 4: into more interesting people as he was trying to get

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Speaker 4: this done.

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Speaker 2: Yeah, there was definitely a drag towards the medal. You

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Speaker 2: mentioned when I named the movies that this guy directed,

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Speaker 2: you said, that makes sense. How do you feel like

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Speaker 2: his directed style or I guess you can you can

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Speaker 2: answer this to if you have an answered shape this

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Speaker 2: this particular version of The Running Man. So I don't.

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Speaker 6: I don't, like I said in the beginning, like I

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Speaker 6: thought it was a decent effort at it because I

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Speaker 6: thought it was gonna be way worse or whatever. So

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Speaker 6: you know, I wasn't like, oh God, give me out

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Speaker 6: of this movie theater because there was moments.

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Speaker 2: Where I was like, Okay, that kind of works or whatever.

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Speaker 4: But I typically like.

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Speaker 1: His his style.

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Speaker 2: You know, the Baby Drive did a Baby Drive, Baby

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Speaker 2: Driver last night and soho and yeah yeah, yeah yeah.

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Speaker 6: So so I'm not I'm not mad at his directing style.

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Speaker 6: So I think that could.

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Speaker 4: Have been fun.

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Speaker 2: Really my problem is the main I think if you

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Speaker 2: had a good lead, I think this would have been

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Speaker 2: a lot better.

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Speaker 6: He is the running it's called the running Man, and

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Speaker 6: your lead is the worst, almost the worst part of

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Speaker 6: the movie.

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Speaker 4: I was gonna say the same thing when you ask direction.

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Speaker 4: It wasn't him. It wasn't like the things that I noticed,

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Speaker 4: like from Baby Driver in this film that is similar.

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Speaker 4: They were good things. It was like he did a

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Speaker 4: good job of storytelling, pacing. He just didn't have a

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Speaker 4: lot to work with the main dude. That's my biggest issue.

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Speaker 4: Like even at the end, like when they were not

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Speaker 4: to jump ahead, but when they told him him, oh

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Speaker 4: you're the ultimate hunter, like know you not? I he

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Speaker 4: was that band though he was awful. He took the

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Speaker 4: movie down or notch, like it could have been a

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Speaker 4: good movie. To Rodge's point, like the direction, the storyline,

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Speaker 4: the plot, all of the stuff that they did was good.

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Speaker 3: He was just awful.

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Speaker 5: He's not believable as this character, you know.

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Speaker 7: But my my issue started when they were like, oh,

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Speaker 7: we gotta save our kids.

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Speaker 5: Kids got the flu. I'm like, your kid has the flu.

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Speaker 7: They couldn't think of anything else. The kid has the flu,

378
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Speaker 7: and they were like, oh, you know this, this this

379
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Speaker 7: stuff that we're giving the kid is just you know,

380
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Speaker 7: masking the symptoms.

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Speaker 5: We have to get the cure.

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Speaker 4: Okay.

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Speaker 7: So in the future there's a cure for the flu,

384
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Speaker 7: but also the few flu kills babies.

385
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Speaker 1: The fever is dangerous.

386
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Speaker 4: At least say long term cold.

387
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Speaker 7: Is something that may be like, oh no, poor baby

388
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Speaker 7: and all.

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Speaker 2: Honestly, Mike, I was shocked that it was just the

390
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Speaker 2: damn flu. I was something else.

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Speaker 7: Well, they better they should have said that. They should

392
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Speaker 7: have said that ship because I was like, this a

393
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Speaker 7: little motherfucker if you don't give them some tossing and

394
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Speaker 7: in this movie.

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Speaker 2: Yeah, because that's something you your your body tends, i

396
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Speaker 2: mean tends to well fight off the Yeah. No, never

397
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Speaker 2: mind the flu, take out pokes, never mind, Yeah, never mind.

398
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Speaker 2: They're trying to push to push the flu vaccine right now.

399
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Speaker 4: So you do it.

400
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Speaker 5: My job makes me Okay.

401
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Speaker 2: So you guys are not on board with the reimagining

402
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Speaker 2: of the Running.

403
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Speaker 1: Man because having seen you know.

404
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Speaker 2: I know you two have seen the original, you know,

405
00:19:12,119 --> 00:19:15,000
Speaker 2: so this version of The Running Man, I'm.

406
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Speaker 7: Fine with the retelling of the story. Yeah, you know,

407
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Speaker 7: I know dipshits will be like, Oh, it's because you're

408
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Speaker 7: old and y'all don't understand why they do this, and

409
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Speaker 7: y'all just want stuff to stay the same.

410
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Speaker 2: No.

411
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Speaker 7: No, I'm completely fine with them opening The Running Man

412
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Speaker 7: up to it being in the real world because I

413
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Speaker 7: like that aspect of it being regular people that could

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Speaker 7: find him and kill him and they get the money.

415
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Speaker 2: So I liked all of that. It's just the guy.

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Speaker 7: I was just like, how is he whopping all these

417
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Speaker 7: dudes ass?

418
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Speaker 5: How is he winning these fights? Why is he winning

419
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Speaker 5: these fights?

420
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Speaker 2: Why am I.

421
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Speaker 7: Supposed to believe that he's tough when I feel like

422
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Speaker 7: I could whoop his ass? I just it just didn't That.

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Speaker 5: Part didn't work.

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Speaker 7: But the retelling of the story, I thought, if you

425
00:19:59,160 --> 00:20:02,040
Speaker 7: put somebody else in that role, I feel like this

426
00:20:02,320 --> 00:20:06,080
Speaker 7: story was really cool. Open it up to the entire world.

427
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Speaker 7: I think that's dope, at least the city.

428
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Speaker 2: I think that's why I like it more than you guys,

429
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Speaker 2: because I think I liked the idea behind the story

430
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Speaker 2: corporate media being a dictatorship controlling.

431
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Speaker 1: What the propaganda. You know.

432
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Speaker 2: So, yeah, so that actor didn't really bother me that much.

433
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Speaker 2: He was just kind of a vehicle to get through it.

434
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Speaker 2: And I already know that.

435
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Speaker 4: The hus car if he was the vehicle that was

436
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Speaker 4: as car.

437
00:20:38,480 --> 00:20:41,440
Speaker 2: That was you know, hey man something. But you still

438
00:20:41,480 --> 00:20:46,240
Speaker 2: got to me, right, you know, you know so, and

439
00:20:46,320 --> 00:20:47,960
Speaker 2: I know that they're trying to push him. I think

440
00:20:48,000 --> 00:20:50,280
Speaker 2: I'm trying to see you know, when I'm watching, I'm like,

441
00:20:50,480 --> 00:20:54,760
Speaker 2: it could he And from what I'm saying, it's been successful,

442
00:20:55,760 --> 00:20:58,080
Speaker 2: you know, in terms of yeah, it says the runner

443
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Speaker 2: man delivers one of the biggest office spots off his

444
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Speaker 2: debuts for a Stephen King uh adaptation. Now what does

445
00:21:05,040 --> 00:21:07,600
Speaker 2: that mean that? You know, I have to read more

446
00:21:07,600 --> 00:21:09,960
Speaker 2: of the article, but either way, I go so, I

447
00:21:10,160 --> 00:21:14,520
Speaker 2: you know, I like that aspect of it. It's it's

448
00:21:14,520 --> 00:21:15,920
Speaker 2: a story here, but it's not a lot of story

449
00:21:15,960 --> 00:21:18,119
Speaker 2: because he's spending a lot of time running around, like

450
00:21:18,200 --> 00:21:19,800
Speaker 2: you know, he goes and meet the guy you know,

451
00:21:19,880 --> 00:21:23,040
Speaker 2: of course he's his child sick. The sock is supposed

452
00:21:23,080 --> 00:21:25,080
Speaker 2: to be like this thing that connects.

453
00:21:24,880 --> 00:21:26,200
Speaker 3: Did the song around it?

454
00:21:26,200 --> 00:21:28,560
Speaker 4: It was the kids. But when he found it, where

455
00:21:28,560 --> 00:21:29,160
Speaker 4: did it come from?

456
00:21:29,280 --> 00:21:37,119
Speaker 2: I have no idea it's but there wasn't a loss

457
00:21:37,119 --> 00:21:38,000
Speaker 2: sock was it?

458
00:21:38,000 --> 00:21:40,920
Speaker 4: It was.

459
00:21:41,440 --> 00:21:42,399
Speaker 5: Sock in his pocket.

460
00:21:42,600 --> 00:21:43,760
Speaker 7: I was like, what is happening?

461
00:21:44,080 --> 00:21:47,639
Speaker 2: What happened? But my thing is if you're looking for

462
00:21:47,680 --> 00:21:49,520
Speaker 2: the sock, you always check your pockets.

463
00:21:49,560 --> 00:21:50,639
Speaker 3: That's what I would have thought.

464
00:21:51,520 --> 00:21:53,479
Speaker 6: Yeah, that's why he was looking at bit like, damn, man,

465
00:21:53,600 --> 00:21:55,320
Speaker 6: I couldn't just check my pockets.

466
00:21:55,320 --> 00:21:57,159
Speaker 4: That's what I got to look up in the air for.

467
00:21:57,960 --> 00:22:00,880
Speaker 4: I thought he did as a sign. Yeah, I thought

468
00:22:00,880 --> 00:22:03,560
Speaker 4: he was like, oh god, this is like he was

469
00:22:03,600 --> 00:22:04,760
Speaker 4: just like, yeah, of course is right.

470
00:22:04,840 --> 00:22:07,480
Speaker 6: You're like, damn, because now you get busy sometimes you

471
00:22:07,520 --> 00:22:09,520
Speaker 6: just especially you're picking up shit, you put stuff in

472
00:22:09,520 --> 00:22:13,000
Speaker 6: your pockets, like when you clean up after your kids

473
00:22:13,000 --> 00:22:16,080
Speaker 6: and all that. Yeah, you just push it everywhere like yeah.

474
00:22:16,160 --> 00:22:18,240
Speaker 2: So yeah, So they got this free V thing which

475
00:22:18,320 --> 00:22:21,639
Speaker 2: keeps you know, everybody's in this sort of docile state

476
00:22:21,880 --> 00:22:28,439
Speaker 2: with reality game action, which of course it seemed very simple,

477
00:22:28,600 --> 00:22:30,920
Speaker 2: you know, sounds very real about what happens right now

478
00:22:31,600 --> 00:22:35,000
Speaker 2: this network and he was even in the beginning, he

479
00:22:35,040 --> 00:22:37,000
Speaker 2: was watching all these different game shows. That's the way

480
00:22:37,000 --> 00:22:41,320
Speaker 2: to make money, you know, and then with the game,

481
00:22:41,480 --> 00:22:46,120
Speaker 2: the runners get a twelve hour head start one thousand

482
00:22:46,200 --> 00:22:48,679
Speaker 2: dollars and then they get money for you know, all

483
00:22:48,720 --> 00:22:50,200
Speaker 2: the hunters and stuff that they killed.

484
00:22:50,320 --> 00:22:51,399
Speaker 5: Yeah.

485
00:22:51,760 --> 00:22:54,359
Speaker 2: So yeah, and they're being is supposed to be an angry,

486
00:22:54,400 --> 00:22:56,840
Speaker 2: paranoid guy that fights against the system. And that was

487
00:22:56,840 --> 00:23:01,240
Speaker 2: pretty much it. So, you know, just a whole commentary

488
00:23:01,280 --> 00:23:09,760
Speaker 2: on poverty, you know, media as well. So so anyway,

489
00:23:09,760 --> 00:23:14,040
Speaker 2: what did you guys think about? Like so in the beginning,

490
00:23:15,080 --> 00:23:17,840
Speaker 2: he went to go meet this guy Molly. Molly is

491
00:23:18,800 --> 00:23:21,960
Speaker 2: this version of Mike in the original I don't know

492
00:23:22,000 --> 00:23:23,919
Speaker 2: if anybody have seen the original version. He was the

493
00:23:23,920 --> 00:23:27,439
Speaker 2: one that kind of helped anybody listening. He was the

494
00:23:27,440 --> 00:23:29,000
Speaker 2: one that helped them get the collar off. So he's

495
00:23:29,000 --> 00:23:31,760
Speaker 2: supposed to be the tech guy, but he snitched quick.

496
00:23:32,520 --> 00:23:34,400
Speaker 1: Well he snitched like.

497
00:23:34,400 --> 00:23:38,720
Speaker 2: A motherfucker bro. But but yeah, so he gives him

498
00:23:38,720 --> 00:23:44,480
Speaker 2: a preacher, all these different disguises, which were terrible disguises,

499
00:23:44,720 --> 00:23:48,040
Speaker 2: y'all think, Yes, was he good at his job?

500
00:23:48,600 --> 00:23:49,320
Speaker 3: No he was not.

501
00:23:50,080 --> 00:23:52,600
Speaker 2: It was the same damn hairstyle.

502
00:23:52,960 --> 00:23:54,600
Speaker 1: The mustache.

503
00:23:56,080 --> 00:23:59,120
Speaker 5: Still you man, Yeah, like what are we doing?

504
00:23:59,640 --> 00:24:06,720
Speaker 2: He dow, Yeah, going on did y'all live we snatched

505
00:24:06,760 --> 00:24:08,760
Speaker 2: that kid up on the plane or the bus.

506
00:24:09,040 --> 00:24:09,800
Speaker 4: I did not laugh.

507
00:24:10,000 --> 00:24:12,399
Speaker 2: I don't remember remember that kid was like, hey, mister,

508
00:24:12,480 --> 00:24:17,400
Speaker 2: your your face, your face, and he snatched him up. Yeah.

509
00:24:18,080 --> 00:24:19,800
Speaker 3: I didn't see it as must as was coming on.

510
00:24:20,480 --> 00:24:24,720
Speaker 2: He was just going to see it was snatched that

511
00:24:24,800 --> 00:24:28,480
Speaker 2: little fat, fat motherfucker up. Bro, I'm sorry.

512
00:24:31,359 --> 00:24:32,359
Speaker 1: I thought that was funny.

513
00:24:33,160 --> 00:24:35,320
Speaker 2: I thought that was funny. That's good. I'm glad he

514
00:24:35,440 --> 00:24:39,520
Speaker 2: look man, it wasn't a lot. Yeah, I thought that

515
00:24:39,600 --> 00:24:43,000
Speaker 2: was funny that he snatched him up like that. Uh

516
00:24:44,240 --> 00:24:48,280
Speaker 2: so yeah, so he ends up hiding out at a hotel. Yeah,

517
00:24:49,320 --> 00:24:53,639
Speaker 2: and uh they found him. Never really say how. I

518
00:24:53,680 --> 00:24:55,960
Speaker 2: think later on we found out that they were using

519
00:24:56,119 --> 00:24:59,000
Speaker 2: the track. Well, it was really stupid because he has

520
00:24:59,040 --> 00:25:04,240
Speaker 2: to make a video yeah ten minutes, and the video

521
00:25:04,359 --> 00:25:07,040
Speaker 2: is connected to the network and then where I p

522
00:25:07,400 --> 00:25:10,879
Speaker 2: which can be triangulated like bro, of course they're gonna

523
00:25:10,880 --> 00:25:12,520
Speaker 2: find you, like.

524
00:25:14,200 --> 00:25:14,960
Speaker 1: So yeah, so that's the.

525
00:25:14,960 --> 00:25:17,520
Speaker 6: Whole reason they got the system in place, like probably

526
00:25:17,560 --> 00:25:20,000
Speaker 6: just so they can't find you. That's why he had

527
00:25:20,000 --> 00:25:22,160
Speaker 6: to try to put up curtains and ship like that

528
00:25:22,840 --> 00:25:24,040
Speaker 6: so they can't know where he is.

529
00:25:24,119 --> 00:25:25,640
Speaker 4: What that like, you said this matter?

530
00:25:26,119 --> 00:25:32,679
Speaker 2: Yeah, so and this particular one for whatever reason, I

531
00:25:32,720 --> 00:25:34,400
Speaker 2: told you, Robley trying to sell him. Bro, he got

532
00:25:34,440 --> 00:25:36,320
Speaker 2: nicked and he went to.

533
00:25:36,240 --> 00:25:40,400
Speaker 4: Then't always work, man, he went to the chow.

534
00:25:41,520 --> 00:25:45,320
Speaker 2: It depends on looking rot but him running around neked,

535
00:25:46,160 --> 00:25:48,639
Speaker 2: climbing the side of the building necket.

536
00:25:48,960 --> 00:25:50,560
Speaker 5: Like, man, if you don't get this ship out of here.

537
00:25:51,640 --> 00:25:52,679
Speaker 1: That didn't work for y'all, No.

538
00:25:53,560 --> 00:25:54,639
Speaker 4: It did not didn't work for you.

539
00:25:56,640 --> 00:26:01,399
Speaker 2: It didn't make any sense, like because I guess he

540
00:26:01,480 --> 00:26:05,520
Speaker 2: was just gonna walk back to the thing with a towel.

541
00:26:07,119 --> 00:26:09,639
Speaker 4: How no one outside see his building?

542
00:26:09,800 --> 00:26:13,280
Speaker 2: Yeah, he just left your clothes and that's it. So

543
00:26:13,359 --> 00:26:16,000
Speaker 2: in this scene, though, Mike, he didn't he didn't really

544
00:26:16,119 --> 00:26:21,399
Speaker 2: fight any hunters. They just he he got He was

545
00:26:21,520 --> 00:26:25,440
Speaker 2: really lucky because the building blew up with the gas

546
00:26:25,440 --> 00:26:30,080
Speaker 2: and stuff. Yeah yeah, which for a regular guys at

547
00:26:30,080 --> 00:26:32,280
Speaker 2: this moment it felt believable because I'm like, how you

548
00:26:32,320 --> 00:26:34,600
Speaker 2: have no skills, how are you going to get out

549
00:26:34,640 --> 00:26:38,159
Speaker 2: of this situation with these people chasing you? You know,

550
00:26:38,320 --> 00:26:40,840
Speaker 2: So it blew up and they blamed everything on him,

551
00:26:41,040 --> 00:26:44,000
Speaker 2: and then that's when you run into.

552
00:26:43,800 --> 00:26:44,320
Speaker 1: The black kid.

553
00:26:46,320 --> 00:26:49,480
Speaker 2: You don't like the Black family kids are horrible.

554
00:26:50,119 --> 00:26:55,680
Speaker 4: Yeah, they're pretty What happens to the good actors?

555
00:26:55,720 --> 00:26:55,920
Speaker 2: Man?

556
00:26:56,080 --> 00:26:58,879
Speaker 4: Like what happens? That's what I'm trying to remember.

557
00:26:58,920 --> 00:27:02,680
Speaker 2: Whatever, it seemed like, you know, all that they were adults.

558
00:27:02,720 --> 00:27:04,280
Speaker 5: We thought that Gary Coleman.

559
00:27:06,960 --> 00:27:13,560
Speaker 4: There was good, Ravens was good. I'm telling you, I

560
00:27:13,600 --> 00:27:21,120
Speaker 4: don't know what Plunky Brewster, Yeah, I don't know what's

561
00:27:21,160 --> 00:27:22,600
Speaker 4: going on with your actors man.

562
00:27:23,119 --> 00:27:24,240
Speaker 5: Yeah, that's a little motherfucker.

563
00:27:25,480 --> 00:27:30,000
Speaker 2: I felt really bad for that family though, And I

564
00:27:30,040 --> 00:27:32,719
Speaker 2: don't even know if he even helped them. Which family,

565
00:27:33,160 --> 00:27:36,800
Speaker 2: the black family? Because this is where we meet the resistance.

566
00:27:36,840 --> 00:27:39,040
Speaker 2: So we went from like part action, then we get

567
00:27:39,080 --> 00:27:42,080
Speaker 2: into like the so called political part of the movie.

568
00:27:42,960 --> 00:27:45,520
Speaker 2: Uh for like the second act, I think it is

569
00:27:45,520 --> 00:27:48,000
Speaker 2: what they would call it where he meets the black

570
00:27:48,080 --> 00:27:52,600
Speaker 2: kid and then the other black guy that wasn't gonna

571
00:27:52,600 --> 00:27:55,639
Speaker 2: snitch on him. Chance. Yeah, he had a chance to

572
00:27:55,680 --> 00:27:58,080
Speaker 2: call in and get the reward money and he didn't,

573
00:27:58,400 --> 00:28:04,160
Speaker 2: which all have call this in. I don't know, you're

574
00:28:04,160 --> 00:28:07,280
Speaker 2: a resistance fighter make money again until that money come

575
00:28:07,320 --> 00:28:10,719
Speaker 2: on with face? And you know, I think they you know,

576
00:28:10,840 --> 00:28:13,160
Speaker 2: that's why they made the you know, it was also

577
00:28:13,280 --> 00:28:14,920
Speaker 2: part of the show that they don't care about the poor.

578
00:28:15,800 --> 00:28:19,080
Speaker 2: But you know, the daughter of his sister had cancer,

579
00:28:19,160 --> 00:28:22,760
Speaker 2: lung cancer, and then they connected that to you know,

580
00:28:22,840 --> 00:28:26,760
Speaker 2: pollution and radiation and stuff like that. So I thought

581
00:28:26,760 --> 00:28:28,760
Speaker 2: that was sad because she was in a lot of pain.

582
00:28:29,480 --> 00:28:33,480
Speaker 2: Would you have turned them in? Rock what I.

583
00:28:35,000 --> 00:28:35,760
Speaker 3: Want to turn them in?

584
00:28:36,520 --> 00:28:41,120
Speaker 2: You hearing your your sister in there in excruciating pain,

585
00:28:42,040 --> 00:28:46,120
Speaker 2: and this reward money can help alleviate that.

586
00:28:48,600 --> 00:28:49,760
Speaker 1: You wouldn't have been a like.

587
00:28:49,840 --> 00:28:52,560
Speaker 6: I mean, this guy seemed like well, based on this character,

588
00:28:52,640 --> 00:28:55,920
Speaker 6: he seemed like he was really really against what they

589
00:28:55,920 --> 00:28:58,959
Speaker 6: were doing, Like he had tapes upon tapes, so in

590
00:28:59,000 --> 00:29:02,800
Speaker 6: his situation, no, I mean, it didn't make sense, but

591
00:29:02,880 --> 00:29:09,080
Speaker 6: he asking me personally, maybe, yeah.

592
00:29:08,680 --> 00:29:11,600
Speaker 2: They created a scenario where it called for him to

593
00:29:11,600 --> 00:29:15,560
Speaker 2: do it. Yeah, but I think what he did, what

594
00:29:15,680 --> 00:29:18,040
Speaker 2: he did a good job of saying is the reason

595
00:29:18,040 --> 00:29:20,440
Speaker 2: why he didn't do is because basically he's at the

596
00:29:20,440 --> 00:29:23,400
Speaker 2: game was rigged. So even if he called the men,

597
00:29:24,360 --> 00:29:26,000
Speaker 2: there was no way they were going to get the money,

598
00:29:26,040 --> 00:29:29,840
Speaker 2: which is why he said there was no point exactly exactly. Yeah,

599
00:29:30,240 --> 00:29:33,200
Speaker 2: but yeah, it's he ended up being right though, Yeah,

600
00:29:33,320 --> 00:29:37,200
Speaker 2: for sure. So yeah, yeah, yeah, he was right, isn't

601
00:29:37,200 --> 00:29:39,000
Speaker 2: it how rewards be working to like they don't be

602
00:29:39,000 --> 00:29:40,040
Speaker 2: giving people them shits for.

603
00:29:40,000 --> 00:29:43,240
Speaker 4: Real, only if you uh, you kind of wait until

604
00:29:43,320 --> 00:29:45,400
Speaker 4: the charges are actually like prosecuting.

605
00:29:45,480 --> 00:29:45,600
Speaker 1: Right.

606
00:29:45,640 --> 00:29:47,600
Speaker 6: They put all these stipulations around it to where you're like,

607
00:29:47,640 --> 00:29:48,640
Speaker 6: you know what, just fuck it?

608
00:29:48,880 --> 00:29:49,840
Speaker 2: Right, Yeah, this.

609
00:29:49,920 --> 00:29:52,160
Speaker 4: Part where they he gotta be like, oh, they got

610
00:29:52,160 --> 00:29:54,680
Speaker 4: to go to court and get convicted, then you get

611
00:29:54,680 --> 00:29:55,120
Speaker 4: your money.

612
00:29:55,120 --> 00:29:56,600
Speaker 6: But they just did it in another show. I know

613
00:29:56,640 --> 00:29:57,920
Speaker 6: that's not real life, but they just did it in

614
00:29:57,920 --> 00:30:03,120
Speaker 6: another show where they think task yeah that's why.

615
00:30:03,360 --> 00:30:07,120
Speaker 2: Yeah yeah so and then in this part that's when

616
00:30:07,320 --> 00:30:09,520
Speaker 2: you know, we realized, like very similar to the first one,

617
00:30:09,560 --> 00:30:12,360
Speaker 2: that they're editing and doing deep fakes and changing everything

618
00:30:12,440 --> 00:30:16,360
Speaker 2: so he can't even get the message out. What I

619
00:30:16,400 --> 00:30:19,160
Speaker 2: don't know and maybe one of you guys can tell me,

620
00:30:19,160 --> 00:30:20,960
Speaker 2: because I only watched it once. How did them people

621
00:30:21,040 --> 00:30:25,080
Speaker 2: find them? Remember he was attacked by people on bikes,

622
00:30:25,680 --> 00:30:28,520
Speaker 2: but those were not the hunters, So how did they

623
00:30:28,560 --> 00:30:31,520
Speaker 2: know Ben Richards was even in that building when he

624
00:30:31,560 --> 00:30:34,600
Speaker 2: brought him out to take him to the trains.

625
00:30:34,760 --> 00:30:36,960
Speaker 6: Remember they said they had hunters and some other people.

626
00:30:37,080 --> 00:30:40,640
Speaker 6: It was like some village bench lante type people I know.

627
00:30:40,720 --> 00:30:43,480
Speaker 2: But he was staying in that he was basically hidden

628
00:30:43,480 --> 00:30:46,400
Speaker 2: out of sight. He never really came out of the

629
00:30:46,400 --> 00:30:46,960
Speaker 2: the apartment.

630
00:30:47,360 --> 00:30:47,800
Speaker 3: Apartment.

631
00:30:48,040 --> 00:30:52,520
Speaker 4: Yeah, I thought I thought the I thought the home

632
00:30:52,600 --> 00:30:56,000
Speaker 4: the home the crazy guy outside.

633
00:30:56,800 --> 00:30:58,640
Speaker 6: He would pass by him and stuff, and he didn't

634
00:30:58,680 --> 00:31:00,400
Speaker 6: think he realized. He thought he was just crazy, But

635
00:31:00,440 --> 00:31:03,840
Speaker 6: he wasn't. He was actually like he was on operation.

636
00:31:04,280 --> 00:31:04,960
Speaker 6: He wasn't like.

637
00:31:04,920 --> 00:31:08,800
Speaker 2: An actual that was that was the that wasn't Was

638
00:31:08,800 --> 00:31:11,720
Speaker 2: that the No, that was the third time he escaped

639
00:31:11,760 --> 00:31:15,400
Speaker 2: from them, right, No, that's the first time hotel.

640
00:31:15,640 --> 00:31:18,440
Speaker 6: And that's he thought it was just a crazy man outside,

641
00:31:18,440 --> 00:31:21,440
Speaker 6: but it wasn't. It was just somebody doing intel.

642
00:31:21,720 --> 00:31:21,960
Speaker 1: Yeah.

643
00:31:22,120 --> 00:31:24,480
Speaker 2: Yeah, so that's how Yeah that was dope.

644
00:31:24,560 --> 00:31:25,360
Speaker 4: Yeah, that's how they feel.

645
00:31:25,840 --> 00:31:27,360
Speaker 2: But yeah, the second one, I don't know how the

646
00:31:27,440 --> 00:31:30,360
Speaker 2: vigilantes followed him, but anyway, I guess, well, I think

647
00:31:30,400 --> 00:31:32,680
Speaker 2: that at that point, he was on the he was

648
00:31:32,680 --> 00:31:33,280
Speaker 2: on the news.

649
00:31:34,480 --> 00:31:35,640
Speaker 5: Yeah, but how they know where he was?

650
00:31:35,720 --> 00:31:38,160
Speaker 2: Yeah, because he was on he was on the news

651
00:31:38,200 --> 00:31:39,280
Speaker 2: and it had.

652
00:31:39,400 --> 00:31:41,280
Speaker 1: But how did they know he was in his house?

653
00:31:42,400 --> 00:31:44,400
Speaker 4: Wait? I'm getting parts confused.

654
00:31:45,040 --> 00:31:47,280
Speaker 2: So remember when they were like okay, here's my man.

655
00:31:47,320 --> 00:31:48,840
Speaker 2: You can trust him with your life, which is Michael

656
00:31:48,840 --> 00:31:51,800
Speaker 2: Sarah's character. We're gonna take you to the train stage

657
00:31:51,800 --> 00:31:56,560
Speaker 2: because because at this point he made the video trying

658
00:31:56,600 --> 00:32:00,680
Speaker 2: to expose the corporation for the radiation and that people

659
00:32:00,680 --> 00:32:04,240
Speaker 2: are dying and starving or whatever, and they edited the

660
00:32:04,320 --> 00:32:07,120
Speaker 2: video and he was like, I didn't say that, and

661
00:32:07,160 --> 00:32:10,120
Speaker 2: Spike the mom was like, get this motherfucker out my house.

662
00:32:16,600 --> 00:32:19,960
Speaker 2: She was she was not the white mama. The black

663
00:32:20,000 --> 00:32:21,760
Speaker 2: mom was like when she saw the video, he was like,

664
00:32:21,760 --> 00:32:25,280
Speaker 2: I ain't say that. Ship get him out. And then

665
00:32:25,320 --> 00:32:27,720
Speaker 2: the brothers had to take him out of the house.

666
00:32:27,720 --> 00:32:28,920
Speaker 2: When they came out of the house and put him

667
00:32:28,920 --> 00:32:32,600
Speaker 2: in the trunk, they were attacked by people on bikers.

668
00:32:33,040 --> 00:32:35,800
Speaker 2: My question is, how did they know he was staying

669
00:32:35,800 --> 00:32:40,880
Speaker 2: in the house. He never went outside. Unless I missed it,

670
00:32:40,880 --> 00:32:44,360
Speaker 2: it's probably not all that serious, But I just thought

671
00:32:44,440 --> 00:32:45,400
Speaker 2: y'all may have seen.

672
00:32:45,160 --> 00:32:47,640
Speaker 4: Something I did. I feel like there's some glaring holes

673
00:32:47,640 --> 00:32:50,560
Speaker 4: in Yeah, for sure, when I talk about when we

674
00:32:50,600 --> 00:32:51,880
Speaker 4: get that later, but I thought there were a lot

675
00:32:51,920 --> 00:32:55,640
Speaker 4: of glaring holes in this mood. Well you're looking, You're like, wait,

676
00:32:55,680 --> 00:32:58,120
Speaker 4: what what's happening?

677
00:32:58,200 --> 00:32:58,320
Speaker 7: Right?

678
00:32:58,360 --> 00:33:09,840
Speaker 2: Now I did have some moment well well anyway, so

679
00:33:10,000 --> 00:33:14,280
Speaker 2: now the audience are starting to flip and they're starting

680
00:33:14,280 --> 00:33:17,200
Speaker 2: to become on Richard's side. So this old Richard lives

681
00:33:17,200 --> 00:33:21,280
Speaker 2: sort of thing and you know, he's starting to become

682
00:33:21,320 --> 00:33:27,000
Speaker 2: a hero. But there was also some explanation, exposition or

683
00:33:27,040 --> 00:33:31,320
Speaker 2: whatever about how this happens where they're using this to

684
00:33:31,320 --> 00:33:33,959
Speaker 2: build up ratings, and they're explained that you have the dummy,

685
00:33:34,720 --> 00:33:38,440
Speaker 2: you have the second person who just lives a lavish lifestyle,

686
00:33:39,040 --> 00:33:41,400
Speaker 2: and then you have him with is the final like

687
00:33:41,560 --> 00:33:46,680
Speaker 2: guy or you know, and he's going to be along

688
00:33:46,840 --> 00:33:49,800
Speaker 2: for us to keep the rating side. And where ratings

689
00:33:49,840 --> 00:33:53,040
Speaker 2: start dipping, then that's when they're go ahead and take

690
00:33:53,120 --> 00:33:56,240
Speaker 2: him out because he's no longer serviceable. Again, very similar

691
00:33:56,320 --> 00:33:57,920
Speaker 2: to a lot of stuff this happened.

692
00:33:58,880 --> 00:34:00,720
Speaker 1: At that point. Did you guys.

693
00:34:02,120 --> 00:34:05,200
Speaker 2: Take away like what he was saying is that we

694
00:34:05,480 --> 00:34:08,520
Speaker 2: as the audience are the villains because we kind of

695
00:34:08,840 --> 00:34:10,879
Speaker 2: we watch to this while watching.

696
00:34:10,600 --> 00:34:13,560
Speaker 4: It, you said, do we agree with that?

697
00:34:14,160 --> 00:34:16,480
Speaker 2: Yeah, we're starting to pick up on that we as

698
00:34:16,560 --> 00:34:21,360
Speaker 2: viewers are as the audience, are the villains. In addition

699
00:34:21,400 --> 00:34:22,240
Speaker 2: to corporate America.

700
00:34:24,680 --> 00:34:27,799
Speaker 4: That's an interesting concept. I wouldn't primarily put it on

701
00:34:27,840 --> 00:34:35,880
Speaker 4: the audience for watching. I mean, some people that's their escape.

702
00:34:36,280 --> 00:34:38,760
Speaker 4: So I mean if they were in a better position

703
00:34:38,880 --> 00:34:42,240
Speaker 4: in general, maybe in life, or more happy with themselves,

704
00:34:42,280 --> 00:34:44,920
Speaker 4: they wouldn't watch this stuff. So I think that that's

705
00:34:45,080 --> 00:34:49,000
Speaker 4: a byproduct of society as well, like people having to

706
00:34:49,120 --> 00:34:52,799
Speaker 4: use those things as an escape. So I think that

707
00:34:52,800 --> 00:34:55,520
Speaker 4: that's adds to it too. I can't necessarily say cut

708
00:34:55,520 --> 00:34:55,960
Speaker 4: it off and.

709
00:34:55,920 --> 00:35:00,319
Speaker 6: Do what, read a book or watch something else.

710
00:35:00,480 --> 00:35:02,279
Speaker 7: I pick up the same thing, and I agree, like,

711
00:35:02,400 --> 00:35:05,440
Speaker 7: you're fucked up if you're watching people get murdered.

712
00:35:06,760 --> 00:35:08,160
Speaker 5: As entertainment.

713
00:35:08,640 --> 00:35:13,240
Speaker 4: I feel the same way about like like Bad Girls

714
00:35:13,280 --> 00:35:15,680
Speaker 4: Club or hip Hop Love and Hipop or all of

715
00:35:15,680 --> 00:35:19,000
Speaker 4: those things. But I still kind of get why people

716
00:35:19,000 --> 00:35:19,920
Speaker 4: watch him too though.

717
00:35:20,520 --> 00:35:25,400
Speaker 7: Yeah, yeah, I guess with those kind of shows, I

718
00:35:25,400 --> 00:35:27,799
Speaker 7: don't see it as bad, but I obviously I think

719
00:35:27,880 --> 00:35:31,680
Speaker 7: the movie is making an allusion to that, So yeah,

720
00:35:31,719 --> 00:35:32,200
Speaker 7: I get you.

721
00:35:32,360 --> 00:35:36,279
Speaker 2: And even Ben Richards was doing the same thing. He

722
00:35:36,400 --> 00:35:41,160
Speaker 2: was watching the Americanos, which is the Kardashians, so he's

723
00:35:41,200 --> 00:35:43,640
Speaker 2: reiling it against the system, but he's also in his

724
00:35:43,680 --> 00:35:46,800
Speaker 2: own way contributing to the system one by participating in

725
00:35:46,840 --> 00:35:52,480
Speaker 2: the game for you know, his own reasons. But two,

726
00:35:52,520 --> 00:35:56,120
Speaker 2: he's also watching it and talking about watching it. But yeah,

727
00:35:56,160 --> 00:35:59,719
Speaker 2: he still sits up and watching every single time, you know.

728
00:36:00,160 --> 00:36:04,000
Speaker 2: So it's like, yeah, I thought he was just watching

729
00:36:04,000 --> 00:36:07,000
Speaker 2: it just because it's just to get ideas to get money.

730
00:36:08,640 --> 00:36:10,319
Speaker 6: Was he actually watching the Kurdsians show?

731
00:36:10,440 --> 00:36:14,240
Speaker 2: I thought watching entertainment. I don't remember him showing showing

732
00:36:14,400 --> 00:36:18,600
Speaker 2: him watching that stuff as he was watching in the hotel.

733
00:36:18,680 --> 00:36:20,480
Speaker 2: He was watching it. He was watching it at home,

734
00:36:21,239 --> 00:36:23,080
Speaker 2: and that's when he saw the commercial about the game

735
00:36:23,120 --> 00:36:25,360
Speaker 2: shows and how they were winning money. But when he

736
00:36:25,440 --> 00:36:28,319
Speaker 2: was in the game, he was in the hotel. Here

737
00:36:28,360 --> 00:36:32,360
Speaker 2: he is basically kind of away from the slums quote unquote.

738
00:36:32,400 --> 00:36:37,080
Speaker 2: He's in this nice hotel, kicked up, feet on the bed, chilling,

739
00:36:37,160 --> 00:36:39,759
Speaker 2: his wife and the baby sitting there struggling, and he's

740
00:36:39,760 --> 00:36:42,680
Speaker 2: sitting there watch watching TV the Americanos. Out of all

741
00:36:42,719 --> 00:36:44,879
Speaker 2: the things he could have watched at that moment, because

742
00:36:44,880 --> 00:36:47,399
Speaker 2: he got money, it didn't have to be that.

743
00:36:48,160 --> 00:36:49,480
Speaker 1: But yeah, he chose to watch that.

744
00:36:50,480 --> 00:36:53,200
Speaker 2: Sign Note I did think the tell the bed at

745
00:36:53,200 --> 00:36:55,000
Speaker 2: the TV at the end of the bed that shit

746
00:36:55,120 --> 00:36:56,880
Speaker 2: was nice.

747
00:36:57,200 --> 00:36:58,000
Speaker 1: Yeah, they do.

748
00:37:00,880 --> 00:37:01,080
Speaker 2: Show.

749
00:37:03,520 --> 00:37:06,239
Speaker 6: I've never seen that over you didn't see when you overseas,

750
00:37:07,040 --> 00:37:09,560
Speaker 6: Like I had a hotel it was in Paris that

751
00:37:09,600 --> 00:37:13,360
Speaker 6: they had the TV right there and in the front that.

752
00:37:14,320 --> 00:37:17,520
Speaker 2: Yeah, yess. It just depends on the hotel you go to.

753
00:37:17,920 --> 00:37:19,799
Speaker 6: They don't have to be no lavish it it just

754
00:37:19,920 --> 00:37:21,040
Speaker 6: sometimes it's right there.

755
00:37:23,040 --> 00:37:25,120
Speaker 2: So after this, well a couple of things happened, so

756
00:37:25,520 --> 00:37:30,000
Speaker 2: he they escaped from there, he goes to on his

757
00:37:30,080 --> 00:37:35,040
Speaker 2: way to meet Michael Sarah's character. He's stowed up in

758
00:37:35,080 --> 00:37:40,480
Speaker 2: another hotel and this time he's uh, pretending to be

759
00:37:40,920 --> 00:37:45,279
Speaker 2: a blond guy the Preacher. But again the costume was

760
00:37:45,360 --> 00:37:50,880
Speaker 2: terrible because they immediately do his as well, shapes and everything,

761
00:37:51,520 --> 00:37:53,480
Speaker 2: and that's when he's like, you know, asked the Preacher

762
00:37:53,560 --> 00:37:56,040
Speaker 2: or whatever. And then he had to run away from

763
00:37:56,040 --> 00:38:00,680
Speaker 2: them to jump on the on the train to get

764
00:38:00,719 --> 00:38:03,400
Speaker 2: to Michael Serrh's character. Any take away from him that

765
00:38:03,560 --> 00:38:05,560
Speaker 2: scene it all the.

766
00:38:05,640 --> 00:38:06,880
Speaker 3: Train, remember the train.

767
00:38:07,080 --> 00:38:09,040
Speaker 1: The train was he just jumped on the train. He

768
00:38:09,120 --> 00:38:09,839
Speaker 1: was just on the train.

769
00:38:09,920 --> 00:38:13,640
Speaker 2: But just the him being the preacher and you over

770
00:38:13,640 --> 00:38:16,200
Speaker 2: here people, I think in the hotel he was staying in,

771
00:38:17,040 --> 00:38:20,560
Speaker 2: you know, talking about him. He's listening to him and

772
00:38:20,640 --> 00:38:22,920
Speaker 2: he was like, yeah, what he said. One of the

773
00:38:22,920 --> 00:38:25,080
Speaker 2: guys that were like, yeah, did you see this guy whatever?

774
00:38:25,120 --> 00:38:26,480
Speaker 2: He was like, man, that's kind of fucked up. You

775
00:38:26,600 --> 00:38:30,000
Speaker 2: ask him that because he's blind or whatever. But this, Yeah,

776
00:38:30,040 --> 00:38:32,319
Speaker 2: at this point he's starting to become a hero to

777
00:38:32,400 --> 00:38:37,680
Speaker 2: the regular folks. Yes, I don't remember the train part. Okay,

778
00:38:38,040 --> 00:38:39,640
Speaker 2: the people were chasing him in the car he ran

779
00:38:39,680 --> 00:38:41,759
Speaker 2: and jumped on the train. Oh yea yea yeah, yea yea, yeah,

780
00:38:41,760 --> 00:38:43,920
Speaker 2: I got you. Nothing really happened. It was just more

781
00:38:43,920 --> 00:38:46,120
Speaker 2: action just because the movie was probably getting bored then,

782
00:38:46,160 --> 00:38:48,399
Speaker 2: because you know, it's just like we need to give

783
00:38:48,480 --> 00:38:51,200
Speaker 2: some action shit here, because again it's like day fifteen

784
00:38:51,280 --> 00:38:54,480
Speaker 2: or whatever. Bro. And my thing is, you're supposed to

785
00:38:54,560 --> 00:38:57,560
Speaker 2: mail these things off every single day. We're we're jumping

786
00:38:57,600 --> 00:39:01,280
Speaker 2: ahead a lot we didn't see in these days passed.

787
00:39:01,800 --> 00:39:04,400
Speaker 1: But that's neither it nor there.

788
00:39:04,520 --> 00:39:07,440
Speaker 2: The conspiracy theorist dude telling the pre recorders tape store, right,

789
00:39:07,760 --> 00:39:10,160
Speaker 2: that's what he was going to do, and that was

790
00:39:10,160 --> 00:39:12,040
Speaker 2: his whole plan when he got there. But before we

791
00:39:12,080 --> 00:39:14,919
Speaker 2: get there, what did you guys think about old girl

792
00:39:15,000 --> 00:39:17,800
Speaker 2: from the Alien movie?

793
00:39:19,480 --> 00:39:21,560
Speaker 3: Was the car the girl driving?

794
00:39:21,760 --> 00:39:22,000
Speaker 2: Yeah?

795
00:39:22,520 --> 00:39:23,799
Speaker 1: The second the second.

796
00:39:23,600 --> 00:39:25,040
Speaker 5: Participant Alien movie.

797
00:39:25,520 --> 00:39:26,759
Speaker 3: When we reviewed, I.

798
00:39:26,800 --> 00:39:28,160
Speaker 1: Thought, like the most recent one.

799
00:39:28,200 --> 00:39:30,560
Speaker 3: But the black dude with the glasses you.

800
00:39:30,560 --> 00:39:32,240
Speaker 5: Talk about you talk about the woman that he hijacked

801
00:39:32,239 --> 00:39:32,560
Speaker 5: her car.

802
00:39:33,000 --> 00:39:34,240
Speaker 2: No no, no, no, no, no, no.

803
00:39:34,760 --> 00:39:36,880
Speaker 1: The woman that was at the casino.

804
00:39:37,680 --> 00:39:42,320
Speaker 2: She was the second participant in the movie from.

805
00:39:42,160 --> 00:39:43,040
Speaker 5: Love Lifes Bleeding.

806
00:39:43,120 --> 00:39:43,319
Speaker 2: Yeah.

807
00:39:43,400 --> 00:39:50,560
Speaker 4: Yeah, they underutilized her because the movie was No.

808
00:39:50,560 --> 00:39:52,040
Speaker 1: No, she wasn't in Prometheus.

809
00:39:52,320 --> 00:39:55,719
Speaker 7: You are fucked up. You thought that that's Vasquez from Aliens.

810
00:39:55,800 --> 00:39:57,920
Speaker 2: No, no, no, no, no, no, I look it up. No

811
00:39:58,840 --> 00:39:59,680
Speaker 2: she was. That's not what I was.

812
00:40:00,040 --> 00:40:02,640
Speaker 4: I remember from Love Lives beating and in the mar

813
00:40:02,760 --> 00:40:06,560
Speaker 4: in the uh, in the Star Wars things, Yeah, one

814
00:40:06,560 --> 00:40:07,800
Speaker 4: of the tenants.

815
00:40:08,280 --> 00:40:10,799
Speaker 2: Yeah, Rod, I agree with you. I think I think

816
00:40:10,840 --> 00:40:12,560
Speaker 2: she was definitely on the use. She's good.

817
00:40:12,680 --> 00:40:13,399
Speaker 5: She's really good.

818
00:40:13,560 --> 00:40:14,080
Speaker 4: She's good.

819
00:40:14,520 --> 00:40:16,319
Speaker 2: And when I saw her, I thought she was gonna

820
00:40:16,320 --> 00:40:17,480
Speaker 2: have more. I did too.

821
00:40:18,160 --> 00:40:18,520
Speaker 1: I did.

822
00:40:18,840 --> 00:40:21,480
Speaker 2: Katie O'Brien, that's her name, Yeah, I did too.

823
00:40:21,520 --> 00:40:22,080
Speaker 4: She's dope.

824
00:40:22,640 --> 00:40:27,360
Speaker 6: So they definitely under utilized her. Had her doing dumb ship.

825
00:40:28,239 --> 00:40:31,080
Speaker 2: Yeah her, damn she wasn't.

826
00:40:30,600 --> 00:40:31,040
Speaker 7: M hm.

827
00:40:34,760 --> 00:40:35,040
Speaker 3: Ship.

828
00:40:35,440 --> 00:40:37,200
Speaker 7: I thought what they did with her with her role

829
00:40:37,400 --> 00:40:39,400
Speaker 7: was cool. I just wish they would have expanded it

830
00:40:39,400 --> 00:40:41,560
Speaker 7: atle bit more. But like her being this, you know,

831
00:40:41,840 --> 00:40:44,799
Speaker 7: that's what I mean, lesbian, and she took the money

832
00:40:44,800 --> 00:40:46,880
Speaker 7: and immediately went to spend on a bunch of women

833
00:40:46,920 --> 00:40:48,760
Speaker 7: and ship I thought that was funny.

834
00:40:48,880 --> 00:40:49,319
Speaker 3: It was.

835
00:40:49,960 --> 00:40:54,000
Speaker 6: It seemed dumb though it was funny. But you can't

836
00:40:54,000 --> 00:40:57,960
Speaker 6: survive that way. No, No, you're out literally in the

837
00:40:58,000 --> 00:41:03,400
Speaker 6: public and I and doing like yeah, so it just

838
00:41:03,440 --> 00:41:05,120
Speaker 6: seems like I said, I just thought they were gonna

839
00:41:05,160 --> 00:41:06,560
Speaker 6: do more with her character.

840
00:41:07,000 --> 00:41:09,680
Speaker 2: And her death was stupid by these two kids, and

841
00:41:09,719 --> 00:41:10,960
Speaker 2: all they got was cereal.

842
00:41:11,160 --> 00:41:12,000
Speaker 5: I kind of like that.

843
00:41:12,400 --> 00:41:16,759
Speaker 7: It's just like getting kids being like groomed to this

844
00:41:16,880 --> 00:41:22,440
Speaker 7: type of violence, a little redneck white kids too.

845
00:41:22,760 --> 00:41:24,160
Speaker 3: Yeah about right.

846
00:41:24,200 --> 00:41:26,360
Speaker 6: Why did they show her getting away when she actually

847
00:41:26,360 --> 00:41:27,080
Speaker 6: didn't get away.

848
00:41:27,719 --> 00:41:28,560
Speaker 1: She did get away.

849
00:41:28,920 --> 00:41:31,919
Speaker 2: I thought she got away from the hunters. I guess

850
00:41:31,920 --> 00:41:32,600
Speaker 2: I should say.

851
00:41:32,480 --> 00:41:34,320
Speaker 6: Oh, they were showing her getting away from the hunters,

852
00:41:34,360 --> 00:41:35,480
Speaker 6: and then the kids.

853
00:41:35,160 --> 00:41:39,120
Speaker 2: Actually civilians killed them. But they didn't even get any money.

854
00:41:39,560 --> 00:41:42,000
Speaker 2: Mm hm, I remember that. Yeah, they just got cereal.

855
00:41:42,040 --> 00:41:42,200
Speaker 3: Bro.

856
00:41:42,920 --> 00:41:45,759
Speaker 2: This was like probably they were chubby too, damn, so

857
00:41:45,760 --> 00:41:49,120
Speaker 2: they probably thought they wanted that a little bit.

858
00:41:51,120 --> 00:41:52,480
Speaker 4: I think they were just regular kids.

859
00:41:52,640 --> 00:41:56,200
Speaker 2: I don't know, I want them look like like, you know,

860
00:41:56,520 --> 00:41:58,160
Speaker 2: a couple of cookies here and there.

861
00:41:58,200 --> 00:41:59,920
Speaker 1: Bro, there's a rap.

862
00:42:02,120 --> 00:42:06,680
Speaker 2: They go through phases, they do, they do.

863
00:42:06,840 --> 00:42:12,759
Speaker 6: They don't get stuck, get stuck, but nah, some of

864
00:42:12,800 --> 00:42:15,160
Speaker 6: them go through phasm.

865
00:42:14,880 --> 00:42:17,360
Speaker 2: So Michael Sarah's character. I thought this was dope, like

866
00:42:19,800 --> 00:42:22,080
Speaker 2: the idea of we're gonna make the tapes and we'll

867
00:42:22,120 --> 00:42:24,719
Speaker 2: just mail the tapes off for you. Him being part

868
00:42:24,719 --> 00:42:28,080
Speaker 2: of the resistance. I didn't get the hot dog thing.

869
00:42:29,600 --> 00:42:30,680
Speaker 4: Dog.

870
00:42:31,080 --> 00:42:34,080
Speaker 2: Yeah, the hot dog stand. His dad was a cop.

871
00:42:34,680 --> 00:42:37,000
Speaker 2: It was part of the system.

872
00:42:37,120 --> 00:42:38,759
Speaker 6: It was a way that they were able to like

873
00:42:38,920 --> 00:42:40,600
Speaker 6: eat or something like that.

874
00:42:40,640 --> 00:42:41,080
Speaker 1: It was a.

875
00:42:41,080 --> 00:42:43,880
Speaker 2: Very I guess honest living.

876
00:42:44,320 --> 00:42:44,560
Speaker 4: Yeah.

877
00:42:44,640 --> 00:42:48,680
Speaker 2: Yeah, but he didn't want to do that, so they

878
00:42:48,719 --> 00:42:52,680
Speaker 2: turned on him. You know, so you know, I get

879
00:42:52,719 --> 00:42:55,000
Speaker 2: the message in there. But I think what it was

880
00:42:55,000 --> 00:42:58,040
Speaker 2: was was the black kid was like, yeah, whatever you do,

881
00:42:58,040 --> 00:43:00,520
Speaker 2: don't ask him about the hot dog. So when he

882
00:43:00,560 --> 00:43:02,359
Speaker 2: asked him about the hot dog, it was like, that's

883
00:43:02,520 --> 00:43:05,440
Speaker 2: the story. Like, I don't know, I thought it was

884
00:43:05,440 --> 00:43:07,480
Speaker 2: gonna be something. I don't know.

885
00:43:07,600 --> 00:43:09,560
Speaker 1: I thought it was gonna be more than that. Mike,

886
00:43:09,600 --> 00:43:10,360
Speaker 1: did you see.

887
00:43:10,160 --> 00:43:16,040
Speaker 2: The the the sign written where it not signed, but

888
00:43:16,080 --> 00:43:16,840
Speaker 2: they wrote.

889
00:43:17,640 --> 00:43:22,640
Speaker 7: A gap A G A A B No way, So

890
00:43:22,640 --> 00:43:24,040
Speaker 7: what's the chief for governors?

891
00:43:24,160 --> 00:43:27,759
Speaker 2: Goons? Because they were goons. The goon's supposed to be caught. Yeah,

892
00:43:28,080 --> 00:43:29,800
Speaker 2: I didn't see that. That's kind of funny. Yeah it

893
00:43:29,840 --> 00:43:32,440
Speaker 2: was on one of the posts. Yeah, they wrote that

894
00:43:32,560 --> 00:43:37,440
Speaker 2: on there. But yeah, but did you guys like Michael

895
00:43:37,440 --> 00:43:38,200
Speaker 2: Sarah's character.

896
00:43:38,640 --> 00:43:41,440
Speaker 4: Yes, that was the best part of the movie, even

897
00:43:41,480 --> 00:43:43,799
Speaker 4: though it was predictable and you kind of felt like

898
00:43:44,880 --> 00:43:47,160
Speaker 4: he was going to do that. All of it hit

899
00:43:47,719 --> 00:43:51,719
Speaker 4: all that, the mob part, the booby traps, like all

900
00:43:51,719 --> 00:43:53,319
Speaker 4: of it, because it's just he seemed like that type

901
00:43:53,360 --> 00:43:56,320
Speaker 4: of dude, like he played that character will So I

902
00:43:56,360 --> 00:44:00,160
Speaker 4: feel like all of that just worked. She was but

903
00:44:00,680 --> 00:44:02,680
Speaker 4: it was But I enjoyed it the most.

904
00:44:02,800 --> 00:44:03,399
Speaker 3: Out of the hole.

905
00:44:03,880 --> 00:44:06,719
Speaker 2: Know, the traps, the booty traps as they were sayinges

906
00:44:07,560 --> 00:44:08,680
Speaker 2: were cool.

907
00:44:08,760 --> 00:44:13,839
Speaker 1: But Rod leave, it.

908
00:44:13,760 --> 00:44:14,520
Speaker 3: Was outside his house.

909
00:44:15,480 --> 00:44:18,320
Speaker 4: You said, leave, where were gonna go down to the tunne?

910
00:44:18,600 --> 00:44:20,480
Speaker 2: He said four and a half minutes for them to

911
00:44:20,520 --> 00:44:23,080
Speaker 2: get there. And he's playing fucking games with it. That's

912
00:44:23,080 --> 00:44:25,120
Speaker 2: what he wants, Like, yeah, finally I get the fucking

913
00:44:25,960 --> 00:44:30,640
Speaker 2: people look and he got killed. What's more important he.

914
00:44:30,680 --> 00:44:32,719
Speaker 4: Got away what he didxcuse me, he didn't get away,

915
00:44:32,760 --> 00:44:35,319
Speaker 4: they did leave, he did like kind of time it right,

916
00:44:35,480 --> 00:44:36,280
Speaker 4: just got sniped.

917
00:44:37,480 --> 00:44:40,160
Speaker 2: No, he ran into the guy in the tunnel. But

918
00:44:40,239 --> 00:44:40,840
Speaker 2: he's still.

919
00:44:42,400 --> 00:44:44,160
Speaker 5: For that.

920
00:44:43,920 --> 00:44:46,160
Speaker 4: That's when he got stabbed. Yeah, but he didn't die

921
00:44:46,160 --> 00:44:48,240
Speaker 4: for that, right when he got shot.

922
00:44:48,320 --> 00:44:50,080
Speaker 2: Yeah, I know that. But I'm just saying I just

923
00:44:50,120 --> 00:44:51,440
Speaker 2: could have got if it would have just left a

924
00:44:51,480 --> 00:44:51,799
Speaker 2: lot early.

925
00:44:51,840 --> 00:44:53,040
Speaker 1: You probably, It's just.

926
00:44:53,000 --> 00:44:56,399
Speaker 4: It reminded me a trigger happy, like MAGA some ship,

927
00:44:56,520 --> 00:44:57,960
Speaker 4: like you know, how they ready.

928
00:44:57,719 --> 00:44:59,319
Speaker 1: To use their gun this moment.

929
00:44:59,360 --> 00:45:01,920
Speaker 2: It's all like this.

930
00:45:02,360 --> 00:45:02,680
Speaker 4: He wanted.

931
00:45:03,040 --> 00:45:05,120
Speaker 2: He spent all his time creating this ship.

932
00:45:05,200 --> 00:45:06,319
Speaker 5: He wanted to use it.

933
00:45:06,360 --> 00:45:07,480
Speaker 2: I ain't just running.

934
00:45:09,160 --> 00:45:09,600
Speaker 4: People up.

935
00:45:10,280 --> 00:45:13,600
Speaker 7: Kill Michael Sarah instead of the running man, because then

936
00:45:13,600 --> 00:45:14,560
Speaker 7: the game would have been over.

937
00:45:15,680 --> 00:45:19,040
Speaker 2: Because the raidings were high TV. Yeah, the raiders were high,

938
00:45:19,080 --> 00:45:22,360
Speaker 2: so you know at this point, yeah, everybody's tuning it

939
00:45:22,400 --> 00:45:26,800
Speaker 2: in it, you know. But yeah, this was the moment

940
00:45:26,840 --> 00:45:28,960
Speaker 2: he could have he could have basically took him out.

941
00:45:29,000 --> 00:45:31,480
Speaker 4: But yeah, how did the dude find the tunnel that

942
00:45:31,600 --> 00:45:33,440
Speaker 4: was in the tunnel, I don't know.

943
00:45:34,719 --> 00:45:37,440
Speaker 2: Yeah, just popped up out of the nowhere in the tunnel,

944
00:45:37,480 --> 00:45:40,719
Speaker 2: Like unless they did like an infrared shot.

945
00:45:40,520 --> 00:45:42,839
Speaker 4: Then the whole team would have been down there. Why

946
00:45:42,920 --> 00:45:44,840
Speaker 4: was it just one random dude in the tunnel.

947
00:45:44,920 --> 00:45:46,759
Speaker 2: Well, I mean they are hunters, so it was one

948
00:45:46,760 --> 00:45:49,279
Speaker 2: of the hunters down there, right, And he didn't He

949
00:45:49,320 --> 00:45:52,600
Speaker 2: didn't win this fight, Mike, which one with the hunter

950
00:45:54,000 --> 00:45:56,040
Speaker 2: with the mask? No, not at the end. Not at

951
00:45:56,080 --> 00:45:58,879
Speaker 2: the end. Remember the guy stabbed because it really cut

952
00:45:58,920 --> 00:46:00,799
Speaker 2: his his Yeah, but he.

953
00:46:00,680 --> 00:46:01,600
Speaker 7: Held his own still.

954
00:46:02,360 --> 00:46:04,880
Speaker 6: I mean we can hold their on fights against like

955
00:46:05,000 --> 00:46:06,080
Speaker 6: professional fighters.

956
00:46:07,040 --> 00:46:08,600
Speaker 2: I thought he did be in that fight. He didn't

957
00:46:08,600 --> 00:46:09,160
Speaker 2: win that fight.

958
00:46:09,600 --> 00:46:11,239
Speaker 7: He ended up killing the guy, didn't he.

959
00:46:11,719 --> 00:46:14,080
Speaker 2: I thought he won that fight. He got away, Yeah,

960
00:46:14,080 --> 00:46:16,600
Speaker 2: he got away. But that's that's when Dan Killing came

961
00:46:16,640 --> 00:46:18,319
Speaker 2: on board. It was like, hey, if you kill him

962
00:46:18,320 --> 00:46:20,919
Speaker 2: because Rady is a high then you know he didn't.

963
00:46:20,920 --> 00:46:25,840
Speaker 2: He didn't kill him. I don't think he won that fight.

964
00:46:28,120 --> 00:46:31,880
Speaker 2: I'll tell you how Michael Sarah's character did the hostile

965
00:46:31,920 --> 00:46:35,640
Speaker 2: thing to Yeah he was losing. Yeah, yeah, he was

966
00:46:35,680 --> 00:46:38,160
Speaker 2: losing and then he was a rat.

967
00:46:38,800 --> 00:46:39,279
Speaker 3: That's true.

968
00:46:39,440 --> 00:46:41,919
Speaker 4: It wasn't he heard or injured. He wasn't losing the fight.

969
00:46:42,000 --> 00:46:45,959
Speaker 2: I thought he got no he was was losing. Was cut,

970
00:46:46,040 --> 00:46:49,120
Speaker 2: so yeah, he was losing that fight. And that's why that.

971
00:46:49,160 --> 00:46:51,279
Speaker 6: Don't make sense then, because that dude didn't look tough.

972
00:46:51,840 --> 00:46:53,480
Speaker 6: So you have him do all this other tough ship,

973
00:46:53,560 --> 00:46:55,720
Speaker 6: but you can't beat the little weak motherfucker.

974
00:46:55,719 --> 00:46:58,279
Speaker 2: I don't know if he's a he's not a tough guy.

975
00:46:58,320 --> 00:46:59,439
Speaker 2: He's just an angry guy.

976
00:47:00,320 --> 00:47:01,000
Speaker 7: Not anybody.

977
00:47:01,040 --> 00:47:01,960
Speaker 4: It was synonymous.

978
00:47:02,840 --> 00:47:03,560
Speaker 2: It was angry.

979
00:47:03,840 --> 00:47:06,600
Speaker 4: Yeah, I got tough guy when he was trying to

980
00:47:06,600 --> 00:47:10,239
Speaker 4: beat the damn because he told the dude, the teller dude,

981
00:47:10,280 --> 00:47:13,799
Speaker 4: it was like, how fucking injured life? Like young at

982
00:47:13,840 --> 00:47:17,080
Speaker 4: the very beginning, he was like read here or whatever,

983
00:47:17,680 --> 00:47:20,800
Speaker 4: and he was. But he's angry though, but he tried

984
00:47:20,800 --> 00:47:24,719
Speaker 4: to give off tough. It ain't just different between angry

985
00:47:24,719 --> 00:47:27,959
Speaker 4: and angry trying to be tough, like it's two different things,

986
00:47:27,960 --> 00:47:30,120
Speaker 4: I think, and that was why he wouldn't. It didn't

987
00:47:30,200 --> 00:47:33,040
Speaker 4: quite It was the Luther Curl. The whole movie. It

988
00:47:33,120 --> 00:47:35,040
Speaker 4: was never quite was believable.

989
00:47:36,160 --> 00:47:40,600
Speaker 2: They never showed. We didn't get like examples they were fighting.

990
00:47:40,920 --> 00:47:42,799
Speaker 2: The only thing we got was him holding this one

991
00:47:42,840 --> 00:47:47,400
Speaker 2: guy by the arm. But we never saw him like

992
00:47:47,440 --> 00:47:49,960
Speaker 2: in actual fights. We just sam trying to be heroic

993
00:47:50,080 --> 00:47:50,399
Speaker 2: or whatever.

994
00:47:50,520 --> 00:47:52,799
Speaker 4: I don't know why you think that Michael cyril Port

995
00:47:52,840 --> 00:47:55,520
Speaker 4: was stupid, just didn't like that type of comedy. Well

996
00:47:55,560 --> 00:47:56,399
Speaker 4: they should have just ran.

997
00:47:56,920 --> 00:47:58,759
Speaker 2: I just think they should have ran. I know, they

998
00:47:58,880 --> 00:48:00,880
Speaker 2: just one of us, show us all boobie traps and

999
00:48:00,920 --> 00:48:03,759
Speaker 2: all the other ship these like things. And it was

1000
00:48:03,800 --> 00:48:08,799
Speaker 2: supposed to be a moment in the movie. But I'm like, bro, like,

1001
00:48:10,200 --> 00:48:14,759
Speaker 2: just fucking leave, you know, that's my thing, is like?

1002
00:48:15,040 --> 00:48:19,080
Speaker 2: And then the mom like the mom snitching And how

1003
00:48:19,080 --> 00:48:21,919
Speaker 2: did the mom even know it was him? She never

1004
00:48:22,000 --> 00:48:26,279
Speaker 2: turned around and looked at him. Remember he just walked

1005
00:48:26,320 --> 00:48:28,319
Speaker 2: in them all was watching the TV and you, hey,

1006
00:48:28,440 --> 00:48:30,600
Speaker 2: answering your own questions. You don't want to like this shit.

1007
00:48:32,440 --> 00:48:34,840
Speaker 7: I do remember that. But yeah, nah, she was crazy.

1008
00:48:35,280 --> 00:48:37,320
Speaker 7: I think she heard him talking or so right.

1009
00:48:38,800 --> 00:48:39,200
Speaker 2: Some shit.

1010
00:48:39,400 --> 00:48:41,319
Speaker 5: But this part didn't make any sense to me.

1011
00:48:41,480 --> 00:48:46,120
Speaker 2: He never walked out, she never visibly saw him until

1012
00:48:46,120 --> 00:48:49,040
Speaker 2: he walked out. How did she know it was him?

1013
00:48:49,320 --> 00:48:51,120
Speaker 2: It was just I don't know, it just I don't know.

1014
00:48:52,040 --> 00:48:52,720
Speaker 1: It was stupid.

1015
00:48:53,200 --> 00:48:56,840
Speaker 2: I only saw it once, but that just it was

1016
00:48:56,920 --> 00:48:59,359
Speaker 2: just like what and then she snitched? And then he

1017
00:48:59,400 --> 00:48:59,759
Speaker 2: did this?

1018
00:49:00,400 --> 00:49:01,080
Speaker 7: Yeah, that part.

1019
00:49:01,120 --> 00:49:04,840
Speaker 5: Why did Michael Sarah do that? Which hit the button?

1020
00:49:07,920 --> 00:49:10,000
Speaker 7: He wanted to him up, But you're risking my life

1021
00:49:10,080 --> 00:49:12,120
Speaker 7: to do that. Let me get away first. Then you

1022
00:49:12,160 --> 00:49:13,040
Speaker 7: hit the button.

1023
00:49:13,000 --> 00:49:14,120
Speaker 2: And your mom as well.

1024
00:49:14,600 --> 00:49:16,319
Speaker 7: Yeah, it didn't make any sense.

1025
00:49:16,400 --> 00:49:18,640
Speaker 4: He felt like he had a good escape plan. Yeah,

1026
00:49:18,920 --> 00:49:21,840
Speaker 4: he thought he had a good escape He thought he

1027
00:49:21,920 --> 00:49:23,680
Speaker 4: did and he thought this was a good time, as in,

1028
00:49:23,760 --> 00:49:25,480
Speaker 4: if I'm gonna get the fucking of these people up,

1029
00:49:25,680 --> 00:49:26,799
Speaker 4: I'm for him up now.

1030
00:49:26,840 --> 00:49:28,440
Speaker 3: This is the this is the reason.

1031
00:49:28,840 --> 00:49:32,880
Speaker 4: And he hit the button. M yeah, that's why you

1032
00:49:32,920 --> 00:49:33,200
Speaker 4: do it.

1033
00:49:33,320 --> 00:49:35,640
Speaker 2: I don't know. That ship was stupid anyway, you wanted

1034
00:49:35,640 --> 00:49:39,319
Speaker 2: to him up, Well, it didn't work and he got

1035
00:49:39,360 --> 00:49:43,560
Speaker 2: sucked up. So after this, to a certain extent, he

1036
00:49:44,080 --> 00:49:46,640
Speaker 2: killed quite a few of them off. Well the when

1037
00:49:46,719 --> 00:49:49,600
Speaker 2: when the ones were when he kicked the table over

1038
00:49:49,600 --> 00:49:52,959
Speaker 2: and the mother we're on fire. That ship was dope.

1039
00:49:53,360 --> 00:49:59,839
Speaker 4: The table Yeah that ye, quite a few of them. Yeah,

1040
00:50:00,640 --> 00:50:03,920
Speaker 4: but he been Yeah, but that's all you gotta do. Bro,

1041
00:50:04,160 --> 00:50:06,239
Speaker 4: He's been waiting, he's been wait. He was waiting on

1042
00:50:06,400 --> 00:50:06,959
Speaker 4: his whole life.

1043
00:50:07,560 --> 00:50:11,399
Speaker 1: So after that, he's on the run, gets to this.

1044
00:50:11,400 --> 00:50:22,919
Speaker 2: House, falls asleep, wake up, They find him again. And

1045
00:50:22,960 --> 00:50:25,719
Speaker 2: then he runs into uh he's on this, yeah, because

1046
00:50:25,719 --> 00:50:28,840
Speaker 2: he drives off the bridge, runs into the car, jumps off,

1047
00:50:30,480 --> 00:50:32,480
Speaker 2: and then he runs it to the lady in the

1048
00:50:32,480 --> 00:50:36,200
Speaker 2: car who's watching Americanos, and he kidnaps her. And we

1049
00:50:36,280 --> 00:50:39,439
Speaker 2: see the effect of propaganda and how she thinks he's

1050
00:50:39,480 --> 00:50:43,239
Speaker 2: this evil guy and stuff like that. So she's the

1051
00:50:45,560 --> 00:50:51,040
Speaker 2: and the original running man. There's the woman version of that.

1052
00:50:51,200 --> 00:50:55,040
Speaker 4: This is this version of that.

1053
00:50:59,520 --> 00:51:01,680
Speaker 1: Spike. You said she was supposed to be gen V.

1054
00:51:02,440 --> 00:51:05,480
Speaker 3: Yeah, that's what I took from gen z or v whatever.

1055
00:51:06,719 --> 00:51:10,080
Speaker 2: Privilege got money, believes everything and saying looking down on

1056
00:51:10,120 --> 00:51:11,640
Speaker 2: the lower class.

1057
00:51:12,160 --> 00:51:16,880
Speaker 4: I think she's doing like the the work of the

1058
00:51:16,880 --> 00:51:21,360
Speaker 4: people because she bought her bottled water from whatever it

1059
00:51:21,480 --> 00:51:22,879
Speaker 4: may be, some ship like that.

1060
00:51:23,320 --> 00:51:25,239
Speaker 2: Mike, did you buy into her turn.

1061
00:51:26,640 --> 00:51:26,839
Speaker 3: When?

1062
00:51:27,120 --> 00:51:27,960
Speaker 7: No, it was too abrupt?

1063
00:51:28,000 --> 00:51:30,960
Speaker 2: I'm sorry, Yeah, no, you you you asked your answer.

1064
00:51:31,280 --> 00:51:32,320
Speaker 2: It was just too abrupt.

1065
00:51:32,719 --> 00:51:35,480
Speaker 7: I agree, Like nothing happened to make me believe that

1066
00:51:35,600 --> 00:51:37,279
Speaker 7: she did a complete one eighty.

1067
00:51:37,400 --> 00:51:39,399
Speaker 4: He's like, he wasn't that convinced it, not at all.

1068
00:51:39,400 --> 00:51:41,960
Speaker 4: They try to make us believe that he was convincing

1069
00:51:42,080 --> 00:51:43,759
Speaker 4: enough when he was taking look at you, you got

1070
00:51:43,840 --> 00:51:47,160
Speaker 4: your scarf. My daughter could have got her medicine if

1071
00:51:47,160 --> 00:51:49,400
Speaker 4: you didn't buy that scarf, Like what Yeah, But.

1072
00:51:49,440 --> 00:51:51,360
Speaker 2: I think part of it is like there was a

1073
00:51:51,400 --> 00:51:53,680
Speaker 2: deep fake of her leaning out the window too, and

1074
00:51:53,719 --> 00:51:56,319
Speaker 2: I think that was supposed to be oh yeah, while

1075
00:51:56,360 --> 00:51:58,080
Speaker 2: she was like, oh wait a minute, you are telling

1076
00:51:58,160 --> 00:51:59,799
Speaker 2: the truth. But I'm with you, it was like, oh,

1077
00:51:59,840 --> 00:52:03,640
Speaker 2: now you're on his side all the way, you know.

1078
00:52:03,840 --> 00:52:06,759
Speaker 2: So it was it was very quick, just off of

1079
00:52:06,760 --> 00:52:09,319
Speaker 2: that one thing, and he was like, oh yeah, now

1080
00:52:09,480 --> 00:52:11,000
Speaker 2: now you're part welcome to the game.

1081
00:52:11,160 --> 00:52:11,359
Speaker 3: Yeah.

1082
00:52:11,400 --> 00:52:13,840
Speaker 5: I was like, what you want to be here?

1083
00:52:15,760 --> 00:52:18,200
Speaker 2: Want to be here at this point already I'm over

1084
00:52:18,239 --> 00:52:19,399
Speaker 2: this movie. I don't want to be here either.

1085
00:52:19,440 --> 00:52:27,000
Speaker 7: Ship Yeah too abrupt. Yeah, give me something like does

1086
00:52:27,000 --> 00:52:28,840
Speaker 7: she have a child? Give me something that makes me

1087
00:52:28,920 --> 00:52:31,239
Speaker 7: understand why she would all of a sudden turn on the

1088
00:52:31,239 --> 00:52:33,480
Speaker 7: system and this plane.

1089
00:52:34,480 --> 00:52:39,560
Speaker 2: Yeah, no, I agree, And even his even him realizing that,

1090
00:52:41,920 --> 00:52:43,480
Speaker 2: So I did have a sort of an issue of

1091
00:52:43,480 --> 00:52:45,759
Speaker 2: how he was starting to play the game towards the

1092
00:52:45,880 --> 00:52:50,000
Speaker 2: end and realizing that his his ratings draw would protect

1093
00:52:50,080 --> 00:52:54,759
Speaker 2: him from being killed and driving up it was like, oh, yeah,

1094
00:52:54,800 --> 00:52:56,799
Speaker 2: we can just drive through here because they're not going

1095
00:52:56,840 --> 00:52:59,360
Speaker 2: to kill us, you know, because.

1096
00:52:59,200 --> 00:53:00,880
Speaker 4: We're fans of us.

1097
00:53:00,920 --> 00:53:03,080
Speaker 2: Now, yeah, they're fans of us, the Hunters and this,

1098
00:53:03,120 --> 00:53:04,600
Speaker 2: that and the other, and he felt protected.

1099
00:53:05,920 --> 00:53:06,879
Speaker 1: I don't like that either.

1100
00:53:08,239 --> 00:53:10,319
Speaker 2: Roder also thought he should have probably been a little

1101
00:53:10,320 --> 00:53:12,400
Speaker 2: bit smarter when he walked on the plane and realized

1102
00:53:12,400 --> 00:53:14,959
Speaker 2: that they were scam and realized that he won caring

1103
00:53:15,000 --> 00:53:16,200
Speaker 2: and got damn bomb?

1104
00:53:17,160 --> 00:53:19,200
Speaker 3: Why did she keep? What made her turn? And she

1105
00:53:19,280 --> 00:53:20,160
Speaker 3: was like check the bag?

1106
00:53:20,520 --> 00:53:21,200
Speaker 4: Use the bomb?

1107
00:53:21,560 --> 00:53:22,799
Speaker 3: Why she started up?

1108
00:53:22,840 --> 00:53:25,120
Speaker 6: Because because she was trying to be convinced, she just

1109
00:53:25,160 --> 00:53:26,839
Speaker 6: overly did it. That's why he was looking at her

1110
00:53:26,920 --> 00:53:29,200
Speaker 6: like that, like, Okay, calm down, like I don't want to.

1111
00:53:32,120 --> 00:53:32,319
Speaker 2: Nah.

1112
00:53:32,400 --> 00:53:33,840
Speaker 6: No, That's why he was looking at her like that.

1113
00:53:33,920 --> 00:53:36,160
Speaker 6: He's like, no, okay, that's a little too selling it

1114
00:53:36,160 --> 00:53:38,640
Speaker 6: a little too hard. I don't want them to actually

1115
00:53:38,719 --> 00:53:39,720
Speaker 6: check the bag.

1116
00:53:40,680 --> 00:53:44,879
Speaker 2: Yeah. Yeah, So he's on the plane and that's when

1117
00:53:45,520 --> 00:53:48,560
Speaker 2: the Dan Killey made the proposal, very much like in

1118
00:53:48,960 --> 00:53:51,960
Speaker 2: the first one, Rod, did you believe that he killed

1119
00:53:51,960 --> 00:53:52,480
Speaker 2: his family?

1120
00:53:53,480 --> 00:53:57,080
Speaker 1: Okay, Spike and Mike.

1121
00:53:57,320 --> 00:54:00,720
Speaker 2: Already showed that, you know, they create fake vide Yeah,

1122
00:54:00,880 --> 00:54:02,920
Speaker 2: so Spike and Mike, why did you think he was

1123
00:54:02,960 --> 00:54:05,920
Speaker 2: stupid enough to believe that they killed they killed his family.

1124
00:54:07,719 --> 00:54:10,799
Speaker 2: When he saw that they manipulated his video earlier, it.

1125
00:54:10,800 --> 00:54:12,080
Speaker 5: Made sense why he would believe it.

1126
00:54:12,000 --> 00:54:14,360
Speaker 7: It just didn't make sense that they thought the audience

1127
00:54:14,360 --> 00:54:15,160
Speaker 7: was going to believe that.

1128
00:54:17,040 --> 00:54:20,759
Speaker 4: Yeah, because they never said why, right, And it was

1129
00:54:21,239 --> 00:54:24,400
Speaker 4: a rule that we usually don't bother your family, So

1130
00:54:24,440 --> 00:54:26,040
Speaker 4: why would they break the rule for no reason?

1131
00:54:26,160 --> 00:54:27,880
Speaker 2: Well that was that was part of it. Yeah, But

1132
00:54:27,880 --> 00:54:30,960
Speaker 2: that was the narrative that was storytelling at this point

1133
00:54:31,160 --> 00:54:34,360
Speaker 2: to flip him. So they needed to have the hunters

1134
00:54:34,360 --> 00:54:39,400
Speaker 2: go rogue in order to sell him turning against the

1135
00:54:39,480 --> 00:54:42,640
Speaker 2: hunters and killing hunters, you know, so he would be

1136
00:54:42,960 --> 00:54:49,320
Speaker 2: the new guy. So because they don't kill family, them

1137
00:54:49,360 --> 00:54:56,160
Speaker 2: going outside of the parameters of that would sell it.

1138
00:54:56,160 --> 00:54:59,560
Speaker 2: It's just I don't I did struggle with this part

1139
00:55:00,040 --> 00:55:11,320
Speaker 2: where his over angry reaction to breaking the monitor and.

1140
00:55:11,160 --> 00:55:13,080
Speaker 7: All this other stuff that was ridiculous too.

1141
00:55:13,239 --> 00:55:21,640
Speaker 2: It was way way, way, way way too much because

1142
00:55:21,680 --> 00:55:26,640
Speaker 2: at this point, Bro, we got it, man, Yeah, we

1143
00:55:26,640 --> 00:55:29,320
Speaker 2: we we got it. Bro. You damn you have anger issue,

1144
00:55:30,440 --> 00:55:32,319
Speaker 2: you know, and this is this is the one, and

1145
00:55:32,360 --> 00:55:33,800
Speaker 2: now you're going to go into the coppic.

1146
00:55:36,560 --> 00:55:37,799
Speaker 1: Okay, I'm with you, Mike.

1147
00:55:38,160 --> 00:55:41,239
Speaker 2: This was the unbelievable fight. Yep. This was the one

1148
00:55:41,320 --> 00:55:43,799
Speaker 2: way when the cop pick it took out three people. Yeah,

1149
00:55:43,840 --> 00:55:47,160
Speaker 2: I got you, I got you? What Yeah, and using

1150
00:55:47,200 --> 00:55:51,400
Speaker 2: the hulk anger as a maid to do it. This

1151
00:55:51,560 --> 00:55:54,440
Speaker 2: was definitely unbelievable because everything leading up to this, he

1152
00:55:54,480 --> 00:55:55,720
Speaker 2: ain't did ship.

1153
00:55:56,239 --> 00:55:58,640
Speaker 4: Why was it? Why was the pilot even like they

1154
00:55:58,800 --> 00:56:00,960
Speaker 4: was trained by it looked like.

1155
00:56:01,360 --> 00:56:03,640
Speaker 2: Well it's it's a it's a closed space, so it's

1156
00:56:03,680 --> 00:56:04,680
Speaker 2: only so much you can do.

1157
00:56:04,880 --> 00:56:07,120
Speaker 3: But it was like there was almost military or some ship.

1158
00:56:07,120 --> 00:56:09,320
Speaker 2: They were they were the Hunters.

1159
00:56:09,200 --> 00:56:11,520
Speaker 4: Got it, Okay, that's okay. The pilots, well, okay, got you.

1160
00:56:12,040 --> 00:56:12,520
Speaker 1: Oh you don't know.

1161
00:56:14,239 --> 00:56:16,000
Speaker 4: You'll see how they were looking at this point.

1162
00:56:17,160 --> 00:56:19,640
Speaker 2: They had a very military stuff. Can remember, because he walked.

1163
00:56:19,800 --> 00:56:22,120
Speaker 4: I was wondering when he's just pilots or the hunters.

1164
00:56:22,760 --> 00:56:24,759
Speaker 2: That's why he was like, yeah, how many laboratories on

1165
00:56:24,800 --> 00:56:25,240
Speaker 2: this plane?

1166
00:56:25,239 --> 00:56:30,040
Speaker 4: And he was told him for it was bro okay, gotcha?

1167
00:56:30,480 --> 00:56:32,920
Speaker 2: But yeah, no, you're right, and this is this scene.

1168
00:56:34,239 --> 00:56:36,440
Speaker 2: This was like he he looked like a trained military

1169
00:56:36,960 --> 00:56:39,600
Speaker 2: you know that. So I'm with y'all on this this

1170
00:56:39,760 --> 00:56:41,919
Speaker 2: because yeah, because I was because I was even asking,

1171
00:56:42,040 --> 00:56:42,439
Speaker 2: how the hell.

1172
00:56:42,320 --> 00:56:43,640
Speaker 1: Are you gonna beat all them?

1173
00:56:43,920 --> 00:56:47,239
Speaker 4: But the wolf Man got him though, the wolf Man,

1174
00:56:48,080 --> 00:56:51,359
Speaker 4: that's our boy from Foundation the middle.

1175
00:56:52,120 --> 00:56:57,239
Speaker 2: Oh thet okay, Okay, yeah, I don't know that was him.

1176
00:56:57,400 --> 00:56:57,600
Speaker 2: He did.

1177
00:56:57,680 --> 00:57:00,840
Speaker 1: He didn't win this fight, his ass.

1178
00:57:00,920 --> 00:57:04,360
Speaker 2: Yeah, this fight, I think you're the first one.

1179
00:57:05,800 --> 00:57:07,200
Speaker 4: He was a lot cooler with the mask.

1180
00:57:07,880 --> 00:57:11,640
Speaker 2: He was right, he took the mask. I thought I

1181
00:57:11,680 --> 00:57:14,480
Speaker 2: was gonna see something like I was like a motherucker,

1182
00:57:14,640 --> 00:57:17,960
Speaker 2: like they should have kept the mask. Man put that

1183
00:57:17,960 --> 00:57:20,320
Speaker 2: ship back off, bro And I don't know if y'all noticed,

1184
00:57:20,360 --> 00:57:23,760
Speaker 2: but they had one of the dumb ass shade over

1185
00:57:23,840 --> 00:57:28,040
Speaker 2: the over the mask. But the whole show, the whole movie,

1186
00:57:28,520 --> 00:57:29,240
Speaker 2: you couldn't see it.

1187
00:57:29,240 --> 00:57:32,080
Speaker 6: But it's like when they got close to revealing him,

1188
00:57:32,080 --> 00:57:33,920
Speaker 6: now you can kind of see his eyes and ship.

1189
00:57:34,520 --> 00:57:35,440
Speaker 4: That shit looked dumb.

1190
00:57:37,640 --> 00:57:39,880
Speaker 7: Was he something like big actor or something? That guy?

1191
00:57:40,320 --> 00:57:42,360
Speaker 4: I didn't think that at first. I thought he was

1192
00:57:42,440 --> 00:57:44,040
Speaker 4: Jake Gillian Hall he on the come up, I thought

1193
00:57:44,040 --> 00:57:45,960
Speaker 4: it was I thought it was Colin Ferrell.

1194
00:57:46,440 --> 00:57:48,240
Speaker 2: Oh, Colin Ferrell, who could have worked.

1195
00:57:48,600 --> 00:57:49,120
Speaker 3: I was like that.

1196
00:57:49,240 --> 00:57:49,560
Speaker 2: It was like.

1197
00:57:52,120 --> 00:57:53,880
Speaker 7: They made it seem like he was like a big deal,

1198
00:57:54,000 --> 00:57:55,720
Speaker 7: like we were gonna go, oh, ship.

1199
00:57:55,760 --> 00:57:57,960
Speaker 3: Come up, though he didn't come up yet.

1200
00:57:58,240 --> 00:57:59,680
Speaker 2: For most of the movie, I thought it was Michael

1201
00:57:59,680 --> 00:58:05,240
Speaker 2: Sarah's character, but it would have been weird, but I

1202
00:58:05,280 --> 00:58:07,560
Speaker 2: was waiting him pop up. He was a conspiracy guy,

1203
00:58:07,600 --> 00:58:10,200
Speaker 2: so he's almost damning the type cast.

1204
00:58:11,560 --> 00:58:16,280
Speaker 1: Yeah. So anyway, he takes off the wolf guy.

1205
00:58:16,840 --> 00:58:21,320
Speaker 2: Everything sold, but he rejects Dan Killian's offer to become

1206
00:58:21,360 --> 00:58:21,919
Speaker 2: the new Hunter.

1207
00:58:22,000 --> 00:58:23,120
Speaker 3: Would y'all had took that deal?

1208
00:58:26,920 --> 00:58:27,760
Speaker 2: Trapped in a deal?

1209
00:58:27,960 --> 00:58:28,440
Speaker 1: He couldn't.

1210
00:58:28,560 --> 00:58:32,160
Speaker 2: Yeah, he couldn't take the deal because remember, his whole

1211
00:58:32,360 --> 00:58:36,120
Speaker 2: thing was fighting against the system, fighting for the little guy,

1212
00:58:37,280 --> 00:58:39,520
Speaker 2: you know, So for him to take the deal and

1213
00:58:39,600 --> 00:58:44,919
Speaker 2: they killed your family. M hm. So in this one, Mike,

1214
00:58:45,360 --> 00:58:52,680
Speaker 2: instead of I'll be back, he told him i'll come back,

1215
00:58:52,720 --> 00:58:55,760
Speaker 2: I'll fuck you up. It was such a bad line.

1216
00:58:57,760 --> 00:59:00,720
Speaker 2: He said, I don't know how, but I'll come back.

1217
00:59:00,760 --> 00:59:03,240
Speaker 2: I'll fuck you up. I was like, that's it, Yeah,

1218
00:59:03,400 --> 00:59:06,960
Speaker 2: the best life. That was Okay, that's not gonna that's

1219
00:59:07,000 --> 00:59:10,320
Speaker 2: not gonna stick. That would They were right. I don't

1220
00:59:10,320 --> 00:59:11,080
Speaker 2: know who wrote that one.

1221
00:59:11,200 --> 00:59:12,080
Speaker 1: That didn't work? That would?

1222
00:59:12,080 --> 00:59:15,480
Speaker 2: It worked because he paused to remember he.

1223
00:59:14,800 --> 00:59:17,640
Speaker 7: Did a little look yeah about saying something crazy, I'll

1224
00:59:17,720 --> 00:59:19,439
Speaker 7: fuck you, oh man.

1225
00:59:19,800 --> 00:59:23,280
Speaker 2: But but yeah, he gave him the middle finger or

1226
00:59:23,280 --> 00:59:25,040
Speaker 2: something like that, and then they shot down the plane

1227
00:59:26,400 --> 00:59:32,000
Speaker 2: and somehow he survived the plane man shut without a parachute.

1228
00:59:32,240 --> 00:59:36,840
Speaker 2: I think they said there was a little pie.

1229
00:59:35,960 --> 00:59:36,560
Speaker 1: Very convenient.

1230
00:59:37,040 --> 00:59:38,800
Speaker 2: How did he know there was a skate pod on there?

1231
00:59:38,840 --> 00:59:40,800
Speaker 2: I don't know that And.

1232
00:59:42,080 --> 00:59:43,120
Speaker 3: I got confused here.

1233
00:59:43,680 --> 00:59:46,120
Speaker 4: So he survives a plane and it cuts immediately to

1234
00:59:46,360 --> 00:59:50,280
Speaker 4: the conspiracy dude to tell the people in the audience

1235
00:59:50,400 --> 00:59:53,240
Speaker 4: what happened and if there's a burning plane on the way,

1236
00:59:54,360 --> 00:59:55,240
Speaker 4: how did that happen?

1237
00:59:57,640 --> 00:59:59,360
Speaker 2: I don't know, because I don't know how he got

1238
00:59:59,400 --> 01:00:03,880
Speaker 2: communication back to the black guy to make that. So

1239
01:00:03,960 --> 01:00:07,240
Speaker 2: I don't know. I thought that that took place after

1240
01:00:07,280 --> 01:00:08,600
Speaker 2: the fact. It changed.

1241
01:00:09,360 --> 01:00:11,200
Speaker 3: I was during it was right now.

1242
01:00:11,320 --> 01:00:13,840
Speaker 2: I think they were showing what happened. I think it

1243
01:00:13,880 --> 01:00:16,040
Speaker 2: was almost like a replay. They were showing the truth

1244
01:00:17,400 --> 01:00:21,600
Speaker 2: of what happened in that moment. It wasn't like yeah, yeah, yeah.

1245
01:00:21,640 --> 01:00:23,840
Speaker 4: So I think Tom was able to warn them that

1246
01:00:23,880 --> 01:00:25,640
Speaker 4: the plane was on the way to the building.

1247
01:00:27,680 --> 01:00:29,360
Speaker 2: Is that is that what happened?

1248
01:00:30,920 --> 01:00:33,880
Speaker 4: He was like, everybody start panicking and it was like

1249
01:00:33,920 --> 01:00:35,880
Speaker 4: it's a plane on the way to the building right now,

1250
01:00:36,120 --> 01:00:38,800
Speaker 4: and that's when they started turning on him and booing

1251
01:00:38,880 --> 01:00:39,720
Speaker 4: him and ship like that.

1252
01:00:42,520 --> 01:00:46,400
Speaker 2: I don't know, man, I thought I thought all this

1253
01:00:46,600 --> 01:00:48,800
Speaker 2: was taking place after the fact, because that wouldn't make

1254
01:00:48,840 --> 01:00:52,320
Speaker 2: sense this hole you're talking about, yes, because it wouldn't

1255
01:00:52,360 --> 01:00:54,919
Speaker 2: make confused because there's no way he could relay back

1256
01:00:54,960 --> 01:00:57,680
Speaker 2: to him because they're on the ground right I don't

1257
01:00:57,680 --> 01:00:59,160
Speaker 2: even know what they got A phones.

1258
01:01:00,120 --> 01:01:01,880
Speaker 3: Was so good view. I was like, how did that happen?

1259
01:01:01,920 --> 01:01:02,080
Speaker 2: Bro?

1260
01:01:02,480 --> 01:01:04,280
Speaker 3: Maybe I missed something, something was wrong.

1261
01:01:06,760 --> 01:01:07,200
Speaker 1: I don't know.

1262
01:01:07,360 --> 01:01:09,000
Speaker 3: And then what was called of Domingo's beef?

1263
01:01:09,800 --> 01:01:10,840
Speaker 1: Oh I love him, bro?

1264
01:01:10,920 --> 01:01:13,040
Speaker 4: What was his beef when he quit you?

1265
01:01:14,080 --> 01:01:17,640
Speaker 2: He said in line section two of my contract clause

1266
01:01:18,440 --> 01:01:18,760
Speaker 2: in the.

1267
01:01:18,800 --> 01:01:22,920
Speaker 4: Smallest motherfucking print. Because I think he's just more concerned

1268
01:01:22,920 --> 01:01:26,520
Speaker 4: with his who he is. He's not a he would

1269
01:01:26,520 --> 01:01:27,760
Speaker 4: want to be a part of it if it was

1270
01:01:27,800 --> 01:01:28,600
Speaker 4: a live something.

1271
01:01:29,720 --> 01:01:32,280
Speaker 2: So all he cared about is his celebrity.

1272
01:01:32,440 --> 01:01:35,640
Speaker 4: Yeah, he can't give a shit about they calls or

1273
01:01:35,640 --> 01:01:36,720
Speaker 4: the network, and.

1274
01:01:36,520 --> 01:01:38,200
Speaker 6: He just cared about the celebrity. Like, look, you wanted

1275
01:01:38,200 --> 01:01:40,320
Speaker 6: to make this motherfucker popular, That's what I'm doing.

1276
01:01:41,120 --> 01:01:43,520
Speaker 2: I do my job, because remember when he showed up,

1277
01:01:43,520 --> 01:01:45,480
Speaker 2: he was like, yeah, I know, it's just different in person.

1278
01:01:47,880 --> 01:01:49,760
Speaker 2: He's like, yeah, I know, he said, you don't get

1279
01:01:49,880 --> 01:01:54,680
Speaker 2: used to He did great job, even when like the

1280
01:01:54,720 --> 01:01:58,200
Speaker 2: goons were killed and he's all sad and ship like that,

1281
01:01:58,680 --> 01:02:01,800
Speaker 2: and then he wrapped that right.

1282
01:02:02,440 --> 01:02:02,600
Speaker 3: Man.

1283
01:02:02,640 --> 01:02:03,760
Speaker 4: He was a hell of a showman.

1284
01:02:04,240 --> 01:02:06,960
Speaker 2: Yeah, no, he was perfect. In the original Dan Killian

1285
01:02:07,120 --> 01:02:09,240
Speaker 2: was doing all the he was good. Yeah he was.

1286
01:02:09,280 --> 01:02:11,320
Speaker 2: He was. He was the one that was the Ashuall host.

1287
01:02:12,080 --> 01:02:13,920
Speaker 2: So anyway, we at the end, y'all we made it.

1288
01:02:15,600 --> 01:02:19,920
Speaker 2: Y'all made it. And uh so now the resistance is alive,

1289
01:02:19,960 --> 01:02:24,840
Speaker 2: and well, uh Dan lost this person. So he goes

1290
01:02:24,840 --> 01:02:27,560
Speaker 2: out there he's trying to be the host himself and

1291
01:02:27,600 --> 01:02:31,520
Speaker 2: then there's explosions on stage and you know, with most

1292
01:02:31,520 --> 01:02:34,200
Speaker 2: people in power, what did he do? He ran and

1293
01:02:34,440 --> 01:02:37,880
Speaker 2: uh hel com Dan Killy, I mean, here come Ben Richards.

1294
01:02:38,800 --> 01:02:43,360
Speaker 2: You thought I was dead, walked up on him and

1295
01:02:43,520 --> 01:02:46,160
Speaker 2: you know, said yeah, I said, I'll suck you up.

1296
01:02:46,240 --> 01:02:46,880
Speaker 1: And there he is.

1297
01:02:46,960 --> 01:02:50,960
Speaker 2: And how did he find his wife? And she was

1298
01:02:51,000 --> 01:02:53,640
Speaker 2: under a different alias? Well, probably the hackers did it.

1299
01:02:55,120 --> 01:02:57,800
Speaker 2: I thought that was cute. She gave him a sock.

1300
01:02:59,160 --> 01:03:03,720
Speaker 2: She was bound to Cereal, She's reunited back because I was.

1301
01:03:03,680 --> 01:03:06,040
Speaker 4: Like, she'd get the sock and see him out there

1302
01:03:06,080 --> 01:03:08,080
Speaker 4: and then he had domestic.

1303
01:03:07,920 --> 01:03:11,320
Speaker 2: Yeah, he was a superhero announcementit he's in that Ben

1304
01:03:11,400 --> 01:03:15,480
Speaker 2: Riley costume from fider Man. You probably wouldn't get the reference.

1305
01:03:15,560 --> 01:03:19,280
Speaker 2: I don't, yeah, so but either way, I go, man,

1306
01:03:19,680 --> 01:03:22,280
Speaker 2: I love like you know, I get you out in

1307
01:03:22,440 --> 01:03:25,280
Speaker 2: like the actor. And that was a big no no

1308
01:03:25,480 --> 01:03:26,040
Speaker 2: for you guys.

1309
01:03:26,480 --> 01:03:27,000
Speaker 7: Blah blahlah.

1310
01:03:27,120 --> 01:03:29,000
Speaker 2: Man I was, I was. I was okay with it.

1311
01:03:29,040 --> 01:03:30,520
Speaker 2: I was okay with it. I can I can look

1312
01:03:30,560 --> 01:03:33,120
Speaker 2: past him. I liked the messaging of it. I thought

1313
01:03:33,160 --> 01:03:36,400
Speaker 2: the middle piece definitely dragged in parts. There were definitely

1314
01:03:36,440 --> 01:03:41,200
Speaker 2: some questions about fifteen sixteen days, you know, and they

1315
01:03:41,560 --> 01:03:43,840
Speaker 2: were at that point finding you at every goddamn location.

1316
01:03:44,760 --> 01:03:48,120
Speaker 2: So so, and you went a couple of days without

1317
01:03:48,120 --> 01:03:50,960
Speaker 2: them finding you. Now, part of that is that they're

1318
01:03:51,040 --> 01:03:53,800
Speaker 2: just prolonging it because it's the ratings, so you have

1319
01:03:53,880 --> 01:03:55,920
Speaker 2: to prolong the hunt in order to drive the ratings

1320
01:03:55,960 --> 01:03:58,720
Speaker 2: up to get people coming back. So you know, I

1321
01:03:58,840 --> 01:04:02,160
Speaker 2: get all that, But nevertheless, I think it was a

1322
01:04:02,200 --> 01:04:09,280
Speaker 2: serviceable remake, generous I'm partial to the villains in the

1323
01:04:09,360 --> 01:04:13,400
Speaker 2: first one and I was I was wondering if they

1324
01:04:13,400 --> 01:04:15,120
Speaker 2: could have done a version of that, because you had

1325
01:04:15,160 --> 01:04:19,600
Speaker 2: sub zero Busts all Dynamo because he's what he said,

1326
01:04:19,600 --> 01:04:22,080
Speaker 2: welcome to me, my love or something like that. You

1327
01:04:22,200 --> 01:04:25,160
Speaker 2: had Captain Freedom, and another one I can't remember. You

1328
01:04:25,160 --> 01:04:27,640
Speaker 2: have the black guy, the fire guy. We had the flamethrower.

1329
01:04:28,360 --> 01:04:31,160
Speaker 2: He was at, uh, he's a wanta want a light

1330
01:04:31,320 --> 01:04:33,520
Speaker 2: or something like that. The puns are crazy, spite you

1331
01:04:33,520 --> 01:04:37,400
Speaker 2: gotta watch it. Puns are crazy anyway, man. Yeah, let

1332
01:04:37,440 --> 01:04:39,920
Speaker 2: me let me all right, Well, that's gonna do it

1333
01:04:39,920 --> 01:04:40,240
Speaker 2: for us.

1334
01:04:40,240 --> 01:04:40,400
Speaker 1: Man.

1335
01:04:40,440 --> 01:04:44,760
Speaker 2: We'll catch you guys that time we out. Peace. Yeah,

1336
01:04:44,880 --> 01:04:45,960
Speaker 2: I'm glad you enjoyed it.

1337
01:04:47,960 --> 01:04:48,200
Speaker 7: You can

1338
01:04:51,720 --> 01:04:56,240
Speaker 2: Yeah,