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Speaker 1: All right, I'm hosting because it's it's because because you

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Speaker 1: got the access to the super chat. Oh hey, what's up, y'all?

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Speaker 2: Uh, what's going on?

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Speaker 3: What's up?

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Speaker 1: What's up? Welcome to another Dead and Hip Hop Live. Man,

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Speaker 1: we haven't done one of these in a minute. I mean,

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Speaker 1: I know we do super chats, but we haven't done

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Speaker 1: like a like a super chat show in.

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Speaker 4: A very long time. We we kind of pivoted.

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Speaker 1: To doing a time limited super chat while we did

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Speaker 1: the topics at the first part of the show.

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Speaker 4: But tonight is just solely super chat.

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Speaker 1: So you guys can go ahead and start sitting that

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Speaker 1: was in now and we'll start answering as as we go.

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Speaker 4: There's been things going on and hip hop.

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Speaker 1: You know, today's officially, uh the what anniversary of the

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Speaker 1: untitled A Mass of Kendricks, the tenth anniversary, tenth anniversary,

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Speaker 1: got high this and Jay Cole. So you know, whatever

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Speaker 1: questions y'all got, man, y'all send the man and we'll

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Speaker 1: do our best to answer them as we as we

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Speaker 1: go along. And at some point tonight we'll we'll shut

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Speaker 1: it off if we start getting too many or whatever.

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Speaker 1: And but yeah, yeah, it's a super Chat Show, So

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Speaker 1: welcome in as you know, I'm your host, Rod go Okay,

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Speaker 1: I an't think he's gonna say that, you got kid? What's up? Man?

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Speaker 2: Uh, I'm good, I'm good. I was on the Dad

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Speaker 2: and hip Hop subreddit seeing what they talk what they

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Speaker 2: were talking about in there. You know, I'll be popping

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Speaker 2: in there every once, you know, trying to pop in

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Speaker 2: there every couple of throughout the week.

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Speaker 1: Ship.

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Speaker 2: You know it's somebody put fan art up though, and

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Speaker 2: I'm gonna put it on the screen.

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Speaker 4: Somebody put fan art.

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Speaker 2: Really, you're not gonna like it, but I still appreciate

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Speaker 2: them doing it. So uh, let me see.

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Speaker 1: I don't know, uh maybe yeah, and then and then yeah, man,

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Speaker 1: I might have caught us earlier today, Man, we were

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Speaker 1: trying to do a stream but it was running to

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Speaker 1: some technical difficulties. We did, we were doing but baby

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Speaker 1: trying Uh.

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Speaker 3: Yeah, man, we looked like some super old dudes out

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Speaker 3: here trying to mess with their technology.

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Speaker 1: It was yeah, that that was that way horribly wrong

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Speaker 1: in so many ways and so many ways, um hmm.

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Speaker 4: But but now, yeah, we were trying to.

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Speaker 1: Do that earlier, man, across all the other streaming platforms

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Speaker 1: we have on Twitch and Facebook and Twitter and all

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Speaker 1: of that, man, since we can't do it here on YouTube.

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Speaker 1: But but yeah, and then can computer started walking.

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Speaker 4: Out, So it was a total mess. So apologies for that.

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Speaker 2: It's gone now. Huh yeah, it's gone now. No, no, oh,

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Speaker 2: there it is. It's uh no, I was talking about

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Speaker 2: the string. So if y'all missed it, y'all missed it.

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Speaker 4: Oh, it's not even like a playback winner.

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Speaker 1: I deleted at all.

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Speaker 3: Done, this never happened, right, can beat can beat? Trump?

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Speaker 3: Scrubbed all the fire, redacted everything.

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Speaker 1: Did you really make that, bro?

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Speaker 2: Because I'm about to put it on the screen though,

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Speaker 2: Uh you, Mike, I can't ever. I don't think you

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Speaker 2: would say something. So here we go. Uh maybe i'll

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Speaker 2: say it. I'll save it for the end of the show.

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Speaker 2: I'll say it for the end of the show.

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Speaker 1: I want to say.

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Speaker 2: You know, all right, well here we go. Okay, yeah,

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Speaker 2: this is what they made, you know what. I appreciate

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Speaker 2: anybody taking the time out to show us some love. Man,

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Speaker 2: let me take that off off here. So now when

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Speaker 2: I when popped in there was it was I was like,

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Speaker 2: I thought it was cool.

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Speaker 1: I thought it was dope. It is It is dope,

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Speaker 1: is it though? Because it does look like AI.

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Speaker 2: And that's why I told you there are He did

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Speaker 2: answer that question. He's not hiding from it. They're not

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Speaker 2: hiding from it. They said there were parts that they

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Speaker 2: could not do, so they did use AI for that.

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Speaker 1: Mm hmm.

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Speaker 2: So that's why I said, you may not like it,

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Speaker 2: but me, I still think it's though regardless, Yeah, anybody

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Speaker 2: showing us love like that.

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Speaker 1: My My thing though, is my bear is so white bro.

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Speaker 2: And the bar Yeah yeah, yeah, you're right, public public

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Speaker 2: enemy and the and the and the the Barbie fit

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Speaker 2: to friends moment.

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Speaker 4: Man, that's the classic frames. But that was that was frames?

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Speaker 1: No? What was that? What was that?

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Speaker 2: Is my stolon? It may have been Halloween, may have

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Speaker 2: been in my salon.

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Speaker 1: Yeah, Now I look cool, but y'all know, y'all know

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Speaker 1: I am seriously against the AI stuff. But I mean

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Speaker 1: it looks it looks fine. I appreciate the time. A

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Speaker 1: little too chopped, don't know, I'm a little too chalk, man.

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Speaker 1: I'm more of a light right than that. So I'm

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Speaker 1: a little too chalking. And I don't know if you're

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Speaker 1: that close to my height and leaning en though. Yeah,

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Speaker 1: it maas it look like can short. It makes it

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Speaker 1: look like you get short, It makes it look like

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Speaker 1: it makes it look like you're taller than Mike. He

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Speaker 1: didn't have to do be head like that, right, bro,

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Speaker 1: Like we got head, man, I would.

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Speaker 2: Take it off the screen.

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Speaker 1: Man, y'all don't have to do my boy like that.

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Speaker 1: No more man, man. But super chats are coming in, man,

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Speaker 1: So I don't know if you want to get going

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Speaker 1: and get started on those, cause, like I said, this

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Speaker 1: is a super chat show and we're gonna answer the

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Speaker 1: super chests as we go along instead of doing our

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Speaker 1: traditional oh you got twenty minutes, fifteen minutes or whatever,

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Speaker 1: We're just gonna keep them going until we feel like,

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Speaker 1: you know, until we feel like, okay, this might be

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Speaker 1: too many for us to get out of here on time.

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Speaker 1: So yeah, keep standing those in. You know, we appreciate it.

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Speaker 1: I see them coming in. Appreciate the love, appreciate the

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Speaker 1: funds or whatever. And yeah, man, you can't even ready.

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Speaker 1: We can go ahead and start getting into some of

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Speaker 1: these super checks, all right, see my shout out? What

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Speaker 1: be talking about? Modus didn't see my shout out? I

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Speaker 1: don't know what we're talking about.

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Speaker 2: Yeah, anyway, is there a classic Bust to Rhymes album?

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Speaker 3: M I think so. I think Strikes Baby, holdo, I

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Speaker 3: gotta look at the album.

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Speaker 1: Yeah, I think that's considered like he's probably his classic

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Speaker 1: if we if he had one.

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Speaker 5: I know a lot of people talk about the stinsion

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Speaker 5: level event. I feel like he should have a classic, though,

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Speaker 5: I don't know if he gets talked about enough when

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Speaker 5: it comes to albums.

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Speaker 1: I don't know.

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Speaker 2: If Buster has traditional classic in a sense. You know,

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Speaker 2: I think he has a great albums. I think we

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Speaker 2: can point to uh when it comes to ranking, we

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Speaker 2: can rank his his you know, his discography.

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Speaker 1: I think E L. E.

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Speaker 2: When Disaster Strikes would be the two that are that

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Speaker 2: are one or two. But in history, I don't know

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Speaker 2: if he has if he has a classic like that.

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Speaker 1: Yeah, I'm not Yeah, I don't know. He's even been nominated.

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Speaker 3: Before, and that'll that don't mean classic or not.

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Speaker 1: But I know, look, look at I'm just I'm just

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Speaker 1: just just actually putting it out there, like yeah, yeah.

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Speaker 3: Yeah, looking at his discography, his two best albums are

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Speaker 3: E L. E and one Disaster Strikes Anarchy in two

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Speaker 3: thousand Genesis in two thousand and one. Uh, it ain't

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Speaker 3: Safe No More O two Big.

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Speaker 1: Bang Oh six.

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Speaker 3: And I can't say like certified classic, but it's two

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Speaker 3: best are e l E and one Disaster Strikes And

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Speaker 3: both of these albums, as much as I like them,

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Speaker 3: they have skips, and I think that's what I hear.

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Speaker 1: It's kind of like method Man. I don't know if

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Speaker 1: method Man has a classic album. Yeah, I guess he does.

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Speaker 3: Which one?

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Speaker 1: Yeah, you think that would be one? That would be

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Speaker 1: the one? I don't know. I think it's kind of

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Speaker 1: like busting, Like we don't put the cal up there

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Speaker 1: with the built for Cuban nks and it's not on

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Speaker 1: that level.

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Speaker 3: But is it better than fish Scale.

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Speaker 1: Classic?

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Speaker 3: Yeah?

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Speaker 1: Yeah, I don't think it's better than a fish scale.

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Speaker 3: Yeah, you neither.

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Speaker 2: I don't know.

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Speaker 1: I think that.

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Speaker 2: I think there's I think I think you can make

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Speaker 2: a case for Tako.

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Speaker 1: Yeah, you know, I think you can. It does I

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Speaker 1: think so? For sure. I don't hear anybody talking about

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Speaker 1: the Cal as a classic album. I ain't never heard that. Well,

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Speaker 1: they tripping.

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Speaker 2: It may not make the cut, but I think it

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Speaker 2: is worth at least having the discussion, you know, but.

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Speaker 1: Nah, I can. It seemed like it's mixed. The chat

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Speaker 1: chat seemed like it's mixed, like well, not even mixed.

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Speaker 1: It seemed like a lot of people saying it's not.

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Speaker 2: Well that's why I don't listen to the chat chat.

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Speaker 2: But anyway, No, I messed with him.

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Speaker 1: But moving on.

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Speaker 2: But you know what, I think what that question did

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Speaker 2: is I need to go back and listen to the

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Speaker 2: first couple of albums from Buster Rhymes.

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Speaker 1: I haven't.

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Speaker 2: I haven't listened to them in a minute. Yeah, I

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Speaker 2: won't get far. I won't get far in the discography,

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Speaker 2: but you know, those first three or four we might

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Speaker 2: be all right, we might be all right, we might

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Speaker 2: stop at anarchy. But uh, but yeah, anyway, Uh. Elijah

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Speaker 2: thoughts on twenty one Savage F the streets movement.

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Speaker 1: It's a movement. I didn't know it was a movement,

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Speaker 1: y'all y'all heard of y'all heard about this, right.

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Speaker 3: Yeah, yeah, yeah, yeah. I'm with what he's saying, right, Like,

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Speaker 3: I don't think he's saying like F the streets in

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Speaker 3: a sense that like the streets don't matter. He's just

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Speaker 3: saying F the streets in a sense like let's not

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Speaker 3: continue to pour into it, right, Like if you made

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Speaker 3: it out of it, you want to make your music

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Speaker 3: in regards to you know, showing the poverty and all

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Speaker 3: of that type shit. I'm cool with that, but like,

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Speaker 3: the streets ain't where you want to be, man, you

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Speaker 3: know what I'm saying, Like like it's just it's it's

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Speaker 3: gonna swallow you pause, you know what I'm saying, Like

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Speaker 3: like look at Nipsey, look at uh Dolph, look at

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Speaker 3: you know a lot of these artists that lost their

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Speaker 3: life in their own you know what I'm saying, being

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Speaker 3: true to the true to the streets, you know, like

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Speaker 3: trying to literally make at least in Nipsey's case, like

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Speaker 3: an extremely positive change in his old community, like in

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Speaker 3: his back door, and for that to happen. I feel

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Speaker 3: that movement of f the streets. But at the same time,

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Speaker 3: I feel like we need to be able to reinvest

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Speaker 3: and uplift. But street life ain't cool, you know, Like

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Speaker 3: you know what I'm saying, Like anybody that's in it

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Speaker 3: is always trying to elevate out of it. Like the

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Speaker 3: ones that's trying to stay in there. Something wrong with y'all,

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Speaker 3: you know. So so I feel twenty one on that.

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Speaker 1: Yeah. Oh, I don't know what what did B say?

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Speaker 1: B said? People saying I'm annoying you. No, No, I

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Speaker 1: don't know what they're talking about.

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Speaker 2: If I know B, he probably uh uh it probably

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Speaker 2: was about to cal.

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Speaker 1: Oh. No, they're saying Minus did the artwork for mycoming detail?

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Speaker 1: No as it? Oh yeah, man, shout out to me. Yeah, nah,

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Speaker 1: I didn't see it. Man, I started seeing all the

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Speaker 1: super tests all in my bad bro. Yeah, shout out

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Speaker 1: to be man, be taped on the way. It's gonna

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Speaker 1: be crazy. I got a sneak peek of it. But

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Speaker 1: but noah, Man, I don't know. I don't know about

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Speaker 1: the streets, bro. Like like I've seen a couple of

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Speaker 1: different arguments. So not arguments, but people you know, chiming

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Speaker 1: in on it. I mean because without the streets, I

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Speaker 1: mean in a in a sense of of support, right,

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Speaker 1: not necessarily in a sense of like violence and all that,

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Speaker 1: all the stuff that comes with it as far as that,

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Speaker 1: but like streets can can get you can get you, notoriety,

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Speaker 1: you know what I'm saying. Like, like he's not talking

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Speaker 1: about it in that regard, were talking about it, So

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Speaker 1: he was that's what I'm saying, Like, Martin Lafly, streets

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Speaker 1: are more than a crime. So that how is he

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Speaker 1: not talking about it in that regard, because because you're

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Speaker 1: saying the streets, Like what does that mean? You're talking

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Speaker 1: about one side of it.

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Speaker 3: I'm he's talking about like always like claiming it like

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Speaker 3: once you've elevated past it, you know what? I like,

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Speaker 3: like think about it?

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Speaker 1: Right? Who you know?

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Speaker 3: Who you know in the hood that want to stay

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Speaker 3: in the hood.

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Speaker 1: I don't know anybody that wants to necessarily stay in

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Speaker 1: the hood, but.

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Speaker 3: You but but but but right, like in the hood,

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Speaker 3: the majority of people are trying to elevate past that, right,

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Speaker 3: like that that part in their life, Like they're trying

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Speaker 3: to go to school, do whatever it is to try

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Speaker 3: to get out of that, right like like the majority

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Speaker 3: of it.

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Speaker 4: Okay, I'm sorry, I keep cutting off my bad.

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Speaker 3: So so so that's essentially what he's saying. It's like,

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Speaker 3: like we got to elevate past the quote unquote street mentality. Yes,

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Speaker 3: the street mentality is it is crime based the mentality

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Speaker 3: of street the mentality, Like he's trying to he wants

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Speaker 3: people to elevate beyond that, like whoever back and forth

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Speaker 3: he was having. He was like, why are we taking

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Speaker 3: it back there? Like that's not that's not where we at.

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Speaker 3: So so from that aspect, yes, no, like from the

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Speaker 3: aspect of f the streets, like like I don't want

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Speaker 3: my music circulating with the people right like like that

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Speaker 3: aspect nah, because the streets could be a lot of

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Speaker 3: different things. But in the and and how he was

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Speaker 3: talking about it, it was the mentality of elevating past

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Speaker 3: the street quote unquote.

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Speaker 1: Mentality can I think I think the street thing is

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Speaker 1: just too broad, you know what I'm saying, because it's

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Speaker 1: not just one thing like yeah, f crime, F shootings,

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Speaker 1: drive bys, all that stuff, Like I never I never was,

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Speaker 1: you know, obviously fed and that because I've lost friends

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Speaker 1: to too, to shootings and things like that drug game.

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Speaker 1: I've lost friends that way, still have friends locked up.

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Speaker 1: But there are things about the hood industries that you know,

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Speaker 1: we embrace, and there are things that you know that

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Speaker 1: I've taken from that life lessons that I've taken from that.

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Speaker 1: I think it's too I'm sorry when.

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Speaker 3: You say embrace, what do you mean embrace?

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Speaker 1: Like I embraced it all the time, Like I feel

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Speaker 1: like it kind of it kind of made me, you

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Speaker 1: know what I'm saying, It made me appreciate having things

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Speaker 1: I'm not like you elevated, and I also also want

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Speaker 1: to give back. You also want to pull people up

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Speaker 1: from it, like like it's it's just to say, just

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Speaker 1: ef it. It's just kind of I feel like you're

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Speaker 1: just talking about one sign.

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Speaker 3: No no, no, no, no, no so much so so

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Speaker 3: that's the perfect example, right, like you've come from it,

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Speaker 3: you've elevated past it. Can you be brought back to

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Speaker 3: that mentality if somebody will have the disagreement with you.

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Speaker 1: It's not about being brought back to the mentality. It's

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Speaker 1: about me not saying it. Because I come from it.

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Speaker 1: I can't be like all.

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Speaker 3: Right, no no no, no no no no no no no.

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Speaker 3: But but it's in the context of what twenty one

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Speaker 3: was saying that that's the point I'm trying to I'm

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Speaker 3: trying to drill into you.

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Speaker 1: I'm not. I'm not because it can get skewed, And

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Speaker 1: that's why that's why people can get get offended by it,

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00:18:23,320 --> 00:18:27,080
Speaker 1: because it's so broad. You can't just be like f

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Speaker 1: the streets. I get I get you saying certain things

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Speaker 1: certain certain components, certain elements about it. But just to

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Speaker 1: be like f the streets as if it's not like

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Speaker 1: positive things going on in these communities. It's crazy.

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Speaker 3: Yeah, but yeah, but rap doesn't. But rap doesn't highlight

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Speaker 3: it in rap rap. So I but I'm just saying, though,

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Speaker 3: like at the end of the day, problem talk about

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Speaker 3: the positive things that go on in the streets. But

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Speaker 3: but then, but then, but then we already know it's

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Speaker 3: not gonna move you. We already we already know that.

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Speaker 3: We already know that.

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Speaker 1: But my but that goes back to my point about

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Speaker 1: f in the streets, like you're not You're just you're

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Speaker 1: just glorifying one part of it. You're not glorifying people

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Speaker 1: giving back, people having certain you know, certain things going on,

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Speaker 1: certain community things that that only we can cultivate, and

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Speaker 1: only only because we care about us. You see what

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Speaker 1: I'm saying. That's street stuff.

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Speaker 3: No, no, I feel you so so my my my thing,

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Speaker 3: my thing is this right and and and the person

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Speaker 3: that I can put here in kenn'sdlle hated uh. I

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Speaker 3: think the perfect showcase of elevation right is Larry June.

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Speaker 3: Larry June makes being healthy and being positive cool as hell.

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Speaker 3: How many other rappers do we have that are that

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Speaker 3: are in that vein?

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Speaker 1: Right?

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Speaker 3: Like to me, when I hear twenty one Savage say

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Speaker 3: f the streets, that's what Larry June is doing, right,

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00:19:53,720 --> 00:19:57,199
Speaker 3: Like not saying that I don't serve my community in

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Speaker 3: a sense of giving them what they need or and

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00:19:59,880 --> 00:20:03,680
Speaker 3: or or what they want. But he don't talk about

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00:20:04,119 --> 00:20:07,880
Speaker 3: glorifying the industry of the streets.

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Speaker 1: Right.

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00:20:08,680 --> 00:20:10,840
Speaker 3: It's like, yeah, yeah, I moved you know, I had

340
00:20:10,840 --> 00:20:12,600
Speaker 3: the ooh wop, I had this, I had that, I

341
00:20:12,720 --> 00:20:15,520
Speaker 3: moved it. But that's like five to ten percent of

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Speaker 3: his raps. Eighty to ninety percent of his raps is

343
00:20:19,000 --> 00:20:23,520
Speaker 3: Alkali waters, Smoothie, get rest, love your family, take care

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Speaker 3: of the loved ones.

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Speaker 1: Like you know what I'm saying. So, like, how many

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Speaker 1: rappers that we fuck with?

347
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Speaker 2: Right?

348
00:20:28,080 --> 00:20:30,840
Speaker 3: Like us three here we talked about the Bodie James

349
00:20:31,080 --> 00:20:35,119
Speaker 3: and Roome Streets joint. Like them niggas glorify to a

350
00:20:35,200 --> 00:20:38,080
Speaker 3: degree the shit that happens in the streets. Now, I'm

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Speaker 3: entertained by that because I come from it, you know

352
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Speaker 3: what I'm saying, So I understand it. But at the

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Speaker 3: same time, like you can't say that twenty one don't

354
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Speaker 3: have a point, like like what we glorify the negative

355
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Speaker 3: aspects of the streets or what the street life can

356
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Speaker 3: give you. But we all know that that's just gonna

357
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Speaker 3: be a temporary thing because it's not sustainable. So how

358
00:21:00,520 --> 00:21:04,439
Speaker 3: do we elevate beyond just getting it and sustaining it?

359
00:21:04,520 --> 00:21:08,680
Speaker 3: Like those are those are two different things.

360
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Speaker 1: Yeah, I feel like it's gonna be a dead end

361
00:21:13,240 --> 00:21:15,760
Speaker 1: conversation and we got a lot of super chants to go.

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Speaker 1: But like like I said, my main thing is just

363
00:21:18,440 --> 00:21:20,600
Speaker 1: don't generalize it. You know what I'm saying. Saying up

364
00:21:20,680 --> 00:21:24,280
Speaker 1: the streets can be a bad messaging to to to

365
00:21:25,520 --> 00:21:28,040
Speaker 1: politics and all that. They already say that shit, you

366
00:21:28,080 --> 00:21:29,600
Speaker 1: know what I'm saying. So now you're just you're just

367
00:21:29,640 --> 00:21:33,280
Speaker 1: pushing that message. You're just pushing that agenda by saying

368
00:21:33,359 --> 00:21:36,920
Speaker 1: that as if good things don't happen in the streets. No,

369
00:21:37,119 --> 00:21:38,320
Speaker 1: that's all I think.

370
00:21:38,440 --> 00:21:39,160
Speaker 3: I just had to google.

371
00:21:39,200 --> 00:21:40,800
Speaker 1: I think it's dangerous to say it like that.

372
00:21:41,160 --> 00:21:44,119
Speaker 3: Initially, this was director that Atlanta rappers Young Thug and

373
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Speaker 3: Gunna to urge them to settle their long standing beef.

374
00:21:46,800 --> 00:21:50,600
Speaker 3: The comment evolved into a broader fuck the Streets movement. However,

375
00:21:51,200 --> 00:21:55,840
Speaker 3: like again, what twenty one is saying is not bad

376
00:21:56,119 --> 00:21:59,840
Speaker 3: like young Thug and gunn y'all niggas was homies. All

377
00:21:59,840 --> 00:22:03,359
Speaker 3: of it is tough gangster shit. Be homies. Reconcile that

378
00:22:03,720 --> 00:22:07,760
Speaker 3: relationship that is bigger than the streets fucked the Street

379
00:22:07,960 --> 00:22:12,159
Speaker 3: aspect of that, and cultivate that genuine friendship that you

380
00:22:12,200 --> 00:22:15,040
Speaker 3: guys want to add. It's all I'm saying, like like, like,

381
00:22:15,640 --> 00:22:18,639
Speaker 3: I don't disagree that this is a conversation that I

382
00:22:18,720 --> 00:22:22,160
Speaker 3: also don't disagree that taking it out of context can

383
00:22:22,200 --> 00:22:27,280
Speaker 3: be could be manipulated. But at the end of the day,

384
00:22:27,400 --> 00:22:31,080
Speaker 3: if we're if if we're taking what twenty one said

385
00:22:31,119 --> 00:22:33,280
Speaker 3: and trying to keep it in context, it's not a

386
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Speaker 3: negative statement.

387
00:22:36,600 --> 00:22:38,560
Speaker 4: Okay, let's move in the next week. We got a

388
00:22:38,560 --> 00:22:39,720
Speaker 4: lot of super chats.

389
00:22:42,200 --> 00:22:42,760
Speaker 1: As it is.

390
00:22:42,800 --> 00:22:45,800
Speaker 2: A page called Underground Sound dropped the Cipher recently quite

391
00:22:45,880 --> 00:22:49,440
Speaker 2: possibly the worst cipher of all time too, slimy makes

392
00:22:49,520 --> 00:22:55,000
Speaker 2: Ozzy sound like nas shit. I guess I'll listen.

393
00:22:55,000 --> 00:22:57,960
Speaker 1: I'm not familiar with this. A page called Underground Sound

394
00:22:58,040 --> 00:22:59,640
Speaker 1: Drop the Cipher recently.

395
00:23:00,960 --> 00:23:02,440
Speaker 2: Ciphrus is the move right now?

396
00:23:03,600 --> 00:23:05,320
Speaker 1: Yeah, everybody doing.

397
00:23:05,160 --> 00:23:12,960
Speaker 2: Them, but too Slimy was just, oh hell no, y'all

398
00:23:13,000 --> 00:23:14,320
Speaker 2: can keep this motherfucker bro.

399
00:23:15,320 --> 00:23:24,160
Speaker 1: I just looked up to me slim hell, oh god,

400
00:23:25,680 --> 00:23:29,800
Speaker 1: that might be fun? All right?

401
00:23:30,800 --> 00:23:31,000
Speaker 6: Uh?

402
00:23:31,080 --> 00:23:31,680
Speaker 1: Whyem forever?

403
00:23:31,720 --> 00:23:35,560
Speaker 2: Outside of the doggy style, what's your favorite Snoop album? I

404
00:23:35,560 --> 00:23:39,840
Speaker 2: think it's the Blue car R and B Blue Carpet Treatment.

405
00:23:39,920 --> 00:23:41,960
Speaker 2: Which one is it?

406
00:23:42,040 --> 00:23:48,359
Speaker 1: I don't know what one r G.

407
00:23:48,640 --> 00:23:50,480
Speaker 2: I think it's Rhythmic Gangster that was it?

408
00:23:51,200 --> 00:23:53,440
Speaker 1: You like that one? Yeah?

409
00:23:53,560 --> 00:23:58,159
Speaker 2: Yeah, let me look at the track list. Let me

410
00:23:58,200 --> 00:23:59,000
Speaker 2: look at the track that.

411
00:24:00,640 --> 00:24:03,119
Speaker 4: One, which one has sexual seduction on it?

412
00:24:04,880 --> 00:24:07,880
Speaker 1: Because he was making a comeback with that.

413
00:24:07,880 --> 00:24:10,199
Speaker 2: That may have been the Blue Carpet Treatment. Let me

414
00:24:10,240 --> 00:24:15,280
Speaker 2: look uh to to No, that's not Blue Carpet Treatment.

415
00:24:18,359 --> 00:24:21,399
Speaker 2: Oh no, I don't think I like that. Damn.

416
00:24:21,520 --> 00:24:23,080
Speaker 1: There was another one that I liked.

417
00:24:26,200 --> 00:24:28,640
Speaker 4: It said has available?

418
00:24:29,520 --> 00:24:31,919
Speaker 1: Yo? Which which album the game is to be?

419
00:24:31,960 --> 00:24:35,440
Speaker 2: Someone not told I messed with that? You one too?

420
00:24:37,960 --> 00:24:43,280
Speaker 2: That's just that's no limits Snoop. There's no limits Snoop.

421
00:24:45,320 --> 00:24:46,159
Speaker 2: Dame for Snoop.

422
00:24:46,880 --> 00:24:48,320
Speaker 1: I mean he had a couple of joints on there,

423
00:24:48,359 --> 00:24:53,360
Speaker 1: but yeah, it ain't Yeah yeah, let me top dog that.

424
00:24:53,400 --> 00:24:55,040
Speaker 4: Was on an album called Ego Tripping.

425
00:24:55,880 --> 00:24:56,080
Speaker 1: No.

426
00:24:56,200 --> 00:24:58,440
Speaker 2: I think it is No Limit Top Dog. I think

427
00:24:58,520 --> 00:25:00,760
Speaker 2: that was the one, not the The game is to

428
00:25:00,800 --> 00:25:01,840
Speaker 2: be sold, not told.

429
00:25:02,880 --> 00:25:05,280
Speaker 1: At the end of the day, Snoop doesn't have another

430
00:25:05,320 --> 00:25:07,760
Speaker 1: album that I like outside of Doggstown. You just have

431
00:25:07,920 --> 00:25:09,359
Speaker 1: songs that I've liked.

432
00:25:10,280 --> 00:25:17,280
Speaker 3: Yeah, he stayed culturally relevant without without the album.

433
00:25:17,520 --> 00:25:19,720
Speaker 2: Yeah, yeah, I think I tapped out after the Blue

434
00:25:19,720 --> 00:25:27,960
Speaker 2: Carpet treatment. Uh, what's my name? Let's see. Yeah, I

435
00:25:28,040 --> 00:25:31,159
Speaker 2: remember this one too. Oh, Stacy Adams. I remember that

436
00:25:31,240 --> 00:25:35,120
Speaker 2: joint Stacy Adams off the Snoop Dogg the Last Meal.

437
00:25:36,200 --> 00:25:40,080
Speaker 1: I remember that wrong idea.

438
00:25:43,160 --> 00:25:44,439
Speaker 4: It's just certain songs I like.

439
00:25:44,480 --> 00:25:48,760
Speaker 1: I've never liked another, which is crazy. I think I

440
00:25:48,840 --> 00:25:52,960
Speaker 1: forced myself to like the No Limited album because I

441
00:25:53,040 --> 00:25:55,680
Speaker 1: bought it. I think I forced myself to like that one.

442
00:25:56,560 --> 00:25:58,159
Speaker 1: I liked a couple of songs off of it.

443
00:26:00,960 --> 00:26:03,080
Speaker 2: I think it's to pay the cost. I'm gonna have

444
00:26:03,160 --> 00:26:04,719
Speaker 2: to you know what I'm gonna have to do just

445
00:26:04,760 --> 00:26:07,280
Speaker 2: to figure out which one it is. It's either RNG

446
00:26:07,600 --> 00:26:10,080
Speaker 2: or paid the cost to be the boss. That one

447
00:26:10,119 --> 00:26:15,920
Speaker 2: has on it has the uh balling with the dramatics

448
00:26:15,960 --> 00:26:20,080
Speaker 2: on it and they have Beautiful on it and some

449
00:26:20,160 --> 00:26:24,320
Speaker 2: other joints. But yeah, it's it's it's probably between I'm

450
00:26:24,320 --> 00:26:26,719
Speaker 2: gonna listen to it, but yeah, yeah, now I had

451
00:26:26,880 --> 00:26:29,960
Speaker 2: I had had a couple of other favorite albles.

452
00:26:30,400 --> 00:26:31,159
Speaker 1: Now you got it.

453
00:26:32,280 --> 00:26:33,000
Speaker 4: What's the next one?

454
00:26:34,560 --> 00:26:38,320
Speaker 2: Uh? Going back to y'all, tupac all eyes on me, revisit.

455
00:26:38,840 --> 00:26:41,840
Speaker 2: What if Troublesome Nonsense and Hit Them Up made the cut?

456
00:26:42,400 --> 00:26:44,040
Speaker 2: How much better would the album be?

457
00:26:46,080 --> 00:26:48,560
Speaker 1: I mean, the albums are already classic, so I don't know

458
00:26:48,760 --> 00:26:54,080
Speaker 1: how much more that would I mean, yeah, I mean

459
00:26:54,200 --> 00:26:57,400
Speaker 1: that just what it Yeah, it can't get any more

460
00:26:57,400 --> 00:26:59,399
Speaker 1: classes than it already is. I mean, it would have

461
00:26:59,400 --> 00:27:02,919
Speaker 1: made it just you know, I don't even know if

462
00:27:02,960 --> 00:27:03,840
Speaker 1: it would have fit that.

463
00:27:03,840 --> 00:27:08,600
Speaker 2: Album, maybe not, but it would have if hit Him

464
00:27:08,680 --> 00:27:12,159
Speaker 2: Up was on it, it would have taken it to

465
00:27:12,280 --> 00:27:16,240
Speaker 2: another level off the strength of that track by itself,

466
00:27:16,520 --> 00:27:21,119
Speaker 2: Like it's already really really good and classic enough. But

467
00:27:21,280 --> 00:27:26,000
Speaker 2: people do criticize disc too, So if you imagine if

468
00:27:26,040 --> 00:27:28,880
Speaker 2: if those were on disc too and add to disc too,

469
00:27:30,040 --> 00:27:35,240
Speaker 2: then it would it would at least offers more pushback

470
00:27:35,320 --> 00:27:38,879
Speaker 2: against the criticism that it receives. So I think it

471
00:27:38,920 --> 00:27:41,920
Speaker 2: would actually help it. I think it would help it.

472
00:27:41,920 --> 00:27:43,600
Speaker 2: It would probably Solili fot even more.

473
00:27:47,119 --> 00:27:49,159
Speaker 1: Yeah, I didn't. I don't need it on now.

474
00:27:52,200 --> 00:27:58,320
Speaker 2: Yep, the young Kuto. Have y'all heard the new Side

475
00:27:58,359 --> 00:28:00,760
Speaker 2: Show LP fire No.

476
00:28:00,920 --> 00:28:03,000
Speaker 1: So that's what people were talking about world on the

477
00:28:03,040 --> 00:28:08,240
Speaker 1: stream for the Baby is a Baby Trona.

478
00:28:08,320 --> 00:28:08,880
Speaker 2: It don't matter.

479
00:28:11,160 --> 00:28:13,480
Speaker 1: They said that we should get out of spin because

480
00:28:13,480 --> 00:28:15,439
Speaker 1: he's a he's a mic artist. I don't know if

481
00:28:15,480 --> 00:28:17,440
Speaker 1: y'all look on Mike yet. I know Ken you are.

482
00:28:17,520 --> 00:28:20,520
Speaker 1: I don't know if people ever became up on Mike,

483
00:28:21,160 --> 00:28:25,199
Speaker 1: but I'm a big mic fan, so so yeah, I

484
00:28:25,200 --> 00:28:29,080
Speaker 1: would definitely give it, give it a spin if he's

485
00:28:29,119 --> 00:28:35,000
Speaker 1: a mic artist. If I think he was on the

486
00:28:35,040 --> 00:28:38,239
Speaker 1: Disco Joint is what I looked up earlier. He had

487
00:28:38,280 --> 00:28:39,520
Speaker 1: a feature on the Disco Joint.

488
00:28:41,440 --> 00:28:43,840
Speaker 2: Yeah, No, I haven't heard yet, so no I ever

489
00:28:43,840 --> 00:28:45,320
Speaker 2: heard yet. His name is side Show.

490
00:28:48,400 --> 00:28:51,480
Speaker 4: Yeah, his name is Side Show and the album's call.

491
00:28:53,160 --> 00:28:56,400
Speaker 1: Oh because I saw it they put it in the

492
00:28:56,480 --> 00:29:00,400
Speaker 1: chat earlier.

493
00:29:02,280 --> 00:29:05,160
Speaker 4: Mum, have they put it in there yet? Because I'm

494
00:29:05,160 --> 00:29:11,360
Speaker 4: still tick Gray Funk to Great Fun.

495
00:29:11,880 --> 00:29:14,920
Speaker 1: So I'm definitely gonna check it out unless we're gonna

496
00:29:14,920 --> 00:29:17,160
Speaker 1: react to it, but yeah, I'm definitely gonna check it out.

497
00:29:19,280 --> 00:29:20,720
Speaker 3: Yeah, we should probably react to it.

498
00:29:21,960 --> 00:29:27,880
Speaker 1: How long is that album? It's not long. It's a EP. Yeah,

499
00:29:27,920 --> 00:29:33,280
Speaker 1: but that won't be until like next week though. Yeah,

500
00:29:34,640 --> 00:29:36,440
Speaker 1: you're gonna We're gonna wait all the way next week

501
00:29:37,680 --> 00:29:40,360
Speaker 1: before we listening to this. Why not.

502
00:29:41,000 --> 00:29:43,080
Speaker 3: It's not like we're gonna put it in a change.

503
00:29:43,760 --> 00:29:46,600
Speaker 1: Bro. Sure we can react. We can't react to something else.

504
00:29:46,720 --> 00:29:54,600
Speaker 1: I mean somebody said, somebody said, well, it's an album. Yeah,

505
00:29:54,600 --> 00:29:58,480
Speaker 1: it's an hour thirt EP. It must L.

506
00:30:00,400 --> 00:30:02,040
Speaker 2: Yeah, it says LP.

507
00:30:05,920 --> 00:30:07,280
Speaker 1: Yeah, whatever reason I thought EP.

508
00:30:10,000 --> 00:30:13,760
Speaker 2: Yeah, I'm interested in Uh. The Converger mag hip hop

509
00:30:13,880 --> 00:30:19,800
Speaker 2: student question. At the height of the East West Coast beef,

510
00:30:20,000 --> 00:30:23,840
Speaker 2: was it dangerous to support artists in the wrong coast?

511
00:30:24,120 --> 00:30:29,200
Speaker 2: Did radio stations play into the beef? They absolutely did

512
00:30:29,960 --> 00:30:33,640
Speaker 2: play into it. It was it was dangerous all all,

513
00:30:34,080 --> 00:30:41,880
Speaker 2: all all around. It was so yeah, yeah, like it was,

514
00:30:41,920 --> 00:30:42,680
Speaker 2: it was, it was.

515
00:30:42,720 --> 00:30:44,520
Speaker 1: It was. It was a wild times.

516
00:30:45,760 --> 00:30:50,040
Speaker 2: What was happening, the stories you were hearing, everything that

517
00:30:50,120 --> 00:30:52,640
Speaker 2: was going on, and and there wasn't really there wasn't

518
00:30:52,800 --> 00:30:58,000
Speaker 2: internet like that. So grim this ship just word of mouth.

519
00:31:01,120 --> 00:31:03,720
Speaker 2: Maybe some magazines here and there, but the word got

520
00:31:03,720 --> 00:31:06,360
Speaker 2: around and it was it was, it was crazy and

521
00:31:06,680 --> 00:31:11,600
Speaker 2: everybody picked the side, and that that was the crazy

522
00:31:11,680 --> 00:31:15,080
Speaker 2: thing that even if you weren't from one or the other,

523
00:31:15,760 --> 00:31:18,600
Speaker 2: if you picked the side, then you automatically were within

524
00:31:18,640 --> 00:31:24,400
Speaker 2: and that then, silly enough, it caused issues. As crazy

525
00:31:24,400 --> 00:31:27,880
Speaker 2: as that sounds, and it does sounds ridiculous, I.

526
00:31:27,800 --> 00:31:30,680
Speaker 3: Think you know, I'm not gonna speak for y'all, but

527
00:31:31,000 --> 00:31:34,080
Speaker 3: you know, all three of us, where can were you?

528
00:31:34,080 --> 00:31:34,440
Speaker 3: You were?

529
00:31:34,600 --> 00:31:37,480
Speaker 2: Where were you during that time? You was in Mississippi?

530
00:31:37,480 --> 00:31:39,960
Speaker 2: Where you're in Atlanta, Mississippi?

531
00:31:40,000 --> 00:31:40,200
Speaker 1: Yep.

532
00:31:41,440 --> 00:31:44,840
Speaker 3: So I feel like the South was relatively neutral. But

533
00:31:45,080 --> 00:31:49,040
Speaker 3: I can tell you this, like amongst friends, like it

534
00:31:49,120 --> 00:31:52,520
Speaker 3: was never like beef, you know, but if you like

535
00:31:53,200 --> 00:31:55,920
Speaker 3: more than Bigger Biggie, more than Pop, like, it was

536
00:31:55,960 --> 00:31:59,720
Speaker 3: definitely at least a conversation, you know what I'm saying. Like,

537
00:31:59,760 --> 00:32:02,479
Speaker 3: I can't say it was dangerous to support one or

538
00:32:02,520 --> 00:32:04,680
Speaker 3: the other, because again, in the South, I feel like

539
00:32:04,720 --> 00:32:07,480
Speaker 3: it was neutral, Like the tension was there, but it

540
00:32:07,640 --> 00:32:11,080
Speaker 3: wasn't dangerous tension Like if I'm like yo, like I'm

541
00:32:11,080 --> 00:32:13,120
Speaker 3: with Biggie, you know, but I could I could have

542
00:32:13,200 --> 00:32:15,320
Speaker 3: only assumed that in La. If you said that you

543
00:32:15,360 --> 00:32:17,680
Speaker 3: were with Biggie like that was an issue. I could

544
00:32:17,720 --> 00:32:19,520
Speaker 3: only assume in New York if you was talking about

545
00:32:19,560 --> 00:32:21,560
Speaker 3: you riding with Death Road that that was an issue.

546
00:32:21,880 --> 00:32:24,840
Speaker 3: But definitely I felt the tension in Miami, you know

547
00:32:24,880 --> 00:32:27,160
Speaker 3: what I'm saying, Like there was definite tension there. And yes,

548
00:32:27,520 --> 00:32:29,960
Speaker 3: the radio played into the beef like big time, you know,

549
00:32:30,000 --> 00:32:32,080
Speaker 3: because at the end of the day, it was it

550
00:32:32,120 --> 00:32:35,080
Speaker 3: was profitable for all parties involved, Like it was profitable

551
00:32:35,080 --> 00:32:37,600
Speaker 3: for the radio stations to keep spinning in and you

552
00:32:37,640 --> 00:32:39,720
Speaker 3: know what I'm saying, So it is what it is.

553
00:32:39,720 --> 00:32:43,000
Speaker 3: But yes, there was a lot of tension during that time.

554
00:32:44,760 --> 00:32:47,160
Speaker 4: Oddly enough, I don't remember hearing it on the radio

555
00:32:47,320 --> 00:32:47,560
Speaker 4: like that.

556
00:32:50,120 --> 00:32:51,560
Speaker 1: Really, I don't remember hearing it.

557
00:32:51,600 --> 00:32:53,480
Speaker 4: I don't remember hearing the distracts on.

558
00:32:53,480 --> 00:32:56,240
Speaker 1: The radio like that. If it was, it was just

559
00:32:56,280 --> 00:32:58,240
Speaker 1: like like a late night thing, you remember, like late

560
00:32:58,320 --> 00:33:02,800
Speaker 1: night radio, let you curse. Sometimes you could even use

561
00:33:02,840 --> 00:33:06,120
Speaker 1: for family on the late nine joints. But but no,

562
00:33:06,240 --> 00:33:08,320
Speaker 1: it definitely was dangerous though, like I said, I picked

563
00:33:08,320 --> 00:33:10,040
Speaker 1: the side. I wouldn't even mess on with East Coast

564
00:33:10,080 --> 00:33:12,880
Speaker 1: Rap because I was such a pop fan, so I

565
00:33:12,880 --> 00:33:13,360
Speaker 1: didn't want to.

566
00:33:13,720 --> 00:33:16,680
Speaker 4: I wouldn't rock with anything from the East around that time.

567
00:33:17,680 --> 00:33:23,560
Speaker 1: Like I missed out on different albums and different artists

568
00:33:23,560 --> 00:33:27,360
Speaker 1: because of that. Like it was that serious, which is

569
00:33:27,400 --> 00:33:30,800
Speaker 1: crazy thinking back, but like you said, Ken, it wasn't

570
00:33:30,840 --> 00:33:33,600
Speaker 1: like no internet and stuff. So it's like that ship

571
00:33:33,640 --> 00:33:37,880
Speaker 1: was lost. Like you know what I'm saying, just you know,

572
00:33:38,280 --> 00:33:41,000
Speaker 1: just got got it from different places and like yeah,

573
00:33:41,080 --> 00:33:46,160
Speaker 1: man funds, fuck fun Mob, deep and all that. You

574
00:33:46,160 --> 00:33:50,040
Speaker 1: know what I'm saying. Whatever pop was on, we was on. Yeah,

575
00:33:50,160 --> 00:33:55,120
Speaker 1: it's crazy, man, it's crazy. It was. It was.

576
00:33:56,600 --> 00:34:00,400
Speaker 2: Uh Cody's favorites, y'all the goes forever. I help you

577
00:34:00,520 --> 00:34:03,760
Speaker 2: all recognize that truly. Thank you all. Thank you for

578
00:34:03,880 --> 00:34:06,680
Speaker 2: all you do that and hip hop man, shout out

579
00:34:06,720 --> 00:34:09,160
Speaker 2: to you a member for forty three months. That's love, bro,

580
00:34:11,680 --> 00:34:12,880
Speaker 2: thank you love.

581
00:34:13,600 --> 00:34:16,719
Speaker 4: Thank you for that. That definitely helps keep going. Man,

582
00:34:17,000 --> 00:34:18,479
Speaker 4: y'all y'all still get at love.

583
00:34:19,560 --> 00:34:22,000
Speaker 2: When do you use that three members that free chat

584
00:34:22,080 --> 00:34:24,960
Speaker 2: to y'all? Y'all get that. Yeah, more people need to

585
00:34:25,080 --> 00:34:25,359
Speaker 2: use it.

586
00:34:26,360 --> 00:34:29,719
Speaker 1: I appreciate you. Bro. Elijah ranked the duos.

587
00:34:29,760 --> 00:34:32,120
Speaker 2: Man, I saw this, this is this is this is

588
00:34:32,200 --> 00:34:37,400
Speaker 2: well pushing mallet. This is tough god Mark and the

589
00:34:37,480 --> 00:34:40,719
Speaker 2: godf I aint pushing Malice, Billy and E Lucit, Mike

590
00:34:40,800 --> 00:34:41,400
Speaker 2: and LP.

591
00:34:43,320 --> 00:34:46,200
Speaker 1: Pushing Malice is a cheat hold though, I mean, ain't bros.

592
00:34:48,239 --> 00:34:51,560
Speaker 3: I'm gonna go Mike at LP first because they both roped,

593
00:34:51,560 --> 00:34:54,960
Speaker 3: but they also have a producer and the crew. So

594
00:34:55,000 --> 00:35:00,440
Speaker 3: for me, Michael, LP Fish Malice, second, Hi and a

595
00:35:00,560 --> 00:35:06,080
Speaker 3: Lucid third, marking Faheem last.

596
00:35:07,760 --> 00:35:14,319
Speaker 1: Mm hmm, this is just going off. Yeah, this would

597
00:35:14,360 --> 00:35:19,400
Speaker 1: be strictly going off my man. No, I don't know

598
00:35:19,400 --> 00:35:21,600
Speaker 1: if that's if I can say that, damn. So I'm

599
00:35:21,600 --> 00:35:24,759
Speaker 1: gonna go like, since this is like groups, I'm going

600
00:35:24,840 --> 00:35:26,960
Speaker 1: billion and lose it because I think Army Hammer is

601
00:35:27,000 --> 00:35:34,040
Speaker 1: just like untouchable. See, I gotta go pushing Maltie just

602
00:35:34,719 --> 00:35:38,799
Speaker 1: I gotta go them second, Mike and LP third, and

603
00:35:38,920 --> 00:35:43,359
Speaker 1: Marck and fanhen last. Even though Mark is like one

604
00:35:43,360 --> 00:35:46,759
Speaker 1: of my face, I'm not the biggest fahen Fan. I

605
00:35:46,800 --> 00:35:48,560
Speaker 1: do like him, but I'm not the biggest and I'm

606
00:35:48,600 --> 00:35:51,640
Speaker 1: not the biggest up them as a as a group

607
00:35:52,800 --> 00:35:54,080
Speaker 1: over the other guys.

608
00:35:54,800 --> 00:35:58,920
Speaker 4: So yeah, Billion, Lucid pushing Mantles, Mike and LP, Mark.

609
00:35:58,719 --> 00:36:06,800
Speaker 2: And give me Billy and Looseid, Mike n ol P

610
00:36:08,800 --> 00:36:15,160
Speaker 2: Mack and Faien pushing malice last whoa you are fucking Waller.

611
00:36:16,800 --> 00:36:21,319
Speaker 1: Right? That is crazy?

612
00:36:23,640 --> 00:36:27,879
Speaker 4: Wow, I'll have fun with that one.

613
00:36:28,480 --> 00:36:31,239
Speaker 2: Black ross Rizzi is a great producer. But is he

614
00:36:31,520 --> 00:36:32,960
Speaker 2: a great rapper?

615
00:36:35,920 --> 00:36:40,560
Speaker 1: Mm hmmm, Hell no, he's not a great rapper. He's

616
00:36:40,600 --> 00:36:44,399
Speaker 1: a he's an okay rapper, but he's not a great

617
00:36:44,440 --> 00:36:52,160
Speaker 1: rapper though, amazing producer, one of the best, but rapper.

618
00:36:51,840 --> 00:37:00,800
Speaker 2: No, mm hmm. I think he is a good rapper,

619
00:37:00,840 --> 00:37:01,960
Speaker 2: but great.

620
00:37:04,960 --> 00:37:10,120
Speaker 6: Yeah, yeah, yeah, I don't know.

621
00:37:11,880 --> 00:37:16,439
Speaker 2: Nah, I think he's good. That's good enough. M h yeah.

622
00:37:18,320 --> 00:37:22,160
Speaker 2: Uh but now now I kind of want to go

623
00:37:22,200 --> 00:37:26,319
Speaker 2: listen to some some some riser bars. But you know,

624
00:37:26,400 --> 00:37:29,480
Speaker 2: I you know, the chat be having me even.

625
00:37:29,320 --> 00:37:30,920
Speaker 1: Going to my exploratory mode.

626
00:37:30,920 --> 00:37:40,359
Speaker 2: That's you know, I don't even do that here, uh,

627
00:37:40,560 --> 00:37:44,320
Speaker 2: sneaker do on what's the most sus bar of all time?

628
00:37:44,480 --> 00:37:44,759
Speaker 1: For me?

629
00:37:44,840 --> 00:37:46,960
Speaker 2: As I got five on it? I take sex to

630
00:37:47,080 --> 00:37:51,920
Speaker 2: the face. It's dial boll of. I mean, everybody, no,

631
00:37:52,040 --> 00:37:56,719
Speaker 2: it's Biggie's line. Bro, she looks so good, you know.

632
00:37:57,520 --> 00:38:00,160
Speaker 1: That's that's that's one.

633
00:38:02,400 --> 00:38:03,480
Speaker 2: I mean, that's that's all.

634
00:38:03,680 --> 00:38:09,200
Speaker 3: Like I think I think Wayne uh sucker for some

635
00:38:09,239 --> 00:38:11,880
Speaker 3: truck fit. This truck fit was a man was a

636
00:38:11,920 --> 00:38:17,400
Speaker 3: man's only brand, and it wasn't women. So for motherfucker

637
00:38:17,719 --> 00:38:20,880
Speaker 3: sucking you off for some truck fit, might be a

638
00:38:20,920 --> 00:38:22,400
Speaker 3: guy say.

639
00:38:24,680 --> 00:38:29,839
Speaker 4: Mum m, yeah, I mean it's a lot.

640
00:38:30,200 --> 00:38:35,200
Speaker 1: When you look back, it's like I can't even I

641
00:38:35,200 --> 00:38:37,239
Speaker 1: can't even think of all them right now. But yeah,

642
00:38:37,600 --> 00:38:39,319
Speaker 1: somebody did a video on that one time.

643
00:38:42,560 --> 00:38:44,280
Speaker 4: Who might I said, DMX has a ton.

644
00:38:45,440 --> 00:38:46,719
Speaker 1: Yeah, yeah he does.

645
00:38:47,120 --> 00:38:52,000
Speaker 2: Yeah, I think he does. Yeah ship, which was none

646
00:38:52,040 --> 00:38:54,560
Speaker 2: of the come to mind, none of them come to mind,

647
00:38:54,600 --> 00:38:57,000
Speaker 2: but yeah, I think if you go through your listener,

648
00:38:57,040 --> 00:38:58,960
Speaker 2: your hero the linguage.

649
00:38:59,160 --> 00:39:02,200
Speaker 1: What's the best TV? HM said, we did a video.

650
00:39:02,239 --> 00:39:07,120
Speaker 1: I don't remember doing that. That's crazy to get a video.

651
00:39:07,600 --> 00:39:15,160
Speaker 1: I don't remember. I don't remember that. Yeah, I don't

652
00:39:15,160 --> 00:39:15,520
Speaker 1: remember that.

653
00:39:16,480 --> 00:39:19,720
Speaker 2: What's the best TV show hip hop theme song? For example,

654
00:39:19,840 --> 00:39:24,480
Speaker 2: Fresh Prince, Prince, Keenan Nicel Romeo Show and Boon Dogs

655
00:39:24,480 --> 00:39:31,759
Speaker 2: Fresh Prince Fresh Prince. Yeah, I can't even tell you

656
00:39:31,800 --> 00:39:34,359
Speaker 2: what ken what any of the other ones sound like?

657
00:39:34,800 --> 00:39:46,759
Speaker 1: Besides maybe that's good. Yeah, yeah it was good, but

658
00:39:47,200 --> 00:39:48,080
Speaker 1: you know it was simple.

659
00:39:53,560 --> 00:39:57,279
Speaker 2: Yeah, it's fresh Prince hands down, bro uh flying in

660
00:39:57,360 --> 00:39:59,560
Speaker 2: to go out of the Big Three, Drake cole Ken,

661
00:39:59,640 --> 00:40:01,319
Speaker 2: name one a song from them?

662
00:40:01,440 --> 00:40:03,680
Speaker 1: You absolutely hate?

663
00:40:04,719 --> 00:40:07,399
Speaker 3: We should make this into contact.

664
00:40:07,800 --> 00:40:08,160
Speaker 1: Mm hmm.

665
00:40:09,080 --> 00:40:11,080
Speaker 3: I said we should make this into contact. This should

666
00:40:11,080 --> 00:40:12,960
Speaker 3: be a video prob.

667
00:40:13,120 --> 00:40:13,719
Speaker 4: The Big Three.

668
00:40:13,880 --> 00:40:17,840
Speaker 1: They had one song for him, you absolutely hate.

669
00:40:18,760 --> 00:40:24,640
Speaker 2: Workout song is one for Jacob and the pop song

670
00:40:24,719 --> 00:40:32,520
Speaker 2: Kendrick has would be another one. What pop song can

671
00:40:32,560 --> 00:40:33,520
Speaker 2: they names?

672
00:40:36,040 --> 00:40:43,760
Speaker 1: He got one with? Was it Katy Perry somebody?

673
00:40:44,560 --> 00:40:47,439
Speaker 2: Or yeah, it was it Katy Perry, imagine Dragon something

674
00:40:47,480 --> 00:40:47,680
Speaker 2: like that.

675
00:40:47,719 --> 00:40:52,080
Speaker 3: I can't even remember. But yeah, he got a whole

676
00:40:52,120 --> 00:40:56,359
Speaker 3: bunch of them. That's why I'm asking a whole lot

677
00:40:56,360 --> 00:40:57,120
Speaker 3: of pop songs.

678
00:40:57,600 --> 00:40:59,080
Speaker 1: I thought they only like two three.

679
00:41:00,200 --> 00:41:03,759
Speaker 3: You got a handful, bro, I don't remember that. Yeah,

680
00:41:03,760 --> 00:41:05,200
Speaker 3: a lot of He got a lot of features in

681
00:41:05,239 --> 00:41:06,040
Speaker 3: that in that area.

682
00:41:08,440 --> 00:41:10,880
Speaker 1: Oh I missed that.

683
00:41:12,520 --> 00:41:15,480
Speaker 2: Yeah, the Taylor Taylor Swift, he got one with Taylor. Yeah,

684
00:41:15,480 --> 00:41:19,280
Speaker 2: he got one with Maroon five Taylor Swift. Yeah, probably

685
00:41:19,719 --> 00:41:21,040
Speaker 2: one with Taylor.

686
00:41:22,840 --> 00:41:25,319
Speaker 1: Mm hmmm. I remember not liking that.

687
00:41:28,480 --> 00:41:34,239
Speaker 2: With Drake all of them. No, I'm just playing, uh man,

688
00:41:35,360 --> 00:41:39,480
Speaker 2: Drake do have he does have a lot. He does

689
00:41:39,560 --> 00:41:40,400
Speaker 2: have a lot of songs.

690
00:41:41,719 --> 00:41:45,279
Speaker 1: Drake, Drake got a lot of bad songs. That's a

691
00:41:45,360 --> 00:41:48,000
Speaker 1: damn ratching happy birthday. I saw somebody say something about

692
00:41:48,000 --> 00:41:51,240
Speaker 1: the ratching happy birthday, like they said birthday or something

693
00:41:51,320 --> 00:41:52,719
Speaker 1: like that. He was doing that.

694
00:41:52,719 --> 00:41:59,840
Speaker 4: That ship's crazy, which baby dadd But yeah.

695
00:41:59,640 --> 00:42:00,680
Speaker 1: He got he got quite few.

696
00:42:02,120 --> 00:42:05,120
Speaker 3: Yeah, yeah, maybe that is horrible.

697
00:42:06,000 --> 00:42:09,560
Speaker 1: Mm hmm yeah.

698
00:42:09,840 --> 00:42:13,120
Speaker 2: Uh snowbody samp out of all live shows you've seen,

699
00:42:13,560 --> 00:42:17,000
Speaker 2: which stuck out stuck out the most? Also, was there

700
00:42:17,200 --> 00:42:19,560
Speaker 2: ever an unknown opening app that made you go look

701
00:42:19,640 --> 00:42:25,560
Speaker 2: up their music afterwards? Uh?

702
00:42:27,120 --> 00:42:29,720
Speaker 3: Ship the show that sticks out to me the most.

703
00:42:29,760 --> 00:42:32,840
Speaker 3: It's not a hip hop show, but it was Alicia

704
00:42:32,920 --> 00:42:36,279
Speaker 3: Keys and she had she she tour with Robin Thick.

705
00:42:36,760 --> 00:42:39,520
Speaker 3: Now I was tell the story because Robin think always

706
00:42:39,520 --> 00:42:42,360
Speaker 3: sounded good on on on his CDs and on the

707
00:42:42,440 --> 00:42:43,840
Speaker 3: radio and stuff, and I'm like, I don't know if

708
00:42:43,840 --> 00:42:47,160
Speaker 3: you can really sing. It felt very not necessarily auto tune,

709
00:42:47,239 --> 00:42:53,080
Speaker 3: but it felt manufactured like via equipment and technology. But

710
00:42:53,160 --> 00:42:55,480
Speaker 3: what I saw in real life, I said, oh my god,

711
00:42:55,560 --> 00:42:57,360
Speaker 3: like he saw better in real life than you do

712
00:42:57,440 --> 00:43:00,799
Speaker 3: on the CDs. So that stuck out to me. An

713
00:43:00,800 --> 00:43:05,040
Speaker 3: opening act I was at the department store one night

714
00:43:05,160 --> 00:43:14,080
Speaker 3: where the headliner was Stylli and there was a cat

715
00:43:14,200 --> 00:43:17,960
Speaker 3: name I'm Friday Friday Night or i Am Friday Night,

716
00:43:18,320 --> 00:43:18,640
Speaker 3: And I.

717
00:43:18,600 --> 00:43:20,400
Speaker 1: Followed him on on IG.

718
00:43:20,960 --> 00:43:22,920
Speaker 3: When I first started following him, bro, he only had

719
00:43:22,960 --> 00:43:25,600
Speaker 3: like maybe fifty six hundred people and now he's like

720
00:43:25,600 --> 00:43:29,400
Speaker 3: almost one hundred thousand. So Friday Night is somebody that

721
00:43:30,080 --> 00:43:33,560
Speaker 3: I love this performance. And I followed him on IG

722
00:43:33,719 --> 00:43:35,560
Speaker 3: and just seen him blow up from Atlanta.

723
00:43:35,680 --> 00:43:41,200
Speaker 1: So yeah. Yeah. One of my one of my like

724
00:43:41,480 --> 00:43:44,240
Speaker 1: shows that stuck out the most of me was Anderson

725
00:43:44,320 --> 00:43:47,120
Speaker 1: Pat I think I saw that before. Like his show

726
00:43:47,239 --> 00:43:52,520
Speaker 1: was crazy, Like I've never like just stood up and

727
00:43:52,640 --> 00:43:56,279
Speaker 1: danced as much as I at a show. It's up

728
00:43:56,320 --> 00:43:58,600
Speaker 1: that Abson Pac show. I've been to jay Z shows,

729
00:43:58,640 --> 00:44:02,640
Speaker 1: I've been to Kanye shows, into a lot of different shows,

730
00:44:02,640 --> 00:44:04,600
Speaker 1: but man, it was just something about the Amerson Pack

731
00:44:04,640 --> 00:44:06,360
Speaker 1: show that just it was a vibe. It was like

732
00:44:06,400 --> 00:44:08,120
Speaker 1: a stadium like it was like an out like an

733
00:44:08,120 --> 00:44:11,799
Speaker 1: amphitheater type of situation. And man he I mean he

734
00:44:11,800 --> 00:44:13,000
Speaker 1: he did his damn thing.

735
00:44:13,160 --> 00:44:13,319
Speaker 2: Bro.

736
00:44:13,600 --> 00:44:14,880
Speaker 4: Like that show was amazing.

737
00:44:16,760 --> 00:44:20,399
Speaker 1: As far as unknown up opening acts that I looked

738
00:44:20,480 --> 00:44:25,640
Speaker 1: up afterwards would be clissold Forces. Uh. I saw them

739
00:44:25,680 --> 00:44:28,520
Speaker 1: as an act at at the festival, and like no

740
00:44:28,560 --> 00:44:30,319
Speaker 1: one knew who they were, but I was just like, man,

741
00:44:30,360 --> 00:44:32,399
Speaker 1: who are these guys? Like I said, be didn't even

742
00:44:32,480 --> 00:44:34,960
Speaker 1: know I put b on. That's how That's how early

743
00:44:35,040 --> 00:44:39,000
Speaker 1: on it was for Clissoil Forces. So those would be

744
00:44:39,719 --> 00:44:42,319
Speaker 1: the two I picked any and then the people that

745
00:44:42,400 --> 00:44:44,440
Speaker 1: was asking what I was eating, it was a birthday cake.

746
00:44:44,480 --> 00:44:51,560
Speaker 1: Cookie was really good.

747
00:44:51,840 --> 00:44:57,320
Speaker 2: When I saw her, it was it was dope.

748
00:45:00,000 --> 00:45:08,800
Speaker 1: That's crazy, yeah yeah mm hmm yep, yeah.

749
00:45:10,960 --> 00:45:15,279
Speaker 2: So yeah, oh yeah, yeah, yeah, yeah for sure. Yeah,

750
00:45:15,880 --> 00:45:19,080
Speaker 2: unknown open to act though, uh, I can't think of

751
00:45:19,120 --> 00:45:22,360
Speaker 2: any that I looked up afterwards.

752
00:45:24,280 --> 00:45:26,799
Speaker 3: Hey, what's the guy that we covered at the uh

753
00:45:27,840 --> 00:45:32,080
Speaker 3: birthday bash thing? Remember we sucked with him? We we

754
00:45:32,080 --> 00:45:38,120
Speaker 3: we reviewed his uh his mixing. I can't remember his name. Yeah,

755
00:45:38,120 --> 00:45:40,799
Speaker 3: I can't remember his name, but but you we looked

756
00:45:40,880 --> 00:45:44,320
Speaker 3: him up, yeah, because we like this performance at the Theory,

757
00:45:45,080 --> 00:45:46,320
Speaker 3: but the mix tape wasn't.

758
00:45:46,120 --> 00:45:49,480
Speaker 1: There though now it started.

759
00:45:49,560 --> 00:45:53,720
Speaker 2: Yeah, I can't remember the name. But how much is

760
00:45:53,800 --> 00:45:56,320
Speaker 2: it for a rod feature on a track?

761
00:46:00,200 --> 00:46:03,920
Speaker 1: Oh? Man? Two million dollars? Yeah? I mean for kiore

762
00:46:04,120 --> 00:46:07,440
Speaker 1: Man that that I just get him a verse. I mean,

763
00:46:07,480 --> 00:46:13,960
Speaker 1: he's done so much for us. Mm hmmm, yo, Loo Universe,

764
00:46:14,560 --> 00:46:18,440
Speaker 1: I'll take a shot at it. Send it, send it,

765
00:46:18,600 --> 00:46:19,440
Speaker 1: send it. Beat over.

766
00:46:21,200 --> 00:46:25,440
Speaker 2: Donaldvn. Y'all check out whether Chris ep I have not.

767
00:46:26,600 --> 00:46:30,000
Speaker 3: I have not either, No, I haven't.

768
00:46:30,040 --> 00:46:31,560
Speaker 1: Damn. Let me go ahead and looked it up now.

769
00:46:36,560 --> 00:46:39,160
Speaker 2: All right, so yeah, I'm gonna check that out.

770
00:46:40,320 --> 00:46:43,880
Speaker 6: Uh boom boom boom boom boom boom.

771
00:46:43,880 --> 00:46:46,399
Speaker 2: So I checked that out, Donald Man. Uh, hey, y'all,

772
00:46:46,400 --> 00:46:48,760
Speaker 2: thanks for the content. One gotta go. Hip hop related

773
00:46:48,800 --> 00:46:53,720
Speaker 2: memes fifty driving Away, jay Z nodding Snoop Dogg who

774
00:46:54,480 --> 00:46:57,120
Speaker 2: and conceited yikes?

775
00:46:59,360 --> 00:47:01,400
Speaker 1: What is because see the yikes? I don't know what

776
00:47:01,440 --> 00:47:04,520
Speaker 1: conceited yikes is he's.

777
00:47:04,360 --> 00:47:08,839
Speaker 3: The guy from that was on What's the Nick Cannon Show?

778
00:47:09,640 --> 00:47:10,239
Speaker 1: Uh?

779
00:47:11,840 --> 00:47:13,520
Speaker 3: What's the Nick Cannon Show? We went to Walling Out.

780
00:47:13,800 --> 00:47:15,960
Speaker 3: He's on Walling Out and he's also a battle rapper.

781
00:47:18,800 --> 00:47:19,600
Speaker 3: I've never seen that.

782
00:47:19,760 --> 00:47:23,240
Speaker 1: Man, I don't know. Let's see conceeded yikes, let's see

783
00:47:28,040 --> 00:47:32,440
Speaker 1: mm hmm. Yeah, I don't know that one. I may

784
00:47:32,480 --> 00:47:34,920
Speaker 1: have seen it when he do that, when he do

785
00:47:34,960 --> 00:47:38,680
Speaker 1: the like the dunk List, like yeah, yeah, that one,

786
00:47:38,760 --> 00:47:39,279
Speaker 1: Can't go Away?

787
00:47:40,040 --> 00:47:43,280
Speaker 2: Yeah, oh the Red Cup?

788
00:47:44,080 --> 00:47:45,719
Speaker 1: Yeah, but look away with the Red Cup?

789
00:47:47,040 --> 00:47:50,000
Speaker 2: Oh oh he Snoop dog Da get Snoop out of here.

790
00:47:51,440 --> 00:47:54,480
Speaker 1: Yeah that's a good one.

791
00:47:54,840 --> 00:47:58,719
Speaker 3: Yeah, that's a classic bro. Yeah yeah, yeah, fifty driving away,

792
00:47:58,719 --> 00:47:59,520
Speaker 3: can't go nowhere?

793
00:48:00,840 --> 00:48:02,920
Speaker 1: All that jay z Head no like that. It was

794
00:48:04,160 --> 00:48:06,359
Speaker 1: I remember when he did that. I can't that's funny.

795
00:48:06,400 --> 00:48:10,839
Speaker 1: That's became back and became mean. Let me look at

796
00:48:10,840 --> 00:48:13,239
Speaker 1: the Snoop Dogg who real quick, so I'm not making sure,

797
00:48:13,400 --> 00:48:14,600
Speaker 1: make sure that's what.

798
00:48:14,680 --> 00:48:15,920
Speaker 3: He when he made the big guys.

799
00:48:17,520 --> 00:48:19,520
Speaker 1: Oh no, no, Yeah, I didn't get that one out

800
00:48:19,520 --> 00:48:21,239
Speaker 1: of yet. Nah.

801
00:48:21,600 --> 00:48:25,120
Speaker 4: Yeah, Snoop Snoop and go that can see the dices.

802
00:48:26,239 --> 00:48:27,560
Speaker 3: Yeah, that's not going nowhere.

803
00:48:30,000 --> 00:48:33,680
Speaker 2: Teddy Perkins, what album review made y'all feel?

804
00:48:33,800 --> 00:48:42,600
Speaker 1: Hella old made us feel? What'd you say? Which one.

805
00:48:44,080 --> 00:48:49,240
Speaker 3: This baby Charlie was trying to react to? But nahn

806
00:48:49,280 --> 00:48:53,480
Speaker 3: it was uh.

807
00:48:53,200 --> 00:48:58,680
Speaker 2: We did the ice s pice joint, Yeah we did. Uh.

808
00:49:00,680 --> 00:49:02,600
Speaker 1: I didn't feel old when we real icetuff.

809
00:49:04,160 --> 00:49:06,320
Speaker 2: It felt like there was a lack of a connection.

810
00:49:06,400 --> 00:49:07,959
Speaker 2: But if I can give a real answer, it's gonna

811
00:49:07,960 --> 00:49:08,960
Speaker 2: be a little tyler.

812
00:49:10,400 --> 00:49:13,880
Speaker 1: Yeah, y'all reviewed a lot of stuff. Yeah, look Little Tyler.

813
00:49:15,320 --> 00:49:22,080
Speaker 3: Yeah, uh probably didn't we review Little Yachty when he

814
00:49:22,120 --> 00:49:22,799
Speaker 3: first came out.

815
00:49:23,200 --> 00:49:25,560
Speaker 1: Yeah, but I didn't feel old man either.

816
00:49:25,320 --> 00:49:28,799
Speaker 3: Though, Ship I felt made me feel.

817
00:49:29,320 --> 00:49:31,120
Speaker 1: I'm just trying to figure out who we who we

818
00:49:31,280 --> 00:49:35,839
Speaker 1: reviewed that? Just I just man, I was just I'm like, man, yeah,

819
00:49:35,880 --> 00:49:37,080
Speaker 1: I'm too old for this.

820
00:49:39,560 --> 00:49:42,680
Speaker 3: Well. Ship even Donna made me feel okay one on one.

821
00:49:43,480 --> 00:49:45,759
Speaker 1: Yeah, I mean I feel like I didn't like it, but.

822
00:49:47,560 --> 00:49:51,319
Speaker 3: Yeah I liked it. But you know, with some of

823
00:49:51,320 --> 00:49:54,440
Speaker 3: these younger kids, I'm realizing, man, like I'm not up

824
00:49:54,440 --> 00:49:56,200
Speaker 3: on the lingo no more. You know what I'm saying,

825
00:49:56,200 --> 00:49:58,840
Speaker 3: Like the ship that they be saying that cool? That

826
00:49:59,120 --> 00:50:01,200
Speaker 3: that that's what that that's what makes me feel old.

827
00:50:01,960 --> 00:50:04,360
Speaker 3: It's like, you know, they say colded ship or at

828
00:50:04,440 --> 00:50:07,360
Speaker 3: least maybe it's not coded for their age group, but

829
00:50:07,360 --> 00:50:10,239
Speaker 3: it's coded to us. Like what that means that that

830
00:50:10,280 --> 00:50:12,120
Speaker 3: shit makes me feel old? Well, I gotta ask that.

831
00:50:12,719 --> 00:50:13,600
Speaker 1: And the thing is, I don't.

832
00:50:13,600 --> 00:50:15,080
Speaker 4: I don't feel like we review a lot of that

833
00:50:15,120 --> 00:50:16,759
Speaker 4: stuff like we kind of.

834
00:50:17,080 --> 00:50:23,680
Speaker 1: Went when we did, though, did we? Mm hmm? Yeah?

835
00:50:23,719 --> 00:50:25,960
Speaker 1: I can't remember that run for whatever reason, I can't

836
00:50:26,000 --> 00:50:28,239
Speaker 1: remember that run, you know, stuff kind of out of

837
00:50:28,239 --> 00:50:28,840
Speaker 1: our element.

838
00:50:29,880 --> 00:50:34,360
Speaker 2: Yeah, we tried, Yeah, Sonny remember.

839
00:50:35,200 --> 00:50:38,320
Speaker 1: Yeah, I remember, probably the only the one with me,

840
00:50:38,440 --> 00:50:42,239
Speaker 1: but probably was rod Wave. Road Wave is probably my

841
00:50:42,320 --> 00:50:46,000
Speaker 1: pig because people loved rod Wave, but I just could not.

842
00:50:46,200 --> 00:50:47,960
Speaker 1: And that was around COVID time, so that was around

843
00:50:47,960 --> 00:50:50,839
Speaker 1: twenty twenty, and I could not give it rod Wave

844
00:50:51,040 --> 00:50:53,480
Speaker 1: like like I appreciated, like, you know, people liking him,

845
00:50:53,480 --> 00:50:56,359
Speaker 1: and he had this sing song thug thing going on,

846
00:50:56,440 --> 00:50:59,160
Speaker 1: but I just could not give it rod Wave. So

847
00:50:59,239 --> 00:51:03,200
Speaker 1: I think I felt out of touch with him. I

848
00:51:03,280 --> 00:51:09,759
Speaker 1: felt that. Yeah for that, Yeah, all right, but.

849
00:51:11,320 --> 00:51:14,919
Speaker 2: Moving on Easy ninety five do monotone Rappers put out

850
00:51:15,000 --> 00:51:19,160
Speaker 2: more frequently, but smaller quantities helps in the long run.

851
00:51:21,719 --> 00:51:25,680
Speaker 1: More frequently, but quantities help. He talked about body in them.

852
00:51:25,719 --> 00:51:30,239
Speaker 1: But now all this stuff, I mean, I don't know,

853
00:51:30,640 --> 00:51:33,960
Speaker 1: it must be helping them because he keeps doing it.

854
00:51:34,000 --> 00:51:37,160
Speaker 1: I don't know. I don't know if it's a it's

855
00:51:37,200 --> 00:51:42,719
Speaker 1: good for him or whatever. But yeah, I don't know, Like, yeah,

856
00:51:42,760 --> 00:51:45,720
Speaker 1: I don't know. Maybe it is, Maybe it is helping him.

857
00:51:46,239 --> 00:51:46,640
Speaker 1: It's some.

858
00:51:48,840 --> 00:51:50,160
Speaker 4: He said some bullshit. White said that.

859
00:51:52,480 --> 00:51:58,480
Speaker 2: Eighteen minutes. Bro, what in the entire hell like all

860
00:51:58,560 --> 00:52:05,360
Speaker 2: this is like now, it's the more I see it,

861
00:52:05,400 --> 00:52:07,719
Speaker 2: the more I'm like, all right, man, y'all just out here,

862
00:52:07,880 --> 00:52:12,239
Speaker 2: just I'm just gonna just stay around, stay present. You know,

863
00:52:12,560 --> 00:52:16,720
Speaker 2: this man just dropping twenty minute EPs just to keep

864
00:52:16,880 --> 00:52:19,880
Speaker 2: stuff out there. And at some point it becomes oversaturation.

865
00:52:20,440 --> 00:52:23,160
Speaker 2: People get tired of it. People are like all right, well,

866
00:52:23,280 --> 00:52:25,560
Speaker 2: or people just let it stack and they start binging

867
00:52:25,600 --> 00:52:27,960
Speaker 2: them all. I still haven't listen to all the Baldie stuff.

868
00:52:27,960 --> 00:52:30,520
Speaker 2: And I messed with Bodie. But when I saw when

869
00:52:30,520 --> 00:52:32,920
Speaker 2: you see, when I saw a name like Rong Streets

870
00:52:32,960 --> 00:52:35,160
Speaker 2: and Boldie Chains, I was like, oh bet, I'm ready

871
00:52:35,160 --> 00:52:39,200
Speaker 2: for this. Then I saw was eighteen minutes. Bro, you

872
00:52:39,239 --> 00:52:41,960
Speaker 2: could at least gave us another ten or fifteen.

873
00:52:42,239 --> 00:52:43,479
Speaker 1: Like what are we doing here?

874
00:52:44,680 --> 00:52:47,120
Speaker 3: So this is why I disagree with you, Ken, because

875
00:52:47,320 --> 00:52:51,399
Speaker 3: you look at the quote unquote mainstream artists. They're giving

876
00:52:51,440 --> 00:52:55,120
Speaker 3: you one project in like twenty four to thirty songs.

877
00:52:55,680 --> 00:52:58,279
Speaker 3: So what's the difference between a mainstream artist doing that

878
00:52:58,480 --> 00:53:02,759
Speaker 3: and let's know or not mainstream artists giving you, you know,

879
00:53:02,880 --> 00:53:05,839
Speaker 3: three projects with a songs. It's essentially the same thing.

880
00:53:06,239 --> 00:53:08,520
Speaker 3: And I and I would rather have it broken up

881
00:53:08,600 --> 00:53:11,799
Speaker 3: in that way because you give me an album or

882
00:53:11,920 --> 00:53:15,839
Speaker 3: a project that's that long, like, I feel like you're

883
00:53:15,880 --> 00:53:16,759
Speaker 3: gonna lose your way.

884
00:53:16,800 --> 00:53:16,960
Speaker 1: Bro.

885
00:53:17,040 --> 00:53:19,719
Speaker 3: That's a lot of music to try to keep in

886
00:53:20,200 --> 00:53:23,839
Speaker 3: a on a certain way, right, But if you give

887
00:53:23,840 --> 00:53:25,919
Speaker 3: me a songs here, a songs, there are a songs there,

888
00:53:26,360 --> 00:53:30,239
Speaker 3: those individual bodies of work, they're just way more palatable.

889
00:53:30,440 --> 00:53:34,439
Speaker 2: So you're not gonna sit with them. You're not gonna

890
00:53:34,440 --> 00:53:38,799
Speaker 2: sit with It's disposable. And that's the issue. Now, I

891
00:53:38,840 --> 00:53:39,200
Speaker 2: feel you.

892
00:53:39,280 --> 00:53:41,040
Speaker 3: But but you know what, though, Ken, I think that

893
00:53:41,960 --> 00:53:45,480
Speaker 3: we are in an era that like I feel like

894
00:53:45,560 --> 00:53:49,640
Speaker 3: that take is very general, right, Like it is disposable,

895
00:53:50,640 --> 00:53:55,040
Speaker 3: like in general sense, but like I wouldn't necessarily call

896
00:53:55,120 --> 00:54:00,680
Speaker 3: myself like a card hole, uh a cold hard Boldy fan,

897
00:54:01,200 --> 00:54:02,680
Speaker 3: you know what I'm saying, Like I fuck with body

898
00:54:02,760 --> 00:54:07,960
Speaker 3: body drop. I will listen, but it's just like I

899
00:54:07,960 --> 00:54:11,239
Speaker 3: can't say, hold on, let me just keep it that

900
00:54:11,320 --> 00:54:14,200
Speaker 3: Boldie because that's the main guy. But like Boldie drops,

901
00:54:14,200 --> 00:54:17,600
Speaker 3: I'm anna listen, but I'm not like the biggest fan either,

902
00:54:17,880 --> 00:54:19,320
Speaker 3: So like, okay, what about.

903
00:54:19,160 --> 00:54:25,560
Speaker 2: Like currency dropping ten albums and you to listen around listen,

904
00:54:25,600 --> 00:54:28,280
Speaker 2: we listen to all ten of those joints.

905
00:54:28,920 --> 00:54:32,040
Speaker 3: I do, and I have favorites, but but I'm part

906
00:54:32,080 --> 00:54:35,399
Speaker 3: of Currency's core audience. Though, you see what I'm saying,

907
00:54:35,480 --> 00:54:37,960
Speaker 3: So like for you and may be disposable for the

908
00:54:37,960 --> 00:54:42,000
Speaker 3: core audience is not so that's so is that way?

909
00:54:43,200 --> 00:54:44,200
Speaker 1: I know that way?

910
00:54:44,760 --> 00:54:48,600
Speaker 3: Yeah, but in that way, that's why I'm like, I

911
00:54:48,640 --> 00:54:51,839
Speaker 3: prefer it like that, like I prefer you to drop quantity. Right,

912
00:54:51,920 --> 00:54:54,600
Speaker 3: Let's say twelve months you drop. Last year boldly dropped

913
00:54:54,600 --> 00:54:58,080
Speaker 3: ten projects in twelve months. You know, if if five

914
00:54:58,200 --> 00:55:01,560
Speaker 3: or six of them are stage for me, that's that's

915
00:55:01,600 --> 00:55:03,640
Speaker 3: amazing for his true fan base.

916
00:55:06,760 --> 00:55:07,160
Speaker 1: I don't know.

917
00:55:07,200 --> 00:55:11,759
Speaker 2: I feel like it's it's starting to become a scam.

918
00:55:12,120 --> 00:55:16,440
Speaker 3: What oh my god, can you and these fucking buzzwords?

919
00:55:16,440 --> 00:55:16,640
Speaker 1: Bro?

920
00:55:19,360 --> 00:55:22,319
Speaker 2: It's getting mad annoing, bro, Like I would love a

921
00:55:22,480 --> 00:55:26,400
Speaker 2: thirty to thirty five forty minute project. Forty minutes is

922
00:55:26,560 --> 00:55:31,399
Speaker 2: great from uh from boding, It's like did did they

923
00:55:31,480 --> 00:55:34,279
Speaker 2: just record those songs and then something happened and they

924
00:55:34,280 --> 00:55:35,959
Speaker 2: were like, all right, man, we just we just gonna

925
00:55:36,120 --> 00:55:38,799
Speaker 2: put out what we have and then we're just gonna

926
00:55:38,840 --> 00:55:39,080
Speaker 2: move on.

927
00:55:39,200 --> 00:55:41,040
Speaker 1: No, No, I think it's strategic.

928
00:55:41,080 --> 00:55:43,479
Speaker 3: If you look at last month he dropped the Bold

929
00:55:43,640 --> 00:55:46,919
Speaker 3: and Ransom joint and it was essentially the same Formula

930
00:55:47,040 --> 00:55:50,600
Speaker 3: one producer very short. So this just may be where

931
00:55:50,640 --> 00:55:54,319
Speaker 3: Bodie is doing the same but something different than what

932
00:55:54,400 --> 00:55:55,760
Speaker 3: he did in twenty twenty five.

933
00:55:59,160 --> 00:55:59,800
Speaker 1: O' theeelys.

934
00:55:59,800 --> 00:56:02,479
Speaker 2: They have home studios, Bro, they can do that ship

935
00:56:02,480 --> 00:56:04,680
Speaker 2: at their crib. They can do ship with the phones

936
00:56:04,680 --> 00:56:07,600
Speaker 2: and nowadays anyway, I don't know, man, it's it's starting

937
00:56:07,640 --> 00:56:09,880
Speaker 2: to become frustrating, you know.

938
00:56:11,040 --> 00:56:11,680
Speaker 1: Just ignore it.

939
00:56:13,280 --> 00:56:17,359
Speaker 2: I can't. This is the business, you know, you see,

940
00:56:18,080 --> 00:56:20,319
Speaker 2: and then I'm like eight team Bro, like I was,

941
00:56:20,440 --> 00:56:30,200
Speaker 2: never mind. But yeah, I don't know. I think it's mhm, yeah,

942
00:56:30,480 --> 00:56:33,520
Speaker 2: I don't know. I think it detes, it dilutes their

943
00:56:33,560 --> 00:56:35,280
Speaker 2: discography at some point.

944
00:56:35,800 --> 00:56:38,480
Speaker 1: I agree with that, I mean, because I really like Bodie.

945
00:56:38,640 --> 00:56:41,359
Speaker 1: But it is a lot. It's a lot, I don't

946
00:56:41,800 --> 00:56:43,440
Speaker 1: That's what I'm saying. It must be working for him

947
00:56:43,480 --> 00:56:45,360
Speaker 1: by something, man, I just you know, and I'm not

948
00:56:45,400 --> 00:56:47,439
Speaker 1: gonna knocket if it's working for him in some type

949
00:56:47,440 --> 00:56:51,480
Speaker 1: of way, but for as a fan it is it

950
00:56:51,640 --> 00:56:52,800
Speaker 1: is a little annoying.

951
00:56:54,480 --> 00:57:00,399
Speaker 3: Yeah, would you say audience right, Core audience. I feel

952
00:57:00,440 --> 00:57:02,920
Speaker 3: like you put yourself. I feel like I was.

953
00:57:03,000 --> 00:57:06,320
Speaker 1: Yeah, but with all with all of it, it's just like, man,

954
00:57:06,360 --> 00:57:08,400
Speaker 1: I don't know, I don't know like it. It is

955
00:57:08,440 --> 00:57:13,800
Speaker 1: hard to keep up and.

956
00:57:11,920 --> 00:57:14,319
Speaker 4: And just kind of like him saying earlier, just sit

957
00:57:14,440 --> 00:57:15,319
Speaker 4: with something.

958
00:57:18,440 --> 00:57:18,640
Speaker 1: You know.

959
00:57:21,880 --> 00:57:26,040
Speaker 2: Rithmatic nine four three, just barely listen to the jodys

960
00:57:26,200 --> 00:57:30,680
Speaker 2: albums in full and Diary of a Mad Band is insane.

961
00:57:30,720 --> 00:57:32,919
Speaker 2: What's your favorite Jodysy album song?

962
00:57:33,640 --> 00:57:43,200
Speaker 3: That Man Band, I think that's their best.

963
00:57:43,240 --> 00:57:50,360
Speaker 1: Band is probably my favorite. Yeah, yeah, mm hmm.

964
00:57:51,880 --> 00:57:54,480
Speaker 4: Feenan is probably one of my top songs.

965
00:58:00,640 --> 00:58:06,520
Speaker 1: My hmmm yeah, yeah, pen is probably my top song,

966
00:58:06,920 --> 00:58:13,800
Speaker 1: and Diary of Mad Band is probably my top album.

967
00:58:14,320 --> 00:58:18,240
Speaker 2: I think I'm going to go with I'm gonna go

968
00:58:18,280 --> 00:58:26,120
Speaker 2: with the first album, Satday. Satday is just is everyone

969
00:58:26,560 --> 00:58:28,520
Speaker 2: stay come and talk to me for late. I'm still

970
00:58:28,520 --> 00:58:33,680
Speaker 2: withing you and I you know all that ship Diary

971
00:58:33,720 --> 00:58:39,840
Speaker 2: of a Mad Band, that three song run the first

972
00:58:39,880 --> 00:58:41,320
Speaker 2: three m.

973
00:58:43,120 --> 00:58:43,200
Speaker 1: Is.

974
00:58:43,240 --> 00:58:47,880
Speaker 2: I'm saying I think there are more in terms of

975
00:58:47,920 --> 00:58:50,160
Speaker 2: like some of the up tempo cuts, they're a little

976
00:58:50,200 --> 00:58:55,760
Speaker 2: bit better or better than the ones on Uh the

977
00:58:55,800 --> 00:59:00,520
Speaker 2: Forever My Lady album. H but for the more most part,

978
00:59:00,760 --> 00:59:04,200
Speaker 2: back in the day, You're only you were typically listening

979
00:59:04,240 --> 00:59:08,760
Speaker 2: to the slow jam side and that was it. But

980
00:59:09,120 --> 00:59:12,040
Speaker 2: my favorite song though from them, it has to be

981
00:59:12,120 --> 00:59:13,160
Speaker 2: My Heart Belongs to You.

982
00:59:14,920 --> 00:59:18,080
Speaker 1: Yeah, yeah, that that that is. That is the one.

983
00:59:18,240 --> 00:59:21,080
Speaker 2: Now that that third album, that's when they really brought

984
00:59:21,120 --> 00:59:24,600
Speaker 2: in all of the hip hop sort of uh uh

985
00:59:25,000 --> 00:59:27,560
Speaker 2: edge to it, and that one you can you can

986
00:59:27,600 --> 00:59:32,240
Speaker 2: actually let that one. You can let that one run

987
00:59:32,320 --> 00:59:35,360
Speaker 2: from front to back because it's sequenced really really well.

988
00:59:36,200 --> 00:59:40,680
Speaker 2: It's just the slow jams are are not there. There

989
00:59:40,720 --> 00:59:44,280
Speaker 2: was something that that don't really follow the traditional format

990
00:59:46,640 --> 00:59:49,800
Speaker 2: that the previous couple did, but they still got some

991
00:59:49,880 --> 00:59:52,880
Speaker 2: joints on there. Uh you know, get On Up is

992
00:59:52,880 --> 00:59:53,800
Speaker 2: a good joint.

993
00:59:54,440 --> 00:59:56,240
Speaker 1: That's from That's what I was gonna say. That's the

994
00:59:56,280 --> 00:59:59,360
Speaker 1: Show After the Party. Mm hmm. It's like another one

995
00:59:59,360 --> 01:00:03,640
Speaker 1: of my favorite, all time favorite Jordasy records, get On Up.

996
01:00:03,960 --> 01:00:06,480
Speaker 1: And that's like the up tempo vibe like that if

997
01:00:06,520 --> 01:00:09,280
Speaker 1: I had an uptempo win that would be my ultimate

998
01:00:09,400 --> 01:00:12,280
Speaker 1: up tempo Jodysy song. And that's from the Show After

999
01:00:12,280 --> 01:00:14,400
Speaker 1: the Party, which is kind of hero too to be

1000
01:00:14,520 --> 01:00:16,320
Speaker 1: up there with their albums.

1001
01:00:16,760 --> 01:00:27,400
Speaker 6: Yep, yeah, yeah, of course, all right, Uh, it's weird.

1002
01:00:27,920 --> 01:00:31,280
Speaker 2: I was doing that as it is. Designer a minute

1003
01:00:31,320 --> 01:00:34,560
Speaker 2: ago started rapping on boombam instrumentals. What other trap artists

1004
01:00:34,560 --> 01:00:37,120
Speaker 2: would you like to see go fully boom back?

1005
01:00:38,200 --> 01:00:45,720
Speaker 3: Rick Ross, Rick Ross, Ricky Rose, Yes, sir, He's done

1006
01:00:45,720 --> 01:00:47,400
Speaker 3: it a couple of times and he sounds amazing.

1007
01:00:48,240 --> 01:00:48,479
Speaker 1: Yeah.

1008
01:00:48,520 --> 01:00:50,400
Speaker 4: I used to think Rick Ross, but I don't know

1009
01:00:50,440 --> 01:00:51,160
Speaker 4: about now.

1010
01:00:53,880 --> 01:00:57,800
Speaker 1: What change. I don't know if he has that in

1011
01:00:57,880 --> 01:01:03,040
Speaker 1: him anymore. Do you not remember him on Futures?

1012
01:01:03,680 --> 01:01:06,400
Speaker 3: Uh? What the fuck is the name of that song?

1013
01:01:06,760 --> 01:01:14,520
Speaker 3: And when it when they changed it? Uh? Yeah the

1014
01:01:14,640 --> 01:01:20,600
Speaker 3: album bro Man, Yes, right, but nah, I still I

1015
01:01:20,600 --> 01:01:23,320
Speaker 3: still think Ross. I still think he's one of the

1016
01:01:23,360 --> 01:01:28,120
Speaker 3: best bar commercial guys. You know what I'm saying. Like, Yeah,

1017
01:01:28,160 --> 01:01:31,280
Speaker 3: it's you know, fantasy to a degree, but the way

1018
01:01:31,320 --> 01:01:33,919
Speaker 3: he puts it together just it be sounding good.

1019
01:01:40,960 --> 01:01:41,360
Speaker 1: Mm hmm.

1020
01:01:42,560 --> 01:01:44,360
Speaker 4: I think Jim would be good on boom back.

1021
01:01:46,680 --> 01:01:47,920
Speaker 3: He's done boom bab Ship though.

1022
01:01:48,840 --> 01:01:50,480
Speaker 1: Yeah, I'm just saying if he just did a boom

1023
01:01:50,480 --> 01:01:53,240
Speaker 1: back album, I think I think it'd actually be pretty good.

1024
01:01:55,600 --> 01:01:58,360
Speaker 1: Like you get like an alchemist or somebody like that.

1025
01:01:58,440 --> 01:02:08,120
Speaker 1: I think I think you can do it. Dinzel Kirk

1026
01:02:08,120 --> 01:02:12,640
Speaker 1: could probably do it too. Denser girl would be good. Yeah,

1027
01:02:12,880 --> 01:02:14,840
Speaker 1: Diesel Kirk can do it because we've seen him do

1028
01:02:14,960 --> 01:02:18,600
Speaker 1: different things. So I think Denzel Kerry can actually probably

1029
01:02:18,640 --> 01:02:20,040
Speaker 1: make a decent doing about.

1030
01:02:24,040 --> 01:02:24,400
Speaker 2: Mm hmm.

1031
01:02:26,240 --> 01:02:29,080
Speaker 1: Call that black Kodak black.

1032
01:02:29,240 --> 01:02:32,440
Speaker 2: No, look all right, I'll sleeping on Kodak. Bro.

1033
01:02:34,400 --> 01:02:36,320
Speaker 3: I funk with Kodak. I just I don't want to

1034
01:02:36,320 --> 01:02:38,000
Speaker 3: hear his tonal voice on boomed back.

1035
01:02:40,800 --> 01:02:42,640
Speaker 4: Okay, somebody said he already did?

1036
01:02:42,680 --> 01:02:49,919
Speaker 1: Who already did? Kodak? Look, man, you know what, Man,

1037
01:02:51,000 --> 01:02:53,120
Speaker 1: I'm with you. Can I think Kodak can do it? Man,

1038
01:02:54,880 --> 01:02:58,120
Speaker 1: he can. I think a sober Kodak could actually probably

1039
01:02:58,120 --> 01:02:58,480
Speaker 1: do it.

1040
01:03:01,360 --> 01:03:06,440
Speaker 2: Kodak Kodak, Kodak has had some interesting joints. Yeah, you know,

1041
01:03:06,520 --> 01:03:09,200
Speaker 2: I've said this before, so I don't know. I'm here

1042
01:03:09,240 --> 01:03:12,280
Speaker 2: for it. Yeah, don't let Kodak pool, y'all.

1043
01:03:12,320 --> 01:03:13,960
Speaker 4: Bro Kodak started on.

1044
01:03:16,000 --> 01:03:16,360
Speaker 1: I didn't.

1045
01:03:16,400 --> 01:03:19,480
Speaker 2: I didn't know that, but you know, but you know,

1046
01:03:19,880 --> 01:03:22,080
Speaker 2: I found that some of them actually do start out

1047
01:03:22,080 --> 01:03:24,360
Speaker 2: that way and don't get hot, so they switched to

1048
01:03:24,440 --> 01:03:30,080
Speaker 2: something that works, and that's that bullshit. Public navy be

1049
01:03:30,280 --> 01:03:32,120
Speaker 2: what would be the first album for the Dad End

1050
01:03:32,360 --> 01:03:34,600
Speaker 2: Hip Hop homework segment, if y'all decide to make it

1051
01:03:34,600 --> 01:03:38,240
Speaker 2: a thing, would it be live reactions for Patreon Twitch.

1052
01:03:39,240 --> 01:03:44,640
Speaker 1: Silk the Shaker because y'all hate so much. M hm,

1053
01:03:45,040 --> 01:03:47,760
Speaker 1: y'all hate so much. That would be the homework assignment

1054
01:03:47,800 --> 01:03:49,960
Speaker 1: that I would have for y'all.

1055
01:03:53,000 --> 01:03:53,840
Speaker 2: That's a good one.

1056
01:03:55,400 --> 01:03:58,160
Speaker 1: We gotta do it, we gotta do it, we gotta

1057
01:03:58,240 --> 01:04:02,280
Speaker 1: do it. I think Silk the Shocker. I think who

1058
01:04:02,320 --> 01:04:04,680
Speaker 1: else we brought on this show, Spice one. If y'all

1059
01:04:04,680 --> 01:04:06,360
Speaker 1: haven't did your homework on Spice one.

1060
01:04:08,120 --> 01:04:11,160
Speaker 2: Oh, I got a list, the whole list.

1061
01:04:11,720 --> 01:04:15,480
Speaker 1: Yeah. Wait, let's not give it all the way, okay,

1062
01:04:16,400 --> 01:04:20,960
Speaker 1: But had it happened, they had the storms out there

1063
01:04:20,960 --> 01:04:23,640
Speaker 1: where he is, so he might drop out here and there,

1064
01:04:24,000 --> 01:04:24,640
Speaker 1: just so y'all know.

1065
01:04:27,080 --> 01:04:31,640
Speaker 2: Oh, okay, wonder what happened to him? He saw the

1066
01:04:31,640 --> 01:04:33,520
Speaker 2: word homeworking, like, all right, I'm out of here.

1067
01:04:34,760 --> 01:04:36,919
Speaker 1: They said, bro as ass rod let it go. I'm

1068
01:04:36,920 --> 01:04:46,120
Speaker 1: telling you, man, god Man, all right. Mm hmm. Telling y'all, hey,

1069
01:04:47,760 --> 01:04:48,320
Speaker 1: hold on.

1070
01:04:50,400 --> 01:04:54,919
Speaker 2: The New York What album gives y'all the most nostalgia?

1071
01:04:55,760 --> 01:04:56,240
Speaker 7: Mm hmmm?

1072
01:04:57,560 --> 01:05:01,880
Speaker 1: How was that give him nostalgia? Probably some of the

1073
01:05:01,880 --> 01:05:12,000
Speaker 1: ghetto boy joints. Man, ghetto boys, give me nostalgia. M

1074
01:05:14,960 --> 01:05:22,120
Speaker 1: who else? Uh? When I listened to him, Tupac always does.

1075
01:05:27,280 --> 01:05:30,400
Speaker 2: I got one, uh, well one, you know every time

1076
01:05:30,480 --> 01:05:33,400
Speaker 2: I top authority, I mentioned that before.

1077
01:05:34,280 --> 01:05:39,200
Speaker 1: Yeah, because that's that was the time. Mm hmmm, that

1078
01:05:39,320 --> 01:05:41,840
Speaker 1: was the time. Chronic is good. Yeah, I saw somebody

1079
01:05:41,880 --> 01:05:44,280
Speaker 1: put the chronic chronic is nostalgia.

1080
01:05:46,640 --> 01:05:51,840
Speaker 2: But I got one go ahead that people really not

1081
01:05:52,000 --> 01:05:59,120
Speaker 2: up on. But it's a fifth war Boys ghetto dope.

1082
01:06:00,040 --> 01:06:05,400
Speaker 1: In four boards. Yes, why that's not hold.

1083
01:06:06,120 --> 01:06:11,280
Speaker 2: Studio man, studio gainst the studio at that got scar

1084
01:06:11,400 --> 01:06:14,960
Speaker 2: face on it. Bro, I'm bringing hats to your motherfucking ass.

1085
01:06:15,600 --> 01:06:18,560
Speaker 1: Gotta be down to die. If it's your time to die, die,

1086
01:06:18,640 --> 01:06:24,720
Speaker 1: motherfucking die, motherfucking dot man. Bro, that's he What a time, Bro,

1087
01:06:25,640 --> 01:06:27,160
Speaker 1: what a time? What a time. I ain't gonna be

1088
01:06:27,200 --> 01:06:27,480
Speaker 1: giving it.

1089
01:06:27,520 --> 01:06:29,440
Speaker 2: I'm giving away too much to.

1090
01:06:29,600 --> 01:06:42,160
Speaker 7: Much people backstage, Okay, yeah, uh nostalgic.

1091
01:06:42,760 --> 01:06:46,120
Speaker 3: I know y'all y'all go front like this, but I

1092
01:06:46,200 --> 01:06:50,160
Speaker 3: just feel like it's the defining project of an era

1093
01:06:50,600 --> 01:06:53,840
Speaker 3: and arguably one of the greatest eras of hip hop history.

1094
01:06:54,480 --> 01:06:59,760
Speaker 3: But give me Kishen and Orange Juice, Like, Yeah, that

1095
01:06:59,760 --> 01:07:02,080
Speaker 3: that that one right there in this age so beautifully

1096
01:07:03,560 --> 01:07:05,760
Speaker 3: that every time I listen to it, it just takes

1097
01:07:05,800 --> 01:07:07,360
Speaker 3: me back to the blog era.

1098
01:07:07,440 --> 01:07:12,280
Speaker 1: Bruh. So so we cush it. Ojay, that's a good one.

1099
01:07:12,880 --> 01:07:13,640
Speaker 1: That is a good one.

1100
01:07:13,640 --> 01:07:17,000
Speaker 2: Actually, yeah, that's a good one. Yeah, that's a good

1101
01:07:17,360 --> 01:07:24,120
Speaker 2: better decade for music overall, eighties or the nineties.

1102
01:07:23,600 --> 01:07:25,720
Speaker 4: Nineties is the golden age.

1103
01:07:26,280 --> 01:07:27,240
Speaker 3: What we never said.

1104
01:07:28,400 --> 01:07:38,920
Speaker 1: Nineties is the golden age of this easy what you're

1105
01:07:38,960 --> 01:07:42,600
Speaker 1: thinking about, kid, it's the nineties. Bro. So much came

1106
01:07:42,640 --> 01:07:45,720
Speaker 1: out of the nineties, man, so much came out of

1107
01:07:45,800 --> 01:07:56,560
Speaker 1: the nineties. Mm hm mm hmm.

1108
01:07:57,160 --> 01:07:59,160
Speaker 2: I'm I'm speaking of homework. I'm gonna go do some

1109
01:07:59,200 --> 01:08:03,600
Speaker 2: homework on this one. I'm inclined to I agree with

1110
01:08:03,640 --> 01:08:06,000
Speaker 2: you because you do have a good nits of hip

1111
01:08:06,040 --> 01:08:06,760
Speaker 2: hop and R and B.

1112
01:08:07,480 --> 01:08:13,479
Speaker 1: I'll just say this, Illmatic, Ready to Die, Chronic into

1113
01:08:13,520 --> 01:08:17,840
Speaker 1: the Wou Tang, those are the top albums in hip hop.

1114
01:08:18,600 --> 01:08:20,200
Speaker 4: Those all came out of the nineties.

1115
01:08:23,160 --> 01:08:25,120
Speaker 2: Well, he said music overall.

1116
01:08:25,200 --> 01:08:30,920
Speaker 1: Oh, we said music overall. Still still the nineties, Still

1117
01:08:30,920 --> 01:08:35,080
Speaker 1: the nineties, Still the nineties. Yeah, it's still the nineties

1118
01:08:36,680 --> 01:08:38,479
Speaker 1: because you had what what what was that era in

1119
01:08:38,479 --> 01:08:41,080
Speaker 1: the nineties music? It was was new Jack swing in

1120
01:08:41,080 --> 01:08:48,679
Speaker 1: the nineties. Yep, oh man, yeah, yeah, it's still the nineties.

1121
01:08:48,760 --> 01:08:55,400
Speaker 1: Can oh no, y'all? Yeah, eighties, late eighties to the

1122
01:08:55,439 --> 01:08:58,200
Speaker 1: early nineties and new Jack swing was crazy. That was

1123
01:08:58,200 --> 01:09:02,960
Speaker 1: That was a good time. Mm hmmm, that was a

1124
01:09:02,960 --> 01:09:03,400
Speaker 1: good time.

1125
01:09:03,560 --> 01:09:03,880
Speaker 2: I don't know.

1126
01:09:05,040 --> 01:09:07,240
Speaker 1: I'm I'm gonna follow out with you all on that one.

1127
01:09:08,160 --> 01:09:12,680
Speaker 1: I think that yeah, man, yeah, this was Yeah, that's

1128
01:09:12,680 --> 01:09:19,240
Speaker 1: when poison came out. Remember the time Michael Jackson was out,

1129
01:09:19,560 --> 01:09:23,320
Speaker 1: Boys and Men, Motown Philly bro. Nineties is crazy when

1130
01:09:23,320 --> 01:09:27,960
Speaker 1: it comes to music, brous.

1131
01:09:26,120 --> 01:09:28,439
Speaker 3: Crazy motime feeling.

1132
01:09:32,080 --> 01:09:38,200
Speaker 2: M hmm, come okay, I don't know about that one. Uh.

1133
01:09:38,920 --> 01:09:42,280
Speaker 1: Outside the music it is, I mean.

1134
01:09:42,400 --> 01:09:46,400
Speaker 2: You have a good booking, but I don't know outside

1135
01:09:46,439 --> 01:09:49,759
Speaker 2: the new leader list. Spotify also just named the new big.

1136
01:09:55,560 --> 01:09:56,599
Speaker 1: Who is a little Techer?

1137
01:09:57,439 --> 01:10:02,520
Speaker 2: I know, little Techer? Yeah he sighed like the littles

1138
01:10:03,960 --> 01:10:06,040
Speaker 2: bro what little Tacker.

1139
01:10:08,920 --> 01:10:17,920
Speaker 1: I don't want to I think I think, I think

1140
01:10:17,960 --> 01:10:22,120
Speaker 1: I think that it's not crazy. I mean, it's sad

1141
01:10:22,160 --> 01:10:29,560
Speaker 1: that's where we are, but you know, is not three

1142
01:10:29,680 --> 01:10:31,559
Speaker 1: They're not the big they're not the Big three.

1143
01:10:32,200 --> 01:10:34,040
Speaker 2: Spotify too much.

1144
01:10:34,840 --> 01:10:37,280
Speaker 1: They're they're projecting. They're trying to be ahead of the curve.

1145
01:10:37,320 --> 01:10:38,240
Speaker 1: That's all that is.

1146
01:10:39,120 --> 01:10:39,640
Speaker 2: Spotify.

1147
01:10:39,720 --> 01:10:43,160
Speaker 1: Sit down, bro, trying to do too much?

1148
01:10:44,160 --> 01:10:47,720
Speaker 2: Yeah, sit down, leave it alone. Like, go name a

1149
01:10:47,800 --> 01:10:50,360
Speaker 2: big three. Some who said this, what's this on the deck?

1150
01:10:50,520 --> 01:10:54,840
Speaker 2: Go name a big three somewhere else, Bro, pick rock, country,

1151
01:10:55,800 --> 01:10:58,879
Speaker 2: uh pop or whatever. Leave us alone.

1152
01:10:59,000 --> 01:11:05,760
Speaker 3: We picked our big three and the Big three yeah, exactly.

1153
01:11:05,880 --> 01:11:11,200
Speaker 1: Rod. They create themselves, Yeah, they create themselves.

1154
01:11:11,840 --> 01:11:17,160
Speaker 2: It just happens. You don't designate truly a big three.

1155
01:11:17,280 --> 01:11:20,720
Speaker 2: You try to project, but they just sort of happens.

1156
01:11:21,600 --> 01:11:26,040
Speaker 2: So come on, stop, stop.

1157
01:11:26,800 --> 01:11:30,320
Speaker 1: Get your help. Help. But heam ain't there yet.

1158
01:11:30,320 --> 01:11:32,439
Speaker 2: He just put out this album and I love the album.

1159
01:11:32,479 --> 01:11:36,320
Speaker 1: I think it's great. But he's been for five years.

1160
01:11:36,720 --> 01:11:39,759
Speaker 1: And don't there yet either. She made a great album,

1161
01:11:39,800 --> 01:11:43,720
Speaker 1: but she's just not. It's not time and people think

1162
01:11:43,760 --> 01:11:46,639
Speaker 1: she a plan. It's not time.

1163
01:11:48,960 --> 01:11:52,360
Speaker 2: I don't either. But look and little techa Nah, no, y'all.

1164
01:11:53,240 --> 01:11:55,280
Speaker 2: They that must have been in the data that they

1165
01:11:55,280 --> 01:11:58,559
Speaker 2: were looking at those little behind the sales sheets.

1166
01:11:58,640 --> 01:11:59,439
Speaker 1: He must be real quick.

1167
01:11:59,720 --> 01:12:02,280
Speaker 4: I mean, how many more super chests we get? We

1168
01:12:02,360 --> 01:12:03,320
Speaker 4: got left before.

1169
01:12:03,520 --> 01:12:05,000
Speaker 1: We might need to cut them off if you haven't

1170
01:12:05,000 --> 01:12:08,960
Speaker 1: already two Yeah, I would say go ahead and cut

1171
01:12:09,040 --> 01:12:14,360
Speaker 1: them off because were already at ten eleven. All right,

1172
01:12:14,720 --> 01:12:16,479
Speaker 1: but thank y'all so much for sitting the man. I

1173
01:12:16,560 --> 01:12:19,000
Speaker 1: know y'all will come through, man. Yeah, and we made

1174
01:12:19,000 --> 01:12:22,439
Speaker 1: a show, super chat show, So thank y'all again for

1175
01:12:22,560 --> 01:12:24,519
Speaker 1: sitting all the super chats. But we're gonna cut them

1176
01:12:24,520 --> 01:12:26,720
Speaker 1: off at this moment so we can get through the

1177
01:12:26,720 --> 01:12:27,519
Speaker 1: rest of these.

1178
01:12:28,960 --> 01:12:32,320
Speaker 2: What song is better, Dramatic Girl or the Letout?

1179
01:12:34,479 --> 01:12:35,880
Speaker 1: I don't know what this is? What is this?

1180
01:12:36,160 --> 01:12:37,679
Speaker 3: Yeah, I'm not familiar.

1181
01:12:38,360 --> 01:12:40,320
Speaker 1: Dramatic Girl sounds familiar. What is that?

1182
01:12:43,240 --> 01:12:46,240
Speaker 3: I think that was our keen That's what I thought.

1183
01:12:47,360 --> 01:12:50,880
Speaker 3: The girls are keen too, both of them. Mark, I

1184
01:12:50,880 --> 01:12:52,960
Speaker 3: don't think so let out.

1185
01:12:57,280 --> 01:13:08,120
Speaker 1: The letout? Oh and Cole Okay, Yeah, Dramatic Girl was

1186
01:13:08,120 --> 01:13:11,200
Speaker 1: from kiem and the Letout was on Cold Man.

1187
01:13:11,240 --> 01:13:13,120
Speaker 4: I honestly haven't even put that Cold back on.

1188
01:13:19,960 --> 01:13:20,120
Speaker 1: Yo.

1189
01:13:20,200 --> 01:13:21,759
Speaker 4: I had not played the Cold again.

1190
01:13:25,400 --> 01:13:33,720
Speaker 2: It's dramatic Girl, y'all put the Ghost? Oh, no way,

1191
01:13:33,720 --> 01:13:36,000
Speaker 2: I cold like that. Cole has had enough.

1192
01:13:37,360 --> 01:13:40,040
Speaker 1: Yeah, that's that nobody has right.

1193
01:13:41,120 --> 01:13:47,559
Speaker 2: Pop song that he had. But they're both popish, worst

1194
01:13:47,680 --> 01:13:51,600
Speaker 2: and best artists to use auto tune. T Pain is

1195
01:13:51,640 --> 01:13:54,440
Speaker 2: the best. Worst is Kanye.

1196
01:13:56,200 --> 01:13:58,800
Speaker 3: Mm hmm. Maya was definitely not the worst.

1197
01:14:00,320 --> 01:14:00,919
Speaker 1: Was then.

1198
01:14:02,800 --> 01:14:07,320
Speaker 3: Uh mm hmm. Ship It wasn't. There's a whole bunch

1199
01:14:07,360 --> 01:14:08,439
Speaker 3: of other people that I was horrible.

1200
01:14:08,479 --> 01:14:10,519
Speaker 1: I think I think Future is the best to use

1201
01:14:10,560 --> 01:14:17,960
Speaker 1: auto tune. The Nigga still uses it, so but we

1202
01:14:18,000 --> 01:14:20,479
Speaker 1: don't he we don't. T Paying isn't as relevant as

1203
01:14:20,560 --> 01:14:28,080
Speaker 1: Future right now isn't as relevant. Have have the have

1204
01:14:28,160 --> 01:14:30,880
Speaker 1: a really good run, had a really good run auto tune.

1205
01:14:33,840 --> 01:14:37,400
Speaker 4: But Future still uses it, and I think, yeah, yeah,

1206
01:14:37,400 --> 01:14:38,320
Speaker 4: I think Future is the.

1207
01:14:38,200 --> 01:14:44,200
Speaker 1: Best with it because it's like he just uses it

1208
01:14:44,240 --> 01:14:47,160
Speaker 1: a little bit. It's not like all the way auto tune.

1209
01:14:47,160 --> 01:14:50,599
Speaker 1: He just like puts it on his voice. Man.

1210
01:14:50,640 --> 01:14:52,680
Speaker 2: T Pain had that ship Master.

1211
01:14:52,439 --> 01:14:54,800
Speaker 1: Bro did have a master though.

1212
01:14:55,360 --> 01:15:00,160
Speaker 2: Yeah, yeah, the worst to use it it.

1213
01:15:03,760 --> 01:15:05,160
Speaker 3: I don't know who cuts the mind. But there was

1214
01:15:05,200 --> 01:15:07,639
Speaker 3: a lot there's a lot of bad people using auto

1215
01:15:07,640 --> 01:15:09,040
Speaker 3: too that one point of time came.

1216
01:15:10,640 --> 01:15:14,400
Speaker 2: Some of these new cats. Oh yeah, Wayne was pretty bad.

1217
01:15:16,360 --> 01:15:18,519
Speaker 1: The only the only only one I liked what he

1218
01:15:18,560 --> 01:15:22,160
Speaker 1: did it was Lollipop. That was fine, but that's because

1219
01:15:22,160 --> 01:15:24,320
Speaker 1: I like to beat in that song. The song was

1220
01:15:24,320 --> 01:15:24,840
Speaker 1: pretty good.

1221
01:15:29,520 --> 01:15:33,200
Speaker 2: Yeah, a lot of these new rappers were started using

1222
01:15:33,240 --> 01:15:38,519
Speaker 2: it too, but all right, uh easy ninety five. I

1223
01:15:38,560 --> 01:15:41,439
Speaker 2: liked the idea of catalog classics where they may not

1224
01:15:41,479 --> 01:15:43,280
Speaker 2: have had an impact on the culture as a whole,

1225
01:15:43,280 --> 01:15:44,719
Speaker 2: but a beloved by their fans.

1226
01:15:45,439 --> 01:15:47,320
Speaker 1: Mm hmmm mm hmm.

1227
01:15:48,920 --> 01:15:51,880
Speaker 2: Ca, Okay, I got you, I got you, I got you.

1228
01:15:52,160 --> 01:15:57,479
Speaker 2: Cool thoughts, So side taking shots at Cole.

1229
01:16:01,240 --> 01:16:02,760
Speaker 4: It seems unnecessary.

1230
01:16:05,240 --> 01:16:13,120
Speaker 2: It's unnecessary, but Cole fans are annoying, So so.

1231
01:16:13,080 --> 01:16:14,559
Speaker 1: I get it.

1232
01:16:14,600 --> 01:16:16,840
Speaker 2: Bro tired, got tired of that shit.

1233
01:16:16,960 --> 01:16:17,160
Speaker 1: Bro.

1234
01:16:17,680 --> 01:16:23,040
Speaker 2: They probably was on his ass from the moment he

1235
01:16:23,320 --> 01:16:26,360
Speaker 2: pressed sin and you know they don't let up. They

1236
01:16:26,439 --> 01:16:28,800
Speaker 2: probably be a comment on one of our videos right now.

1237
01:16:29,240 --> 01:16:32,320
Speaker 2: So I understand he got tired of that shit. And

1238
01:16:32,320 --> 01:16:35,200
Speaker 2: it was like, all right, well, shit, since y'all got

1239
01:16:35,240 --> 01:16:37,880
Speaker 2: so much to goddamn say, I'm actually going to say

1240
01:16:37,920 --> 01:16:41,840
Speaker 2: something about him to at least earn the vitriol that

1241
01:16:41,880 --> 01:16:46,600
Speaker 2: you guys are giving me right now. So he responded.

1242
01:16:46,920 --> 01:16:50,800
Speaker 2: My thing with sayah is that this is great and

1243
01:16:50,880 --> 01:16:57,519
Speaker 2: all and cool and you're rapping, but we actually kind

1244
01:16:57,520 --> 01:16:59,760
Speaker 2: of want to hear you rap on your own ship

1245
01:16:59,840 --> 01:17:04,240
Speaker 2: and album instead of basing making a disc song because

1246
01:17:04,240 --> 01:17:04,759
Speaker 2: you got.

1247
01:17:04,560 --> 01:17:07,240
Speaker 1: To know it by fan base. Where's your album? Where's

1248
01:17:07,280 --> 01:17:07,799
Speaker 1: your ship?

1249
01:17:08,520 --> 01:17:16,280
Speaker 2: That you've been talking about for years now? So yeah,

1250
01:17:16,880 --> 01:17:19,360
Speaker 2: that's that's what I say. But you know, I also

1251
01:17:19,400 --> 01:17:22,479
Speaker 2: think we're in this moment where any anytime anybody got

1252
01:17:22,479 --> 01:17:29,479
Speaker 2: a chance to get some attention. You know, the probably

1253
01:17:29,520 --> 01:17:31,120
Speaker 2: the best and worst thing that ever happened was the

1254
01:17:31,600 --> 01:17:36,200
Speaker 2: Drake Kendrick beef, because that's exactly what we're gonna get

1255
01:17:36,240 --> 01:17:38,479
Speaker 2: a lot of, you know, and hopefully this should have

1256
01:17:38,560 --> 01:17:43,880
Speaker 2: died down. But you know, what's Cole really talking? What's

1257
01:17:43,920 --> 01:17:44,840
Speaker 2: not really talking about?

1258
01:17:44,840 --> 01:17:45,080
Speaker 7: Cole?

1259
01:17:45,120 --> 01:17:45,599
Speaker 1: I don't know.

1260
01:17:45,760 --> 01:17:50,840
Speaker 2: It was weird the time, it was weird. He can

1261
01:17:50,920 --> 01:17:59,080
Speaker 2: say that it was weird timing, Rod, you know it was.

1262
01:17:59,120 --> 01:18:01,000
Speaker 1: It was. It was poor timing.

1263
01:18:00,680 --> 01:18:07,400
Speaker 2: By him, but you know, and but yeah, so anyway, yeah,

1264
01:18:07,600 --> 01:18:08,080
Speaker 2: I don't know.

1265
01:18:09,240 --> 01:18:13,400
Speaker 1: But yeah, cold cold, I mean cold on one man.

1266
01:18:16,680 --> 01:18:19,320
Speaker 2: Yeah, coldon coldin't gonna respond to him. Cold got other

1267
01:18:19,360 --> 01:18:23,640
Speaker 2: stuff like well you know got is his car fits

1268
01:18:24,520 --> 01:18:31,040
Speaker 2: work a burger joint, He ruding bikes. Next thing, you know,

1269
01:18:31,080 --> 01:18:33,120
Speaker 2: he's gonna be flying Kike somewhere and ship.

1270
01:18:34,600 --> 01:18:37,599
Speaker 3: I would throw a little bit of pro bo shout

1271
01:18:37,600 --> 01:18:39,879
Speaker 3: out to Wrap Around Table to have me on on Monday.

1272
01:18:40,280 --> 01:18:42,800
Speaker 3: We talked about this, So because of that, I will

1273
01:18:42,840 --> 01:18:44,720
Speaker 3: go tell you to go check about the brothers have

1274
01:18:44,760 --> 01:18:47,400
Speaker 3: been on here and also Dead in Sports was a

1275
01:18:47,720 --> 01:18:51,040
Speaker 3: last night a lieus me and Nick. So go check

1276
01:18:51,120 --> 01:18:53,200
Speaker 3: go check out Wrap Around Table. I talked about it

1277
01:18:53,240 --> 01:18:55,479
Speaker 3: over there, So after you've done here, go over there

1278
01:18:55,600 --> 01:18:56,040
Speaker 3: check it out.

1279
01:18:59,520 --> 01:19:06,360
Speaker 2: All right? Rank based on evolution Tyler asap, Kanye and Drake.

1280
01:19:07,640 --> 01:19:10,879
Speaker 3: Tyler's Tyler, Yeah, Tyler, Tyler's number one.

1281
01:19:12,520 --> 01:19:13,639
Speaker 1: Tyler's at the top.

1282
01:19:13,920 --> 01:19:16,600
Speaker 2: That's actually a good order. You should have scrambled that

1283
01:19:16,680 --> 01:19:17,160
Speaker 2: up some more.

1284
01:19:18,880 --> 01:19:22,240
Speaker 1: You should have scrambled it up. Yeah, I think that

1285
01:19:22,479 --> 01:19:23,559
Speaker 1: is the order. Yeah.

1286
01:19:24,880 --> 01:19:28,519
Speaker 3: I think Drake before Kanye because I think Drake still

1287
01:19:28,560 --> 01:19:34,360
Speaker 3: makes relevant hints where Kanye I feel like he's going backwards.

1288
01:19:34,680 --> 01:19:35,719
Speaker 2: Drake hasn't evolved.

1289
01:19:35,720 --> 01:19:37,280
Speaker 1: Bro mm hmm.

1290
01:19:38,960 --> 01:19:44,040
Speaker 2: Whether we like it or not, yes, we don't have

1291
01:19:44,120 --> 01:19:44,720
Speaker 2: to like it.

1292
01:19:45,360 --> 01:19:45,880
Speaker 1: Why Drake?

1293
01:19:47,280 --> 01:19:48,400
Speaker 3: Why Drake? Has it evolved?

1294
01:19:48,479 --> 01:19:52,679
Speaker 1: Drake hasn't did anything different the way Kanye has. Kanye

1295
01:19:52,760 --> 01:19:56,840
Speaker 1: has made Kanye has challenged the ears of music. He's

1296
01:19:56,880 --> 01:20:00,320
Speaker 1: pushed it forward in different ways. Even though with with

1297
01:20:00,360 --> 01:20:03,719
Speaker 1: with the eight Aways joints to with the My Beautiful

1298
01:20:03,760 --> 01:20:05,639
Speaker 1: Darks was the fantasy was kind of different.

1299
01:20:06,000 --> 01:20:08,360
Speaker 4: None of that stuff was like the college dropout years.

1300
01:20:08,600 --> 01:20:11,280
Speaker 1: And then later he had he made the fast like

1301
01:20:11,360 --> 01:20:14,519
Speaker 1: working baby dude like that ship like he's he's did

1302
01:20:14,680 --> 01:20:17,320
Speaker 1: so He's done so many different things in hip hop.

1303
01:20:18,040 --> 01:20:20,800
Speaker 3: So his Drake, Drake Drake, like with Drake came about,

1304
01:20:20,840 --> 01:20:22,720
Speaker 3: he didn't have controller, he didn't have me up with

1305
01:20:22,840 --> 01:20:24,880
Speaker 3: bad Buddy, he didn't have like you know what I'm saying,

1306
01:20:24,960 --> 01:20:27,320
Speaker 3: Like Drake has done a lot more. And for me,

1307
01:20:27,400 --> 01:20:31,320
Speaker 3: I'm also looking at it like the evolution. I like

1308
01:20:32,120 --> 01:20:37,320
Speaker 3: where Kanye has evolved too. I don't mess with as much,

1309
01:20:37,560 --> 01:20:41,240
Speaker 3: right Like I like I've I've come off Kanye more

1310
01:20:41,280 --> 01:20:44,360
Speaker 3: than I've come off Drake. Like Drake still has joins

1311
01:20:44,479 --> 01:20:47,080
Speaker 3: right Like I talked about the conductor ship, you know

1312
01:20:47,120 --> 01:20:50,120
Speaker 3: what I'm saying, Like I've always wanted Drake to do

1313
01:20:50,160 --> 01:20:52,840
Speaker 3: ship like that. So for me, Drake has made more

1314
01:20:52,960 --> 01:20:56,839
Speaker 3: music that is that I bumped in more recent times

1315
01:20:56,880 --> 01:20:59,880
Speaker 3: than Kanye has. So for me, I'm cool with Tyler as,

1316
01:21:00,120 --> 01:21:00,519
Speaker 3: but they.

1317
01:21:00,400 --> 01:21:02,679
Speaker 1: Give me Drake then Kanye, it's not about the bump,

1318
01:21:02,720 --> 01:21:04,880
Speaker 1: it's about whether he's involved.

1319
01:21:05,320 --> 01:21:09,120
Speaker 3: Yeah, and I just made points that say that he has.

1320
01:21:09,400 --> 01:21:12,080
Speaker 3: He's gone over Blue bab ship. He's gone over Afro

1321
01:21:12,680 --> 01:21:15,320
Speaker 3: beat centric ship. Like he's done more ship than I

1322
01:21:15,400 --> 01:21:15,840
Speaker 3: funk with.

1323
01:21:17,840 --> 01:21:18,760
Speaker 1: He stole it all.

1324
01:21:20,000 --> 01:21:21,840
Speaker 2: Yeah.

1325
01:21:22,960 --> 01:21:24,920
Speaker 1: Now he hop on trends and I'm not a drake hair.

1326
01:21:25,120 --> 01:21:27,560
Speaker 1: I mean he jop on trends though, and that's fact.

1327
01:21:28,520 --> 01:21:32,960
Speaker 2: Yeah, yeah, for sure. What are some big three producers

1328
01:21:33,040 --> 01:21:34,639
Speaker 2: y'all can name? Coast wise?

1329
01:21:34,840 --> 01:21:35,400
Speaker 1: For example?

1330
01:21:35,439 --> 01:21:38,879
Speaker 2: My Big three of the West Coast is DJ Quick, Bottlecat, Dash, Dillager.

1331
01:21:39,479 --> 01:21:43,480
Speaker 2: Do y'all have any for the south East West coast?

1332
01:21:44,840 --> 01:21:48,040
Speaker 4: Big three producers y'all can't name coast wise?

1333
01:21:48,360 --> 01:21:52,160
Speaker 1: For example? My big three? And he said, I'm gonna

1334
01:21:52,160 --> 01:21:55,360
Speaker 1: go Southeast coast, East West Coast.

1335
01:21:56,040 --> 01:22:01,240
Speaker 3: Yeah, I'm gonna go. This is a I So I'm

1336
01:22:01,240 --> 01:22:04,880
Speaker 3: gonna give you an extra one. But Many first Slash KOC,

1337
01:22:05,880 --> 01:22:11,120
Speaker 3: so that that's put them wherever you want they give me. Yeah,

1338
01:22:12,080 --> 01:22:16,800
Speaker 3: So that's what I said. They're tied KOC was it.

1339
01:22:18,520 --> 01:22:18,760
Speaker 1: Pound?

1340
01:22:18,800 --> 01:22:19,400
Speaker 4: That's no limit?

1341
01:22:20,320 --> 01:22:23,680
Speaker 1: I know, Slash just two different groups.

1342
01:22:25,479 --> 01:22:31,000
Speaker 3: I'm saying they're tied Many fresh. Yeah, they're tied, so

1343
01:22:31,000 --> 01:22:32,880
Speaker 3: so I'm giving you one extra. They're tied for third

1344
01:22:33,560 --> 01:22:38,320
Speaker 3: that uh at number two, I feel like he's I

1345
01:22:38,360 --> 01:22:43,040
Speaker 3: think he's underrated uh in the South in a sense

1346
01:22:43,080 --> 01:22:46,000
Speaker 3: that he don't get enough props for all the anthems

1347
01:22:46,040 --> 01:22:47,720
Speaker 3: he made. But give me d J two.

1348
01:22:49,360 --> 01:22:50,040
Speaker 1: Yeah, he.

1349
01:22:51,640 --> 01:22:55,200
Speaker 3: Had a crazy run. And then I'll give me organized noise.

1350
01:22:55,400 --> 01:22:58,519
Speaker 3: There would be no Outcast or Dudgeon family without them,

1351
01:22:58,560 --> 01:22:59,639
Speaker 3: So organized noise.

1352
01:23:00,080 --> 01:23:02,559
Speaker 1: Yeah, that's what I was gonna say, organized noise. DJ

1353
01:23:02,720 --> 01:23:09,040
Speaker 1: Paul and Juicy J. Let's go. Yeah, I mean real talking,

1354
01:23:09,120 --> 01:23:10,640
Speaker 1: and I put Mike Will made it on there. Man,

1355
01:23:10,680 --> 01:23:13,240
Speaker 1: he did this thing. I didn't even realize how many

1356
01:23:13,640 --> 01:23:17,599
Speaker 1: damn hits he had. Bro Michael who made it is

1357
01:23:17,800 --> 01:23:21,479
Speaker 1: is dope, man. And I've always liked Neptunes.

1358
01:23:23,439 --> 01:23:26,880
Speaker 3: Ship Well, they're not from the South. They live in Miami,

1359
01:23:26,920 --> 01:23:28,720
Speaker 3: but they're not from the South. I was gonna say

1360
01:23:28,760 --> 01:23:29,360
Speaker 3: cooler dre.

1361
01:23:31,240 --> 01:23:38,480
Speaker 1: Oh yeah, should I throw Metro in that too?

1362
01:23:40,640 --> 01:23:52,120
Speaker 2: Reals of Pete Rock Premiere I three to come to mind. Yeah,

1363
01:23:52,400 --> 01:24:03,320
Speaker 2: for the for the for the East, uh, Midwest, you

1364
01:24:03,360 --> 01:24:06,080
Speaker 2: could probably go yay della.

1365
01:24:09,720 --> 01:24:11,679
Speaker 4: He said, Southeast Coast and West Coast.

1366
01:24:13,040 --> 01:24:18,880
Speaker 2: All right, uh boo boom boom. I'm still shocked you

1367
01:24:18,920 --> 01:24:22,000
Speaker 2: guys didn't love Written Testimony by Jack by both Jay's.

1368
01:24:22,040 --> 01:24:23,200
Speaker 2: I love that album, you.

1369
01:24:23,160 --> 01:24:25,840
Speaker 1: Know what, I'm right back. I like it. I don't

1370
01:24:25,840 --> 01:24:29,000
Speaker 1: know what they're talking about. I like Written Testament. That's

1371
01:24:29,040 --> 01:24:30,519
Speaker 1: realtten testimony?

1372
01:24:32,280 --> 01:24:32,479
Speaker 2: You do?

1373
01:24:33,640 --> 01:24:38,600
Speaker 1: Yes? Absolutely, absolutely?

1374
01:24:39,439 --> 01:24:41,360
Speaker 2: Who I haven't listened to it since the review, bro.

1375
01:24:42,160 --> 01:24:47,200
Speaker 1: Bro, it's like it's a really good album. Yeah, I

1376
01:24:47,240 --> 01:24:49,160
Speaker 1: think y'all. I think y'all were caught up on the

1377
01:24:49,200 --> 01:24:51,680
Speaker 1: fact that we didn't get a lot of JA electronic

1378
01:24:51,760 --> 01:24:53,519
Speaker 1: on it, and we got we got some good J

1379
01:24:53,760 --> 01:24:54,559
Speaker 1: versus on that ship.

1380
01:24:57,240 --> 01:24:59,040
Speaker 3: It was a J album.

1381
01:25:00,120 --> 01:25:03,439
Speaker 2: It another listen, it's been a minute, maybe I'll hear different.

1382
01:25:03,479 --> 01:25:10,080
Speaker 2: But yeah, let's see what happens. Uh name some of

1383
01:25:10,120 --> 01:25:14,639
Speaker 2: the best choruses in hip hop history. I got five

1384
01:25:14,720 --> 01:25:15,000
Speaker 2: on it.

1385
01:25:16,160 --> 01:25:18,639
Speaker 1: That is a good chorus or well, you mean chorus

1386
01:25:18,720 --> 01:25:19,400
Speaker 1: like like a hook?

1387
01:25:24,760 --> 01:25:24,880
Speaker 2: Bro?

1388
01:25:25,120 --> 01:25:27,559
Speaker 6: Yeah, I guess, but yeah, I got five on this one,

1389
01:25:28,640 --> 01:25:29,679
Speaker 6: smoking all hey.

1390
01:25:30,760 --> 01:25:34,360
Speaker 1: Mm hmm, oh yeah, what you say? Which one?

1391
01:25:34,560 --> 01:25:40,320
Speaker 2: Smoking mhm?

1392
01:25:42,960 --> 01:25:46,800
Speaker 4: Nate Dog got a lot twenty one questions.

1393
01:25:49,040 --> 01:25:53,680
Speaker 3: Ludle Chris, I got oh, I got hold.

1394
01:25:55,479 --> 01:25:56,600
Speaker 1: Shook ones.

1395
01:26:01,479 --> 01:26:04,160
Speaker 2: I'll cast well, have some some pretty good ones, don't they.

1396
01:26:04,280 --> 01:26:05,280
Speaker 1: Yeah, Miss Jackson.

1397
01:26:05,360 --> 01:26:11,479
Speaker 3: Miss Jackson is like, hey, y'all, I like the way

1398
01:26:11,520 --> 01:26:19,040
Speaker 3: you move, sleep a lot. Jay Z ninety nine Problems

1399
01:26:19,120 --> 01:26:19,719
Speaker 3: is big.

1400
01:26:24,800 --> 01:26:30,080
Speaker 1: Sold you boy, dove shot.

1401
01:26:32,400 --> 01:26:34,920
Speaker 2: I don't no good about to remember that one. Mm

1402
01:26:35,160 --> 01:26:37,120
Speaker 2: hmm yeah they're probably too young.

1403
01:26:38,040 --> 01:26:41,960
Speaker 1: Harmony first of them, what mm hmmm.

1404
01:26:44,760 --> 01:26:46,879
Speaker 4: Said rough Riders did have some anthems.

1405
01:26:48,800 --> 01:26:51,080
Speaker 2: Oh yeah, yeah, yeah, yeah, they were really good with that.

1406
01:26:52,880 --> 01:26:55,479
Speaker 2: The linguisher have y'all ever listened to the f G

1407
01:26:55,680 --> 01:26:58,320
Speaker 2: E cyphers the best of mate cypress way better than

1408
01:26:58,320 --> 01:27:01,439
Speaker 2: double cell than others. All right, so he gave us

1409
01:27:01,439 --> 01:27:06,360
Speaker 2: the underground something something and now f G E ciphers.

1410
01:27:06,560 --> 01:27:10,559
Speaker 1: I feel like he did look at a cipher before that.

1411
01:27:10,680 --> 01:27:15,160
Speaker 1: Somebody recommend it. I feel like we did look at

1412
01:27:15,160 --> 01:27:15,880
Speaker 1: them before.

1413
01:27:18,640 --> 01:27:21,240
Speaker 2: Old I'm gonna go ahead and and hit my uh

1414
01:27:22,320 --> 01:27:31,919
Speaker 2: it came up to G E cipher. Oh they got

1415
01:27:32,400 --> 01:27:34,480
Speaker 2: you know, let me go ahead and mess up my algorithm,

1416
01:27:35,520 --> 01:27:40,400
Speaker 2: I know, right, And uh so f G E cipher

1417
01:27:40,439 --> 01:27:43,320
Speaker 2: and the other one was underground cipher or something like that.

1418
01:27:43,360 --> 01:27:47,840
Speaker 2: I don't know what that was. But anyway, Oh but no, no,

1419
01:27:47,960 --> 01:27:49,720
Speaker 2: I check it out, Dne. We should appreciate the put

1420
01:27:49,760 --> 01:27:55,160
Speaker 2: on tweets open doors. Besides J, which artists do you

1421
01:27:55,160 --> 01:27:58,200
Speaker 2: think would put on a great B sides concert? And

1422
01:27:58,240 --> 01:28:00,120
Speaker 2: who had the best verse on Freeways?

1423
01:28:00,600 --> 01:28:08,080
Speaker 1: What we do? What wrong? Ship?

1424
01:28:08,120 --> 01:28:10,200
Speaker 3: What that nigga said when he stopped working, then the

1425
01:28:10,280 --> 01:28:12,840
Speaker 3: heat start working?

1426
01:28:12,920 --> 01:28:13,120
Speaker 1: Yeah?

1427
01:28:13,200 --> 01:28:14,960
Speaker 4: Yeah yeah, I mean freeway.

1428
01:28:16,720 --> 01:28:22,760
Speaker 1: Yeah, they don't really keep going. He's like keep going. Yeah.

1429
01:28:24,960 --> 01:28:27,600
Speaker 1: But but but bean Siegal had had had had a

1430
01:28:27,680 --> 01:28:31,160
Speaker 1: do verse too, he did? He did.

1431
01:28:32,560 --> 01:28:34,760
Speaker 3: I think K could put on a great B side

1432
01:28:34,760 --> 01:28:37,160
Speaker 3: Ship and nig can put out a fucking B side

1433
01:28:37,200 --> 01:28:40,320
Speaker 3: that's better than most niggas a side. So definitely, K

1434
01:28:40,840 --> 01:28:44,240
Speaker 3: I think could do a great B side show. Who

1435
01:28:45,560 --> 01:28:48,960
Speaker 3: dot Kendrick great B side?

1436
01:28:50,360 --> 01:28:50,639
Speaker 1: Face?

1437
01:28:51,800 --> 01:28:53,120
Speaker 3: Yeah, Scarface could definitely do.

1438
01:28:53,120 --> 01:29:01,400
Speaker 1: A great B sides a whole concert. Yeah, I think.

1439
01:29:02,680 --> 01:29:08,320
Speaker 2: I wondered if if Ball and g could do one.

1440
01:29:09,960 --> 01:29:12,320
Speaker 2: I don't know, I don't know. I think they may

1441
01:29:12,439 --> 01:29:13,360
Speaker 2: just be songs I like.

1442
01:29:15,000 --> 01:29:20,480
Speaker 1: Mm hmmm right right, or just like like like underground

1443
01:29:20,520 --> 01:29:24,880
Speaker 1: classics type of you know what I'm saying. B sides?

1444
01:29:25,120 --> 01:29:26,719
Speaker 1: Who can make a good B size?

1445
01:29:27,400 --> 01:29:28,800
Speaker 2: I think Nads can do one.

1446
01:29:29,720 --> 01:29:34,040
Speaker 4: Yeah, Nads could do one. Could definitely do one.

1447
01:29:34,880 --> 01:29:37,639
Speaker 2: Maybe ice Cube. I think ice Cube could probably pull

1448
01:29:37,680 --> 01:29:44,360
Speaker 2: one off, pull off of you. I don't know, but

1449
01:29:44,600 --> 01:29:46,760
Speaker 2: all of it is like the first four or five

1450
01:29:46,840 --> 01:29:53,799
Speaker 2: albums bro Wait three to four, like the whole things

1451
01:29:53,840 --> 01:29:59,439
Speaker 2: are are good. So I think it's possible.

1452
01:30:00,840 --> 01:30:12,320
Speaker 1: Mm hmmm. Wu Tang probably could. Yeah, I think probably

1453
01:30:12,560 --> 01:30:15,320
Speaker 1: pull up a good B sides album. I mean concert.

1454
01:30:22,960 --> 01:30:23,920
Speaker 1: I think Loope.

1455
01:30:23,760 --> 01:30:26,360
Speaker 2: Could because school Boy Q.

1456
01:30:28,080 --> 01:30:32,880
Speaker 1: Yeah, I think so because I wanted him to do

1457
01:30:33,360 --> 01:30:36,000
Speaker 1: do B sides when he when I saw him in concert,

1458
01:30:36,080 --> 01:30:39,439
Speaker 1: but he did all his hits and I realized, like

1459
01:30:41,720 --> 01:30:44,240
Speaker 1: I'll be listening to the B sides more than the hits.

1460
01:30:45,720 --> 01:30:48,439
Speaker 1: But he did all of his hits on at that concert.

1461
01:30:48,439 --> 01:30:52,560
Speaker 1: I'm like, damn, he do this. He't do that? Like yeah,

1462
01:30:52,720 --> 01:30:54,720
Speaker 1: so school Boy absolutely.

1463
01:30:56,040 --> 01:30:57,360
Speaker 2: Yeah, Loope is a good one too.

1464
01:30:58,240 --> 01:30:59,680
Speaker 1: I was gonna ask you because y'all don't say that

1465
01:30:59,680 --> 01:31:02,280
Speaker 1: when because yeah, Lupe got some ship.

1466
01:31:03,560 --> 01:31:09,960
Speaker 2: Mm hmm yeah, yeah, Loope's a good one. Yeah of course.

1467
01:31:10,080 --> 01:31:14,160
Speaker 2: No oh damn all of No Limit. That is what's

1468
01:31:14,200 --> 01:31:16,439
Speaker 2: your favorite year of dady hip hop since starting in

1469
01:31:16,520 --> 01:31:17,240
Speaker 2: twenty eleven?

1470
01:31:19,240 --> 01:31:22,240
Speaker 1: Man, jeez, that's hard.

1471
01:31:22,280 --> 01:31:26,439
Speaker 3: That's the first. Yeah, that's a that's the first time

1472
01:31:26,479 --> 01:31:27,599
Speaker 3: I've ever heard that question.

1473
01:31:28,680 --> 01:31:33,639
Speaker 1: That is the first time I've heard that question. Man, y'all,

1474
01:31:33,720 --> 01:31:36,920
Speaker 1: let us know what's peak day? Hip years? Somebody said

1475
01:31:36,960 --> 01:31:39,160
Speaker 1: twenty seventeen, twenty fifteen.

1476
01:31:39,840 --> 01:31:43,639
Speaker 2: I was twenty fifteen came to mind. Twenty that twenty

1477
01:31:43,800 --> 01:31:45,040
Speaker 2: thirteen fifteen.

1478
01:31:46,400 --> 01:31:47,400
Speaker 3: What happened if.

1479
01:31:47,240 --> 01:31:50,800
Speaker 2: Years came to mind? I don't know, but it was

1480
01:31:50,840 --> 01:31:52,760
Speaker 2: the one that was the first year that popped in

1481
01:31:52,800 --> 01:31:53,200
Speaker 2: my head.

1482
01:31:53,240 --> 01:31:54,920
Speaker 1: Bro, let's see, let's see.

1483
01:31:55,320 --> 01:31:58,320
Speaker 2: Definitely the year that Kendrick shadowed us out. I'll never

1484
01:31:58,360 --> 01:31:59,160
Speaker 2: forget that ship.

1485
01:31:59,680 --> 01:32:02,800
Speaker 1: Yeah, I never get that either. Yeah, that was I

1486
01:32:02,800 --> 01:32:04,960
Speaker 1: don't know what that busiest moment.

1487
01:32:05,520 --> 01:32:07,920
Speaker 2: That was A that was a Mama I made it

1488
01:32:08,000 --> 01:32:08,720
Speaker 2: moment right there.

1489
01:32:08,760 --> 01:32:08,920
Speaker 1: Bro.

1490
01:32:09,320 --> 01:32:15,760
Speaker 3: Yeah, it was man Like, I don't know, like all

1491
01:32:15,760 --> 01:32:17,519
Speaker 3: of these years and kind of like it's like one

1492
01:32:17,560 --> 01:32:20,200
Speaker 3: long ass run on sentence. But I could definitely say

1493
01:32:20,240 --> 01:32:25,559
Speaker 3: one of my favorite was twenty eleven because prior to that,

1494
01:32:26,360 --> 01:32:30,920
Speaker 3: I've never been to I know, let me explain, I've

1495
01:32:30,920 --> 01:32:33,120
Speaker 3: never been to a festival, I said, let me explain,

1496
01:32:33,160 --> 01:32:35,760
Speaker 3: I've never been to a festival, you know, prior to that,

1497
01:32:35,920 --> 01:32:41,479
Speaker 3: So that was my first festival festival experience. Uh, I

1498
01:32:41,520 --> 01:32:45,920
Speaker 3: remember writing you know I had something or no that

1499
01:32:45,960 --> 01:32:48,639
Speaker 3: shit that was a second that was the second year, right,

1500
01:32:49,680 --> 01:32:51,439
Speaker 3: what was the year when I had to when I

1501
01:32:51,479 --> 01:32:53,240
Speaker 3: had the good shit in my backpack.

1502
01:32:54,360 --> 01:32:57,640
Speaker 1: At A three C. Might be the second year, that's probably.

1503
01:32:57,400 --> 01:32:59,639
Speaker 3: It might have been a second year, yeah, twenty twelve.

1504
01:33:00,040 --> 01:33:02,280
Speaker 3: But now that first year, man, just I felt like

1505
01:33:02,360 --> 01:33:07,600
Speaker 3: it was a it was almost storybook right, like the

1506
01:33:07,640 --> 01:33:09,840
Speaker 3: way that Rod and k came to me to pitch

1507
01:33:09,880 --> 01:33:14,360
Speaker 3: me the idea. Then like we dropped it. Then we

1508
01:33:14,360 --> 01:33:17,960
Speaker 3: was like tweaking it. Then like summertime we started getting

1509
01:33:18,000 --> 01:33:20,559
Speaker 3: shout outs. Then at the end like we had like

1510
01:33:20,600 --> 01:33:23,200
Speaker 3: our first viral video. Like I just feel like that

1511
01:33:23,240 --> 01:33:26,280
Speaker 3: first year was very storybook, like you couldn't write it

1512
01:33:26,320 --> 01:33:30,960
Speaker 3: any better. So it's definitely one of my favorite years.

1513
01:33:33,320 --> 01:33:35,840
Speaker 1: Yeah, that's a hard question, but it would be cool

1514
01:33:35,840 --> 01:33:39,519
Speaker 1: to kind of go back and just kind of see

1515
01:33:40,320 --> 01:33:46,680
Speaker 1: like when you know, when you know, kind of like

1516
01:33:46,720 --> 01:33:50,519
Speaker 1: when we was in that that that really good spot.

1517
01:33:56,080 --> 01:34:01,479
Speaker 2: All right, Uh, will we get the Gibbs and watch

1518
01:34:01,479 --> 01:34:06,599
Speaker 2: you film Night Patrol? On FPS.

1519
01:34:07,240 --> 01:34:10,320
Speaker 1: The Gibbs and why gi film Night Patrol? They got

1520
01:34:10,320 --> 01:34:15,000
Speaker 1: a film? I'm down to watch it. I you know,

1521
01:34:16,200 --> 01:34:17,320
Speaker 1: I like act.

1522
01:34:18,240 --> 01:34:22,240
Speaker 2: I got some bougie co hosts, so I don't know

1523
01:34:22,280 --> 01:34:24,839
Speaker 2: about the rest of it. Some of the mother jokers

1524
01:34:27,640 --> 01:34:30,680
Speaker 2: I watch it, you know, I know a couple that

1525
01:34:30,720 --> 01:34:33,360
Speaker 2: can go down and down down in the dungeon with me,

1526
01:34:33,640 --> 01:34:33,840
Speaker 2: you know.

1527
01:34:35,160 --> 01:34:38,679
Speaker 1: So it's a it's a vampire cop thriller.

1528
01:34:39,800 --> 01:34:44,880
Speaker 3: What shout out Freddie Gibs.

1529
01:34:46,600 --> 01:34:55,760
Speaker 1: Interesting. I'll check it out, though, I just don't has

1530
01:34:55,800 --> 01:34:56,960
Speaker 1: watch you done anything?

1531
01:35:02,800 --> 01:35:05,639
Speaker 2: I don't know, but yeah, I don't know. We'll see.

1532
01:35:05,640 --> 01:35:08,639
Speaker 2: I'll bring it up. We'll bring it up in the meeting. Uh, Donaldvan,

1533
01:35:09,000 --> 01:35:13,479
Speaker 2: which one you winning a dance contest with the pee

1534
01:35:13,520 --> 01:35:17,519
Speaker 2: wee Herman Chicken Noodle soup whipping their name the TENSI

1535
01:35:17,600 --> 01:35:18,680
Speaker 2: slide or take me.

1536
01:35:18,920 --> 01:35:23,640
Speaker 3: Through there, Take me through there, take me through that.

1537
01:35:25,680 --> 01:35:26,680
Speaker 2: I don't know what that is?

1538
01:35:27,880 --> 01:35:29,120
Speaker 1: Whoacare see this?

1539
01:35:29,240 --> 01:35:30,200
Speaker 3: I know you tapped out.

1540
01:35:31,320 --> 01:35:33,840
Speaker 2: Yeah it's it's the new the new hit.

1541
01:35:34,760 --> 01:35:35,400
Speaker 1: Uh.

1542
01:35:36,320 --> 01:35:38,799
Speaker 3: But I think I think the one that's that's women

1543
01:35:38,880 --> 01:35:48,760
Speaker 3: in that No steaky leg, No steaky leg, chicken lotu. Yeah,

1544
01:35:48,760 --> 01:35:52,760
Speaker 3: it's either chicken Noodle super or the name. It's one

1545
01:35:52,840 --> 01:35:53,160
Speaker 3: or the other.

1546
01:35:57,800 --> 01:36:00,600
Speaker 1: The name was I did know how to do that,

1547
01:36:01,120 --> 01:36:04,639
Speaker 1: but I didn't know if it was one that I

1548
01:36:06,200 --> 01:36:09,040
Speaker 1: because it was pe not the pee Wee Herman dance

1549
01:36:09,160 --> 01:36:10,880
Speaker 1: that he did, but it was it was a dance

1550
01:36:10,920 --> 01:36:11,920
Speaker 1: called the pee Wee Herman.

1551
01:36:12,360 --> 01:36:15,000
Speaker 2: Yep, and they called the pee Wee Herman.

1552
01:36:16,160 --> 01:36:20,000
Speaker 1: Yeah, yeah it was. It wasn't that though, it was.

1553
01:36:20,080 --> 01:36:23,080
Speaker 1: It was something else though, right, It wasn't the actual

1554
01:36:23,160 --> 01:36:24,200
Speaker 1: dance that pee Wee did.

1555
01:36:24,520 --> 01:36:26,559
Speaker 2: Yeah, it was like, yeah, it was a version of

1556
01:36:26,600 --> 01:36:33,200
Speaker 2: that though. I think, yeah, that's oh dance, bro.

1557
01:36:33,800 --> 01:36:36,040
Speaker 1: Yeah. All the other stuff I didn't, man, because chicken

1558
01:36:36,160 --> 01:36:37,800
Speaker 1: U the suit was like a New York thing, right,

1559
01:36:41,680 --> 01:36:45,160
Speaker 1: what was that little Mama? That was a little it

1560
01:36:45,240 --> 01:36:47,320
Speaker 1: was another it was some other young cats that was

1561
01:36:47,320 --> 01:36:51,760
Speaker 1: doing so yeah that that's not something that I even

1562
01:36:51,800 --> 01:36:54,599
Speaker 1: even attempted to do. I attempted to do the whipping

1563
01:36:54,880 --> 01:36:57,280
Speaker 1: because of my kids. Pee Wee Herman was back in

1564
01:36:57,320 --> 01:37:00,600
Speaker 1: my day. So I feel like that's the one they

1565
01:37:00,720 --> 01:37:04,040
Speaker 1: take me through there, tousy slide now mm hmmm.

1566
01:37:08,479 --> 01:37:11,120
Speaker 2: No, I'm trying to look at this people Herman dads.

1567
01:37:15,800 --> 01:37:26,160
Speaker 8: Mhm okay, yeah right, you know that one.

1568
01:37:27,200 --> 01:37:30,640
Speaker 2: Yeah, but I could do the tensy slide bro.

1569
01:37:32,560 --> 01:37:35,760
Speaker 1: That that that's the that's the drink thing.

1570
01:37:36,439 --> 01:37:39,240
Speaker 2: Wait, wait, hold on, hold on, you know right, you

1571
01:37:39,280 --> 01:37:41,320
Speaker 2: know what I was thinking, give me the people with

1572
01:37:41,360 --> 01:37:43,280
Speaker 2: Hermit then I was thinking about the tipsy role, bro.

1573
01:37:49,400 --> 01:37:51,960
Speaker 2: But yeah, the tensy role is that, you know they

1574
01:37:52,000 --> 01:37:53,000
Speaker 2: do that or whatever.

1575
01:37:53,680 --> 01:37:56,400
Speaker 1: Way they do what I see you like that.

1576
01:37:56,520 --> 01:37:58,439
Speaker 2: And ship like that, but they be doing some other

1577
01:37:58,439 --> 01:37:58,920
Speaker 2: ship with it.

1578
01:37:59,240 --> 01:38:03,400
Speaker 1: Yeah, I can probably you've seen it. Yeah that's what

1579
01:38:03,439 --> 01:38:10,680
Speaker 1: I Yeah, give me that joint. Yeah, give me that joint. Yeah. Uh.

1580
01:38:10,800 --> 01:38:13,559
Speaker 2: Rob thoughts on Stove got new album Swiss produced. That's

1581
01:38:13,560 --> 01:38:17,400
Speaker 2: an interesting producer. It is an interesting producer. But have

1582
01:38:17,479 --> 01:38:22,599
Speaker 2: y'all heard that track though? Mm hmm, Yeah, the track

1583
01:38:22,720 --> 01:38:25,240
Speaker 2: is dope. The track is dope.

1584
01:38:25,280 --> 01:38:27,679
Speaker 1: I think it's really interesting that they pulled Swiss Beast

1585
01:38:27,720 --> 01:38:31,439
Speaker 1: to do a Stole God album. Man, they must have

1586
01:38:31,520 --> 01:38:33,720
Speaker 1: tapped into something crazy. They must have.

1587
01:38:35,240 --> 01:38:38,920
Speaker 3: Well, let's be honest. As much hate Swiss gets like,

1588
01:38:39,040 --> 01:38:43,760
Speaker 3: Swiss got a lot of good street ship bron like like,

1589
01:38:43,840 --> 01:38:47,320
Speaker 3: Swiss has produced some of the hardest street ships. So yeah,

1590
01:38:47,920 --> 01:38:50,759
Speaker 3: it sounds weird on paper, but it definitely worked.

1591
01:38:50,840 --> 01:38:53,840
Speaker 1: It sounds weird on paper, but man, that that song

1592
01:38:54,080 --> 01:38:57,000
Speaker 1: is crazy, and so if you got if he tapped

1593
01:38:57,000 --> 01:39:00,160
Speaker 1: into a certain band for stole God. I mean, like

1594
01:39:00,200 --> 01:39:02,040
Speaker 1: you said, let's not let's not let's not at like

1595
01:39:02,120 --> 01:39:07,000
Speaker 1: Swiss Beats, wasn't that guy? And y'all know how how

1596
01:39:07,120 --> 01:39:12,320
Speaker 1: and we know how how west Side in pools and

1597
01:39:12,360 --> 01:39:17,880
Speaker 1: aspires and conduct these collabse like I think they might

1598
01:39:17,920 --> 01:39:18,720
Speaker 1: have got someone with this.

1599
01:39:20,880 --> 01:39:23,599
Speaker 2: Yeah, and shout out to Rob Man. Remember for forty

1600
01:39:23,600 --> 01:39:26,600
Speaker 2: three months s loot bro. Yeah, yeah, I love but

1601
01:39:26,680 --> 01:39:28,800
Speaker 2: yeah that that's that ship might be crazy, I know,

1602
01:39:28,880 --> 01:39:31,720
Speaker 2: be high though he might he might come back for

1603
01:39:31,800 --> 01:39:32,120
Speaker 2: that one.

1604
01:39:32,720 --> 01:39:34,080
Speaker 1: Maybe not. Uh.

1605
01:39:34,600 --> 01:39:41,639
Speaker 2: More influential Soldier Boy, future soldier boy.

1606
01:39:40,280 --> 01:39:46,000
Speaker 1: That's good, you too crazy? I think so.

1607
01:39:46,160 --> 01:39:49,800
Speaker 3: I think more people m hm, I can't even say that,

1608
01:39:50,880 --> 01:39:52,840
Speaker 3: I think future, can I think more people try to

1609
01:39:52,840 --> 01:39:56,200
Speaker 3: be future than they try to be Sojia Boy, I

1610
01:39:56,240 --> 01:39:59,680
Speaker 3: will say Sojio Boy was a pioneer, right, like of

1611
01:39:59,720 --> 01:40:04,320
Speaker 3: the there that era, monetizing different aspects outside of just

1612
01:40:04,640 --> 01:40:07,880
Speaker 3: you know, like the or merch. I'll give them mad

1613
01:40:07,920 --> 01:40:10,920
Speaker 3: props there. I think more artists want to be future

1614
01:40:10,960 --> 01:40:12,160
Speaker 3: than they want to be Soldier Boy.

1615
01:40:13,640 --> 01:40:15,960
Speaker 1: But that is a good point about just if we're

1616
01:40:15,960 --> 01:40:20,080
Speaker 1: talking about more more, more influential in this totality, right,

1617
01:40:21,400 --> 01:40:24,720
Speaker 1: Soldier Boy definitely paved the way.

1618
01:40:24,800 --> 01:40:27,519
Speaker 3: Yeah, but a lot of the music that we hear

1619
01:40:27,560 --> 01:40:31,000
Speaker 3: from the from you know, some of the older guys

1620
01:40:31,000 --> 01:40:33,480
Speaker 3: in hip hop, and especially a lot of the newer guys.

1621
01:40:34,000 --> 01:40:34,680
Speaker 1: There are a lot of.

1622
01:40:34,760 --> 01:40:37,719
Speaker 3: Future babies, and I feel, you know, Future is away

1623
01:40:37,840 --> 01:40:41,080
Speaker 3: baby too, but Future got a lot of babies out there.

1624
01:40:41,080 --> 01:40:41,200
Speaker 6: Bro.

1625
01:40:42,000 --> 01:40:47,520
Speaker 2: Does future have its own game system?

1626
01:40:48,160 --> 01:40:48,479
Speaker 1: No?

1627
01:40:49,400 --> 01:40:51,640
Speaker 2: You know that?

1628
01:40:57,360 --> 01:40:59,320
Speaker 1: All right? Get jab.

1629
01:41:00,800 --> 01:41:03,280
Speaker 2: Y'all think there's a serious lack of competition of rapping

1630
01:41:03,360 --> 01:41:05,800
Speaker 2: musk the next gen at the moment. The only one

1631
01:41:05,920 --> 01:41:08,439
Speaker 2: rightfully claiming the throne is fifteen years in the game now,

1632
01:41:08,840 --> 01:41:11,759
Speaker 2: and no one from next gen cares to usurp.

1633
01:41:13,560 --> 01:41:15,400
Speaker 3: You know, I think this is kind of like what

1634
01:41:15,479 --> 01:41:17,479
Speaker 3: the NBA is going through that nobody wants to be

1635
01:41:17,520 --> 01:41:19,800
Speaker 3: the face of the league, and I think it's the

1636
01:41:19,800 --> 01:41:21,400
Speaker 3: same thing in hip hop. I just think that this

1637
01:41:21,520 --> 01:41:27,400
Speaker 3: next generation, they didn't have to battle their way to prominence.

1638
01:41:28,120 --> 01:41:32,280
Speaker 3: I think the journey was a lot easier and way

1639
01:41:32,360 --> 01:41:36,160
Speaker 3: less unscathed. So with that being said, they don't really

1640
01:41:36,280 --> 01:41:39,600
Speaker 3: care to claim quote unquote being the best or the

1641
01:41:39,720 --> 01:41:43,559
Speaker 3: key or the number one spot because they all feel

1642
01:41:43,560 --> 01:41:46,320
Speaker 3: like they can just all coexist, which is true, But

1643
01:41:46,360 --> 01:41:49,200
Speaker 3: it's just I think that that's the mentality of the

1644
01:41:49,280 --> 01:41:53,120
Speaker 3: different generations, you know, Like I think our generation had

1645
01:41:53,160 --> 01:41:56,920
Speaker 3: to still go through the you know, through the means

1646
01:41:56,960 --> 01:42:01,160
Speaker 3: of being discovered and then getting a contract that they're

1647
01:42:01,200 --> 01:42:04,760
Speaker 3: getting on the radio. Like there was just certain milestones

1648
01:42:04,760 --> 01:42:07,480
Speaker 3: that you had to accomplish before you were considered successful.

1649
01:42:08,040 --> 01:42:11,960
Speaker 3: Now it's like, Bro, I could just make music in

1650
01:42:12,040 --> 01:42:14,200
Speaker 3: my bedroom, record it and put it out the same

1651
01:42:14,280 --> 01:42:17,280
Speaker 3: day and if it hit like now, I've been that,

1652
01:42:17,439 --> 01:42:19,720
Speaker 3: I've been that that ring of the elite, you know

1653
01:42:19,720 --> 01:42:21,960
Speaker 3: what I'm saying, Like, they didn't have to grow through

1654
01:42:22,000 --> 01:42:25,960
Speaker 3: as many trials and tribulations, so getting to that number

1655
01:42:25,960 --> 01:42:28,759
Speaker 3: one spot doesn't mean the same to them.

1656
01:42:29,080 --> 01:42:36,840
Speaker 2: Hm hmm, Yeah, I do agree with that. I think that,

1657
01:42:36,960 --> 01:42:38,360
Speaker 2: you know, you have a lot of these. I think

1658
01:42:38,400 --> 01:42:44,040
Speaker 2: it's the what's the basketball thing? The one where all

1659
01:42:44,040 --> 01:42:47,400
Speaker 2: the high school kids know each other and play you

1660
01:42:48,240 --> 01:42:48,920
Speaker 2: yeah you?

1661
01:42:49,080 --> 01:42:50,360
Speaker 1: Is that a you? Shiit? Bro?

1662
01:42:50,640 --> 01:42:53,719
Speaker 2: They all friendly, they all doing fezzures on one another.

1663
01:42:54,320 --> 01:42:58,519
Speaker 2: No one cared to take down the nets, which you

1664
01:42:58,560 --> 01:43:01,320
Speaker 2: know what, man, it's fine, you know if we get

1665
01:43:01,320 --> 01:43:05,040
Speaker 2: good quality music out of it. I don't think there

1666
01:43:05,120 --> 01:43:08,000
Speaker 2: is anything wrong with that, the question is whether or

1667
01:43:08,040 --> 01:43:09,720
Speaker 2: not we you know, the thing is whether or not

1668
01:43:09,720 --> 01:43:10,479
Speaker 2: we would get that.

1669
01:43:11,200 --> 01:43:11,400
Speaker 1: You know.

1670
01:43:11,560 --> 01:43:16,000
Speaker 2: So, I think you can see competitive rappers rapping with

1671
01:43:16,080 --> 01:43:18,400
Speaker 2: one another, and then if they trying to top one

1672
01:43:18,439 --> 01:43:20,960
Speaker 2: another in terms of out wrap one another on the song,

1673
01:43:21,000 --> 01:43:23,439
Speaker 2: then I think that's cool too, you know.

1674
01:43:24,960 --> 01:43:29,880
Speaker 1: So, what you were going to say rock now, I'm

1675
01:43:29,880 --> 01:43:32,479
Speaker 1: just saying, based on what you're saying, you're agreed that

1676
01:43:32,520 --> 01:43:38,800
Speaker 1: it is a lack of competition. Most death those death.

1677
01:43:39,360 --> 01:43:40,760
Speaker 3: You know, you listen to what a lot of these

1678
01:43:40,840 --> 01:43:46,080
Speaker 3: youngis rap about, Like they're not really raping about their

1679
01:43:46,200 --> 01:43:48,800
Speaker 3: peers in a sense of like trying to be better

1680
01:43:48,880 --> 01:43:51,280
Speaker 3: than them or anything like that for the most part,

1681
01:43:51,280 --> 01:43:53,479
Speaker 3: and I say that it doesn't happen at all. But

1682
01:43:53,560 --> 01:43:57,960
Speaker 3: I just don't think it's it like that doesn't mean

1683
01:43:58,000 --> 01:44:00,679
Speaker 3: as much to them as it as it did to us.

1684
01:44:01,240 --> 01:44:05,040
Speaker 3: You know, it's just their their environment just didn't dictate that.

1685
01:44:07,680 --> 01:44:10,559
Speaker 1: Yeah, I don't necessarily need to be a competition. Just

1686
01:44:10,600 --> 01:44:13,240
Speaker 1: everybody just putting the best foot forward at what they do.

1687
01:44:13,720 --> 01:44:16,479
Speaker 1: I think is it's all I care about.

1688
01:44:19,560 --> 01:44:23,760
Speaker 2: Yeah, Jonathan Hernandez. If Kanye ever got approved for a

1689
01:44:23,840 --> 01:44:27,120
Speaker 2: halftime performance for the Super Bowl. What sit songs would

1690
01:44:27,160 --> 01:44:30,759
Speaker 2: he have to do? Also, percentage that this ever happens

1691
01:44:31,080 --> 01:44:35,280
Speaker 2: negative five percent. You guys have been doing great in

1692
01:44:35,320 --> 01:44:37,760
Speaker 2: spite of all the big changes. Keep it up, appreciate that.

1693
01:44:38,760 --> 01:44:44,400
Speaker 1: Can't tell me so long he yep, without a doubt.

1694
01:44:44,439 --> 01:44:50,800
Speaker 1: He has to do that song yep, n word in Paris.

1695
01:44:51,040 --> 01:44:52,680
Speaker 2: But I don't know if he'll be able to do it,

1696
01:44:53,280 --> 01:44:57,000
Speaker 2: but that it would go crazy if he did it.

1697
01:45:00,320 --> 01:45:02,599
Speaker 1: All of the lights I think will go go really

1698
01:45:02,640 --> 01:45:08,040
Speaker 1: really too. Yeah. Yeah, that's that, that would go nuts,

1699
01:45:10,360 --> 01:45:11,600
Speaker 1: all of the lights.

1700
01:45:13,560 --> 01:45:14,960
Speaker 3: Should I think flashing.

1701
01:45:14,640 --> 01:45:17,960
Speaker 1: Lights over all of the lights?

1702
01:45:18,200 --> 01:45:19,120
Speaker 3: No? I think both?

1703
01:45:20,040 --> 01:45:21,120
Speaker 1: Oh both.

1704
01:45:22,160 --> 01:45:23,880
Speaker 3: I think Stronger would have to be played.

1705
01:45:25,479 --> 01:45:30,000
Speaker 1: You think that will still go? Yeah? Like yeah, I

1706
01:45:30,000 --> 01:45:32,799
Speaker 1: don't know. I feel like Stronger is a little dated, honestly.

1707
01:45:33,960 --> 01:45:34,240
Speaker 5: No.

1708
01:45:34,439 --> 01:45:37,439
Speaker 3: I think a lot of Ye's music, especially for graduation,

1709
01:45:38,080 --> 01:45:45,000
Speaker 3: is timeless. Uh, ship, what else would you play? You

1710
01:45:45,040 --> 01:45:46,720
Speaker 3: think you should play All falls Down?

1711
01:45:49,640 --> 01:45:49,680
Speaker 1: No?

1712
01:45:52,080 --> 01:45:55,759
Speaker 4: I don't think that. I don't think that's a super

1713
01:45:55,760 --> 01:45:56,439
Speaker 4: Bowl song.

1714
01:45:57,760 --> 01:45:59,479
Speaker 2: Could he get away with Jesus Walks?

1715
01:46:00,479 --> 01:46:00,559
Speaker 1: No?

1716
01:46:01,840 --> 01:46:04,120
Speaker 2: Mm hmmm, I don't know. It's America, you know what

1717
01:46:04,240 --> 01:46:04,599
Speaker 2: they are.

1718
01:46:09,400 --> 01:46:12,120
Speaker 1: Yeah, he probably could do touch the Sky. Yeah, he

1719
01:46:12,120 --> 01:46:13,519
Speaker 1: probably could do Touch the Sky.

1720
01:46:16,200 --> 01:46:19,280
Speaker 3: Yeah, Slow James, he definitely gonna do Slow James.

1721
01:46:20,000 --> 01:46:26,479
Speaker 1: Yeah. Yeah, I think that's the super Bowl song. I

1722
01:46:26,479 --> 01:46:28,439
Speaker 1: love Devil New Dress, but it's not a super Bowl.

1723
01:46:28,479 --> 01:46:30,240
Speaker 3: Yeah, it's not a super Bowl, so you see I

1724
01:46:30,280 --> 01:46:31,920
Speaker 3: didn't even mention that's my favorite joint.

1725
01:46:32,000 --> 01:46:34,880
Speaker 1: Yeah, it's not a super Bowl so mm hmmm.

1726
01:46:35,680 --> 01:46:37,560
Speaker 2: And closing with New Slaves.

1727
01:46:41,680 --> 01:46:44,920
Speaker 1: Uh man, Yeah, but no, I think I think that

1728
01:46:45,040 --> 01:46:49,439
Speaker 1: Kanye West halftime show would be amazing. Nah, I'm over it.

1729
01:46:49,880 --> 01:46:53,360
Speaker 2: No, no, no, man, no, I'm with ride. Kanye do

1730
01:46:53,439 --> 01:46:56,920
Speaker 2: a halftime show, bro, Bro, it's gonna be one. It

1731
01:46:57,000 --> 01:46:59,880
Speaker 2: will be one of It would be a classic.

1732
01:47:00,080 --> 01:47:00,240
Speaker 6: Bro.

1733
01:47:01,320 --> 01:47:03,400
Speaker 2: It would be one of the best super Bowl shows

1734
01:47:03,439 --> 01:47:04,320
Speaker 2: of all time.

1735
01:47:04,400 --> 01:47:06,840
Speaker 1: I'm telling you he put look.

1736
01:47:06,680 --> 01:47:08,519
Speaker 2: At how much to his own show.

1737
01:47:08,920 --> 01:47:10,080
Speaker 1: You know he's gonna go all out.

1738
01:47:10,800 --> 01:47:16,120
Speaker 2: He is, He's gonna he's gonna go nuts. Yeah, he

1739
01:47:16,240 --> 01:47:17,519
Speaker 2: probably working on it right now.

1740
01:47:19,080 --> 01:47:21,800
Speaker 1: You think he should do Big Brother and not a

1741
01:47:21,800 --> 01:47:26,640
Speaker 1: super Bowl song because he can do good Life. He

1742
01:47:26,640 --> 01:47:30,120
Speaker 1: can do good life, yeah, good life. Yeah.

1743
01:47:31,240 --> 01:47:34,160
Speaker 3: You think he should bring out those artists, those guest features.

1744
01:47:34,880 --> 01:47:38,200
Speaker 2: If he could, and they probably would asked to go.

1745
01:47:38,479 --> 01:47:43,320
Speaker 2: They should go yep, man that that that that a.

1746
01:47:43,080 --> 01:47:44,439
Speaker 1: Good music era bro.

1747
01:47:45,880 --> 01:47:49,000
Speaker 2: Man, what a time brouh.

1748
01:47:49,240 --> 01:47:50,280
Speaker 1: Just a couple more left?

1749
01:47:50,439 --> 01:47:55,160
Speaker 2: Uh reas uh cook Denzel group strictly for the sight

1750
01:47:56,560 --> 01:47:58,519
Speaker 2: drops in a day or two. You guys looking forward

1751
01:47:58,560 --> 01:48:03,200
Speaker 2: to it, Reviews coming, viewing coming, you know what I am.

1752
01:48:03,280 --> 01:48:05,599
Speaker 2: I've been keeping up with this with the tracks. It's

1753
01:48:05,640 --> 01:48:09,599
Speaker 2: only eight songs and I know he's been like two

1754
01:48:09,720 --> 01:48:11,960
Speaker 2: to three singles already.

1755
01:48:12,200 --> 01:48:16,519
Speaker 1: Two Yeah, I have.

1756
01:48:17,360 --> 01:48:21,160
Speaker 3: It's okay, So look, of course I'm looking for it

1757
01:48:21,200 --> 01:48:22,960
Speaker 3: because I'm the one that brought that Zel kerry to

1758
01:48:23,000 --> 01:48:25,800
Speaker 3: the group. So I've always been a day one, So yes,

1759
01:48:26,080 --> 01:48:32,519
Speaker 3: I'm interested. However, the two songs that they've released, they're cool,

1760
01:48:33,400 --> 01:48:37,880
Speaker 3: but it's definitely not what I expected execution wise, Like

1761
01:48:38,560 --> 01:48:40,360
Speaker 3: you know what I say. Again, I don't think they're bad,

1762
01:48:41,360 --> 01:48:44,840
Speaker 3: but the days that's evolved, it's just it didn't hit

1763
01:48:44,880 --> 01:48:47,080
Speaker 3: the way I thought it would. But maybe maybe the

1764
01:48:47,160 --> 01:48:49,439
Speaker 3: album will. But the first two singles it's just all

1765
01:48:52,760 --> 01:48:56,639
Speaker 3: you said, it's just all right, Yeah, it's just all right,

1766
01:48:56,840 --> 01:48:59,479
Speaker 3: Like they didn't hit like that. It's cool and they

1767
01:48:59,600 --> 01:49:01,479
Speaker 3: hit like that. I think one of them is it's

1768
01:49:01,640 --> 01:49:07,800
Speaker 3: lit and yeah, litt Effect. Yeah, and then I can't

1769
01:49:07,800 --> 01:49:10,160
Speaker 3: remember the name of the other one. I think lit

1770
01:49:10,160 --> 01:49:13,920
Speaker 3: Effect was the second one. But either way, Like again,

1771
01:49:13,960 --> 01:49:17,080
Speaker 3: I'm not saying it's bad. This is not what I expected.

1772
01:49:18,040 --> 01:49:19,040
Speaker 3: So we'll see, we'll.

1773
01:49:18,880 --> 01:49:19,320
Speaker 1: See a little.

1774
01:49:20,520 --> 01:49:29,200
Speaker 2: I got that little fit bitch. Oh man, that's gonna

1775
01:49:29,240 --> 01:49:30,880
Speaker 2: go fucking nuts, I think so.

1776
01:49:32,160 --> 01:49:35,920
Speaker 1: Uh yeah yeah.

1777
01:49:37,720 --> 01:49:39,840
Speaker 2: Has the fall off grown on y'all since the review?

1778
01:49:42,400 --> 01:49:43,080
Speaker 2: That's comedy?

1779
01:49:44,520 --> 01:49:45,320
Speaker 1: Oh man?

1780
01:49:46,800 --> 01:49:54,719
Speaker 2: No, no, no, I listen to a sister review.

1781
01:49:55,240 --> 01:49:57,800
Speaker 1: Yeah, call let me down. I just I hadn't had

1782
01:49:57,840 --> 01:49:59,519
Speaker 1: any desire to just go to it.

1783
01:50:03,880 --> 01:50:07,800
Speaker 2: Yeah, uh all right, which I'll review walle A album

1784
01:50:07,840 --> 01:50:09,200
Speaker 2: Ship was good for real.

1785
01:50:09,720 --> 01:50:11,919
Speaker 1: We were supposed to. I don't know what happened.

1786
01:50:13,320 --> 01:50:15,519
Speaker 2: I think we ended up doing something else. We made

1787
01:50:15,520 --> 01:50:16,280
Speaker 2: a pivot.

1788
01:50:17,200 --> 01:50:21,080
Speaker 4: Yeah, yeah, it fell through, but I heard some of it.

1789
01:50:21,320 --> 01:50:22,080
Speaker 1: Just you know.

1790
01:50:23,240 --> 01:50:24,960
Speaker 4: I was saying the other day that I think Wala

1791
01:50:25,160 --> 01:50:26,760
Speaker 4: is a safe artist.

1792
01:50:29,280 --> 01:50:31,840
Speaker 2: I still think we should do it, man, I still

1793
01:50:31,840 --> 01:50:37,759
Speaker 2: think we should do it. It's never too late. Yeah,

1794
01:50:39,360 --> 01:50:41,120
Speaker 2: I'd be curious to hear what you guys think.

1795
01:50:41,320 --> 01:50:46,439
Speaker 1: But uh yeah, but but.

1796
01:50:46,479 --> 01:50:49,160
Speaker 2: Yeah, yeah, so we we'll, we'll, we'll, we'll, we'll continue

1797
01:50:49,160 --> 01:50:53,920
Speaker 2: talking internally, and last one best female battle rapper.

1798
01:50:54,160 --> 01:50:57,720
Speaker 1: This is outside my element. Oh wait, let me add

1799
01:50:57,800 --> 01:51:10,479
Speaker 1: me too, Nah, who's hold on? What's man? She battles

1800
01:51:10,520 --> 01:51:22,920
Speaker 1: some dudes. Yeah, her name it's forty Bars. I believe

1801
01:51:23,080 --> 01:51:24,439
Speaker 1: forty Bars is dope.

1802
01:51:28,960 --> 01:51:33,720
Speaker 2: Mm hmmm, Bro, I got a lot of that. No, no, no, no,

1803
01:51:33,720 --> 01:51:34,360
Speaker 2: no, no no no.

1804
01:51:35,000 --> 01:51:44,479
Speaker 9: I tell you, I'm telling you that she could be that.

1805
01:51:44,600 --> 01:51:47,479
Speaker 1: She's gonna bump in the wheel.

1806
01:51:47,520 --> 01:51:52,280
Speaker 2: Bro, it's gonna go cray, gonna be nuts.

1807
01:51:53,800 --> 01:51:56,839
Speaker 1: Yeah, forty Bars is dope. She's battled a couple of dudes.

1808
01:51:59,280 --> 01:52:03,880
Speaker 1: Uh yea, though, that's the one I thought. Good for y'all,

1809
01:52:03,880 --> 01:52:04,760
Speaker 1: for y'all don't know.

1810
01:52:07,560 --> 01:52:15,200
Speaker 2: All right, Yeah, that's it, that's it.

1811
01:52:17,080 --> 01:52:19,800
Speaker 1: All right, cool man. Look man, thank y'all for coming

1812
01:52:19,840 --> 01:52:21,439
Speaker 1: through for another day of hip hop Live.

1813
01:52:21,520 --> 01:52:21,680
Speaker 2: Man.

1814
01:52:21,760 --> 01:52:24,120
Speaker 1: Like I said, we did a little, a little nostalgia

1815
01:52:24,200 --> 01:52:26,040
Speaker 1: live for y'all. Man. We used to do these back

1816
01:52:26,040 --> 01:52:29,439
Speaker 1: in the day where it was just a straight up

1817
01:52:29,439 --> 01:52:31,360
Speaker 1: super chat show. That's when I used to read them

1818
01:52:31,360 --> 01:52:36,360
Speaker 1: off and do these. But but yeah, thank y'all for

1819
01:52:36,400 --> 01:52:42,479
Speaker 1: coming through, man, Thank y'all for the for the super chats,

1820
01:52:42,880 --> 01:52:44,439
Speaker 1: thank you for all the members.

1821
01:52:44,520 --> 01:52:49,679
Speaker 4: Man that's been around for so long, So yeah, yeah,

1822
01:52:49,760 --> 01:52:50,599
Speaker 4: appreciate that.

1823
01:52:51,479 --> 01:52:53,040
Speaker 1: Like I said, Man, we're gonna try best to do

1824
01:52:53,160 --> 01:52:56,280
Speaker 1: these every week man, now pm Eastern standing time. We're

1825
01:52:56,280 --> 01:52:58,240
Speaker 1: gonna get a live from us one way or another,

1826
01:52:59,439 --> 01:53:03,559
Speaker 1: and we're doing also try to fine tune the listening

1827
01:53:04,080 --> 01:53:09,360
Speaker 1: sessions the reactions on Twitch, so make sure you follow

1828
01:53:09,439 --> 01:53:13,479
Speaker 1: us on Twitch. We're also stream it on Facebook, Twitter,

1829
01:53:13,640 --> 01:53:15,839
Speaker 1: so if you're following us on any of those places,

1830
01:53:15,840 --> 01:53:19,599
Speaker 1: be on the lookout for reactions to different albums. We're

1831
01:53:19,600 --> 01:53:22,160
Speaker 1: gonna try to start tapping into that a little bit more.

1832
01:53:22,200 --> 01:53:25,400
Speaker 1: If y'all seem to like with Ken and Fifo did

1833
01:53:25,439 --> 01:53:29,760
Speaker 1: the Baby Kem, So you don't look out for that.

1834
01:53:29,360 --> 01:53:32,559
Speaker 1: That hip hop podcast, man, we still we're still seeing

1835
01:53:32,600 --> 01:53:35,080
Speaker 1: that through man. We want to get your guys feedback

1836
01:53:35,120 --> 01:53:38,240
Speaker 1: on that, on how you guys are liking the Denning

1837
01:53:38,280 --> 01:53:40,559
Speaker 1: hip Hop podcast. You usually can get the whole thing

1838
01:53:40,600 --> 01:53:42,559
Speaker 1: wherever you get your podcasts, or you can get it

1839
01:53:43,520 --> 01:53:46,080
Speaker 1: or Patreon dot com for slash Dead and hip Hop

1840
01:53:46,640 --> 01:53:50,640
Speaker 1: and sometimes we released the videos and things from that

1841
01:53:50,720 --> 01:53:52,800
Speaker 1: podcast on a channel, So yeah, make sure you don't

1842
01:53:52,800 --> 01:53:53,479
Speaker 1: look out for that.

1843
01:53:54,400 --> 01:53:56,040
Speaker 4: But yeah, man, shout out to y'all, Man shout out

1844
01:53:56,040 --> 01:53:57,000
Speaker 4: to y'all are always.

1845
01:53:56,720 --> 01:53:59,719
Speaker 1: Showing up for us and coming through to these lives

1846
01:53:59,720 --> 01:54:03,720
Speaker 1: and were watching these videos. What you got? What's that do?

1847
01:54:03,880 --> 01:54:11,160
Speaker 1: Denzel listening on Friday? That could be interesting. Shouldn't be

1848
01:54:11,160 --> 01:54:11,799
Speaker 1: my schedule?

1849
01:54:12,120 --> 01:54:14,720
Speaker 2: Like though it's only eight songs, it's not gonna be

1850
01:54:14,800 --> 01:54:15,679
Speaker 2: a long album.

1851
01:54:15,720 --> 01:54:18,400
Speaker 1: I'm sure, Okay, we might. We might can do that.

1852
01:54:20,120 --> 01:54:23,519
Speaker 1: Oh daddy homework shout out to Lisa Girly nine five. Yeah,

1853
01:54:23,560 --> 01:54:25,280
Speaker 1: we gotta do that. We gotta do the dady hip

1854
01:54:25,280 --> 01:54:27,240
Speaker 1: hop homework.

1855
01:54:26,479 --> 01:54:30,200
Speaker 2: Oh it's it's stuff already. Don't work, y'all.

1856
01:54:30,840 --> 01:54:31,720
Speaker 1: We gotta do that.

1857
01:54:32,880 --> 01:54:36,680
Speaker 2: Oh yeah, oh that's only ten Okay, never mind. I

1858
01:54:36,720 --> 01:54:40,360
Speaker 2: was trying to see how many songs of them? I'm sorry, right, yeah.

1859
01:54:40,720 --> 01:54:43,720
Speaker 1: But yeah man, they're saying left because he up here

1860
01:54:44,240 --> 01:54:49,960
Speaker 1: dying on us. Yeah, may get you some some zyr

1861
01:54:50,080 --> 01:54:51,360
Speaker 1: tech or something, my boy.

1862
01:54:52,360 --> 01:54:55,040
Speaker 3: Bro, I've been taking pills all day.

1863
01:54:55,160 --> 01:55:01,320
Speaker 1: Bro, super fan or something. Bro. But yeah, man, looking

1864
01:55:01,400 --> 01:55:02,760
Speaker 1: up out of here, man, I think you'all for coming through.

1865
01:55:02,840 --> 01:55:03,400
Speaker 1: Man in peace